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+The Project Gutenberg EBook of McGuffey's Sixth Eclectic Reader
+by William Holmes McGuffey
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: McGuffey's Sixth Eclectic Reader
+
+Author: William Holmes McGuffey
+
+Release Date: September 26, 2005 [EBook #16751]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK MCGUFFEY'S SIXTH ECLECTIC READER ***
+
+
+
+
+Produced by Don Kostuch
+
+
+
+
+
+[Transcriber's Notes:
+Welcome to the schoolroom of 1900. The moral tone is plain.
+"She is kind to the old blind man."
+
+The exercises are still suitable, and perhaps more helpful than some
+contemporary alternatives. Much is left to the teacher. Explanations given
+in the text are enough to get started teaching a child to read and write.
+Counting in Roman numerals is included as a bonus in the form of lesson
+numbers.
+
+The form of contractions includes a space. The contemporary word "don't"
+was rendered as "do n't".
+
+The author, not listed in the text, is William Holmes McGuffey.
+
+Passages using non-ASCI characters are approximately rendered in this text
+version. See the PDF or DOC versions for the original images.
+
+The section numbers are decimal in the Table of Contents but are in
+Roman Numerals in the body.
+
+Page headings are removed, but section titles are followed by the page on
+which they appear.
+
+Many items include a preceding biography of the author. This is ended with
+three pound symbols. ###
+
+Don Kostuch
+end transcriber's notes]
+
+
+
+[Illustration: Picture of a young woman and a trunk.]
+
+She sits, inclining forward as to speak,
+Her lips half-open, and her finger up,
+As though she said, "Beware!"
+
+(Item XCV. Ginevra)
+
+
+ECLECTIC EDUCATIONAL SERIES.
+
+
+
+McGUFFEY'S SIXTH ECLECTIC READER.
+
+REVISED EDITION.
+
+McGuffey Editions and Colophon are Trademarks of
+
+
+JOHN WILEY & SONS. INC.
+
+NEW YORK-CHICHESTER-BRISBANE-SINGAPORE-TORONTO
+
+
+
+SUPPLEMENTARY READING FOR
+GRAMMAR AND HIGH SCHOOL GRADES
+ECLECTIC ENGLISH CLASSICS.
+
+Arnold's (Matthew) Sohrab and Rustum
+Burke's Conciliation with the American Colonies
+Carlyle's Essay on Burns
+Coleridge's Rime of the Ancient Mariner
+Defoe's History of the Plague in London
+De Quincey's Revolt of the Tartars
+Emerson's The American Scholar, Self-Reliance and Compensation
+Franklin's Autobiography
+"George Eliot's" Silas Marner
+Goldsmith's Vicar of Wakefield
+Irving's Sketch Book (Ten Selections)
+Irving's Tales of a Traveler
+Macaulay's Second Essay on Chatham
+Macaulay's Essay on Milton
+Macaulay's Essay on Addison
+Macaulay's Life of Johnson
+Milton's L'Allegro, Il Penseroso, Comus Lycidas,
+Milton's Paradise Lost, Books I and. II
+Pope's Homer's Iliad, Books I, VI, XXII, XXIV,
+Scott's Ivanhoe
+Scott's Marmion
+Scott's Lady of the Lake
+Scott's The Abbot
+Scott's Woodstock.
+Shakespeare's Julius Caesar
+Shakespeare's Twelfth Night
+Shakespeare's Merchant of Venice
+Shakespeare's Midsummer-Night's Dream
+Shakespeare's As You Like It
+Shakespeare's Macbeth
+Shakespeare's Hamlet,
+Sir Roger de Coverley Papers (The Spectator),
+Southey's Life of Nelson
+Tennyson's The Princess,
+Webster's (Daniel) Bunker Hill Orations,
+-----
+Sent, postpaid on receipt of price.
+
+
+COPYRIGHT, 1879, BY VAN ANTWERP, BRAGG & COMPANY COPYRIGHT,
+1896, BY AMERICAN BOOK COMPANY.
+COPYRIGHT, 1907 AND 1921, BY HENRY H. VAIL.
+
+M'G REV. 6TH EC.
+EP 118
+
+
+
+Preface (3)
+
+In the SIXTH READER, the general plan of the revision of McGUFFEY'S SERIES
+has been carefully carried out to completion.
+
+That plan has been to retain, throughout, those characteristic features of
+McGUFFEY'S READERS, which have made the series so popular, and caused
+their widespread use throughout the schools of the country. At the same
+time, the books have been enlarged; old pieces have been exchanged for new
+wherever the advantage was manifest; and several new features have been
+incorporated, which it is thought will add largely to the value of the
+series.
+
+In the revision of the SIXTH READER, the introductory matter has been
+retained with but little change, and it will he found very valuable for
+elocutionary drill. In the preparation of this portion of the work, free
+use was made of the writings of standard authors upon Elocution, such as
+Walker, McCulloch, Sheridan Knowles, Ewing, Pinnock, Scott, Bell, Graham,
+Mylins, Wood, Rush, and many others.
+
+In making up the Selections for Reading, great care and deliberation have
+been exercised. The best pieces of the old book are retained in the
+REVISED SIXTH, and to the these been added a long list of selections from
+the best English and American literature. Upwards of one hundred leading
+authors are represented (see "Alphabetical List. of Authors," page ix),
+and thus a wide range of specimens of the best style has been secured.
+Close scrutiny revealed the fact that many popular selections common to
+several series of Readers, had been largely adapted, but in McGUFFEY'S
+REVISED READERS, wherever it was possible to do so, the selections have
+been compared, and made to conform strictly with the originals as they
+appear in the latest editions authorized by the several writers.
+
+The character of the selections, aside from their elocutionary value, has
+also been duly considered. It will be found, upon examination, that they
+present the same instructive merit and healthful moral tone which gave the
+preceding edition its high reputation.
+
+Two new features of the REVISED SIXTH deserve especial attention--the
+explanatory notes, and the biographical notices of authors. The first, in
+the absence of a large number of books of reference, are absolutely
+necessary, in some cases, for the intelligent reading of the piece; and it
+is believed that in all cases they will add largely to the interest and
+usefulness of the lessons.
+
+The biographical notices, if properly used, are hardly of less value than
+the lessons themselves. They have been carefully prepared, and are
+intended not only to add to the interest of the pieces, but to supply
+information usually obtained only by the separate study of English and
+American literature.
+
+The illustrations of the REVISED SIXTH READER are presented as specimens
+of fine art. They are the work of the best artists and engravers that
+could be secured for the purpose in this country. The names of these
+gentlemen may be found on page ten.
+
+The publishers would here repeat their acknowledgments to the numerous
+friends and critics who have kindly assisted in the work of revision, and
+would mention particularly President EDWIN C. HEWETT, of the State Normal
+University, Normal, Illinois, and the HON. THOMAS W. HARVEY, of
+Painesville, Ohio, who have had the revision of the SIXTH READER under
+their direct advice.
+
+Especial acknowledgment is due to Messrs. Houghton, Osgood & Co., for
+their permission to make liberal selections from their copyright editions
+of many of the foremost American authors whose works they publish.
+January, 1880.
+
+
+
+CONTENTS (5)
+
+
+INTRODUCTION.
+
+
+SUBJECT. PAGE
+I. ARTICULATION 11
+II. INFLECTION 18
+III. ACCENT AND EMPHASIS 33
+IV. INSTRUCTIONS FOR READING VERSE 39
+V. THE VOICE 40
+VI. GESTURE 55
+
+
+
+SELECTIONS FOR READING. (5)
+
+TITLE. AUTHOR. PAGE.
+ 1. Anecdote of the Duke of Newcastle Blackwood's Magazine. 63
+ 2. The Needle Samuel Woodworth. 67
+ 3. Dawn Edward Everett. 68
+ 4. Description of a Storm Benjamin Disraeli. 70
+ 5. After the Thunderstorm James Thomson. 72
+ 6. House Cleaning Francis Hopkinson. 73
+ 7. Schemes of Life often Illusory Samuel Johnson. 78
+ 8. The Brave Old Oak Henry Fothergill Chorley. 81
+ 9. The Artist Surprised 82
+ 10. Pictures of Memory Alice Cary. 88
+ 11. The Morning Oratorio Wilson Flagg. 90
+ 12. Short Selections in Poetry:
+
+ I. The Cloud John Wilson. 94
+ II. My Mind William Byrd. 94
+ III. A Good Name William Shakespeare. 95
+ V. Sunrise James Thomson. 95
+ V. Old Age and Death Edmund Waller. 95
+ VI. Milton John Dryden. 96
+
+ 13. Death of Little Nell Charles Dickens. 96
+ 14. Vanity of Life Johann Gottfried von Herder. 100
+ 15. A Political Pause Charles James Fox 102
+ 16. My Experience in Elocution John Neal. 104
+ 17. Elegy in a Country Churchyard Thomas Gray. 108
+ 18. Tact and Talent 113
+ 19. Speech before the Virginia Convention Patrick Henry. 115
+ 20. The American Flag Joseph Rodman Drake. 119
+ 21. Ironical Eulogy on Debt 121
+ 22. The Three Warnings Hester Lynch Thrale. 124
+ 23. The Memory of Our Fathers Lyman Beecher. 128
+ 24. Short Selections in Prose:
+ I. Dryden and Pope Samuel Johnson. 130
+ II. Las Casas Dissuading from Battle R.B. Sheridan. 130
+ III. Action and Repose John Ruskin. 131
+ IV. Time and Change Sir Humphry Davy. 131
+ V. The Poet William Ellery Channing. 132
+ VI. Mountains William Howitt. 132
+ 25. The Jolly Old Pedagogue George Arnold. 133
+ 26. The Teacher and Sick Scholar. Charles Dickens. 135
+ 27. The Snow Shower William Cullen Bryant. 141
+ 28. Character of Napoleon Bonaparte Charles Phillips. 143
+ 29. Napoleon at Rest John Pierpont. 146
+ 30. War Charles Sumner. 148
+ 31. Speech of Walpole in Reproof of Mr. Pitt Sir R. Walpole. 151
+ 32. Pitt's Reply to Sir Robert Walpole William Pitt. 152
+ 33. Character of Mr. Pitt Henry Grattan. 154
+ 34. The Soldier's Rest Sir Walter Scott. 156
+ 35. Henry V. to his Troops William Shakespeare. 158
+ 36. Speech of Paul on Mars' Hill Bible. 160
+ 37. God is Everywhere Joseph Hutton. 161
+ 38. Lafayette and Robert Raikes Thomas S. Grimke'. 163
+ 39. Fall of Cardinal Wolsey William Shakespeare. 167
+ 40. The Philosopher John P. Kennedy. 171
+ 41. Marmion and Douglas Sir Walter Scott. 176
+ 42. The Present Adelaide Anne Procter. 178
+ 43. The Baptism John Wilson. 180
+ 44. Sparrows Adeline D. Train Whitney. 185
+ 45. Observance of the Sabbath Gardiner Spring. 186
+ 46. God's Goodness to Such as Fear Him Bible. 189
+ 47. Character of Columbus Washington Irving. 192
+ 48. "He Giveth His Beloved Sleep." Elizabeth B. Browning. 195
+ 49. Description of a Siege Sir Walter Scott 197
+ 50. Marco Bozzaris Fitz-Greene Halleck. 202
+ 51. Song of the Greek Bard Lord George Gordon Byron. 205
+ 52. North American Indians Charles Sprague. 209
+ 53. Lochiel's Warning Thomas Campbell. 211
+ 54. On Happiness of Temper Oliver Goldsmith. 215
+ 55. The Fortune Teller Henry Mackenzie. 218
+ 56. Renzi's Address to the Romans Mary Russell Mitford. 221
+ 57. The Puritan Fathers of New England F. W. P. Greenwood. 223
+ 58. Landing of the Pilgrim Fathers Felicia Dorothea Hemans. 226
+ 59. Necessity of Education Lyman Beecher. 228
+ 60. Riding on a Snowplow Benjamin Franklin Taylor. 231
+ 61. The Quarrel of Brutus and Cassius William Shakespeare. 284
+ 62. The Quack John Tobin. 238
+ 63. Rip Van Winkle Washington Irving. 242
+ 64. Bill and Joe Oliver Wendell Holmes. 240
+ 65. Sorrow for the Dead Washington Irving. 249
+ 66. The Eagle James Gates Percival. 251
+ 67. Political Toleration Thomas Jefferson. 253
+ 68. What Constitutes a State? Sir William Jones. 255
+ 69. The Brave at Home Thomas Buchanan Read. 256
+ 70. South Carolina Robert Young Hayne. 257
+ 71. Massachusetts and South Carolina Daniel Webster. 259
+ 72. The Church Scene from Evangeline H. W. Longfellow. 262
+ 73. Song of the Shirt Thomas Hood. 266
+ 74. Diamond cut Diamond. E'douard Rene' Lefebvre-Laboulaye. 269
+ 75. Thanatopsis William Cullen Bryant. 275
+ 76. Indian Jugglers William Hazlitt. 278
+ 77. Antony over Caesar's Dead Body William Shakespeare. 281
+ 78. The English Character William Hickling Prescott. 286
+ 79. The Song of the Potter. Henry Wadsworth Longfellow.290
+ 80. A Hot Day in New York William Dean Howells. 292
+ 81. Discontent.--An Allegory Joseph Addison. 295
+ 82. Jupiter and Ten. James T. Fields. 301
+ 83. Scene from "The Poor Gentleman" George Colman. 303
+ 84. My Mother's Picture William Cowper. 310
+ 85. Death of Samson John Milton. 312
+ 86. An Evening Adventure 315
+ 87. The Barefoot Boy John Greenleaf Wittier. 317
+ 88. The Glove and the Lions James Henry Leigh Hunt. 321
+ 89. The Folly of Intoxication William Shakespeare. 322
+ 90. Starved Rock Francis Parkman. 325
+ 91. Prince Henry and Falstaff. William Shakespeare. 327
+ 92. Studies. Sir Francis Bacon. 332
+ 93. Surrender of Granada. Sir Edward George Bulwer-Lytton. 334
+ 94. Hamlet's Soliloquy. William Shakespeare. 339
+ 95. Ginevra Samuel Rogers. 340
+ 96. Inventions and Discoveries John Caldwell Calhoun. 344
+ 97. Enoch Arden at the Window Alfred Tennyson. 347
+ 98. Lochinvar Sir Walter Scott. 350
+ 99. Speech on the Trial of a Murderer Daniel Webster. 352
+100. The Closing Year George Denison Prentice. 355
+101. A New City in Colorado Helen Hunt Jackson. 358
+102. Importance of the Union Daniel Webster. 362
+103. The Influences of the Sun John Tyndall. 364
+104. Colloquial Powers of Franklin William Wirt. 366
+105. The Dream of Clarence William Shakespeare. 368
+106. Homeward Bound Richard H. Dana, Jr. 371
+107. Impeachment of Warren Hastings T. B. Macaulay. 375
+108. Destruction of the Carnatic Edmund Burke. 379
+109. The Raven Edgar Allan Poe. 382
+110. A View of the Colosseum Orville Dewey. 389
+111. The Bridge Henry Wadsworth Longfellow.392
+112. Objects and Limits of Science Robert Charles Winthrop. 394
+113. The Downfall of Poland. Thomas Campbell. 396
+114. Labor Horace Greeley. 398
+115. The Last Days of Herculaneum Edwin Atherstone. 401
+116. How Men Reason Oliver Wendell Holmes. 405
+117. Thunderstorm on the Alps Lord Byron. 408
+118. Origin of Property Sir William Blackstone. 410
+119. Battle of Waterloo Lord Byron. 415
+120. "With Brains, Sir" John Brown. 417
+121. The New England Pastor Timothy Dwight. 410
+122. Death of Absalom Bible. 420
+123. Abraham Davenport John Greenleaf Whittier. 424
+124. The Falls of the Yosemite Thomas Starr King. 426
+125. A Psalm of Life Henry Wadsworth Longfellow.429
+126. Franklin's Entry into Philadelphia. Benjamin Franklin. 431
+127. Lines to a Waterfowl William Cullen Bryant. 434
+128. Goldsmith and Addison William Makepeace Thackeray. 435
+129. Immortality of the Soul Joseph Addison. 438
+130. Character of Washington Jared Sparks. 440
+131. Eulogy on Washington Henry Lee. 444
+132. The Solitary Reaper William Wordsworth. 446
+133. Value of the Present Ralph Waldo Emerson. 447
+134. Happiness Alexander Pope. 451
+135. Marion William Gilmore Simms. 453
+136. A Common Thought Henry Timrod. 456
+137. A Definite Aim in Reading Noah Porter. 457
+138. Ode to Mt. Blanc Samuel Taylor Coleridge. 462
+
+
+ALPHABETICAL LIST OF AUTHORS. (9)
+
+
+ NAME PAGE NAME PAGE
+ 1. ADDISON, JOSEPH 295, 438 38. GOLDSMITH 215
+ 2. ARNOLD. GEORGE 133 39. GRATTAN. HENRY 154
+ 3. ATHERSTONE. EDWIN 401 40. GRAY, THOMAS 108
+ 4. BACON, SIR FRANCIS 332 41. GREELEY, HORACE 398
+ 5. BEECHER, LYMAN 128, 228 42. GREENWOOD, F. W. P. 223
+ 6. BIBLE, THE 160, 189, 420 43. GRIMKE. THOMAS S. 163
+ 7. BLACKSTONE, SIR WILLIAM 410 44. HALLECK. FITZ-GREEN 202
+ 8. BLACKWOOD'S MAGAZINE 63 45. HAYNE, ROBERT YOUNG 257
+ 9. BROWN, JOHN 417 46. HAZLITT, WILLIAM 278
+10. BROWNING, ELIZABETH B. 195 47. HEMANS, FALICIA D. 226
+11. BRYANT 141, 275, 434 48. HENRY, PATRICK 115
+12. BULWER-LYTTON 334 19. HOLMES 246, 405
+13. BURKE, EDMUND 379 50. HOOD, THOMAS 266
+14. BYRD, WILLIAM 94 51. HOPKINSON, FRANCIS 73
+15. BYRON 205, 408, 415 52. HOWELLS. W. D. 292
+16. CALHOUN, JOHN C. 344 53. HOWITT, WILLIAM 132
+17. CAMPBELL, THOMAS 211, 396 54. HUNT, LEIGH 321
+18. CARY, ALICE 88 55. HUTTON, JOSEPH 161
+19. CHANNING, WILLLIAM ELLERY 132 56. IRVING 192, 212, 249
+20. CHORLEY, H. F. 81 57. JACKSON, HELEN HUNT 358
+21. COLRIDGE. 462 58. JEFFERSON, THOMAS 253
+22. COLMAN, GEORGE 303 59. JOHNSON, SAMUEL 78, 130
+23. COWPER 310 60. JONES, SIR WILLIAM 255
+24. DANA, RICHARD H. JR. 371 61. KENNEDY, JOHN P. 171
+25. DAVY, SIR HUMPHRY 131 62. KING, THOMAS STARR 426
+26. DEWEY, ORVILLE 389 63. LEE, HENRY 444
+27. DICKENS 96, 135 64. LEFEBVRE-LABOULAYE 269
+28. DISRAELI, BENJAMIN 70 65. LONGFELLOW 262,290,392,429
+29. DRAKE, JOSEPH RODMAN 119 66. MACAULAY 375
+30. DRYDEN 96 67. MACKENZIE. HENRY 218
+31. DWIGHT, TIMOTHY 419 68. MILTON 312
+32. EMERSON 447 69. MITFORD, MARY RUSSELL 221
+33. EVERETT 68 70. NEAL, JOHN 104
+34. FIELDS. JAMES T. 301 71. PARKMAN. FRANCIS 325
+35. FLAGG, WILSON 90 72. PERCIVAL, J. G 251
+36. FOX, CHARLES JAMES 102 73. PHILLIPS. CHARLES 143
+37. FRANKLIN, BENJAMIN 431 74. PIERPONT, JOHN 146
+
+
+ NAME PAGE NAME PAGE
+75. PITT 152 93. TAYLOR, B. F, 231
+76. POE, EDGAR ALLAN 382 94. TENNYSON 347
+77. POPE 451 95. THACKERAY 435
+78, PORTER, NOAH 457 96. THOMSON, JAMES 72, 95
+79. PRENTICE, GEO. D. 355 97. THRALE. HESTER LYNCH 124
+80. PRESCOTT 286 98. TIMROD, HENRY 456
+81. PROCTER, ADELAIDE ANNE l78 99. TOBIN, JOHN 238
+82. READ, T. B. 256 100. TYNDALL 364
+83. ROGERS, SAMUEL 340 101. VON HERDER. J. G. 100
+84. RUSKIN, JOHN 131 102. WALLER, EDMUND 95
+85. SCOTT 156,176,197,350 103. WALPOLE 151
+86. SHAKESPEARE. 95, 158, 167 104. WEBSTER 259, 352, 362
+ 234, 281, 322, 327, 339, 368 105. WHITNEY, ADELINE D. T. 185
+87. SHERMAN, R. B. 130 106. WHITTIER 317, 424
+88. SIMMS, WILLIAM GILMORE 453 107. WILSON, JOHN 94, 180
+89. SPARKS, JARED 440 108. WINTHROP, R.C. 394
+90. SPRAGUE, CHARLES 209 109. WIRT, WILLIAM 366
+91. SPRING, GARDINER 186 110. WOODWORTH, SAMUEL 67
+92. SUMNER 148 111. WORDSWORTH 440
+
+
+LIST OF ILLUSTRATIONS. (10)
+ Page Drawn by Engraved by
+
+GINEVRA Frontspiece H. F. Farney. Timothy Cole.
+
+DUKE OF NEWCASTLE 65 H. F. Farney. F.Juengling
+
+GRAY'S ELEGY 112 Thomas Moran. Henry Bogert.
+
+MARMION 177 C. S. Reinhart. J. G. Smithwick.
+
+THE QUACK 240 Howard Pyle. J. P. Davis.
+
+DIAMOND CUT DIAMOND 272 Alfred Kappes. Timothy Cole.
+
+THE GLOVE AND THE LIONS 321 H. F. Farney. Smithwick and French.
+
+HERCULANEUM 401 Charles D. Sauerwein. Francis S. King.
+
+
+INTRODUCTION. (11)
+
+
+The subject of Elocution, so far as it is deemed applicable to a work of
+this kind, will be considered under the following heads, viz:
+
+
+1. ARTICULATION. 4. READING VERSE.
+2. INFLECTION. 5. THE VOICE.
+3. ACCENT AND EMPHASIS. 6. GESTURE.
+
+
+
+I. ARTICULATION. (11)
+
+Articulation is the utterance of the elementary sounds of a language, and
+of their combinations.
+
+As words consist of one or more elementary sounds, the first object of the
+student should he to acquire the power of uttering those sounds with
+distinctness, smoothness, and force. This result can be secured only by
+careful practice, which must be persevered in until the learner has
+acquired a perfect control of his organs of speech.
+
+
+
+ELEMENTARY SOUNDS. (12)
+
+An Elementary Sound is a simple, distinct sound made by the organs of
+speech.
+
+The Elementary Sounds of the English language are divided into Vocals,
+Subvocals, and Aspirates.
+
+
+
+VOCALS. (12)
+
+Vocals are sounds which consist of pure tone only. They are the most
+prominent elements of all words, and it is proper that they should first
+receive attention. A vocal may be represented by one letter, as in the
+word hat, or by two or more letters, as in heat, beauty. A diphthong is a
+union of two vocals, commencing with one and ending with the other. It is
+usually represented by two letters, as in the words oil, boy, out, now.
+
+Each of these can he uttered with great force, so as to give a distinct
+expression of its sound, although the voice be suddenly suspended, the
+moment the sound is produced. This is done by putting the lips, teeth,
+tongue, and palate in their proper position, and then expelling each sound
+from the throat in the same manner that the syllable "ah!" is uttered in
+endeavoring to deter a child from something it is about to do; thus,
+a'--a'--a'--.
+
+Let the pupil he required to utter every one of the elements in the Table
+with all possible suddenness and percussive force, until he is able to do
+it with ease and accuracy. This must not he considered as accomplished
+until he can give each sound with entire clearness, and with all the
+suddenness of the crack of a rifle. Care must be taken that the vocal
+alone be heard; there must be no consonantal sound, and no vocal sound
+other than the one intended.
+
+At first, the elementary sounds may be repeated by the class in concert;
+then separately.
+
+
+
+TABLE OF VOCALS. (13)
+
+Long Sounds.
+
+Sound as in
+
+a hate
+e err
+a hare
+i pine
+a pass
+o no
+a far
+oo cool
+a fall
+u tube
+e eve
+u burn
+
+
+Short Sounds.
+
+Sound as in
+
+a mat
+o hot
+e met
+oo book
+i it
+u us
+
+
+Diphthongs.
+oi, oy, as in oil, boy.
+ou, ow, as in out, now.
+
+
+REMARK I.--In this table, the short sounds are nearly or quite the same,
+in quantity, as the long sounds. The difference consists chiefly in
+quality. Let the pupil determine this fact by experiment.
+
+REMARK II.--The vocals are often represented by other letters or
+combinations of letters than those used in the table: for instance, a is
+represented by ai as in hail, by ea as in steak, etc.
+
+REMARK III.--As a general rule, the long vocals and the diphthongs should
+be articulated with full, clear utterance; but the short vocals have a
+sharp, distinct, and almost explosive utterance. Weakness of speech
+follows a failure to observe the first point, while drawling results from
+carelessness with respect to the second.
+
+
+
+SUBVOCALS AND ASPIRATES (13)
+
+Subvocals are those sounds in which the vocalized breath is more or less
+obstructed.
+
+Aspirates consist of breath only, modified by the vocal organs.
+
+Words ending with subvocal sounds may be selected for practice on the
+subvocals; words beginning or ending with aspirate sounds may be used for
+practice on aspirates. Pronounce these words forcibly and distinctly,
+several times in succession; then drop the other sounds, and repeat the
+subvocals and aspirates alone. Let the class repeat the words and
+elements, at first, in concert; then separately.
+
+
+
+TABLE OF SUBVOCALS AND ASPIRATES. (14)
+
+Subvocals. as in
+
+b babe
+d bad
+g nag
+j judge
+v move
+th with
+z buzz
+z azure (azh-)
+w wine
+
+Aspirates. as in
+
+p rap
+t at
+k book
+ch rich
+f life
+th smith
+s hiss
+sh rush
+wh what
+
+
+REMARK.--These eighteen sounds make nine pairs of cognates. In
+articulating the aspirates, the vocal organs are put in the position
+required in the articulation of the corresponding subvocals; but the
+breath is expelled with some force, without the utterance of any vocal
+sound. The pupil should first verify this by experiment, and then practice
+on these cognates.
+
+The following subvocals and aspirate have no cognates:
+
+SUBVOCAL as in
+
+l mill
+ng sing
+m rim
+r rule
+n run
+y yet
+
+
+
+ASPIRATE.
+
+h, as in hat.
+
+
+
+SUBSTITUTES. (14)
+
+Substitutes are characters used to represent sounds ordinarily represented
+by other characters.
+
+TABLE OF SUBSTITUTES.
+Sub for as in
+
+a o what
+y i hymn
+e a there
+c s cite
+e a freight
+c k cap
+i e police
+ch sh machine
+i e sir
+ch k chord
+o u son
+g j cage
+o oo to
+n ng rink
+o oo would
+s z rose
+o a corn
+s sh sugar
+o u worm
+x gz examine
+u oo pull
+gh f laugh
+u oo rude
+ph f sylph
+y i my
+qu k pique
+qu kw quick
+
+
+
+FAULTS TO BE REMEDIED. (15)
+
+The most common faults of articulation are dropping an unaccented vowel,
+sounding incorrectly an unaccented vowel, suppressing final consonants,
+omitting or mispronouncing syllables, and blending words.
+
+
+1. Dropping an unaccented vocal.
+
+EXAMPLES.
+
+CORRECT INCORRECT
+
+gran'a-ry gran'ry
+a-ban'don a-ban-d'n
+im-mor'tal im-mor-t'l
+reg'u-lar reg'lar
+in-clem'ent in-clem'nt
+par-tic'u-lar par-tic'lar
+des'ti-ny des-t'ny
+cal-cu-la'tian cal-cl'a-sh'n
+un-cer'tain un-cer-t'n
+oc-ca'sion oc-ca-sh'n
+em'i-nent em'nent
+ef'i-gy ef'gy
+ag'o-ny ag'ny
+man'i-fold man'fold
+rev'er-ent rev'rent
+cul'ti-vate cult'vate
+
+
+2. Sounding incorrectly an unaccented vowel.
+
+EXAMPLES.
+
+CORRECT INCORRECT
+
+lam-en-ta'-tion lam-un-ta-tion
+ter'ri-ble ter-rub-ble
+e-ter'nal e-ter-nul
+fel'on-y fel-er-ny
+ob'sti-nate ob-stun-it
+fel'low-ship fel-ler-ship
+e-vent' uv-ent
+cal'cu-late cal-ker-late
+ef'fort uf-fort
+reg'u-lar reg-gy-lur
+
+
+EXERCISES. (16)
+
+The vocals most likely to be dropped or incorrectly sounded are
+italicized.
+
+ He attended divine service regularly.
+ This is my particular request.
+ She is universally esteemed.
+ George is sensible of his fault.
+ This calculation is incorrect.
+ What a terrible calamity.
+ His eye through vast immensity can pierce.
+ Observe these nice dependencies.
+ He is a formidable adversary.
+ He is generous to his friends.
+ A tempest desolated the land.
+ He preferred death to servitude.
+ God is the author of all things visible and invisible.
+
+
+3. Suppressing the final subvocals or aspirates.
+
+EXAMPLE (16)
+
+ John an' James are frien's o' my father.
+ Gi' me some bread.
+ The want o' men is occasioned by the want o' money.
+ We seldom fine' men o' principle to ac' thus.
+ Beas' an' creepin' things were foun' there.
+
+
+EXERCISES. (17)
+
+ He learned to write.
+ The masts of the ship were cast down.
+ He entered the lists at the head of his troops.
+ He is the merriest fellow in existence.
+ I regard not the world's opinion.
+ He has three assistants.
+ The depths of the sea.
+ She trusts too much to servants.
+ His attempts were fruitless.
+ He chanced to see a bee hovering over a flower.
+
+
+4. Omitting or mispronouncing whole syllables.
+
+EXAMPLES.
+
+Correct is improperly pronounced
+
+Lit'er-ar-ry lit-rer-ry
+co-tem'po-ra-ry co-tem-po-ry
+het-er-o-ge'ne-ous het-ro-ge-nous
+in-quis-i-to'ri-al in-quis-i-to-ral
+mis'er-a-ble mis-rer-ble
+ac-com'pa-ni-ment ac-comp-ner-ment
+
+
+EXERCISE
+
+ He devoted his attention chiefly to literary pursuits.
+ He is a miserable creature.
+ His faults were owing to the degeneracy of the times.
+ The manuscript was undecipherable.
+ His spirit was unconquerable.
+ Great industry was necessary for the performance of the task.
+
+
+5. Blending the end of one word with the beginning of the next.
+
+EXAMPLES
+
+ I court thy gif sno more.
+ The grove swere God sfir stemples.
+ My hear twas a mirror, that show' devery treasure.
+ It reflecte deach beautiful blosso mof pleasure.
+ Han d'me the slate.
+ This worl dis all a fleeting show,
+ For man' sillusion given.
+
+
+EXERCISES. (18)
+
+ The magistrates ought to arrest the rogues speedily.
+ The whirlwinds sweep the plain.
+ Linked to thy side, through every chance I go.
+ But had he seen an actor in our days enacting Shakespeare.
+ What awful sounds assail my ears?
+ We caught a glimpse of her.
+ Old age has on their temples shed her silver frost.
+ Our eagle shall rise mid the whirlwinds of war,
+ And dart through the dun cloud of battle his eye.
+ Then honor shall weave of the laurel a crown,
+ That beauty shall bind on the brow of the brave.
+
+
+
+II. INFLECTION. (18)
+
+Inflection is a bending or sliding of the voice either upward or downward.
+
+The upward or rising inflection is an upward slide of the voice, and is
+marked by the acute accent, thus, ('); as,
+
+ Did you call'? Is he sick'?
+
+The downward or falling inflection is a downward slide of the voice, and
+is marked by the grave accent, thus, ('); as,
+
+ Where is London'? Where have you been'?
+
+Sometimes both the rising and falling inflections are given to the same
+sound. Such sounds are designated by the circumflex, thus, (v) or thus,
+(^). The former is called the rising circumflex; the latter, the falling
+circumflex; as,
+
+ But nobody can bear the death of Clodius.
+
+When several successive syllables are uttered without either the upward or
+downward slide, they are said to be uttered in a monotone, which is marked
+thus, (--); as,
+
+ Roll on, thou deep and dark blue Ocean--roll
+
+EXAMPLES. (19)
+
+ Does he read correctly' or incorrectly'?
+
+In reading this sentence, the voice should slide somewhat as represented
+in the following diagram:
+
+ Does he read cor-rectly or incorrect-ly?
+
+
+ If you said vinegar, I said sugar,
+
+To be read thus:
+
+ If you said vinegar, I said sugar,
+
+
+ If you said yes, I said no.
+
+To be read thus:
+
+ If you said yes, I said no.
+
+
+ What! did he say no?
+
+To be read thus:
+
+ What! did he say no?
+
+
+ He did'; he said no',
+
+To be read thus;
+
+ He did; he said no.
+
+
+ Did he do it voluntarily', or involuntarily'?
+
+To be read thus:
+
+ Did he do it voluntarily, or involuntarily?
+
+
+ He did it voluntarily', not involuntarily',
+
+To be read thus:
+
+ He did it voluntarily, not involuntarily.
+
+
+
+EXERCISES. (20)
+
+Do they act prudently', or imprudently'?
+
+Are they at home', or abroad'?
+
+Did you say Europe', or Asia'?
+
+Is he rich', or poor'?
+
+He said pain', not pain'.
+
+Are you engaged', or at leisure'?
+
+Shall I say plain', or pain'?
+
+He went home' not abroad'.
+
+Does he say able', or table'?
+
+He said hazy' not lazy'?
+
+Must I say flat', or flat'?
+
+You should say flat' not flat'.
+
+My father', must I stay'?
+
+Oh! but he paused upon the brink.
+
+It shall go hard with me, but I shall use the weapon.
+
+Heard ye those loud contending waves,
+ That shook Cecropia's pillar'd state'?
+Saw ye the mighty from their graves
+ Look up', and tremble at your fate'?
+
+First' Fear', his hand, its skill to try',
+ Amid the chords bewildered laid';
+And back recoiled', he knew not why'
+ E'en at the sound himself had made'.
+
+
+Where be your gibes' now? your gambols'? your songs'? your flashes of
+merriment, that were wont to set the table on a roar'?
+
+Thus saith the high and lofty One that inhabiteth eternity, whose name is
+Holy; "I dwell in the high and holy place."
+
+
+
+FALLING INFLECTION. (21)
+
+RULE I.--Sentences, and parts of sentences which make complete sense in
+themselves, require the falling inflection.
+
+
+EXAMPLES. (21)
+
+1. By virtue we secure happiness'.
+
+2. For thou hast said in thine heart, I will ascend into heaven': I will
+exalt my throne above the stars of God': I will sit, also, upon the mount
+of the congregation, in the sides of the north'.
+
+3. The wind and the rain are over'; calm is the noon of the day\: the
+clouds are divided in heaven'; over the green hills flies the inconstant
+sun'; red through the stormy vale comes down the stream'.
+
+4. This proposition was, however, rejected,' and not merely rejected, but
+rejected with insult'.
+
+Exception.--Emphasis sometimes reverses this rule, and requires the rising
+inflection, apparently for the purpose of calling attention to the idea of
+an unusual manner of expressing it.
+
+EXAMPLES. (21)
+
+1. I should not like to ride in that car'.
+2. Look out! A man was drowned there yesterday'.
+3. Presumptuous man! the gods' take care of Cato',
+
+
+RULE II.--The language of emphasis generally requires the falling
+inflection.
+
+EXAMPLES. (22)
+
+1. Charge', Chester, charge'; on', Stanley, on'.
+
+2. Were I an American, as I am an Englishman, while a single' foreign
+troop' remained' in my country, I would never' lay down my arms'--never',
+never', never.'
+
+3. Does anyone suppose that the payment of twenty shillings, would have
+ruined Mr. Hampden's fortune? No'. But the payment of half twenty
+shillings, on the principle' it was demanded, would have made him a
+slave'.
+
+4. I insist' upon this point': I urge' you to it; I press' it, demand' it.
+
+5. All that I have', all that I am', and all that I hope' in this life, I
+am now ready', here, to stake' upon it.
+
+
+RULE III.--Interrogative sentences and members of sentences, which
+can not be answered by yes or no, generally require the falling inflection.
+
+EXAMPLE. (22)
+
+1. How many books did he purchase'?
+
+2. Why reason ye these things in your hearts'?
+
+3. What see' you, that you frown so heavily to-day'?
+
+4. Ah! what is that flame which now bursts on his eye'?
+
+5. Whence this pleasing hope', this fond desire',
+ This longing after immortality'?
+
+
+Exception.--When questions usually requiring the falling inflection are
+emphatic or repeated, they take the rising inflection.
+
+
+EXAMPLES. (22)
+
+1. Where did you say he had gone'?
+
+2. To whom did you say the blame was to be imputed'?
+
+3. What is' he? A knave. What' is he? A knave, I say.
+
+
+RISING INFLECTION. (23)
+
+RULE IV.--The rising inflection is generally used where the sense is
+dependent or incomplete.
+
+REMARK.--This inflection is generally very slight, requiring an acute and
+educated ear to discern it, and it is difficult to teach pupils to
+distinguish it, though they constantly use it. Care should be taken not to
+exaggerate it.
+
+EXAMPLES. (23)
+
+1. Nature being exhausted', he quietly resigned himself to his fate.
+
+2. A chieftain to the Highlands bound',
+ Cries', "Boatman, do not tarry!"
+
+3. As he spoke without fear of consequences', so his actions were
+marked with the most unbending resolution,
+
+4. Speaking in the open air', at the top of the voice', is an admirable
+exercise.
+
+5. If then, his Providence' out of our evil, seek to bring forth good', our
+labor must be to prevent that end.
+
+6. He', born for the universe', narrowed his mind,
+ And to party gave up what was meant for mankind.
+
+
+REMARK.--The names of persons or things addressed, when not used
+emphatically, are included in this rule.
+
+7. Brother', give me thy hand; and, gentle Warwick!,
+ Let me embrace thee in my weary arms.
+
+8. O Lancaster', I fear thy overthrow.
+
+9. Ye crags' and peaks', I'm with you once again.
+
+Exception 1.--Relative emphasis often reverses this and the first rule,
+because emphasis is here expressed in part by changing the usual
+inflections.
+
+EXAMPLES. (23)
+
+1. If you care not for your property', you surely value your life'.
+
+2. If you will not labor for your own' advancement, you should regard
+that of your children'.
+
+3. It is your place to obey', not to command'.
+
+4. Though by that course he should not destroy his reputation', he will
+lose all self-respect'.
+
+Exception 2.--The names of persons addressed in a formal speech, or
+when used emphatically, have the falling inflection.
+
+
+EXAMPLES. (24)
+
+1. Romans, countrymen, and lovers', hear me for my cause, etc.
+
+2. Gentlemen of the jury', I solicit your attention, etc.
+
+3. O Hubert', Hubert', save me from these men.
+
+
+RULE V.--Negative sentences and parts of sentences, usually require
+the rising inflection.
+
+
+EXAMPLES. (24)
+
+1. It is not by starts of application that eminence can be attained'.
+
+2. It was not an eclipse that caused the darkness at the crucifixion of
+our Lord'; for the sun and moon were not relatively in a position' to
+produce an eclipse'.
+
+3. They are not fighting': do not disturb' them: this man is not expiring
+with agony': that man is not dead': they are only pausing'.
+
+4. My Lord, we could not have had such designs'.
+
+5. You are not left alone to climb the steep ascent': God is with you, who
+never suffers the spirit that rests on him to fail.
+
+
+Exception 1.--Emphasis may reverse this rule.
+
+
+EXAMPLE. (24)
+
+We repeat it, we do not' desire to produce discord; we do not' wish to
+kindle the flames of a civil war.
+
+
+Exception 2.--General propositions and commands usually have the
+falling inflection.
+
+
+EXAMPLES. (25)
+
+God is not the author of sin'. Thou shalt not kill.
+
+RULE VI.--Interrogative sentences, and members of sentences which
+can be answered by yes or no generally require the rising inflection.
+
+
+EXAMPLES. (25)
+
+1. Are fleets and armies necessary to a work of love and reconciliation'?
+
+2. Does the gentleman suppose it is in his power', to exhibit in Carolina
+a name so bright' as to produce envy' in my bosom?
+
+3. If it be admitted, that strict integrity is not the shortest way to
+success, is it not the surest', the happiest', the best'?
+
+4. Is there not rain enough in the sweet heavens, To wash this crimson
+hand as white as snow'?
+
+Exception.--Emphasis may reverse this rule.
+
+
+EXAMPLES. (25)
+
+1, Can' you be so blind to your interest? Will' you rush headlong to
+destruction?
+
+2. I ask again, is' there no hope of reconciliation? Must' we abandon all
+our fond anticipations?
+
+3. Will you deny' it? Will you deny' it?
+
+4. Am I Dromio'? Am I your man'? Am I myself'?
+
+
+RULE VII.--Interrogative exclamations, and words repeated as a kind
+of echo to the thought, require the rising inflection.
+
+EXAMPLES. (25)
+
+1. Where grows', where grows it not'?
+
+2. What'! Might Rome have been taken'? Rome taken when I was consul'?
+
+3. Banished from Rome'! Tried and convicted traitor'!
+
+4. Prince Henry. What's the matter'?
+
+ Falstaff. What's the matter'? Here be four of us
+ have taken a thousand pounds this morning.
+
+ Prince H. Where is' it, Jack, where is' it?
+
+ Fal. Where is' it? Taken from us, it is.
+
+5. Ha'! laughest thou, Lochiel, my vision to scorn?
+
+6. And this man is called a statesman. A statesman'? Why, he never
+invented a decent humbug.
+
+7. I can not say, sir, which of these motives influence the advocates of
+the bill before us; a bill', in which such cruelties are proposed as are
+yet unknown among the most savage nations.
+
+
+RISING AND FALLING INFLECTIONS. (26)
+
+RULE VIII.--Words and members of a sentence expressing antithesis
+or contrast, require opposite inflections.
+
+EXAMPLES. (26)
+
+1. By honor' and dishonor'; by evil' report and good' report; as
+deceivers' and yet true'.
+
+2. What they know by reading', I know by experience'.
+
+3. I could honor thy courage', but I detest thy crimes'.
+
+4. It is easier to forgive the weak', who have injured us', than the
+powerful' whom we' have injured.
+
+5. Homer was the greater genius', Virgil the better artist'.
+
+6. The style of Dryden is capricious and varied'; that of Pope is cautious
+and uniform'. Dryden obeys the emotions of his own mind'; Pope constrains
+his mind to his own rules of composition.' Dryden is sometimes vehement
+and rapid'; Pope is always smooth, uniform, and gentle'. Dryden's page is
+a natural field, rising into inequalities, varied by exuberant
+vegetation'; Pope's is a velvet lawn, shaven by the scythe and leveled by
+the roller'.
+
+7. If the flights of Dryden are higher', Pope continues longer on the
+wing'. If the blaze of Dryden's fire is brighter', the heat of Pope's is
+more regular and constant'. Dryden often surpasses' expectation, and Pope
+never falls below' it.
+
+REMARK l.--Words and members connected by or used disjunctively, generally
+express contrast or antithesis, and always receive opposite inflection.
+
+
+EXAMPLES. (27)
+
+1. Shall we advance', or retreat'?
+
+2. Do you seek wealth', or power'?
+
+3. Is the great chain upheld by God', or thee'?
+
+4. Shall we return to our allegiance while we may do so with safety and
+honor', or shall we wait until the ax of the executioner is at our
+throats'?
+
+5. Shall we crown' the author of these public calamities with garlands',
+or shall we wrest' from him his ill-deserved authority' ?
+
+REMARK 2.--When the antithesis is between affirmation and negation, the
+latter usually has the rising inflection, according to Rule V.
+
+
+EXAMPLES. (27)
+
+1. You were paid to fight' against Philip, not to rail' at him.
+
+2. I said rationally', not irrationally'.
+
+3. I did not say rationally', but irrationally'.
+
+4. I said an elder' soldier, not a better'.
+
+5. Let us retract while we can', not when we must'.
+
+REMARK 3.--The more emphatic member generally receives the
+falling inflection.
+
+
+EXAMPLES. (27)
+
+1. A countenance more in sorrow', than anger'.
+
+2. A countenance less in anger', than sorrow'.
+
+3. You should show your courage by deeds', rather than by words.
+
+4. If we can not remove' pain, we may alleviate' it.
+
+
+
+OF SERIES. (28)
+
+A series is a number of particulars immediately following one another
+in the same grammatical construction.
+
+A commencing series is one which commences a sentence or clause.
+
+
+EXAMPLE. (28)
+
+Faith, hope, love, joy, are the fruits of the spirit.
+
+A concluding series is one which concludes a sentence or a clause.
+
+
+EXAMPLE. (28)
+
+The fruits of the spirit are faith, hope, love, and joy.
+
+RULE IX.--All the members of a commencing series, when not emphatic,
+usually require the rising inflection.
+
+
+EXAMPLES. (28)
+
+1. War', famine', pestilence', storm', and fire' besiege mankind.
+
+2. The knowledge', the power', the wisdom', the goodness' of God, must all
+be unbounded.
+
+3. To advise the ignorant', to relieve the needy', and to comfort the
+afflicted' are the duties that fall in our way almost every day of our
+lives.
+
+4. No state chicanery', no narrow system of vicious politics', no idle
+contest for ministerial victories', sank him to the vulgar level of the
+great.
+
+5. For solidity of reasoning', force of sagacity', and wisdom of
+conclusion', no nation or body of men can compare with the Congress at
+Philadelphia.
+
+6. The wise and the foolish', the virtuous and the evil', the learned and
+the ignorant', the temperate and the profligate', must often be blended
+together.
+
+7. Absalom's beauty', Jonathan's love', David's valor', Solomon's wisdom',
+the patience of Job, the prudence of Augustus', and the eloquence of
+Cicero' are found in perfection in the Creator.
+
+
+REMARK.--Some elocutionists prefer to give the falling inflection to the
+last member of a commencing series.
+
+Exception.--In a commencing series, forming a climax, the last term
+usually requires the falling inflection.
+
+
+EXAMPLES. (29)
+
+1. Days', months', years', and ages', shall circle away,
+ And still the vast waters above thee shall roll.
+
+2. Property', character', reputation', everything', was sacrificed.
+
+3. Toils', sufferings', wounds', and death' was the price of our liberty.
+
+
+RULE X.--All the members of a concluding series, when not at all emphatic,
+usually require the falling inflection.
+
+
+EXAMPLES. (29)
+
+1. It is our duty to pity', to support', to defend', and to relieve' the
+oppressed.
+
+2. At the sacred call of country, they sacrifice property', ease',
+health', applause' and even life'.
+
+3. I protest against this measure as cruel', oppressive', tyrannous', and
+vindictive'.
+
+4. God was manifest in the flesh', justified in the Spirit', seen of
+angels', preached unto the Gentiles', believed on in the world', received
+up into glory'.
+
+5. Charity vaunteth not itself', is not puffed up', doth not behave itself
+unseemly', seeketh not her own', is not easily provoked', thinketh no
+evil'; beareth' all things, believeth' all things, hopeth' all things,
+endureth' all things.
+
+REMARK.--Some authors give the following rule for the reading of a
+concluding series: "All the particulars of a concluding series, except the
+last but one, require the falling inflection." Exception l.--When the
+particulars enumerated in a concluding series are not at all emphatic, all
+except the last require the rising inflection.
+
+
+EXAMPLES (30)
+
+He was esteemed for his kindness', his intelligence', his self-denial',
+and his active benevolence'.
+
+Exception 2.--When all the terms of a concluding series are strongly
+emphatic, they all receive the falling inflection.
+
+EXAMPLES. (30)
+
+1. They saw not one man', not one woman', not one child', not one
+four-footed beast'.
+
+2. His hopes', his happiness', his life', hung upon the words that fell
+from those lips,
+
+3. They fought', they bled', they died', for freedom.
+
+
+
+PARENTHESIS. (30)
+
+RULE XI.--A parenthesis should be read more rapidly and in a lower key
+than the rest of the sentence, and should terminate with the same
+inflection that next precedes it. If, however, it is complicated, or
+emphatic, or disconnected from the main subject, the inflections must be
+governed by the same rules as in the other cases.
+
+REMARK.--A smooth and expressive reading of a parenthesis is difficult of
+acquisition, and can be secured only by careful and persistent training.
+
+
+EXAMPLES. (30)
+
+1. God is my witness' (whom I serve with my spirit, in the gospel of his
+Son'), that, without ceasing, I make mention of you always in my prayers;
+making request' (if, by any means, now at length, I might have a
+prosperous journey by the will of God'), to come unto you.
+
+2. When he had entered the room three paces, he stood still; and laying
+his left hand upon his breast' (a slender, white staff with which he
+journeyed being in his right'), he introduced himself with a little story
+of his convent.
+
+3. If you, AEschines, in particular, were persuaded' (and it was no
+particular affection for me, that prompted you to give up the hopes, the
+appliances, the honors, which attended the course I then advised; but the
+superior force of truth, and your utter inability to point any course more
+eligible') if this was the case, I say, is it not highly cruel and unjust
+to arraign these measures now, when you could not then propose a better?
+
+4. As the hour of conflict drew near' (and this was a conflict to be
+dreaded even by him'), he began to waver, and to abate much of his
+boasting.
+
+
+
+CIRCUMFLEX. (31)
+
+RULE XII.--The circumflex is used to express irony, sarcasm, hypothesis,
+or contrast.
+
+NOTE.--For the reason that the circumflex always suggests a double or
+doubtful meaning, it is appropriate for the purposes expressed in the
+rule. It is, also, frequently used in sportive language; jokes and puns
+are commonly given with this inflection.
+
+
+EXAMPLES. (31)
+
+1. Man never is, but always to be, blest.
+
+2. They follow an adventurer whom they fear; we serve a monarch whom we
+love. They boast, they come but to improve our state, enlarge our
+thoughts, and free us from the yoke of error. Yes, they will give
+enlightened freedom to our minds, who are themselves the slaves of
+passion, avarice, and pride. They offer us their protection: yes, such
+protection as vultures give to lambs, covering and devouring them.
+
+
+
+MONOTONE. (32)
+
+RULE XIII.--The use of the monotone is confined chiefly to grave and
+solemn subjects. When carefully and properly employed, it gives great
+dignity to delivery.
+
+
+EXAMPLES. (32)
+
+1. The unbeliever! one who can gaze upon the sun, and moon, and stars, and
+upon the unfading and imperishable sky, spread out so magnificently above
+him, and say, "All this is the work of chance!"
+
+2. God walketh upon the ocean. Brilliantly
+ The glassy waters mirror back his smiles;
+ The surging billows, and the gamboling storms
+ Come crouching to his feet.
+
+3. I hail thee, as in gorgeous robes,
+ Blooming thou leav'st the chambers of the east,
+ Crowned with a gemmed tiara thick embossed
+ With studs of living light.
+
+4. High on a throne of royal state, which far
+ Outshone the wealth of Ormus and of Ind,
+ Or where the gorgeous east, with richest hand
+ Showers on her kings barbaric pearl and gold,
+ Satan exalted sat.
+
+5. His broad expanded wings
+ Lay calm and motionless upon the air,
+ As if he floated there without their aid,
+ By the sole act of his unlorded will.
+
+6. In dim eclipse, disastrous twilight sheds
+ On half the nations, and with fear of change
+ Perplexes monarchs.
+
+
+
+III. ACCENT AND EMPHASIS. (33)
+
+ACCENT.
+
+That syllable in a word which is uttered more forcibly than the others, is
+said to be accented, and is marked thus, ('); as the italicized syllables
+in the following words:
+
+morn'ing. pos'si-ble.
+ty'rant. re-cum'bent.
+pro-cure'. ex-or'bi-tant,
+de-bate'. com-pre-hen'sive.
+
+Common usage alone determines upon what syllable the accent should be
+placed, and to the lexicographer it belongs, to ascertain and record its
+decision on this point.
+
+In some few cases, we can trace the reasons for common usage in this
+respect. In words which are used as different parts of speech, or which
+have different meanings, the distinction is sometimes denoted by changing
+the accent.
+
+
+EXAMPLES. (33)
+
+ sub'ject sub-ject'
+ pres'ent pre-sent'
+ ab'sent ab-sent'
+ cem'ent ce-ment'
+ con'jure con-jure'
+
+
+There is another case, in which we discover the reason for changing the
+accent, and that is, when it is required by emphasis, as in the following:
+
+
+EXAMPLES. (33)
+
+1. His abil'ity or in'ability to perform the act materially varies
+ the case.
+2. This corrup'tion must put on in'corruption.
+
+
+
+SECONDARY ACCENT. (34)
+
+In words of more than two syllables, there is often a second accent given,
+but more slight than the principal one, and this is called the secondary
+accent; as, em"igra'tion, rep"artee', where the principal accent is marked
+('), and the secondary, ("); so, also, this accent is obvious, in
+nav"iga'tion, com"prehen'sion, plau"sibil'ity, etc. The whole subject,
+however, properly belongs to dictionaries and spelling books.
+
+
+
+EMPHASIS. (34)
+
+Emphasis consists in uttering a word or phrase in such a manner as to give
+it force and energy, and to draw the attention of the hearer particularly
+to the idea expressed.
+
+This is most frequently accomplished by an increased stress of voice laid
+upon the word or phrase. Sometimes, though more rarely, the same object is
+effected by an unusual lowering of the voice, even to a whisper, and not
+unfrequently by a pause before the emphatic word.
+
+The inflections are often made subsidiary to this object. To give emphasis
+to a word, the inflection is changed or increased in force or extent. When
+the rising inflection is ordinarily used, the word, when emphatic,
+frequently takes the falling inflection; and sometimes, also, the falling
+inflection is changed into the rising inflection, for the same purpose.
+
+Emphatic words are often denoted by being written in italics, in SMALL
+CAPITALS, or in CAPITALS.
+
+Much care is necessary to train the pupil to give clear and expressive
+emphasis, and at the same time to avoid an unpleasant "jerky" movement of
+the voice.
+
+
+
+ABSOLUTE EMPHASIS. (35)
+
+Where the emphasis is independent of any contrast or comparison with
+other words or ideas, it is called absolute emphasis.
+
+
+EXAMPLES. (35)
+
+1. We praise thee, O God; we acknowledge thee to be the Lord.
+
+2. Roll on, thou deep and dark blue Ocean--roll!
+
+3. Arm, warriors, arm!
+
+4. You know that you are Brutus, that speak this,
+ Or, by the gods, this speech were else your last.
+
+5. Hamlet. Saw, who?
+ Horatio. The king, your father.
+ Hamlet. The king, my father?
+
+6. Strike--till the last armed foe expires;
+ Strike--for your altars and your fires;
+ Strike--for the green graves of your sites;
+ God, and your native land!
+
+
+
+RELATIVE EMPHASIS. (35)
+
+Where there is antithesis, either expressed or implied, the emphasis is
+called relative.
+
+
+EXAMPLES. (35)
+
+1. We can do nothing against the truth, but for the truth.
+
+2. But I am describing your condition, rather than my own.
+
+3. I fear not death, and shall I then fear thee?
+
+4. Hunting men, and not beasts, shall be his game.
+
+5. He is the propitiation for our sins; and not for ours only, but for the
+sins of the whole world.
+
+6. It may moderate and restrain, but it was not designed to banish
+gladness from the heart of man.
+
+In the following examples, there are two sets of antitheses in the same
+sentence.
+
+7. To err is human, to forgive, divine.
+
+8. John was punished; William, rewarded.
+
+9. Without were fightings, within were fears.
+
+10. Business sweetens pleasure, as labor sweetens rest.
+
+11. Justice appropriates rewards to merit, and punishments to crime.
+
+12. On the one side, all was alacrity and courage; on the other, all was
+timidity and indecision.
+
+13. The wise man is happy when he gains his own approbation; the fool,
+when he gains the applause of others.
+
+14. His care was to polish the country by art, as he had protected it by
+arms.
+
+In the following examples, the relative emphasis is applied to three sets
+of antithetic words.
+
+15. The difference between a madman and a fool is, that the former
+reasons justly from false data; and the latter, erroneously from just data.
+
+16. He raised a mortal to the skies,
+ She drew an angel down.
+
+Sometimes the antithesis is implied, as in the following instances.
+
+17. The spirit of the white man's heaven,
+ Forbids not thee to weep.
+
+18. I shall enter on no encomiums upon Massachusetts.
+
+
+
+EMPHASIS AND ACCENT. (37)
+
+When words, which are the same in part of their formation, are contrasted,
+the emphasis is expressed by accenting the syllables in which they differ.
+See Accent, page 33.
+
+
+
+EXAMPLES. (37)
+
+1. What is the difference between probability and possibility?
+
+2. Learn to unlearn what you have learned amiss.
+
+3. John attends regularly. William, irregularly.
+
+4. There is a great difference between giving and forgiving.
+
+5. The conduct of Antoninus was characterized by justice and humanity;
+that of Nero, by injustice and inhumanity.
+
+6. The conduct of the former is deserving of approbation, while that of
+the latter merits the severest reprobation.
+
+
+EMPHASIS AND INFLECTION. (37)
+
+Emphasis sometimes changes the inflection from the rising to the falling,
+or from the falling to the rising. For instances of the former change, see
+Rule II, and Exception 1 to Rule IV. In the first three following
+examples, the inflection is changed from the rising to the falling
+inflection; in the last three, it is changed from the falling to the
+rising, by the influence of emphasis.
+
+
+EXAMPLES. (37)
+
+
+1. If we have no regard for religion in youth', we ought to have respect
+for it in age.
+
+2. If we have no regard for our own' character, we ought to regard the
+character of others.
+
+3. If content can not remove' the disquietudes of life, it will, at least,
+alleviate them.
+
+4. The sweetest melody and the most perfect harmony fall powerless upon
+the ear of one who is deaf',
+
+5. It is useless to expatiate upon the beauties of nature to one who is
+blind',
+
+6. And they that have believing masters, let them not despise them,
+because they are brethren'; but rather let them do them service.
+
+
+
+EMPHATIC PHRASE. (38)
+
+When it is desired to give to a phrase great force of expression, each
+word, and even the parts of a compound word, are independently emphasized.
+
+
+
+EXAMPLES. (38)
+
+1. Cassius. Must I endure all this?
+ Brutus. All this!--Ay,--more. Fret, till your proud--heart--break.
+
+2. What! weep you when you but behold
+ Our Caesar's vesture wounded? Look ye here,
+ Here is himself, marred, as you see, by traitors.
+
+3. There was a time, my fellow-citizens, when the Lacedaemonians were
+sovereign masters, both by sea and by land; while this state had not one
+ship--no, NOT--ONE--WALL.
+
+4. Shall I, the conqueror of Spain and Gaul; and not only of the Alpine
+nations, but of the Alps themselves; shall I compare myself with this
+HALF--YEAR--CAPTAIN?
+
+5. You call me misbeliever--cutthroat--dog.
+ Hath a dog--money? Is it possible--
+ A cur can lend three--thousand--ducats?
+
+
+
+EMPHATIC PAUSE. (39)
+
+A short pause is often made before or after, and sometimes both before and
+after, an emphatic word or phrase,--thus very much increasing the emphatic
+expression of the thought.
+
+EXAMPLES. (39)
+
+1. May one be pardoned, and retain--the offense?
+ In the corrupted currents of this world,
+ Offense's gilded hand may shove by--justice;
+ And oft 'tis seen, the wicked prize itself
+ Buys out the law: but 't is not so--above:
+ There--is no shuffling: there--the action lies
+ In its true nature.
+
+2. He woke to hear his sentries shriek,
+ "To arms! they come! the Greek! the Greek!
+ He woke--to die--midst flame and smoke."
+
+3. This--is no flattery: These--are counselors
+ That feelingly persuade me what I am.
+
+4. And this--our life, exempt from public haunt,
+ Finds tongues--in tree, books--in the running brooks,
+ Sermons--in stones, and--good in everything.
+
+5. Heaven gave this Lyre, and thus decreed,
+ Be thou a bruised--but not a broken--reed.
+
+
+
+IV. INSTRUCTIONS FOR READING VERSE. (39)
+
+INFLECTIONS.
+
+In reading verse, the inflections should be nearly the same as in reading
+prose; the chief difference is, that in poetry, the monotone and rising
+inflection are more frequently used than in prose. The greatest difficulty
+in reading this species of composition, consists in giving it that
+measured flow which distinguishes it from prose, without falling into a
+chanting pronunciation.
+
+If, at any time, the reader is in doubt as to the proper inflection, let
+him reduce the passage to earnest conversation, and pronounce it in the
+most familiar and prosaic manner, and thus he will generally use the
+proper inflection.
+
+
+EXERCISES IN INFLECTION. (40)
+
+1. Meanwhile the south wind rose, and with black wings
+ Wide hovering', all the clouds together drove
+ From under heaven': the hills to their supply',
+ Vapor and exhalation dusk and moist
+ Sent up amain': and now, the thickened sky
+ Like a dark ceiling stood': down rushed the rain
+ Impetuous', and continued till the earth
+ No more was seen': the floating vessel swam
+ Uplifted', and, secure with beake'd prow',
+ Rode tilting o'er the waves'.
+
+
+2. My friend', adown life's valley', hand in hand',
+ With grateful change of grave and merry speech
+ Or song', our hearts unlocking each to each',
+ We'll journey onward to the silent land';
+ And when stern death shall loose that loving band,
+ Taking in his cold hand, a hand of ours',
+ The one shall strew the other's grave with flowers',
+ Nor shall his heart a moment be unmanned'.
+ My friend and brother'! if thou goest first',
+ Wilt thou no more revisit me below'?
+ Yea, when my heart seems happy causelessly',
+ And swells', not dreaming why', my soul shall know
+ That thou', unseen', art bending over me'.
+
+
+3. Here rests his head upon the lap of earth',
+ A youth, to fortune and to fame unknown';
+ Fair Science frowned not on his humble birth',
+ And Melancholy marked him for her own'.
+
+
+4. Large was his bounty', and his soul sincere',
+ Heaven did a recompense as largely send';
+ He gave to misery (all he had) a tear',
+ He gained from heaven' ('t was all he wished') a friend'.
+
+
+5. No further seek his merits to disclose',
+ Or draw his frailties from their dread abode';
+ (There they alike' in trembling hope repose',)
+ The bosom of his Father, and his God'.
+
+
+
+ACCENT AND EMPHASIS. (41)
+
+In reading verse, every syllable must have the same accent, and every word
+the same emphasis as in prose; and whenever the melody or music of the
+verse would lead to an incorrect accent or emphasis, this must be
+disregarded.
+
+If a poet has made his verse deficient in melody, this must not be
+remedied by the reader, at the expense of sense or the established rules
+of accent and quantity. Take the following:
+
+EXAMPLE. (41)
+
+ O'er shields, and helms, and helme'd heads he rode,
+ Of thrones, and mighty Seraphim prostrate
+
+According to the metrical accent, the last word must be pronounced
+"pros-trate'." But according to the authorized pronunciation it is
+"pros'trate. Which shall yield, the poet or established usage? Certainly
+not the latter.
+
+Some writers advise a compromise of the matter, and that the word should
+he pronounced without accenting either syllable. Sometimes this may be
+done, but where it is not practiced, the prosaic reading should be
+preserved.
+
+In the following examples, the words and syllables which are improperly
+accented or emphasized in the poetry, are marked in italics. According to
+the principle stated above, the reader should avoid giving them that
+pronunciation which the correct rending of the poetry would require, but
+should read them as prose, except where he can throw off all accent and
+thus compromise the conflict between the poetic reading and the correct
+reading. That is, he must read the poetry wrong, in order to read the
+language right.
+
+
+EXAMPLES. (42)
+
+1. Ask of thy mother earth why oaks are made
+ Taller and stronger than the weeds they shade.
+
+2. Their praise is still, "the style is excellent,"
+ The sense they humbly take upon content.
+
+3. False eloquence, like the prismatic glass,
+ Its fairy colors spreads on every place.
+
+4. To do aught good, never will be our task,
+ But ever to do ill is our sole delight.
+
+5. Of all the causes which combine to blind
+ Man's erring judgment, and mislead the mind,
+ What the weak head with strongest bias rules
+ Is pride, the never-failing vice of fools.
+
+6. Eye Nature's walks, shoot folly as it flies,
+ And catch the manners living as they rise.
+
+7. To whom then, first incensed, Adam replied,
+ "Is this thy love, is this the recompense
+ Of mine to thee, ungrateful Eve?"
+
+8. We may, with more successful hope, resolve
+ To wage, by force or guile, successful war,
+ Irreconcilable to our grand foe,
+ Who now triumphs, and in excess of joy
+ Sole reigning holds the tyranny of Heaven.
+
+9. Which, when Beelzebub perceived (than whom,
+ Satan except, none higher sat), with grave
+ Aspect, he rose, and in his rising seemed
+ A pillar of state.
+
+10. Thee, Sion, and the flowery brooks beneath,
+ That wash thy hallowed feet, and warbling flow,
+ Nightly I visit: nor sometimes forget,
+ Those other two equaled with me in fate.
+
+NOTE.--Although it would be necessary, in these examples, to violate the
+laws of accent or emphasis, to give perfect rhythm, yet a careful and
+well-trained reader will be able to observe these laws and still give the
+rhythm in such a manner that the defect will scarcely be noticed.
+
+POETIC PAUSES. (43)
+
+In order to make the measure of poetry perceptible to the ear, there
+should generally be a slight pause at the end of each line, even where the
+sense does not require it.
+
+There is, also, in almost every line of poetry, a pause at or near its
+middle, which is called the caesura.
+
+This should, however, never be so placed as to injure the sense of the
+passage. It is indeed reckoned a great beauty, where it naturally
+coincides with the pause required by the sense. The caesura, though
+generally placed near the middle, may be placed at other intervals.
+
+There are sometimes, also, two additional pauses in each line, called
+demi-caesuras.
+
+The caesura is marked (||), and the demi-caesura thus, (|), in the
+examples given.
+
+There should be a marked accent upon the long syllable next preceding
+the caesura, and a slighter one upon that next before each of the
+demi-caesuras. When made too prominent, these pauses lead to a singsong
+style, which should be carefully avoided.
+
+In the following examples, the caesura is marked in each line; the
+demi-caesura is not marked in every case.
+
+
+EXAMPLES. (44)
+
+1. Nature | to all things || fixed | the limits fit,
+ And wisely | curbed || proud man's | pretending wit.
+
+2. Then from his closing eyes || thy form shall part,
+ And the last pang || shall tear thee from his heart.
+
+3. Warms in the sun, || refreshes in the breeze,
+ Glows in the stars, || and blossoms in the trees.
+
+4. There is a land || of every land the pride,
+ Beloved by Heaven || o'er all the world beside,
+ Where brighter suns || dispense serener light,
+ And milder moons || imparadise the night;
+ Oh, thou shalt find, || howe'er thy footsteps roam,
+ That land--thy country, || and that spot--thy home.
+
+5. In slumbers | of midnight || the sailor | boy lay;
+ His hammock | swung loose || at the sport | of the wind;
+ But, watch-worn | and weary, || his cares | flew away,
+ And visions | of happiness || danced | o'er his mind.
+
+6. She said, | and struck; || deep entered | in her side
+ The piercing steel, || with reeking purple dyed:
+ Clogged | in the wound || the cruel | weapon stands,
+ The spouting blood || came streaming o'er her hands.
+ Her sad attendants || saw the deadly stroke,
+ And with loud cries || the sounding palace shook.
+
+
+
+SIMILE. (44)
+
+Simile is the likening of anything to another object of a different class;
+it is a poetical or imaginative comparison.
+
+A simile, in poetry, should usually he read in a lower key and more
+rapidly than other parts of the passage--somewhat as a parenthesis is
+read.
+
+
+EXAMPLES. (45)
+
+1. Part curb their fiery steeds, or shun the goal
+ With rapid wheels, or fronted brigades form.
+ As when, to warn proud cities, war appears,
+ Waged in the troubled sky, and armies rush
+ To battle in the clouds.
+ Others with vast Typhoean rage more fell,
+ Rend up both rocks and hills, and ride the air
+ In whirlwind. Hell scarce holds the wild uproar.
+ As when Alcides felt the envenomed robe, and tore,
+ Through pain, up by the roots, Thessialian pines,
+ And Lichas from the top of Oeta threw
+ Into the Euboic sea.
+
+2. Each at the head,
+ Leveled his deadly aim; their fatal hands
+ No second stroke intend; and such a frown
+ Each cast at th' other, as when two black clouds,
+ With heaven's artillery fraught, came rolling on
+ Over the Caspian, there stand front to front,
+ Hovering a space, till winds the signal blow
+ To join the dark encounter, in mid-air:
+ So frowned the mighty combatants.
+
+3. Then pleased and thankful from the porch they go
+ And, but the landlord, none had cause of woe:
+ His cup was vanished; for, in secret guise,
+ The younger guest purloined the glittering prize.
+ As one who spies a serpent in his way,
+ Glistening and basking in the summer ray,
+ Disordered, stops to shun the danger near,
+ Then walks with faintness on, and looks with fear,--
+ So seemed the sire, when, far upon the road,
+ The shining spoil his wily partner showed.
+
+
+
+V. THE VOICE. (46)
+
+PITCH AND COMPASS.
+
+The natural pitch of the voice is its keynote, or governing note. It is
+that on which the voice usually dwells, and to which it most frequently
+returns when wearied. It is also the pitch used in conversation, and the
+one which a reader or speaker naturally adopts--when he reads or speaks--
+most easily and agreeably.
+
+The compass of the voice is its range above and below this pitch. To avoid
+monotony in reading or speaking, the voice should rise above or fall below
+this keynote, but always with reference to the sense or character of that
+which is read or spoken. The proper natural pitch is that above and below
+which there is most room for variation.
+
+To strengthen the voice and increase its compass, select a short sentence,
+repeat it several times in succession in as low a key as the voice can
+sound naturally; then rise one note higher, and practice on that key, then
+another, and so on, until the highest pitch of the voice has been reached.
+Next, reverse the process, until the lowest pitch has been reached.
+
+
+EXAMPLES IN PITCH (46)
+
+High Pitch.
+
+NOTE.--Be careful to distinguish pitch from power in the following
+exercise. Speaking in the open air, at the very top of the voice, is an
+exercise admirably adapted to strengthen the voice and give it compass,
+and should be frequently practiced.
+
+1. Charge'! Chester" charge'! On'! Stanley, on'!
+
+2. A horse'! a horse'! my kingdom' for a horse'!
+
+3. Jump far out', boy' into the wave'!
+ Jump', or I fire'!
+
+4. Run'! run'! run for your lives!
+
+5. Fire'! fire'! fire'! Ring the bell'!
+
+6. Gentlemen may cry peace'! peace'! but there is no peace!
+
+7. Rouse' ye Romans! rouse' ye slaves'!
+ Have ye brave sons'? Look in the next fierce brawl
+ To see them die'. Have ye fair daughters'? Look
+ To see them live, torn from your arms', distained',
+ Dishonored', and if ye dare call for justice',
+ Be answered by the lash'!
+
+Medium Pitch. (47)
+
+NOTE.--This is the pitch in which we converse. To strengthen it, we should
+read or speak in it as loud as possible, without rising to a higher key.
+To do this requires long-continued practice.
+
+1. Under a spreading chestnut tree,
+ The village smithy stands';
+ The smith, a mighty man is he,
+ With large and sinewy hands';
+ And the muscles of his brawny arms
+ Are strong as iron bands.
+
+2. There is something in the thunder's voice that makes me tremble like a
+child. I have tried to conquer' this unmanly weakness'. I have called
+pride' to my aid'; I have sought for moral courage in the lessons of
+philosophy', but it avails me nothing'. At the first moaning of the
+distant cloud, my heart shrinks and dies within me.
+
+3. He taught the scholars the Rule of Three',
+ Reading, and writing, and history', too';
+ He took the little ones on his knee',
+ For a kind old heart in his breast had he',
+ And the wants of the littlest child he knew'.
+ "Learn while you're young'," he often said',
+ "There is much to enjoy down here below';
+ Life for the living', and rest for the dead',"
+ Said the jolly old pedagogue' long ago'.
+
+
+Low Pitch. (48)
+
+1. O, proper stuff!
+ This is the very painting of your fear:
+ This is the air-drawn dagger which, you said,
+ Led you to Duncan. O, these flaws and starts,
+ Impostors to true fear, would well become
+ A woman's story at a winter's fire.
+ Authorized by her grandam.
+
+2. Thou slave! thou wretch! thou coward!
+ Thou little valiant, great in villainy!
+ Thou ever strong upon the stronger side!
+ Thou fortune's champion, thou dost never fight
+ But when her humorous ladyship is by
+ To teach thee safety! Thou art perjured too,
+ And sooth'st up greatness. What a fool art thou,
+ A ramping fool; to brag, and stamp, and sweat,
+ Upon my party! thou cold-blooded slave!
+
+3. God! thou art mighty! At thy footstool bound,
+ Lie, gazing to thee, Chance, and Life, and Death;
+ Nor in the angel circle flaming round,
+ Nor in the million worlds that blaze beneath,
+ Is one that can withstand thy wrath's hot breath.
+ Woe, in thy frown: in thy smile, victory:
+ Hear my last prayer! I ask no mortal wreath;
+ Let but these eyes my rescued country see,
+ Then take my spirit, all Omnipotent, to thee.
+
+4. O Thou eternal One! whose presence bright
+ All space doth occupy, all motion guide,
+ Unchanged through time's all-devastating blight!
+ Thou only God, there is no god beside!
+ Being above all things, mighty One,
+ Whom none can comprehend and none explore;
+ Who fill'st existence with thyself alone,--
+ Embracing all, supporting, ruling o'er,--
+ Being whom we call God, and know no more!
+
+
+
+QUANTITY AND QUALITY. (49)
+
+Quantity, in reading and speaking, means the length of time occupied in
+uttering a syllable or a word. Sounds and syllables vary greatly in
+quantity. Some are long, some short, and others intermediate between those
+which are long or short. Some sounds, also, may be prolonged or shortened
+in utterance to any desired extent. Quantity may be classified as Long,
+Medium, or Short.
+
+DIRECTIONS FOR PRACTICE ON LONG QUANTITY.--Select some word of one
+syllable ending with a long vocal or a subvocal sound; pronounce it many
+times in succession, increasing the quantity at each repetition, until you
+can dwell upon it any desired length of time, without drawling, and in a
+natural tone.
+
+REMARK.--Practice in accordance with this direction will enable the pupil
+to secure that fullness and roundness of voice which is exemplified in the
+hailing of a ship, "ship aho--y;" in the reply of the sailor, when, in the
+roar of the storm, he answers his captain, "ay--e. ay--e;" and in the
+command of the officer to his troops, when, amid the thunder of artillery,
+he gives the order, "ma--rch," or "ha--lt."
+
+This fullness or roundness of tone is secured, by dwelling on the vocal
+sound, and indefinitely protracting it, The mouth should be opened wide,
+the tongue kept down, and the aperture left as round and as free for the
+voice as possible.
+
+It is this artificial rotundity which, in connection with a distinct
+articulation, enables one who speaks in the open air, or in a very large
+apartment, to send his voice to the most distant point. It is a certain
+degree of this quality, which distinguishes declamatory or public speaking
+or reading from private conversation, and no one can accomplish much, as a
+public speaker, without cultivating it. It must be carefully distinguished
+from the "high tone," which is an elevation of pitch, and from "loudness."
+or "strength" of voice.
+
+It will be observed that clearness and distinctness of utterance are
+secured by a proper use of the subvocals and aspirates--these sounds
+giving to words their shape, as it were; but a clear, full, and
+well-modulated utterance of the vocals gives to words their fullness.
+
+
+LONG QUANTITY. (49)
+
+1. Liberty! Freedom! Tyranny is dead!
+
+2. Woe, woe, to the inhabitants of Jerusalem!
+
+3. O righteous Heaven! ere Freedom found a grave,
+ Why slept the sword, omnipotent to save?
+ Where was thine arm, O Vengeance! where thy rod,
+ That smote the foes of Zion and of God?
+
+4. O sailor boy! sailor boy! never again
+ Shall home, love, or kindred thy wishes repay;
+ Unblessed and unhonored, down deep in the main,
+ Full many a fathom, thy frame shall decay.
+
+5. O Lord, our Lord, how excellent is thy name in all the earth! who hast
+set thy glory above the heavens! When I consider thy heavens, the work of
+thy fingers; the moon and the stars, which thou hast ordained; what is
+man, that thou art mindful of him? and the son of man, that thou visitest
+him? For thou hast made him a little lower than the angels, and hast
+crowned him with glory and honor. Thou madest him to have dominion over
+the work of thy hands; thou hast put all things under his feet. O Lord,
+our Lord, how excellent is thy name in all the earth!
+
+
+MEDIUM QUANTITY. (50)
+
+1. Between Nose and Eyes a strange contest arose;
+ The spectacles set them, unhappily, wrong;
+ The point in dispute was, as all the world knows,
+ To which the said spectacles ought to belong.
+
+2. Bird of the broad and sweeping wing!
+ Thy home is high in heaven,
+ Where the wide storms their banners fling,
+ And the tempest clouds are driven.
+
+3. At midnight, in his guarded tent,
+ The Turk lay dreaming of the hour
+ When Greece, her knee in suppliance bent,
+ Should tremble at his power.
+
+4. On New Year's night, an old man stood at his window, and looked, with a
+glance of fearful despair, up the immovable, unfading heaven, and down
+upon the still, pure, white earth, on which no one was now so joyless and
+sleepless as he.
+
+
+
+SHORT QUANTITY. (51)
+
+1. Quick! or he faints! stand with the cordial near!
+
+2. Back to thy punishment, false fugitive!
+
+3. Fret till your proud heart breaks! Must I observe you? Must I crouch
+beneath your testy humor?
+
+4. Up drawbridge, grooms! what, warder, ho!
+ Let the portcullis fall!
+
+5. Quick, man the lifeboat! see yon bark,
+ That drives before the blast!
+ There's a rock ahead, the fog is dark,
+ And the storm comes thick and fast.
+
+6. I am at liberty, like every other man, to use my own language; and
+though, perhaps, I may have some ambition to please this gentleman, I
+shall not by myself under any restraint, nor very solicitously copy his
+diction, or his mien, however matured by age or modeled by experience.
+
+
+MOVEMENT. (51)
+
+Movement is the rapidity with which the voice moves in reading and
+speaking. It varies with the nature of the thought or sentiment to be
+expressed, and should be increased or diminished as good taste may
+determine. With pupils generally, the tendency is to read too fast. The
+result is, reading or speaking in too high a key and an unnatural style of
+delivery--both of which faults are difficult to be corrected when once
+formed. The kinds of movement are Slow, Moderate, and Quick.
+
+DIRECTIONS.--Read a selection as slowly us possible, without drawling.
+Read it again and again, increasing the rate of movement at each reading,
+until it can be read no faster without the utterance becoming indistinct.
+Reverse this process, reading more and more slowly at each repetition,
+until the slowest movement is obtained.
+
+
+SLOW MOVEMENT. (52)
+
+1. Oh that those lips had language! Life has passed
+ With me but roughly, since I heard them last.
+
+2. A tremulous sigh from the gentle night wind
+ Through the forest leaves slowly is creeping,
+ While stars up above, with their glittering eyes,
+ Keep guard; for the army is sleeping.
+
+3. O Lord'! have mercy upon us, miserable offenders'!
+
+4. So live, that when thy summons comes to join
+ The innumerable caravan that moves
+ To the pale realms of shade, where each shall take
+ His chamber in the silent halls of death,
+ Thou go not, like the quarry slave at night,
+ Scourged to his dungeon, but, sustained and soothed
+ By an unfaltering trust, approach thy grave
+ Like one who wraps the drapery of his couch
+ About him, and lies down to pleasant dreams.
+
+
+MODERATE MOVEMENT. (52)
+
+1. The good', the brave', the beautiful',
+ How dreamless' is their sleep,
+ Where rolls the dirge-like music'
+ Of the over-tossing deep'!
+ Or where the surging night winds
+ Pale Winter's robes have spread
+ Above the narrow palaces,
+ In the cities of the dead'!
+
+2. Lives of great men all remind us
+ We can make our lives sublime,
+ And, departing, leave behind us
+ Footprints on the sands of time.
+
+3. Cast your eyes over this extensive country. Observe the salubrity of
+your climate, the variety and fertility of your soil; and see that soil
+intersected in every quarter by bold, navigable streams, flowing to the
+east and to the west, as if the finger of heaven were marking out the
+course of your settlements, inviting you to enterprise, and pointing the
+way to wealth.
+
+
+QUICK MOVEMENT. (53)
+
+1. Awake'! arise'! or be forever fallen.
+
+2. Merrily swinging on brier and weed,
+ Near to the nest of his little dame,
+ Over the mountain side or mead,
+ Robert of Lincoln is telling his name.
+
+3. Not a word to each other; we kept the great pace--
+ Neck by neck, stride by stride, never changing our place;
+ I turned in my saddle and made its girths tight,
+ Then shortened each stirrup and set the pique right,
+ Rebuckled the check strap, chained slacker the bit,
+ Nor galloped less steadily Roland a whit.
+
+4. Oh my dear uncle, you don't know the effect of a fine spring morning
+upon a fellow just arrived from Russia. The day looked bright, trees
+budding, birds singing, the park so gay, that I took a leap out of your
+balcony, made your deer fly before me like the wind, and chased them all
+around the park to get an appetite for breakfast, while you were snoring
+in bed, uncle.
+
+
+Quality.--We notice a difference between the soft, insinuating tones of
+persuasion; the full, strong voice of command and decision; the harsh,
+irregular, and sometimes grating explosion of the sounds of passion; the
+plaintive notes of sorrow and pity; and the equable and unimpassioned flow
+of words in argumentative style. This difference consists in a variation
+in the quality of the voice by which it is adapted to the character of the
+thought or sentiment read or spoken. In our attempts to imitate nature,
+however, it is important that all affectation be avoided, for perfect
+monotony is preferable to this fault. The tones of the voice should be
+made to correspond with the nature of the subject, without apparent
+effort.
+
+
+EXAMPLES. (54)
+
+Passion and Grief
+
+ "Come back! come back!" he cried, in grief,
+ "Across this stormy water;
+ And I'll forgive your Highland chief,
+ My daughter! O, my daughter!"
+
+
+Plaintive
+
+ I have lived long enough: my way of life
+ Is fallen into the sear, the yellow leaf:
+ And that which should accompany old age,
+ As honor, love, obedience, troops of friends,
+ I must not look to have.
+
+
+Calm
+
+ A very great portion of this globe is covered
+ with water, which is called sea, and is very
+ distinct from rivers and lakes.
+
+
+Fierce Anger
+
+ Burned Marmion's swarthy cheek like fire,
+ And shook his very frame for ire;
+ And--"This to me!" he said,--
+ "An 't were not for thy hoary beard,
+ Such hand as Marmion's had not spared
+ To cleave the Douglas' head!
+
+
+Loud and Explosive
+
+ "Even in thy pitch of pride,
+ Here, in thy hold, thy vassals near,
+ I tell thee, thou 'rt defied!
+ And if thou said'st I am not peer
+ To any lord in Scotland here,
+ Lowland or Highland, far or near,
+ Lord Angus, thou hast lied!"
+
+
+
+VI. GESTURE. (55)
+
+Gesture is that part of the speaker's manner which pertains to his
+attitude, to the use and carriage of his person, and the movement of his
+limbs in delivery.
+
+Every person, in beginning to speak, feels the natural embarrassment
+resulting from his new position. The novelty of the situation destroys his
+self-possession, and, with the loss of that, he becomes awkward, his arms
+and hands hang clumsily, and now, for the first time, seem to him worse
+than superfluous members. This embarrassment will be overcome gradually,
+as the speaker becomes familiar with his position; and it is sometimes
+overcome at once, by a powerful exercise of the attention upon the matter
+of the speech. When that fills and possesses the mind, the orator is
+likely to take the attitude which is becoming, and, at least, easy and
+natural, if not graceful.
+
+1st. The first general direction that should be given to the speaker is,
+that he should stand erect and firm, and in that posture which gives an
+expanded chest and full play to the organs of respiration and utterance.
+
+2d. Let the attitude be such that it can be shifted easily and gracefully.
+The student will find, by trial, that no attitude is so favorable to this
+end as that in which the weight of the body is thrown upon one leg,
+leaving the other free to be advanced or thrown back, as fatigue or the
+proper action of delivery may require.
+
+The student who has any regard to grace or elegance, will of course avoid
+all the gross faults which are so common among public speakers, such as
+resting one foot upon a stool or bench, or throwing the body forward upon
+the support of the rostrum.
+
+3d. Next to attitude, come the movements of the person and limbs. In
+these, two objects are to be observed, and, if possible, combined, viz.,
+propriety and grace. There is expression in the extended arm, the clinched
+hand, the open palm, and the smiting of the breast. But let no gesture be
+made that is not in harmony with the thought or sentiment uttered; for it
+is this harmony which constitutes propriety. As far as possible, let there
+be a correspondence between the style of action and the train of thought.
+Where the thought flows on calmly, let there be grace and ease in gesture
+and action. Where the style is sharp and abrupt, there is propriety in
+quick, short, and abrupt gesticulation. Especially avoid that ungraceful
+sawing of the air with the arms, into which all ill-regulated fervor
+betrays many young speakers.
+
+What is called graceful manner, can only be attained by those who have
+some natural advantages of person. So far as it is in the reach of study
+or practice, it seems to depend chiefly upon the general cultivation of
+manners, implying freedom from all embarrassments, and entire
+self-possession. The secret of acquiring a graceful style of gesture,
+we apprehend, lies in the habitual practice, not only when speaking but
+at all times, of free and graceful movements of the limbs.
+
+There is no limb nor feature which the accomplished speaker will not
+employ with effect, in the course of a various and animated delivery. The
+arms, however, are the chief reliance of the orator in gesture; and it
+will not be amiss to give a hint or two in reference to their proper use.
+
+First--It is not an uncommon fault to use one arm exclusively, and to give
+that a uniform movement. Such movement may, sometimes, have become
+habitual from one's profession or employment; but in learners, also, there
+is often a predisposition to this fault.
+
+Second--It is not unusual to see a speaker use only the lower half of his
+arm. This always gives a stiff and constrained manner to delivery. Let the
+whole arm move, and let the movement be free and flowing.
+
+Third--As a general rule, let the hand be open, with the fingers slightly
+curved. It then seems liberal, communicative, and candid; and, in some
+degree, gives that expression to the style of delivery. Of course there
+are passages which require the clinched hand, the pointed finger, etc.,
+etc.; but these are used to give a particular expression.
+
+Fourth--In the movements of the arm, study variety and the grace of curved
+lines.
+
+When a gesture is made with one arm only, the eye should be cast in the
+direction of that arm; not at it, but over it.
+
+All speakers employ, more or less, the motions of the head. In reference
+to that member, we make but one observation. Avoid the continuous shaking
+and bobbing of the head, which is so conspicuous in the action of many
+ambitious public speakers.
+
+The beauty and force of all gesture consist in its timely, judicious, and
+natural employment, when it can serve to illustrate the meaning or give
+emphasis to the force of an important passage. The usual fault of young
+speakers is too much action. To emphasize all parts alike, is equivalent
+to no emphasis; and by employing forcible gestures on unimportant
+passages, we diminish our power to render other parts impressive.
+
+
+
+ELOCUTION AND READING. (57)
+
+The business of training youth in elocution, must be commenced in
+childhood. The first school is the nursery. There, at least, may be formed
+a distinct articulation, which is the first requisite for good speaking.
+How rarely is it found in perfection among our orators.
+
+"Words," says one, referring to articulation, should "be delivered out
+from the lips, as beautiful coins, newly issued from the mint; deeply and
+accurately impressed, perfectly finished; neatly struck by the proper
+organs, distinct, in due succession, and of due weight." How rarely do we
+hear a speaker whose tongue, teeth, and lips, do their office so perfectly
+as to answer to this beautiful description! And the common faults in
+articulation, it should be remembered, take their rise from the very
+nursery.
+
+Grace in eloquence, in the pulpit, at the bar, can not be separated from
+grace in the ordinary manners, in private life, in the social circle, in
+the family. It can not well be superinduced upon all the other
+acquisitions of youth, any more than that nameless, but invaluable,
+quality called good breeding. Begin, therefore, the work of forming the
+orator with the child; not merely by teaching him to declaim, but what is
+of more consequence, by observing and correcting his daily manners,
+motions, and attitudes. You can say, when he comes into your apartment, or
+presents you with something, a book or letter, in an awkward and
+blundering manner, "Return, and enter this room again," or, "Present me
+that book in a different manner," or, "Put yourself in a different
+attitude." You can explain to him the difference between thrusting or
+pushing out his hand and arm, in straight lines and at acute angles, and
+moving them in flowing circular lines, and easy graceful action. He will
+readily understand you. Nothing is more true than that the motions of
+children are originally graceful; it is by suffering them to be perverted,
+that we lay the foundation of invincible awkwardness in later life.
+
+In schools for children, it ought to be a leading object to teach the art
+of reading. It ought to occupy threefold more time than it does. The
+teachers of these schools should labor to improve themselves. They should
+feel that to them, for a time, are committed the future orators of the
+land.
+
+It is better that a girl should return from school a first-rate reader,
+than a first-rate performer on the pianoforte. The accomplishment, in its
+perfection, would give more pleasure. The voice of song is not sweeter
+than the voice of eloquence; and there may be eloquent readers, as well as
+eloquent speakers. We speak of perfection in this art: and it is
+something, we must say in defense of our preference, which we have never
+yet seen. Let the same pains be devoted to reading, as are required to
+form an accomplished performer on an instrument; let us have, as the
+ancients had, the formers of the voice, the music masters of the reading
+voice; let us see years devoted to this accomplishment, and then we should
+be prepared to stand the comparison.
+
+Reading is indeed, a most intellectual accomplishment. So is music, too,
+in its perfection. We do by no means undervalue this noble and most
+delightful art, to which Socrates applied himself even in his old age. But
+one recommendation of the art of reading is, that it requires a constant
+exercise of mind. It involves, in its perfection, the whole art of
+criticism on language. A man may possess a fine genius without being a
+perfect reader; but he can not be a perfect reader without genius.
+
+ON MODULATION. (59)
+
+FROM LLOYD.
+
+ 'T is not enough the voice' be sound and clear',
+ 'T is modulation' that must charm the ear.
+ When desperate heroes grieve with tedious moan,
+ And whine their sorrows in a seesaw tone,
+ The same soft sounds of unimpassioned woes,
+ Can only make the yawning hearers doze.
+
+ The voice all modes of passion can express
+ That marks the proper word with proper stress:
+ But none emphatic can that speaker call,
+ Who lays an equal emphasis on all.
+
+ Some o'er the tongue the labored measure roll,
+ Slow and deliberate as the parting toll;
+ Point every stop, mark every pause so strong,
+ Their words like stage processions stalk along.
+
+ All affectation but creates disgust;
+ And e'en in speaking, we may seem too just.
+ In vain for them' the pleasing measure flows,
+ Whose recitation runs it all to prose:
+ Repeating what the poet sets not down,
+ The verb disjointing from its favorite noun,
+ While pause, and break, and repetition join
+ To make it discord in each tuneful line'.
+
+ Some' placid natures fill the allotted scene
+ With lifeless drawls, insipid and serene;
+ While others' thunder every couplet o'er,
+ And almost crack your ears with rant and roar;
+ More nature oft, and finer strokes are shown
+ In the low whisper than tempestuous tone;
+ And Hamlet's hollow voice and fixed amaze,
+ More powerful terror to the mind conveys
+ Than he, who, swollen with impetuous rage,
+ Bullies the bulky phantom of the stage.
+
+ He who, in earnest studies o'er his part,
+ Will find true nature cling about his heart.
+ The modes of grief are not included all
+ In the white handkerchief and mournful drawl:
+ A single look' more marks the internal woe,
+ Than all the windings of the lengthened Oh'!
+
+
+
+
+MCGUFFEY'S SIXTH READER. (61)
+
+
+
+MCGUFFEY'S SIXTH READER. (63)
+
+
+SELECTIONS FOR READING.
+
+
+I. ANECDOTE OF THE DUKE OF NEWCASTLE.
+
+A laughable story was circulated during the administration of the old Duke
+of Newcastle, and retailed to the public in various forms. This nobleman,
+with many good points, was remarkable for being profuse of his promises on
+all occasions, and valued himself particularly on being able to anticipate
+the words or the wants of the various persons who attended his levees,
+before they uttered a word. This sometimes led him into ridiculous
+embarrassment; and it was this proneness to lavish promises, which gave
+occasion for the following anecdote:
+
+At the election of a certain borough in Cornwall, where the opposite
+interests were almost equally poised, a single vote was of the highest
+importance. This object the Duke, by well applied argument and personal
+application, at length attained; and the gentleman he recommended, gained
+the election. In the warmth of gratitude, his grace poured forth
+acknowledgments and promises without ceasing, on the fortunate possessor
+of the casting vote; called him his best and dearest friend; protested,
+that he should consider himself as forever indebted to him; and that he
+would serve him by night or by day.
+
+The Cornish voter, who was an honest fellow, and would not have thought
+himself entitled to any reward, but for such a torrent of acknowledgments,
+thanked the Duke for his kindness, and told him the supervisor of excise
+was old and infirm, and, if he would have the goodness to recommend his
+son-in-law to the commissioners, in case of the old man's death, he should
+think himself and his family bound to render his grace every assistance in
+their power, on any future occasion.
+
+"My dear friend, why do you ask for such a trifling employment?" exclaimed
+his grace; "your relative shall have it the moment the place is vacant, if
+you will but call my attention to it."
+
+"But how shall I get admitted to you, my lord? For in London, I
+understand, it is a very difficult business to get a sight of you great
+folks, though you are so kind and complaisant to us in the country."
+
+"The instant the man dies," replied the Duke, "set out posthaste for
+London; drive directly to my house, and, be it by night or by day, thunder
+at the door; I will leave word with my porter to show you upstairs
+directly; and the employment shall be disposed of according to your
+wishes."
+
+The parties separated; the Duke drove to a friend's house in the
+neighborhood, without a wish or desire to see his new acquaintance till
+that day seven years; but the memory of the Cornish elector, not being
+burdened with such a variety of objects, was more retentive. The
+supervisor died a few months after, and the Duke's humble friend, relying
+on the word of a peer, was conveyed to London posthaste, and ascended with
+alacrity the steps of that nobleman's palace.
+
+The reader should be informed, that just at this time, no less a person
+than the King of Spain was expected hourly to depart this life, an event
+in which the minister of Great Britain was particularly concerned; and the
+Duke of Newcastle, on the very night that the proprietor of the decisive
+vote arrived at his door, had sat up anxiously expecting dispatches from
+Madrid. Wearied by official business and agitated spirits, he retired to
+rest, having previously given particular instructions to his porter not to
+go to bed, as he expected every minute a messenger with advices of the
+greatest importance, and desired that he might be shown upstairs, the
+moment of his arrival.
+
+His grace was sound asleep; and the porter, settled for the night in his
+armchair, had already commenced a sonorous nap, when the vigorous arm of
+the Cornish voter roused him from his slumbers. To his first question, "Is
+the Duke at home?" the porter replied, "Yes, and in bed; but has left
+particular orders that, come when you will, you are to go up to him
+directly."
+
+"Bless him, for a worthy and honest gentleman," cried our applicant for
+the vacant post, smiling and nodding with approbation at the prime
+minister's kindness, "how punctual his grace is; I knew he would not
+deceive me; let me hear no more of lords and dukes not keeping their
+words; I verily believe they are as honest, and mean as well as any other
+folks." Having ascended the stairs as he was speaking, he was ushered into
+the Duke's bedchamber.
+
+"Is he dead?" exclaimed his grace, rubbing his eyes, and scarcely awakened
+from dreaming of the King of Spain, "Is he dead?"
+
+"Yes, my lord," replied the eager expectant, delighted to find the
+election promise, with all its circumstances, so fresh in the nobleman's
+memory.
+
+"When did he die?"
+
+"The day before yesterday, exactly at half past one o'clock, after being
+confined three weeks to his bed, and taking a power of doctor's stuff; and
+I hope your grace will be as good as your word, and let my son-in-law
+succeed him."
+
+The Duke, by this time perfectly awake, was staggered at the impossibility
+of receiving intelligence from Madrid in so short a space of time; and
+perplexed at the absurdity of a king's messenger applying for his
+son-in-law to succeed the King of Spain: "Is the man drunk, or mad? Where
+are your dispatches?" exclaimed his grace, hastily drawing back his
+curtain; where, instead of a royal courier, he recognized at the bedside,
+the fat, good-humored countenance of his friend from Cornwall, making low
+bows, with hat in hand, and "hoping my lord would not forget the gracious
+promise he was so good as to make, in favor of his son-in-law, at the last
+election."
+
+Vexed at so untimely a disturbance, and disappointed of news from Spain,
+the Duke frowned for a moment; but chagrin soon gave way to mirth, at so
+singular and ridiculous a combination of circumstances, and, yielding to
+the impulse, he sunk upon the bed in a violent fit of laughter, which was
+communicated in a moment to the attendants.
+
+The relater of this little narrative, concludes, with observing, "Although
+the Duke of Newcastle could not place the relative of his old acquaintance
+on the throne of His Catholic Majesty, he advanced him to a post not less
+honorable--he made him an exciseman."
+ --Blackwood's Magazine.
+
+[Illustration: Bedroom: The Duke is startled awake, sitting up in bed with
+distressed look on his face. A servant is holding a candlestick. A third
+man is slightly bowed and holding his hat in his hands. The duke's sword
+rests against a chair at the foot of the bed.]
+
+Notes.--Duke of Newcastle.--Thomas Holles Pelham (b. 1693, d. 1768), one
+of the chief ministers of state in the reign of George II. of England.
+
+Cornwall.--A county forming the extreme southwestern part of England.
+
+King of Spain.--Ferdinand VI. was then the king of Spain. He died in 1759.
+
+
+His Catholic Majesty, a title applied to the kings of Spain; first given
+to Alfonso I. by Pope Gregory III. in 739.
+
+
+
+II. THE NEEDLE. (67)
+
+The gay belles of fashion may boast of excelling
+ In waltz or cotillon, at whist or quadrille;
+And seek admiration by vauntingly telling
+ Of drawing, and painting, and musical skill:
+But give me the fair one, in country or city,
+ Whose home and its duties are dear to her heart,
+Who cheerfully warbles some rustical ditty,
+ While plying the needle with exquisite art:
+The bright little needle, the swift-flying needle,
+ The needle directed by beauty and art.
+
+If Love have a potent, a magical token,
+ A talisman, ever resistless and true,
+A charm that is never evaded or broken,
+ A witchery certain the heart to subdue,
+'T is this; and his armory never has furnished
+ So keen and unerring, or polished a dart;
+Let beauty direct it, so polished and burnished,
+ And oh! it is certain of touching the heart:
+The bright little needle, the swift-flying needle,
+ The needle directed by beauty and art.
+
+Be wise, then, ye maidens, nor seek admiration,
+ By dressing for conquest, and flirting with all;
+You never, whate'er be your fortune or station,
+ Appear half so lovely at rout or at ball,
+As gayly convened at the work-covered table,
+ Each cheerfully active, playing her part,
+Beguiling the task with a song or a fable,
+ And plying the needle with exquisite art:
+The bright little needle, the swift-flying needle,
+ The needle directed by beauty and art.
+ --Samuel Woodworth.
+
+
+
+III. DAWN. (68)
+
+Edward Everett, 1794-1865. He was born at Dorchester, Mass., now a part of
+Boston, and graduated from Harvard College with the highest honors of his
+class, at the age of seventeen. While yet in college, he had quite a
+reputation as a brilliant writer. Before he was twenty years of age, he
+was settled as pastor over the Brattle Street Church, in Boston, and at
+once became famous as an eloquent preacher. In 1814, he was elected
+Professor of Greek Literature in his Alma Mater; and, in order to prepare
+himself for the duties of his office, he entered on an extended course of
+travel in Europe. He edited the "North American Review," in addition to
+the labors of his professorship, after he returned to America.
+
+In 1825, Mr. Everett was elected to Congress, and held his seat in the
+House for ten years. He was Governor of his native state from 1835 to
+1839. In 1841, he was appointed Minister to England. On his return, in
+1846, he was chosen President of Harvard University, and held the office
+for three years. In 1852, he was appointed Secretary of State. February
+22, 1856, he delivered, in Boston, his celebrated lecture on Washington.
+This lecture was afterwards delivered in most of the principal cities and
+towns in the United States. The proceeds were devoted to the purchase of
+Mt. Vernon. In 1860, he was a candidate for the Vice Presidency of the
+United States, He is celebrated as an elegant and forcible writer, and a
+chaste orator.
+
+This extract, a wonderful piece of word painting, is a portion of an
+address on the "Uses of Astronomy," delivered at the inauguration of the
+Dudley Observatory, at Albany, N, Y, Note the careful use of words, and
+the strong figures in the third and fourth paragraphs.
+###
+
+
+I had occasion, a few weeks since, to take the early train from Providence
+to Boston; and for this purpose rose at two o'clock in the morning.
+Everything around was wrapped in darkness and hushed in silence, broken
+only by what seemed at that hour the unearthly clank and rush of the
+train. It was a mild, serene, midsummer's night,--the sky was without a
+cloud, the winds were whist. The moon, then in the last quarter, had just
+risen, and the stars shone with a spectral luster but little affected by
+her presence.
+
+Jupiter, two hours high, was the herald of the day; the Pleiades, just
+above the horizon, shed their sweet influence in the east; Lyra sparkled
+near the zenith; Andromeda veiled her newly-discovered glories from the
+naked eye in the south; the steady Pointers, far beneath the pole, looked
+meekly up from the depths of the north to their sovereign.
+
+Such was the glorious spectacle as I entered the train. As we proceeded,
+the timid approach of twilight became more perceptible; the intense blue
+of the sky began to soften; the smaller stars, like little children, went
+first to rest; the sister beams of the Pleiades soon melted together; but
+the bright constellations of the west and north remained unchanged.
+Steadily the wondrous transfiguration went on. Hands of angels, hidden
+from mortal eyes, shifted the scenery of the heavens; the glories of night
+dissolved into the glories of the dawn.
+
+The blue sky now turned more softly gray; the great watch stars shut up
+their holy eyes; the east began to kindle. Faint streaks of purple soon
+blushed along the sky; the whole celestial concave was filled with the
+inflowing tides of the morning light, which came pouring down from above
+in one great ocean of radiance; till at length, as we reached the Blue
+Hills, a flash of purple fire blazed out from above the horizon, and
+turned the dewy teardrops of flower and leaf into rubies and diamonds. In
+a few seconds, the everlasting gates of the morning were thrown wide open,
+and the lord of day, arrayed in glories too severe for the gaze of man,
+began his state.
+
+I do not wonder at the superstition of the ancient Magians, who, in the
+morning of the world, went up to the hilltops of Central Asia, and,
+ignorant of the true God, adored the most glorious work of his hand. But I
+am filled with amazement, when I am told, that, in this enlightened age
+and in the heart of the Christian world, there are persons who can witness
+this daily manifestation of the power and wisdom of the Creator, and yet
+say in their hearts, "There is no God."
+
+Notes.--Jupiter, the largest planet of the solar system, and, next to
+Venus, the brightest. Pleiades (pro. ple'ya-dez), a group of seven small
+stars in the constellation of Taurus.
+
+Lyra, Androm'eda, two brilliant constellations in the northern part of the
+heavens. Pointers, two stars of the group called the Dipper, in the Great
+Bear. These stars and the Polar Star are nearly in the same straight line.
+
+
+Blue Hills, hills about seven hundred feet high, southwest of Boston,
+Massachusetts.
+
+Magians, Persian worshipers of fire and the sun, as representatives of the
+Supreme Being.
+
+
+
+IV. DESCRIPTION OF A STORM. (70)
+
+Benjamin Disraeli. 1805-1881, was of Jewish descent. His ancestors were
+driven out of Spain by the Inquisition, and went to Venice. In 1748, his
+grandfather came to England. His father was Isaac Disraeli, well known as
+a literary man. Benjamin was born in London, and received his early
+education under his father. He afterwards studied for a lawyer, but soon
+gave up his profession for literature. His first novel, "Vivian Grey,"
+appeared when the author was twenty-one years of age; it received much
+attention. After several defeats he succeeded in an election to
+Parliament, and took his seat in that body, in the first year of
+Victoria's reign. On his first attempt to speak in Parliament, the House
+refused to hear him. It is said that, as he sat down, he remarked that the
+time would come when they would hear him. In 1849, he became the leader of
+the Conservative party in the House. During the administration of W. E.
+Gladstone, Mr. Disraeli was leader of the opposition. In 1868, he became
+prime minister, holding the office for a short time. In 1874, he was again
+appointed to the same office, where he remained until 1880. His wife was
+made Viscountess of Beaconsfield in 1868. After her death, the title of
+Earl of Beaconsfield was conferred on Disraeli. He ranked among the most
+eminent, statesmen of the age, but always devoted a portion of his time to
+literature. "Lothair," a novel, was published in 1870.
+###
+
+
+* * * They looked round on every side, and hope gave way before the scene
+of desolation. Immense branches were shivered from the largest trees;
+small ones were entirely stripped of their leaves; the long grass was
+bowed to the earth; the waters were whirled in eddies out of the little
+rivulets; birds, leaving their nests to seek shelter in the crevices of
+the rocks, unable to stem the driving air, flapped their wings and fell
+upon the earth; the frightened animals of the plain, almost suffocated by
+the impetuosity of the wind, sought safety and found destruction; some of
+the largest trees were torn up by the roots; the sluices of the mountains
+were filled, and innumerable torrents rushed down the before empty
+gullies. The heavens now open, and the lightning and thunder contend with
+the horrors of the wind.
+
+In a moment, all was again hushed. Dead silence succeeded the bellow of
+the thunder, the roar of the wind, the rush of the waters, the moaning of
+the beasts, the screaming of the birds. Nothing was heard save the plash
+of the agitated lake, as it beat up against the black rocks which girt it
+in.
+
+Again, greater darkness enveloped the trembling earth. Anon, the heavens
+were rent with lightning, which nothing could have quenched but the
+descending deluge. Cataracts poured down from the lowering firmament. For
+an instant, the horses dashed madly forward; beast and rider blinded and
+stifled by the gushing rain, and gasping for breath. Shelter was nowhere.
+The quivering beasts reared, and snorted, and sank upon their knees,
+dismounting their riders.
+
+He had scarcely spoken, when there burst forth a terrific noise, they knew
+not what; a rush, they could not understand; a vibration which shook them
+on their horses. Every terror sank before the roar of the cataract. It
+seemed that the mighty mountain, unable to support its weight of waters,
+shook to the foundation. A lake had burst upon its summit, and the
+cataract became a falling ocean. The source of the great deep appeared to
+be discharging itself over the range of mountains; the great gray peak
+tottered on its foundation!--It shook!--it fell! and buried in its ruins
+the castle, the village, and the bridge!
+
+
+
+V. AFTER THE THUNDERSTORM. (72)
+
+James Thomson, 1700-1748, the son of a clergyman, was born in Scotland. He
+studied at the University of Edinburgh, and intended to follow the
+profession of his father, but never entered upon the duties of the sacred
+office. In 1724 he went to London, where he spent most of his subsequent
+life. He had shown some poetical talent when it boy; and, in 1826, he
+published "Winter," a part of a longer poem, entitled "The Seasons," the
+best known of all his works. He also wrote several plays for the stage;
+none of them, however, achieved any great success. In the last year of his
+life, he published his "Castle of Indolence," the most famous of his works
+excepting "The Seasons." Thomson was heavy and dull in his personal
+appearance, and was indolent in his habits. The moral tone of his writings
+is always good. This extract is from "The Seasons."
+###
+
+
+ As from the face of heaven the shattered clouds
+ Tumultuous rove, the interminable sky
+ Sublimer swells, and o'er the world expands
+ A purer azure.
+
+ Through the lightened air
+ A higher luster and a clearer calm,
+ Diffusive, tremble; while, as if in sign
+ Of danger past, a glittering robe of joy,
+ Set off abundant by the yellow ray,
+ Invests the fields; and nature smiles revived.
+
+ 'T is beauty all, and grateful song around,
+ Joined to the low of kine, and numerous bleat
+ Of flocks thick-nibbling through the clovered vale:
+ And shall the hymn be marred by thankless man,
+ Most favored; who, with voice articulate,
+ Should lead the chorus of this lower world?
+
+ Shall man, so soon forgetful of the Hand
+ That hushed the thunder, and serenes the sky,
+ Extinguished fed that spark the tempest waked,
+ That sense of powers exceeding far his own,
+ Ere yet his feeble heart has lost its fears?
+
+
+
+VI. HOUSE CLEANING. (73)
+
+Francis Hopkinson, 1737-1791. He was the son of an Englishman; born in
+Philadelphia, and was educated at the college of that city, now the
+University of Pennsylvania. He represented New Jersey in the Congress of
+1776, and was one of the signers of the Declaration of Independence. He
+was one of the most sensible and elegant writers of his time, and
+distinguished himself both in prose and verse. His lighter writings abound
+in humor and keen satire; his more solid writings are marked by clearness
+and good sense. His pen did much to forward the cause of American
+independence. His "Essay on Whitewashing," from which the following
+extract is taken, was mistaken for the composition of Dr. Franklin, and
+published among his writings, It was originally in the form of "A Letter
+from a Gentleman in America to his Friend in Europe, on Whitewashing."
+###
+
+
+There is no season of the year in which the lady may not, if she pleases,
+claim her privilege; but the latter end of May is generally fixed upon for
+the purpose. The attentive husband may judge, by certain prognostics, when
+the storm is at hand. If the lady grows uncommonly fretful, finds fault
+with the servants, is discontented with the children, and complains much
+of the nastiness of everything about her, these are symptoms which ought
+not to be neglected, yet they sometimes go off without any further effect.
+
+
+But if, when the husband rises in the morning, he should observe in the
+yard a wheelbarrow with a quantity of lime in it, or should see certain
+buckets filled with a solution of lime in water, there is no time for
+hesitation. He immediately locks up the apartment or closet where his
+papers and private property are kept, and, putting the key into his
+pocket, betakes himself to flight. A husband, however beloved, becomes a
+perfect nuisance during this season of female rage. His authority is
+superseded, his commission suspended, and the very scullion who cleans the
+brasses in the kitchen becomes of more importance than he. He has nothing
+for it but to abdicate for a time, and run from an evil which he can
+neither prevent nor mollify.
+
+The husband gone, the ceremony begins. The walls are stripped of their
+furniture--paintings, prints, and looking-glasses lie huddled in heaps
+about the floors; the curtains are torn from their testers, the beds
+crammed into windows, chairs and tables, bedsteads and cradles, crowd the
+yard, and the garden fence bends beneath the weight of carpets, blankets,
+cloth cloaks, old coats, under petticoats, and ragged breeches. Here may
+be seen the lumber of the kitchen, forming a dark and confused mass for
+the foreground of the picture; gridirons and frying pans, rusty shovels
+and broken tongs, joint stools, and the fractured remains of rush-bottomed
+chairs. There a closet has disgorged its bowels--riveted plates and
+dishes, halves of china bowls, cracked tumblers, broken wineglasses,
+phials of forgotten physic, papers of unknown powders, seeds and dried
+herbs, tops of teapots, and stoppers of departed decanters--from the rag
+hole in the garret, to the rat hole in the cellar, no place escapes
+unrummaged. It would seem as if the day of general doom had come, and the
+utensils of the house were dragged forth to judgment.
+
+In this tempest, the words of King Lear unavoidably present themselves,
+and might, with little alteration, be made strictly applicable.
+
+
+ "Let the great gods,
+ That keep this dreadful pother o'er our heads,
+ Find out their enemies now. Tremble, thou wretch,
+ That hast within thee undivulged crimes
+ Unwhipp'd of justice.
+ Close pent-up guilts,
+ Rive your concealing continents, and cry
+ These dreadful summoners grace."
+
+
+This ceremony completed, and the house thoroughly evacuated, the next
+operation is to smear the walls and ceilings with brushes dipped into a
+solution of lime, called whitewash; to pour buckets of water over every
+floor; and scratch all the partitions and wainscots with hard brushes,
+charged with soft soap and stonecutters' sand.
+
+The windows by no means escape the general deluge. A servant scrambles out
+upon the penthouse, at the risk of her neck, and, with a mug in her hand
+and a bucket within reach, dashes innumerable gallons of water against the
+glass panes, to the great annoyance of passengers in the street.
+
+I have been told that an action at law was once brought against one of
+these water nymphs, by a person who had a new suit of clothes spoiled by
+this operation: but after long argument, it was determined that no damages
+could be awarded; inasmuch as the defendant was in the exercise of a legal
+right, and not answerable for the consequences. And so the poor gentleman
+was doubly non-suited; for he lost both his suit of clothes and his suit
+at law.
+
+These smearings and scratchings, these washings and dashings, being duly
+performed, the next ceremonial is to cleanse and replace the distracted
+furniture. You may have seen a house raising, or a ship launch--
+recollect, if you can, the hurry, bustle, confusion, and noise of such a
+scene, and you will have some idea of this cleansing match. The misfortune
+is, that the sole object is to make things clean. It matters not how many
+useful, ornamental, or valuable articles suffer mutilation or death under
+the operation. A mahogany chair and a carved frame undergo the same
+discipline; they are to be made clean at all events; but their
+preservation is not worthy of attention.
+
+For instance: a fine large engraving is laid flat upon the floor; a number
+of smaller prints are piled upon it, until the superincumbent weight
+cracks the lower glass--but this is of no importance. A valuable picture
+is placed leaning against the sharp corner of a table; others are made to
+lean against that, till the pressure of the whole forces the corner of the
+table through the canvas of the first. The frame and glass of a fine print
+are to be cleaned; the spirit and oil used on this occasion are suffered
+to leak through and deface the engraving--no matter. If the glass is clean
+and the frame shines, it is sufficient--the rest is not worthy of
+consideration. An able arithmetician hath made a calculation, founded on
+long experience, and proved that the losses and destruction incident to
+two white washings are equal to one removal, and three removals equal to
+one fire.
+
+This cleansing frolic over, matters begin to resume their pristine
+appearance: the storm abates, and all would be well again; but it is
+impossible that so great a convulsion in so small a community should pass
+over without producing some consequences. For two or three weeks after the
+operation, the family are usually afflicted with sore eyes, sore throats,
+or severe colds, occasioned by exhalations from wet floors and damp walls.
+
+
+I know a gentleman here who is fond of accounting for everything in a
+philosophical way. He considers this, what I call a custom, as a real
+periodical disease peculiar to the climate. His train of reasoning is
+whimsical and ingenious, but I am not at leisure to give you the detail.
+The result was, that he found the distemper to be incurable; but after
+much study, he thought he had discovered a method to divert the evil he
+could not subdue. For this purpose, he caused a small building, about
+twelve feet square, to be erected in his garden, and furnished with some
+ordinary chairs and tables, and a few prints of the cheapest sort. His
+hope was, that when the whitewashing frenzy seized the females of his
+family, they might repair to this apartment, and scrub, and scour, and
+smear to their hearts' content; and so spend the violence of the disease
+in this outpost, whilst he enjoyed himself in quiet at headquarters. But
+the experiment did not answer his expectation. It was impossible it
+should, since a principal part of the gratification consists in the lady's
+having an uncontrolled right to torment her husband at least once in every
+year; to turn him out of doors, and take the reins of government into her
+own hands.
+
+There is a much better contrivance than this of the philosopher's; which
+is, to cover the walls of the house with paper. This is generally done.
+And though it does not abolish, it at least shortens the period of female
+dominion. This paper is decorated with various fancies; and made so
+ornamental that the women have admitted the fashion without perceiving the
+design.
+
+There is also another alleviation to the husband's distress. He generally
+has the sole use of a small room or closet for his books and papers, the
+key of which he is allowed to keep. This is considered as a privileged
+place, even in the whitewashing season, and stands like the land of Goshen
+amidst the plagues of Egypt. But then he must be extremely cautious, and
+ever upon his guard; for, should he inadvertently go abroad and leave the
+key in his door, the housemaid, who is always on the watch for such an
+opportunity, immediately enters in triumph with buckets, brooms, and
+brushes--takes possession of the premises, and forthwith puts an his books
+and papers "to rights," to his utter confusion, and sometimes serious
+detriment.
+
+Notes.--Lear.--The reference is to Shakespeare's tragedy, Act III, Scene
+2.
+
+Goshen.--The portion of Egypt settled by Jacob and his family. In the
+Bible, Exodus viii, 22, Goshen was exempted from the plague of the flies.
+
+The teacher should ascertain that the pupils note the satire and humor of
+this selection.
+
+This letter was written about a hundred years ago. What word in the first
+paragraph that would probably not be used by an elegant writer of the
+present day? Note the words that indicate changes in domestic customs;
+such as testers, joint stools, wainscots, house raising.
+
+
+
+VII. SCHEMES OF LIFE OFTEN ILLUSORY. (78)
+
+Samuel Johnson, 1700-1784. This truly remarkable man was the son of a
+bookseller and stationer; he was born in Lichfield, Staffordshire,
+England. He entered Pembroke College, Oxford, in 1728; but, at the end of
+three years, his poverty compelled him to leave without taking his degree.
+In 1736, he married Mrs. Porter, a widow of little culture, much older
+than himself, but possessed of some property. The marriage seems to have
+been a happy one, nevertheless; and, on the death of his wife, in 1752,
+Johnson mourned for her, most sincerely. Soon after his marriage, he
+opened a private school, but, obtained only three pupils, one of whom was
+David Garrick, afterward the celebrated actor. In 1737, he removed to
+London, where he lived for most of the remainder of his life. Here he
+entered upon literary work, in which he continued, and from which he
+derived his chief support, although at times it was but a meager one, His
+"Vanity of Human Wishes" was sold for ten guineas. His great Dictionary,
+the first one of the English language worthy of mention, brought him
+1575 Pounds, and occupied his time for seven years. Most of the money he
+received for the work went to pay his six amanuenses. The other most
+famous of his numerous literary works are "The Rambler," "Rasselas," "The
+Lives of the English Poets," and his edition of Shakespeare. In person,
+Johnson was heavy and awkward; he was the victim of scrofula in his youth,
+and of dropsy in his old age. In manner, he was boorish and overbearing;
+but his great powers and his wisdom caused his company to be sought by
+many eminent men of his time.
+###
+
+
+Omar, the son of Hassan, had passed seventy-five years in honor and
+prosperity. The favor of three successive caliphs had filled his house
+with gold and silver; and whenever he appeared, the benedictions of the
+people proclaimed his passage.
+
+Terrestrial happiness is of short continuance, The brightness of the flame
+is wasting its fuel; the fragrant flower is passing away in its own odors.
+The vigor of Omar began to fail; the curls of beauty fell from his head;
+strength departed from his hands, and agility from his feet. He gave back
+to the caliph the keys of trust, and the seals of secrecy; and sought no
+other pleasure for the remainder of life than the converse of the wise and
+the gratitude of the good.
+
+The powers of his mind were yet unimpaired. His chamber was filled by
+visitants, eager to catch the dictates of experience, and officious to pay
+the tribute of admiration. Caleb, the son of the viceroy of Egypt, entered
+every day early, and retired late. He was beautiful and eloquent; Omar
+admired his wit, and loved his docility.
+
+"Tell me," said Caleb, "thou to whose voice nations have listened, and
+whose wisdom is known to the extremities of Asia, tell me, how I may
+resemble Omar the prudent? The arts by which thou hast gained power and
+preserved it, are to thee no longer necessary or useful; impart to me the
+secret of thy conduct, and teach me the plan upon which thy wisdom has
+built thy fortune."
+
+"Young man," said Omar, "it is of little use to form plans of life. When I
+took my first survey of the world, in my twentieth year, having considered
+the various conditions of mankind, in the hour of solitude I said thus to
+myself, leaning against a cedar which spread its branches over my head:
+'Seventy years are allowed to man; I have yet fifty remaining.
+
+" 'Ten years I will allot to the attainment of knowledge, and ten I will
+pass in foreign countries; I shall be learned, and therefore I shall be
+honored; every city will shout at my arrival, and every student will
+solicit my friendship. Twenty years thus passed will store my mind with
+images which I shall be busy through the rest of my life in combining and
+comparing. I shall revel in inexhaustible accumulations of intellectual
+riches; I shall find new pleasures for every moment, and shall never more
+be weary of myself.
+
+" 'I will not, however, deviate too far from the beaten track of life; but
+will try what can be found in female delicacy. I will marry a wife as
+beautiful as the houries, and wise as Zobeide; and with her I will live
+twenty years within the suburbs of Bagdad, in every pleasure that wealth
+can purchase, and fancy can invent.
+
+" 'I will then retire to a rural dwelling, pass my days in obscurity and
+contemplation; and lie silently down on the bed of death. Through my life
+it shall be my settled resolution, that I will never depend on the smile
+of princes; that I will never stand exposed to the artifices of courts; I
+will never pant for public honors, nor disturb my quiet with the affairs
+of state.' Such was my scheme of life, which I impressed indelibly upon my
+memory.
+
+"The first part of my ensuing time was to be spent in search of knowledge,
+and I know not how I was diverted from my design. I had no visible
+impediments without, nor any ungovernable passion within. I regarded
+knowledge as the highest honor, and the most engaging pleasure; yet day
+stole upon day, and month glided after month, till I found that seven
+years of the first ten had vanished, and left nothing behind them.
+
+"I now postponed my purpose of traveling; for why should I go abroad,
+while so much remained to be learned at home? I immured myself for four
+years, and studied the laws of the empire. The fame of my skill reached
+the judges: I was found able to speak upon doubtful questions, and I was
+commanded to stand at the footstool of the caliph. I was heard with
+attention; I was consulted with confidence, and the love of praise
+fastened on my heart.
+
+"I still wished to see distant countries; listened with rapture to the
+relations of travelers, and resolved some time to ask my dismission, that
+I might feast my soul with novelty; but my presence was always necessary,
+and the stream of business hurried me along. Sometimes, I was afraid lest
+I should be charged with ingratitude; but I still proposed to travel, and
+therefore would not confine myself by marriage.
+
+"In my fiftieth year, I began to suspect that the time of my traveling was
+past; and thought it best to lay hold on the felicity yet in my power, and
+indulge myself in domestic pleasures. But, at fifty, no man easily finds a
+woman beautiful as the houries, and wise as Zobeide. I inquired and
+rejected, consulted and deliberated, till the sixty-second year made me
+ashamed of wishing to marry. I had now nothing left but retirement; and
+for retirement I never found a time, till disease forced me from public
+employment.
+
+"Such was my scheme, and such has been its consequence. With an insatiable
+thirst for knowledge, I trifled away the years of improvement; with a
+restless desire of seeing different countries, I have always resided in
+the same city; with the highest expectation of connubial felicity, I have
+lived unmarried; and with an unalterable resolution of contemplative
+retirement, I am going to die within the walls of Bagdad."
+
+
+Notes.--Bag dad'--A large city of Asiatic Turkey, on the river Tigris.
+
+In the ninth century, it was the greatest center of Moslem power and
+learning.
+
+Zobeide (Zo-bad').--A lady of Bagdad, whose story is given in the "Three
+Calendars" of the "Arabian Nights."
+
+In this selection the form of an allegory is used to express a general
+truth.
+
+
+
+VIII. THE BRAVE OLD OAK. (81)
+
+Henry Fothergill Chorley, 1808-1872. He is known chiefly as a musical
+critic and author; for thirty-eight years he was connected with the
+"London Athenaeum." His books are mostly novels.
+###
+
+
+A song to the oak, the brave old oak,
+ Who hath ruled in the greenwood long;
+Here's health and renown to his broad green crown,
+ And his fifty arms so strong.
+There's fear in his frown, when the sun goes down,
+ And the fire in the west fades out;
+And he showeth his might on a wild midnight,
+ When the storms through his branches shout.
+
+In the days of old, when the spring with cold
+ Had brightened his branches gray,
+Through the grass at his feet, crept maidens sweet,
+ To gather the dews of May.
+And on that day, to the rebec gay
+ They frolicked with lovesome swains;
+They are gone, they are dead, in the churchyard laid,
+ But the tree--it still remains.
+
+He saw rare times when the Christmas chimes
+ Were a merry sound to hear,
+When the Squire's wide hall and the cottage small
+ Were filled with good English cheer.
+Now gold hath the sway we all obey,
+ And a ruthless king is he;
+But he never shall send our ancient friend
+ To be tossed on the stormy sea.
+
+Then here's to the oak, the brave old oak,
+ Who stands in his pride alone;
+And still flourish he, a hale green tree,
+ When a hundred years are gone.
+
+
+IX. THE ARTIST SURPRISED. (82)
+
+It may not be known to all the admirers of the genius of Albert Durer,
+that that famous engraver was endowed with a "better half," so peevish in
+temper, that she was the torment not only of his own life, but also of his
+pupils and domestics. Some of the former were cunning enough to purchase
+peace for themselves by conciliating the common tyrant, but woe to those
+unwilling or unable to offer aught in propitiation. Even the wiser ones
+were spared only by having their offenses visited upon a scapegoat.
+
+This unfortunate individual was Samuel Duhobret, a disciple whom Durer had
+admitted into his school out of charity. He was employed in painting signs
+and the coarser tapestry then used in Germany. He was about forty years of
+age, little, ugly, and humpbacked; he was the butt of every ill joke among
+his fellow disciples, and was picked out as an object of especial dislike
+by Madame Durer. But he bore all with patience, and ate, without
+complaint, the scanty crusts given him every day for dinner, while his
+companions often fared sumptuously.
+
+Poor Samuel had not a spice of envy or malice in his heart. He would, at
+any time, have toiled half the night to assist or serve those who were
+wont oftenest to laugh at him, or abuse him loudest for his stupidity.
+True, he had not the qualities of social humor or wit, but he was an
+example of indefatigable industry. He came to his studies every morning at
+daybreak, and remained at work until sunset. Then he retired into his
+lonely chamber, and wrought for his own amusement.
+
+Duhobret labored three years in this way, giving himself no time for
+exercise or recreation. He said nothing to a single human being of the
+paintings he had produced in the solitude of his cell, by the light of his
+lamp. But his bodily energies wasted and declined under incessant toil.
+There was none sufficiently interested in the poor artist, to mark the
+feverish hue of his wrinkled cheek, or the increasing attenuation of his
+misshapen frame.
+
+None observed that the uninviting pittance set aside for his midday
+repast, remained for several days untouched. Samuel made his appearance
+regularly as ever, and bore with the same meekness the gibes of his
+fellow-pupils, or the taunts of Madame Durer, and worked with the same
+untiring assiduity, though his hands would sometimes tremble, and his eyes
+become suffused, a weakness probably owing to the excessive use he had
+made of them.
+
+One morning Duhobret was missing at the scene of his daily labors. His
+absence created much remark, and many were the jokes passed upon the
+occasion. One surmised this, and another that, as the cause of the
+phenomenon; and it was finally agreed that the poor fellow must have
+worked himself into an absolute skeleton, and taken his final stand in the
+glass frame of some apothecary, or been blown away by a puff of wind,
+while his door happened to stand open. No on thought of going to his
+lodgings to look after him or his remains.
+
+Meanwhile, the object of their mirth was tossing on a bed of sickness.
+Disease, which had been slowly sapping the foundations of his strength,
+burned in every vein; his eyes rolled and flashed in delirium; his lips,
+usually so silent, muttered wild and incoherent words. In his days of
+health, poor Duhobret had his dreams, as all artists, rich or poor, will
+sometimes have. He had thought that the fruit of many years' labor,
+disposed of to advantage, might procure him enough to live, in an
+economical way, for the rest of his life. He never anticipated fame or
+fortune; the height of his ambition or hope was, to possess a tenement
+large enough to shelter him from the inclemencies of the weather, with
+means enough to purchase one comfortable meal per day.
+
+Now, alas! however, even that one hope had deserted him. He thought
+himself dying, and thought it hard to die without one to look kindly upon
+him, without the words of comfort that might soothe his passage to another
+world. He fancied his bed surrounded by fiendish faces, grinning at his
+sufferings, and taunting his inability to summon power to disperse them.
+At length the apparition faded away, and the patient sunk into an
+exhausted slumber.
+
+He awoke unrefreshed; it was the fifth day he had lain there neglected.
+His mouth was parched; he turned over, and feebly stretched out his hand
+toward the earthen pitcher, from which, since the first day of his illness
+he had quenched his thirst. Alas! it was empty! Samuel lay for a few
+moments thinking what he should do. He knew he must die of want if he
+remained there alone; but to whom could he apply for aid?
+
+An idea seemed, at last, to strike him. He arose slowly, and with
+difficulty, from the bed, went to the other side of the room, and took up
+the picture he had painted last. He resolved to carry it to the shop of a
+salesman, and hoped to obtain for it sufficient to furnish him with the
+necessaries of life for a week longer. Despair lent him strength to walk,
+and to carry his burden. On his way, he passed a house, about which there
+was a crowd. He drew nigh, asked what was going on, and received for an
+answer, that there was to be a sale of many specimens of art, collected by
+an amateur in the course of thirty years. It has often happened that
+collections made with infinite pains by the proprietor, have been sold
+without mercy or discrimination after his death.
+
+Something whispered to the weary Duhobret, that here would be the market
+for his picture. It was a long way yet to the house of the picture dealer,
+and he made up his mind at once. He worked his way through the crowd,
+dragged himself up the steps, and, after many inquiries, found the
+auctioneer. That personage was a busy man, with a handful of papers; he
+was inclined to notice somewhat roughly the interruption of the lean,
+sallow hunchback, imploring as were his gesture and language.
+
+"What do you call your picture?" at length, said he, carefully looking at
+it.
+
+"It is a view of the Abbey of Newburg, with its village and the
+surrounding landscape," replied the eager and trembling artist.
+
+The auctioneer again scanned it contemptuously, and asked what it was
+worth. "Oh, that is what you please; whatever it will bring," answered
+Duhobret.
+
+"Hem! it is too odd to please, I should think; I can promise you no more
+than three thalers."
+
+Poor Samuel sighed deeply. He had spent on that piece the nights of many
+months. But he was starving now; and the pitiful sum offered would give
+bread for a few days. He nodded his head to the auctioneer, and retiring
+took his seat in a corner.
+
+The sale began. After some paintings and engravings had been disposed of,
+Samuel's was exhibited. "Who bids at three thalers? Who bids?" was the
+cry. Duhobret listened eagerly, but none answered. "Will it find a
+purchaser?" said he despondingly, to himself. Still there was a dead
+silence. He dared not look up; for it seemed to him that all the people
+were laughing at the folly of the artist, who could be insane enough to
+offer so worthless a piece at a public sale.
+
+"What will become of me?" was his mental inquiry. "That work is certainly
+my best;" and he ventured to steal another glance. "Does it not seem that
+the wind actually stirs those boughs and moves those leaves! How
+transparent is the water! What life breathes in the animals that quench
+their thirst at that spring! How that steeple shines! How beautiful are
+those clustering trees!" This was the last expiring throb of an artist's
+vanity. The ominous silence continued, and Samuel, sick at heart, buried
+his face in his hands.
+
+"Twenty-one thalers!" murmured a faint voice, just as the auctioneer was
+about to knock down the picture. The stupefied painter gave a start of
+joy. He raised his head and looked to see from whose lips those blessed
+words had come. It was the picture dealer, to whom he had first thought of
+applying.
+
+"Fifty thalers," cried a sonorous voice. This time a tall man in black was
+the speaker. There was a silence of hushed expectation. "One hundred
+thalers," at length thundered the picture dealer.
+
+"Three hundred!" "Five hundred!" "One thousand!" Another profound silence,
+and the crowd pressed around the two opponents, who stood opposite each
+other with eager and angry looks.
+
+"Two thousand thalers!" cried the picture dealer, and glanced around him
+triumphantly, when he saw his adversary hesitate. "Ten thousand!"
+vociferated the tall man, his face crimson with rage, and his hands
+clinched convulsively. The dealer grew paler; his frame shook with
+agitation; he made two or three efforts, and at last cried out "Twenty
+thousand!"
+
+His tall opponent was not to be vanquished. He bid forty thousand. The
+dealer stopped; the other laughed a low laugh of insolent triumph, and a
+murmur of admiration was heard in the crowd. It was too much for the
+dealer; he felt his peace was at stake. "Fifty thousand!" exclaimed he in
+desperation. It was the tall man's turn to hesitate. Again the whole crowd
+were breathless. At length, tossing his arms in defiance, he shouted "One
+hundred thousand!" The crestfallen picture dealer withdrew; the tall man
+victoriously bore away the prize.
+
+How was it, meanwhile, with Duhobret, while this exciting scene was going
+on? He was hardly master of his senses. He rubbed his eyes repeatedly, and
+murmured to himself, "After such a dream, my misery will seem more cruel!"
+When the contest ceased, he rose up bewildered, and went about asking
+first one, then another, the price of the picture just sold. It seemed
+that his apprehension could not at once be enlarged to so vast a
+conception.
+
+The possessor was proceeding homeward, when a decrepit, lame, and
+humpbacked invalid, tottering along by the aid of a stick, presented
+himself before him. He threw him a piece of money, and waved his hand as
+dispensing with his thanks. "May it please your honor," said the supposed
+beggar, "I am the painter of that picture!" and again he rubbed his eyes.
+
+The tall mall was Count Dunkelsback, one of the richest noblemen in
+Germany. He stopped, took out his pocketbook, took out a leaf, and wrote
+on it a few lines. "Take it, friend," said he; "it is a check for your
+money. Adieu."
+
+Duhobret finally persuaded himself that it was not a dream. He became the
+master of a castle, sold it, and resolved to live luxuriously for the rest
+of his life, and to cultivate painting as a pastime. But, alas, for the
+vanity of human expectation! He had borne privation and toil; prosperity
+was too much for him, as was proved soon after, when an indigestion
+carried him off. His picture remained long in the cabinet of Count
+Dunkelsback, and afterward passed into the possession of the King of
+Bavaria.
+
+Notes.--Albert Durer (b. 1471, d. 1528) lived at Nuremburg, Germany. He
+was eminent as a painter, and as an engraver on copper and wood. He was
+one of the first artists who studied anatomy and perspective. His
+influence on art is clearly felt even at the present day.
+
+Newburg, or Neuburg, is on the Danube, fifty miles south of Nuremburg.
+Bergen Abbey was north of the village.
+
+
+
+X. PICTURES OF MEMORY. (88)
+
+Alice Cary, 1820-1871, was born near Cincinnati. One of her ancestors was
+among the "Pilgrim Fathers," and the first instructor of Latin at
+Plymouth, Mass. Miss Cary commenced her literary career at her western
+home, and, in 1849, published a volume of poems, the joint work of her
+younger sister, Phoebe, and herself. In 1850, she moved to New York. Two
+of her sisters joined her there, and they supported themselves by their
+literary labor. Their home became a noted resort for their literary and
+artistic friends. Miss Cary was the author of eleven volumes, besides many
+articles contributed to periodicals. Her poetry is marked with great
+sweetness and pathos. Some of her prose works are much admired, especially
+her "Clovernook Children."
+###
+
+
+Among the beautiful pictures
+ That hang on Memory's wall,
+Is one of a dim old forest,
+ That seemeth best of all;
+Not for its gnarled oaks olden,
+ Dark with the mistletoe;
+Not for the violets golden,
+ That sprinkle the vale below;
+Not for the milk-white lilies,
+ That lean from the fragrant hedge,
+Coquetting all day with the sunbeams,
+ And stealing their golden edge;
+Not for the vines on the upland,
+ Where the bright red berries rest,
+Nor the pinks, nor the pale, sweet cowslip,
+ It seemeth to me the best.
+
+I once had a little brother,
+ With eyes that were dark and deep;
+In the lap of that dim old forest,
+ He lieth in peace asleep:
+Light as the down of the thistle,
+ Free as the winds that blow,
+We roved there the beautiful summers,
+ The summers of long ago;
+But his feet on the hills grew weary,
+ And, one of the autumn eves,
+I made for my little brother,
+ A bed of the yellow leaves.
+
+Sweetly his pale arms folded
+ My neck in a meek embrace,
+As the light of immortal beauty
+ Silently covered his face;
+And when the arrows of sunset
+ Lodged in the tree tops bright,
+He fell, in his saintlike beauty,
+ Asleep by the gates of light.
+Therefore, of all the pictures
+ That hang on Memory's wall,
+The one of the dim old forest
+ Seemeth the best of all.
+
+
+
+XI. THE MORNING ORATORIO. (90)
+
+Wilson Flagg, 1806-1884, was born in Beverly, Mass. He pursued his
+academical course in Andover, at Phillips Academy, and entered Harvard
+College, but did not graduate. His chief Works are: "Studies in the Field
+and Forest," "The Woods and Byways of New England," and "The Birds and
+Seasons of New England."
+###
+
+
+Nature, for the delight of waking eyes, has arrayed the morning heavens in
+the loveliest hues of beauty. Fearing to dazzle by an excess of delight,
+she first announces day by a faint and glimmering twilight, then sheds a
+purple tint over the brows of the rising morn, and infuses a transparent
+ruddiness throughout the atmosphere. As daylight widens, successive groups
+of mottled and rosy-bosomed clouds assemble on the gilded sphere, and,
+crowned with wreaths of fickle rainbows, spread a mirrored flush over
+hill, grove, and lake, and every village spire is burnished with their
+splendor.
+
+At length, through crimsoned vapors, we behold the sun's broad disk,
+rising with a countenance so serene that every eye may view him ere he
+arrays himself in his meridian brightness. Not many people who live in
+towns are aware of the pleasure attending a ramble near the woods and
+orchards at daybreak in the early part of summer. The drowsiness we feel
+on rising from our beds is gradually dispelled by the clear and healthful
+breezes of early day, and we soon experience an unusual amount of vigor
+and elasticity.
+
+During the night, the stillness of all things is the circumstance that
+most powerfully attracts our notice, rendering us peculiarly sensitive to
+every accidental sound that meets the ear. In the morning, at this time of
+year, on the contrary, we are overpowered by the vocal and multitudinous
+chorus of the feathered tribe. If you would hear the commencement of this
+grand anthem of nature, you must rise at the very first appearance of
+dawn, before the twilight has formed a complete semicircle above the
+eastern porch of heaven.
+
+The first note that proceeds from the little warbling host, is the shrill
+chirp of the hairbird,--occasionally vocal at an hours on a warm summer
+night. This strain, which is a continued trilling sound, is repeated with
+diminishing intervals, until it becomes almost incessant. But ere the
+hairbird has uttered many notes, a single robin begins to warble from a
+neighboring orchard, soon followed by others, increasing in numbers until,
+by the time the eastern sky is flushed with crimson, every male, robin in
+the country round is singing with fervor.
+
+It would be difficult to note the exact order in which the different birds
+successively begin their parts in this performance; but the bluebird,
+whose song is only a short, mellow warble, is heard nearly at the same
+time with the robin, and the song sparrow joins them soon after with his
+brief but finely modulated strain. The different species follow rapidly,
+one after another, in the chorus, until the whole welkin rings with their
+matin hymn of gladness.
+
+I have often wondered that the almost simultaneous utterance of so many
+different notes should produce no discords, and that they should result in
+such complete harmony. In this multitudinous confusion of voices, no two
+notes are confounded, and none has sufficient duration to grate harshly
+with a dissimilar sound. Though each performer sings only a few strains
+and then makes a pause, the whole multitude succeed one another with such
+rapidity that we hear an uninterrupted flow of music until the broad light
+of day invites them to other employments.
+
+When there is just light enough to distinguish the birds, we may observe,
+here and there, a single swallow perched on the roof of a barn or shed,
+repeating two twittering notes incessantly, with a quick turn and a hop at
+every note he utters. It would seem to be the design of the bird to
+attract the attention of his mate, and this motion seems to be made to
+assist her in discovering his position. As soon as the light has tempted
+him to fly abroad, this twittering strain is uttered more like a continued
+song, as he flits rapidly through the air.
+
+But at this later moment the purple martins have commenced their more
+melodious chattering, so loud as to attract for a while the most of our
+attention. There is not a sound in nature so cheering and animating as the
+song of the purple martin, and none so well calculated to drive away
+melancholy. Though not one of the earliest voices to be heard, the chorus
+is perceptibly more loud and effective when this bird has united with the
+choir.
+
+When the flush of the morning has brightened into vermilion, and the place
+from which the sun is soon to emerge has attained a dazzling brilliancy,
+the robins are already less tuneful. They are now becoming busy in
+collecting food for their morning repast, and one by one they leave the
+trees, and may be seen hopping upon the tilled ground, in quest of the
+worms and insects that, have crept out during the night from their
+subterranean retreats.
+
+But as the robins grow silent, the bobolinks begin their vocal revelries;
+and to a fanciful mind it might seem that the robins had gradually
+resigned their part in the performance to the bobolinks, not one of which
+is heard until some of the former have concluded their songs. The little
+hairbird still continues his almost incessant chirping, the first to begin
+and the last to quit the performance. Though the voice of this bird is not
+very sweetly modulated, it blends harmoniously with the notes of other
+birds, and greatly increases the charming effect of the combination.
+
+It would be tedious to name all the birds that take part in this chorus;
+but we must not omit the pewee, with his melancholy ditty, occasionally
+heard like a short minor strain in an oratorio; nor the oriole, who is
+really one of the chief performers, and who, as his bright plumage flashes
+upon the sight, warbles forth a few notes so clear and mellow as to be
+beard above every other sound. Adding a pleasing variety to all this
+harmony, the lisping notes of the meadowlark, uttered in a shrill tone,
+and with a peculiar pensive modulation, are plainly audible, with short
+rests between each repetition.
+
+There is a little brown sparrow, resembling the hairbird, save a general
+tint of russet in his plumage, that may be heard distinctly among the
+warbling host. He is rarely seen in cultivated grounds, but frequents the
+wild pastures, and is the bird that warbles so sweetly at midsummer, when
+the whortleberries are ripe, and the fields are beautifully spangled with
+red lilies.
+
+There is no confusion in the notes of his song, which consists of one
+syllable rapidly repeated, but increasing in rapidity and rising to a
+higher key towards the conclusion. He sometimes prolongs his strain, when
+his notes are observed to rise and fall in succession. These plaintive and
+expressive notes are very loud and constantly uttered, during the hour
+that precedes the rising of the sun. A dozen warblers of this species,
+singing in concert, and distributed in different parts of the field, form,
+perhaps, the most delightful part of the woodland oratorio to which we
+have listened.
+
+At sunrise hardly a robin can be beard in the whole neighborhood, and the
+character of the performance has completely changed during the last half
+hour. The first part was more melodious and tranquilizing, the last is
+more brilliant and animating. The grass finches, the vireos, the wrens,
+and the linnets have joined their voices to the chorus, and the bobolinks
+are loudest in their song. But the notes of the birds in general are not
+so incessant as before sunrise. One by one they discontinue their lays,
+until at high noon the bobolink and the warbling flycatcher are almost the
+only vocalists to be heard in the fields.
+
+
+
+XII. SHORT SELECTIONS IN POETRY. (94)
+
+1. THE CLOUD.
+
+A cloud lay cradled near the setting sun,
+ A gleam of crimson tinged its braided snow;
+Long had I watched the glory moving on,
+ O'er the still radiance of the lake below:
+ Tranquil its spirit seemed, and floated slow,
+E'en in its very motion there was rest,
+ While every breath of eve that chanced to blow,
+Wafted the traveler to the beauteous west.
+Emblem, methought, of the departed soul,
+ To whose white robe the gleam of bliss is given,
+And by the breath of mercy made to roll
+ Right onward to the golden gate of heaven,
+While to the eye of faith it peaceful lies,
+And tells to man his glorious destinies.
+ --John Wilson
+
+
+II. MY MIND.
+
+My mind to me a kingdom is;
+ Such perfect joy therein I find,
+As far exceeds all earthly bliss
+ That God or nature hath assigned;
+Though much I want that most would have,
+Yet still my mind forbids to crave.
+
+NOTE.--This is the first stanza of a poem by William Byrd (b, 1543, d.
+1623), an English composer of music.
+
+
+
+III. A GOOD NAME. (95)
+
+Good name, in man or woman, dear my lord,
+Is the immediate jewel of their souls.
+Who steals my purse, steals trash; 'tis something, nothing;
+'Twas mine, 'tis his, and has been slave to thousands;
+But he that filches from me my good name,
+Robs me of that which not enriches him,
+And makes me poor indeed.
+ Shakespeare.--Othello, Act III, Scene III.
+
+
+
+IV. SUNRISE.
+
+But yonder comes the powerful king of day,
+Rejoicing in the east. The lessening cloud,
+The kindling azure, and the mountain's brow
+Illumed with liquid gold, his near approach
+Betoken glad. Lo! now apparent all,
+Aslant the dew-bright earth and colored air
+He looks in boundless majesty abroad,
+And sheds the shining day that, burnished, plays
+On rocks, and hills, and towers, and wandering streams,
+High gleaming from afar.
+ Thomson.
+
+
+
+V. OLD AGE AND DEATH. (95)
+
+Edmund Waller, 1605-1687, an English poet, was a cousin of John Hampden,
+and related to Oliver Cromwell. He was educated at Eton and Cambridge.
+Waller was for many years a member of Parliament. He took part in the
+civil war, and was detected in a treasonable plot. Several years of his
+life were spent in exile in France. After the Restoration he came into
+favor at court. His poetry is celebrated for smoothness and sweetness, but
+is disfigured by affected conceits.
+###
+
+
+ The seas are quiet when the winds give o'er;
+ So calm are we when passions are no more.
+ For then we know how vain it was to boast
+ Of fleeting things, too certain to be lost.
+ Clouds of affection from our younger eyes
+ Conceal that emptiness which age descries.
+ The soul's dark cottage, battered and decayed,
+ Lets in new light through chinks that time has made:
+ Stronger by weakness, wiser men become,
+ As they draw near to their eternal home.
+ Leaving the old, both worlds at once they view,
+ That stand upon the threshold of the new.
+
+
+
+VI. MILTON. (96)
+
+John Dryden, 1631-1703, was a noted English writer, who was made poet
+laureate by James II. On the expulsion of James, and the accession of
+William and Mary, Dryden lost his offices and pension, and was compelled
+to earn his bread by literary work. It was during these last years of his
+life that his best work was done. His "Ode for St. Cecilia's Day" is one
+of his most, celebrated poems. His prose writings are specimens of good,
+strong English.
+###
+
+
+ Three poets, in three distant ages born,
+ Greece, Italy, and England did adorn;
+ The first in loftiness of thought surpassed,
+ The next in majesty, in both the last.
+ The force of nature could no further go;
+ To make a third she joined the other two.
+
+Note.--The two poets referred to, other than Milton, are Homer and Dante.
+
+
+
+XIII. DEATH OF LITTLE NELL. (96)
+
+Charles Dickens. 1812-1870, one of the greatest novelists of modern,
+times, was born in Portsmouth, but spent nearly all his life in London.
+His father was a conscientious man, but lacked capacity for getting a
+livelihood. In consequence, the boy's youth was much darkened by poverty.
+It has been supposed that he pictured his father in the character of
+"Micawber." He began his active life as a lawyer's apprentice; but soon
+left this employment to become a reporter. This occupation he followed
+from 1831 to 1836. His first book was entitled "Sketches of London
+Society, by Boz." This was followed, in 1837, by the "Pickwick Papers," a
+work which suddenly brought much fame to the author. His other works
+followed with great rapidity, and his last was unfinished at the time of
+his death. He was buried in Westminster Abbey. Mr. Dickens visited America
+in 1842, and again in 1867. During his last visit, he read his works in
+public, in the principal cities of the United States.
+
+The resources of Dickens's genius seemed exhaustless. He copied no author,
+imitated none, but relied entirely on his own powers. He excelled
+especially in humor and pathos. He gathered materials for his works by the
+most careful and faithful observation. And he painted his characters with
+a fidelity so true to their different individualities that, although they
+sometimes have a quaint grotesqueness bordering on caricature, they stand
+before the memory as living realities. He was particularly successful in
+the delineation of the joys and griefs of childhood. "Little Nell" and
+little "Paul Dombey" are known, and have been loved and wept over, in
+almost every household where the English language is read. His writings
+present very vividly the wants and sufferings of the poor, and have a
+tendency to prompt to kindness and benevolence. His works have not escaped
+criticism. It has been said that "his good characters act from impulse,
+not from principle," and that he shows "a tricksy spirit of fantastic
+exaggeration." It has also been said that his novels sometimes lack
+skillful plot, and that he seems to speak approvingly of conviviality and
+dissipation. "The Old Curiosity Shop," from which the following extract is
+taken, was published in 1840.
+###
+
+
+She was dead. No sleep so beautiful and calm, so free from trace of pain,
+so fair to look upon. She seemed a creature fresh from the hand of God,
+and waiting for the breath of life; not one who had lived, and suffered
+death. Her couch was dressed with here and there some winter berries and
+green leaves, gathered in a spot she had been used to favor. "When I die,
+put near me something that has loved the light, and had the sky above it
+always." These were her words.
+
+She was dead. Dear, gentle, patient, noble Nell was dead. Her little bird,
+a poor, slight thing the pressure of a finger would have crushed, was
+stirring nimbly in its cage, and the strong heart of its child mistress
+was mute and motionless forever! Where were the traces of her early cares,
+her sufferings, and fatigues? All gone. Sorrow was dead, indeed, in her;
+but peace and perfect happiness were born, imaged in her tranquil beauty
+and profound repose.
+
+And still her former self lay there, unaltered in this change. Yes! the
+old fireside had smiled upon that same sweet face; it had passed, like a
+dream, through haunts of misery and care; at the door of the poor
+schoolmaster on the summer evening, before the furnace fire upon the cold
+wet night, at the still bedside of the dying boy, there had been the same
+mild and lovely look. So shall we know the angels, in their majesty, after
+death.
+
+The old man held one languid arm in his, and had the small hand tight
+folded to his breast for warmth. It was the hand she had stretched out to
+him with her last smile; the hand that had led him on through all their
+wanderings. Ever and anon he pressed it to his lips; then hugged it to his
+breast again, murmuring that it was warmer now, and, as he said it, he
+looked in agony to those who stood around, as if imploring them to help
+her.
+
+She was dead, and past all help, or need of help. The ancient rooms she
+had seemed to fill with life, even while her own was waning fast, the
+garden she had tended, the eyes she had gladdened, the noiseless haunts of
+many a thoughtful hour, the paths she had trodden, as it were, but
+yesterday, could know her no more.
+
+"It is not," said the schoolmaster, as he bent down to kiss her on the
+cheek, and gave his tears free vent, "it is not in this world that
+heaven's justice ends. Think what earth is, compared with the world to
+which her young spirit has winged its early flight, and say, if one
+deliberate wish, expressed in solemn tones above this bed, could call her
+back to life, which of us would utter it?"
+
+She had been dead two days. They were all about her at the time, knowing
+that the end was drawing on. She died soon after daybreak. They had read
+and talked to her in the earlier portion of the night; but, as the hours
+crept on, she sank to sleep. They could tell by what she faintly uttered
+in her dreams, that they were of her journeyings with the old man; they
+were of no painful scenes, but of people who had helped them, and used
+them kindly; for she often said "God bless you!" with great fervor.
+
+Waking, she never wandered in her mind but once, and that was at beautiful
+music, which, she said, was in the air. God knows. It may have been.
+Opening her eyes, at last, from a very quiet sleep, she begged that they
+would kiss her once again. That done, she turned to the old man, with a
+lovely smile upon her face, such, they said, as they had never seen, and
+could never forget, and clung, with both her arms, about his neck. She had
+never murmured or complained; but, with a quiet mind, and manner quite
+unaltered, save that she every day became more earnest and more grateful
+to them, faded like the light upon the summer's evening.
+
+The child who had been her little friend, came there, almost as soon as it
+was day, with an offering of dried flowers, which he begged them to lay
+upon her breast. He told them of his dream again, and that it was of her
+being restored to them, just as she used to be. He begged hard to see her:
+saying, that he would be very quiet, and that they need not fear his being
+alarmed, for he had sat alone by his young brother all day long, when he
+was dead, and had felt glad to be so near him. They let him have his wish;
+and, indeed, he kept his word, and was, in his childish way, a lesson to
+them all.
+
+Up to that time, the old man had not spoken once, except to her, or
+stirred from the bedside. But, when he saw her little favorite, he was
+moved as they had not seen him yet, and made as though he would have him
+come nearer. Then, pointing to the bed, he burst into tears for the first
+time, and they who stood by, knowing that the sight of this child had done
+him good, left them alone together.
+
+Soothing him with his artless talk of her, the child persuaded him to take
+some rest, to walk abroad, to do almost as he desired him. And, when the
+day came, on which they must remove her, in her earthly shape, from
+earthly eyes forever, he led him away, that he might not know when she was
+taken from him. They were to gather fresh leaves and berries for her bed.
+
+And now the bell, the bell she had so often heard by night and day, and
+listened to with solemn pleasure, almost as a living voice, rung its
+remorseless toll for her, so young, so beautiful, so good. Decrepit age,
+and vigorous life, and blooming youth, and helpless infancy,--on crutches,
+in the pride of health and strength, in the full blush of promise, in the
+mere dawn of life, gathered round her. Old men were there, whose eyes were
+dim and senses failing, grandmothers, who might have died ten years ago,
+and still been old, the deaf, the blind, the lame, the palsied, the living
+dead, in many shapes and forms, to see the closing of that early grave.
+
+Along the crowded path they bore her now, pure as the newly fallen snow
+that covered it, whose day on earth had been as fleeting. Under that
+porch, where she had sat when heaven, in its mercy, brought her to that
+peaceful spot, she passed again, and the old church received her in its
+quiet shade.
+
+
+
+XIV. VANITY OF LIFE. (100)
+
+Johann Gottfried von Herder, 1744-1803, an eminent German poet, preacher,
+and philosopher, was born in Mohrungen, and died in Weimar. His published
+works comprise sixty volumes. This selection is from his "Hebrew Poetry."
+###
+
+
+Man, born of woman,
+Is of a few days,
+And full of trouble;
+He cometh forth as a flower, and is cut down;
+He fleeth also as a shadow,
+And continueth not.
+
+Upon such dost thou open thine eye,
+And bring me unto judgment with thee?
+Among the impure is there none pure?
+Not one.
+
+Are his days so determined?
+Hast thou numbered his months,
+And set fast his bounds for him
+Which he can never pass?
+Turn then from him that he may rest,
+And enjoy, as an hireling, his day.
+
+The tree hath hope, if it be cut down,
+It becometh green again,
+And new shoots are put forth.
+If even the root is old in the earth,
+And its stock die in the ground,
+From vapor of water it will bud,
+And bring forth boughs as a young plant.
+
+But man dieth, and his power is gone;
+He is taken away, and where is he?
+
+Till the waters waste from the sea,
+Till the river faileth and is dry land,
+Man lieth low, and riseth not again.
+Till the heavens are old, he shall not awake,
+Nor be aroused from his sleep.
+
+Oh, that thou wouldest conceal me
+In the realm of departed souls!
+Hide me in secret, till thy wrath be past;
+Appoint me then a new term,
+And remember me again.
+But alas! if a man die
+Shall he live again?
+
+So long, then, as my toil endureth,
+Will I wait till a change come to me.
+Thou wilt call me, and I shall answer;
+Thou wilt pity the work of thy hands.
+Though now thou numberest my steps,
+Thou shalt then not watch for my sin.
+My transgression will be sealed in a bag,
+Thou wilt bind up and remove my iniquity.
+
+Yet alas! the mountain falleth and is swallowed up,
+The rock is removed out of its place,
+The waters hollow out the stones,
+The floods overflow the dust of the earth,
+And thus, thou destroyest the hope of man.
+
+Thou contendest with him, till he faileth,
+Thou changest his countenance, and sendeth him away.
+Though his sons become great and happy,
+Yet he knoweth it not;
+If they come to shame and dishonor,
+He perceiveth it not.
+
+
+Note.--Compare with the translation of the same as given in the ordinary
+version of the Bible. Job xiv.
+
+
+
+XV. A POLITICAL PAUSE. (102)
+
+Charles James Fox, 1749-1806, a famous English orator and statesman, was
+the son of Hon. Henry Fox, afterward Lord Holland; he was also a lineal
+descendant of Charles II. of England and of Henry IV, of France. He
+received his education at Westminster, Eton, and Oxford, but left the
+University without graduating. He was first elected to Parliament before
+he was twenty years old. During the American Revolution, he favored the
+colonies; later, he was a friend and fellow-partisan both with Burke and
+Wilberforce. Burke said of him, "He is the most brilliant and successful
+debater the world ever saw." In his later years, Mr. Fox was as remarkable
+for carelessness in dress and personal appearance, as he had been for the
+opposite in his youth. He possessed many pleasing traits of character, but
+his morals were not commendable; he was a gambler and a spendthrift. Yet
+he exercised a powerful influence on the politics of his times. This
+extract is from a speech delivered during a truce in the long war between
+England and France.
+###
+
+
+"But we must pause," says the honorable gentleman. What! must the bowels
+of Great Britain be torn out, her best blood spilt, her treasures wasted,
+that you may make an experiment? Put yourselves--Oh! that you would put
+yourselves on the field of battle, and learn to judge of the sort of
+horrors you excite. In former wars, a man might at least have some
+feeling, some interest, that served to balance in his mind the impressions
+which a scene of carnage and death must inflict.
+
+But if a man were present now at the field of slaughter, and were to
+inquire for what they were fighting--"Fighting!", would be the answer;
+"they are not fighting; they are pausing." "Why is that man expiring? Why
+is that other writhing with agony? What means this implacable fury?" The
+answer must be, "You are quite wrong, sir, you deceive yourself,--they are
+not fighting,--do not disturb them,--they are merely pausing! This man is
+not expiring with agony,--that man is not dead,--he is only pausing! Bless
+you, sir, they are not angry with one another; they have now no cause of
+quarrel; but their country thinks that there should be a pause. All that
+you see is nothing like fighting,--there is no harm, nor cruelty, nor
+bloodshed in it; it is nothing more than a political pause. It is merely
+to try an experiment--to see whether Bonaparte will not behave himself
+better than heretofore; and, in the meantime, we have agreed to a pause,
+in pure friendship!"
+
+And is this the way that you are to show yourselves the advocates of
+order? You take up a system calculated to uncivilize the world, to destroy
+order, to trample on religion, to stifle in the heart not merely the
+generosity of noble sentiment, but the affections of social nature; and in
+the prosecution of this system, you spread terror and devastation all
+around you.
+
+
+Note.--In this lesson, the influence of a negative in determining the
+rising inflection, is noticeable. See Rule V, p. 24.
+
+
+
+XVI. MY EXPERIENCE IN ELOCUTION. (104)
+
+John Neal. 1793-1876, a brilliant but eccentric American writer, was born
+in Portland, Maine. He went into business, when quite young, in company
+with John Pierpont, the well-known poet. They soon failed, and Mr. Neal
+then turned his attention to the study of law. He practiced his profession
+somewhat, but devoted most of his time to literature. For a time he
+resided in England, where he wrote for "Blackwood's Magazine" and other
+periodicals. His writings were produced with great rapidity, and with a
+purposed disregard of what is known as "classical English."
+###
+
+
+In the academy I attended, elocution was taught in a way I shall never
+forget--never! We had a yearly exhibition, and the favorites of the
+preceptor were allowed to speak a piece; and a pretty time they had of it.
+Somehow I was never a favorite with any of my teachers after the first two
+or three days; and, as I went barefooted, I dare say it was thought
+unseemly, or perhaps cruel, to expose me upon the platform. And then, as I
+had no particular aptitude for public speaking, and no relish for what was
+called oratory, it was never my luck to be called up.
+
+Among my schoolmates, however, was one--a very amiable, shy boy--to whom
+was assigned, at the first exhibition I attended, that passage in Pope's
+Homer beginning with,
+
+ "Aurora, now, fair daughter of the dawn!"
+
+This the poor boy gave with so much emphasis and discretion, that, to me,
+it sounded like "O roarer!" and I was wicked enough, out of sheer envy, I
+dare say, to call him "O roarer!"--a nickname which clung to him for a
+long while, though no human being ever deserved it less; for in speech and
+action both, he was quiet, reserved, and sensitive.
+
+My next experience in elocution was still more disheartening, so that I
+never had a chance of showing what I was capable of in that way till I set
+up for myself. Master Moody, my next instructor, was thought to have
+uncommon qualifications for teaching oratory. He was a large, handsome,
+heavy man, over six feet high; and having understood that the first,
+second, and third prerequisite in oratory was action, the boys he put in
+training were encouraged to most vehement and obstreperous manifestations.
+Let me give an example, and one that weighed heavily on my conscience for
+many years after the poor man passed away.
+
+Among his pupils were two boys, brothers, who were thought highly gifted
+in elocution. The master, who was evidently of that opinion, had a habit
+of parading them on all occasions before visitors and strangers; though
+one bad lost his upper front teeth and lisped badly, and the other had the
+voice of a penny trumpet. Week after week these boys went through the
+quarrel of Brutus and Cassius, for the benefit of myself and others, to
+see if their example would not provoke us to a generous competition for
+all the honors.
+
+How it operated on the other boys in after life I can not say; but the
+effect on me was decidedly unwholesome--discouraging, indeed,--until I was
+old enough to judge for myself, and to carry into operation a system of my
+own.
+
+On coming to the passage,--
+
+ "Be ready, gods, with all your thunderbolts;
+ Dash him to pieces!"--
+
+the elder of the boys gave it after the following fashion: "Be ready,
+godths, with all your thunderbolths,--dath him in pietheth!"--bringing
+his right fist down into his left palm with all his strength, and his
+lifted foot upon the platform, which was built like a sounding-board, so
+that the master himself, who had suggested the action and obliged the poor
+boy to rehearse it over and over again, appeared to be utterly carried
+away by the magnificent demonstration; while to me--so deficient was I in
+rhetorical taste--it sounded like a crash of broken crockery, intermingled
+with chicken peeps.
+
+I never got over it; and to this day can not endure stamping, nor even
+tapping of the foot, nor clapping the hands together, nor thumping the
+table for illustration; having an idea that such noises are not oratory,
+and that untranslatable sounds are not language.
+
+My next essay was of a somewhat different kind. I took the field in
+person, being in my nineteenth year, well proportioned, and already
+beginning to have a sincere relish for poetry, if not for declamation. I
+had always been a great reader; and in the course of my foraging
+depredations I had met with "The Mariner's Dream" and "The Lake of the
+Dismal Swamp," both of which I had committed to memory before I knew it.
+
+And one day, happening to be alone with my sister, and newly rigged out in
+a student's gown, such as the lads at Brunswick sported when they came to
+show off among their old companions, I proposed to astonish her by
+rehearsing these two poems in appropriate costume. Being very proud of her
+brother, and very obliging, she consented at once,--upon condition that
+our dear mother, who had never seen anything of the sort, should be
+invited to make one of the audience.
+
+On the whole, I rather think that I succeeded in astonishing both. I well
+remember their looks of amazement--for they had never seen anything better
+or worse in all their lives, and were no judges of acting--as I swept to
+and fro in that magnificent robe, with outstretched arms and uplifted
+eyes, when I came to passages like the following, where an apostrophe was
+called for:
+
+ "And near him the she wolf stirred the brake,
+ And the copper snake breathed in his ear,
+ Till he, starting, cried, from his dream awake,
+ 'Oh, when shall I see the dusky lake,
+ And the white canoe of my dear'!'"
+
+Or like this:
+
+ "On beds of green sea flowers thy limbs shall be laid;
+ Around thy white bones the red coral shall grow,
+ Of thy fair yellow locks, threads of amber be made,
+ And every part suit to thy mansion below;"--
+
+throwing up my arms, and throwing them out in every possible direction as
+the spirit moved me, or the sentiment prompted; for I always encouraged my
+limbs and features to think for themselves, and to act for themselves, and
+never predetermined, never forethought, a gesture nor an intonation in my
+life; and should as soon think of counterfeiting another's look or step or
+voice, or of modulating my own by a pitch pipe (as the ancient orators
+did, with whom oratory was acting elocution, a branch of the dramatic
+art), as of adopting or imitating the gestures and tones of the most
+celebrated rhetorician I ever saw.
+
+The result was rather encouraging. My mother and sister were both
+satisfied. At any rate, they said nothing to the contrary. Being only in
+my nineteenth year, what might I not be able to accomplish after a little
+more experience!
+
+How little did I think, while rehearsing before my mother and sister, that
+anything serious would ever come of it, or that I was laying the
+foundations of character for life, or that I was beginning what I should
+not be able to finish within the next forty or fifty years following. Yet
+so it was. I had broken the ice without knowing it. These things were but
+the foreshadowing of what happened long afterward.
+
+
+Notes.--Brunswick, Maine, is the seat of Bowdoin College.
+
+"The Mariner's Dream" is a poem by 'William Dimond.
+
+"The Lake of the Dismal Swamp" is by Thomas Moore.
+
+
+
+XVII. ELEGY IN A COUNTRY CHURCHYARD. (108)
+
+Thomas Gray, 1716-1771, is often spoken of as "the author of the
+Elegy,"--this simple yet highly finished and beautiful poem being by far
+the best known of an his writings. It was finished in 1749,--seven years
+from the time it was commenced. Probably no short poem in the language
+ever deserved or received more praise. Gray was born in London; his father
+possessed property, but was indolent and selfish; his mother was a
+successful woman of business, and supported her son in college from her
+own earnings. The poet was educated at Eton and Cambridge; at the latter
+place, he resided for several years after his return from a continental
+tour, begun in 1739. He was small and delicate in person, refined and
+precise in dress and manners, and shy and retiring in disposition. He was
+an accomplished scholar in many fields of learning, but left comparatively
+little finished work in any department. He declined the honor of poet
+laureate; but, in 1769, was appointed Professor of History at Cambridge.
+###
+
+
+The curfew tolls the knell of parting day,
+ The lowing herd winds slowly o'er the lea,
+The plowman homeward plods his weary way,
+ And leaves the world to darkness and to me.
+
+Now fades the glimmering landscape on the sight,
+ And all the air a solemn stillness holds,
+Save where the beetle wheels his droning flight,
+ And drowsy tinklings lull the distant folds:
+
+Save that from yonder ivy-mantled tower,
+ The moping owl does to the moon complain
+Of such as, wandering near her secret bower,
+ Molest her ancient solitary reign.
+
+Beneath those rugged elms, that yew tree's shade,
+ Where heaves the turf in many a moldering heap,
+Each in his narrow cell forever laid,
+ The rude forefathers of the hamlet sleep.
+
+The breezy call of incense-breathing morn,
+ The swallow twittering from the straw-built shed,
+The cock's shrill clarion, or the echoing horn,
+ No more shall rouse them from their lowly bed.
+
+For them no more the blazing hearth shall burn,
+ Or busy housewife ply her evening care;
+No children run to lisp their sire's return,
+ Or climb his knees the envied kiss to share.
+
+Oft did the harvest to their sickle yield,
+ Their furrow oft the stubborn glebe has broke:
+How jocund did they drive their team afield!
+ How bowed the woods beneath their sturdy stroke!
+
+Let not Ambition mock their useful toil,
+ Their homely joys, and destiny obscure;
+Nor Grandeur hear with a disdainful smile
+ The short and simple annals of the poor.
+
+The boast of heraldry, the pomp of power,
+ And all that beauty, all that wealth e'er gave,
+Await alike, the inevitable hour:
+ The paths of glory lead but to the grave.
+
+Nor you, ye proud, impute to these the fault,
+ If Memory o'er their tomb no trophies raise;
+Where, through the long-drawn aisle and fretted vault,
+ The pealing anthem swells the note of praise.
+
+Can storied urn, or animated bust,
+ Back to its mansion call the fleeting breath?
+Can Honor's voice provoke the silent dust,
+ Or Flattery soothe the dull, cold ear of Death?
+
+Perhaps, in this neglected spot is laid
+ Some heart once pregnant with celestial fire;
+Hands, that the rod of empire might have swayed,
+ Or waked to ecstasy the living lyre:
+
+But Knowledge to their eyes her ample page,
+ Rich with the spoils of time, did ne'er unroll;
+Chill Penury repressed their noble rage,
+ And froze the genial current of the soul.
+
+Full many a gem of purest ray serene,
+ The dark, unfathomed caves of ocean bear:
+Full many a flower is born to blush unseen,
+ And waste its sweetness on the desert air.
+
+Some village Hampden, that, with dauntless breast,
+ The little tyrant of his fields withstood,
+Some mute, inglorious Milton here may rest,
+ Some Cromwell, guiltless of his country's blood.
+
+The applause of listening senates to command,
+ The threats of pain and ruin to despise,
+To scatter plenty o'er a smiling land,
+ And read their history in a nation's eyes,
+
+Their lot forbade: nor, circumscribed alone
+ Their growing virtues, but their crimes confined;
+Forbade to wade through slaughter to a throne.
+ And shut the gates of mercy on mankind,
+
+The struggling pangs of conscious truth to hide,
+ To quench the blushes of ingenuous shame,
+Or heap the shrine of luxury and pride,
+ With incense kindled at the Muse's flame.
+
+Far from the madding crowd's ignoble strife,
+ Their sober wishes never learned to stray;
+Along the cool, sequestered vale of life,
+ They kept the noiseless tenor of their way.
+
+Yet even these bones, from insult to protect,
+ Some frail memorial still, erected nigh,
+With uncouth rhymes and shapeless sculpture decked,
+ Implores the passing tribute of a sigh.
+
+Their name, their years, spelt by the unlettered Muse,
+ The place of fame and elegy supply;
+And many a holy text around she strews,
+ That teach the rustic moralist to die.
+
+For who, to dumb forgetfulness a prey,
+ This pleasing, anxious being e'er resigned,
+Left the warm precincts of the cheerful day,
+ Nor cast one longing, lingering look behind?
+
+On some fond breast the parting soul relies,
+ Some pious drops the closing eye requires;
+E'en from the tomb the voice of Nature cries,
+ E'en in our ashes live their wonted fires.
+
+For thee, who, mindful of the unhonored dead,
+ Dost in these lines their artless tale relate,
+If chance, by lonely contemplation led,
+ Some kindred spirit shall inquire thy fate,--
+
+Haply some hoary-headed swain may say,
+ "Oft have we seen him at the peep of dawn
+Brushing, with hasty step, the dews away,
+ To meet the sun upon the upland lawn:
+
+"There, at the foot of yonder nodding beech,
+ That wreathes its old, fantastic roots so high,
+His listless length at noontide would he stretch,
+ And pore upon the brook that babbles by.
+
+"Hard by yon wood, now smiling as in scorn,
+ Muttering his wayward fancies, he would rove;
+Now, drooping, woeful-wan, like one forlorn,
+ Or crazed with care, or crossed in hopeless love.
+
+"One morn, I missed him on the customed hill,
+ Along the heath, and near his favorite tree:
+Another came; nor yet beside the rill,
+ Nor up the lawn, nor at the wood was he:
+
+"The next, with dirges due, in sad array
+ Slow through the church-way path we saw him borne:--
+Approach and read (for thou canst read) the lay
+ 'Graved on the stone beneath yon aged thorn."
+
+ THE EPITAPH.
+
+Here rests his head upon the lap of Earth,
+ A youth, to Fortune and to Fame unknown:
+Fair Science frowned not on his humble birth,
+ And Melancholy marked him for her own.
+
+Large was his bounty and his soul sincere,
+ Heaven did a recompense as largely send:
+He gave to Misery (all he had) a tear;
+ He gained from Heaven ('t was all he wished) a friend.
+
+No farther seek his merits to disclose,
+ Or draw his frailties from their dread abode
+(There they alike in trembling hope repose),
+ The bosom of his Father, and his God.
+
+[Illustration: Man on horseback riding past a church-yard (graveyard).
+The sky is cloudy; the church steeple stands in the background.]
+
+Notes.--John Hampden (b. 1594, d. 1643) was noted for his resolute
+resistance to the forced loans and unjust taxes imposed by Charles I. on
+England. He took part in the contest between King and Parliament, and was
+killed in a skirmish.
+
+John Milton. See biographical notice, page 312.
+
+Oliver Cromwell (b. 1599, d. 1658) was the leading character in the Great
+Rebellion in England. He was Lord Protector the last five years of his
+life, and in many respects the ablest ruler that England ever had.
+
+
+
+XVIII. TACT AND TALENT. (113)
+
+Talent is something, but tact is everything. Talent is serious, sober,
+grave, and respectable: tact is all that, and more too. It is not a sixth
+sense, but it is the life of all the five. It is the open eye, the quick
+ear, the judging taste, the keen smell, and the lively touch; it is the
+interpreter of all riddles, the surmounter of all difficulties, the
+remover of all obstacles. It is useful in all places, and at all times; it
+is useful in solitude, for it shows a man into the world; it is useful in
+society, for it shows him his way through the world.
+
+Talent is power, tact is skill; talent is weight, tact is momentum; talent
+knows what to do, tact knows how to do it; talent makes a man respectable,
+tact will make him respected; talent is wealth, tact is ready money. For
+all the practical purposes, tact carries it against talent ten to one.
+
+Take them to the theater, and put them against each other on the stage,
+and talent shall produce you a tragedy that shall scarcely live long
+enough to be condemned, while tact keeps the house in a roar, night after
+night, with its successful farces. There is no want of dramatic talent,
+there is no want of dramatic tact; but they are seldom together: so we
+have successful pieces which are not respectable, and respectable pieces
+which are not successful.
+
+Take them to the bar, and let them shake their learned curls at each other
+in legal rivalry; talent sees its way clearly, but tact is first at its
+journey's end. Talent has many a compliment from the bench, but tact
+touches fees. Talent makes the world wonder that it gets on no faster,
+tact arouses astonishment that it gets on so fast. And the secret is, that
+it has no weight to carry; it makes no false steps; it hits the right nail
+on the head; it loses no time; it takes all hints; and, by keeping its eye
+on the weathercock, is ready to take advantage of every wind that blows.
+
+Take them into the church: talent has always something worth hearing, tact
+is sure of abundance of hearers; talent may obtain a living, tact will
+make one; talent gets a good name, tact a great one; talent convinces,
+tact converts; talent is an honor to the profession, tact gains honor from
+the profession.
+
+Take them to court: talent feels its weight, tact finds its way; talent
+commands, tact is obeyed; talent is honored with approbation, and tact is
+blessed by preferment. Place them in the senate: talent has the ear of the
+house, but tact wins its heart, and has its votes; talent is fit for
+employment, but tact is fitted for it. It has a knack of slipping into
+place with a sweet silence and glibness of movement, as a billiard ball
+insinuates itself into the pocket.
+
+It seems to know everything, without learning anything. It has served an
+extemporary apprenticeship; it wants no drilling; it never ranks in the
+awkward squad; it has no left hand, no deaf ear, no blind side. It puts on
+no look of wondrous wisdom, it has no air of profundity, but plays with
+the details of place as dexterously as a well-taught hand flourishes over
+the keys of the pianoforte. It has all the air of commonplace, and all the
+force and power of genius.
+
+
+
+XIX. SPEECH BEFORE THE VIRGINIA CONVENTION. (115)
+
+Patrick Henry, 1730-1799, was born in Hanover County, Virginia, He
+received instruction in Latin and mathematics from his father, but seemed
+to develop a greater fondness for hunting, fishing, and playing the fiddle
+than for study. Twice he was set up in business, and twice failed before
+he was twenty-four. He was then admitted to the bar after six weeks' study
+of the law. He got no business at first in his profession, but lived with
+his father-in-law. His wonderful powers of oratory first showed themselves
+in a celebrated case which he argued in Hanover Courthouse, his own father
+being the presiding magistrate. He began very awkwardly, but soon rose to
+a surprising height of eloquence, won his case against great odds, and was
+carried off in triumph by the delighted spectators. His fame was now
+established; business flowed in, and he was soon elected to the Virginia
+Legislature. He was a delegate to the Congress of 1774, and in 1775 made
+the prophetic speech of which the following selection is a portion. It
+was his own motion that the "colony be immediately put in a state of
+defense." During the Revolution he was, for several years, Governor of
+Virginia. In 1788 he earnestly opposed the adoption of the Federal
+Constitution. When he died, he left a large family and an ample fortune.
+In person, Mr. Henry was tall and rather awkward, with a face stern and
+grave. When he spoke on great occasions, his awkwardness forsook him, his
+face lighted up, and his eyes flashed with a wonderful fire. In his life,
+he was good-humored, honest, and temperate. His patriotism was of the
+noblest type; and few men in those stormy times did better service for
+their country than he.
+###
+
+
+It is natural for man to indulge in the illusions of hope. We are apt to
+shut our eyes against a painful truth, and listen to the song of that
+siren till she transforms us into beasts. Is this the part of wise men,
+engaged in a great and arduous struggle for liberty? Are we disposed to be
+of the number of those, who, having eyes, see not, and having ears, hear
+not the things which so nearly concern their temporal salvation? For my
+part, whatever anguish of spirit it may cost, I am willing to know the
+whole truth; to know the worst, and to provide for it.
+
+I have but one lamp by which my feet are guided; and that is the lamp of
+experience. I know of no way of judging of the future but by the past;
+and, judging by the past, I wish to know what there has been in the
+conduct of the British ministry for the last ten years to justify those
+hopes with which gentlemen have been pleased to solace themselves and the
+house? Is it that insidious smile with which our petition has been lately
+received? Trust it not: it will prove a snare to your feet. Suffer not
+yourselves to be betrayed with a kiss. Ask yourselves, how this gracious
+reception of our petition comports with those warlike preparations which
+cover our waters and darken our land. Are fleets and armies necessary to a
+work of love and reconciliation? Have we shown ourselves so unwilling to
+be reconciled that force must be called in to win back our love? Let us
+not deceive ourselves. These are the implements of war and subjugation,--
+the last arguments to which kings resort.
+
+I ask, gentlemen, what means this martial array, if its purpose be not to
+force us into submission? Can gentlemen assign any other possible motive
+for it? Has Great Britain any enemy in this quarter of the world, to call
+for all this accumulation of navies and armies? No, she has none. They are
+meant for us: they can be meant for no other. They are sent over to bind
+and rivet upon us those chains which the British ministry have been so
+long forging. And what have we to oppose to them? Shall we try argument?
+We have been trying that for the last ten years. Have we anything new to
+offer upon the subject? Nothing. We have held the subject up in every
+light in which it was capable; but it has been all in vain.
+
+Shall we resort to entreaty and humble supplication? What terms shall we
+find which have not been already exhausted? Let us not, I beseech you,
+deceive ourselves longer. We have done everything that could be done, to
+avert the storm which is now coming on. We have petitioned; we have
+remonstrated; we have supplicated; we have prostrated ourselves at the
+foot of the throne, and implored its interposition to arrest the
+tyrannical bands of the ministry and parliament. Our petitions have been
+slighted; our remonstrances have produced additional violence and insult;
+our supplications disregarded; and we have been spurned with contempt from
+the foot of the throne.
+
+In vain, after these things, may we indulge the fond hope of peace and
+reconciliation. There is no longer any room for hope. If we wish to be
+free; if we mean to preserve inviolate those inestimable privileges for
+which we have been so long contending; if we mean not basely to abandon
+the noble struggle in which we have been so long engaged, and which we
+have pledged ourselves never to abandon until the glorious object of our
+contest shall be obtained--we must fight! I repeat it, we must fight! An
+appeal to arms and the God of Hosts, is all that is left us.
+
+They tell us that we are weak; unable to cope with so formidable an
+adversary. But when shall we be stronger? Will it be the next week, or the
+next year? Will it be when we are totally disarmed, and when a British
+guard shall be stationed in every house? Shall we gather strength by
+irresolution and inaction? Shall we acquire the means of effectual
+resistance by lying supinely on our backs, and hugging the delusive
+phantom of hope, until our enemies shall have bound us hand and foot? We
+are not weak, if we make a proper use of those means which the God of
+nature hath placed in our power.
+
+Three millions of people, armed in the holy cause of liberty, and in such
+a country as that which we possess, are invincible by any force which our
+enemy can send against us. Besides, we shall not fight our battles alone.
+There is a just God who presides over the destinies of nations; and who
+will raise up friends to fight our battles for us. The battle is not to
+the strong alone; it is to the vigilant, the active, the brave. Besides,
+we have no election. If we were base enough to desire it, it is now too
+late to retire from the contest. There is no retreat but in submission and
+slavery! Our chains are forged. Their clanking may be heard on the plains
+of Boston! The war is inevitable; and; let it come! I repeat it, let it
+come!
+
+It is in vain to extenuate the matter. Gentlemen may cry peace, peace; but
+there is no peace. The war is actually begun. The next gale that sweeps
+from the north, will bring to our ears the clash of resounding arms! Our
+brethren are already in the field! Why stand we here idle? What is it that
+gentlemen wish? What would they have? Is life so dear, or peace so sweet,
+as to be purchased at the price of chains and slavery? Forbid it, Almighty
+God! I know not what course others may take; but as for me, give me
+liberty, or give me death.
+
+
+Notes.--Observe, in this lesson, the all-controlling power of emphasis in
+determining the falling inflection. The words "see," "hear," and "my," in
+the first paragraph, the word "that" in the second, and "spurned" and
+"contempt" in the fourth paragraph, are examples of this. Let the reader
+remember that a high degree of emphasis is sometimes expressed by a
+whisper; also, that emphasis is often expressed by a pause.
+
+It will be well to read in this connection some good history of the
+opening scenes of the Revolution.
+
+
+
+XX: THE AMERICAN FLAG. (119)
+
+Joseph Rodman Drake. 1795-1820, was born in New York City. His father died
+when he was very young, and his early life was a struggle with poverty. He
+studied medicine, and took his degree when he was about twenty years old.
+From a child, he showed remarkable poetical powers, having made rhymes at
+the early age of five. Most of his published writings were produced during
+a period of less than two years. "The Culprit Fay" and the "American Flag"
+are best known. In disposition, Mr. Drake was gentle and kindly; and, on
+the occasion of his death, his intimate friend, Fitz-Greene Halleck,
+expressed his character in the well-known couplet:
+
+ "None knew thee but to love thee,
+ Nor named thee but to praise."
+###
+
+
+When Freedom, from her mountain height,
+ Unfurled her standard to the air,
+She tore the azure robe of night,
+ And set the stars of glory there:
+She mingled with its gorgeous dyes
+The milky baldric of the skies,
+And striped its pure, celestial white
+With streakings of the morning light;
+Then, from his mansion in the sun,
+She called her eagle bearer down,
+And gave into his mighty hand
+The symbol of her chosen land.
+
+Majestic monarch of the cloud!
+ Who rear'st aloft thy regal form,
+To hear the tempest trumpings loud,
+And see the lightning lances driven,
+ When strive the warriors of the storm,
+And rolls the thunder drum of heaven;--
+Child of the sun! to thee 't is given
+ To guard the banner of the free,
+To hover in the sulphur smoke,
+To ward away the battle stroke,
+And bid its blendings shine afar,
+Like rainbows on the cloud of war,
+ The harbingers of victory!
+
+Flag of the brave! thy folds shall fly,
+The sign of hope and triumph high!
+When speaks the signal trumpet tone,
+And the long line comes gleaming on,
+Ere yet the lifeblood, warm and wet,
+Has dimmed the glistening bayonet,
+Each soldier's eye shall brightly turn
+To where thy sky-born glories burn,
+And, as his springing steps advance,
+Catch war and vengeance from the glance.
+And when the cannon mouthings loud
+Heave in wild wreaths the battle shroud,
+And gory sabers rise and fall,
+Like shoots of flame on midnight's pall,
+Then shall thy meteor glances glow,
+And cowering foes shall sink beneath
+Each gallant arm, that strikes below
+That lovely messenger of death.
+
+Flag of the seas! on ocean's wave
+Thy stars shall glitter o'er the brave;
+When death careering on the gale,
+Sweeps darkly round the bellied sail,
+And frighted waves rush wildly back,
+Before the broadside's reeling rack,
+Each dying wanderer of the sea
+Shall look at once to heaven and thee,
+And smile to see thy splendors fly
+In triumph o'er his closing eye.
+
+Flag of the free heart's hope and home,
+ By angel hands to valor given,
+Thy stars have lit the welkin dome,
+ And all thy hues were born in heaven.
+Forever float that standard sheet!
+ Where breathes the foe but falls before us,
+With Freedom's soil beneath our feet,
+ And Freedom's banner streaming o'er us?
+
+
+
+XXI. IRONICAL EULOGY ON DEBT. (121)
+
+
+Debt is of the very highest antiquity. The first debt in the history of
+man is the debt of nature, and the first instinct is to put off the
+payment of it to the last moment. Many persons, it will be observed,
+following the natural procedure, would die before they would pay their
+debts.
+
+Society is composed of two classes, debtors and creditors. The creditor
+class has been erroneously supposed the more enviable. Never was there a
+greater misconception; and the hold it yet maintains upon opinion is a
+remarkable example of the obstinacy of error, notwithstanding the plainest
+lessons of experience. The debtor has the sympathies of mankind. He is
+seldom spoken of but with expressions of tenderness and compassion--"the
+poor debtor!"--and "the unfortunate debtor!" On the other hand, "harsh"
+and "hard-hearted" are the epithets allotted to the creditor. Who ever
+heard the "poor creditor," the "unfortunate creditor" spoken of? No, the
+creditor never becomes the object of pity, unless he passes into the
+debtor class. A creditor may be ruined by the poor debtor, but it is not
+until he becomes unable to pay his own debts, that he begins to be
+compassionated.
+
+A debtor is a man of mark. Many eyes are fixed upon him; many have
+interest in his well-being; his movements are of concern; he can not
+disappear unheeded; his name is in many mouths; his name is upon many
+books; he is a man of note--of promissory note; he fills the speculation
+of many minds; men conjecture about him, wonder about him,--wonder and
+conjecture whether he will pay. He is a man of consequence, for many are
+running after him. His door is thronged with duns. He is inquired after
+every hour of the day. Judges hear of him and know him. Every meal he
+swallows, every coat he puts upon his back, every dollar he borrows,
+appears before the country in some formal document. Compare his notoriety
+with the obscure lot of the creditor,--of the man who has nothing but
+claims on the world; a landlord, or fundholder, or some such disagreeable,
+hard character.
+
+The man who pays his way is unknown in his neighborhood. You ask the
+milkman at his door, and he can not tell his name. You ask the butcher
+where Mr. Payall lives, and he tells you he knows no such name, for it is
+not in his books. You shall ask the baker, and he will tell you there is
+no such person in the neighborhood. People that have his money fast in
+their pockets, have no thought of his person or appellation. His house
+only is known. No. 31 is good pay. No. 31 is ready money. Not a scrap of
+paper is ever made out for No. 31. It is an anonymous house; its owner
+pays his way to obscurity. No one knows anything about him, or heeds his
+movements. If a carriage be seen at his door, the neighborhood is not full
+of concern lest he be going to run away. If a package be removed from his
+house, a score of boys are not employed to watch whether it be carried to
+the pawnbroker. Mr. Payall fills no place in the public mind; no one has
+any hopes or fears about him.
+
+The creditor always figures in the fancy as a sour, single man, with
+grizzled hair, a scowling countenance, and a peremptory air, who lives in
+a dark apartment, with musty deeds about him, and an iron safe, as
+impenetrable as his heart, grabbing together what he does not enjoy, and
+what there is no one about him to enjoy. The debtor, on the other hand, is
+always pictured with a wife and six fair-haired daughters, bound together
+in affection and misery, full of sensibility, and suffering without a
+fault. The creditor, it is never doubted, thrives without a merit. He has
+no wife and children to pity. No one ever thinks it desirable that he
+should have the means of living. He is a brute for insisting that he must
+receive, in order to pay. It is not in the imagination of man to conceive
+that his creditor has demands upon him which must be satisfied, and that
+he must do to others as others must do to him. A creditor is a
+personification of exaction. He is supposed to be always taking in, and
+never giving out.
+
+People idly fancy that the possession of riches is desirable. What
+blindness! Spend and regale. Save a shilling and you lay it by for a
+thief. The prudent men are the men that live beyond their means. Happen
+what may, they are safe. They have taken time by the forelock. They have
+anticipated fortune. "The wealthy fool, with gold in store," has only
+denied himself so much enjoyment, which another will seize at his expense.
+Look at these people in a panic. See who are the fools then. You know them
+by their long faces. You may say, as one of them goes by in an agony of
+apprehension, "There is a stupid fellow who fancied himself rich, because
+he had fifty thousand dollars in bank." The history of the last ten years
+has taught the moral, "spend and regale." Whatever is laid up beyond the
+present hour, is put in jeopardy. There is no certainty but in instant
+enjoyment. Look at schoolboys sharing a plum cake. The knowing ones eat,
+as for a race; but a stupid fellow saves his portion; just nibbles a bit,
+and "keeps the rest for another time." Most provident blockhead! The
+others, when they have gobbled up their shares, set upon him, plunder him,
+and thrash him for crying out.
+
+Before the terms "depreciation," "suspension," and "going into
+liquidation," were heard, there might have been some reason in the
+practice of "laying up;" but now it denotes the darkest blindness. The
+prudent men of the present time, are the men in debt. The tendency being
+to sacrifice creditors to debtors, and the debtor party acquiring daily
+new strength, everyone is in haste to get into the favored class. In any
+case, the debtor is safe. He has put his enjoyments behind him; they are
+safe; no turns of fortune can disturb them. The substance he has eaten up,
+is irrecoverable. The future can not trouble his past. He has nothing to
+apprehend. He has anticipated more than fortune would ever have granted
+him. He has tricked fortune; and his creditors--bah! who feels for
+creditors? What are creditors? Landlords; a pitiless and unpitiable tribe;
+all griping extortioners! What would become of the world of debtors, if it
+did not steal a march upon this rapacious class?
+
+
+
+XXII. THE THREE WARNINGS. (124)
+
+Hester Lynch Thrale. 1739--1821, owes her celebrity almost wholly to her
+long intimacy with Dr. Samuel Johnson. This continued for twenty years,
+during which Johnson spent much time in her family. She was born in
+Caernarvonshire, Wales; her first husband was a wealthy brewer, by whom
+she had several children. In 1784, she married an Italian teacher of music
+named Piozzi. Her writings are quite numerous; the best known of her books
+is the "Anecdotes of Dr. Johnson;" but nothing she ever wrote is so well
+known as the "Three Warnings."
+###
+
+
+The tree of deepest root is found
+Least willing still to quit the ground;
+'T was therefore said by ancient sages,
+ That love of life increased with years
+So much, that in our latter stages,
+When pains grow sharp, and sickness rages,
+ The greatest love of life appears.
+
+This great affection to believe,
+Which all confess, but few perceive,
+If old assertions can't prevail,
+Be pleased to hear a modern tale.
+
+When sports went round, and all were gay,
+On neighbor Dodson's wedding day,
+Death called aside the jocund groom
+With him into another room;
+And looking grave, "You must," says he,
+"Quit your sweet bride, and come with me."
+"With you! and quit my Susan's side?
+With you!" the hapless bridegroom cried:
+"Young as I am, 't is monstrous hard!
+Besides, in truth, I'm not prepared."
+
+What more he urged, I have not heard;
+ His reasons could not well be stronger:
+So Death the poor delinquent spared,
+ And left to live a little longer.
+Yet, calling up a serious look,
+His hourglass trembled while he spoke:
+"Neighbor," he said, "farewell! no more
+Shall Death disturb your mirthful hour;
+And further, to avoid all blame
+Of cruelty upon my name,
+To give you time for preparation,
+And fit you for your future station,
+Three several warnings you shall have
+Before you're summoned to the grave;
+Willing for once I'll quit my prey,
+ And grant a kind reprieve;
+In hopes you'll have no more to say,
+But, when I call again this way,
+ Well pleased the world will leave."
+To these conditions both consented,
+And parted perfectly contented.
+
+What next the hero of our tale befell,
+How long he lived, how wisely, and how well,
+It boots not that the Muse should tell;
+He plowed, he sowed, he bought, he sold,
+Nor once perceived his growing old,
+ Nor thought of Death as near;
+His friends not false, his wife no shrew,
+Many his gains, his children few,
+He passed his hours in peace.
+But, while he viewed his wealth increase,
+While thus along life's dusty road,
+The beaten track, content he trod,
+Old Time, whose haste no mortal spares,
+Uncalled, unheeded, unawares,
+ Brought on his eightieth year.
+
+And now, one night, in musing mood,
+ As all alone he sate,
+ The unwelcome messenger of Fate
+Once more before him stood.
+Half-killed with wonder and surprise,
+"So soon returned!" old Dodson cries.
+"So soon d' ye call it?" Death replies:
+"Surely! my friend, you're but in jest;
+ Since I was here before,
+'T is six and thirty years at least,
+ And you are now fourscore."
+"So much the worse!" the clown rejoined;
+"To spare the aged would be kind:
+Besides, you promised me three warnings,
+Which I have looked for nights and mornings!"
+
+"I know," cries Death, "that at the best,
+I seldom am a welcome guest;
+But do n't be captious, friend; at least,
+I little thought that you'd be able
+To stump about your farm and stable;
+Your years have run to a great length,
+Yet still you seem to have your strength."
+
+"Hold!" says the farmer, "not so fast!
+I have been lame, these four years past."
+"And no great wonder," Death replies,
+"However, you still keep your eyes;
+And surely, sir, to see one's friends,
+For legs and arms would make amends."
+"Perhaps," says Dodson, "so it might,
+But latterly I've lost my sight."
+"This is a shocking story, faith;
+But there's some comfort still," says Death;
+"Each strives your sadness to amuse;
+I warrant you hear all the news."
+"There's none," cries he, "and if there were,
+I've grown so deaf, I could not hear."
+
+"Nay, then," the specter stern rejoined,
+ "These are unpardonable yearnings;
+If you are lame, and deaf, and blind,
+ You've had your three sufficient warnings,
+So, come along; no more we'll part."
+He said, and touched him with his dart:
+And now old Dodson, turning pale,
+Yields to his fate--so ends my tale.
+
+
+
+XXIII. THE MEMORY OF OUR FATHERS. (128)
+
+Lyman Beecher, 1775-1863, a famous congregational minister of New England,
+was born in New Haven, graduated from Yale College in 1797, and studied
+theology with Dr. Timothy Dwight. His first settlement was at East
+Hampton, L. I., at a salary of three hundred dollars per year. He was
+pastor of the church in Litchfield, Ct., from 1810 till 1826, when he
+removed to Boston, and took charge of the Hanover Street Church. In the
+religious controversies of the time, Dr. Beecher was one of the most
+prominent characters. From 1832 to 1842, he was President of Lane
+Theological Seminary, in the suburbs of Cincinnati. He then returned to
+Boston, where he spent most of the closing years of his long and active
+life. His death occurred in Brooklyn, N. Y. As a theologian, preacher, and
+advocate of education, temperance, and missions, Dr. Beecher occupied a
+very prominent place for nearly half a century. He left a large family of
+sons and two daughters, who are well known as among the most eminent
+preachers and authors in America.
+###
+
+
+We are called upon to cherish with high veneration and grateful
+recollections, the memory of our fathers. Both the ties of nature and the
+dictates of policy demand this. And surely no nation had ever less
+occasion to be ashamed of its ancestry, or more occasion for gratulation
+in that respect; for while most nations trace their origin to barbarians,
+the foundations of our nation were laid by civilized men, by Christians.
+Many of them were men of distinguished families, of powerful talents, of
+great learning and of preeminent wisdom, of decision of character, and of
+most inflexible integrity. And yet not unfrequently they have been treated
+as if they had no virtues; while their sins and follies have been
+sedulously immortalized in satirical anecdote.
+
+The influence of such treatment of our fathers is too manifest. It creates
+and lets loose upon their institutions, the vandal spirit of innovation
+and overthrow; for after the memory of our father shall have been rendered
+contemptible, who will appreciate and sustain their institutions? "The
+memory of our fathers" should be the watchword of liberty throughout the
+land; for, imperfect as they were, the world before had not seen their
+like, nor will it soon, we fear, behold their like again. Such models of
+moral excellence, such apostles of civil and religious liberty, such
+shades of the illustrious dead looking down upon their descendants with
+approbation or reproof, according as they follow or depart from the good
+way, constitute a censorship inferior only to the eye of God; and to
+ridicule them is national suicide.
+
+The doctrines of our fathers have been represented as gloomy,
+superstitious, severe, irrational, and of a licentious tendency. But when
+other systems shall have produced a piety as devoted, a morality as pure,
+a patriotism as disinterested, and a state of society as happy, as have
+prevailed where their doctrines have been most prevalent, it may be in
+season to seek an answer to this objection.
+
+The persecutions instituted by our fathers have been the occasion of
+ceaseless obloquy upon their fair fame. And truly, it was a fault of no
+ordinary magnitude, that sometimes they did persecute. But let him whose
+ancestors were not ten times more guilty, cast the first stone, and the
+ashes of our fathers will no more be disturbed. Theirs was the fault of
+the age, and it will be easy to show that no class of men had, at that
+time, approximated so nearly to just apprehensions of religious liberty;
+and that it is to them that the world is now indebted for the more just
+and definite views which now prevail.
+
+The superstition and bigotry of our fathers are themes on which some of
+their descendants, themselves far enough from superstition, if not from
+bigotry, have delighted to dwell. But when we look abroad, and behold the
+condition of the world, compared with the condition of New England, we may
+justly exclaim, "Would to God that the ancestors of all the nations had
+been not only almost, but altogether such bigots as our fathers were."
+
+
+
+XXIV. SHORT SELECTIONS IN PROSE. (130)
+
+I. DRYDEN AND POPE.
+
+Dryden knew more of man in his general nature, and Pope in his local
+manners. The notions of Dryden were formed by comprehensive speculation,
+those of Pope by minute attention. There is more dignity in the knowledge
+of Dryden, more certainty in that of Pope. The style of Dryden is
+capricious and varied, that of Pope cautious and uniform. Dryden obeys the
+motions of his own mind; Pope constrains his mind to his own rules of
+composition. Dryden's page is a natural field, rising into inequalities,
+and diversified by the varied exuberance of abundant vegetation; Pope's is
+the velvet lawn, shaven by the scythe, and leveled by the roller. If the
+flights of Dryden are higher, Pope continues longer on the wing. If, of
+Dryden's fire, the blaze is brighter, of Pope's the heat is more regular
+and constant. Dryden often surpasses expectation, and Pope never falls
+below it. Dryden is read with frequent astonishment, and Pope with
+perpetual delight.
+ --Samuel Johnson.
+
+Note.--A fine example of antithesis. See p. 26.
+
+
+
+II. LAS CASAS DISSUADING FROM BATTLE. (130)
+
+Is then the dreadful measure of your cruelty not yet complete? Battle!
+against whom? Against a king, in whose mild bosom your atrocious injuries,
+even yet, have not excited hate; but who, insulted or victorious, still
+sues for peace. Against a people, who never wronged the living being their
+Creator formed; a people, who received you as cherished guests, with eager
+hospitality and confiding kindness. Generously and freely did they share
+with you their comforts, their treasures, and their homes; you repaid them
+by fraud, oppression, and dishonor.
+
+Pizarro, hear me! Hear me, chieftains! And thou, All-powerful! whose
+thunder can shiver into sand the adamantine rock, whose lightnings can
+pierce the core of the riven and quaking earth, oh let thy power give
+effect to thy servant's words, as thy Spirit gives courage to his will! Do
+not, I implore you, chieftains,--do not, I implore, you, renew the foul
+barbarities your insatiate avarice has inflicted on this wretched,
+unoffending race. But hush, my sighs! fall not, ye drops of useless
+sorrow! heart-breaking anguish, choke not my utterance.
+ --E. B. Sheridan.
+
+Note.--Examples of series. See p. 28.
+
+
+
+III. ACTION AND REPOSE. (131)
+
+John Ruskin, 1819 ---, is a distinguished English art critic and author.
+From 1869 to 1884, he was Professor of the Fine Arts at Oxford University.
+His writings are very numerous, and are noted for their eloquent and
+brilliant style.
+###
+
+
+About the river of human life there is a wintry wind, though a heavenly
+sunshine; the iris colors its agitation, the frost fixes upon its repose.
+Let us beware that our rest become not the rest of stones, which, so long
+as they are tempest-tossed and thunderstricken, maintain their majesty;
+but when the stream is silent and the storm passed, suffer the grass to
+cover them, and are plowed into the dust.
+
+
+
+IV. TIME AND CHANGE. (131)
+
+Sir Humphry Davy, 1778-1829, was an eminent chemist of England. He made
+many important chemical discoveries, and was the inventor of the miner's
+safety lamp.
+###
+
+
+Time is almost a human word, and Change entirely a human idea; in the
+system of nature, we should rather say progress than change. The sun
+appears to sink in the ocean in darkness, but it rises in another
+hemisphere; the ruins of a city fall, but they are often used to form more
+magnificent structures: even when they are destroyed so as to produce only
+dust, Nature asserts her empire over them; and the vegetable world rises
+in constant youth, in a period of annual successions, by the labors of
+man--providing food, vitality, and beauty--upon the wrecks of monuments
+which were raised for the purposes of glory, but which are now applied to
+objects of utility.
+
+
+
+V. THE POET. (132)
+
+William Ellery Channing, 1780-1842, was a distinguished clergyman and
+orator. He took a leading part in the public affairs of his day, and wrote
+and lectured eloquently on several topics.
+###
+
+
+It is not true that the poet paints a life which does not exist. He only
+extracts and concentrates, as it were, life's ethereal essence, arrests
+and condenses its volatile fragrance, brings together its scattered
+beauties, and prolongs its more refined but evanescent joys; and in this
+he does well, for it is good to feel that life is not wholly usurped by
+cares for subsistence and physical gratifications, but admits, in measures
+which may be indefinitely enlarged, sentiments and delights worthy of a
+higher being.
+
+
+
+VI. MOUNTAINS. (132)
+
+William Howitt, 1795-1879, was an English author. He published many books,
+and was associated with his wife, Mary Howitt, in the publication of many
+others.
+###
+
+
+There is a charm connected with mountains, so powerful that the merest
+mention of them, the merest sketch of their magnificent features, kindles
+the imagination, and carries the spirit at once into the bosom of their
+enchanted regions. How the mind is filled with their vast solitude! How
+the inward eye is fixed on their silent, their sublime, their everlasting
+peaks! How our hearts bound to the music of their solitary cries, to the
+tinkle of their gushing rills, to the sound of their cataracts! How
+inspiriting are the odors that breathe from the upland turf, from the
+rock-hung flower, from the hoary and solemn pine! How beautiful are those
+lights and shadows thrown abroad, and that fine, transparent haze which is
+diffused over the valleys and lower slopes, as over a vast, inimitable
+picture!
+
+
+
+XXV. THE JOLLY OLD PEDAGOGUE. (133)
+
+George Arnold, 1834--1865, was born in New York City. He never attended
+school, but was educated at home, by his parents. His literary career
+occupied a period of about twelve years. In this time he wrote stories,
+essays, criticisms in art and literature, poems, sketches, etc., for
+several periodicals. Two volumes of his poems have been published since
+his death.
+###
+
+
+'T was a jolly old pedagogue, long ago,
+ Tall, and slender, and sallow, and dry;
+His form was bent, and his gait was slow,
+And his long, thin hair was white as snow,
+ But a wonderful twinkle shone in his eye:
+And he sang every night as he went to bed,
+ "Let us be happy down here below;
+The living should live, though the dead be dead,"
+ Said the jolly old pedagogue, long ago.
+
+He taught the scholars the Rule of Three,
+ Reading, and writing, and history too;
+He took the little ones on his knee,
+For a kind old heart in his breast had he,
+ And the wants of the littlest child he knew.
+"Learn while you're young," he often said,
+ "There is much to enjoy down here below;
+Life for the living, and rest for the dead!"
+ Said the jolly old pedagogue, long ago.
+
+With the stupidest boys, he was kind and cool,
+ Speaking only in gentlest tones;
+The rod was scarcely known in his school--
+Whipping to him was a barbarous rule,
+ And too hard work for his poor old bones;
+Besides it was painful, he sometimes said:
+ "We should make life pleasant down here below--
+The living need charity more than the dead,"
+ Said the jolly old pedagogue, long ago.
+
+He lived in the house by the hawthorn lane,
+ With roses and woodbine over the door;
+His rooms were quiet, and neat, and plain,
+But a spirit of comfort there held reign,
+ And made him forget he was old and poor.
+"I need so little," he often said;
+ "And my friends and relatives here below
+Won't litigate over me when I am dead,"
+ Said the jolly old pedagogue, long ago.
+
+But the pleasantest times he had of all,
+ Were the sociable hours he used to pass,
+With his chair tipped back to a neighbor's wall,
+Making an unceremonious call,
+ Over a pipe and a friendly glass:
+This was the finest pleasure, he said,
+ Of the many he tasted here below:
+"Who has no cronies had better be dead,"
+ Said the jolly old pedagogue, long ago.
+
+The jolly old pedagogue's wrinkled face
+ Melted all over in sunshiny smiles;
+He stirred his glass with an old-school grace,
+Chuckled, and sipped, and prattled apace,
+ Till the house grew merry from cellar to tiles.
+"I'm a pretty old man," he gently said,
+ "I've lingered a long time here below;
+But my heart is fresh, if my youth is fled!"
+ Said the jolly old pedagogue, long ago.
+
+He smoked his pipe in the balmy air
+ Every night, when the sun went down;
+And the soft wind played in his silvery hair,
+Leaving its tenderest kisses there,
+ On the jolly old pedagogue's jolly old crown;
+And feeling the kisses, he smiled, and said:
+ " 'T is it glorious world down here below;
+Why wait for happiness till we are dead?"
+ Said this jolly old pedagogue, long ago.
+
+He sat at his door one midsummer night,
+ After the sun had sunk in the west,
+And the lingering beams of golden light
+Made his kindly old face look warm and bright,
+ While the odorous night winds whispered, "Rest!"
+Gently, gently, he bowed his head;
+ There were angels waiting for him, I know;
+He was sure of his happiness, living or dead,
+ This jolly old pedagogue, long ago!
+
+
+
+XXVI. THE TEACHER AND SICK SCHOLAR. (135)
+
+Shortly after the schoolmaster had arranged the forms and taken his seat
+behind his desk, a small white-headed boy with a sunburnt face appeared at
+the door, and, stopping there to make a rustic bow, came in and took his
+seat upon one of the forms. He then put an open book, astonishingly
+dog's-eared, upon his knees, and, thrusting his hands into his pockets,
+began counting the marbles with which they were filled; displaying, in the
+expression of his face, a remarkable capacity of totally abstracting his
+mind from the spelling on which his eyes were fixed.
+
+Soon afterward, another white-headed little boy came straggling in, and
+after him, a red-headed lad, and then one with a flaxen poll, until the
+forms were occupied by a dozen boys, or thereabouts, with heads of every
+color but gray, and ranging in their ages from four years old to fourteen
+years or more; for the legs of the youngest were a long way from the
+floor, when he sat upon the form; and the eldest was a heavy,
+good-tempered fellow, about half a head taller than the schoolmaster.
+
+At the top of the first form--the post of honor in the school--was the
+vacant place of the little sick scholar; and, at the head of the row of
+pegs, on which those who wore hats or caps were wont to hang them, one was
+empty. No boy attempted to violate the sanctity of seat or peg, but many a
+one looked from the empty spaces to the schoolmaster, and whispered to his
+idle neighbor, behind his hand.
+
+Then began the hum of conning over lessons and getting them by heart, the
+whispered jest and stealthy game, and all the noise and drawl of school;
+and in the midst of the din, sat the poor schoolmaster, vainly attempting
+to fix his mind upon the duties of the day, and to forget his little sick
+friend. But the tedium of his office reminded him more strongly of the
+willing scholar, and his thoughts were rambling from his pupils--it was
+plain.
+
+None knew this better than the idlest boys, who, growing bolder with
+impunity, waxed louder and more daring; playing "odd or even" under the
+master's eye; eating apples openly and without rebuke; pinching each other
+in sport or malice, without the least reserve; and cutting their initials
+in the very legs of his desk. The puzzled dunce, who stood beside it to
+say his lesson "off the book," looked no longer at the ceiling for
+forgotten words, but drew closer to the master's elbow, and boldly cast
+his eye upon the page; the wag of the little troop squinted and made
+grimaces (at the smallest boy, of course), holding no book before his
+face, and his approving companions knew no constraint in their delight. If
+the master did chance to rouse himself, and seem alive to what was going
+on, the noise subsided for a moment, and no eye met his but wore a
+studious and deeply humble look; but the instant he relapsed again, it
+broke out afresh, and ten times louder than before.
+
+Oh! how some of those idle fellows longed to be outside, and how they
+looked at the open door and window, as if they half meditated rushing
+violently out, plunging into the woods, and being wild boys and savages
+from that time forth. What rebellious thoughts of the cool river, and some
+shady bathing place, beneath willow trees with branches dipping in the
+water, kept tempting and urging that sturdy boy, who, with his shirt
+collar unbuttoned, and flung back as far as it could go, sat fanning his
+flushed face with a spelling book, wishing himself a whale, or a minnow,
+or a fly, or anything but a boy at school, on that hot, broiling day.
+
+Heat! ask that other boy, whose seat being nearest to the door, gave him
+opportunities of gliding out into the garden, and driving his companions
+to madness, by dipping his face into the bucket of the well, and then
+rolling on the grass,--ask him if there was ever such a day as that, when
+even the bees were diving deep down into the cups of the flowers, and
+stopping there, as if they had made up their minds to retire from
+business, and be manufacturers of honey no more. The day was made for
+laziness, and lying on one's back in green places, and staring at the sky,
+till its brightness forced the gazer to shut his eyes and go to sleep. And
+was this a time to be poring over musty books in a dark room, slighted by
+the very sun itself? Monstrous!
+
+The lessons over, writing time began. This was a more quiet time; for the
+master would come and look over the writer's shoulder, and mildly tell him
+to observe how such a letter was turned up, in such a copy on the wall,
+which had been written by their sick companion, and bid him take it as a
+model. Then he would stop and tell them what the sick child had said last
+night, and how he had longed to be among them once again; and such was the
+poor schoolmaster's gentle and affectionate manner, that the boys seemed
+quite remorseful that they had worried him so much, and were absolutely
+quiet; eating no apples, cutting no names, and making no grimaces for full
+two minutes afterward.
+
+"I think, boys," said the schoolmaster, when the clock struck twelve,
+"that I shall give you an extra half holiday this afternoon." At this
+intelligence, the boys, led on and headed by the tall boy, raised a great
+shout, in the midst of which the master was seen to speak, but could not
+be heard. As he held up his hand, however, in token of his wish that they
+should be silent, they were considerate enough to leave off, as soon as the
+longest-winded among them were quite out of breath. "You must promise
+me, first," said the schoolmaster, "that you'll not be noisy, or at least,
+if you are, that you'll go away first, out of the village, I mean. I'm
+sure you would n't disturb your old playmate and companion."
+
+There was a general murmur (and perhaps a very sincere one, for they were
+but boys) in the negative; and the tall boy, perhaps as sincerely as any
+of them, called those about him to witness, that he had only shouted in a
+whisper. "Then pray do n't forget, there's my dear scholars," said the
+schoolmaster, "what I have asked you, and do it as a favor to me. Be as
+happy as you can, and do n't be unmindful that you are blessed with
+health. Good-by, all."
+
+"Thank 'ee, sir," and "Good-by, sir," were said a great many times in a
+great variety of voices, and the boys went out very slowly and softly. But
+there was the sun shining and there were birds singing, as the sun only
+shines and the birds only sing on holidays and half holidays; there were
+the trees waving to all free boys to climb, and nestle among their leafy
+branches; the hay, entreating them to come and scatter it to the pure air;
+the green corn, gently beckoning toward wood and stream; the smooth
+ground, rendered smoother still by blending lights and shadows, inviting
+to runs and leaps, and long walks, nobody knows whither. It was more than
+boy could bear, and with a joyous whoop, the whole cluster took to their
+heels, and spread themselves about, shouting and laughing as they went.
+" 'T is natural, thank Heaven!" said the poor schoolmaster, looking after
+them, "I am very glad they did n't mind me."
+
+Toward night, the schoolmaster walked over to the cottage where his little
+friend lay sick. Knocking gently at the cottage door, it was opened
+without loss of time. He entered a room where a group of women were
+gathered about one who was wringing her hands and crying bitterly. "O
+dame!" said the schoolmaster, drawing near her chair, "is it so bad as
+this?" Without replying, she pointed to another room, which the
+schoolmaster immediately entered; and there lay his little friend,
+half-dressed, stretched upon a bed.
+
+He was a very young boy; quite a little child. His hair still hung in
+curls about his face, and his eyes were very bright; but their light was
+of heaven, not of earth. The schoolmaster took a seat beside him, and,
+stooping over the pillow whispered his name. The boy sprung up, stroked
+his face with his hand, and threw his wasted arms around his neck, crying,
+that he was his dear, kind friend. "I hope I always was. I meant to be,
+God knows," said the poor schoolmaster. "You remember my garden, Henry?"
+whispered the old man, anxious to rouse him, for dullness seemed gathering
+upon the child, "and how pleasant it used to be in the evening time? You
+must make haste to visit it again, for I think the very flowers have
+missed you, and are less gay than they used to be. You will come soon,
+very soon now, won't you?"
+
+The boy smiled faintly--so very, very faintly--and put his hand upon his
+friend's gray head. He moved his lips too, but no voice came from them,--
+no, not a sound. In the silence that ensued, the hum of distant voices,
+borne upon the evening air, came floating through the open window. "What's
+that?" said the sick child, opening his eyes. "The boys at play, upon the
+green." He took a handkerchief from his pillow, and tried to wave it above
+his head. But the feeble arm dropped powerless down. "Shall I do it?" said
+the schoolmaster. "Please wave it at the window," was the faint reply.
+"Tie it to the lattice. Some of them may see it there. Perhaps they'll
+think of me, and look this way."
+
+He raised his head and glanced from the fluttering signal to his idle bat,
+that lay, with slate, and book, and other boyish property, upon the table
+in the room. And then he laid him softly down once more, and again clasped
+his little arms around the old man's neck. The two old friends and
+companions--for such they were, though they were man and child--held each
+other in a long embrace, and then the little scholar turned his face to
+the wall and fell asleep.
+
+* * * * * * * * *
+
+The poor schoolmaster sat in the same place, holding the small, cold hand
+in his, and chafing it. It was but the hand of a dead child. He felt that;
+and yet he chafed it still, and could not lay it down.
+
+ From "The Old Curiosity Shop," by Dickens.
+
+
+
+XXVII. THE SNOW SHOWER. (141)
+
+William Cullen Bryant, 1794-1878, was the son of Peter Bryant, a physician
+of Cummington, Massachusetts. Amid the beautiful scenery of this remote
+country town, the poet was born; and here he passed his early youth. At
+the age of sixteen, Bryant entered Williams College, but was honorably
+dismissed at the end of two years. He then entered on the study of law,
+and was admitted to the bar at the age of twenty-one. He practiced his
+profession, with much success, for about nine years. In 1826, he removed
+to New York, and became connected with the "Evening Post," a connection
+which continued to the time of his death. For more than thirty of the last
+years of his life, Mr. Bryant made his home near Roslyn, Long Island,
+where he occupied an "old-time mansion," which he bought, fitted up, and
+surrounded in accordance with his excellent rural taste. A poem of his,
+written at the age of ten years, was published in the "County Gazette,"
+and two poems of considerable length were published in book form, when the
+author was only fourteen. "Thanatopsis," perhaps the best known of all his
+poems, was written when he was but nineteen. But, notwithstanding his
+precocity, his powers continued to a remarkable age. His, excellent
+translations of the "Iliad" and the "Odyssey," together with some of his
+best poems, were accomplished after the poet, had passed the age of
+seventy. Mr. Bryant visited Europe several times; and, in 1849, he
+continued his travels into Egypt and Syria. Abroad, he was received with
+many marks of distinction; and he added much to his extensive knowledge by
+studying the literature of the countries he visited.
+
+All his poems exhibit a peculiar love, and a careful study, of nature; and
+his language, both in prose and poetry, is always chaste, elegant, and
+correct. His mind was well-balanced; and his personal character was one to
+be admired, loved, and imitated.
+###
+
+
+Stand here by my side and turn, I pray,
+ On the lake below thy gentle eyes;
+The clouds hang over it, heavy and gray,
+ And dark and silent the water lies;
+And out of that frozen mist the snow
+In wavering flakes begins to flow;
+ Flake after flake
+They sink in the dark and silent lake.
+
+See how in a living swarm they come
+ From the chambers beyond that misty veil;
+Some hover in air awhile, and some
+ Rush prone from the sky like summer hail.
+All, dropping swiftly, or settling slow,
+Meet, and are still in the depths below;
+ Flake after flake
+Dissolved in the dark and silent lake.
+
+Here delicate snow stars, out of the cloud,
+ Come floating downward in airy play,
+Like spangles dropped from the glistening crowd
+ That whiten by night the Milky Way;
+There broader and burlier masses fall;
+The sullen water buries them all,--
+ Flake after flake,--
+All drowned in the dark and silent lake.
+
+And some, as on tender wings they glide
+ From their chilly birth cloud, dim and gray.
+Are joined in their fall, and, side by side,
+ Come clinging along their unsteady way;
+As friend with friend, or husband with wife,
+Makes hand in hand the passage of life;
+ Each mated flake
+Soon sinks in the dark and silent lake.
+
+Lo! while we are gazing, in swifter haste
+ Stream down the snows, till the air is white,
+As, myriads by myriads madly chased,
+ They fling themselves from their shadowy height.
+The fair, frail creatures of middle sky,
+What speed they make, with their grave so nigh;
+ Flake after flake
+To lie in the dark and silent lake.
+
+I see in thy gentle eyes a tear;
+ They turn to me in sorrowful thought;
+Thou thinkest of friends, the good and dear,
+ Who were for a time, and now are not;
+Like these fair children of cloud and frost,
+That glisten a moment an then are lost,
+ Flake after flake,--
+All lost in the dark and silent lake.
+
+Yet look again, for the clouds divide;
+ A gleam of blue on the water lies;
+And far away, on the mountain side,
+ A sunbeam falls from the opening skies.
+But the hurrying host that flew between
+The cloud and the water no more is seen;
+ Flake after flake
+At rest in the dark and silent lake.
+
+
+
+XXVIII. CHARACTER OF NAPOLEON BONAPARTE. (143)
+
+Charles Phillips, 1787-1859, an eminent barrister and orator, was born in
+Sligo, Ireland, and died in London. He gained much of his reputation as an
+advocate in criminal cases. In his youth he published some verses; later
+in life he became the author of several works, chiefly of biography.
+###
+
+
+He is fallen! We may now pause before that splendid prodigy, which towered
+among us like some ancient ruin, whose power terrified the glance its
+magnificence attracted. Grand, gloomy, and peculiar, he sat upon the
+throne a sceptered hermit, wrapt in the solitude of his own originality. A
+mind, bold, independent, and decisive; a will, despotic in its dictates;
+an energy that distanced expedition; and a conscience, pliable to every
+touch of interest, marked the outlines of this extraordinary
+character--the most extraordinary, perhaps, that in the annals of this
+world ever rose, or reigned, or fell.
+
+Flung into life in the midst of a revolution that quickened every energy
+of a people who acknowledged no superior, he commenced his course, a
+stranger by birth, and a scholar by charity. With no friend but his sword,
+and no fortune but his talents, he rushed into the lists where rank, and
+wealth, and genius had arrayed themselves, and competition fled from him,
+as from the glance of destiny.
+
+He knew no motive but interest; acknowledged no criterion but success; he
+worshiped no God but ambition; and, with an eastern devotion, he knelt at
+the shrine of his idolatry. Subsidiary to this, there was no creed that he
+did not profess, there was no opinion that he did not promulgate: in the
+hope of a dynasty, he upheld the crescent; for the sake of a divorce, he
+bowed before the cross; the orphan of St. Louis, he became the adopted
+child of the Republic; and, with a parricidal ingratitude, on the ruins
+both of the throne and the tribune, he reared the throne of his despotism.
+A professed Catholic, he imprisoned the Pope; a pretended patriot, he
+impoverished the country; and in the name of Brutus, he grasped without
+remorse, and wore without shame, the diadem of the Caesars.
+
+The whole continent trembled at beholding the audacity of his designs, and
+the miracle of their execution. Skepticism bowed to the prodigies of his
+performance; romance assumed the air of history; nor was there aught too
+incredible for belief, or too fanciful for expectation, when the world saw
+a subaltern of Corsica waving his imperial flag over her most ancient
+capitals. All the visions of antiquity became commonplace in his
+contemplation: kings were his people; nations were his outposts; and he
+disposed of courts, and crowns, and camps, and churches, and cabinets, as
+if they were the titular dignitaries of the chessboard! Amid all these
+changes, he stood immutable as adamant. It mattered little whether in the
+field, or in the drawing-room; with the mob, or the levee; wearing the
+Jacobin bonnet, or the iron crown; banishing a Braganza, or espousing a
+Hapsburg; dictating peace on a raft to the Czar of Russia, or
+contemplating defeat at the gallows of Leipsic he was still the same
+military despot.
+
+In this wonderful combination, his affectations of literature must not be
+omitted. The jailer of the press, he affected the patronage of letters;
+the proscriber of books, he encouraged philosophy; the persecutor of
+authors, and the murderer of printers, he yet pretended to the protection
+of learning; the assassin of Palm, the silencer of De Stael, and the
+denouncer of Kotzebue, he was the friend of David, the benefactor of De
+Lille, and sent his academic prize to the philosopher of England.
+
+Such a medley of contradictions, and, at the same time, such an individual
+consistency, were never united in the same character. A royalist, a
+republican, and an emperor; a Mohammedan, a Catholic, and a patron of the
+synagogue; a subaltern and a sovereign; a traitor and a tyrant; a
+Christian and an infidel; he was, through all his vicissitudes, the same
+stern, impatient, inflexible original; the same mysterious,
+incomprehensible self; the man without a model, and without a shadow.
+
+
+NOTES.--St. Louis (b. 1215, d. 1270), a wise and pious king of France,
+known as Louis IX. Napoleon was appointed to the Military School at
+Brienne, by Louis XVI. Brutus, Lucius Junius, abolished the royal office
+at Rome (509 B. C.), and ruled as consul for two years.
+
+Jacobin Bonnet.--The Jacobins were a powerful political club during the
+first French Revolution. A peculiar bonnet or hat was their badge.
+Braganza, the name of the royal family of Portugal. Maria of Portugal, and
+her father, Charles IV. of Spain, were both expelled by Napoleon.
+Hapsburg, the name of the royal family of Austria. Napoleon's second wife
+was Maria Louisa, the daughter of the Emperor. Czar.--The treaty of Tilsit
+was agreed to between Bonaparte and the Czar Alexander on the river Memel.
+Leipsic.--Napoleon was defeated by the allied forces, in October, 1813, at
+this city.
+
+Palm, a German publisher, shot, in 1806, by order of Napoleon, for
+publishing a pamphlet against him. De Stael (pro. De Stal), a celebrated
+French authoress, banished from Paris, in 1802, by Napoleon. Kotzebue, an
+eminent German dramatist. David, the leading historical painter of his
+times in France. De Lille, an eminent French poet and professor.
+
+
+
+XXIX. NAPOLEON AT REST. (146)
+
+John Pierpont, 1785-1866, was born in Litchfield, Connecticut, and
+graduated from Yale College in 1804. The next four years he spent as a
+private tutor in the family of Col. William Allston, of South Carolina. On
+his return, he studied law in the law school of his native town. He
+entered upon practice, but soon left the law for mercantile pursuits, in
+which he was unsuccessful. Having studied theology at Cambridge, in 1819
+he was ordained pastor of the Hollis Street Unitarian Church, in Boston,
+where he continued nearly twenty years. He afterwards preached four years
+for a church in Troy, New York, and then removed to Medford,
+Massachusetts. At the age of seventy-six, he became chaplain of a
+Massachusetts regiment; but, on account of infirmity, war soon obliged to
+give up the position. Mr. Pierpont published a series of school readers,
+which enjoyed a well-deserved popularity for many years.
+
+His poetry is smooth, musical, and vigorous. Most of his pieces were
+written for special occasions.
+###
+
+
+His falchion flashed along the Nile;
+ His hosts he led through Alpine snows;
+O'er Moscow's towers, that blazed the while,
+ His eagle flag unrolled,--and froze.
+Here sleeps he now, alone! Not one
+ Of all the kings, whose crowns he gave,
+Bends o'er his dust;--nor wife nor son
+ Has ever seen or sought his grave.
+
+Behind this seagirt rock! the star,
+ That led him on from crown to crown,
+Has sunk; and nations from afar
+ Gazed as it faded and went down.
+High is his couch;--the ocean flood,
+ Far, far below, by storms is curled;
+As round him heaved, while high he stood,
+ A stormy and unstable world.
+
+Alone he sleeps! The mountain cloud,
+ That night hangs round him, and the breath
+Of morning scatters, is the shroud
+ That wraps the conqueror's clay in death.
+Pause here! The far-off world, at last,
+ Breathes free; the hand that shook its thrones,
+And to the earth its miters cast,
+ Lies powerless now beneath these stones.
+
+Hark! comes there from the pyramids,
+ And from Siberian wastes of snow,
+And Europe's hills, a voice that bids
+ The world he awed to mourn him? No:
+The only, the perpetual dirge
+ That's heard there is the sea bird's cry,--
+The mournful murmur of the surge,--
+ The cloud's deep voice, the wind's low sigh.
+
+
+NOTE.--Seagirt rock, the island of St. Helena, is in the Atlantic Ocean,
+nearly midway between Africa and South America. Napoleon was confined on
+this island six years; until 1821, when he died and was buried there. In
+1841, his remains were removed to Paris.
+
+
+
+XXX. WAR. (148)
+
+Charles Sumner. 1811-1874, was born in Boston. He studied at the Latin
+school in his native city, graduated from Harvard University at the age of
+nineteen, studied law at the same institution, and was admitted to
+practice in 1834. He at once took a prominent position in his profession,
+lectured to the law classes at Cambridge for several successive years,
+wrote and edited several standard law books, and might have had a
+professorship in the law school, had he desired it. In his famous address
+on "The True Grandeur of Nations," delivered July 4, 1815, before the
+municipal authorities of Boston, he took strong grounds against war among
+nations. In 1851 he was elected to the United States Senate and continued
+in that position till his death. As a jurist, as a statesman, as an
+orator, and as a profound and scholarly writer, Mr. Sumner stands high in
+the estimation of his countrymen. In physical appearance, Mr. Sumner was
+grand and imposing; men often turned to gaze after him, as he passed along
+the streets of his native city.
+###
+
+
+I need not dwell now on the waste and cruelty of war. These stare us
+wildly in the face, like lurid meteor lights, as we travel the page of
+history. We see the desolation and death that pursue its demoniac
+footsteps. We look upon sacked towns, upon ravaged territories, upon
+violated homes; we behold all the sweet charities of life changed to
+wormwood and gall. Our soul is penetrated by the sharp moan of mothers,
+sisters, and daughters--of fathers, brothers, and sons, who, in the
+bitterness of their bereavement, refuse to be comforted. Our eyes rest at
+last upon one of these fair fields, where Nature, in her abundance,
+spreads her cloth of gold, spacious and apt for the entertainment of
+mighty multitudes--or perhaps, from the curious subtlety of its position,
+like the carpet in the Arabian tale, seeming to contract so as to be
+covered by a few only, or to dilate so as to receive an innumerable host.
+Here, under a bright sun, such as shone at Austerlitz or Buena
+Vista--amidst the peaceful harmonies of nature--on the Sabbath of
+peace--we behold bands of brothers, children of a common Father, heirs to
+a common happiness, struggling together in the deadly fight, with the
+madness of fallen spirits, seeking with murderous weapons the lives of
+brothers who have never injured them or their kindred. The havoc rages.
+The ground is soaked with their commingling blood. The air is rent by
+their commingling cries. Horse and rider are stretched together on the
+earth. More revolting than the mangled victims, than the gashed limbs,
+than the lifeless trunks, than the spattering brains, are the lawless
+passions which sweep, tempest-like, through the fiendish tumult.
+
+Horror-struck, we ask, wherefore this hateful contest? The melancholy, but
+truthful answer comes, that this is the established method of determining
+justice between nations!
+
+The scene changes. Far away on the distant pathway of the ocean two ships
+approach each other, with white canvas broadly spread to receive the
+flying gales. They are proudly built. All of human art has been lavished
+in their graceful proportions, and in their well compacted sides, while
+they look in their dimensions like floating happy islands on the sea. A
+numerous crew, with costly appliances of comfort, hives in their secure
+shelter. Surely these two travelers shall meet in joy and friendship; the
+flag at the masthead shall give the signal of friendship; the happy
+sailors shall cluster in the rigging, and even on the yardarms, to look
+each other in the face, while the exhilarating voices of both crews shall
+mingle in accents of gladness uncontrollable. It is not so. Not as
+brothers, not as friends, not as wayfarers of the common ocean, do they
+come together; but as enemies.
+
+The gentle vessels now bristle fiercely with death-dealing instruments. On
+their spacious decks, aloft on all their masts, flashes the deadly
+musketry. From their sides spout cataracts of flame, amidst the pealing
+thunders of a fatal artillery. They, who had escaped "the dreadful touch
+of merchant-marring rocks"--who had sped on their long and solitary way
+unharmed by wind or wave--whom the hurricane had spared--in whose favor
+storms and seas had intermitted their immitigable war--now at last fall
+by the hand of each other. The same spectacle of horror greets us from
+both ships. On their decks, reddened with blood, the murderers of St.
+Bartholomew and of the Sicilian Vespers, with the fires of Smithfield,
+seem to break forth anew, and to concentrate their rage. Each has now
+become a swimming Golgotha. At length, these vessels--such pageants of
+the sea--once so stately--so proudly built--but now rudely shattered by
+cannon balls--with shivered mast's and ragged sails--exist only as
+unmanageable wrecks, weltering on the uncertain waves, whose temporary
+lull of peace is now their only safety. In amazement at this strange,
+unnatural contest--away from country and home--where there is no country
+or home to defend--we ask again, wherefore this dismal duel? Again the
+melancholy but truthful answer promptly comes, that this is the
+established method of determining justice between nations.
+
+
+NOTES.--Austerlitz, a small town in Austria, seventy miles north from
+Vienna. It is noted as the site of a battle, in December, 1805, between
+the allied Austrian and Russian armies, and the French under Napoleon. The
+latter were victorious. Buena Vista, a small hamlet in eastern Mexico,
+where, in 1847, five thousand Americans, under Gen. Taylor, defeated
+twenty thousand Mexicans, under Gen. Santa Anna.
+
+Dreadful touch.--Quoted from Merchant of Venice, Act III, Scene II.
+
+St. Bartholomew.--A terrible massacre took place in France, on St.
+Bartholomew's day, August 24, 1572. It has been estimated that twenty
+thousand persons perished.
+
+Sicilian Vespers, a revolt and uprising against the French in Sicily,
+March 30, 1282, at the hour of vespers.
+
+Smithfield, a portion of London noted as a place for execution during the
+sixteenth and seventeenth centuries.
+
+
+
+XXXI. SPEECH OF WALPOLE IN REPROOF OF MR. PITT. (151)
+
+Sir Robert Walpole, 1676-1745, was educated at Eton and Cambridge. He
+entered Parliament in 1700, and soon became a good debater and skillful
+tactician. He was prime minister of Great Britain from 1721 to 1742, in
+the reigns of George I. and George II. He was an able statesman; but has
+been accused of employing corruption or bribery on a large scale, to
+control Parliament and accomplish his purposes.
+###
+
+
+I was unwilling to interrupt the course of this debate, while it was
+carried on with calmness and decency, by men who do not suffer the ardor
+of opposition to cloud their reason, or transport them to such expressions
+as the dignity of this assembly does not admit.
+
+I have hitherto deferred answering the gentleman, who declaimed against
+the bill with such fluency and rhetoric, and such vehemence of gesture;
+who charged the advocates for the expedients now proposed, with having no
+regard to any interests but their own, and with making laws only to
+consume paper, and threatened them with the defection of their adherents,
+and the loss of their influence, upon this new discovery of their folly
+and ignorance. Nor, do I now answer him for any other purpose than to
+remind him how little the clamor of rage and petulancy of invective
+contribute to the end for which this assembly is called together; how
+little the discovery of truth is promoted, and the security of the nation
+established, by pompous diction and theatrical emotion.
+
+Formidable sounds and furious declamation, confident assertions and lofty
+periods, may affect the young and inexperienced; and perhaps the gentleman
+may have contracted his habits of oratory by conversing more with those of
+his own age than with such as have more opportunities of acquiring
+knowledge, and more successful methods of communicating their sentiments.
+If the heat of temper would permit him to attend to those whose age and
+long acquaintance with business give them an indisputable right to
+deference and superiority, he would learn in time to reason, rather than
+declaim; and to prefer justness of argument and an accurate knowledge of
+facts, to sounding epithets and splendid superlatives, which may disturb
+the imagination for a moment, but leave no lasting impression upon the
+mind. He would learn, that to accuse and prove are very different; and
+that reproaches, unsupported by evidence, affect only the character of him
+that utters them.
+
+Excursions of fancy and flights of oratory are indeed pardonable in young
+men, but in no other; and it would surely contribute more, even to the
+purpose for which some gentlemen appear to speak (that of depreciating the
+conduct of the administration), to prove the inconveniences and injustice
+of this bill, than barely to assert them, with whatever magnificence of
+language, or appearance of zeal, honesty, or compassion.
+
+
+
+XXXII. PITT'S REPLY TO SIR ROBERT WALPOLE. (152)
+
+William Pitt, 1708--1778, one of the ablest statesmen and orators of his
+time, was born in Cornwall, and educated at Eton and Oxford. He entered
+Parliament in 1735, and became a formidable opponent of the ministry of
+Sir Robert Walpole. He gained great reputation by his wise and vigorous
+management of military affairs in the last years of the reign of George
+II. He opposed the "Stamp Act" with great earnestness, as well as the
+course of the ministry in the early years of the American Revolution. In
+1778, he rose from a sick bed to make his celebrated speech, in the House
+of Lords, in opposition to a motion to acknowledge the independence of
+America. At its close, he fell in an apoplectic fit, and was borne home to
+die in a few weeks afterward. He was buried in Westminster Abbey. Mr. Pitt
+possessed a fine personal presence and a powerful voice; he was very
+popular with the people, and is often called the "Great Commoner." He was
+created "Earl of Chatham" in 1766.
+###
+
+
+The atrocious crime of being a young man, which the honorable gentleman
+has, with such spirit and decency, charged upon me, I shall neither
+attempt to palliate nor deny; but content myself with hoping that I may be
+one of those whose follies cease with their youth, and not of that number
+who are ignorant in spite of experience. Whether youth can be imputed to a
+man as a reproach, I will not assume the province of determining; but
+surely age may become justly contemptible, if the opportunities which it
+brings have passed away without improvement, and vice appears to prevail
+when the passions have subsided. The wretch, who, after having seen the
+consequences of a thousand errors, continues still to blunder, and whose
+age has only added obstinacy to stupidity, is surely the object either of
+abhorrence or contempt, and deserves not that his gray hairs should secure
+him from insult. Much more is he to be abhorred, who, as he has advanced
+in age, has receded from virtue, and become more wicked--with less
+temptation; who prostitutes himself for money which he can not enjoy, and
+spends the remains of his life in the ruin of his country.
+
+But youth is not my only crime; I am accused of acting a theatrical part.
+A theatrical part may either imply some peculiarity of gesture, or a
+dissimulation of my real sentiments, and an adoption of the opinions and
+language of another man. In the first sense, the charge is too trifling to
+be confuted, and deserves only to be mentioned that it may be despised. I
+am at liberty, like every other man, to use my own language; and though,
+perhaps, I may have some ambition to please this gentleman, I shall not
+lay myself under any restraint, nor very solicitously copy his diction or
+his mien, however matured by age, or modeled by experience.
+
+But, if any man shall, by charging me with theatrical behavior, imply that
+I utter any sentiments but my own, I shall treat him as a calumniator and
+a villain; nor shall any protection shelter him from the treatment he
+deserves. I shall, on such an occasion, without scruple, trample upon all
+those forms with which wealth and dignity intrench themselves, nor shall
+anything but age restrain my resentment; age,--which always brings one
+privilege, that of being insolent and supercilious, without punishment!
+
+But, with regard to those whom I have offended, I am of opinion that, if I
+had acted a borrowed part, I should have avoided their censure: the heat
+that offended them was the ardor of conviction, and that zeal for the
+service of my country which neither hope nor fear shall influence me to
+suppress. I will not sit unconcerned while my liberty is invaded, nor look
+in silence upon public robbery. I will exert my endeavors, at whatever
+hazard, to repel the aggressor, and drag the thief to justice, whoever may
+protect him in his villainies, and whoever may partake of his plunder.
+
+
+XXXIII. CHARACTER OF MR. PITT. (154)
+
+Henry Grattan, 1750-1820, an Irish orator and statesman, was born at
+Dublin, and graduated from Trinity College, in his native city. By his
+admiration of Mr. Pitt, the first Earl of Chatham, he was led to turn his
+attention to oratory. In personal appearance, he was unprepossessing; but
+his private character was without a blemish.
+###
+
+
+The secretary stood alone. Modern degeneracy had not reached him. Original
+and unaccommodating, the features of his character had the hardihood of
+antiquity. His august mind overawed majesty itself. No state chicanery, no
+narrow system of vicious politics, no idle contest for ministerial
+victories, sank him to the vulgar level of the great; but overbearing,
+persuasive, and impracticable, his object was England, his ambition was
+fame.
+
+Without dividing, he destroyed party; without corrupting, he made a venal
+age unanimous. France sunk beneath him. With one hand he smote the house
+of Bourbon, and wielded in the other the democracy of England. The sight
+of his mind was infinite; and his schemes were to effect, not England, not
+the present age only, but Europe and posterity. Wonderful were the means
+by which those schemes were accomplished; always seasonable, always
+adequate, the suggestion of an understanding animated by ardor and
+enlightened by prophecy.
+
+The ordinary feelings which make life amiable and indolent, were unknown
+to him. No domestic difficulties, no domestic weakness, reached him; but,
+aloof from the sordid occurrences of life, and unsullied by its
+intercourse, he came occasionally into our system, to counsel and decide.
+A character so exalted, so strenuous, so various, so authoritative,
+astonished a corrupt age, and the treasury trembled at the name of Pitt,
+through all classes of venality. Corruption imagined, indeed, that she had
+found defects in this statesman, and talked much of the inconsistency of
+his glory, and much of the ruin of his victories; but the history of his
+country, and the calamities of the enemy, answered and refuted her.
+
+Nor were his political his only talents. His eloquence was an era in the
+senate; peculiar and spontaneous; familiarly expressing gigantic
+sentiments and instructive wisdom; not like the torrent of Demosthenes, or
+the splendid conflagration of Tully; it resembled sometimes the thunder,
+and sometimes the music of the spheres. He did not conduct the
+understanding through the painful subtilty of argumentation, nor was he
+ever on the rack of exertion; but rather lightened upon the subject, and
+reached the point by the flashings of the mind, which, like those of the
+eye, were felt, but could not be followed.
+
+Upon the whole, there was in this man something that could create,
+subvert, or reform; an understanding, a spirit, and an eloquence, to
+summon mankind to society, or to break the bonds of slavery asunder, and
+to rule the wildness of free minds with unbounded authority; something
+that could establish or overwhelm empires, and strike a blow in the world
+that should resound through the universe.
+
+NOTES.--Demosthenes (b. 385, d. 322, B. C.) was the son of a cutler at
+Athens, Greece. By diligent study and unremitting toil, he became the
+greatest orator that ever lived.
+
+Tully, Marcus Tullius Cicero (b. 106, d. 43, B. C.), was the most
+remarkable of Roman orators. He held the highest office of the Republic.
+
+
+
+XXXIV. THE SOLDIER'S REST. (156)
+
+Sir Walter Scott, 1771-1832, the great Scotch poet and novelist, was born
+in Edinburgh. Being a feeble child, he was sent to reside on his
+grandfather's estate in the south of Scotland. Here he spent several
+years, and gained much knowledge of the traditions of border warfare, as
+well as of the tales and ballads pertaining to it. He was also a great
+reader of romances in his youth. In 1779 be returned to Edinburgh, and
+became a pupil in the high school. Four years later, he entered the
+university; but in neither school nor college, was he distinguished for
+scholarship. In 1797 he was admitted to the practice of law,--a profession
+which he soon forsook for literature. His first poems appeared in 1802.
+The "Lay of the Last Minstrel" was published in 1805, "Marmion" in 1808,
+and "The Lady of the Lake" in 1810. Several poems of less power followed.
+In 1814 "Waverley," his first novel, made its appearance, but the author
+was unknown for some time. Numerous other novels followed with great
+rapidity, the author reaping a rich harvest both in fame and money. In
+1811 he purchased an estate near the Tweed, to which he gave the name of
+Abbotsford. In enlarging his estate and building a costly house, he spent
+vast sums of money. This, together with the failure of his publishers in
+1826, involved him very heavily in debt. But he set to work with almost
+superhuman effort to pay his debts by the labors of his pen. In about four
+years, he had paid more than $300,000; but the effort was too much for his
+strength, and hastened his death.
+
+In person, Scott was tall, and apparently robust, except a slight lameness
+with which he was affected from childhood. He was kindly in disposition,
+hospitable in manner, fond of outdoor pursuits and of animals, especially
+dogs. He wrote with astonishing rapidity, and always in the early morning.
+At his death, he left two sons and two daughters. A magnificent monument
+to his memory has been erected in the city of his birth. The following
+selection is from "The Lady of the Lake."
+###
+
+
+Soldier, rest! thy warfare o'er,
+ Sleep the sleep that knows not breaking;
+Dream of battlefields no more,
+ Days of danger, nights of waking.
+In our isle's enchanted hall,
+ Hands unseen thy couch are strewing,
+Fairy strains of music fall,
+ Every sense in slumber dewing.
+Soldier, rest! thy warfare o'er,
+Dream of battlefields no more;
+Sleep the sleep that knows not breaking,
+Morn of toil, nor night of waking.
+
+No rude sound shall reach thine ear,
+ Armor's clang, or war steed champing,
+Trump nor pibroch summon here
+ Mustering clan, or squadron tramping.
+Yet the lark's shrill fife may come,
+ At the daybreak from the fallow,
+And the bittern sound his drum,
+ Booming from the sedgy shallow.
+Ruder sounds shall none be near,
+Guards nor warders challenge here,
+Here's no war steed's neigh and champing,
+Shouting clans or squadrons stamping.
+
+Huntsman, rest! thy chase is done;
+ While our slumb'rous spells assail ye,
+Dream not, with the rising sun,
+ Bugles here shall sound reveille.
+Sleep! the deer is in his den;
+ Sleep! thy hounds are by thee lying;
+Sleep! nor dream in yonder glen,
+ How thy gallant steed lay dying.
+Huntsman, rest; thy chase is done,
+Think not of the rising sun,
+For at dawning to assail ye,
+Here no bugle sounds reveille.
+
+NOTES.--Pibroch (pro. pe'brok). This is a wild, irregular species of
+music, peculiar to the Highlands of Scotland. It is performed on a
+bagpipe, and adapted to excite or assuage passion, and particularly to
+rouse a martial spirit among troops going to battle.
+
+Reveille (pro. re-val'ya) is an awakening call at daybreak. In the army it
+is usually sounded on the drum.
+
+
+
+XXXV. HENRY V. TO HIS TROOPS. (158)
+
+William Shakespeare. 1564-1616, was born at Stratford-upon-Avon. By many
+(perhaps most) critics, Shakespeare is regarded as the greatest poet the
+world has ever produced; one calls him, "The most illustrious of the sons
+of men." And yet it is a curious fact that less is really known of his
+life and personal characteristics than is known of almost any other famous
+name in history. Over one hundred years ago, a writer said, "All that is
+known with any degree of certainty concerning Shakespeare is--that he was
+born at Stratford-upon-Avon--married and had children there--went to
+London, where he commenced acting, and wrote poems and plays--returned to
+Stratford, made his will, died, and was buried." All the research of the
+last one hundred years has added but very little to this meager record. He
+was married, very young, to Anne Hathaway, a woman eight years his senior;
+was joint proprietor of Blackfriar's Theater in 1589, and seems to have
+accumulated property, and retired three or four years before his death. He
+was buried in Stratford Church, where a monument has been erected to his
+memory; he also has a monument, in "Poet's Corner" of Westminster Abbey.
+His family soon became extinct. From all we can learn, he seems to have
+been highly respected and esteemed by his cotemporaries.
+
+His works consist chiefly of plays and sonnets. His writings show an
+astonishing knowledge of human nature, expressed in language wonderful for
+its point and beauty. His style is chaste and pure, judged by the standard
+of his times, although expressions may sometimes be found that would not
+be considered proper in a modern writer. It has been argued by some that
+Shakespeare did not write the works imputed to him; but this theory seems
+to have little to support it. This extract is from King Henry V., Act III,
+Scene I.
+###
+
+
+Once more unto the breach, dear friends, once more;
+Or close the wall up with our English dead.
+In peace there 's nothing so becomes a man
+As modest stillness and humility:
+But when the blast of war blows in our ears,
+Then imitate the action of the tiger;
+Stiffen the sinews, summon up the blood,
+Disguise fair nature with hard-favored rage;
+Then lend the eye a terrible aspect;
+Let it pry through the portage of the head
+Like the brass cannon; let the brow o'erwhelm it
+As fearfully as doth a galled rock
+O'er hang and jutty his confounded base,
+Swilled with the wild and wasteful ocean.
+
+Now set the teeth, and stretch the nostril wide,
+Hold hard the breath, and bend up every spirit
+To its full height! On, on, you noblest English,
+Whose blood is fet from fathers of war proof!
+Fathers, that, like so many Alexanders,
+Have, in these parts, from morn till even, fought,
+And sheathed their swords for lack of argument;
+Be copy now to men of grosser blood,
+And teach them how to war.
+
+ And you, good yeomen,
+Whose limbs were made in England, show us here
+The mettle of your pasture; let us swear
+That you are worth your breeding, which I doubt not;
+For there is none of you so mean and base,
+That hath not noble luster in your eyes.
+I see you stand like greyhounds in the slips,
+Straining upon the start. The game's afoot;
+Follow your spirit: and, upon this charge,
+Cry--"God for Harry, England, and St. George!"
+
+
+NOTES.--Henry V. (1388-1422) was king of England for nine years. During
+this reign almost continuous war raged in France, to the throne of which
+Henry laid claim. The battle of Agincourt took place in his reign.
+
+Fet is the old form of fetched.
+
+Alexanders.--Alexander the Great (356-323 B. G) was king of Macedonia, and
+the celebrated conqueror of Persia, India, and the greater part of the
+world as then known.
+
+
+XXXVI. SPEECH OF PAUL ON MARS HILL. (160)
+
+
+Then Paul stood in the midst of Mars Hill, and said, Ye men of Athens! I
+perceive that in all things ye are too superstitious. For as I passed by,
+and beheld your devotions, I found an altar with this inscription, To THE
+UNKNOWN GOD. Whom therefore ye ignorantly worship, him declare I unto you.
+God that made the world and all things therein (seeing that he is Lord of
+heaven and earth) dwelleth not in temples made with hands; neither is
+worshiped with men's hands, as though he needed anything, seeing he giveth
+to all life, and breath, and all things; and hath made of one blood all
+nations of men for to dwell on all the face of the earth, and hath
+determined the times before appointed, and the bounds of their habitation;
+that they should seek the Lord, if haply they might feel after him, and
+find him, though he be not far from everyone of us: for in him we live,
+and move, and have our being; as certain also of your own poets have said,
+For we are also his offspring. Forasmuch then as we are the offspring of
+God, we ought not to think that the Godhead is like unto gold, or silver,
+or stone, graven by art and man's device. And the times of this ignorance
+God winked at; but now commandeth all men everywhere to repent: because he
+hath appointed a day, in the which he will judge the world in
+righteousness by that Man whom he hath ordained; whereof he hath given
+assurance unto all men, in that he hath raised him from the dead. And when
+they heard of the resurrection of the dead, some mocked: and others said,
+We will hear thee again of this matter. So Paul departed from among them.
+Howbeit certain men clave unto him, and believed; among the which was
+Dionysius the Areopagite, and a woman named Damaris, and others with them.
+
+ --Bible.
+
+
+NOTES.--At the time this oration was delivered (50 A. D.), Athens still
+held the place she had occupied for centuries, as the center of the
+enlightened and refined world.
+
+Mars Hill, or the Areopagus, was an eminence in the city made famous as
+the place where the court, also called Areopagus, held its sittings,
+
+Dionysius, surnamed Areopageita, from being a member of this court, was an
+eminent Greek scholar, who, after his conversion to Christianity by St.
+Paul, was installed, by the latter, as the first bishop of Athens, He
+afterwards suffered martyrdom.
+
+
+
+XXXVII. GOD IS EVERYWHERE. (161)
+
+
+ Oh! show me where is He,
+ The high and holy One,
+ To whom thou bend'st the knee,
+ And prayest, "Thy will be done!"
+ I hear thy song of praise,
+ And lo! no form is near:
+ Thine eyes I see thee raise,
+ But where doth God appear?
+Oh! teach me who is God, and where his glories shine,
+That I may kneel and pray, and call thy Father mine.
+
+ "Gaze on that arch above:
+ The glittering vault admire.
+ Who taught those orbs to move?
+ Who lit their ceaseless fire?
+ Who guides the moon to run
+ In silence through the skies?
+ Who bids that dawning sun
+ In strength and beauty rise?
+There view immensity! behold! my God is there:
+The sun, the moon, the stars, his majesty declare.
+
+ "See where the mountains rise:
+ Where thundering torrents foam;
+ Where, veiled in towering skies,
+ The eagle makes his home:
+ Where savage nature dwells,
+ My God is present, too:
+ Through all her wildest dells
+ His footsteps I pursue:
+He reared those giant cliffs, supplies that dashing stream,
+Provides the daily food which stills the wild bird's scream.
+
+ "Look on that world of waves,
+ Where finny nations glide;
+ Within whose deep, dark caves
+ The ocean monsters hide:
+ His power is sovereign there,
+ To raise, to quell the storm;
+ The depths his bounty share,
+ Where sport the scaly swarm:
+Tempests and calms obey the same almighty voice,
+Which rules the earth and skies, and bids far worlds rejoice."
+ --Joseph Hutton.
+
+
+
+XXXVIII. LAFAYETTE AND ROBERT RAIKES. (163)
+
+Thomas S. Grimke', 1786-1834, an eminent lawyer and scholar, was born in
+Charleston, South Carolina, graduated at Yale in 1807, and died of cholera
+near Columbus, Ohio. He descended from a Huguenot family that was exiled
+from France by the revocation of the edict of Nantes. He gained
+considerable reputation as a politician, but is best known as an advocate
+of peace, Sunday Schools, and the Bible. He was a man of deep feeling,
+earnest purpose, and pure life. Some of his views were very radical and
+very peculiar. He proposed sweeping reforms in English orthography[1], and
+disapproved of the classics and of pure mathematics in any scheme of
+general education. The following is an extract from an address delivered
+at a Sunday-school celebration.
+###
+
+[Transcriber's Footnote 1: Orthography: Spelling using established
+usage.]
+
+
+It is but a few years since we beheld the most singular and memorable
+pageant in the annals of time. It was a pageant more sublime and affecting
+than the progress of Elizabeth through England after the defeat of the
+Armada; than the return of Francis I. from a Spanish prison to his own
+beautiful France; than the daring and rapid march of the conqueror at
+Austerlitz from Frejus to Paris. It was a pageant, indeed, rivaled only in
+the elements of the grand and the pathetic, by the journey of our own
+Washington through the different states. Need I say that I allude to the
+visit of Lafayette to America?
+
+But Lafayette returned to the land of the dead, rather than of the living.
+How many who had fought with him in the war of '76, had died in arms, and
+lay buried in the grave of the soldier or the sailor! How many who had
+survived the perils of battle, on the land and the ocean, had expired on
+the deathbed of peace, in the arms of mother, sister, daughter, wife!
+Those. who survived to celebrate with him the jubilee of 1825, were
+stricken in years, and hoary-headed; many of them infirm in health; many
+the victims of poverty, or misfortune, or affliction. And, how venerable
+that patriotic company; how sublime their gathering through all the land;
+how joyful their welcome, how affecting their farewell to that beloved
+stranger!
+
+But the pageant has fled, and the very materials that gave it such depths
+of interest are rapidly perishing: and a humble, perhaps a nameless grave,
+shall hold the last soldier of the Revolution. And shall they ever meet
+again? Shall the patriots and soldiers of '76, the "Immortal Band," as
+history styles them, meet again in the amaranthine bowers of spotless
+purity, of perfect bliss, of eternal glory? Shall theirs be the
+Christian's heaven, the kingdom of the Redeemer? The heathen points to his
+fabulous Elysium as the paradise of the soldier and the sage. But the
+Christian bows down with tears and sighs, for he knows that not many of
+the patriots, and statesmen, and warriors of Christian lands are the
+disciples of Jesus.
+
+But we turn from Lafayette, the favorite of the old and the new world, to
+the peaceful benevolence, the unambitious achievements of Robert Raikes.
+Let us imagine him to have been still alive, and to have visited our land,
+to celebrate this day with us. No national ships would have been offered
+to bear him, a nation's guest, in the pride of the star-spangled banner,
+from the bright shores of the rising, to the brighter shores of the
+setting sun. No cannon would have hailed him in the stern language of the
+battlefield, the fortunate champion of Freedom, in Europe and America. No
+martial music would have welcomed him in notes of rapture, as they rolled
+along the Atlantic, and echoed through the valley of the Mississippi. No
+military procession would have heralded his way through crowded streets,
+thickset with the banner and the plume, the glittering saber and the
+polished bayonet. No cities would have called forth beauty and fashion,
+wealth and rank, to honor him in the ballroom and theater. No states would
+have escorted him from boundary to boundary, nor have sent their chief
+magistrate to do him homage. No national liberality would have allotted to
+him a nobleman's domain and princely treasure. No national gratitude would
+have hailed him in the capitol itself, the nation's guest, because the
+nation's benefactor; and have consecrated a battle ship, in memory of his
+wounds and his gallantry.
+
+Not such would have been the reception of Robert Raikes, in the land of
+the Pilgrims and of Penn, of the Catholic, the Cavalier, and the Huguenot.
+And who does not rejoice that it would be impossible thus to welcome this
+primitive Christian, the founder of Sunday schools? His heralds would be
+the preachers of the Gospel, and the eminent in piety, benevolence, and
+zeal. His procession would number in its ranks the messengers of the Cross
+and the disciples of the Savior, Sunday-school teachers and white-robed
+scholars. The temples of the Most High would be the scenes of his triumph.
+Homage and gratitude to him, would be anthems of praise and thanksgiving
+to God.
+
+Parents would honor him as more than a brother; children would reverence
+him as more than a father. The faltering words of age, the firm and sober
+voice of manhood, the silvery notes of youth, would bless him as a
+Christian patron. The wise and the good would acknowledge him everywhere
+as a national benefactor, as a patriot even to a land of strangers. He
+would have come a messenger of peace to a land of peace. No images of
+camps, and sieges, and battles; no agonies of the dying and the wounded;
+no shouts of victory, or processions of triumph, would mingle with the
+recollections of the multitude who welcomed him. They would mourn over no
+common dangers, trials, and calamities; for the road of duty has been to
+them the path of pleasantness, the way of peace. Their memory of the past
+would be rich in gratitude to God, and love to man; their enjoyment of the
+present would be a prelude to heavenly bliss; their prospects of the
+future, bright and glorious as faith and hope. * * *
+
+Such was the reception of Lafayette, the warrior; such would be that of
+Robert Raikes, the Howard of the Christian church. And which is the nobler
+benefactor, patriot, and philanthropist? Mankind may admire and extol
+Lafayette more than the founder of the Sunday schools; but religion,
+philanthropy, and enlightened common sense must ever esteem Robert Raikes
+the superior of Lafayette. His are the virtues, the services, the
+sacrifices of a more enduring and exalted order of being. His counsels and
+triumphs belong less to time than to eternity.
+
+The fame of Lafayette is of this world; the glory of Robert Raikes is of
+the Redeemer's everlasting kingdom. Lafayette lived chiefly for his own
+age, and chiefly for his and our country; but Robert Raikes has lived for
+all ages and all countries. Perhaps the historian and biographer may never
+interweave his name in the tapestry of national or individual renown. But
+the records of every single church honor him as a patron; the records of
+the universal Church, on earth as in heaven, bless him as a benefactor.
+
+The time may come when the name of Lafayette will be forgotten; or when
+the star of his fame, no longer glittering in the zenith, shall be seen,
+pale and glimmering, on the verge of the horizon. But the name of Robert
+Raikes shall never be forgotten; and the lambent flame of his glory is
+that eternal fire which rushed down from heaven to devour the sacrifice of
+Elijah. Let mortals then admire and imitate Lafayette more than Robert
+Raikes. But the just made perfect, and the ministering spirits around the
+throne of God, have welcomed him as a fellow-servant of the same Lord; as
+a fellow-laborer in the same glorious cause of man's redemption; as a
+coheir of the same precious promises and eternal rewards.
+
+
+NOTES.--Armada, the great fleet sent out in 1588, by Philip II. of Spain,
+for the conquest of England, was defeated in the Channel by the English
+and Dutch fleets. After the victory, Queen Elizabeth made a triumphal
+journey through the kingdom.
+
+Francis I. (b. 1494, d. 1547), King of France, was taken prisoner at the
+battle of Pavia, and confined at Madrid, Spain, nearly a year.
+Austerlitz.--See Note on p. 150.
+
+Lafayette (b. 1757, d. 1834), a French marquis, who served as major
+general in the Revolutionary War in America, which terminated in 1783.
+Lafayette revisited this country in 1824, and was received throughout the
+land with the greatest enthusiasm.
+
+Robert Raikes (b. 1735, d. 1811), an English printer and philanthropist,
+noted as the founder of Sunday schools.
+
+Howard, John (b. 1726, d. 1790), a celebrated English philanthropist, who
+spent much of his life in the endeavor to reform the condition of prisons
+in Europe.
+
+
+XXXIX. FALL OF CARDINAL WOLSEY. (167)
+
+Wolsey. Farewell! a long farewell, to all my greatness!
+ This is the state of man: to-day he puts forth
+ The tender leaves of hopes; to-morrow blossoms,
+ And bears his blushing honors thick upon him;
+ The third day comes a frost, a killing frost,
+ And, when he thinks, good, easy man, full surely
+ His greatness is a-ripening, nips his root,
+ And then he falls, as I do. I have ventured,
+ Like little, wanton boys that swim on bladders,
+ This many summers in a sea of glory,
+ But far beyond my depth: my high-blown pride
+ At length broke under me, and now has left me,
+ Weary and old with service, to the mercy
+ Of a rude stream, that must forever hide me.
+ Vain pomp and glory of this world, I hate ye:
+ I feel my heart new open'd. Oh, how wretched
+ Is that poor man that hangs on princes' favors!
+ There is, betwixt that smile we would aspire to,
+ That sweet aspect of princes, and their ruin,
+ More pangs and fears than wars or women have:
+ And when he falls, he falls like Lucifer,
+ Never to hope again.
+
+ Enter CROMWELL, and stands amazed.
+
+ Why, how now, Cromwell!
+
+Crom. I have no power to speak, sir.
+Wol. What, amazed
+ At my misfortunes? Can thy spirit wonder,
+ A great man should decline? Nay, an you weep,
+ I am fall'n indeed.
+Crom. How does your grace?
+Wol. Why, well;
+ Never so truly happy, my good Cromwell.
+ I know myself now; and I fed within me
+ A peace above all earthly dignities,
+ A still and quiet conscience. The king has cured me,
+ I humbly thank his grace; and from these shoulders,
+ These ruin'd pillars, out of pity, taken
+ A load would sink a navy!--too much honor:
+ Oh, 't is a burthen, Cromwell, 'tis a burthen,
+ Too heavy for a man that hopes for heaven!
+Crom. I am glad your grace has made that right use of it.
+Wol. I hope I have: I am able now, methinks,
+ Out of a fortitude of soul I feel,
+ To endure more miseries, and greater far,
+ Than my weak-hearted enemies dare offer.
+ What news abroad?
+Crom. The heaviest, and the worst,
+ Is your displeasure with the king.
+Wol. God bless him!
+Crom. The next is, that Sir Thomas More is chosen
+ Lord chancellor in your place.
+Wol. That's somewhat sudden:
+ But he's a learned man. May he continue
+ Long in his highness' favor, and do justice
+ For truth's sake and his conscience; that his bones,
+ When he has run his course, and sleeps in blessings,
+ May have a tomb of orphans' tears wept on 'em!
+ What more?
+Crom. That Cranmer is return'd with welcome,
+ Install'd lord archbishop of Canterbury.
+Wol. That's news indeed!
+Crom. Last, that the Lady Anne,
+ Whom the king hath in secrecy long married,
+ This day was viewed in open as his queen,
+ Going to chapel; and the voice is now
+ Only about her coronation.
+Wol. There was the weight that pull'd me down. O Cromwell,
+ The king has gone beyond me: all my glories
+ In that one woman I have lost forever:
+ No sun shall ever usher forth mine honors,
+ Or gild again the noble troops that waited
+ Upon my smiles. Go! get thee from me! Cromwell;
+ I am a poor, fall'n man, unworthy now
+ To be thy lord and master: seek the king;
+ That sun, I pray, may never set! I have told him
+ What and how true thou art: he will advance thee;
+ Some little memory of me will stir him--
+ I know his noble nature--not to let
+ Thy hopeful service perish, too: good Cromwell,
+ Neglect him not; make use now, and provide
+ For thine own future safety.
+Crom. O my lord,
+ Must I, then, leave you? Must I needs forego
+ So good, so noble, and so true a master?
+ Bear witness, all that have not hearts of iron,
+ With what a sorrow Cromwell leaves his lord.
+ The king shall have my service; but my prayers
+ Forever and forever shall be yours.
+Wol. Cromwell, I did not think to shed a tear
+ In all my miseries; but thou hast forced me,
+ Out of thy honest truth, to play the woman.
+ Let's dry our eyes: and thus far hear me, Cromwell;
+ And, when I am forgotten, as I shall be,
+ And sleep in dull, cold marble, where no mention
+ Of me more must be heard of, say, I taught thee;
+ Say, Wolsey, that once trod the ways of glory,
+ And sounded all the depths and shoals of honor,
+ Found thee a way, out of his wreck, to rise in;
+ A sure and safe one, though thy master missed it.
+ Mark but my fall, and that that ruin'd me.
+ Cromwell, I charge thee, fling away ambition:
+ By that sin fell the angels; how can man, then,
+ The image of his Maker, hope to win by it?
+ Love thyself last: cherish those hearts that hate thee;
+ Corruption wins not more than honesty.
+ Still in thy right hand carry gentle peace,
+ To silence envious tongues. Be just, and fear not:
+ Let all the ends thou aim'st at be thy country's,
+ Thy God's, and truth's; then, if thou fall'st, O Cromwell,
+ Thou fall'st, a blessed martyr! Serve the king;
+ And,--prithee, lead me in:
+ There, take an inventory of all I have,
+ To the last penny; 't is the king's: my robe,
+ And my integrity to Heaven, is all
+ I dare now call mine own. O Cromwell, Cromwell!
+ Had I but served my God with half the zeal
+ I served my king, He would not in mine age
+ Have left me naked to mine enemies.
+Crom. Good sir, have patience.
+Wol. So I have. Farewell
+ The hopes of court! my hopes in Heaven do dwell.
+
+ Shakespeare.--Henry VIII, Act iii, Scene ii.
+
+
+NOTES.--Wolsey, Cardinal Thomas (b. 1471, d. 1530), was for several years
+the favored minister or Henry VIII. of England. He acquired great wealth
+and power. In 1522, he was one of the candidates for the Papal Throne. In
+1529, he was disgraced at the English court and arrested.
+
+Cromwell, Thomas (b. 1490, d. 1540), was Wolsey's servant, After Wolsey's
+death, he became secretary to Henry VIII., and towards the close of his
+life was made Earl of Essex.
+
+
+
+XL. THE PHILOSOPHER. (171)
+
+John P. Kennedy, 1796-1870. This gentleman, eminent in American politics
+and literature, was born in Baltimore, graduated at the College of
+Baltimore, and died in the same city. He served several years in the
+Legislature of his native state, and three terms in the United States
+House of Representatives. He was Secretary of the Navy during a part of
+President Fillmore's administration, and was active in sending out the
+famous Japan expedition, and Dr. Kane's expedition in search of Sir John
+Franklin. Mr. Kennedy wrote several novels, as well as political and other
+papers. His writings are marked by ease and freshness, The following
+extract is from "Swallow Barn," a series of sketches of early Virginia.
+###
+
+
+From the house at Swallow Barn there is to be seen, at no great distance,
+a clump of trees, and in the midst of these a humble building is
+discernible, that seems to court the shade in which it is modestly
+embowered. It is an old structure built of logs. Its figure is a cube,
+with a roof rising from all sides to a point, and surmounted by a wooden
+weathercock, which somewhat resembles a fish and somewhat a fowl.
+
+This little edifice is a rustic shrine devoted to Cadmus, and is under the
+dominion of parson Chub. He is a plump, rosy old gentleman, rather short
+and thickset, with the blood vessels meandering over his face like
+rivulets,--a pair of prominent blue eyes, and a head of silky hair not
+unlike the covering of a white spaniel. He may be said to be a man of
+jolly dimensions, with an evident taste for good living, sometimes sloven
+in his attire, for his coat--which is not of the newest--is decorated with
+sundry spots that are scattered over it in constellations. Besides this,
+he wears an immense cravat, which, as it is wreathed around his short
+neck, forms a bowl beneath his chin, and--as Ned says--gives the parson's
+head the appearance of that of John the Baptist upon a charger, as it is
+sometimes represented in the children's picture books. His beard is
+grizzled with silver stubble, which the parson reaps about twice a
+week--if the weather be fair.
+
+Mr. Chub is a philosopher after the order of Socrates. He was an emigrant
+from the Emerald Isle, where he suffered much tribulation in the
+disturbances, as they are mildly called, of his much-enduring country. But
+the old gentleman has weathered the storm without losing a jot of that
+broad, healthy benevolence with which Nature has enveloped his heart, and
+whose ensign she has hoisted in his face. The early part of his life had
+been easy and prosperous, until the rebellion of 1798 stimulated his
+republicanism into a fever, and drove the full-blooded hero headlong into
+a quarrel, and put him, in spite of his peaceful profession, to standing
+by his pike in behalf of his principles. By this unhappy boiling over of
+the caldron of his valor, he fell under the ban of the ministers, and
+tested his share of government mercy. His house was burnt over his head,
+his horses and hounds (for, by all accounts, he was a perfect Actaeon)
+were "confiscate to the state," and he was forced to fly. This brought him
+to America in no very compromising mood with royalty.
+
+Here his fortunes appear to have been various, and he was tossed to and
+fro by the battledoor of fate, until he found a snug harbor at Swallow
+Barn; where, some years ago, he sat down in that quiet repose which a
+worried and badgered patriot is best fitted to enjoy.
+
+He is a good scholar, and, having confined his readings entirely to the
+learning of the ancients, his republicanism is somewhat after the Grecian
+mold. He has never read any politics of later date than the time of the
+Emperor Constantine, not even a newspaper,--so that he may be said to have
+been contemporary with AEschines rather than Lord Castlereagh--until that
+eventful epoch of his life when his blazing rooftree awakened him from his
+anachronistical dream. This notable interruption, however, gave him but a
+feeble insight into the moderns, and he soon relapsed to Thucydides and
+Livy, with some such glimmerings of the American Revolution upon his
+remembrance as most readers have of the exploits of the first Brutus.
+
+The old gentleman had a learned passion for folios. He had been a long
+time urging Meriwether to make some additions to his collections of
+literature, and descanted upon the value of some of the ancient authors as
+foundations, both moral and physical, to the library. Frank gave way to
+the argument, partly to gratify the parson, and partly from the
+proposition itself having a smack that touched his fancy. The matter was
+therefore committed entirely to Mr. Chub, who forthwith set out on a
+voyage of exploration to the north. I believe he got as far as Boston. He
+certainly contrived to execute his commission with a curious felicity.
+Some famous Elzevirs were picked up, and many other antiques that nobody
+but Mr. Chub would ever think of opening.
+
+The cargo arrived at Swallow Burn in the dead of winter. During the
+interval between the parson's return from his expedition and the coming of
+the books, the reverend little schoolmaster was in a remarkably unquiet
+state of body, which almost prevented him from sleeping: and it is said
+that the sight of the long-expected treasures had the happiest effect
+upon him. There was ample accommodation for this new acquisition of
+ancient wisdom provided before its arrival, and Mr. Chub now spent a whole
+week in arranging the volumes on their proper shelves, having, as report
+affirms, altered the arrangement at least seven times during that period.
+Everybody wondered what the old gentleman was at, all this time; but it
+was discovered afterwards, that he was endeavoring to effect a
+distribution of the works according to a minute division of human science,
+which entirely failed, owing to the unlucky accident of several of his
+departments being without any volumes.
+
+After this matter was settled, he regularly spent his evenings in the
+library. Frank Meriwether was hardly behind the parson in this fancy, and
+took, for a short time, to abstruse reading. They both consequently
+deserted the little family circle every evening after tea, and might have
+continued to do so all the winter but for a discovery made by Hazard.
+
+Ned had seldom joined the two votaries of science in their philosophical
+retirement, and it was whispered in the family that the parson was giving
+Frank a quiet course of lectures in the ancient philosophy, for Meriwether
+was known to talk a great deal, about that time, of the old and new
+Academicians. But it happened upon one dreary winter night, during a
+tremendous snowstorm, which was banging the shutters and doors of the
+house so as to keep up a continual uproar, that Ned, having waited in the
+parlor for the philosophers until midnight, set out to invade their
+retreat--not doubting that he should find them deep in study. When he
+entered the library, both candles were burning in their sockets, with
+long, untrimmed wicks; the fire was reduced to its last embers, and, in an
+armchair on one side of the table, the parson was discovered in a sound
+sleep over Jeremy Taylor's "Ductor Dubitantium," whilst Frank, in another
+chair on the opposite side, was snoring over a folio edition of Montaigne.
+And upon the table stood a small stone pitcher, containing a residuum of
+whisky punch, now grown cold. Frank started up in great consternation upon
+hearing Ned's footstep beside him, and, from that time, almost entirely
+deserted the library. Mr. Chub, however, was not so easily drawn away from
+the career of his humor, and still shows his hankering after his
+leather-coated friends.
+
+
+NOTES.--Cadmus is said to have taught the Greeks the use of the alphabet.
+
+Socrates (b. 469, d. 399 B. C.), a noted Athenian philosopher.
+Rebellion.--In 1798, the Irish organized and rose against the English
+rule. The rebellion was suppressed.
+
+Actaeon [Ak-te'on], a fabled Greek hunter, who was changed into a stag.
+
+Constantine, the Great (b. 272, d, 337), the first Christian emperor of
+Rome. He was an able general and wise legislator, In 328, he removed his
+capital to Byzantium, which he named Constantinople. AEschines [es'ke-nez]
+(b. 389, d. 314 B. C.), an Athenian orator, the rival of Demosthenes.
+Castlereagh, Lord (b. 1769, d. 1822), a British statesman. He was in
+power, and prominent in the suppression of the Rebellion. Brutus, see p.
+145.
+
+Elzevirs [el'ze-virs], the name of a family of Dutch printers noted for
+the beauty of their workmanship. They lived from 1540 to 1680.
+
+Academicians.-The Old Academy was founded by Plato, at Athens, about 380
+B. C. The New, by Carneades, about two hundred years later.
+
+Jeremy Taylor (b. 1613, d. 1667), an English bishop and writer. His Ductor
+Dubitantium, or "Rule of Conscience," was one of his chief works.
+
+Montaigne, Michel (b. 1533, d. 1592), was a celebrated French writer of
+peculiar characteristics. He owes his reputation entirely to his "Essais."
+
+
+
+XLI. MARMION AND DOUGLAS. (176)
+
+Not far advanced was morning day,
+When Marmion did his troop array
+ To Surrey's camp to ride;
+He had safe conduct for his band,
+Beneath the royal seal and hand,
+ And Douglas gave a guide.
+
+The train from out the castle drew,
+But Marmion stopped to bid adieu:
+"Though something I might plain," he said,
+ "Of cold respect to stranger guest,
+ Sent hither by your king's behest,
+While in Tantallon's towers I staid,
+ Part we in friendship from your land,
+ And, noble Earl, receive my hand."
+But Douglas round him drew his cloak,
+Folded his arms, and thus he spoke:
+ "My manors, halls, and bowers shall still
+ Be open, at my sovereign's will,
+ To each one whom he lists, howe'er
+ Unmeet to be the owner's peer.
+ My castles are my king's alone,
+ From turret to foundation stone;
+ The hand of Douglas is his own;
+ And never shall, in friendly grasp,
+ The hand of such as Marmion clasp."
+
+Burned Marmion's swarthy cheek like fire,
+And shook his very frame for ire;
+ And--"This to me!" he said,--
+"An 't were not for thy hoary beard,
+Such hand as Marmion's had not spared
+ To cleave the Douglas' head!
+And, first, I tell thee, haughty peer,
+He who does England's message here,
+Although the meanest in her state,
+May well, proud Angus, be thy mate:
+And, Douglas, more, I tell thee here,
+ Even in thy pitch of pride,
+Here, in thy hold, thy vassals near,
+ I tell thee, thou'rt defied!
+And if thou said'st I am not peer
+To any lord in Scotland here,
+Lowland or Highland, far or near,
+ Lord Angus, thou hast lied!"
+
+On the Earl's cheek the flush of rage
+O'ercame the ashen hue of age.
+Fierce he broke forth,--"And dar'st thou then
+To beard the lion in his den,
+ The Douglas in his hall?
+And hop'st thou hence unscathed to go?
+No, by Saint Bride of Bothwell, no!
+Up drawbridge, grooms,--what, warder, ho!
+ Let the portcullis fall."
+Lord Marmion turned,--well was his need,--
+And dashed the rowels in his steed,
+Like arrow through the archway sprung;
+The ponderous gate behind him rung:
+To pass there was such scanty room,
+The bars, descending, razed his plume.
+
+The steed along the drawbridge flies,
+Just as it trembled on the rise;
+Nor lighter does the swallow skim
+Along the smooth lake's level brim:
+And when Lord Marmion reached his band
+He halts, and turns with clenched hand, [1]
+And shout of loud defiance pours,
+And shook his gauntlet at the towers.
+
+[Transcriber's Note 1: clenched, pronounced "clench-ed".]
+
+"Horse! horse!" the Douglas cried, "and chase!"
+But soon he reined his fury's pace:
+"A royal messenger he came,
+Though most unworthy of the name.
+Saint Mary mend my fiery mood!
+Old age ne'er cools the Douglas' blood;
+I thought to slay him where he stood.
+'Tis pity of him, too," he cried;
+"Bold he can speak, and fairly ride;
+I warrant him a warrior tried."
+With this his mandate he recalls,
+And slowly seeks his castle halls.
+ --Walter Scott.
+
+
+[Illustration: A man in armor on a galloping horse; he is waving a
+clenched fist at a group behind a closed iron gate to a castle.]
+
+
+NOTES:--In the poem from which this extract is taken, Marmion is
+represented as an embassador sent by Henry VIII., king of England, to
+James IV., king of Scotland, with whom he was at war. Having finished his
+mission to James, Marmion was intrusted to the protection and hospitality
+of Douglas, one of the Scottish nobles. Douglas entertained him, treated
+him with the respect due to his office and to the honor of his sovereign,
+yet he despised his private character. Marmion perceived this, and took
+umbrage at it, though he attempted to repress his resentment, and desired
+to part in peace. Under these circumstances the scene, as described in
+this sketch, takes place.
+
+Tantallon is the name of the Douglas castle at Bothwell, Scotland.
+
+
+
+XLII. THE PRESENT. (178)
+
+Adelaide Anne Procter, 1825-1864, was the daughter of Bryan Waller
+Procter, known in literature as "Barry Cornwall." She is the author of
+several volumes of poetry, and was a contributor to "Good Words," "All the
+Year Round," and other London periodicals. Her works have been republished
+in America.
+###
+
+
+Do not crouch to-day, and worship
+ The dead Past, whose life is fled
+Hush your voice in tender reverence;
+ Crowned he lies, but cold and dead:
+For the Present reigns, our monarch,
+ With an added weight of hours;
+Honor her, for she is mighty!
+ Honor her, for she is ours!
+
+See the shadows of his heroes
+ Girt around her cloudy throne;
+Every day the ranks are strengthened
+ By great hearts to him unknown;
+Noble things the great Past promised,
+ Holy dreams, both strange and new;
+But the Present shall fulfill them;
+ What he promised, she shall do.
+
+She inherits all his treasures,
+ She is heir to all his fame,
+And the light that lightens round her
+ Is the luster of his name;
+She is wise with all his wisdom,
+ Living on his grave she stands,
+On her brow she bears his laurels,
+ And his harvest in her hands.
+
+Coward, can she reign and conquer
+ If we thus her glory dim?
+Let us fight for her as nobly
+ As our fathers fought for him.
+God, who crowns the dying ages,
+ Bids her rule, and us obey,
+Bids us cast our lives before her,
+ Bids us serve the great To-day.
+
+
+
+XLIII. THE BAPTISM. (180)
+
+John Wilson, 1785-1854, a distinguished Scottish author, was born at
+Paisley. When fifteen years of age, he entered the University of Glasgow;
+but, three years later, he became a member of Magdalen College, Oxford.
+Here he attained eminence both as a student, and as a proficient in
+gymnastic games and exercises. Soon after graduating, he purchased an
+estate near Lake Windermere, and became a companion of Wordsworth and
+Southey; but he soon left his estate to reside in Edinburgh. In 1817, when
+"Blackwood's Magazine" was established in opposition to the "Edinburgh
+Review," he became chief contributor to that famous periodical. In its
+pages, he won his chief fame as a writer. In 1820, he succeeded Dr. Thomas
+Brown as Professor of Moral Philosophy in the University of Edinburgh;
+this position he held for thirty years. His "Lights and Shadows of
+Scottish Life" was published in 1822. This is a collection of pathetic and
+beautiful tales of domestic life in Scotland. His contributions to
+Blackwood appeared over the pseudonym of "Christopher North," or more
+familiarly, "Kit North." Professor Wilson was a man of great physical
+power and of striking appearance. In character, he was vehement and
+impulsive; but his writings show that he possessed feelings of deep
+tenderness.
+###
+
+
+The rite of baptism had not been performed for several months in the kirk
+of Lanark. It was now the hottest time of persecution; and the inhabitants
+of that parish found other places in which to worship God, and celebrate
+the ordinances of religion. It was now the Sabbath day, and a small
+congregation of about a hundred souls had met for divine service, in a
+place more magnificent than any temple that human hands had ever built to
+Deity. The congregation had not assembled to the toll of the bell, but
+each heart knew the hour and observed it; for there are a hundred sundials
+among the hills, woods, moors, and fields; and the shepherd and the
+peasant see the hours passing by them in sunshine and shadow.
+
+The church in which they were assembled, was hewn by God's hand out of the
+eternal rock. A river rolled its way through a mighty chasm of cliffs,
+several hundred feet high, of which the one side presented enormous
+masses, and the other corresponding recesses, as if the great stone girdle
+had been rent by a convulsion. The channel was overspread with prodigious
+fragments of rocks or large loose stones, some of them smooth and bare,
+others containing soil and verdure in their rents and fissures, and here
+and there crowned with shrubs and trees. The eye could at once command a
+long-stretching vista, seemingly closed and shut up at both extremities by
+the coalescing cliffs. This majestic reach of river contained pools,
+streams, and waterfalls innumerable; and when the water was low--which was
+now the case, in the common drought--it was easy to walk up this scene
+with the calm, blue sky overhead, an utter and sublime solitude.
+
+On looking up, the soul was bowed down by the feeling of that prodigious
+height of unscalable, and often overhanging, cliff. Between the channel
+and the summit of the far extended precipices, were perpetually flying
+rooks and wood pigeons, and now and then a hawk, filling the profound
+abyss with their wild cawing, deep murmur, or shrilly shriek. Sometimes a
+heron would stand erect and still, on some little stone island, or rise up
+like a white cloud along the black walls of the chasm, and disappear.
+Winged creatures alone could inhabit this region. The fox and wild cat
+chose more accessible haunts. Yet, here came the persecuted Christians and
+worshiped God, whose hand hung over their head those magnificent pillars
+and arches, scooped out those galleries from the solid rock, and laid at
+their feet the calm water, in its transparent beauty, in which they could
+see themselves sitting, in reflected groups, with their Bibles in their
+hands.
+
+Here, upon a semicircular ledge of rocks, over a narrow chasm, of which
+the tiny stream played in a murmuring waterfall, and divided the
+congregation into two equal parts, sat about a hundred persons, all
+devoutly listening to their minister, who stood before them on what might
+he called a small, natural pulpit of living stone. Up to it there led a
+short flight of steps, and over it waved the canopy of a tall, graceful
+birch tree. The pulpit stood in the middle of the channel, directly facing
+the congregation, and separated from them by the clear, deep, sparkling
+pool, into which the scarce-heard water poured over the blackened rock.
+The water, as it left the pool, separated into two streams, and flowed on
+each side of that altar, thus placing it in an island, whose large, mossy
+stones were richly embowered under the golden blossoms and green tresses
+of the broom.
+
+At the close of divine service, a row of maidens, all clothed in purest
+white, came gliding off from the congregation, and, crossing the murmuring
+stream on stepping stones, arranged themselves at the foot of the pulpit
+with those who were about to be baptized. Their devout fathers, just as
+though they had been in their own kirk, had been sitting there during
+worship, and now stood up before the minister. The baptismal water, taken
+from that pellucid pool, was lying, consecrated, in an appropriate
+receptacle, formed by the upright stones that composed one side of the
+pulpit, and the holy rite proceeded.
+
+Some of the younger ones in that semicircle kept gazing down into the
+pool, in which the whole scene was reflected; and now and then, in spite
+of the grave looks and admonishing whispers of their elders, letting fall
+a pebble into the water, that they might judge of its depth, from the
+length of time that elapsed before the clear air bells lay sparkling on
+the agitated surface. The rite was over, and the religious service of the
+day closed by a psalm. The mighty rocks hemmed in the holy sound, and sent
+it in a more compact volume, clear, sweet, and strong, up to heaven. When
+the psalm ceased, an echo, like a spirit's voice, was heard dying away,
+high up among the magnificent architecture of the cliffs; and once more
+might be noticed in the silence, the reviving voice of the waterfall.
+
+Just then, a large stone fell from the top of the cliff into the pool, a
+loud voice was heard, and a plaid was hung over on the point of a
+shepherd's staff. Their wakeful sentinel had descried danger, and this was
+his warning. Forthwith, the congregation rose. There were paths, dangerous
+to unpracticed feet, along the ledges of the rocks, leading up to several
+caves and places of concealment. The more active and young assisted the
+elder, more especially the old pastor, and the women with the infants; and
+many minutes had not elapsed, till not a living creature was visible in
+the channel of the stream, but all of them were hidden, or nearly so, in
+the clefts and caverns.
+
+The shepherd who had given the alarm, had lain down again instantly in his
+plaid on the greensward, upon the summit of these precipices. A party of
+soldiers was immediately upon him, and demanded what signals he had been
+making, and to whom; when one of them, looking over the edge of the cliff,
+exclaimed, "See, see! Humphrey, We have caught the whole tabernacle of the
+Lord in a net at last. There they are, praising God among the stones of
+the river Mouse. These are the Cartland Craigs. A noble cathedral!" "Fling
+the lying sentinel over the cliffs. Here is a canting Covenanter for you,
+deceiving honest soldiers on the very Sabbath day. Over with him, over
+with him; out of the gallery into the pit." But the shepherd had vanished
+like a shadow, and, mixing with the tall, green broom and bushes, was
+making his unseen way toward a wood. "Satan has saved his servant; but
+come, my lads, follow me. I know the way down into the bed of the stream,
+and the steps up to Wallace's Cave. They are called, 'kittle nine stanes;'
+The hunt's up. We'll all be in at the death. Halloo! my boys, halloo!"
+
+The soldiers dashed down a less precipitous part of the wooded banks, a
+little below the "craigs," and hurried up the channel. But when they
+reached the altar where the old, gray-haired minister had been seen
+standing, and the rocks that had been covered with people, all was silent
+and solitary; not a creature to be seen. "Here is a Bible, dropped by some
+of them," cried a soldier, and, with his foot, he spun it away into the
+pool. "A bonnet, a bonnet," cried another; "now for the pretty, sanctified
+face, that rolled its demure eyes below it." But after a few jests and
+oaths, the soldiers stood still, eying with a kind of mysterious dread the
+black and silent walls of the rocks that hemmed them in, and hearing only
+the small voice of the stream that sent a profounder stillness through the
+heart of that majestic solitude. "What if these cowardly Covenanters
+should tumble down upon our heads pieces of rock, from their hiding
+places! Advance, or retreat?"
+
+There was no reply; for a slight fear was upon every man. Musket or
+bayonet could be of little use to men obliged to clamber up rocks, along
+slender paths, leading they know not where. And they were aware that armed
+men nowadays worshiped God; men of iron hearts, who feared not the glitter
+of the soldier's arms, neither barrel nor bayonet; men of long stride,
+firm step, and broad breast, who, on the open field, would have overthrown
+the marshaled line, and gone first and foremost, if a city had to be taken
+by storm.
+
+As the soldiers were standing together irresolute, a noise came upon their
+ears like distant thunder, but even more appalling; and a slight current
+of air, as if propelled by it, passed whispering along the sweetbriers,
+and the broom, and the tresses of the birch trees. It came deepening, and
+rolling, and roaring on; and the very Cartland Craigs shook to their
+foundation, as if in an earthquake. "The Lord have mercy upon us! What is
+this?" And down fell many of the miserable wretches on their knees, and
+some on their faces, upon the sharp-pointed rocks. Now, it was like the
+sound of many myriads of chariots rolling on their iron axles down the
+strong channel of the torrent. The old, gray-haired minister issued from
+the mouth of Wallace's Cave, and said, in a loud voice, "The Lord God
+terrible reigneth!"
+
+A waterspout had burst up among the moorlands, and the river, in its
+power, was at hand. There it came, tumbling along into that long reach of
+cliffs, and, in a moment, filled it with one mass of waves. Huge, agitated
+clouds of foam rode on the surface of a blood-red torrent. An army must
+have been swept off by that flood. The soldiers perished in a moment; but
+high up in the cliffs, above the sweep of destruction, were the
+Covenanters, men, women, and children, uttering prayers to God, unheard by
+themselves, in the raging thunder.
+
+
+NOTES.--Lanark is a small town in the valley of the Clyde, in Scotland. It
+is thirty miles southwest from Edinburgh.
+
+Mouse River flows to the Clyde from the hills north of Larmrk.
+Covenanter.--Under Charles I., the Scotch were so oppressed that they
+organized in resistance. The covenant was a famous paper, largely signed,
+in which they agreed to continue in the profession of their faith, and
+resist all errors.
+
+Wallace's Cave.--William Wallace (b. 1270, d. 1305) was the foremost Scot
+of his times. He was declared, in the absence of the king, guardian of the
+kingdom. More than once was he outlawed and obliged to seek safety by
+concealment in the woods and caves.
+
+
+XLIV. SPARROWS. (185)
+
+Adeline D. Train Whitney, 1824--, was born in Boston, and was educated in
+the school of Dr. George B. Emerson. Her father was Enoch Train, a
+well-known merchant of that city. At the age of nineteen, she became the
+wife of Mr. Seth D. Whitney. Her literary career began about 1856, since
+which time she has written several novels and poems; a number of them
+first appeared in the "Atlantic Monthly." Her writings are marked by grace
+and sprightliness.
+###
+
+
+Little birds sit on the telegraph wires,
+ And chitter, and flitter, and fold their wings;
+Maybe they think that, for them and their sires,
+ Stretched always, on purpose, those wonderful strings:
+And, perhaps, the Thought that the world inspires,
+ Did plan for the birds, among other things.
+
+Little birds sit on the slender lines,
+ And the news of the world runs under their feet,--
+How value rises, and how declines,
+ How kings with their armies in battle meet,--
+And, all the while, 'mid the soundless signs,
+ They chirp their small gossipings, foolish sweet.
+
+Little things light on the lines of our lives,--
+ Hopes, and joys, and acts of to-day,--
+And we think that for these the Lord contrives,
+ Nor catch what the hidden lightnings say.
+Yet, from end to end, His meaning arrives,
+ And His word runs underneath, all the way.
+
+Is life only wires and lightning, then,
+ Apart from that which about it clings?
+Are the thoughts, and the works, and the prayers of men
+ Only sparrows that light on God's telegraph strings,
+Holding a moment, and gone again?
+ Nay; He planned for the birds, with the larger things.
+
+
+XLV. OBSERVANCE OF THE SABBATH. (186)
+
+Gardiner Spring, 1785-1873, was the son of Samuel Spring, D.D., who was
+pastor of a Congregational church in Newburyport, Massachusetts, for more
+than forty years. The son entered Yale College, and was valedictorian of
+his class in 1805. He studied law for a time; then went to Bermuda, where
+he taught nearly two years. On his return he completed his law studies,
+and practiced his profession for more than a year. In 1810, having studied
+theology at Andover, he was ordained as pastor of the "Brick Church" in
+New York City. Here he remained till his death. He was elected president
+of Dartmouth College, and also of Hamilton, but declined both positions.
+His works, embracing about twenty octavo volumes, have passed through
+several editions; some have been translated into foreign languages, and
+reprinted in Europe. As a preacher, Dr. Spring was eloquent and energetic.
+###
+
+
+The Sabbath lies at the foundation of all true morality. Morality flows
+from principle. Let the principles of moral obligation become relaxed, and
+the practice of morality will not long survive the overthrow. No man can
+preserve his own morals, no parent can preserve the morals of his
+children, without the impressions of religious obligation.
+
+If you can induce a community to doubt the genuineness and authenticity of
+the Scriptures; to question the reality and obligations of religion; to
+hesitate, undeciding, whether there be any such thing as virtue or vice;
+whether there be an eternal state of retribution beyond the grave; or
+whether there exists any such being as God, you have broken down the
+barriers of moral virtue, and hoisted the flood gates of immorality and
+crime. I need not say that when a people have once done this, they can no
+longer exist as a tranquil and happy people. Every bond that holds society
+together would be ruptured; fraud and treachery would take the place of
+confidence between man and man; the tribunals of justice would be scenes
+of bribery and injustice; avarice, perjury, ambition, and revenge would
+walk through the land, and render it more like the dwelling of savage
+beasts than the tranquil abode of civilized and Christianized men.
+
+If there is an institution which opposes itself to this progress of human
+degeneracy, and throws a shield before the interests of moral virtue in
+our thoughtless and wayward world, it is the Sabbath. In the fearful
+struggle between virtue and vice, notwithstanding the powerful auxiliaries
+which wickedness finds in the bosoms of men, and in the seductions and
+influence of popular example, wherever the Sabbath has been suffered to
+live, the trembling interests of moral virtue have always been revered and
+sustained. One of the principal occupations of this day is to illustrate
+and enforce the great principles of sound morality. Where this sacred
+trust is preserved inviolate, you behold a nation convened one day in
+seven for the purpose of acquainting themselves with the best moral
+principles and precepts; and it can not be otherwise than that the
+authority of moral virtue, under such auspices, should be acknowledged and
+felt.
+
+We may not, at once, perceive the effects which this weekly observance
+produces. Like most moral causes, it operates slowly; but it operates
+surely, and gradually weakens the power and breaks the yoke of profligacy
+and sin. No villain regards the Sabbath. No vicious family regards the
+Sabbath. No immoral community regards the Sabbath. The holy rest of this
+ever-memorable day is a barrier which is always broken down before men
+become giants in sin. Blackstone, in his Commentaries on the Laws of
+England, remarks that "a corruption of morals usually follows a
+profanation of the Sabbath." It is an observation of Lord Chief Justice
+Hale, that "of all the persons who were convicted of capital crimes, while
+he was on the bench, he found a few only who would not confess that they
+began their career of wickedness by a neglect of the duties of the Sabbath
+and vicious conduct on that day."
+
+The prisons in our own land could probably tell us that they have scarcely
+a solitary tenant who had not broken over the restraints of the Sabbath
+before he was abandoned to crime. You may enact laws for the suppression
+of immorality, but the secret and silent power of the Sabbath constitutes
+a stronger shield to the vital interest of the community than any code of
+penal statutes that ever was enacted. The Sabbath is the keystone of the
+arch which sustains the temple of virtue, which, however defaced, will
+survive many a rude shock so long as the foundation remains firm.
+
+The observance of the Sabbath is also most influential in securing
+national prosperity. The God of Heaven has said, "Them that honor me I
+will honor," You will not often find a notorious Sabbath breaker a
+permanently prosperous man; and a Sabbath-breaking community is never a
+happy or prosperous community. There is a multitude of unobserved
+influences which the Sabbath exerts upon the temporal welfare of men. It
+promotes the spirit of good order and harmony; it elevates the poor from
+want; it transforms squalid wretchedness; it imparts self-respect and
+elevation of character; it promotes softness and civility of manners; it
+brings together the rich and the poor upon one common level in the house
+of prayer; it purifies and strengthens the social affections, and makes
+the family circle the center of allurement and the source of instruction,
+comfort, and happiness. Like its own divine religion, "it has the promise
+of the life that now is and that which is to come," for men can not put
+themselves beyond the reach of hope and heaven so long as they treasure up
+this one command, "Remember the Sabbath day, to keep it holy."
+
+
+NOTES.--Sir William Blackstone (b. 1723, d. 1780) was the son of a London
+silk mercer. He is celebrated as the author of the "Commentaries on the
+Laws of England," now universally used by law students both in England and
+America. He once retired from the law through failure to secure a
+practice, but afterwards attained the highest honors in his profession.
+See biographical notice on page 410.
+
+Sir Matthew Hale (b. 1609, d. 1676), was Lord Chief Justice of England
+from 1671 to 1676.
+
+
+
+XLVI. GOD'S GOODNESS TO SUCH AS FEAR HIM. (189)
+
+Fret not thyself because of evil doers,
+Neither be thou envious against the workers of iniquity;
+For they shall soon be cut down like the grass,
+And wither as the green herb.
+Trust in the Lord, and do good;
+So shalt thou dwell in the land, and verily thou shalt be fed.
+Delight thyself also in the Lord,
+And he shall give thee the desires of thine heart.
+Commit thy way unto the Lord;
+Trust also in him, and he shall bring it to pass.
+And he shall bring forth thy righteousness as the light,
+And thy judgment as the noonday.
+Rest in the Lord, and wait patiently for him.
+
+Fret not thyself because of him who prospereth in his way,
+Because of the man who bringeth wicked devices to pass.
+Cease from anger, and forsake wrath:
+Fret not thyself in any wise to do evil,
+For evil doers shall be cut off:
+But those that wait upon the Lord, they shall inherit the earth.
+For yet a little while, and the wicked shall not be;
+Yea, thou shalt diligently consider his place, and it shall not be.
+But the meek shall inherit the earth,
+And shall delight themselves in the abundance of peace.
+
+A little that a righteous man hath
+Is better than the riches of many wicked;
+For the arms of the wicked shall be broken,
+But the Lord upholdeth the righteous.
+The Lord knoweth the days of the upright,
+And their inheritance shall be forever;
+They shall not be ashamed in the evil time,
+And in the days of famine they shall be satisfied.
+
+But the wicked shall perish,
+And the enemies of the Lord shall be as the fat of lambs;
+They shall consume; into smoke shall they consume away.
+The wicked borroweth, and payeth not again;
+But the righteous sheweth mercy and giveth.
+For such as be blessed of him shall inherit the earth.
+
+The steps of a good man are ordered by the Lord,
+And he delighteth in his way;
+Though he fall, he shall not be utterly cast down;
+For the Lord upholdeth him with his hand.
+
+I have been young, and now am old,
+Yet have I not seen the righteous forsaken,
+Nor his seed begging bread.
+He is ever merciful, and lendeth,
+And his seed is blessed.
+
+Depart from evil, and do good,
+And dwell for evermore;
+For the Lord loveth judgment,
+And forsaketh not his saints;
+They are preserved forever:
+But the seed of the wicked shall be cut off.
+The righteous shall inherit the land,
+And dwell therein forever.
+The mouth of the righteous speaketh wisdom,
+And his tongue talketh of judgment;
+The law of his God is in his heart;
+None of his steps shall slide.
+The wicked watcheth the righteous,
+And seeketh to slay him.
+The Lord will not leave him in his hand,
+Nor condemn him when he is judged.
+
+Wait on the Lord, and keep his way,
+And he shall exalt thee to inherit the land;
+When the wicked are cut off, thou shalt see it.
+I have seen the wicked in great power,
+And spreading himself like a green bay tree;
+Yet he passed away, and, lo, he was not;
+Yea, I sought him, but he could not be found.
+ --From the Thirty-seventh Psalm.
+
+
+
+XLVII. CHARACTER OF COLUMBUS. (192)
+
+Washington Irving, 1783-1859. Among those whose works have enriched
+American literature, and have given it a place in the estimation of
+foreigners, no name stands higher than that of Washington Irving. He was
+born in the city of New York; his father was a native of Scotland, and his
+mother was English. He had an ordinary school education, and at the age of
+sixteen began the study of law. Two of his older brothers were interested
+in literary pursuits; and in his youth he studied the old English authors.
+He was also passionately fond of books of travel. At the age of nineteen,
+he began his literary career by writing for a paper published by his
+brother. In 1804 be made a voyage to the south of Europe. On his return he
+completed his studies in law, but never practiced his profession.
+"Salmagundi," his first book (partly written by others), was published in
+1807. This was followed, two years later, by "Knickerbocker's History of
+New York." Soon after, he entered into mercantile pursuits in company with
+two brothers. At the close at the war with England he sailed again for
+Europe, and remained abroad seventeen years. During his absence he formed
+the acquaintance of the most eminent literary men of his time, and wrote
+several of his works; among them were: "The Sketch Book," "Bracebridge
+Hall," "Tales of a Traveler," "Life and Voyages of Columbus," and the
+"Conquest of Granada." On his return he made a journey west of the
+Mississippi, and gathered materials for several other books. From 1842 to
+1846 he was Minister to Spain. On his return to America he established his
+residence at "Sunnyside," near Tarrytown, on the Hudson, where he passed
+the last years of his life. A young lady to whom he was attached having
+died in early life, Mr. Irving never married.
+
+His works are marked by humor, just sentiment, and elegance and
+correctness of expression. They were popular both at home and abroad from
+the first, and their sale brought him a handsome fortune. The "Life of
+Washington," his last work, was completed in the same year in which he
+died.
+###
+
+[Transcriber's Note: See "The Life of Columbus" by Sir Arthur Helps,]
+
+
+Columbus was a man of great and inventive genius. The operations of his
+mind were energetic, but irregular; bursting forth, at times, with that
+irresistible force which characterizes intellect of such an order. His
+ambition was lofty and noble, inspiring him with high thoughts and an
+anxiety to distinguish himself by great achievements. He aimed at dignity
+and wealth in the same elevated spirit with which he sought renown; they
+were to rise from the territories he should discover, and be commensurate
+in importance.
+
+His conduct was characterized by the grandeur of his views and the
+magnanimity of his spirit. Instead of ravaging the newly-found countries,
+like many of his cotemporary discoverers, who were intent only on
+immediate gain, he regarded them with the eyes of a legislator; he sought
+to colonize and cultivate them, to civilize the natives, to build cities,
+introduce the useful arts, subject everything to the control of law,
+order, and religion, and thus to found regular and prosperous empires.
+That he failed in this was the fault of the dissolute rabble which it was
+his misfortune to command, with whom all law was tyranny and all order
+oppression.
+
+He was naturally irascible and impetuous, and keenly sensible to injury
+and injustice; yet the quickness of his temper was counteracted by the
+generosity and benevolence of his heart. The magnanimity of his nature
+shone forth through all the troubles of his stormy career. Though
+continually outraged in his dignity, braved in his authority, foiled in
+his plans, and endangered in his person by the seditions of turbulent and
+worthless men, and that, too, at times when suffering under anguish of
+body and anxiety of mind enough to exasperate the most patient, yet he
+restrained his valiant and indignant spirit, and brought himself to
+forbear, and reason, and even to supplicate. Nor can the reader of the
+story of his eventful life fail to notice how free he was from all feeling
+of revenge, how ready to forgive and forget on the least sign of
+repentance and atonement. He has been exalted for his skill in controlling
+others, but far greater praise is due to him for the firmness he displayed
+in governing himself.
+
+His piety was genuine and fervent. Religion mingled with the whole course
+of his thoughts and actions, and shone forth in his most private and
+unstudied writings. Whenever he made any great discovery he devoutly
+returned thanks to God. The voice of prayer and the melody of praise rose
+from his ships on discovering the new world, and his first action on
+landing was to prostrate himself upon the earth and offer up thanksgiving.
+All his great enterprises were undertaken in the name of the Holy Trinity,
+and he partook of the holy sacrament previous to embarkation. He observed
+the festivals of the church in the wildest situations. The Sabbath was to
+him a day of sacred rest, on which he would never sail from a port unless
+in case of extreme necessity. The religion thus deeply seated in his soul
+diffused a sober dignity and a benign composure over his whole deportment;
+his very language was pure and guarded, and free from all gross or
+irreverent expressions.
+
+A peculiar trait in his rich and varied character remains to be noticed;
+namely, that ardent and enthusiastic imagination which threw a
+magnificence over his whole course of thought. A poetical temperament is
+discernible throughout all his writings and in all his actions. We see it
+in all his descriptions of the beauties of the wild land he was
+discovering, in the enthusiasm with which he extolled the blandness of the
+temperature, the purity of the atmosphere, the fragrance of the air, "full
+of dew and sweetness," the verdure of the forests, the grandeur of the
+mountains, and the crystal purity of the running streams. It spread a
+glorious and golden world around him, and tinged everything with its own
+gorgeous colors.
+
+With all the visionary fervor of his imagination, its fondest dreams fell
+short of the reality. He died in ignorance of the real grandeur of his
+discovery. Until his last breath, he entertained the idea that he had
+merely opened a new way to the old resorts of opulent commerce, and had
+discovered some of the wild regions of the East. What visions of glory
+would have broken upon his mind could he have known that he had indeed
+discovered a new continent equal to the old world in magnitude, and
+separated by two vast oceans from all the earth hitherto known by
+civilized man! How would his magnanimous spirit have been consoled amid
+the afflictions of age and the cares of penury, the neglect of a fickle
+public and the injustice of an ungrateful king, could he have anticipated
+the splendid empires which would arise in the beautiful world he had
+discovered, and the nations, and tongues, and languages which were to fill
+its land with his renown, and to revere and bless his name to the latest
+posterity!
+
+
+NOTE.--Christopher Columbus (b. 1436, d. 1506) was the son of a wool
+comber of Genoa. At the age of fifteen he became a sailor, and in his
+voyages visited England, Iceland, the Guinea coast, and the Greek Isles.
+He was an earnest student of navigation, of cosmography, and of books of
+travel; thus he thoroughly prepared himself for the great undertaking
+which led to the discovery of America. He struggled against every
+discouragement for almost ten years before he could persuade a sovereign
+to authorize and equip his expedition.
+
+
+
+XLVIII. "HE GIVETH HIS BELOVED SLEEP." (195)
+
+Elizabeth Barrett Browning, 1809-1861, was born in London, married
+the poet Robert Browning in 1846, and afterwards resided in Italy most of
+the time till her death, which occurred at Florence. She was thoroughly
+educated in severe and masculine studies, and began to write at a very
+early age. Her "Essay on Mind," a metaphysical and reflective poem, was
+written at the age of sixteen. She wrote very rapidly, and her friend, Miss
+Mitford, tells us that "Lady Geraldine's Courtship," containing ninety-
+three stanzas, was composed in twelve hours! She published several other
+long poems, "Aurora Leigh" being one of the most highly finished. Mrs.
+Browning is regarded as one of the most able female poets of modern
+times; but her writings are often obscure, and some have doubted whether
+she always clearly conceived what she meant to express. She had a warm
+sympathy with all forms of suffering and distress. "He Giveth his Beloved
+Sleep" is one of the most beautiful of her minor poems. The thought is an
+amplification of verse 2d of Psalm cxxvii.
+###
+
+
+Of all the thoughts of God that are
+Borne inward unto souls afar,
+ Along the Psalmist's music deep,
+Now tell me if that any is,
+For gift or grace, surpassing this,--
+ "He giveth his beloved, sleep!"
+
+What would we give to our beloved?
+The hero's heart to be unmoved,
+ The poet's star-tuned harp, to sweep,
+The patriot's voice, to teach and rouse,
+The monarch's crown, to light the brows?--
+ "He giveth his beloved, sleep."
+
+What do we give to our beloved?
+A little faith all undisproved,
+ A little dust to overweep,
+And bitter memories to make
+The whole earth blasted for our sake,--
+ "He giveth his beloved, sleep."
+
+"Sleep soft, beloved!" we sometimes say,
+But have no tune to charm away
+ Sad dreams that through the eyelids creep.
+But never doleful dream again
+Shall break his happy slumber when
+ "He giveth his beloved, sleep."
+
+O earth, so full of dreary noises!
+O men, with wailing in your voices!
+ O delve'd gold, the wailers heap!
+O strife, O curse, that o'er it fall!
+God strikes a silence through you all,
+ And "giveth his beloved, sleep."
+
+His dews drop mutely on the hill;
+His cloud above it saileth still,
+ Though on its slope men sow and reap.
+More softly than the dew is shed,
+Or cloud is floated overhead,
+ "He giveth his beloved, sleep."
+
+Ay, men may wonder while they scan
+A living, thinking, feeing man,
+ Confirmed in such a rest to keep;
+But angels say--and through the word
+I think their happy smile is heard--
+ "He giveth his beloved, sleep."
+
+For me my heart, that erst did go
+Most like a tired child at a show,
+ That sees through tears the mummers leap,
+Would now its wearied vision close,
+Would childlike on his love repose
+ Who "giveth his beloved, sleep."
+
+And friends, dear friends,--when it shall be
+That this low breath is gone from me,
+ And round my bier ye come to weep,
+Let one most loving of you all
+Say, "Not a tear must o'er her fall;
+ 'He giveth his beloved, sleep.' "
+
+
+
+XLIX. DESCRIPTION OF A SIEGE. (197)
+
+"The skirts of the wood seem lined with archers, although only a few are
+advanced from its dark shadow." "Under what banner?" asked Ivanhoe. "Under
+no ensign which I can observe," answered Rebecca. "A singular novelty,"
+muttered the knight, "to advance to storm such a castle without pennon or
+banner displayed. Seest thou who they be that act as leaders?" "A knight
+clad in sable armor is the most conspicuous," said the Jewess: "he alone
+is armed from head to heel, and seems to assume the direction of all
+around him."
+
+"Seem there no other leaders?" exclaimed the anxious inquirer. "None of
+mark and distinction that I can behold from this station," said Rebecca,
+"but doubtless the other side of the castle is also assailed. They seem,
+even now, preparing to advance. God of Zion protect us! What a dreadful
+sight! Those who advance first bear huge shields and defenses made of
+plank: the others follow, bending their bows as they come on. They raise
+their bows! God of Moses, forgive the creatures thou hast made!"
+
+Her description was here suddenly interrupted by the signal for assault,
+which was given by the blast of a shrill bugle, and at once answered by a
+flourish of the Norman trumpets from the battlements, which, mingled with
+the deep and hollow clang of the kettledrums, retorted in notes of
+defiance the challenge of the enemy. The shouts of both parties augmented
+the fearful din, the assailants crying, "Saint George, for merry England!"
+and the Normans answering them with loud cries of "Onward, De Bracy! Front
+de Boeuf, to the rescue!"
+
+"And I must lie here like a bedridden monk," exclaimed Ivanhoe, "while the
+game that gives me freedom or death is played out by the hand of others!
+Look from the window once again, kind maiden, and tell me if they yet
+advance to the storm." With patient courage, strengthened by the interval
+which she had employed in mental devotion, Rebecca again took post at the
+lattice, sheltering herself, however, so as not to be exposed to the
+arrows of the archers. "What dost thou see, Rebecca?" again demanded the
+wounded knight. "Nothing but the cloud of arrows flying so thick as to
+dazzle mine eyes, and to hide the bowmen who shoot them." "That can not
+endure," said Ivanhoe. "If they press not right on, to carry the castle by
+force of arms, the archery may avail but little against stone walls and
+bulwarks. Look for the knight in dark armor, fair Rebecca, and see how he
+bears himself; for as the leader is, so will his followers be."
+
+"I see him not," said Rebecca. "Foul craven!" exclaimed Ivanhoe; "does he
+blench from the helm when the wind blows highest?" "He blenches not! he
+blenches not!" said Rebecca; "I see him now: he leads a body of men close
+under the outer barrier of the barbacan. They pull down the piles and
+palisades; they hew down the barriers with axes. His high black plume
+floats abroad over the throng like a raven over the field of the slain.
+They have made a breach in the barriers, they rush in, they are thrust
+back! Front de Boeuf heads the defenders. I see his gigantic form above
+the press. They throng again to the breach, and the pass is disputed, hand
+to hand, and man to man. God of Jacob! it is the meeting of two fierce
+tides, the conflict of two oceans moved by adverse winds;" and she turned
+her head from the window as if unable longer to endure a sight so
+terrible.
+
+Speedily recovering her self-control, Rebecca again looked forth, and
+almost immediately exclaimed, "Holy prophets of the law! Front de Boeuf
+and the Black Knight fight hand to hand on the breach, amid the roar of
+their followers, who watch the progress of the strife. Heaven strike with
+the cause of the oppressed and of the captive!" She then uttered a loud
+shriek, and exclaimed, "He is down! he is down!" "Who is down!" cried
+Ivanhoe; "for our dear Lady's sake, tell me which has fallen!" "The Black
+Knight," answered Rebecca, faintly; then instantly again shouted with
+joyful eagerness--"But no! but no! the name of the Lord of Hosts be
+blessed! he is on foot again, and fights as if there were twenty men's
+strength in his single arm--his sword is broken--he snatches an ax from a
+yeoman--he presses Front de Boeuf, blow on blow--the giant stoops and
+totters like an oak under the steel of the woodman--he falls-he falls!"
+"Front de Boeuf?" exclaimed Ivanhoe. "Front de Boeuf," answered the
+Jewess; "his men rush to the rescue, headed by the haughty Templar,
+--their united force compels the champion to pause--they drag Front de
+Boeuf within the walls."
+
+"The assailants have won the barriers, have they not?" said Ivanhoe. "They
+have--they have--and they press the besieged hard upon the outer wall;
+some plant ladders, some swarm like bees, and endeavor to ascend upon the
+shoulders of each other; down go stones, beams, and trunks of trees upon
+their heads, and as fast as they bear the wounded to the rear, fresh men
+supply their places in the assault. Great God! hast thou given men thine
+own image that it should be thus cruelly defaced by the hands of their
+brethren!" "Think not of that," replied Ivanhoe; "this is no time for such
+thoughts. Who yield? Who push their way?"
+
+"The ladders are thrown down," replied Rebecca, shuddering; "the soldiers
+lie groveling under them like crushed reptiles; the besieged have the
+better." "Saint George strike for us!" said the knight; "do the false
+yeomen give way?" "No," exclaimed Rebecca, "they bear themselves right
+yeomanly; the Black Knight approaches the postern with his huge ax; the
+thundering blows which he deals, you may hear them above all the din and
+shouts of the battle; stones and beams are hailed down on the brave
+champion; he regards them no more than if they were thistle down and
+feathers."
+
+"Saint John of Acre!" said Ivanhoe, raising himself joyfully on his couch,
+"methought there was but one man in England that might do such a deed."
+"The postern gate shakes," continued Rebecca; "it crashes--it is
+splintered by his powerful blows--they rush in--the outwork is won! O God!
+they hurry the defenders from the battlements--they throw them into the
+moat! O men, if ye be indeed men, spare them that can resist no longer!"
+"The bridge--the bridge which communicates with the castle--have they won
+that pass?" exclaimed Ivanhoe. "No," replied Rebecca; "the Templar has
+destroyed the plank on which they crossed--few of the defenders escaped
+with him into the castle--the shrieks and cries which you hear, tell the
+fate of the others. Alas! I see that it is still more difficult to look
+upon victory than upon battle."
+
+"What do they now, maiden?" said Ivanhoe; "look forth yet again--this is
+no time to faint at bloodshed." "It is over, for a time," said Rebecca;
+"our friends strengthen themselves within the outwork which they have
+mastered." "Our friends," said Ivanhoe, "will surely not abandon an
+enterprise so gloriously begun, and so happily attained; Oh no! I will put
+my faith in the good knight whose ax has rent heart of oak and bars of
+iron. Singular," he again muttered to himself, "if there can be two who
+are capable of such achievements. It is,--it must be Richard Coeur de
+Lion."
+
+"Seest thou nothing else. Rebecca, by which the Black Knight may be
+distinguished?" "Nothing," said the Jewess, "all about him is as black as
+the wing of the night raven. Nothing can I spy that can mark him further;
+but having once seen him put forth his strength in battle, methinks I
+could know him again among a thousand warriors. He rushes to the fray as
+if he were summoned to a banquet. There is more than mere strength; it
+seems as if the whole soul and spirit of the champion were given to every
+blow which he deals upon his enemies. God forgive him the sin of
+bloodshed! it is fearful, yet magnificent, to behold how the arm and heart
+of one man can triumph over hundreds."
+ -- Walter Scott.
+
+
+NOTES.--Ivanhoe, a wounded knight, and Rebecca, a Jewess, had been
+imprisoned in the castle of Reginald Front de Boeuf. The friends of the
+prisoners undertake their rescue. At the request of Ivanhoe, who is unable
+to leave his couch, Rebecca takes her stand near a window overlooking the
+approach to the castle, and details to the knight the incidents of the
+contest as they take place. Front de Boeuf and his garrison were Normans;
+the besiegers, Saxons.
+
+The castles of this time (twelfth century) usually consisted of a keep, or
+castle proper, surrounded at some distance by two walls, one within the
+other. Each wall was encircled on its outer side by a moat, or ditch,
+which was filled with water, and was crossed by means of a drawbridge.
+Before the main entrance of the outer wall was an outwork called the
+barbacan, which was a high wall surmounted by battlements and turrets,
+built to defend the gate and drawbridge. Here, also, were placed barriers
+of palisades, etc., to impede the advance of an attacking force. The
+postern gate was small, and was usually some distance from the ground; it
+was used for the egress of messengers during a siege;
+
+
+L. MARCO BOZZARIS. (202)
+
+Fitz-Greene Halleck, 1790--1867, was born in Guilford, Connecticut. At the
+age of eighteen he entered a banking house in New York, where he remained
+a long time. For many years he was bookkeeper and assistant in business
+for John Jacob Astor. Nearly all his poems were written before he was
+forty years old, several of them in connection with his friend Joseph
+Rodman Drake. His "Young America," however, was written but a few years
+before his death. Mr. Halleck's poetry is carefully finished and musical;
+much of it is sportive, and some satirical. No one of his poems is better
+known than "Marco Bozzaris."
+###
+
+
+At midnight, in his guarded tent,
+ The Turk was dreaming of the hour
+When Greece, her knee in suppliance bent,
+ Should tremble at his power.
+In dreams, through camp and court he bore
+The trophies of a conqueror;
+ In dreams, his song of triumph heard;
+Then wore his monarch's signet ring;
+Then pressed that monarch's throne--a king:
+As wild his thoughts, and gay of wing,
+ As Eden's garden bird.
+
+At midnight, in the forest shades,
+ Bozzaris ranged his Suliote band,
+True as the steel of their tried blades,
+ Heroes in heart and hand.
+There had the Persian's thousands stood,
+There had the glad earth drunk their blood,
+ On old Plataea's day:
+And now there breathed that haunted air,
+The sons of sires who conquered there,
+With arms to strike, and soul to dare,
+ As quick, as far as they.
+
+An hour passed on--the Turk awoke;
+ That bright dream was his last:
+He woke--to hear his sentries shriek,
+ "To arms! they come! the Greek! the Greek!"
+He woke--to die mid flame and smoke,
+And shout, and groan, and saber stroke,
+ And death shots falling thick and fast
+As lightnings from the mountain cloud;
+And heard, with voice as trumpet loud,
+ Bozzaris cheer his band:
+"Strike--till the last armed foe expires;
+Strike--for your altars and your fires;
+Strike--for the green graves of your sires;
+ God--and your native land!"
+
+They fought--like brave men, long and well;
+ They piled that ground with Moslem slain;
+They conquered--but Bozzaris fell,
+ Bleeding at every vein.
+His few surviving comrades saw
+His smile, when rang their proud hurrah,
+ And the red field was won:
+Then saw in death his eyelids close
+Calmly, as to a night's repose,
+ Like flowers at set of sun.
+
+Come to the bridal chamber, Death!
+ Come to the mother, when she feels
+For the first time her firstborn's breath;
+ Come when the blessed seals
+That close the pestilence are broke,
+And crowded cities wail its stroke;
+Come in consumption's ghastly form,
+The earthquake's shock, the ocean storm;
+Come when the heart beats high and warm
+ With banquet song, and dance, and wine:
+And thou art terrible--the tear,
+The groan, the knell, the pall, the bier,
+And all we know, or dream, or fear
+ Of agony, are thine.
+But to the hero, when his sword
+ Has won the battle for the free,
+Thy voice sounds like a prophet's word;
+And in its hollow tones are heard
+ The thanks of millions yet to be.
+
+Bozzaris! with the storied brave
+ Greece nurtured in her glory's time,
+Rest thee--there is no prouder grave
+ Even in her own proud clime.
+ We tell thy doom without a sigh,
+For thou art Freedom's, now, and Fame's.
+One of the few, the immortal names,
+ That were not born to die.
+
+
+NOTES.--Marco Bozzaris (b. about 1790, d. 1823) was a famous Greek
+patriot. His family were Suliotes, a people inhabiting the Suli Mountains,
+and bitter enemies of the Turks. Bozzaris was engaged in war against the
+latter nearly all his life, and finally fell in a night attack upon their
+camp near Carpenisi. This poem, a fitting tribute to his memory, has been
+translated into modern Greek.
+
+Plataea was the scene of a great victory of the Greeks over the Persians
+in the year 479 B. C.
+
+Moslem--The followers of Mohammed are called Moslems.
+
+
+
+LI. SONG OF THE GREEK BARD. (205)
+
+George Gordon Byron, Lord Byron, 1788-1824. This gifted poet was the son
+of a profligate father and of a fickle and passionate mother. He was
+afflicted with lameness from his birth; and, although he succeeded to his
+great-uncle's title at ten years of age, he inherited financial
+embarrassment with it. These may be some of the reasons for the morbid and
+wayward character of the youthful genius. It is certain that he was not
+lacking in affection, nor in generosity. In his college days, at
+Cambridge, he was willful and careless of his studies. "Hours of
+Idleness," his first book, appeared in 1807. It was severely treated by
+the "Edinburgh Review," which called forth his "English Bards and Scotch
+Reviewers," in 1809. Soon after, he went abroad for two years; and, on his
+return, published the first two cantos of "Childe Harold's Pligrimage," a
+work that made him suddenly famous. He married in 1815, but separated from
+his wife after one year. Soured and bitter, he now left England, purposing
+never to return. He spent most of the next seven years in Italy, where
+most of his poems were written. The last year of his life was spent in
+Greece, aiding in her struggle for liberty against the Turks. He died at
+Missolonghi. As a man, Byron was impetuous, morbid and passionate. He was
+undoubtedly dissipated and immoral, but perhaps to a less degree than has
+sometimes been asserted. As a poet, he possessed noble powers, and he has
+written much that will last; in general, however, his poetry is not
+wholesome, and his fame is less than it once was.
+###
+
+
+The isles of Greece! the isles of Greece!
+ Where burning Sappho loved and sung,
+Where grew the arts of war and peace,--
+ Where Delos rose, and Phoebus sprung!
+Eternal summer gilds them yet,
+But all, except their sun, is set.
+
+The Scian and the Teian muse,
+ The hero's harp, the lover's lute,
+Have found the fame your shores refuse;
+ Their place of birth alone is mute
+To sounds which echo further west
+Than your sires' "Islands of the Blest."
+
+The mountains look on Marathon,
+ And Marathon looks on the sea;
+And musing there an hour alone,
+ I dreamed that Greece might still be free;
+For, standing on the Persian's grave,
+I could not deem myself a slave.
+
+A king sat on the rocky brow
+ Which looks o'er sea-born Salamis;
+And ships, by thousands, lay below,
+ And men in nations,--all were his!
+He counted them at break of day,--
+And when the sun set, where were they?
+
+And where are they? And where art thou,
+ My country? On thy voiceless shore
+The heroic lay is tuneless now,--
+ The heroic bosom beats no more!
+And must thy lyre, so long divine,
+Degenerate into hands like mine?
+
+Must we but weep o'er days more blest?
+ Must we but blush? Our fathers bled.
+Earth! render back from out thy breast
+ A remnant of our Spartan dead!
+Of the three hundred, grant but three,
+To make a new Thermopylae!
+
+What! silent still and silent all?
+ Ah! no;--the voices of the dead
+Sound like a distant torrent's fall,
+ And answer, "Let one living head,
+But one, arise,--we come, we come!"
+'Tis but the living who are dumb!
+
+In vain--in vain!--strike other chords;
+ Fill high the cup with Samian wine!
+Leave battles to the Turkish hordes,
+ And shed the blood of Scio's vine!
+Hark! rising to the ignoble call,
+How answers each bold Bacchanal!
+
+You have the Pyrrhic dance as yet;
+ Where is the Pyrrhic phalanx gone?
+Of two such lessons, why forget
+ The nobler and the manlier one?
+You have the letters Cadmus gave;
+Think ye he meant them for a slave?
+
+Fill high the howl with Samian wine!
+ We will not think of themes like these!
+It made Anacreon's song divine:
+ He served, but served Polycrates,
+A tyrant; but our masters then
+Were still, at least, Our countrymen.
+
+The tyrant of the Chersonese
+ Was freedom's best and bravest friend;
+That tyrant was Miltiades!
+Oh that the present hour would lend
+Another despot of the kind!
+Such chains as his were sure to bind.
+
+Fill high the bowl with Samian wine!
+ Our virgins dance beneath the shade;
+I see their glorious, black eyes shine;
+ But gazing on each glowing maid,
+My own the burning tear-drop laves,
+To think such breasts must suckle slaves.
+
+Place me on Sunium's marbled steep,
+ Where nothing save the waves and I
+May hear our mutual murmurs sweep;
+ There, swanlike, let me sing and die:
+A land of slaves shall ne'er be mine,--
+Dash down yon cup of Samian wine!
+
+
+NOTES.--Sappho was a Greek poetess living on the island of Lesbos, about
+600 B. C. Delos is one of the Grecian Archipelago, and is of volcanic
+origin. The ancient Greeks believed that it rose from the sea at a stroke
+from Neptune's trident, and was moored fast to the bottom by Jupiter. It
+was the supposed birthplace of Phoebus, or Apollo. The island of Chios, or
+Scios, is one of the places which claim to be the birthplace of Homer.
+Teios, or Teos, a city in Ionia, is the birthplace of the Greek poet
+Anacreon. The Islands of the Blest, mentioned in ancient poetry, were
+imaginary islands in the west, where, it was believed, the favorites of
+the gods were conveyed without dying.
+
+At Marathon. (490 B. C.), on the east coast, of Greece, 11,000 Greeks,
+under the generalship of Miltiades, routed 110,000 Persians. The island of
+Salamis lies very near the Greek coast: in the narrow channel between, the
+Greek fleet almost destroyed (480 B.C.) that of Xerxes, the Persian king,
+who witnessed the contest from a throne on the mountain side. Thermopylae
+is a narrow mountain pass in Greece, where Leonidas, with 300 Spartans and
+about 1,100 other Greeks, held the entire Persian army in check until
+every Spartan, except one, was slain. Samos is one of the Grecian
+Archipelago, noted for its cultivation of the vine and olive.
+
+A Bacchanal was a disciple of Bacchus, the god of wine. Pyrrhus was a
+Greek, and one of the greatest generals of the world. The phalanx was an
+almost invincible arrangement of troops, massed in close array, with their
+shields overlapping one another, and their spears projecting; this form of
+military tactics was peculiar to the Greeks.
+
+Polycrates seized the island of Samos, and made himself tyrant: he was
+entrapped and crucified in 522 B. C. Chersonese is the ancient name for a
+peninsula. Sunium is the name of a promontory southeast of Athens.
+
+
+
+LII. NORTH AMERICAN INDIANS. (209)
+
+Charles Sprague, 1791-1875, was born in Boston, and received his education
+in the public schools of that city. For sixteen years he was engaged in
+mercantile pursuits, as clerk and partner. In 1820 he became teller in a
+bank; and, from 1825, he filled the office of cashier of the Globe Bank
+for about forty years. In 1829 be gave his most famous poem, "Curiosity,"
+before the Phi Beta Kappa society, in Cambridge. An active man of business
+all his days, he has written but little either in prose or poetry, but
+that little is excellent in quality, graceful, and pleasing.
+
+The address from which this extract is taken, was delivered before the
+citizens of Boston, July 4th, 1825.
+###
+
+
+Not many generations ago, where you now sit, encircled with all that
+exalts and embellishes civilized life, the rank thistle nodded in the wind
+and the wild fox dug his hole unscared. Here lived and loved another race
+of beings. Beneath the same sun that rolls over your head, the Indian
+hunter pursued the panting deer; gazing on the same moon that smiles for
+you, the Indian lover wooed his dusky mate. Here the wigwam blaze beamed
+on the tender and helpless, and the council fire glared on the wise and
+daring. Now they dipped their noble limbs in your sedgy lakes, and now
+they paddled the light canoe along your rocky shores. Here they warred;
+the echoing whoop, the bloody grapple, the defying death song, all were
+here; and when the tiger strife was over, here curled the smoke of peace.
+
+Here, too, they worshiped; and from many a dark bosom went up a fervent
+prayer to the Great Spirit. He had not written his laws for them on tables
+of stone, but he had traced them on the tables of their hearts. The poor
+child of nature knew not the God of Revelation, but the God of the
+universe he acknowledged in everything around. He beheld him in the star
+that sank in beauty behind his lonely dwelling; in the sacred orb that
+flamed on him from his midday throne; in the flower that snapped in the
+morning breeze; in the lofty pine that defied a thousand whirlwinds; in
+the timid warbler that never left its native grove; in the fearless eagle,
+whose untired pinion was wet in clouds; in the worm that crawled at his
+feet; and in his own matchless form, glowing with a spark of that light,
+to whose mysterious source he bent in humble though blind adoration.
+
+And all this has passed away. Across the ocean came a pilgrim bark,
+bearing the seeds of life and death. The former were sown for you; the
+latter sprang up in the path of the simple native. Two hundred years have
+changed the character of a great continent, and blotted forever from its
+face a whole, peculiar people. Art has usurped the bowers of nature, and
+the anointed children of education have been too powerful for the tribes
+of the ignorant. Here and there a stricken few remain; but how unlike
+their bold, untamable progenitors. The Indian of falcon glance and lion
+bearing, the theme of the touching ballad, the hero of the pathetic tale
+is gone, and his degraded offspring crawls upon the soil where he walked
+in majesty, to remind us how miserable is man when the foot of the
+conqueror is on his neck.
+
+As a race they have withered from the land. Their arrows are broken, their
+springs are dried up, their cabins are in the dust. Their council fire has
+long since gone out on the shore, and their war cry is fast fading to the
+untrodden west. Slowly and sadly they climb the distant mountains, and
+read their doom in the setting sun. They are shrinking before the mighty
+tide which is pressing them away; they must soon hear the roar of the last
+wave which will settle over them forever. Ages hence, the inquisitive
+white man, as he stands by some growing city, will ponder on the structure
+of their disturbed remains, and wonder to what manner of persons they
+belonged. They will live only in the songs and chronicles of their
+exterminators. Let these be faithful to their rude virtues as men, and pay
+due tribute to their unhappy fate as a people.
+
+
+
+LIII. LOCHIEL'S WARNING. (211)
+
+Thomas Campbell, 1777-1844, was a descendant of the famous clan of
+Campbells, in Kirnan, Scotland, and was born at Glasgow. At the age of
+thirteen he entered the university in that city, from which he graduated
+with distinction, especially as a Greek scholar; his translations of Greek
+tragedy were considered without parallel in the history of the university.
+During the first year after graduation, he wrote several poems of minor
+importance. He then removed to Edinburgh and adopted literature as his
+profession; here his "Pleasures of Hope" was published in 1799, and
+achieved immediate success. He traveled extensively on the continent, and
+during his absence wrote "Lochiel's Warning," "Hohenlinden," and other
+minor poems. In 1809 he published "Gertrude of Wyoming;" from 1820 to 1830
+he edited the "New Monthly Magazine." In 1826 he was chosen lord rector of
+the University of Glasgow, to which office he was twice reelected. He was
+active in founding the University of London. During the last years of his
+life he produced but little of note. He died at Boulogne, in France.
+During most of his life he was in straitened pecuniary circumstances, and
+ill-health and family afflictions cast a melancholy over his later years.
+His poems were written with much care, and are uniformly smooth and
+musical.
+###
+
+
+Seer. Lochiel! Lochiel! beware of the day
+ When the Lowlands shall meet thee in battle array!
+ For a field of the dead rushes red on my sight,
+ And the clans of Culloden are scattered in fight.
+ They rally, they bleed, for their kingdom and crown;
+ Woe, woe to the riders that trample them down!
+ Proud Cumberland prances, insulting the slain,
+ And their hoof-beaten bosoms are trod to the plain.
+ But hark! through the fast-flashing lightning of war,
+ What steed to the desert flies frantic and far?
+ 'T is thine, O Glenullin! whose bride shall await
+ Like a love-lighted watch fire all night at the gate.
+ A steed comes at morning,--no rider is there,
+ But its bridle is red with the sign of despair.
+ Weep, Albin! to death and captivity led!
+ Oh, weep! but thy tears can not number the dead:
+ For a merciless sword on Culloden shall wave,--
+ Culloden! that reeks with the blood of the brave.
+
+Loch. Go preach to the coward, thou death-telling seer!
+ Or, if gory Culloden so dreadful appear,
+ Draw, dotard, around thy old wavering sight,
+ This mantle, to cover the phantoms of fright.
+
+Seer. Ha! laugh'st thou, Lochiel, my vision to scorn?
+ Proud bird of the mountain thy plume shall be torn!
+ Say, rushed the bold eagle exultingly forth
+ From his home in the dark-rolling clouds of the north?
+ Lo! the death shot of foemen outspeeding, he rode
+ Companionless, bearing destruction abroad;
+ But down let him stoop from his havoc on high!
+ Ah! home let him speed, for the spoiler is nigh.
+ Why flames the far summit? Why shoot to the blast
+ Those embers, like stars from the firmament cast?
+ 'T is the fire shower of ruin, all dreadfully driven
+ From his eyrie that beacons the darkness of heaven,
+ O crested Lochiel! the peerless in might,
+ Whose banners arise on the battlements' height,
+ Heaven's fire is around thee, to blast and to burn;
+ Return to thy dwelling! all lonely return!
+ For the blackness of ashes shall mark where it stood,
+ And a wild mother scream o'er her famishing brood.
+
+Loch. False wizard, avaunt! I have marshaled my clan,
+ Their swords are a thousand, their bosoms are one!
+ They are true to the last of their blood and their breath,
+ And like reapers descend to the harvest of death.
+ Then welcome be Cumberland's steed to the shock!
+ Let him dash his proud foam like a wave on the rock!
+ But woe to his kindred, and woe to his cause,
+ When Albin her claymore indignantly draws;
+ When her bonneted chieftains to victory crowd,
+ Clanronald the dauntless, and Moray the proud,
+ All plaided and plumed in their tartan array--
+
+Seer. --Lochiel, Lochiel, beware of the day!
+ For, dark and despairing, my sight I may seal,
+ But man can not cover what God would reveal:
+ 'T is the sunset of life gives me mystical lore,
+ And coming events cast their shadows before.
+ I tell thee, Culloden's dread echoes shall ring
+ With the bloodhounds that bark for thy fugitive king.
+ Lo! anointed by heaven with the vials of wrath,
+ Behold where he flies on his desolate path!
+ Now, in darkness and billows, he sweeps from my sight:
+ Rise, rise! ye wild tempests, and cover his flight!
+ 'Tis finished. Their thunders are hushed on the moors;
+ Culloden is lost, and my country deplores.
+ But where is the ironbound prisoner? Where?
+ For the red eye of battle is shut in despair.
+ Say, mounts he the ocean wave, banished, forlorn,
+ Like a limb from his country, cast bleeding and torn?
+ Ah no! for a darker departure is near;
+ The war drum is muffled, and black is the bier;
+ His death bell is tolling; O mercy, dispel
+ Yon sight that it freezes my spirit to tell!
+ Life flutters convulsed in his quivering limbs,
+ And his blood-streaming nostril in agony swims.
+ Accursed be the fagots that blaze at his feet,
+ Where his heart shall be thrown ere it ceases to beat,
+ With the smoke of its ashes to poison the gale--
+
+Loch. Down, soothless insulter! I trust not the tale:
+ For never shall Albin a destiny meet
+ So black with dishonor, so foul with retreat.
+ Though my perishing ranks should be strewed in their gore,
+ Like ocean weeds heaped on the surf-beaten shore,
+ Lochiel, untainted by flight or by chains,
+ While the kindling of life in his bosom remains,
+ Shall victor exult, or in death be laid low,
+ With his back to the field and his feet to the foe!
+ And leaving in battle no blot on his name,
+ Look proudly to heaven from the deathbed of fame.
+
+
+NOTES.--Lochiel was a brave and influential Highland chieftain. He
+espoused the cause of Charles Stuart, called the Pretender, who claimed
+the British throne. In the preceding piece, he is supposed to be marching
+with the warriors of his clan to join Charles's army. On his way he is met
+by a Seer, who having, according to the popular superstition, the gift of
+second-sight, or prophecy, forewarns him of the disastrous event of the
+enterprise, and exhorts him to return home and avoid the destruction which
+certainly awaits him, and which afterward fell upon him at the battle of
+Culloden, in 1746. In this battle the Highlanders were commanded by
+Charles in person, and the English by the Duke of Cumberland. The
+Highlanders wore completely routed, and the Pretender's rebellion brought
+to a close. He himself shortly afterward made a narrow escape by water
+from the west of Scotland; hence the reference to the fugitive king.
+
+Albin is the poetic name of Scotland, more particularly the Highlands. The
+ironbound prisoner refers to Lochiel.
+
+
+
+LIV. ON HAPPINESS OF TEMPER. (215)
+
+Oliver Goldsmith, 1728-1774. This eccentric son of genius was an Irishman;
+his father was a poor curate. Goldsmith received his education at several
+preparatory schools, at Trinity College, Dublin, at Edinburgh, and at
+Leyden. He was indolent and unruly as a student, often in disgrace with
+his teachers; but his generosity, recklessness, and love of athletic
+sports made him a favorite with his fellow-students. He spent some time in
+wandering over the continent, often in poverty and want. In 1756 he
+returned to England, and soon took up his abode in London. Here he made
+the acquaintance and friendship of several notable men, among whom were
+Johnson and Sir Joshua Reynolds. "The Traveler" was published in 1764, and
+was soon followed by the "Vicar of Wakefield." He wrote in nearly all
+departments of literature, and always with purity, grace, and fluency. His
+fame as a poet is secured by the "Traveler" and the "Deserted Village;" as
+a dramatist, by "She Stoops to Conquer;" as a satirist, by the "Citizen of
+the World;" and as a novelist by the "Vicar of Wakefield." In his later
+years his writings were the source of a large income, but his gambling,
+careless generosity, and reckless extravagance always kept him in
+financial difficulty, and he died heavily in debt. His monument is in
+Westminster Abbey.
+##
+
+
+Writers of every age have endeavored to show that pleasure is in us, and
+not in the objects offered for our amusement. If the soul be happily
+disposed, everything becomes capable of affording entertainment, and
+distress will almost want a name. Every occurrence passes in review, like
+the figures of a procession; some may be awkward, others ill-dressed, but
+none but a fool is on that account enraged with the master of ceremonies.
+
+I remember to have once seen a slave, in a fortification in Flanders, who
+appeared no way touched with his situation. He was maimed, deformed, and
+chained; obliged to toil from the appearance of day till nightfall, and
+condemned to this for life; yet, with all these circumstances of apparent
+wretchedness, he sang, would have danced, but that he wanted a leg, and
+appeared the merriest, happiest man of all the garrison. What a practical
+philosopher was here! A happy constitution supplied philosophy, and though
+seemingly destitute of wisdom he was really wise. No reading or study had
+contributed to disenchant the fairyland around him. Everything furnished
+him with an opportunity of mirth; and though some thought him, from his
+insensibility, a fool, he was such an idiot as philosophers should wish to
+imitate.
+
+They who, like that slave, can place themselves all that side of the world
+in which everything appears in a pleasant light, will find something in
+every occurrence to excite their good humor. The most calamitous events,
+either to themselves or others, can bring no new affliction; the world is
+to them a theater, in which only comedies are acted. All the bustle of
+heroism, or the aspirations of ambition, seem only to heighten the
+absurdity of the scene, and make the humor more poignant. They feel, in
+short, as little anguish at their own distress, or the complaints of
+others, as the undertaker, though dressed in black, feels sorrow at a
+funeral. Of all the men I ever read of, the famous Cardinal de Retz
+possessed this happiness in the highest degree. When fortune wore her
+angriest look, and he fell into the power of Cardinal Mazarin, his most
+deadly enemy, (being confined a close prisoner in the castle of
+Valenciennes,) he never attempted to support his distress by wisdom or
+philosophy, for he pretended to neither. He only laughed at himself' and
+his persecutor, and seemed infinitely pleased at his new situation. In
+this mansion of distress, though denied all amusements, and even the
+conveniences of life, and entirely cut off from all intercourse with his
+friends, he still retained his good humor, laughed at the little spite of
+his enemies, and carried the jest so far as to write the life of his
+jailer.
+
+All that the wisdom of the proud can teach, is to be stubborn or sullen
+under misfortunes. The Cardinal's example will teach us to be good-
+humored in circumstances of the highest affliction. It matters not whether
+our good humor be construed by others into insensibility or idiotism,--it
+is happiness to ourselves; and none but a fool could measure his
+satisfaction by what the world thinks of it.
+
+The happiest fellow I ever knew, was of the number of those good-natured
+creatures that are said to do no harm to anybody but themselves. Whenever
+he fell into any misery, he called it "seeing life," If his head was
+broken by a chairman, or his pocket picked by a sharper, he comforted
+himself by imitating the Hibernian dialect of the one, or the more
+fashionable cant of the other. Nothing came amiss to him. His inattention
+to money matters had concerned his father to such a degree that all
+intercession of friends was fruitless. The old gentleman was on his
+deathbed. The whole family (and Dick among the number) gathered around
+him.
+
+"I leave my second son, Andrew," said the expiring miser, "my whole
+estate, and desire him to be frugal." Andrew, in a sorrowful tone (as is
+usual on such occasions), prayed heaven to prolong his life and health to
+enjoy it himself. "I recommend Simon, my third son, to the care of his
+elder brother, and leave him, besides, four thousand pounds." "Ah,
+father!" cried Simon (in great affliction, to be sure), "may heaven give
+you life and health to enjoy it yourself!" At last, turning to poor Dick:
+"As for you, you have always been a sad dog; you'll never come to good;
+you'll never be rich; I leave you a shilling to buy a halter." "Ah,
+father!" cries Dick, without any emotion, "may heaven give you life and
+health to enjoy it yourself!"
+
+
+NOTES.--Cardinal de Retz, Jean Francois Paul de Gondi (b. 1614, d. 1679),
+was leader of the revolt against Jules Mazarin (b. 1602, d. 1661), the
+prime minister of France during the minority of Louis XIV. This led to a
+war which lasted four or five years. After peace had been concluded, and
+Louis XIV. established on the throne, Mazarin was reinstated in power, and
+Cardinal de Retz was imprisoned.
+
+Flanders, formerly part of the Netherlands, is now included in Belgium,
+Holland and France.
+
+
+
+LV. THE FORTUNE TELLER. (218)
+
+Henry Mackenzie, 1745-1831, was born in Edinburgh, educated at the
+university there, and died in the same city. He was an attorney by
+profession, and was the associate of many famous literary men residing at
+that time in Edinburgh. His fame as a writer rests chiefly on two novels,
+"The Man of Feeling" and "The Man of the World;" both were published
+before the author was forty years old.
+###
+
+
+Harley sat down on a large stone by the wayside, to take a pebble from his
+shoe, when he saw, at some distance, a beggar approaching him. He had on a
+loose sort of coat, mended with different-colored rags, among which the
+blue and russet were predominant. He had a short, knotty stick in his
+hand, and on the top of it was stuck a ram's horn; he wore no shoes, and
+his stockings had entirely lost that part of them which would have covered
+his feet and ankles; in his face, however, was the plump appearance of
+good humor; he walked a good, round pace, and a crook-legged dog trotted
+at his heels.
+
+"Our delicacies," said Harley to himself, "are fantastic; they are not in
+nature! That beggar walks over the sharpest of these stones barefooted,
+whilst I have lost the most delightful dream in the world from the
+smallest of them happening to get into my shoe." The beggar had by this
+time come up, and, pulling off a piece of a hat, asked charity of Harley.
+The dog began to beg, too. It was impossible to resist both; and, in
+truth, the want of shoes and stockings had made both unnecessary, for
+Harley had destined sixpence for him before.
+
+The beggar, on receiving it, poured forth blessings without number; and,
+with a sort of smile on his countenance, said to Harley that if he wanted
+to have his fortune told--Harley turned his eye briskly upon the beggar;
+it was an unpromising look for the subject of a prediction, and silenced
+the prophet immediately. "I would much rather learn" said Harley, "what it
+is in your power to tell me. Your trade must be an entertaining one; sit
+down on this stone, and let me know something of your profession; I have
+often thought of turning fortune teller for a week or two, myself."
+
+"Master," replied the beggar, "I like your frankness much, for I had the
+humor of plain dealing in me from a child; but there is no doing with it
+in this world,--we must do as we can; and lying is, as you call it, my
+profession. But I was in some sort forced to the trade, for I once dealt
+in telling the truth. I was a laborer, sir, and gained as much as to make
+me live. I never laid by, indeed, for I was reckoned a piece of a wag, and
+your wags, I take it, are seldom rich, Mr. Harley." "So," said Harley,
+"you seem to know me." "Ay, there are few folks in the country that I do
+n't know something of. How should I tell fortunes else?" "True,--but go on
+with your story; you were a laborer, you say, and a wag; your industry, I
+suppose, you left with your old trade; but your humor you preserved to be
+of use to you in your new."
+
+"What signifies sadness, sir? A man grows lean on 't. But I was brought to
+my idleness by degrees; sickness first disabled me, and it went against my
+stomach to work, ever after. But, in truth, I was for a long time so weak
+that I spit blood whenever I attempted to work. I had no relation living,
+and I never kept a friend above a week when I was able to joke. Thus I was
+forced to beg my bread, and a sorry trade I have found it, Mr. Harley. I
+told all my misfortunes truly, but they were seldom believed; and the few
+who gave me a half-penny as they passed, did it with a shake of the head,
+and an injunction not to trouble them with a long story. In short, I found
+that people do n't care to give alms without some security for their
+money,--such as a wooden leg, or a withered arm, for example. So I changed
+my plan, and instead of telling my own misfortunes, began to prophesy
+happiness to others.
+
+"This I found by much the better way. Folks will always listen when the
+tale is their own, and of many who say they do not believe in fortune
+telling, I have known few on whom it had not a very sensible effect. I
+pick up the names of their acquaintance; amours and little squabbles are
+easily gleaned from among servants and neighbors; and, indeed, people
+themselves are the best intelligencers in the world for our purpose. They
+dare not puzzle us for their own sakes, for everyone is anxious to hear
+what he wishes to believe; and they who repeat it, to laugh at it when
+they have done, are generally more serious than their hearers are apt to
+imagine. With a tolerably good memory, and some share of cunning, I
+succeed reasonably well as a fortune teller. With this, and showing the
+tricks of that dog, I make shift to pick up a livelihood.
+
+"My trade is none of the most honest, yet people are not much cheated
+after all, who give a few half-pence for a prospect of happiness, which I
+have heard some persons say, is all a man can arrive at in this world. But
+I must bid you good day, sir; for I have three miles to walk before noon,
+to inform some boarding-school young ladies whether their husbands are to
+be peers of the realm or captains in the army; a question which I promised
+to answer them by that time."
+
+Harley had drawn a shilling from his pocket; but Virtue bade him to
+consider on whom he was going to bestow it. Virtue held back his arm; but
+a milder form, a younger sister of Virtue's, not so severe as Virtue, nor
+so serious as Pity, smiled upon him; his fingers lost their compression;
+nor did Virtue appear to catch the money as it fell. It had no sooner
+reached the ground than the watchful cur (a trick he had been taught)
+snapped it up; and, contrary to the most approved method of stewardship,
+delivered it immediately into the hands of his master.
+
+
+
+LVI. RIENZI'S ADDRESS TO THE ROMANS. (221)
+
+Mary Russell Mitford, 1786-1855. She was the daughter of a physician, and
+was born in Hampshire, England. At twenty years of age, she published
+three volumes of poems; and soon after entered upon literature as a
+lifelong occupation. She wrote tales, sketches, poems, and dramas. "Our
+Village" is the best known of her prose works; the book describes the
+daily life of a rural people, is simple but finished in style, and is
+marked by mingled humor and pathos. Her most noted drama is "Rienzi." Miss
+Mitford passed the last forty years of her life in a little cottage in
+Berkshire, among a simple, country people, to whom she was greatly
+endeared by her kindness and social virtues.
+###
+
+
+I come not here to talk. You know too well
+The story of our thraldom. We are slaves!
+The bright sun rises to his course, and lights
+A race of slaves! He sets, and his last beams
+Fall on a slave; not such as, swept along
+By the full tide of power, the conqueror led
+To crimson glory and undying fame;
+But base, ignoble slaves; slaves to a horde
+Of petty tyrants, feudal despots, lords,
+Rich in some dozen paltry villages;
+Strong in some hundred spearmen; only great
+In that strange spell,--a name.
+
+ Each hour, dark fraud,
+Or open rapine, or protected murder,
+Cries out against them. But this very day,
+An honest man, my neighbor,--there he stands,--
+Was struck--struck like a dog, by one who wore
+The badge of Ursini; because, forsooth,
+He tossed not high his ready cap in air,
+Nor lifted up his voice in servile shouts,
+At sight of that great ruffian! Be we men,
+And suffer such dishonor? men, and wash not
+The stain away in blood? Such shames are common.
+I have known deeper wrongs; I that speak to ye,
+I had a brother once--a gracious boy,
+Full of all gentleness, of calmest hope,
+Of sweet and quiet joy,--there was the look
+Of heaven upon his face, which limners give
+To the beloved disciple.
+
+ How I loved
+That gracious boy! Younger by fifteen years,
+Brother at once, and son! He left my side,
+A summer bloom on his fair cheek; a smile
+Parting his innocent lips. In one short hour,
+That pretty, harmless boy was slain! I saw
+The corse, the mangled corse, and then I cried
+For vengeance! Rouse, ye Romans! rouse, ye slaves!
+Have ye brave sons? Look in the next fierce brawl
+To see them die. Have ye fair daughters? Look
+To see them live, torn from your arms, distained,
+Dishonored; and if ye dare call for justice,
+Be answered by the lash.
+
+ Yet this is Rome,
+That sat on her seven hills, and from her throne
+Of beauty ruled the world! and we are Romans.
+Why, in that elder day, to be a Roman
+Was greater than a king!
+
+ And once again,--
+Hear me, ye walls that echoed to the tread
+Of either Brutus! Once again, I swear,
+The eternal city shall be free.
+
+
+NOTES.--Rienzi (b. about 1312, d. 1354) was the last of the Roman
+tribunes. In 1347 he led a successful revolt against the nobles, who by
+their contentions kept Rome in constant turmoil. He then assumed the title
+of tribune, but, after indulging in a life of reckless extravagance and
+pomp for a few months, he was compelled to abdicate, and fly for his life.
+In 1354 he was reinstated in power, but his tyranny caused his
+assassination the same year.
+
+The Ursini wore one of the noble families of Rome.
+
+This lesson is especially adapted for drill on inflection, emphasis, and
+modulation.
+
+
+
+LVll. CHARACTER OF THE PURITAN FATHERS OF NEW ENGLAND. (223)
+
+One of the most prominent features which distinguished our forefathers,
+was their determined resistance to oppression. They seemed born and
+brought up for the high and special purpose of showing to the world that
+the civil and religious rights of man--the rights of self-government, of
+conscience, and independent thought--are not merely things to be talked of
+and woven into theories, but to be adopted with the whole strength and
+ardor of the mind, and felt in the profoundest recesses of the heart, and
+carried out into the general life, and made the foundation of practical
+usefulness, and visible beauty, and true nobility.
+
+Liberty, with them, was an object of too serious desire and stern resolve
+to be personified, allegorized, and enshrined. They made no goddess of it,
+as the ancients did; they had no time nor inclination for such trifling;
+they felt that liberty was the simple birthright of every human creature;
+they called it so; they claimed it as such; they reverenced and held it
+fast as the unalienable gift of the Creator, which was not to be
+surrendered to power, nor sold for wages.
+
+It was theirs, as men; without it, they did not esteem themselves men;
+more than any other privilege or possession, it was essential to their
+happiness, for it was essential to their original nature; and therefore
+they preferred it above wealth, and ease, and country; and, that they
+might enjoy and exercise it fully, they forsook houses, and lands, and
+kindred, their homes, their native soil, and their fathers' graves.
+
+They left all these; they left England, which, whatever it might have been
+called, was not to them a land of freedom; they launched forth on the
+pathless ocean, the wide, fathomless ocean, soiled not by the earth
+beneath, and bounded, all round and above, only by heaven; and it seemed
+to them like that better and sublimer freedom, which their country knew
+not, but of which they had the conception and image in their hearts; and,
+after a toilsome and painful voyage, they came to a hard and wintry coast,
+unfruitful and desolate, but unguarded and boundless; its calm silence
+interrupted not the ascent of their prayers; it had no eyes to watch, no
+ears to hearken, no tongues to report of them; here, again, there was an
+answer to their soul's desire, and they were satisfied, and gave thanks;
+they saw that they were free, and the desert smiled.
+
+I am telling an old tale; but it is one which must be told when we speak
+of those men. It is to be added, that they transmitted their principles to
+their children, and that, peopled by such a race, our country was always
+free. So long as its inhabitants were unmolested by the mother country in
+the exercise of their important rights, they submitted to the form of
+English government; but when those rights were invaded, they spurned even
+the form away.
+
+This act was the Revolution, which came of course and spontaneously, and
+had nothing in it of the wonderful or unforeseen. The wonder would have
+been if it had not occurred. It was, indeed, a happy and glorious event,
+but by no means unnatural; and I intend no slight to the revered actors in
+the Revolution when I assert that their fathers before them were as free
+as they--every whit as free.
+
+The principles of the Revolution were not the suddenly acquired property
+of a few bosoms: they were abroad in the land in the ages before; they had
+always been taught, like the truths of the Bible; they had descended from
+father to son, down from those primitive days, when the Pilgrim,
+established in his simple dwelling, and seated at his blazing fire, piled
+high from the forest which shaded his door, repeated to his listening
+children the story of his wrongs and his resistance, and bade them
+rejoice, though the wild winds and the wild beasts were howling without,
+that they had nothing to fear from great men's oppression.
+
+Here are the beginnings of the Revolution. Every settler's hearth was a
+school of independence; the scholars were apt, and the lessons sunk
+deeply; and thus it came that our country was always free; it could not be
+other than free.
+
+As deeply seated as was the principle of liberty and resistance to
+arbitrary power in the breasts of the Puritans, it was not more so than
+their piety and sense of religious obligation. They were emphatically a
+people whose God was the Lord. Their form of government was as strictly
+theocratical, if direct communication be excepted, as was that of the
+Jews; insomuch that it would be difficult to say where there was any civil
+authority among them entirely distinct from ecclesiastical jurisdiction.
+
+Whenever a few of them settled a town, they immediately gathered
+themselves into a church; and their elders were magistrates, and their
+code of laws was the Pentateuch. These were forms, it is true, but forms
+which faithfully indicated principles and feelings; for no people could
+have adopted such forms, who were not thoroughly imbued with the spirit,
+and bent on the practice, of religion.
+
+God was their King; and they regarded him as truly and literally so, as if
+he had dwelt in a visible palace in the midst of their state. They were
+his devoted, resolute, humble subjects; they undertook nothing which they
+did not beg of him to prosper; they accomplished nothing without rendering
+to him the praise; they suffered nothing without carrying their sorrows to
+his throne; they ate nothing which they did not implore him to bless.
+
+Their piety was not merely external; it was sincere; it had the proof of a
+good tree in bearing good fruit; it produced and sustained a strict
+morality. Their tenacious purity of manners and speech obtained for them,
+in the mother country, their name of Puritans, which, though given in
+derision, was as honorable an appellation as was ever bestowed by man on
+man.
+
+That there were hypocrites among them, is not to be doubted; but they were
+rare. The men who voluntarily exiled themselves to an unknown coast, and
+endured there every toil and hardship for conscience' sake, and that they
+might serve God in their own manner, were not likely to set conscience at
+defiance, and make the service of God a mockery; they were not likely to
+be, neither were they, hypocrites. I do not know that it would be
+arrogating too much for them to say, that, on the extended surface of the
+globe, there was not a single community of men to be compared with them,
+in the respects of deep religious impressions and an exact performance of
+moral duty.
+ F. W. P. Greenwood.
+
+NOTE.--The Pentateuch is the first five books of the Old Testament. The
+word is derived from two Greek words, (pente), five, and (tenchos), book.
+
+
+
+LVIII. LANDING OF THE PILGRIM FATHERS. (226)
+
+Felicia Dorothea Hemans, 1794-1835, was born in Liverpool. Her father,
+whose name was Browne, was an Irish merchant. She spent her childhood in
+Wales, began to write poetry at a very early age, and was married when
+about eighteen to Captain Hemans. By this marriage, she became the mother
+of five sons; but, owing to differences of taste and disposition, her
+husband left her at the end of six years; and by mutual agreement they
+never again lived together. Mrs. Hemans now made literature a profession,
+and wrote much and well. In 1826 Prof. Andrews Norton brought out an
+edition of her poems in America, where they became popular, and have
+remained so.
+
+Mrs. Hemans's poetry is smooth and graceful, frequently tinged with a
+shade of melancholy, but never despairing, cynical, or misanthropic. It
+never deals with the highest themes, nor rises to sublimity, but its
+influence is calculated to make the reader truer, nobler, and purer.
+###
+
+
+The breaking waves dashed high
+ On a stern and rock-bound coast,
+And the woods against a stormy sky
+ Their giant branches tossed;
+
+And the heavy night hung dark,
+ The hills and waters o'er,
+When a band of exiles moored their bark
+ On the wild New England shore.
+
+Not as the conqueror comes,
+ They, the true-hearted, came;
+Not with the roll of the stirring drums.
+ And the trumpet that sings of fame.
+
+Not as the flying come,
+ In silence, and in fear;--
+They shook the depths of the desert gloom
+ With their hymns of lofty cheer.
+
+Amidst the storm they sang,
+ And the stars heard, and the sea;
+And the sounding aisles of the dim woods rang
+ To the anthem of the free!
+
+The ocean eagle soared
+ From his nest by the white wave's foam;
+And the rocking pines of the forest roared,--
+ This was their welcome home.
+
+There were men with hoary hair
+ Amidst that pilgrim band:
+Why had they come to wither there,
+ Away from their childhood's land?
+
+There was woman's fearless eye,
+ Lit by her deep love's truth;
+There was manhood's brow, serenely high,
+ And the fiery heart of youth.
+
+What sought they thus afar?
+ Bright jewels of the mine?
+The wealth of seas, the spoils of war?
+ They sought a faith's pure shrine!
+
+Ay, call it holy ground,
+ The soil where first they trod:
+They have left unstained what there they found,--
+ Freedom to worship God.
+
+
+NOTE.--The Pilgrim Fathers landed at Plymouth, Mass, Dec. 11th (Old
+Style), 1620. The rock on which they first stepped, is in Water Street of
+the village, and is covered by a handsome granite canopy, surmounted by a
+colossal statue of Faith.
+
+
+
+LIX. NECESSITY OF EDUCATION. (228)
+
+We must educate! We must educate! or we must perish by our own prosperity.
+If we do not, short will be our race from the cradle to the grave. If, in
+our haste to be rich and mighty, we outrun our literary and religious
+institutions, they will never overtake us; or only come up after the
+battle of liberty is fought and lost, as spoils to grace the victory, and
+as resources of inexorable despotism for the perpetuity of our bondage.
+
+But what will become of the West if her prosperity rushes up to such a
+majesty of power, while those great institutions linger which are
+necessary to form the mind, and the conscience, and the heart of the vast
+world? It must not be permitted. And yet what is done must be done
+quickly; for population will not wait, and commerce will not cast anchor,
+and manufactures will not shut off the steam, nor shut down the gate, and
+agriculture, pushed by millions of freemen on their fertile soil, will not
+withhold her corrupting abundance.
+
+And let no man at the East quiet himself, and dream of liberty, whatever
+may become of the West. Our alliance of blood, and political institutions,
+and common interests, is such, that we can not stand aloof in the hour of
+her calamity, should it ever come. Her destiny is our destiny; and the day
+that her gallant ship goes down, our little boat sinks in the vortex!
+
+The great experiment is now making, and from its extent and rapid filling
+up, is making in the West, whether the perpetuity of our republican
+institutions can be reconciled with universal suffrage. Without the
+education of the head and heart of the nation, they can not be; and the
+question to be decided is, can the nation, or the vast balance power of
+it, be so imbued with intelligence and virtue as to bring out, in laws and
+their administration, a perpetual self-preserving energy. We know that the
+work is a vast one, and of great difficulty; and yet we believe it can be
+done.
+
+I am aware that our ablest patriots are looking out on the deep, vexed
+with storms, with great forebodings and failings of heart, for fear of the
+things that are coming upon us; and I perceive a spirit of impatience
+rising, and distrust in respect to the perpetuity of our republic; and I
+am sure that these fears are well founded, and am glad that they exist. It
+is the star of hope in our dark horizon. Fear is what we need, as the ship
+needs wind on a rocking sea, after a storm, to prevent foundering. But
+when our fear and our efforts shall correspond with our danger, the danger
+is past.
+
+For it is not the impossibility of self-preservation which threatens us;
+nor is it the unwillingness of the nation to pay the price of the
+preservation, as she has paid the price of the purchase of our liberties.
+It is inattention and inconsideration, protracted till the crisis is past,
+and the things which belong to our peace are hid from our eyes. And
+blessed be God, that the tokens of a national waking up, the harbinger of
+God's mercy, are multiplying upon us!
+
+We did not, in the darkest hour, believe that God had brought our fathers
+to this goodly land to lay the foundation of religious liberty, and
+wrought such wonders in their preservation, and raised their descendants
+to such heights of civil and religious liberty, only to reverse the
+analogy of his providence, and abandon his work.
+
+And though there now be clouds, and the sea roaring, and men's hearts
+failing, we believe there is light behind the cloud, and that the
+imminence of our danger is intended, under the guidance of Heaven, to call
+forth and apply a holy, fraternal fellowship between the East and the
+West, which shall secure our preservation, and make the prosperity of our
+nation durable as time, and as abundant as the waves of the sea.
+
+I would add, as a motive to immediate action, that if we do fail in our
+great experiment of self-government, our destruction will be as signal as
+the birthright abandoned, the mercies abused, and the provocation offered
+to beneficent Heaven. The descent of desolation will correspond with the
+past elevation.
+
+No punishments of Heaven are so severe as those for mercies abused; and no
+instrumentality employed in their infliction is so dreadful as the wrath
+of man. No spasms are like the spasms of expiring liberty, and no wailing
+such as her convulsions extort.
+
+It took Rome three hundred years to die; and our death, if we perish, will
+be as much more terrific as our intelligence and free institutions have
+given us more bone, sinew, and vitality. May God hide from me the day when
+the dying agonies of my country shall begin! O thou beloved land, bound
+together by the ties of brotherhood, and common interest, and perils! live
+forever--one and undivided!
+ --Lyman Beecher.
+
+
+
+LX. RIDING ON A SNOWPLOW. (231)
+
+Benjamin Franklin Taylor, 1822-1887, was born at Lowville, New York, and
+graduated at Madison University, of which his father was president. Here
+he remained as resident graduate for about five years. His "Attractions of
+Language" was published in 1845. For many years Mr. Taylor was literary
+editor of the "Chicago Journal." He wrote considerably for the magazines,
+and was the author of many well-known fugitive pieces, both in prose and
+verse. He also published several books, of which "January and June,"
+"Pictures in Camp and Field," "The World on Wheels," "Old-time Pictures
+and Sheaves of Rhyme," "Between the Gates," and "Songs of Yesterday," are
+the best known. In his later years, Mr. Taylor achieved some reputation as
+a lecturer. His writings are marked by an exuberant fancy.
+###
+
+
+Did you ever ride on a snowplow? Not the pet and pony of a thing that is
+attached to the front of an engine, sometimes, like a pilot; but a great
+two-storied monster of strong timbers, that runs upon wheels of its own,
+and that boys run after and stare at as they would after and at an
+elephant. You are snow-bound at Buffalo. The Lake Shore Line is piled with
+drifts like a surf. Two passenger trains have been half-buried for twelve
+hours somewhere in snowy Chautauqua. The storm howls like a congregation
+of Arctic bears. But the superintendent at Buffalo is determined to
+release his castaways, and clear the road to Erie. He permits you to be a
+passenger on the great snowplow; and there it is, all ready to drive.
+Harnessed behind it, is a tandem team of three engines. It does not occur
+to you that you are going to ride on a steam drill, and so you get aboard.
+
+
+It is a spacious and timbered room, with one large bull's eye window,--an
+overgrown lens. The thing is a sort of Cyclops. There are ropes, and
+chains, and a windlass. There is a bell by which the engineer of the first
+engine can signal the plowman, and a cord whereby the plowman can talk
+back. There are two sweeps, or arms, worked by machinery, on the sides.
+You ask their use, and the superintendent replies, "When, in a violent
+shock, there is danger of the monster's upsetting, an arm is put out, on
+one side or the other, to keep the thing from turning a complete
+somersault." You get one idea, and an inkling of another. So you take out
+your Accident Policy for three thousand dollars, and examine it. It never
+mentions battles, nor duels, nor snowplows. It names "public conveyances."
+Is a snowplow a public conveyance? You are inclined to think it is neither
+that nor any other kind that you should trust yourself to, but it is too
+late for consideration.
+
+You roll out of Buffalo in the teeth of the wind, and the world is turned
+to snow. All goes merrily. The machine strikes little drifts, and they
+scurry away in a cloud. The three engines breathe easily; but by and by
+the earth seems broken into great billows of dazzling white. The sun comes
+out of a cloud, and touches it up till it out-silvers Potosi. Houses lie
+in the trough of the sea everywhere, and it requires little imagination to
+think they are pitching and tossing before your eyes. A great breaker
+rises right in the way. The monster, with you in it, works its way up and
+feels of it. It is packed like a ledge of marble. Three whistles! The
+machine backs away and keeps backing, as a gymnast runs astern to get sea
+room and momentum for a big jump; as a giant swings aloft a heavy sledge,
+that it may come down with a heavy blow.
+
+One whistle! You have come to a halt. Three pairs of whistles one after
+the other! and then, putting on all steam, you make for the drift. The
+superintendent locks the door, you do not quite understand why, and in a
+second the battle begins. The machine rocks and creaks in all its joints.
+There comes a tremendous shock. The cabin is as dark as midnight. The
+clouds of flying snow put out the day. The labored breathing of the
+locomotives behind you, the clouds of smoke and steam that wrap you up as
+in a mantle, the noonday eclipse of the sun, the surging of the ship, the
+rattling of chains, the creak of timbers as if the craft were aground and
+the sea getting out of its bed to whelm you altogether, the doubt as to
+what will come,--all combine to make a scene of strange excitement for a
+landlubber.
+
+You have made some impression on the breaker, and again the machine backs
+for a fair start, and then another plunge, and shock, and twilight. And
+so, from deep cut to deep cut, as if the season had packed all his winter
+clothes upon the track, until the stalled trains are reached and passed;
+and then, with alternate storm and calm, and halt and shock, till the way
+is cleared to Erie.
+
+It is Sunday afternoon, and Erie--"Mad Anthony Wayne's" old
+headquarters--has donned its Sunday clothes, and turned out by hundreds to
+see the great plow come in,--its first voyage over the line. The
+locomotives set up a crazy scream, and you draw slowly into the depot. The
+door opened at last, you clamber down, and gaze up at the uneasy house in
+which you have been living. It looks as if an avalanche had tumbled down
+upon it,--white as an Alpine shoulder. Your first thought is gratitude
+that you have made a landing alive. Your second, a resolution that, if
+again you ride a hammer, it will not be when three engines have hold of
+the handle!
+
+
+NOTES.--Chautauqua is the most western county in the state of New York; it
+borders on Lake Erie.
+
+The Cyclops are described in Grecian mythology as giants having only one
+eye, which was circular, and placed in the middle of the forehead.
+
+Cerro de Potosi is a mountain in Bolivia, South America, celebrated for
+its mineral wealth. More than five thousand mines have been opened in it;
+the product is chiefly silver.
+
+"Mad Anthony Wayne" (b. 1745, d. 1796), so called from his bravery and
+apparent recklessness, was a famous American officer during the
+Revolution. In 1794 be conducted a successful campaign against the Indians
+of the Northwest, making his headquarters at Erie, Pa.
+
+
+
+LXI. THE QUARREL OF BRUTUS AND CASSIUS. (234)
+
+Cas. That you have wronged me doth appear in this:
+ You have condemned and noted Lucius Pella
+ For taking bribes here of the Sardians;
+ Wherein my letters, praying on his side,
+ Because I knew the man, were slighted off.
+ Bru. You wronged yourself to write in such a case.
+Cas. In such a time as this, it is not meet
+ That every nice offense should bear his comment.
+Bru. Yet let me tell you, Cassius, you yourself
+ Are much condemned to have an itching palm,
+ To sell and mart your offices for gold
+ To undeservers.
+Cas. I an itching palm!
+ You know that you are Brutus that speak this,
+ Or, by the gods, this speech were else your last.
+Bru. The name of Cassius honors this corruption,
+ And chastisement doth therefore hide his head.
+Cas. Chastisement!
+Bru. Remember March, the ides of March remember!
+ Did not great Julius bleed for justice' sake?
+ What villain touched his body, that did stab,
+ And not for justice? What! shall one of us,
+ That struck the foremost man of all this world
+ But for supporting robbers; shall we now
+ Contaminate our fingers with base bribes,
+ And sell the mighty space of our large honors
+ For so much trash as may be graspe'd thus?
+ I had rather be a dog, and bay the moon,
+ Than such a Roman.
+Cas. Brutus, bay not me;
+ I'll not endure it: you forget yourself,
+ To hedge me in; I am a soldier, I,
+ Older in practice, abler than yourself
+ To make conditions.
+Bru. Go to; you are not, Cassius.
+Cas. I am.
+Bru. I say you are not.
+Cas. Urge me no more, I shall forget myself:
+ Have mind upon your health; tempt me no further.
+Bru. Away, slight man!
+Cas. Is't possible?
+Bru. Hear me, for I will speak.
+ Must I give way and room to your rash choler?
+ Shall I be frighted when a madman stares?
+Cas. O ye gods! ye gods! must I endure all this?
+Bru. All this! Ay, more: fret till your proud heart break;
+ Go, show your slaves how choleric you are,
+ And make your bondmen tremble. Must I budge?
+ Must I observe you? Must I stand and crouch
+ Under your testy humor? By the gods,
+ You shall digest the venom of your spleen,
+ Though it do split you; for, from this day forth,
+ I'll use you for my mirth, yea for my laughter,
+ When you are waspish.
+Cas. Is it come to this?
+Bru. You say you are a better soldier;
+ Let it appear so; make your vaunting true,
+ And it shall please me well: for mine own part,
+ I shall be glad to learn of noble men.
+Cas. You wrong me every way; you wrong me, Brutus;
+ I said, an elder soldier, not a better:
+ Did I say "better"?
+Bru. If you did, I care not.
+Cas. When Caesar lived, he durst not thus have moved me.
+Bru. Peace, peace! you durst not so have tempted him.
+Cas. I durst not?
+Bru. No.
+Cas. What! durst not tempt him?
+Bru. For your life, you durst not.
+Cas. Do not presume too much upon my love;
+ I may do that I shall be sorry for.
+Bru. You have done that you should be sorry for.
+ There is no terror, Cassius, in your threats;
+ For I am armed so strong in honesty
+ That they pass by me as the idle wind,
+ Which I respect not. I did send to you
+ For certain sums of gold, which you denied me;--
+ For I can raise no money by vile means:
+ By heaven! I had rather coin my heart,
+ And drop my blood for drachmas, than to wring
+ From the hard hands of peasants their vile trash
+ By any indirection.--I did send
+ To you for gold to pay my legions,
+ Which you denied me: was that done like Cassius?
+ Should I have answered Caius Cassius so?
+ When Marcus Brutus grows so covetous,
+ To lock such rascal counters from his friends,
+ Be ready, gods, with an your thunderbolts;
+ Dash him to pieces!
+Cas. I denied you not.
+Bru. You did.
+Cas. I did not: he was but a fool that brought
+ My answer back. Brutus hath rived my heart:
+ A friend should bear his friend's infirmities,
+ But Brutus makes mine greater than they are.
+Bru. I do not, till you practice them on me.
+Cas. You love me not.
+Bru. I do not like your faults.
+Cas. A friendly eye could never see such faults.
+Bru. A flatterer's would not, though they do appear
+ As huge as high Olympus.
+Cas. Come, Antony, and young Octavius, come,
+ Revenge yourselves alone on Cassius,
+ For Cassius is aweary of the world;
+ Hated by one he loves; braved by his brother;
+ Checked like a bondman; all his faults observed,
+ Set in a notebook, learned, and conned by rate,
+ To cast into my teeth. Oh, I could weep
+ My spirit from mine eyes! There is my dagger,
+ And here my naked breast; within, a heart
+ Dearer than Plutus' mine, richer than gold:
+ If that thou be'st a Roman, take it forth:
+ I, that denied thee gold, will give my heart:
+ Strike, as thou didst at Caesar; for, I know,
+ When thou didst hate him worst, thou lovedst him better
+ Than ever thou lovedst Cassius.
+Bru. Sheathe your dagger:
+ Be angry when you will, it shall have scope;
+ Do what you will, dishonor shall be humor.
+ O Cassius, you are yoked with a lamb
+ That carries anger as the flint bears fire;
+ Who, much enforced, shows a hasty spark,
+ And straight is cold again.
+Cas. Hath Cassius lived
+ To be but mirth and laughter to his Brutus,
+ When grief, and blood ill-tempered, vexeth him?
+Bru. When I spoke that, I was ill-tempered, too.
+Cas. Do you confess so much? Give me your hand.
+
+238 ECLECTIC SERIES.
+
+Bru. And my heart, too.
+Cas. O Brutus!
+Bru. What's the matter?
+Cas. Have you not love enough to bear with me,
+ When that rash humor which my mother gave me
+ Makes me forgetful?
+Bru. Yes, Cassius; and, from henceforth,
+ When you are over earnest with your Brutus,
+ He'll think your mother chides, and leave you so.
+
+ Shakespeare.--Julius Caesar, Act iv, Scene iii.
+
+
+NOTES.--Ides (pro. idz) was a term used in the Roman calendar. It fell on
+the fifteenth day of March, May, July, and October, and on the thirteenth
+of other months. On the ides of March, 44 B. C., Julius Caesar was
+murdered by Brutus, Cassius, and other conspirators. The populace were
+aroused to indignation, and the conspirators were compelled to fly.
+
+Indirection; i. e., dishonest means.
+
+Antony and Octavius, who, with Lepidus, formed the triumvirate now
+governing Rome, were at this time marching against the forces of Brutus
+and Cassius.
+
+Plutus, in ancient mythology, the god of wealth.
+
+
+
+LXII. THE QUACK. (238)
+
+John Tobin, 1770-1804, a solicitor, was born at Salisbury, England, and
+died on shipboard near Cork. He wrote several comedies, the most popular
+being "The Honeymoon," from which this extract is taken; it was published
+in 1805.
+###
+
+
+SCENE--The Inn. Enter HOSTESS followed by LAMPEDO, a Quack Doctor.
+
+Host. Nay, nay; another fortnight.
+ Lamp. It can't be.
+ The man's as well as I am: have some mercy!
+ He hath been here almost three weeks already.
+Host. Well, then, a week.
+Lamp. We may detain him a week. (Enter BALTHAZAR, the patient,
+ from behind, in his nightgown, with a drawn sword.)
+ You talk now like a reasonable hostess,
+ That sometimes has a reckoning with her conscience.
+Host. He still believes he has an inward bruise.
+Lamp. I would to heaven he had! or that he'd slipped
+ His shoulder blade, or broke a leg or two,
+ (Not that I bear his person any malice,)
+ Or luxed an arm, or even sprained his ankle!
+Host. Ay, broken anything except his neck.
+Lamp. However, for a week I'll manage him,
+ Though he had the constitution of a horse--
+ A farrier should prescribe for him.
+Balth. A farrier! (Aside. )
+ Lamp. To-morrow, we phlebotomize again;
+ Next day, my new-invented patent draught;
+ Then, I have some pills prepared;
+ On Thursday, we throw in the bark; on Friday--
+Balth. (Coming forward.) Well, sir, on Friday--what, on Friday? Come,
+ Proceed.
+Lamp. Discovered!
+
+ They (Host.,Lamp.) fall on their knees.
+
+Host. Mercy, noble sir!
+Lamp. We crave your mercy!
+Balth. On your knees? 'tis well!
+ Pray! for your time is short.
+Host. Nay, do not kill us.
+Balth. You have been tried, condemned, and only wait
+ For execution. Which shall I begin with?
+Lamp. The lady, by all means, sir.
+Balth. Come, prepare. (To the hostess.)
+Host. Have pity by the weakness of my sex!
+Balth. Tell me, thou quaking mountain of gross flesh,
+ Tell me, and in a breath, how many poisons--
+ If you attempt it--(To LAMPEDO, who is making off)
+ you have cooked up for me?
+Host. None, as I hope for mercy!
+Balth. Is not thy wine a poison?
+Host. No indeed, sir;
+ 'T is not, I own, of the first quality;
+ But--
+Balth. What?
+Host. I always give short measure, sir,
+ And ease my conscience that way.
+Balth. Ease your conscience!
+ I'll ease your conscience for you.
+Host. Mercy, sir!
+Balth. Rise, if thou canst, and hear me.
+Host. Your commands, sir?
+Balth. If, in five minutes, all things are prepared
+ For my departure, you may yet survive.
+Host. It shall be done in less.
+Balth. Away, thou lumpfish. (Exit hostess.)
+Lamp. So! now comes my turn! 't is all over with me!
+ There's dagger, rope, and ratsbane in his looks!
+Baith. And now, thou sketch and outline of a man!
+ Thou thing that hast no shadow in the sun!
+ Thou eel in a consumption, eldest born
+ Of Death and Famine! thou anatomy
+ Of a starved pilchard!
+Lamp. I do confess my leanness. I am spare,
+ And, therefore, spare me.
+Balth. Why wouldst thou have made me
+ A thoroughfare, for thy whole shop to pass through?
+Lamp. Man, you know, must live.
+Balth. Yes: he must die, too.
+Lamp. For my patients' sake!
+Balth. I'll send you to the major part of them--
+ The window, sir, is open;-come, prepare.
+ Lamp. Pray consider!
+ I may hurt some one in the street.
+
+
+[Illustration: Lampedo and Hostess kneeling, with hands folded, pleading
+with Balthazar, who is standing over them, holding a sword. Several small
+glass bottles are on the table by the wall and scattered on the floor.]
+
+
+Balth. Why, then,
+ I'll rattle thee to pieces in a dicebox,
+ Or grind thee in a coffee mill to powder,
+ For thou must sup with Pluto:--so, make ready!
+ Whilst I, with this good smallsword for a lancet,
+ Let thy starved spirit out (for blood thou hast none),
+ And nail thee to the wall, where thou shalt look
+ Like a dried beetle with a pin stuck through him.
+Lamp. Consider my poor wife.
+Balth. Thy wife!
+Lamp. My wife, sir.
+Balth. Hast thou dared think of matrimony, too?
+ Thou shadow of a man, and base as lean!
+Lamp. O spare me for her sake!
+ I have a wife, and three angelic babes,
+ Who, by those looks, are well nigh fatherless.
+Balth. Well, well! your wife and children shall plead for you.
+ Come, come; the pills! where are the pills? Produce them.
+Lamp. Here is the box.
+Balth. Were it Pandora's, and each single pill
+ Had ten diseases in it, you should take them.
+Lamp. What, all?
+Balth. Ay, all; and quickly, too. Come, sir, begin--
+ (LAMPEDO takes one.) That's well!--Another.
+Lamp. One's a dose.
+Balth. Proceed, sir.
+Lamp. What will become of me?
+ Let me go home, and set my shop to rights,
+ And, like immortal Caesar, die with decency.
+Balth. Away! and thank thy lucky star I have not
+ Brayed thee in thine own mortar, or exposed thee
+ For a large specimen of the lizard genus.
+Lamp. Would I were one!--for they can feed on air.
+Balth. Home, sir! and be more honest.
+Lump. If I am not,
+ I'll be more wise, at least.
+
+
+NOTEs.--Pluto, in ancient mythology, the god of the lower world.
+
+Pandora is described in the Greek legends as the first created woman. She
+was sent by Jupiter to Epimetheus as a punishment, because the latter's
+brother, Prometheus, had stolen fire from heaven. When she arrived among
+men, she opened a box in which were all the evils of mankind, and
+everything escaped except Hope.
+
+
+
+LXIII. RIP VAN WINKLE. (242)
+
+The appearance of Rip, with his long, grizzled beard, his rusty fowling
+piece, his uncouth dress, and an army of women and children at his heels,
+soon attracted the attention of the tavern politicians. They crowded
+around him, eying him from head to foot with great curiosity. The orator
+bustled up to him, and, drawing him partly aside, inquired on which side
+he voted. Rip stared in vacant stupidity. Another short but busy little
+fellow pulled him by the arm, and, rising on tiptoe, inquired in his ear
+"whether he was Federal or Democrat."
+
+Rip was equally at a loss to comprehend the question; when a knowing,
+self-important old gentleman, in a sharp cocked hat, made his way through
+the crowd, putting them to the right and left with his elbows as he
+passed, and planting himself before Van Winkle, with one arm akimbo, the
+other resting on his cane, his keen eyes and sharp hat, penetrating, as it
+were, into his very soul, demanded, in an austere tone, what brought him
+to the election with a gun on his shoulder, and a mob at his heels, and
+whether he meant to breed a riot in the village.
+
+"Alas! gentlemen," cried Rip, somewhat dismayed, "I am a poor, quiet man,
+a native of the place, and a loyal subject of the king, God bless him!"
+Here a general shout burst from the bystanders.--"A tory! a tory! a spy! a
+refugee! hustle him! away with him!" It was with great difficulty that the
+self-important man in the cocked hat restored order; and, having a tenfold
+austerity of brow, demanded again of the unknown culprit, what he came
+there for, and whom he was seeking. The poor man humbly assured him that
+he meant no harm, but merely came there in search of some of his
+neighbors, who used to keep about the tavern. "Well, who are they? name
+them."
+
+Rip bethought himself a moment, and inquired, "Where's Nicholas Vedder?"
+There was a silence for a little while, when an old man replied, in a
+thin, piping voice, "Nicholas Vedder! why he is dead and gone these
+eighteen years! There was a wooden tombstone in the churchyard that used
+to tell all about him, but that's rotten and gone too." "Where's Brom
+Dutcher?" "Oh, he went off to the army in the beginning of the war. Some
+say he was killed at the storming of Stony Point; others say he was
+drowned in a squall at the foot of Anthony's Nose. I don't know; he never
+came back again."
+
+"Where's Van Bummel, the schoolmaster?" "He went off to the wars, too;
+was a great militia general, and is now in Congress." Rip's heart died
+away at hearing of these sad changes in his home and friends, and finding
+himself thus alone in the world. Every answer puzzled him, too, by
+treating of such enormous lapses of time, and of matters which he could
+not understand--war, Congress, Stony Point. He had no courage to ask after
+any more friends, but cried out in despair, "Does nobody here know Rip Van
+Winkle?"
+
+"Oh, Rip Van Winkle!" exclaimed two or three. "Oh, to be sure! That's Rip
+Van Winkle yonder, leaning against the tree." Rip looked, and beheld a
+precise counterpart of himself as he went up the mountain; apparently as
+lazy, and certainly as ragged. The poor fellow was now completely
+confounded; he doubted his own identity, and whether he was himself or
+another man. In the midst of his bewilderment, the man in the cocked hat
+demanded who he was, and what was his name.
+
+"God knows!" exclaimed he, at his wit's end. "I'm not myself; I'm somebody
+else; that's me yonder; no, that's somebody else got into my shoes. I was
+myself last night; but I fell asleep on the mountain, and they've changed
+my gun, and everything's changed, and I'm changed, and I can't tell what's
+my name or who I am!"
+
+The bystanders began now to look at each other, nod, wink significantly,
+and tap their fingers against their foreheads. There was a whisper, also,
+about securing the gun, and keeping the old fellow from doing mischief, at
+the very suggestion of which the self-important man in the cocked hat
+retired with some precipitation. At this critical moment, a fresh, comely
+woman pressed through the throng to get a peep at the gray-bearded man.
+She had a chubby child in her arms, which, frightened at his looks, began
+to cry. "Hush, Rip!" cried she, "hush, you little fool! the old man won't
+hurt you."
+
+The name of the child, the air of the mother, the tone of her voice, all
+awakened a train of recollections in his mind. "What is your name, my good
+woman?" asked he. "Judith Gardenier." "And your father's name?" "Ah, poor
+man! Rip Van Winkle was his name; but it's twenty years since he went away
+from home with his gun, and never has been heard of since; his dog came
+home without him; but whether he shot himself, or was carried away by the
+Indians, nobody can tell. I was then but a little girl."
+
+Rip had but one question more to ask; but he put it with a faltering
+voice: "Where's your mother?" "Oh, she, too, died but a short time since;
+she broke a blood vessel in a fit of passion at a New England peddler."
+There was a drop of comfort, at least, in this intelligence. The honest
+man could contain himself no longer. He caught his daughter and her child
+in his arms. "I am your father!" cried he. "Young Rip Van Winkle once, old
+Rip Van Winkle now! Does nobody know poor Rip Van Winkle?"
+
+All stood amazed, until an old woman, tottering out from among the crowd,
+put her hand to her brow, and, peering under it in his face for a moment,
+exclaimed, "Sure enough! it is Rip Van Winkle! it is himself! Welcome home
+again, old neighbor! Why, where have you been these twenty long years?"
+Rip's story was soon told, for the whole twenty years had been to him but
+as one night.
+
+To make a long story short, the company broke up and returned to the more
+important concerns of the election. Rip's daughter took him home to live
+with her. She had a snug, well-furnished house, and a stout, cheery farmer
+for a husband, whom Rip recollected for one of the urchins that used to
+climb upon his back. Rip now resumed his old walks and habits. He soon
+found many of his former cronies, though all rather the worse for the wear
+and tear of time, and preferred making friends among the rising
+generation, with whom he soon grew into great favor.
+ --Irving.
+
+NOTES.--Rip Van Winkle, according to Irving's story in "The Sketch Book,"
+was a great drunkard, and was driven from his home in the Catskill
+Mountains, one night, by his wife. Wandering among the mountains, he fell
+in with the ghosts of Hendrick Hudson and his crew, with whom he played a
+game of ninepins. Upon drinking the liquor which they offered him,
+however, he immediately fell into a deep sleep which lasted for twenty
+years. The above lesson recounts the events that befell him when he
+returned to his native village. In the meantime the Revolution of 1776 had
+taken place.
+
+The Federals and the Democrats formed the two leading political parties of
+that time.
+
+Stony Point is a promontory on the Hudson, at the entrance of the
+Highlands, forty-two miles from New York. It was a fortified post during
+the Revolution, captured by the British, and again retaken by the
+Americans under Wayne. Anthony's Nose is also a promontory on the Hudson,
+about fifteen miles above Stony Point.
+
+
+
+LXIV. BILL AND JOE. (246)
+
+Oliver Wendell Holmes, 1809-1894, was the son of Abiel Holmes, D.D. He was
+born in Cambridge, Massachusetts, and graduated at Harvard in 1829, having
+for classmates several men who have since become distinguished. After
+graduating, he studied law for about one year, and then turned his
+attention to medicine. He studied his profession in Paris, and elsewhere
+in Europe, and took his degree at Cambridge in 1836. In 1838 he was
+appointed Professor of Anatomy and Physiology in Dartmouth College. He
+remained here but a short time, and then returned to Boston and entered on
+the practice of medicine. In 1847 he was appointed professor at Harvard,
+filling a similar position to the one held at Dartmouth. He discharged the
+duties of his professorship for more than thirty years, with great
+success. Literature was never his profession; yet few American authors
+attained higher success, both as a poet and as a prose writer. His poems
+are lively and sparkling, abound in wit and humor, but are not wanting in
+genuine pathos. Many of them were composed for special occasions. His
+prose writings include works on medicine, essays, and novels; several
+appeared first as contributions to the "Atlantic Monthly." He gained
+reputation, also, as it popular lecturer. In person, Dr. Holmes was small
+and active, with a face expressive of thought and vivacity.
+###
+
+
+Come, dear old comrade, you and I
+Will steal an hour from days gone by--
+The shining days when life was new,
+And all was bright as morning dew,
+The lusty days of long ago,
+When you were Bill and I was Joe.
+
+Your name may flaunt a titled trail
+Proud as a cockerel's rainbow tail,
+And mine as brief appendix wear
+As Tam O'Shanter's luckless mare;
+To-day, old friend, remember still
+That I am Joe and you are Bill.
+
+You've won the great world's envied prize,
+And grand you look in people's eyes,
+With HON. and LL. D.,
+In big, brave letters fair to see,--
+Your fist, old fellow! Off they go!--
+How are you, Bill? How are you, Joe?
+
+You've worn the judge's ermined robe;
+You've taught your name to half the globe;
+You've sung mankind a deathless strain;
+You've made the dead past live again:
+The world may call you what it will,
+But you and I are Joe and Bill.
+
+The chaffing young folks stare and say,
+"See those old buffers, bent and gray;
+They talk like fellows in their teens;
+Mad, poor old boys! That's what it means"
+And shake their heads; they little know
+The throbbing hearts of Bill and Joe--
+
+How Bill forgets his hour of pride,
+While Joe sits smiling at his side;
+How Joe, in spite of time's disguise,
+Finds the old schoolmate in his eyes,--
+Those calm, stern eyes, that melt and fill,
+As Joe looks fondly up to Bill.
+
+Ah! pensive scholar, what is fame?
+A fitful tongue of leaping flame;
+A giddy whirlwind's fickle gust,
+That lifts a pinch of mortal dust;
+A few swift years, and who can show
+Which dust was Bill, and which was Joe.
+
+The weary idol takes his stand,
+Holds out his bruised and aching hand,
+While gaping thousands come and go--
+How vain it seems, this empty show!--
+Till all at once his pulses thrill:
+'T is poor old Joe's, "God bless you, Bill!"
+
+And shall we breathe in happier spheres
+The names that pleased our mortal ears;
+In some sweet lull of heart and song
+For earth born spirits none too long,
+Just whispering of the world below
+When this was Bill, and that was Joe?
+
+No matter; while our home is here,
+No sounding name is half so dear;
+When fades at length our lingering day,
+Who cares what pompous tombstones say?
+Read on the hearts that love us still,
+Hic jacet Joe. Hic jacet Bill.
+
+
+NOTE.--Hic jacet (pro. hic ja'cet) is a Latin phrase, meaning here lies.
+It is frequently used in epitaphs.
+
+
+
+LXV. SORROW FOR THE DEAD. (249)
+
+The sorrow for the dead is the only sorrow from which we refuse to be
+divorced. Every other wound we seek to heal; every other affliction, to
+forget; but this wound we consider it a duty to keep open. This affliction
+we cherish, and brood over in solitude. Where is the mother who would
+willingly forget the infant that has perished like a blossom from her
+arms, though every recollection is a pang? Where is the child that would
+willingly forget a tender parent, though to remember be but to lament?
+Who, even in the hour of agony, would forget the friend over whom he
+mourns?
+
+No, the love which survives the tomb is one of the noblest attributes of
+the soul. If it has its woes, it has likewise its delights: and when the
+overwhelming burst of grief is calmed into the gentle tear of
+recollection; when the sudden anguish and the convulsive agony over the
+present ruins of all that we most loved, is softened away into pensive
+meditation on all that it was in the days of its loveliness, who would
+root out such a sorrow from the heart? Though it may, sometimes, throw a
+passing cloud over the bright hour of gayety, or spread a deeper sadness
+over the hour of gloom; yet, who would exchange it even for the song of
+pleasure, or the burst of revelry? No, there is a voice from the tomb
+sweeter than song. There is a remembrance of the dead, to which we turn
+even from the charms of the living.
+
+Oh, the grave! the grave! It buries every error, covers every defect,
+extinguishes every resentment! From its peaceful bosom spring none but
+fond regrets and tender recollections. Who can look down upon the grave
+even of an enemy, and not feel a compunctious throb, that he should have
+warred with the poor handful of earth that lies moldering before him? But
+the grave of those we loved--what a place for meditation! There it is that
+we call up, in long review, the whole history of virtue and gentleness,
+and the thousand endearments lavished upon us, almost unheeded in the
+daily intercourse of intimacy; there it is that we dwell upon the
+tenderness, the solemn, awful tenderness of the parting scene; the bed of
+death, with all its stifled griefs, its noiseless attendance, its mute,
+watchful assiduities! the last testimonies of expiring love! the feeble,
+fluttering, thrilling,--oh! how thrilling!--pressure of the hand! the last
+fond look of the glazing eye turning upon us, even from the threshold of
+existence! the faint, faltering accents, struggling in death to give one
+more assurance of affection!
+
+Ay, go to the grave of buried love, and meditate! There settle the account
+with thy conscience for every past benefit unrequited; every past
+endearment unregarded, of that departed being, who can never--never--
+never return to be soothed by thy contrition! If thou art a child, and
+hast ever added a sorrow to the soul, or a furrow to the silvered brow of
+an affectionate parent; if thou art a husband, and hast ever caused the
+fond bosom that ventured its whole happiness in thy arms to doubt one
+moment of thy kindness or thy truth; if thou art a friend, and hast ever
+wronged, in thought, or word, or deed, the spirit that generously confided
+in thee; if thou hast given one unmerited pang to that true heart, which
+now lies cold and still beneath thy feet; then be sure that every unkind
+look, every ungracious word, every ungentle action, will come thronging
+back upon thy memory, and knocking dolefully at thy soul; then be sure
+that thou wilt lie down sorrowing and repentant on the grave, and utter
+the unheard groan, and pour the unavailing tear; more deep, more bitter,
+because unheard and unavailing.
+
+Then weave thy chaplet of flowers, and strew the beauties of nature about
+the grave; console thy broken spirit, if thou canst, with these tender,
+yet futile, tributes of regret: but take warning by the bitterness of
+this, thy contrite affliction over the dead, and henceforth be more
+faithful and affectionate in the discharge of thy duties to the living.
+ --Irving.
+
+
+
+LXVI. THE EAGLE. (251)
+
+James Gates Percival, 1795-1856, was born at Berlin, Connecticut, and
+graduated at Yale College in 1815, at the head of his class. He was
+admitted to the practice of medicine in 1820, and went to Charleston,
+South Carolina. In 1824 he was appointed Professor of Chemistry at West
+Point, a position which he held but a few months. In 1854 he was appointed
+State Geologist of Wisconsin, and died at Hazel Green, in that state. Dr.
+Percival was eminent as a geographer, geologist, and linguist. He began to
+write poetry at an early age, and his fame rests chiefly upon his writings
+in this department. In his private life, Percival was always shy, modest,
+and somewhat given to melancholy. Financially, his life was one of
+struggle, and he was often greatly straitened for money.
+###
+
+Bird of the broad and sweeping wing!
+ Thy home is high in heaven,
+Where the wide storms their banners fling,
+ And the tempest clouds are driven.
+Thy throne is on the mountain top;
+ Thy fields, the boundless air;
+And hoary peaks, that proudly prop
+ The skies, thy dwellings are.
+
+Thou art perched aloft on the beetling crag,
+ And the waves are white below,
+And on, with a haste that can not lag,
+ They rush in an endless flow.
+Again thou hast plumed thy wing for flight
+ To lands beyond the sea,
+And away, like a spirit wreathed in light,
+ Thou hurriest, wild and free.
+
+Lord of the boundless realm of air!
+ In thy imperial name,
+The hearts of the bold and ardent dare
+ The dangerous path of fame,
+Beneath the shade of thy golden wings,
+ The Roman legions bore,
+From the river of Egypt's cloudy springs,
+ Their pride, to the polar shore.
+
+For thee they fought, for thee they fell,
+ And their oath on thee was laid;
+To thee the clarions raised their swell,
+ And the dying warrior prayed.
+Thou wert, through an age of death and fears,
+ The image of pride and power,
+Till the gathered rage of a thousand years,
+ Burst forth in one awful hour.
+
+And then, a deluge of wrath, it came,
+ And the nations shook with dread;
+And it swept the earth, till its fields were flame,
+ And piled with the mingled dead.
+Kings were rolled in the wasteful flood,
+ With the low and crouching slave;
+And together lay, in a shroud of blood,
+ The coward and the brave.
+
+NOTES.--Roman legions. The Roman standard was the image of an eagle. The
+soldiers swore by it, and the loss of it was considered a disgrace.
+
+One awful hour. Alluding to the destruction of Rome by the northern
+barbarians.
+
+
+
+LXVII. POLITICAL TOLERATION. (253)
+
+Thomas Jefferson, 1743-1826, the third President of the United States, and
+the author of the Declaration of Independence, was born in Albemarle
+County, Virginia. He received most of his early education under private
+tutors, and at the age of seventeen entered William and Mary College,
+where he remained two years. At college, where he studied industriously,
+he formed the acquaintance of several distinguished men, among them was
+George Wythe, with whom he entered on the study of law. At the age of
+twenty-four he was admitted to the bar, and soon rose to high standing in
+his profession. In 1775 he entered the Colonial Congress, having
+previously served ably in the legislature of his native state. Although
+one of the youngest men in Congress, he soon took a foremost place in that
+body. He left Congress in the fall of 1776, and, as a member of the
+legislature, and later as Governor of Virginia, he was chiefly
+instrumental in effecting several important reforms in the laws of that
+state,--the most notable were the abolition of the law of primogeniture,
+and the passage of a law making all religious denominations equal. From
+1785 to 1789 he was Minister to France. On his return to America he was
+made Secretary of State, in the first Cabinet. While in this office, he
+became the leader of the Republican or Anti-Federalist party, in
+opposition to the Federalist party led by Alexander Hamilton. From 1801 to
+1809 he was President. On leaving his high office, he retired to his
+estate at "Monticello," where he passed the closing years of his life, and
+died on the 4th of July, just fifty years after the passage of his famous
+Declaration. His compatriot, and sometimes bitter political opponent, John
+Adams, died on the same day.
+
+Mr. Jefferson, who was never a ready public speaker, was a remarkably
+clear and forcible writer; his works fill several large volumes. In
+personal character, he was pure and simple, cheerful, and disposed to look
+on the bright side. His knowledge of life rendered his conversation highly
+attractive. The chief enterprise of his later years was the founding of
+the University of Virginia, at Charlottesville.
+###
+
+
+During the contest of opinion through which we have passed, the animation
+of discussions and of exertions has sometimes worn an aspect which might
+impose on strangers, unused to think freely and to speak and to write what
+they think; but this being now decided by the voice of the nation,
+announced according to the rules of the constitution, all will, of course,
+arrange themselves under the will of the law, and unite in common efforts
+for the common good.
+
+All, too, will bear in mind this sacred principle, that, though the will
+of the majority is, in all cases, to prevail, that will, to be rightful,
+must be reasonable; that the minority possess their equal rights, which
+equal laws must protect, and to violate which would be oppression. Let us
+then, fellow-citizens, unite with one heart and one mind.
+
+Let us restore to social intercourse that harmony and affection, without
+which liberty, and even life itself, are but dreary things; and let us
+reflect, that, having banished from our land that religious intolerance
+under which mankind so long bled and suffered, we have gained little if we
+countenance a political intolerance as despotic, as wicked, and capable of
+as bitter and bloody persecutions.
+
+During the throes and convulsions of the ancient world; during the
+agonizing spasms of infuriated man, seeking, through blood and slaughter,
+his long-lost liberty; it was not wonderful that the agitation of the
+billows should reach even this distant and peaceful shore; that this
+should be more felt and feared by some, and less by others, and should
+divide opinions as to measures of safety.
+
+But every difference of opinion is not a difference of principle. We have
+called by different names brethren of the same principle. We are all
+Republicans; we are all Federalists. If there be any among us who would
+wish to dissolve this Union, or to change its republican form, let them
+stand undisturbed as monuments of the safety with which error of opinion
+may be tolerated when reason is left free to combat it.
+
+I know, indeed, that some honest men fear that a republican government can
+not be strong; that this government is not strong enough. But would the
+honest patriot, in the full tide of successful experiment, abandon a
+government which has so far kept us free and firm, on the theoretic and
+visionary fear that this government, the world's best hope, may, by
+possibility, want energy to preserve itself? I trust not; I believe this,
+on the contrary, the strongest government on earth.
+
+I believe it to be the only one where every man, at the call of the law,
+would fly to the standard of the law, and would meet invasions of the
+public order as his own personal concern. Sometimes it is said that man
+can not be trusted with the government of himself. Can he, then, be
+trusted with the government of others, or have we found angels, in the
+form of kings, to govern him? Let history answer this question. Let us,
+then, with courage and confidence, pursue our own federal and republican
+principles; our attachment to union and representative government.
+
+NOTE.--At the time of Jefferson's election, party spirit ran very high. He
+had been defeated by John Adams at the previous presidential election, but
+the Federal party, to which Adams belonged, became weakened by their
+management during difficulties with France; and now Jefferson had been
+elected president over his formerly successful rival. The above selection
+is from his inaugural address.
+
+
+
+LXVIII. WHAT CONSTITUTES A STATE? (255)
+
+Sir William Jones, 1746-1794, was the son of an eminent mathematician; he
+early distinguished himself by his ability as a student. He graduated at
+Oxford, became well versed in Oriental literature, studied law, and wrote
+many able books. In 1783 he was appointed Judge of the Supreme Court of
+Judicature in Bengal. He was a man of astonishing learning, upright life,
+and Christian principles.
+###
+
+
+ What constitutes a state?
+Not high-raised battlement or labored mound,
+ Thick wall or moated gate;
+Not cities proud with spires and turrets crowned;
+ Not bays and broad-armed ports,
+Where, laughing at the storm, rich navies ride;
+ Not starred and spangled courts,
+Where low-browed baseness wafts perfume to pride.
+
+ No:--men, high-minded men,
+With powers as far above dull brutes endued
+ In forest, brake, or den,
+As beasts excel cold rocks and brambles rude,--
+ Men who their duties know,
+But know their rights, and, knowing, dare maintain,
+ Prevent the long-aimed blow,
+And crush the tyrant while they rend the chain:
+ These constitute a state;
+And sovereign Law, that state's collected will,
+ O'er thrones and globes elate,
+Sits empress, crowning good, repressing ill.
+
+
+LXIX. THE BRAVE AT HOME. (256)
+
+Thomas Buchanan Read, 1822-1872, an American poet and painter, was born in
+Chester County, Pennsylvania. At the age of seventeen he entered a
+sculptor's studio in Cincinnati. Here he gained reputation as a painter of
+portraits. From this city he went to New York, Boston, and Philadelphia,
+and soon after to Florence, Italy. In the later years of his life, he
+divided his time between Cincinnati, Philadelphia, and Rome. His complete
+poetical works fill three volumes. Several of his most stirring poems
+relate to the Revolutionary War, and to the late Civil War in America.
+Many of his poems are marked by vigor and a ringing power, while
+smoothness and delicacy distinguish others, no less.
+###
+
+
+The maid who binds her warrior's sash,
+ And, smiling, all her pain dissembles,
+The while beneath the drooping lash,
+ One starry tear-drop hangs and trembles;
+Though Heaven alone records the tear,
+ And fame shall never know her story,
+Her heart has shed a drop as dear
+ As ever dewed the field of glory!
+
+The wife who girds her husband's sword,
+ 'Mid little ones who weep and wonder,
+And bravely speaks the cheering word,
+ What though her heart be rent asunder;--
+Doomed nightly in her dreams to hear
+ The bolts of war around him rattle,--
+Has shed as sacred blood as e'er
+ Was poured upon the field of battle!
+
+The mother who conceals her grief,
+ While to her breast her son she presses,
+Then breathes a few brave words and brief,
+ Kissing the patriot brow she blesses;
+With no one but her loving God,
+ To know the pain that weighs upon her,
+Sheds holy blood as e'er the sod
+ Received on Freedom's field of honor!
+
+
+NOTE.--The above selection is from the poem entitled "The Wagoner of the
+Alleghanies."
+
+
+
+LXX. SOUTH CAROLINA. (257)
+
+Robert Young Hayne, 1791-1840, was born in Colleton District, South
+Carolina, and studied and practiced law at Charleston. He was early
+elected to the State Legislature, and became Speaker of the House and
+Attorney-general of the state. He entered the Senate of the United States
+at the age of thirty-one. He was Governor of South Carolina during the
+"Nullification" troubles in 1832 and 1833. Mr. Hayne was a clear and able
+debater, and a stanch advocate of the extreme doctrine of "State Rights."
+In the Senate he opposed the Tariff Bill of 1828; and, out of this
+struggle, grew his famous debate with Daniel Webster in 1830. The
+following selection is an extract from Mr. Hayne's speech on that
+memorable occasion.
+###
+
+
+If there be one state in the Union, Mr. President, that may challenge
+comparison with any other, for a uniform, zealous, ardent, and
+uncalculating devotion to the Union, that state is South Carolina. Sir,
+from the very commencement of the Revolution, up to this hour, there is no
+sacrifice, however great, she has not cheerfully made; no service she has
+ever hesitated to perform.
+
+She has adhered to you in your prosperity; but in your adversity she has
+clung to you with more than filial affection. No matter what was the
+condition of her domestic affairs; though deprived of her resources,
+divided by parties, or surrounded by difficulties, the call of the country
+has been to her as the voice of God. Domestic discord ceased at the sound;
+every man became at once reconciled to his brethren, and the sons of
+Carolina were all seen, crowding to the temple, bringing their gifts to
+the altar of their common country.
+
+What, sir, was the conduct of the South, during the Revolution? Sir, I
+honor New England for her conduct in that glorious struggle. But great as
+is the praise which belongs to her, I think at least equal honor is due to
+the South. Never were there exhibited, in the history of the world, higher
+examples of noble daring, dreadful suffering, and heroic endurance, than
+by the whigs of Carolina, during the Revolution. The whole state, from the
+mountains to the sea, was overrun by an overwhelming force of the enemy.
+The fruits of industry perished on the spot where they were produced, or
+were consumed by the foe.
+
+The plains of Carolina drank up the most precious blood of her citizens.
+Black, smoking ruins marked the places which had been the habitation of
+her children. Driven from their homes into the gloomy and almost
+impenetrable swamps, even there the spirit of liberty survived, and South
+Carolina, sustained by the example of her Sumters and her Marions, proved,
+by her conduct, that though her soil might be overrun, the spirit of her
+people was invincible.
+
+
+NOTES.--Thomas Sumter (b. 1734, d. 1832) was by birth a Virginian, but
+during the Revolution commanded South Carolina troops. He was one of the
+most active and able of the Southern generals, and, after the war, was
+prominent in politics. He was the last surviving general of the
+Revolution.
+
+Francis Marion (b. 1732, d. 1795), known as the "Swamp Fox," was a native
+South Carolinian, of French descent. Marion's brigade became noted during
+the Revolution for its daring and surprising attacks. See Lesson CXXXV.
+
+
+
+LXXI. MASSACHUSETTS AND SOUTH CAROLINA. (259)
+
+Daniel Webster, 1782-1852. This celebrated American statesman and orator
+was born in Salisbury, New Hampshire. His father, Ebenezer Webster, was a
+pioneer settler, a soldier in the Old French War and the Revolution, and a
+man of ability and strict integrity, Daniel attended the common school in
+his youth, and fitted for college under Rev. Samuel Wood, of Boseawen,
+graduating at Dartmouth in 1801. He spent a few months of his boyhood at
+"Phillips Academy," Exeter, where he attained distinction as a student,
+but was so diffident that he could never give a declamation before his
+class. During his college course, and later, he taught school several
+terms in order to increase his slender finances. He was admitted to the
+bar in Boston in 1805. For the next eleven years, he practiced his
+profession in his native state. In 1812 he was elected to the United
+States House of Representatives, and at once took his place as one of the
+most prominent men of that body. In 1816 he removed to Boston; and in 1827
+he was elected to the United States Senate, where he continued for twelve
+years. In 1841 he was made Secretary of State, and soon after negotiated
+the famous "Ashburton Treaty" with England, settling the northern boundary
+of the United States. In 1845 he returned to the Senate; and in 1850 he
+was re-appointed Secretary of State, and continued in office till his
+death. He died at his country residence in Marshfield, Massachusetts.
+
+Mr. Webster's fame rests chiefly on his state papers and his speeches in
+Congress; but he took a prominent part in some of the most famous law
+cases of the present century. Several of his public addresses on
+occasional themes are well known, also. As a speaker, he was dignified and
+stately, using clear, straightforward, pure English. He had none of the
+tricks of oratory. He was large of person, with a massive head, a swarthy
+complexion, and deep-set, keen, and lustrous eyes. His grand presence
+added much to his power as a speaker.
+###
+
+
+The eulogium pronounced on the character of the State of South Carolina by
+the honorable gentleman, for her Revolutionary and other merits, meets my
+hearty concurrence. I shall not acknowledge that the honorable member goes
+before me, in regard for whatever of distinguished talent or distinguished
+character South Carolina has produced. I claim part of the honor; I
+partake in the pride of her great names. I claim them for countrymen, one
+and all--the Laurenses, the Rutledges, the Pinckneys, the Sumters, the
+Marions--Americans all--whose fame is no more to be hemmed in by state
+lines than their talents and patriotism were capable of being
+circumscribed within the same narrow limits.
+
+In their day and generation, they served and honored the country, and the
+whole country, and their renown is of the treasures of the whole country.
+Him whose honored name the gentleman himself bears,--does he suppose me
+less capable of gratitude for his patriotism, or sympathy for his
+suffering, than if his eyes had first opened upon the light in
+Massachusetts, instead of South Carolina? Sir, does he suppose it in his
+power to exhibit in Carolina a name so bright as to produce envy in my
+bosom? No, sir,--increased gratification and delight rather. Sir, I thank
+God that, if I am gifted with little of the spirit which is said to be
+able to raise mortals to the skies, I have yet none, as I trust, of that
+other spirit which would drag angels down.
+
+When I shall be found, sir, in my place here in the Senate, or elsewhere,
+to sneer at public merit because it happened to spring up beyond the
+little limits of my own state or neighborhood; when I refuse for any such
+cause, or for any cause, the homage due to American talent, to elevated
+patriotism, to sincere devotion to liberty and the country; or if I see an
+uncommon endowment of Heaven; if I see extraordinary capacity or virtue in
+any son of the South; and if, moved by local prejudice, or gangrened by
+state jealousy, I get up here to abate a tithe of a hair from his just
+character and just fame, may my tongue cleave to the roof of my mouth!
+
+Mr. President, I shall enter on no encomium upon Massachusetts. She needs
+none. There she is; behold her, and judge for yourselves. There is her
+history; the world knows it by heart. The past, at least, is secure. There
+is Boston, and Concord, and Lexington, and Bunker Hill; and there they
+will remain forever. And, sir, where American Liberty raised its first
+voice, and where its youth was nurtured and sustained, there it still
+lives, in the strength of its manhood, and full of its original spirit. If
+discord and disunion shall wound it; if party strife and blind ambition
+shall hawk at and tear it; if folly and madness, if uneasiness under
+salutary restraint, shall succeed to separate it from that Union, by which
+alone its existence is made sure, it will stand, in the end, by the side
+of that cradle in which its infancy was rocked; it will stretch forth its
+arm, with whatever of vigor it may still retain, over the friends who
+gathered around it; and it will fall at last, if fall it must, amid the
+proudest monuments of its glory and on the very spot of its origin.
+
+
+NOTES.--The Laurenses were of French descent. Henry Laurens was appointed
+on the commission with Franklin and Jay to negotiate the treaty of peace
+at Paris at the close of the Revolution. His son, John Laurens, was an aid
+and secretary of Washington, who was greatly attached to him.
+
+The Rutledges were of Irish descent. John Rutledge was a celebrated
+statesman and lawyer. He was appointed Chief Justice of the United States,
+but the Senate, for political reasons, refused to confirm his appointment.
+
+
+Edward Rutledge, brother of the preceding, was Governor of South Carolina
+during the last two years of his life.
+
+The Pinckneys were an old English family who emigrated to Charleston in
+1687. Charles Cotesworth Pinckney and his brother Thomas were both active
+participants in the Revolution. The former was an unsuccessful candidate
+for the presidency of the United States, in 1800.
+
+Thomas was elected governor of South Carolina in 1789. In the war of 1812
+he served as major-general.
+
+Charles Pinckney, a second cousin of the two already mentioned, was four
+times elected governor of his state.
+
+
+
+LXXII. THE CHURCH SCENE FROM EVANGELINE. (262)
+
+Henry Wadsworth Longfellow, 1807-1882, the son of Hon. Stephen Longfellow,
+an eminent lawyer of Portland, Maine, was born in that city. He graduated,
+at the age of eighteen, at Bowdoin College. He was soon appointed to the
+chair of Modern Languages and Literature in that institution, and, to fit
+himself further for his work, he went abroad and spent four years in
+Europe. He remained at Bowdoin till 1835, when he was appointed to the
+chair of Modern Languages and Belles-lettres in Harvard University. On
+receiving this appointment, he again went to Europe and remained two
+years. He resigned his professorship in 1854, and after that time resided
+in Cambridge, pursuing his literary labors and giving to the public, from
+time to time, the fruits of his pen. In 1868 he made a voyage to England,
+where he was received with extraordinary marks of honor and esteem. In
+addition to Mr. Longfellow's original works, both in poetry and in prose,
+he distinguished himself by several translations; the most famous is that
+of the works of Dante.
+
+Mr. Longfellow's poetry is always elegant and chaste, showing in every
+line traces of his careful scholarship. Yet it is not above the popular
+taste or comprehension, as is shown by the numerous and varied editions of
+his poems. Many of his poems treat of historical themes; "Evangeline,"
+from which the following selection is taken, is esteemed by many as the
+most beautiful of all his longer poems; it was first published in 1847.
+###
+
+
+So passed the morning away. And lo! with a summons sonorous
+Sounded the bell from its tower, and over the meadows a drumbeat.
+Thronged erelong was the church with men. Without, in the churchyard,
+Awaited the women. They stood by the graves, and hung on the headstones
+Garlands of autumn leaves and evergreens fresh from the forest.
+Then came the guard from the ships, and marching proudly among them
+Entered the sacred portal. With loud and dissonant clangor
+Echoed the sound of their brazen drums from ceiling and casement,--
+Echoed a moment only, and slowly the ponderous portal
+Closed, and in silence the crowd awaited the will of the soldiers.
+
+Then uprose their commander, and spake from the steps of the altar,
+Holding aloft in his hands, with its seals, the royal commission.
+"You have convened this day," he said, "by his Majesty's orders.
+Clement and kind has he been; but how you have answered his kindness,
+Let your own hearts reply! To my natural make and my temper
+Painful the task is I do, which to you I know must be grievous.
+Yet must I bow and obey, and deliver the will of our monarch;
+Namely, that all your lands, and dwellings, and cattle of all kinds
+Forfeited be to the crown; and that you yourselves from this province
+Be transported to other lands. God grant you may dwell there
+Ever as faithful subjects, a happy and peaceable people!
+Prisoners now I declare you; for such is his Majesty's pleasure!"
+
+As, when the air is serene in the sultry solstice of summer,
+Suddenly gathers a storm, and the deadly sling of the hailstones
+Beats down the farmer's corn in the field and shatters his windows,
+Hiding the sun, and strewing the ground with thatch from the house roofs,
+Bellowing fly the herds, and seek to break their inclosure;
+So on the hearts of the people descended the words of the speaker.
+Silent a moment they stood in speechless wonder, and then rose
+Louder and ever louder a wail of sorrow and anger,
+And, by one impulse moved, they madly rushed to the doorway.
+
+Vain was the hope of escape; and cries and fierce imprecations
+Rang through the house of prayer; and high o'er the heads of the others
+Rose, with his arms uplifted, the figure of Basil the blacksmith,
+As, on a stormy sea, a spar is tossed by the billows.
+Flushed was his face and distorted with passion; and wildly he shouted,--
+"Down with the tyrants of England! we never have sworn them allegiance!
+Death to these foreign soldiers, who seize on our homes and our harvests!"
+More he fain would have said, but the merciless hand of a soldier
+Smote him upon the mouth, and dragged him down to the pavement.
+
+In the midst of the strife and tumult of angry contention,
+Lo! the door of the chancel opened, and Father Felician
+Entered, with serious mien, and ascended the steps of the alter.
+Raising his reverend hand, with a gesture he awed into silence
+All that clamorous throng; and thus he spake to his people;
+Deep were his tones and solemn; in accents measured and mournful
+Spake he, as, after the tocsin's alarum, distinctly the clock strikes.
+
+"What is this that ye do, my children? what madness has seized you?
+Forty years of my life have I labored among you, and taught you,
+Not in word alone, but in deed, to love one another!
+Is this the fruit of my toils, of my vigils and prayers and privations?
+Have you so soon forgotten all the lessons of love and forgiveness?
+This is the house of the Prince of Peace, and would you profane it
+Thus with violent deeds and hearts overflowing with hatred?
+Lo! where the crucified Christ from his cross is gazing upon you!
+See! in those sorrowful eyes what meekness and holy compassion!
+Hark! how those lips still repeat the prayer, 'O Father, forgive them!'
+Let us repeat that prayer in the hour when the wicked assail us,
+Let us repeat it now, and say, 'O Father, forgive them.' "
+
+Few were his words of rebuke, but deep in the hearts of his people
+Sank they, and sobs of contrition succeeded the passionate outbreak,
+While they repeated his prayer, and said, "O Father, forgive them!"
+
+
+NOTE.--Nova Scotia was first settled by the French, but, in 1713, was
+ceded to the English. The inhabitants refusing either to take the oath of
+allegiance or to bear arms against their fellow-countrymen in the French
+and Indian War, it was decided to remove the whole people, and distribute
+them among the other British provinces. This was accordingly done in 1755.
+The villages were burned to the ground, and the people hurried on board
+the ships in such a way that but a few families remained undivided.
+
+Longfellow's poem of "Evangeline" is founded on this incident, and the
+above selection describes the scene where the male inhabitants of
+Grand-Pre' are assembled in the church, and the order for their banishment
+is first made known to them.
+
+
+LXXIII. SONG OF THE SHIRT. (266)
+
+Thomas Hood, 1798-1845, the son of a London bookseller, was born in that
+city. He undertook, after leaving school, to learn the art of an engraver,
+but soon gave up the business, and turned his attention to literature. His
+lighter pieces, exhibiting his skill as a wit and punster, soon became
+well known and popular. In 1821 he became subeditor of the "London
+Magazine," and formed the acquaintance of the literary men of the
+metropolis. The last years of his life were clouded by poverty and ill
+health. Some of his most humorous pieces were written on a sick bed. Hood
+is best known as a joker--a writer of "whims and oddities"--but he was no
+mere joker. Some of his pieces are filled with the tenderest pathos; and a
+gentle spirit, in love with justice and humanity, pervades even his
+lighter compositions. His "Song of the Shirt" first appeared in the
+"London Punch."
+###
+
+
+With fingers weary and worn,
+ With eyelids heavy and red,
+A woman sat, in unwomanly rags,
+ Plying her needle and thread:
+Stitch! stitch! stitch!
+ In poverty, hunger, and dirt,
+And still with a voice of dolorous pitch,
+ She sang the "Song of the Shirt!"
+
+ "Work! work! work!
+While the cock is crowing aloof!
+ And work! work! work!
+Till the stars shine through the roof!
+ It is oh to be a slave
+Along with the barbarous Turk,
+ Where woman has never a soul to save,
+If this is Christian work!
+
+ "Work! work! work!
+Till the brain begins to swim;
+ Work! work! work!
+Till the eyes are heavy and dim!
+ Seam, and gusset, and band,
+Band, and gusset, and seam,
+ Till over the buttons I fall asleep,
+And sew them on in a dream!
+
+ "O men, with sisters dear!
+ O men, with mothers and wives!
+It is not linen you're wearing out,
+ But human creatures' lives!
+ Stitch! stitch! stitch!
+ In poverty, hunger, and dirt,--
+Sewing at once, with a double thread,
+ A shroud as well as a shirt.
+
+ "But why do I talk of Death?
+ That Phantom of grisly bone,
+I hardly fear his terrible shape,
+ It seems so like my own;
+ It seems so like my own,
+ Because of the fasts I keep;
+O God! that bread should be so dear,
+ And flesh and blood so cheap!
+
+ "Work! work! work!
+My labor never flags;
+ And what are its wages? A bed of straw,
+A crust of bread--and rags,
+ That shattered roof--and this naked floor--
+A table--a broken chair--
+ And a wall so blank, my shadow I thank
+For sometimes falling there.
+
+ "Work! work! work!
+From weary chime to chime!
+ Work! work! work!
+As prisoners work for crime!
+ Band, and gusset, and seam,
+ Seam, and gusset, and band,
+Till the heart is sick, and the brain benumbed,
+ As well as the weary hand.
+
+ "Work! work! work!
+In the dull December light,
+ And work! work! work!
+When the weather is warm and bright;
+While underneath the eaves
+ The brooding swallows cling,
+As if to show me their sunny backs,
+ And twit me with the spring.
+
+ "Oh but to breathe the breath
+ Of the cowslip and primrose sweet!
+With the sky above my head,
+ And the grass beneath my feet!
+For only one short hour
+ To feel as I used to feel,
+Before I knew the woes of want,
+ And the walk that costs a meal!
+
+ "Oh but for one short hour,--
+ A respite, however brief!
+No blessed leisure for love or hope,
+ But only time for grief!
+A little weeping would ease my heart,
+ But in their briny bed
+My tears must stop, for every drop
+ Hinders needle and thread."
+
+With fingers weary and worn,
+ With eyelids heavy and red,
+A woman sat, in unwomanly rags,
+ Plying her needle and thread:
+ Stitch! stitch! stitch!
+ In poverty, hunger, and dirt,
+And still with a voice of dolorous pitch--
+Would that its tone could reach the rich!
+ She sang this "Song of the Shirt."
+
+
+
+LXXIV. DIAMOND CUT DIAMOND. (269)
+
+Edouard Rene Lefebvre-Laboulaye, 1811-1883, was a French writer of note.
+Most of his works involve questions of law and politics, and are
+considered high authority on the questions discussed. A few works, such as
+"Abdallah," from which the following extract is adapted, were written as a
+mere recreation in the midst of law studies; they show great imaginative
+power. Laboulaye took great interest in the United States, her people, and
+her literature; and many of his works are devoted to American questions.
+He translated the works of Dr. William E. Channing into French.
+###
+
+
+Mansour, the Egyptian merchant, one day repaired to the cadi on account of
+a suit, the issue of which troubled him but little. A private conversation
+with the judge had given him hopes of the justice of his cause. The old
+man asked his son Omar to accompany him in order to accustom him early to
+deal with the law.
+
+The cadi was seated in the courtyard of the mosque. He was a fat,
+good-looking man, who never thought, and talked little, which, added to
+his large turban and his air of perpetual astonishment, gave him a great
+reputation for justice and gravity.
+
+The spectators were numerous; the principal merchants were seated on the
+ground on carpets, forming a semicircle around the magistrate. Mansour
+took his seat a little way from the sheik, and Omar placed himself between
+the two, his curiosity strongly excited to see how the law was obeyed, and
+how it was trifled with in case of need.
+
+The first case called was that of a young Banian, as yellow as an orange,
+with loose flowing robes and an effeminate air, who had lately landed from
+India, and who complained of having been cheated by one of Mansour's
+rivals.
+
+"Having found a casket of diamonds among the effects left by my father,"
+said he, "I set out for Egypt, to live there on the proceeds of their
+sale. I was obliged by bad weather to put into Jidda, where I soon found
+myself in want of money. I went to the bazaar, and inquired for a dealer
+in precious stones. The richest, I was told, was Mansour; the most honest,
+Ali, the jeweler. I applied to Ali.
+
+"He welcomed me as a son, as soon as he learned that I had diamonds to
+sell, and carried me home with him. He gained my confidence by every kind
+of attention, and advanced me all the money I needed. One day, after
+dinner, at which wine was not wanting, he examined the diamonds, one by
+one, and said, 'My child, these diamonds are of little value; my coffers
+are full of such stones. The rocks of the desert furnish them by
+thousands.'
+
+"To prove the truth of what he said, he opened a box, and, taking
+therefrom a diamond thrice as large as any of mine, gave it to the slave
+that was with me. 'What will become of me?' I cried; 'I thought myself
+rich, and here I am, poor, and a stranger.'
+
+"'My child,' replied Ali, 'Leave this casket with me, and I will give you
+a price for it such as no one else would offer. Choose whatever you wish
+in Jidda, and in two hours I will give you an equal weight of what you
+have chosen in exchange for your Indian stones.'
+
+"On returning home, night brought reflection. I learned that Ali had been
+deceiving me. What he had given to the slave was nothing but a bit of
+crystal. I demanded my casket. Ali refused to restore it. Venerable
+magistrate, my sole hope is in your justice."
+
+It was now Ali's turn to speak. "Illustrious cadi," said he, "It is true
+that we made a bargain, which I am ready to keep, The rest of the young
+man's story is false. What matters it what I gave the slave? Did I force
+the stranger to leave the casket in my hands? Why does he accuse me of
+treachery? Have I broken my word, and has he kept his?"
+
+"Young man," said the cadi to the Banian, "have you witnesses to prove
+that Ali deceived you? If not, I shall put the accused on his oath, as the
+law decrees." A Koran was brought. Ali placed his hand on it, and swore
+three times that he had not deceived the stranger. "Wretch," said the
+Banian, "thou art among those whose feet go down to destruction. Thou hast
+thrown away thy soul."
+
+Omar smiled, and while Ali was enjoying the success of his ruse, he
+approached the stranger, and asked, "Do you wish me to help you gain the
+suit?" "Yes," was the reply; "but you are only a child--you can do
+nothing."
+
+"Have confidence in me a few moments," said Omar; "accept Ali's bargain;
+let me choose in your stead, and fear nothing."
+
+The stranger bowed his head, and murmured, "What can I fear after having
+lost all?" Then, turning to the cadi, and bowing respectfully, "Let the
+bargain be consummated," said he, "since the law decrees it, and let this
+young man choose in my stead what I shall receive in payment."
+
+A profound silence ensued. Omar rose, and, bowing to the cadi, "Ali," said
+he to the jeweler, "you have doubtless brought the casket, and can tell us
+the weight thereof."
+
+"Here it is," said Ali; "it weighs twenty pounds. Choose what you will; if
+the thing asked for is in Jidda, you shall have it within two hours,
+otherwise the bargain is null and void."
+
+"What we desire," said Omar, raising his voice, "is ants' wings, half male
+and half female. You have two hours in which to furnish the twenty pounds
+you have promised us." "This is absurd," cried the jeweler; "it is
+impossible. I should need half a score of persons and six months labor to
+satisfy so foolish a demand."
+
+"Are there any winged ants in Jidda?" asked the cadi. "Of course,"
+answered the merchants, laughing; "they are one of the plagues of Egypt.
+Our houses are full of them, and it would be doing us a great service to
+rid us of them."
+
+"Then Ali must keep his promise or give back the casket," said the cadi.
+"This young man was mad to sell his diamonds weight for weight; he is mad
+to exact such payment. So much the better for Ali the first time: so much
+the worse for him the second. Justice has not two weights and measures.
+Every bargain holds good before the law. Either furnish twenty pounds of
+ants' wings, or restore the casket to the Banian." "A righteous judgment,"
+shouted the spectators, wonder-struck at such equity.
+
+
+[Illustration: In front of a middle-eastern building; a man seated with a
+sword and water-pipe, facing a crowd. A small boy with his left arm
+outstreached, is speaking to the man. A taller young man stands to the
+right of the small boy; an older man stands further to the right.]
+
+
+The stranger, beside himself with joy, took from the casket three diamonds
+of the finest water; he forced them on Omar, who put them in his girdle,
+and seated himself by his father, his gravity unmoved by the gaze of the
+assembly. "Well done," said Mansour; "but it is my turn now; mark me well,
+and profit by the lesson I shall give you. Stop, young man!" he cried to
+the Banian, "we have an account to settle."
+
+"The day before yesterday," continued he, "this young man entered my shop,
+and, bursting into tears, kissed my hand and entreated me to sell him a
+necklace which I had already sold to the Pasha of Egypt, saying that his
+life and that of a lady depended upon it. 'Ask of me what you will, my
+father,' said he, 'but I must have these gems or die.'
+
+"I have a weakness for young men, and, though I knew the danger of
+disappointing my master the pasha, I was unable to resist his
+supplications. 'Take the necklace,' said I to him, 'but promise to give
+whatever I may ask in exchange.' 'My head itself, if you will,' he
+replied, 'for you have saved my life,' We were without witnesses, but,"
+added Mansour, turning to the Banian, "is not my story true?"
+
+"Yes," said the young man, "and I beg your pardon for not having satisfied
+you sooner: you know the cause. Ask of me what you desire."
+
+"What I desire," said Mansour, "is the casket with all its contents.
+Illustrious magistrate, you have declared that all bargains hold good
+before the law; this young man has promised to give me what I please; now
+I declare that nothing pleases me but these diamonds."
+
+The cadi raised his head and looked about the assembly, as if to
+interrogate the faces, then stroked his beard, and relapsed into his
+meditations.
+
+"Ali is defeated," said the sheik to Omar, with a smile, "The fox is not
+yet born more cunning than the worthy Mansour."
+
+"I am lost!" cried the Banian. "O Omar, have you saved me only to cast me
+down from the highest pinnacle of joy to the depths of despair? Persuade
+your father to spare me, that I may owe my life to you a second time."
+
+"Well, my son," said Mansour, "doubtless you are shrewd, but this will
+teach you that your father knows rather more than you do. The cadi is
+about to decide: try whether you can dictate his decree."
+
+"It is mere child's play," answered Omar, shrugging his shoulders; "but
+since you desire it, my father, you shall lose your suit." He rose, and
+taking a piaster from his girdle, put it into the hand of the Banian, who
+laid it before the judge.
+
+"Illustrious cadi," said Omar, "this young man is ready to fulfill his
+engagement. This is what he offers Mansour--piaster. In itself this coin
+is of little value; but examine it closely, and you will see that it is
+stamped with the likeness of the sultan, our glorious master. May God
+destroy and confound all who disobey his highness!
+
+"It is this precious likeness that we offer you," added he, turning to
+Mansour; "if it pleases you, you are paid; to say that it displeases you
+is an insult to the pasha, a crime punishable by death; and I am sure that
+our worthy cadi will not become your accomplice--he who has always been
+and always will be the faithful servant of an the sultans."
+
+When Omar had finished speaking, all eyes turned toward the cadi, who,
+more impenetrable than ever, stroked his face and waited for the old man
+to come to his aid. Mansour was agitated and embarrassed. The silence of
+the cadi and the assembly terrified him, and he cast a supplicating glance
+toward his son.
+
+"My father," said Omar, "permit this young man to thank you for the lesson
+of prudence which you have given him by frightening him a little. He knows
+well that it was you who sent me to his aid, and that all this is a farce.
+No one is deceived by hearing the son oppose the Father, and who has ever
+doubted Mansour's experience and generosity?"
+
+"No one," interrupted the cadi, starting up like a man suddenly awakened
+from a dream, "and I least of all; and this is why I have permitted you to
+speak, my young Solomon. I wished to honor in you the wisdom of your
+father; but another time avoid meddling with his highness's name; it is
+not safe to sport with the lion's paws. The matter is settled. The
+necklace is worth a hundred thousand piasters, is it not, Mansour? This
+madcap, shall give you, therefore, a hundred thousand piasters, and all
+parties will be satisfied."
+
+
+NOTES--A cadi in the Mohammedan countries corresponds to our magistrate.
+
+A sheik among the Arabs and Moors, may mean simply an old man, or, as in
+this case, a man of eminence.
+
+A Banian is a Hindoo merchant, particularly one who visits foreign
+countries on business.
+
+Jidda is a city in Arabia, on the Red Sea
+
+A pasha is the governor of a Turkish province.
+
+The Turkish piaster was formerly worth twenty-five cents: it is now worth
+only about eight cents.
+
+
+
+LXXV. THANATOPSIS. (275)
+
+To him who in the love of Nature holds
+Communion with her visible forms, she speaks
+A various language: for his gayer hours
+She has a voice of gladness, and a smile
+And eloquence of beauty; and she glides
+Into his darker musings, with a mild
+And healing sympathy, that steals away
+Their sharpness, ere he is aware.
+ When thoughts
+Of the last hitter hour come like a blight
+Over thy spirit, and sad images
+Of the stern agony, and shroud, and pall,
+And breathless darkness, and the narrow house,
+Make thee to shudder, and grow sick at heart;--
+Go forth, under the open sky, and list
+To Nature's teachings, while from all around--
+Earth and her waters, and the depths of air--
+Comes a still voice,--
+
+ Yet a few days, and thee
+The all-beholding sun shall see no more
+In all his course; nor yet in the cold ground,
+Where thy pale form was laid, with many tears,
+Nor in the embrace of ocean, shall exist
+Thy image. Earth, that nourished thee, shall claim
+Thy growth, to be resolved to earth again;
+And, lost each human trace, surrendering up
+Thine individual being, shalt thou go
+To mix forever with the elements;
+To be a brother to the insensible rock
+And to the sluggish clod, which the rude swain
+Turns with his share, and treads upon. The oak
+Shall send his roots abroad, and pierce thy mold.
+
+ Yet not to thine eternal resting place
+Shalt thou retire alone, nor couldst thou wish
+Couch more magnificent. Thou shalt lie down
+With patriarchs of the infant world,--with kings,
+The powerful of the earth,--the wise, the good,
+Fair forms, and hoary seers of ages past,--
+All in one mighty sepulcher.
+
+ The hills,
+Rock-ribbed, and ancient as the sun; the vales
+Stretching in pensive quietness between;
+The venerable woods; rivers that move
+In majesty, and the complaining brooks,
+That make the meadows green; and, poured round all,
+Old Ocean's gray and melancholy waste,--
+Are but the solemn decorations all
+Of the great tomb of man. The golden sun,
+The planets, all the infinite host of heaven,
+Are shining on the sad abodes of death,
+Through the still lapse of ages.
+
+ All that tread
+The globe are but a handful to the tribes
+That slumber in its bosom. Take the wings
+Of morning, pierce the Barcan wilderness,
+Or lose thyself in the continuous woods
+Where rolls the Oregon, and hears no sound
+Save his own dashings,--yet the dead are there:
+And millions in those solitudes, since first
+The flight of years began, have laid them down
+In their last sleep,--the dead reign there alone.
+
+So shalt thou rest; and what if thou withdraw
+In silence from the living, and no friend
+Take note of thy departure? All that breathe
+Will share thy destiny. The gay will laugh
+When thou art gone, the solemn brood of care
+Plod on, and each one as before will chase
+His favorite phantom; yet all these shall leave
+Their mirth and their employments, and shall come
+And make their bed with thee. As the long train
+Of ages glide away, the sons of men--
+The youth in life's green spring, and he who goes
+In the full strength of years, matron and maid,
+The speechless babe, and the gray-headed man
+Shall one by one be gathered to thy side
+By those who in their turn shall follow them.
+
+ So live, that when thy summons comes to join
+The innumerable caravan, which moves
+To that mysterious realm, where each shall take
+His chamber in the silent halls of death,
+Thou go not, like the quarry slave at night,
+Scourged to his dungeon, but, sustained and soothed
+By an unfaltering trust, approach thy grave,
+Like one who wraps the drapery of his couch
+About him, and lies down to pleasant dreams.
+--Bryant.
+
+NOTES.--Thanatopsis is composed of two Greek words, thanatos, meaning
+death, and opsis, a view. The word, therefore, signifies a view of death,
+or reflections on death.
+
+Barca is in the northeastern part of Africa: the southern and eastern
+portions of the country are a barren desert.
+
+The Oregon (or Columbia) River is the most important river of the United
+States emptying into the Pacific. The Lewis and Clark Expedition
+(1803-1806) had first explored the country through which it flows only
+five years before the poem was written.
+
+
+
+LXXVI. INDIAN JUGGLERS. (278)
+
+William Hazlitt, 1778-1830, was born in Maidstone, England. His father was
+a Unitarian clergyman, and he was sent to a college of that denomination
+to be educated for the ministry; but having a greater taste for art than
+theology, he resolved, on leaving school, to devote himself to painting.
+He succeeded so well in his efforts as to meet the warmest commendation of
+his friends, but did not succeed in satisfying his own fastidious taste.
+On this account he threw away his pencil and took up his pen. His works,
+though numerous, are, with the exception of a life of Napoleon, chiefly
+criticisms on literature and art.
+
+Hazlitt is thought to have treated his contemporaries with an unjust
+severity; but his genial appreciation of the English classics, and the
+thorough and loving manner in which he discusses their merits, make his
+essays the delight of every lover of those perpetual wellsprings of
+intellectual pleasure. His "Table Talk," "Characters of Shakespeare's
+Plays," "Lectures on the English Poets," and "Lectures on the Literature
+of the Elizabethan Age," are the works that exhibit his style and general
+merits in their most favorable light.
+###
+
+
+Coming forward and seating himself on the ground, in his white dress and
+tightened turban, the chief of the Indian jugglers begins with tossing up
+two brass balls, which is what any of us could do, and concludes by
+keeping up four at the same time, which is what none of us could do to
+save our lives, not if we were to take our whole lives to do it in.
+
+Is it then a trifling power we see at work, or is it not something next to
+miraculous? It is the utmost stretch of human ingenuity, which nothing but
+the bending the faculties of body and mind to it from the tenderest
+infancy with incessant, ever-anxious application up to manhood, can
+accomplish or make even a slight approach to. Man, thou art a wonderful
+animal, and thy ways past finding out! Thou canst do strange things, but
+thou turnest them to small account!
+
+To conceive of this extraordinary dexterity, distracts the imagination and
+makes admiration breathless. Yet it costs nothing to the performer, any
+more than if it were a mere mechanical deception with which he had nothing
+to do, but to watch and laugh at the astonishment of the spectators. A
+single error of a hair's breadth, of the smallest conceivable portion of
+time, would be fatal; the precision of the movements must be like a
+mathematical truth; their rapidity is like lightning.
+
+To catch four balls in succession, in less than a second of time, and
+deliver them back so as to return with seeming consciousness to the hand
+again; to make them revolve around him at certain intervals, like the
+planets in their spheres; to make them chase each other like sparkles of
+fire, or shoot up like flowers or meteors; to throw them behind his back,
+and twine them round his neck like ribbons, or like serpents; to do what
+appears an impossibility, and to do it with all the ease, the grace, the
+carelessness imaginable; to laugh at, to play with the glittering
+mockeries, to follow them with his eye as if he could fascinate them with
+its lambent fire, or as if he had only to see that they kept time with the
+music on the stage--there is something in all this which he who does not
+admire may be quite sure he never really admired anything in the whole
+course of his life. It is skill surmounting difficulty, and beauty
+triumphing over skill. It seems as if the difficulty, once mastered,
+naturally resolved itself into ease and grace, and as if, to be overcome
+at all, it must be overcome without an effort. The smallest awkwardness or
+want of pliancy or self-possession would stop the whole process. It is the
+work of witchcraft, and yet sport for children.
+
+Some of the other feats are quite as curious and wonderful--such as the
+balancing the artificial tree, and shooting a bird from each branch
+through a quill--though none of them have the elegance or facility of the
+keeping up of the brass balls. You are in pain for the result, and glad
+when the experiment is over; they are not accompanied with the same
+unmixed, unchecked delight as the former; and I would not give much to be
+merely astonished without being pleased at the same time. As to the
+swallowing of the sword, the police ought to interfere to prevent it.
+
+When I saw the Indian juggler do the same things before, his feet were
+bare, and he had large rings on his toes, which he kept turning round all
+the time of the performance, as if they moved of themselves.
+
+The hearing a speech in Parliament drawled or stammered out by the
+honorable member or the noble lord, the ringing the changes on their
+commonplaces, which anyone could repeat after them as well as they, stirs
+me not a jot,--shakes not my good opinion of myself. I ask what there is
+that I can do as well as this. Nothing. What have I been doing all my
+life? Have I been idle, or have I nothing to show for all my labor and
+pains? Or have I passed my time in pouring words like water into empty
+sieves, rolling a stone up a hill and then down again, trying to prove an
+argument in the teeth of facts, and looking for causes in the dark, and
+not finding them? Is there no one thing in which I can challenge
+competition, that I can bring as an instance of exact perfection, in which
+others can not find a flaw?
+
+The utmost I can pretend to is to write a description of what this fellow
+can do. I can write a book: so can many others who have not even learned
+to spell. What abortions are these essays! What errors, what ill-pieced
+transitions, what crooked reasons, what lame conclusions! How little is
+made out, and that little how ill! Yet they are the best I can do.
+
+I endeavor to recollect all I have ever heard or thought upon a subject,
+and to express it as neatly as I can. Instead of writing on four subjects
+at a time, it is as much as I can manage, to keep the thread of one
+discourse clear and unentangled. I have also time on my hands to correct
+my opinions and polish my periods; but the one I can not, and the other I
+will not, do. I am fond of arguing; yet, with a good deal of pains and
+practice, it is often much as I can do to beat my man, though he may be a
+very indifferent hand. A common fencer would disarm his adversary in the
+twinkling of an eye, unless he were a professor like himself. A stroke of
+wit will sometimes produce this effect, but there is no such power or
+superiority in sense or reasoning. There is no complete mastery of
+execution to be shown there; and you hardly know the professor from the
+impudent pretender or the mere clown.
+
+
+
+LXXVII. ANTONY OVER CAESAR'S DEAD BODY. (281)
+
+ Friends, Romans, countrymen, lend me your ears:
+ I come to bury Caesar, not to praise him.
+ The evil that men do lives after them;
+ The good is oft interred with their bones;
+ So let it be with Caesar. The noble Brutus
+ Hath told you Caesar was ambitious:
+ If it were so, it was a grievous fault,
+ And grievously hath Caesar answered it.
+ Here, under leave of Brutus and the rest--
+ For Brutus is an honorable man;
+ So are they all, all honorable men--
+ Come I to speak in Caesar's funeral.
+
+ He was my, friend, faithful and just to me:
+ But Brutus says he was ambitious;
+ And Brutus is an honorable man.
+ He hath brought many captives home to Rome,
+ Whose ransoms did the general coffers fill:
+ Did this in Caesar seem ambitious?
+ When that the poor have cried, Caesar hath wept:
+ Ambition should be made of sterner stuff:
+ Yet Brutus says he was ambitious;
+ And Brutus is an honorable man.
+
+ You all did see, that on the Lupercal,
+ I thrice presented him a kingly crown,
+ Which he did thrice refuse. Was this ambition?
+ Yet Brutus says he was ambitious;
+ And, sure, he is an honorable man.
+ I speak not to disprove what Brutus spoke,
+ But here I am to speak what I do know.
+ You all did love him once, not without cause;
+ What cause withholds you, then, to mourn for him?
+ O judgment! thou art fled to brutish beasts,
+ And men have lost their reason. Bear with me;
+ My heart is in the coffin there with Caesar,
+ And I must pause till it come back to me.
+
+ But yesterday the word of Caesar might
+ Have stood against the world; now lies he there,
+ And none so poor to do him reverence.
+ O masters! if I were disposed to stir
+ Your hearts and minds to mutiny and rage,
+ I should do Brutus wrong, and Cassius wrong,
+ Who, you all know, are honorable men.
+ I will not do them wrong; I rather choose
+ To wrong the dead, to wrong myself and you,
+ Than I will wrong such honorable men.
+
+ But here's a parchment with the seal of Caesar;
+ I found it in his closet; 't is his will:
+ Let but the commons hear this testament--
+ Which, pardon me, I do not mean to read--
+ And they would go and kiss dead Caesar's wounds,
+ And dip their napkins in his sacred blood;
+ Yea, beg a hair of him for memory,
+ And, dying, mention it within their wills,
+ Bequeathing it as a rich legacy
+ Unto their issue.
+
+Citizen. We'll hear the will: read it, Mark Antony.
+All. The will, the will; we will hear Caesar's will.
+Ant. Have patience, gentle friends, I must not read it;
+ It is not meet you know how Caesar loved you.
+ You are not wood, you are not stones, but men;
+ And, being men, hearing the will of Caesar,
+ It will inflame you, it will make you mad;
+ 'T is good you know not that you are his heirs;
+ For, if you should, Oh what would come of it!
+Cit. Read the will; we'll hear it, Antony;
+ You shall read the will, Caesar's will.
+Ant. Will you be patient? Will you stay awhile?
+ I have o'ershot myself to tell you of it:
+ I fear I wrong the honorable men
+ Whose daggers have stabbed Caesar. I do fear it.
+Cit. They were traitors: honorable men!
+All. The will! the testament!
+Ant. You will compel me, then, to read the will?
+ Then make a ring about the corpse of Caesar,
+ And let me show you him that made the will.
+
+ (He comes down from the pulpit.)
+
+ If you have tears, prepare to shed them now.
+ You all do know this mantle: I remember
+ The first time ever Caesar put it on;
+ 'T was on a summer's evening, in his tent,
+ That day he overcame the Nervii;
+ Look! in this place, ran Cassius' dagger through:
+ See what a rent the envious Casca made:
+ Through this, the well belove'd Brutus stabbed;
+ And, as he plucked his cursed steel away,
+ Mark how the blood of Caesar followed it,
+ As rushing out of doors, to be resolved
+ If Brutus so unkindly knocked, or no;
+ For Brutus, as you know, was Caesar's angel:
+ Judge, O you gods, how dearly Caesar loved him!
+
+ This was the most unkindest cut of all;
+ For, when the noble Caesar saw him stab,
+ Ingratitude, more strong than traitors' arms,
+ Quite vanquished him: then burst his mighty heart;
+ And, in his mantle muffling up his face,
+ Even at the base of Pompey's statua,
+ Which all the while ran blood, great Caesar fell.
+
+ Oh, what a fall was there, my countrymen!
+ Then I, and you, and all of us fell down,
+ Whilst bloody treason flourished over us.
+ Oh, now you weep; and, I perceive, you feel
+ The dint of pity: these are gracious drops.
+ Kind souls, what, weep you when you but behold
+ Our Caesar's vesture wounded? Look you here,
+ Here is himself, marred, as you see, with traitors.
+1st Cit. O piteous spectacle!
+2d Cit. O noble Caesar!
+3d Cit. We will be revenged!
+All. Revenge! About! Seek! Burn! Fire!
+ Kill! Slay! Let not a traitor live.
+Ant. Stay, countrymen.
+1st Cit. Peace there! hear the noble Antony.
+2d Cit. We'll hear him, we'll follow him, we'll die with him.
+Ant. Good friends, sweet friends, let me not stir you up
+ To such a sudden flood of mutiny.
+ They that have done this deed are honorable:
+ What private griefs they have, alas, I know not,
+ That made them do it; they are wise and honorable,
+ And will, no doubt, with reasons answer you.
+
+ I come not, friends, to steal away your hearts:
+ I am no orator, as Brutus is;
+ But, as you know me all, a plain, blunt man,
+ That love my friend; and that they know full well
+ That gave me public leave to speak of him:
+ For I have neither wit, nor words, nor worth,
+ Action, nor utterance, nor the power of speech,
+ To stir men's blood: I only speak right on:
+ I tell you that which you yourselves do know;
+ Show you sweet Caesar's wounds, poor, poor, dumb mouths,
+ And bid them speak for me: but were I Brutus,
+ And Brutus Antony, there were an Antony
+ Would ruffle up your spirits, and put a tongue
+ In every wound of Caesar, that should move
+ The stones of Rome to rise and mutiny.
+
+ Shakespeare.--Julius Caesar, Act iii, Scene ii.
+
+
+NOTES.--Gaius Julius Caesar (b. 102, d. 44 B. C.) was the most remarkable
+genius of the ancient world, Caesar ruled Rome as imperator five years and
+a half, and, in the intervals of seven campaigns during that time, spent
+only fifteen months in Rome. Under his rule Rome was probably at her best,
+and his murder at once produced a state of anarchy.
+
+The conspirators against Caesar--among whom were Brutus, Cassius and
+Casca--professed to be moved by honest zeal for the good of Rome; but
+their own ambition was no doubt the true motive, except with Brutus.
+
+Mark Antony was a strong friend of Julius Caesar. Upon the latter's death,
+Antony, by his funeral oration, incited the people and drove the
+conspirators from Rome.
+
+The Lupercal was a festival of purification and expiation held in Rome on
+the 15th of February. Antony was officiating as priest at this festival
+when he offered the crown to Caesar.
+
+In his will Caesar left to every citizen of Rome a sum of money, and
+bequeathed his private gardens to the public.
+
+The Nervii were one of the most warlike tribes of Celtic Gaul. Caesar
+almost annihilated them in 57 B. C.
+
+Pompey, once associated with Caesar in the government of Rome, was
+afterwards at war with him. He was murdered by those who thought to
+propitiate Caesar, but the latter wept when Pompey's head was sent to him,
+and had the murderers put to death.
+
+Statua is the Latin form of statue, in common use in Shakespeare's time;
+this form is required here by the meter.
+
+
+
+LXXVIII. THE ENGLISH CHARACTER. (286)
+
+William Hickling Prescott, 1796-1859, the historian, was the son of
+William Prescott, an eminent jurist, and the grandson of Col. William
+Prescott, who commanded the Americans at the battle of Bunker Hill. He was
+born in Salem, Massachusetts, graduated at Harvard University in 1814, and
+died in Boston. Just as he was completing his college course, the careless
+sport of a fellow-student injured one of his eyes so seriously that he
+never recovered from it. He had intended to adopt law as his profession;
+but, from his detective eyesight, he was obliged to choose work in which
+he could regulate his hours of labor, and could employ the aid of a
+secretary. He chose to be a historian; and followed his choice with
+wonderful system, perseverance, and success till the close of his life.
+His works are: "The Reign of Ferdinand and Isabella," "The Conquest of
+Mexico," "The Conquest of Peru," "The Reign of Philip II," and a volume of
+"Miscellanies." He had not completed the history of Philip at the time of
+his death. As a writer of history, Mr. Prescott ranks with the first for
+accuracy, precision, clearness, and beauty of style. As a man, he was
+genial, kind-hearted and even-tempered.
+###
+
+
+On the whole, what I have seen raises my preconceived estimate of the
+English character. It is full of generous, true, and manly qualities; and
+I doubt if there ever was so high a standard of morality in an aristocracy
+which has such means for self-indulgence at its command, and which
+occupies a position that secures it so much deference. In general, they do
+not seem to abuse their great advantages. The respect for religion--at
+least for the forms of it--is universal, and there are few, I imagine, of
+the great proprietors who are not more or less occupied with improving
+their estates, and with providing for the comfort of their tenantry, while
+many take a leading part in the great political movements of the time.
+There never was an aristocracy which combined so much practical knowledge
+and industry with the advantages of exalted rank.
+
+The Englishman is seen to most advantage in his country home. For he is
+constitutionally both domestic and rural in his habits. His fireside and
+his farm--these are the places in which one sees his simple and warm-
+hearted nature more freely unfolded. There is a shyness in an Englishman,
+--a natural reserve, which makes him cold to strangers, and difficult to
+approach. But once corner him in his own house, a frank and full expansion
+will be given to his feelings that we should look for in vain in the
+colder Yankee, and a depth not to be found in the light and superficial
+Frenchman,--speaking of nationalities, not of individualities.
+
+The Englishman is the most truly rural in his tastes and habits of any
+people in the world. I am speaking of the higher classes. The aristocracy
+of other countries affect the camp and the city. But the English love
+their old castles and country seats with a patriotic love. They are fond
+of country sports. Every man shoots or hunts. No man is too old to be in
+the saddle some part of the day, and men of seventy years and more follow
+the hounds, and, take a five-barred gate at a leap. The women are good
+whips, are fond of horses and dogs, and other animals. Duchesses have
+their cows, their poultry, their pigs,--all watched over and provided with
+accommodations of Dutch-like neatness. All this is characteristic of the
+people. It may be thought to detract something from the feminine graces
+which in other lands make a woman so amiably dependent as to be nearly
+imbecile. But it produces a healthy and blooming race of women to match
+the hardy Englishman,--the finest development of the physical and moral
+nature which the world has witnessed. For we are not to look on the
+English gentleman as a mere Nimrod. With all his relish for field sports
+and country usages, he has his house filled with collections of art and
+with extensive libraries. The tables of the drawing-rooms are covered with
+the latest works, sent down by the London publisher. Every guest is
+provided with an apparatus for writing, and often a little library of
+books for his own amusement. The English country gentleman of the present
+day is anything but a Squire Western, though he does retain all his relish
+for field sports.
+
+The character of an Englishman, under its most refined aspect, has some
+disagreeable points which jar unpleasantly on the foreigner not accustomed
+to them. The consciousness of national superiority, combined with natural
+feelings of independence, gives him an air of arrogance, though it must be
+owned that this is never betrayed in his own house,--I may almost say in
+his own country. But abroad, when he seems to institute a comparison
+between himself and the people he is thrown with, it becomes so obvious
+that he is the most unpopular, not to say odious, person in the world.
+Even the open hand with which he dispenses his bounty will not atone for
+the violence he offers to national vanity.
+
+There are other defects, which are visible even in his most favored
+circumstances. Such is his bigotry, surpassing everything in a quiet
+passive form, that has been witnessed since the more active bigotry of the
+times of the Spanish Philips. Such, too, is the exclusive, limited range
+of his knowledge and conceptions of all political and social topics and
+relations. The Englishman, the cultivated Englishman, has no standard of
+excellence borrowed from mankind. His speculation never travels beyond his
+own little--great little--island. That is the world to him. True, he
+travels, shoots lions among the Hottentots, chases the grizzly bear over
+the Rocky Mountains, kills elephants in India and salmon on the coast of
+Labrador, comes home, and very likely makes a book. But the scope of his
+ideas does not seem to be enlarged by all this. The body travels, not the
+mind. And, however he may abuse his own land, he returns home as hearty a
+John Bull, with all his prejudices and national tastes as rooted, as
+before. The English--the men of fortune--all travel. Yet how little
+sympathy they show for other people or institutions, and how slight is the
+interest they take in them! They are islanders, cut off from the great
+world. But their island is, indeed, a world of its own. With all their
+faults, never has the sun shone--if one may use the expression in
+reference to England--all a more noble race, or one that has done more for
+the great interests of humanity.
+
+NOTES.--Nimrod is spoken of in Genesis (x. 9) as "a mighty hunter." Thus
+the name came to be applied to any one devoted to hunting.
+
+Squire Western is a character in Fielding's "Tom Jones." He is represented
+as an ignorant, prejudiced, irascible, but, withal, a jolly, good-humored
+English country gentleman.
+
+
+
+LXXIX. THE SONG OF THE POTTER. (290)
+
+Turn, turn, my wheel! Turn round and round,
+Without a pause, without a sound:
+ So spins the flying world away!
+This clay, well mixed with marl and sand,
+Follows the motion of my hand;
+For some must follow, and some command,
+ Though all are made of clay!
+
+Turn, turn, my wheel! All things must change
+To something new, to something strange;
+ Nothing that is can pause or stay;
+The moon will wax, the moon will wane,
+The mist and cloud will turn to rain,
+The rain to mist and cloud again,
+ To-morrow be to-day.
+
+Turn, turn, my wheel! All life is brief;
+What now is bud will soon be leaf,
+ What now is leaf will soon decay;
+The wind blows east, the wind blows west;
+The blue eggs in the robin's nest
+Will soon have wings and beak and breast,
+ And flutter and fly away.
+
+Turn, turn, my wheel! This earthen jar
+A touch can make, a touch can mar;
+ And shall it to the Potter say,
+What makest thou? Thou hast no hand?
+As men who think to understand
+A world by their Creator planned,
+ Who wiser is than they.
+
+Turn, turn, my wheel! 'Tis nature's plan
+The child should grow into the man,
+ The man grow wrinkled, old, and gray;
+In youth the heart exults and sings,
+The pulses leap, the feet have wings;
+In age the cricket chirps, and brings
+ The harvest home of day.
+
+Turn, turn, my wheel! The human race,
+Of every tongue, of every place,
+ Caucasian, Coptic, or Malay,
+All that inhabit this great earth,
+Whatever be their rank or worth,
+Are kindred and allied by birth,
+ And made of the same clay.
+
+Turn, turn, my wheel! What is begun
+At daybreak must at dark be done,
+ To-morrow will be another day;
+To-morrow the hot furnace flame
+Will search the heart and try the frame,
+And stamp with honor or with shame
+ These vessels made of clay.
+
+Stop, stop, my wheel! Too soon, too soon
+The noon will be the afternoon,
+ Too soon to-day be yesterday;
+Behind us in our path we cast
+The broken potsherds of the past,
+And all are ground to dust at last,
+ And trodden into clay.
+ --Longfellow.
+
+NOTE.--Coptic was formerly the language of Egypt. and is preserved in the
+inscriptions of the ancient monuments found there; it has now given place
+entirely to Arabic.
+
+
+
+LXXX. A HOT DAY IN NEW YORK. (292)
+
+William Dean Howells, 1837--, was born in Belmont County. Ohio. In boyhood
+he learned the printer's trade, at which he worked for several years. He
+published a volume of poems in 1860, in connection with John J. Piatt.
+From 1861 to 1865 he was United States Consul at Venice. On his return he
+resided for a time in New York City, and was one of the editors of the
+"Nation." In 1871 he was appointed editor in chief of the "Atlantic
+Monthly." He held the position ten years, and then retired in order to
+devote himself to his own writings. Since then, he has been connected with
+other literary magazines. Mr. Howells has written several books: novels
+and sketches: his writings are marked by an artistic finish, and a keen
+but subtile humor. The following selection is an extract from "Their
+Wedding Journey."
+###
+
+
+When they alighted, they took their way up through one of the streets of
+the great wholesale businesses, to Broadway. On this street was a throng
+of trucks and wagons, lading and unlading; bales and boxes rose and sank
+by pulleys overhead; the footway was a labyrinth of packages of every
+shape and size; there was no flagging of the pitiless energy that moved
+all forward, no sign of how heavy a weight lay on it, save in the reeking
+faces of its helpless instruments.
+
+It was four o'clock, the deadliest hour of the deadly summer day. The
+spiritless air seemed to have a quality of blackness in it, as if filled
+with the gloom of low-hovering wings. One half the street lay in shadow,
+and one half in sun; but the sunshine itself was dim, as if a heat greater
+than its own had smitten it with languor. Little gusts of sick, warm wind
+blew across the great avenue at the corners of the intersecting streets.
+In the upward distance, at which the journeyers looked, the loftier roofs
+and steeples lifted themselves dim out of the livid atmosphere, and far up
+and down the length of the street swept a stream of tormented life.
+
+All sorts of wheeled things thronged it, conspicuous among which rolled
+and jarred the gaudily painted stages, with quivering horses driven each
+by a man who sat in the shade of a branching, white umbrella, and suffered
+with a moody truculence of aspect, and as if he harbored the bitterness of
+death in his heart for the crowding passengers within, when one of them
+pulled the strap about his legs, and summoned him to halt.
+
+Most of the foot passengers kept to the shady side, and to the
+unaccustomed eyes of the strangers they were not less in number than at
+any other time, though there were fewer women among them. Indomitably
+resolute of soul, they held their course with the swift pace of custom,
+and only here and there they showed the effect of the heat.
+
+One man, collarless, with waistcoat unbuttoned, and hat set far back from
+his forehead, waved a fan before his death-white, flabby face, and set
+down one foot after the other with the heaviness of a somnambulist.
+Another, as they passed him, was saying huskily to the friend at his side,
+"I can't stand this much longer. My hands tingle as if they had gone to
+sleep; my heart--" But still the multitude hurried on, passing, repassing,
+encountering, evading, vanishing into shop doors, and emerging from them,
+dispersing down the side streets, and swarming out of them.
+
+It was a scene that possessed the beholder with singular fascination, and
+in its effect of universal lunacy, it might well have seemed the last
+phase of a world presently to be destroyed. They who were in it, but not
+of it, as they fancied--though there was no reason for this--looked on it
+amazed, and at last their own errands being accomplished, and themselves
+so far cured of the madness of purpose, they cried with one voice that it
+was a hideous sight, and strove to take refuge from it in the nearest
+place where the soda fountain sparkled.
+
+It was a vain desire. At the front door of the apothecary's hung a
+thermometer, and as they entered they heard the next comer cry out with a
+maniacal pride in the affliction laid upon mankind, "Ninety-seven
+degrees!" Behind them, at the door, there poured in a ceaseless stream of
+people, each pausing at the shrine of heat, before he tossed off the
+hissing draught that two pale, close-clipped boys served them from either
+side of the fountain. Then, in the order of their coming, they issued
+through another door upon the side street, each, as he disappeared,
+turning his face half round, and casting a casual glance upon a little
+group near another counter.
+
+The group was of a very patient, half-frightened, half-puzzled looking
+gentleman who sat perfectly still on a stool, and of a lady who stood
+beside him, rubbing all over his head a handkerchief full of pounded ice,
+and easing one hand with the other when the first became tired. Basil
+drank his soda, and paused to look upon this group, which he felt would
+commend itself to realistic sculpture as eminently characteristic of the
+local life, and, as "The Sunstroke," would sell enormously in the hot
+season.
+
+"Better take a little more of that," the apothecary said, looking up from
+his prescription, and, as the organized sympathy of the seemingly
+indifferent crowd, smiling very kindly at his patient, who thereupon
+tasted something in the glass he held.
+
+"Do you still feel like fainting?" asked the humane authority. "Slightly,
+now and then," answered the other, "but I'm hanging on hard to the bottom
+curve of that icicled S on your soda fountain, and I feel that I'm all
+right as long as I can see that. The people get rather hazy occasionally,
+and have no features to speak of. But I do n't know that I look very
+impressive myself," he added in the jesting mood which seems the natural
+condition of Americans in the face of an embarrassments.
+
+"Oh, you'll do!" the apothecary answered, with a laugh; but he said, in an
+answer to an anxious question from the lady, "He mustn't be moved for an
+hour yet," and gayly pestled away at a prescription, while she resumed her
+office of grinding the pounded ice round and round upon her husband's
+skull. Isabel offered her the commiseration of friendly words, and of
+looks kinder yet, and then, seeing that they could do nothing, she and
+Basil fell into the endless procession, and passed out of the side door.
+
+"What a shocking thing," she whispered. "Did you see how all the people
+looked, one after another, so indifferently at that couple, and evidently
+forgot them the next instant? It was dreadful. I should n't like to have
+you sun-struck in New York."
+
+"That's very considerate of you; but place for place, if any accident must
+happen to me among strangers, I think I should prefer to have it in New
+York. The biggest place is always the kindest as well as the cruelest
+place. Amongst the thousands of spectators the good Samaritan as well as
+the Levite would be sure to be. As for a sunstroke, it requires peculiar
+gifts. But if you compel me to a choice in the matter, then I say give me
+the busiest part of Broadway for a sunstroke. There is such experience of
+calamity there that you could hardly fall the first victim to any
+misfortune."
+
+
+
+LXXXI. DISCONTENT.--AN ALLEGORY. (295)
+
+Joseph Addison, 1672-1719, the brilliant essayist and poet, has long
+occupied an exalted place in English literature. He was the son of an
+English clergyman, was born in Wiltshire, and educated at Oxford; he died
+at "Holland House" (the property of his wile, to whom he had been married
+but about two years), and was buried in Westminster Abbey. Several years
+of his life were spent in the political affairs of his time, he held
+several public offices, and was, for ten years, a member of Parliament.
+His fame as an author rests chiefly upon his "Hymns," his tragedy of
+"Cato," and his "Essays" contributed principally to the "Tatler" and the
+"Spectator." The excellent style of his essays, their genial wit and
+sprightly humor, made them conspicuous in an age when coarseness,
+bitterness, and exaggeration deformed the writings of the most eminent:
+and these characteristics have given them an unquestioned place among the
+classics of our language.
+
+Mr. Addison was shy and diffident, but genial and lovable; his moral
+character was above reproach, excepting that he is said to have been too
+fond of wine.
+###
+
+
+It is a celebrated thought of Socrates, that if all the misfortunes of
+mankind were cast into a public stock, in order to be equally distributed
+among the whole species, those who now think themselves the most unhappy,
+would prefer the share they are already possessed of before that which
+would fall to them by such a division. Horace has carried this thought a
+great deal farther, and supposes that the hardships or misfortunes we lie
+under, are more easy to us than those of any other person would be, in
+case we could change conditions with him.
+
+As I was ruminating on these two remarks, and seated in my elbowchair, I
+insensibly fell asleep; when, on a sudden, methought there was a
+proclamation made by Jupiter, that every mortal should bring in his griefs
+and calamities, and throw them together in a heap. There was a large plain
+appointed for this purpose. I took my stand in the center of it, and saw,
+with a great deal of pleasure, the whole human species marching one after
+another, and throwing down their several loads, which immediately grew up
+into a prodigious mountain, that seemed to rise above the clouds.
+
+There was a certain lady of a thin, airy shape, who was very active in
+this solemnity. She carried a magnifying glass in one of her hands, and
+was clothed in a loose, flowing robe, embroidered with several figures of
+fiends and specters, that discovered themselves in a thousand chimerical
+shapes as her garment hovered in the wind. There was something wild and
+distracted in her looks. Her name was Fancy. She led up every mortal to
+the appointed place, after having officiously assisted him in making up
+his pack, and laying it upon his shoulders. My heart melted within me to
+see my fellow-creatures groaning under their respective burdens, and to
+consider that prodigious bulk of human calamities which lay before me.
+
+There were, however, several persons who gave me great diversion upon this
+occasion. I observed one bringing in a fardel, very carefully concealed
+under an old embroidered cloak, which, upon his throwing it into the heap,
+I discovered to be poverty. Another, after a great deal of puffing, threw
+down his luggage, which, upon examining, I found to be his wife.
+
+There were multitudes of lovers saddled with very whimsical burdens,
+composed of darts and flames; but, what was very odd, though they sighed
+as if their hearts would break under these bundles of calamities, they
+could not persuade themselves to cast them into the heap, when they came
+up to it; but, after a few faint efforts, shook their heads, and marched
+away as heavy loaden as they came.
+
+I saw multitudes of old women throw down their wrinkles, and several young
+ones who stripped themselves of a tawny skin. There were very great heaps
+of red noses, large lips, and rusty teeth. The truth of it is, I was
+surprised to see the greatest part of the mountain made up of bodily
+deformities. Observing one advancing toward the heap with a larger cargo
+than ordinary upon his back, I found, upon his near approach, that it was
+only a natural hump, which he disposed of with great joy of heart among
+this collection of human miseries.
+
+There were, likewise, distempers of all sorts, though I could not but
+observe that there were many more imaginary than real. One little packet I
+could not but take notice of, which was a complication of all the diseases
+incident to human nature, and was in the hand of a great many fine people.
+This was called the spleen. But what most of all surprised me was, that
+there was not a single vice or folly thrown into the whole heap: at which
+I was very much astonished, having concluded within myself that everyone
+would take this opportunity of getting rid of his passions, prejudices,
+and frailties.
+
+I took notice in particular of a very profligate fellow, who, I did not
+question, came loaden with his crimes, but upon searching into his bundle,
+I found that instead of throwing his guilt from him, he had only laid down
+his memory. He was followed by another worthless rogue, who flung away his
+modesty instead of his ignorance.
+
+When the whole race of mankind had thus cast their burdens, the phantom
+which had been so busy on this occasion, seeing me an idle spectator of
+what passed, approached toward me. I grew uneasy at her presence, when, of
+a sudden, she held her magnifying glass full before my eyes. I no sooner
+saw my face in it, but was startled at the shortness of it, which now
+appeared to me in its utmost aggravation. The immoderate breadth of the
+features made me very much out of humor with my own countenance, upon
+which I threw it from me like a mask. It happened very luckily that one
+who stood by me had just before thrown down his visage, which, it seems,
+was too long for him. It was, indeed, extended to a most shameful length;
+I believe the very chin was, modestly speaking, as long as my whole face.
+We had both of us an opportunity of mending ourselves; and all the
+contributions being now brought in, every man was at liberty to exchange
+his misfortunes for those of another person.
+
+As we stood round the heap, and surveyed the several materials of which it
+was composed, there was scarcely a mortal in this vast multitude who did
+not discover what he thought pleasures and blessings of life, and wondered
+how the owners of them ever came to look upon them as burthens and
+grievances. As we were regarding very attentively this confusion of
+miseries, this chaos of calamity, Jupiter issued out a second
+proclamation, that everyone was now at liberty to exchange his affliction,
+and to return to his habitation with any such other bundle as should be
+delivered to him. Upon this, Fancy began again to bestir herself, and,
+parceling out the whole heap with incredible activity, recommended to
+everyone his particular packet. The hurry and confusion at this time was
+not to be expressed. Some observations, which I made upon the occasion, I
+shall communicate to the public.
+
+A venerable, gray-headed man, who had laid down the colic, and who, I
+found, wanted an heir to his estate, snatched up an undutiful son that had
+been thrown into the heap by an angry father. The graceless youth, in less
+than a quarter of an hour, pulled the old gentleman by the beard, and had
+liked to have knocked his brains out; so that meeting the true father, who
+came toward him with a fit of the gripes, he begged him to take his son
+again, and give him back his colic; but they were incapable, either of
+them, to recede from the choice they had made. A poor galley slave, who
+had thrown down his chains, took up the gout in their stead, but made such
+wry faces that one might easily perceive he was no great gainer by the
+bargain.
+
+The female world were very busy among themselves in bartering for
+features; one was trucking a lock of gray hairs for a carbuncle; and
+another was making over a short waist for a pair of round shoulders; but
+on all these occasions there was not one of them who did not think the new
+blemish, as soon as she had got it into her possession, much more
+disagreeable than the old one.
+
+I must not omit my own particular adventure. My friend with the long
+visage had no sooner taken upon him my short face, but he made such a
+grotesque figure in it, that as I looked upon him, I could not forbear
+laughing at myself, insomuch that I put my own face out of countenance.
+The poor gentleman was so sensible of the ridicule, that I found he was
+ashamed of what he had done. On the other side, I found that I myself had
+no great reason to triumph, for as I went to touch my forehead, I missed
+the place, and clapped my finger upon my upper lip. Besides, as my nose
+was exceedingly prominent, I gave it two or three unlucky knocks as I was
+playing my hand about my face, and aiming at some other part of it.
+
+I saw two other gentlemen by me who were in the same ridiculous
+circumstances. These had made a foolish swap between a couple of thick
+bandy legs and two long trapsticks that had no calves to them. One of
+these looked like a man walking upon stilts, and was so lifted up into the
+air, above his ordinary height, that his head turned round with it, while
+the other made such awkward circles, as he attempted to walk, that he
+scarcely knew how to move forward upon his new supporters. Observing him
+to be a pleasant kind of a fellow, I stuck my cane in the ground, and told
+him I would lay him a bottle of wine that he did not march up to it on a
+line that I drew for him, in a quarter of an hour.
+
+The heap was at last distributed among the two sexes, who made a most
+piteous sight, as they wandered up and down under the pressure of their
+several burthens. The whole plain was filled with murmurs and complaints,
+groans and lamentations. Jupiter, at length taking compassion on the poor
+mortals, ordered them a second time to lay down their loads, with a design
+to give everyone his own again. They discharged themselves with a great
+deal of pleasure; after which, the phantom who had led them into such
+gross delusions, was commanded to disappear. There was sent in her stead a
+goddess of a quite different figure: her motions were steady and composed,
+and her aspect serious but cheerful. She every now and then cast her eyes
+toward heaven, and fixed them upon Jupiter. Her name was Patience. She had
+no sooner placed herself by the Mount of Sorrows, but, what I thought very
+remarkable, the whole heap sunk to such a degree that it did not appear a
+third part so big as it was before. She afterward returned every man his
+own proper calamity, and, teaching him how to bear it in the most
+commodious manner, he marched off with it contentedly, being very well
+pleased that he had not been left to his own choice as to the kind of evil
+which fell to his lot.
+
+Beside the several pieces of morality to be drawn out of this vision, I
+learnt from it never to repine at my own misfortunes, or to envy the
+happiness of another, since it is impossible for any man to form a right
+judgment of his neighbor's sufferings; for which reason, also, I have
+determined never to think too lightly of another's complaints, but to
+regard the sorrows of my fellow-creatures with sentiments of humanity and
+compassion.
+
+NOTES.--Horace (b. 65, d. 8 B. C.) was a celebrated Roman poet.
+
+Jupiter, according to mythology, was the greatest of the Greek and Roman
+gods; he was thought to be the supreme ruler of both mortals and
+immortals.
+
+
+
+LXXXII. JUPITER AND TEN. (301)
+
+James T. Fields, 1817-1881, was born at Portsmouth, New Hampshire. For
+many years he was partner in the well-known firm of Ticknor & Fields
+(Later Fields, Osgood & Co.), the leading publishers of standard American
+literature. For eight years, he was chief editor of the "Atlantic
+Monthly;" and, after he left that position, he often enriched its pages by
+the productions of his pen. During his latter years Mr. Fields gained some
+reputation as a lecturer. His literary abilities were of no mean order:
+but he did not do so much in producing literature himself, as in aiding
+others in its production.
+###
+
+
+Mrs. Chub was rich and portly,
+ Mrs. Chub was very grand,
+Mrs. Chub was always reckoned
+ A lady in the land.
+
+You shall see her marble mansion
+ In a very stately square,--
+Mr. C. knows what it cost him,
+ But that's neither here nor there.
+
+Mrs. Chub was so sagacious,
+ Such a patron of the arts,
+And she gave such foreign orders
+ That she won all foreign hearts.
+
+Mrs. Chub was always talking,
+ When she went away from home,
+Of a most prodigious painting
+ Which had just arrived from Rome.
+
+"Such a treasure," she insisted,
+ "One might never see again!"
+"What's the subject?" we inquired.
+ "It is Jupiter and Ten!"
+
+"Ten what?" we blandly asked her
+ For the knowledge we did lack,
+"Ah! that I can not tell you,
+ But the name is on the back.
+
+"There it stands in printed letters,--
+ Come to-morrow, gentlemen,--
+Come and see our splendid painting,
+ Our fine Jupiter and Ten!"
+
+When Mrs. Chub departed,
+ Our brains began to rack,--
+She could not be mistaken
+ For the name was on the back.
+
+So we begged a great Professor
+ To lay aside his pen,
+And give some information
+ Touching "Jupiter and Ten."
+
+And we pondered well the subject,
+ And our Lempriere we turned,
+To find out who the Ten were;
+ But we could not, though we burned.
+
+But when we saw the picture,--
+ O Mrs. Chub! Oh, fie! O!
+We perused the printed label,
+ And 't was JUPITER AND IO!
+
+NOTES.--John Lempriere, an Englishman, was the author of a "Classical
+Dictionary" which until the middle of the present century was the chief
+book of reference on ancient mythology.
+
+Io is a mythical heroine of Greece, with whom Jupiter was enamored.
+
+
+
+LXXXIII. SCENE FROM "THE POOR GENTLEMAN."
+
+George Colman, 1762-1836, was the son of George Colman, a writer of
+dramas, who in 1777 purchased the "Haymarket Theater," in London. Owing to
+the illness of the father, Colman the younger assumed the management of
+the theater in 1785, which post he held for a long time. He was highly
+distinguished as a dramatic author and wit. "The Poor Gentleman," from
+which the following selection is adapted, is perhaps the best known of his
+works.
+###
+
+
+SIR ROBERT BRAMBLE and HUMPHREY DOBBINS.
+
+Sir R. I'll tell you what, Humphrey Dobbins, there is not a syllable of
+sense in all you have been saying. But I suppose you will maintain there
+is.
+
+Hum. Yes.
+
+Sir R. Yes! Is that the way you talk to me, you old boor? What's my name?
+
+Hum. Robert Bramble.
+
+Sir R. An't I a baronet? Sir Robert Bramble, of Blackberry Hall, in the
+county of Kent? 'T is time you should know it, for you have been my
+clumsy, two-fisted valet these thirty years: can you deny that?
+
+Hum. Hem!
+
+Sir R. Hem? What do you mean by hem? Open that rusty door of your mouth,
+and make your ugly voice walk out of it. Why don't you answer my question?
+
+
+Hum. Because, if I contradict you, I shall tell you a lie, and whenever I
+agree with you, you are sure to fall out.
+
+Sir R. Humphrey Dobbins. I have been so long endeavoring to beat a few
+brains into your pate that all your hair has tumbled off before my point
+is carried.
+
+Hum. What then? Our parson says my head is an emblem of both our honors.
+
+Sir R. Ay; because honors, like your head, are apt to be empty.
+
+Hum. No; but if a servant has grown bald under his master's nose, it looks
+as if there was honesty on one side, and regard for it on the other.
+
+Sir R. Why, to be sure, old Humphrey, you are as honest as a--pshaw! the
+parson means to palaver us; but, to return to my position, I tell you I do
+n't like your flat contradiction.
+
+Hum. Yes, you do.
+
+Sir R. I tell you I don't. I only love to hear men's arguments. I hate
+their flummery.
+
+Hum. What do you call flummery?
+
+Sir R. Flattery, blockhead! a dish too often served up by paltry poor men
+to paltry rich ones.
+
+Hum. I never serve it up to you.
+
+Sir R. No, you give me a dish of a different description.
+
+Hum. Hem! what is it?
+
+Sir R. Sauerkraut, you old crab
+
+Hum. I have held you a stout tug at argument this many a year.
+
+Sir R. And yet I could never teach you a syllogism. Now mind, when a poor
+man assents to what a rich man says, I suspect he means to flatter him:
+now I am rich, and hate flattery. Ergo--when a poor man subscribes to my
+opinion, I hate him.
+
+Hum. That's wrong.
+
+Sir R. Very well; negatur; now prove it.
+
+Hum. Put the case then, I am a poor man.
+
+Sir R. You an't, you scoundrel. You know you shall never want while I have
+a shilling.
+
+Hum. Bless you!
+
+Sir R. Pshaw! Proceed.
+
+Hum. Well, then, I am a poor--I must be a poor man now, or I never shall
+get on.
+
+Sir R. Well, get on, be a poor man.
+
+Hum. I am a poor man, and I argue with you, and convince you, you are
+wrong; then you call yourself a blockhead, and I am of your opinion: now,
+that's no flattery.
+
+Sir R. Why, no; but when a man's of the same opinion with me, he puts an
+end to the argument, and that puts an end to the conversation, and so I
+hate him for that. But where's my nephew Frederic?
+
+Hum. Been out these two hours.
+
+Sir R. An undutiful cub! Only arrived from Russia last night, and though I
+told him to stay at home till I rose, he's scampering over the fields like
+a Calmuck Tartar.
+
+Hum. He's a fine fellow.
+
+Sir R. He has a touch of our family. Don't you think he is a little like
+me, Humphrey?
+
+Hum. No, not a bit; you are as ugly an old man as ever I clapped my eyes
+on.
+
+Sir R. Now that's plaguy impudent, but there's no flattery in it, and it
+keeps up the independence of argument. His father, my brother Job, is of
+as tame a spirit--Humphrey, you remember my brother Job?
+
+Hum. Yes, you drove him to Russia five and twenty years ago.
+
+Sir R. I did not drive him.
+
+Hum. Yes, you did. You would never let him be at peace in the way of
+argument.
+
+Sir R. At peace! Zounds, he would never go to war.
+
+Hum. He had the merit to be calm.
+
+Sir R. So has a duck pond. He was a bit of still life; a chip; weak water
+gruel; a tame rabbit, boiled to rags, without sauce or salt. He received
+my arguments with his mouth open, like a poorbox gaping for half-pence,
+and, good or bad, he swallowed them all without any resistance. We could
+n't disagree, and so we parted.
+
+Hum. And the poor, meek gentleman went to Russia for a quiet life.
+
+Sir R. A quiet life! Why, he married the moment he got there, tacked
+himself to the shrew relict of a Russian merchant, and continued a
+speculation with her in furs, flax, potashes, tallow, linen, and leather;
+what's the consequence? Thirteen months ago he broke.
+
+Hum. Poor soul, his wife should have followed the business for him. Sir R.
+I fancy she did follow it, for she died just as he broke, and now this
+madcap, Frederic, is sent over to me for protection. Poor Job, now he is
+in distress, I must not neglect his son.
+
+Hum. Here comes his son; that's Mr. Frederic.
+
+ Enter FREDERIC.
+
+Fred. Oh, my dear uncle, good morning! Your park is nothing but beauty.
+
+Sir R. Who bid you caper over my beauty? I told you to stay in doors till
+I got up.
+
+Fred. So you did, but I entirely forgot it.
+
+Sir R. And pray, what made you forget it?
+
+Fred. The sun.
+
+Sir R. The sun! he's mad; you mean the moon, 1 believe.
+
+Fred. Oh, my dear uncle, you don't know the effect of a fine spring
+morning upon a fellow just arrived from Russia. The day looked bright,
+trees budding, birds singing, the park was so gay that I took a leap out
+of your old balcony, made your deer fly before me like the wind, and
+chased them all around the park to get an appetite for breakfast, while
+you were snoring in bed, uncle.
+
+Sir R. Oh, oh! So the effect of English sunshine upon a Russian, is to
+make him jump out of a balcony, and worry my deer.
+
+Fred. I confess it had that influence upon me.
+
+Sir R. You had better be influenced by a rich old uncle, unless you think
+the sun likely to leave you a fat legacy.
+
+Fred. I hate legacies.
+
+Sir R. Sir, that's mighty singular. They are pretty solid tokens, at
+least.
+
+Fred. Very melancholy tokens, uncle; they are the posthumous dispatches
+Affection sends to Gratitude, to inform us we have lost a gracious friend.
+
+Sir R. How charmingly the dog argues!
+
+Fred. But I own my spirits ran away with me this morning. I will obey you
+better in future; for they tell me you are a very worthy, good sort of old
+gentleman.
+
+Sir R. Now who had the familiar impudence to tell you that? Fred. Old
+rusty, there.
+
+Sir R. Why Humphrey, you didn't?
+
+Hum. Yes, but I did though.
+
+Fred, Yes, he did, and on that score I shall be anxious to show you
+obedience, for 't is as meritorious to attempt sharing a good man's heart,
+as it is paltry to have designs upon a rich man's money. A noble nature
+aims its attentions full breast high, uncle; a mean mind levels its dirty
+assiduities at the pocket.
+
+Sir R. (Shaking him by the hand.) Jump out of every window I have in my
+house; hunt my deer into high fevers, my fine fellow! Ay, that's right.
+This is spunk, and plain speaking. Give me a man who is always flinging
+his dissent to my doctrines smack in my teeth.
+
+Fred. I disagree with you there, uncle.
+
+Hum. And so do I.
+
+Fred. You! you forward puppy! If you were not so old, I'd knock you down.
+
+Sir R. I'll knock you down, if you do. I won't have my servants thumped
+into dumb flattery.
+
+Hum. Come, you are ruffled. Let us go to the business of the morning.
+
+Sir R. I hate the business of the morning. Don't you see we are engaged in
+discussion. I tell you, I hate the business of the morning.
+
+Hum. No you don't.
+
+Sir R. Don't I? Why not?
+
+Hum. Because 't is charity.
+
+Sir R. Pshaw! Well, we must not neglect the business, if there be any
+distress in the parish. Read the list, Humphrey.
+
+Hum. (Taking out a paper and reading.) "Jonathan Huggins, of Muck Mead, is
+put in prison for debt."
+
+Sir R. Why, it was only last week that Gripe, the attorney, recovered two
+cottages for him by law, worth sixty pounds.
+
+Hum. Yes, and charged a hundred for his trouble; so seized the cottages
+for part of his bill, and threw Jonathan into jail for the remainder.
+
+Sir R. A harpy! I must relieve the poor fellow's distress.
+
+Fred. And I must kick his attorney.
+
+Hum. (Reading.) "The curate's horse is dead."
+
+Sir R. Pshaw! There's no distress in that.
+
+Hum. Yes, there is, to a man that must go twenty miles every Sunday to
+preach three sermons, for thirty pounds a year.
+
+Sir R. Why won't the vicar give him another nag?
+
+Hum. Because 't is cheaper to get another curate ready mounted.
+
+Sir R. Well, send him the black pad which I purchased last Tuesday, and
+tell him to work him as long as he lives. What else have we upon the list?
+
+Hum. Something out of the common; there's one Lieutenant Worthington, a
+disabled officer and a widower, come to lodge at Farmer Harrowby's, in the
+village; he is, it seems, very poor, and more proud than poor, and more
+honest than proud.
+
+Sir R. And so he sends to me for assistance? Hum. He'd see you hanged
+first! No, he'd sooner die than ask you or any man for a shilling! There's
+his daughter, and his wife's aunt, and an old corporal that served in the
+wars with him, he keeps them all upon his half pay.
+
+Sir R. Starves them all, I'm afraid, Humphrey.
+
+Fred. (Going.) Good morning, uncle.
+
+Sir R. You rogue, where are you running now?
+
+Fred. To talk with Lieutenant Worthington.
+
+Sir R. And what may you be going to say to him?
+
+Fred. I can't tell till I encounter him; and then, uncle, when I have an
+old gentleman by the hand, who has been disabled in his country's service,
+and is struggling to support his motherless child, a poor relation, and a
+faithful servant, in honorable indigence, impulse will supply me with
+words to express my sentiments.
+
+Sir R. Stop, you rogue; I must be before you in this business.
+
+Fred. That depends on who can run the fastest; so, start fair, uncle, and
+here goes.--(Runs out.)
+
+Sir R. Stop, stop; why, Frederic--a jackanapes--to take my department out
+of my hands! I'll disinherit the dog for his assurance.
+
+Hum. No, you won't.
+
+Sir R. Won't I? Hang me if I--but we'll argue that point as we go. So,
+come along Humphrey.
+
+NOTES.-Ergo (pro. er'go) is a Latin word meaning therefore. Negatur (pro.
+ne-ga'tur) is a Latin verb, and means it is denied.
+
+The Tartars are a branch of the Mongolian race, embracing among other
+tribes the Calmucks. The latter are a fierce, nomadic people inhabiting
+parts of the Russian and Chinese empires.
+
+
+
+LXXXIV. MY MOTHER'S PICTURE. (310)
+
+William Cowper, 1731-1800, was the son of an English clergyman; both his
+parents were descended from noble families. He was always of a gentle,
+timid disposition; and the roughness of his schoolfellows increased his
+weakness in this respect. He studied law, and was admitted to the bar, but
+never practiced his profession. When he was about thirty years of age, he
+was appointed to a clerkship in the House of Lords, but could not summon
+courage to enter upon the discharge of its duties. He was so disturbed by
+this affair that he became insane, sought to destroy himself, and had to
+be consigned to a private asylum. Soon after his recovery, he found a
+congenial home in the family of the Rev. Mr. Unwin. On the death of this
+gentleman, a few years later, he continued to reside with his widow till
+her death, a short time before that of Cowper. Most of this time their
+home was at Olney. His first writings were published in 1782. He wrote
+several beautiful hymns, "The Task," and some minor poems. These, with his
+translations of Homer and his correspondence, make up his published works.
+His life was always pure and gentle; he took great pleasure in simple,
+natural objects, and in playing with animals. His insanity returned from
+time to time, and darkened his life at its close. When six years of age,
+he lost his mother; and the following selection is part of a touching
+tribute to her memory, written many years later.
+###
+
+
+Oh that those lips had language! Life has passed
+With me but roughly since I heard them last.
+My mother, when I learned that thou wast dead,
+Say, wast thou conscious of the tears I shed?
+Hovered thy spirit o'er thy sorrowing son,
+Wretch even then, life's journey just begun?
+Perhaps thou gavest me, though unfelt, a kiss,
+Perhaps a tear, if souls can weep in bliss.
+Ah, that maternal smile! it answers--Yes!
+
+I heard the bell tolled on thy burial day;
+I saw the hearse that bore thee slow away;
+And, turning from my nursery window, drew
+A long, long sigh, and wept a last adieu!
+But was it such? It was. Where thou art gone,
+Adieus and farewells are a sound unknown.
+May I but meet thee on that peaceful shore,
+The parting word shall pass my lips no more.
+
+Thy maidens, grieved themselves at my concern,
+Oft gave me promise of thy quick return;
+What ardently I wished, I long believed;
+And, disappointed still, was still deceived;
+By expectation, every day beguiled,
+Dupe of to-morrow, even when a child.
+Thus many a sad to-morrow came and went,
+Till, all my stock of infant sorrows spent,
+I learned at last submission to my lot;
+But, though I less deplored thee, ne'er forgot.
+
+My boast is not that I deduce my birth
+From loins enthroned, and rulers of the earth;
+But higher far my proud pretensions rise,--
+The son of parents passed into the skies.
+And now, farewell! Time, unrevoked, has run
+His wonted course, yet what I wished is done.
+
+By Contemplation's help, not sought in vain,
+I seem to have lived my childhood o'er again;
+To have renewed the joys that once were mine,
+Without the sin of violating thine;
+And, while the wings of Fancy still are free,
+And I can view this mimic show of thee,
+Time has but half succeeded in his theft,--
+Thyself removed, thy power to soothe me left.
+
+
+
+LXXXV. DEATH OF SAMSON. (312)
+
+John Milton, 1608-1674, was born in London--eight years before the
+greatest English poet, Shakespeare, died. His father followed the
+profession of a scrivener, in which he acquired a competence. As a boy,
+Milton was exceedingly studious, continuing his studies till midnight. He
+graduated at Christ's College, Cambridge, where his singular beauty, his
+slight figure, and his fastidious morality caused his companions to
+nickname him "the lady of Christ's." On leaving college he spent five
+years more in study, and produced his lighter poems. He then traveled on
+the continent, returning about the time the civil war broke out. For a time
+he taught a private school, but soon threw himself with all the power of
+his able and tried pen into the political struggle. He was the champion of
+Parliament and of Cromwell for about twenty years. On the accession of
+Charles II., he concealed himself for a time, but was soon allowed to live
+quietly in London. His eyesight had totally failed in 1654; but now, in
+blindness, age, family affliction, and comparative poverty, he produced
+his great work "Paradise Lost." In 1667 he sold the poem for 5 Pounds in
+cash, with a promise of 10 Pounds more on certain contingencies; the sum
+total received by himself and family for the immortal poem, was 23 Pounds.
+Later, he produced "Paradise Regained" and "Samson Agonistes," from the
+latter of which the following extract is taken. Milton is a wonderful
+example of a man, who, by the greatness of his own mind, triumphed over
+trials, afflictions, hardships, and the evil influence of bitter political
+controversy.
+###
+
+Occasions drew me early to this city;
+And, as the gates I entered with sunrise,
+The morning trumpets festival proclaimed
+Through each high street: little I had dispatched,
+When all abroad was rumored that this day
+Samson should be brought forth, to show the people
+Proof of his mighty strength in feats and games.
+I sorrowed at his captive state,
+But minded not to be absent at that spectacle.
+
+The building was a spacious theater
+Half-round, on two main pillars vaulted high,
+With seats where all the lords, and each degree
+Of sort, might sit in order to behold;
+The other side was open, where the throng
+On banks and scaffolds under sky might stand:
+I among these aloof obscurely stood.
+The feast and noon grew high, and sacrifice
+Had filled their hearts with mirth, high cheer, and wine,
+When to their sports they turned. Immediately
+Was Samson as a public servant brought,
+In their state livery clad: before him pipes
+And timbrels; on each side went arme'd guards;
+Both horse and foot before him and behind,
+Archers and slingers, cataphracts, and spears.
+At sight of him the people with a shout
+Rifted the air, clamoring their god with praise,
+Who had made their dreadful enemy their thrall.
+
+He, patient, but undaunted, where they led him,
+Came to the place; and what was set before him,
+Which without help of eye might be essayed,
+To heave, pull, draw, or break, he still performed
+All with incredible, stupendous force,
+None daring to appear antagonist.
+
+At length for intermission sake, they led him
+Between the pillars; he his guide requested,
+As overtired, to let him lean awhile
+With both his arms on those two massy pillars,
+That to the arche'd roof gave main support.
+
+He unsuspicious led him; which when Samson
+Felt in his arms, with head awhile inclined,
+And eyes fast fixed, he stood, as one who prayed,
+Or some great matter in his mind revolved:
+At last, with head erect, thus cried aloud:--
+"Hitherto, lords, what your commands imposed
+I have performed, as reason was, obeying,
+Not without wonder or delight beheld;
+Now, of my own accord, such other trial
+I mean to show you of my strength yet greater,
+As with amaze shall strike all who behold."
+
+This uttered, straining all his nerves, he bowed;
+As with the force of winds and waters pent
+When mountains tremble, those two massy pillars
+With horrible convulsion to and fro
+He tugged, he shook, till down they came, and drew
+The whole roof after them with burst of thunder
+Upon the heads of all who sat beneath,--
+Lords, ladies, captains, counselors, or priests,
+Their choice nobility and flower, not only
+Of this, but each Philistian city round,
+Met from all parts to solemnize this feast.
+Samson, with these immixed, inevitably
+Pulled down the same destruction on himself;
+The vulgar only 'scaped who stood without.
+
+NOTE.--The person supposed to be speaking is a Hebrew who chanced to be
+present at Gaza when the, incidents related took place. After the
+catastrophe he rushes to Manoah, the father of Samson, to whom and his
+assembled friends he relates what he saw. (Cf. Bible, Judges xvi, 23.)
+
+
+
+LXXXVI. AN EVENING ADVENTURE. (315)
+
+Not long since, a gentleman was traveling in one of the counties of
+Virginia, and about the close of the day stopped at a public house to
+obtain refreshment and spend the night. He had been there but a short
+time, before an old man alighted from his gig, with the apparent intention
+of becoming his fellow guest at the same house.
+
+As the old man drove up, he observed that both the shafts of his gig were
+broken, and that they were held together by withes, formed from the bark
+of a hickory sapling. Our traveler observed further that he was plainly
+clad, that his knee buckles were loosened, and that something like
+negligence pervaded his dress. Conceiving him to be one of the honest
+yeomanry of our land, the courtesies of strangers passed between them, and
+they entered the tavern. It was about the same time, that an addition of
+three or four young gentlemen was made to their number; most, if not all
+of them, of the legal profession.
+
+As soon as they became conveniently accommodated, the conversation was
+turned, by one of the latter, upon the eloquent harangue which had that
+day been displayed at the bar. It was replied by the other that he had
+witnessed, the same day, a degree of eloquence no doubt equal, but it was
+from the pulpit. Something like a sarcastic rejoinder was made as to the
+eloquence of the pulpit, and a warm and able altercation ensued, in which
+the merits of the Christian religion became the subject of discussion.
+From six o'clock until eleven, the young champions wielded the sword of
+argument, adducing with ingenuity and ability everything that could be
+said pro and con.
+
+During this protracted period, the old gentleman listened with the
+meekness and modesty of a child, as if he were adding new information to
+the stores of his own mind; or perhaps he was observing, with a
+philosophic eye, the faculties of the youthful mind, and how new energies
+are evolved by repeated action; or perhaps, with patriotic emotion, he was
+reflecting upon the future destinies of his country, and on the rising
+generation, upon whom those future destinies must devolve; or, most
+probably, with a sentiment of moral and religious feeling, he was
+collecting an argument which no art would be "able to elude, and no force
+to resist." Our traveler remained a spectator, and took no part in what
+was said.
+
+At last one of the young men, remarking that it was impossible to combat
+with long and established prejudices, wheeled around, and with some
+familiarity exclaimed, "Well, my old gentleman, what think you of these
+things?" "If," said the traveler, "a streak of vivid lightning had at that
+moment crossed the room, their amazement could not have been greater than
+it was from what followed." The most eloquent and unanswerable appeal that
+he had ever heard or read, was made for nearly an hour by the old
+gentleman. So perfect was his recollection, that every argument urged
+against the Christian religion was met in the order in which it was
+advanced. Hume's sophistry on the subject of miracles, was, if possible,
+more perfectly answered than it had already been done by Campbell. And in
+the whole lecture there was so much simplicity and energy, pathos and
+sublimity, that not another word was uttered.
+
+"An attempt to describe it," said the traveler, "would be an attempt to
+paint the sunbeams." It was now a matter of curiosity and inquiry who the
+old gentleman was. The traveler concluded that it was the preacher from
+whom the pulpit eloquence was heard; but no, it was John Marshall, the
+Chief Justice of the United States.
+
+NOTES.--David Hume (b. 1711, d. 1776) was a celebrated Scotch historian
+and essayist. His most important work is "The History of England." He was
+a skeptic in matters of religion, and was a peculiarly subtle writer.
+
+George Campbell (b. 1719, d. 1796) was a distinguished Scotch minister. He
+wrote "A Dissertation on Miracles," ably answering Hume's "Essay on
+Miracles."
+
+John Marshall (b. 1755, d. 1835) was Chief Justice of the United States
+from 1801 until his death. He was an eminent jurist, and wrote a "Life of
+Washington," which made him famous as an author.
+
+
+
+LXXXVII. THE BAREFOOT BOY. (317)
+
+John Greenleaf Whittier, 1807-1892, was born in Haverhill, Mass., and,
+with short intervals of absence, he always resided in that vicinity. His
+parents were Friends or "Quakers," and he always held to the same faith.
+He spent his boyhood on a farm, occasionally writing verses for the papers
+even then. Two years of study in the academy seem to have given him all
+the special opportunity for education that he ever enjoyed. In 1829 he
+edited a newspaper in Boston, and the next year assumed a similar position
+in Hartford. For two years he was a member of the Massachusetts
+legislature. In 1836 he edited an anti-slavery paper in Philadelphia, and
+was secretary of the American Anti-Slavery Society. Mr. Whittier wrote
+extensively both in prose and verse. During the later years of his life he
+published several volumes of poems, and contributed frequently to the
+pages of the "Atlantic Monthly." An earnest opponent of slavery, some of
+his poems bearing on that subject are fiery and even bitter; but, in
+general, their sentiment is gentle, and often pathetic. As a poet, he took
+rank among those most highly esteemed by his countrymen. "Snow-Bound,"
+published in 1805, is one of the longest and best of his poems. Several of
+his shorter pieces are marked by much smoothness and sweetness.
+###
+
+
+Blessings on thee, little man,
+Barefoot boy, with cheek of tan!
+With thy turned-up pantaloons,
+And thy merry whistled tunes;
+With thy red lip, redder still
+Kissed by strawberries on the hill;
+With the sunshine on thy face,
+Through thy torn brim's jaunty grace;
+From my heart I give thee joy,--
+I was once a barefoot boy!
+Prince thou art,--the grown-up man
+Only is republican.
+Let the million-dollared ride!
+Barefoot, trudging, at his side,
+Thou hast more than he can buy
+In the reach of ear and eye,--
+Outward sunshine, inward joy:
+Blessings on thee, barefoot boy!
+
+Oh for boyhood's painless play,
+Sleep that wakes in laughing day,
+Health that mocks the doctor's rules,
+Knowledge never learned of schools,
+Of the wild bee's morning chase,
+Of the wild flower's time and place,
+Flight of fowl and habitude
+Of the tenants of the wood;
+How the tortoise bears his shell,
+How the woodchuck digs his cell,
+And the ground mole sinks his well
+How the robin feeds her young,
+How the oriole's nest is hung;
+Where the whitest lilies blow,
+Where the freshest berries grow,
+Where the groundnut trails its vine,
+Where the wood grape's clusters shine;
+Of the black wasp's cunning way,
+Mason of his walls of clay,
+And the architectural plans
+Of gray hornet artisans!--
+For, eschewing books and tasks,
+Nature answers all he asks;
+Hand in hand with her he walks,
+Face to face with her he talks,
+Part and parcel of her joy,--
+Blessings on thee, barefoot boy!
+
+Oh for boyhood's time of June,
+Crowding years in one brief moon,
+When all things I heard or saw
+Me, their master, waited for.
+I was rich in flowers and trees,
+Humming birds and honeybees;
+For my sport the squirrel played,
+Plied the snouted mole his spade;
+For my taste the blackberry cone
+Purpled over hedge and stone;
+Laughed the brook for my delight
+Through the day and through the night,
+Whispering at the garden wall,
+Talked with me from fall to fall;
+Mine the sand-rimmed pickerel pond,
+Mine the walnut slopes beyond,
+Mine, on bending orchard trees,
+Apples of Hesperides!
+Still, as my horizon grew,
+Larger grew my riches too;
+All the world I saw or knew
+Seemed a complex Chinese toy,
+Fashioned for a barefoot boy!
+
+Oh for festal dainties spread,
+Like my bowl of milk and bread,--
+Pewter spoon and bowl of wood,
+On the doorstone, gray and rude!
+O'er me, like a regal tent,
+Cloudy-ribbed, the sunset bent,
+Purple-curtained, fringed with gold,
+Looped in many a wind-swung fold;
+While for music came the play
+Of the pied frog's orchestra;
+And to light the noisy choir,
+Lit the fly his lamp of fire.
+I was monarch: pomp and joy
+Waited on the barefoot boy!
+
+Cheerily, then, my little man,
+Live and laugh, as boyhood can!
+Though the flinty slopes be hard,
+Stubble-speared the new-mown sward,
+Every morn shall lead thee through
+Fresh baptisms of the dew;
+Every evening from thy feet
+Shall the cool wind kiss the heat:
+All too soon these feet must hide
+In the prison cells of pride,
+Lose the freedom of the sod,
+Like a colt's for work be shod,
+Made to tread the mills of toil,
+Up and down in ceaseless moil:
+Happy if their track be found
+Never on forbidden ground;
+Happy if they sink not in
+Quick and treacherous sands of sin.
+Ah! that thou shouldst know thy joy
+Ere it passes, barefoot boy!
+
+
+NOTE.--The Hesperides, in Grecian mythology, were four sisters (some
+traditions say three, and others, seven) who guarded the golden apples
+given to Juno as a wedding present. The locality of the garden of the
+Hesperides is a disputed point with mythologists.
+
+
+
+[Illustration: A well-dressed man is reaching for a glove while facing
+three ferocious lions. Several people are observing him from the safety of
+a raised platform.]
+
+
+LXXXVIII. THE GLOVE AND THE LIONS. (321)
+
+James Henry Leigh Hunt, 1784-1859. Leigh Hunt, as he is commonly called,
+was prominent before the public for fifty years as "a writer of essays,
+poems, plays, novels, and criticisms." He was born at Southgate,
+Middlesex, England. His mother was an American lady. He began to write for
+the public at a very early age. In 1808, In connection with his brother,
+he established "The Examiner," a newspaper advocating liberal opinions in
+politics. For certain articles offensive to the government, the brothers
+were fined 500 Pounds each and condemned to two years' imprisonment. Leigh
+fitted up his prison like a boudoir, received his friends here, and wrote
+several works during his confinement. Mr. Hunt was intimate with Byron,
+Shelley, Moore, and Keats, and was associated with Byron and Shelley in
+the publication of a political and literary journal. His last years were
+peacefully devoted to literature, and in 1847 he received a pension from
+the government.
+###
+
+King Francis was a hearty king, and loved a royal sport,
+And one day, as his lions fought, sat looking on the court;
+The nobles filled the benches round, the ladies by their side,
+And 'mongst them sat the Count de Lorge, with one for whom he sighed:
+And truly 't was a gallant thing to see that crowning show,
+Valor and love, and a king above, and the royal beasts below.
+
+Ramped and roared the lions, with horrid laughing jaws;
+They bit, they glared, gave blows like beams, a wind went with their paws;
+With wallowing might and stifled roar, they rolled on one another:
+Till all the pit, with sand and mane, was in a thunderous smother;
+The bloody foam above the bars came whizzing through the air:
+Said Francis, then, "Faith, gentlemen, we're better here than there."
+
+De Lorge's love o'erheard the king,--a beauteous, lively dame,
+With smiling lips, and sharp, bright eyes, which always seemed the same;
+She thought, "The Count, my lover, is brave as brave call be,
+He surely would do wondrous things to show his love for me;
+King, ladies, lovers, all look on; the occasion is divine;
+I'll drop my glove to prove his love; great glory will be mine."
+
+She dropped her glove to prove his love, then looked at him and smiled;
+He bowed, and in a moment leaped among the lions wild;
+The leap was quick, return was quick, he soon regained his place,
+Then threw the glove, but not with love, right in the lady's face.
+"In faith," cried Francis, "rightly done!" and he rose from where he sat;
+"No love," quoth he, "but vanity, sets love a task like that."
+
+
+NOTE.--King Francis. This is supposed to have been Francis I. of France
+(b. 1494, d. 1547). He was devoted to sports of this nature.
+
+
+
+LXXXIX. THE FOLLY OF INTOXICATION. (322)
+
+
+Iago. What, are you hurt, lieutenant?
+Cassio. Ay, past all surgery.
+Iago. Marry, heaven forbid!
+Cas. Reputation, reputation, reputation! Oh, I have
+ lost my reputation! I have lost the immortal part of myself,
+ and what remains is bestial. My reputation! Iago, my reputation!
+
+Iago. As I am an honest man, I thought you had received some
+ bodily wound; there is more sense in that than in reputation.
+ Reputation is an idle and most false imposition: oft got without
+ merit, and lost without deserving: you have lost no reputation at
+ all, unless you repute yourself such a loser. What, man! there
+ are ways to recover the general again. Sue to him again, and he's
+ yours.
+
+Cas. I will rather sue to be despised than to deceive so good a
+ commander with so slight, so drunken, and so indiscreet an
+ officer. Drunk? and speak parrot? and squabble? swagger? swear?
+ and discourse fustian with one's own shadow? O thou invisible
+ spirit of wine, if thou hast no name to be known by, let us call
+ thee devil!
+
+Iago. What was he that you followed with your sword? What had he
+ done to you?
+
+Cas. I know not.
+
+Iago. Is't possible?
+
+Cas. I remember a mass of things, but nothing distinctly; a quarrel,
+ but nothing wherefore. Oh that men should put an enemy in their
+ mouths to steal away their brains! that we should, with joy,
+ revel, pleasure, and applause, transform ourselves into beasts!
+
+Iago. Why, but you are now well enough: how came you thus
+ recovered?
+
+Cas. It hath pleased the devil, Drunkenness, to give place to the
+ devil, Wrath; one unperfectness shows me another, to make me
+ frankly despise myself.
+
+Iago. Come, you are too severe a moraler. As the time, the place, and
+ the condition of this country stands, I could heartily wish this
+ had not befallen; but since it is as it is, mend it for your own
+ good.
+
+Cas. I will ask him for my place again: he shall tell me I am a
+ drunkard! Had I as many mouths as Hydra, such an answer would
+ stop them all. To be now a sensible man, by and by a fool, and
+ presently a beast! Oh strange!--Every inordinate cup is
+ unblessed, and the ingredient is a devil! Iago. Come, come; good
+ wine is a good familiar creature, if it be well used; exclaim no
+ more against it. And, good lieutenant, I think you think I love
+ you.
+
+Cas. I have well approved it, sir,--I, drunk!
+
+Iago. You or any man living may be drunk at a time, man. I'll tell you
+ what you shall do. Our general's wife is now the general. Confess
+ yourself freely to her; importune her help to put you in your
+ place again. She is of so free, so kind, so apt, so blessed a
+ disposition, she holds it a vice in her goodness not to do more
+ than she is requested. This broken joint between you and her
+ husband, entreat her to splinter; and, my fortunes against any
+ lay worth naming, this crack of your love shall grow stronger
+ than it was before.
+
+Cas. You advise me well.
+
+Iago. I protest in the sincerity of love and honest kindness.
+
+Cas. I think it freely, and betimes in the morning, I will beseech
+ the virtuous Desdemona to undertake for me; I am desperate of my
+ fortunes if they check me here.
+
+Iago. You are in the right. Good night, lieutenant, I must to the watch.
+
+Cas. Good night, honest Iago.
+ Shakespeare.--Othello, Act ii, Scene iii.
+
+NOTES.--Iago is represented as a crafty, unscrupulous villain. He applies
+for the position of lieutenant under Othello, but the latter has already
+appointed Cassio--who is honest, but of a weak character--to that
+position; he, however, makes Iago his ensign. Then Iago, to revenge
+himself for this and other fancied wrongs, enters upon a systematic course
+of villainy, part of which is to bring about the intoxication of Cassio,
+and his consequent discharge from the lieutenancy.
+
+The Hydra was a fabled monster of Grecian mythology, having nine heads,
+one of which was immortal.
+
+Desdemona was the wife of Othello.
+
+
+
+XC. STARVED ROCK. (325)
+
+Francis Parkman, 1823-1893, the son of a clergyman of the same name, was
+born in Boston, and graduated at Harvard University in 1844. He spent more
+than twenty years in a careful study of the early French explorations and
+settlements in America; and he published the fruits of his labor in twelve
+large volumes. Although troubled with an affection of the eyes, which
+sometimes wholly prevented reading or writing, his work was most carefully
+and successfully done. His narratives are written in a clear and animated
+style, and his volumes are a rich contribution to American history.
+###
+
+
+The cliff called "Starved Rock," now pointed out to travelers as the chief
+natural curiosity of the region, rises, steep on three sides as a castle
+wall, to the height of a hundred and twenty-five feet above the river. In
+front, it overhangs the water that washes its base; its western brow looks
+down on the tops of the forest trees below; and on the east lies a wide
+gorge, or ravine, choked with the mingled foliage of oaks, walnuts, and
+elms; while in its rocky depths a little brook creeps down to mingle with
+the river.
+
+From the rugged trunk of the stunted cedar that leans forward from the
+brink, you may drop a plummet into the river below, where the catfish and
+the turtles may plainly be seen gliding over the wrinkled sands of the
+clear and shallow current. The cliff is accessible only from the south,
+where a man may climb up, not without difficulty, by a steep and narrow
+passage. The top is about an acre in extent.
+
+Here, in the month of December, 1682, La Salle and Tonty began to entrench
+themselves. They cut away the forest that crowned the rock, built
+storehouses and dwellings of its remains, dragged timber up the rugged
+pathway, and encircled the summit with a palisade. Thus the winter was
+passed, and meanwhile the work of negotiation went prosperously on. The
+minds of the Indians had been already prepared. In La Salle they saw their
+champion against the Iroquois, the standing terror of all this region.
+They gathered around his stronghold like the timorous peasantry of the
+Middle Ages around the rock-built castle of their feudal lord.
+
+From the wooden ramparts of St. Louis,--for so he named his fort,--high
+and inaccessible as an eagle's nest, a strange scene lay before his eye.
+The broad, flat valley of the Illinois was spread beneath him like a map,
+bounded in the distance by its low wall of wooded hills. The river wound
+at his feet in devious channels among islands bordered with lofty trees;
+then, far on the left, flowed calmly westward through the vast meadows,
+till its glimmering blue ribbon was lost in hazy distance.
+
+There had been a time, and that not remote, when these fair meadows were a
+waste of death and desolation, scathed with fire, and strewn with the
+ghastly relics of an Iroquois victory. Now, all was changed. La Salle
+looked down from his rock on a concourse of wild human life. Lodges of
+bark and rushes, or cabins of logs, were clustered on the open plain, or
+along the edges of the bordering forests. Squaws labored, warriors lounged
+in the sun, naked children whooped and gamboled on the grass.
+
+Beyond the river, a mile and a half on the left, the banks were studded
+once more with the lodges of the Illinois, who, to the number of six
+thousand, had returned, since their defeat, to this their favorite
+dwelling place. Scattered along the valley, among the adjacent hills, or
+over the neighboring prairie, were the cantonments of a half score of
+other tribes, and fragments of tribes, gathered under the protecting aegis
+of the French.
+
+
+NOTES.--The curious elevation called Starved Rock is on the south side of
+Illinois River, between La Salle and Ottawa. There is a legend according
+to which it is said that over one hundred years ago, a party of Illinois
+Indians took refuge here from the Pottawatomies; their besiegers, however,
+confined them so closely that the whole party perished of starvation, or,
+as some say, of thirst. From this circumstance the rock takes its name.
+
+La Salle (b. 1643, d. 1687) was a celebrated French explorer and fur
+trader. He established many forts throughout the Mississippi Valley,--
+among them, Fort St. Louis, in 1683.
+
+Tonty was an Italian, who formerly served in both the French army and
+navy, and afterwards joined La Salle in his explorations.
+
+
+
+XCI. PRINCE HENRY AND FALSTAFF. (327)
+
+PRINCE HENRY and POINS, in a back room, in a tavern.
+Enter FALSTAFF, GADSHILL, BARDOLPH, and PETO.
+
+Poins. Welcome, Jack. Where hast thou been?
+
+Falstaff. A plague of all cowards, I say, and a vengeance too! marry, and
+amen! Give me a cup of sack, boy. Ere I lead this life long, I'll sew
+nether stocks, and mend them, and foot them, too. A plague of all cowards!
+Give me a cup of sack, rogue. Is there no virtue extant? (He drinks, and
+then continues.) You rogue, here's lime in this sack, too; there is
+nothing but roguery to be found in villainous man: yet a coward is worse
+than a cup of sack with lime in it. A villainous coward! Go thy ways, old
+Jack; die when thou wilt: if manhood, good manhood, be not forgot upon the
+face of the earth, then am I a shotten herring. There live not three good
+men unhanged, in England; and one of them is fat and grows old; a bad
+world, I say! I would I were a weaver; I could sing psalms, or anything. A
+plague of all cowards, I say still.
+
+Prince Henry. How now, woolsack? What mutter you?
+
+Fal. A king's son! If I do not beat thee out of thy kingdom with a dagger
+of lath, and drive all thy subjects afore thee like a flock of wild geese,
+I'll never wear hair on my face more. You, Prince of Wales!
+
+P. Henry. Why, you baseborn dog! What's the matter?
+
+Fal. Are you not a coward? Answer me to that; and Poins there?
+
+Poins. Ye fat braggart, an ye call me coward, I'll stab thee.
+
+Fal. I call thee coward? I'll see thee gibbeted ere I call thee coward:
+but I would give a thousand pounds I could run as fast as thou canst. You
+are straight enough in the shoulders, you care not who sees your back:
+call you that backing of your friends? A plague upon such backing! Give me
+them that will face me. Give me a cup of sack. I am a rogue, if I have
+drunk to-day.
+
+P. Henry. O villain! thy lips ate scarce wiped since thou drunkest last.
+
+Fal. All's one for that. A plague of all cowards, still say 1. (He
+drinks.)
+
+P. Henry. What's the matter?
+
+Fal. What's the matter! There be four of us here have ta'en a thousand
+pounds this morning.
+
+P. Henry. Where is it, Jack? where is it?
+
+Fal. Where is it? Taken from us it is; a hundred upon poor four of us.
+
+P. Henry. What! a hundred, man?
+
+Fal. I am a rogue, if I were not at half-sword with a dozen of them two
+hours together. I have 'scaped by miracle. I am eight times thrust through
+the doublet; four, through the hose; my buckler cut through and through;
+my sword hacked like a handsaw; look here! (shows his sword.) I never
+dealt better since I was a man; all would not do. A plague of all cowards!
+Let them speak (pointing to GADSHILL, BARDOLPH, and PETO); if they speak
+more or less than truth, they are villains and the sons of darkness.
+
+P. Henry. Speak, sirs; how was it?
+
+Gadshill. We four set upon some dozen--
+
+Fal. Sixteen, at least, my lord.
+
+Gad. And bound them.
+
+Peta. No, no, they were not bound.
+
+Fal. You rogue, they were bound, every man of them; or I am a Jew,
+else--an Ebrew Jew.
+
+Gad. As we were sharing, some six or seven fresh men set upon us--
+
+Fal. And unbound the rest; and then come in the other.
+
+P. Henry. What! fought ye with them all?
+
+Fal. All? I know not what ye call all; but if I fought not with fifty of
+them, I am a bunch of radish: if there were not two or three and fifty
+upon poor old Jack, then I am no two-legged creature.
+
+P. Henry. Pray heaven, you have not murdered some of them.
+
+Fal. Nay, that's past praying for; for I have peppered two of them; two I
+am sure I have paid; two rogues in buckram suits. I tell thee what, Hal,
+if I tell thee a lie, spit in my face, and call me a horse. Thou knowest
+my old ward; (he draws his sword and stands if about to fight) here I lay,
+and thus I bore my point. Four rogues in buckram let drive at me--
+
+P. Henry. What! four? Thou saidst but two even now.
+
+Fal. Four, Hal; I told thee four.
+
+Poins. Ay, ay, he said four.
+
+Fal. These four came all afront, and mainly thrust at me. I made no more
+ado, but took all their seven points in my target, thus.
+
+P. Henry. Seven? Why, there were but four, even now.
+
+Fal. In buckram?
+
+Poins. Ay, four, in buckram suits.
+
+Fal. Seven, by these hilts, or I am a villain else.
+
+P. Henry. Prithee, let him alone; we shall have more anon.
+
+Fal. Dost thou hear me, Hal?
+
+P. Henry. Ay, and mark thee, too, Jack.
+
+Fal. Do so, for it is worth the listening to. These nine in buckram, that
+I told thee of--
+
+P. Henry. So, two more already.
+
+Fal. Their points being broken, began to give me ground; but I followed me
+close, came in foot and hand; and, with a thought, seven of the eleven I
+paid.
+
+P. Henry. O, monstrous! eleven buckram men grown out of two!
+
+Fal. But three knaves, in Kendal green, came at my back, and let drive at
+me; for it was so dark, Hal, that thou couldst not see thy hand.
+
+P. Henry. These lies are like the father of them; gross as a mountain,
+open, palpable. Why, thou clay-brained, nott-pated fool; thou greasy
+tallow keech--
+
+Fal. What! Art thou mad! Art thou mad? Is not the truth the truth?
+
+P. Henry. Why, how couldst thou know these men in Kendal green, when it
+was so dark thou couldst not see thy hand? Come, tell us your reason; what
+sayest thou to this?
+
+Poins. Come, your reason, Jack, your reason.
+
+Fal. What, upon compulsion? No, were I at the strappado, or all the racks
+in the world, I would not tell you on compulsion. Give you a reason on
+compulsion! If reasons were as plentiful as blackberries, I would give no
+man a reason on compulsion, I.
+
+P. Henry. I'll be no longer guilty of this sin: this sanguine coward, this
+horseback breaker, this huge hill of flesh--
+
+Fal. Away! you starveling, you eel skin, you dried neat's tongue, you
+stockfish! Oh for breath to utter what is like thee!--you tailor's yard,
+you sheath, you bow case, you--
+
+P. Henry. Well, breathe awhile, and then to it again; and when thou hast
+tired thyself in base comparisons, hear me speak but this.
+
+Poins. Mark, Jack.
+
+P. Henry. We two saw you four set on four; you bound them, and were
+masters of their wealth. Mark now, how a plain tale shall put you down.
+Then did we two set on you four, and with a word outfaced you from your
+prize, and have it; yea, and can show it you here in the house.--And,
+Falstaff, you carried yourself away as nimbly, with as quick dexterity,
+and roared for mercy, and still ran and roared, as ever I heard a calf.
+What a slave art thou, to hack thy sword as thou hast done, and then say
+it was in fight! What trick, what device, what starting hole, canst thou
+now find out to hide thee from this open and apparent shame?
+
+Poins. Come, let's hear, Jack. What trick hast thou now?
+
+Fal. Why, I knew ye as well as he that made ye. Why, bear ye, my masters:
+was it for me to kill the heir apparent? Should I turn upon the true
+prince? Why, thou knowest I am as valiant as Hercules; but beware
+instinct; the lion will not touch the true prince; instinct is a great
+matter; I was a coward on instinct. I shall think the better of myself and
+thee during my life; I for a valiant lion, and thou for a true prince.
+But, lads, I am glad you have the money. Hostess, clap to the doors. Watch
+to-night, pray to-morrow. Gallants, lads, boys, hearts of gold; all the
+titles of good-fellowship come to you! What! shall we be merry? Shall we
+have a play extempore?
+
+P. Henry. Content; and the argument shall be thy running away.
+
+Fal. Ah, no more of that, Hal, an thou lovest me!
+
+ Shakespeare.-Henry IV, Part I, Act ii, Scene iv.
+
+
+NOTES.--The lime is a fruit allied to the lemon, but smaller, and more
+intensely sour.
+
+The strappado was an instrument of torture by which the victim's limbs
+were wrenched out of joint and broken.
+
+Hercules is a hero of fabulous history, remarkable for his great strength
+and wonderful achievements.
+
+
+
+XCII. STUDIES. (332)
+
+Sir Francis Bacon, 1561-1626. This eminent man was the youngest son of Sir
+Nicholas Bacon, lord keeper of the seal in the early part of Elizabeth's
+reign, and Anne Bacon, one of the most learned women of the time, daughter
+of Sir Anthony Cooke. He was born in London, and educated at Cambridge. He
+was a laborious and successful student, but even in his boyhood conceived
+a great distrust of the methods of study pursued at the seats of
+learning,--methods which he exerted his great powers to correct in his
+maturer years. Much of his life was spent in the practice of law, in the
+discharge of the duties of high office, and as a member of Parliament;
+but, to the end of life, he busied himself with philosophical pursuits,
+and he will be known to posterity chiefly for his deep and clear writings
+on these subjects. His constant direction in philosophy is to break away
+from assumption and tradition, and to be led only by sound induction based
+on a knowledge of observed phenomena. His "Novum Organum" and "Advancement
+of Learning" embody his ideas on philosophy and the true methods of
+seeking knowledge.
+
+Bacon rose to no very great distinction during the reign of Elizabeth;
+but, under James I, he was promoted to positions of great honor and
+influence. In 1618 he was made Baron of Verulam; and, three years later,
+he was made Viscount of St. Albans. During much of his life, Bacon was in
+pecuniary straits, which was doubtless one reason of his downfall; for, in
+1621, he was accused of taking bribes, a charge to which he pleaded
+guilty. His disgrace followed, and he passed the last years of his life in
+retirement. Among the distinguished names in English literature, none
+stands higher in his department than that of Francis Bacon.
+###
+
+
+Studies serve for delight, for ornament, and for ability. Their chief use
+for delight is in privateness, and retiring; for ornament, is in
+discourse; and for ability, is in the judgment and disposition of
+business; for expert men can execute, and perhaps judge of the
+particulars, one by one; but the general counsels, and the plots and
+marshaling of affairs, come best from those that are learned.
+
+To spend too much time in studies, is sloth; to use them too much for
+ornament, is affectation; to make judgment wholly by their rules, is the
+humor of a scholar; they perfect nature and are perfected by experience--
+for natural abilities are like natural plants, that need pruning by study;
+and studies themselves do give forth directions too much at large, except
+they be bounded in by experience. Crafty men contemn studies, simple men
+admire them, and wise men use them, for they teach not their own use; but
+that is a wisdom without them, and above them, won by observation.
+
+Read not to contradict and confute, nor to believe and take for granted,
+nor to find talk and discourse, but to weigh and consider. Some books are
+to be tasted, others to be swallowed, and some few to be chewed and
+digested; that is, some books are to be read only in parts; others to be
+read, but not curiously; and some few to be read wholly, and with
+diligence and attention. Some books also may he read by deputy, and
+extracts made of them by others; but that would be only in the less
+important arguments, and the meaner sort of books; else distilled books
+are like common distilled waters, flashy things.
+
+Reading maketh a full man, conference a ready man, and writing an exact
+man; and, therefore, if a man write little, he had need have a great
+memory; if he confer little, he had need have a present wit; and if he
+read little, he had need have much cunning, to seem to know that he doth
+not. Histories make men wise; poets, witty; the mathematics, subtle;
+natural philosophy, deep; moral philosophy, grave; logic and rhetoric,
+able to contend.
+
+
+
+XCIII. SURRENDER OF GRANADA. (334)
+
+Sir Edward George Bulwer-Lytton, 1806-1873, was born in Norfolk County,
+England. His father died when he was young; his mother was a woman of
+strong literary tastes, and did much to form her son's mind. In 1844, by
+royal license, he took the surname of Lytton from his mother's family.
+Bulwer graduated at Cambridge. He began to publish in 1826, and his novels
+and plays followed rapidly. "Pelham," "The Caxtons," "My Novel," "What
+will he do with it?" and "Kenelm Chillingly" are among the best known of
+his numerous novels; and "The Lady of Lyons" and "Richelieu" are his most
+successful plays. His novels are extensively read on the continent, and
+have been translated into most of the languages spoken there. "Leila, or
+the Siege of Granada," from which this selection is adapted, was published
+in 1840.
+###
+
+
+Day dawned upon Granada, and the beams of the winter sun, smiling away the
+clouds of the past night, played cheerily on the murmuring waves of the
+Xenil and the Darro. Alone, upon a balcony commanding a view of the
+beautiful landscape, stood Boabdil, the last of the Moorish kings. He had
+sought to bring to his aid all the lessons of the philosophy he had
+cultivated.
+
+"What are we," thought the musing prince, "that we should fill the world
+with ourselves--we kings? Earth resounds with the crash of my falling
+throne; on the ear of races unborn the echo will live prolonged. But what
+have I lost? Nothing that was necessary to my happiness, my repose:
+nothing save the source of all my wretchedness, the Marah of my life!
+Shall I less enjoy heaven and earth, or thought or action, or man's more
+material luxuries of food or sleep--the common and the cheap desires of
+all? Arouse thee, then, O heart within me! Many and deep emotions of
+sorrow or of joy are yet left to break the monotony of existence. . . .
+But it is time to depart." So saying, he descended to the court, flung
+himself on his barb, and, with a small and saddened train, passed through
+the gate which we yet survey, by a blackened and crumbling tower,
+overgrown with vines and ivy; thence, amidst gardens now appertaining to
+the convent of the victor faith, he took his mournful and unwitnessed way.
+
+When he came to the middle of the hill that rises above those gardens, the
+steel of the Spanish armor gleamed upon him, as the detachment sent to
+occupy the palace marched over the summit in steady order and profound
+silence. At the head of this vanguard, rode, upon a snow-white palfrey,
+the Bishop of Avila, followed by a long train of barefooted monks. They
+halted as Boabdil approached, and the grave bishop saluted him with the
+air of one who addresses an infidel and inferior. With the quick sense of
+dignity common to the great, and yet more to the fallen, Boabdil felt, but
+resented not, the pride of the ecclesiastic. "Go, Christian," said he,
+mildly, "the gates of the Alhambra are open, and Allah has bestowed the
+palace and the city upon your king; may his virtues atone the faults of
+Boabdil!" So saying, and waiting no answer, he rode on without looking to
+the right or the left. The Spaniards also pursued their way.
+
+The sun had fairly risen above the mountains, when Boabdil and his train
+beheld, from the eminence on which they were, the whole armament of Spain;
+and at the same moment, louder than the tramp of horse or the clash of
+arms, was heard distinctly the solemn chant of Te Deum, which preceded the
+blaze of the unfurled and lofty standards. Boabdil, himself still silent,
+heard the groans and exclamations of his train; he turned to cheer or
+chide them, and then saw, from his own watchtower, with the sun shining
+full upon its pure and dazzling surface, the silver cross of Spain. His
+Alhambra was already in the hands of the foe; while beside that badge of
+the holy war waved the gay and flaunting flag of St. Iago, the canonized
+Mars of the chivalry of Spain. At that sight the King's voice died within
+him; he gave the rein to his barb, impatient to close the fatal
+ceremonial, and did not slacken his speed till almost within bowshot of
+the first ranks of the army.
+
+Never had Christian war assumed a more splendid and imposing aspect. Far
+as the eye could reach, extended the glittering and gorgeous lines of that
+goodly power, bristling with sunlit spears and blazoned banners; while
+beside, murmured, and glowed, and danced, the silver and laughing Xenil,
+careless what lord should possess, for his little day, the banks that
+bloomed by its everlasting course. By a small mosque halted the flower of
+the army. Surrounded by the archpriests of that mighty hierarchy, the
+peers and princes of a court that rivaled the Rolands of Charlemagne, was
+seen the kingly form of Ferdinand himself, with Isabel at his right hand,
+and the highborn dames of Spain, relieving, with their gay colors and
+sparkling gems, the sterner splendor of the crested helmet and polished
+mail. Within sight of the royal group, Boabdil halted, composed his aspect
+so as best to conceal his soul, and, a little in advance of his scanty
+train, but never in mien and majesty more a king, the son of Abdallah met
+his haughty conqueror.
+
+At the sight of his princely countenance and golden hair, his comely and
+commanding beauty, made more touching by youth, a thrill of compassionate
+admiration ran through that assembly of the brave and fair. Ferdinand and
+Isabel slowly advanced to meet their late rival,--their new subject; and,
+as Boabdil would have dismounted, the Spanish king placed his hand upon
+his shoulder. "Brother and prince," said he, "forget thy sorrows; and may
+our friendship hereafter console thee for reverses, against which thou
+hast contended as a hero and a king--resisting man, but resigned at length
+to God."
+
+Boabdil did not affect to return this bitter but unintentional mockery of
+compliment, He bowed his head, and remained a moment silent; then
+motioning to his train, four of his officers approached, and, kneeling
+beside Ferdinand, proffered to him, upon a silver buckler, the keys of the
+city. "O king!" then said Boabdil, "accept the keys of the last hold which
+has resisted the arms of Spain! The empire of the Moslem is no more. Thine
+are the city and the people of Granada; yielding to thy prowess, they yet
+confide in thy mercy." "They do well," said the king; "our promises shall
+not be broken. But since we know the gallantry of Moorish cavaliers, not
+to us, but to gentler hands, shall the keys of Granada be surrendered."
+
+Thus saying, Ferdinand gave the keys to Isabel, who would have addressed
+some soothing flatteries to Boabdil, but the emotion and excitement were
+too much for her compassionate heart, heroine and queen though she was;
+and when she lifted her eyes upon the calm and pale features of the
+fallen monarch, the tears gushed from them irresistibly, and her voice
+died in murmurs. A faint flush overspread the features of Boabdil, and
+there was a momentary pause of embarrassment, which the Moor was the first
+to break.
+
+"Fair queen," said he, with mournful and pathetic dignity, "thou canst
+read the heart that thy generous sympathy touches and subdues; this is thy
+last, nor least glorious conquest. But I detain ye; let not my aspect
+cloud your triumph. Suffer me to say farewell." "Farewell, my brother,"
+replied Ferdinand, "and may fair fortune go with you! Forget the past!"
+Boabdil smiled bitterly, saluted the royal pair with profound and silent
+reverence, and rode slowly on, leaving the army below as he ascended the
+path that led to his new principality beyond the Alpuxarras. As the trees
+snatched the Moorish cavalcade from the view of the king, Ferdinand
+ordered the army to recommence its march; and trumpet and cymbal presently
+sent their music to the ear of the Moslems.
+
+Boabdil spurred on at full speed, till his panting charger halted at the
+little village where his mother, his slaves, and his faithful wife,
+Amine--sent on before--awaited him. Joining these, he proceeded without
+delay upon his melancholy path. They ascended that eminence which is the
+pass into the Alpuxarras. From its height, the vale, the rivers, the
+spires, and the towers of Granada broke gloriously upon the view of the
+little band. They halted mechanically and abruptly; every eye was turned
+to the beloved scene. The proud shame of baffled warriors, the tender
+memories of home, of childhood, of fatherland, swelled every heart, and
+gushed from every eye.
+
+Suddenly the distant boom of artillery broke from the citadel, and rolled
+along the sunlit valley and crystal river. A universal wail burst from the
+exiles; it smote,--it overpowered the heart of the ill-starred king, in
+vain seeking to wrap himself in Eastern pride or stoical philosophy. The
+tears gushed from his eyes, and he covered his face with his hands. The
+band wound slowly on through the solitary defiles; and that place where
+the king wept is still called The Last Sigh of the Moor.
+
+
+NOTES.--Granada was the capital of an ancient Moorish kingdom of the same
+name, in the southeastern part of Spain. The Darro River flows through it,
+emptying into the Xenil (or Jenil) just outside the city walls. King
+Ferdinand of Spain drove out the Moors, and captured the city in 1492.
+
+Marah. See Exodus xv. 23.
+
+Avila is an episcopal city in Spain, capital of a province of the same
+name.
+
+The Te Deum is an ancient Christian hymn, composed by St. Ambrose; it is
+so called from the first Latin words, "Te Deum laudamus," We praise thee,
+O God.
+
+Mars, in mythology, the god of war.
+
+The Alhambra is the ancient palace of the Moorish kings, at Granada.
+
+Allah is the Mohammedan name for the Supreme Being.
+
+Roland was a nephew of Charlemagne, or Charles the Great, emperor of the
+West and king of France. He was one of the most famous knights of the
+chivalric romances.
+
+The Alpuxarras is a mountainous region in the old province of Granada,
+where the Moors were allowed to remain some time after their subjugation
+by Ferdinand.
+
+
+
+XCIV. HAMLET'S SOLILOQUY. (339)
+
+To be, or not to be; that is the question:--
+Whether 't is nobler in the mind to suffer
+The slings and arrows of outrageous fortune,
+Or to take arms against a sea of troubles,
+And by opposing end them? To die,--to sleep,--
+No more: and by a sleep to say we end
+The heartache and the thousand natural shocks
+That flesh is heir to,--'t is a consummation
+Devoutly to be wished. To die,--to sleep:--
+To sleep! perchance to dream:--ay, there's the rub;
+For in that sleep of death what dreams may come
+When we have shuffled off this mortal coil,
+Must give us pause. There's the respect
+That makes calamity of so long life;
+For who would bear the whips and scorns of time,
+The oppressor's wrong, the proud man's contumely,
+The pangs of despised love, the law's delay,
+The insolence of office, and the spurns
+That patient merit of the unworthy takes,
+When he himself might his quietus make
+With a bare bodkin? Who would fardels bear,
+To grunt and sweat under a weary life,
+But that the dread of something after death,--
+The undiscovered country from whose bourn
+No traveler returns,--puzzles the will
+And makes us rather bear those ills we have
+Than fly to others that we know not of?
+Thus conscience doth make cowards of us all;
+And thus the native hue of resolution
+Is sicklied o'er with the pale cast of thought,
+And enterprises of great pith and moment
+With this regard their currents turn awry,
+And lose the name of action.
+ Shakespeare.--Hamlet, Act iii, Scene i.
+
+
+
+XCV. GINEVRA. (340)
+
+Samuel Rogers, 1763-1855, was the son of a London banker, and, in company
+with his father, followed the banking business for some years. He began to
+write at an early age, and published his "Pleasures of Memory," perhaps
+his most famous work, in 1792. The next year his father died, leaving him
+an ample fortune. He now retired from business and established himself in
+an elegant house in St. James's Place. This house was a place of resort
+for literary men during fifty years. In 1822 he published his longest
+poem, "Italy," after which he wrote but little. He wrote with care,
+spending, as he said, nine years on the "Pleasures of Memory," and sixteen
+on "Italy." "His writings are remarkable for elegance of diction, purity
+of taste, and beauty of sentiment." It is said that he was very agreeable
+in conversation and manners, and benevolent in his disposition; but he was
+addicted to ill-nature and satire in some of his criticisms.
+###
+
+
+ If thou shouldst ever come by choice or chance
+To Modena,--where still religiously
+Among her ancient trophies, is preserved
+Bologna's bucket (in its chain it hangs
+Within that reverend tower, the Guirlandine),--
+Stop at a palace near the Reggio gate,
+Dwelt in of old by one of the Orsini.
+Its noble gardens, terrace above terrace,
+And rich in fountains, statues, cypresses,
+Will long detain thee; through their arche'd walks,
+Dim at noonday, discovering many a glimpse
+Of knights and dames such as in old romance,
+And lovers such as in heroic song,--
+Perhaps the two, for groves were their delight,
+That in the springtime, as alone they sate,
+Venturing together on a tale of love.
+Read only part that day.--A summer sun
+Sets ere one half is seen; but, ere thou go,
+Enter the house--prithee, forget it not--
+And look awhile upon a picture there.
+
+ 'T is of a lady in her earliest youth,
+The very last of that illustrious race,
+Done by Zampieri--but by whom I care not.
+He who observes it, ere he passes on,
+Gazes his fill, and comes and comes again,
+That he may call it up when far away.
+
+ She sits, inclining forward as to speak,
+Her lips half-open, and her finger up,
+As though she said, "Beware!" her vest of gold,
+Broidered with flowers, and clasped from head to foot,
+An emerald stone in every golden clasp;
+And on her brow, fairer than alabaster,
+A coronet of pearls. But then her face,
+So lovely, yet so arch, so full of mirth,
+The overflowings of an innocent heart,--
+It haunts me still, though many a year has fled,
+Like some wild melody!
+
+ Alone it hangs
+Over a moldering heirloom, its companion,
+An oaken chest, half-eaten by the worm,
+But richly carved by Antony of Trent
+With scripture stories from the life of Christ;
+A chest that came from Venice, and had held
+The ducal robes of some old ancestors--
+That, by the way, it may be true or false--
+But don't forget the picture; and thou wilt not,
+When thou hast heard the tale they told me there.
+
+ She was an only child; from infancy
+The joy, the pride, of an indulgent sire;
+The young Ginevra was his all in life,
+Still as she grew, forever in his sight;
+And in her fifteenth year became a bride,
+Marrying an only son, Francesco Doria,
+Her playmate from her birth, and her first love.
+
+ Just as she looks there in her bridal dress,
+She was all gentleness, all gayety,
+Her pranks the favorite theme of every tongue.
+But now the day was come, the day, the hour;
+Now, frowning, smiling, for the hundredth time,
+The nurse, that ancient lady, preached decorum:
+And, in the luster of her youth, she gave Her hand,
+with her heart in it, to Francesco.
+
+ Great was the joy; but at the bridal feast,
+When all sate down, the bride was wanting there.
+Nor was she to be found! Her father cried,
+" 'Tis but to make a trial of our love!"
+And filled his glass to all; but his hand shook,
+And soon from guest to guest the panic spread.
+'T was but that instant she had left Francesco,
+Laughing and looking back and flying still,
+Her ivory tooth imprinted on his finger.
+But now, alas! she was not to be found;
+Nor from that hour could anything be guessed,
+But that she was not!--Weary of his life,
+Francesco flew to Venice, and forthwith
+Flung it away in battle with the Turk.
+Orsini lived; and long was to be seen
+An old man wandering as in quest of something,
+Something he could not find--he knew not what.
+When he was gone, the house remained a while
+Silent and tenantless--then went to strangers.
+
+ Full fifty years were past, and all forgot,
+When on an idle day, a day of search
+'Mid the old lumber in the gallery,
+That moldering chest was noticed; and 't was said
+By one as young, as thoughtless as Ginevra,
+"Why not remove it from its lurking place?"
+'T was done as soon as said; but on the way
+It burst, it fell; and lo! a skeleton,
+With here and there a pearl, an emerald stone,
+A golden clasp, clasping a shred of gold.
+All else had perished, save a nuptial ring,
+And a small seal, her mother's legacy,
+Engraven with a name, the name of both,
+"Ginevra."---There then had she found a grave!
+Within that chest had she concealed herself,
+Fluttering with joy, the happiest of the happy;
+When a spring lock, that lay in ambush there,
+Fastened her down forever!
+
+NOTES.--The above selection is part of the poem, "Italy." Of the story
+Rogers says, "This story is, I believe, founded on fact; though the time
+and place are uncertain. Many old houses in England lay claim to it."
+
+Modena is the capital of a province of the same name in northern Italy.
+
+Bologna's bucket. This is affirmed to be the very bucket which Tassoni, an
+Italian poet, has celebrated in his mock heroics as the cause of a war
+between Bologna and Modena.
+
+Reggio is a city about sixteen miles northwest of Modena.
+
+The Orsini. A famous Italian family in the Middle Ages.
+
+Zampieri, Domenichino (b. 1581, d. 1641), was one of the most celebrated
+of the Italian painters.
+
+
+
+XCVI. INVENTIONS AND DISCOVERIES. (344)
+
+John Caldwell Calhoun, 1782-1850. This great statesman, and champion of
+southern rights and opinions, was born in Abbeville District, South
+Carolina. In the line of both parents, he was of Irish Presbyterian
+descent. In youth he was very studious, and made the best use of such
+opportunities for education as the frontier settlement afforded. He
+graduated at Yale College in 1804, and studied law at Litchfield,
+Connecticut. In 1808 he was elected to the Legislature of South Carolina;
+and, three years later, he was chosen to the National House of
+Representatives. During the six years that he remained in the House, he
+took an active and prominent part in the stirring events of the time. In
+1817 he was appointed Secretary of War, and held the office seven years.
+From 1825 to 1832 he was Vice President of the United States. He then
+resigned this office, and took his seat as senator from South Carolina. In
+1844 President Tyler called him to his Cabinet as Secretary of State; and,
+in 1845, he returned to the Senate, where he remained till his death.
+During all his public life Mr. Calhoun was active and outspoken. His
+earnestness and logical force commanded the respect of those who differed
+most widely from him in opinion. He took the most advanced ground in favor
+of "State Rights," and defended slavery as neither morally nor politically
+wrong. His foes generally conceded his honesty, and respected his ability;
+while his friends regarded him as little less than an oracle.
+
+In private life Mr. Calhoun was highly esteemed and respected. His home
+was at "Fort Hill," in the northwestern district of South Carolina; and
+here he spent all the time he could spare from his public duties, in the
+enjoyments of domestic life and in cultivating his plantation. In his home
+he was remarkable for kindness, cheerfulness, and sociability.
+###
+
+
+To comprehend more fully the force and bearing of public opinion, and to
+form a just estimate of the changes to which, aided by the press, it will
+probably lead, politically and socially, it will be necessary to consider
+it in connection with the causes that have given it an influence so great
+as to entitle it to be regarded as a new political element. They will,
+upon investigation, be found in the many discoveries and inventions made
+in the last few centuries.
+
+All these have led to important results. Through the invention of the
+mariner's compass, the globe has been circumnavigated and explored; and
+all who inhabit it, with but few exceptions, are brought within the sphere
+of an all-pervading commerce, which is daily diffusing over its surface
+the light and blessings of civilization.
+
+Through that of the art of printing, the fruits of observation and
+reflection, of discoveries and inventions, with all the accumulated stores
+of previously acquired knowledge, are preserved and widely diffused. The
+application of gunpowder to the art of war has forever settled the long
+conflict for ascendency between civilization and barbarism, in favor of
+the former, and thereby guaranteed that, whatever knowledge is now
+accumulated, or may hereafter be added, shall never again be lost.
+
+The numerous discoveries and inventions, chemical and mechanical, and the
+application of steam to machinery, have increased many fold the productive
+powers of labor and capital, and have thereby greatly increased the number
+who may devote themselves to study and improvement, and the amount of
+means necessary for commercial exchanges, especially between the more and
+the less advanced and civilized portions of the globe, to the great
+advantage of both, but particularly of the latter.
+
+The application of steam to the purposes of travel and transportation, by
+land and water, has vastly increased the facility, cheapness, and rapidity
+of both: diffusing, with them, information and intelligence almost as
+quickly and as freely as if borne by the winds; while the electrical wires
+outstrip them in velocity, rivaling in rapidity even thought itself.
+
+The joint effect of all this has been a great increase and diffusion of
+knowledge; and, with this, an impulse to progress and civilization
+heretofore unexampled in the history of the world, accompanied by a mental
+energy and activity unprecedented.
+
+To all these causes, public opinion, and its organ, the press, owe their
+origin and great influence. Already they have attained a force in the more
+civilized portions of the globe sufficient to be felt by all governments,
+even the most absolute and despotic. But, as great as they now are, they
+have, as yet, attained nothing like their maximum force. It is probable
+that not one of the causes which have contributed to their formation and
+influence, has yet produced its full effect; while several of the most
+powerful have just begun to operate; and many others, probably of equal or
+even greater force, yet remain to be brought to light.
+
+When the causes now in operation have produced their full effect, and
+inventions and discoveries shall have been exhausted--if that may ever
+be--they will give a force to public opinion, and cause changes, political
+and social, difficult to be anticipated. What will be their final bearing,
+time only can decide with any certainty.
+
+That they will, however, greatly improve the condition of man ultimately,
+it would be impious to doubt; it would be to suppose that the all-wise and
+beneficent Being, the Creator of all, had so constituted man as that the
+employment of the high intellectual faculties with which He has been
+pleased to endow him, in order that he might develop the laws that control
+the great agents of the material world, and make them subservient to his
+use, would prove to him the cause of permanent evil, and not of permanent
+good.
+
+
+NOTE.--This selection is an extract from "A Disquisition on Government."
+Mr. Calhoun expected to revise his manuscript before it was printed, but
+death interrupted his plans.
+
+
+
+XCVII. ENOCH ARDEN AT THE WINDOW. (347)
+
+Alfred Tennyson, 1809-1892, was born in Somerby, Lincolnshire, England;
+his father was a clergyman noted for his energy and physical stature.
+Alfred, with his two older brothers, graduated at Trinity College,
+Cambridge. His first volume of poems appeared in 1830; it made little
+impression, and was severely treated by the critics. On the publication of
+his third series, in 1842, his poetic genius began to receive general
+recognition. On the death of Wordsworth he was made poet laureate, and he
+was then regarded as the foremost living poet of England. "In Memoriam,"
+written in memory of his friend Arthur Hallam, appeared in 1850; the
+"Idyls of the King," in 1858; and "Enoch Arden," a touching story in
+verse, from which the following selection is taken, was published in 1864.
+In 1883 he accepted a peerage as Baron Tennyson of Aldworth, Sussex, and
+of Freshwater, Isle of Wight.
+###
+
+
+ But Enoch yearned to see her face again;
+"If I might look on her sweet face again
+And know that she is happy." So the thought
+Haunted and harassed him, and drove him forth,
+At evening when the dull November day
+Was growing duller twilight, to the hill.
+There he sat down gazing on all below;
+There did a thousand memories roll upon him,
+Unspeakable for sadness. By and by
+The ruddy square of comfortable light,
+Far-blazing from the rear of Philip's house,
+Allured him, as the beacon blaze allures
+The bird of passage, till he mildly strikes
+Against it, and beats out his weary life.
+
+ For Philip's dwelling fronted on the street,
+The latest house to landward; but behind,
+With one small gate that opened on the waste,
+Flourished a little garden, square and walled:
+And in it throve an ancient evergreen,
+A yew tree, and all round it ran a walk
+Of shingle, and a walk divided it:
+But Enoch shunned the middle walk, and stole
+Up by the wall, behind the yew; and thence
+That which he better might have shunned, if griefs
+Like his have worse or better, Enoch saw.
+
+ For cups and silver on the burnished board
+Sparkled and shone; so genial was the hearth:
+And on the right hand of the hearth he saw
+Philip, the slighted suitor of old times,
+Stout, rosy, with his babe across his knees;
+And o'er her second father stooped a girl,
+A later but a loftier Annie Lee,
+Fair-haired and tall, and from her lifted hand
+Dangled a length of ribbon and a ring
+To tempt the babe, who reared his creasy arms,
+Caught at and ever missed it, and they laughed:
+And on the left hand of the hearth he saw
+The mother glancing often toward her babe,
+But turning now and then to speak with him,
+Her son, who stood beside her tall and strong,
+And saying that which pleased him, for he smiled.
+
+ Now when the dead man come to life beheld
+His wife, his wife no more, and saw the babe,
+Hers, yet not his, upon the father's knee,
+And all the warmth, the peace, the happiness.
+And his own children tall and beautiful,
+And him, that other, reigning in his place,
+Lord of his rights and of his children's love,
+Then he, tho' Miriam Lane had told him all,
+Because things seen are mightier than things heard,
+Staggered and shook, holding the branch, and feared
+To send abroad a shrill and terrible cry,
+Which in one moment, like the blast of doom,
+Would shatter all the happiness of the hearth.
+
+ He, therefore, turning softly like a thief,
+Lest the harsh shingle should grate underfoot,
+And feeling all along the garden wall,
+Lest he should swoon and tumble and be found,
+Crept to the gate, and opened it, and closed,
+As lightly as a sick man's chamber door,
+Behind him, and came out upon the waste.
+And there he would have knelt but that his knees
+Were feeble, so that falling prone he dug
+His fingers into the wet earth, and prayed.
+
+ "Too hard to bear! why did they take me thence?
+O God Almighty, blessed Savior, Thou
+That did'st uphold me on my lonely isle,
+Uphold me, Father, in my loneliness
+A little longer! aid me, give me strength
+Not to tell her, never to let her know.
+Help me not to break in upon her peace.
+My children too! must I not speak to these?
+They know me not. I should betray myself.
+Never!--no father's kiss for me!--the girl
+So like her mother, and the boy, my son!"
+
+ There speech and thought and nature failed a little,
+And he lay tranced; but when he rose and paced
+Back toward his solitary home again,
+All down the long and narrow street he went
+Beating it in upon his weary brain,
+As tho' it were the burden of a song,
+"Not to tell her, never to let her know."
+
+NOTE.--Enoch Arden had been wrecked on an uninhabited island, and was
+supposed to be dead. After many years he was rescued, and returned home,
+where he found his wife happily married a second time. For her happiness,
+he kept his existence a secret, but soon died of a broken heart.
+
+
+
+XCVIII. LOCHINVAR. (350)
+
+Oh, young Lochinvar is come out of the west,
+Through all the wide Border his steed was the best;
+And save his good broadsword, he weapon had none,
+He rode all unarmed, and he rode all alone!
+So faithful in love, and so dauntless in war,
+There never was knight like the young Lochinvar!
+
+He stayed not for brake, and he stopped not for stone,
+He swam the Eske River where ford there was none;
+But ere he alighted at Netherby gate,
+The bride had consented, the gallant came late:
+For a laggard in love, and a dastard in war,
+Was to wed the fair Ellen of brave Lochinvar!
+
+So boldly he entered the Netherby hall,
+Among bridesmen, and kinsmen, and brothers, and all:
+Then spoke the bride's father, his hand on his sword--
+For the poor craven bridegroom said never a word--
+"Oh, come ye in peace here, or come ye in war,
+Or to dance at our bridal, young Lord Lochinvar?"
+
+"I long wooed your daughter, my suit you denied;--
+Love swells like the Solway, but ebbs like its tide--
+And now am I come, with this lost love of mine,
+To lead but one measure, drink one cup of wine.
+There are maidens in Scotland more lovely by far,
+That would gladly be bride to the young Lochinvar."
+
+The bride kissed the goblet; the knight took it up,
+He quaffed off the wine, and he threw down the cup.
+She looked down to blush, and she looked up to sigh,
+With a smile on her lips, and a tear in her eye.
+He took her soft hand, ere her mother could bar,
+"Now tread we a measure!" said young Lochinvar.
+
+So stately his form, and so lovely her face,
+That never a hall such a galliard did grace;
+While her mother did fret, and her father did fume,
+And the bridegroom stood dangling his bonnet and plume;
+And the bridemaidens whispered, "'Twere better by far
+To have matched our fair cousin with young Lochinvar."
+
+One touch to her hand, and one word in her ear,
+When they reached the hall door, and the charger stood near,
+So light to the croup the fair lady he swung,
+So light to the saddle before her he sprung!
+"She is won! we are gone, over bank, bush, and scaur:
+They'll have fleet steeds that follow," quoth young Lochinvar.
+
+There was mounting 'mong Graemes of the Netherby clan;
+Forsters, Fenwicks, and Musgraves, they rode and they ran;
+There was racing and chasing on Cannobie Lee,
+But the lost bride of Netherby ne'er did they see.
+So daring in love, and so dauntless in war,
+Have ye e'er heard of gallant like young Lochinvar?
+ -- Walter Scott.
+
+
+NOTES.--The above selection is a song taken from Scott's poem of
+"Marmion." It is in a slight degree founded on a ballad called "Katharine
+Janfarie," to be found in the "Minstrelsy of the Scottish Border."
+
+The Solway Frith, on the southwest coast of Scotland, is remarkable for
+its high spring tides.
+
+Bonnet is the ordinary name in Scotland for a man's cap.
+
+
+
+XCIX. SPEECH ON THE TRIAL OF A MURDERER. (352)
+
+Against the prisoner at the bar, as an individual, I can not have the
+slightest prejudice. I would not do him the smallest injury or injustice.
+But I do not affect to be indifferent to the discovery and the punishment
+of this deep guilt. I cheerfully share in the opprobrium, how much soever
+it may be, which is cast on those who feel and manifest an anxious concern
+that all who had a part in planning, or a hand in executing this deed of
+midnight assassination, may be brought to answer for their enormous crime
+at the bar of public justice.
+
+This is a most extraordinary case. In some respects it has hardly a
+precedent anywhere; certainly none in our New England history. This bloody
+drama exhibited no suddenly excited, ungovernable rage. The actors in it
+were not surprised by any lionlike temptation springing upon their virtue,
+and overcoming it before resistance could begin. Nor did they do the deed
+to glut savage vengeance, or satiate long-settled and deadly hate. It was
+a cool, calculating, money-making murder. It was all "hire and salary, not
+revenge." It was the weighing of money against life; the counting out of
+so many pieces of silver against so many ounces of blood.
+
+An aged man, without an enemy in the world, in his own house, and in his
+own bed, is made the victim of a butcherly murder for mere pay. Truly,
+here is a new lesson for painters and poets. Whoever shall hereafter draw
+the portrait of murder, if he will show it as it has been exhibited in an
+example, where such example was last to have been looked for, in the very
+bosom of our New England society, let him not give it the grim visage of
+Moloch, the brow knitted by revenge, the face black with settled hate, and
+the bloodshot eye emitting livid fires of malice. Let him draw, rather, a
+decorous, smooth-faced, bloodless demon; a picture in repose, rather than
+in action; not so much an example of human nature in its depravity, and in
+its paroxysms of crime, as an infernal nature, a fiend in the ordinary
+display and development of his character.
+
+The deed was executed with a degree of self-possession and steadiness
+equal to the wickedness with which it was planned. The circumstances, now
+clearly in evidence, spread out the whole scene before us. Deep sleep had
+fallen on the destined victim, and on all beneath his roof. A healthful
+old man, to whom sleep was sweet,--the first sound slumbers of the night
+held him in their soft but strong embrace. The assassin enters through the
+window, already prepared, into an unoccupied apartment. With noiseless
+foot he paces the lonely hall, half-lighted by the moon; he winds up the
+ascent of the stairs, and reaches the door of the chamber. Of this, he
+moves the lock by soft and continued pressure till it turns on its hinges
+without noise; and he enters, and beholds his victim before him. The room
+was uncommonly open to the admission of light. The face of the innocent
+sleeper was turned from the murderer, and the beams of the moon, resting
+on the gray locks of his aged temple, showed him where to strike. The
+fatal blow is given! and the victim passes, without a struggle or a
+motion, from the repose of sleep to the repose of death!
+
+It is the assassin's purpose to make sure work; and he yet plies the
+dagger, though it was obvious that life had been destroyed by the blow of
+the bludgeon. He even raises the aged arm, that he may not fail in his aim
+at the heart; and replaces it again over the wounds of the poniard! To
+finish the picture, he explores the wrist for the pulse! He feels for it,
+and ascertains that it beats no longer! It is accomplished. The deed is
+done. He retreats, retraces his steps to the window, passes out through it
+as he came in, and escapes. He has done the murder; no eye has seen him,
+no ear has heard him. The secret is his own, and it is safe!
+
+Ah! gentlemen, that was a dreadful mistake. Such a secret can be safe
+nowhere. The whole creation of God has neither nook nor corner where the
+guilty can bestow it, and say it is safe. Not to speak of that eye which
+glances through all disguises, and beholds everything as in the splendor
+of noon; such secrets of guilt are never safe from detection, even by men.
+True it is, generally speaking, that "murder will out." True it is that
+Providence hath so ordained, and doth so govern things, that those who
+break the great law of Heaven by shedding man's blood, seldom succeed in
+avoiding discovery. Especially, in a case exciting so much attention as
+this, discovery must come, and wilt come, sooner or later. A thousand eyes
+turn at once to explore every man, everything, every circumstance
+connected with the time and place; a thousand ears catch every whisper; a
+thousand excited minds intensely dwell on the scene, shedding all their
+light, and ready to kindle the slightest circumstance into a blaze of
+discovery.
+
+Meantime, the guilty soul can not keep its own secret. It is false to
+itself, or rather it feels an irresistible impulse of conscience to be
+true to itself. It labors under its guilty possession, and knows not what
+to do with it. The human heart was not made for the residence of such an
+inhabitant. It finds itself preyed on by a torment, which it dares not
+acknowledge to God nor man. A vulture is devouring it, and it can ask no
+sympathy or assistance either from heaven or earth. The secret which the
+murderer possesses soon comes to possess him; and, like the evil spirits
+of which we read, it overcomes him, and leads him whithersoever it will.
+He feels it beating at his heart, rising to his throat, and demanding
+disclosure. He thinks the whole world sees it in his face, reads it in his
+eyes, and almost hears its workings in the very silence of his thoughts.
+It has become his master. It betrays his discretion, it breaks down his
+courage, it conquers his prudence. When suspicions from without begin to
+embarrass him, and the net of circumstance to entangle him, the fatal
+secret struggles with still greater violence to burst forth. It must be
+confessed, it will be confessed; there is no refuge from confession but
+suicide, and suicide is confession.
+ --Daniel Webster.
+
+
+NOTE.--The above extract is from Daniel Webster's argument in the trial of
+John F. Knapp for the murder of Mr. White, a very wealthy and respectable
+citizen of Salem, Mass, Four persons were arrested as being concerned in
+the conspiracy; one confessed the plot and all the details of the crime,
+implicating the others, but he afterwards refused to testify in court. The
+man who, by this confession, was the actual murderer, committed suicide,
+and Mr. Webster's assistance was obtained in prosecuting the others. John
+F. Knapp was convicted as principal, and the other two as accessaries in
+the murder.
+
+
+
+C. THE CLOSING YEAR. (355)
+
+George Denison Prentice, 1802-1870, widely known as a political writer, a
+poet, and a wit, was born in Preston, Connecticut, and graduated at Brown
+University in 1823. He studied law, but never practiced his profession. He
+edited a paper in Hartford for two years; and, in 1831, he became editor
+of the "Louisville Journal," which position he held for nearly forty
+years. As an editor, Mr. Prentice was an able, and sometimes bitter,
+political partisan, abounding in wit and satire; as a poet, he not only
+wrote gracefully himself, but he did much by his kindness and sympathy to
+develop the poetical talents of others. Some who have since taken high
+rank, first became known to the world through the columns of the
+"Louisville Journal."
+###
+
+
+'T is midnight's holy hour, and silence now
+Is brooding like a gentle spirit o'er
+The still and pulseless world. Hark! on the winds,
+The bell's deep notes are swelling; 't is the knell
+Of the departed year.
+
+ No funeral train
+Is sweeping past; yet, on the stream and wood,
+With melancholy light, the moonbeams rest
+Like a pale, spotless shroud; the air is stirred
+As by a mourner's sigh; and, on yon cloud,
+That floats so still and placidly through heaven,
+The spirits of the Seasons seem to stand--
+Young Spring, bright Summer, Autumn's solemn form,
+And Winter, with his aged locks--and breathe
+In mournful cadences, that come abroad
+Like the far wind harp's wild and touching wail,
+A melancholy dirge o'er the dead year,
+Gone from the earth forever.
+
+ 'Tis a time
+For memory and for tears. Within the deep,
+Still chambers of the heart, a specter dim,
+Whose tones are like the wizard voice of Time,
+Heard from the tomb of ages, points its cold
+And solemn finger to the beautiful
+And holy visions, that have passed away,
+And left no shadow of their loveliness
+On the dead waste of life. That specter lifts
+The coffin lid of Hope, and Joy, and Love,
+And, bending mournfully above the pale,
+Sweet forms that slumber there, scatters dead flowers
+O'er what has passed to nothingness.
+
+ The year
+Has gone, and, with it, many a glorious throng
+Of happy dreams. Its mark is on each brow,
+Its shadow in each heart. In its swift course
+It waved its scepter o'er the beautiful,
+And they are not. It laid its pallid hand
+Upon the strong man; and the haughty form
+Is fallen, and the flashing eye is dim.
+It trod the hall of revelry, where thronged
+The bright and joyous; and the tearful wail
+Of stricken ones is heard, where erst the song
+And reckless shout resounded. It passed o'er
+The battle plain, where sword, and spear, and shield
+Flashed in the light of midday; and the strength
+Of serried hosts is shivered, and the grass,
+Green from the soil of carnage, waves above
+The crushed and moldering skeleton. It came,
+And faded like a wreath of mist at eve;
+Yet, ere it melted in the viewless air,
+It heralded its millions to their home
+In the dim land of dreams.
+
+ Remorseless Time!--
+Fierce spirit of the glass and scythe!--what power
+Can stay him in his silent course, or melt
+His iron heart to pity! On, still on
+He presses, and forever. The proud bird,
+The condor of the Andes, that can soar
+Through heaven's unfathomable depths, or brave
+The fury of the northern hurricane,
+And bathe his plumage in the thunder's home,
+Furls his broad wings at nightfall, and sinks down
+To rest upon his mountain crag; but Time
+Knows not the weight of sleep or weariness;
+And Night's deep darkness has no chain to bind
+His rushing pinion.
+
+ Revolutions sweep
+O'er earth, like troubled visions o'er the breast
+Of dreaming sorrow; cities rise and sink
+Like bubbles on the water; fiery isles
+Spring blazing from the ocean, and go back
+To their mysterious caverns; mountains rear
+To heaven their bald and blackened cliffs, and bow
+Their tall heads to the plain; new empires rise,
+Gathering the strength of hoary centuries,
+And rush down, like the Alpine avalanche,
+Startling the nations; and the very stars,
+Yon bright and burning blazonry of God,
+Glitter awhile in their eternal depths,
+And, like the Pleiad, loveliest of their train,
+Shoot from their glorious spheres, and pass away,
+To darkle in the trackless void; yet Time,
+Time the tomb builder, holds his fierce career,
+Dark, stern, all pitiless, and pauses not
+Amid the mighty wrecks that strew his path,
+To sit and muse, like other conquerors,
+Upon the fearful ruin he has wrought.
+
+
+
+CI. A NEW CITY IN COLORADO. (358)
+
+Helen Hunt Jackson, 1830-1885, was the daughter of the late Professor
+Nathan W. Fiske, of Amherst College. She was born in Amherst, and educated
+at Ipswich, Massachusetts, and at New York. Mrs. Jackson was twice
+married. In the latter years of her life, she became deeply interested in
+the Indians, and wrote two books, "Ramona," a novel, and "A Century of
+Dishonor," setting forth vividly the wrongs to which the red race has been
+subjected. She had previously published several books of prose and poetry,
+less important but charming in their way. The following selection is
+adapted from "Bits of Travel at Home."
+###
+
+
+Garland City is six miles from Fort Garland. The road to it from the fort
+lies for the last three miles on the top of a sage-grown plateau. It is
+straight as an arrow, looks in the distance like a brown furrow on the
+pale gray plain, and seems to pierce the mountains beyond. Up to within an
+eighth of a mile of Garland City, there is no trace of human habitation.
+Knowing that the city must be near, you look in all directions for a
+glimpse of it; the hills ahead of you rise sharply across your way. Where
+is the city? At your very feet, but you do not suspect it.
+
+The sunset light was fading when we reached the edge of the ravine in
+which the city lies. It was like looking unawares over the edge of a
+precipice; the gulch opened beneath us as suddenly as if the earth had
+that moment parted and made it. With brakes set firm, we drove cautiously
+down the steep road; the ravine twinkled with lights, and almost seemed to
+flutter with white tents and wagon tops. At the farther end it widened,
+opening out on an inlet of the San Luis Park; and, in its center, near
+this widening mouth, lay the twelve-days-old city. A strange din arose
+from it.
+
+"What is going on?" we exclaimed. "The building of the city," was the
+reply. "Twelve days ago there was not a house here. To-day there are one
+hundred and five, and in a week more there will be two hundred; each man
+is building his own home, and working day and night to get it done ahead
+of his neighbor. There are four sawmills going constantly, but they can't
+turn out lumber half fast enough. Everybody has to be content with a board
+at a time. If it were not for that, there would have been twice as many
+houses done as there are."
+
+We drove on down the ravine. A little creek on our right was half hid in
+willow thickets. Hundreds of white tents gleamed among them: tents with
+poles; tents made by spreading sailcloth over the tops of bushes; round
+tents; square tents; big tents; little tents; and for every tent a camp
+fire; hundreds of white-topped wagons, also, at rest for the night, their
+great poles propped up by sticks, and their mules and drivers lying and
+standing in picturesque groups around them.
+
+It was a scene not to be forgotten. Louder and louder sounded the chorus
+of the hammers as we drew near the center of the "city;" more and more the
+bustle thickened; great ox teams swaying unwieldily about, drawing logs
+and planks, backing up steep places; all sorts of vehicles driving at
+reckless speed up and down; men carrying doors; men walking along inside
+of window sashes,--the easiest way to carry them; men shoveling; men
+wheeling wheelbarrows; not a man standing still; not a man with empty
+hands; every man picking up something, and running to put it down
+somewhere else, as in a play; and, all the while, "Clink! clink! clink!"
+ringing above the other sounds,--the strokes of hundreds of hammers, like
+the "Anvil Chorus."
+
+"Where is Perry's Hotel?" we asked. One of the least busy of the throng
+spared time to point to it with his thumb, as he passed us. In some
+bewilderment we drew up in front of a large unfinished house, through the
+many uncased apertures of which we could see only scaffoldings, rough
+boards, carpenters' benches, and heaps of shavings. Streams of men were
+passing in and out through these openings, which might be either doors or
+windows; no steps led to any of them.
+
+"Oh, yes! oh, yes! can accommodate you all!" was the landlord's reply to
+our hesitating inquiries. He stood in the doorway of his dining-room; the
+streams of men we had seen going in and out were the fed and the unfed
+guests of the house. It was supper time; we also were hungry. We peered
+into the dining room: three tables full of men; a huge pile of beds on the
+floor, covered with hats and coats; a singular wall, made entirely of
+doors propped upright; a triangular space walled off by sailcloth,--this
+is what we saw. We stood outside, waiting among the scaffolding and
+benches. A black man was lighting the candles in a candelabrum made of two
+narrow bars of wood nailed across each other at right angles, and
+perforated with holes. The candles sputtered, and the hot fat fell on the
+shavings below.
+
+"Dangerous way of lighting a room full of shavings," some one said. The
+landlord looked up at the swinging candelabra and laughed. "Tried it
+pretty often," he said. "Never burned a house down yet."
+
+I observed one peculiarity in the speech at Garland City. Personal
+pronouns, as a rule, were omitted; there was no time for a superfluous
+word.
+
+"Took down this house at Wagon Creek," he continued, "just one week ago;
+took it down one morning while the people were eating breakfast; took it
+down over their heads; putting it up again over their heads now."
+
+This was literally true. The last part of it we ourselves were seeing
+while he spoke, and a friend at our elbow had seen the Wagon Creek crisis.
+
+
+"Waiting for that round table for you," said the landlord; " 'll bring the
+chairs out here's fast's they quit 'em. That's the only way to get the
+table."
+
+So, watching his chances, as fast as a seat was vacated, he sprang into
+the room, seized the chair and brought it out to us; and we sat there in
+our "reserved seats," biding the time when there should be room enough
+vacant at the table for us to take our places.
+
+What an indescribable scene it was! The strange-looking wall of propped
+doors which we had seen, was the impromptu, wall separating the bedrooms
+from the dining-room. Bedrooms? Yes, five of them; that is, five
+bedsteads in a row, with just space enough between them to hang up a
+sheet, and with just room enough between them and the propped doors for a
+moderate-sized person to stand upright if he faced either the doors or the
+bed. Chairs? Oh, no! What do you want of a chair in a bedroom which has a
+bed in it? Washstands? One tin basin out in the unfinished room. Towels?
+Uncertain.
+
+The little triangular space walled off by the sailcloth was a sixth
+bedroom, quite private and exclusive; and the big pile of beds on the
+dining-room floor was to be made up into seven bedrooms more between the
+tables, after everybody had finished supper.
+
+Luckily for us we found a friend here,--a man who has been from the
+beginning one of Colorado's chief pioneers; and who is never, even in the
+wildest wilderness, without resources of comfort.
+
+"You can't sleep here," he said. "I can do better for you than this."
+
+"Better!"
+
+He offered us luxury. How movable a thing is one's standard of comfort! A
+two-roomed pine shanty, board walls, board floors, board ceilings, board
+partitions not reaching to the roof, looked to us that night like a
+palace. To have been entertained at Windsor Castle would not have made us
+half so grateful.
+
+It was late before the "city" grew quiet; and, long after most of the
+lights were out, and most of the sounds had ceased, I heard one solitary
+hammer in the distance, clink, clink, clink. I fell asleep listening to
+it.
+
+
+
+CII. IMPORTANCE OF THE UNION. (362)
+
+Mr. President: I am conscious of having detained you and the Senate much
+too long. I was drawn into the debate with no previous deliberation, such
+as is suited to the discussion of so grave and important a subject. But it
+is a subject of which my heart is full, and I have not been willing to
+suppress the utterance of its spontaneous sentiments. I can not, even now,
+persuade myself to relinquish it, without expressing once more my deep
+conviction, that, since it respects nothing less than the union of the
+states, it is of most vital and essential importance to the public
+happiness.
+
+I profess, sir, in my career hitherto, to have kept steadily in view the
+prosperity and honor of the whole country, and the preservation of our
+federal Union. It is to that Union we owe our safety at home, and our
+consideration and dignity abroad. It is to that Union that we are chiefly
+indebted for whatever makes us most proud of our country. That Union we
+reached only by the discipline of our virtues, in the severe school of
+adversity. It had its origin in the necessities of disordered finance,
+prostrate commerce, and ruined credit. Under its benign influences, these
+great interests immediately awoke, as from the dead, and sprang forth with
+newness of life. Every year of its duration has teemed with fresh proofs
+of its utility and its blessings; and, although our territory has
+stretched out wider and wider, and our population spread farther and
+farther, they have not outrun its protection or its benefits. It has been
+to us all a copious fountain of national, social, and personal happiness.
+
+I have not allowed myself, sir, to look beyond the Union, to see what
+might lie hidden in the dark recess behind. I have not coolly weighed the
+chances of preserving liberty, when the bonds that unite us together shall
+be broken asunder. I have not accustomed myself to hang over the precipice
+of disunion, to see whether, with my short sight, I can fathom the depth
+of the abyss below; nor could I regard him as a safe counselor in the
+affairs of this government, whose thoughts should be mainly bent on
+considering, not how the Union should be best preserved, but how tolerable
+might be the condition of the people when it shall be broken up and
+destroyed.
+
+While the Union lasts, we have high, exciting, gratifying prospects spread
+out before us, for us and our children. Beyond that, I seek not to
+penetrate the veil. God grant that in my day, at least, that curtain may
+not rise. God grant that on my vision never may be opened what lies
+behind. When my eyes shall be turned to behold, for the last time, the sun
+in heaven, may I not see him shining on the broken and dishonored
+fragments of a once glorious Union; on States dissevered, discordant,
+belligerent; on a land rent with civil feuds, or drenched, it may be, in
+fraternal blood.
+
+Let their last feeble and lingering glance rather behold the gorgeous
+ensign of the Republic, now known and honored throughout the earth, still
+full high advanced, its arms and trophies streaming in their original
+luster, not a stripe erased or polluted, not a single star
+obscured--bearing for its motto no such miserable interrogatory as, What
+is all this worth? nor those other words of delusion and folly, Liberty
+first, and Union afterwards--but everywhere, spread all over in characters
+of living light, blazing on all its ample folds, as they float over the
+sea and over the land, and in every wind under the whole heavens, that
+other sentiment, dear to every true American heart--Liberty and Union, now
+and forever, one and inseparable!
+ --Daniel Webster.
+
+NOTE.--This selection is the peroration of Mr. Webster's speech in reply
+to Mr. Hayne during the debate in the Senate on Mr. Foot's Resolution in
+regard to the Public Lands.
+
+
+
+CIII. THE INFLUENCES OF THE SUN. (364)
+
+John Tyndall, 1820-1893, one of the most celebrated modern
+scientists, was an Irishman by birth. He was a pupil of the distinguished
+Faraday. In 1853 he was appointed Professor of Natural Philosophy in the
+Royal Institution of London. He is known chiefly for his brilliant
+experiments and clear writing respecting heat, light, and sound. He also
+wrote one or two interesting books concerning the Alps and their glaciers.
+He visited America, and delighted the most intelligent audiences by his
+scientific lectures and his brilliant experiments. The scientific world is
+indebted to him for several remarkable discoveries.
+###
+
+
+As surely as the force which moves a clock's hands is derived from the arm
+which winds up the clock, so surely is all terrestrial power drawn from
+the sun. Leaving out of account the eruptions of volcanoes, and the ebb
+and flow of the tides, every mechanical action on the earth's surface,
+every manifestation of power, organic and inorganic, vital and physical,
+is produced by the sun. His warmth keeps the sea liquid, and the
+atmosphere a gas, and all the storms which agitate both are blown by the
+mechanical force of the sun. He lifts the rivers and the glaciers up to
+the mountains; and thus the cataract and the avalanche shoot with an
+energy derived immediately from him.
+
+Thunder and lightning are also his transmitted strength. Every fire that
+burns and every flame that glows, dispenses light and heat which
+originally belonged to the sun. In these days, unhappily, the news of
+battle is familiar to us, but every shock and every charge is an
+application or misapplication of the mechanical force of the sun. He blows
+the trumpet, he urges the projectile, he bursts the bomb. And, remember,
+this is not poetry, but rigid mechanical truth.
+
+He rears, as I have said, the whole vegetable world, and through it the
+animal; the lilies of the field are his workmanship, the verdure of the
+meadows, and the cattle upon a thousand hills. He forms the muscles, he
+urges the blood, he builds the brain. His fleetness is in the lion's foot;
+he springs in the panther, he soars in the eagle, he slides in the snake.
+He builds the forest and hews it down, the power which raised the tree,
+and which wields the ax, being one and the same. The clover sprouts and
+blossoms, and the scythe of the mower swings, by the operation of the same
+force.
+
+The sun digs the ore from our mines, he rolls the iron; he rivets the
+plates, he boils the water; he draws the train. He not only grows the
+cotton, but he spins the fiber and weaves the web. There is not a hammer
+raised, a wheel turned, or a shuttle thrown, that is not raised, and
+turned, and thrown by the sun.
+
+His energy is poured freely into space, but our world is a halting place
+where this energy is conditioned. Here the Proteus works his spells; the
+selfsame essence takes a million shapes and hues, and finally dissolves
+into its primitive and almost formless form. The sun comes to us as heat;
+he quits us as heat; and between his entrance and departure the multiform
+powers of our globe appear. They are all special forms of solar power--the
+molds into which his strength is temporarily poured in passing from its
+source through infinitude.
+
+NOTE.--Proteus (pro. Pro'te-us) was a mythological divinity. His
+distinguishing characteristic was the power of assuming different shapes.
+
+
+
+CIV. COLLOQUIAL POWERS OF FRANKLIN. (366)
+
+William Wirt, 1772-1834, an American lawyer and author, was born at
+Bladensburg, Maryland. Left an orphan at an early age, he was placed in
+care of his uncle. He improved his opportunities for education so well
+that he became a private tutor at fifteen. In 1792 he was admitted to the
+bar, and began the practice of law in Virginia; he removed to Richmond in
+1799. From 1817 to 1829 he was Attorney-general of the United States. His
+last years were spent in Baltimore. Mr. Wirt was the author of several
+books; his "Letters of a British Spy," published in 1803, and "Life of
+Patrick Henry," published in 1817, are the best known of his writings.
+###
+
+
+Never have I known such a fireside companion. Great as he was both as a
+statesman and philosopher, he never shone in a light more winning than
+when he was seen in a domestic circle. It was once my good fortune to pass
+two or three weeks with him, at the house of a private gentleman, in the
+back part of Pennsylvania, and we were confined to the house during the
+whole of that time by the unintermitting constancy and depth of the snows.
+But confinement never could be felt where Franklin was an inmate; His
+cheerfulness and his colloquial powers spread around him a perpetual
+spring.
+
+When I speak, however, of his colloquial powers, I do not mean to awaken
+any notion analogous to that which Boswell has given us of Johnson. The
+conversation of the latter continually reminds one of the "pomp and
+circumstance of glorious war." It was, indeed, a perpetual contest for
+victory, or an arbitrary or despotic exaction of homage to his superior
+talents. It was strong, acute, prompt, splendid, and vociferous; as loud,
+stormy, and sublime as those winds which he represents as shaking the
+Hebrides, and rocking the old castle which frowned on the dark-rolling sea
+beneath.
+
+But one gets tired of storms, however sublime they may be, and longs for
+the more orderly current of nature. Of Franklin, no one ever became tired.
+There was no ambition of eloquence, no effort to shine in anything which
+came from him. There was nothing which made any demand upon either your
+allegiance or your admiration. His manner was as unaffected as infancy. It
+was nature's self. He talked like an old patriarch; and his plainness and
+simplicity put you at once at your ease, and gave you the full and free
+possession and use of your faculties. His thoughts were of a character to
+shine by their own light, without any adventitious aid. They only required
+a medium of vision like his pure and simple style, to exhibit to the
+highest advantage their native radiance and beauty.
+
+His cheerfulness was unremitting. It seemed to be as much the effect of a
+systematic and salutary exercise of the mind, as of its superior
+organization. His wit was of the first order. It did not show itself
+merely in occasional coruscations[1]; but, without any effort or force on
+his part, it shed a constant stream of the purest light over the whole of
+his discourse. Whether in the company of commons or nobles, he was always
+the same plain man; always most perfectly at his ease, with his faculties
+in full play, and the full orbit of his genius forever clear and
+unclouded.
+
+[Transcriber's Footnote 1: coruscations: flashes of light.]
+
+And then, the stores of his mind were inexhaustible. He had commenced life
+with an attention so vigilant that nothing had escaped his observation;
+and a judgment so solid that every incident was turned to advantage. His
+youth had not been wasted in idleness, nor overcast by intemperance. He
+had been, all his life, a close and deep reader, as well as thinker; and
+by the force of his own powers, had wrought up the raw materials which he
+had gathered from books, with such exquisite skill and felicity, that he
+has added a hundred fold to their original value, and justly made them his
+own.
+
+NOTES.--Benjamin Franklin (b. 1706, d. 1790) was one of the most prominent
+men in the struggle of the American colonies for liberty. He was renowned
+as a statesman, and, although not an author by profession, was a very
+prolific writer. His "Autobiography," which was first printed in France,
+is now a household volume in America. See page 431.
+
+Boswell, James, (b. 1740, d. 1795,) was a Scotch lawyer, and is chiefly
+known as the biographer of Dr. Johnson, of whom he was the intimate friend
+and companion.
+
+Johnson, Samuel. See biographical notice, page 78.
+
+
+
+CV. THE DREAM OF CLARENCE. (368)
+
+SCENE--Room in the Tower of London. Enter CLARENCE and BRAKENBURY.
+
+Brak. Why looks your grace so heavily to-day?
+Clar. O, I have passed a miserable night,
+ So full of ugly sights, of ghastly dreams,
+ That, as I am a Christian, faithful man,
+ I would not spend another such a night,
+ Though 't were to buy a world of happy days,
+ So full of dismal terror was the time!
+Brak. What was your dream? I long to hear you tell it.
+Clar. Methoughts, that I had broken from the Tower,
+ And was embarked to cross to Burgundy;
+ And, in my company, my brother Gloster;
+ Who, from my cabin, tempted me to walk
+ Upon the hatches; thence we looked toward England,
+ And cited up a thousand fearful times,
+ During the wars of York and Lancaster,
+ That had befallen us. As we paced along
+ Upon the giddy footing of the hatches,
+ Methought that Gloster stumbled; and, in falling,
+ Struck me, that thought to stay him, overboard,
+ Into the tumbling billows of the main.
+ Oh, then, methought, what pain it was to drown!
+ What dreadful noise of waters in mine ears!
+ What ugly sights of death within mine eyes!
+ Methought I saw a thousand fearful wrecks;
+ Ten thousand men that fishes gnawed upon;
+ Wedges of gold, great anchors, heaps of pearl,
+ Inestimable stones, unvalued jewels,
+ All scattered in the bottom of the sea.
+ Some lay in dead men's skulls; and, in those holes
+ Where eyes did once inhabit, there were crept,
+ As 't were in scorn of eyes, reflecting gems,
+ Which wooed the slimy bottom of the deep,
+ And mocked the dead bones that lay scattered by.
+Brak. Had you such leisure in the time of death,
+ To gaze upon the secrets of the deep?
+Clar. Methought I had; and often did I strive
+ To yield the ghost: but still the envious flood
+ Kept in my soul, and would not let it forth
+ To seek the empty, vast, and wandering air;
+ But smothered it within my panting bulk,
+ Which almost burst to belch it in the sea.
+Brak. Awaked you not with this sore agony?
+Clar. Oh, no; my dream was lengthened after life;
+ Oh, then began the tempest to my soul,
+ Who passed, methought, the melancholy flood,
+ With that grim ferryman which poets write of,
+ Unto the kingdom of perpetual night.
+ The first that there did greet my stranger soul,
+ Was my great father-in-law, renowne'd Warwick;
+ Who cried aloud, "What scourge for perjury
+ Can this dark monarchy afford false Clarence?"
+ And so he vanished. Then came wandering by
+ A shadow like an angel, with bright hair
+ Dabbled in blood; and he shrieked out aloud:
+ "Clarence is come! false, fleeting, perjured Clarence!
+ That stabbed me in the field by Tewksbury:
+ Seize on him, Furies, take him to your torments!"
+ With that, methoughts, a legion of foul fiends
+ Environed me, and howled in mine ears
+ Such hideous cries, that, with the very noise,
+ I, trembling, waked, and, for a season after,
+ Could not believe but that I was in hell;
+ Such terrible impression made the dream.
+Brak. No marvel, lord, though it affrighted you;
+ I am afraid, methinks, to hear you tell it.
+Clar. O Brakenbury, I have done those things,
+ Which now bear evidence against my soul,
+ For Edward's sake; and see how he requites me!
+ O God! if my deep prayers can not appease thee,
+ But thou wilt be avenged on my misdeeds,
+ Yet execute thy wrath in me alone:
+ Oh, spare my guiltless wife and my poor children!
+ --I pray thee, gentle keeper, stay by me;
+ My soul is heavy, and I fain would sleep.
+Brak. I will, my lord: God give your grace good rest!
+
+ CLARENCE reposes himself on a chair.
+
+ Sorrow breaks seasons and reposing hours,
+ Makes the night morning, and the noontide night.
+
+ Shakespeare.--Richard III, Act i, Scene iv.
+
+
+NOTES.--The houses of York and Lancaster were at war for the possession of
+the English throne. The Duke of Clarence and the Duke of Gloster were
+brothers of King Edward IV., who was head of the house of York. Clarence
+married the daughter of the Earl of Warwick, and joined the latter in
+several insurrections against the king. They finally plotted with Queen
+Margaret of the Lancaster party for the restoration of the latter house to
+the English throne, but Clarence betrayed Warwick and the Queen, and
+killed the latter's son at the battle of Tewksbury. Through the plots of
+Gloster, Clarence was imprisoned in the Tower of London, and there
+murdered.
+
+Brakenbury was lieutenant of the Tower.
+
+The ferryman referred to is Charon, of Greek mythology, who was supposed
+to ferry the souls of the dead over the river Acheron to the infernal
+regions.
+
+
+
+CVI. HOMEWARD BOUND. (371)
+
+Richard H. Dana, Jr., 1815-1882, was the son of Richard H. Dana, the poet.
+He was born in Cambridge, Mass. In his boyhood be had a strong desire to
+be a sailor, but by his father's advice chose a student's life, and
+entered Harvard University. At the age of nineteen an affection of the
+eyes compelled him to suspend his studies. He now made a voyage to
+California as a common sailor, and was gone two years. On his return, he
+resumed his studies and graduated in 1837. He afterwards studied law, and
+entered upon an active and successful practice. Most of his life was spent
+in law and politics, although he won distinction in literature.
+
+The following extract is from his "Two Years before the Mast," a book
+published in 1840, giving an account of his voyage to California. This
+book details, in a most clear and entertaining manner, the everyday life
+of a common sailor on shipboard, and is the best known of all Mr. Dana's
+works.
+###
+
+
+It is usual, in voyages round the Cape from the Pacific, to keep to the
+eastward of the Falkland Islands; but, as there had now set in a strong,
+steady, and clear southwester, with every prospect of its lasting, and we
+had had enough of high latitudes, the captain determined to stand
+immediately to the northward, running inside the Falkland Islands.
+Accordingly, when the wheel was relieved at eight o'clock, the order was
+given to keep her due north, and all hands were turned up to square away
+the yards and make sail.
+
+In a moment the news ran through the ship that the captain was keeping her
+off, with her nose straight for Boston, and Cape Horn over her taffrail.
+It was a moment of enthusiasm. Everyone was on the alert, and even the two
+sick men turned out to lend a hand at the halyards. The wind was now due
+southwest, and blowing a gale to which a vessel close-hauled could have
+shown no more than a single close-reefed sail; but as we were going before
+it, we could carry on. Accordingly, hands were sent aloft and a reef
+shaken out of the topsails, and the reefed foresail set. When we came to
+masthead the topsail yards, with all hands at the halyards, we struck up,
+"Cheerly, men," with a chorus which might have been heard halfway to
+Staten Island.
+
+Under her increased sail, the ship drove on through the water. Yet she
+could bear it well; and the captain sang out from the quarter-deck--
+"Another reef out of that fore topsail, and give it to her." Two hands
+sprang aloft; the frozen reef points and earings were cast adrift, the
+halyards manned, and the sail gave out her increased canvas to the gale.
+All hands were kept on deck to watch the effect of the change. It was as
+much as she could well carry, and with a heavy sea astern, it took two men
+at the wheel to steer her.
+
+She flung the foam from her bows; the spray breaking aft as far as the
+gangway. She was going at a prodigious rate. Still, everything held.
+Preventer braces were reeved and hauled taut; tackles got upon the
+backstays; and everything done to keep all snug and strong. The captain
+walked the deck at a rapid stride, looked aloft at the sails, and then to
+windward; the mate stood in the gangway, rubbing his hands, and talking
+aloud to the ship--"Hurrah, old bucket! the Boston girls have got hold of
+the towrope!" and the like; and we were on the forecastle looking to see
+how the spars stood it, and guessing the rate at which she was
+going,--when the captain called out--"Mr. Brown, get up the topmast
+studding sail! What she can't carry she may drag!"
+
+The mate looked a moment; but he would let no one be before him in daring.
+He sprang forward,--"Hurrah, men! rig out the topmast studding sail boom!
+Lay aloft, and I'll send the rigging up to you!" We sprang aloft into the
+top; lowered a girtline down, by which we hauled up the rigging; rove the
+tacks and halyards; ran out the boom and lashed it fast, and sent down the
+lower halyards as a preventer. It was a clear starlight night, cold and
+blowing; but everybody worked with a will. Some, indeed, looked as though
+they thought the "old man" was mad, but no one said a word.
+
+We had had a new topmast studding sail made with a reef in it,--a thing
+hardly ever heard of, and which the sailors had ridiculed a good deal,
+saying that when it was time to reef a studding sail it was time to take
+it in. But we found a use for it now; for, there being a reef in the
+topsail, the studding sail could not be set without one in it also. To be
+sure, a studding sail with reefed topsails was rather a novelty; yet there
+was some reason in it, for if we carried that away, we should lose only a
+sail and a boom; but a whole topsail might have carried away the mast and
+all.
+
+While we were aloft, the sail had been got out, bent to the yard, reefed,
+and ready for hoisting. Waiting for a good opportunity, the halyards were
+manned and the yard hoisted fairly up to the block; but when the mate came
+to shake the cat's-paw out of the downhaul, and we began to boom end the
+sail, it shook the ship to her center. The boom buckled up and bent like a
+whipstick, and we looked every moment to see something go; but, being of
+the short, tough upland spruce, it bent like whalebone, and nothing could
+break it. The carpenter said it was the best stick he had ever seen.
+
+The strength of all hands soon brought the tack to the boom end, and the
+sheet was trimmed down, and the preventer and the weather brace hauled
+taut to take off the strain. Every rope-yarn seemed stretched to the
+utmost, and every thread of canvas; and with this sail added to her, the
+ship sprang through the water like a thing possessed. The sail being
+nearly all forward, it lifted her out of the water, and she seemed
+actually to jump from sea to sea. From the time her keel was laid, she had
+never been so driven; and had it been life or death with everyone of us,
+she could not have borne another stitch of canvas.
+
+Finding that she would bear the sail, the hands we're sent below, and our
+watch remained on deck. Two men at the wheel had as much as they could do
+to keep her within three points of her course, for she steered as wild as
+a young colt. The mate walked the deck, looking at the sails, and then
+over the side to see the foam fly by her,--slapping his hands upon his
+thighs and talking to the ship--"Hurrah, you jade, you've got the scent!
+you know where you're going!" And when she leaped over the seas, and
+almost out of the water, and trembled to her very keel, the spars and
+masts snapping and creaking, "There she goes!--There she
+goes--handsomely!--As long as she cracks, she holds!"--while we stood
+with the rigging laid down fair for letting go, and ready to take in sail
+and clear away if anything went.
+
+At four bells we have the log, and she was going eleven knots fairly; and
+had it not been for the sea from aft which sent the chip home, and threw
+her continually off her course, the log would have shown her to have been
+going somewhat faster. I went to the wheel with a young fellow from the
+Kennebec, who was a good helmsman; and for two hours we had our hands
+full. A few minutes showed us that our monkey jackets must come off; and,
+cold as it was, we stood in our shirt sleeves in a perspiration, and were
+glad enough to have it eight bells and the wheels relieved. We turned in
+and slept as well as we could, though the sea made a constant roar under
+her bows, and washed over the forecastle like a small cataract.
+
+
+NOTES.--The Falkland Islands are a group in the Atlantic just east of Cape
+Horn.
+
+Bells. On shipboard time is counted in bells, the bell being struck every
+half hour.
+
+
+
+CVII. IMPEACHMENT OF WARREN HASTINGS. (375)
+
+Thomas Babington Macaulay, 1800-1859, was born in the village of Rothley,
+Leicestershire. On his father's side, he descended from Scotch Highlanders
+and ministers of the kirk. His education began at home, and was completed
+at Trinity College, Cambridge. While a student, he gained much reputation
+as a writer and a debater. In 1826 he was admitted to the bar. In 1825
+began his connection with the "Edinburgh Review," which continued twenty
+years. Some of his most brilliant essays appeared first in its pages. He
+was first chosen to Parliament in 1830, and was reelected several times.
+In 1840 his essays and some other writings were collected and published
+with the title of "Miscellanies." His "Lays of Ancient Rome" was
+published in 1842. His "History of England" was published near the close
+of his life. In 1857 he was given the title of Baron Macaulay. "His style
+is vigorous, rapid in its movement, and brilliant; and yet, with all its
+splendor, has a crystalline clearness. Indeed, the fault generally found
+with his style is, that it is so constantly brilliant that the vision is
+dazzled and wearied with its excessive brightness." He has sometimes been
+charged with sacrificing facts to fine sentences.
+
+In his statesmanship, Macaulay was always an earnest defender of liberty.
+His first speech in Parliament was in support of a bill to remove the
+civil disabilities of the Jews, and his whole parliamentary career was
+consistent with this wise and liberal beginning.
+###
+
+
+The place in which the impeachment of Warren Hastings was conducted, was
+worthy of such a trial. It was the great hall of William Rufus; the hall
+which had resounded with acclamations at the inauguration of thirty kings;
+the hall which had witnessed the just sentence of Bacon, and the just
+absolution of Somers; the hall where the eloquence of Strafford had for a
+moment awed and melted a victorious party inflamed with just resentment;
+the hall where Charles had confronted the High Court of Justice with the
+placid courage which half redeemed his fame.
+
+Neither military nor civil pomp was wanting. The avenues were lined with
+grenadiers. The streets were kept clear by cavalry. The peers, robed in
+gold and ermine, were marshaled by heralds. The judges, in their vestments
+of state, attended to give advice on points of law. The long galleries
+were crowded by such an audience as has rarely excited the fears or the
+emulation of an orator. There were gathered together, from all parts of a
+great, free, enlightened, and prosperous realm, grace and female
+loveliness, wit and learning, the representatives of every science and of
+every art.
+
+There were seated around the queen, the fair-haired, young daughters of
+the house of Brunswick. There the embassadors of great kings and
+commonwealths gazed with admiration on a spectacle which no other country
+in the world could present. There Siddons, in the prime of her majestic
+beauty, looked with emotion on a scene surpassing all the imitations of
+the stage. There Gibbon, the historian of the Roman Empire, thought of the
+days when Cicero pleaded the cause of Sicily against Verres; and when,
+before a senate which had still some show of freedom, Tacitus thundered
+against the oppressor of Africa. There, too, were seen, side by side, the
+greatest painter and the greatest scholar of the age; for the spectacle
+had allured Reynolds from his easel and Parr from his study.
+
+The sergeants made proclamation. Hastings advanced to the bar, and bent
+his knee. The culprit was indeed not unworthy of that great presence. He
+had ruled an extensive and populous country; had made laws and treaties;
+had sent forth armies; had set up and pulled down princes; and in his high
+place he had so borne himself, that all had feared him, that most had
+loved him, and that hatred itself could deny him no title to glory, except
+virtue. A person, small and emaciated, yet deriving dignity from a
+carriage which, while it indicated deference to the court, indicated,
+also, habitual self-possession and self-respect; a high and intellectual
+forehead; a brow, pensive, but not gloomy; a mouth of inflexible decision;
+a face, pale and worn, but serene, on which a great and well-balanced mind
+was legibly written: such was the aspect with which the great proconsul
+presented himself to his judges.
+
+The charges, and the answers of Hastings, were first read. This ceremony
+occupied two whole days. On the third, Burke rose. Four sittings of the
+court were occupied by his opening speech, which was intended to be a
+general introduction to all the charges. With an exuberance of thought and
+a splendor of diction, which more than satisfied the highly raised
+expectations of the audience, he described the character and institutions
+of the natives of India; recounted the circumstances in which the Asiatic
+Empire of Britain had originated; and set forth the constitution of the
+Company and of the English Presidencies.
+
+Having thus attempted to communicate to his hearers an idea of eastern
+society, as vivid as that which existed in his own mind, he proceeded to
+arraign the administration of Hastings, as systematically conducted in
+defiance of morality and public law. The energy and pathos of the great
+orator extorted expressions of unwonted admiration from all; and, for a
+moment, seemed to pierce even the resolute heart of the defendant. The
+ladies in the galleries, unaccustomed to such displays of eloquence,
+excited by the solemnity of the occasion, and perhaps not unwilling to
+display their taste and sensibility, were in a state of uncontrollable
+emotion. Handkerchiefs were pulled out; smelling bottles were handed
+round; hysterical sobs and screams were heard, and some were even carried
+out in fits.
+
+At length the orator concluded. Raising his voice, till the old arches of
+Irish oak resounded--"Therefore," said he, "hath it with all confidence
+been ordered by the Commons of Great Britain, that I impeach Warren
+Hastings of high crimes and misdemeanors. I impeach him in the name of the
+Commons House of Parliament, whose trust he has betrayed. I impeach him in
+the name of the English nation, whose ancient honor he has sullied. I
+impeach him in the name of the people of India, whose rights he has
+trodden under foot, and whose country he has turned into a desert. Lastly,
+in the name of human nature itself, in the name of both sexes, in the name
+of every age, in the name of every rank, I impeach the common enemy and
+oppressor of all."
+
+
+NOTES.--Warren Hastings (b. 1732, d. 1818) was Governor-general of British
+India. He was impeached for maladministration, but, after a trial which
+extended from Feb. 13th, 1788, to April 23d, 1795, and occupied one
+hundred and forty-eight days, he was acquitted by a large majority on each
+separate count of the impeachment.
+
+William Rufus, or William II. (b. 1056, d. 1100), built Westminster Hall
+in which the trial was held. Bacon; see biographical notice, pages 332 and
+333. Somers, John (b. 1651. d. 1716) was impeached for maladministration
+while holding the office of lord chamberlain. Strafford, Thomas Wentworth,
+earl of, (b. 1593, d. 1641,) was impeached for his mismanagement while
+governor of Ireland. He conducted his own defense with such eloquence that
+the original impeachment was abandoned, although he was immediately
+condemned for high treason and executed. Charles I. (b. 1600, d. 1649),
+after a war with Parliament, in which the rights of the people were at
+issue, was captured, tried, and condemned to death.
+
+The House of Brunswick is one of the oldest families of Germany. A branch
+of this family occupies the British throne. Siddons, Sarah (b. 1755, d.
+1831), was a famous English actress. Gibbon, Edward (b. 1737, d. 1794),
+was a celebrated English historian. Cicero; see note on page 156. Tacitus
+(b. about 55, d. after 117 A. D.) was a Roman orator and historian, who
+conducted the prosecution of Marius, proconsul of Africa. Reynolds, Sir
+Joshua (b. 1723, d. 1792), an English portrait painter of note. Parr,
+Samuel (b. 1747, d. 1825), was an English author. Burke, Edmund; see
+biographical sketch accompanying the following lesson.
+
+
+
+CVIII. DESTRUCTION OF THE CARNATIC.
+
+Edmund Burke, 1730-1797, one of the most able and brilliant of England's
+essayists, orators, and statesmen, was born in Dublin, and was the son of
+an able lawyer. He graduated at Trinity College, Dublin, in 1748. As a
+student, he was distinguished for ability and industry. From 1750 to 1766
+he was in London writing for periodicals, publishing books, or serving as
+private secretary. His work on "The Sublime and Beautiful" appeared in
+1756. From 1766 to 1794 he was a member of Parliament, representing at
+different times different constituencies. On the first day of his
+appearance in the House of Commons he made a successful speech. "In the
+three principal questions which excited his interest, and called forth the
+most splendid displays of his eloquence--the contest with the American
+Colonies, the impeachment of Warren Hastings, and the French
+Revolution--we see displayed a philanthropy the most pure, illustrated by
+a genius the most resplendent." Mr. Burke's foresight, uprightness,
+integrity, learning, magnanimity, and eloquence made him one of the most
+conspicuous men of his time; and his writings stand among the noblest
+contributions to English literature.
+###
+
+
+When at length Hyder Ali found that he had to do with men who either would
+sign no convention, or whom no treaty and no signature could bind, and who
+were the determined enemies of human intercourse itself, he decreed to
+make the country possessed by these incorrigible and predestinated
+criminals a memorable example to mankind. He resolved, in the gloomy
+recesses of a mind capacious of such things, to leave the whole Carnatic
+an everlasting monument of vengeance, and to put perpetual desolation as a
+barrier between him and those against whom the faith which holds the moral
+elements of the world together was no protection.
+
+He became at length so confident of his force, so collected in his might,
+that he made no secret whatsoever of his dreadful resolution. Having
+terminated his disputes with every enemy and every rival, who buried their
+mutual animosities in their common detestation against the creditors of
+the Nabob of Arcot, he drew from every quarter whatever a savage ferocity
+could add to his new rudiments in the arts of destruction; and compounding
+all the materials of fury, havoc, and desolation into one black cloud, he
+hung for a while on the declivities of the mountains.
+
+Whilst the authors of all these evils were idly and stupidly gazing on
+this menacing meteor which blackened all their horizon, it suddenly burst,
+and poured down the whole of its contents upon the plains of the Carnatic.
+
+Then ensued a scene of woe, the like of which no eye had seen, no heart
+conceived, and which no tongue can adequately tell. All the horrors of war
+before known or heard of, were mercy to that new havoc. A storm of
+universal fire blasted every field, consumed every house, destroyed every
+temple. The miserable inhabitants, flying from their flaming villages, in
+part were slaughtered; others, without regard to sex, to age, to the
+respect of rank, or sacredness of function,--fathers torn from children,
+husbands from wives, enveloped in a whirlwind of cavalry, and, amidst the
+goading spears of drivers, and the trampling of pursuing horses,--were
+swept into captivity, in an unknown and hostile land.
+
+Those who were able to evade this tempest, fled to the walled cities; but
+escaping from fire, sword, and exile, they fell into the jaws of famine.
+The alms of the settlement of Madras, in this dreadful exigency, were
+certainly liberal, and all was done by charity that private charity could
+do; but it was a people in beggary; it was a nation which stretched out
+its hands for food.
+
+For months together these creatures of sufferance, whose very excess and
+luxury in their most plenteous days had fallen short of the allowance of
+our austerest fasts, silent, patient, resigned, without sedition or
+disturbance, almost without complaint, perished by a hundred a day in the
+streets of Madras; every day seventy at least laid their bodies in the
+streets, or on the glacis of Tanjore, and expired of famine in the granary
+of India.
+
+I was going to wake your justice toward this unhappy part of our
+fellow-citizens, by bringing before you some of the circumstances of this
+plague of hunger. Of all the calamities which beset and waylay the life of
+man, this comes the nearest to our heart, and is that wherein the proudest
+of us all feels himself to be nothing more than he is.
+
+But I find myself unable to manage it with decorum. These details are of a
+species of horror so nauseous and disgusting; they are so degrading to the
+sufferers and to the hearers; they are so humiliating to human nature
+itself, that, on better thoughts, I find it more advisable to throw a pall
+over this hideous object, and to leave it to your general conceptions.
+
+For eighteen months, without intermission, this destruction raged from the
+gates of Madras to the gates of Tanjore; and so completely did these
+masters in their art, Hyder Ali, and his more ferocious son, absolve
+themselves of their impious vow, that when the British armies traversed,
+as they did, the Carnatic, for hundreds of miles in all directions,
+through the whole line of their march they did not see one man--not one
+woman--not one child--not one four-footed beast of any description
+whatever! One dead, uniform silence reigned over the whole region.
+
+With the inconsiderable exceptions of the narrow vicinage of some few
+forts, I wish to be understood as speaking literally;--I mean to produce
+to you more than three witnesses, who will support this assertion in its
+full extent. That hurricane of war passed through every part of the
+central provinces of the Carnatic. Six or seven districts to the north and
+to the south (and these not wholly untouched) escaped the general ravage.
+
+
+NOTES.--This selection is an extract from Burke's celebrated speech in
+Parliament, in 1785, on the Nabob of Arcot's debts; it bore upon the
+maladministration of Hastings.
+
+Arcot, a district in India, had been ceded to the British on condition
+that they should pay the former ruler's debts. These were found to be
+enormous, and the creditors proved to be individuals in the East India
+Company's employ. The creditors, for their private gain, induced the Nabob
+to attempt the subjugation of other native princes, among whom was Hyder
+Ali. The latter at first made successful resistance, and compelled the
+Nabob and his allies to sign a treaty. The treaty was not kept, and the
+destruction above recounted took place.
+
+The Carnatic is a province in British India, on the eastern side of the
+peninsula; it contains about 50,000 square miles. Madras is a city, and
+Tanjore a town, in this province.
+
+
+
+CIX. THE RAVEN.
+
+Edgar Allan Poe, 1809-1849, was born in Boston, and died in Baltimore. He
+was left a destitute orphan at an early age, and was adopted by Mr. John
+Allan, a wealthy citizen of Richmond. He entered the University of
+Virginia, at Charlottesville, where he excelled in his studies, and was
+always at the head of his class; but he was compelled to leave on account
+of irregularities. He was afterwards appointed a cadet at West Point, but
+failed to graduate there for the same reason. Poe now quarreled with his
+benefactor and left his house never to return. During the rest of his
+melancholy career, he obtained a precarious livelihood by different
+literary enterprises. His ability as a writer gained him positions with
+various periodicals in Richmond, New York, and Philadelphia, and during
+this time he wrote some of his finest prose. The appearance of "The Raven"
+in 1845, however, at once made Poe a literary lion. He was quite
+successful for a time, but then fell back into his dissipated habits which
+finally caused his death. In his personal appearance, Poe was neat and
+gentlemanly; his face was expressive of intellect and sensibility; and his
+mental powers in some directions were of a high order. His writings show
+care, and a great degree of skill in their construction; but their effect
+is generally morbid.
+###
+
+
+ Once upon a midnight dreary,
+ While I pondered, weak and weary,
+Over many a quaint and curious
+ Volume of forgotten lore--
+ While I nodded, nearly napping,
+ Suddenly there came a tapping,
+ As of some one gently rapping,
+ Rapping at my chamber door.
+ "'Tis some visitor," I muttered,
+ "Tapping at my chamber door
+ Only this, and nothing more."
+
+ Ah, distinctly I remember,
+ It was in the bleak December,
+And each separate dying ember
+ Wrought its ghost upon the floor.
+ Eagerly I wished the morrow;
+ Vainly I had sought to borrow
+ From my books surcease of sorrow
+ Sorrow for the lost Lenore--
+For the rare and radiant maiden
+ Whom the angels name Lenore--
+ Nameless here for evermore.
+
+ And the silken, sad, uncertain
+ Rustling of each purple curtain
+Thrilled me,--filled me with fantastic
+ Terrors, never felt before;
+ So that now, to still the beating
+ Of my heart, I stood repeating,
+ " 'Tis some visitor entreating
+ Entrance at my chamber door
+ Some late visitor entreating
+ Entrance at my chamber door;
+ This it is, and nothing more."
+
+ Presently my soul grew stronger;
+ Hesitating then no longer,
+"Sir," said I, "or Madam, truly
+ Your forgiveness I implore;
+ But the fact is I was napping,
+ And so gently you came rapping,
+ And so faintly you came tapping,
+ Tapping at my chamber door,
+That I scarce was sure I heard you."--
+ Here I opened wide the door;
+ Darkness there, and nothing more.
+
+ Deep into that darkness peering,
+ Long I stood there, wondering, fearing,
+Doubting, dreaming dreams no mortals
+ Ever dared to dream before;
+ But the silence was unbroken,
+ And the stillness gave no token,
+ And the only word there spoken
+ Was the whispered word, "Lenore!"
+This I whispered, and an echo
+ Murmured back the word, "Lenore!"
+ Merely this, and nothing more.
+
+ Back into the chamber turning,
+ All my soul within me burning,
+Soon again I heard a tapping,
+ Something louder than before.
+ "Surely," said I, "surely, that is
+ Something at my window lattice;
+ Let me see then, what thereat is,
+ And this mystery explore--
+Let my heart be still a moment,
+ And this mystery explore;--
+ 'Tis the wind, and nothing more."
+
+ Open here I flung the shutter.
+ When, with many a flirt and flutter,
+In there stepped a stately Raven
+ Of the saintly days of yore;
+ Not the least obeisance made he;
+ Not a minute stopped or stayed he,
+ But, with mien of lord or lady,
+ Perched above my chamber door--
+Perched upon a bust of Pallas
+ Just above my chamber door--
+ Perched, and sat, and nothing more.
+
+ Then this ebony bird beguiling
+ My sad fancy into smiling,
+By the grave and stern decorum
+ Of the countenance it wore,
+ "Though thy crest be shorn and shaven,
+ Thou," I said, "art sure no craven,
+ Ghastly, grim, and ancient Raven,
+ Wandering from the nightly shore,
+Tell me what thy lordly name is
+ On the night's Plutonian shore!"
+ Quoth the Raven, "Nevermore."
+
+ Much I marveled this ungainly
+ Fowl to hear discourse so plainly,
+Though its answer little meaning--
+ Little relevancy bore;
+ For we can not help agreeing
+ That no living human being
+ Ever yet was blest with seeing
+ Bird above his chamber door--
+Bird or beast upon the sculptured
+ Bust above his chamber door,
+ With such name as "Nevermore."
+
+ But the Raven, sitting lonely
+ On that placid bust, spoke only
+That one word, as if his soul in
+ That one word he did outpour.
+ Nothing farther then he uttered,
+ Not a feather then he fluttered,
+ Till I scarcely more than muttered,
+ "Other friends have flown before--
+On the morrow he will leave me,
+ As my Hopes have flown before."
+ Then the bird said, "Nevermore."
+
+ Startled at the stillness broken
+ By reply so aptly spoken,
+"Doubtless," said I, "what it utters
+ Is its only stock and store,
+ Caught from some unhappy master
+ Whom unmerciful Disaster
+ Followed fast and followed faster
+ Till his songs one burden bore--
+Till the dirges of his Hope that
+ Melancholy burden bore
+ Of 'Never--nevermore.' "
+
+ But the Raven still beguiling
+ All my sad soul into smiling,
+Straight I wheeled a cushioned seat in
+ Front of bird, and bust, and door;
+ Then, upon the velvet sinking,
+ I betook myself to linking
+ Fancy unto fancy, thinking
+ What this ominous bird of yore--
+What this grim, ungainly, ghastly,
+ Gaunt, and ominous bird of yore
+ Meant in croaking "Nevermore."
+
+ This I sat engaged in guessing,
+ But no syllable expressing
+To the fowl whose fiery eyes now
+ Burned into my bosom's core;
+ This and more I sat divining,
+ With my head at ease reclining
+ On the cushion's velvet lining
+ That the lamplight gloated o'er,
+But whose velvet violet lining,
+ With the lamplight gloating o'er
+ She shall press, ah, nevermore!
+
+ Then, methought, the air grew denser,
+ Perfumed from an unseen censer
+Swung by Seraphim, whose footfalls
+ Tinkled on the tufted floor.
+ "Wretch," I cried, "thy God hath lent thee--
+ By these angels he hath sent thee
+ Respite--respite and nepenthe [1]
+ From thy memories of Lenore!
+Quaff, oh quaff this kind nepenthe,
+ And forget this lost Lenore!"
+ Quoth the Raven, "Nevermore."
+
+[Transcriber's Note 1: nepenthe--A drug to relieve grief, by blocking
+memory of sorrow or pain.]
+
+ "Prophet!" said I, "thing of evil!--
+ Prophet still, if bird or devil!--
+Whether Tempter sent, or whether
+ Tempest tossed thee here ashore,
+ Desolate, yet all undaunted,
+ On this desert land enchanted--
+ On this home by Horror haunted--
+ Tell me truly, I implore--
+Is there--is there balm in Gilead?
+ Tell me--tell me, I implore!"
+ Quoth the Raven, "Nevermore."
+
+ "Prophet!" said I, "thing of evil,--
+ Prophet still, if bird or devil!--
+By that heaven that bends above us,
+ By that God we both adore,
+ Tell this soul with sorrow laden,
+ If, within the distant Aidenn,
+ It shall clasp a sainted maiden
+ Whom the angels name Lenore--
+Clasp a rare and radiant maiden,
+ Whom the angels name Lenore."
+ Quoth the Raven, "Nevermore."
+
+ "Be that word our sign of parting,
+ Bird or fiend," I shrieked, upstarting;
+"Get thee back into the tempest
+ And the night's Plutonian shore!
+ Leave no black plume as a token
+ Of that lie thy soul hath spoken!
+ Leave my loneliness unbroken!--
+ Quit the bust above my door!
+Take thy beak from out my heart, and
+ Take thy form from off my door!"
+ Quoth the Raven, "Nevermore."
+
+ And the Raven, never flitting,
+ Still is sitting, still is sitting
+On the pallid bust of Pallas
+ Just above my chamber door;
+ And his eyes have all the seeming
+ Of a demon's that is dreaming,
+ And the lamplight o'er him streaming
+ Throws his shadow on the floor;
+And my soul from out that shadow,
+ That lies floating on the floor,
+ Shall be lifted--nevermore!
+
+NOTES.--Pallas, or Minerva, in ancient mythology, was the goddess of
+wisdom.
+
+Plutonian, see note on Pluto, page 242.
+
+Gilead is the name of a mountain group of Palestine, celebrated for its
+balsam or balm made from herbs. It is here used figuratively.
+
+Aidenn is an Anglicized and disguised spelling of the Arabic form of the
+word Eden: it is here used as a synonym for heaven.
+
+
+
+CX. A VIEW OF THE COLOSSEUM. (389)
+
+Orville Dewey, 1794-1882, a well known Unitarian clergyman and author, was
+born in Sheffield, Massachusetts, graduated with distinction at Williams
+College in 1814, and afterward studied theology at Andover. For a while he
+was assistant to Dr. W. E. Channing in Boston, and later, was a pastor in
+New Bedford, New York City, and Boston. He made two or three voyages to
+Europe, and published accounts of his travels.
+
+"Discourses on Human Life," "Discourses on the Nature of Religion,"
+"Discourses on Commerce and Business," are among his published works. His
+writings are both philosophical and practical; and, as a preacher, he was
+esteemed original, earnest, and impressive.
+###
+
+
+On the eighth of November, from the high land, about fourteen miles
+distant, I first saw Rome; and although there is something very
+unfavorable to impression in the expectation that you are to be greatly
+impressed, or that you ought to be, or that such is the fashion; yet Rome
+is too mighty a name to be withstood by such or any other influences. Let
+you come upon that hill in what mood you may, the scene will lay hold upon
+you as with the hand of a giant. I scarcely know how to describe the
+impression, but it seemed to me as if something strong and stately, like
+the slow and majestic march of a mighty whirlwind, swept around those
+eternal towers; the storms of time, that had prostrated the proudest
+monuments of the world, seemed to have left their vibrations in the still
+and solemn air; ages of history passed before me; the mighty procession of
+nations, kings, consuls, emperors, empires, and generations had passed
+over that sublime theater. The fire, the storm, the earthquake, had gone
+by; but there was yet left the still, small voice like that at which the
+prophet "wrapped his face in his mantle."
+
+I went to see the Colosseum by moonlight. It is the monarch, the majesty
+of all ruins; there is nothing like it. All the associations of the place,
+too, give it the most impressive character. When you enter within this
+stupendous circle of ruinous walls and arches, and grand terraces of
+masonry, rising one above another, you stand upon the arena of the old
+gladiatorial combats and Christian martyrdom; and as you lift your eyes to
+the vast amphitheater, you meet, in imagination, the eyes of a hundred
+thousand Romans, assembled to witness these bloody spectacles. What a
+multitude and mighty array of human beings; and how little do we know in
+modern times of great assemblies! One, two, and three, and, at its last
+enlargement by Constantine, more than three hundred thousand persons could
+be seated in the Circus Maximus!
+
+But to return to the Colosseum; we went up under the conduct of a guide
+upon the walls and terraces, or embankments, which supported the ranges of
+seats. The seats have long since disappeared; and grass overgrows the
+spots where the pride, and power, and wealth, and beauty of Rome sat down
+to its barbarous entertainments. What thronging life was here then! What
+voices, what greetings, what hurrying footsteps upon the staircases of the
+eighty arches of entrance! And now, as we picked our way carefully through
+the decayed passages, or cautiously ascended some moldering flight of
+steps, or stood by the lonely walls--ourselves silent, and, for a wonder,
+the guide silent, too--there was no sound here but of the bat, and none
+came from without but the roll of a distant carriage, or the convent bell
+from the summit of the neighboring Esquiline.
+
+It is scarcely possible to describe the effect of moonlight upon this
+ruin. Through a hundred lonely arches and blackened passageways it
+streamed in, pure, bright, soft, lambent, and yet distinct and clear, as
+if it came there at once to reveal, and cheer, and pity the mighty
+desolation. But if the Colosseum is a mournful and desolate spectacle as
+seen from within--without, and especially on the side which is in best
+preservation, it is glorious. We passed around it; and, as we looked
+upward, the moon shining through its arches, from the opposite side, it
+appeared as if it were the coronet of the heavens, so vast was it--or like
+a glorious crown upon the brow of night.
+
+I feel that I do not and can not describe this mighty ruin. I can only say
+that I came away paralyzed, and as passive as a child. A soldier stretched
+out his hand for "un dona," as we passed the guard; and when my companion
+said I did wrong to give, I told him that I should have given my cloak, if
+the man had asked it. Would you break any spell that worldly feeling or
+selfish sorrow may have spread over your mind, go and see the Colosseum by
+moonlight.
+
+
+NOTES.--The Colosseum (pro. Col-os-se'um) was commenced by the Roman
+emperor Vespasian, and was completed by Titus, his son, 79 A.D. Its
+construction occupied but three years, notwithstanding its size; a great
+part of its walls are standing today.
+
+The Circus Maximus was an amphitheater built by Tarquin the Elder about
+600 B. C.
+
+Constantine. See note on page 175.
+
+The Esquiline is one of the seven hills upon which Rome is built. Un
+dona, an Italian phrase meaning a gift or alms.
+
+
+
+CXI. THE BRIDGE. (392)
+
+I stood on the bridge at midnight,
+ As the clocks were striking the hour,
+And the moon rose o'er the city,
+ Behind the dark church tower.
+
+I saw her bright reflection
+ In the waters under me,
+Like a golden goblet falling
+ And sinking into the sea.
+
+And far in the hazy distance
+ Of that lovely night in June,
+The blaze of the flaming furnace
+ Gleamed redder than the moon.
+
+Among the long, black rafters
+ The wavering shadows lay,
+And the current that came from the ocean
+ Seemed to lift and bear them away;
+
+As, sweeping and eddying through them,
+ Rose the belated tide,
+And, streaming into the moonlight,
+ The seaweed floated wide.
+
+And like those waters rushing
+ Among the wooden piers,
+A flood of thoughts came o'er me
+ That filled my eyes with tears
+
+How often, oh, how often,
+ In the days that had gone by,
+I had stood on that bridge at midnight
+ And gazed on that wave and sky!
+
+How often, oh, how often,
+ I had wished that the ebbing tide
+Would bear me away on its bosom
+ O'er the ocean wild and wide.
+
+For my heart was hot and restless,
+ And my life was full of care,
+And the burden laid upon me
+ Seemed greater than I could bear.
+
+But now it has fallen from me,
+ It is buried in the sea;
+And only the sorrow of others
+ Throws its shadow over me.
+
+Yet, whenever I cross the river
+ On its bridge with wooden piers,
+Like the odor of brine from the ocean
+ Comes the thought of other years.
+
+And I think how many thousands
+ Of care-encumbered men,
+Each bearing his burden of sorrow,
+ Have crossed the bridge since then.
+
+I see the long procession
+ Still passing to and fro,
+The young heart hot and restless,
+ And the old, subdued and slow!
+
+And forever and forever,
+ As long as the river flows,
+As long as the heart has passions,
+ As long as life has woes;
+
+The moon and its broken reflection
+ And its shadows shall appear
+As the symbol of love in heaven,
+ And its wavering image here.
+ --Longfellow.
+
+
+
+CXII. OBJECTS AND LIMITS OF SCIENCE. (394)
+
+Robert Charles Winthrop, 1809-1894, was a descendant of John Winthrop, the
+first Governor of the Colony of Massachusetts Bay. He was born in Boston,
+studied at the public Latin School, graduated at Harvard in 1828, and
+studied law with Daniel Webster. Possessing an ample fortune, he made
+little effort to practice his profession. In 1834 he was elected to the
+Legislature of his native state, and was reelected five times; three years
+he was Speaker of the House of Representatives. In 1840 he was chosen to
+Congress, and sat as Representative for ten years. In 1847 he was chosen
+Speaker of the House. He also served a short time in the Senate. His
+published writings are chiefly in the form of addresses and speeches; they
+are easy, finished, and scholarly. As a speaker, Mr. Winthrop was ready,
+full-voiced, and self-possessed.
+###
+
+
+There are fields enough for the wildest and most extravagant theorizings,
+within man's own appropriate domain, without overleaping the barriers
+which separate things human and divine. Indeed, I have often thought that
+modern science had afforded a most opportune and providential safety valve
+for the intellectual curiosity and ambition of man, at a moment when the
+progress of education, invention, and liberty had roused and stimulated
+him to a pitch of such unprecedented eagerness and ardor. Astronomy,
+Chemistry, and, more than all, Geology, with their incidental branches of
+study, have opened an inexhaustible field for investigation and
+speculation. Here, by the aid of modern instruments and modern modes of
+analysis, the most ardent and earnest spirits may find ample room and
+verge enough for their insatiate activity and audacious enterprise, and
+may pursue their course not only without the slightest danger of doing
+mischief to others, but with the certainty of promoting the great end of
+scientific truth.
+
+Let them lift their vast reflectors or refractors to the skies, and detect
+new planets in their hiding places. Let them waylay the fugitive comets in
+their flight, and compel them to disclose the precise period of their
+orbits, and to give bonds for their punctual return. Let them drag out
+reluctant satellites from "their habitual concealments." Let them resolve
+the unresolvable nebulae of Orion or Andromeda. They need not fear. The
+sky will not fall, nor a single star be shaken from its sphere.
+
+Let them perfect and elaborate their marvelous processes of making the
+light and the lightning their ministers, for putting "a pencil of rays"
+into the hand of art, and providing tongues of fire for the communication
+of intelligence. Let them foretell the path of the whirlwind, and
+calculate the orbit of the storm. Let them hang out their gigantic
+pendulums, and make the earth do the work of describing and measuring her
+own motions.
+
+Let them annihilate human pain, and literally "charm ache with air, and
+agony with ether." The blessing of God will attend all their toils, and
+the gratitude of man will await all their triumphs. Let them dig down into
+the bowels of the earth. Let them rive asunder the massive rocks, and
+unfold the history of creation as it lies written on the pages of their
+piled up strata. Let them gather up the fossil fragments of a lost Fauna,
+reproducing the ancient forms which inhabited the land or the seas,
+bringing them together, bone to his bone, till Leviathan and Behemoth
+stand before us in bodily presence and in their full proportions, and we
+almost tremble lest these dry bones should live again! Let them put nature
+to the rack, and torture her, in all her forms, to the betrayal of her
+inmost secrets and confidences. They need not forbear. The foundations of
+the round world have been laid so strong that they can not be moved.
+
+But let them not think by searching to find out God. Let them not dream of
+understanding the Almighty to perfection. Let them not dare to apply their
+tests and solvents, their modes of analysis or their terms of definition,
+to the secrets of the spiritual kingdom. Let them spare the foundations of
+faith. Let them be satisfied with what is revealed of the mysteries of the
+Divine Nature. Let them not break through the bounds to gaze after the
+Invisible.
+
+
+NOTES.--Orion and Andromeda are the names of two constellations.
+
+The Leviathan is described in Job, chap. xli, and the Behemoth in Job,
+chap. xl. It is not known exactly what beasts are meant by these
+descriptions.
+
+
+
+CXIII. THE DOWNFALL OF POLAND. (396)
+
+O Sacred Truth! thy triumph ceased a while,
+And Hope, thy sister, ceased with thee to smile,
+When leagued Oppression poured to northern wars
+Her whiskered pandours and her fierce hussars,
+Waved her dread standard to the breeze of morn,
+Pealed her loud drum, and twanged her trumpet horn;
+Tumultuous horror brooded o'er her van,
+Presaging wrath to Poland--and to man!
+
+Warsaw's last champion, from her height surveyed,
+Wide o'er the fields a waste of ruin laid;
+"O Heaven!" he cried, "my bleeding country save!
+Is there no hand on high to shield the brave?
+Yet, though destruction sweep those lovely plains,
+Rise, fellow-men! our country yet remains!
+By that dread name, we wave the sword on high,
+And swear for her to live--with her to die!"
+
+He said, and on the rampart heights arrayed
+His trusty warriors, few, but undismayed;
+Firm-paced and slow, a horrid front they form,
+Still as the breeze, but dreadful as the storm;
+Low murmuring sounds along their banners fly,
+Revenge or death--the watchword and reply;
+Then pealed the notes, omnipotent to charm,
+And the loud tocsin tolled their last alarm.
+
+In vain, alas! in vain, ye gallant few!
+From rank to rank, your volleyed thunder flew!
+Oh, bloodiest picture in the book of time,
+Sarmatia fell, unwept, without a crime;
+Found not a generous friend, a pitying foe,
+Strength in her arms, nor mercy in her woe!
+Dropped from her nerveless grasp the shattered spear,
+Closed her bright eye, and curbed her high career;
+Hope, for a season, bade the world farewell,
+And Freedom shrieked as Kosciusko fell!
+ --Thomas Campbell.
+
+NOTES.--Kosciusko (b. 1746, d. 1817), a celebrated Polish patriot, who had
+served in the American Revolution, was besieged at Warsaw, in 1794, by a
+large force of Russians, Prussians, and Austrians. After the siege was
+raised, he marched against a force of Russians much larger than his own,
+and was defeated. He was himself severely wounded and captured.
+
+Sarmatia is the ancient name for a region of Europe which embraced Poland,
+but was of greater extent.
+
+
+
+CXIV. LABOR. (398)
+
+Horace Greeley,1811-1872, perhaps the most famous editor of America, was
+born in Amherst, New Hampshire, of poor parents. His boyhood was passed in
+farm labor, in attending the common school, and in reading every book on
+which he could lay his hands. His reading was mostly done by the light of
+pine knots. At fifteen he entered a printing office in Vermont, became the
+best workman in the office, and continued to improve every opportunity for
+study. At the age of twenty he appeared in New York City, poorly clothed,
+and almost destitute of money. He worked at his trade for a year or two,
+and then set up printing for himself. For several years he was not
+successful, but struggled on, performing an immense amount of work as an
+editor. In 1841 he established the "New York Tribune," which soon became
+one of the most successful and influential papers in the country. In 1848
+he was elected to Congress, but remained but a short time. In 1872 he was
+a candidate for the Presidency, was defeated, and died a few days
+afterward. Mr. Greeley is a rare example of what may be accomplished by
+honesty and unflinching industry. Besides the vast amount which he wrote
+for the newspapers, he published several books; the best known of which is
+"The American Conflict."
+###
+
+
+Every child should be trained to dexterity in some useful branch of
+productive industry, not in order that he shall certainly follow that
+pursuit, but that he may at all events be able to do so in case he shall
+fail in the more intellectual or artificial calling which he may prefer to
+it. Let him seek to be a doctor, lawyer, preacher, poet, if he will; but
+let him not stake his all on success in that pursuit, but have a second
+line to fall back upon if driven from his first. Let him be so reared and
+trained that he may enter, if he will, upon some intellectual calling in
+the sustaining consciousness that he need not debase himself, nor do
+violence to his convictions, in order to achieve success therein, since he
+can live and thrive in another (if you choose, humbler) vocation, if
+driven from that of his choice. This buttress to integrity, this assurance
+of self-respect, is to be found in a universal training to efficiency in
+Productive Labor.
+
+The world is full of misdirection and waste; but all the calamities and
+losses endured by mankind through frost, drought, blight, hail, fires,
+earthquakes, inundations, are as nothing to those habitually suffered by
+them through human idleness and inefficiency, mainly caused (or excused)
+by lack of industrial training. It is quite within the truth to estimate
+that one tenth of our people, in the average, are habitually idle because
+(as they say) they can find no employment. They look for work where it can
+not be had. They seem to be, or they are, unable to do such as abundantly
+confronts and solicits them. Suppose these to average but one million
+able-bodied persons, and that their work is worth but one dollar each per
+day; our loss by involuntary idleness can not be less than $300,000,000
+per annum. I judge that it is actually $500,000,000. Many who stand
+waiting to be hired could earn from two to five dollars per day had they
+been properly trained to work. "There is plenty of room higher up," said
+Daniel Webster, in response to an inquiry as to the prospects of a young
+man just entering upon the practice of law; and there is never a dearth of
+employment for men or women of signal capacity or skill. In this city, ten
+thousand women are always doing needlework for less than fifty cents per
+day, finding themselves; yet twice their number of capable, skillful
+seamstresses could find steady employment and good living in wealthy
+families at not less than one dollar per day over and above board and
+lodging. He who is a good blacksmith, a fair millwright, a tolerable wagon
+maker, and can chop timber, make fence, and manage a small farm if
+required, is always sure of work and fair recompense; while he or she who
+can keep books or teach music fairly, but knows how to do nothing else, is
+in constant danger of falling into involuntary idleness and consequent
+beggary. It is a broad, general truth, that no boy was ever yet inured to
+daily, systematic, productive labor in field or shop throughout the latter
+half of his minority, who did not prove a useful man, and was notable to
+find work whenever he wished it.
+
+Yet to the ample and constant employment of a whole community one
+prerequisite is indispensable,--that a variety of pursuits shall have been
+created or naturalized therein. A people who have but a single source of
+profit are uniformly poor, not because that vocation is necessarily
+ill-chosen, but because no single calling can employ and reward the varied
+capacities of male and female, old and young, robust and feeble. Thus a
+lumbering or fishing region with us is apt to have a large proportion of
+needy inhabitants; and the same is true of a region exclusively devoted to
+cotton growing or gold mining. A diversity of pursuits is indispensable to
+general activity and enduring prosperity.
+
+Sixty or seventy years ago, what was then the District, and is now the
+State, of Maine, was a proverb in New England for the poverty of its
+people, mainly because they were so largely engaged in timber cutting. The
+great grain-growing, wheat-exporting districts of the Russian empire have
+a poor and rude people for a like reason. Thus the industry of
+Massachusetts is immensely more productive per head than that of North
+Carolina, or even that of Indiana, as it will cease to be whenever
+manufactures shall have been diffused over our whole country, as they must
+and will be. In Massachusetts half the women and nearly half the children
+add by their daily labor to the aggregate of realized wealth; in North
+Carolina and in Indiana little wealth is produced save by the labor of
+men, including boys of fifteen or upward. When this disparity shall have
+ceased, its consequence will also disappear.
+
+
+
+[Illustration: A chained man in prison reclining against the wall. He is
+gazing down at a sleeping young boy.]
+
+
+CXV. THE LAST DAYS OF HERCULANEUM. (401)
+
+Edwin Atherstone, 1788-1872, was born at Nottingham, England, and became
+known to the literary world chiefly through two poems, "The Last Days of
+Herculaneum" and "The Fall of Nineveh." Both poems are written in blank
+verse, and are remarkable for their splendor of diction and their great
+descriptive power. Atherstone is compared to Thomson, whom he resembles
+somewhat in style.
+###
+
+
+ There was a man,
+A Roman soldier, for some daring deed
+That trespassed on the laws, in dungeon low
+Chained down. His was a noble spirit, rough,
+But generous, and brave, and kind.
+He had a son; it was a rosy boy,
+A little faithful copy of his sire,
+In face and gesture. From infancy, the child
+Had been his father's solace and his care.
+
+ Every sport
+The father shared and heightened. But at length,
+The rigorous law had grasped him, and condemned
+To fetters and to darkness.
+
+ The captive's lot,
+He felt in all its bitterness: the walls
+Of his deep dungeon answered many a sigh
+And heart-heaved groan. His tale was known, and touched
+His jailer with compassion; and the boy,
+Thenceforth a frequent visitor, beguiled
+His father's lingering hours, and brought a balm
+With his loved presence, that in every wound
+Dropped healing. But, in this terrific hour,
+He was a poisoned arrow in the breast
+Where he had been a cure.
+
+ With earliest morn
+Of that first day of darkness and amaze,
+He came. The iron door was closed--for them
+Never to open more! The day, the night
+Dragged slowly by; nor did they know the fate
+Impending o'er the city. Well they heard
+The pent-up thunders in the earth beneath,
+And felt its giddy rocking; and the air
+Grew hot at length, and thick; but in his straw
+The boy was sleeping: and the father hoped
+The earthquake might pass by: nor would he wake
+From his sound rest the unfearing child, nor tell
+The dangers of their state.
+
+ On his low couch
+The fettered soldier sank, and, with deep awe,
+Listened the fearful sounds: with upturned eye,
+To the great gods he breathed a prayer; then, strove
+To calm himself, and lose in sleep awhile
+His useless terrors. But he could not sleep:
+His body burned with feverish heat; his chains
+Clanked loud, although he moved not; deep in earth
+Groaned unimaginable thunders; sounds,
+Fearful and ominous, arose and died,
+Like the sad mornings of November's wind,
+In the blank midnight. Deepest horror chilled
+His blood that burned before; cold, clammy sweats
+Came o'er him; then anon, a fiery thrill
+Shot through his veins. Now, on his couch he shrunk
+And shivered as in fear; now, upright leaped,
+As though he heard the battle trumpet sound,
+And longed to cope with death.
+
+ He slept, at last,
+A troubled, dreamy sleep. Well had he slept
+Never to waken more! His hours are few,
+But terrible his agony.
+
+ Soon the storm
+Burst forth; the lightnings glanced; the air
+Shook with the thunders. They awoke; they sprung
+Amazed upon their feet. The dungeon glowed
+A moment as in sunshine--and was dark:
+Again, a flood of white flame fills the cell,
+Dying away upon the dazzled eye
+In darkening, quivering tints, as stunning sound
+Dies throbbing, ringing in the ear.
+
+ With intensest awe,
+The soldier's frame was filled; and many a thought
+Of strange foreboding hurried through his mind,
+As underneath he felt the fevered earth
+Jarring and lifting; and the massive walls,
+Heard harshly grate and strain: yet knew he not,
+While evils undefined and yet to come
+Glanced through his thoughts, what deep and cureless wound
+Fate had already given.--Where, man of woe!
+Where, wretched father! is thy boy? Thou call'st
+His name in vain:--he can not answer thee.
+
+Loudly the father called upon his child:
+No voice replied. Trembling and anxiously
+He searched their couch of straw; with headlong haste
+Trod round his stinted limits, and, low bent,
+Groped darkling on the earth:--no child was there.
+Again he called: again, at farthest stretch
+Of his accursed fetters, till the blood
+Seemed bursting from his ears, and from his eyes
+Fire flashed, he strained with arm extended far,
+And fingers widely spread, greedy to touch
+Though but his idol's garment. Useless toil!
+Yet still renewed: still round and round he goes,
+And strains, and snatches, and with dreadful cries
+Calls on his boy.
+
+ Mad frenzy fires him now.
+He plants against the wall his feet; his chain
+Grasps; tugs with giant strength to force away
+The deep-driven staple; yells and shrieks with rage:
+And, like a desert lion in the snare,
+Raging to break his toils,--to and fro bounds.
+But see! the ground is opening;--a blue light
+Mounts, gently waving,--noiseless;--thin and cold
+It seems, and like a rainbow tint, not flame;
+But by its luster, on the earth outstretched,
+Behold the lifeless child! his dress is singed,
+And, o'er his face serene, a darkened line
+Points out the lightning's track.
+
+ The father saw,
+And all his fury fled:--a dead calm fell
+That instant on him:--speechless--fixed--he stood,
+And with a look that never wandered, gazed
+Intensely on the corse. Those laughing eyes
+Were not yet closed,--and round those ruby lips
+The wonted smile returned.
+
+ Silent and pale
+The father stands:--no tear is in his eye:--
+The thunders bellow;--but he hears them not:--
+The ground lifts like a sea;--he knows it not:--
+The strong walls grind and gape:--the vaulted roof
+Takes shape like bubble tossing in the wind;
+See! he looks up and smiles; for death to him
+Is happiness. Yet could one last embrace
+Be given, 't were still a sweeter thing to die.
+
+It will be given. Look! how the rolling ground,
+At every swell, nearer and still more near
+Moves toward the father's outstretched arm his boy.
+Once he has touched his garment:--how his eye
+Lightens with love, and hope, and anxious fears!
+Ha, see! he has him now!--he clasps him round;
+Kisses his face; puts back the curling locks,
+That shaded his fine brow; looks in his eyes;
+Grasps in his own those little dimpled hands;
+Then folds him to his breast, as he was wont
+To lie when sleeping; and resigned, awaits
+Undreaded death.
+
+ And death came soon and swift
+And pangless. The huge pile sank down at once
+Into the opening earth. Walls--arches--roof--
+And deep foundation stones--all--mingling--fell!
+
+
+NOTES.--Herculaneum and Pompeii were cities of Italy, which were destroyed
+by an eruption of Vesuvius in the year 79 A. D., being entirely buried
+under ashes and lava. During the last century they have been dug out to a
+considerable extent, and many of the streets, buildings, and utensils have
+been found in a state of perfect preservation.
+
+
+
+CXVI. HOW MEN REASON. (405)
+
+My friend, the Professor, whom I have mentioned to you once or twice, told
+me yesterday that somebody had been abusing him in some of the journals of
+his calling. I told him that I did n't doubt he deserved it; that I hoped
+he did deserve a little abuse occasionally, and would for a number of
+years to come; that nobody could do anything to make his neighbors wiser
+or better without being liable to abuse for it; especially that people
+hated to have their little mistakes made fun of, and perhaps he had been
+doing something of the kind. The Professor smiled.
+
+Now, said I, hear what I am going to say. It will not take many years to
+bring you to the period of life when men, at least the majority of writing
+and talking men, do nothing but praise. Men, like peaches and pears, grow
+sweet a little while before they begin to decay. I don't know what it
+is,--whether a spontaneous change, mental or bodily, or whether it is
+through experience of the thanklessness of critical honesty,--but it is a
+fact, that most writers, except sour and unsuccessful ones, get tired of
+finding fault at about the time when they are beginning to grow old.
+
+As a general thing, I would not give a great deal for the fair words of a
+critic, if he is himself an author, over fifty years of age. At thirty, we
+are all trying to cut our names in big letters upon the walls of this
+tenement of life; twenty years later, we have carved it, or shut up our
+jackknives. Then we are ready to help others, and care less to hinder any,
+because nobody's elbows are in our way. So I am glad you have a little
+life left; you will be saccharine enough in a few years.
+
+Some of the softening effects of advancing age have struck me very much in
+what I have heard or seen here and elsewhere. I just now spoke of the
+sweetening process that authors undergo. Do you know that in the gradual
+passage from maturity to helplessness the harshest characters sometimes
+have a period in which they are gentle and placid as young children? I
+have heard it said, but I can not be sponsor for its truth, that the
+famous chieftain, Lochiel, was rocked in a cradle like a baby, in his old
+age. An old man, whose studies had been of the severest scholastic kind,
+used to love to hear little nursery stories read over and over to him. One
+who saw the Duke of Wellington in his last years describes him as very
+gentle in his aspect and demeanor. I remember a person of singularly
+stern and lofty bearing who became remarkably gracious and easy in all his
+ways in the later period of his life.
+
+And that leads me to say that men often remind me of pears in their way of
+coming to maturity. Some are ripe at twenty, like human Jargonelles, and
+must be made the most of, for their day is soon over. Some come into their
+perfect condition late, like the autumn kinds, and they last better than
+the summer fruit. And some, that, like the Winter Nelis, have been hard
+and uninviting until all the rest have had their season, get their glow
+and perfume long after the frost and snow have done their worst with the
+orchards. Beware of rash criticisms; the rough and stringent fruit you
+condemn may be an autumn or a winter pear, and that which you picked up
+beneath the same bough in August may have been only its worm--eaten
+windfalls. Milton was a Saint Germain with a graft of the roseate Early
+Catherine. Rich, juicy, lively, fragrant, russet-skinned old Chaucer was
+an Easter Beurre'; the buds of a new summer were swelling when he ripened.
+
+ --Holmes.
+
+
+NOTES.--The above selection is from the "Autocrat of the Breakfast Table."
+
+Lochiel. See note on page 214.
+
+The Duke of Wellington (b. 1769, d. 1852) was the most celebrated of
+English generals. He won great renown in India and in the "Peninsular
+War," and commanded the allied forces when Napoleon was defeated at
+Waterloo.
+
+Easter Beurre', Saint Germain, Winter Nelis, Early Catherine and
+Jargonelles are the names of certain varieties of pears.
+
+Milton. See biographical notice on page 312.
+
+Chaucer, Geoffrey (b. 1328, d. 1400). is often called "The Father of
+English Poetry." He was the first poet buried in Westminster Abbey. He was
+a prolific writer, but his "Canterbury Tales" is by far the best known of
+his works.
+
+
+
+CXVII. THUNDERSTORM ON THE ALPS. (408)
+
+ Clear, placid Leman! thy contrasted lake,
+ With the wild world I dwell in, is a thing
+ Which warns me, with its stillness, to forsake
+ Earth's troubled waters for a purer spring.
+ This quiet sail is as a noiseless wing
+ To waft me from distraction; once I loved
+ Torn ocean's roar, but thy soft murmuring
+ Sounds sweet, as if a sister's voice reproved,
+That I with stern delights should e'er have been so moved.
+
+ All heaven and earth are still--though not in sleep,
+ But breathless, as we grow when feeling most;
+ And silent, as we stand in thoughts too deep--
+ All heaven and earth are still: from the high host
+ Of stars, to the lulled lake and mountain coast,
+ All is concentered in a life intense,
+ Where not a beam, nor air, nor leaf is lost,
+ But hath a part of being, and a sense
+Of that which is of all Creator and defense.
+
+ The sky is changed! and such a change! O night,
+ And storm, and darkness, ye are wondrous strong,
+ Yet lovely in your strength, as is the light
+ Of a dark eye in woman! Far along,
+ From peak to peak, the rattling crags among,
+ Leaps the live thunder! Not from one lone cloud,
+ But every mountain now hath found a tongue,
+ And Jura answers, through her misty shroud,
+ Back to the joyous Alps, who call to her aloud!
+
+ And this is in the night.--Most glorious night!
+ Thou wert not sent for slumber! let me be
+ A sharer in thy fierce and far delight,--
+ A portion of the tempest and of thee!
+ How the lit lake shines,--a phosphoric sea!
+ And the big rain comes dancing to the earth!
+ And now again, 'tis black,--and now, the glee
+ Of the loud hills shakes with its mountain mirth,
+As if they did rejoice o'er a young earthquake's birth.
+
+ Now, where the swift Rhone cleaves his way between
+ Heights which appear as lovers who have parted
+ In hate, whose mining depths so intervene,
+ That they can meet no more, though broken-hearted;
+ Though in their souls, which thus each other thwarted,
+ Love was the very root of the fond rage,
+ Which blighted their life's bloom, and then--departed.
+ Itself expired, but leaving them an age
+Of years, all winters,--war within themselves to wage.
+
+ Now, where the quick Rhone thus hath cleft his way,
+ The mightiest of the storms hath ta'en his stand!
+ For here, not one, but many make their play,
+ And fling their thunderbolts from hand to hand,
+ Flashing and cast around! Of all the band,
+ The brightest through these parted hills hath forked
+ His lightnings,--as if he did understand,
+ That in such gaps as desolation worked,
+There, the hot shaft should blast whatever therein lurked.
+ --Byron.
+
+NOTE.--Lake Leman (or Lake of Geneva) is in the south-western part of
+Switzerland, separating it in part from Savoy. The Rhone flows through it,
+entering by a deep narrow gap, with mountain groups on either hand, eight
+or nine thousand feet above the water. The scenery about the lake is
+magnificent, the Jura mountains bordering it on the northwest, and the
+Alps lying on the south and east.
+
+
+
+CXVIII. ORIGIN OF PROPERTY. (410)
+
+Sir William Blackstone, 1723-1780, was the son of a silk merchant, and was
+born in London. He studied with great success at Oxford, and was admitted
+to the bar in 1745. At first he could not obtain business enough in his
+profession to support himself, and for a time relinquished practice, and
+lectured at Oxford. He afterwards returned to London, and resumed his
+practice with great success, still continuing to lecture at Oxford. He was
+elected to Parliament in 1761; and in 1770 was made a justice of the Court
+of Common Pleas, which office he held till his death. Blackstone's fame
+rests upon his "Commentaries on the Laws of England," published about
+1769. He was a man of great ability, sound learning, unflagging industry,
+and moral integrity. His great work is still a common text-book in the
+study of law.
+###
+
+
+In the beginning of the world, we are informed by Holy Writ, the all-
+bountiful Creator gave to man dominion over all the earth, and "over the
+fish of the sea, and over the fowl of the air, and over every living thing
+that moveth upon the earth." This is the only true and solid foundation of
+man's dominion over external things, whatever airy, metaphysical notions
+may have been started by fanciful writers upon this subject. The earth,
+therefore, and all things therein, are the general property of all
+mankind, exclusive of other beings, from the immediate gift of the
+Creator. And while the earth continued bare of inhabitants, it is
+reasonable to suppose that all was in common among them, and that everyone
+took from the public stock, to his own use, such things as his immediate
+necessities required.
+
+These general notions of property were then sufficient to answer all the
+purposes of human life; and might, perhaps, still have answered them, had
+it been possible for mankind to have remained in a state of primeval
+simplicity, in which "all things were common to him." Not that this
+communion of goods seems ever to have been applicable, even in the
+earliest ages, to aught but the substance of the thing; nor could it be
+extended to the use of it. For, by the law of nature and reason, he who
+first began to use it, acquired therein a kind of transient property, that
+lasted so long as he was using it, and no longer. Or, to speak with
+greater precision, the right of possession continued for the same time,
+only, that the act of possession lasted.
+
+Thus, the ground was in common, and no part of it was the permanent
+property of any man in particular; yet, whoever was in the occupation of
+any determined spot of it, for rest, for shade, or the like, acquired for
+the time a sort of ownership, from which it would have been unjust and
+contrary to the law of nature to have driven him by force; but, the
+instant that he quitted the use or occupation of it, another might seize
+it without injustice. Thus, also, a vine or other tree might be said to be
+in common, as all men were equally entitled to its produce; and yet, any
+private individual might gain the sole property of the fruit which he had
+gathered for his own repast: a doctrine well illustrated by Cicero, who
+compares the world to a great theater, which is common to the public, and
+yet the place which any man has taken is, for the time, his own.
+
+But when mankind increased in number, craft, and ambition, it became
+necessary to entertain conceptions of a more permanent dominion; and to
+appropriate to individuals not the immediate use only, but the very
+substance of the thing to be used. Otherwise, innumerable tumults must
+have arisen, and the good order of the world been continually broken and
+disturbed, while a variety of persons were striving who should get the
+first occupation of the same thing, or disputing which of them had
+actually gained it. As human life also grew more and more refined,
+abundance of conveniences were devised to render it more easy, commodious,
+and agreeable; as habitations for shelter and safety, and raiment for
+warmth and decency. But no man would be at the trouble to provide either,
+so long as he had only a usufructuary property in them, which was to cease
+the instant that he quitted possession; if, as soon as he walked out of
+his tent or pulled off his garment, the next stranger who came by would
+have a right to inhabit the one and to wear the other.
+
+In the case of habitations, in particular, it was natural to observe that
+even the brute creation, to whom everything else was in common, maintained
+a kind of permanent property in their dwellings, especially for the
+protection of their young; that the birds of the air had nests, and the
+beasts of the fields had caverns, the invasion of which they esteemed a
+very flagrant injustice, and would sacrifice their lives to preserve them.
+Hence a property was soon established in every man's house and homestead;
+which seem to have been originally mere temporary huts or movable cabins,
+suited to the design of Providence for more speedily peopling the earth,
+and suited to the wandering life of their owners, before any extensive
+property in the soil or ground was established.
+
+There can be no doubt but that movables of every kind became sooner
+appropriated than the permanent, substantial soil; partly because they
+were more susceptible of a long occupancy, which might be continue for
+months together without any sensible interruption, and at length, by
+usage, ripen into an established right; but, principally, because few of
+them could be fit for use till improved and meliorated by the bodily labor
+of the occupant; which bodily labor, bestowed upon any subject which
+before lay in common to all men, is universally allowed to give the
+fairest and most reasonable title to an exclusive property therein.
+
+The article of food was a more immediate call, and therefore a more early
+consideration. Such as were not contented with the spontaneous product of
+the earth, sought for a more solid refreshment in the flesh of beasts,
+which they obtained by hunting. But the frequent disappointments incident
+to that method of provision, induced them to gather together such animals
+as were of a more tame and sequacious nature and to establish themselves
+in a less precarious manner, partly by the milk of the dams, and partly by
+the flesh of the young.
+
+The support of these their cattle made the article of water also a very
+important point. And, therefore, the book of Genesis, (the most venerable
+monument of antiquity, considered merely with a view to history,) will
+furnish us with frequent instances of violent contentions concerning
+wells; the exclusive property of which appears to have been established in
+the first digger or occupant, even in places where the ground and herbage
+remained yet in common. Thus, we find Abraham, who was but a sojourner,
+asserting his right to a well in the country of Abimelech, and exacting an
+oath for his security "because he had digged that well." And Isaac, about
+ninety years afterwards, reclaimed this his father's property; and, after
+much contention with the Philistines, was suffered to enjoy it in peace.
+
+All this while, the soil and pasture of the earth remained still in common
+as before, and open to every occupant; except, perhaps, in the
+neighborhood of towns, where the necessity of a sale and exclusive
+property in lands, (for the sake of agriculture,) was earlier felt, and
+therefore more readily complied with. Otherwise, when the multitude of men
+and cattle had consumed every convenience on one spot of ground, it was
+deemed a natural right to seize upon and occupy such other lands as would
+more easily supply their necessities.
+
+We have a striking example of this in the history of Abraham and his
+nephew Lot. When their joint substance became so great that pasture and
+other conveniences grew scarce, the natural consequence was that a strife
+arose between their servants; so that it was no longer practicable to
+dwell together. This contention, Abraham thus endeavored to compose: "Let
+there be no strife, I pray thee, between me and thee. Is not the whole
+land before thee? Separate thyself, I pray thee, from me. If thou wilt
+take the left hand, then I will go to the right; or if thou depart to the
+right hand, then I will go to the left." This plainly implies an
+acknowledged right in either to occupy whatever ground he pleased that was
+not preoccupied by other tribes. "And Lot lifted up his eyes, and beheld
+all the plain of Jordan, that it was well watered everywhere, even as the
+garden of the Lord. Then Lot chose him all the plain of Jordan, and
+journeyed east; and Abraham dwelt in the land of Canaan."
+
+As the world by degrees grew more populous, it daily became more difficult
+to find out new spots to inhabit, without encroaching upon former
+occupants; and, by constantly occupying the same individual spot, the
+fruits of the earth were consumed, and its spontaneous products destroyed
+without any provision for future supply or succession. It, therefore,
+became necessary to pursue some regular method of providing a constant
+subsistence; and this necessity produced, or at least promoted and
+encouraged the art of agriculture. And the art of agriculture, by a
+regular connection and consequence, introduced and established the idea of
+a more permanent property in the soil than had hitherto been received and
+adopted.
+
+It was clear that the earth would not produce her fruits in sufficient
+quantities without the assistance of tillage; but who would be at the
+pains of tilling it, if another might watch an opportunity to seize upon
+and enjoy the product of his industry, art and labor? Had not, therefore,
+a separate property in lands, as well as movables, been vested in some
+individuals, the world must have continued a forest, and men have been
+mere animals of prey. Whereas, now, (so graciously has Providence
+interwoven our duty and our happiness together,) the result of this very
+necessity has been the ennobling of the human species, by giving it
+opportunities of improving its rational, as well as of exerting its
+natural faculties.
+
+Necessity begat property; and, in order to insure that property, recourse
+was had to civil society, which brought along with it a long train of
+inseparable concomitants: states, government, laws, punishments, and the
+public exercise of religious duties. Thus connected together, it was found
+that a part only of society was sufficient to provide, by their manual
+labor, for the necessary subsistence of all; and leisure was given to
+others to cultivate the human mind, to invent useful arts, and to lay the
+foundations of science.
+
+NOTE.--Cicero. See note on page 156.
+
+
+
+CXIX. BATTLE OF WATERLOO. (415)
+
+ There was a sound of revelry by night,
+ And Belgium's capital had gathered then
+ Her Beauty and her Chivalry, and bright
+ The lamps shone o'er fair women and brave men.
+ A thousand hearts beat happily; and when
+ Music arose with its voluptuous swell,
+ Soft eyes looked love to eyes which spake again,
+ And all went merry as a marriage bell;
+But hush! hark!--a deep sound strikes like a rising knell!
+
+ Did ye not hear it?--No; 't was but the wind,
+ Or the car rattling o'er the stony street;
+ On with the dance! let joy be unconfined;
+ No sleep till morn, when Youth and Pleasure meet
+ To chase the glowing Hours with flying feet--
+ But, hark!--that heavy sound breaks in once mere,
+ As if the clouds its echo would repeat,
+ And nearer, clearer, deadlier than before!
+Arm! arm! it is--it is the cannon's opening roar!
+
+ Ah! then and there was hurrying to and fro,
+ And gathering tears, and tremblings of distress,
+ And cheeks all pale, which, but an hour ago
+ Blushed at the praise of their own loveliness;
+ And there were sudden partings, such as press
+ The life from out young hearts, and choking sighs
+ Which ne'er might be repeated: who could guess
+ If ever more should meet those mutual eyes,
+Since upon night so sweet such awful morn could rise.
+
+ And there was mounting in hot haste: the steed,
+ The mustering squadron, and the clattering car
+ Went pouring forward with impetuous speed,
+ And swiftly forming in the ranks of war;
+ And the deep thunder, peal on peal afar;
+ And near, the beat of the alarming drum
+ Roused up the soldier ere the morning star;
+ While thronged the citizens with terror dumb,
+ Or whispering with white lips--"The foe! They come!
+They come!"
+
+ And Ardennes waves above them her green leaves,
+ Dewy with nature's tear-drops, as they pass,
+ Grieving, if aught inanimate e'er grieves,
+ Over the unreturning brave!--alas!
+ Ere evening to be trodden like the grass,
+ Which, now, beneath them, but above, shall grow,
+ In its next verdure, when this fiery mass
+ Of living valor, rolling on the foe,
+And burning with high hope, shall molder, cold and low
+
+ Last noon beheld them full of lusty life,
+ Last eve in beauty's circle proudly gay,
+ The midnight brought the signal sound of strife,
+ The morn, the marshaling in arms,--the day,
+ Battle's magnificently stern array!
+ The thunderclouds close o'er it, which when rent,
+ The earth is covered thick with other clay,
+ Which her own clay shall cover, heaped and pent,
+Rider and horse,--friend, foe,--in one red burial blent.
+ --Byron.
+
+
+NOTES.--The Battle of Waterloo was fought on June 18th, 1815, between the
+French army on one side, commanded by Napoleon Bonaparte, and the English
+army and allies on the other side, commanded by the Duke of Wellington. At
+the commencement of the battle, some of the officers were at a ball at
+Brussels, a short distance from Waterloo, and being notified of the
+approaching contest by the cannonade, left the ballroom for the field of
+battle.
+
+The wood of Soignies lay between the field of Waterloo and Brussels. It is
+supposed to be a remnant of the forest of Ardennes.
+
+
+
+CXX. "WITH BRAINS, SIR." (417)
+
+John Brown, 1810-1882, was born in Lanarkshire, Scotland, and graduated at
+the University of Edinburgh. His father was John Brown, an eminent
+clergyman and the author of several books. Dr. Brown's literary reputation
+rests largely upon a series of papers contributed to the "North British
+Review." "Rab and his Friends," a collection of papers published in book
+form, is the most widely known of all his writings.
+###
+
+
+"Pray, Mr. Opie, may I ask you what you mix your colors with?" said a
+brisk dilettante student to the great painter. "With brains, sir," was the
+gruff reply--and the right one. It did not give much of information; it
+did not expound the principles and rules of the art; but, if the inquirer
+had the commodity referred to, it would awaken him; it would set him
+agoing, athinking, and a-painting to good purpose. If he had not the
+wherewithal, as was likely enough, the less he had to do with colors and
+their mixture the better.
+
+Many other artists, when asked such a question, would have either set
+about detailing the mechanical composition of such and such colors, in
+such and such proportions, rubbed up so and so; or perhaps they would (and
+so much the better, but not the best) have shown him how they laid them
+on; but even this would leave him at the critical point. Opie preferred
+going to the quick and the heart of the matter: "With brains, sir."
+
+Sir Joshua Reynolds was taken by a friend to see a picture. He was
+anxious to admire it, and he looked it over with a keen and careful but
+favorable eye. "Capital composition; correct drawing; the color, tone,
+chiaroscuro excellent; but--but--it wants--hang it, it wants--that!"
+snapping his fingers; and, wanting "that," though it had everything else,
+it was worth nothing.
+
+Again, Etty was appointed teacher of the students of the Royal Academy,
+having been preceded by a clever, talkative, scientific expounder of
+aesthetics, who delighted to tell the young men how everything was done,
+how to copy this, and how to express that. A student came up to the new
+master, "How should I do this, sir?" "Suppose you try." Another, "What
+does this mean, Mr. Etty?" "Suppose you look." "But I have looked."
+"Suppose you look again."
+
+And they did try, and they did look, and looked again; and they saw and
+achieved what they never could have done had the how or the what
+(supposing this possible, which it is not, in full and highest meaning)
+been told them, or done for them; in the one case, sight and action were
+immediate, exact, intense, and secure; in the other, mediate, feeble, and
+lost as soon as gained.
+
+NOTES.--Opie, John (b. 1761, d. 1807), was born in Wales, and was known as
+the "Cornish wonder." He became celebrated as a portrait painter, but
+afterwards devoted himself to historical subjects. He was professor of
+painting at the Royal Academy.
+
+Reynolds. See note on page 379.
+
+Etty, William (b. 1787, d. 1849), is considered one of the principal
+artists of the modern English school. His pictures are mainly historical.
+
+The Royal Academy of Arts, in London, was founded in 1768. It is under the
+direction of forty artists of the first rank in their several professions,
+who have the title of "Royal Academicians." The admission to the Academy
+is free to all properly qualified students.
+
+
+
+CXXI. THE NEW ENGLAND PASTOR. (419)
+
+Timothy Dwight, 1752-1817, was born at Northampton, Massachusetts. His
+mother was a daughter of the celebrated Jonathan Edwards. It is said that
+she taught her son the alphabet in one lesson, that he could read the
+Bible at four years of age, and that he studied Latin by himself at six.
+He graduated at Yale in 1769, returned as tutor in 1771, and continued six
+years. He was chaplain in a brigade under General Putnam for a time. In
+1778 his father died, and for five years he supported his mother and a
+family of twelve children by farming, teaching and preaching. From 1783 to
+1795 he was pastor at Greenfield, Connecticut. He was then chosen
+President of Yale College, and remained in office till he died. Dr. Dwight
+was a man of fine bodily presence, of extended learning, and untiring
+industry. His presidency of the college was highly successful. His
+patriotism was no less ardent and true than his piety. In his younger days
+he wrote considerably in verse. His poetry is not all of a very high
+order, but some pieces possess merit.
+###
+
+
+ The place, with east and western sides,
+A wide and verdant street divides:
+And here the houses faced the day,
+And there the lawns in beauty lay.
+There, turret-crowned, and central, stood
+A neat and solemn house of God.
+Across the way, beneath the shade
+Two elms with sober silence spread,
+The preacher lived. O'er all the place
+His mansion cast a Sunday grace;
+Dumb stillness sate the fields around;
+His garden seemed a hallowed ground;
+Swains ceased to laugh aloud, when near,
+And schoolboys never sported there.
+
+ In the same mild and temperate zone,
+Twice twenty years, his course had run,
+His locks of flowing silver spread
+A crown of glory o'er his head;
+His face, the image of his mind,
+With grave and furrowed wisdom shined;
+Not cold; but glowing still, and bright;
+Yet glowing with October light:
+As evening blends, with beauteous ray,
+Approaching night with shining day.
+
+ His Cure his thoughts engrossed alone:
+For them his painful course was run:
+To bless, to save, his only care;
+To chill the guilty soul with fear;
+To point the pathway to the skies,
+And teach, and urge, and aid, to rise;
+Where strait, and difficult to keep,
+It climbs, and climbs, o'er Virtue's steep.
+
+
+
+CXXII. DEATH OF ABSALOM. (420)
+
+David numbered the people that were with him, and set captains of
+thousands and captains of hundreds over them. And David sent forth a third
+part of the people under the hand of Joab, and a third part under the hand
+of Abishai, the son of Zeruiah, Joab's brother, and a third part under the
+hand of Ittai, the Gittite.
+
+And the king said unto the people, I will surely go forth with you myself
+also. But the people answered, thou shalt not go forth; for if we flee
+away, they will not care for us; neither if half of us die, will they care
+for us; but now thou art worth ten thousand of us; therefore now it is
+better that thou succor us out of the city. And the king said unto them,
+What seemeth you best, I will do.
+
+And the king stood by the gate side, and all the people came out by
+hundreds and by thousands. And the king commanded Joab, and Abishai, and
+Ittai, saying, Deal gently for my sake with the young man, even with
+Absalom. And all the people heard when the king gave all the captains
+charge concerning Absalom.
+
+So the people went out into the field against Israel; and the battle was
+in the wood of Ephraim; where the people of Israel were slain before the
+servants of David, and there was there a great slaughter that day of
+twenty thousand men. For the battle was there scattered over the face of
+all the country: and the wood devoured more people that day than the sword
+devoured.
+
+And Absalom met the servants of David. And Absalom rode upon a mule, and
+the mule went under the thick boughs of a great oak, and his head caught
+hold of the oak, and he was taken up between the heaven and the earth; and
+the mule that was under him went away.
+
+And a certain man saw it, and told Joab, and said, Behold, I saw Absalom
+hanged in an oak. And Joab said unto the man that told him, And, behold,
+thou sawest him, and why didst thou not smite him there to the ground? and
+I would have given thee ten shekels of silver and a girdle. And the man
+said unto Joab, Though I should receive a thousand shekels of silver in my
+hand, yet would I not put forth my hand against the king's son; for, in
+our hearing, the king charged thee, and Abishai, and Ittai, saying, Beware
+that none touch the young man Absalom. Otherwise, I should have wrought
+falsehood against mine own life; for there is no matter hid from the king,
+and thou thyself wouldst have set thyself against me.
+
+Then said Joab, I may not tarry thus with thee. And he took three darts in
+his hand, and thrust them through the heart of Absalom, while he was yet
+alive in the midst of the oak. And ten young men that bare Joab's armor,
+compassed about and smote Absalom, and slew him. And Joab blew the
+trumpet, and the people returned from pursuing after Israel; for Joab held
+back the people.
+
+And they took Absalom, and cast him into a great pit in the wood, and laid
+a very great heap of stones upon him; and all Israel fled, everyone to his
+tent. Now Absalom, in his lifetime, had taken and reared up for himself a
+pillar, which is in the king's dale; for he said, I have no son to keep my
+name in remembrance; and he called the pillar after his own name; and it
+is called unto this day, Absalom's Place.
+
+Then said Ahimaaz, the son of Zadok, Let me now run, and bear the king
+tidings, how that the Lord hath avenged him of his enemies. And Joab said
+unto him, Thou shalt not bear tidings this day, but thou shalt bear
+tidings another day: but this day thou shalt bear no tidings, because the
+king's son is dead. Then said Joab to Cushi, Go, tell the king what thou
+hast seen. And Cushi bowed himself unto Joab, and ran.
+
+Then said Ahimaaz the son of Zadok yet again to Joab, But howsoever, let
+me, I pray thee, also run after Cushi. And Joab said, Wherefore wilt thou
+run, my son, seeing that thou hast no tidings ready? But howsoever, said
+he, let me run. And he said unto him, run. Then Ahimaaz ran by the way of
+the plain, and overran Cushi.
+
+And David sat between the two gates; and the watchman went up to the roof
+over the gate unto the wall, and lifted up his eyes, and looked, and
+behold, a man running alone. And the watchman cried, and told the king.
+And the king said, If he be alone, there is tidings in his mouth. And he
+came apace, and drew near.
+
+And the watchman saw another man running, and the watchman called unto the
+porter, and said, Behold, another man running alone. And the king said, He
+also bringeth tidings. And the watchman said, Methinketh the running of
+the foremost is like the running of Ahimaaz the son of Zadok. And the king
+said, He is a good man, and cometh with good tidings.
+
+And Ahimaaz called, and said unto the king, All is well. And he fell down
+to the earth upon his face before the king, and said, Blessed be the Lord
+thy God, which hath delivered up the men that lifted up their hand against
+my lord the king. And the king said, Is the young man Absalom safe? And
+Ahimaaz answered, When Joab sent the king's servant, and me thy servant, I
+saw a great tumult, but I knew not what it was. And the king said unto
+him, Turn aside and stand here. And he turned aside, and stood still.
+
+And behold, Cushi came; and Cushi said, Tidings my lord the king; for the
+Lord hath avenged thee this day of all them that rose up against thee. And
+the king said unto Cushi, Is the young man Absalom safe? And Cushi
+answered, The enemies of my lord the king, and all that rise against thee
+to do thee hurt, be as that young man is.
+
+And the king was much moved, and went up to the chamber over the gate, and
+wept; and as he went, thus he said, O my son Absalom! my son, my son
+Absalom! would God I had died for thee, O Absalom, my son, my son!
+ --II Samuel, Chap. xviii.
+
+
+
+CXXIII. ABRAHAM DAVENPORT. (424)
+
+'T was on a May day of the far old year
+Seventeen hundred eighty, that there fell
+Over the bloom and sweet life of the Spring,
+Over the fresh earth and the heaven of noon,
+A horror of great darkness, like the night
+In day of which the Norland sagas tell,
+The Twilight of the Gods.
+
+ The low-hung sky
+Was black with ominous clouds, save where its rim
+Was fringed with a dull glow, like that which climbs
+The crater's sides from the red hell below.
+Birds ceased to sing, and all the barnyard fowls
+Roosted; the cattle at the pasture bars
+Lowed, and looked homeward; bats on leathern wings
+Flitted abroad; the sounds of labor died;
+Men prayed, and women wept; all ears grew sharp
+To hear the doom blast of the trumpet shatter
+The black sky, that the dreadful face of Christ
+Might look from the rent clouds, not as he looked
+A loving guest at Bethany, but stern
+As Justice and inexorable Law.
+
+Meanwhile in the old Statehouse, dim as ghosts,
+Sat the lawgivers of Connecticut,
+Trembling beneath their legislative robes.
+"It is the Lord's Great Day! Let us adjourn,"
+Some said; and then, as if with one accord,
+All eyes were turned to Abraham Davenport.
+
+He rose, slow-cleaving with his steady voice
+The intolerable hush. "This well may be
+The Day of Judgment which the world awaits;
+But be it so or not, I only know
+My present duty, and my Lord's command
+To occupy till he come. So at the post
+Where he hath set me in his providence,
+I choose, for one, to meet him face to face,
+No faithless servant frightened from my task,
+But ready when the Lord of the harvest calls;
+And therefore, with all reverence, I would say,
+Let God do his work, we will see to ours.
+Bring in the candles." And they brought them in.
+
+Then by the flaring lights the Speaker read,
+Albeit with husky voice and shaking hands,
+An act to amend an act to regulate
+The shad and alewive fisheries. Whereupon,
+Wisely and well spake Abraham Davenport,
+Straight to the question, with no figures of speech
+Save the ten Arab signs, yet not without
+The shrewd, dry humor natural to the man:
+His awe-struck colleagues listening all the while,
+Between the pauses of his argument,
+To hear the thunder of the wrath of God
+Break from the hollow trumpet of the cloud.
+
+And there he stands in memory to this day,
+Erect, self-poised, a rugged face, half seen
+Against the background of unnatural dark,
+A witness to the ages as they pass,
+That simple duty hath no place for fear.
+ --Whittier.
+
+
+NOTE.--The "Dark Day," as it is known, occurred May 19th, 1780, and
+extended over all New England. The darkness came on about ten o'clock in
+the morning, and lasted with varying degrees of intensity until midnight
+of the next day. The cause of the phenomenon is unknown.
+
+
+
+CXXIV. THE FALLS OF THE YOSEMITE. (426)
+
+Thomas Starr King, 1824-1863, was born in New York City. His father was a
+Universalist minister; and, in 1834, he settled in Charlestown,
+Massachusetts. The son was preparing to enter Harvard University, when the
+death of his father devolved upon him the support of his mother, and his
+collegiate course had to be given up. He spent several years as clerk and
+teacher, improving meanwhile all possible opportunities for study. In 1846
+he was settled over the church to which his father had preached in
+Charlestown. Two years later, he was called to the Hollis Street Unitarian
+Church in Boston. Here his eloquence and active public spirit soon made
+him well known. He also gained much reputation as a public lecturer. In
+1860 he left the East to take charge of the Unitarian church in San
+Francisco. During the remaining years of his life, he exercised much
+influence in the public affairs of California. He died suddenly, of
+diphtheria, in the midst of his brilliant career.
+
+Mr. King was a great lover of nature. His "White Hills," describing the
+mountain scenery of New Hampshire, is the most complete book ever written
+concerning that interesting region.
+###
+
+The Yosemite valley, in California, is a pass about ten miles long. At its
+eastern extremity it leads into three narrower passes, each of which
+extends several miles, winding by the wildest paths into the heart of the
+Sierra Nevada chain of mountains. For seven miles of the main valley,
+which varies in width from three quarters of a mile to a mile and a half,
+the walls on either side are from two thousand to nearly five thousand
+feet above the road, and are nearly perpendicular. From these walls, rocky
+splinters a thousand feet in height start up, and every winter drop a few
+hundred tons of granite, to adorn the base of the rampart with picturesque
+ruin.
+
+The valley is of such irregular width, and bends so much and often so
+abruptly, that there is a great variety and frequent surprise in the forms
+and combinations of the overhanging rocks as one rides along the bank of
+the stream. The patches of luxuriant meadow, with their dazzling green,
+and the grouping of the superb firs, two hundred feet high, that skirt
+them, and that shoot above the stout and graceful oaks and sycamores
+through which the horse path winds, are delightful rests of sweetness and
+beauty amid the threatening awfulness.
+
+The Merced, which flows through the same pass, is a noble stream, a
+hundred feet wide and ten feet deep. It is formed chiefly of the streams
+that leap and rush through the narrower passes, and it is swollen, also,
+by the bounty of the marvelous waterfalls that pour down from the ramparts
+of the wider valley. The sublime poetry of Habakkuk is needed to describe
+the impression, and, perhaps, the geology, of these mighty fissures: "Thou
+didst cleave the earth with rivers."
+
+At the foot of the breakneck declivity of nearly three thousand feet by
+which we reach the banks of the Merced, we are six miles from the hotel,
+and every rod of the ride awakens wonder, awe, and a solemn joy. As we
+approach the hotel, and turn toward the opposite bank of the river, what
+is that
+
+ "Which ever sounds and shines,
+ A pillar of white light upon the wall
+ Of purple cliffs aloof descried"?
+
+That, reader, is the highest waterfall in the world--the Yosemite
+cataract, nearly twenty-five hundred feet in its plunge, dashing from a
+break or depression in a cliff thirty-two hundred feet sheer.
+
+A writer who visited this valley in September, calls the cataract a mere
+tape line of water dropped from the sky. Perhaps it is so, toward the
+close of the dry season; but as we saw it, the blended majesty and beauty
+of it, apart from the general sublimities of Yosemite gorge, would repay a
+journey of a thousand miles. There was no deficiency of water. It was a
+powerful stream, thirty-five feet broad, fresh from the Nevada, that made
+the plunge from the brow of the awful precipice.
+
+At the first leap it clears fourteen hundred and ninety-seven feet; then
+it tumbles down a series of steep stairways four hundred and two feet, and
+then makes a jump to the meadows five hundred and eighteen feet more. But
+it is the upper and highest cataract that is most wonderful to the eye, as
+well as most musical. The cliff is so sheer that there is no break in the
+body of the water during the whole of its descent of more than a quarter
+of a mile. It pours in a curve from the summit, fifteen hundred feet, to
+the basin that hoards it but a moment for the cascades that follow.
+
+And what endless complexities and opulence of beauty in the forms and
+motions of the cataract! It is comparatively narrow at the top of the
+precipice, although, as we said, the tide that pours over is thirty-five
+feet broad. But it widens as it descends, and curves a little on one side
+as it widens, so that it shapes itself, before it reaches its first bowl
+of granite, into the figure of a comet. More beautiful than the comet,
+however, we can see the substance of this watery loveliness ever renew
+itself and ever pour itself away.
+
+ "It mounts in spray the skies, and thence again
+ Returns in an unceasing shower, which round
+ With its unemptied cloud of gentle rain,
+ Is an eternal April to the ground,
+ Making it all one emerald;--how profound
+ The gulf! and how the giant element
+ From rock to rock leaps with delirious bound,
+ Crushing the cliffs."
+
+The cataract seems to shoot out a thousand serpentine heads or knots of
+water, which wriggle down deliberately through the air and expend
+themselves in mist before half the descent is over. Then a new set burst
+from the body and sides of the fall, with the same fortune on the
+remaining distance; and thus the most charming fretwork of watery nodules,
+each trailing its vapory train for a hundred feet or more, is woven all
+over the cascade, which swings, now and then, thirty feet each way, on the
+mountain side, as if it were a pendulum of watery lace. Once in a while,
+too, the wind manages to get back of the fall, between it and the cliff,
+and then it will whirl it round and round for two or three hundred feet,
+as if to try the experiment of twisting it to wring it dry.
+
+Of course I visited the foot of the lowest fall of the Yosemite, and
+looked up through the spray, five hundred feet, to its crown. And I tried
+to climb to the base of the first or highest cataract, but lost my way
+among the steep, sharp rocks, for there is only one line by which the
+cliff can be scaled. But no nearer view that I found or heard described,
+is comparable with the picture, from the hotel, of the comet curve of the
+upper cataract, fifteen hundred feet high, and the two falls immediately
+beneath it, in which the same water leaps to the level of the quiet
+Merced.
+
+
+
+CXXV. A PSALM OF LIFE. (429)
+
+Tell me not, in mournful numbers,
+ Life is but an empty dream!
+For the soul is dead that slumbers,
+ And things are not what they seem.
+
+Life is real! Life is earnest!
+ And the grave is not its goal;
+Dust thou art, to dust returnest,
+ Was not spoken of the soul.
+
+Not enjoyment, and not sorrow,
+ Is our destined end or way;
+But to act, that each to-morrow
+ Find us farther than to-day.
+
+Art is long, and Time is fleeting,
+ And our hearts, though stout and brave,
+Still, like muffled drums, are beating
+ Funeral marches to the grave.
+
+In the world's broad field of battle,
+ In the bivouac of Life,
+Be not like dumb, driven cattle!
+ Be a hero in the strife!
+
+Trust no Future, howe'er pleasant!
+ Let the dead Past bury its dead!
+Act--act in the living Present!
+ Heart within, and God o'erhead.
+
+Lives of great men all remind us
+ We can make our lives sublime,
+And, departing, leave behind us
+ Footprints on the sands of time;--
+
+Footprints, that perhaps another,
+ Sailing o'er life's solemn main,
+A forlorn and shipwrecked brother,
+ Seeing, shall take heart again.
+
+Let us, then, be up and doing,
+ With a heart for any fate;
+ Still achieving, still pursuing,
+Learn to labor and to wait.
+ --Longfellow.
+
+
+
+CXXVI. FRANKLIN'S ENTRY INTO PHILADELPHIA. (431)
+
+Benjamin Franklin, 1706-1790, was born in Boston. He received little
+schooling, but being apprenticed to his brother, a printer, he acquired a
+taste for reading and study. In 1723, he went to Philadelphia, where he
+followed his chosen calling, and in time became the publisher of the
+"Pennsylvania Gazette" and the celebrated "Poor Richard's Almanac."
+
+As a philosopher Franklin was rendered famous by his discovery of the
+identity of lightning with electricity. His career in public affairs may
+be briefly summarized as follows: In 1736 he was made Clerk of the
+Provincial Assembly; in 1737, deputy postmaster at Philadelphia; and in
+1753, Postmaster general for British America. He was twice in England as
+the agent of certain colonies. After signing the Declaration of
+Independence, he was sent as Minister Plenipotentiary to France in 1776.
+On his return, in 1785, he was made "President of the Commonwealth of
+Pennsylvania," holding the office three years. He was also one of the
+framers of the Constitution of the United States.
+
+As a writer Franklin commenced his career when only twelve years old by
+composing two ballads, which, however, he condemned as "wretched stuff."
+Franklin's letters and papers on electricity, afterwards enlarged by
+essays on various philosophical subjects, have been translated into Latin,
+French, Italian, and German. The most noted of his works, and the one from
+which the following extract is taken, is his "Autobiography." This book is
+"one of the half dozen most widely popular books ever printed," and has
+been published in nearly every written language. Franklin founded the
+American Philosophical Society, and established an institution which has
+since grown into the University of Pennsylvania. His life is a noble
+example of the results of industry and perseverance, and his death was the
+occasion of public mourning.
+###
+
+
+Walking in the evening by the side of the river, a boat came by, which I
+found was going towards Philadelphia, with several people in her. They
+took me in, and, as there was no wind, we rowed all the way; and about
+midnight, not having yet seen the city, some of the company were confident
+we must have passed it, and would row no farther; the others knew not
+where we were; so we put toward the shore, got into a creek, landed near
+an old fence, with the rails of which we made a fire, the night being
+cold, in October, and there we remained till daylight.
+
+Then one of the company knew the place to be Cooper's Creek, a little
+above Philadelphia, which we saw as soon as we got out of the creek, and
+arrived there about eight or nine o'clock on the Sunday morning, and
+landed at the Market Street wharf.
+
+I have been the more particular in this description of my journey, and
+shall be so of my first entry into that city, that you may in your mind
+compare such unlikely beginnings with the figure I have since made there.
+
+I was in my working dress, my best clothes being to come round by sea. I
+was dirty from my journey; my pockets were stuffed out with shirts and
+stockings, and I knew no soul nor where to look for lodging. I was
+fatigued with traveling, rowing, and want of rest; I was very hungry; and
+my whole stock of cash consisted of a Dutch dollar, and about a shilling
+in copper. The latter I gave the people of the boat for my passage, who at
+first refused it on account of my rowing; but I insisted on their taking
+it,--a man being sometimes more generous when he has but a little money
+than when he has plenty, perhaps through fear of being thought to have but
+little.
+
+Then I walked up the street gazing about, till, near the market house, I
+met a boy with bread. I had made many a meal on bread, and, inquiring
+where he got it, I went immediately to the baker's he directed me to, in
+Second Street, and asked for biscuit, intending such as we had in Boston:
+but they, it seems, were not made in Philadelphia. Then I asked for a
+threepenny loaf, and was told they had none such. So not considering or
+knowing the difference of money, and the greater cheapness nor the names
+of his bread, I bade him give threepenny worth of any sort. He gave me,
+accordingly, three great puffy rolls. I was surprised at the quantity, but
+took it, and, having no room in my pockets, walked off with a roll under
+each arm, and eating the other.
+
+Thus I went up Market Street as far as Fourth Street, passing by the door
+of Mr. Read, my future wife's father: when she, standing at the door, saw
+me, and thought I made, as I certainly did, a most awkward, ridiculous
+appearance. Then I turned and went down Chestnut Street and part of Walnut
+Street, eating my roll all the way, and, coming round, found myself again
+at Market Street wharf, near the boat I came in, to which I went for a
+draught of the river water; and, being filled with one of my rolls, gave
+the other two to a woman and her child that came down the river in the
+boat with us, and were waiting to go farther.
+
+Thus refreshed, I walked again up the street, which by this time had many
+clean-dressed people in it, who were all walking the same way. I joined
+them, and thereby was led into the great meetinghouse of the Quakers, near
+the market. I sat down among them, and, after looking round awhile and
+hearing nothing said, being very drowsy through labor and want of rest the
+preceding night, I fell fast asleep, and continued so till the meeting
+broke up, when one was kind enough to rouse me. This was, therefore, the
+first house I was in, or slept in, in Philadelphia.
+
+Walking down again toward the river, and looking in the faces of people, I
+met a young Quaker man, whose countenance I liked, and, accosting him,
+requested he would tell me where a stranger could get lodging. We were
+then near the sign of the Three Mariners. "Here," says he, "is one place
+that entertains strangers, but it is not a reputable house; if thee wilt
+walk with me, I'll show thee a better." He brought me to the Crooked
+Billet, in Water Street. Here I got a dinner; and, while I was eating it,
+several sly questions were asked me, as it seemed to be suspected from my
+youth and appearance that I might be some runaway. After dinner my
+sleepiness returned, and, being shown to a bed, I lay down without
+undressing, and slept till six in the evening; was called to supper, went
+to bed again very early, and slept soundly till next morning.
+
+
+NOTE.--The river referred to is the Delaware. Franklin was on his way from
+Boston to Philadelphia, and had just walked from Amboy to Burlington, New
+Jersey, a distance of fifty miles.
+
+
+
+CXXVII. LINES TO A WATERFOWL. (434)
+
+ Whither 'midst falling dew,
+While glow the heavens with the last steps of day,
+Far, through their rosy depths, dost thou pursue
+ Thy solitary way?
+
+ Vainly the fowler's eye
+Might mark thy distant flight to do thee wrong,
+As, darkly painted on the crimson sky,
+ Thy figure floats along.
+
+ Seek'st thou the plashy brink
+Of weedy lake, or marge of river wide,
+Or where the rocky billows rise and sink
+ On the chafed ocean side?
+
+ There is a Power whose care
+Teaches thy way along that pathless coast.
+The desert and illimitable air,
+ Lone wandering, but not lost.
+
+ All day, thy wings have fanned,
+At that far height, the cold, thin atmosphere,
+Yet stoop not, weary, to the welcome land
+ Though the dark night is near.
+
+ And soon that toil shall end,
+Soon shalt thou find a summer home, and rest,
+And scream among thy fellows; reeds shall bend,
+ Soon, o'er thy sheltered nest.
+
+ Thou'rt gone; the abyss of heaven
+Hath swallowed up thy form; yet, on my heart,
+Deeply has sunk the lesson thou hast given,
+ And shall not soon depart.
+
+ He, who, from zone to zone,
+Guides through the boundless sky thy certain flight,
+In the long way that I must tread alone,
+ Will lead my steps aright.
+ --Bryant.
+
+
+
+CXXVIII. GOLDSMITH AND ADDISON. (435)
+
+William Makepeace Thackeray, 1811-1863, was born in Calcutta, and is one
+of the most popular of English novelists, essayists, and humorists. While
+a boy, he removed from India to England, where he was educated at the
+Charterhouse in London, and at Cambridge. When twenty-one years of age, he
+came into possession of about 20,000 pounds. He rapidly dissipated his
+fortune, however, and was compelled to work for his living, first turning
+his attention to law and then to art, but finally choosing literature as
+his profession. He was for many years correspondent, under assumed names,
+at the "London Times," "The New Monthly Magazine," "Punch," and "Fraser's
+Magazine." His first novel under his own name, "Vanity Fair," appeared in
+monthly numbers during 1846-8, and is generally considered his finest
+production: although "Pendennis," "Henry Esmond," and "The Newcomes" are
+also much admired. His lectures on "English Humorists of the Eighteenth
+Century," from which the following selections are taken, were delivered in
+England first in 1851, and afterwards in America, which he visited in 1852
+and again in 1855-6. During the latter visit, he first delivered his
+course of lectures on "The Four Georges," which were later repeated in
+England. At the close of 1859, Thackeray became editor of the "Cornhill
+Magazine," and made it one of the most successful serials ever published.
+
+Thackeray has been charged with cynicism in his writings, but he was noted
+for his happy temper and genial disposition towards all who came in
+contact with him.
+###
+
+
+1. GOLDSMITH.
+
+To be the most beloved of English writers, what a title that is for a man!
+A wild youth, wayward, but full of tenderness and affection, quits the
+country village where his boyhood has been passed in happy musing, in idle
+shelter, in fond longing to see the great world out of doors, and achieve
+name and fortune--and after years of dire struggle, and neglect, and
+poverty, his heart turning back as fondly to his native place as it had
+longed eagerly for change when sheltered there, he writes a book and a
+poem, full of the recollections and feelings of home; he paints the
+friends and scenes of his youth, and peoples Auburn and Wakefield with the
+remembrances of Lissoy.
+
+Wander he must, but he carries away a home relic with him, and dies with
+it on his breast. His nature is truant; in repose it longs for change: as
+on the journey it looks back for friends and quiet. He passes to-day in
+building an air castle for to-morrow, or in writing yesterday's elegy; and
+he would flyaway this hour, but that a cage, necessity, keeps him. What is
+the charm of his verse, of his style, and humor? His sweet regrets, his
+delicate compassion, his soft smile, his tremulous sympathy, the weakness
+which he owns?
+
+Your love for him is half pity. You come hot and tired from the day's
+battle, and this sweet minstrel sings to you. Who could harm the kind
+vagrant harper? Whom did he ever hurt? He carries no weapon, save the harp
+on which he plays to you, and with which he delights great and humble,
+young and old, the captains in the tents, or the soldiers round the fire,
+or the women and children in the villages, at whose porches he stops and
+sings his simple songs of love and beauty. With that sweet story of "The
+Vicar of Wakefield" he has found entry into every castle and every hamlet
+in Europe. Not one of us, however busy or hard, but once or twice in our
+lives has passed an evening with him, and undergone the charm of his
+delightful music.
+
+
+II. ADDISON. (436)
+
+We love him for his vanities as much as his virtues. What is ridiculous is
+delightful in him; we are so fond of him because we laugh at him so. And
+out of that laughter, and out of that sweet weakness, and out of those
+harmless eccentricities and follies, and out of that touched brain, and
+out of that honest manhood and simplicity--we get a result of happiness,
+goodness, tenderness, pity, piety; such as doctors and divines but seldom
+have the fortune to inspire. And why not? Is the glory of Heaven to be
+sung only by gentlemen in black coats?
+
+When this man looks from the world, whose weaknesses he describes so
+benevolently, up to the Heaven which shines over us all, I can hardly
+fancy a human face lighted up with a more serene rapture; a human
+intellect thrilling with a purer love and adoration than Joseph Addison's.
+Listen to him: from your childhood you have known the verses; but who can
+hear their sacred music without love and awe?
+
+ "Soon as the evening shades prevail,
+ The moon takes up the wondrous tale,
+ And nightly to the listening earth
+ Repeats the story of her birth;
+ And all the stars that round her burn,
+ And all the planets in their turn,
+ Confirm the tidings as they roll,
+ And spread the truth from pole to pole.
+
+ "What though, in solemn silence, all
+ Move round this dark terrestrial ball;
+ What though no real voice nor sound
+ Among their radiant orbs be found;
+ In reason's ear they all rejoice,
+ And utter forth a glorious voice,
+ Forever singing, as they shine,
+ The Hand that made us is divine."
+
+It seems to me those verses shine like the stars. They shine out of a
+great, deep calm. When he turns to Heaven, a Sabbath comes over that man's
+mind; and his face lights up from it with a glory of thanks and prayers.
+His sense of religion stirs through his whole being. In the fields, in the
+town; looking at the birds in the trees; at the children in the streets;
+in the morning or in the moonlight; over his books in his own room; in a
+happy party at a country merrymaking or a town assembly, good will and
+peace to God's creatures, and love and awe of Him who made them, fill his
+pure heart and shine from his kind face. If Swift's life was the most
+wretched, I think Addison's was one of the most enviable. A life
+prosperous and beautiful--a calm death--an immense fame and affection
+afterwards for his happy and spotless name.
+
+
+NOTES.--Goldsmith (see biographical notice, page 215) founded his
+descriptions of Auburn in the poem of "The Deserted Village," and of
+Wakefield, in "The Vicar of Wakefield," on recollections of his early home
+at Lissoy. Ireland.
+
+Addison. See biographical notice, page 295. The quotation is from a
+"Letter from Italy to Charles Lord Halifax."
+
+Swift, Jonathan (b. 1667, d. 1745), the celebrated Irish satirist and
+poet, was a misanthrope. His disposition made his life miserable in the
+extreme, and he finally became insane.
+
+
+
+CXXIX. IMMORTALITY OF THE SOUL. (438)
+
+SCENE--CATO, alone, sitting in a thoughtful posture;--in his hand,
+ Plato's book on the immortality of the soul; a drawn sword on the
+ table by him.
+
+Cato. It must be so. Plato, thou reasonest well!
+ Else whence this pleasing hope, this fond desire,
+ This longing after immortality?
+ Or whence this secret dread, and inward horror,
+ Of falling into naught? Why shrinks the soul
+ Back on herself, and startles at destruction?
+ 'T is the divinity that stirs within us;
+ 'T is heaven itself that points out an hereafter,
+ And intimates eternity to man.
+ Eternity! thou pleasing, dreadful thought!
+ Through what variety of untried being,
+ Through what new scenes and changes must we pass?
+ The wide, unbounded prospect lies before me:
+ But shadows, clouds, and darkness rest upon it.
+ Here will I hold. If there's a Power above us,
+ (And that there is, all Nature cries aloud
+ Through all her works) he must delight in virtue;
+ And that which he delights in must be happy.
+ But when?--or where?--This world was made for Caesar.
+ I'm weary of conjectures--this must end them.
+ (Seizes the sword.)
+ Thus am I doubly armed: my death and life,
+ My bane and antidote are both before me.
+ This in a moment brings me to an end;
+ But this informs me I shall never die.
+ The soul, secured in her existence, smiles
+ At the drawn dagger and defies its point.
+ The stars shall fade away, the sun himself
+ Grow dim with age, and Nature sink in years;
+ But thou shalt flourish in immortal youth,
+ Unhurt amidst the war of elements,
+ The wrecks of matter, and the crush of worlds.
+ --Addison.
+
+NOTES.--The above selection is Cato's soliloquy just before committing
+suicide. It is from the tragedy of "Cato."
+
+Cato, Marcus Porcius, (b. 95, d. 46 B. C.) was a Roman general, statesman,
+and philosopher. He was exceptionally honest and conscientious, and
+strongly opposed Caesar and Pompey in their attempts to seize the state.
+When Utica, the last African city to resist Caesar, finally yielded, Cato
+committed suicide.
+
+Plato (b. 429, d. about 348 B. C.) was a celebrated Greek philosopher. His
+writings are all in the form of dialogues, and have been preserved in a
+wonderfully perfect state.
+
+
+
+CXXX. CHARACTER OF WASHINGTON. (440)
+
+Jared Sparks, 1789-1866, was born at Willington, Connecticut, and
+graduated at Harvard in 1815. He was tutor in the University for two
+years, and in 1819 was ordained pastor of the Unitarian Church in
+Baltimore. In 1823 he returned to Boston, purchased the "North American
+Review," and was its sole editor for seven years. From 1839 to 1849 he was
+Professor in Harvard, and for the next three years was President of the
+University. Mr. Sparks has written extensively on American history and
+biography, including the lives of Washington and Franklin. He collected
+the materials for his biographies with great care, and wrought them up
+with much skill.
+###
+
+
+The person of Washington was commanding, graceful, and fitly proportioned;
+his stature six feet, his chest broad and full, his limbs long and
+somewhat slender, but well-shaped and muscular. His features were regular
+and symmetrical, his eyes of a light blue color, and his whole
+countenance, in its quiet state, was grave, placid, and benignant. When
+alone, or not engaged in conversation, he appeared sedate and thoughtful;
+but when his attention was excited, his eye kindled quickly, and his face
+beamed with animation and intelligence.
+
+He was not fluent in speech, but what he said was apposite, and listened
+to with the more interest as being known to come from the heart. He seldom
+attempted sallies of wit or humor, but no man received more pleasure from
+an exhibition of them by others; and, although contented in seclusion, he
+sought his chief happiness in society, and participated with delight in
+all its rational and innocent amusements. Without austerity on the one
+hand, or an appearance of condescending familiarity on the other, he was
+affable, courteous, and cheerful; but it has often been remarked that
+there was a dignity in his person and manner not easy to be defined, which
+impressed everyone that saw him for the first time with an instinctive
+deference and awe. This may have arisen, in part, from a conviction of his
+superiority, as well as from the effect produced by his external form and
+deportment.
+
+The character of his mind was unfolded in the public and private acts of
+his life; and the proofs of his greatness are seen almost as much in the
+one as the other. The same qualities which raised him to the ascendency he
+possessed over the will of a nation, as the commander of armies and chief
+magistrate, caused him to be loved and respected as an individual. Wisdom,
+judgment, prudence, and firmness were his predominant traits. No man ever
+saw more clearly the relative importance of things and actions, or
+divested himself more entirely of the bias of personal interest,
+partiality, and prejudice, in discriminating between the true and the
+false, the right and the wrong, in all questions and subjects that were
+presented to him. He deliberated slowly, but decided surely; and when his
+decision was once formed he seldom reversed it, and never relaxed from the
+execution of a measure till it was completed. Courage, physical and moral,
+was a part of his nature; and, whether in battle, or in the midst of
+popular excitement, he was fearless of danger, and regardless of
+consequences to himself.
+
+His ambition was of that noble kind which aims to excel in whatever it
+undertakes, and to acquire a power over the hearts of men by promoting
+their happiness and winning their affections. Sensitive to the approbation
+of others, and solicitous to deserve it, he made no concessions to gain
+their applause, either by flattering their vanity or yielding to their
+caprices. Cautious without timidity, bold without rashness, cool in
+counsel, deliberate but firm in action, clear in foresight, patient under
+reverses, steady, persevering, and self-possessed, he met and conquered
+every obstacle that obstructed his path to honor, renown and success. More
+confident in the uprightness of his intention than in his resources, he
+sought knowledge and advice from other men. He chose his counselors with
+unerring sagacity; and his quick perception of the soundness of an
+opinion, and of the strong points in an argument, enabled him to draw to
+his aid the best fruits of their talents, and the light of their collected
+wisdom.
+
+His moral qualities were in perfect harmony with those of his intellect.
+Duty was the ruling principle of his conduct; and the rare endowments of
+his understanding were not more constantly tasked to devise the best
+methods of effecting an object, than they were to guard the sanctity of
+conscience. No instance can be adduced in which he was actuated by a
+sinister motive or endeavored to attain an end by unworthy means. Truth,
+integrity, and justice were deeply rooted in his mind; and nothing could
+rouse his indignation so soon, or so utterly destroy his confidence, as
+the discovery of the want of these virtues in anyone whom he had trusted.
+Weaknesses, follies, indiscretions be could forgive; but subterfuge and
+dishonesty he never forgot, rarely pardoned.
+
+He was candid and sincere, true to his friends, and faithful to all;
+neither practicing dissimulation, descending to artifice, nor holding out
+expectations which he did not intend should be realized. His passions were
+strong, and sometimes they broke out with vehemence: but he had the power
+of checking them in an instant. Perhaps self-control was the most
+remarkable trait of his character. It was, in part, the effect of
+discipline; yet he seems by nature to have possessed this power in a
+degree which has been denied to other men.
+
+A Christian in faith and practice, he was habitually devout. His reverence
+for religion is seen in his example, his public communications, and his
+private writings. He uniformly ascribed his successes to the beneficent
+agency of the Supreme Being. Charitable and humane, he was liberal to the
+poor, and kind to those in distress. As a husband, son, and brother, he
+was tender and affectionate. Without vanity, ostentation, or pride, he
+never spoke of himself or his actions unless required by circumstances
+which concerned the public interests.
+
+As he was free from envy, so he had the good fortune to escape the envy of
+others by standing on an elevation which none could hope to attain. If he
+had one passion more strong than another it was love of his country. The
+purity and ardor of his patriotism were commensurate with the greatness of
+its object. Love of country in him was invested with the sacred obligation
+of a duty; and from the faithful discharge of this duty he never swerved
+for a moment, either in thought or deed, through the whole period of his
+eventful career.
+
+Such are some of the traits in the character of Washington, which have
+acquired for him the love and veneration of mankind. If they are not
+marked with the brilliancy, extravagance, and eccentricity, which, in
+other men, have excited the astonishment of the world, so neither are they
+tarnished by the follies, nor disgraced by the crimes of those men. It is
+the happy combination of rare talents and qualities, the harmonious union
+of the intellectual and moral powers, rather than the dazzling splendor of
+any one trait, which constitute the grandeur of his character. If the
+title of great man ought to be reserved for him who can not be charged
+with an indiscretion or a vice; who spent his life in establishing the
+independence, the glory, and durable prosperity of his country; who
+succeeded in all that he undertook; and whose successes were never won at
+the expense of honor, justice, integrity, or by the sacrifice of a single
+principle,--this title will not be denied to Washington.
+
+
+
+ How sweetly on the ear such echoes sound!
+ While the mere victors may appall or stun
+ The servile and the vain, such names will be
+ A watchword till the future shall be free.
+ --Byron.
+
+
+
+CXXXI. EULOGY ON WASHINGTON. (444)
+
+General Henry Lee, 1756-1818, a member of the celebrated Lee family of
+Virginia, was born in Westmoreland County in that state, and died on
+Cumberland Island, Georgia. He graduated at Princeton in his eighteenth
+year. In 1777 he marched with a regiment of cavalry to join the patriot
+army, and served with fidelity and success till the close of the war. He
+was noted for his bravery, skill, and celerity, and received the nickname
+of "Light-horse Harry." He was a great favorite with both General Greene
+and General Washington. In 1786 Virginia appointed him one of her
+delegates to Congress; he also took an active part in favor of the
+adoption of the constitution in the Virginia Convention of 1788. On the
+breaking out of the "Whisky Rebellion" in Pennsylvania, in 1794, the
+President sent General Lee with an army to suppress the disturbance. The
+insurgents submitted without resistance. In 1799 he was again a member of
+Congress; and, on the death of Washington, that body appointed him to
+pronounce a eulogy upon the life and character of the great and good man.
+The following extract contains the closing part of the oration.
+###
+
+
+Who is there that has forgotten the vales of Brandywine, the fields of
+Germantown, or the plains of Monmouth? Everywhere present, wants of every
+kind obstructing, numerous and valiant armies encountering, himself a
+host, he assuaged our sufferings, limited our privations, and upheld our
+tottering Republic. Shall I display to you the spread of the fire of his
+soul by rehearsing the praises of the hero of Saratoga, and his much-loved
+compeer of the Carolinas? No; our Washington wears not borrowed glory. To
+Gates--to Greene, he gave without reserve the applause due to their
+eminent merit; and long may the chiefs of Saratoga and of Eutaw receive
+the grateful respect of a grateful people.
+
+Moving in his own orbit, he imparted heat and light to his most distant
+satellites; and, combining the physical and moral force of all within his
+sphere, with irresistible weight he took his course, commiserating folly,
+disdaining vice, dismaying treason, and invigorating despondency; until
+the auspicious hour arrived, when, united with the intrepid forces of a
+potent and magnanimous ally, he brought to submission Cornwallis, since
+the conqueror of India; thus finishing his long career of military glory
+with a luster corresponding to his great name, and in this his last act of
+war, affixing the seal of fate to our nation's birth.
+
+First in war, first in peace, and first in the hearts of his countrymen,
+he was second to none in humble and endearing scenes of private life.
+Pious, just, humane, temperate, sincere, uniform, dignified, and
+commanding, his example was edifying to all around him, as were the
+effects of that example lasting.
+
+To his equals, he was condescending; to his inferiors, kind; and to the
+dear object of his affections, exemplarily tender. Correct throughout,
+vice shuddered in his presence, and virtue always felt his fostering hand;
+the purity of his private character gave effulgence to his public virtues.
+
+His last scene comported with the whole tenor of his life. Although in
+extreme pain, not a sigh, not a groan, escaped him; and with undisturbed
+serenity he closed his well-spent life. Such was the man America has lost!
+Such was the man for whom our nation mourns!
+
+
+NOTES.--At Brandywine Creek, in Pennsylvania, 18,000 British, under Howe,
+defeated 13,000 Americans under Washington.
+
+Germantown, near Philadelphia, was the scene of an American defeat by the
+British, the same generals commanding as at Brandywine.
+
+The battle of Monmouth, in New Jersey, resulted in victory for the
+Americans.
+
+The hero of Saratoga was General Gates, who there compelled the surrender
+of General Burgoyne.
+
+At Eutaw Springs, General Greene defeated a superior force of British.
+
+Cornwallis, Charles, second earl and first marquis (b. 1738, d. 1805),
+surrendered his forces to a combined American and French army and French
+fleet at Yorktown, in 1781, virtually ending the war.
+
+
+
+CXXXII. THE SOLITARY REAPER. (446)
+
+William Wordsworth, 1770-1850, the founder of the "Lake School" of poets,
+was born at Cockermouth, Cumberland, England. From his boyhood he was a
+great lover and student of nature, and it is to his beautiful descriptions
+of landscape, largely, that he owes his fame. He was a graduate of
+Cambridge University, and while there commenced the study of Chaucer,
+Spenser, Milton, and Shakespeare, as models for his own writings. Two
+legacies having been bequeathed him, Wordsworth determined to make poetry
+the aim of his life, and in 1795 located at Racedown with his sister
+Dorothy, where he commenced the tragedy of "The Borderers." A visit from
+Coleridge at this period made the two poets friends for life. In 1802
+Wordsworth married Miss Mary Hutchinson, and in 1813 he settled at Rydal
+Mount, on Lake Windermere, where he passed the remainder of his life.
+
+Wordsworth's poetry is remarkable for its extreme simplicity of language.
+At first his efforts were almost universally ridiculed, and in 1819 his
+entire income from literary work had not amounted to 140 Pounds. In 1830
+his merit began to be recognized; in 1839 Oxford University conferred upon
+him the degree of D. C. L.; and in 1843 he was made poet laureate.
+
+"The Excursion" is by far the most beautiful and the most important of
+Wordsworth's productions. "Salisbury Plain," "The White Doe of Rylstone,"
+"Yarrow Revisited," and many of his sonnets and minor poems are also much
+admired.
+###
+
+
+Behold her, single in the field,
+Yon solitary Highland lass!
+Reaping and singing by herself;
+Stop here, or gently pass!
+Alone she cuts and binds the grain,
+And sings a melancholy strain;
+Oh listen! for the vale profound
+Is overflowing with the sound.
+
+No nightingale did ever chant
+More welcome notes to weary bands
+Of travelers in some shady haunt,
+Among Arabian sands:
+A voice so thrilling ne'er was heard
+In springtime from the cuckoo bird,
+Breaking the silence of the seas
+Among the farthest Hebrides.
+
+Will no one tell me what she sings?
+Perhaps the plaintive numbers flow
+For old, unhappy, far-off things,
+And battles long ago:
+Or is it some more humble lay,
+Familiar matter of to-day?
+Some natural sorrow, loss, or pain,
+That has been, and may be again?
+
+Whate'er the theme, the maiden sang
+As if her song could have no ending;
+I saw her singing at her work,
+And o'er the sickle bending;--
+I listened motionless and still;
+And, as I mounted up the hill,
+The music in my heart I bore,
+Long after it was heard no more.
+
+
+
+CXXXIII. VALUE OF THE PRESENT. (447)
+
+Ralph Waldo Emerson, 1803-1882, the celebrated essayist and philosopher,
+was born in Boston. His father was a Unitarian minister, and the son,
+after graduating at Harvard University, entered the ministry also, and
+took charge of a Unitarian congregation in Boston. His peculiar ideas on
+religious topics soon caused him to retire from the ministry, and he then
+devoted himself to literature. As a lecturer, Emerson attained a wide
+reputation, both in this country and in England, and he is considered as
+one of the most independent and original thinkers of the age. His style is
+brief and pithy, dazzling by its wit, but sometimes paradoxical. He wrote
+a few poems, but they are not generally admired, being didactic in style,
+bare, and obscure. Among his best known publications are his volume
+"Nature," and his lectures, "The Mind and Manners of the Nineteenth
+Century," "The Superlative in Manners and Literature," "English Character
+and Manners," and "The Conduct of Life." In 1850 appeared "Representative
+Men," embracing sketches of Plato, Swedenborg, Montaigne, Shakespeare,
+Napoleon, and Goethe.
+
+
+Such are the days,--the earth is the cup, the sky is the cover, of the
+immense bounty of nature which is offered us for our daily aliment; but
+what a force of illusion begins life with us, and attends us to the end!
+We are coaxed, flattered, and duped, from morn to eve, from birth to
+death; and where is the old eye that ever saw through the deception? The
+Hindoos represent Maia, the illusory energy of Vishnu, as one of his
+principal attributes. As if, in this gale of warring elements, which life
+is, it was necessary to bind souls to human life as mariners in a tempest
+lash themselves to the mast and bulwarks of a ship, and Nature employed
+certain illusions as her ties and straps,--a rattle, a doll, an apple, for
+a child; skates, a river, a boat, a horse, a gun, for the growing
+boy;--and I will not begin to name those of the youth and adult, for they
+are numberless. Seldom and slowly the mask falls, and the pupil is
+permitted to see that all is one stuff, cooked and painted under many
+counterfeit appearances. Hume's doctrine was that the circumstances vary,
+the amount of happiness does not; that the beggar cracking fleas in the
+sunshine under a hedge, and the duke rolling by in his chariot, the girl
+equipped for her first ball, and the orator returning triumphant from the
+debate, had different means, but the same quantity of pleasant excitement.
+
+This element of illusion lends all its force to hide the values of present
+time. Who is he that does not always find himself doing something less
+than his best task? "What are you doing?" "Oh, nothing; I have been doing
+thus, or I shall do so or so, but now I am only--" Ah! poor dupe, will you
+never slip out of the web of the master juggler?--never learn that, as
+soon as the irrecoverable years have woven their blue glory between to-day
+and us, these passing hours shall glitter and draw us, as the wildest
+romance and the homes of beauty and poetry? How difficult to deal erect
+with them! The events they bring, their trade, entertainments, and gossip,
+their urgent work, all throw dust in the eyes and distract attention. He
+is a strong man who can look them in the eye, see through this juggle,
+feel their identity, and keep his own; who can know surely that one will
+be like another to the end of the world, nor permit love, or death, or
+politics, or money, war, or pleasure, to draw him from his task.
+
+The world is always equal to itself, and every man in moments of deeper
+thought is apprised that he is repeating the experiences of the people in
+the streets of Thebes or Byzantium. An everlasting Now reigns in nature,
+which hangs the same roses on our bushes which charmed the Roman and the
+Chaldean in their hanging gardens. "To what end, then," he asks, "should I
+study languages, and traverse countries, to learn so simple truths?"
+
+History of ancient art, excavated cities, recovery of books and
+inscriptions,--yes, the works were beautiful, and the history worth
+knowing; and academies convene to settle the claims of the old schools.
+What journeys and measurements,--Niebuhr and Muller and Layard,--to
+identify the plain of Troy and Nimroud town! And your homage to Dante
+costs you so much sailing; and to ascertain the discoverers of America
+needs as much voyaging as the discovery cost. Poor child! that flexible
+clay of which these old brothers molded their admirable symbols was not
+Persian, nor Memphian, nor Teutonic, nor local at all, but was common lime
+and silex and water, and sunlight, the heat of the blood, and the heaving
+of the lungs; it was that clay which thou heldest but now in thy foolish
+hands, and threwest away to go and seek in vain in sepulchers, mummy pits,
+and old bookshops of Asia Minor, Egypt, and England. It was the deep
+to-day which all men scorn; the rich poverty, which men hate; the
+populous, all-loving solitude, which men quit for the tattle of towns. He
+lurks, he hides,--he who is success, reality, joy, and power. One of the
+illusions is that the present hour is not the critical, decisive hour.
+Write it on your heart that every day is the best day in the year. No man
+has learned anything rightly, until he knows that every day is Doomsday.
+'T is the old secret of the gods that they come in low disguises. 'T is
+the vulgar great who come dizened with gold and jewels. Real kings hide
+away their crowns in their wardrobes, and affect a plain and poor
+exterior. In the Norse legend of our ancestors, Odin dwells in a fisher's
+hut, and patches a boat. In the Hindoo legends, Hari dwells a peasant
+among peasants. In the Greek legend, Apollo lodges with the shepherds of
+Admetus; and Jove liked to rusticate among the poor Ethiopians. So, in our
+history, Jesus is born in a barn, and his twelve peers are fishermen. 'T
+is the very principle of science that Nature shows herself best in leasts;
+'t was the maxim of Aristotle and Lucretius; and, in modern times, of
+Swedenborg and of Hahnemann. The order of changes in the egg determines
+the age of fossil strata. So it was the rule of our poets, in the legends
+of fairy lore, that the fairies largest in power were the least in size.
+
+In the Christian graces, humility stands highest of all, in the form of
+the Madonna; and in life, this is the secret of the wise. We owe to genius
+always the same debt, of lifting the curtain from the common, and showing
+us that divinities are sitting disguised in the seeming gang of gypsies
+and peddlers. In daily life, what distinguishes the master is the using
+those materials he has, instead of looking about for what are more
+renowned, or what others have used well. "A general," said Bonaparte,
+"always has troops enough, if he only knows how to employ those he has,
+and bivouacs with them." Do not refuse the employment which the hour
+brings you, for one more ambitious. The highest heaven of wisdom is alike
+near from every point, and thou must find it, if at all, by methods native
+to thyself alone.
+
+NOTES.--The Brahmanic religion teaches a Trinity, of which Vishnu is the
+savior of mankind.
+
+Thebes, the ancient capital of Upper Egypt, was at its most flourishing
+period about 1500 B. C. Byzantium was an important Greek city during the
+second and third centuries B. C.
+
+Niebuhr (b. 1776, d. 1831), Muller (b. 1797, d. 1840), and Layard (b.
+1817, d. 1894), are celebrated archaeologists. The first two were Germans,
+and the last an Englishman.
+
+
+
+CXXXIV. HAPPINESS. (451)
+
+Alexander Pope, 1688-1744, was the shining literary light of the so-called
+Augustan reign of Queen Anne, the poetry of which was distinguished by the
+highest degree of polish and elegance. Pope was the son of a retired linen
+draper, who lived in a pleasant country house near the Windsor Forest. He
+was so badly deformed that his life was "one long disease;" he was
+remarkably precocious, and had a most intelligent face, with great,
+flaming, tender eyes. In disposition Pope was the reverse of admirable. He
+was extremely sensitive, petulant, and supercilious; fierce and even
+coarse in his attacks on opponents; boastful of his self-acquired wealth
+and of his intimacy with the nobility. The great redeeming feature of his
+character was his tender devotion to his aged parents.
+
+As a poet, however, Pope challenges the highest admiration. At the age of
+sixteen he commenced his "Pastorals," and when only twenty-one published
+his "Essay on Criticism," pronounced "the finest piece of argumentative
+and reasoning poetry in the English language." His reputation was now
+firmly established, and his literary activity ceased only at his death;
+although, during the latter portion of his life, he was so weak physically
+that he was unable to dress himself or even to rise from bed without
+assistance. Pope's great admiration was Dryden, whose style he studied and
+copied. He lacks the latter's strength, but in elegance and polish he
+remains unequaled.
+
+Pope's most remarkable work is "The Rape of the Lock;" his greatest, the
+translation into English verse of Homer's "Iliad" and "Odyssey." His
+"Epistle of Eloisa to Abelard," "The Dunciad," and the "Essay On Man" are
+also famous productions. He published an edition of "Shakespeare," which
+was awaited with great curiosity, and received with equal disappointment.
+During the three years following its appearance, he united with Swift and
+Arbuthnot in writing the "Miscellanies," an extensive satire on the abuses
+of learning and the extravagances of philosophy. His "Epistles," addressed
+to various distinguished men, and covering a period of four years, were
+copied after those of Horace; they were marked by great clearness,
+neatness of diction, and good sense, and by Pope's usual elegance and
+grace. His "Imitations of Horace" was left unfinished at his death.
+
+The following selection is an extract from the "Essay on Man;"
+###
+
+
+Oh, sons of earth! attempt ye still to rise,
+By mountains piled on mountains, to the skies?
+Heaven still with laughter the vain toil surveys,
+And buries madmen in the heaps they raise.
+Know all the good that individuals find,
+Or God and nature meant to mere mankind.
+Reason's whole pleasure, all the joys of sense,
+Lie in three words,--health, peace, and competence.
+
+But health consists with temperance alone;
+And peace, O virtue! peace is all thy own.
+The good or bad the gifts of fortune gain;
+But these less taste them as they worse obtain.
+Say, in pursuit of profit or delight,
+Who risk the most, that take wrong means or right?
+Of vice or virtue, whether blest or curst,
+Which meets contempt, or which compassion first?
+
+Count all th' advantage prosperous vice attains,
+'T is but what virtue flies from and disdains:
+And grant the bad what happiness they would,
+One they must want, which is, to pass for good.
+Oh, blind to truth, and God's whole scheme below,
+Who fancy bliss to vice, to virtue woe!
+Who sees and follows that great scheme the best,
+Best knows the blessing, and will most be blest.
+
+But fools the good alone unhappy call,
+For ills or accidents that chance to all.
+Think we, like some weak prince, the Eternal Cause,
+Prone for his favorites to reverse his laws?
+Shall burning AEtna, if a sage requires,
+Forget to thunder, and recall her fires?
+When the loose mountain trembles from on high,
+Shall gravitation cease, if you go by?
+
+"But sometimes virtue starves while vice is fed."
+What, then? Is the reward of virtue bread?
+That, vice may merit, 't is the price of toil;
+The knave deserves it when he tills the soil,
+The knave deserves it when he tempts the main,
+Where folly fights for kings or dives for gain.
+Honor and shame from no condition rise;
+Act well your part, there all the honor lies.
+
+Worth makes the man, and want of it the fellow;
+The rest is all but leather or prunella.
+A wit's a feather, and a chief a rod,
+An honest man's the noblest work of God.
+One self-approving hour whole years outweighs
+Of stupid starers, and of loud huzzas.
+
+Know then this truth (enough for man to know),
+"Virtue alone is happiness below."
+The only point where human bliss stands still,
+And tastes the good without the fall to ill;
+Where only merit constant pay receives,
+Is blest in what it takes and what it gives.
+
+
+
+CXXXV. MARION. (453)
+
+William Gilmore Simms, 1806-1870, one of the most versatile, prolific, and
+popular of American authors, was born at Charleston, South Carolina. His
+family was poor, and his means of education were limited, yet he managed
+to prepare himself for the bar, to which he was admitted when twenty-one
+years of age. The law proving uncongenial, he abandoned it, and in 1828
+became editor of the "Charleston City Gazette." From this time till his
+death his literary activity was unceasing, and his writings were so
+numerous that it is possible only to group them under their various heads.
+They comprise Biography; History; Historical Romance, both Foreign and
+Domestic, the latter being further divided into Colonial, Revolutionary,
+and Border Romances; Pure Romance; The Drama; Poetry; and Criticism;
+besides miscellaneous books and pamphlets.
+
+In the midst of this remarkable literary activity, Mr. Simms still found
+time to devote to the affairs of state, being for several years a member
+of the South Carolina Legislature. He was also a lecturer, and was
+connected editorially with several magazines. Most of his time was spent
+at his summer house in Charleston, and at his winter residence,
+"Woodlands," on a plantation at Midway, S. C.
+
+The following selection is from "The Life and Times of Francis Marion."
+###
+
+
+Art had done little to increase the comforts or the securities of his
+fortress. It was one, complete to his hands, from those of nature--such an
+one as must have delighted the generous English outlaw of Sherwood Forest;
+insulated by deep ravines and rivers, a dense forest of mighty trees, and
+interminable undergrowth. The vine and brier guarded his passes. The
+laurel and the shrub, the vine and sweet-scented jessamine roofed his
+dwelling, and clambered up between his closed eyelids and the stars.
+Obstructions scarcely penetrable by any foe, crowded the pathways to his
+tent; and no footstep not practiced in the secret, and to "the manner
+born," might pass unchallenged to his midnight rest. The swamp was his
+moat; his bulwarks were the deep ravines, which, watched by sleepless
+rifles, were quite as impregnable as the castles on the Rhine. Here, in
+the possession of his fortress, the partisan slept secure.
+
+His movements were marked by equal promptitude and wariness. He suffered
+no risks from a neglect of proper precaution. His habits of circumspection
+and resolve ran together in happy unison. His plans, carefully considered
+beforehand, were always timed with the happiest reference to the condition
+and feelings of his men. To prepare that condition, and to train those
+feelings, were the chief employment of his repose. He knew his game, and
+how it should be played, before a step was taken or a weapon drawn.
+
+When he himself or any of his parties left the island upon an expedition,
+they advanced along no beaten paths. They made them as they went. He had
+the Indian faculty in perfection, of gathering his course from the sun,
+from the stars, from the bark and the tops of trees, and such other
+natural guides as the woodman acquires only through long and watchful
+experience.
+
+Many of the trails thus opened by him, upon these expeditions, are now the
+ordinary avenues of the country. On starting, he almost invariably struck
+into the woods, and seeking the heads of the larger water courses, crossed
+them at their first and small beginnings. He destroyed the bridges where
+he could. He preferred fords. The former not only facilitated the progress
+of less fearless enemies, but apprised them of his own approach. If speed
+was essential, a more direct but not less cautious route was pursued.
+
+He intrusted his schemes to nobody, not even his most confidential
+officers. He consulted with them respectfully, heard them patiently,
+weighed their suggestions, and silently approached his conclusions. They
+knew his determinations only from his actions. He left no track behind
+him, if it were possible to avoid it. He was often vainly hunted after by
+his own detachments. He was more apt at finding them than they him. His
+scouts were taught a peculiar and shrill whistle, which, at night, could
+be heard at a most astonishing distance. We are reminded of a signal of
+Roderick Dhu:--
+
+ "He whistled shrill,
+ And he was answered from the hill;
+ Wild as the scream of the curlew,
+ From crag to crag the signal flew."
+
+His expeditions were frequently long, and his men, hurrying forth without
+due preparation, not unfrequently suffered much privation from want of
+food. To guard against this danger, it was their habit to watch his cook.
+If they saw him unusually busied in preparing supplies of the rude,
+portable food which it was Marion's custom to carry on such occasions,
+they knew what was before them, and provided themselves accordingly. In no
+other way could they arrive at their general's intentions. His favorite
+time for moving was with the setting sun, and then it was known that the
+march would continue all night.
+
+His men were badly clothed in homespun,--a light wear which afforded
+little warmth. They slept in the open air, and frequently without a
+blanket. Their ordinary food consisted of sweet potatoes, garnished, on
+fortunate occasions, with lean beef. Their swords, unless taken from the
+enemy, were made out of mill saws, roughly manufactured by a forest
+blacksmith.
+
+His scouts were out in all directions, and at all hours. They did the
+double duty of patrol and spies. They hovered about the posts of the
+enemy, crouching in the thicket, or darting along the plain, picking up
+prisoners, and information, and spoils together. They cut off stragglers,
+encountered patrols of the foe, and arrested his supplies on the way to
+the garrison. Sometimes the single scout, buried in the thick tops of the
+tree, looked down upon the march of his legions, or hung, perched over the
+hostile encampment, till it slept; then slipping down, stole through the
+silent host, carrying off a drowsy sentinel, or a favorite charger, upon
+which the daring spy flourished conspicuous among his less fortunate
+companions.
+
+NOTES.--The outlaw of Sherwood Forest was Robin Hood.
+
+Roderick Dhu is a character in Sir Walter Scott's poem, "The Lady of the
+Lake," from which the quotation is taken.
+
+
+
+CXXXVI. A COMMON THOUGHT. (456)
+
+Henry Timrod, 1829-1867, was born at Charleston, South Carolina. He
+inherited his father's literary taste and ability, and had the advantages
+of a liberal education. He entered the University of Georgia before he was
+seventeen years of age, and while there commenced his career as a poet.
+Poverty and ill health compelled him to leave the university without
+taking a degree; he then commenced the study of law, and for ten years
+taught in various private families. At the outbreak of the war, in 1860,
+he warmly espoused the Southern cause, and wrote many stirring war lyrics.
+In 1863 he joined the Army of the West, as correspondent of the Charleston
+"Mercury," and in 1864 he became editor of the "South Carolinian,"
+published first at Columbia and later at Charleston. He also served for a
+time as assistant secretary to Governor Orr. The advance of Sherman's army
+reduced him to poverty, and he was compelled to the greatest drudgery in
+order to earn a bare living. His health soon broke down, and he died of
+hemorrhage of the lungs. The following little poem seems, almost, to have
+been written under a presentiment, so accurately does it describe the
+closing incidents of the poet's life.
+
+The first volume of Timrod's poems appeared in 1860. A later edition, with
+a memoir of the author, was published in New York in 1873.
+###
+
+
+Somewhere on this earthly planet
+ In the dust of flowers that be,
+In the dewdrop, in the sunshine,
+ Sleeps a solemn day for me.
+
+At this wakeful hour of midnight
+ I behold it dawn in mist,
+And I hear a sound of sobbing
+ Through the darkness,--Hist! oh, hist!
+
+In a dim and musky chamber,
+ I am breathing life away;
+Some one draws a curtain softly,
+ And I watch the broadening day.
+
+As it purples in the zenith,
+ As it brightens on the lawn,
+There's a hush of death about me,
+ And a whisper, "He is gone!"
+
+
+
+CXXXVII. A DEFINITE AIM IN READING. (457)
+
+Noah Porter, 1811-1892, was born at Farmington, Conn., and graduated at
+Yale in 1831. He remained in New Haven as a school-teacher, a tutor in
+college, and a student in the theological department until 1836, when he
+entered the ministry. In 1846 he was recalled to the college as Clark
+Professor of Moral Philosophy and Metaphysics; and in 1858 he also assumed
+the duties of the professorship of Systematic Theology, for a period of
+seven years. Upon the retirement of President Woolsey in 1871, he was
+elected to fill the office, which he held until 1886, being the eleventh
+president of the college.
+
+President Porter's greatest literary work is entitled, "The Human
+Intellect: With an Introduction upon Psychology and the Human Soul." It is
+remarkable for the clear thought and sound judgment it displays, as well
+as for its broad scholarship; and it has been pronounced "the most
+complete and exhaustive exhibition of the cognitive faculties of the human
+soul to be found in our language." His other important works are: "The
+Sciences of Nature versus the Science of Man," which is a review of the
+doctrines of Herbert Spencer; "American Colleges and the American Public;"
+and the book from which the following selection is taken, namely, "Books
+and Reading." Besides these he wrote numerous essays, contributions to
+periodicals, etc. During his professorship he was called upon to act as
+chief editor in the important work of revising "Webster's Dictionary." The
+edition of 1864 was the result of his careful oversight, and the
+subsequent revisions were also under his superintendence.
+##
+
+
+In reading, we do well to propose to ourselves definite ends and purposes.
+The more distinctly we are aware of our own wants and desires in reading,
+the more definite and permanent will be our acquisitions. Hence it is a
+good rule to ask ourselves frequently, "Why am I reading this book, essay,
+or poem? or why am I reading it at the present time rather than any
+other?" It may often be a satisfying answer, that it is convenient; that
+the book happens to be at hand: or that we read to pass away the time.
+Such reasons are often very good, but they ought not always to satisfy us.
+Yet the very habit of proposing these questions, however they may be
+answered, will involve the calling of ourselves to account for our
+reading, and the consideration of it in the light of wisdom and duty.
+
+The distinct consciousness of some object at present before us, imparts a
+manifoldly greater interest to the contents of any volume. It imparts to
+the reader an appropriate power, a force of affinity, by which he
+insensibly and unconsciously attracts to himself all that has a near or
+even a remote relation to the end for which he reads. Anyone is conscious
+of this who reads a story with the purpose of repeating it to an absent
+friend; or an essay or a report with the design of using its facts or
+arguments in a debate; or a poem with the design of reviving its imagery,
+and reciting its finest passages. Indeed, one never learns to read
+effectively until he learns to read in such a spirit--not always, indeed,
+for a definite end, yet always with a mind attent to appropriate and
+retain and turn to the uses of culture, if not to a more direct
+application.
+
+The private history of every self-educated man, from Franklin onwards,
+attests that they all were uniformly not only earnest but select in their
+reading, and that they selected their books with distinct reference to the
+purposes for which they used them. Indeed, the reason why self-trained
+men so often surpass men who are trained by others in the effectiveness
+and success of their reading, is that they know for what they read and
+study, and have definite aims and wishes in all their dealings with books.
+The omnivorous and indiscriminate reader, who is at the same time a
+listless and passive reader, however ardent is his curiosity, can never be
+a reader of the most effective sort.
+
+Another good rule is suggested by the foregoing. Always have some solid
+reading in hand; i. e., some work or author which we carry forward from
+one day to another, or one hour of leisure to the next, with persistence,
+till we have finished whatever we have undertaken. There are many great
+and successful readers who do not observe this rule, but it is a good rule
+notwithstanding.
+
+The writer once called upon one of the most extensive and persevering of
+modern travelers, at an early hour of the day, to attend him upon a walk
+to a distant village. It was after breakfast, and though he had but few
+minutes at command, he was sitting with book in hand--a book of solid
+history he was perusing day after day. He remarked: "This has been my
+habit for years in all my wanderings. It is the one habit which gives
+solidity to my intellectual activities and imparts tone to my life. It is
+only in this way that I can overcome and counteract the tendency to the
+dissipation of my powers and the distraction of my attention, as strange
+persons and strange scenes present themselves from day to day."
+
+To the rule already given--read with a definite aim--we could add the
+rule--make your aims to be definite by continuously holding them rigidly
+to a single book at all times, except when relaxation requires you to
+cease to work, and to live for amusement and play. Always have at least
+one iron in the fire, and kindle the fire at least once every day.
+
+It is implied in the preceding that we should read upon definite subjects,
+and with a certain method and proportion in the choice of our books. If we
+have a single object to accomplish in our reading for the present, that
+object will of necessity direct the choice of what we read, and we shall
+arrange our reading with reference to this single end. This will be a
+nucleus around which our reading will for the moment naturally gather and
+arrange itself.
+
+If several subjects seem to us equally important and interesting, we
+should dispose of them in order, and give to each for the time our chief
+and perhaps our exclusive attention. That this is wise is so obvious as
+not to require illustration. "One thing at a time," is an accepted
+condition for all efficient activity, whether it is employed upon things
+or thoughts, upon men or books. If five or ten separate topics have equal
+claim upon our interest and attention, we shall do to each the amplest
+justice, if we make each in its turn the central subject of our reading.
+There is little danger of weariness or monotony from the workings of such
+a rule.
+
+Most single topics admit or require a considerable variety of books, each
+different from the other, and each supplementing the other. Hence it is
+one of the best of practices in prosecuting a course of reading, to read
+every author who can cast any light upon the subject which we have in
+hand. For example, if we are reading the history of the Great Rebellion in
+England, we should read, if we can, not a single author only, as
+Clarendon, but a half dozen or a half score, each of whom writes from his
+own point of view, supplies what another omits, or corrects what he under-
+or overstates.
+
+But, besides the formal histories of the period, there are the various
+novels, the scenes and characters of which are placed in those times, such
+as Scott's Woodstock; there are also diaries, such as those by Evelyn,
+Pepys, and Burton; and there are memoirs, such as those of Col.
+Hutchinson; while the last two have been imitated in scores of fictions.
+There are poems, such as those of Andrew Marvell, Milton, and Dryden.
+There are also shoals of political tracts and pamphlets, of handbills and
+caricatures.
+
+We name these various descriptions of works and classes of reading, not
+because we suppose all of them are accessible to those readers who live at
+a distance from large public libraries, or because we would advise
+everyone who may have access to such libraries, to read all these books
+and classes of books as a matter of course, but because we would
+illustrate how great is the variety of books and reading matter that are
+grouped around a single topic, and are embraced within a single period.
+
+Every person must judge for himself how long a time he can bestow upon any
+single subject, or how many and various are the books in respect to it
+which it is wise to read; but of this everyone may be assured, that it is
+far easier, far more agreeable, and far more economical of time and
+energy, to concentrate the attention upon a single subject at a time than
+to extend it to half a score, and that six books read in succession or
+together upon a single topic, are far more interesting and profitable than
+twice as many which treat of topics remotely related. A lady well known to
+the writer, of the least possible scholarly pretensions or literary
+notoriety, spent fifteen months of leisure, snatched by fragments from
+onerous family cares and brilliant social engagements, in reading the
+history of Greece as written by a great variety of authors and as
+illustrated by many accessories of literature and art.
+
+Nor should it be argued that such rules as these, or the habits which they
+enjoin, are suitable for scholars only, or for people who have much
+leisure for reading. It should rather be urged that those who can read the
+fewest books and who have at command the scantiest time, should aim to
+read with the greatest concentration and method; should occupy all of
+their divided energy with single centers of interest, and husband the few
+hours which they can command, in reading whatever converges to a definite,
+because to a single, impression.
+
+
+
+CXXXVIII. ODE TO MT. BLANC. (462)
+
+Samuel Taylor Coleridge, 1772-1834, was born in Devonshire, England, and
+was educated at Christ's Hospital and Cambridge University. Through
+poverty he was compelled to enlist in the army, but his literary
+attainments soon brought him into notice, and he was enabled to withdraw
+from the distasteful life.
+
+Coleridge's fame arises chiefly from his poems, of which the "Rime of the
+Ancient Mariner," "Genevieve," and "Christabel" may be classed among the
+best of English poetry. He also wrote a number of dramas, besides numerous
+essays on religious and political topics. As a conversationalist Coleridge
+had a remarkable reputation, and among his ardent admirers and friends may
+be ranked Southey, Wordsworth, Lovell, Lamb, and De Quincey. He and his
+friends Southey and Lovell married sisters, and talked at one time of
+founding a community on the banks of the Susquehanna. Although possessing
+such brilliant natural gifts, Coleridge fell far short of what he might
+have attained, through a great lack of energy and application, increased
+by an excessive use of opium.
+###
+
+
+Hast thou a charm to stay the morning star
+In his steep course? So long he seems to pause
+On thy bald, awful head, O sovran Blanc!
+The Arve and Arveiron at thy base
+Rave ceaselessly; but thou, most awful Form,
+Risest from forth thy silent sea of pines,
+How silently! Around thee and above,
+Deep is the air and dark, substantial, black--
+An ebon mass: methinks thou piercest it,
+As with a wedge! But when I look again,
+It is thine own calm home, thy crystal shrine,
+Thy habitation from eternity!
+O dread and silent Mount! I gazed upon thee
+Till thou, still present to the bodily sense,
+Didst vanish from my thoughts: entranced in prayer,
+I worshiped the Invisible alone.
+
+ Yet, like some sweet, beguiling melody,
+So sweet we know not we are listening to it,
+Thou, the meanwhile, wast blending with my thought--
+Yea, with my life and life's own secret joy
+Till the dilating soul, enrapt, transfused,
+Into the mighty vision passing--there,
+As in her natural form, swelled vast to Heaven!
+
+ Awake, my soul! not only passive praise
+Thou owest! not alone these swelling tears,
+Mute thanks and secret ecstasy! Awake,
+Voice of sweet song! Awake, my heart, awake!
+Green vales and icy cliffs, all join my hymn.
+
+ Thou first and chief, sole sovran of the vale!
+Oh, struggling with the darkness all the night,
+And visited all night by troops of stars,
+Or when they climb the sky, or when they sink--
+Companion of the morning star at dawn,
+Thyself Earth's rosy star, and of the dawn
+Coherald--wake, oh wake, and utter praise!
+Who sank thy sunless pillars deep in earth?
+Who filled thy countenance with rosy light?
+Who made thee parent of perpetual streams?
+
+ And you, ye five wild torrents fiercely glad!
+Who called you forth from night and utter death,
+From dark and icy caverns called you forth,
+Down those precipitous, black, jagged rocks,
+Forever shattered, and the same forever?
+Who gave you your invulnerable life,
+Your strength, your speed, your fury, and your joy,
+Unceasing thunder, and eternal foam?
+And who commanded (and the silence came),
+Here let the billows stiffen, and have rest?
+
+ Ye icefalls! ye that from the mountain's brow
+Adown enormous ravines slope amain--
+Torrents, methinks, that heard a mighty voice,
+And stopped at once amid their maddest plunge!
+Motionless torrents! silent cataracts!
+Who made you glorious as the gates of Heaven
+Beneath the keen full moon? Who bade the sun
+Clothe you with rainbows? Who, with living flowers
+Of loveliest blue, spread garlands at your feet?
+God!--let the torrents, like a shout of nations,
+Answer! and let the ice plains echo, God!
+God! sing ye meadow streams with gladsome voice!
+Ye pine groves, with your soft and soul-like sounds!
+And they, too, have a voice, yon piles of snow,
+And in their perilous fall shall thunder, God!
+
+ Ye living flowers that skirt the eternal frost!
+Ye wild goats sporting round the eagle's nest!
+Ye eagles, playmates of the mountain storm!
+Ye lightnings, the dread arrows of the clouds!
+Ye signs and wonders of the elements!
+Utter forth, God, and fill the hills with praise!
+
+ Thou, too, hoar Mount! with thy sky-pointing peaks,
+Oft from whose feet the avalanche, unheard,
+Shoots downward, glittering through the pure serene,
+Into the depth of clouds that veil thy breast--
+Thou too again, stupendous Mountain! thou
+That as I raise my head, awhile bowed low
+In adoration, upward from thy base,
+Slow traveling, with dim eyes suffused with tears,
+Solemnly seemest, like a vapory cloud,
+To rise before me.--Rise, oh ever rise!
+Rise like a cloud of incense from the Earth!
+Thou kingly spirit throned among the hills,
+Thou dread embassador from Earth to Heaven,
+Great Hierarch! tell thou the silent sky,
+And tell the stars, and tell yon rising sun,
+Earth, with her thousand voices, praises God.
+
+
+
+
+
+End of the Project Gutenberg EBook of McGuffey's Sixth Eclectic Reader
+by William Holmes McGuffey
+
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