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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/16334-8.txt b/16334-8.txt new file mode 100644 index 0000000..9015b30 --- /dev/null +++ b/16334-8.txt @@ -0,0 +1,9521 @@ +The Project Gutenberg EBook of Sundown Slim, by Henry Hubert Knibbs + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Sundown Slim + +Author: Henry Hubert Knibbs + +Illustrator: Anton Fischer + +Release Date: July 20, 2005 [EBook #16334] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK SUNDOWN SLIM *** + + + + +Produced by Al Haines + + + + + + + + + + +[Frontispiece: "You!" she exclaimed. "You!"] + + + + + + +SUNDOWN SLIM + + +BY + +HENRY HERBERT KNIBBS + + + +WITH ILLUSTRATIONS BY + +ANTON FISCHER + + + + + + +NEW YORK + +GROSSET & DUNLAP + +PUBLISHERS + + + + +COPYRIGHT, 1915, BY HENRY HERBERT KNIBBS + +ALL RIGHTS RESERVED + + +Published May 1915 + + + + +DEDICATED TO + +EVERETT E. HARASZTHY + + + + + +Contents + +Chapter + + ARIZONA + I. SUNDOWN IN ANTELOPE + II. THE JOKE + III. THIRTY MILES TO THE CONCHO + IV. PIE; AND SEPTEMBER MORN + V. ON THE CAŅON TRAIL + VI. THE BROTHERS + VII. FADEAWAY'S HAND + VIII. AT "THE LAST CHANCE" + IX. SUNDOWN'S FRIEND + X. THE STORM + XI. CHANCE--CONQUEROR + XII. A GIFT + XIII. SUNDOWN, VAQUERO + XIV. ON THE TRAIL TO THE BLUE + XV. THEY KILLED THE BOSS! + XVI. SUNDOWN ADVENTURES + XVII. THE STRANGER + XVIII. THE SHERIFF--AND OTHERS + XIX. THE ESCAPE + XX. THE WALKING MAN + XXI. ON THE MESA + XXII. WAIT! + XXIII. THE PEACEMAKER + XXIV. AN UNEXPECTED VISIT + XXV. VAMOSE, EH? + XXVI. THE INVADERS + XXVII. "JUST ME AND HER" + XXVIII. IMPROVEMENTS + XXIX. A MAN'S COUNTRY + + + + +List of Illustrations + +"You!" she exclaimed. "You!" . . . " . . . _Frontispiece_ + +"God A'mighty, sech things is wrong." + + + + +Arizona + +Across the wide, sun-swept mesas the steel trail of the railroad runs +east and west, diminishing at either end to a shimmering blur of +silver. South of the railroad these level immensities, rich in their +season with ripe bunch-grass and grama-grass roll up to the barrier of +the far blue hills of spruce and pine. The red, ragged shoulders of +buttes blot the sky-line here and there; wind-worn and grotesque +silhouettes of gigantic fortifications, castles and villages wrought by +some volcanic Cyclops who grew tired of his labors, abandoning his +unfinished task to the weird ravages of wind and weather. + +In the southern hills the swart Apache hunts along historic trails o'er +which red cavalcades once swept to the plundering of Sonora's herds. +His sires and their flashing pintos have vanished to other +hunting-grounds, and he rides the boundaries of his scant heritage, +wrapped in sullen imaginings. + +The caņons and the hills of this broad land are of heroic mould as are +its men. Sons of the open, deep-chested, tall and straight, they ride +like conquerors and walk--like bears. Slow to anger and quick to act, +they carry their strength and health easily and with a dignity which no +worn trappings, faded shirt, or flop-brimmed hat may obscure. Speak to +one of them and his level gaze will travel to your feet and back again +to your eyes. He may not know what you are, but he assuredly knows +what you are not. He will answer you quietly and to the point. If you +have been fortunate enough to have ridden range, hunted or camped with +him or his kind, ask him, as he stands with thumb in belt and wide +Stetson tilted back, the trail to heaven. He will smile and point +toward the mesas and the mountains of his home. Ask him the trail to +that other place with which he so frequently garnishes his +conversation, and he will gravely point to the mesas and the hills +again. And there you have Arizona. + + + + +SUNDOWN SLIM + + +CHAPTER I + +SUNDOWN IN ANTELOPE + +Sundown Slim, who had enjoyed the un-upholstered privacy of a box-car +on his journey west from Albuquerque, awakened to realize that his +conveyance was no longer an integral part of the local freight which +had stopped at the town of Antelope, and which was now rumbling and +grumbling across the Arizona mesas. He was mildly irritated by a +management that gave its passengers such negligent service. He +complained to himself as he rolled and corded his blankets. However, +he would disembark and leave the car to those base uses for which +corporate greed, and a shipper of baled hay, intended it. He was +further annoyed to find that the door of the car had been locked since +he had taken possession. Hearing voices, he hammered on the door. +After an exchange of compliments with an unseen rescuer, the door was +pushed back and he leaped to the ground. He was a bit surprised to +find, not the usual bucolic agent of a water-plug station, but a belted +and booted rider of the mesas; a cowboy in all the glory of wide +Stetson, wing chaps, and Mexican spurs. + +"Thought you was the agent. I couldn't see out," apologized the tramp. + +The cowboy laughed. "He was scared to open her up, so I took a chanct, +seein' as I'm agent for the purvention of crulty to Hoboes." + +"Well, you got a fine chance to make a record this evening" said +Sundown, estimating with experienced eye the possibilities of Antelope +and its environs. "I et at Albuquerque." + +"Ain't a bad town to eat in," commented the puncher, gazing at the sky. + +"I never seen one that was," the tramp offered, experimentally. + +The cowboy grinned. "Well, take a look at this pueblo, then. You can +see her all from here. If the station door was open you could see +clean through to New Mexico. They got about as much use for a Bo in +these parts as they have for raisin' posies. And this ain't no garden." + +"Well, I'm raised. I got me full growth," said Sundown, straightening +his elongated frame,--he stood six-feet-four in whatever he could get +to stand in,--"and I raised meself." + +"Good thing you stopped when you did," commented the puncher. "What's +your line?" + +"Me line? Well, the Santa Fe, jest now. Next comes cookin'. I been +cook in everything from a hotel to a gradin'-camp. I cooked for +high-collars and swalley-tails, and low-brows and jeans--till it come +time to go. Incondescent to that I been poet select to the T.W.U." + +"Temperance?" + +"Not exactly. T.W.U. is Tie Walkers' Union. I lost me job account of +a long-hair buttin' in and ramblin' round the country spielin' +high-toned stuff about 'Art for her own sake'--and such. Me pals +selected him animus for poet, seein' as how I just writ things +nacheral; no high-fluted stuff like him. Why, say, pardner, I believe +in writin' from the ground up, so folks can understand. Why, this +country is sufferin' full of guys tryin' to pull all the G strings out +of a harp to onct--when they ought to be practicin' scales on a +mouth-organ. And it's printed ag'in' 'em in the magazines, right +along. I read lots of it. But speakin' of eats and _thinkin_' of +eats, did you ever listen to 'Them Saddest Words,'--er--one of me own +competitions?" + +"Not while I was awake. But come on over to 'The Last Chance' and +lubricate your works. I don't mind a little po'try on a full stummick." + +"Well, I'm willin', pardner." + +The process of lubrication was brief; and "Have another?" queried the +tramp. "I ain't all broke--only I ain't payin' dividen's, bein' hard +times." + +"Keep your two-bits," said the puncher. "This is on me. You're goin' +to furnish the chaser, Go to it and cinch up them there 'saddest.'" + +"Bein' just two-bits this side of bein' a socialist, I guess I'll keep +me change. I ain't a drinkin' man--regular, but I never was scared of +eatin'." + +Sundown gazed about the dingy room. Like most poets, he was not averse +to an audience, and like most poets he was quite willing that such +audience should help defray his incidental expenses--indirectly, of +course. Prospects were pretty thin just then. Two Mexican herders +loafed at the other end of the bar. They appeared anything but +susceptible to the blandishments of Euterpe. Sundown gazed at the +ceiling, which was fly-specked and uninspiring, + +"Turn her loose!" said the puncher, winking at the bartender. + +Sundown folded his long arms and tilted one lean shoulder as though +defying the elements to blast him where he stood:-- + + + "Lives there a gent who has not heard, + Before he died, the saddest word? + + "'What word is that?' the maiden cried; + 'I'd like to hear it before I died.' + + "'Then come with me,' her father said, + As to the stockyards her he led; + + "Where layin' on the ground so low + She seen a tired and weary Bo. + + "But when he seen her standin' 'round, + He riz up from the cold, cold ground. + + "'Is this a hold-up game?' sez he. + And then her pa laughed wickedly. + + "'This ain't no hold-up!' loud he cried, + As he stood beside the fair maiden's side. + + "'But this here gal of mine ain't heard + What you Boes call the saddest word.' + + "'The Bo, who onct had been a gent, + Took off his lid and low he bent. + + "He saw the maiden was fed up good, + So her father's wink he understood. + + "'The saddest word,' the Bo he spoke, + 'Is the dinner-bell, when you are broke.'" + + +And Sundown paused, gazing ceilingward, that the moral might seep +through. + +"You're ridin' right to home!" laughed the cow-boy. "You just light +down and we'll trail over to Chola Charley's and prospect a tub of +frijoles. The dinner-bell when you are broke is plumb correct. Got +any more of that po'try broke to ride gentle?" + +"Uhuh. Say, how far is it to the next town?" + +"Comin' or goin'?" + +"Goin'." + +"'Bout seventy-three miles, but there's nothin' doin' there. Worse'n +this." + +"Looks like me for a job, or the next rattler goin' west. Any chanct +for a cook here?" + +"Nope. All Mexican cooks. But say, I reckon you _might_ tie up over +to the Concho. Hearn tell that Jack Corliss wants a cook. Seems his +ole stand-by Hi Wingle's gone to Phoenix on law business. Jack's a +good boss to tie to. Worked for him myself." + +"How far to his place?" queried Sundown. + +"Sixty miles, straight south." + +"Gee Gosh! Looks like the towns was scared of each other in this here +country. Who'd you say raises them frijoles?" + +The cowboy laughed and slapped Sundown on the back. "Come on, Bud! +You eat with me this trip." + + +Western humor, accentuated by alcohol, is apt to broaden rapidly in +proportion to the quantity of liquor consumed. After a given quantity +has been consumed--varying with the individual--Western humor broadens +without regard to proportion of any kind. + +The jovial puncher, having enjoyed Sundown's society to the extent of +six-bits' worth of Mexican provender, suggested a return to "The Last +Chance," where the tramp was solemnly introduced to a newly arrived +coterie of thirsty riders of the mesas. Gaunt and exceedingly tall, he +loomed above the heads of the group in the barroom "like a crane in a +frog-waller," as one cowboy put it. "Which ain't insinooatin' that our +hind legs is good to eat, either," remarked another. "He keeps right +on smilin'," asserted the first speaker. "And takin' his smile," said +the other. "Wonder what's his game? He sure is the lonesomest-lookin' +cuss this side of that dead pine on Bald Butte, that I ever seen." But +conviviality was the order of the evening, and the punchers grouped +together and told and listened to jokes, old and new, talked sagebrush +politics, and threw dice for the privilege of paying rather than +winning. "Says he's scoutin' for a job cookin'," remarked a young +cowboy to the main group of riders. "Heard him tell Johnny." + +Meanwhile, Sundown, forgetful of everything save the congeniality of +the moment, was recounting, to an amused audience of three, his +experiences as assistant cook in an Eastern hotel. The rest of the +happy and irresponsible punchers gravitated to the far end of the bar +and proposed that they "have a little fun with the tall guy." One of +them drew his gun and stepped quietly behind the tramp. About to fire +into the floor he hesitated, bolstered his gun and tiptoed clumsily +back to his companions. "Got a better scheme," he whispered. + +Presently Sundown, in the midst of his recital, was startled by a roar +of laughter. He turned quickly. The laughter ceased. The cowboy who +had released him from the box-car stated that he must be going, and +amid protests and several challenges to have as many "one-mores," swung +out into the night to ride thirty miles to his ranch. Then it was, as +has been said elsewhere and oft, "the plot thickened." + +A rider, leaning against the bar and puffing thoughtfully at a cigar of +elephantine proportions, suddenly took his cigar from his lips, held it +poised, examined it with the eye of a connoisseur--of cattle--and +remarked slowly: "Now, why didn't I think of it? Wonder you fellas +didn't think of it. They need a cook bad! Been without a cook for a +year--and everybody fussin' 'round cookin' for himself." + +Sundown caught the word "cook" and turned to, face the speaker. "I was +lookin' for a job, meself," he said, apologetically. "Did you know of +one?" + +"You was!" exclaimed the cowboy. "Well, now, that's right queer. I +know where a cook is needed bad. But say, can you honest-to-Gosh +_cook_?" + +"I cooked in everything from a hotel to a gradin'-camp. All I want is +a chanct." + +The cowboy shook his head. "I don' know. It'll take a pretty good man +to hold down this job." + +"Where is the job?" queried Sundown. + +Several of the men grinned, and Sundown, eager to be friendly, grinned +in return. + +"Mebby you _could_ hold it down," continued the cowboy. "But say, do +you eat your own cookin'?" + +"Guess you're joshin' me." And the tramp's face expressed +disappointment. "I eat my own cookin' when I can't get any better," he +added, cheerfully. + +"Well, it ain't no joke--cookin' for that hotel," stated the puncher, +gazing at the end of his cigar and shaking his head. "Is it, boys?" + +"Sure ain't," they chorused. + +"A man's got to shoot the good chuck to hold the trade," he continued. + +"Hotel?" queried Sundown. "In this here town?" + +"Naw!" exclaimed the puncher. "It's one o' them swell joints out in +the desert. Kind o' what folks East calls a waterin'-place. Eh, boys?" + +"That's her!" volleyed the group. + +"Kind o' select-like," continued the puncher. + +"Sure is!" they chorused. + +"Do you know what the job pays?" asked Sundown. + +"U-m-m-m, let's see. Don't know as I ever heard. But there'll be no +trouble about the pay. And you'll have things your own way, if you can +deliver the goods." + +"That's right!" concurred a listener. + +Sundown looked upon work of any kind too seriously to suspect that it +could be a subject for jest. He gazed hopefully at their hard, keen +faces. They all seemed interested, even eager that he should find +work. "Well, if it's a job I can hold down," he said, slowly, "I'll +start for her right now. I ain't afraid to work when I got to." + +"That's the talk, pardner! Well, I'll tell you. You take that road at +the end of the station and follow her south right plumb over the hill. +Over the hill you'll see a ranch, 'way on. Keep right on fannin' it +and you'll come to a sign that reads 'American Hotel.' That's her. +Good water, fine scenery, quiet-like, and just the kind of a place them +tourists is always lookin' for. I stopped there many a time. So has +the rest of the boys." + +"You was tellin' me it was select-like--" ventured Sundown. + +The men roared. Even Sundown's informant relaxed and grinned. But he +became grave again, flicked the ashes from his cigar and waved his +hand. "It's this way, pardner. That there hotel is run on the +American style; if you got the price, you can have anything in the +house. And tourists kind o' like to see a bunch of punchers settin' +'round smokin' and talkin' and tellin' yarns. Why, they was a lady +onct--" + +"But she went back East," interrupted a listener. + +"That's the way with them," said the cowboy. "They're always stickin' +their irons on some other fella's stock. Don't you pay no 'tention to +them." + +Sundown shook hands with his informant, crossed to the corner of the +room, and slung his blanket-roll across his back. "Much obliged to you +fellas," he said, his lean, timorous face beaming with gratitude. "It +makes a guy feel happy when a bunch of strangers does him a good turn. +You see I ain't got the chanct to get a job, like you fellas, me bein' +a Bo. I had a pal onct--but He crossed over. He was the only one that +ever done me a good turn without my askin'. He was a college guy. I +wisht he was here so he could say thanks to you fellas classy-like. +I'm feeling them kind of thanks, but I can't say 'em." + +The grins faded from some of the faces. "You ain't goin' to fan it +to-night?" asked one. + +"Guess I will. You see, I'm broke, now. I'm used to travelin' any old +time, and nights ain't bad--believe me. It's mighty hot daytimes in +this here country. How far did you say?" + +"Just over the hill--then a piece down the trail. You can't miss it," +said the cowboy who had spoken first. + +"Well, so-long, gents. If I get that job and any of you boys come out +to the hotel, I'll sure feed you good." + +An eddy of smoke followed Sundown as he passed through the doorway. A +cowboy snickered. The room became silent. + +"Call the poor ramblin' lightnin'-rod back," suggested a kindly puncher. + +"He'll come back fast enough," asserted the perpetrator of the "joke." +"It's thirty dry and dusty miles to the water-hole ranch. When he gets +a look at how far it is to-morrow mornin' he'll sure back into the +fence and come flyin' for Antelope with reins draggin'. Set 'em up +again, Joe." + + + + +CHAPTER II + +THE JOKE + +Owing to his unaccustomed potations Sundown was perhaps a trifle +over-zealous in taking the road at night. He began to realize this +after he had journeyed along the dim, starlit trail for an hour or so +and found no break in the level monotony of the mesa. He peered ahead, +hoping to see the blur of a hill against the southern stars. The air +was cool and clear and sweet. He plodded along, happy in the prospect +of work. Although he was a physical coward, darkness and the solitudes +held no enemies for him. He felt that the world belonged to him at +night. The moon was his lantern and the stars were his friends. +Circumstance and environment had wrought for him a coat of cheerful +effrontery which passed for hardihood; a coat patched with slang and +gaping with inconsistencies, which he put on or off at will. Out on +the starlit mesas he had metaphorically shed his coat. He was at home. +Here there were no men to joke about his awkwardness and his ungainly +height. A wanderer by nature, he looked upon space as his kingdom. +Great distances were but the highways of his heritage, each promising +new vistas, new adventuring. His wayside fires were his altars, their +smoke the incense to his gods. A true adventurer, albeit timid, he +journeyed not knowing why, but rather because he knew no reason for not +journeying. Wrapped in his vague imaginings he swung along, peering +ahead from time to time until at last he saw upon the far background of +the night a darker something shaped like a tiny mound. "That's her!" +he exclaimed, joyously, and quickened his pace. "But Gee Gosh! I +guess them fellas forgot I was afoot. That hill looks turruble far +off. Mebby because it's dark." The distant hill seemed to keep pace +ahead of him, sliding away into the southern night as he advanced. +Having that stubbornness so frequently associated with timidity, he +plodded on, determined to top the hill before morning. "Them fellas as +rides don't know how far things are," he commented. "But, anyhow, the +folks at that hotel will sure know I want the job, walkin' all night +for it." + +Gradually the outline of the hill became bolder. Sundown estimated +that he had been traveling several hours, when the going stiffened to a +slow grade. Presently the grade became steep and rocky. Thus far the +road had led straight south. Now it swung to the west and skirted the +base of the hill in a gradual ascent. Then it swung back again +following a fairly easy slope to the top. His optimism waned as he saw +no light ahead. The night grew colder. The stars flickered as the +wind of the dawn, whispering over the grasses, touched his face. He +paused for a moment on the crest of the hill, turned to look back, and +then started down the slope. It was steep and rutted. He had not gone +far when he stumbled and fell. His blanket-roll had pitched ahead of +him. He fumbled about for it and finally found it. "Them as believes +in signs would say it was about time to go to roost," he remarked, +nursing his knee that had been cut on a fragment of ragged tufa. A +coyote wailed. Sundown started up. "Some lonesome. But she sure is +one grand old night! Guess I'll turn in." + +He rolled in his blankets. Hardly had he adjusted his length of limb +to the unevenness of the ground when he fell asleep. He had come +twenty-five miles across the midnight mesas. Five miles below him was +his destination, shrouded by the night, but visioned in his dreams as a +palatial summer resort, aglow with lights and eagerly awaiting the +coming of the new cook. + +The dawn, edging its slow way across the mesas, struck palely on the +hillside where he slept. A rabbit, huddled beneath a scrub-cedar, +hopped to the middle of the road and sat up, staring with moveless eyes +at the motionless hump of blanket near the road. In a flash the wide +mesas were tinged with gold as the smouldering red sun rose, to march +unclouded to the western sea. + + +Midway between the town of Antelope and the river Concho is the +water-hole. The land immediately surrounding the water-hole is +enclosed with a barb-wire fence. Within the enclosure is a ranch-house +painted white, a scrub-cedar corral, a small stable, and a lean-to +shading the water-hole from the desert sun. The place is altogether +neat and habitable. It is rather a surprise to the chance wayfarer to +find the ranch uninhabited. As desolate as a stranded steamer on a mud +bank, it stands in the center of several hundred acres of desert, +incapable, without irrigation, of producing anything more edible than +lizards and horned toads. Why a homesteader should have chosen to +locate there is a mystery. His reason for abandoning the place is +glaringly obvious. Though failure be written in every angle and nook +of the homestead, it is the failure of large-hearted enterprise, of +daring to attempt, of striving to make the desert bloom, and not the +failure of indolence or sloth. + +Western humor like Western topography is apt to be more or less rugged. +Between the high gateposts of the yard enclosure there is a great, +twelve-foot sign lettered in black. It reads: "American Hotel." A +band of happy cowboys appropriated the sign when on a visit to +Antelope, pressed a Mexican freighter to pack it thirty miles across +the desert, and nailed it above the gateway of the water-hole ranch. +It is a standing joke among the cattle- and sheep-men of the Concho +Valley. + +Sundown sat up and gazed about. The rabbit, startled out of its +ordinary resourcefulness, stiffened. The delicate nostrils ceased +twitching. "Good mornin', little fella! You been travelin' all night +too?" And Sundown yawned and stretched. Down the road sped a brown +exclamation mark with a white dot at its visible end. "Guess he don't +have to travel nights to get 'most anywhere," laughed Sundown. He +kicked back his blankets and rose stiffly. The luxury of his yawn was +stifled as he saw below him the ranchhouse with some strange kind of a +sign above its gate. "If that's the hotel," he said as he corded his +blankets, "she don't look much bigger than me own. But distances is +mighty deceivin' in this here open-face country." For a moment he +stood on the hillside, a gaunt, lonely figure, gazing out across the +limitless mesas. Then he jogged down the grade, whistling. + +As he drew near the ranch his whistling ceased and his expression +changed to one of quizzical uncertainty. "That's the sign, all +right,--'American Hotel,'--but the hotel part ain't livin' up to the +sign. But some hotels is like that; mostly front." + +He opened the ranch-house gate and strode to the door. He knocked +timidly. Then he dropped his blanket-roll and stepped to a window. +Through the grimy glass he saw an empty, board-walled room, a slant of +sunlight across the floor, and in the sunlight a rusted stove. He +walked back to the gateway and stood gazing at the sign. He peered +round helplessly. Then a slow grin illumined his face. "Why," he +exclaimed, "it's--it's a joke. Reckon the proprietor must be out +huntin' up trade. And accordin' to that he won't be back direct." + +He wandered about the place like a stray cat in a strange attic, +timorous and curious. Ordinarily he would have considered himself +fortunate. The house offered shelter and seclusion. There was clear +cold water to drink and a stove on which to cook. As he thought of the +stove the latitude and longitude of the "joke" dawned upon him with +full significance. He drank at the water-hole and, gathering a few +sticks, built a fire. From his blankets he took a tin can, drew a wad +of newspaper from it, and made coffee. Then he cast about for +something to eat. "Now, if I was a cow--" he began, when he suddenly +remembered the rabbit. "Reckon he's got relations hoppin' around in +them bushes." He picked up a stick and started for the gate. + +Not far from the ranch he saw a rabbit crouched beneath a clump of +brush. He flung his stick and missed. The rabbit ran to another bush +and stopped. Encouraged by the little animal's nonchalance, he dashed +after it with a wild and startling whoop. The rabbit circled the brush +and set off at right angles to his pursuer's course. Sundown made the +turn, but it was "on one wheel" so to speak. His foot caught in a +prairie-dog hole and he dove headlong with an exclamation that sounded +as much like "Whump!" as anything else. He uttered another and less +forced exclamation when he discovered in the tangle of brush that had +broken his fall, another rabbit that had not survived his sudden +visitation. He picked up the limp, furry shape. "Asleep at the +switch," he said. "He ain't much bigger than a whisper, but he's +breakfast." + +Rabbit, fried on a stove-lid, makes a pretty satisfying meal when +eating ceases to be a pleasure and becomes a necessity. Sundown wisely +reserved a portion of his kill for future consumption. + +As the morning grew warmer, he fell asleep in the shade of the +ranch-house. Late in the afternoon he wakened, went into the house and +made coffee. After the coffee he came out, rolled a cigarette, and sat +smoking and gazing out across the afternoon mesas. "I feel it comin'," +he said to himself. "And it's a good one, so I guess I'll put her in +me book." + +He rummaged in his blankets and unearthed a grimy, tattered notebook. +Lubricating the blunt point of a stubby pencil he set to work. When he +had finished, the sun was close to the horizon. He sat back and gazed +sideways at his effort. "I'll try her on meself," he said, drawing up +his leg and resting the notebook against his lean knee. "Wish I could +stand off and listen to meself," he muttered. "Kind o' get the defect +better." Then he read laboriously:-- + + + "Bo, it's goin' to be hot all right; + Sun's a floodin' the eastern range. + Mebby it was kind o' cold last night, + But there's nothin' like havin' a little change. + Money? No. Only jest room for me; + Mountings and valleys and plains and such. + Ain't I got eyes that was made to see? + Ain't I got ears? But they don't hear much: + Only a kind of a inside song, + Like when the grasshopper quits his sad, + And says: 'Rickety-chick! Why, there is nothin' wrong!' + And after the coffee, things ain't so bad." + + +"Huh! Sounds all right for a starter. Ladies and them as came with +you, I will now spiel the next section." + + + "The wind is makin' my bed for me, + Smoothin' the grass where I'm goin' to flop, + When the quails roost up in the live-oak tree, + And my legs feel like as they want to stop. + Pal or no pal, it's about the same, + For nobody knows how you feel inside. + Hittin' the grit is a lonesome game,-- + But quit it? No matter how hard I tried. + But mebby I will when that inside song + Stops a-buzzin' like bees that's mad, + Grumblin' together: 'There's nothin' wrong!' + And--after the coffee things ain't so bad." + + +"Bees ain't so darned happy, either. They're too busy. Guess it's a +good thing I went back to me grasshopper in the last verse. And now, +ladies and gents, this is posituvely the last appearance of the noted +electrocutionist, Sundown Slim; so, listen." + + + "Ladies, I've beat it from Los to Maine. + And, gents, not knowin' jest what to do, + I turned and slippered it back again, + Wantin' to see, jest the same as you. + Ridin' rods and a-dodgin' flies; + Eatin' at times when me luck was good. + Spielin' the con to the easy guys, + But never jest makin' it understood, + Even to me, why that inside song + Kep' a-handin' me out the glad, + Like the grasshopper singin': 'There's nothin' wrong!' + And--after the coffee things ain't so bad." + + +Sundown grinned with unalloyed pleasure. His mythical audience seemed +to await a few words, so he rose stiffly, and struck an attitude +somewhat akin to that of Henry Irving standing beside a milk-can and +contemplating the village pump. "It gives me great pleasure to inform +you"--he hesitated and cleared his throat--"that them there words of +mine was expired by half a rabbit--small--and two cans of coffee. Had +I been fed up like youse"--and he bowed grandly--"there's no tellin' +what I might 'a' writ. Thankin' you for the box-office receipts, I am +yours to demand, Sundown Slim, of Outdoors, Anywhere, till further +notice." + +Then he marched histrionically to the ranchhouse and made a fire in the +rusted stove. + + + + +CHAPTER III + +THIRTY MILES TO THE CONCHO + +John Corliss rode up to the water-hole, dismounted, and pushed through +the gate. His horse "Chinook" watched him with gently inquisitive +eyes. Chinook was not accustomed to inattention when he was thirsty. +He had covered the thirty miles from the Concho Ranch in five long, +dry, and dusty hours. He nickered. "In a minute," said Corliss. Then +he knocked at the ranch-house door. Riders of the Concho usually +strode jingling into the ranch-house without formality. Corliss, +however, had been gazing at the lean stovepipe for hours before he +finally decided that there was smoke rising from it. He knocked a +second time. + +"She ain't locked," came in a rusty, smothered voice. + +Corliss shoved the door open with his knee. The interior was heavy +with smoke. Near the stove knelt Sundown trying to encourage the smoke +to more perpendicular behavior. He coughed. "She ain't good in her +intentions, this here stove. One time she goes and the next time she +stays and takes a smoke. Her innards is out of gear. Whew!" + +"The damper has slipped down," said Corliss. + +"Her little ole chest-pertector is kind o' worked down toward her +stummick. There, now she feels better a'ready." + +"Cooking chuck?" queried Corliss, glancing round the bare room. + +"Rabbit," replied Sundown. "When I hit this here hotel I was hungry. +I seen a rabbit--not this here one, but the other one. This one was +settin' in a bunch of-brush on me right-of-way. I was behind and +runnin' to make up time. I kind o' seen the leetle prairie-dog give me +the red to slow down, but it was too late. Hit his cyclone cellar with +me right driver, and got wrecked. This here leetle wad o' cotton was +under me steam-chest. No other passengers hurt, except the engineer." + +Corliss laughed. "You're a railroad man, I take it. Belong in this +country?" + +Sundown rose from his knees and backed away from the stove. "Nope. +Don't belong anywhere, I guess. My address when I'm to home is Sundown +Slim, Outdoors, Anywhere, speakin' general." + +"Come in afoot?" + +"Uhuh. Kind o' thought I'd get a job. Fellas at Antelope told me they +wanted a cook at this hotel. I reckon they do--and some boarders and +somethin' to cook." + +"That's one of their jokes. Pretty stiff joke, sending you in here +afoot." + +"Oh, I ain't sore, mister. They stole me nanny, all right, but I feel +jest as good here as anywhere." + +Corliss led Chinook to the water-hole. Sundown followed. + +"Ever think how many kinds of water they was?" queried Sundown. "Some +is jest water; then they's some got a taste; then some's jest wet, but +this here is fine! Felt like jumpin' in and drinkin' from the bottom +up when I lit here. Where do you live?" + +"On the Concho, thirty miles south." + +"Any towns in between?" + +Corliss smiled. "No, there isn't a fence or a house from here to the +ranch." + +"Gee Gosh! Any cows in this country?" + +"Yes. The Concho runs ten thousand head on the range." + +"Had your supper?" + +"No. I was late getting away from the ranch. Expected to make +Antelope, but I guess I'll bush here to-night." + +"Well, seein' you're the first boarder at me hotel, I'll pass the +hash." And Sundown stepped into the house and returned with the half +rabbit. "I got some coffee, too. I can cook to beat the band when I +got somethin' to cook. Help yourself, pardner. What's mine is +anybody's that's hungry. I et the other half." + +"Don't mind if I do. Thanks. Say, you can cook?" + +"Next to writin' po'try it's me long suit." + +"Well, I'm no judge of poetry," said Corliss. "This rabbit tastes +pretty good." + +"You ain't a cop, be you?" queried Sundown. + +"No. Why?" + +"Nothin'. I was jest wonderin'." + +"You have traveled some, I take it." + +"Me? Say! I'm the ramblin' son with the nervous feet. Been round the +world and back again on them same feet, and some freights. Had a pal +onct. He was a college guy. Run on to him on a cattle-boat. He writ +po'try that was the real thing! It's ketchin' and I guess I caught it +from him. He was a good little pal." + +"What became of him?" + +"I dunno, pardner. They was a wreck--but guess I'll get that coffee." + +"How did you cross the Beaver Dam?" inquired Corliss as Sundown +reappeared with his can of coffee. + +"So that's what you call that creek back there? Well, it don't need no +Beaver hitched on to it to say what I'd call it. I come through last +night, but I'm dry now." + +The cattle-man proffered Sundown tobacco and papers. They smoked and +gazed at the stars. "Said your friend was a college man. What was his +name?" queried Corliss, turning to glance at Sundown. + +"Well, his real name was Billy Corliss, but I called him jest Bill." + +"Corliss! When did you lose track of him?" + +"In that wreck, 'bout a year ago. We was ridin' a fast freight goin' +west. He said he was goin' home, but he never said where it was. Hit +a open switch--so they said after--and when they pulled the stitches, +and took that plaster dingus off me leg, I starts out huntin' for +Billy. Nobody knowed anything about him. Wasn't no signs in the +wreck,--so they said. You see I was in that fadeaway joint six weeks." + +"What did he look like?" + +"Billy? More like a girl than a man. Slim-like, with blue eyes and +kind o' bright, wavy-like hair. He never said nothin' about his folks. +He was a awful quiet kid." + +John Corliss studied Sundown's face. "You say he was killed in a +wreck?" + +"I ain't sure. But I reckon he was. It was a bad one. He was ridin' +a empty, just ahead of me. Then the whole train buckled up and +somethin' hit me on the lid. That's all I remember, till after." + +"What are you going to do now? Go back to Antelope?" + +"Me? Guess I will. I was lookin' for a job cooking but the pay ain't +right here. What you lookin' at me that way for?" + +"Sit still. I'm all right. My brother Will left home three years ago. +Didn't say a word to any one. He'd been to school East, and he wrote +some things for the magazines--poetry. I was wondering--" + +"Say, mister, what's your name?" + +"John Corliss." + +"Gee Gosh! I knowed when I et that rabbit this mornin' that somethin' +was goin' to happen. Thought it was po'try, but I was mistook." + +"So you ate your half of the rabbit this morning, eh?" + +"Sure!!--" + +"And you gave me the rest. You sure are loco." + +"Mebby I be. Anyhow, I'm used to bein' hungry. They ain't so much of +me to keep as you--crossways, I mean. Of course, up and down--" + +"Well, I'm right sorry," said Corliss. "You're the queerest Hobo I +ever saw." + +"That's what they all say," said Sundown, grinning. "I ain't no common +hand-out grabber, not me! I learnt things from Bill. He had class!" + +"You sure Will never said anything about the Concho, or his brother, or +Chance?" + +"Chance? Who's he?" + +"Wolf-dog that belonged to Will." + +"Gee Gosh! Big, and long legs, and kind of long, rough hair, and deep +in the chest and--" + +"That's Chance; but how did you know?" + +"Why, Billy writ a pome 'bout him onct. Sold it and we lived high--for +a week. Sure as you live! It was called 'Chance of the Concher.' Gee +Gosh! I thought it was jest one of them poetical dogs, like." + +Corliss, who was not given to sentiment, smoked and pondered the +possibility of his brother's whereabouts. He had written to all the +large cities asking for information from the police as to the +probability of their being able to locate his brother. The answers had +not been encouraging. At the end of three years he practically gave up +making inquiry and turned his whole attention to the management of the +Concho. There had been trouble between the cattle and sheep interests +and time had passed more swiftly than he had realized. His meeting +with Sundown had awakened the old regret for his brother's uncalled-for +disappearance. Had he been positive that his brother had been killed +in the wreck he would have felt a kind of relief. As it was, the +uncertainty as to his whereabouts, his welfare, worried and perplexed +him, especially in view of the fact that he was on his way to Antelope +to present to the Forest Service a petition from the cattle-men of the +valley for grazing allotments. The sheep had been destroying the +grazing on the west side of the river. There had been bickerings and +finally an open declaration of war against David Loring, the old +sheep-man of the valley. Corliss wished to avoid friction with David +Loring. Their ranches were opposite each other. And as Corliss was +known as level-headed and shrewd, it devolved upon him to present in +person the complaint and petition of his brother cattle-men. Argument +with David Loring, as he had passed the latter's homestead that +morning, had delayed him on his journey to Antelope. Presently he got +up and entered the ranch-house. Sundown followed and poked about in +the corners of the room. He found a bundle of gunny-sacks and +spreading them on the floor, laid his blankets on them. + +Corliss stepped out and led Chinook to the distant mesa and picketed +him for the night. As he returned, he considered the advisability of +hiring the tramp to cook until his own cook returned from Phoenix. He +entered the house, kicked off his leather chaps, tossed his spurs into +a corner, and made a bed of his saddle-blankets and saddle. "I'll be +starting early," he said as he drew off his boots. "What are you +intending to do next?" + +"Me? Well, I ain't got no plans. Beat it back to Antelope, I guess. +Say, mister, do you think my pal was your brother?" + +"I don't know. From your description I should say so. See here. I +don't know you, but I need a cook. The Concho is thirty miles in. I'm +headed the other way, but if you are game to walk it, I'll see if I can +use you." + +"Me! You ain't givin' me another josh, be you?" + +"Never a josh. You won't think so when you get to punchin' dough for +fifteen hungry cowboys. Want to try it?" + +"Say, mister, I'm just comin' to. A guy told me in Antelope that they +was a John Corliss--only he said Jack--what was needin' a cook. Just +thunk of it, seein' as I was thinkin' of Billy most ever since I met +you. Are you the one?" + +"Guess I am," said Corliss, smiling. "It's up to you." + +"Say, mister, that listens like home more'n anything I heard since I +was a kid. I can sure cook, but I ain't no rider." + +"How long would it take you to foot it to the Concho?" + +"Oh, travelin' easy, say 'bout eight hours." + +"Don't see that you need a horse, then, even if there was one handy." + +"Nope. I don't need no horse. All I need is a job." + +"All right. You'd have to travel thirty miles either way--to get out +of here. I won't be there, but you can tell my foreman, Bud Shoop, +that I sent you in." + +"And I'll jest be tellin' him that 'bout twelve, to-morrow. I sure +wisht Billy was here. He'd sure be glad to know his ole pal was +cookin' for his brother. Me for the shavin's. And say, thanks, +pardner. Reckon they ain't all jokers in Arizona." + +"No. There are a few that can't make or take one," said Corliss. +"Hope you'll make the ranch all right." + +"I'm there! Next to cookin' and writin' po'try, walkin' is me long +suit." + + + + +CHAPTER IV + +PIE; AND SEPTEMBER MORN + +When a Westerner, a native-born son of the outlands, likes a man, he +likes him. That is all there is to it. His horses, blankets, money, +provender, and even his saddle are at his friend's disposal. If the +friend prove worthy,--and your Westerner is shrewd,--a lifelong +friendship is the result. If the friend prove unworthy, it is well for +him to seek other latitudes, for the average man of the outlands has a +peculiar and deep-seated pride which is apt to manifest itself in +prompt and vigorous action when touched by ridicule or ingratitude. +There are many Davids and Jonathans in the sagebrush country. David +may have flocks and herds, and Jonathan may have naught but the care of +them. David may possess lands and water-rights, and Jonathan nothing +more than a pick, a shovel, a pan, and an incurable itch for placering. +A Westerner likes a man for what he is and not because of his vocation. +He usually proceeds cautiously in the matter of friendship, but sudden +and instinctive friendships are not infrequent. It so happened that +John Corliss had taken a liking to the Hobo, Sundown Slim. Knowing a +great deal more about cattle than about psychology, the rancher wasted +no time in trying to analyze his feelings. If the tramp had courage +enough to walk another thirty miles across the mesas to get a job +cooking, there must be something to him besides legs. Possibly the +cattle-man felt that he was paying a tribute to the memory of his +brother. In any event, he greeted Sundown next morning as the latter +came to the water-hole to drink. "You can't lose your way," he said, +pointing across the mesa. "Just keep to the road. The first ranch on +the right is the Concho. Good luck!" And he led Chinook through the +gateway. In an hour he had topped the hill. He reined Chinook round. +He saw a tiny figure far to the south. Half in joke he waved his +sombrero. Sundown, who had glanced back from time to time, saw the +salute and answered it with a sweeping gesture of his lean arm. "And +now," he said, "I got the whole works to meself. That Concho guy is a +mighty fine-lookin' young fella, but he don't look like Billy. Rides +that hoss easy-like jest as if he was settin' in a rockin'-chair +knittin' socks. But I reckon he could flash up if you stepped on his +tail. I sure ain't goin' to." + + +It was mid-afternoon, when Sundown, gaunt and weary, arrived at the +Concho. He was faint for lack of food and water. The Mexican cook, or +rather the cook's assistant, was the only one present when Sundown +drifted in, for the Concho was, in the parlance of the riders, "A man's +ranch from chuck to sunup, and never a skirt on the clothes-line." + +Not until evening was Sundown able to make his errand known, and +appreciated. A group of riders swung in in a swirl of dust, +dismounted, and, as if by magic, the yard was empty of horses. + +The riders disappeared in the bunk-house to wash and make ready for +supper. One of the men, who had spoken to him in passing, reappeared. + +"Lookin' for the boss?" he asked. + +"Nope. I seen him. I'm lookin' for Mr. Shoop." + +"All right, pardner. Saw off the mister and size me up. I'm him." + +"The boss said I was to be cook," said Sundown, rather awed by the +personality of the bluff foreman. + +"Meet him at Antelope?" + +"No. It was the American Hotel. He said for me to tell you if I +walked in I could get a job cookin'." + +"All right. What he says goes. Had anything to eat recent?" + +"I et a half a rabbit yesterday mornin'." + +"Well, sufferin' shucks! You fan it right in here!" + +Later that evening, Sundown straggled out to the corral and stood +watching the saddle-stock of the Concho pull hay from the long +feed-rack and munch lazily. Suddenly he jerked up his hand and jumped +round. The men, loafing in front of the bunk-house, laughed. Chance, +the great wolf-dog, was critically inspecting the tramp's legs. + +Sundown was a self-confessed coward, physically. Above all things he +feared dogs. His reception by the men, aside from Bud Shoop's +greeting, had been cool. Even the friendship of a dog seemed +acceptable at that moment. Plodding along the weary miles between the +water-hole and the ranch, he had, in his way, decided to turn over a +new leaf: to ignore the insistent call of the road and settle down to +something worth while. Childishly egotistical, he felt in a vague way +that his virtuous intent was not appreciated, not reasoning that the +men knew nothing of his wanderings, nor cared to know anything other +than as to his ability to cook. So he timidly stroked the long muzzle +of the wolf-dog, and was agreeably surprised to find that Chance seemed +to like it. In fact, Chance, having an instinct superior to that of +his men companions of the Concho, recognized in the gaunt and lonely +figure a kindred spirit; a being that had the wander-fever in its +veins; that was forever searching for the undiscoverable, the something +just beyond the visible boundaries of day. The dog, part Russian +wolf-hound and part Great Dane, deep-chested, swift and powerful, shook +his shaggy coat and sneezed. Sundown jumped. Again the men laughed. +"You and me's built about alike--for speed," he said, endeavoring to +convey his friendly intent through compliment. "Did you ever ketch a +rabbit?" + +Chance whined. Possibly he understood. In any event, he leaped +playfully against Sundown's chest and stood with his paws on the +tramp's shoulders. Sundown shrunk back against the corral bars. "Go +to it," he said, trying to cover his fear with a jest, "if you like +bones." + +From behind him came a rush of feet. "Great Scott!" exclaimed Shoop. +"Come 'ere, Chance. I sure didn't know he was loose." + +The dog dropped to his feet and wagged his tail inquiringly. + +"Chance--there--he don't cotton to strangers," explained Shoop, +slipping his hand in the wolf-dog's collar. "Did he nip you?" + +"Nope. But me and him ain't strangers, mister. You see, I knowed the +boss's brother Billy, what passed over in a wreck. He used to own +Chance, so the boss says." + +"You knew Billy! But Chance don't know that. I'll chain him up till +he gets used to seein' you 'round." + +Shoop led the dog to the stable. Sundown felt relieved. The +solicitude of the foreman, impersonal as it was, made him happier. + +Next morning he was installed as cook. He did fairly well, and the men +rode away joking about the new "dough-puncher." + +Then it was that Sundown had an inspiration--not to write verse, but to +manufacture pies. He knew that the great American appetite is keen for +pies. Finding plenty of material,--dried apples, dried prunes, and +apricots,--he set to work, having in mind former experiences on the +various "east-sides" of various cities. Determined that his reputation +should rest not alone upon flavor, he borrowed a huge Mexican spur from +his assistant and immersed it in a pan of boiling water. "And speakin' +of locality color," he murmured, grinning at the possibilities before +him, "how's that, Johnny?" And he rolled out a thin layer of pie-dough +and taking the spur for a "pattern-wheel," he indented a free-hand +sketch of the Concho brand on the immaculate dough. Next he wheeled +out a rather wobbly cayuse, then an equally wobbly and ferocious cow. +Each pie came from the oven with some symbol of the range printed upon +it, the general effect being enhanced by the upheaval of the piecrust +in the process of baking. When the punchers rode in that evening and +entered the messroom, they sniffed knowingly. But not until the +psychological moment did Sundown parade his pies. Then he stepped to +the kitchen and, with the lordly gesture of a Michael Angelo unveiling +a statue for the approval of Latin princes, commanded the assistant to +"Bring forth them pies." And they were "brung." + +Each astonished puncher was gravely presented with a whole +pie--bubbling kine, dimpled cayuses, and sprawling spurs. Silence--as +silence is wont to do in dramatic moments--reigned supreme. Then it +was that the purveyor of spontaneous Western exclamations missed his +opportunity, being elsewhere at the time. + +"Whoop! Let 'er buck!" exclaimed Bud Shoop, swinging an imaginary hat +and rocking from side to side. + +"So-o, Boss!" exclaimed a puncher from the Middle West. + +"Hand-made and silver mounted," remarked another. "Hate to eat 'em." + +"Trade you my pinto for a steer," offered still another. + +"Nothin" doin'! That hoss of yours has got colic--bad." + +"Swap this here goat for that rooster of yours," said "Sinker," a youth +whose early education in art had been neglected. + +"Goat? You box-head! That's a calf. Kind 'a' mired down, but it's +sure a calf. And this ain't no rooster. This here's a eagle settin' +on his eggs. You need specs." + +"Noah has sure been herdin' 'em in," said another puncher. + +Meanwhile, "Noah" stood in the messroom doorway, arms folded and face +beaming. His attitude invited applause, and won it. Eventually his +reputation as a "pie-artist" spread far and wide. When it leaked out +that he had wrought his masterpieces with a spur, there was some +murmuring. Being assured by the assistant that the spur had been +previously boiled, the murmuring changed to approval. "That new cook +was sure a original cuss! Stickin' right to the range in his +picture-work. Had them there old Hopi picture-writin's on the rocks +beat a mile." And the like. + +Inspired by a sense of repletion, conducive to generosity and humor, +the boys presented Sundown with a pair of large-rowelled Mexican spurs, +silver-mounted and altogether formidable. Like many an historic +adventurer, he had won his spurs by a _tour-de-force_ that swept his +compatriots off their feet; innuendo if you will--but the average +cowboy is capable of assimilating much pie. + +Although Sundown was offered the use of a bunk in the men's quarters, +he chose to sleep in a box-stall in the stable, explaining that he was +accustomed to sleep in all kinds of places, and that the unused +box-stall with fresh clean straw and blankets would make a very +comfortable bedroom. His reason for declining a place with the men +became apparent about midnight. + +Bud Shoop had, in a bluff, offhand way, given him a flannel shirt, +overalls, an old flop-brimmed Stetson, and, much to Sundown's delight, +a pair of old riding-boots. Hitherto, Sundown had been too preoccupied +with culinary matters to pay much attention to his clothing. +Incidentally he was spending not a little time in getting accustomed to +his spurs, which he wore upon all occasions, clinking and clanking +about the cook-room, a veritable Don Quixote of the (kitchen) range. + +The arrival of Corliss, three days after Sundown's advent, had a +stimulating effect on the new cook. He determined to make the best +appearance possible. + +The myriad Arizona stars burned with darting radiance, in thin, +unwavering shafts of splintered fire. The moon, coldly brilliant, +sharp-edged and flat like a disk of silver paper, touched the twinkling +aspens with a pallid glow and stamped a distorted silhouette of the +low-roofed ranch-buildings on the hard-packed earth. In the corral the +shadow of a restless pony drifted back and forth. Chance, chained to a +post near the bunk-house, shook himself and sniffed the keen air, for +just at that moment the stable door had opened and a ghostly figure +appeared; a figure that shivered in the moonlight. The dog bristled +and whined. "S-s-s-h!" whispered Sundown. "It's me, ain't it?" + +With his bundle of clothes beneath his arm, he picked a hesitating +course across the yard and deposited the bundle beside the +water-trough. Chance, not altogether satisfied with Sundown's +assurance, proclaimed his distrust by a long nerve-reaching howl. Some +one in the bunkhouse muttered. Sundown squatted hastily in the shadow +of the trough. Bud Shoop rose from his bunk and crept to the door. He +saw nothing unusual, and was about to return to his bed when an +apparition rose slowly from behind the water-trough. The foreman drew +back in the shadow of the doorway and watched. + +Sundown's bath was extensive as to territory but brief as to duration. +He dried himself with a gunny-sack and slipped shivering into his new +raiment. "That there September Morn ain't got nothin' on me except +looks," he spluttered. "And she is welcome to the looks. Shirts and +pants for mine!" + +Then he crept back to his blankets and slept the sleep of one who has +atoned for his sins of omission and suffered righteously in the ordeal. + +Bud Shoop wanted to laugh, but forgot to do it. Instead he padded back +to his bunk and lay awake pondering. "Takin' a bath sure does make a +fella feel like the fella he wants to feel like--but in the +drinkin'-trough, at night . . .! I reckon that there Hobo ain't right +in his head." + +Sundown dreamed that he was chasing an elusive rabbit over endless +wastes of sand and greasewood. With him ran a phantom dog, a lean, +shaggy shape that raced tirelessly. When Sundown wanted to give up the +dream-hunt and rest, the dog would urge him on with whimperings and +short, explosive barks of impatience. Presently the dream-dog ran +ahead and disappeared beyond a rise. Sundown sank to the desert and +slept. He dreamed within his dream that the dog was curled beside him. +He put out his hand and stroked the dog's head. Presently a side of +the box-stall took outline. A ray of sunlight filtered in; sunlight +flecked with fine golden dust. The straw rustled at his side and he +sat up quickly. Chance, stretching himself and yawning, showed his +long, white fangs in an elaborated dog-smile. "Gee Gosh!" exclaimed +Sundown, eyeing the dog sideways, "so it's you, eh? You wasn't foolin' +me, then, when you said we'd be pals?" + +Chance settled down in the straw again and sighed contentedly. + +From the corral came the sound of horses running. The boys were +catching up their ponies for the day's work. Chance pricked his ears. +"I guess it's up to me and you to move lively," said Sundown, +stretching and groaning. "We're sleepin' late, account of them +midnight abolitions." + +He rose and limped to the doorway. Chance followed him, evidently +quite uninterested in the activities outside. Would this queer, +ungainly man-thing saddle a horse and ride with the others, or would he +now depart on foot, taking the trail to Antelope? Chance knew quite as +well as did the men that something unusual was in the air. Hi Wingle, +the cook, had returned unexpectedly that night. Chance had listened +gravely while his master had told Bud Shoop that "the outfit" would +move over to Bald Knoll in the morning. Then the dog had barked and +capered about, anticipating a break in the monotony of ranch-life. + +Sundown hurried to the cook-room. Chance at his heels. Hi Wingle was +already installed in his old quarters, but he greeted Sundown heartily, +and set him to work helping. + +After breakfast, Bud Shoop, in heavy wing chaps and trailing his spurs, +swaggered up to Sundown. "How you makin' it this mornin'?" he +inquired. There was a note of humorous good-fellowship in his voice +that did not escape Sundown. + +"Doin' fine without crutches," replied Sundown, grinning. + +"Well, you go eat now, and I'll catch up a cayuse for you. We're goin' +to fan it for Bald Knoll in about ten minutes." + +"Do I go, too?" + +"Sure! Do you think we don't eat pie only onct a year? You bet you +go--helpin' Hi. Boss's orders." + +"Thanks--but I ain't no rider." + +Shoop glanced questioningly at Sundown's legs. "Mebby not. But if I +owned them legs I'd contract to ride white-lightnin' bareback. I'd +just curl 'em 'round and grab holt of my feet when they showed up on +the other side. Them ain't legs; them's _cinchas_." + +"Mebby they ain't," sighed Sundown. "It's the only pair I got, and I'm +kind of used to 'em." + +"Did you let Chance loose?" queried the foreman. + +"Me? Nix. But he was sleepin' in the stall with me this mornin'." + +"Heard him goin' on last night. Thought mebby a coyote or a wolf had +strayed in to get a drink." + +"Get a drink! Can't they get a drink up in them hills?" + +"Sure! But they kind of fancy the flavor of the water-trough. They +come in frequent. But you better fan it for chuck. See you later." + + +Sundown hurried through breakfast. He was anxious to hear more about +the habits of coyotes and wolves. When he again came to the corral, +many of the riders had departed. Shoop stood waiting for John Corliss. + +"You said them wolves and coyotes--" began Sundown. + +"Yes, ding 'em!" interrupted Shoop. "Looks like they come down last +night. Somethin' 's been monkeyin' with the water." + +"Did you ever see one--at night?" queried Sundown, nervously. + +"See 'em? Why, I shot droves of 'em right from the bunk-house door. I +never miss a chance. Cut loose every time I see one standin' with his +front paws on the trough. Get 'em every time." + +"Wisht I'd knowed that." + +"So?" + +"Uhuh. I'd 'a' borrowed a gun off you and set up and watched for 'em +myself." + +Bud Shoop made a pretense of tightening a cinch on Sundown's pony, that +he might "blush unseen," as it were. + +Presently Corliss appeared and motioned to Shoop. "How's the new cook +doing?" he asked. + +"Fine!" + +Sundown retired modestly to the off-side of the pony. + +"Got a line on him already," said Shoop. "First thing, Chance, here, +took to him. Then, next thing, he manufactures a batch of pies that +ain't been matched on the Concho since she was a ranch. Then, next +thing after that, Chance slips his collar and goes and bushes with the +Bo--sleeps with him till this mornin'. And you can rope me for a +parson if that walkin' wish-bone didn't get to ramblin' in his sleep +last night and come out and take a _bath_ in the _drinkin_'-trough! +He's got on them clothes I give him, this mornin'. Can you copper +that?" + +"Bad dream, Bud." + +"You wait!" said the grinning foreman. "You watch him. Don't pay no +'tention to me." + +Corliss smiled. Shoop's many and devious methods of estimating +character had their humorous angles. The rancher appreciated a joke +quite as much as did any of his employees, but usually as a spectator +and not a participant. Bud Shoop had served him well and faithfully, +tiding over many a threatened quarrel among the men by a humorous +suggestion or a seemingly impersonal anecdote anent disputes in +general. So Corliss waited, meanwhile inspecting the ponies in the +corral. He noticed a pinto with a saddle-gall and told Shoop to turn +the horse out on the range. + +"It's one of Fadeaway's string," said Shoop. + +"I know it. Catch him up." + +Shoop, who felt that his opportunity to confirm his dream-like +statement about Sundown's bathing, was slipping away, suddenly evolved +a plan. He knew that the horses had all been watered. "Hey!" he +called to Sundown, who stood gravely inspecting his own mount. "Come +over here and make this cayuse drink. He won't for me." + +Shoop roped the horse and handed the rope to Sundown, who marched to +the water-trough. The pony sniffed at the water and threw up his head. +"I reckoned that was it!" said Shoop. + +"What?" queried Corliss, meanwhile watching Sundown's face. + +"Oh, some dam' coyote's been paddlin' in that trough again. No wonder +the hosses won't drink this mornin'. I don't blame 'em." + +Sundown rolled a frightened eye and tried to look at everything but his +companions. Corliss and Shoop exploded simultaneously. Slowly the +light of understanding dawned, rose, and radiated in the dull red of +the new cook's face. He was hurt and a bit angry. The anticipating +and performing of his midnight ablutions had cost Slim a mighty +struggle, mentally and otherwise. + +"If you think it's any early mornin' joke to take a wash-up in that +there Chinese coffin--why, try her yourself, about midnight." Then he +addressed Shoop singly. "If I was _you_, and you got kind of +absent-minded and done likewise, and I seen _you_, do you think I'd go +snitch to the boss? Nix, for it might set him to worryin'." + +Shoop accepted the compliment good-naturedly, for he knew he had earned +it. He swaggered up to Sundown and slapped him on the back. "Cheer +up, pardner, and listen to the good news. I'm goin' to have that +trough made three foot longer so it'll be more comfortable." + +"Thanks, but never again at night. Guess if I hadn't been feelin' +all-to-Gosh happy at havin' a home and a job, I'd 'a' froze stiff." + + + + +CHAPTER V + +ON THE CAŅON TRAIL + +The Loring homestead, a group of low-roofed adobe buildings blending +with the abrupt red background of the hill which sheltered it from the +winter winds, was a settlement in itself, providing shelter and comfort +for the wives and children of the herders. Each home maintained a +small garden of flowers and vegetables. Across the somber brown of the +'dobe walls hung strings of chiles drying in the sun. Gay blossoms, +neatly kept garden rows, red ollas hanging in the shade of cypress and +acacia, the rose-bordered plaza on which fronted the house of the +patron, the gigantic windmill purring lazily and turning now to the +right, now to the left, to meet the varying breeze, the entire prospect +was in its pastoral quietude a reflection of Seņora Loring's sweet and +placid nature. Innuendo might include the windmill, and justly so, for +the Seņora in truth met the varying breeze of circumstance and +invariably turned it to good uses, cooling the hot temper of the patron +with a flow of soft Spanish utterances, and enriching the simple lives +of the little colony with a charity as free and unvarying as the flow +of the clear, cool water. + +Far to the east, where the mesas sloped gently to the hills, grazed the +sheep, some twenty bands of a thousand each, and each band guarded and +cared for by a herder and an assistant who cooked and at times +journeyed with the lazy burros to and from the hacienda for supplies +and provisions. + +David Loring, erstwhile plainsman and scout, had drifted in the early +days from New Mexico to Arizona with his small band of sheep, and +settled in the valley of the Concho. He had been tolerated by the +cattle-men, as his flock was but a speck on the limitless mesas. As +his holdings increased, the ranchers awakened to the fact that he had +come to stay and that some boundary must be established to protect +their grazing. The Concho River was chosen as the dividing line, which +would have been well enough had Loring been a party to the agreement. +But he declined to recognize any boundary. The cattle-men felt that +they had given him fair warning in naming the Concho as the line of +demarcation. He, in turn, considered that his right to graze his sheep +on any part or all of the free range had not been circumscribed. + +His neighbor--if cattle-men and sheep-men may under any circumstances +be termed neighbors--was John Corliss. The Corliss rancho was just +across the river opposite the Loring homestead. After the death of +their parents the Corliss boys, John and his younger brother Will, had +been constant visitors at the sheep-man's home, both of them enjoying +the vivacious companionship of Eleanor Loring, and each, in his way, in +love with the girl. Eventually the younger brother disappeared without +any apparent reason. Then it was that John Corliss's visits to the +Loring rancho became less frequent and the friendliness which had +existed between the rival ranches became a kind of tolerant +acquaintanceship, as that of neighbors who have nothing in common save +the back fence. + + +Fernando, the oldest herder in Loring's employ, stood shading his eyes +from the glare of noon as he gazed toward the distant rancho. His son +was with the flock and the old man had just risen from preparing the +noon meal. "The Seņorita," he murmured, and his swart features were +lighted by a wrinkled smile. He stepped to his tent, whipped a gay +bandanna from his blankets and knotted it about his lean throat. Then +he took off his hat, gazing at it speculatively. It was beyond +reconstruction as to definite shape, so he tossed it to the ground, ran +his fingers through his silver-streaked hair, and stepped out to await +his Seņorita's arrival. + +The sunlight flashed on silver spur and bit as the black-and-white +pinto "Challenge" swept across the mesa toward the sheep-camp. Into +the camp he flung, fretting at the curb and pivoting. His rider, +Eleanor Loring, about to dismount, spoke to him sharply. Still he +continued to pivot uneasily. "Morning, Fernando! Challenge is fussy +this morning. I'll be right back!" And she disciplined Challenge with +bit and spur, wheeling him and loping him away from the camp. Down the +trail she checked him and brought him around on his hind feet. Back +they came, with a rush. Fernando's deep-set eyes glowed with +admiration as the girl "set-up" the pinto and swung to the ground with +a laugh. "Made him do it all over again, si. He is the big baby, but +he pretends he is bronco. Don't you, Challenge?" She dropped the +reins and rubbed his nose. The pony laid back his ears in simulated +anger and nipped at her sleeve. "Straighten your ears up, pronto!" she +commanded, nevertheless laughing. Then a strain of her father's blood +was apparent as she seized the reins and stood back from the horse. +"Because you're bluffing this morning, I'm going to make you do your +latest trick. Down!" she commanded. The pony extended his foreleg and +begged to shake hands. "No! Down!" With a grunt the horse dropped to +his knees, rolled to his side, but still kept his head raised. "Clear +down! Dead, Challenge!" The horse lay with extended neck, but +switched his tail significantly. "Don't you dare roll!" she said, as +he gave evidence of getting up. Then, at her gesture, he heaved +himself to his feet and shook himself till the stirrups clattered. The +girl dropped the reins and turned to the old herder. "I taught him +that, Fernando. I didn't make him do it just to show off. He +understands now, and he'll behave." + +Old Fernando grinned. "He always have the good manner, being always +with the Seņorita," he said bowing. + +"Thanks, Fernando. You always say something nice. But I can't let you +get ahead of me. What a pretty scarf. It's just right. Do you wear +it always, Fernando?" + +"It is--I know--what the vaquero of the Concho call the 'josh' that you +give me, but I am yet not too old to like it. It is muy pleasure, si! +to be noticed when one is old--by the Seņorita of especial." + +The girl's dark eyes flashed and she laughed happily. "It's lots of +fun, isn't it--to 'josh'? But I came to see if you needed anything." + +"Nothing while still the Seņorita is at thees camp." + +"Well, you'd better think up something, for I'm going in a minute. +Have to make the rounds. Dad is down with the rheumatism and as cross +as a grizzly. I was glad to get away. And then, there's Madre." + +Fernando smiled and nodded. He was not unfamiliar with the patron's +temper when rheumatism obliged him to be inactive. "He say nothing, +the patron--that we cross the sheep to the west of the river, Seņorita?" + +"No. Not lately. I don't know why he should want to. The feed is +good here." + +"I have this morning talk with the vaquero Corlees. He tell me that +the South Fork is dry up." + +"John Corliss is not usually interested in our sheep," said the girl. + +"No. Of the sheep he knows nothing." And the old herder smiled. "But +many times he look out there," he added, pointing toward the Loring +rancho. + +"He was afraid father would catch him talking to one of the herders," +laughed the girl. + +"The vaquero Corlees he afraid of not even the bear, I think, Seņorita." + +Eleanor Loring laughed. "Don't you let father catch you calling him a +bear!" she cautioned, provoking the old herder to immediate apology and +a picturesque explanation of the fact that he had referred not to the +patron, but the grizzly. + +"All right, Fernando. I'll not forget to tell the patron that you +called him a bear." + +The old herder grinned and waved farewell as she mounted and rode down +the trail. Practical in everyday affairs, he untied his bandanna and +neatly folded and replaced it among his effects. As he came out of the +tent he picked up his hat. He was no longer the cavalier, but a +stoop-shouldered, shriveled little Mexican herder. He slouched out +toward the flock and called his son to dinner. No, it was not so many +years--was not the Seņorita but twenty years old?--since he had wooed +the Seņora Loring, then a slim dark girl of the people, his people, but +now the wealthy Seņora, wife of his patron. Ah, yes! It was good that +she should have the comfortable home and the beautiful daughter. He +had nothing but his beloved sheep, but did they not belong to his +Seņorita? + + +At the ford the girl took the trail to the uplands, deciding to visit +the farthest camp first, and then, if she had time, to call at one or +two other camps on her way back to the rancho. As the trail grew +steeper, she curbed the impatient Challenge to a steadier pace and rode +leisurely to the level of the timber. On the park-like level, +clean-swept between the boles of the great pines, she again put +Challenge to a lope until she came to the edge on the upper mesa. Then +she drew up suddenly and held the horse in. + +Far out on the mesa was the figure of a man, on foot. Toward him came +a horse without bridle or saddle. She recognized the figure as that of +John Corliss, and she wondered why he was on foot and evidently trying +to coax a stray horse toward him. Presently she saw Corliss reach out +slowly and give the horse something from his hand. Still she was +puzzled, and urging Challenge forward, drew nearer. The stray, seeing +her horse, pricked up its ears, swung round stiffly, and galloped off. +Corliss turned and held up his hand, palm toward her. It was their old +greeting; a greeting that they had exchanged as boy and girl long +before David Loring had become recognized as a power to be reckoned +with in the Concho Valley. + +"Peace?" she queried, smiling, as she rode up. + +"Why not, Nell?" + +"Oh, cattle and sheep, I suppose. There's no other reason, is there?" + +Corliss was silent, thinking of his brother Will. + +"Unless--Will--" she said, reading his thought. + +He shook his head, "That would be no reason for--for our quarreling, +would it?" + +She laughed. "Why, who has quarreled? I'm sure I haven't." + +"But you don't seem the same--since Will left." + +"Neither do you, John. You haven't called at the rancho for--well, +about a year." + +"And then I was told to stay away even longer than that." + +"Oh, you mustn't mind Dad. He growls--but he won't bite." + +Corliss glanced up at her. His steady gray eyes were smiling, but his +lips were grave. "Would it make any difference if I did come?" + +The girl's dark face flushed and her eyes sparkled. "Lots! Perhaps +you and Dad could agree to stop growling altogether. But we won't talk +about it. I'd like to know what you are doing up here afoot?" + +"Wouldn't tell you for a dollar," he replied, smiling. "My horse is +over there--near the timber. The rest of the band are at the +waterhole." + +"Oh, but you will tell me!" she said. "And before we get back to the +caņon." + +"I wasn't headed that way--" he began; but she interrupted quickly. + +"Of course. I'm not, either." Then she glanced at him with mischief +scintillating in her dark eyes. "Fernando told me you were talking +with him this morning. I don't see that it has done you much good." + +His perplexity was apparent in his silence. + +"Fernando is--is polite," she asserted, wheeling her horse. + +Corliss stood gazing at her unsmilingly. "I want to be," he said +presently. + +"Oh, John! I--you always take things so seriously. I was just +'joshing' you, as Fernando says. Of course you do! Won't you shake +hands?" + +He strode forward. The girl drew off her gauntlet and extended her +hand. "Let's begin over again," she said as he shook hands with her. +"We've both been acting." + +Before she was aware of his intent, he bowed his head and kissed her +fingers. She drew her hand away with a little cry of surprise. She +was pleased, yet he mistook her expression. + +He flushed and, confused, drew back. "I--I didn't mean it," he said, +as though apologizing for his gallantry. + +The girl's eyes dilated for an instant. Then she laughed with all the +joyous _abandon_ of youth and absolute health. "You get worse and +worse," she said, teasingly. "Do go and have another talk with +Fernando, John. Then come and tell me all about it." + +Despite her teasing, Corliss was beginning to enjoy the play. As a +rule undemonstrative, he was when moved capable of intense feeling, and +the girl knew it. She saw a light in his eyes that she recognized; a +light that she remembered well, for once when they were boy and girl +together she had dared him to kiss her, and had not been disappointed. + +"You are cross this morning," she said, making as though to go. + +"Well, I've begun over again, Nell. You wait till I get Chinook and +we'll ride home together." + +"Oh, but I'm--you're not going that way," she mocked. + +"Yes, I am--and so are you. If you won't wait, I'll catch you up, +anyway. You daren't put Challenge down the caņon trail faster than a +walk." + +"I daren't? Then, catch me!" + +She wheeled her pony and sped toward the timber. Corliss, running +heavily in his high-heeled boots, caught up his own horse and leaped to +the saddle as Chinook broke into a run. The young rancher knew that +the girl would do her best to beat him to the caņon level. He feared +for her safety on the ragged trail below them. + +Chinook swung down the trail taking the turns without slackening his +speed and Corliss, leaning in on the curves, dodged the sweeping +branches. + +Arrived at the far edge of the timber, he could see the girl ahead of +him, urging Challenge down the rain-gutted trail at a lope. As she +pulled up at an abrupt turn, she waved to him. He accepted the +challenge and, despite his better judgment, set spurs to Chinook. + +Round the next turn he reined up and leaped from his horse. Below him +he saw Challenge, riderless, and galloping along the edge of the +hillside. On the trail lay Eleanor Loring, her black hair vivid +against the gray of the shale. He plunged toward her and stooping +caught her up in his arms. "Nell! Nell!" he cried, smoothing back her +hair from her forehead. "God, Nell! I--I didn't mean it." + +Her eyelids quivered. Then she gasped. He could feel her trembling. +Presently her eyes opened and a faint smile touched her white lips. +"I'm all right. Challenge fell--and I jumped clear. Struck my head. +Don't look at me like that! I'm not going to die." + +"I'm--I'm mighty glad, Nell!" he said, helping her to a seat on the +rock against which she had fallen. + +Her hands were busy with her hair. He found her hat and handed it to +her. "If my head wasn't just splitting, I'd like to laugh. You are +the funniest man alive! I couldn't speak, but I heard you call to me +and tell me you didn't mean it! Then you say you are mighty glad I'm +alive. Doesn't that sound funny enough to bring a person to life +again?" + +"No, it's not funny. It was a close call." + +She glanced at his grave, white face. "Guess you were scared, John. I +didn't know you could be scared at anything. Jack Corliss as white as +a sheet and trembling like a--a girl!" + +"On account of a girl," said Corliss, smiling a little. + +"Now, _that_ sounds better. What were you doing up on the mesa this +afternoon?" + +"I took some lump-sugar up for my old pony, Apache. He likes it." + +"Well, I'll never forget it!" she exclaimed. "How the boys would laugh +if they heard _you'd_ been feeding sugar to an old broken-down +cow-pony! You! Why, I feel better already." + +"I'm right glad you do, Nell. But you needn't say anything about the +sugar. I kind of like the old hoss. Will you promise?" + +"I don't know. Oh, my head!" She went white and leaned against him. +He put his arm around her, and her head lay back against his shoulder. +"I'll be all right--in a minute," she murmured. + +He bent above her, his eyes burning. Slowly he drew her close and +kissed her lips. Her eyelids quivered and lifted. "Nell!" he +whispered. + +"Did you mean it?" she murmured, smiling wanly. + +He drew his head back and gazed at her up-turned face. "I'm all +right," she said, and drew herself up beside him. "Serves me right for +putting Challenge down the trail so fast." + +As they rode homeward Corliss told her of the advent of Sundown and +what the latter had said about the wreck and the final disappearance of +his "pal," Will Corliss. + +The girl heard him silently and had nothing to say until they parted at +the ford. Then she turned to him. "I don't believe Will was killed. +I can't say why, but if he had been killed I think I should have known +it. Don't ask me to explain, John. I have always expected that he +would come back. I have been thinking about him lately." + +"I can't understand it," said Corliss. "Will always had what he +wanted. He owns a half-interest in the Concho. I can't do as I want +to, sometimes. My hands are tied, for if I made a bad move and lost +out, I'd be sinking Will's money with mine." + +"I wouldn't make any bad moves if I were you," said the girl, glancing +at the rancher's grave face. + +"Business is business, Nell. We needn't begin that old argument. +Only, understand this: I'll play square just as long as the other side +plays square. There's going to be trouble before long and you know +why. It won't begin on the west side of the Concho." + +"Good-bye, John," said the girl, reining her pony around. + +He raised his hat. Then he wheeled Chinook and loped toward the ranch. + +Eleanor Loring, riding slowly, thought of what he had said. "He won't +give in an inch," she said aloud. "Will would have given up the cattle +business, or anything else, to please me." Then she reasoned with +herself, knowing that Will Corliss had given up all interest in the +Concho, not to please her but to hurt her, for the night before his +disappearance he had asked her to marry him and she had very sensibly +refused, telling him frankly that she liked him, but that until he had +settled down to something worth while she had no other answer for him. + +She was thinking of Will when she rode in to the rancho and turned her +horse over to Miguel. Suddenly she flushed, remembering John Corliss's +eyes as he had held her in his arms. + + + + +CHAPTER VI + +THE BROTHERS + +As Corliss rode up to the ranch gate he took the mail from the little +wooden mail-box and stuffed it into his pocket with the exception of a +letter which bore the postmark of Antelope and his address in a +familiar handwriting. He tore the envelope open hastily and glanced at +the signature, "Will." + +Then he read the letter. It told of his brother's unexpected arrival +in Antelope, penniless and sick. Corliss was not altogether surprised +except in regard to the intuition of Eleanor, which puzzled him, coming +as it had so immediately preceding the letter. + +He rode to the rancho and ordered one of the men to have the buckboard +at the gate early next morning. He wondered why his brother had not +driven out to the ranch, being well known in Antelope and able to +command credit. Then he thought of Eleanor, and surmised that his +brother possibly wished to avoid meeting her. And as it happened, he +was not mistaken. + +On the evening of the following day he drove up to the Palace Hotel and +inquired for his brother. The proprietor drew him to one side. "It's +all right for you to see him, John, but I been tryin' to keep him in +his room. He's--well, he ain't just feelin' right to be on the street. +Sabe?" + +Corliss nodded, and turning, climbed the stairs. He knocked at a door. +There was no response. He knocked again. + +"What you want?" came in a muffled voice. + +"It's John," said Corliss. "Let me in." + +The door opened, and Corliss stepped into the room to confront a dismal +scene. On the washstand stood several empty whiskey bottles and murky +glasses. The bedding was half on the floor, and standing with hand +braced against the wall was Will Corliss, ragged, unshaven, and visibly +trembling. His eyelids were red and swollen. His face was white save +for the spots that burned on his emaciated cheeks. + +"John!" he exclaimed, and extended his hand. + +Corliss shook hands with him and then motioned him to a chair. "Well, +Will, if you're sick, this isn't the way to get over it." + +"Brother's keeper, eh? Glad to see me back, eh, Jack?" + +"Not in this shape. What do you suppose Nell would think?" + +"I don't know and I don't care. I'm sick. That's all." + +"Where have you been--for the last three years?" + +"A whole lot you care. Been? I have been everywhere from heaven to +hell--the whole route. I'm in hell just now." + +"You look it. Will, what can I do for you? You want to quit the booze +and straighten up. You're killing yourself." + +"Maybe I don't know it! Say, Jack, I want some dough. I'm broke." + +"All right. How much?" + +"A couple of hundred--for a starter." + +"What are you going to do with it?" + +"What do you suppose? Not going to eat it." + +"No. And you're not going to drink it, either. I'll see that you have +everything you need. You're of age and can do as you like. But you're +not going to kill yourself with whiskey." + +Will Corliss stared at his brother; then laughed. + +"Have one with me, Jack. You didn't used to be afraid of it." + +"I'm not now, but I'm not going to take a drink with you." + +"Sorry. Well, here's looking." And the brother poured himself a +half-tumblerful of whiskey and gulped it down. "Now, let's talk +business." + +Corliss smiled despite his disgust. "All right. You talk and I'll +listen." + +The brother slouched to the bed and sat down. "How's the Concho been +making it?" he asked. + +"We've been doing pretty fair. I've been busy." + +"How's old man Loring?" + +"About the same." + +"Nell gone into mourning?" + +Corliss frowned and straightened his shoulders. + +"See here, Will, you said you'd talk business. I'm waiting." + +"Touched you that time, eh? Well, you can have Nell and be damned. No +Mexican blood for mine." + +"If you weren't down and out--" began Corliss; then checked himself. +"Go ahead. What do you want?" + +"I told you--money." + +"And I told you--no." + +The younger man started up. "Think because I'm edged up that I don't +know what's mine? You've been piling it up for three years and I've +been hitting the road. Now I've come to get what belongs to me and I'm +going to get it!" + +"All right, Will. But don't forget that I was made guardian of your +interest in the Concho until you got old enough to be responsible. The +will reads, until you come of age, providing you had settled down and +showed that you could take care of yourself. Father didn't leave his +money to either of us to be drunk up, or wasted." + +"Prodigal son, eh, Jack? Well, I'm it. What's the use of getting sore +at me? All I want is a couple of hundred and I'll get out of this town +mighty quick. It's the deadest burg I've struck yet." + +John Corliss gazed at his brother, thinking of the bright-faced, +blue-eyed lad that had ridden the mesas and the hills with him. He was +touched by the other's miserable condition, and even more grieved to +realize that this condition was but the outcome of a rapid lowering of +the other's moral and physical well-being. He strode to him and sat +beside him. "Will, I'll give anything I have to help you. You know +that. Anything! You're so changed that it just makes me sick to +realize it. You needn't have got where you are. I would have helped +you out any time. Why didn't you write to me?" + +"Write? And have you tell Nell Loring how your good little brother was +whining for help? She would have enjoyed that--after what she handed +me." + +"I don't know what she said to you," said Corliss, glancing at his +brother. "But I know this: she didn't say anything that wasn't so. If +that's the reason you left home, it was a mighty poor one. You've +always had your own way, Will." + +"Why shouldn't I? Who's got anything to say about it? You seem to +think that I always need looking after--you and Nell Loring. I can +look after myself." + +"Doesn't look like it," said Corliss, gesturing toward the washstand. +"Had anything to eat to-day?" + +"No, and I don't want anything." + +"Well, wash up and we'll go and get some clothes and something to eat. +I'll wait." + +"You needn't. Just give me a check--and I won't bother you after that." + +"No. I said wash up! Get busy now!" + +The younger man demurred, but finally did as he was told. They went +downstairs and out to the street. In an hour they returned, Will +Corliss looking somewhat like his former self in respectable raiment. +"John," he said as they entered the room again, "you've always been a +good old stand-by, ever since we were kids. I guess I got in bad this +time, but I'm going to quit. I don't want to go back to the +Concho--you know why. If you'll give me some dough I'll take care of +myself. Just forget what I said about my share of the money." + +"Wait till morning," said Corliss. "I'll take the room next, here, and +if you get to feeling bad, call me." + +"All right, Jack. I'll cut it out. Maybe I will go back to the +Concho; I don't know." + +"Wish you would, Will. You'll get on your feet. There's plenty to do +and we're short-handed. Think it over." + +"Does--Nell--ever say anything?" queried the brother. + +"She talks about you often. Yesterday we were talking about you. I +told her what Sundown said about--" + +"Sundown?" + +"Forgot about him. He drifted in a few months ago. I met up with him +at the water-hole ranch. He was broke and looking for work. Gave him +a job cooking, and he made good. He told me that he used to have a pal +named Will Corliss--" + +"And Sundown's at the Concho! I never told him where I lived." + +"He came into Antelope on a freight. Got side-tracked and had to stay. +He didn't know this used to be your country till I told him." + +"Well, that beats me, Jack! Say, Sun was just an uncle to me when we +were on the road. We made it clear around, freights, cattle-boats, and +afoot. I didn't hit the booze then. Funny thing: he used to hit it, +and I kind of weaned him. Now it's me. . ." + +"He's straight, all right," said Corliss. "He 'tends right to +business. The boys like him." + +"Everybody liked him," asserted Will Corliss. "But he is the queerest +Hobo that ever hit the grit." + +"Some queer, at that. It's after nine now, Will. You get to bed. I +want to see Banks a minute. I'll be back soon." + +When John Corliss had left the room, something intangible went with +him. Will felt his moral stamina crumbling. He waited until he heard +his brother leave the hotel. Then he went downstairs and returned with +a bottle of whiskey. He drank, hid the bottle, and went to bed. He +knew that without the whiskey he would have been unable to sleep. + + +The brothers had breakfast together next morning. After breakfast +Corliss went for the team and returned to the hotel, hoping to induce +his brother to come home with him. Will Corliss, however, pleaded +weariness, and said that he would stay at the Palace until he felt +better. + +"All right, Will. I'll leave some cash with Banks. He'll give you +what you need as you want it." + +"Banks? The sheriff?" + +"Yes." + +"Oh, all right. Suppose you think I'm not to be trusted." + +"No. But we'll leave it that way till I see you again. Write in if +you need me--and take care of yourself. When you get ready to settle +down, I'll turn over your share of the Concho to you. So long, Will." + +Will Corliss watched his brother drive away. When the team had +disappeared up the road he walked down the street to the sheriff's +office. The sheriff greeted him cordially. + +"I came for that money, Jim." + +"Sure! Here you are," and the sheriff handed him a five-dollar +gold-piece. + +"Quit kidding and come across," said Corliss, ignoring the significance +of the allowance. + +"Can't, Will. John said to give you five any time you wanted it, but +only five a day." + +"He did, eh? John's getting mighty close in his old age, ain't he?" + +"Mebby. I don't know." + +"How much did he leave for me?" + +"Five a day, as I said." + +"Oh, you go to hell!" + +The sheriff smiled pleasantly. "Nope, Billy! I'm goin' to stay right +to home. Have a cigar?" + +The young man refused the proffered cigar, picked up the gold-piece and +strolled out. + +The sheriff leaned back in his chair. "Well if Billy feels that way +toward folks, reckon he won't get far with John, or anybody else. Too +dinged bad. He used to be a good kid." + + + + +CHAPTER VII + +FADEAWAY'S HAND + +Fadeaway, one of the Concho riders, urged his cayuse through the ford, +reined short, and turned to watch Chance, who accompanied him. The dog +drew back from the edge of the stream and bunching himself, shot up and +over the muddy water, nor did the jump break his stride as he leaped to +overtake the rider, who had spurred out of his way. Fadeaway cursed +joyously and put his pony to a lope. Stride for stride Chance ran +beside him. The cowboy, swaying easily, turned and looked down upon +the dog. Chance was enjoying himself. "Wonder how fast the cuss _can_ +run?" And Fadeaway swung his quirt. The stride quickened to the +rhythmic beat of the cow-horse at top speed. The dog kept abreast +without apparent effort. A half-mile beyond the ford the pace +slackened as the pony took the hill across which the trail led to the +open mesas. As they topped the rise Fadeaway again urged his cayuse to +a run, for the puncher had enjoyed the hospitality of his companions of +"The Blue," a distant cattle ranch, a day longer than had been set for +his return to the Concho. Just then a startled jack rabbit leaped up +and bounced down the trail ahead of them. Fadeaway jerked his horse to +a stop. "Now we'll see some real speed!" he said. There was a flash +of the dog's long body, which grew smaller and smaller in the distance; +then a puff of dust spurted up. Fadeaway saw the dog turn end over +end, regain his feet and toss something in the air. + +"The fastest dog in Arizona," remarked the cowboy. "And you, you +glass-eyed son of a mistake, you're about as fast as a fence-post!" +This to his patient and willing pony, that again swung into a run and +ran steadily despite his fatigue, for he feared the instant slash of +the quirt should he slacken pace. + +Round a bend in the trail, where an arm of the distant forest ran out +into the mesa. Fadeaway again set his horse up viciously. Chance +stopped and looked up at the rider. The cowboy pointed through the +thin rim of timber beyond which a herd of sheep was grazing. "Take +'em!" he whispered. Chance hesitated, not because he was unfamiliar +with sheep, but because he had been punished for chasing and worrying +them. "Go to it! Take 'em, Chance!" + +The dog slunk through the timber and disappeared. The cowboy rode +slowly, peering through the timber. Presently came the trample of +frightened sheep--a shrill bleating, and then silence. Fadeaway loped +out into the open. The sheep were running in all directions. He +whistled the dog to him. Chance's muzzle dripped red. The dog slunk +round behind the horse, knowing that he had done wrong, despite the +fact that he had been set upon the sheep. + +From the edge of the timber some one shouted. The cowboy turned and +saw a herder running toward him. He reined around and sat waiting +grimly. When the herder was within speaking distance. Fadeaway's hand +dropped to his hip and the herder stopped. He gesticulated and spoke +rapidly in Spanish. Fadeaway answered, but in a kind of Spanish not +taught in schools or heard in indoor conversation. + +The herder pressed forward. "Why, how! Fernando. Now what's bitin' +you?" + +"The sheep! He kill the lamb!" cried the herder. + +Fadeaway laughed. "Did, eh? Well, I tried to call him off. Reckon +you heard me whistle him, didn't you?" + +The cowboy's assertion was so palpably an insult that old Fernando's +anger overcame his caution. He stepped forward threateningly. +Fadeaway's gun was out and a splash of dust leaped up at Fernando's +feet. The herder turned and ran. Fadeaway laughed and swung away at a +lope. + +When he arrived at the Concho he unsaddled, turned his pony into the +corral, and called to Chance. He was at the water-trough washing the +dog's muzzle when John Corliss appeared. Fadeaway straightened up. He +knew what was coming and knew that he deserved it. The effects of his +conviviality at the Blue had worn off, leaving him in an ugly mood. + +Corliss looked him over from head to heel. Then he glanced at the dog. +Chance turned his head down and sideways, avoiding his master's eye. +Fadeaway laughed. + +"You get your time!" said Corliss. + +"You're dam' right!" retorted Fadeaway. + +"And you're damned wrong! Chance knows better than to tackle sheep +unless he's put up to it. You needn't explain. Bud will give you your +time." + +Then Corliss turned to Shoop who had just ridden in. + +"Chain that dog up and keep him chained up! And give Fadeaway his +time, right up to the minute!" + +Shoop dropped easily from the saddle, led his horse toward the corral, +and whistled a sprightly ditty as he unsaddled him. + +Fadeaway rolled a cigarette and strolled over to the bunk-house where +he retailed his visit and its climax to a group of interested punchers. + +"So he tied the can onto you, eh? And for settin' Chance on the sheep? +He ought to be much obliged to you, Fade. They ain't room for sheep +and cattle both on this here range. We're gettin' backed plumb into +the sunset." + +Fadeaway nodded to the puncher who had spoken. + +"And ole man Loring's just run in twenty thousand head from New Mex.," +continued the puncher. "Wonder how Corliss likes that?" + +"Don' know--and dam' 'f I care. If a guy can't have a little sport +without gettin' fired for it, why, that guy don't work for the Concho. +The Blue's good enough for me and I can get a job ridin' for the Blue +any time I want to cinch up." + +"Well, Fade, I reckon you better cinch up pronto, then," said Shoop who +had just entered. "Here's your time. Jack's some sore, believe me!" + +"Sore, eh? Well, before he gets through with me he'll be sorer. You +can tell him for me." + +"'Course I _can_--but I ain't goin' to. And I wouldn't if I was you. +No use showin' your hand so early in the game." And Shoop laughed. + +"Well, she's full--six aces," said Fadeaway, touching his holster +significantly. + +"And Jack throws the fastest gun on the Concho," said Shoop, his genial +smile gone; his face flushed. "I been your friend, if I do say it, +Fade. But don't you go away with any little ole idea that I ain't +workin' for Jack Corliss." + +"What's that to me? I'm fired, ain't I?" + +"Correct. Only I was thinkin' your cayuse is all in. You couldn't get +out of sight on him tonight. But you can take one of my string and +send it back when you get ready." + +"Oh, I ain't sweatin' to hit the trail," said Fadeaway, for the benefit +of his audience. + +"All right, Fade. But the boss is. It's up to you." + + +After he had eaten, Fadeaway rolled his few belongings in his slicker +and tied it to the saddle. He was not afraid of Corliss, but like men +of his stamp he wanted Corliss to know that he was not alone unafraid, +but willing to be aggressive. He mounted and rode up to the +ranch-house. Corliss, who had seen him approach through the window, +sat at his desk, waiting for the cow-boy to dismount and come in. But +Fadeaway sat his horse, determined to make the rancher come outside. + +Corliss understood, and pushing back his chair, strode to the doorway. +"Want to see me?" he asked. + +Fadeaway noticed that Corliss was unarmed, and he twisted the +circumstance to suit a false interpretation of the fact. "Playin' +safe!" he sneered. + +Corliss flushed and the veins swelled on his neck, but he kept silent. +He looked the cowboy in the eye and was met by a gaze as steady as his +own; an aggressive and insolent gaze that had for its backing sheer +physical courage and nothing more. It became a battle of mental +endurance and Corliss eventually won. + +After the lapse of several seconds, the cowboy spoke to his horse. +"Come on, Doc! The son-of-a----- is loco." + +Corliss heard, but held his peace. He stood watching the cowboy until +the latter was out on the road. He noticed that he took the northern +branch, toward Antelope. Then the rancher entered the house, picked up +his hat, buckled on his gun, and hastened to the corral. He saddled +Chinook and took the trail to the Loring rancho. + +He rode slowly, trying to arrive at the best method of presenting his +side of the sheep-killing to Loring. He hoped that Eleanor Loring +would not be present during the interview with her father. He was +disappointed, for she came from the wide veranda as he rode up and +greeted him. + +"Won't you come in?" she asked. + +"I guess not. I'd like to see your father." + +She knew that her father had forbidden Corliss the house, and, indeed, +the premises. She wondered what urgency brought him to the rancho. +"I'll call him, then." + +Corliss answered the grave questioning in her eyes briefly. "The +sheep," he said. + +"Oh!" She turned and stepped to the veranda. "Dad, John is here." + +David Loring came to the doorway and stood blinking at Corliss. He did +not speak. + +"Mr. Loring, one of my men set Chance on a band of your sheep. My +foreman tells me that Chance killed a lamb. I want to pay for it." + +Loring had expected something of the kind. "Mighty proud of it, I +reckon?" + +"No, I'm not proud of it. I apologize--for the Concho." + +"You say it easy." + +"No, it isn't easy to say--to you. I'll pay the damage. How much?" + +"Your dog, eh? Well, if you'll shoot the dam' dog the lamb won't cost +you a cent." + +"No, I won't shoot the dog. He was put up to it. I fired the man that +set him on to the sheep." + +"That's your business. But that don't square you with me." + +"I'll settle, if you'll fix the price," said Corliss. + +"You will, eh? Then, mebby you'd think you was square with ole man +Loring and come foolin' around here like that tramp brother of yours. +Fine doin's in Antelope, from what I hear." + +"Dad!" exclaimed the girl, stepping to her father. "Dad!" + +"You go in the house, Nellie! We'll settle this." + +Corliss dismounted and strode up to Loring. "If you weren't an old man +I'd give you the licking of your life! I've offered to settle with you +and I've apologized. You don't belong in a white man's country." + +"I got a pup that barks jest like that--and he's afraid of his own +bark," said Loring. + +"Have it your way. I'm through." And Corliss stepped to his horse. + +"Well, I ain't!" cried Loring. "I'm jest startin' in! You better +crawl your cayuse and eat the wind for home, Mr. Concho Jack! And +lemme tell you this: they's twenty thousand head of my sheep goin' to +cross the Concho, and the first puncher that runs any of my sheep is +goin' to finish in smoke!" + +"All right, Loring. Glad you put me on to your scheme. I don't want +trouble with you, but if you're set on having trouble, you can find it." + +The old man straightened and shook his fist at the rancher. "Fust time +you ever talked like a man in your life. Nex' thing is to see if you +got sand enough to back it up. There's the gate." + +Corliss mounted and wheeled his horse. The girl, who stood beside her +father, started forward as though to speak to the rancher. Loring +seized her arm. Her face flamed and she turned on her father. "Dad! +Let me go!" + +He shrunk beneath her steady gaze. He released her arm and she stepped +up to Corliss. "I'm sorry, John," she said, and offered her hand. + +"You heard it all, Nell. I'd do anything to save you all this, if I +could." + +"Anything?" + +"Yes." + +"Well, try and get Will--to--stop drinking. He--I heard all about it. +I can't do anything to help. You ought to look after him. He's your +brother. He's telling folks in Antelope that you refused to help him. +Is that so?" + +"I refused to give him two hundred dollars to blow in if that's what +you mean." + +"Did you quarrel with Will?" + +"No. I asked him to come home. I knew he wouldn't." + +"Yes. And I think I know how you went at it. I wish I could talk to +him." + +"I wish you would. You can do more with him than anybody." + +Loring strode toward Corliss. The girl turned to her father. He +raised his arm and pointed toward the road. "You git!" he said. She +reached up and patted his grizzled cheek. Then she clung to him, +sobbing. + + + + +CHAPTER VIII + +AT "THE LAST CHANCE" + +The afternoon following the day of his discharge from the Concho, +Fadeaway rode into Antelope, tied his pony to the hitching-rail in +front of "The Last Chance," and entered the saloon. Several men loafed +at the bar. The cowboy, known as "a good spender when flush," was made +welcome. He said nothing about being out of employment, craftily +anticipating the possibility of having to ask for credit later, as he +had but a half-month's pay with him. He was discussing the probability +of early rains with a companion when Will Corliss entered the place. + +Fadeaway greeted him with loud, counterfeit heartiness, and they drank +together. Their talk centered on the Concho. Gradually they drew away +from the group at the bar. Finally Corliss mentioned his brother. +Fadeaway at once became taciturn. + +Corliss noticed this and questioned the puncher. "Had a row with +Jack?" he asked. + +"Between you and me, I did. He fired me, couple of days ago." + +"Full?" + +"Nope. Chance killed one of Loring's sheep. John hung it onto me, +seein' Chance was with me. Guess John's gettin' religion." + +Corliss laughed, and his lips twisted to a sneer. "Guess he is. I +tried to touch him for two hundred of my own money and he turned me +down. Maybe I like it." + +"Turned you down, eh! That's what I call nerve! And you been away +three year and more. Reckon, by the way the Concho is makin' good, you +got more'n two hundred comin'. She's half yours, ain't she?" + +"Yes. And I'm going to get my share. He told me I could have a +job--that he was short-handed. What do you think of that! And I own +half the Concho! I guess I'd like to ride range with a lot of--well, +you understand, Fade. I never liked the Concho and I never will. +Let's have another. No. This is on me." + +Again they drank and Corliss became more talkative. He posed as one +wronged by society in general and his brother especially. + +As his talk grew louder, Fadeaway cautioned him. "Easy, Billy. No use +advertisin'. Come on over here." And Fadeaway gestured toward one of +the tables in the rear of the room. + +Corliss was about to retort to the other's apparently good-natured +interference with his right to free speech, when he caught Fadeaway's +glance. "Well?" he exclaimed. + +The cowboy evidently had something to say in confidence. Corliss +followed him to one of the tables. + +"It's this way," began the cowboy. "You're sore at Jack. Now Jack's +got friends here and it won't help you any to let 'em know you're sore +at him. I ain't feelin' like kissin' him myself--right now. But I +ain't advertisin' it. What you want to do is--" + +"What's that got to do with me?" interrupted Corliss. + +Fadeaway laughed. "Nothin'--if you like. Only there's been doin's +since you lit out." And he paused to let the inference sink in. + +"You mean--?" + +"Look here, Billy. I been your friend ever since you was a kid. And +seein' you're kind of out of luck makes me sore--when I think what's +yours by rights. Mebby I'm ridin' over the line some to say it, but +from what I seen since you been gone, Jack ain't goin' to cry any if +you never come back. Old man Loring ain't goin' to live more'n a +thousand years. Mebby Jack don't jest love him--but Jack ain't been +losin' any time since you been gone." + +Corliss flushed. "I suppose I don't know that! But he hasn't seen the +last of me yet." + +"If I had what's comin' to you, you bet I wouldn't work on no +cattle-ranch, either. I'd sure hire a law-shark and find out where I +got off." + +Fadeaway's suggestion had its intended effect. The younger man knew +that an appeal to the law would be futile so long as he chose to ignore +that clause in the will which covered the contingency he was +illustrating by his conduct. Fadeaway again cautioned him as he became +loud in his invective against his brother. The cowboy, while posing as +friend and adviser, was in reality working out a subtle plan of his +own, a plan of which Corliss had not the slightest inkling. + +"And the Concho's makin' good," said Fadeaway, helping himself to a +drink. He shoved the bottle toward Corliss. "Take a little +'Forget-it,' Billy. That's her! Here's to what's yours!" They drank +together. The cowboy rolled a cigarette, tilted back his chair, and +puffed thoughtfully. "Yes, she's makin' good. Why, Bud is gettin' a +hundred and twenty-five, now. Old Hi Wingle's drawin' down +eighty--Jack's payin' the best wages in this country. Must of cleaned +up four or five thousand last year. And here you're settin', broke." + +"Well, you needn't rub it in," said Corliss, frowning. + +Fadeaway grinned. "I ain't, Billy. I'm out of a job myself: and +nothin' comin'--like you." + +Corliss felt that there was something in his companion's easy drift +that had not as yet come to the surface. Fadeaway's hard-lined face +was unreadable. The cowboy saw a question in the other's eyes and +cleverly ignored it. Since meeting the brother he had arrived at a +plan to revenge himself on John Corliss and he intended that the +brother should take the initiative. + +He got up and proffered his hand. "So long, Billy. If you ever need a +friend, you know where to find him." + +"Hold on, Fade. What's your rush?" + +"Got to see a fella. Mebby I'll drop in later." + +Corliss rose. + +Fadeaway leaned across the table. "I'm broke, and you're broke. The +Concho pays off Monday, next week. The boys got three months +comin'--close to eighteen hundred--and gold." + +"Gold? Thought John paid by check?" + +"He's tryin' to keep the boys from cashin' in, here. Things are goin' +to be lively between Loring and the Concho before long. Jack needs all +the hands he's got." + +"But I don't see what that's got to do with it, Fade." + +"Nothing 'ceptin' I'm game to stand by a pal--any time." + +"You mean--?" + +"Jest a josh, Billy. I was only thinkin' what _could_ be pulled off by +a couple of wise ones. So-long!" + +And the cowboy departed wondering just how far his covert suggestion +had carried with Will Corliss. As for Will Corliss, Fadeaway cared +nothing whatever. Nor did he intend to risk getting caught with a +share of the money in his possession, provided his plan was carried to +a conclusion. He anticipated that John Corliss would be away from the +ranch frequently, owing to the threatened encroachment of Loring's +sheep on the west side of the Concho River. Tony, the Mexican, would +be left in charge of the ranch. Will Corliss knew the combination of +the safe--of that Fadeaway was pretty certain. Should they get the +money, people in the valley would most naturally suspect the brother. +And Fadeaway reasoned that John Corliss would take no steps to recover +the money should suspicion point to his brother having stolen it. +Meanwhile he would wait. + + +Shortly after Fadeaway had gone out, Will Corliss got up and sauntered +to the street. He gazed up and down the straggling length of Antelope +and cursed. Then he walked across to the sheriff's office. + +The sheriff motioned him to a chair, which he declined. "Better sit +down, Billy. I want to talk to you." + +"Haven't got time," said Corliss. "You know what I came for." + +"That's just what I want to talk about. See here, Billy, you've been +hitting it up pretty steady this week. Here's the prospect. John told +me to hand you five a day for a week. You got clothes, grub, and a +place to sleep and all paid for. You could go out to the ranch if you +wanted to. The week is up and you're goin' it just the same. If you +want any more money you'll have to see John. I give you all he left +with me." + +"By God, that's the limit!" exclaimed Corliss. + +"I guess it is, Billy. Have a cigar?" + +Corliss flung out of the office and tramped across to the saloon. He +called for whiskey and, seating himself at one of the tables, drank +steadily. Fadeaway wasn't such a fool, after all. But robbery! Was +it robbery? Eighteen hundred dollars would mean San Francisco . . . +Corliss closed his eyes. Out of the red mist of remembrance a girl's +face appeared. The heavy-lidded eyes and vivid lips smiled. Then +other faces, and the sound of music and laughter. He nodded to them +and raised his glass. . . . As the raw whiskey touched his lips the +red mist swirled away. The dingy interior of the saloon, the booted +and belted riders, the grimy floor littered with cigarette-ends, the +hanging oil-lamp with its blackened chimney, flashed up and spread +before him like the speeding film of a picture, stationary upon the +screen of his vision, yet trembling toward a change of scene. A blur +appeared in the doorway. In the nightmare of his intoxication he +welcomed the change. Why didn't some one say something or do +something? And the figure that had appeared, why should it pause and +speak to one of the men at the bar, and not come at once to him. They +were laughing. He grew silently furious. Why should they laugh and +talk and keep him waiting? He knew who had come in. Of course he +knew! Did Fadeaway think to hide himself behind the man at the bar? +Then Fadeaway should not wear chaps with silver conchas that glittered +and gleamed as he shifted his leg and turned his back. "Said he was my +friend," mumbled Corliss. "My friend! Huh!" Was it a friend that +would leave him sitting there, alone? + +He rose and lurched to the bar. Some one steadied him as he swayed. +He stiffened and struck the man in the face. He felt himself jerked +backward and the shock cleared his vision. Opposite him two men held +Fadeaway, whose mouth was bleeding. The puncher was struggling to get +at his gun. + +Corliss laughed. "Got you that time, you thief!" + +"He's crazy drunk," said one of the men. "Don't get het up, Fade. He +ain't packin' a gun." + +Fadeaway cursed and wiped the blood from his mouth. He was playing his +part well. Accident had helped him. To all intents and purposes they +were open enemies. + +Still, he was afraid Corliss would talk, so he laughed and extended his +hand. "Shake, Billy. I guess you didn't know what you were doin'. I +was tryin' to keep you from fallin'." + +Corliss stared at the other with unwinking eyes. + +Fadeaway laughed and turned toward the bar. "Ought to hand him one, +but he's all in now, I reckon. That's what a fella gets for mixin' up +with kids. Set 'em up, Joe." + +Left to himself Corliss stared about stupidly. Then he started for the +doorway. + +As he passed Fadeaway, the latter turned and seized his arm. "Come on +up and forget it, Billy. You and me's friends, ain't we?" + +The cowboy, by sheer force of his personality, dominated the now +repentant Corliss, whose stubbornness had given way to tearful +retraction and reiterated apology. Of course they were friends! + +They drank and Fadeaway noticed the other's increasing pallor. "Jest +about one more and he'll take a sleep," soliloquized the cowboy. "In +the mornin' 's when I ketch him, raw, sore, and ready for anything." + +One of the cowboys helped Corliss to his room at the Palace. Later +Fadeaway entered the hotel, asked for a room, and clumped upstairs. He +rose early and knocked at Corliss's door, then entered without waiting +for a response. + +He wakened Corliss, who sat up and stared at him stupidly. "Mornin', +Billy. How's the head?" + +"I don't know yet. Got any cash, Fade? I'm broke." + +"Sure. What you want?" + +Corliss made a gesture, at which the other laughed. "All right, +pardner. I'll fan it for the medicine." + +When he returned to the room, Corliss was up and dressed. Contrary to +Fadeaway's expectations, the other was apparently himself, although a +little too bright and active to be normal. + +"Guess I got noisy last night," said Corliss, glancing at Fadeaway's +swollen lip. + +"Forget it! Have some of this. Then I got to fan it." + +"Where are you going?" + +"Me? Over to the Blue. Got a job waitin' for me." + +Corliss's fingers worked nervously. "When did you say the Concho paid +off?" he queried, avoiding the other's eye. + +Fadeaway's face expressed surprise. "The Concho? Why, next Monday. +Why?" + +"Oh--nothing. I was just wondering . . ." + +"Want to send any word to Jack?" asked the cowboy. + +"No, I don't. Thanks, just the same, Fade." + +"Sure! Well, I guess I'll be goin'." + +"Wait a minute. Don't be in a rush. I was thinking . . ." + +Fadeaway strode to the window and stood looking out on the street. His +apparent indifference was effective. + +"Say, Fade, do you think we could--could get away with it?" + +"With what?" exclaimed the cowboy, turning. + +"Oh, you know! What you said yesterday." + +"Guess I said a whole lot yesterday that I forgot this mornin'. I get +to joshin' when I'm drinkin' bug-juice. What you gettin' at?" + +"The money--at the Concho." + +"Oh, that! Why, Billy, I was jest stringin' you! Supposin' somebody +was to make a try for it; there's Chance like to be prowlin' around and +the safe ain't standin' open nights. Besides, Jack sleeps next to the +office. That was a josh." + +"Well, I could handle Chance," said Corliss. "And I know the +combination to the safe, if it hasn't been changed. You said Jack was +likely to be away nights, now." + +Fadeaway shook his head. "You're dreamin', Bill. 'Sides, I wouldn't +touch a job like that for less'n five hundred." + +"Would you--for five hundred?" + +"I dunno. Depends on who I was ridin' with." + +"Well, I'll divvy up--give you five hundred if you'll come in on it." + +Again Fadeaway shook his head. "It's too risky, Billy. 'Course you +mean all right--but I reckon you ain't got nerve enough to put her +through." + +"I haven't!" flashed Corliss. "Try me!" + +"And make a get-away," continued the cowboy. "I wouldn't want to see +you pinched." + +"I'll take a chance, if you will," said Corliss, now assuming, as +Fadeaway had intended, the rôle of leader in the proposed robbery. + +"How you expect to get clear--when they find it out?" + +"I could get old man Soper to hide me out till I could get to Sagetown. +He'll do anything for money. I could be on the Limited before the news +would get to Antelope." + +"And if you got pinched, first thing you'd sing out 'Fadeaway,' and +then me for over the road, eh?" + +"Honest, Fade. I'll swear that I won't give you away, even if I get +caught. Here's my hand on it." + +"Give me nine hundred and I'll go you," said Fadeaway, shaking hands +with his companion. + +Corliss hesitated. Was the risk worth but half the money involved? +"Five's a whole lot, Fade." + +"Well, seein' you're goin' to do the gettin' at it, why, mebby I'd risk +it for five hundred. I dunno." + +"You said you'd stand by a pal, Fade. Now's your chance." + +"All right. See here, Bill. You cut out the booze all you can to-day. +Foot it out to the Beaver Dam to-night and I'll have a hoss for you. +We can ride up the old caņon trail. Nobody takes her nowadays, so +we'll be under cover till we hit the ford. We can camp there back in +the brush and tackle her next evenin'. So-long." + +Fadeaway was downstairs and out on the street before Corliss realized +that he had committed himself to a desperate and dangerous undertaking. +He recalled the expression in Fadeaway's eyes when they had shaken +hands. Unquestionably the cowboy meant business. + + + + +CHAPTER IX + +SUNDOWN'S FRIEND + +Bud Shoop was illustrating, with quaint and humorous gestures and +adjectives, one of his early experiences as Ranger on the Apache +Reservation. The men, grouped around the night-fire, smoked and helped +the tale along with reminiscent suggestions and ejaculations of +interest and curiosity. In the midst of a vivid account of the +juxtaposition of a telephone battery and a curious yet unsuspicious +Apache, Shoop paused in the recital and gazed out across the mesa. +"It's the boss," he said, getting to his feet. "Wonder what's up?" + +Corliss rode into camp, swung from the saddle, and called to Shoop. +The men gazed at each other, nodded, and the words "Loring" and +"sheep," punctuated their mutterings. + +Shoop and Corliss talked together. Then the foreman called to Hi +Wingle, asking him how the "chuck" was holding out. + +"Runnin' short on flour and beans, Bud. Figured on makin' the Concho +to-morrow." + +Corliss and his foreman came to the fire. "Boss says we're goin' to +bush here the rest of this week," and Corliss nodded. + +"I'm expecting company on the west side," explained Corliss, + +The men gazed at each other knowingly. + +"All right," said Wingle. "Four sacks of flour and a sack of +frijoles'll see us through. Got enough other stuff." + +"Send some one in for it," ordered Corliss. "I'm going to stay with +the outfit, from now on." + +The men cheered. That was the kind of a boss to work for! No settin' +back and lettin' the men do the fightin'! Some style to Jack Corliss! +All of which was subtly expressed in their applause, although unspoken. + +"To see that you boys don't get into mischief," continued Corliss, +smiling. + +"Which means keepin' other folks out of mischief, eh, patron?" said a +cow-puncher. + +At the word "patron" the men laughed. "They're talkin' of turnin' this +outfit into a sheep-camp," remarked another. "Ba-a-ah!" And again they +laughed. + +Shoop motioned to Sundown who rose from beside the fire. "You can +saddle up, Sun." + +Sundown caught up his horse and stood waiting while one of the men +saddled two pack-animals. "Tony has the keys. He'll pack the stuff +for you," said Corliss. "Keep jogging and you ought to be back here by +sunup." + +The assistant cook mounted and took the lead-rope of the pack-horses. +He was not altogether pleased with the prospect of an all-night ride, +but he knew that he had been chosen as the one whose services could +most easily be dispensed with at the camp. Silently he rode away, the +empty kyacks clattering as the pack-horses trotted unwillingly behind +him. Too busy with the unaccustomed lead-rope to roll cigarettes, he +whistled, and, in turn, recited verse to keep up his spirits. + +About midnight he discerned the outline of the low ranch-buildings and +urged his horse to a faster gait. As he passed a clump of cottonwoods, +his horse snorted and shied. Sundown reined him in and leaned peering +ahead. The pack-animals tugged back on the rope. Finally he coaxed +them past the cottonwoods and up to the gate. It was open, an unusual +circumstance which did not escape his notice. He drifted through the +shadows toward the corral, where he tied the horses. Then he stepped +to the bunk-house, found a lantern and lighted it. He hallooed. There +was no response. He stalked across to the ranch-house. He found the +door unlocked. "Hi! Tony!" he called. No one answered. He pushed +the door open and entered. Holding the lantern above his head he +peered around the room. + +In the dim light of the lantern vague outlines took shape. He noticed +that the small safe in the corner was open. He became alarmed and +again called. He heard a slight movement behind him and turned to see +the door close. From behind stepped a figure, a slender figure that +seemed unreal, yet familiar. With a cry of surprise he jumped back and +stood facing his old friend and companion of the road, Will Corliss. + +"Billy!" he ejaculated, backing away and staring. + +"Yes, it's Billy." And Corliss extended his hand. + +"But--what, where--?" Sundown hesitated and glanced at the safe. His +eyes widened and he lowered the lantern. "Billy!" he said, ignoring +the other's proffered hand, "what you doin' here?" + +Corliss assumed a nonchalant air. "Shake, pal! It's a long time since +we been in a wreck, eh?" + +Sundown was silent, studying the other's hardened features. "Billy!" +he reiterated, "what you doin' here?" + +Corliss laughed nervously. "What are you doing here?" he +retorted,--"in the office of the Concho, at midnight?" + +"I was comin' to get flour and beans for the camp--" he began. + +Corliss interrupted him. "Sounds good, that! But they don't keep the +grub here. Guess you made a mistake." + +Sundown's face was expressionless. "Guess you made the mistake, Billy. +I thought you was--dead." + +"Not on your tin-type, Sun." + +"I never thought you was crooked, Billy." + +"Crooked!" flashed Corliss. "Say, you--you forget it. I'm here to get +what's coming to me. Jack turned me down, so I'm going to take what's +mine." + +"Mebby it's yours, but you ain't gettin' it right," said Sundown. +"I--I--never thought you was--" + +"Oh, cut that out! You didn't used to be so dam' particular." + +"I never swiped a cent in me life, Billy." + +"Well, forget it. I'm in a hurry. You go ahead and get the chuck. +Here are the keys to the store-room--and beat it. Just forget that you +saw me; that's all." + +Sundown shook his head. "I ain't forgettin' that easy, Billy. 'Sides, +I'm workin' for the Concho, now. They're treatin' me fine--and I +reckon I got to be square." + +"You mean you're going to squeal--going back on your old pal, eh?" + +Sundown's face expressed conflicting emotions. He straightened his +lean shoulders. "I tell you, Billy; if you beat it now, they won't be +nothin' to squeal about." + +"I'm going to." And Corliss stepped toward the safe. "Just hold that +light this way a minute." + +Sundown complied, and Corliss thought that the other had overcome his +scruples. Corliss hastily drew a small canvas sack from the safe and +stuffed it into his pocket. Sundown backed toward the door. + +Corliss got to his feet. "Well, so-long, Sun. Guess I'll light out." + +"Not with that," said Sundown. "I ain't no preacher, but I ain't goin' +to see you go straight to hell and me do nothin'. Mebby some of that +dough is yourn. I dunno. But somebody's goin' to get pinched for +takin' it. Bein' a Bo, it'll be me." + +"So that's what's worrying you, eh? Scared you'll get sent over for +this. Well, you won't. You haven't got anything on you." + +"'T ain't that, Billy. It's you." + +Corliss laughed. "You're getting religion, too. Well, I never thought +you'd go back on me." + +"I ain't. I was always your friend, Billy." + +Corliss hesitated. The door behind Sundown moved ever so little. +Corliss's eyes held Sundown with unwinking gaze. Slowly the door swung +open. Sundown felt rather than heard a presence behind him. Before he +could turn, something crashed down on his head. The face of his old +friend, intense, hard, desperate, was the last thing imaged upon his +mind as the room swung round and he dropped limply to the floor. + +"Just in time," said Fadeaway, bending over the prostrate figure. "Get +a move, Bill. I followed him from the cottonwoods and heard his talk. +I was waitin' to get him when he come out, but I seen what he was up to +and I fixed him." + +Corliss backed against the wall, trembling and white. "Is he--did +you--?" + +Fadeaway grinned. "No, just chloroformed him. Get a move, Bill. No +tellin' who'll come moseyin' along. Got the stuff?" + +Corliss nodded. + +Fadeaway blew out the light. "Come on, Bill. She worked slick." + +"But--he knows me," said Corliss. "He'll squeal." + +"And I reckon Jack'll believe him. Why, it's easy, Bill. They find +the Bo on the job and the money gone. Who did it? Ask me." + +At the cottonwoods they mounted. "Now, you fan it for Soper's," said +Fadeaway. "I'll keep on for the Blue. To-morrow evenin' I'll ride +over and get my divvy." + +Corliss hesitated. + +"You better travel," said Fadeaway, reining his horse around. +"So-long." + +Chance, a prisoner in the stable, whined and gnawed at the rope with +which Corliss had tied him. The rope was hard-twisted and tough. +Finally the last strand gave way. The dog leaped through the doorway +and ran sniffing around the enclosure. He found Sundown's trail and +followed it to the ranch-house. At the threshold the dog stopped. His +neck bristled and he crooked one foreleg. Slowly he stalked to the +prone figure on the floor. He sniffed at Sundown's hands and pawed at +him. Slowly Sundown's eyes opened. He tried to rise and sank back +groaning. Chance frisked around him playfully coaxing. Finally +Sundown managed to sit up. With pain-heavy eyes he gazed around the +room. Slowly he got to his feet and staggered to the doorway. He +leaned against the lintel and breathed deeply of the fresh morning air. +The clear cold tang of the storm that had passed, lingered, giving a +keen edge to the morning. "We're sure in wrong," he muttered, gazing +at Chance, who stood watching him with head cocked and eyes eager for +something to happen--preferably action. Sundown studied the dog dully. +"Say, Chance," he said finally, "do you think you could take a little +word to the camp? I heard of dogs doin' such things. Mebby you could. +Somebody's got to do 'somethin' and I can't." Painfully he stooped and +pointed toward the south. "Go tell the boss!" he commanded. Chance +whined. "No, that way. The camp!" + +Chance nosed across the yard toward the gate. Then he stopped and +looked back. Sundown encouraged him by waving his arm toward the +south. "Go ahead, Chance. The boss wants you." + +Chance trotted toward the cottonwood, nosed among them, and finally +took Sundown's trail to the knoll. + +Sundown crept to the bunk-house, wondering what had become of the +Mexican, Tony. He determined to search for him, but became dizzy, and, +crawling to a bunk, lay back groaning as the dull pain in his head +leaped intermittently to blinding stabs of agony. It seemed ages +before he heard the quick staccato of hoofs on the road. He raised +himself on his elbow as Shoop and Corliss rode up on their +mud-spattered and steaming ponies. Sundown called as they dismounted +at the corral. + +Corliss and Shoop stamped in, breathing hard. "What's up?" questioned +Corliss. + +"They--they got the money," muttered Sundown, pointing toward the +office. + +"Who? See what's up, Bud." + +Shoop swung out and across the enclosure. + +Corliss stooped over Sundown. "What's wrong, Sun? Why, Great God, +you're hurt!" + +The rancher brought water and bathed Sundown's head. "Who did it?" he +questioned. + +"I dunno, boss. I come and caught 'em at it. Two of 'em, I guess. I +was tryin' to stop one fella from takin' it when the other slips me one +on the head, and I takes a sleep. I was lookin' for Tony in the +office." + +"Where's Tony?" + +"I dunno. I was goin' to see--but--my head . . ." + +"That's all right. You take it easy as you can. I'll find out." + +And Corliss left the room. With Chance he explored the outbuildings +and finally discovered the Mexican bound and gagged in the stable. He +released him, but could make nothing of his answers save that some one +had come at night, tied his hands and feet, and carried him from the +ranch-house. + +Corliss returned to Sundown. In the bunkhouse he encountered Shoop. + +"They robbed the safe," said Shoop, and he spoke with a strange +quietness. "Better come and take a look, Jack." + +"Didn't blow her," said Shoop, pointing toward the corner as they +entered the office. + +Corliss knelt and examined the safe. "The man that did it knew the +combination," he said. "There isn't a mark on the door." + +He rose, and Shoop met his eye. Corliss shook his head. "I don't +know," he said, as if in answer to a silent questioning. Then he told +Shoop to look for tracks. + +"The rain's fixed the tracks," said Shoop, turning in the doorway. +"But it ain't drowned out my guess on this proposition." + +"Well, keep guessing, Bud, till I talk to Sundown." And Corliss walked +slowly to the bunkhouse. He sat on the edge of the bunk and laid his +hand on Sundown's sleeve. "Look here, Sun, if you know anything about +this, just tell me. The money's gone and you didn't get that cut on +the head trying to take it. I guess you're straight, all right, but I +think you know something." + +Sundown blinked and set his jaw. + +Corliss observed and wisely forbore to threaten or command. "Did you +recognize either of the men?" he asked, presently. + +"No!" lied Sundown. "Wasn't I hit in the back of me head?" + +Corliss smiled grimly. "What were you doing when you got hit?" + +"Tryin' to stop the other guy--" + +"What did he look like?" + +"I dunno. Me lantern was on the floor. He was a hefty guy, bigger 'n +you. Mebby six feet and pow'ful built. Had whiskers so's I couldn't +pipe his face. Big puncher hat down over his eyes and a handkerchief +tied like a mask. I was scared of him, you bet!" + +Corliss slowly drew a sack of tobacco and papers from his pocket. He +rolled a cigarette and puffed reflectively. Then he laughed. "I'm out +about eighteen hundred. That's the first thing. Next, you're used up +pretty bad and we're short-handed. Then, we're losing time trying to +track the thieves. But I'm not riled up a little bit. Don't think I'm +mad at you. I'm mighty glad you didn't get put out in this deal. +That's where I stand. I want to find out who took the money. I don't +say that I'll lift a rein to follow them. Depends on who did it." + +Sundown winced, and gazed up helplessly. He felt oppressed by the +broad-chested figure near him. He felt that he could not get away +from--what? Not Corliss, for Corliss was undoubtedly friendly. In a +flash he saw that he could not get away from the truth. Yet he +determined to shield his old pal of the road. "You're sure givin' me +the third degree," he said with an attempt at humor. "I reckon I got +to come through. Boss, are you believin' I didn't take the cash?" + +"Sure I am! But that isn't enough. Are you working for the Concho, +Sun, or for some other outfit?" + +"The Concho," muttered Sundown stubbornly. + +"And I'm the Concho. You're working for me. Listen. I've got a yarn +to spin. The man that took the money--or one of them--was short, and +slim, and clean-shaved, and he didn't wear a puncher hat. You weren't +scared of him because he was a coward. You tried to get him to play +square and he talked to you while the other man got you from behind. +That's just a guess, but you furnished the meat for it." + +"Me hands are up," said Sundown. + +"All right. I'm not going to get after Billy for this. You lied to +me, but you lied to save your pal. Shake!" + + + + +CHAPTER X + +THE STORM + +Will Corliss, riding through the timberlands toward the west, shivered +as a drop of rain touched his hand. He glanced up through the trees. +The sky seemed clouded to the level of the pine-tops. He spurred his +horse as he again felt a spatter of rain. Before him lay several miles +of rugged trail leading to an open stretch across which he would again +enter the timber on the edge of the hollow where Soper's cabin was +concealed. When Corliss had suggested Soper's place as a rendezvous, +Fadeaway had laughed to himself, knowing that old man Soper had been +driven from the country by a committee of irate ranchers. The illicit +sale of whiskey to the cowboys of the Concho Valley had been the cause +of Soper's hurried evacuation. The cabin had been burned to the +ground. Fadeaway knew that without Soper's assistance Corliss would be +unable to get to the railroad--would be obliged either to return to the +Concho or starve on the empty mesas. + +Corliss bent his head as the rain drove faster. When he arrived at the +edge of the mesa, the storm had increased to a steady dull roar of +rushing rain. He hesitated to face the open and reined up beneath a +spruce. He was drenched and shivered. The fever of drink had died out +leaving him unstrung and strangely fearful of the night. His horse +stood with lowered head, its storm-blown mane whipping in the wind like +a wet cloth. A branch riven from a giant pine crashed down behind him. +Corliss jerked upright in the saddle, and the horse, obeying the +accidental touch of the spurs, plodded out to the mesa with head held +sideways. + +The rider's hands grew numb and he dropped the reins over the horn and +shoved his hands in his pockets. Unaccustomed to riding he grew weary +and, despite the storm, he drowsed, to awaken with a start as gusts of +wind swept against his face. He raised his dripping hat and shook the +water from it. Then he crouched shivering in the saddle. He cursed +himself for a fool and longed for shelter and the warmth of a fire. +Slowly a feeling of helplessness stole over him and he pictured himself +returning to the Concho and asking forgiveness of his brother. Yet he +kept stubbornly on, glancing ahead from time to time until at last he +saw the dim edge of the distant timber--a black line against the +darkness. He urged his horse to a trot, and was all but thrown as the +animal suddenly avoided a prairie-dog hole. The sweep of the storm was +broken as he entered the farther timber. Then came the muffled roll of +thunder and an instant white flash. The horse reared as a bolt struck +a pine. Came the ghastly whistle of flying splinters as the tree was +shattered. Corliss grabbed the saddle-horn as the horse bolted through +the timberlands, working against the curb to reach the open. Once more +on the trail the animal quieted. They topped a gentle rise. Corliss +breathed his relief. Soper's cabin was in the hollow below them. + +Cautiously the horse worked sideways down the ridge, slipping and +checking short as the loose stones slithered beneath his feet. At the +bottom of the hollow Corliss reined up and shouted. The wind whipped +his call to a thin shred of sound that was swept away in the roar of +the storm. Again he shouted. As though in answer there came a burning +flash of blue. The dripping trees surrounding the hollow jumped into +view to be blotted from sight as the succeeding crash of thunder +diminished to far titanic echoes. Where Soper's cabin had stood there +was a wet, glistening heap of fallen logs and rafters, charred and +twisted. The lightning flash had revealed more to the rider than the +desolation of the burned and abandoned homestead. He saw with instant +vividness the wrecked framework of his own plans. He heard the echo of +Fadeaway's sneering laugh in the fury of the wind. He told himself +that he had been duped and that he deserved it. Lacking physical +strength to carry him through to a place of tentative safety, he gave +up, and credited his sudden regret to true repentance rather than to +weakness. He would return to the Concho, knowing that his brother +would forgive him. He wept as he thought of his attitude of the +repentant and broken son returning in sorrow to atone for his sin and +shame. He magnified his wrongdoing to heroic proportions endeavoring +to filch some sentimental comfort from the romantic. He it was that +needed the sympathy of the world and not his brother John; John was a +plodder, a clod, good enough, but incapable of emotion, or the finer +feelings. And Eleanor Loring . . . she could have saved him from all +this. He had begun well; had written acceptable verse . . . then had +come her refusal to marry him. What a fool he had been through it all! +The wind and rain chastised his emotional intoxication, and he turned +shivering to look for shelter. Dismounting, he crept beneath a low +spruce and shivered beneath the scant covering of his saddle-blanket. +To-morrow the sun would shine on a new world. He would arise and +conquer his temptation. As he drifted to troubled sleep he knew, deep +in his heart, that despite his heroics he would at that moment have +given the little canvas sack of his brother's money for the +obliterating warmth of intoxication. + +With the morning sun he rose and saddled. About to mount, his +stiffened muscles blundered. He slipped and fell. The horse, keen +with hunger, jumped away from him and trotted down the trail. He +followed shouting. His strength gave out and he gave up the chase, +wondering where the horse would go. Stumbling along the slippery +trail, he cursed his clumsiness. A chill sweat gathered on his face. +His legs trembled and he was forced to rest frequently. Crossing a +stream, he stooped and drank. Then he toiled on, eagerly scanning the +hoof-prints in the rain-gutted trail. + +The sun was high when he arrived at the wagon-road above the Concho. +Dazed and weak, he endeavored to determine which direction the horse +had taken. The heat of the sun oppressed him. He became faint, and, +crawling beneath the shade of a wayside fir, he rested, promising +himself that he would, when the afternoon shadows drifted across the +road, make his way to the Concho. He had slept little more than an +hour when the swift patter of hoofs wakened him. As he got to his +feet, a buckboard, drawn by a pair of pinto range-ponies, drew up. +Corliss started back. The Mexican driving the ponies turned toward the +sweet-faced Spanish woman beside him as though questioning her +pleasure. She spoke in quick, low accents. He cramped the wagon and +she stepped to the road. The Seņora Loring, albeit having knowledge of +his recent return to Antelope, his drinking, and all the unsavory +rumors connected with his return, greeted Corliss as a mother greets a +wayward son. She set all this knowledge aside and spoke to him with +the placid wisdom of her years and nature. Her gentle solicitude +touched him. She had been his foster-mother in those years that he and +his brother had known no other fostering hand than that of old Hi +Wingle, the cook, whose efforts to "raise" the Corliss boys were more +largely faithful than discriminating. + +Seņora Loring knew at a glance that he was in trouble of some kind. +She asked no questions, but held out her hands. + +Corliss, blind with tears, dropped to his knee: "Madre! Madre!" he +cried. + +She patted his head. "You come with me. Then perhaps you have to say +to me that which now you do not say." + +He shook his head, but she paid no attention, leading the way to the +buckboard. He climbed beside the driver, then with an ejaculation of +apology, leaped to the road and helped her in. + +"Where you would like to go?" she asked. "The Concho?" + +Again he shook his head. "I can't. I--" + +She questioned his hesitation with her eyes. + +"I'll tell you when--when I feel better. Madre, I'm sick." + +"I know," she said. + +Then, turning to the driver, she gestured down the wagon-trail. + +They drove through the morning woodlands, swung to the east, and +crossed the ford. The clustered adobes of the Loring homestead +glimmered in the sun. Corliss glanced across the river toward the +Concho. Again the Seņora Loring questioned him with a glance. + +He shook his head. "Away--anywhere," he said, gesturing toward the +horizon. + +"You come home with me," she said quietly. "Nellie is not at the home +to-day. You rest, and then perhaps you go to the Concho." + +As they entered the gateway of the Loring rancho, Corliss made as +though to dismount. The Seņora Loring touched his arm. He shrugged +his shoulders; then gazed ahead at the peaceful habitation of the old +sheep-herder. + +The Seņora told the driver to tie the team and wait. Then she entered +the house. Corliss gazed about the familiar room while she made +coffee. Half starved, he ate ravenously the meal she prepared for him. +Later, when she came and sat opposite, her plump hands folded in her +lap, her whole attitude restful and assuring, he told her of the +robbery, concealing nothing save the name of Fadeaway. + +Then he drew the canvas sack from his pocket. "I thought I could go +back and face it out, but now, I can't. Will you--return it--and--tell +John?" + +She nodded. "Si! If you wish it so, my son. You would not do that as +I would tell you--so I say nothing. I can only--what you say--help, +with my hands," and she gestured gracefully as though leading a child. +"You have money to go away?" + +"No, madre." + +"Then I give you the money." And the Seņora, ignoring his half-hearted +protests, stepped to an adjoining room and returned. "Here is this to +help you go. Some day you come back strong and like your father the +big John Corliss. Then I shall be much glad." + +"I'll pay it back. I'll do anything--" + +But she silenced him, touching his lips with her fingers. "No. The +promise to make is not so hard, but to keep . . . Ah! When you come +back, then you promise; si?" + +Not a word of reproof, not a glance or a look of disapproval, yet +Corliss knew that the Seņora's heart was heavy with sorrow for him. He +strode to the doorway. Seņora Loring followed and called to the +driver. As Corliss shook hands with her, she kissed him. + +An anger against himself flushed his cheek. "I don't know which road +I'll take, madre,--after I leave here,--this country. But I shall +always remember . . . And tell Nell . . . that . . ." he hesitated. + +The Seņora smiled and patted his arm. "Si! I understand." + +"And, madre, there is a man--vaquero, or cook, a big man, tall, that +they call Sundown, who works for the Concho. If you see him, please +tell him--that I sent it back." And he gestured toward the table +whereon lay the little canvas sack of gold. "Good-bye!" + +He stepped hurriedly from the veranda, climbed to the seat of the +buckboard, and spoke to the driver. For a long time the Seņora stood +in the doorway watching the glint of the speeding ponies. Then she +went to her bedroom and knelt before the little crucifix. Her prayer +was, strangely enough, not for Will Corliss. She prayed that the sweet +Madonna would forgive her if she had done wrong. + + + + +CHAPTER XI + +CHANCE--CONQUEROR + +Sundown's return to the camp occasioned some indirect questioning and +not a little comment. He told the story of his adventure at the Concho +in detail up to the point of his conversation with Will Corliss. Then +he lapsed into generalities, exhibiting with some little pride the +wound on his head as evidence of his attempt to prevent the robbery and +incidentally as a reason for being unable to discourse further upon the +subject. His oft-repeated recital invariably concluded with, "I steps +in and tries to stop the first guy when _Wham!_ round goes the room and +I takes a sleep." + +The men seemed satisfied with Sundown's graphic account in the main. +Hi Wingle, the cook, asked no questions, but did a great deal of +thinking. He was aware that Will Corliss had returned to the Concho, +and also, through rumor, that Corliss and Fadeaway had been together in +Antelope. The fact that the robbers failed to get the money--so it was +given out--left the drama unfinished, and as such it lacked sustained +interest. There would be no bandits to capture; no further excitement; +so the talk eventually drifted to other subjects. + +The assistant cook's evident melancholy finally gave place to a happier +mood as he realized that he had gained a modicum of respect in a camp +where hitherto he had been more or less of a joke. While he grieved +over the events which led up to his newly attained prestige as a man of +nerve, he was not a little proud of the prestige itself, and +principally because he lacked the very quality of courage that he was +now accredited with. Perhaps the fact that he had "played square," as +he saw it, was the true foundation of his attitude. + +He discharged his duties as assistant cook with a new and professional +flourish that amused the riders. When they rolled from their blankets +in the crisp air of the morning, they were never kept waiting for their +coffee, hot bread, and frijoles. Moreover, he always had a small fire +going, around which he arranged the tin plates, cups, knives and forks. +This additional fire was acceptable, as the cooking was done on a large +sheet-iron camp-stove, the immediate territory of which was sacred to +Hi Wingle. Wingle, who had been an old-timer when most of the Concho +hands were learning the rudiments of the game, took himself and his +present occupation seriously. His stove was his altar, though burnt +offerings were infrequent. He guarded his culinary precincts with a +watchful eye. His attitude was somewhat akin to that of Cardinal +Richelieu in the handkerchief scene, "Take but one step within these +sacred bounds and on our head I'll lunch the cuss of Rum," or something +to that effect. He was short, ruddy, and bald, and his antithesis, +Sundown, was a source of constant amazement to him. Wingle had seen +many tall men, but never such an elongated individual as his assistant. +It became the habit of one or another of the boys to ask the cook the +way to the distant Concho, usually after the evening meal, when they +were loafing by the camp-fire. Wingle would thereupon scratch his head +and assume an air of intense concentration. "Well," he would +invariably remark, "you take the trail along Sundown's shadder there, +and keep a-fannin' it smart for about three hours. When you come to +the end of the shadder, take the right fork of the river, and in +another hour you'll strike the Concho. That's the quickest way." And +this bit of attenuated humor never failed to produce an effect. + + +One morning, about a week after Sundown's return to his duties as +assistant, while Wingle was drying his hands, preparatory to reading a +few pages of his favorite novel, Sundown ambled into camp with an +armful of greasewood, dumped it near the wagon, and, straightening up, +rolled a cigarette. + +Wingle, immersed in the novel, read for a while and then glanced up +questioningly. + +Sundown shook his head. + +"Now this here story," said Wingle; "I read her forty-three times come +next round-up, and blamed if I sabe her yet. Now, take it where the +perfesser--a slim gent with large round eye-glasses behind which +twinkled a couple of deep-set studyus eyes--so the book says; now, take +it where he talks about them Hopi graves over there in the valley--" + +"This here valley?" queried Sundown, immediately interested. + +"Sure! Well, I can sabe all that. I seen 'em." + +"Seen 'em?" + +"Sure! Why Arizona's got more leavin's of history and dead Injuns and +such, right on top of the ground, than any other State in the Union. +Why, right over there in the caņon of the Concho there's a hull ruined +Injun village--stones piled up in little circles, and what was huts and +caves and the leavin's of a old irrigatin' ditch and busted ollas, and +bones and arrow-heads and picture-writin' on the rocks--bears and +eagles and mounting-lions and hosses--scratched right on the rocks. +Them cliffs there is covered with it." + +"Them?" queried Sundown, pointing toward the caņon, "Do they charge +anything to see it?" + +"Well, seein' they been dead about a thousand years, I reckon not." + +"A thousand years! Huh! I ain't scared of no Injuns a thousand years +old. How far is it to them picture-things?" + +"'Bout three mile. You can take a hoss and mosey over if you like. +Figure on gettin' back 'round noon." + +"Any snakes over there?" + +"Comf'table thick. You might get a pretty good mess of 'em, if you was +to take your time. I never bother to look for 'em." + +Sundown gazed at his length of nether limb and sighed. + +"Snakes won't bother you none," said Wingle, reassuringly. "They get +tired, same as anybody, and they'd have to climb too fur to see if you +was to home." + +Sundown rose and saddled a horse. He mounted and rode slowly toward +the rim of the distant caņon. At the caņon's brink, he dismounted and +led his horse down the trail, stopping frequently to gaze in wonderment +at the painted cliffs and masses of red rock strewn along the slopes. +High up on the perpendicular face of the caņon walls he saw many caves +and wondered how they came to be there. "Makes a fella feel like +sayin' his prayers," he muttered. "Wisht I knowed one." + +He drifted on down the trail, which wound around huge fragments of rock +riven from the cliffs in prehistoric days. He was awed by the +immensity of the chasm and talked continuously to his horse which +shuffled along behind paying careful attention to the footing. Arrived +at the stream the horse drank. Sundown mounted and rode along the +narrow level paralleling the river course. The caņon widened, and +before he realized it he was in a narrow valley carpeted with +bunch-grass and dotted with solitary cypress and infrequent clumps of +pine. He paused to inspect a small mound of rock which was partially +surrounded by a wall of neatly laid stone. Within the semicircular +wall was a hole in the ground--the entrance to a cave. Farther along +he came upon the ruins of a walled square, unmistakably of human +construction. He became interested, and, tying his horse to a +scrub-cedar, began to dig among the loose stones covering the interior +of the square. He discovered a fragment of painted pottery--the +segment of an olla, smooth, dark red, and decorated with a design in +black. He rubbed the earth from the fragment and polished it on his +overalls. He unearthed a larger fragment and found that it matched the +other piece. He was happy. He forgot his surroundings, and scratched +and dug in the ruin until he accumulated quite a little pile of shards, +oddly marked and colored. Eventually he gathered up his spoils and +tied them in his handkerchief. + +Leaving his horse, he meandered down the valley until he came to +another and larger cave. "Wonder what's down there?" he soliloquized. +"Mebby one of them Injuns. Been there a thousand years waitin' for +somethin' to turn up. 'Nough to make a fella tired, waitin' that +long." He wanted to explore the cave, but he was afraid. Moreover, +the interior was dark. He pondered. Finally his natural fondness for +mild adventure overcame his fear. "Got some matches!" he exclaimed, +joyfully. "Wonder if it's deep? Guess I could put me legs in first, +and if nothin' bites me legs, why, I could follow 'em down to bottom." +He put his head in the hole. "Hey!" he hallooed, "are you in there?" +He rose to his feet. "Nothin' doin'. Well, here goes. I sure want to +see what's down there." + +In his excitement he overlooked the possibility of disturbing a torpid +rattler. He slid feet first into the cave, found that he could all but +stand upright, and struck a match. + + +The ancient Hopis buried their dead in a sitting posture on a woven +grass mat, with an olla, and frequently a bone dagger, beside them. In +the clean, dry air of the uplands of Arizona the process of decay is +slow. Sundown, unaware of this, hardly anticipated that which +confronted him as the match flamed blue and flared up, lighting the +interior of the cave with instant brilliance. About six feet from +where he crouched was the dried and shriveled figure of a Hopi chief, +propped against the wall of the cave. Beside the figure stood the +painted olla untarnished by age. The dead Indian's head was bowed upon +his breast, and his skeleton arms, parchment-skinned and rigid, were +crossed upon his knees. + +Sundown scrambled for the circle of daylight above him. "Gee Gosh!" he +panted, as he got to his feet outside the cave. "It was him!" He +clambered over the circle of stones and backed away, eyeing the +entrance as though he expected to see the Hopi emerge at any moment. +He crouched behind a boulder, his pulses racing. He was keyed to a +high tension of expectancy. In fact, he was in a decidedly receptive +mood for that which immediately happened. He noticed that his horse, a +hundred yards or so up the valley, was circling the cedar and pulling +back on the reins. He wondered what was the matter with him. The +horse was usually a well-behaved animal. The explanation came rapidly. +Sundown saw the horse back and tear loose from the cedar; saw him whirl +and charge down the valley snorting. "Guess he seen one, too!" said +Sundown making no effort to check the frightened animal. Almost +immediately came the long-drawn bell of a dog following a hot scent. +Sundown turned from watching his vanishing steed and saw a huge +timber-wolf leap from a thicket. Behind the wolf came Chance, neck +outstretched, and flanks working at top speed. The wolf dodged a +boulder, flashing around it with no apparent loss of ground. Chance +rose over the boulder as though borne on the wind. The wolf turned and +snapped at him. Sundown decided instantly that the sepulcher of the +dead Hopi was preferable to the proximity of the live wolf, and he made +for the cave. + +The wolf circled the wall of stones and also made for the cave. +Sundown had arrived a little ahead of him. The top of Sundown's head +appeared for an instant; then vanished. The wolf backed snarling +against the wall as Chance leaped in. When Sundown's head again +appeared, the whirling mass of writhing fur and kicking legs had taken +more definite shape. Chance had fastened on the wolf's shoulder. The +wolf was slashing effectively at the dog's side. Presently they lay +down facing each other. Chance licked a long gash in his foreleg. The +wolf snapped as he lay and a red slaver dripped from his fangs. Not +twelve feet away, Sundown gazed upon the scene with fear-wide eyes. +"Go to it, Chance!" he quavered, and his encouragement was all but the +dog's undoing, for he lost the wolf's gaze for an instant, barely +turning in time to meet the vicious charge. Sundown groaned as the +wolf, with a slashing stroke, ripped the dog's neck from ear to +shoulder. The stones in the enclosure were spattered with red as they +whirled, each trying to reach the throat of the other. Suddenly Chance +leaped up and over the wolf, lunging for his neck as he descended. The +wolf rolled from under and backed toward the cave. "Hey!" yelled +Sundown. "You can't come in here!" + +Chance, weakened from loss of blood, lay watching the wolf as it +crouched tensely. Again the great gray shadow lunged and a bright +streak sprung up on the dog's side. "Gee Gosh!" whined Sundown; "he +can't stand much more of that!" Undoubtedly Chance knew it, for he +straight-way gathered himself and leaped in, diving low for the wolf's +fore leg. As the wolf turned his shoulder, Chance again sprang over +him and, descending, caught him just behind the ear, and held. The +wolf writhed and snarled. Chance gripped in and in, with each savage +shake of his head biting deeper. In a mighty effort to free himself +the wolf surged backward, dragging Chance around the enclosure. +Sundown, rising from the cave's mouth, crouched before it. "You got +him! You got him!" he cried. "Once more, now!" + +The body of the wolf quivered and sagged, then stiffened as if for a +last effort. Chance held. They were both lying on the stones now. +Chance with fore feet braced against the wolf's chest. Presently the +dog gave a final shake, drew back, and lay panting. From head to +flanks he was soaked with blood. The wolf was dead. + +Sundown stood up. "Good boy, Chance!" he said. The great, gaunt body +of the dog raised itself on trembling legs, the pride of the conqueror +lighting for a moment his dimming eyes. "It's me, Chance!" said +Sundown, stroking the dog's head. Chance wagged his tail and reaching +up his torn and bleeding muzzle licked Sundown's hand. Then slowly he +sank to the ground, breathed heavily, and rolled to his side. Sundown +knelt over him and unaccustomed tears ran down his lean cheeks and +dripped on the clotted fur. "You was some fighter, Chance, ole pal! +Gee Gosh! He's nothin' except cuts and slashes all over. Gee Gosh!" +He drew the dog's head to his lap and sat crooning weird, broken words +and stroking the torn ears. Suddenly he stopped and put his hand over +the dog's heart. Then he leaped to his feet and, dumping the fragments +of pottery from his bandanna, tore it in strips and began bandaging the +wounds. The gash on Chance's neck still bled. Sundown drew his knife +and cut the sleeve from his shirt. He ripped it open and bound the +dog's neck. Realizing that Chance was not dead, he became valiant. +"We sure put up the great scrap, didn't we, pal? We licked him! But +if he'd 'a' licked you . . ." And Sundown gazed at the still form of +the wolf and shuddered, not knowing that the wolf would have fled at +sight of him had he been able to get away from Chance. + + +Two hours later, Eleanor Loring, riding along the caņon stream, met a +lean giant, one sleeve of his shirt gone, his hat missing, and his +hands splotched with blood. His eyes were wild, his face white and +set. He carried a great, shaggy dog in his arms. + +"Are you hurt?" she asked, swinging from her pony and coming to him. + +"Me? No, lady. But me pal here is hurt bad. Jest breathin'. Killed +a wolf back there. Mebby I can save him." + +"Why, it's Chance--of the Concho!" + +"Yes, lady. What is left of him." + +"Do you work for the Concho? Won't you take my horse?" + +"I'm assistant cook at the camp. No, thanks, lady. Ridin' might +joggle him and start him to bleedin'. I can carry him so he'll be +easier-like." + +"But how did it happen?" + +"I dunno. Chance chased the wolf and they went to it where I was +explorin' one of them caves. I guess I better be goin'." + +The girl reined her horse around and rode down the valley trail, +pausing occasionally to watch the tall figure climbing the caņon with +that shapeless burden in his arms. "I wonder if any other man on the +Concho would have done that?" she asked herself. And Sundown, despite +his more or less terrifying appearance, won her estimation for kindness +at once. + +Slowly he climbed the caņon trail, resting at each level. The dog hung +a limp, dead weight in his arms. Midway up the trail Sundown rested +again, and gazed down into the valley. He imagined he could discern +the place of the fight. "That there wolf," he soliloquized, "he was +some fighter, too. Mebby he didn't like to get licked any more than +Chance, here. Wonder what they was fightin' about? I dunno. But, Gee +Gosh, she was one dandy scrap!" + +At the top of the caņon wall he again rested. He expected to be +discharged for being late, but solaced himself with the thought that if +he could save Chance, it was worth the risk. + +The riders had returned to the chuck-wagon when Sundown arrived lugging +the inert body of the wolf-dog. They gathered around and asked brief +questions. Sundown, busy washing the dog's wounds, answered as well as +he could. His account of the fight did not suffer for lack of +embellishment, and while he did not absolutely state that he had taken +a hand in the fight, his story implied it. + +"Don't see nothin' on you to show you been in a scrap," remarked a +young puncher. + +"That's because you can't see in deep enough," retorted Sundown. "If I +wasn't in every jump of that fight, me heart was." + +"Better shoot him and put him out of his sufferin'," suggested the +puncher. + +Sundown rose from beside the dog. Shoot Chance? Not so long as he +could keep between the dog and the cowboy's gun. The puncher, half in +jest, reached for his holster. Sundown's overwrought nerves gave way. +He dropped to his knees and lifted his long arms imploringly. "Don't! +Don't!" he wailed. "He ain't dead! Don't shoot my pal!" + +Bud Shoop, who had kept silent, shouldered the puncher aside. "Cut it +out, Sinker," he growled. "Can't you sabe that Sundown means it?" + + +Later in the evening, and fortified with a hearty meal. Sundown gave a +revised version of the fight, wherein his participation was modified, +though the story lost nothing in re-telling. And, indeed, his own +achievement, of lugging Chance up the caņon trail, awakened a kind of +respect among the easy-going cowboys. To carry an eighty-pound dog up +that trail took sand! Again Sundown had unconsciously won their +respect. Nothing was said about his late return. And his horse had +found its way back to the camp. + + +Sometime in the night, Bud Shoop was awakened by the man next him. + +"What's goin' on?" queried Shoop, rising on his elbow. + +"Ask me again," said the puncher. "Listen!" + +From the vicinity of the wagon came the gurgle of water and then a +distinctly canine sneeze. + +"Dinged if he ain't fussin' with that dog again!" grumbled Shoop. "The +dam' fool!" Which, as it is the spirit which giveth life to the +letter, was not altogether uncomplimentary. + + + + +CHAPTER XII + +A GIFT + +Warned by John Corliss of Loring's evident intent to graze his sheep on +the west side of the Concho River, the cattle-men held a quiet meeting +at the ranch of the Concho and voted unanimously to round up a month +earlier than usual. The market was at a fair level. Beef was in +demand. Moreover, the round-up would, by the mere physical presence of +the riders and the cattle, check for the time being any such move as +Loring contemplated, as the camps would be at the ford. Meanwhile the +cattle-men again petitioned the Ranger at Antelope to stir up the +service at Washington in regard to grazing allotments. + +The round-up began. The Concho outfit moved camp to the ford and +Sundown had his first introduction to real work. From morning till +night and far into the night the fires were going. Groups of belated +riders swung in and made for the chuck-wagons. Sundown, following a +strenuous eighteen hours of uninterrupted toil, solemnly borrowed a +piece of "tarp" from his outfit on which he lettered the legend:-- + + "CAFE DE CONCHO--MEELS AT ALL + HOURS--PRIVIT TABELS FOR LADYS" + +He hung the tarp in a conspicuous place and retired to rest. The +following morning his efforts were applauded with much picturesque +expletive, and even criticism was evoked by a lean puncher who insisted +"that the tall guy might be a good cook all right, but he sure didn't +know how to spell 'calf.'" Naturally the puncher's erudition leaned +toward cattle and the range. + +At all times conspicuous, for he topped by a head and shoulders the +tallest rider on the range. Sundown became doubly conspicuous as the +story of his experience with the hold-ups and his rescue of Chance +became known. If he strutted, it was pardonable, for he strutted among +men difficult to wrest approval from, and he had won their approval. + +At Hi Wingle's suggestion, he "packed a gun"--a formidable .45 lent him +by that gracious individual, for it grieved the solid Wingle's soul to +see so notable a character go unarmed. Sundown, like many a wiser man, +was not indifferent to the effect of clothing and equipment. Obliged +frequently to relate his midnight adventure with the robbers, he became +a past-master in the art of dramatic expression. "If I'd 'a' had me +gun with me," he was wont to say, slapping the holster significantly, +"the deal might 'a' turned out different. I reckon it's luck I +didn't." Which may have been true enough, for Sundown would +undoubtedly have been afraid to use the weapon and Fadeaway might have +misunderstood his bungling. + +In his spare time he built a lean-to of odds and ends, and beneath it +Chance drowsed away the long, sunny hours while Sundown was rustling +firewood or holding hot argument with an obstreperous dutch-oven. And +Chance became the pet and the pride of the outfit. Riders from distant +ranches would stray over to the lean-to and look at him, commenting on +his size and elaborating on the fact that it usually took two of the +best dogs ever whelped to pull down a timber-wolf. + +Even Fadeaway, now riding for the Blue, became enthusiastic and boasted +of his former friendship with Chance. When he essayed the intimacy of +patting the dog's head, some of the onlookers doubted him, for Chance +received these overtures with a deep-throated growl. + +"He won't let nobody touch him but that Sundown gent," cautioned a +bystander. + +"Guess he's loco since he got chewed up," said Fadeaway, retreating. + +Chance licked his wounds and recovered slowly. He would lie in the +sun, watching with unwinking gaze the camp and the cluster of men about +it until the form of Sundown loomed through the mass. Then he would +beat the ground with his tail and whine expectantly. As he became +stronger, he ventured to stretch his wound-stiffened muscles in short +pilgrimages to the camp, where the men welcomed him with hearty and +profane zest. Was he not the slayer of their enemy's sheep and the +killer of the timber-wolf? Eventually he was presented with a broad +collar studded with brass spikes, and engraved upon it was the +sanguinary and somewhat ambiguous legend: "Chance--The Killer of the +Concho." + + +John Corliss, visiting the round-up, rode over to Sundown's tepee, as +it was called. The assistant cook was greasing Chance's wounds. + +"How is he getting along?" asked Corliss. + +"Fine, boss, fine! This here is some little ole red-cross ward, +believe me! He's gettin' over bein' lame and he eats regular." + +"Here, Chance!" called Corliss. + +The dog rose stiffly and stalked to his master, smelt of him and wagged +his tail, then stood with lowered head as though pondering some serious +dog-logic. + +"He's kind of queer," explained Sundown, "but he's a whole pile better +than he was a spell ago. Had to bring him water and feed him like a +baby cuttin' teeth--though I never seen one doin' that. He wouldn't +let nobody touch him 'ceptin' me." + +"Is he able to travel?" + +"Oh, some." + +"Think he could make it to the Concho?" + +Sundown hesitated. "Mebby. Yes, I reckon he could. He can run all +right, only I guess he kind of likes hangin' around me." And Sundown +glanced sideways at Corliss. + +"He seems all right. I guess I'll take him back with me. I don't like +the idea of his running loose here." + +"He ain't bitin' nobody," assured Sundown. + +Corliss glanced shrewdly at the other's lean, questioning face. "Guess +you won't miss him much. How are you making it?" + +"Me? Fine! Reckon I'll take out me papers for a full-chested range +cook afore long. You see the L.D. outfit says that I could have a job +with them after the round-up. It kind of leaked out about them pies. +'Course they was joshin', mebby. I dunno." + +"The L.D. boys are all right," said Corliss. "If you want to make a +change--" + +"See here, boss! I done some ramblin' in my time. Guess because I was +lookin' for somethin' new and excitin'. Well, I reckon they's plenty +new and excitin' right to home on the Concho. Any time I get tired of +fallin' off hosses, and gettin' beat up, and mixin' up in dog and wolf +fights, why, I can go to bustin' broncos to keep me from goin' to +sleep. Then Chance there, he needs lookin' after." + +Corliss seemingly ignored the gentle hint. He mounted and called to +the dog. Chance made no movement to follow him. Corliss frowned. +"Here, Chance!" he commanded, slapping his thigh with his gauntleted +hand. The dog followed at the horse's heels as Corliss rode across the +hard-packed circle around the camp. Sundown's throat tightened. His +pal was gone. + +He puttered about, straightening the blankets. "Gee Gosh! but this +here shack looks empty! Never knowed sick folks could be so much +comp'ny. And Chance is folks, all right. Talk about blue blood! Huh! +I reckon a thoroughbred dog is prouder than common folks, like me. +Some king, he was! Layin' there lookin' out at them punchers and his +eyes sad-like and proud, and turnin' his head slow, watchin' 'em like +they was workin' for him. They's somethin' about class that gets a +fella, even in a dog. And most folks knows it, but won't let on." + +He took Chance's drinking-basin--a bread-pan appropriated from the +outfit--and the frayed saddle-blanket that had been the dog's bed, and +carried them to the cottonwoods edging the river. There he hid the +things. He returned to the lean-to and threw himself on his blankets. +He felt as though he had just buried a friend. A cowboy strolled up +and squatted in front of the lean-to. He gazed at the interior, nodded +to Sundown, and rolled a cigarette. He smoked for a while, glanced up +at the sky, peered round the camp, and shrugged his shoulders. + +Sundown nodded. "You said it all, Joe. He's gone." + +The cowboy blew rings of smoke, watching them spread and dissolve in +the evening air. "Had a hoss onct," he began slowly,--"ornery, +glass-eyed, she-colt that got mixed up in a bob-wire fence. Seein' as +she was like to make the buzzards happy 'most any day, I took to +nussin' her. Me, Joe Scott, eh? And a laugh comin'. Well, the boys +joshed--mebby you hearn some of 'em call me Doc. That's why. The boys +joshed and went around like they was in a horsepital, quiet and +steppin' catty. I could write a book out of them joshin's and sell +her, if I could write her with a brandin'-iron or a rope. Anyhow, the +colt she gets well and I turns her out on the range, which ought to be +the end of the story, but it ain't. She come nickerin' after me like I +was her man, hangin' around when I showed up at the ranch jest like I +was a millionaire and she wantin' to get married. Couldn't get shet of +her. So one day I ropes her and says to myself I'll make a trick hoss +of her and sell her. The fust trick she done wasn't the one I reckoned +to learn her. She lifted me one in the jeans and I like to lost all +the teeth in my head. 'You're welcome, lady,' says I, 'for this here +'fectionate token of thanks for my nussin' and gettin' joshed to +fare-ye-well. Bein' set on learnin' her, I shortened the rope and let +her kick a few holes in the climate. When she got tired of that, I +begins workin' on her head, easy-like and talkin' kind. Fust thing I +knowed she takes a san'wich out of my shirt, the meat part bein' a +piece of my hide. Then I got riled. I lit into her with the boots, +and we had it. When I got tired of exercisin' my feet, she comes to me +rubbin' her nose ag'in' me and kind of nickerin' and lovin' up +tremendous, bein' a she-hoss. 'Now,' says I, 'I'm goin' to do the +courtin', sister.' And I sot out to learn her to shake hands. She got +most as good as a state senator at it: purfessional-like, but not real +glad to see you. Jest put on. Then I learns her to nod yes. That was +hard. Then I gets her so she would lay down and stay till I told her +to get up. 'Course it takes time and I didn't have the time reg'lar. +I feeds her every time, though. Then she took to sleepin' ag'in' the +bunk-house every night, seein' as she run loose jest like a dog. When +somebody'd get up in the mornin', there she would be with her eyes +lookin' in the winder, shinin', and her ears lookin' in, too. You see +she was waitin' for her beau to come out, which was me. She took to +followin' me on the range when I rid out, and she got fat and sizable. +The boys give up joshin' and got kind of interested. But that ain't +what I'm gettin' at. Come one day, about two year after I'd been +monkeyin' with learnin' her her lessons, when I thinks to break her to +ride. I got shet of the idea of sellin' her and was goin' to keep her +myself. The boys was lookin' for to see me get piled, always figurin' +a pet hoss was worse to break than a bronc. She did some fussin', but +she never bucked--never pitched a move. Thinks I, I sure got a winner. +Next day she was gone. Never seen her after that. Trailed all over +the range, but she sure vamoosed. And nobody never seen her after +that. She sure made a dent in my feelin's." + +Sundown sat up blinking. "I reckon that's the difference between a +hoss and a dog," he said, slowly. "Now, a hoss and me ain't what you'd +call a nacheral combination. And a hoss gets away and don't come back. +But a dog comes back every time, if he can. 'Most any hoss will stay +where the feedin' is good, but a dog won't. He wants to be where his +boss is." + +"And that there Chance is with the boss," said the cowboy, gesturing +toward the north. "Seen him foller him down the trail." + +Sundown nodded. The cowboy departed, swaggering away in the dusk. + +Just before Sundown was called to take his turn with the night-shift, a +lean, brown shape tore through the camp, upsetting a pot of frijoles +and otherwise disturbing the peace and order of the culinary department. + +"Coyote!" shouted Wingle, vainly reaching for the gun that he had given +to Sundown. + +"Coyote nothin'!" said a puncher, laughing. "It's the Killer come back +hot-foot to find his pardner." + +Chance bounded into the lean-to: it was empty. He sniffed at the place +where his bed had once been, found Sundown's tracks and followed them +toward the river. Sundown was on his knees pawing over something that +looked very much like a torn and frayed saddle-blanket. Chance +volleyed into him, biting playfully at his sleeve, and whining. + +Sundown jumped to his feet. He stood speechless. Then a slow grin +crept to his face. "Gee Gosh!" he said, softly. "Gee Gosh! It's you!" + +Chance lay down panting. He had come far and fast. Sundown gathered +up the blanket and pan, rose and marched to the shack. "I was airin' +'em out against your comin' back," he explained, untruthfully. The +fact was that he could not bear to see the empty bed in the lean-to and +had hidden it in the bushes. + +The dog watched him spread the blanket, but would not lie down. +Instead he followed Sundown to the camp and found a place under the +chuck-wagon, where he watched his lean companion work over the fires +until midnight. If Sundown disappeared for a minute in search of +something. Chance was up and at his heels. Hi Wingle expressed +himself profanely in regard to the return of the dog, adding with +unction, "There's a pair of 'em; a pair of 'em." Which ambiguity +seemed to satisfy him immensely. + +When Sundown finally returned to the lean-to, he was too happy to +sleep. He built a small fire, rolled a cigarette and sat gazing into +the flames. Chance sat beside him, proud, dignified, contented. +Sundown became drowsy and slept, his head fallen forward and his lean +arms crossed upon his knees. Chance waited patiently for him to waken. +Finally the dog nuzzled Sundown's arm with little jerks of impatience. +"What's bitin' you now?" mumbled Sundown. "We're here, ain't we?" +Nevertheless he slipped his arm around the dog's muscular shoulders and +talked to him. "How'd you get away? The boss'll raise peelin's over +this, Chance. It ain't like to set good with him." He noticed that +Chance frequently scratched at his collar as though it irritated him. +Finally he slipped his fingers under the collar. "Suthin' got ketched +in here," he said, unbuckling the strap. Tied inside the collar was a +folded piece of paper. Sundown was about to throw it away when he +reconsidered and unfolded it. In the flickering light of the fire he +spread the paper and read laboriously:-- + + +"Chance followed me to the Concho because I made him come. He showed +that he didn't want to stay. I let him go. If he gets back to you, +keep him. He is yours. + +"JOHN CORLISS." + + +Sundown folded the note and carefully tucked it in his pocket. He rose +and slapped his chest grandiloquently. "Chance, ole pal," he said with +a brave gesture, "you're mine! Got the dockyments to show. What do +you think?" + +Chance, with mouth open and lolling tongue, seemed to be laughing. + +Sundown reached out his long arm as one who greets a friend. + +The dog extended his muscular fore leg and solemnly placed his paw in +Sundown's hand. No document was required to substantiate his +allegiance to his new master, nor his new master's title to ownership. +Despite genealogy, each was in his way a thoroughbred. + + + + +CHAPTER XIII + +SUNDOWN, VAQUERO + +The strenuous days of the round-up were over. Bands of riders departed +for their distant ranches leaving a few of their number to ride line +and incidentally to keep a vigilant eye On the sheep-camps. + +David Loring, realizing that he had been checkmated in the first move +of the game in which cattle and sheep were the pawns and cowboys and +herders the castles, knights, and, stretching the metaphor a bit, +bishops, tacitly admitted defeat and employed a diagonal to draw the +cattle-men's forces elsewhere. He determined to locate on the +abandoned water-hole ranch, homestead it, and, by so doing, cut off the +supply of water necessary to the cattle on the west side of the Concho +River. This would be entering the enemy's territory with a vengeance, +yet there was no law prohibiting his homesteading the ranch, the title +of which had reverted to the Government. Too shrewd to risk legal +entanglement by placing one of his employees on the homestead, he +decided to have his daughter file application, and nothing forbade her +employing whom she chose to do the necessary work to prove up. The +plan appealed to the girl for various reasons, one of which was that +she might, by her presence, avert the long-threatened war between the +two factions. + +Sundown and, indirectly, Fadeaway precipitated the impending trouble. +Fadeaway, riding for the Blue, was left with a companion to ride line +on the mesas. Sundown, although very much unlike Othello, found that +his occupation was gone. Assistant cooks were a drug on the range. He +was equipped with a better horse, a rope, quirt, slicker, and +instructions to cover daily a strip of territory between the Concho and +the sheep-camps. He became in fact an itinerant patrol, his mere +physical presence on the line being all that was required of him. + + +It was the Seņora Loring who drove to the Concho one morning and was +welcomed by Corliss to whom she gave the little sack of gold. She told +him all that he wished to know in regard to his brother Will, pleading +for him with motherly gentleness. Corliss assured her that he felt no +anger toward his brother, but rather solicitude, and made her happy by +his generous attitude toward the wrongdoer. He had already heard that +his brother had driven to Antelope and taken the train for the West. +His great regret was that Will had not written to him or come to him +directly, instead of leaving to the good Seņora the task of +explanation. "Never figured that repenting by proxy was the best +plan," he told the Seņora. "But he couldn't have chosen a better +proxy." At which she smiled, and in departing blessed him in her +sincere and simple manner, assuring him in turn that should the sheep +and cattle ever come to an understanding--the Spanish for which +embraced the larger aspect of the problem--there was nothing she +desired or prayed for more than the friendship and presence of Corliss +at the Loring hacienda. Corliss drew his own inference from this, +which was a pleasant one. He felt that he had a friend at court, yet +explained humorously that sheep and cattle were not by nature fitted to +occupy the same territory. He was alive to sentiment, but more keen +than ever to maintain his position unalterably so far as business was +concerned. The Seņora liked him none the less for this. To her he was +a man who stood straight, on both feet, and faced the sun. Her +daughter Nell . . . Ah, the big Juan Corliss has such a fine way with +him . . . what a husband for any woman! In the mean time . . . only +thoughts, hopes were possible . . . yet . . . maņana . . . maņana . . . +there was always to-morrow that would be a brighter day. + +To say that Sundown was proud of his unaccustomed regalia from the +crown of his lofty Stetson to the soles of his high-heeled +riding-boots, would be putting it mildly. To say that he was +especially useful in his new calling as vaquero would not be to put it +so mildly. Under the more or less profane tutelage of his companions, +he learned to throw a rope after a fashion, taking the laughing sallies +of his comrades good-naturedly. He persevered. He was forever +stealing upon some maternal and unsuspicious cow and launching his rope +at her with a wild shout--possibly as an anticipatory expression of +fear in case his rope should fall true. More than once he had been +yanked bodily from the saddle and had arisen to find himself minus +rope, cow, and pony, for no self-respecting cow-horse could watch +Sundown's unprecedented evolutions and not depart thitherward, feeling +ashamed and grieved to think that he had ever lived to be a horse. And +Sundown, despite his length of limb, seemed unbreakable. "He's the +most durable rider on the range," remarked Hi Wingle, incident to one +of his late assistant's meteoric departures from the saddle. "He wears +good." + +One morning as Sundown was jogging along, engaged chiefly in watching +his shadow bob up and down across the wavering bunch-grass, he saw that +which appeared to be the back of a cow just over a rise. He walked his +horse to the rise and for some fantastic reason decided to rope the +cow. He swung his rope. It fell true--in fact, too true, for it +encircled the animal's neck and looped tight just where the neck joins +the shoulders. He took a turn of the rope around the saddle horn. At +last he had mastered the knack of the thing! Why, it was as easy as +rolling pie-crust! He was about to wonder what he was going to do +next, when the cow--which happened to be a large and active +steer--humped itself and departed for realms unknown. + +With the perversity of inanimate objects the rope flipped in a loop +around Sundown's foot. The horse bucked, just once, and Sundown was +launched on a new and promising career. The ground shot beneath him. +He clutched wildly at the bunch-grass, secured some, and took it along +with him. Chance, who always accompanied Sundown, raced alongside, +enjoying the novelty of the thing. He barked and then shot ahead, +nipping at the steer's heels, and this did not add to his master's +prospects of ultimate survival. Sundown shouted for help when he +could, which was not often. Startled prairie-dogs disappeared in their +holes as the mad trio shot past. The steer, becoming warmed up to his +work, paid little attention to direction and much to speed. That a +band of sheep were grazing ahead made no difference to the charging +steer. He plunged into the band. Sundown dimly saw a sea of sheep +surge around him and break in storm-tossed waves of wool on either +side. He heard some one shout. Then he fainted. + +When he again beheld the sun, a girl was kneeling beside him, a girl +with dark, troubled eyes. She offered him wine from a wicker jug. He +drank and felt better. + +"Are you hurt badly?" she asked. + +"Am--I--all here?" queried Sundown. + +"I guess so. You seem to be." + +"Was anybody else killed in the wreck?" + +The girl smiled. "You're feeling better. Let me help you to sit up." + +Sundown for the moment felt disinclined to move. He was in fact pretty +thoroughly used up. "Say, did he win?" he queried finally. + +"Who?" + +"Me dog, Chance. I got the start at first, but he kind of got ahead +for a spell." + +"I don't know. Chance is right behind you. He's out of breath." + +"Huh! Reckon I'm out more'n that. He's in luck this trip." + +"How did it happen?" + +"That's what I'm wonderin', lady. And say, would you be so kind as to +tell me which way is north?" + +Despite her solicitude for the recumbent Sundown, Eleanor Loring +laughed. "You are in one of the sheep-camps. I'm Eleanor Loring." + +"Sheep-camp? Gee Gosh! Did you stop me?" + +"Yes. I was just riding into camp when you--er--arrived. I headed the +steer back and Fernando cut the rope." + +"Thanks, miss. And Fernando is wise to his business, all right." + +"Can you sit up now?" she asked. + +"Ow! I guess I can. That part of me wasn't expectin' to be moved +sudden-like. How'd I get under these trees?" + +"Fernando carried you." + +"Well, little old Fernando is some carrier. Where is he? I wouldn't +mind shakin' hands with that gent." + +"He's out after the sheep. The steer stampeded them." + +"Well, miss, speakin' from me heart--that there steer was no lady. I +thought she was till I roped him. I was mistook serious." + +"He might have killed you. Let me help you up." + +Sundown had been endeavoring to get to his feet. Finally he rose and +leaned against a tree. Fortunately for him his course had been over a +stretch of yielding bunch-grass, and not, as might have been the case, +over the ragged tufa. As it was his shirt hung from his back in +shreds, and he felt that his overalls were not all that their name +implied. The numbness of his abrasions and bruises was wearing off. +The pain quickened his senses. He realized that his hat was missing, +that one spur was gone and the other was half-way up his leg. He was +not pleased with his appearance, and determined to "make a slope" as +gracefully and as quickly as circumstances would permit. + +Chance, gnawing at a burr that had stuck between his toes, saw his +master rise. He leaped toward Sundown and stood waiting for more fun. + +"Chance seems all right now," said the girl, patting the dog's head. + +"John Corliss give him to me, miss. He's my dog now. Yes, he's active +all right, 'specially chasin' steers." + +"I remember you. You're the man that carried Chance up the caņon trail +that day when he was hurt." + +"Yes, miss. He ain't forgettin' either." + +The girl studied Sundown's lean face as he gazed across the mesas, +wondering how he was going to make his exit without calling undue +attention to his dearth of raiment. She had heard that this man, this +queer, ungainly outlander, had been companion to Will Corliss. She had +also heard that Sundown had been injured when the robbery occurred. +Pensively she drew her empty gauntlet through her fingers. + +"Do you know who took the money--that night?" she asked suddenly, and +Sundown straightened and gazed at her. + +He blinked and coughed. "Bein' no hand to lie to a lady, I do," he +said, simply. "But I can't tell, even if you did save me life from +that there steer." + +She bit her lips, and nodded. "I didn't really mean to ask. I was +curious to know. Won't you take my horse? You can send him back +to-morrow." + +"And you beat it home afoot? Say, lady, I mebby been a Bo onct, but I +ain't hurt that bad. If I can't find me trail back to where I started +from, it won't be because it ain't there. Thanks, jest the same." + +Sundown essayed a step, halted and groaned. He felt of himself +gingerly. He did not seem to be injured in any special place, as he +ached equally all over. "I'll be goin', lady. I say thanks for savin' +me life." + +The girl smiled and nodded. "Will you please tell Mr. Corliss that I +should like to see him, to-morrow, at Fernando's camp? I think he'll +understand." + +"Sure, miss! I'll tell him. That Fernando man looks to be havin' some +trouble with them sheep." + +The girl glanced toward the mesa. Fernando and his assistant were +herding the sheep closer, and despite their activity were really +getting the frightened animals bunched well. When she turned again +Sundown had disappeared. + + +Sundown's arrival in camp, on foot, was not altogether unexpected. One +of the men had seen a riderless horse grazing on the mesa, and had +ridden out and caught it. Circumstantial evidence--rider and rope +missing--confirmed Hi Wingle's remark that "that there walkin' +clothes-pin has probably roped somethin' at last." And the "walking +clothes-pin's" condition when he appeared seemed to substantiate the +cook's theory. + +"Lose your rope?" queried Wingle as Sundown limped up. + +"Uhuh. And that ain't all. You ain't got a pair of pants that ain't +working have you?" + +Wingle smiled. "Pants? Think this here's a Jew clothin'-store?" + +"Nope. But if she was a horsepital now--" + +"Been visitin'?" + +"Uhuh. I jest run over to see some friends of mine in a sheep-camp." + +"Did, eh? And mebby you can tell me what you run over?" + +"'Most everything out there," said Sundown, pointing to the mesa. +"Say, you ain't got any of that plaster like they put on a guy's head +when he gets hit with a brick?" + +"Nope. But I got salt." + +"And pepper," concluded Sundown with some sarcasm. "Mebby I do look +like a barbecue." + +"Straight, Sun, salt and water is mighty healin'. You better ride over +to the Concho and get fixed up." + +"Reckon that ain't no dream, Hi. Got to see the boss, anyhow." + +"Well, 'anyhow' is correc'. And, say, you want to see him first and +tell him it's you. Your hoss is tied over there. Sinker fetched him +in." + +"Hoss? Oh, yes, hoss! My hoss! Uhuh!" + +With this somewhat ambiguous string of ejaculations Sundown limped +toward the pony. He turned when halfway there and called to Wingle. +"The cattle business is fine, Hi, fine, but between you and me I reckon +I'll invest in sheep. A fella is like to live longer." + +Wingle stared gravely at the tall and tattered figure. He stared +gravely, but inwardly he shook with laughter. "Say, Sun!" he managed +to exclaim finally, "that there Nell Loring is a right fine gal, ain't +she?" + +"You bet!" + +"And Jack ain't the worst . . ." Wingle spat and chewed ruminatively. +"No, he ain't the worst," he asserted again. + +"I dunno what that's got to do with gettin' drug sixteen mile," said +Sundown. "But, anyhow, you're right." + + + + +CHAPTER XIV + +ON THE TRAIL TO THE BLUE + +In the shade of the forest that edged the mesa, and just back of +Fernando's camp, a Ranger trail cuts through a patch of quaking-asp and +meanders through the heavy-timbered land toward the Blue range, a +spruce-clad ridge of southern hills. Close to the trail two saddle +horses were tied. + +Fadeaway, riding toward his home ranch on the "Blue," reined up, eyed +the horses, and grinned. One of them was Chinook, the other Eleanor +Loring's black-and-white pinto, Challenge. The cowboy bent in his +saddle and peered through the aspens toward the sheep-camp. He saw +Corliss and Nell Loring standing close together, evidently discussing +something of more than usual import, for at that moment John Corliss +had raised his broad Stetson as though bidding farewell to the girl, +but she had caught his arm as he turned and was clinging to him. Her +attitude was that of one supplicating, coaxing, imploring. Fadeaway, +with a vicious twist to his mouth, spat. "The cattle business and the +sheep business looks like they was goin' into partnership," he +muttered. "Leave it to a woman to fool a man every time. And him +pertendin' to be all for the long-horns!" He saw the girl turn from +Corliss, bury her face in her arms, and lean against the tree beneath +which they were standing. Fadeaway grinned. "Women are all crooked, +when they want to be," he remarked,--"or any I ever knowed. If they +can't work a guy by talkin' and lovin', then they take to cryin'." + +Just then Corliss stepped to the girl and put his hand on her shoulder. +Again she turned to him. He took her hands and held them while he +talked. Fadeaway could see her lips move, evidently in reply. He +could not hear what was being said, as his horse was restless, fretting +and stamping. The saddle creaked. Fadeaway jerked the horse up, and +in the momentary silence he caught the word "love." + +"Makes me sick!" he said, spurring forward. "'Love,' eh? Well, mebby +my little idea of puttin' Billy Corliss in wrong didn't work, but I'll +hand Jack a jolt that'll make him think of somethin' else besides love, +one of these fine mornin's!" And the cowboy rode on, out of tune with +the peace and beauty of his surroundings, his whole being centered upon +making trouble for a man who he knew in his heart wished him no ill, +and in fact had all but forgotten him so far as considering him either +as an enemy or a friend. + +Just as he was about to swing out to the open of the mesa near the edge +of the caņon, he came upon a Mexican boy asleep beneath the low +branches of a spruce. Fadeaway glanced across the mesa and, as he had +expected, saw a band of sheep grazing in the sunshine. His trail ran +directly toward the sheep. Beyond lay the caņon. He would not ride +around a herd of sheep that blocked his trail, not if he knew it! As +he drew nearer the sheep they bunched, forcing those ahead to move on. +Fadeaway glanced back at the sleeping boy, then set spur to his horse +and waved his sombrero. The sheep broke into a trot. He rode back and +forth behind them forcing them toward the caņon. He beat upon his +rolled slicker with his quirt. The sound frenzied the sheep and they +leaped forward. Lambs, trailing behind, called dolefully to the +plunging ewes that trampled each other in their terror. Again the +cowboy glanced back. No one was in sight. He wondered, for an +instant, what had become of Fernando, for he knew it was Fernando's +herd. He shortened rein and spurred his pony, making him rear. The +sheep plunged ahead, those in front swerving as they came to the +caņon's brink. The crowding mass behind forced them on. Fadeaway +reined up. A great gray wave rolled over the cliff and disappeared +into the soundless chasm. A thousand feet below lay the mangled +carcasses of some five hundred sheep and lambs. A scattered few of the +band had turned and were trotting aimlessly along the edge of the mesa. +They separated as the rider swept up. One terror-stricken lamb, +bleating piteously, hesitated on the very edge of the chasm. Fadeaway +swung his hat and laughed as the little creature reared and leaped out +into space. There had been but little noise--an occasional frightened +bleat, a drumming of hoofs on the mesa, and they were swept from sight. + +Fadeaway reined around and took a direct line for the nearest timber. +Halfway across the open he saw the Mexican boy running toward him. He +leaned forward in the saddle and hung his spurs in his pony's sides. A +quick beat of hoofs and he was within the shadow of the forest. The +next thing was to avoid pursuit. He changed his course and rode toward +the heart of the forest. He would take an old and untraveled +bridle-trail to the Blue. He was riding in a rocky hollow when he +thought he heard the creak of saddle-leather. He glanced back. No one +was following him. Farther on he stopped. He was certain that he had +again heard the sound. As he topped the rise he saw Corliss riding +toward him. The rancher had evidently swung from the Concho trail and +was making his way directly toward the unused trail which Fadeaway +rode. The cowboy became doubly alert. He shifted a little in the +saddle, sitting straight, his right hand resting easily on his hip. +Corliss drew rein and they faced each other. There was something about +the rancher's grim, silent attitude that warned Fadeaway. + +Yet he grinned and waved a greeting. "How!" he said, as though he were +meeting an old friend. + +Corliss nodded briefly. He sat gazing at Fadeaway with an unreadable +expression. + +"Got the lock-jaw?" queried Fadeaway, his pretended heartiness +vanishing. + +Corliss allowed himself to smile, a very little. "You better ride back +with me," he said, quietly. + +Fadeaway laughed. "I'm takin' orders from the Blue, these days," he +said. "Mebby you forgot." + +"No, I haven't." + +"And I'm headed for the Blue," continued the cowboy. "Goin' my way?" + +"You're on the wrong trail," asserted Corliss. "You've been riding the +wrong trail ever since you left the Concho." + +"Uhuh. Well, I been keepin' clear of the sheep camps, at that." + +"Don't know about that," said Corliss, easily. + +Fadeaway was too shrewd to have recourse to his gun. He knew that +Corliss was the quicker man, and he realized that, even should he get +the better of a six-gun argument, the ultimate result would be outlawry +and perhaps death. He wanted to get away from that steady, +heart-searching gaze that held him. + +"Sheep business is lookin' up," he said, with an attempt at jocularity. + +"We'll ride back and have a talk with Loring," said Corliss. "Some one +put a band of his sheep into the caņon, not two hours ago. Maybe you +know something about it." + +"Me? What you dreaming anyhow?" + +"I'm not. It looks like your work." + +"So you're tryin' to hang somethin' onto me, eh? Well, you want to +call around early--you're late." + +"No, I'm the first one on the job. Did you stampede Loring's sheep?" + +"Did I stampede the love-makin'?" sneered Fadeaway. + +Corliss shortened rein and drew close to the cowboy. + +"Just explain that," he said. + +"Oh, I don' know. You the boss of creation?" + +Corliss's lips hardened. He let his quirt slip butt-first through his +hand and grasped the lash. Fadeaway's hand slipped to his holster. +Before he could pull his gun, Corliss swung the quirt. The blow caught +Fadeaway just below the brim of his hat. He wavered and grabbed at the +saddle-horn. As Corliss again swung his quirt, the cowboy jerked out +his gun and brought it down on the rancher's head. Corliss dropped +from the saddle. Fadeaway rode around and covered him. Corliss's hat +lay a few feet from where he had fallen. Beneath his head a dark ooze +spread a hand's-breadth on the trail. The cowboy dismounted and bent +over him. "He's sportin' a dam' good hat," he said, "or that would 'a' +fixed _him_. Guess he'll be good for a spell." Then he reached for +his stirrup, mounted, and loped up the trail. + + +Old Fernando, having excused himself on some pretext when Corliss rode +into the camp that morning, returned to find Corliss gone and Nell +Loring strangely grave and white. She nodded as he spoke to her and +pointed toward the mesa. "Carlos--is out--looking for the sheep," she +said, her lips trembling. "He says some one stampeded them--run them +into the caņon." + +Fernando called upon his saints and cursed himself for his negligence +in leaving his son with the sheep. Nell Loring spoke to him quietly, +assuring him that she understood why he had absented himself. "It's my +fault, Fernando, not yours. The patron will want to know why you were +away. You will tell him that John Corliss came to your camp; that you +thought I wanted to talk with him alone. Then he will know that it was +my fault. I'll tell him when I get back to the rancho." + +Fernando straightened his wizened frame. "Si! As the Seņorita says, I +shall do. But first I go to look. Perhaps the patron shall not know +that the vaquero Corlees was here this morning. It is that I ask the +Seņorita to say nothing to the patron until I look. Is it that you +will do this?" + +"What can you do?" she asked. + +"It is yet to know. Adios, Seņorita. You will remember the old +Fernando, perhaps?" + +"But you're coming back! Oh! it was terrible!" she cried. "I rode to +the caņon and looked down." + +Fernando meanwhile had been thinking rapidly. With quaint dignity he +excused himself as he departed to catch up one of the burros, which he +saddled and rode out to where his son was standing near the caņon. The +boy shrank from him as he accosted him. Fernando's deep-set eyes +blazed forth the anger that his lips imprisoned. He sent the boy back +to the camp. Then he picked up the tracks of a horseman on the mesa, +followed them to the caņon's brink, glanced down, shrugged his +shoulders, and again took up the horseman's trail toward the forest. +With the true instinct of the outlander, he reasoned that the horseman +had headed for the old trail to the Blue, as the tracks led diagonally +toward the south. Finally he realized that he could never overtake the +rider by following the tracks, so he dismounted and tied his burro. He +struck toward the caņon. A mile above him there was a ford. He would +wait there and see who came. He made his perilous way down a notch in +the cliff, dropped slowly to the level of the stream, and followed it +to the ford. He searched for tracks in the sun-baked mud. With a sigh +of satisfaction, perhaps of anticipation, he stepped to a clump of +cottonwoods down the stream and backed within them. Scarcely had he +crossed himself and drawn his gun from its weather-blackened holster, +when he heard the click of shod hoofs on the trail. He stiffened and +his eyes gleamed as though he anticipated some pleasant prospect. The +creases at the corners of his eyes deepened as he recognized in the +rider the vaquero who had set the Concho dog upon his sheep some months +before. He had a score to settle with that vaquero for having shot at +him. He had another and larger score to settle with him for--no, he +would not think of his beloved sheep mangled and dead at the bottom of +the caņon. That would anger him and make his hand unsteady. + +Fadeaway rode his horse into the ford and sat looking downstream as the +horse drank. Just as he drew rein, the old herder imitated with +perfect intonation the quavering bleat of a lamb calling to its mother. +Fadeaway jerked straight in the saddle. A ball of smoke puffed from +the cottonwoods. The cowboy doubled up and slid headforemost into the +stream. The horse, startled by the lunge of its rider, leaped to the +bank and raced up the trail. A diminishing echo ran along the caņon +walls and rolled away to distant, faint muttering. Old Fernando had +paid his debt of vengeance. + +Leisurely he broke a twig from the cottonwoods, tore a strip from his +bandanna, and cleaned his gun. Then he retraced his steps to the +burro, mounted, and rode directly to his camp. After he had eaten he +told his son to pack their few belongings. Then he again mounted the +burro and rode toward the hacienda to face the fury of the patron. + +He had for a moment left the flock in charge of his son. He had +returned to find all but a few of the sheep gone. He had tracked them +to the caņon brink. Ah! could the patron have seen them, lying mangled +upon the rocks! It had been a long hard climb to the bottom of the +caņon, else he should have reported sooner. Some one had driven the +sheep into the chasm. As to the man who did it, he knew nothing. +There were tracks of a horse--that was all. He had come to report and +receive his dismissal. Never again should he see the Seņora Loring. +He had been the patron's faithful servant for many years. He was +disgraced, and would be dismissed for negligence. + +So he soliloquized as he rode, yet he was not altogether unhappy. He +had avenged insult and the killing of his beloved sheep with one little +crook of his finger; a thing that his patron, brave as he was, would +not dare do. He would return to New Mexico. It was well! + + + + +CHAPTER XV + +THEY KILLED THE BOSS! + +Sundown, much to his dismay, was lost. With a sack of salt tied across +his saddle, he had ridden out that morning to fill one of the salt-logs +near a spring where the cattle came to drink. He had found the log, +filled it, and had turned to retrace his journey when a flock of wild +turkeys strung out across his course. His horse, from which the riders +of the Concho had aforetime shot turkeys, broke into a kind of +reminiscent lope, which quickened as the turkeys wheeled and ran +swiftly through the timberland. Sundown clung to the saddle-horn as +the pony took fallen logs at top speed. The turkeys made for a rim of +a narrow caņon and from it sailed off into space, leaving Chance a +disconsolate spectator and Sundown sitting his horse and thanking the +Arizona stars that his steed was not equipped with wings. It was then +that he realized that the Concho ranch might be in any one of the four +directions he chose to take. He wheeled the horse, slackened rein, and +allowed that sagacious but apparently disinterested animal to pick its +leisurely way through the forest. Chance trotted sullenly behind. He +could have told his master something about hunting turkeys had he been +able to speak, and, judging from the dog's dejected stride and +expression, speech would have been a relief to his feelings. + +The horse, nipping at scant shoots of bunch-grass and the blue-flowered +patches of wild peas, gravitated toward the old trail to the Blue and, +once upon it, turned toward home. Chance, refreshing his memory of the +old trail, ran ahead, pausing at this fallen log and that +fungus-spotted stump to investigate squirrel-holes with much sniffing +and circling of the immediate territory. Sundown imagined that Chance +was leading the way toward home, though in reality the dog was merely +killing time, so to speak, while the pony plodded deliberately down the +homeward trail. + +Dawdling along in the barred sunshine, at peace with himself and the +pleasant solitudes, Sundown relaxed and fell to dreaming of Andalusian +castles builded in far forests of the south, and of some Spanish +Penelope--possibly not unlike the Seņorita Loring--who waited his +coming with patient tears and rare fidelity. "Them there +true-be-doors," he muttered, "like Billy used to say, sure had the glad +job--singin' and wrastlin' out po'try galore! A singin'-man sure gets +the ladies. Now if I was to take on a little weight--mebby . . ." His +weird soliloquy was broken by a sharp and excited bark. Chance was +standing in the trail, and beyond him there was something . . . + +Sundown, anticipating more turkeys, slid from his horse without delay. +He stalked stealthily toward the quivering dog. Then, dropping the +reins, he ran to Corliss, knelt beside him, and lifted his head. He +called to him. He ripped the rancher's shirt open and felt over his +heart. "They killed me boss! They killed me boss!" he wailed, rising +and striding back and forth in impotent excitement and grief. He did +not know where to look for water. He did not know what to do. A +sudden fury at his helplessness overcame him, and he mounted and rode +down the trail at a wild gallop. Fortunately he was headed in the +right direction. + +Wingle, Bud Shoop, and several of the men were holding a heated +conference with old man Loring when Sundown dashed into the Concho. +Trembling with rage and fear he leaped from his horse. + +"They killed the boss!" he cried hoarsely. "Up there--in the woods." + +"Killed who? Where? Slow down and talk easy! Who's killed?" volleyed +the group. + +"Me boss! Up there on the trail with his head bashed in! Chance and +me found him layin' on the trail." + +The men swung to their saddles. "Better come along, Loring," said +Shoop, riding close to the old sheep-man. "Looks like they was more 'n +one side to this deal. And you, too, Sun." + +The riders, led by the gesticulating and excited Sundown, swung out to +the road and crossed to the forest. Shoop and Hi Wingle spurred ahead +while the others questioned Sundown, following easily. When they +arrived at the scene of the fight, Corliss was sitting propped against +a tree with Shoop and Wangle on either side of him. Corliss stared +stupidly at the men. + +"Who done it?" asked Wingle. + +"Fadeaway," murmured the rancher. + +Loring, in the rear of the group, laughed ironically. + +Shoop's gun jumped from its holster and covered the sheep-man. "If one +of your lousy herders done this, he'll graze clost to hell to-night +with the rest of your dam' sheep!" he cried. + +"Easy, Bud!" cautioned Wingle. "The boss ain't passed over yet. Bill, +you help Sinker here get the boss back home. The rest of you boys hit +the trail for the Blue. Fadeaway is like to be up in that country." + +"Ante up, Loring!" said Shoop, mounting his horse. "I'll see your hand +if it takes every chip in the stack." + +"Here, too!" chorused the riders. "We're all in on this." + +They trailed along in single file until they came to the ford. They +reined up sharply. One of them dismounted and dragged the body of +Fadeaway to the bank. They grouped around gazing at the hole in +Fadeaway's shirt. + +Shoop turned the body over. "Got it from in front," he said, which was +obvious to their experienced eyes. + +"And it took a fast gun to get him," asserted Loring. + +The men were silent, each visualizing his own theory of the fight on +the trail and the killing of Fadeaway. + +"Jack was layin' a long way from here," said Wingle. + +"When you found him," commented Loring. + +"Only one hoss crossed the ford this morning," announced Shoop, wading +across the stream. + +"And Fade got it from in front," commented a puncher. "His tracks is +headed for the Blue." + +Again the men were silent. Shoop rolled a cigarette. The splutter of +the sulphur-match, as it burned from blue to yellow, startled them. +They relaxed, cursing off their nervous tension in monosyllables. + +"Well, Fade's played his stack, and lost. Jack was sure in the game, +but how far--I dunno. Reckon that's got anything to do with stampedin' +your sheep?" asked Wingle, turning to Loring. + +Loring's deep-set eyes flashed. "Fernando reported that a Concho rider +done the job. He didn't say who done it." + +"Didn't, eh? And did Fernando say anything about doin' a job himself?" +asked Shoop. + +"If you're tryin' to hang this onto any of my herders, you're ridin' on +the wrong side of the river. I reckon you won't have to look far for +the gun that got _him_." And Loring gestured toward the body. + +Hi Wingle stooped and pulled Fadeaway's gun from its holster. He spun +the cylinder, swung it out, and invited general inspection. "Fade +never had a chance," he said, lowering the gun. "They's six pills in +her yet. You got to show me he wasn't plugged from behind a rock or +them bushes." And Wingle pointed toward the cottonwoods. + +One of the men rode down the caņon, searching for tracks. Chance, +following, circled the bushes, and suddenly set off toward the north. + +Sundown, who had been watching him, dismounted his horse. "Chance, +there, mebby he's found somethin'." + +"Well, he's your dog. Go ahead if you like. Mebby Chance struck a +scent." + +"Coyote or lion," said Wingle. "They ain't no trail down them rocks." + +Sundown, following Chance, disappeared in the caņon. The men covered +Fadeaway's body with a slicker and weighted it with stones. Then they +sent a puncher to Antelope to notify the sheriff. + + +As they rode into the Concho, they saw that Corliss's horse was in the +corral. Their first anger had cooled, yet they gazed sullenly at +Loring. They were dissatisfied with his interpretation of the killing +and not a little puzzled. + +"Where's Fernando?" queried Shoop aggressively. + +Loring put the question aside with a wave of his hand. "Jest a minute +afore I go. You're tryin' to hang this onto me or mine. You're wrong. +You're forgettin' they's five hundred of my sheep at the bottom of the +Concho Caņon, I guess. They didn't get there by themselves. +Fadeaway's got his, which was comin' to him this long time. That's +nothin' to me. What I want to see is Jack Corliss's gun." + +Bud Shoop stepped into the ranch-house and presently returned with the +Coitus. "Here she is. Take a look." + +The old sheep-man swung out the cylinder and pointed with a gnarled and +horny finger. The men closed in and gazed in silence. One of the +shells was empty. + +Loring handed the gun to Shoop. "I'll ask Jack," said the foreman. +When he returned to the group he was unusually grave. "Says he plugged +a coyote this mornin'." + +Loring's seamed and weathered face was expressionless. "Well, he did a +good job, if I do say it," he remarked, as though to himself. + +"Which?" queried Shoop. + +"I don't say," replied Loring. "I'm lettin' the evidence do the +talkin'." + +"Well, you'll hear her holler before we get through!" asserted the +irrepressible Bud. "Fade, mebby, wa'n't no lady's man, but he had +sand. He was a puncher from the ground up, and we ain't forgettin' +that!" + +"And I ain't forgettin' them five hundred sheep." Loring reined +around. "And you're goin' to hear from me right soon. I reckon they's +law in this country." + +"Let her come!" retorted Shoop. "We'll all be here!" + + + + +CHAPTER XVI + +SUNDOWN ADVENTURES + +By dint of perilous scrambling Sundown managed to keep within sight of +Chance, who had picked up Fernando's tracks leading from the +cottonwoods. The dog leaped over rocks and trotted along the levels, +sniffing until he came to the rift in the caņon wall down which the +herder had toiled on his grewsome errand. Chance climbed the sharp +ascent with clawing reaches of his powerful forelegs and quick thrusts +of his muscular haunches. Sundown followed as best he could. He was +keyed to the strenuous task by that spurious by-product of anticipation +frequently termed a "hunch." + +When the dog at last reached the edge of the timber and dashed into +Fernando's deserted camp, Sundown was puzzled until he happened to +recall the incidents leading to Fadeaway's discharge from the Concho. +He reclined beneath a tree familiar to him as a former basis for +recuperation. He felt of himself reminiscently while watching Chance +nose about the camp. Presently the dog came and, squatting on his +haunches, faced his master with the query, "What next?" scintillating +in his glowing eyes. + +"I dunno," replied Sundown. "You see, pardner, this here's Fernando's +camp all right. Now, I ain't got nothin' ag'in' that little ole +Fernando man, 'specially as it was him cut the rope that was snakin' me +to glory onct. I ain't got nothin' ag'in' him, or nobody. Mebby Fade +did set after them sheep. Mebby Fernando knows it and sets after him. +Mebby he squats in them cotton-woods by the ford and 'Pom!' goes +somethin' and pore Fadeaway sure makes his name good. Never did like +him, but I ain't got nothin' ag'in' him now. You see, Chance, he's +quit bein' mean, now. And say, gettin' killed ain't no dream. I been +there three, four times myself--all but the singin'. Two wrecks, one +shootin', and one can o' beans that was sick. It sure ain't no fun. +Wonder if gettin' killed that way will square Fade with the Big Boss +over there? I reckon not. 'T ain't what a fella gets done to him that +counts. It's what he does to the other guy, good or bad. Now, take +them martyrs what my pal Billy used to talk about. They was always +standin' 'round gettin' burned and punctured with arrers, and +lengthened out and shortened up when they ought to been takin' boxin' +lessons or sords or somethin'. Huh! I never took much stock in them. +If it's what a fella gets _done_ to him, it's easy money I'll be takin' +tickets at the gate instead of crawlin' under the canvas--and mebby +tryin' to sneak you in, too--eh, Chance?" + +To all of which the great wolf-dog listened with exemplary patience. +He would have preferred action, but not unlike many human beings who +strive to appear profound under a broadside of philosophical eloquence, +applauding each bursting shrapnel of platitudes by mentally wagging +their tails, Chance wagged his tail, impressed more by the detonation +than the substance. And Chance was quite a superior dog, as dogs go. + +When Sundown finally arrived at the Concho, he was met by Bud Shoop, +who questioned him. Sundown gave a detailed account of his recent +exploration. + +"You say they was no burros at the camp--no tarp, or grub, or nothin'?" + +"Nope. Nothin' but a dead fire," replied Sundown. + +"Any sheep?" + +"Mebby four or five. Didn't count 'em." + +"Huh! Wonder where the rest of the greaser's herd is grazin'?" + +"I dunno. I rode straight acrost to here." + +"Looks mighty queer to me," commented the foreman. "I take it that +Fernando's lit out." + +"Will they pinch the boss?" queried Sundown. + +"I don' know. Anyhow, they can't prove it on him. Even if Jack +did--and I don't mind sayin' it to you--plug Fade, he did it to keep +from gettin' plugged hisself. Do you reckon I'd let any fella +chloroform me with the butt of a .45 and not turn loose? I tell you, +if Jack had been a-goin' to get Fade _right_, you'd 'a' found 'em +closter together. And that ain't all. If Jack had wanted to get Fade, +you can bet he wouldn't got walloped on the head first. The gun that +got Fade weren't packed by a puncher." + +"Will they be any more shootin'?" queried Sundown. + +"Gettin' cold feet, Sun?" + +"Nope. But say, it ain't no fun to get shot up. It don't feel good +and it's like to make a guy cross. A guy can't make pie or eat pie all +shot up, nohow." + +"Pie? You sure are loco. What you tryin' to rope now?" + +"Nothin'. But onct I was in the repair shop with two docs explorin' me +works with them there shiny little corkscrews, lookin' for a bullit +that Clammie-the-dip let into me system--me bein' mistook for another +friend of his by mistake. After the docs dug up the bullit they says, +'Anything you want to say?'--expectin' me to pass over, I reckon. +'There is,' says I. 'I want to say that I ain't et nothin' sense the +day before Clammie done me dirt. An' if I'm goin' to hit the slide I +jest as soon hit it full of pie as empty.' And them docs commenced to +laugh. 'Let him have it,' says one. 'But don't you reckon ice-cream +would be less apt to--er--hasten--the--er--' jest like that. 'Pussuble +you're correct' says the other.'" Sundown scratched his ear. "And I +et the ice-cream, feelin' kind o' sad-like seein' it wasn't pie. You +see, Bud, gettin' shot up is kind of disconvenient." + +"Well, you're the limit!" exclaimed Shoop. "Say, the boss wants to +make a few talks to you to-morrow. Told me to tell you when you come +back. You better go feed up. As I recollec' Hi's wrastlin' out some +pie-dough right now." + +"Well, I ain't takin' no chances, Bud." + +"You tell that to Hi and see what he says." + +"Nope. 'T ain't necessary. You see when them docs seen, about a week +after, that I was comin' strong instead of goin', they says, 'Me man, +if you'd 'a' had pie in your stummick when you was shot, you wouldn't +be here to-day. You'd be planted--or somethin' similar. The fac' that +your stummick was empty evidentially saved your life.' And," concluded +Sundown, "they's no use temptin' Providence now." + + +Shortly after breakfast next morning Corliss sent for Sundown. The +rancher sat propped up in a wide armchair. He was pale, but his eyes +were clear and steady. + +"Bud told me about yesterday," he began, anticipating Sundown's +leisurely and erratic recital. "I understand you found me on the trail +and went for help." + +"Yes. I thought you was needin' some about then." + +"How did you come to find me?" + +"Got lost. Hoss he took me there." + +"Did you see any one on the trail?" + +"Nope." + +"Hear any shooting?" + +"Nope. But I seen some turkeys." + +"Well, I expect the sheriff will be here tomorrow. He'll want to talk +to you. Answer him straight. Don't try to help me in any way. Just +tell him what you know--not what you think." + +"I sure will, boss. Wish Chance could talk. He could tell." + +Corliss smiled faintly. "Yes, I suppose he could. You followed him to +Fernando's camp?" + +"Uhuh." + +"All right. Now, I've had a talk with Bud about something that has +been bothering me. I think I can trust you. I want you to ride to +Antelope to-morrow morning and give a letter from me to the lawyer +there, Kennedy. He'll tell you what to do after that. I don't feel +like talking much, but I'll say this: You remember the water-hole +ranch. Well, I want you to file application to homestead it. Kennedy +will tell you what to do. Don't ask any questions, but do as he says. +You'll have to go to Usher by train and he'll go with you. You won't +lose anything by it." + +"Me? Homestead? Huh! And have cows and pigs and things? I don't +jest get you, boss, but what you say goes. Why, I'd homestead a ranch +in hell and take chances on findin' water if you said it. Say, +boss,"--and Sundown leaned toward Corliss confidentially and lowered +his voice,--"I ain't what you'd call a nervy man, but say, I got +somethin' jest as good. I--I--" and Sundown staggered around feeling +for the word he wanted. + +"I know. We'll look it up in the dictionary some day when we're in +town. Here's ten dollars for your trip. If you need more, Kennedy +will give it to you." + +Sundown departed, thrilled with the thought that his employer had +placed so much confidence in him. He wanted to write a poem, but +circumstances forbade his signaling to his muse. On his way to the +bunk-house he hesitated and retraced his steps to the ranch office. +Corliss told him to come in. He approached his employer deferentially +as though about to ask a favor. + +"Say, boss," he began, "they's two things just hit me to onct. Can I +take Chance with me?" + +"If you like. Part of your trip will be on the train." + +"I can fix that. Then I was thinkin': No! my hoss is lame. I got to +ride a strange hoss, which I'm gettin' kind o' used to. But if you'll +keep your eye on my hoss while I'm gone, it'll ease me mind +considerable. You see he's been with me reg'lar and ain't learned no +bad tricks. If the boys know I'm gone and get to learnin' him about +buckin' and bitin' the arm offen a guy and kickin' a guy's head off and +rollin' on him, and rarin' up and stompin' him, like some, they's no +tellin' what might happen when I get back." + +Corliss laughed outright. "That's so. But I guess the boys will be +busy enough without monkeying with your cayuse. If you put that +homestead deal through, you can have any horse on the range except +Chinook. You'll need a team, anyway, when you go to ranching." + +"Thanks, boss, but I'm gettin' kind of used to Pill." + +"Pill? You mean Phil--Phil Sheridan. That's your horse's name." + +"Mebby. I did try callin' him 'Phil.' It went all right when he was +standin' quiet. But when he got to goin' I was lucky if I could holler +just 'Whoa, Pill!' The 'h' got jarred loose every time. 'Course, +bein' a puncher now,"--and Sundown threw out his chest,--"it's +different. Anyhow, Pill is his name because there ain't anything a doc +ever give a fella that can stir up your insides worse 'n he can when he +takes a spell. Your head hurtin' much?" + +"No. But it will be if you don't get out of here." And Corliss +laughed and waved his hand toward the door. + + + + +CHAPTER XVII + +THE STRANGER + +Sundown, maintaining a mysterious and unusual silence, prepared to +carry out his employer's plans. His preparations were not extensive. +First, he polished his silver spurs. Then he borrowed a coat from one +of the boys, brushed his Stetson, and with the business instinct of a +Hebrew offered Hi Wingle nine dollars for a pair of Texas wing chaps. +The cook, whose active riding-days were over, had no use for the chaps +and would have gladly given them to Sundown. The latter's offer of +nine dollars, however, interested Wingle. He decided to have a bit of +fun with the tall one. He cared nothing for the money, but wondered +why Sundown had offered nine dollars instead of ten. + +"What you been eatin'?" he queried as Sundown made his bid. "Goin' +courtin'?" + +"Nope," replied the lean one. "Goin' east." + +"Huh! Expect to ride all the way in them chaps?" + +"Nope! But I need 'em. Heard you tell Bud you paid ten dollars for +'em 'way back fifteen years. Guess they's a dollar's worth worn off of +'em by now." + +"Well, you sure do some close figurin'. I sure paid ten for 'em. Got +'em from a Chola puncher what was hard up. Mebby you ain't figurin' +that they's about twenty bucks' worth of hand-worked silver conchas on +'em which ain't wore off any." + +Sundown took this as Wingle's final word. The amused Hi noted the +other's disappointment and determined to enhance the value of the chaps +by making them difficult to obtain, then give them to his assistant. +Wingle liked Sundown in a rough-shod way, though Sundown was a bit too +serious-minded to appreciate the fact. + +The cook assumed the air of one gravely concerned about his friend's +mental balance. "Somethin' sure crawled into your roost, Sun, but if +you're goin' crazy I suppose a pair of chaps won't make no difference +either way. Anyhow, you ain't crazy in your legs--just your head." + +"Thanks, Hi. It's accommodatin' of you to put me wise to myself. I +know I ain't so durned smart as some." + +"Say, you old fool, can't you take a fall to it that I'm joshin'? You +sure are the melancholiest stretch of bones and hide I ever seen. +Somehow you always make a fella come down to cases every time, with +that sad-lookin' mug of yourn. You sure would 'a' made a good +undertaker. I'll get them chaps." + +And Wingle, fat, bald, and deliberate, chuckled as he dug among his +belongings and brought forth the coveted riding apparel. "Them chaps +has set on some good hosses, if I do say it," he remarked. "Take 'em +and keep your nine bucks for life insurance. You'll need it." + +Sundown grinned like a boy. "Nope. A bargain's a bargain. Here's the +money. Mebby you could buy a fust-class cook-book with it and learn +somethin'." + +"Learn somethin'! Why, you long-geared, double-jointed, glass-eyed, +hay-topped, star-smellin' st-st-steeple, you! Get out o' this afore I +break my neck tryin' to see your face! Set down so I can look you in +the eye!" And Wingle waved his stout arms and glowered in mock anger. + +Sundown laid the money on the table. "Keep the change," he said mildly +with a twinkle in his eye. + +He picked up the chaps and stalked from the bunk-house. Chance, who +had been an interested spectator of this lively exchange of compliment +and merchandise, followed his master to the stable where Sundown at +once put on the chaps and strutted for the dog's benefit, and his own. +By degrees he was assuming the characteristics of a genuine +cow-puncher. He would show the folks in Antelope what a rider for the +Concho looked like. + +The following morning, much earlier than necessary, he mounted and rode +to the bunk-house, where Corliss gave him the letter and told him to +leave the horse at the stables in Antelope until he returned from Usher. + +Sundown, stiffened by the importance of his mission, rode straight up, +looking neither to the right nor to the left until the Concho was far +behind him. Then he slouched in the saddle, gazing with a pleased +expression first at one leather-clad leg and then the other. For a +time the wide, free glory of the Arizona morning mesas was forgotten. +The shadow of his pony walked beside him as the low eastern sun burned +across the golden levels. Long silhouettes of fantastic buttes spread +across the plain. The sky was cloudless and the crisp thin air +foretold a hot noon. The gaunt rider's face beamed with an inner +light--the light of romance. What more could a man ask than a good +horse, a faithful and intelligent dog, a mission of trust, and sixty +undisturbed miles of wondrous upland o'er which to journey, fancy-free +and clad in cowboy garb? Nothing more--except--and Sundown realized +with a slight sensation of emptiness that he had forgotten to eat +breakfast. He had plenty to eat in his saddle-bags, but he put the +temptation to refresh himself aside as unworthy, for the nonce, of his +higher self. Naturally the pent-up flood of verse that had been +oppressing him of late surged up and filled his mind with vague and +poignant fancies. His love for animals, despite his headlong +experiences on the Concho, was unimpaired, so to speak. He patted the +neck of the rangy roan which he bestrode, and settled himself to the +serious task of expressing his inner-most being in verse. He dipped +deep into the Pierian springs, and poesy broke forth. But not, +however, until he had "cinched up," as he mentally termed it, the +saddle of his Pegasus of the mesas. + +Sundown paused and called the attention of his horse to the last line. + +He hesitated, harking back for his climax. "Jing!" he exclaimed, "it's +the durndest thing to put a finish on a piece of po'try! You get to +goin' and she goes fine. Then you commence to feel that you're comin' +to the end and nacherally you asks yourself what's the end goin' to be +like. Fust thing you're stompin' around in your head upsettin' all +that you writ tryin' to rope somethin' to put on the tail-end of the +parade that'll show up strong. Kind o' like ropin' a steer. No +tellin' where that pome is goin' to land you." + +Sundown was more than pleased with himself. He again recited the verse +as he plodded along, fixing it in his memory for the future edification +of his compatriots of the Concho. + +"The best thing I ever writ!" he assured himself. "Fust thing I know +they'll be puttin' me in one of them doxologies for keeps. 'Sundown +Slim, The Poet of the Mesas!' Sounds good to me. Reckon that's why I +never seen a woman that I wanted to get married to. Writin' po'try +kind of detracted me mind from love. Guess I could love a woman if she +wouldn't laugh at me for bein' so dog-goned lengthy. She would have to +be a small one, though, so as she'd be kind o' scared o' me bein' so +big. Then mebby we could get along pretty good. 'Course, I wouldn't +like her to be scared all the time, but jest kind o' respectable-like +to me. Them's the best kind. Mebby I'll ketch one some day. Now +there goes that Chance after a rabbit ag'in. He's a long piece +off--jest can hardly see him except somethin' movin'. Well, if he +comes back as quick as he went, he'll be here soon." And Sundown +jogged along, spur-chains jingling a fairy tune to his oral soliloquies. + +Aside from forgetting to have breakfast that morning, he had made a +pretty fair beginning. He was well on his way, had composed a +roan-colored lyric of the ranges, discoursed on the subject of love, +and had set his spirit free to meander in the realms of imagination. +Yet his spirit swept back to him with a rush of wings and a question. +Why not get married? And "Gee! Gosh!" he ejaculated, startled by the +abruptness of the thought. "Now I like hosses and dogs and folks, but +livin' with hosses and dogs ain't like livin' with folks. If hosses +and dogs take to you, they think you're the whole thing. But wimmen is +different. If they take to you--why, they think they're the whole +thing jest because they landed you. I dunno! Jest bein' good to folks +ain't everything, either. But bein' good to hosses and dogs is. +Funny. I dunno, though. You either got to understand 'em and be rough +to 'em, or be good to 'em and then they understand you. Guess they +ain't no regular guide-book on how to git along with wimmen. Well, I +never come West for me health. I brung it with me, but I ain't goin' +to take chances by fallin' in love. Writin' po'try is wearin' enough." + +For a while he rode silently, enjoying his utter freedom. But +followers of Romance must ever be minute-men, armed and equipped to +answer her call with instant readiness and grace. Lacking, perhaps, +the grace, nevertheless Sundown was loyal to his sovereign mistress, in +proof of which he again sat straight in the saddle, stirred to speech +by hidden voices. "Now, take it like I was wearin' a hard-boiled hat +and a collar and buttin shoes, like the rest of them sports. Why, that +wouldn't ketch the eye of some likely-lookin' lady wantin' to get +married. Nix! When I hit town it's me for the big smoke and me +picture on the front page, standin' with me faithful dog and a lot of +them fat little babies without any clothes on, but wings, flyin' around +the edge of me picture and down by me boots and up around me hat--and +in big letters she'll say: 'Romance of A Cowboy. Western Cattle King +in Search for his Long-lost Sweetheart. Sundown, once one of our +Leading Hoboes, now a Wealthy Rancher, visits the Metrokolis on +Mysterious Errand.' Huh! I guess mebby that wouldn't ketch a good +one, mebby with money." + +But the proverbial fly must appear in the equally proverbial amber. +"'Bout as clost as them papers ever come to it," he soliloquized. +"Anyhow, if she was the wrong one, and not me long-lost affiniky, and +was to get stuck on me shape and these here chaps and spurs, reckon I +could tell her that the papers made the big mistake, and that me +Mexican wife does the cookin' with a bread-knife in her boot-leg, and +that I never had no Mormon ideas, nohow. That ought to sound kind o' +home-like, and let her down easy and gentle. I sure don't want to get +sent down for breakin' the wimmen's hearts, so I got to be durned +careful." + +So immersed was he in his imaginings that he did not at once realize +that his horse had stopped and was leisurely grazing at the edge of the +trail. Chance, who had been running ahead, swung back in a wide circle +and barked impatiently. Sundown awakened to himself. "Here, you red +hoss, this ain't no pie-contest. We got to hit the water-hole afore +dark." Once more in motion, he reverted to his old theme, but with +finality in his tone. "I guess mebby I can't tell them reporters +somethin' about me hotel out here on the desert! 'The only prevailable +road-house between Antelope and the Concho, run by the retired +cattle-king, Sundown Slim.' Sounds good to me. Mebby I could work up +a trade by advertisin' to some of them Eastern folks that eats nothin' +tougher for breakfast than them quakin'-oats and buns and coffee. Get +along, you red hoss." + +About six o'clock that evening Sundown arrived at the deserted ranch. +He unsaddled and led the horse to water. Then he picketed him for the +night. Returning, he prepared a meal and ate heartily. Just as the +light faded from the dusty windows, Chance, who was curled in a corner, +rose and growled. Sundown strode to the door. The dog followed, +sniffing along the crack. Presently Sundown heard the shuffling tread +of a horse plodding through the sand. He swung open the door and stood +peering into the dusk. He saw a horseman dismount and enter the +gateway. Chance again bristled and growled. Sundown restrained him. + +"Hello, there! That you, Jack?" + +"Nope. It's me--Sundown from the Concho." + +"Concho, eh? Was headed that way myself. Saw the dog. Thought mebby +it was Jack's dog." + +"Goin' to stop?" queried Sundown as the other advanced, leading his +horse. + +"Guess I'll have to. Don't fancy riding at night. Getting too old." +And the short, genial-faced stranger laughed heartily. + +"Well, they's plenty room. Had your supper?" + +"No, but I got some chuck along with me. Got a match?" + +Sundown produced matches. The other rolled a cigarette and studied +Sundown's face covertly in the glow of the match. In the flare Sundown +beheld a thick-set, rather short-necked man, smooth-shaven, and of a +ruddy countenance. He also noticed that the stranger wore a coat, and +at once surmised that he was neither cowboy nor herder. + +"Guess I'll stake out the hoss," said the man. "See you later." + +Chance, who had stood with head lowered and neck outstretched, whined +and leaped up at Sundown, standing with paws on his master's chest and +vainly endeavoring to tell him something. The dog's eyes were eloquent +and intense. + +Sundown patted him. "It's all right, Chance. That guy's all right. +Guess I know a good face when I see one. What's the matter, anyway?" + +Chance dropped to his feet and stalked to his corner. He settled +himself with a lugubrious sigh, as though unwillingly relinquishing his +responsibilities in the matter. + +When the stranger returned, Sundown had a fire going. "Feels good," +commented the man, rubbing his hands and surveying the room in the glow +that flared up as he lifted the stove-lid. "On your way in?" + +"Me? Nope. I'm goin' to Antelope." + +"So? Is Jack Corliss hurt bad?" + +"He was kind o' shook up for a couple of days. Guess he's gettin' +along all right now. Reckon you heard what somebody done to Fadeaway." + +The stranger nodded. "They got him, all right. Knew Fade pretty well +myself. Guess I'll eat.--That coffee of yours was good, all right," he +said as he finished eating. He reached for the coffee-pot and tipped +it. "She's plumb empty." + +"I'll fill her," volunteered Sundown, obligingly. + +As he disappeared in the darkness, the stranger stepped to the rear +door of the room and opened it. Then he closed the door and stooping +laid his saddle and blankets against it. "He can't make a break that +way," he said to himself. As Sundown came in, the man noticed that the +front door creaked shrilly when opened or closed and seemed pleased +with the fact. "Too bad about Fadeaway," he said, helping himself to +more coffee. "Wonder who got him?" + +"I dunno. I found me boss with his head busted the same day they got +Fade." + +"Been riding for the Concho long?" + +"That ain't no joke, if you're meanin' feet and inches." + +The other laughed. His eyes twinkled in the ruddy glow of the stove. +Suddenly he straightened his shoulders and appeared to be listening. +"It's the hosses," he said finally. "Some coyote's fussin' around +bothering 'em. It's a long way from home as the song goes. Lend me +your gun and I'll go see if I can plug one of 'em and stop their +yipping." + +Sundown presented his gun to the stranger, who slid it between trousers +and shirt at the waist-band. "Don't hear 'em now," he announced +finally. "Well, guess I'll roll in." + +Strangely enough, he had apparently forgotten to return the gun. +Sundown, undecided whether to ask for it or not, finally spread his +blankets and called Chance to him. The dog curled at his master's +feet. Save for the diminishing crackle of dry brush in the stove, the +room was still. Evidently the ruddy-faced individual was asleep. +Vaguely troubled by the stranger's failure to return his gun, Sundown +drifted to sleep, not for an instant suspecting that he was virtually +the prisoner of the sheriff of Apache County, who had at Loring's +instigation determined to arrest the erstwhile tramp for the murder of +Fadeaway. The sheriff had his own theory as to the killing and his +theory did not for a moment include Sundown as a possible suspect, but +he had a good, though unadvertised, reason for holding him. Accustomed +to dealing with frontier folk, he argued that Sundown's imprisonment +would eventually bring to light evidence leading to the identity of the +murderer. It was a game of bluff, and at such a game he played a +master hand. + + +The stranger seemed unusually affable in the morning. He made the +fire, and, before Sundown had finished eating, had the two ponies +saddled and ready for the road. Sundown thought him a little too +agreeable. He was even more perplexed when the man said that he had +changed his mind and would ride to Antelope with him. "Thought you +said you was goin' to the Concho?" + +"Well, seeing you say Jack can't ride yet, guess I'll wait." + +"He can talk, all right," asserted Sundown. + +The other paid no apparent attention to this remark but rode along +pointing out landmarks and discoursing largely upon the weather, the +feed, and price of hay and grain and a hundred topics associated with +ranch-life. Sundown, forgetful of his pose as a vaquero of long +standing (unintentional), assumed rather the attitude of one absorbing +information on such topics than disseminating it. Nor did he +understand the stranger's genial invitation to have supper with him at +Antelope that night, as they rode into the town. He knew, however, +that he was creating a sensation, which he attributed to his Mexican +spurs and chaps. People stared at him as he stalked down the street +and turned to stare again. His companion seemed very well known in +Antelope. Nearly every one spoke to him or waved a greeting. Yet +there was something peculiar in their attitudes. There was an +aloofness about them that was puzzling. + +"He sure looks like the bad man from Coyote Gulch," remarked one who +stood in front of "The Last Chance" saloon. + +"He ain't heeled," asserted the speaker's companion. + +"Heeled! Do you reckon Jim's plumb loco? Jim took care of that." + +All of which was music to Sundown. He was making an impression, yet he +was not altogether happy. He did not object to being classed as a bad +man so long as he knew at heart that he was anything but that. Still, +he was rather proud of his instant notoriety. + +They stopped in front of a square, one-story building. Sundown's +companion unlocked the door. "Come on in," he said. "We'll have a +smoke and talk things over." + +"But I was to see Mr. Kennedy the lawyer," asserted Sundown. + +"So? Well, it ain't quite time to see him yet." + +Sundown's back became cold and he stared at the stranger with eyes that +began to see the drift of things. "You ain't a cop, be you?" he asked +timorously. + +"They call it 'sheriff' here." + +"Well, I call it kind o' warm and I'm goin' outside." + +"I wouldn't. One of my deputies is sitting just across the street. +He's a mighty good shot. Can beat me hands down. Suppose you drop +back in your chair and tell me what you know about the shooting of +Fadeaway." + +"Me? You ain't joshin', be you?" + +"Never more serious in my life! I'm interested in this case." + +"Well, I ain't!" was Sundown's prompt remark. "And I got to go. I'm +goin' on privut business for me boss and confidenshell. Me and Chance." + +"That's all right, my friend. But I have some private and confidential +business that can't wait." + +"But I ain't done nothin'," whined Sundown, lapsing into his old +attitude toward the law. + +"Maybe not. Mr. Loring telephoned me that Fadeaway had been shot and +that a man answering your description--a tramp, he said--seemed to know +something about it. You never was a puncher. You don't get on or off +a cayuse like one. From what I learn you were a Hobo when Jack Corliss +gave you a job. That's none of my business. I arrest you as a +suspicious character, and I guess I'll have to keep you here till I +find out more about Fadeaway's case. Have a cigar?" + +"Huh! Say, don't you ever get mad?" queried Sundown, impressed by the +other's most genial attitude. + +The sheriff laughed. "Doesn't pay in my business. Now, you just ease +up and tell me what you know. It will save time. Did you ever have +trouble with Fadeaway?" + +"Not on your life! I give him all the room he wanted." + +"Did you know Fernando---one of Loring's herders?" + +"I seen him onct. He saved me life from bein' killed by a steer. Did +he say I done it?" parried Sundown. + +The sheriff's opinion of Sundown's acumen was disturbed. Evidently +this queer individual posing as a cowboy was not such a fool, after all. + +"No. Have you seen him lately?" + +"Nope. Chance and me was over to his camp, but he was gone. We kind +o' tracked back there from the place where we found Fadeaway." + +"That so?" + +"Uhuh. It was like this." And Sundown gave a detailed account of his +explorations. + +When he had finished, the sheriff made a note on the edge of a +newspaper. Then he turned to Sundown. "You're either the deepest hand +I've tackled yet, or you're just a plain fool. You don't act like a +killer." + +"Killer! Say, mister, I wouldn't kill a bug that was bitin' me 'less'n +he wouldn't let go. Why, ask Chance there!" + +"I wish that dog could talk," said the sheriff, smiling. "Did you know +that old Fernando had left the country--crossed the line into New +Mexico?" + +"What? Him?" + +"Yes. I know about where he is." + +"Guess his boss fired him for lettin' all the sheep get killed. Guess +he had to go somewhere." + +The sheriff nodded. "So you were going to take a little trip yourself, +were you?" + +"For me boss. You ask him. He can tell you." + +"I reckon when he finds out where you are he'll come in." + +"And you're goin' to pinch me?" + +"You're pinched." + +"Well, I'm dum clost to gettin' mad. You look here! Do you think I'd +be ridin' to Antelope if I done anything like shoot a man? Do you +think I'd hand you me gun without sayin' a word? And if you think I +didn't shoot Fadeaway, what in hell you pinchin' me for? Ain't a guy +got a right to live?" + +"Yes. Fadeaway had a right to live." + +"Well, I sure never wanted to see him cross over. That's the way with +you cops. If a fella is a Bo, he gets pinched, anyhow. If he quits +bein' a Bo and goes to workin' at somethin', then he gets pinched for +havin' been a Bo onct. I been livin' honest and peaceful-like and +straight--and I get pinched. Do you wonder a Bo gets tired of tryin' +to brace up?" + +"Can't say that I do. Got to leave you now. I'll fix you up +comfortable in here." And the sheriff unlocked the door leading to the +one-room jail. "I'll talk it over with you in the morning. The wife +and kid will sure be surprised to see me back, so I'll mosey down home +before somebody scares her to death telling her I'm back in town. +So-long." + +Sundown sat on the narrow bed and gazed at the four walls of the room. +"Wife and kid!" he muttered. "Well, I reckon he's got a right to have +'em. Gee Gosh! Wonder if he'll feed Chance!" + + + + +CHAPTER XVIII + +THE SHERIFF AND OTHERS + +Chance, disconsolate, wandered about Antelope, returning at last to lie +before the door of the sheriff's office. The sheriff, having +reestablished himself, for the nonce, in the bosom of his family, +strolled out to the street. He called to Chance, who dashed toward +him, then stopped with neck bristling. + +The sheriff's companion laughed. "I was going to feed him," explained +the sheriff. + +"I know what I'd feed him," growled his companion. + +"What for? He's faithful to his boss--and that's something." + +The other grunted and they passed up the street. Groups of men waylaid +them asking questions. As they drifted from one group to another, the +friend remarked that his companion seemed to be saying little. The +stout sheriff smiled. He was listening. + +Chance, aware that something was wrong, fretted around the door of +Sundown's temporary habitation. Finally he threw himself down, nose on +outstretched paws, and gazed at the lights and the men across the way. +Later, when the town had become dark and silent, the dog rose, shook +himself, and padded down the highway taking the trail for the Concho. +He knew that his master's disappearance had not been voluntary. He +also knew that his own appearance alone at the Concho would be evidence +that something had gone wrong. + +Once well outside the town, Chance settled to a long, steady stride +that ate into the miles. At the water-hole he leaped the closed gate +and drank. Again upon the road he swung along across the starlit +mesas, taking the hills at a trot and pausing on each rise to rest and +sniff the midnight air. Then down the slopes he raced, and out across +the levels, the great bunching muscles of his flanks and shoulders +working tirelessly. As dawn shimmered across the ford he trotted down +the mud-bank and waded into the stream, where he stood shoulder-deep +and lapped the cool water. + +Corliss, early afoot, found him curled at the front door of the +ranch-house. Chance braced himself on his fore legs and yawned. Then +stretching he rose and, frisking about Corliss, tried to make himself +understood. Corliss glanced toward the corral, half expecting to see +Sundown's horse. Then he stepped to the men's quarters. He greeted +Wingle, asking him if Sundown had returned. + +"No. Thought he went east." + +"Chance came back, alone." + +And Corliss and the cook eyed each other simultaneously and nodded. + +"Loring," said Wingle. + +"Guess you're right, Hi." + +"Sheriff must 'a' been out of town and got back just in time to meet up +with Sundown," suggested Wingle. And he seized a scoop and dug into +the flour barrel. + + +An hour later the buckboard stood at the ranch gate. Bud Shoop, +crooning a range-ditty that has not as yet disgraced an anthology, +stood flicking the rear wheel with his whip:-- + + + "Oh, that biscuit-shooter on the Santa Fé, + --Hot coffee, ham-and-eggs, huckleberry pies,-- + Got every lonely puncher that went down that way + With her yella-bird hair and them big blue eyes . . . + + "For a two-bit feed and a two-bit smile . . ." + + +The song was interrupted by the appearance of Corliss, who swung to the +seat and took the reins. + +"I'll jog 'em for a while," he said as Shoop climbed beside him. "Go +ahead, Bud. Don't mind me." + +Shoop laughed and gestured over his shoulder. "Chance, there, is +sleepin' with both fists this lovely mornin'. Wonder how Sun is makin' +it?" + +"We'll find out," said Corliss, shaking his head. + +"Believe us! For we're goin' to town! Say, ain't you kind of offerin' +Jim Banks a chance to get you easy?" + +"If he wants to. If he locked Sundown up, he made the wrong move." + +"It's easy!" said Shoop, gesturing toward the Loring rancho as they +passed. "Goin' to bush at the water-hole to-night?" + +"No. We'll go through." + +Shoop whistled. "Suits me! And I reckon the team is good for it." + +He glanced sideways at Corliss, who sat with eyes fixed straight ahead. +The cattle-man's face was expressionless. He was thinking hard and +fast, but chose to mask it. + +Suddenly Shoop, who had watched him some little time, burst into song. +"Suits me!" he reiterated, more or less ambiguously, by the way, for he +had just concluded another ornate stanza of the "Biscuit-shooter" lyric. + +"It's a real song," remarked Corliss. + +"Well, now!" exclaimed Shoop. And thereafter he also became silent, +knowing from experience that when Corliss had anything worth while to +say, he would say it. + +About noon they reached the water-hole where Corliss spent some time +examining the fences and inspecting the outbuildings. + +"She's in right good shape yet," commented Shoop. + +"The title has reverted to the State. It's queer Loring hasn't tried +to file on it." + +"Mebby he's used his homestead right a'ready," suggested Shoop. "But +Nell Loring could file." + +They climbed back into the buckboard. Again Shoop began a stanza of +his ditty. He seemed well pleased about something. Possibly he +realized that his employer's attitude had changed; that he had at last +awakened to the obvious necessity for doing something. As Corliss put +the team to a brisk trot the foreman's song ran high. Action was his +element. Inactivity tended to make him more or less cynical, and ate +into his tobacco money. + +Suddenly Corliss turned to him. "Bud, I'm going to homestead that +ranch." + +"Whoop!" cried the foreman. "First shot at the buck!" + +"I'm going to put Sundown on it, for himself. He's steady and wouldn't +hurt a fly." + +Shoop became silent. He, in turn, stared straight ahead. + +"What do you think of it?" queried Corliss. + +"Nothin'. 'Cept I wouldn't mind havin' a little ole homestead myself." + +Corliss laughed. "You're not cut out for it, Bud. You mean you'd like +the chance to make the water-hole a base for operations against Loring. +And the place isn't worth seed, Bud." + +"But that water is goin' to be worth somethin'--and right soon. Loring +can't graze over this side the Concho, if he can't get to water." + +"That's it. If I put you on that ranch, you'd stand off Loring's +outfit to the finish, I guess." + +"I sure would." + +"That's why I want Sundown to take it up. He'd let his worst enemy +water sheep or cattle there. He won't fight, but he's loyal enough to +my interests to sue Loring for trespass, if necessary." + +"See you and raise you one, Jack. They'll bluff Sun clean off his hind +feet. He won't stick." + +"I'll chance it, Bud. And, besides, I need you right where you are." + +"I'm sure happy!" exclaimed the irrepressible Bud, grinning. + +Corliss laughed, then shook his head. "I'll tell you one thing," he +said, facing his foreman. "I've been 'tending too many irons and some +of 'em are getting cold. I don't want trouble with any one. I've held +off from Loring because--oh--because I had a good reason to say +nothing. Billy's out of it again. The coast is clear, and I'm going +to give old man Loring the fight of his life." + +The whoop which Shoop let out startled the team into a lunging gallop. +"Go it, if you want to!" said Corliss as the buckboard swung around a +turn and took the incline toward Antelope. "I'm in a hurry myself." + +Nevertheless, he saved the team as they struck the level and held them +to a trot. "Wise old head," was Shoop's inward comment. And then +aloud: "Say, Jack, I ain't sayin' I'm glad to see you get beat up, but +that bing on the head sure got you started right. The boys was +commencin' to wonder how long you'd stand it without gettin' your back +up. She's up. I smell smoke." + + +At Antelope, Shoop put up the horses. Later he joined his employer and +they had supper at the hotel. Then they strolled out and down the +street toward the sheriff's home. When they knocked at the door it was +opened by a plump, dark-eyed woman who greeted them heartily. + +"Come right in, boys. Jim's tendin' the baby." And she took their +hats. + +They stepped to the adjoining room where Sheriff Jim sat on the floor, +his coat off, while his youngest deputy, clad only in an abbreviated +essential garnished with a safety-pin, sat opposite, gravely tearing up +the evening paper and handing the pieces to his proud father, who +stuffed the pieces in his pants pocket and cheerfully asked for more. + +"Election?" queried Shoop. + +"And all coming Jim's way," commented Corliss. + +The baby paused in his balloting and solemnly surveyed the dusty +strangers. Then he pulled a piece of paper from his father's pocket +and offered it to Shoop. "Wants me to vote, the little cuss! Well, +here goes." And, albeit unfamiliar with plump aborigines at close +range, the foreman entered into the spirit of the game and cast his +vote for the present incumbent, deputizing the "yearlin'" to handle the +matter. The yearling however, evidently thought it was time for a +recount. He gravitated to the perspiring candidate and, standing on +his hands and feet,--an attitude which seemingly caused him no +inconvenience,--reached in the ballot-box and pulling therefrom a +handful of votes he cast them ceiling-ward with a shrill laugh, +followed by an unintelligible spluttering as he sat down suddenly and +began to pick up the scattered pieces of paper. + +"You're elected," announced Shoop. + +And the by-play was understood by the three men, yet each maintained +his unchanged expression of countenance. + +"You see how I'm fixed, boys," said the sheriff. "Got to stick by my +constituent or he'll howl." + +"We're in no hurry, Jim. Just drove into town to look around a little." + +"I'll take him now," said Mrs. Jim, as she came from the kitchen drying +her hands on her apron. + +The elector, however, was of a different mind. He greeted his mother +with a howl and a series of windmill revolutions of his arms and legs +as she caught him up. + +"Got mighty free knee-action," remarked Shoop. "Mebby when he's bedded +down for the night you can come over to the 'Palace.'" + +"I'll be right with you." And the sheriff slipped into his coat. "How +you feeling, Jack?" + +"Pretty good. That's a great boy of yours." + +"Sure got your brand," added Shoop. "Built close to the ground like +his dad." + +Sheriff Banks accepted these hardy compliments with an embarrassed grin +and followed his guests to the doorway. + +"Good-night!" called Mrs. Jim from the obscurity of the bedroom. + +"Good-night, ma'am!" from Shoop. + +"Good-night!" said Corliss. "Take good care of that yearling." + +"Well, now, John, as if I wouldn't!" + +"Molly would come out," apologized Jim, "only the kid is--is grazin'. +How's the feed holdin' out on the Concho?" which question following in +natural sequence was not, however, put accidentally. + +"Fair," said Corliss. "We looked for you up that way." + +"I was over on the Reservation. I sent Tom up there to see after +things," and the sheriff gestured toward the distant Concho. "Sent him +up to-night. Let's go over to the office." + +Corliss shook his head. "Don't want to see him, just now. Besides, I +want to say a few things private." + +"All right. There was a buyer from Kansas City dropped in to town +to-day. Didn't see him, did you?" + +"Cattle?" + +"Uhuh." + +"No. We just got in." + +They turned and walked up the street, nodding to an occasional lounger, +laughing and talking easily, yet each knew that their banter was a +meandering current leading to something deeper which would be sounded +before they separated. + +Sheriff Banks suddenly stopped and slapped his thigh. "By Gum! I +clean forgot to ask if you had chuck. You see that kid of mine--" + +"Sure! But we put the 'Palace' two feeds to the bad," asserted Shoop. + +They drifted to the hotel doorway and paused at the counter where each +gravely selected a cigar. Then they clumped upstairs to Corliss's +room. Jim Banks straddled a chair and faced his friends. + +Shoop, excusing himself with humorous politeness, punched the pillows +together and lay back on the bed which creaked and rustled beneath his +weight. "These here corn-husk mattresses is apologizin'," he said, +twisting around and leaning on his elbow. + +"Well, Jack," said the smiling sheriff, "shoot the piece." + +"Or the justice of the peace--don't matter," murmured Shoop. + +Corliss, leaning forward, gazed at the end of his cigar. Then he +raised his eyes. "Jim," he said quietly, "I want Sundown." + +"So do I." + +Corliss smiled. "You've got him, all right. What's your idea?" + +"Well, if anybody else besides you asked me, Jack, they'd be wasting +time. Sundown is your man. I don't know anything about him except he +was a Hobo before he hit the Concho. But I happen to know that he was +pretty close to the place where Fadeaway got his, the same day and +about the same time. I've listened to all the talk around town and it +hasn't all been friendly to you. You can guess that part of it." + +"If you want me--" began Corliss. + +"No." And the sheriff's gesture of negation spread a film of cigar-ash +on the floor. "It's the other man I want." + +"Sundown?" asked Shoop, sitting up suddenly. + +"You go to sleep, Bud," laughed the sheriff. "You can't catch me that +easy." + +Shoop relaxed with the grin of a school-boy. + +"I'll go bail," offered Corliss. + +"No. That would spoil my plan. See here, Jack, I know you and Bud +won't talk. Loring telephoned me to look out for Sundown. I did. +Now, Loring knows who shot Fadeaway, or I miss my guess. Nellie Loring +knows, too. So do you, but you can't prove it. It was like Fade to +put Loring's sheep into the caņon, but we can't prove even that, now. +I'm pretty sure your scrap with Fade didn't have anything to do with +his getting shot. You ain't that kind." + +"Well, here's my side of it, Jim. Fadeaway had it in for me for firing +him. He happened to see me talking to Nellie Loring at Fernando's +camp. Later we met up on the old Blue Trail. He said one or two +things that I didn't like. I let him have it with the butt of my +quirt. He jerked out his gun and hit me a clip on the head. That's +all I remember till the boys came along." + +"You didn't ride as far as the upper ford, that day?" + +"No. I told Fadeaway I wanted him to come back with me and talk to +Loring. I was pretty sure he put the sheep into the caņon." + +"Well, Jack, knowing you since you were a boy, that's good enough for +me." + +"But how about Sundown?" + +"He stays. How long do you think I'll hold Sundown before Nell Loring +drives into Antelope to tell me she can like as not prove he didn't +kill Fade?" + +"But if you know that, why do you hold him?" + +"To cinch up my ideas, tight. Holding him will make talk. Folks +always like to show off what they know about such things. It's natural +in 'em." + +"New Mex. is a comf'table-sized State," commented Shoop from the bed. + +"And he was raised there," said the sheriff. "He's got friends over +the line and so have I. Sent 'em over last week." + +"Thought Sun was raised back East?" said Shoop, again sitting up. + +Corliss smiled. "Better give it up, Bud." + +"Oh, _very_ well!" said Shoop, mimicking a _grande dame_ who had once +stopped at Antelope in search for local color. "Anyhow, you got to set +a Mexican to catch a Mexican when he's hidin' out with Mexicans." With +this bit of advice, Shoop again relapsed to silence. + +"Going back to the Concho to-morrow?" queried Banks. + +"No. Got a little business in town." + +"I heard Loring was due here to-morrow." The sheriff stated this +casually, yet with intent. "I was talking with Art Kennedy 'bout two +hours ago--" + +"Kennedy the land-shark?" queried Shoop. + +"The same. He said something about expecting Loring." + +Bud Shoop had never aspired to the distinction of being called a +diplomat, but he had an active and an aggressive mind. With the +instinct for seizing the main chance by its time-honored forelock, he +rose swiftly. "By Gravy, Jack! I gone and left them things in the +buckboard!" + +"Oh, they'll be all right," said Corliss easily. Then he caught his +foreman's eye and read its meaning. His nod to Shoop was all but +imperceptible. + +"I dunno, Jack. I'd hate to lose them notes." + +"Notes?" And the sheriff grinned. "Writing a song or starting a bank, +Bud?" + +"Song. I was composin' it to Jack, drivin' in." And the genial Bud +grabbed his hat and swept out of the room. + +Long before he returned, Sheriff Jim had departed puzzling over the +foreman's sudden exit until he came opposite "The Last Chance" saloon. +There he had an instant glimpse of Bud and the one known as Kennedy +leaning against the bar and conversing with much gusto. Then the +swing-door dropped into place. The sheriff smiled and putting two and +two together found that they made four, as is usually the case. He had +wanted to let Corliss know that Loring was coming to Antelope and to +let him know casually, and glean from the knowledge anything that might +be of value. Sheriff Banks knew a great deal more about the affairs of +the distant ranchers than he was ordinarily given credit for. He had +long wondered why Corliss had not taken up the water-hole homestead. + +Corliss was in bed when Shoop swaggered in. The foreman did a few +steps of a jig, flung his hat in the corner, and proceeded to undress. + +"Did you see Kennedy?" yawned Corliss. + +"Bet your whiskers I did! Got the descriptions in my pocket. You owe +me the price of seven drinks, Jack, to say nothin' of what I took +myself. Caught him at 'The Last Chance' and let on I was the pore +lonely cowboy with a sufferin' thirst. Filled him up with +'Look-out-I'm-Comin'' and landed him at his shack, where he dug up them +ole water-hole descriptions, me helpin' promiscus. He kind o' bucked +when I ast him for them papers. Said he only had one copy that he was +holdin' for another party. And I didn't have to strain my guesser any, +to guess who. I told him to saw off and get busy quick or I'd have him +pinched for playin' favorites. Guess he seen I meant business, for he +come acrost. She toots for Antelope six-forty tomorrow mornin'. This +is where I make the grand play as a homesteader, seein' pore Sundown's +eatin' on the county. Kind o' had a hunch that way." + +"We'll have to nail it quick. If you file you'll have to quit on the +Concho." + +"Well, then, I quit. Sinker is right in line for my bunk. Me for the +big hammer and the little ole sign what says: 'Private property! Keep +off! All trespassers will be executed!' And underneath, kind o' +sassy-like, 'Bud Shoop, proprietor.'" + + + + +CHAPTER XIX + +THE ESCAPE + +About midnight Corliss and his foreman were awakened by a cry of +"Fire!" They scrambled from bed and pawed around in the dark for their +clothes. + +"Spontinuous conibustication," said Shoop, with a yawn. "A Jew +clothin'-store and a insurance-policy. Wonder who's ablaze?" + +"I can see from here," said Corliss at the window. "Keep on dressing, +Bud, it's the sheriff's office!" + +"Sundown!" Shoop exclaimed, dancing about inelegantly with one foot +halfway down his pants-leg. + +They tramped down the stairs and ran across to the blazing building. A +group of half-dressed citizens were passing buckets and dashing their +final and ineffectual contents against the spouting flames. + +"He's sure done on both sides if he's in there," remarked Shoop. He +ran around to the back of the jail and called loudly on Sundown. +Jumping, he caught the high wooden bars of the window and peered into +the rear room. A rivulet of flame crept along the door that led from +the jail to the office. The room seemed to be empty. Shoop dropped to +the ground and strolled around to the front. "Tryin' to save the +buildin' or the prisoner?" he asked of a sweating bucket-passer. + +The man paused for a second, slopping water on his boots and gazing +about excitedly. "Hey, boys!" he shouted. "Get an axe and chop open +the back! The long gent is roastin' to death in there!" + +"And I reckon that'll keep 'em busy while Sun fans it," soliloquized +Shoop. "Hello, Jack!" And he beckoned to Corliss. "He ain't in +there," he whispered, "But how he got out, gets me!" + +"We might as well go back to bed," said Corliss. "They'll get him, +anyway. There's one of Jim's deputies on a cayuse now." + +"Where do you reckon he'll head for?" + +"Don't know, Bud. If he heads for the water-hole, they'll get him in +no time." + +"Think he set her on fire?" + +"Maybe he dropped a cigarette. I don't think he'd risk it, on purpose." + +Shoop glanced at his watch, tilting it toward the light of the flames. +"It's just one. Hello! There comes the agent. Reckon he thought the +station was afire." + +"Guess not. He's lighting up. Must be a special going to stop." + +"He's sure set the red. Say, I'm goin' over to see. Wait a minute." + +Shoop followed the agent into the station. Presently the foreman +reappeared and beckoned to Corliss. "Listen, Jack! Reddy says he's +got some runnin' orders for the Flyer and she's got to stop to get 'em. +That means we can eat breakfast in Usher, 'stead of here. No tellin' +who'll be on the six-forty headed for the same place, tomorrow mornin'." + +Corliss pondered. His plan of homesteading the water-hole ranch had +been upset by the arrest of Sundown. Still, that was no reason for +giving up the plan. From Shoop's talk with Kennedy, the lawyer, it was +evident that Loring had his eye on the deserted ranch. + +Far down the track he saw a glimmering dot of fire and heard the faint +muffled whistle of the Flyer. "All right, Bud. I'll get the tickets. +Get our coats. We can just make it." + +When they stepped from the Flyer at Usher, the faint light of dawn was +edging the eastern hills. A baggage-truck rumbled past and they heard +some one shout, "Get out o' that!" In the dim light they saw a figure +crawl from beneath the baggage-car and dash across the station platform +to be swallowed up in the shadowy gloom of a side street. + +"I only had seven drinks," said Shoop, gazing after the disappearing +figure. "But if Sundown ain't a pair of twins, that was him." + +"Hold on, Bud!" And Corliss laid his hand on Shoop's arm. "Don't take +after him. That's the way to stampede him. We go easy till it's +light. He'll see us." + +They sauntered up the street and stopped opposite an "all-night" +eating-house. + +"We won't advertise the Concho, this trip," said Corliss, as they +entered. + +Shoop, with his legs curled around the counter stool, sipped his coffee +and soliloquized. "Wise old head! Never was a hotel built that was +too good for Jack when he's travelin'. And he don't do his thinkin' +with his feet, either." + +The waiter, who had retired to the semi-seclusion of the kitchen, dozed +in a chair tilted back against the wall. He was awakened by a voice at +the rear door. Shoop straightened up and grinned at Corliss. The +waiter vocalized his attitude with the brief assertion that there was +"nothin' doin'." + +"It's him!" said Shoop. + +"I got the price," came from the unseen. + +"Then you beat it around to the front," suggested the waiter. + +Shoop called for another cup of coffee. As the waiter brought it, +Sundown, hatless, begrimed, and showing the effects of an unupholstered +journey, appeared in the doorway. Shoop turned and stood up. + +"Well, if it ain't me old pal Buddy!" exclaimed Sundown. "What you +doin' in this here burg?" + +"Why, hello, Hawkins! Where'd you fall from? How's things over to +Homer?" + +Sundown took the hint and fabricated a heart-rending tale of an +all-night ride on "a cayuse that had been tryin' to get rid of him ever +since he started and had finally piled him as the Flyer tooted for +Usher." + +"You do look kind o' shook-up. Better eat." + +"I sure got room," said Sundown. "Fetch me a basket of doughnuts and a +pail of coffee. That there Fly--cayuse sure left me, but he didn't +take me appetite." + +After the third cup of coffee and the seventh doughnut, Sundown +asserted that he felt better. They sauntered out to the street. + +"How in blazes did you get loose?" queried Shoop, surveying the unkempt +adventurer with frank amazement. + +"Blazes is correct. I clumb out of the window." + +"Set her on fire?" + +"Not with mellishus extent, as the judge says. Mebby it was a +cigarette. I dunno. First thing I know I was dreamin' I smelt smoke +and the dream sure come true. If them bars had been a leetle closter +together, I reckon I would be tunin' a harp, right now." + +"How did you happen to jump our train--and get off here?" asked Corliss. + +"It was sure lucky," said Sundown, grinning. "I run 'round back of the +station and snook up and crawled under the platform in front. I could +see everybody hoppin' 'round and I figured I was safer on the job, +expectin' they'd be lookin' for me to beat it out of town. Then you +fellas come up and stood talkin' right over me head. Bud he says +somethin' about eatin' breakfast in Usher, and bein' hungry and likin' +good comp'ny, I waits till the train pulls up and crawls under the +baggage. And here I be." + +"We'll have to get you a hat and a coat. We'll stop at the next +barber-shop. You wash up and get shaved. We'll wait. Then we'll head +for the court-house." + +"Me ranch?" And Sundown beamed through his grime. "Makes me feel like +writin' a pome! Now, mebby--" + +"Haven't time, now. Got to scare up two more witnesses to go on your +paper. There's a place, just opening up." + +They crossed the street. Next to the barbershop was a saloon. + +Sundown eyed the sign pensively. "I ain't a drinkin' man--regular," he +said, "but there are times . . ." + +"There are times," echoed Corliss, and the three filed between the +swing-doors and disappeared. + + +An hour later three men, evidently cow-men from their gait and bearing, +passed along the main street of Usher and entered the court-house, +where they were met by two citizens. The five men were admitted to the +inner sanctum of the hall of justice, from which they presently +emerged, laughing and joking. The tallest of them seemed to be +receiving the humorous congratulations of his companions. He shook +hands all around and remarked half-apologetically: "I ain't a drinkin' +man, reg'lar . . . but there are times . . ." + +The five men drifted easily toward the swing-doors. Presently they +emerged. Shoop nudged his employer. David Loring and his daughter had +just crossed the street. The old sheep-man glanced at the group in +front of the saloon and blinked hard. Of the West, he read at a glance +the situation. Sundown, Corliss, and Shoop raised their hats as +Eleanor Loring bowed. + +"Beat him by a neck!" said Shoop. "Guess we better fan it, eh, Jack?" + +"There's no hurry," said Corliss easily. Nevertheless, he realized +that Sundown's presence in Usher was quite apt to be followed by a wire +from the sheriff of Antelope which would complicate matters, to say the +least. He shook hands with the two townsmen and assured them that the +hospitality of the Concho was theirs when they chose to honor it. Then +he turned to Bud Shoop. "Get the fastest saddle-horse in town and ride +out to the South road and wait for us. I'm going to send Sundown over +to Murphy's. Pat knows me pretty well. From there he can take the +Apache road to the Concho. We can outfit him and get him settled at +the water-hole ranch before any one finds out where he is." + +"But Jim'll get him again," said Shoop. + +"I expect him to. That'll be all right." + +"Well, you got me. Thought I knowed somethin' about your style, but I +don't even know your name." + +"Let's move on. You go ahead and get the cayuse. I want to talk to +Sundown." + +Then Corliss explained his plan. He told Sundown to keep the +water-hole fenced and so keep the sheep-men from using it. This would +virtually control several thousand acres of range around the water-hole +ranch. He told Sundown that he expected him to homestead the ranch for +himself--do the necessary work to secure a title, and then at his +option either continue as a rancher or sell the holding to the Concho. +"I'll start you with some stock--a few head, and a horse or two. All +you have to do is to 'tend to business and forget that I have ever +spoken to you about homesteading the place. You'll have to play it +alone after you get started." + +"Suits me, boss. I ain't what you'd call a farmer, but me and Chance +can scratch around and act like we was. But the smooth gent as pinched +me--ain't he goin' to come again?" + +"Sure as you're wearing spurs! But you just take it easy and you'll +come out all right. Loring put Jim Banks after you. Jim is all right +and he's business. Loring wants the water-hole ranch. So do I. Now, +if Loring tells the sheriff he saw you in Usher, and later at the +water-hole, Jim will begin to think that Loring is keeping pretty close +trail on you. When Jim finds out you've filed on the water-hole,--and +he already knows that Loring wants it,--he'll begin to figure that +Loring had you jailed to keep you out of his way. And you can take it +from me, Jim Banks is the squarest man in Apache County. He'll give +you a chance to make good. If we can keep you out of sight till he +hears from over the line, I think you'll be safe after that. If we +can't, why, you still have your title to the water-hole ranch and that +holds it against trespassers." + +"Well, you're sure some shark on the long think! Say, I been scared +stiff so long I'm just commencin' to feel me legs again. The sun is +shinin' and the birds are sawin' wood. I get you, boss! The old guy +that owns the wool had me pinched. Well, I ain't got nothin' ag'in' +him, but that don't say I ain't workin' for you. Say, if he comes +botherin' around me farm, do I shoot?" + +"No. You just keep right on. Pay no attention to him." + +"Just sick Chance on him, eh?" + +"He'd get Chance. I'm going to run some cattle over that way soon. +Then you'll have company. You needn't be scared." + +"Cattle is some comp'ny at that. Say, have I got to ride that there +bronc Bud jest went down the street on?" + +"As soon as we get out of town." + +"Which wouldn't be long if we had hosses like him, eh?" + +"I'll give you a note to Murphy. He'll send your horse back to Usher +and let you take a fresh horse when you start for the Concho. Take it +easy, and don't talk." + +"All right, boss. But I was thinkin'--" + +"What?" + +"Well, it's men like me and you that puts things through. It takes a +man with sand to go around this country gettin' pinched and thrun and +burnt up and bein' arrested every time he goes to spit. Folks'll be +sayin' that there Sundown gent is a brave man--me! Never shot nobody +and dependin' on his nerve, every time. They's nothin' like havin' a +bad repetation." + +"Nothing like it," assented Corliss, smiling. "Well, here's your road. +Keep straight on till you cross the river. Then take the right fork +and stick to it, and you'll ride right into Murphy's. He'll fix you +up, all right." + +"Did you think in this note to tell him to give me a hoss that only +travels one way to onct?" queried Sundown. + +Corliss laughed. "Yes, I told him. Don't forget you're a citizen and +a homesteader. We're depending on you." + +"You bet! And I'll be there with the bells!" + + +Shoop and Corliss watched Sundown top a distant rise and disappear in a +cloud of dust. Then they walked back to the station. As they waited +for the local, Shoop rolled a cigarette. "Jest statin' it mild and +gentle," he said, yawning, "the last couple of weeks has been kind of a +busy day. Guess the fun's all over. Sundown's got a flyin' start; +Loring's played his ace and lost, and you and me is plumb sober. If +I'd knowed it was goin' to be as quiet as this, I'd 'a' brought my +knittin' along." + +"There are times . . ." said Corliss. + +"And we got just five minutes," said Shoop. "Come on." + + + + +CHAPTER XX + +THE WALKING MAN + +Sundown's sense of the dramatic, his love for posing, with his +linguistic ability to adopt the vernacular of the moment so impressed +the temperamental Murphy that he disregarded a portion of his friend +Corliss's note, and the morning following his lean guest's arrival at +the ranch the jovial Irishman himself saddled and bridled the swiftest +and most vicious horse in the corral; a glass-eyed pinto, bronc from +the end of his switching tail to his pink-mottled muzzle. He was a +horse with a record which he did not allow to become obsolete, although +he had plenty of competition to contend with in the string of broncs +that Murphy's riders variously bestrode. Moreover, the pinto, like +dynamite, "went off" at the most unexpected intervals, as did many of +his riders. Sundown, bidding farewell to his host, mounted and swung +out of the yard at a lope. The pinto had ideas of his own. Should he +buck in the yard, he would immediately be roped and turned into the +corral again. Out on the mesas it would be different--and it was. + +He paid no attention to a tumble-weed gyrating across the Apache road. +Neither did he seem disturbed when a rattler burred in the bunch-grass. +Even the startled leap of a rabbit that shot athwart his immediate +course was greeted with nothing more than a snort and a toss of his +swinging head. Such things were excuses for bad behavior, but he was +of that type which furnishes its own excuse. He would lull his rider +to a false security, and then . . . + +The pinto loped over level and rise tirelessly. Sundown stood in his +stirrups and gazed ahead. The wide mesas glowing in the sun, the sense +of illimitable freedom, the keen, odorless air wrought him to a pitch +of inspiration. He would, just over the next rise, draw rein and woo +his muse. But the next rise and the next swept beneath the pinto's +rhythmic hoofs. The poetry of motion swayed his soul. He was enjoying +himself. At last, he reflected, he had mastered the art of sitting a +horse. He had already mastered the art of mounting and of descending +under various conditions and at seemingly impossible angles. As Hi +Wingle had once remarked--Sundown was the most _durable_ rider on the +range. His length of limb had no apparent relation to his shortcomings +as a vaquero. + +Curiosity, as well as pride, may precede a fall. Sundown eventually +reined up and breathed the pinto, which paced with lowered head as +though dejected and altogether weary--which was merely a pose, if an +object in motion can be said to pose. His rider, relaxing, slouched in +the saddle and dreamed of a peaceful and domestic future as owner of a +small herd of cattle, a few fenced acres of alfalfa and vegetables, a +saddle-horse something like the pinto which he bestrode, with Chance as +companion and audience--and perhaps a low-voiced seņora to welcome him +at night when he rode in with spur-chains jingling and the silver +conchas on his chaps gleaming like stars in the setting sun. "But me +chaps did their last gleam in that there fire," he reflected sadly. +"But I got me big spurs yet." Which after-thought served in a measure +to mitigate his melancholy. Like a true knight, he had slept spurred +and belted for the chance encounter while held in durance vile at +Antelope. "But me ranch!" he exclaimed. "Me! And mebby a tame cow +and chickens and things,--eh, Chance!" But Chance, he immediately +realized, was not with him. He would have a windmill and shade-trees +and a border of roses along the roadway to the house--like the Loring +rancho. But the seņorita to be wooed and won--that was a different +matter. "'T ain't no woman's country nohow--this here Arizona. She's +fine! But she's a man's country every time! Only sech as me and Jack +Corliss and Bud and them kind is fit to take the risks of makin' good +in this here State. But we're makin' good, you calico-hoss! Listen:-- + + "Oh, there's sunshine on the Concho where the little owls are cryin', + And red across the 'dobe strings of chiles are a-dryin'; + And if Arizona's heaven, tell me what's the use of dyin'? + Yes, it's good enough down here, just breathin' air; + + "For the posies are a-bloomin' and the mockin'-birds are matin', + And somewhere in Arizona there's a Chola girl a-waitin' + For to cook them enchiladas while I do the irrigatin' + On me little desert homestead over there. + + "While I'm ridin' slow and easy . . ." + +"Whoa! Wonder what that is? Never seen one of them things before. 'T +ain't a lizard, but he looks like his pa was a lizard. Mebby his ma +was a toad. Kind of a Mormon, I guess." + +He leaned forward and gravely inspected the horned toad that blinked at +him from the edge of the grass. The pinto realized that his rider's +attention was otherwise and thoroughly occupied. With that +unforgettable drop of head and arch of spine the horse bucked. Sundown +did an unpremeditated evolution that would have won him much applause +and gold had he been connected with a circus. He landed in a clump of +brush and watched his hat sail gently down. The pinto whirled and took +the homeward road, snorting and bounding from side to side as the dust +swirled behind him. Sundown scratched his head. "Lemme see. 'We was +ridin', slow and easy . . .' Huh! Well, I ain't cussin' because I +don' know how. Lemme see . . . I was facin' east when I started. Now +I'm lit, and I'm facin' south. Me hat's there, and that there +toad-lizard oughter be over there, if he ain't scared to death. Reckon +I'll quit writin' po'try jest at present and finish gettin' acquainted +with that there toad-lizard. Wonder how far I got to walk? Anyhow, I +was gettin' tired of ridin'. By gum! me eats is tied to the saddle! +It's mighty queer how a fella gets set back to beginnin' all over ag'in +every onct in a while. Now, this mornin' I was settin' up ridin' a +good hoss and thinkin' poetical. Now I'm settin' down restin'. The +sun is shinin' yet, and them jiggers in the brush is chirpin' and the +air is fine, but I ain't thinkin' poetical. I'd sure hate to have a +real lady read what I'm thinkin', if it was in a book. 'Them that sets +on the eggs of untruth,' as the parson says, 'sure hatches lies.' Jest +yesterday I was tellin' in Usher how me bronc piled me when I'd been +ridin' the baggage, which was kind of a hoss-lie. I must 'a' had it +comin'." + +He rose and stalked to the roadway. The horned toad, undisturbed, +squatted in the grass and eyed him with bright, expressionless eyes. + +"If I was like some," said Sundown, addressing the toad, "I'd pull me +six-shooter, only I ain't got it now, and bling you to nothin'. +Accordin' to law you're the injudicious cause preceding the act, which +makes you guilty accordin' to the statues of this here commonwealth, +and I seen lots of 'em on the same street, in Boston, scarin' hosses to +death and makin' kids and nuss-girls cry. But I ain't goin' to shoot +you. If I was to have the sayin' of it, I'd kind o' like to shoot that +hoss, though. He broke as fine a pome in the middle as I ever writ, to +say nothin' of hurtin' me personal feelin's. Well, so-long, leetle +toad-lizard. Just tell them that you saw me--and they will know the +rest--if anybody was to ask you, a empty saddle and a man a-foot in the +desert is sure circumvential evidence ag'in the hoss. Wonder how far +it is to the Concho?" + +With many a backward glance, inspired by fond imaginings that the pinto +_might_ have stopped to graze, Sundown stalked down the road. Waif of +chance and devotee of the goddess "Maybeso," he rose sublimely superior +to the predicament in which he found himself. "The only reason I'm +goin' east is because I ain't goin' west," he told himself, ignoring, +with warm adherence to the glowing courses of the sun the frigid +possibilities of the poles. Warmed by the exercise of plodding across +the mesa trail in high-heeled boots, he swung out of his coat and slung +it across his shoulder. Dust gathered in the wrinkles of his boots, +and more than once he stopped to mop his sweating face with his +bandanna. Rise after rise swept gently before him and within the hour +he saw the misty outline of the blue hills to the south. Slowly his +moving shadow shifted, bobbing in front of him as the sun slipped +toward the western horizon. A little breeze sighed along the road and +whirls of sand spun in tiny cones around the roots of the chaparral. +He reached in his pocket, drew forth a silver dollar, and examined it. +"Now if they weren't any folks on this here earth, I reckon silver and +gold and precious jools wouldn't be worth any more than rocks and mud +and gravel, eh? Why, even if they weren't no folks, water would be +worth more to this here world than gold. Water makes things grow +and--and keeps a fella from gettin' thirsty. And mud makes things +grow, too, but I dunno what rocks are for. Just to sit on when you're +tired, I reckon." The sibilant burring of a rattler in the brush set +his neck and back tingling. "And what snakes was made for, gets me! +They ain't good to eat, nohow. And they ain't friendly like some of +the bugs and things. I'm thinkin' that that there snake what clumb the +tree and got Mrs. Eve interested in the apple business would 'a' been a +whole lot better for folks, if he'd 'a' stayed up that tree and died, +instead o' runnin' around and raisin' young ones. Accordin' to my way +of thinkin' a garden ain't a garden with a snake in it, nohow. Now, +Mrs. Eve--if she'd had to take a hammer and nails and make a ladder to +get to them apples, by the time she got the ladder done I reckon them +apples wouldn't 'a' looked so good to her. That's what comes of havin' +a snake handy. 'Course, bein' a woman, she jest nacherally couldn't +wait for 'em to get ripe and fall off the tree. That would 'a' been +too easy. It sure is funny how folks goes to all kinds o' trouble to +get into it. Mebby she did get kind o' tired eatin' the same +breakfast-food every mornin'. Lots o' folks do, and hankers to try a +new one. But I never got tired of drinkin' water yet. Wisht I had a +barrel with ice in it. Gee Gosh! Ice! Mebby a cup of water would be +enough for a fella, but when he's dry he sure likes to see lots ahead +even if he can't drink it all. Mebby it's jest knowin' it's there that +kind o' eases up a fella's thirst. I dunno." + +Romance, as romance was wont to do at intervals, lay in wait for the +weary Sundown. Hunger and thirst and a burning sun may not be +immediately conducive to poetry or romantic imaginings. But the 'dobe +in the distance shaded by a clump of trees, the gleam of the drying +chiles, the glow of flowers, offered an acceptable antithesis to the +barren roadway and the empty mesas. Sundown quickened his pace. Eden, +though circumscribed by a barb-wire fence enclosing scant territory, +invited him to rest and refresh himself. And all unexpected the +immemorial Eve stood in the doorway of the 'dobe, gazing down the road +and doubtless wondering why this itinerant Adam, booted and spurred, +chose to walk the dusty highway. + +At the gate of the homestead Sundown paused and raised his broad +sombrero. Anita, dusky and buxom daughter of Chico Miguel, "the little +hombre with the little herd," as the cattle-men described him, nodded a +bashful acknowledgment of the salute, and spoke sharply to the dog +which had risen and was bristling toward the Strange wayfarer. + +"Agua," said Sundown, opening the gate, "Mucha agua, Senorita," adding, +with a humorous gesture of drinking, "I'm dry clean to me boots." + +The Mexican girl, slow-eyed and smiling, gazed at this most wonderful +man, of such upstanding height that his hat brushed the limbs of the +shade-trees at the gateway. Anita was plump and not tall. As Sundown +stalked up the path assuming an air of gallantry that was not wasted on +the desert air, the girl stepped to the olla hanging in the shade and +offered him the gourd. Sundown drank long and deep. Anita watched him +with wondering eyes. Such a man she had never seen. Vaqueros? Ah, +yes! many of them, but never such a man as this. This one smiled, yet +his face had much of the sadness in it. He had perhaps walked many +weary miles in the heat. Would he--with a gesture interpreting her +speech--be pleased to rest awhile? Without hesitation, he would. As +he sat on the doorstep gazing contentedly at the flowers bordering the +path, Anita's mother appeared from some mysterious recess of the 'dobe +and questioned Anita with quick low utterance. The girl's answer, +interpretable to Sundown only by its intonation, was music to him. The +Mexican woman, more than buxom, large-eyed and placid, turned to +Sundown, who rose and again doffed his sombrero. + +"I lost me horse--back there. I'm headed for the Concho--ma'am. +Concho," he reiterated in a louder tone. "Sabe?" + +The mother of Anita nodded. "You sick?" she asked. + +"What? Me? Not on your life, lady! I'm the healthiest Ho--puncher in +this here State. You sabe Concho?" + +"Si! Zhack Corlees--'Juan,' we say. Si! You of him?" + +"Yes, lady. I'm workin' for him. Lost me hoss." + +Anita and her mother exchanged glances. Sundown felt that his status +as a vaquero was in question. Would he let the beautiful Anita know +that he had been ignominiously "piled" by that pinto horse? Not he. +"Circumventions alters cases," he soliloquized, not altogether +untruthfully. Then aloud, "Me hoss put his foot in a gopher-hole. +Bruk his leg, and I had to shoot him, lady. Hated to part with him." +And the inventive Sundown illustrated with telling gesture the +imaginary accident. + +Sympathy flowed freely from the gentle-hearted Seņora and her daughter. +"Si!" It was not of unusual happening that horses met with such +accidents. It was getting late in the afternoon. Would the +unfortunate caballero accept of their hospitality in the way of +frijoles and some of the good coffee, perhaps? Sundown would, without +question. He pressed a dollar into the palm of the reluctant Seņora. +He was not a tramp. Of that she might be assured. He had met with +misfortune, that was all. And would the patron return soon? The +patron would return with the setting of the sun. Meanwhile the vaquero +of the Concho was to rest and perhaps enjoy his cigarette? And the +"vaquero" loafed and smoked many cigarettes while the glowing eyes of +Anita shone upon him with large sympathy. As yet Sundown had not +especially noticed her, but returning from his third visit to the +cooling olla, he caught her glance and read, or imagined he read, deep +admiration, lacking words to utter. From that moment he became a +changed man. He shed his weariness as a tattered garment is thrown +aside. He straightened his shoulders and held his head high. At last +a woman had looked at him and had not smiled at his ungainly stature. +Nay! But rather seemed impressed, awe-stricken, amazed. And his heart +quickened to faster rhythm, driving the blood riotously through his +imaginative mind. He grew eloquent, in gesture, if not in speech. He +told of his wanderings, his arrival at the Concho, of Chance his great +wolf-dog, his horse "Pill," and his good friends Bud Snoop and Hi +Wangle. Sundown could have easily given Othello himself "cards and +spades" in this chance game of hearts and won--moving metaphor!--in a +canter. That the little Seņorita with the large eyes did not +understand more than a third of that which she heard made no difference +to her. His ambiguity of utterance, backed by assurance and illumined +by the divine fire of inspiration, awakened curiosity in the placid +breast of this Desdemona of the mesas. It required no sophistication +on her part to realize that this caballero was not as the vaqueros she +had heretofore known. He made no boorish jests; his eyes were not as +the eyes of many that had gazed at her in a way that had tinged her +dusky cheeks with warm resentment. She felt that he was endeavoring to +interest her, to please her rather than to woo. And more than that--he +seemed intensely interested in his own brave eloquence. A child could +have told that Sundown was single-hearted. And with the instinct of a +child--albeit eighteen, and quite a woman in her way--Anita approved of +this adventurer as she had never approved of men, or man, before. His +great height, his long, sweeping arms, moving expansively as he +illustrated this or that incident, his silver spurs, his loose-jointed +"tout ensemble," so to speak, combined with an eloquent though puzzling +manner of speech, fascinated her. Warmed to his work, and forgetful of +his employer's caution in regard to certain plans having to do with the +water-hole ranch, Sundown elaborated, drawing heavily on future +possibilities, among which he towered in imagination monarch of rich +mellow acres and placid herds. He intimated delicately that a +rancher's life was lonely at best, and enriched the tender intimation +with the assurance that he was more than fond of enchiladas, frijoles, +carne-con-chile, tamales, adding as an afterthought that he was +somewhat of an expert himself in "wrastlin' out" pies and doughnuts and +various other gastronomical delicacies. + +A delicate frown touched the gentle Anita's smooth forehead when her +mother interrupted Sundown with a steaming cup of coffee and a plate of +frijoles, yet Anita realized, as she saw his ardent expression when the +aroma of the coffee reached him, that this was a most sensible and +fitting climax to his glowing discourse. Her frown vanished together +with the coffee and beans. + +Fortified by the strong black coffee and the nourishing frijoles, +Sundown rose from his seat on the doorstep and betook himself to the +back of the house where he labored with an axe until he had accumulated +quite a pile of firewood. Then he rolled up his sleeves, washed his +hands, and asked permission to prepare the evening meal. Although a +little astonished, the Seņora consented, and watched Sundown, at first +with a smile of indulgence, then with awakening curiosity, and finally +with frank and complimentary amazement as he deftly kneaded and rolled +pie-crust and manufactured a pie that eventually had, for those +immediately concerned, historical significance. + +The "little hombre," Chico Miguel, returning to his 'dobe that evening, +was greeted with a tide of explanatory utterances that swept him off +his feet. He was introduced to Sundown, apprised of the strange +guest's manifold accomplishments, and partook of the substantial +evidence of his skill until of the erstwhile generous pie there was +nothing left save tender reminiscence and replete satisfaction. + +Later in the evening, when the Arizona stars glowed and shimmered on +the shadowy adobe, when the wide mesas grew mysteriously beautiful in +the soft radiance of the slow moon, Chico Miguel brought his guitar +from the bedroom, tuned it, and struck a swaying cadence from its +strings. Then Anita's voice, blending with the rhythm, made melody, +and Sundown sat entranced. Mood, environment, temperament, lent +romance to the simple song. Every singing string on the old guitar was +silver--the singer's girlish voice a sunlit wave of gold. + +The bleak and almost barren lives of these isolated folk became +illumined with a reminiscent glow as the tinkling notes of the guitar +hushed to faint echoes of fairy bells hung on the silver boughs of +starlit trees. "Adios, linda Rosa," ran the song. Then silence, the +summer night, the myriad stars. + +Sundown, turning his head, gazed spellbound at the dark-eyed singing +girl. In the dim light of the lamp she saw that his lean cheeks were +wet with tears. + + + + +CHAPTER XXI + +ON THE MESA + +With the morning sun came a brave, cloudless day and a more jovial mood +to Sundown as he explained the necessity for haste to the Concho. +Chico Miguel would gladly furnish horse and saddle. Juan Corlees was +of men the finest! Once upon a time, in fact, Chico Miguel had ridden +range for the father of Seņor Corlees, but that was in years long past, +Ah, yes! Then there were no sheep in the country--nothing but cattle +and vaqueros. Would the caballero accept the loan of horse and saddle? +The horse could be returned at his convenience. And possibly--and here +Chico Miguel paused to roll a cigarette, light it, and smoke awhile +reflectively--and possibly the caballero would again make their humble +home beautiful with his presence. Such pie as the Seņor made was a not +unworthy meal for the saints. Indeed, Chico Miguel himself had had +many pleasant dreams following their feast of the evening before. +Would Sundown condescend to grace their home with his presence again +and soon? Sundown would, be Gosh! He sure did like music, especially +them Spanish songs what made a fella kind of shivery and sad-like from +his boots up. And that part of the country looked good to him. In +fact he was willing to be thrun from--er--have his hoss step in a +gopher-hole any day if the accident might terminate as pleasantly as +had his late misfortune. He aspired to become a master of the art of +cooking Mexican dishes. 'Course at reg'lar plain-cookin' and deserts +he wasn't such a slouch, but when it come to spreadin' the chile, he +wasn't, as yet, an expert. + +Meanwhile he clung tenaciously to the few Spanish words he knew, added +to which was "Linda Rosa"--"pretty rose,"--which he intended to use +with telling effect when he made his adieux. After breakfast he rose +and disappeared. When he again entered the house the keen Seņora +noticed that his shirt front swelled expansively just above his heart. +She wondered if the tall one had helped himself to a few of her beloved +chiles. + +Presently Chico Miguel appeared with the pony. Sundown mounted, +hesitated, and then nodded farewell to the Seņora and the almost +tearful Anita who stood in the doorway. Things were not as Sundown +would have had them. He was long of arm and vigorous, but to cast a +bouquet of hastily gathered and tied flowers from the gateway to the +hand of the Seņorita would require a longer arm and a surer aim than +his. "Gee Gosh!" he exclaimed, dismounting hurriedly. "What's that on +his hind foot?" + +He referred to the horse. Chico Miguel, at the gate, hastened to +examine the pony, but Sundown, realizing that the Seņorita still stood +beside her mother, must needs create further delay. He stepped to the +pony and, assuming an air of experience, reached to take up the horse's +foot and examine it. The horse, possibly realizing that its foot was +sound, resented Sundown's solicitude. The upshot--used advisedly--of +it was that Sundown found himself sitting in the road and Chico Miguel +struggling with the pony. + +With a scream Anita rushed to the gateway, wringing her hands as +Sundown rose stiffly and felt of his shirt front. The flowers that he +had picked for his adored, were now literally pressed to his bosom. He +wondered if they "were mushed up much?" Yet he was not unhappy. His +grand climax was at hand. Again he mounted the pony, turned to the +Seņorita, and, drawing the more or less mangled blossoms from his +shirt, presented them to her with sweeping gallantry. Anita blushed +and smiled. Sundown raised his hat. "Adios! Adios! Mucha adios! +Seņorita! For you sure are the lindaest little linda rosa of the whole +bunch!" he said. + +And with Anita standing in rapt admiration, Chico Miguel wondering if +the kick of the horse had not unsettled the strange caballero's reason, +and the Seņora blandly aware that her daughter and the tall one had +become adepts in interpreting the language of the eyes, Sundown rode +away in a cloud of dust, triumphantly joyous, yet with a peculiar +sensation in the region of his heart, where the horse had kicked him. +When he realized that admiring eyes could not follow him forever, he +checked the horse and rubbed his chest. + +"It hurts, all right! but hoss-shoes is a sign of _luck_--and posies is +a sign of _love_--and them two signs sure come together this mornin'. +'Oh, down in Arizona there's a--' No, I reckon I won't be temptin' +Providence ag'in. This hoss might have some kind of a dislikin' for +toad-lizards and po'try mixed, same as the other one. I can jest kind +o' work the rest of that poem up inside and keep her on the ice +till--er--till she's the right flavor. Wonder how they're makin' it at +the Concho? Guess I'll stir along. Mebby they're waitin' for me to +show up so's they can get busy. I dunno. It sure is wonderful what a +lot is dependin' on me these here days. I'm gettin' to be kind of a +center figure in this here country. Lemme see. Now I bruk +jail--hopped the Limited, took out me homesteader papers, got thrun off +a hoss, slumped right into love with that sure-enough Linda Rosa, and +got kicked by another hoss. And they say I ain't a enterprisin' guy! +Gee Gosh!" + +Never so much at home as when alone, the mellifluous Sundown's +imagination expanded, till it embraced the farthest outpost of his +theme. He became the towering center of things terrestrial. The world +revolved around but one individual that glorious morning, and he +generously decided to let it revolve. He felt--being, for the first +time in his weird career, very much in love--that Dame Fortune, so long +indifferent to his modest aspirations, had at last recognized in him a +true adventurer worthy of her grace. He was a remarkable man, +physically. He considered himself a remarkable man mentally, and he +was, in Arizona. "Why," he announced to his horse, "they's folks as +says they ain't no romantics left in this here world! Huh! Some of +them writin' folks oughter jest trail my smoke for a week, instead o' +settin' in clubs and drinkin' high-balls and expectin' them high-balls +to put 'em wise to real life! Huh! A fella's got to sweat it out +himself. The kind of romantics that comes in a bottle ain't the real +thing. Pickles is all right, but they ain't cucumbers, nohow. Wisht I +had one--and some salt. The stories them guys write is like pickles, +jest two kinds of flavor, sweet and sour. Now, when I write me life's +history she'll be a cucumber sliced thin with a few of them little red +chiles to kind o' give the right kick, and mebby a leetle onion +representin' me sentiment, and salt to draw out the proper taste, and +'bout three drops o' vinegar standin' for hard luck, and the hull thing +fixed tasty-like on a lettuce leaf, the crinkles representin' the +mountings and valleys of this here world, and me name on the cover in +red with gold edges. Gee Gosh!" + +The creak of the saddle, the tinkle of his spurs, the springy stride of +the horse furnished a truly pastoral accompaniment to Sundown's +"romantics." + +As he rode down a draw, he came suddenly upon two coyotes playing like +puppies in the sun. He reined up and watched them, and his heart +warmed to their antics. "Now, 'most any fella ridin' range would +nacherally pull his gun and bling at 'em. What for? Search me! They +ain't botherin' nobody. Jest playin'. Guess 'most any animals like to +play if they wasn't scared o' gettin' shot all the time. Funny how +some folks got to kill everything they see runnin' wild. What's the +use? Now, mebby them coyotes is a pa and ma thinkin' o' settin' up +ranchin' and raisin' alfalfa and young ones. Or mebby he's just +a-courtin' her and showin' how he can run and jump better than any +other coyote she ever seen. I dunno. There they go. Guess they seen +me. Say! but they are jest floatin' across the mesa--they ain't +runnin'. Goin' easy, like their legs belonged to somebody else and +they was jest keepin' up with 'em. So-long, folks! Here's hopin' you +get settled on that coyote-ranch all right!" + +Thus far on his journey Sundown had enjoyed the pleasing local flavor +of the morning and his imaginings. The vinegar, which was to represent +"hard luck," had not as yet been added to the salad. + +As he ascended the gentle slope of the draw he heard a quick, blunt +sound, as though some one had struck a drum and immediately muffled the +reverberations with the hand. He was too deeply immersed in himself to +pay much attention to this. Topping the rise, the fresh vista of +rolling mesa, the far blue hills, and a white dot--the distant +Concho--awakened him to a realization of his whereabouts. Again he +heard that peculiar, dull sound. He lifted his horse to a lope and +swept along, the dancing shadow at his side shortening as noon overtook +him. He was about to dismount and partake of the luncheon the kindly +Seņora had prepared for him, when he changed his mind. "Lunch and +hunch makes a rhyme," he announced. "And I got 'em both. Guess I'll +jog along and eat at the Concho. Mebby I'll get there in two, three +hours." + +As the white dot took on a familiar outline and the eastern wall of the +caņon of the Concho showed sharply against the sky, he saw a horseman, +strangely doubled up in the saddle, riding across the mesa toward the +ranch-house. Evidently he also was going to the Concho. Possibly it +was Bud, or Hi Wingle, or Lone Johnny. Following an interval of +attending strictly to the trail he raised his eyes. He pulled his +horse up and sat blinking. Where there had been a horse and rider +there was but the horse, standing with lowered head. He shaded his +eyes with his palm and gazed again. There stood the horse. The man +had disappeared. "Fell into one of them Injun graves," remarked +Sundown. "Guess I'll go see." + +It took much longer than he had anticipated to come up with the +riderless horse. He recognized it as one of the Concho ponies. Almost +beneath the animal lay a huddled something. Sundown's scalp tingled. +Slowly he got from his horse and stalked across the intervening space. +He led the pony from the tumbled shape on the ground. Then he knelt +and raised the man's shoulders. Sinker, one of the Concho riders, +groaned and tore at the shirt over his stomach. Then Sundown knew. He +eased the cowboy back and called his name. Slowly the gray lids +opened. "It's me, Sundown! Who done it?" + +The cowboy tried to rise on his elbow. Sundown supported his head, +questioning him, for he knew that Sinker had but little time left to +speak. The wounded man writhed impotently, then quieted. + +"God, Sun!" he moaned, "they got me. Tell Jack--Mexican--Loring--sheep +at--waterhole. Tried to bluff--'em off--orders not to shoot. They got +orders to shoot--all right. Tell Jack--Guess I'm bleedin' +inside--So-long--pardner." + +The dying man writhed from Sundown's arms and rolled to his face, +cursing and clutching at the grass in agony. Sundown stood over him, +his hat off, his gaze lifted toward the cloudless sky, his face white +with a new and strange emotion. He raised his long arms and clenched +his hands. "God A'mighty," he whispered, rocking back and forth, "I +got to tell You that sech things is _wrong_. And from what I seen +sence I come to this country, You don't care. But some of us does +care . . . and I reckon we got to do somethin' if You don't." + +[Illustration: "God A'mighty, sech things is wrong."] + +The cowboy raised himself on rigid arms, he lifted his head, and his +eyes, filmed with the chill of death, grew clear for an instant. +"'Sandro--the herder--got me," he gasped. His lips writhed back from +his clenched teeth. A rush of blood choked him. He sank to the +ground, quivered, and was still. + +"'Sandro . . . the herder" . . . whispered Sundown. "Sinker was me +friend. I reckon God's got to leave the finish of this to me." + + + + +CHAPTER XXII + +WAIT! + +To see a man's life go out and to stand by unable to help, unable to +offer comfort or ease mortal agony, is a bitter experience. It brings +the beholder close to the abyss of eternity, wherein the world shrinks +to a speck of whirling dust and the sun is but a needle-point of light. +Then it is that the fleshless face of the unconquerable One leans close +and whispers, not to the insensate clay that mocks the living, but to +the impotent soul that mourns the dead. + +That Sundown should consider himself morally bound to become one of +those who he knew would avenge the killing of the cowboy, and without +recourse to law, was not altogether strange. The iron had entered his +soul. Heretofore at loose ends with the world, the finding of Sinker, +dying on the mesas, kindled within him righteous wrath against the +circumstance rather than the individual slayer. His meandering +thoughts and emotions became crystallized. His energies hardened to a +set purpose. He was obsessed with a fanaticism akin to that of those +who had burned witches and thanked their Maker for the opportunity. + +In his simple way he wondered why he had not wept. He rode slowly to +the Concho. Chance leaped circling about his horse. He greeted the +dog with a word. When he dismounted, Chance cringed and crept to him. +Without question this was his master, and yet there was something in +Sundown's attitude that silenced the dog's joyous welcoming. Chance +sat on his haunches, whined, and did his best by his own attitude to +show that he was in sympathy with his master's strange mood. + +John Corliss saw instantly that there was something wrong, and his +hearty greeting lapsed into terse questioning. Sundown pointed toward +the northern mesas. + +"What's up?" he queried. + +"Sinker--he's dead--over there." + +"Sinker?" Corliss ran to the corral, calling to Wingle, who came from +the bunk-house. The cook whisked off his apron, grabbed his hat, and +followed Corliss. "Sinker's done for!" said Corliss. "Saddle up, Hi. +Sun found him out there. Must have had trouble at the water-hole. I +should have sent another man with him." + +Wingle, with the taciturnity of the plainsman, jerked the cinchas tight +and swung to the saddle. Sinker's death had come like a white-hot +flash of lightning from the bulked clouds that had shadowed disaster +impending--and in that shadow the three men rode silently toward the +north. Again Corliss questioned Sundown. Tense with the stress of an +emotion that all but sealed his lips, Sundown turned his white face to +Corliss and whispered, "Wait!" The rancher felt that that one terse, +whispered word implied more than he cared to imagine. There was +something uncanny about the man. If the killing of Sinker could so +change the timorous, kindly Sundown to this grim, unbending epitome of +lean death and vengeance, what could he himself do to check the wild +fury of his riders when they heard of their companion's passing from +the sun? + +Sinker's horse, grazing, lifted its head and nickered as they rode up. +They dismounted and turned the body over. Wingle, kneeling, examined +the cowboy's six-gun. + +Corliss, in a burst of wrath, turned on Sundown. "Damn you, open your +mouth. What do you know about this?" + +Sundown bit his nails and glowered at Corliss. "God A'mighty sent +me--" he began. + +With a swift gesture Corliss interrupted. "You're working for the +Concho. Was he dead when you found him?" + +Sundown slowly raised his arm and pointed across the mesa. + +Corliss fingered his belt and bit his lip impatiently. + +"A herder--over there to my ranch--done it. Sinker told me--'fore he +crossed over. Said it was 'Sandro. Said he had orders not to shoot. +He tried to bluff 'em off, for they was bringin' sheep to the +water-hole. He said to tell you." + +Corliss and Wingle turned from looking at Sundown and gazed at each +other. "If that's right--" And the rancher hesitated. + +"I reckon it's right," said Wingle. And he stooped and together they +lifted the body and laid it across the cowboy's horse. + +Sundown watched them with burning eyes. "We'll ride back home," said +Corliss, motioning to him. + +"Home? Ain't you goin' to do nothin'?" + +Corliss shook his head. Sundown slowly mounted and followed them to +the Concho. He watched them as they carried Sinker to the bunkhouse. + +When Corliss reappeared, Sundown strode up to him. "This here hoss +belongs to that leetle Mexican on the Apache road, Chico Miguel--said +you knowed him. I was goin' to take him back with my hoss. Now I +reckon I can't. I kind o' liked it over there to his place. I guess I +want my own hoss, Pill." + +"I guess you better get something to eat and rest up. You're in bad +shape, Sun." + +Sundown shook his head. "I got somethin' to do--after that mebby I can +rest up. Can I have me hoss?" + +"Yes, if it'll do you any good. What are you going to do?" + +"I got me homesteader papers. I'm goin' to me ranch." + +"But you're not outfitted. There's no grub there. You better take it +easy. You'll feel better to-morrow." + +"I don't need no outfit. I reckon I'll saddle Pill." + +Sundown turned the Mexican's pony into the corral and saddled his own +horse which he led to the bunk-house. "I ain't got no gun," he said. +"The sheriff gent's got mine. Mebby you'd be lendin' me one?" + +Wingle stepped to the doorway and stood beside Corliss. "What does he +want, Jack?" + +"He's loco. Wants to borrow a gun." The rancher turned to Sundown. +"See here, Sun, there's no use thinking you've got to take a hand in +this. Some of the boys'll get the Mexican sure! I can't stop them, +but I don't want you to get in trouble." + +"No. You come on in and eat," said Wingle. "You got a touch of sun, I +guess." + +Sundown mounted. "Ain't you goin' to do nothin'?" he asked again. + +Corliss and Wingle glanced at each other. "No, not now." + +"Then me and Chance is," said Sundown. "Come on, Chance." + +Corliss and the cook watched the tall figure as it passed through the +gateway and out to the mesa. "I'll go head him off, if you say the +word, Jack." + +Corliss made a negative gesture. "He'll come back when he gets hungry. +It's a long ride to the water-hole. Sinker had sand to get as near +home as he did. It's going to be straight hell from now on, Hi." + +Wingle nodded. Through force of habit he reached for his apron to wipe +his hand--his invariable preliminary before he shook hands with any +one. His apron being off, he hesitated, then stepped to his employer. +"It sure is," he said, "and I'm ridin' with you." + +They shook hands. Moved by a mutual impulse they glanced at the long, +rigid shape covered with a blanket. "When the boys come--" began +Wingle. + +"It will be out of our hands," concluded Corliss. + +"If Sun--" + +"I ought to ride out after him," said Corliss, nodding. "But I can't +leave. And you can't." + +Wingle stepped to the doorway and shaded his eyes. Far out on the mesa +the diminishing figure of a horseman showed black against the glare of +the sun. Wingle turned and, with a glance at the shrouded figure on +the bunk-house floor, donned his apron and shuffled to the kitchen. +Corliss tied his horse and strode to the office. + +Hi Wingle puttered about the kitchen. There would be supper to get for +fifteen hungry--No! fourteen, to-night. He paused, set down the pan +that he held and opened the door of the chuck-room. With finger +marking the count he totaled the number of chairs at the table. +Fifteen. Then he stepped softly to the bunk-room, took Sinker's hat +and stepped back to the table. He placed the hat on the dead cowboy's +chair. Then he closed the door and turned to the preparation of the +evening meal. "Jack'll report to Antelope and try and keep the boys +quiet. I'm sure with Jack--only I was a puncher first afore I took to +cookin'. And I'm a puncher yet--inside." Which was his singular and +only spoken tribute to the memory of Sinker. He had reasoned that it +was only right and fitting that the slayer of a cowman should be slain +by a cowman--a code that held good in his time and would hold good +now--especially when the boys saw the battered Stetson, every line of +which was mutely eloquent of its owner's individuality. + +Sundown drifted through the afternoon solitudes, his mind dulled by the +monotony of the theme which obsessed him. It was evening when he +reached the water-hole. Around the enclosure straggled a few stray +sheep. He cautioned Chance against molesting them. Ordinarily he +would have approached the ranch-house timidly, but he was beyond fear. +He rode to the gate, tied his horse, and stepped to the doorway. The +door was open. He entered and struck a match. In the dusk he saw that +the room was empty save for a tarpaulin and a pair of rawhide kyacks +such as the herders use. Examining the kyacks he found that they +contained flour, beans, salt, sugar, and coffee. Evidently the herders +had intended making the deserted ranch-house their headquarters. He +wondered vaguely where the Mexicans were. The thought that they might +return did not worry him. He knew what he would do in that instance. +He would find out which one was 'Sandro . . . and then . . . + +The bleating of the stray sheep annoyed him. He told Chance to stay in +the room. Then he stalked out and opened the gate. "Mebby they want +water. I dunno. Them's Loring's sheep, all right, but they ain't to +blame for--for Sinker." With the idea came a more reasonable mood. +The sheep were not to blame for the killing of Sinker. The sheep +belonged to Loring. The herders, also, practically belonged to Loring. +They were only following his bidding when they protected the sheep. +With such reasoning he finally concluded that Loring, not his herder, +was responsible for the cowboy's death. He returned to the house, +built a fire, and cooked an indifferent meal. + + +Sundown sat up suddenly. In the dim light of the moon flickering +through the dusty panes he saw Chance standing close to the door with +neck bristling and head lowered. Throwing back his blanket he rose and +whispered to the dog. Chance came to him obediently. Sundown saw that +the dog was trembling. He motioned him back and stepped to the door. +His slumbers had served to restore him to himself in a measure. His +old timidity became manifest as he hesitated, listening. In the +absolute silence of the night he thought he heard a shuffling as of +something being dragged across the enclosure. Tense with anticipating +he knew not what, he listened. Again he heard that peculiar slithering +sound. He opened the door an inch and peered out. In the pallid glow +of the moon he beheld a shapeless object that seemed to be crawling +toward him. Something in the helpless attitude of the object suggested +Sinker as he had risen on his arm, endeavoring to tell of the disaster +which had overtaken him. With a gesture of scorn at his own fear he +swung open the door. Chance crept at his heels, whining. Then Sundown +stepped out and stood gazing at the strange figure on the ground. Not +until a groan of agony broke the utter silence did he realize that the +night had brought to him a man, wounded and suffering terribly. "Who +are you?" he questioned, stooping above the man. The other dragged +himself to Sundown's feet and clawed at his knees. "'Sandro . . . It +is--that I--die. You don' keel . . . You don' . . ." + +Sundown dragged the herder to the house and into the bedroom. He got +water, for which the herder called piteously. With his own blanket he +made him as comfortable as he could. Then he built a fire that he +might have light. The herder was shot through the thigh, and had all +but bled to death dragging himself across the mesa from where he had +fallen from his horse. Sundown tried to stop the bleeding with strips +torn from his bandanna. Meanwhile the wounded man was imploring him +not to kill him. + +"I'm doin' me best to fix you up, Dago," said Sundown. "But you better +go ahead and say them prayers--and you might put in a couple for Sinker +what you shot. I reckon his slug cut the big vein and you got to go. +Wisht I could do somethin' . . . to help . . . you stay . . . but mebby +it's better that you cross over easy. Then the boys don't get you." + +The Mexican seemed to understand. He nodded as he lay gazing at the +lean figure illumined by the dancing light of the open stove. "Si. +You good hombre, si," he gasped. + +Sundown frowned. "Now, don't you take any idea like that along to +glory with you. Sinker--what you shot--was me friend. I ought to kill +you like a snake. But God A'mighty took the job off me hands. I +reckon that makes me square with--with Sinker--and Him." + +Again Sundown brought water to the herder. Gently he raised his head +and held the cup to his lips. Chance stood in the middle of the room +strangely subdued, yet he watched each movement of his master with +alert eyes. The moonlight faded from the window and the fire died +down. The air became chill as the faint light of dawn crept in to +emphasize the ghastly picture--the barren, rough-boarded room, the +rusted stove, the towering figure of Sundown, impassively waiting; and +the shattered, shrunken figure of the Mexican, hopeless and helpless, +as the morning mesas welcomed the golden glow of dawn and a new day. + +The herder, despite his apparent torpor, was the first to hear the +faint thud of hoofs in the loose sand of the roadway. He grew +instantly alert, raising himself on his elbow and gazing with fear-wide +eyes toward the south. + +Sundown nodded. "It's the boys," he said, as though speaking to +himself. "I was hopin' he could die easy. I dunno." + +'Sandro raised his hands and implored Sundown to save him from the +riders. Sundown stepped to the window. He saw the flash of spurs and +bits as a group of the Concho boys swept down the road. One of them +was leading a riderless horse. In a flash he realized that they had +found the herder's horse and had tracked 'Sandro to the water-hole. He +backed away from the window and reaching down took the Mexican's gun +from its holster. "'T ain't what I figured on," he muttered. "They's +me friends, but this is me ranch." + +With a rush and a slither of hoofs in the loose sand the Concho riders, +headed by Shoop, swung up to the gate and dismounted. Sundown stepped +to the doorway, Chance beside him. + +Shoop glanced quickly at the silent figure. Then his gaze drifted to +the ground. + +"'Mornin', Sun! Seen anybody 'round here this mornin'?" + +"Mornin', fellas. Nope. Just me and Chance." + +The men hesitated, eyeing Sundown suspiciously. + +Corliss stepped toward the ranch-house. + +"Guess we'll look in," he said, and stepped past Shoop. + +Sundown had closed the door of the bedroom. He was at a loss to +prevent the men entering the house, but once within the house he +determined that they should not enter the bedroom. + +He backed toward it and stood with one shoulder against the lintel. +"Come right in. I ain't got to housekeepin' yet, but . . ." + +He ceased speaking as he saw Corliss's gaze fixed on the kyacks. +"Where did you get 'em?" queried the rancher. + +The men crowded in and gazed curiously at the kyacks--then at Sundown. + +Shoop strode forward. "The game's up, Sun. We want the Mexican." + +"This is me ranch," said Sundown. "I got the papers--here. You fellas +is sure welcome--only they ain't goin' to be no shootin' or such-like. +I ain't joshin' this time." + +A voice broke the succeeding silence. "If the Mexican is in there, we +want him--that's all." + +Sundown's eyes became bright with a peculiar expression. Slowly--yet +before any one could realize his intent--he reached down and drew the +Mexican's gun. "You're me friends," he said quietly. "He's in +there--dyin'. I reckon Sinker got him. He drug himself here last +night and I took him in. This is me home--and if you fellas is _men_, +you'll let him die easy and quiet." + +"I'm from Missouri," said Shoop, with a hard laugh. "You got to show +me that he's--like you say, or--" + +Sundown leveled his gun at Shoop. "I ain't lyin' to you, Bud. Sinker +was me friend. And I ain't lyin' when I says that the fust fella that +tries to tech him crosses over afore he does." + +Some one laughed. Corliss touched Shoop's arm and whispered to him. +With a curse the foreman turned and the men clumped out to the yard. + +"He's right," said Corliss. "We'll wait." + +They stood around talking and commenting upon Sundown's defense of the +Mexican. + +"'Course we could 'a' got him," said Shoop, "but it don't set right +with me to be stood up by a tenderfoot. Sundown's sure loco." + +"I don't know, Bud. He's queer, all right, but this is his ranch. +He's got a right to order us out." + +Shoop was about to retort when Sundown came to the doorway. "I guess +you can come in now," he said. "And you won't need no gun." The men +shuffled awkwardly, and finally led by Corliss they filed into the room +and one by one they stepped to the open door of the bedroom and gazed +within. Then they filed out silently. + +"I'll send over some grub," said Corliss as they mounted. Sundown +nodded. + +The band of riders moved slowly back toward the Concho. About halfway +on their homeward journey they met Loring in a buckboard. The old +sheep-man drove up and would have passed them without speaking had not +Corliss reined across the road and halted him. + +"One of your herders--'Sandro--is over at the water-hole," said +Corliss. "If you're headed for Antelope, you might stop by and take +him along." + +Loring glared at the Concho riders, seemed about to speak, but instead +clucked to his team. The riders reined out of his way and he swept +past, gazing straight ahead, grim, silent, and utterly without fear. +He understood the rancher's brief statement, and he already knew of the +killing of Sinker. 'Sandro's assistant, becoming frightened, had left +his wounded companion on the mesas, and had ridden to the Loring rancho +with the story of the fight and its ending. + + + + +CHAPTER XXIII + +THE PEACEMAKER + +"But I ain't no dove--more like a stork, I guess," reflected Sundown as +he stood in the doorway of his house. "And storks brings +responsibilities in baskets, instead of olive branches. No wonder ole +man Noah fired the dove right out ag'in--bringin' him olives what +wa'n't pickled, instead of a bunch of grapes or somethin' you can eat! +And that there dove never come back. I reckon he figured if he did, +ole man Noah'd shoot him. Anyhow, if I ain't no dove of peace, I'm +goin' to do the best I can. Everybody 'round here seems like they was +tryin' to ride right into trouble wishful, 'stead of reinin' to one +side an' givin' trouble a chance to get past. Gee Gosh! If I'd 'a' +knowed what I know now--afore I hit this country--but I'm here. +Anyhow, they's nothin' wrong with the country. It's the folks, like it +'most always is. Reckon I ought to keep on buildin' fence this +mornin', but that there peace idea 's got to singin' in me head. I'll +jest saddle up Pill and ride over and tell ole man Loring that I'm +takin' care of his sheep charitable what's been hangin' around here +since 'Sandro passed over. Mebby that'll kind o' start the talk. Then +I can slip him a couple of ideas 'bout how neighbors ought to act. +Huh! Me nussin' them sheep for two weeks and more, an' me just dyin' +for a leetle taste o' mutton. Mebby his herders was scared to come for +'em, I dunno." + + +Sundown was established at the water-hole. Corliss had sent a team to +Antelope for provisions, implements, and fencing. Meanwhile, Sundown +had been industrious, not alone because he felt the necessity for +something to occupy his time, but that he wanted to forget the tragedy +he had so recently witnessed. And he had dreams of a more +companionable future which included Mexican dishes served hot, evenings +of blissful indolence accompanied by melody, and a Seņora who would +sing "Linda Rosa, Adios!" which would be the "piece de resistance" of +his pastoral menu. + +The "tame cow," which he had so ardently longed for, now grazed +soulfully in a temporary enclosure out on the mesa. Two young and +sprightly black pigs prospected the confines of their littered +hermitage. Four gaunt hens and a more or less dilapidated rooster +stalked about the yard, no longer afraid of the watchful Chance, who +had previously introduced himself to the rooster without the formality +of Sundown's presence as mediator. Sundown was proud of his chickens. +The cow, however, had been, at first, rather a disappointment to him. +Milk had not heretofore been a conspicuous portion of Sundown's diet, +nor was he versed in the art of obtaining it except over the counter in +tins. With due formality and some trepidation he had placed a pail +beneath "Gentle Annie" as he called her, and had waited patiently. So +had Gentle Annie, munching a reflective cud, and Sundown, in a +metaphorical sense, doing likewise. He had walked around the cow +inspecting her with an anxious and critical eye. She seemed healthful +and voluptuously contented. Yet no milk came. Bud Shoop, having at +that moment arrived with the team, sized up the situation. When he had +recovered enough poise to stand without assistance and had wiped the +wild tears from his eyes, he instructed the amazed Sundown as to +certain manipulations necessary to produce the desired result. "Huh! +Folks says cows _give_ milk. But I reckon that ain't right," Sundown +had asserted. "You got to take it away from 'em." So he had taken +what he could, which was not, at first, a great deal. + +This momentous morning he had decided that his unsolicited mission was +to induce or persuade Loring to arbitrate the question of +grazing-rights. It was a strange idea, although not incompatible with +Sundown's peculiar temperament. He felt justified in taking the +initiative; especially in view of the fact that Loring's sheep had been +trespassing on his property. + +He saddled "Pill," and called to Chance. "See here, Chance, you and +me's pals. No, you ain't comin' this trip. You stick around and keep +your eye on me stock. What's mine is yourn exceptin' the rooster. +Speakin' poetical, he belongs to them hens. If he ain't here when I +get back, I can pretty nigh tell by the leavin's where he is. When I +git back I look to find you hungry, sabe? And not sneakin' around +lookin' at me edgeways with leetle feathers stickin' to your nose. I +reckon you understand." + +Chance followed his master to the road, and there the dog sat gazing at +the bobbing figure of Sundown until it was but a speck in the morning +sunshine. Then Chance fell to scratching his ear with his hind foot, +rose and shook himself, and stalked indolently to the yard where he lay +with his nose along his outstretched fore legs, watching the proscribed +rooster with an eloquence of expression that illustrated the proverbial +power of mind over matter. + +Sundown kept Pill loping steadily. It was a long ride, but Sundown's +mind was so preoccupied with the preparing of his proposed appeal to +the sheep-man that the morning hours and the sunlit miles swept past +unnoticed. The dark green of the acacias bordering the hacienda, the +twinkling white of the speeding windmill, and the dull brown of the +adobes became distinct and separate colors against the far edge of the +eastern sky. He reined his pony to a walk. "When you're in a hurry to +do somethin'," he informed his horse, "it ain't always good politics to +let folks know it. So we'll ride up easy, like we had money to spend, +and was jest lookin' over the show-case." And Pill was not averse to +the suggestion. + +Sundown dismounted, opened the gate, and swinging to the saddle, rode +up to the ranch-house. Had he known that Anita, the daughter of Chico +Miguel, was at that moment talking with the wife of one of Loring's +herders; that she was describing him in glowing terms to her friend, +and moreover, as he passed up the driveway, that Anita had turned +swiftly, dropping the pitcher of milk which she had just brought from +the cooling-room as she saw him, he might well have been excused from +promulgating his mission of peace with any degree of coherence. +Sublimely ignorant of her presence,--spiritualists and sentimentalists +to the contrary in like instances,--he rode directly to the hacienda, +asked for the patron, and was shown to the cool interior of the house +by the mildly astonished Seņora. Seņor Loring would return presently. +Would the gentleman refresh himself by resting until the Seņor +returned? Possibly she herself could receive the message--or the +Seņorita, who was in the garden? + +"Thanks, lady. I reckon Pill is dry--wants a drink--agua--got a +thirst. No, ma'am. I can wait. I mean me horse." + +"Oh! Si! But Juan would attend to the horse and at once." + +"Thanks, lady. And if Miss Loring ain't too busy, I reckon I'd like to +see her a minute." + +The Seņora disappeared. Sundown could hear her call for Juan. +Presently Nell Loring came to the room, checked an exclamation of +surprise as she recognized him, and stepping forward, offered her hand. +"You're from Mr. Corliss. I remember. . . . Is Chance all right now?" + +"Yes, ma'am. He is enjoyin' fust-rate health. He eats reg'lar--and +rabbits in between. But I ain't from the Concho, lady. I'm from me +own ranch, down there at the water-hole. Me boss ain't got nothin' to +do with me bein' here. It's me own idea. I come friendly and wishful +to make a little talk to your pa." + +Wondering what could have induced Sundown to call at her home, +especially under the existing circumstances, Nell Loring made him +welcome. After he had washed and strolled over to the stables to see +to his horse. Sundown, returning, declined an invitation to come in, +and sat on the veranda, smoking cigarettes and making mental note of +the exterior details of the hacienda: its garden, shade-trees, corrals, +and windmill. Should prosperity smile upon him, he would have a +windmill, be Gosh! Not a white one--though white wasn't so bad--but +something tasty; red, white and blue, mebby--a real American windmill, +and in the front of the house a flagpole with the American flag. And +he would keep the sign "American Hotel" above the gate. There was +nothin' like bein' paterotic. Mexican ranches--some of 'em--was purty +enough in a lazy kind of style, but he was goin' to let folks know that +a white man was runnin' the water-hole ranch! + +And all unknown to him, Anita stood in the doorway of one of the +herder's 'dobes, more than ever impressed by the evident importance of +her beau-idéal of chivalry, who took the kick of horses as a matter of +course, and rose smilingly from such indignities to present flowers to +her with eyes which spake of love and lips that expressed, as best they +could, admiration. Anita was a bit disappointed and perhaps a bit +pleased that he had not as yet seen her. As it was she could worship +from a distance that lent security to her tender embarrassment. The +tall one must, indeed, be a great caballero to be made welcome at the +patron's home. Assuredly he was not as the other vaqueros who visited +the patron. _He_ sat upon the veranda and smoked in a lordly way, +while they inevitably held forth in the less conspicuous latitude of +the bunk-house and its environs. Anita was happy. + +Sundown, elated by the righteousness of his mission as harbinger of +peace, met Loring returning from one of the camps with gracious +indifference to the other's gruff welcome. + +They sat at the table and ate in silence for a while. With the +refreshing coffee Sundown's embarrassment melted. His weird command of +language, enhanced by the opportunity for exercise in a good cause, +astonished and eventually interested his hearers. He did not approach +his subject directly, but mounted the metaphorical steps of his rostrum +leisurely. He discoursed on the opportunities afforded by the almost +limitless free range. He hinted at the possibility of internecine +strife eventually awakening the cupidity of "land-sharks" all over the +country. If there was land worth killing folks for, there was land +worth stealing. If the Concho Valley was once thrown open to +homesteaders, then farewell free range and fat cattle and sheep. And +the mention of sheep led him to remark that there was a small band at +the water-hole, uncared-for save by himself. "And he was no sheep-man, +but he sure hated to see any critters sufferin' for water, so he had +allowed the sheep to drink at the water-hole." Then he paused, +anticipating the obvious question to which he made answer: "Yes. The +water-hole ranch is me ranch. I filed on her the same day that you and +Miss Loring come to Usher. Incondescent to that I was in the calaboose +at Antelope. Somebody tole the sheriff that I was a suspicious +character. Mebby I am, judgin' from the outside, but inside I ain't. +You can't always tell what the works is like by the case, I ain't got +no hard feelin's for nobody, and I'm wishful that folks don't have no +hard feelin's ag'in' me or anybody else." + +Loring listened in silence. Finally he spoke. "I'll take care of my +sheep. I'll send for 'em to-day. Looks like you're tryin' to play +square, but you don't figure in this deal. Jack Corliss is at the +bottom of it and he's using you. And he'll use you hard. What you +goin' to do with the overflow from the water-hole?" + +"I'm goin' to irrigate me ranch," said Sundown. + +Loring nodded. "And cut off the water from everybody?" + +"Not from me friends." + +"Which means the Concho." + +"Sure! Jack Corliss is me friend. But that ain't all. If you want to +be me friend, I ain't kickin' even if you did tell the sheriff he ought +to git acquainted with me closer. I'm goin' to speak right out. I +reckon it's the best way. I got a proposition. If you'll quit sickin' +them herders onto cowboys and if Jack'll quit settin' the punchers at +your herders, I'll open up me spring and run her down to where they's +water for everybody. If cows comes, they drink. If sheep comes, +_they_ drink. If folks comes, they drink, likewise. But no fightin'." + +Sundown as arbiter of peace felt that he had, in truth, "spoken right +out." He was not a little surprised at himself and a bit fearful. Yet +he felt justified in his suggestion. Theoretically he had made a fair +offer. Practically his offer was of no value. Sheep and cattle could +not occupy the same range. Loring grumbled something and shoved back +his chair. They rose and stepped to the veranda. + +"If you can get Corliss to agree to what you say--and quit runnin' +cattle on the water-hole side--I'll quit runnin' sheep there." And +Loring waved his hand toward the north. + +"But the Concho is on the west side--" began Sundown. + +"And cattle are grazin' on the east side," said Loring. + +Sundown scratched his head. "I reckon I got to see Jack," he said. + +"And you'll waste time, at that," said Loring. "Look here! Are you +ranchin' to hold down the water-hole for Corliss or to make a livin'?" + +Sundown hesitated. He gazed across the yard to the distant mesa. +Suddenly a figure crossed the pathway to the gate. He jerked up his +head and stood with mouth open. It couldn't be--but, yes, it was +Anita--Linda Rosa! Gee Gosh! He turned to Loring. "I been tellin' +you the truth," he said simply. "'Course I got to see me boss, now. +But it makes no difference what he says, after this. I'm ranchin' for +meself, because I'm--er--thinkin' of gettin' married." + +Without further explanation, Sundown stalked to the stable and got his +horse. He came to the hacienda and made his adieux. Then he mounted +and rode slowly down the roadway toward the gate. + +Anita's curiosity had overcome her timidity. Quite accidentally she +stood toying with a bud that she had picked from the flower-bordered +roadway. She turned as Sundown jingled up and met him with a murmur of +surprise and pleasure. He swung from his horse hat in hand and +advanced, bowing. Anita flushed and gazed at the ground. + +"'Mornin', Seņorita! I sure am jest hoppin' glad to see you ag'in. If +I'd 'a' knowed you was here . . . But I come on business--important. +Reckon you're visitin' friends, eh?" + +"Si, Seņor!" + +"Do you come here reg'lar?" + +"Only to see the good aunt sometimes." + +"Uhuh. I kind of wish your aunt was hangin' out at the Concho, though. +This here ain't a reg'lar stoppin'-place for me." + +"You go away?" queried Anita. + +"I reckon I got to after what I said up there to the house. Yes, I'm +goin' back to feed me pigs and Chance and the hens. I set up +housekeepin' since I seen you. Got a ranch of me own--that I was +tellin' you about. You ought to see it! Some class! But it's mighty +lonely, evenin's." + +Anita sighed and glanced at Sundown. Then her gaze dwelt on the bud +she held. "Si, Seņor--it is lonely in the evenings," she said, and +although she spoke in Spanish, Sundown did not misunderstand. + +He grinned hugely. "You sure don't need to talk American to tell it," +he said as one who had just made a portentous discovery. "It was +worryin' me how we was goin' to get along--me short on the Spanish and +you short on my talk. But I reckon we'll get along fine. Your pa in +good health, and your ma?" + +Anita nodded shyly. + +Sundown was at a loss to continue this pleasant conversation. He +brightened, however, as a thought inspired him. "And the leetle hoss, +is he doin' well?" + +"That Sarko I do not like that he should keeck you!" flamed Anita, and +Sundown's cup of happiness was full to overflowing. + +Quite unconsciously he was leading his horse toward the gate and quite +unconsciously Anita was walking beside him. Forgotten was the Loring +ranch, the Concho, his own homestead. He was with his inamorata, the +"Linda Rosa" of his dreams. + +At the gateway he turned to her. "I'm comin' over to see your folks +soon as I git things to runnin' on me ranch. Keeps a fella busy, but +I'm sure comin'. I ain't got posies to growin' yet, but I'm goin' to +have some--like them," and he indicated the bud which she held. + +"You like it?" she queried. And with bashful gesture she gave him the +rose, smiling as he immediately stuck it in the band of his sombrero. + +Then he held out his hand. "Linda Rosa," he said gently, "I can't make +the big talk in the Spanish lingo or I'd say how I was lovin' you and +thinkin' of you reg'lar and deep. 'Course I got to put your pa and ma +wise first. But some day I'm comin'--me and Chance--and tell you that +I'm ready--that me ranch is doin' fine, and that I sure want you to +come over and boss the outfit. I used to reckon that I didn't want no +woman around bossin' things, but I changed me mind. Adios! +Seņorita!--for I sure got to feed them hens." + +Sundown extended his hand. Anita laid her own plump brown hand in +Sundown's hairy paw. For an instant he hesitated, moved by a most +natural impulse to kiss her. Her girlish face, innocently sweet and +trusting, her big brown eyes glowing with admiration and wonder, as she +gazed up at him, offered temptation and excuse enough. It was not +timidity nor lack of opportunity that caused Sundown to hesitate, but +rather that innate respect for women which distinguishes the gentle man +from the slovenly generalization "gentleman." "Adios! Linda Rosa!" he +murmured, and stooping, kissed her brown fingers. Then he gestured +with magnificence toward the flowers bordering the roadway. "And you +sure are the lindaest little Linda Rosa of the bunch!" + +And Anita's heart was filled with happiness as she watched her brave +caballero ride away, so tall, so straight, and of such the gentle +manner and the royal air! + +It was inevitable that he should turn and wave to her, but it was not +inevitable that she should have thrown him a pretty kiss with the grace +of her pent-up emotion--but she did. + + + + +CHAPTER XXIV + +AN UNEXPECTED VISIT + +It was late in the evening when Sundown returned to his ranch. Chance +welcomed him with vocal and gymnastic abandon. Sundown hastened to his +"tame cow" and milked her while the four hens peeped and clucked from +their roost, evidently disturbed by the light of the lantern. +Meanwhile Chance lay gravely watching his master until Gentle Annie had +been relieved of the full and creamy quota of her donation to the +maintenance of the household. Then the wolf-dog followed his master to +the kitchen where they enjoyed, in separate dishes, Gentle Annie's warm +contribution, together with broken bread and "a leetle salt to bring +out the gamey flavor." + +Solicitous of the welfare of his stock, as he termed them, he betook +himself to the hen-house to feed the chickens. "Huh!" he exclaimed, +raising the lantern and peering round, "there's one rooster missin'!" +_The_ rooster had in truth disappeared. He put down the lantern and +turned to Chance. "Lemme look at your mouth. No, they ain't no signs +on you. Hold on! Be Gosh, if they ain't some leetle red hairs +stickin' to your chops. What's the answer?" + +Chance whined and wagged his tail. "You don't look like you was +guilty. And that there rooster wasn't sportin' red hair the last time +I seen him. Did you eat him fust and then swaller a rabbit to cover +his tracks? I reckon not. You're some dog--but you ain't got +boiler-room for a full-size Rhode Island Red and a rabbit and two +quarts of bread-and-milk. It ain't reas'nable. I got to investigate." + +The dog seemed to understand. He leaped up and trotted to the yard, +turning his head and silently coaxing his master to follow him. +Sundown, with a childish and most natural faith in Chance's +intelligence, followed him to the fence, scrambled through and trailed +him out on the mesa. In a little hollow Chance stopped and stood with +crooked fore leg. Sundown stalked up. At his feet fluttered his red +rooster and not far from it lay the body of a full-grown coyote. +Chance ran to the coyote and diving in shook the inanimate shape and +growled. "Huh! Showin' me what you done to him for stealin' our +rooster, eh? Well, you sure are goin' to get suthin' extra for this! +You caught him with the goods--looks like. And look here!"--and +Sundown deposited the lantern on a knoll and sat down facing the dog. +"What I'm goin' to give you that extra for ain't for killin' the +coyote. That is your business when I ain't to home. You could 'a' +finished off Jimmy"--and he gestured toward the rooster--"and the +evidence would 'a' been in your favor, seein' as you was wise to show +me the coyote. I got some candy put by for--for later, if she likes +it, but we're goin' to bust open that box of candy and celebrate. Got +to see if I can repair Jimmy fust, though, or else use the axe. I +dunno." + +Jimmy was a sad spectacle. His tail-feathers were about gone and one +leg was maimed, yet he still showed the fighting spirit of his New +England sires, for, as Sundown essayed to pick him up, he pecked and +squawked energetically. + +They returned to the house, where Sundown examined the bedraggled bird +critically. "I ain't no doc, but I have been practiced on some meself. +Looks like his left kicker was bruk. Guess it's the splints for him +and nussin' by hand. Here, you! Let go that button! That ain't a +bug! There! 'T ain't what you'd call a perfessional job, but if you +jest quit runnin' around nights and take care of your health, mebby +you'll come through. Don' know what them hens'll think, though. You +sure ain't no Anner Dominus no more. If you was a lady hen, you could +pertend you was wearin' evenin' dress like--low-neck and suspenders. +But bein' a he, 't ain't the style. Wonder if you got your crow left? +You ain't got a whole lot more to tell you from jest a hen." + +With Jimmy installed in a box of straw in the kitchen, the pigs fed, +and Gentle Annie grazing contentedly, Sundown felt able to relax. It +had been a strenuous day for him. He drew a chair to the stove, and +before he sat down he brought forth from beneath the bed a highly +colored cardboard box on which was embossed a ribbon of blue sealed +with a gold paster-seal. Chance watched him gravely. It was a +ceremony. Sundown opened the box and picking out a chocolate held it +up that Chance might realize fully that it was a ceremony. The dog's +nose twitched and he licked his chops. "Tastes good a'ready, eh? +Well, it's yourn." And he solemnly gave Chance the chocolate. "Gee +Gosh! What'd you do with it? That ain't no way to eat candy! You +want to chew her slow and kind o' hang on till she ain't there. Then +you get your money's worth. Want another?" + +Later Sundown essayed to smoke, but found the flavor of chocolate +incompatible with the enjoyment of tobacco. Chance dozed by the fire, +and Jimmy, with neck stretched above the edge of the box, watched +Sundown with beady, blinking eyes. + + +Sundown slept late next morning. The lowing of Gentle Annie as she +mildly endeavored to make it known that milking-time was past, the +muffled grunting of the two pigs as they rooted in the mud or poked +flat flexible noses through the bars, the restless padding of Chance to +and from the bedroom, merely harmonized in chorus with audible slumbers +until one of the hens cackled. Then Jimmy, from his box near the +stove, lifted his clarion shrill in reply to the hen. Sundown sat up, +scratched his ear, and arose. + +He was returning from a practice of five-finger exercise on Gentle +Annie, busy with his thoughts and the balance of the pail, when a shout +brought his gaze to the road. John Corliss and Bud Shoop waved him +greeting, and dismounting led their horses to the yard. + +"Saves me a ride," muttered Sundown. Then, "How, folks! Come right +in!" + +He noticed that the ponies seemed tired--that the cinchas were +mud-spattered and that the riders seemed weary. He invited his guests +to breakfast. After the meal the three foregathered outside the house. + +"That was right good beef you fed us," remarked Shoop, slightly raising +one eyebrow as Corliss glanced at him. + +"The best in the country," cheerfully assented Sundown. + +"How you making it, Sun?" + +"Me? Oh, I'm wigglin' along. Come home last night and found Jimmy +with his leg bruk. Everything else was all right." + +"Jimmy?" + +"Uhuh. Me rooster." + +"Coyote grab him?" + +"Uhuh. And Chance fixed Mr. Coyote. I was to Loring's yesterday on +business." + +Shoop glanced at Corliss who had thus far remained silent. + +"We had a little business to talk over," said the rancher. "You're +located now. I'm going to run some cattle down this way next week. +Some of mine and some of the Two-Bar-O." Corliss, who had been +standing, stepped to the doorway and sat down. Shoop and Sundown +followed him and lay outstretched on the warm earth. "Funny thing, +Bud, about that Two-Bar-O steer we found cut up." + +"Sure was," said Shoop. + +"Did he get in a fence?" queried Sundown. + +"No. He was killed for beef. We ran across him yesterday and did some +looking around last night. Trailed over this way to have a talk." + +"I'm right glad to see you. I wanted to speak a little piece meself +after you get through." + +"All right. Here's the story." And Corliss gazed across the mesa for +a moment. "The South Spring's gone dry. The fork is so low that only +a dozen head can drink at once. It's been a mighty dry year, and the +river is about played out except in the caņon, and the stock can't get +to the water there. This is about the only natural supply outside the +ranch. I want to put a couple of men in here and ditch to that hollow +over there. It'll take about all your water, but we got to have it. I +want you to put in a gas-engine and pump for us. Maybe we'll have to +pipe to tanks before we get through. I'll give you fifty a month to +run the engine." + +"I'll sure keep that leetle ole gas-engine coughin' regular," said +Sundown. "I was thinkin' of somethin' like that meself. You see I +seen Loring yesterday. I told him that anybody that was wishful could +water stock here so long as she held out--except there was to be no +shootin' and killin', and the like. Ole man Loring says to tell you +what I told him and see what you said. I reckon he'll take his sheep +out of here if you folks'll take your cattle off the east side. I +ain't playin' no favorites. You been my friend--you and Bud. You come +and make me a proposition to pump water for you--and the fifty a month +is for the water. That's business. Loring ain't said nothin' about +buyin' water from me, so you get it. You see I was kind of figurin' +somethin' like this when I first come to this here place--'way back +when I met you that evenin'. Says I to meself, 'a fella couldn't even +raise robins on this here farm, but from the looks of that water-hole +he could raise water, and folks sure got to have water in this +country.' I was thinkin' of irrigatin' and raisin' alfalfa and +veg'tables, but fifty a month sounds good to me. Bein' a puncher +meself, I ain't got no use for sheep, but I was willin' to give ole man +Loring a chance. If the mesas is goin' dry on the east side, what's he +goin' to do?" + +"I don't know, Sun. He's got a card up his sleeve, and you want to +stay right on the job. Bud here got a tip in Antelope that a bunch of +Mexicans came in last week from Loring's old ranch in New Mexico. Some +of 'em are herders and some of 'em are worse. I reckon he'll try to +push his sheep across and take up around here. He'll try it at night. +If he does and you get on to it before we do, just saddle Pill and fan +it for the Concho." + +"Gee Gosh! But that means more fightin'!" + +Shoop and Corliss said nothing. Sundown gazed at them questioningly. + +Presently Corliss gestured toward the south. "They'll make it +interesting for you. Loring's an old-timer and he won't quit. This +thing won't be settled until something happens--and I reckon it's going +to happen soon." + +"Well, I'm sure sittin' on the dynamite," said Sundown lugubriously. +"I reckoned to settle down and git m--me farm to goin' and keep out of +trouble. Now it looks like I was the cat what fell out of a tree into +a dog-fight by mistake. They was nothin' left of that cat." + +Shoop laughed. "We'll see that you come out all right." + +Sundown accepted this meager consolation with a grimace. Then his face +beamed. "Say! What's the matter of me tellin' the sheriff that +there's like to be doin's--and mebby he could come over and kind of +scare 'em off." + +"The idea is all right, Sun. But Jim is a married man. Most of his +deputies are married. If it comes to a mix some of 'em 'd get it sure. +Now there isn't a married man on the Concho--which makes a lot of +difference. Sabe?" + +"I reckon that's right," admitted Sundown, "Killin' a married man is +like killin' the whole fambly." + +"And you're a single man--so you're all right," said Shoop. + +"Gee Gosh! Mebby that ought to make me feel good, but it don't. +Supposin' a fella was goin' to get married?" + +"Then--he'd--better wait," said Corliss, smiling at his foreman. + +Corliss stood up and yawned. "Oh, say, Sun, where'd you get that +beef?" he asked casually. + +"The beef? Why, a Chola come along here day afore yesterday and say if +I wanted some meat. I says yes. Then he rides off and purty soon he +comes back with a hind-quarter on his saddle. I give him two dollars +for it. It looked kind of funny, but I thought he was mebby campin' +out there somewhere and peddlin' meat." + +Shoop and Corliss glanced at each other. "They don't peddle meat that +way in this country, Sun. What did the Mexican look like?" + +"Kind of fat and greasy-like, and he was as cross-eyed as a rabbit +watchin' two dogs to onct." + +"That so? Let's have a look at that hind-quarter." + +"Sure! Over there in the well-shed." + +When Corliss returned, he nodded to Shoop. Then he turned to Sundown. +"We found a Two-Bar-O steer killed right close to here yesterday. +Looks queer. Well, we'll be fanning it. I'll send to Antelope and +have them order the pump and some pipe. Got plenty of grub?" + +"Plenty 'nough for a couple of weeks." + +"All right. So-long. Keep your eye on things." + + + + +CHAPTER XXV + +VAMOSE, EH? + +The intermittent popping of the gasoline engine, as it forced water to +the big, unpainted tank near the water-hole, became at first monotonous +and finally irritating. Sundown, clad in oil-spotted overalls that did +not by many inches conceal his riding-boots and his Spanish spurs, +puttered about the engine until he happened to glance at the distant +tank. A silvery rill of water was pouring from the top of the tank. +He shut off the engine, wiped his hands, and strode to the house. + +He was gone a long time, so long in fact that Chance decided to +investigate. The dog got up, stretched lazily, and padded to the +doorway. He could hear Sundown muttering and shuffling about in the +bedroom. Chance stalked in quietly and stood gazing at his master. +Sundown had evidently been taking a bath,--not in the pail of water +that stood near him, but obviously round and about it. At the moment +he was engaged in tying a knot in the silk bandanna about his neck. +Chance became animated. His master was going somewhere! Sundown +turned his head, glancing at the dog with a preoccupied eye. The knot +adjusted to his satisfaction, he knelt and drew a large box from +beneath the bed. From the box he took an immaculate and exceedingly +wide-brimmed Stetson with an exceedingly high crown. He dented the +crown until the hat had that rakish appearance dear to the heart of the +cowboy. Then he took the foot-square looking-glass from the wall and +studied the effect at various and more or less unsatisfactory angles. +Again he knelt--after depositing the hat on the bed--and emerged with a +pair of gorgeous leather chaps that glittered with the polished silver +of conchas from waist-band to heel. Next he drew on a pair of +elaborate gauntlets embellished with hand-worked silk roses of crimson. +Then he glanced at his boots. They were undoubtedly serviceable, but +more or less muddy and stained. That wouldn't do at all! Striding to +the kitchen he poked about and finally unearthed a box of stove-polish +that he had purchased and laid away for future use against that happy +time when stove-polish would be doubly appreciated. The metallic +luster of his boots was not altogether satisfactory, but it would do. +"This here bein' chief engineer of a popcorn machine ain't what it's +said to be in the perspectus. Gets a fella lookin' greasy and feelin' +greasy, but the pay kind of makes up for it. Me first month's wages +blowed in for outside decoratin'--but I reckon the grub'll hold out for +a spell." + +Then he strode from the house and made his rounds, inspecting the pigs, +shooing the chickens to their coop, and finally making a short +pilgrimage to where Gentle Annie was grazing. After he had saddled +"Pill," he returned to the house and reappeared with a piece of +wrapping-paper on which he had printed:-- + + +Help yourself to grub--but no fighting on thees premisus. + +SUNDOWN, Propriter. + + +"It's all right trustin' folks," he remarked as he gazed proudly at the +sign and still more proudly at the signature. "And I sure hate to put +up anything that looks kind of religious, but these days I don't trust +nobody but meself, and I sure have a hard time doin' that, knowin' how +crooked I could be if I tried." + +He gathered up the reins and mounted Pill. "Come on, Chance!" he +called. "We don't need any rooster-police to-day. Jimmy's in there +talkin' to his hens, and like as not cussin' because I shet him up. +And he sure ought to be glad he ain't goin' on crutches." + +He rode out to the mesa and, turning from the trail, took as direct a +course as he could approximate for the home of Chico Miguel, and +incidentally Anita. His mission would have been obvious to an utter +stranger. He shone and glistened from head to heel--his face with the +inner light of anticipation and his boots with the effulgence of +hastily applied stove-polish. + +He rode slowly, for he wished to collect himself, that his errand might +have all the grace of a chance visit and yet not lack the most +essential significance. He did not stop to reason that Anita's father +and mother were anything but blind. + +The day was exceptionally hot. The sun burned steadily on the ripening +bunch-grass. His pony's feet swept aside bright flowers that tilted +their faces eagerly like the faces of questioning children. He glanced +at his watch. "Got to move along, Pill. Reckon we'll risk havin' +somethin' to say when we get there--and not cook her up goin' along. +It sure is hot. Huh! That there butte over there looks jest like a +city athletic club with muscles all on its front of fellas wrastlin' +and throwin' things at themselves. Wisht I had a big lookin'-glass so +I could see meself comin'. Gee Gosh, but she's hot!" + +He put the horse to a lope, and with the subdued rhythm of the pony's +feet came Euterpe with a song. Recitation of verse at a lope is apt to +be punctuated according to the physical contour of the ground:-- + + + "In the Pull--man _car_ with turnin' _fans_, + The desert _looks_ like a lovely p--_lace_. + But crossin' a_lone_ on the _burn_in' sands, + She's hell, with a _grin_ on her face." + + +"Got to slow up to get that right," he said, "or jest stop an' git off. +But we ain't got time. 'Oh, down in Arizona there's a . . .' No. I +reckon I won't. I want to sing, but I can't take no risks." + +That "the Colonel's lady and Julie O'Grady are sisters under their +skins," is not to be doubted. That Romeo and Sundown are brothers, +with the odds slightly in favor of Sundown, is apparent to those who +have been, are, or are willing to be, in love. "Will this plume, these +trunks and hose, this bonnet please my fair Juliet?" sighs Romeo to his +mirror. And "Will these here chaps and me bandanna and me new Stetson +make a hit with me leetle Anita?" asks Sundown of the mesas. + +That the little Anita was pleased, nay, overwhelmed by the arrival of +her gorgeous caballero was more than apparent to the anxious Sundown. +She came running to the gate and stood with clasped hands while he +bowed for the seventh time and slowly dismounted, giving his leg an +unnecessary shake that the full effect of spur and concha might not be +lost. He felt the high importance of his visit, and Anita also +surmised that something unusual was about to happen. He strode +magnificently to the house and again doffed his Stetson to the +astonished and smiling Seņora. Evidently the strange vaquero had met +with fortune. With experienced eye the mother of Anita swiftly +estimated the monetary outlay necessary to possess such an equipment. +It was well to be courted, of that she was reminiscently certain. Yet +it was also well to be courted by one who bore the earmarks--so to +speak--of prosperity. Sundown was made heartily welcome. After they +had had dinner,--Chico Miguel would return at night as usual,--Sundown +mentally besought his stars to aid him, lend him eloquence and the +Seņora understanding, and found excuse to follow the Seņora to the +kitchen where he offered to wipe the dishes. This she would not hear +of, but being wise in her generation she dismissed Anita on a trivial +errand and motioned her guest to a seat. What was said is a matter of +interest only to those immediately concerned. Love is his own +interpreter and labors willingly, yet in this instance his limitations +must be excused by the result. The Seņora and Sundown came to a +perfect understanding. The cabellero was welcome to make the state of +his heart known to Anita. As for her father, she--the Seņora--would +attend to him. And was Sundown fond of the tortillas? He was, be +Gosh! It was well. They would have tortillas that evening. Chico +Miguel was especially fond of the tortillas. They made him of the +pleasant disposition and induced him to tune the big guitar. + +The Seņora would take her siesta. Possibly her guest would smoke and +entertain Anita with news from the Concho and of the Patron Loring and +of his own rancho. Anita was not of what you say the kind to do the +much talking, but she had a heart. Of that the Seņora had reason to be +assured. Had not Anita gone, each day, to the gate and stood gazing +down the road? Surely there was nothing to see save the mesas. Had +she not begged to be allowed to visit the Loring hacienda not of so +very long time past? And Anita had not been to the Loring hacienda for +a year or more. Such things were significant. And the Seņora gestured +toward her own bosom, implying that she of a surety knew from which +quarter the south wind blew. + +All of which delighted the already joyous Sundown. He saw before him a +flower-bordered pathway to his happiness, and incidentally, as he gazed +down the pathway toward the gate of Chico Miguel's homestead, he saw +Anita standing pensively beneath the shade of an acacia, pulling a +flower to pieces and casting quick glances at the house. "Good-night, +Seņora,--I mean--er--here's hopin' you have a good sleep. It sure is +refreshin' this hot weather." The Seņora nodded and disappeared in the +bedroom. Sundown strode jingling down the pathway, a brave figure in +his glittering chaps and tinkling spurs. Anita's eyes were hidden +beneath her long black lashes. Perhaps she had anticipated something +of that which followed--perhaps she anticipated even more. In any +event, Sundown was not a disappointment. He asked her to sit beside +him beneath the acacia. Then he took her hand and squeezed it. "Let's +jest sit here and look out at them there mesas dancin' in the sun; and +say, 'Nita, let's jest say nothin' for a spell. I'm so right down +happy that suthin' hurts me throat." + +When Chico Miguel returned in the dusk of evening, humming a song of +the herd, he was not a little surprised to find that Anita was absent. +He questioned the Seņora, who smiled as she bustled about the table. +"Tortillas," she said, and was gratified at the change in Chico +Miguel's expression. Then she explained the presence of the broad new +Stetson that lay on a chair, adding a gesture toward the gateway. "It +is the tall one and our daughter--he of the grand manner and the sad +countenance. It is possible that a new home will be thought of for +Anita." There had been conversations that afternoon with the tall +caballero and understandings. Chico Miguel was to wash himself and put +on his black suit. It was an event--and there were tortillas. + +Chico Miguel wondered why the hour of eating had been so long past. To +which the Seņora replied that he had just arrived, and, moreover, that +she had already called to Anita this the third time, yet had had no +response. Chico Miguel moved toward the doorway, but his wife laid her +hand on his arm. "It is that you take the big guitar and play the +'Linda Rosa, Adios.' Then, to be sure, they will hear and the supper +will not grow cold." + +Grumblingly Chico Miguel took his guitar and struck the opening chords +of the song. Presently up the pathway came two shadowy figures, close +together and seemingly in no haste. As they entered the house, Sundown +apologized for having delayed supper, stating that he had been so +interested in discussing with Anita the "best breed of chickens to +raise for eggs," that other things had for the nonce not occupied his +attention. "And we're sure walkin' on music," he added. "Jest +steppin' along on the notes of that there song. I reckon I got to get +one of them leetle potato-bug mandolins and learn to tickle its neck. +There's nothin' like music--exceptin'"--and he glanced at the blushing +Anita--"exceptin' ranchin'." + + +It was late when Sundown finally departed, He grew anxious as he rode +across the mesas, wondering if he had not taken advantage, as it were, +of Gentle Annie's good nature, and whether or not the chickens were +very hungry. Chance plodded beside him, a vague shadow in the +starlight. The going was more or less rough and Pill dodged many +gopher-holes, to the peril of his rider's equilibrium. Yet Sundown was +glad that it was night. There was nothing to divert him from the +golden dreams of the future. He felt that success, as he put it, "was +hangin' around the door whinin' to be let in." He formulated a creed +for himself and told the stars. "I believe in meself--you bet." Yet +he was honest with his soul. "I know more about everything and less +about anything than anybody--exceptin' po'try and cookin'. But gettin' +along ain't jest what you know. It's more like what you do. They's +fellas knows more than I could learn in four thousand eight hundred and +seventy-six years, but that don't help 'em get along none. It's what +you know inside what counts." + +He lapsed into silence and slouched in the saddle. Presently he +nodded, recovered, and nodded again. He would not wittingly have gone +to sleep in the saddle, being as yet too unaccustomed to riding to +relax to that extent. But sleep had something to say anent the matter. +He dozed, clasping the saddle-horn instinctively. Pill plodded along +patiently. The east grew gray, then rose-pink, then golden. The horse +lifted its head and quickened pace. Sundown swayed and nodded. + + +His uneasy slumber was broken by an explosive bark from Chance. +Sundown straightened and rubbed his eyes. Before him lay the +ranch-house, glittering in the sun. Out on the mesa grazed a herd of +sheep and past them another and another. Again he rubbed his eyes. + +Then he distinguished several saddle-horses tied to the fence +surrounding the water-hole and there were figures of men walking to and +from his house, many of them. He set spur to Pill and loped up to the +fence. A Mexican with a hard, lined face stepped up to him. "You +vamose!" he said, pointing down the road. + +Sundown stared at the men about the yard. Among them he recognized +several of Loring's herders, armed and evidently equipped with horses, +for they were booted and spurred. He pushed back his hat. "Vamose, +eh? I'll be damned if I do." + + + + +CHAPTER XXVI + +THE INVADERS + +The Mexican whipped his gun out and covered Sundown, who wisely put up +his hands. Two of the men crawled through the fence, secured Sundown's +horse, and ordered him to dismount. Before both feet had touched the +ground one of the Mexicans had snatched Sundown's gun from its holster. +Chance leaped at the Mexican, but Sundown's "Here, Chance!" brought the +dog growling to his master. + +At that moment Loring stepped from the house, and shouldering aside the +men strode up to Sundown. The sheep-man was about to speak when the +tall one raised his arm and shook his fist in Loring's face. + +"Fer two pins I'd jump you and stomp the gizzard out of you, you +low-down, dried-up, whisker-faced, mutton-eatin' butcher, you! I goes +to you and makes you a square offer and you come pussy-footin' in and +steals me ranch when I ain't there! If Jack Corliss don't run you +plumb off the edge afore to-morrow night, I'll sure see if there's any +law--" and Sundown paused for lack of breath. + +"Law? Mebby you think you got somethin' to say about this here +water-hole, and mebby not," said Loring. "Don't get het up. I come to +this country before you knew it was here. And for law--I reckon seein' +you're wanted by the law that them papers of yourn is good for startin' +a fire--and nothin' more. The _law_ says that no man wanted by the law +kin homestead. The water-hole is open to the fust man that wants it +and I'm the fust. Now mebby you can think that over and cool off." + +Sundown was taken aback. Though unversed in the intricacies of the +law, he was sensible enough to realize that Loring was right. Yet he +held tenaciously to his attitude of proprietor of the water-hole. It +was his home--the only home that he had known in his variegated career. +The fact that he was not guilty buoyed him up, however. He decided +that discretion had its uses. As his first anger evaporated, he cast +about for a plan whereby to notify Corliss of the invasion of the +water-hole ranch. His glance wandered to Chance. + +Then he raised his eyes. "Well, now the fireworks is burned down, what +you goin' to do?" + +Loring gestured toward the house. "That's my business. But you can +turn in and cook grub for the men. That'll keep you from thinkin' too +hard, and we're like to be busy." + +"Then you're takin' me prisoner?" queried Sundown. + +"That's correc'." + +"How about the law of that?" + +"This outfit's makin' its own laws these days," said Loring. + +And so far as Loring was concerned that ended the argument. Not so, +however, with Sundown. He said nothing. Had Loring known him better, +that fact would have caused him to suspect his prisoner. With evident +meekness the tall one entered the house and gazed with disconsolate +eyes at the piled kyacks of provisions, the tarpaulins and sheepskins. +His citadel of dreams had been rudely invaded, in truth. He was not so +much angered by the possible effects of the invasion as by the fact. +Gentle Annie was lowing plaintively. The chickens were scurrying about +the yard, cackling hysterically as they dodged this and that herder. +The two pigs, Sundown reflected consolingly, seemed happy enough. +Loring, standing in the doorway, pointed to the stove. "Get busy," he +said tersely. That was the last straw. Silently Sundown stalked to +the stove, rolled up his sleeves, and went to work. If there were not +a score of mighty sick herders that night, it would not be his fault. +He had determined on a bloodless but effective victory, wherein soda +and cream-of-tartar should be the victors. + +Soda and cream-of-tartar in proper proportions is harmless. But double +the proportion of cream-of-tartar and the result is internal riot. +"And a leetle spice to kill the bitter of the taste ought to work all +right," he soliloquized. Then he remembered Chance. Loring had left +to oversee the establishment of an outlying camp. The Mexican who +assisted Sundown seemed stupid and sullen. Sundown found excuse to +enter his bedroom, where he hastily scrawled a note to Corliss. Later +he tied the note to the inside of the dog's collar. The next thing was +to get Chance started on the road to the Concho. He rolled down his +sleeves and strolled to the doorway. A Mexican sat smoking and +watching the road. Sundown stepped past him and began to tinker with +the gas-engine. Chance stood watching him. Presently the gas-engine +started with a cough and splutter. Sundown walked to the door and +seemed about to enter when the Mexican called to him and pointed toward +the distant tank. Water was pouring over its rim. "Gee Gosh!" +exclaimed Sundown. "I got to shut her off." He ran to the engine and +its sound ceased. Yet the water still poured from the rim of the tank. +"Got to fix that!" he asserted, and started toward the tank. The +Mexican followed him to the fence. + +"You come back?" he queried significantly. + +"Sure thing! I ain't got a hoss, have I?" + +The Mexican nodded. Sundown crawled through the fence and strode +slowly to the tank. He pretended to examine it first in view of the +house and finally on the opposite side. As Chance sniffed along the +bottom of the tank, Sundown spoke to him. The dog's ears pricked +forward. Sundown's tone suggested action. "Here, Chance,--you fan it +for the Concho--Jack--the boss. Beat it for all you're worth. The +Concho! Sabe?" And he patted the dog's head and pointed toward the +south. + +Chance hesitated, leaping up and whining. + +"That's all right, pardner. They ain't nothin' goin' to happen to me. +You go!" + +Chance trotted off a few yards and then turned his head inquiringly. + +"That's right. Keep a-goin'. It's your stunt this time." And Sundown +waved his arm. + +The return of Sundown without the dog occasioned no suspicion on the +Mexican's part. He most naturally thought, if he considered the fact +at all, that the dog was hunting the mesas. Then Sundown entered the +house and experimented with soda and cream-of-tartar as though he were +concocting a high explosive with proportions of the ingredients +calculated to produce the most satisfactory results. His plan, +however, was nipped in the bud. That night the herders refused to eat +the biscuits after tasting them. + +Hi Wingle, coming from the bunk-house, wiped his hands on his apron, +rolled a cigarette, and squatted in the shade. From within came the +clatter of knives and forks and the rattle of dishes. The riders of +the Concho were about through dinner. Wingle, gazing down the road, +suddenly cast his cigarette away and rose. The road seemed empty save +for a lean brown shape that raced toward the Concho with sweeping +stride. "It's the dog. Wonder what's up now?" + +Chance, his muzzle specked with froth and his tongue lolling, swung +into the yard and trotted to Wingle. "Boss git piled ag'in?" queried +the cook, patting Chance's head. "What you scratchin' about?" + +The dog lay panting and occasionally pawing at his collar. + +"What's the matter? Cockle-burr?" And Wingle ran his fingers under +the collar. "So? Playin' mail-man, eh?" + +He spread out the note and read it. Slowly he straightened up and +slowly he walked to the bunk-house. "No. Guess I'll tell Jack first." + +He strode to the office and laid the note on Corliss's desk. The +rancher, busy running up totals on the pay-roll, glanced at the +sweat-stained piece of paper. He read it and pushed it from him. "All +right, Hi." + +Wingle hesitated, then stepped out and over to the bunk-house. "Takes +it mighty cool! Wonder what he's got up his sleeve. Somethin'--sure!" + +Corliss studied the note. Then he reached for paper and envelopes and +wrote busily. One of the letters was to the sheriff in Antelope. It +was brief. + + +I'm going to push a bunch of stock over to the water-hole range. My +boys have instructions not to shoot. That's the best I can do for them +and the other side. JOHN CORLISS. + + +The other letter was to Nell Loring. Then he rose and buckled on his +gun. At the bunk-house he gave the letters to Lone Johnny, who saddled +and departed immediately. + +Without making the contents of the note known, he told the men that +they would join Bud Shoop and his outfit at the Knoll and push the herd +north. Later he took Wingle aside and told him that he could stay and +look after the rancho. + +The indignant Hi rolled down his sleeves, spat, and glared at Corliss. +"I quit," he snapped. "You can hire a new cook." + +Despite his preoccupation Corliss smiled. "All right, Hi. Now that +you're out of a job, you might saddle up and ride with us. We'll need +some one to keep us good-natured, I reckon." + +"Now you're whistlin'!" said Wingle. "Got a gun I can use? I give +mine to Sundown." + +"There's one over in the office on the desk. But we're going to push +the herd over to the water-hole. We're not going there to fight." + +"Huh! Goin' to be quiet, eh? Mebby I better take my knittin' along to +pass the time." + +And Wingle departed toward the office. Rejoining Corliss they rode +with the men to the Knoll. Bud Shoop nodded gravely as his employer +told him of Loring's occupation of the west bank of the river. Then +the genial Bud rode over to the herd that was bunched in anticipation +of just such a contingency as had developed. "It's a case of push 'em +along easy--and all night," he told his men. "And if any of you boys +is out of cartridges there's plenty in the wagon." + + +John Corliss rode with his men. He told them to cut out any stray +Two-Bar-O stock they saw and turn them back. Toward evening they had +the cattle in motion, drifting slowly toward the north. The sixteen +riders, including Corliss and Wingle, spread out and pushed the herd +across the afternoon mesas. The day was hot and there was no water +between the Knoll and Sundown's ranch. Corliss intended to hold the +cattle when within a mile of the water-hole by milling them until +daylight. When they got the smell of water, he knew that he would not +be able to hold them longer, nor did he wish to. He regretted the fact +that Chance was running with him, for he knew that Loring's men, under +the circumstances, would shoot the dog if they had opportunity. + +Toward evening the outfit drew up in a draw and partook of a hearty +supper. The cattle began to lag as they were urged forward, and Chance +was called into requisition to keep after the stragglers. As the herd +was not large,--in fact, numbered but five hundred,--it was possible to +keep it moving steadily and well bunched, throughout the night. + +Within a short mile of the water-hole the riders began to mill the herd. + +Bud Shoop, riding up to Corliss, pointed toward the east. "Reckon we +can't hold 'em much longer, Jack. They're crazy dry--and they smell +water." + +"All right, Bud. Hold 'em for fifteen minutes more. Then take four of +the boys with you and fan it for the road. You can cache in that draw +just north of the water-hole. About sunup the herd'll break for water. +Loring's outfit will be plenty busy on this side, about then. If he's +got any gunmen handy, they'll be camped at the ranch. Chances are that +when the cattle stampede a band or two of sheep, he'll turn his men on +us. That's your time to ride down and take possession of the ranch. +Most likely you won't have to draw a gun." + +Shoop reined close to Corliss and held out his hand. "Mebby not, Jack. +But if we do--so-long." + +Then the genial Bud loped to the outriders, picking them up one by one. +The cattle, freed from the vigilance of the circling horsemen, sniffed +the dawn, crowded to a wedge, and began to trot, then to run. Shoop +and his four companions spurred ahead, swung to the road, and thundered +past the ranch-house as a faint edge of light shot over the eastern +horizon. They entered the mouth of the draw, swung around, and reined +up. + +"We're goin' to chip in when Jack opens the pot," said Shoop. "Just +how strong we'll come in depends on how strong Jack opens her." Then +with seeming irrelevance he remarked casually: "Sinker wasn't such a +bad ole scout." + +"Which Loring's goin' to find out right soon," said "Mebby-So," a lean +Texan. + +"Sinker's sure goin' to have company, I take it," remarked "Bull" +Cassidy. + +"Boss's orders is to take her without makin' any noise," said Shoop. + +"Huh! _I'm_ plumb disappointed," asserted Mebby-So. "I was figurin' +on singin' hymns and accompanyin' meself on me--me cayuse. Listen! +Somethin' 's broke loose!" + +Thundering like an avalanche the herd swept down on the water-hole, +ploughing through a band of sheep that were bedded down between them +and the ranch. The herder's tent was torn to ribbons. Wingle, +trailing behind the herd, dismounted, and, stooping, disarmed the +bruised and battered Mexican who had struggled to his feet as he rode +up. + +From the water-hole came shouts, and Corliss saw several men come +running from the house to seize their horses and ride out toward the +cattle. The band of riders opened up and the distant popping of +Winchesters told him that the herders were endeavoring to check the +rush of the thirst-maddened steers. The carcasses of sheep, trampled +to pulp, lay scattered over the mesa. + +"It sure is hell!" remarked Wingle, riding up to Corliss. + +"Hell is correct," said Corliss, spurring forward. "Now I reckon we'll +ride over to the rancho and see if Loring wants any more of it." + +Silently the rancher and his men rode toward the water-hole. As they +drew near the line fence, the Mexican riders, swinging in a wide +circle, spurred to head them off. + +"Hold on!" shouted Corliss. "We'll pull up and wait for 'em." + +"Suits me," said Wingle, loosening his gun from the holster. + +The Mexicans, led by Loring, loped up and reined with a slither of +hoofs and the snorting of excited ponies. Corliss held up his hand. +Loring spurred forward and Corliss rode to meet him. + +"Want any more of it?" queried Corliss. + +"I'll take all you got," snarled Loring. + +"All right. Just listen a minute." And Corliss reached in his +saddle-pocket. "Here's a lease from the Government covering the ten +sections adjoining the water-hole ranch, on the south and west. And +here's a contract with the owner of the water-hole, signed and +witnessed, for the use of the water for my stock. You're playing an +old-fashioned game, Loring, that's out of date. Want to look over +these papers?" + +"To hell with your papers. I'm here and I'm goin' to stay." + +"Well, we'll visit you regular," shouted a puncher. + +"Better come over to the house and talk things over," said Corliss. "I +don't want trouble with you--but my boys do." + +Loring hesitated. One of his men, spurring up, whispered to him. + +Wingle, keenly alert, restrained a cowboy who was edging forward. +"Don't start nothin'," he said. "If she's goin' to start, she'll start +herself." + +Loring turned to Corliss. "I'd like to look at them papers," he said +slowly. + +"All right. We'll ride over to the house." + +The two bands of riders swung toward the north, passed the tank, and +trotted up to the ranch-gate. They dismounted and were met by Shoop +and his companions. Loring blinked and muttered. He had been +outgeneraled. One of the Concho riders laughed. Loring's hand slipped +to his belt. "Don't," said Corliss easily. The tension relaxed, and +the men began joking and laughing. + +"Where's Sundown?" queried Corliss. + +Loring gestured toward the house. + +"I'll go," said Wingle. And he shouldered through the group of +scowling herders and entered the house. + +Sundown, with hands tied, was sitting on the edge of his bed. "They +roped me," he said lugubriously, "in me own house. Bud he was goin' to +untie me, but I says for the love of Mike leave me tied or I'll take a +chair and brain that Chola what kicked Gentle Annie in the stummick +this mornin'. He was goin' to milk her and I reckon she didn't like +his looks. Anyhow, she laid him out with a kind of hind-leg upper-cut. +When he come to, he set in to kickin' her. I got his picture and if I +get me hands on him . . ." + +Wingle cut the rope and Sundown stood up. "They swiped me gun," he +asserted. + +"Here's one I took off a herder," said Wingle. "if things get to +boilin' over--why, jest nacherally wilt the legs from under anything +that looks like a Chola. Jack's got the cards, all right--but I don't +jest like the look of things. Loring's in the corner and he's got his +back up." + +As they came from the house, Loring was reading the papers that Corliss +had handed to him. The old sheep-man glanced at the signatures on the +documents and then slowly folded them, hesitated, and with a quick turn +of his wrist tore them and flung the pieces in Corliss's face. "That +for your law! We stay!" + +Corliss bit his lip, and the dull red of restrained anger burned in his +face. He had gone too far to retreat or retract. He knew that his men +would lose all respect for him if he backed down now. Yet he was +unable to frame a plan whereby he might avoid the arbitration of the +six-gun. His men eyed him curiously. Was Jack going to show a yellow +streak? They thought that he would not--and yet . . . + +Sundown raised his long arm and pointed. "There's the gent what kicked +me cow," he said, his face white and his eyes burning. + +The punchers of the Concho laughed. "Jump him!" shouted "Bull" +Cassidy. "We'll stand by and see that there's no monkeyin'." + +Corliss held up his hand. The Mexicans drew together and the age-old +hatred for the Gringo burned in their beady eyes. + +Sundown's thin lips drew tight. "I've a good mind to--" he began. The +Mexican who had maltreated the cow mistook Sundown's gesture for intent +to kill. The herder's gun whipped up. Sundown grabbed a chair that +stood tilted against the house and swung it. The Mexican went down. +With the accidental explosion of the gun, Mebby-So grunted, put his +hand to his side, and toppled from the saddle. Corliss wheeled his +horse. + +"Don't shoot, boys!" he shouted. + +His answer was a roar of six-guns. He felt Chinook shiver. He jumped +clear as the horse rolled to its side. Sundown, retreating to the +house, flung open the bedroom window and kneeling, laid the barrel of +his gun on the sill. Deliberately he sighted, hesitated, and flung the +gun from him. "God Almighty--I ought to--but I can't!" He had seen +Corliss fall and thought that he had been killed. He saw a Mexican +raise his gun to fire; saw him suddenly straighten in the saddle. Then +the gun dropped from his hand, and he bent forward upon his horse, +recovered, swayed a moment, and fell limply. + +Bud Shoop, on foot, ran around to the rear of the house. His horse lay +kicking, shot through the stomach. The foreman drew himself up under +cover of the hen-house and fired into the huddle of Mexicans that swept +around the yard as the riders of the Concho drove them back. He saw +"Bull" Cassidy in the thick of it, swinging his guns and swearing +heartily. Finally a Mexican pony, wounded and wild with fright, tore +through the barb-wire fence. Behind him spurred the herders. Out on +the mesa they turned and threw lead at the Concho riders, who retreated +to the cover of the house. Corliss caught up a herder's horse and rode +around to them. Shorty, one of his men, grinned, fell to coughing, and +sank forward on his horse. + +"Loring's down," said Wingle, solemnly reloading his gun. "Think they +got enough, Jack?" + +"Loring, eh? Well, I know who got him. Yes, they got enough." + +Shorty, vomiting blood, wiped his lips on his sleeve. "Well, I +ain't--not yet," he gasped. "_I'm_ goin' to finish in a blaze of +glory. Come on, boys!" And he whirled his horse. Swaying drunkenly +he spurred around the corner of the house and through the gateway. + +Corliss glanced at Wingle. "We can't let him ride into 'em by his +lonesome," said Wingle. "Eh, boys?" + +"Not on your fat life!" said Bull Cassidy. "I got one wing that's +workin' and I'm goin' to fly her till she gits busted." + +"Let's clean 'em up! Might's well do a good job now we're at it. +Where's Bud?" + +"He's layin' over there back of the chicken-roost. Reckon he's +thinkin' things over. He ain't sayin' much." + +"Bud down, too? Then I guess we ride!" And they swept out after +Shorty. They saw the diminutive cowboy tear through the band of +herders, his gun going; saw his horse stumble and fall and a figure +pitch from the saddle and roll to one side. "And if I'm goin'--I want +to go out that way," shouted Bull Cassidy. "Shorty was some sport!" + +But the Mexicans had had enough of it. They wheeled and spurred toward +the south. The Concho horses, worn out by the night-journey, were soon +distanced. + +Corliss pulled up. "Catch up a fresh horse, Hi. And let Banks know +how things stand. If Loring isn't all in, you might fetch the doctor +back with you. We'll need him, anyway." + +"Sure! Wonder who that is fannin' it this way? Don't look like a +puncher." + +Corliss turned and gazed down the road. From the south came little +puffs of dust as a black-and-white pinto running at top speed swept +toward them. He paled as he recognized the horse. + +"It's Loring's girl," said Wingle, glancing at Corliss. + +Nell Loring reined up as she came opposite the Concho riders and turned +from the road. The men glanced at each other. Then ensued an awkward +silence. The girl's face was white and her dark eyes burned with +reproach as she saw the trampled sheep and here and there the figure of +a man prone on the mesa. Corliss raised his hat as she rode up. She +sat her horse gazing at the men. Without a word she turned and rode +toward the ranch-house. The Concho riders jingled along, in no hurry +to face the scene which they knew awaited them at the water-hole. + +She was on her knees supporting her father's head when they dismounted +and shuffled into the yard. The old sheep-man blinked and tried to +raise himself. One of the Concho boys stepped forward and helped her +get the wounded man to the house. + +Corliss strode to the bedroom and spoke to Sundown who turned and sat +up. "Get hit, Sun?" + +"No. But I'm feelin' kind of sick. Is the ole man dead?" + +"He's hurt, but not bad. We want the bed." + +Sundown got to his feet and sidled past the girl as she helped her +father to the bed. + +"I sent for the doctor," said Corliss. + +The girl whirled and faced him. "You!" she exclaimed--"You!" + +The rancher's shoulders straightened. "Yes--and it was my gun got him. +You might as well know all there is to it." Then he turned and, +followed by Sundown, stepped to the yard. "We'll keep busy while we're +waiting. Any of you boys that feel like riding can round up the herd. +Hi and I will look after--the rest of it." + +"And Bud," suggested a rider. + + +They found Shoop on the ground, the flesh of his shoulder torn away by +a .45 and a welt of red above his ear where a Mexican's bullet had +creased him. They carried him to the house. "Sun, you might stir +around and rustle some grub. The boys will want to eat directly." And +Corliss stepped to the water-trough, washed his hands, and then rolled +a cigarette. Hi Wingle sat beside him as they waited for dinner. +Suddenly Corliss turned to his cook. "I guess we've won out, Hi," he +said. + +"Generally speakin'--we sure have," said Wingle. "But I reckon _you_ +lost." + +Corliss nodded. + + + + +CHAPTER XXVII + +"JUST ME AND HER" + +Sheriff Banks tossed Corliss's note on his desk, reached in his pocket +and drew forth a jack-knife with which he began to trim his +finger-nails. He paid no apparent attention to the arrival of one of +his deputies, but proceeded with his manipulation of the knife. The +deputy sidled to a chair and sat watching the sheriff. + +Presently Banks closed his knife, slid it into his pocket, and leaned +back in his chair. "Lone Johnny gone back?" he queried. + +The deputy nodded. + +Banks proffered his companion a cigar and lit one himself. For a while +he smoked and gazed at the ceiling. "I got two cards to play," he +said, straightening up and brushing cigar-ash from his vest. "Last +election was pretty close. By rights I ought to be at the county-seat. +Got any idea why they side-tracked me here in Antelope?" + +The deputy grinned. "It's right handy to the line. And I guess they +saw what was comin' and figured to put you up against it. They +couldn't beat you at the polls, so they tried to put you where you +wouldn't come back." + +"Correct. And there's no use running against the rope. Now I want you +to call on every citizen in Antelope and tell every dog-goned one of +'em what Lone Johnny kind of hinted at regarding the Concho and Loring. +And show 'em this note from Jack. Tell 'em I'm going to swear in each +of 'em as a special. I want to go on record as having done what I +could." + +The deputy rose. "All right, Jim. Kind of late to make that move, +ain't it?" + +"I got another card," said the sheriff. "Tell 'em we'll be ready to +start about twelve. It's ten, now." + +With the departure of the deputy the sheriff reached in his desk and +brought forth a book. It was thumbed and soiled. He turned the pages +slowly, pausing to read a line here and there. Finally he settled back +and became immersed in the perennial delight of "Huckleberry Finn." He +read uninterruptedly for an hour, drifting on the broad current of the +Mississippi to eventually disembark in Antelope as the deputy shadowed +the doorway. The sheriff closed the book and glanced up. He read his +answer in the deputy's eyes. + +"'T ain't that they don't like you," said the deputy. "But they ain't +one of 'em that'll do anything for Loring or do anything against Jack +Corliss." + +The sheriff smiled. "Public opinion is setting on the fence and +hanging on with both hands. All right, Joe. I'll play her alone. I +got a wire from Hank that he's got the herder, Fernando. Due here on +the two-thirty. You hang around and tell Hank to keep on--take the +Mexican along up to Usher." + +"Goin' to go after the Concho boys and Loring's herders?" + +"Sure thing. And I'm going alone. Then they won't make a fuss. +They'll come back with me all right." + +"But you couldn't get a jury to send one of 'em over--not in this +county." + +"Correct, Joe. But the county's paying me to go through the +motions--don't matter what I think personally. If they've pulled off a +shooting-match at the water-hole, the thing's settled by this time. It +had to come and if it's over, I'm dam' glad. It'll clear the air for +quite a spell to come." + +"The papers'll sure make a holler--" began the deputy. + +"Not so much as you think. They got one good reason to keep still and +that's because the free range is like to be opened up to homesteaders +any day. Too much noise about cattle-and-sheep war would scare good +money from coming to the State. I heard the other day that that +Sundown Jack picked up is settled at the water-hole. I took him for a +tenderfoot once. I reckon he ain't. It's hard to figure on those +queer kind. Well, you meet the two-thirty. I guess I'll ride over to +the Concho and see the boys." + + +The Loring-Corliss case is now a matter of record in the dusty files of +the "Usher Sentinel" and its decidedly disesteemed contemporary, the +"Mesa News." The case was dismissed for lack of anything like definite +evidence, though Loring and Corliss were bound over to keep the peace. +Incidentally one tall and angular witness refused to testify, and was +sentenced to pay a not insignificant fine for contempt of court. That +his fine was promptly paid by Corliss furnished a more or less +gratuitous excuse for a wordy vilification of the rancher and his +"hireling assassin," "menace to public welfare," and the like. +Sundown, however, stuck to his guns, even to the extent of searching +out the editor of the "Mesa News" and offering graciously to engage in +hand-to-hand combat, provided the editor, or what was left of him after +the battle, would insert an apology in the next issue of the paper--the +apology to be dictated by Sundown. + +The editor temporized by asking the indignant Sundown to frame the +apology, which he did. Then the wily autocrat of the "Mesa News," +after reading the apology, agreed to an armistice and mentioned the +fact that it was a hot day. Sundown intimated that he knew one or two +places in Usher which he was not averse to visiting under the +circumstances. And so the treaty was ratified. + +Perhaps among Sundown's possessions there is none so cherished, +speaking broadly, as a certain clipping from an Arizona newspaper in +which the editor prints a strangely worded and colorful apology, above +his personal signature, for having been misled temporarily in his +estimation of a "certain person of warlike proclivities who visited our +sanctum bent upon eradicating us in a physical sense." The apology +follows. In a separate paragraph, however, is this information: + +"We find it imperative, however, to state that the above apology is a +personal matter and in no wise affects our permanent attitude toward +the lawlessness manifest so recently in our midst. Moreover, we were +forced at the muzzle of a six-shooter, in the hands of the +above-mentioned Sundown, to insert that illiterate and blood-thirsty +gentleman's screed in the MESA NEWS, as he, together with the gang of +cutthroats with whom he seems in league, stood over us with drawn +weapons until the entire issue had been run off. Such is the condition +of affairs under the present corrupt administration of our suffering +State." + +Such advertising, Sundown reflected, breathing of battle and carnage, +would obviate the necessity for future upholding of his reputation in a +physical sense. Great is the power of the press! It became whispered +about that he was a two-gun man of dexterous attainments in dispensing +lead and that his mild and even apologetic manner was but a cloak. +Accident and the tongues of men earned for Sundown that peace which he +so thoroughly loved. He became immune to strife. When he felt his +outward attitude sagging a little, he re-read the clipping and braced +up. + +Sundown rode to the Concho gate, dismounted and opened it. Chance ran +ahead, leaping up as Corliss came from the ranch-house. + +"Got them holes plugged in the tank," said Sundown. "Got the engine +runnin' ag'in and things is fine. You goin' to put them cattle back on +the water-hole range?" + +"Yes, as soon as Bud can get around again. He's up, but he can't ride +yet." + +"How's Bull?" + +"Oh, he's all right. Mebby-So's laid up yet. He got it pretty bad." + +"Well, I reckon they ain't goin' to be no more fightin' 'bout cattle +and sheep. I stopped by to the Loring ranch. Ole man Loring was sure +ugly, so I reckon he's feelin' nacheral ag'in. He was like to get mad +at me for stopping but his gal, Nell, she smoothed down his wool and +asked me to stay and eat. I wasn't feelin' extra hungry, so I come +along up here." + +"I have some good news," said Corliss. "Got a letter from Billy last +week. Didn't have time to tell you. He's working for a broker in +'Frisco. I shouldn't wonder if he should turn up one of these days. +How would you like to drive over to Antelope and meet him when he +comes?" + +"I'd sure be glad. Always did like Billy. 'Course you don't know when +he's comin'--and I got to do some drivin' meself right soon." + +"So?" + +"Yep. 'Course I got the wagon, but they ain't no style to that. I was +wantin' a rig with style to it--like the buckboard." Sundown fidgeted +nervously with the buttons of his shirt. He coughed, took off his hat, +and mopped his face with a red bandanna. Despite his efforts he grew +warmer and warmer. He was about to approach a delicate subject. +Finally he seized the bull by the horns, so to speak, and his tanned +face grew red. "I was wantin' to borrow that buckboard, mebby, +Saturday." + +"Sure! Going to Antelope?" + +"Nope--not first. I got business over to Chico Miguel's place. I'm +goin' to call on a lady." + +"Oh, I see! Anita?" + +"Well, I sure ain't goin' to call on her ma--she's married a'ready." + +Despite himself, Corliss smiled. "So that's what you wanted that new +bed and table and the chairs for. Did they get marked up much coming +in?" + +"The legs some. I rubbed 'em with that hoss-liniment you give me. You +can hardly tell. It kind of smelled like turpentine, and I didn't have +nothin' else." + +"Well, anything you want--" + +"I know, boss. But this is goin' to be a quiet weddin'. No +brass-bands or ice-cream or pop-corn or style. Just me and her +and--and I reckon a priest, seein' she was brung up that way. I ain't +asked her yet." + +"What? About getting married, or the priest?" + +"Nothin'. We got kind of a eye-understandin' and her ma and me is good +friends. It's like this. Bein' no hand to do love-makin' stylish, I +just passes her a couple of bouquets onct or twict and said a few +words. Now, you see, if I get that buckboard and a couple of hosses--I +sure would like the white ones--and drive over lookin' like business +and slip the ole man a box of cigars I bought, and Mrs. Miguel that +there red-and-yella serape I paid ten dollars for in Antelope, and show +Anita me new contract with the Concho for pumpin' water for +seventy-five bones a month, I reckon the rest of it'll come easy. I'm +figurin' strong on them white hosses, likewise. Bein' white'll kind of +look like gettin' married, without me sayin' it. You see, boss, I'm +short on the Spanish talk and so I have to do some figurin'." + +"Well, Sun, you have come along a lot since you first hit the Concho! +Go ahead, and good luck to you! If you need any money--" + +"I was comin' to that. Seein' as you kind of know me--and seein' I'm +goin' to git hitched--I was thinkin' you might lend me mebby a hundred +on the contrac'." + +"I guess I can. Will that be enough?" + +"Plenty. You see I was figurin' on buyin' a few head of stock to run +with yourn on the water-hole range." + +"Why, I can let you have the stock. You can pay me when you get ready." + +"That's just it. You'd kind of give 'em to me and I ain't askin' +favors, except the buckboard and the white hosses." + +"But what do you want to monkey with cattle for? You're doing pretty +well with the water." + +"That's just it. You see, Anita thinks I'm a rarin', high-ridin', +cussin', tearin', bronco-bustin' cow-puncher from over the hill. I +reckon you know I ain't, but I got to live up to it and kind of let her +down easy-like. I can put on me spurs and chaps onct or twict a week +and go flyin' out and whoopin' around me stock, and scarin' 'em to +death, pertendin' I'm mighty interested in ridin' range. If you got a +lady's goat, you want to keep it. 'Course, later on, I can kind o' +slack up. Then I'm goin' to learn her to read American, and she can +read that piece in the paper about me. I reckon that'll kind of cinch +up the idea that her husband sure is the real thing. But I got to have +them cows till she can learn to read." + +"We've got to brand a few yearlings that got by last round-up. Bud +said there was about fifteen of them. You can ride over after you get +settled and help cut 'em out. What iron do you want to put on them?" + +"Well, seein' it's me own brand, I reckon it will be like this: A kind +of half-circle for the sun, and a lot of little lines runnin' out to +show that it's shinin', and underneath a straight line meanin' the +earth, which is 'Sundown'--me own brand. Could Johnny make one like +that?" + +"I don't know. That's a pretty big order. You go over and tell Johnny +what you want. And I'll send the buckboard over Saturday." + + + + +CHAPTER XXVIII + +IMPROVEMENTS + +Out in a field bordered by the roadway a man toiled behind a +disk-plough. He trudged with seven-league strides along the furrows, +disdaining to ride on the seat of the plough. To effect a comfortable +following of his operations he had lengthened the reins with +clothes-line. He drove a team of old and gentle white horses as +wheelers. His lead animals were mules, neither old nor gentle. It is +possible that this fact accounted for his being afoot. He was arrayed +in cowboy boots and chaps, a faded flannel shirt, and a Stetson. +Despite the fact that a year had passed since he had practically +"Lochinvared" the most willing Anita,--though with the full and joyous +consent of her parents,--he still clung to the habiliments of the +cowboy, feeling that they offset the more or less menial requirements +of tilling the soil. Behind him trailed a lean, shaggy wolf-dog who +nosed the furrows occasionally and dug for prairie-dogs with +intermittent zest. + +The toiler, too preoccupied with his ploughing to see more than his +horses' heads and the immediate unbroken territory before them, did not +realize that a team had stopped out on the road and that a man had +leaped from the buckboard and was standing at the fence. Chance, +however, saw the man, and, running to Sundown, whined. Sundown pulled +up his team and wiped his brow. "Hurt your foot ag'in?" he queried. +"Nope? Then what's wrong?" + +The man in the road called. + +Sundown wheeled and stood with mouth open. "It's--Gee Gosh! It's +Billy!" + +He observed that a young and fashionably attired woman sat in the +buckboard holding the team. He fumbled at his shirt and buttoned it at +the neck. Then he swung his team around and started toward the fence. + +Will Corliss, attired in a quiet-hued business suit, his cheeks +healthfully pink and his eye clear, smiled as the lean one tied the +team and stalked toward him. + +Corliss held out his hand. Sundown shook his head. "Excuse me, Billy, +but I ain't shakin' hands with you across no fence." + +And Sundown wormed his length between the wires and straightened up, +extending a tanned and hairy paw. "Shake, pardner! Say, you're +lookin' gorjus!" + +"My wife," said Corliss. + +Sundown doffed his sombrero sweepingly. "Welcome to Arizona, ma'am." + +"This is my friend, Washington Hicks, Margery." + +"Yes, ma'am," said Sundown. "It ain't my fault, neither. I had +nothin' to say about it when they hitched that name onto me. I reckon +I hollered, but it didn't do no good. Me pals"--and Sundown shrugged +his shoulder--"mostly gents travelin' for their health--got to callin' +me Sundown, which is more poetical. 'Course, when I got married--" + +"Married!" exclaimed Corliss, grinning. + +"You needn't to grin, Billy. Gettin' married's mighty +responsible-like." + +Corliss made a gesture of apology. "So you're homesteading the +water-hole? Jack wrote to me about it. He didn't say anything about +your getting married." + +"Kind of like his not sayin' anything about your gettin' hitched up, +eh? He said he was hearin' from you, but nothin' about Misses Corliss. +Please to expect my congratulations, ma'am--and you, too, Billy." + +"Thank you!" said Mrs. Corliss, smiling. "Will has told me a great +deal about you." + +"He has, eh? Well, I'm right glad to be acquainted by heresy. It kind +of puts you on to what to expect. But say, it's hot here. If you'll +drive back to me house, I'd sure like to show you the improvements." + +"All right, Sun! We'll drive right in and wait for you." + + +They did not have to wait, however. Sundown, leaving his team at the +fence, took a short cut to the house. He entered the back door and +called to Anita. + +"Neeter," he said, as she hastened to answer him, "they's some friends +of mine just drivin' up. If you could kind of make a quick change and +put on that white dress with the leetle roses sprinkled on it--quick; +and is--is he sleepin'?" + +"Si! He is having the good sleep." + +"Fine! I'll hold 'em off till you get fixed up. It's me ole pal, +Billy Corliss,--and he's brung along a wife. We got to make a good +front, seein' it's kind of unexpected. Wrastle into that purty dress +and don't wake him up." + +"Si! I go queek." + +"Why, this is fine!" said Corliss, entering, hat in hand, and gazing +about the room. "It's as snug and picturesque as a lodge." + +"Beautiful!" exclaimed the enthusiastic Margery, gazing at the Navajo +rugs, the clean, white-washed walls against which the red ollas, filled +with wild flowers, made a pretty picture, and the great grizzly-bear +rug thrown across a home-made couch. "It's actually romantic!" + +"Me long suit, lady. We ain't got much, but what we got goes with this +kind of country." + +Margery smiled. "Oh, Will, I'd like a home like this. Just simple and +clean--and comfortable. It's a real home." + +"Me wife's comin' in a minute. While she's--er--combin' her hair, +mebby you'd like to see some of the improvements." And Sundown marched +proudly to the new dining-room--an extension that he had built +himself--and waved an invitation for his guests to behold and marvel. + +The dining-room was, in its way, also picturesque. The exceedingly +plain table was covered with a clean white cloth. The furniture, owing +to some fortunate accident of choice, was not ornate but of plain +straight lines, redeemed by painted ollas filled with flowers. The +white walls were decorated with two pictures, a lithograph of the +Madonna,--which seemed entirely in keeping with the general tone of the +room, but which would have looked glaringly out of place anywhere +else,--and an enlarged full-length photograph, framed, of an +exceedingly tall and gorgeous cowboy, hat in hand, quirt on wrist, and +looking extremely impressive. Beside the cowboy stood a great, shaggy +dog--Chance. And, by chance, the picture was a success. + +"Why, it's you, Sun!" exclaimed Corliss, striding to the picture. "And +it's a dandy! I'd hang it in the front room."' + +"That's what Neeter was sayin'. But I kind of like it in here. You +see, Neeter sets there and I set here where I can see me picture while +I'm eatin'. It kind of gives me a good appetite. 'Course, lookin' out +the window is fine. See them there mesas dancin' in the sun, and the +grass wavin' and me cows grazing and 'way off like in a dream them blue +hills! It's sure a millionaire picture! And it don't cost nothin'." + +"That's the best of it!" said Corliss heartily. "We're going to +build--over on the mesa near the fork. You remember?" + +Sundown's flush was inexplicable to Margery, but Corliss understood. +He had ridden the trail toward the fork one night. . . . But that was +past, atoned for. . . . He would live that down. + +"It's a purty view, over there," said Sundown gently. + +And the two men felt that that which was not forgotten was at least +forgiven--would never again be mentioned. + +"And me kitchen," said Sundown, leading the way, "is Neeter's. She +runs it. There's more good eats comes out of it than they is fancy +crockery in it, which just suits me. And out here"--and the party +progressed to the back yard--"is me new corral and stable and +chicken-coop. I made all them improvements meself, durin' the winter. +Reckon you saw the gasoline-engine what does the pumpin' for the tanks. +I wanted to have a windmill, but the engine works faster. It's kind of +hot, ma'am, and if you'll come in and set down I reckon me wife's got +her hair--" + +"Wah! Wah! Wah!" came in a crescendo from the bedroom. + +Sundown straightened his shoulders. "Gee Gosh, he's gone and give it +away, already!" + +Corliss and his wife glanced at their host inquisitively. + +"Me latest improvement," said Sundown, bowing, as Anita, a plump brown +baby on her arm, opened the bedroom door and stood bashfully looking at +the strangers. + +"And me wife," he added. + +Corliss bowed, but Margery rushed to Anita and held out her arms. "Oh, +let me take him!" she cried. "What big brown eyes! Let me hold him! +I'll be awfully careful! Isn't he sweet!" + +They moved to the living-room where Anita and Margery sat side by side +on the couch with the baby absorbing all their attention. + +Sundown stalked about the room, his hands in his pockets, vainly +endeavoring to appear very mannish and unconcerned, but his eye roved +unceasingly to the baby. He was the longest and most upstanding +six-feet-four of proud father that Margery or her husband had ever had +the pleasure of meeting. + +"He's got Neeter's eyes--and--and her--complexion, but he's sure got me +style. He measures up two-feet-six by the yardstick what we got with +buyin' a case of bakin'-soda, and he ain't a yearlin' yet. I don't +just recollec' the day but I reckon Neeter knows." + +"He's great!" exclaimed Corliss. "Isn't he, Margery?" + +"He's just the cutest little brown baby!" said Margery, hugging the +plump little body. + +"He--he ain't so _turruble_ brown," asserted Sundown. "'Course, he's +tanned up some, seein' we keep him outside lots. I'm kind o' tanned up +meself, and I reckon he takes after me." + +"He has a head shaped just like yours," said Margery, anxious to please +the proud father. + +"Then," said Sundown solemnly, "he's goin' to be a pole." + +Anita, proud of her offspring, her husband, her neat and clean home, +laughed softly, and held out her arms for the baby. With a kick and a +struggle the young Sundown wriggled to her arms and snuggled against +her, gravely inspecting the pink roses on his mother's white dress. +They were new to him. He was more used to blue gingham. The roses +were interesting. + +"Yes, Billy's me latest improvement," said Sundown, anxious to assert +himself in view of the presence of so much femininity and a +correspondingly seeming lack of vital interest in anything save the +baby. + +"Billy!" said Corliss, turning from where he had stood gazing out of +the window. + +"Uhuh! We named him Billy after you." + +Corliss turned again to the window. + +Sundown stepped to him, misinterpreting his silence. He put his hand +on Corliss's shoulder. "You ain't mad 'cause we called him that, be +you?" + +"Mad! Say, Sun,"--and Corliss laughed, choked, and brushed his eyes. +"Sun, I don't deserve it." + +"Well, seein' what I been through since I was his size, I reckon I +don't either. But he's here, and you're here and your wife--and things +is fine! The sun is shinin' and the jiggers out on the mesa is +chirkin' and to-morrow's goin' to be a fine day. There's nothin' like +bankin' on to-morrow, 'specially if you are doin' the best you kin +today." And with this bit of philosophy, Sundown, motioning to +Corliss, excused himself and his companion as they strode to the +doorway and out to the open. There they talked about many things +having to do with themselves and others until Margery, hailing them +from the door, told them that dinner was waiting. + +After dinner the men foregathered in the shade of an acacia and smoked, +saying little, but each thinking of the future. Sundown in his +peculiarly optimistic and half-melancholy way, and Corliss with mingled +feelings of hope and regret. He had endeavored to live down his past +away from home. He had succeeded in a measure: had sought and found +work, had become acquainted with his employer's daughter, told her +frankly of his previous manner of life, and found, not a little to his +astonishment, that she had faith in him. Then he wrote to his brother, +asking to come back. John Corliss was more than glad to realize that +Will had straightened up. If the younger man was willing to reclaim +himself among folk who knew him at his worst, there must be something +to him. So Corliss had asked his brother to give him his employer's +address; had written to the employer, explaining certain facts +regarding Will's share in the Concho, and also asking that he urge Will +to come home. Just here Miss Margery had something to say, the +ultimate result of which was a more definite understanding all around. +If Will was going back to Arizona, Margery was also going. And as +Margery was a young woman quietly determined to have her way when she +knew that it was right to do so, they were married the day before Will +Corliss was to leave for Arizona. This was to be their honeymoon. + +All of which was in Will Corliss's mind as he lay smoking and gazing at +the cloudless sky. It may be added to his credit that he had not +returned because of the money that was his when he chose to claim it. +Rather, he had realized--and Margery had a great deal to do with his +newer outlook--that so long as he stayed away from home he was +confessing to cowardice. Incidentally Margery, being utterly feminine, +wanted to see Arizona and the free life of the range, of which Corliss +had told her. As for Nell Loring . . . Corliss sighed. + +"It sure is hot," muttered Sundown. "'Course, you'll stay over and +light out in the mornin' cool. You and me can sleep in the front room. +'T ain't the fust time we rustled for a roost. And the wimmen-folks +can bunk in the bedroom. Billy he's right comf'table in his big +clothes-basket. He's a sure good sleeper, if I do say it." + +"We could have gone on through," said Corliss, smiling. "Of course +we'd have been late, but Margery likes driving." + +"Well, if you had 'a' gone through--and I'd 'a' _ketched_ you at +it--I--I--I'd 'a' changed Billy's name to--to somethin' else." And +Sundown frowned ferociously. + +Corliss laughed. "But we didn't. We're here--and it's mighty good to +breathe Arizona air again. You never really begin to love Arizona till +you've been somewhere else for a while." + +"And bein' married helps some, too," suggested Sundown. + +"Yes, a whole lot. Margery's enthusiasm makes me see beautiful things +that I'd passed a hundred times before I knew her." + +"That's correc'," concurred Sundown. "Now, take Gentle Annie, for +instance--" + +"You mean Mrs.--er--Sundown?" + +"Nope! Me tame cow. 'Annie' is American for 'Anita,' so I called her +that. Now, that there Gentle Annie's just a regular cow. She ain't +purty--but she sure gives plenty milk. Neeter got me to seein' that +Gentle Annie's eyes was purty and mournful-like and that she was a +right handsome cow. If your wife's pettin' and feedin' somethin', and +callin' it them there smooth Spanish names, a fella's wise to do the +same. It helps things along." + +"Little Billy, for instance," suggested Corliss. + +"Leetle Billy is right! But he couldn't help bein' good-lookin', I +guess. He's different. Fust thing your wife said wuz he took after +his pa." + +"You haven't changed much," said Corliss, smiling. + +"Me? Mebby not--outside; but say, inside things is different. I got +feelin's now what I never knowed I had before. Why, sometimes, when +Neeter is rockin' leetle Bill, and singing and me settin' in the door, +towards evenin', and everything fed up and happy, why, do you know, I +feel jest like cryin'. Plumb foolish, ain't it?" + +"I don't know about that, Sun." + +"Well, you will some day," asserted Sundown, taking him literally. "'T +ain't gettin' married what makes a man, but it's a dum' poor one what +don't make the best of things if he is hitched up to a good girl. Only +one thing--it sure don't give a fella time to write much po'try." + +Corliss did not smile. "You're living the poetry," he said with simple +sincerity. + +"Which is correc', Billy. And speakin' of po'try, I reckon I got to go +feed them pigs. They's gruntin' somethin' scand'lous for havin' +comp'ny to our house--and anyhow, they's like to wake up leetle Bill." + +And Sundown departed to feed his pigs. + + + + +CHAPTER XXIX + +A MAN'S COUNTRY + +"As for that," said John Corliss, gazing out across the mesa, "Loring +and I shook hands--over the line fence. That's settled." + +Sundown had just dismounted. He stood holding the reins of his old +saddle-horse "Pill." He had ridden to the Concho to get his monthly +pay. "And pore leetle ole Fernando--he's gone," said Sundown. "That's +jest the difference between _one_ fella doin' what he thinks is right +and a _bunch_ of fellas shootin' up themselves. The one fella gets it +every time. The bunch, bein' so many of 'em, gets off. Mebby that's +law, but it ain't fair." + +"There's a difference, Sun. A fight in the open and downing a man from +ambush--two mighty different things." + +"Well, mebby. But I'm feelin' sad for that leetle Fernando jest the +same.--That Billy's new house?" + +"Yes. They expect to get settled this month." + +"Gee Gosh! I been so busy I missed a bunch of days. Reckon I got to +rustle up somethin' for a weddin' present. I know, be Gosh! I'll send +'em me picture. Billy was kind of stuck on it." + +"Good idea, Sun. But I guess you'll miss it yourself." + +"I dunno. Neeter ain't lookin' at it as much as she used to. She's +busy lookin' after leetle Bill--and me. 'Course I can get another one +took most any time." + +"Make it two and give me one," said Corliss. + +"You ain't joshin'?" + +"No. I'll hang it in the office." + +"Then she gets took--immediate." + +Chance, who stood watching the two men, rose and wagged his tail. + +Chance never failed to recognize that note in his master's voice. It +meant that his master was pleased, enthusiastic, happy, and Chance, +loyal companion, found his happiness in that of his friends. + +"Well," said Sundown, "I reckon I got to be joggin'. Thanks for the +check." + +Corliss waved his hand. "I'll step over to the gate with you. Thought +perhaps you'd stay and see Billy." + +"Nope. I ain't feelin' like meetin' folks today. Don' know why. +Sky's clear and fine, but inside I feel like it was goin' to rain. +When you comin' down to see leetle Bill and Neeter?" + +"Pretty soon. Is Billy well?" + +"Well! Gee Gosh! If you could hear the langwidge he uses when Neeter +puts him to bed and he don't want to go! Why, yesterday he was on the +floor playin' with Chance and Chance got tired of it and lays down to +snooze. Billy hitches along up to Chance, and _Bim_! he punches Chance +on the nose. Made him sneeze, too! Why, that kid ain't afraid of +nothin'--jest like his pa. I reckon Billy told you that his wife said +that leetle Billy took after me, eh? Leave it to a woman to see them +things!" + +"Well, I'm mighty glad you're settled, and making a go of it, Sun." + +"So be I. I was recollectin' when I fust come into this country and +landed at that water-hole. It was kind of a joke then, but it ain't no +joke now. Funny thing--that bunch of punchers what started me lookin' +for that there hotel that time--they come jinglin' up last week. +Didn't know I was the boss till one of 'em grins after sizin' me up and +says--er--well, two three words what kids hadn't ought to hear, and +then, 'It's him, boys!' Then I steps out and says, 'It is, gents. +Come right in and have dinner and it won't cost you fellas a cent. I +told you I'd feed you up good when I got me hotel to runnin'.' And +sure enough, in they come and we fed 'em. They was goin' to the Blue. +They bunked in me hay that night. Next mornin' they acted kind of +queer, sayin' nothin' except, 'So-long,' when they lit out. And what +do you think! They went and left four dollars and twenty-eight cents +in the sugar-bowl--and a piece of paper with it sayin', 'For the kid.' +We never found it out till I was drinkin' me coffee that night and +liked to choked to death on a nickel. Guess them punchers ain't so +bad." + +"No. They stopped here next day. Said they'd never had a finer feed +than you gave 'em." + +"Neeter is sure some cook. Pretty nigh's good as me. Well, so-long, +Jack. I--I--kind of wish you was buildin' a new house yourself." + +Corliss, standing with his hand on the neck of Sundown's horse, smiled. +"Arizona's a man's country, Sun." + +"She sure is!" said Sundown, throwing out his chest. "And lemme tell +you, Jack, it's a man's business to get married and settle +down--and--raise more of 'em. 'Specially like _me_ and _you_ and Bud +and Hi--only Hi's gettin' kind of old. She's a fine country, but she +needs improvin'. Sometimes them improvements keeps you awake nights, +but they're worth it!" + +"Yes, I believe they're worth it," said Corliss, "So-long, Sun." + +"So-long, Jack. I got to get back and milk Gentle Annie. We're +switchin' Billy onto the bottle, and he don't like to be kep' waitin'." + +Chance, following Sundown, trotted behind the horse a few steps, then +turned and ran back to Corliss. He nuzzled the rancher's hand, whined, +and leapt away to follow his master. + + + + +THE END + + + + + + + + + + + +End of the Project Gutenberg EBook of Sundown Slim, by Henry Hubert Knibbs + +*** END OF THIS PROJECT GUTENBERG EBOOK SUNDOWN SLIM *** + +***** This file should be named 16334-8.txt or 16334-8.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/6/3/3/16334/ + +Produced by Al Haines + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Sundown Slim + +Author: Henry Hubert Knibbs + +Illustrator: Anton Fischer + +Release Date: July 20, 2005 [EBook #16334] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK SUNDOWN SLIM *** + + + + +Produced by Al Haines + + + + + +</pre> + + +<A NAME="img-front"></A> +<CENTER> +<IMG SRC="images/img-front.jpg" ALT="Frontispiece" BORDER="2" WIDTH="364" HEIGHT="539"> +<H5> +[Frontispiece: "You!" she exclaimed. "You!"] +</H5> +</CENTER> + +<BR><BR><BR> + +<H1 ALIGN="center"> +SUNDOWN SLIM +</H1> + +<BR><BR> + +<H4 ALIGN="center"> +BY +</H4> + +<H3 ALIGN="center"> +HENRY HERBERT KNIBBS +</H3> + +<BR><BR><BR> + +<H4 ALIGN="center"> +WITH ILLUSTRATIONS BY +</H4> + +<H3 ALIGN="center"> +ANTON FISCHER +</H3> + +<BR><BR><BR><BR> + +<H4 ALIGN="center"> +NEW YORK +<BR><BR> +GROSSET & DUNLAP +<BR><BR> +PUBLISHERS +</H4> + +<BR><BR><BR> + +<H5 ALIGN="center"> +COPYRIGHT, 1915, BY HENRY HERBERT KNIBBS +<BR><BR> +ALL RIGHTS RESERVED +<BR><BR><BR> +<I>Published May 1915</I> +</H5> + +<BR><BR><BR> + +<H3 ALIGN="center"> +DEDICATED TO +<BR><BR> +EVERETT E. HARASZTHY +</H3> + +<BR><BR><BR><BR> + +<H2 ALIGN="center"> +Contents +</H2> + +<CENTER> + +<TABLE WIDTH="80%"> + +<TR> +<TD ALIGN="right" VALIGN="top"> </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap00">ARIZONA</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">I. </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap01">SUNDOWN IN ANTELOPE</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">II. </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap02">THE JOKE</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">III. </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap03">THIRTY MILES TO THE CONCHO</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">IV. </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap04">PIE; AND SEPTEMBER MORN</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">V. </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap05">ON THE CAŅON TRAIL</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">VI. </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap06">THE BROTHERS</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">VII. </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap07">FADEAWAY'S HAND</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">VIII. </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap08">AT "THE LAST CHANCE"</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">IX. </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap09">SUNDOWN'S FRIEND</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">X. </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap10">THE STORM</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">XI. </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap11">CHANCE—CONQUEROR</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">XII. </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap12">A GIFT</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">XIII. </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap13">SUNDOWN, VAQUERO</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">XIV. </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap14">ON THE TRAIL TO THE BLUE</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">XV. </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap15">THEY KILLED THE BOSS!</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">XVI. </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap16">SUNDOWN ADVENTURES</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">XVII. </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap17">THE STRANGER</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">XVIII. </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap18">THE SHERIFF—AND OTHERS</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">XIX. </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap19">THE ESCAPE</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">XX. </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap20">THE WALKING MAN</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">XXI. </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap21">ON THE MESA</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">XXII. </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap22">WAIT!</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">XXIII. </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap23">THE PEACEMAKER</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">XXIV. </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap24">AN UNEXPECTED VISIT</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">XXV. </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap25">VAMOSE, EH?</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">XXVI. </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap26">THE INVADERS</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">XXVII. </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap27">"JUST ME AND HER"</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">XXVIII. </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap28">IMPROVEMENTS</A></TD> +</TR> + +<TR> +<TD ALIGN="right" VALIGN="top">XXIX. </TD> +<TD ALIGN="left" VALIGN="top"> +<A HREF="#chap20">A MAN'S COUNTRY</A></TD> +</TR> + +</TABLE> + +</CENTER> + +<BR><BR><BR> + +<H2 ALIGN="center"> +List of Illustrations +</H2> + +<H3> +<A HREF="#img-front"> +"You!" she exclaimed. "You!" … <I>Frontispiece</I> +</A> +</H3> + +<H3> +<A HREF="#img-254"> +"God A'mighty, sech things is wrong." +</A> +</H3> + +<BR><BR><BR><BR> + +<A NAME="chap00"></A> +<H3 ALIGN="center"> +Arizona +</H3> + +<P> +Across the wide, sun-swept mesas the steel trail of the railroad runs +east and west, diminishing at either end to a shimmering blur of +silver. South of the railroad these level immensities, rich in their +season with ripe bunch-grass and grama-grass roll up to the barrier of +the far blue hills of spruce and pine. The red, ragged shoulders of +buttes blot the sky-line here and there; wind-worn and grotesque +silhouettes of gigantic fortifications, castles and villages wrought by +some volcanic Cyclops who grew tired of his labors, abandoning his +unfinished task to the weird ravages of wind and weather. +</P> + +<P> +In the southern hills the swart Apache hunts along historic trails o'er +which red cavalcades once swept to the plundering of Sonora's herds. +His sires and their flashing pintos have vanished to other +hunting-grounds, and he rides the boundaries of his scant heritage, +wrapped in sullen imaginings. +</P> + +<P> +The caņons and the hills of this broad land are of heroic mould as are +its men. Sons of the open, deep-chested, tall and straight, they ride +like conquerors and walk—like bears. Slow to anger and quick to act, +they carry their strength and health easily and with a dignity which no +worn trappings, faded shirt, or flop-brimmed hat may obscure. Speak to +one of them and his level gaze will travel to your feet and back again +to your eyes. He may not know what you are, but he assuredly knows +what you are not. He will answer you quietly and to the point. If you +have been fortunate enough to have ridden range, hunted or camped with +him or his kind, ask him, as he stands with thumb in belt and wide +Stetson tilted back, the trail to heaven. He will smile and point +toward the mesas and the mountains of his home. Ask him the trail to +that other place with which he so frequently garnishes his +conversation, and he will gravely point to the mesas and the hills +again. And there you have Arizona. +</P> + +<BR><BR><BR> + +<A NAME="chap01"></A> +<H1 ALIGN="center"> +SUNDOWN SLIM +</H1> + +<H2 ALIGN="center"> +CHAPTER I +</H2> + +<H3 ALIGN="center"> +SUNDOWN IN ANTELOPE +</H3> + +<P> +Sundown Slim, who had enjoyed the un-upholstered privacy of a box-car +on his journey west from Albuquerque, awakened to realize that his +conveyance was no longer an integral part of the local freight which +had stopped at the town of Antelope, and which was now rumbling and +grumbling across the Arizona mesas. He was mildly irritated by a +management that gave its passengers such negligent service. He +complained to himself as he rolled and corded his blankets. However, +he would disembark and leave the car to those base uses for which +corporate greed, and a shipper of baled hay, intended it. He was +further annoyed to find that the door of the car had been locked since +he had taken possession. Hearing voices, he hammered on the door. +After an exchange of compliments with an unseen rescuer, the door was +pushed back and he leaped to the ground. He was a bit surprised to +find, not the usual bucolic agent of a water-plug station, but a belted +and booted rider of the mesas; a cowboy in all the glory of wide +Stetson, wing chaps, and Mexican spurs. +</P> + +<P> +"Thought you was the agent. I couldn't see out," apologized the tramp. +</P> + +<P> +The cowboy laughed. "He was scared to open her up, so I took a chanct, +seein' as I'm agent for the purvention of crulty to Hoboes." +</P> + +<P> +"Well, you got a fine chance to make a record this evening" said +Sundown, estimating with experienced eye the possibilities of Antelope +and its environs. "I et at Albuquerque." +</P> + +<P> +"Ain't a bad town to eat in," commented the puncher, gazing at the sky. +</P> + +<P> +"I never seen one that was," the tramp offered, experimentally. +</P> + +<P> +The cowboy grinned. "Well, take a look at this pueblo, then. You can +see her all from here. If the station door was open you could see +clean through to New Mexico. They got about as much use for a Bo in +these parts as they have for raisin' posies. And this ain't no garden." +</P> + +<P> +"Well, I'm raised. I got me full growth," said Sundown, straightening +his elongated frame,—he stood six-feet-four in whatever he could get +to stand in,—"and I raised meself." +</P> + +<P> +"Good thing you stopped when you did," commented the puncher. "What's +your line?" +</P> + +<P> +"Me line? Well, the Santa Fe, jest now. Next comes cookin'. I been +cook in everything from a hotel to a gradin'-camp. I cooked for +high-collars and swalley-tails, and low-brows and jeans—till it come +time to go. Incondescent to that I been poet select to the T.W.U." +</P> + +<P> +"Temperance?" +</P> + +<P> +"Not exactly. T.W.U. is Tie Walkers' Union. I lost me job account of +a long-hair buttin' in and ramblin' round the country spielin' +high-toned stuff about 'Art for her own sake'—and such. Me pals +selected him animus for poet, seein' as how I just writ things +nacheral; no high-fluted stuff like him. Why, say, pardner, I believe +in writin' from the ground up, so folks can understand. Why, this +country is sufferin' full of guys tryin' to pull all the G strings out +of a harp to onct—when they ought to be practicin' scales on a +mouth-organ. And it's printed ag'in' 'em in the magazines, right +along. I read lots of it. But speakin' of eats and <I>thinkin</I>' of +eats, did you ever listen to 'Them Saddest Words,'—er—one of me own +competitions?" +</P> + +<P> +"Not while I was awake. But come on over to 'The Last Chance' and +lubricate your works. I don't mind a little po'try on a full stummick." +</P> + +<P> +"Well, I'm willin', pardner." +</P> + +<P> +The process of lubrication was brief; and "Have another?" queried the +tramp. "I ain't all broke—only I ain't payin' dividen's, bein' hard +times." +</P> + +<P> +"Keep your two-bits," said the puncher. "This is on me. You're goin' +to furnish the chaser, Go to it and cinch up them there 'saddest.'" +</P> + +<P> +"Bein' just two-bits this side of bein' a socialist, I guess I'll keep +me change. I ain't a drinkin' man—regular, but I never was scared of +eatin'." +</P> + +<P> +Sundown gazed about the dingy room. Like most poets, he was not averse +to an audience, and like most poets he was quite willing that such +audience should help defray his incidental expenses—indirectly, of +course. Prospects were pretty thin just then. Two Mexican herders +loafed at the other end of the bar. They appeared anything but +susceptible to the blandishments of Euterpe. Sundown gazed at the +ceiling, which was fly-specked and uninspiring, +</P> + +<P> +"Turn her loose!" said the puncher, winking at the bartender. +</P> + +<P> +Sundown folded his long arms and tilted one lean shoulder as though +defying the elements to blast him where he stood:— +</P> + +<BR> + +<P CLASS="poem"> +"Lives there a gent who has not heard,<BR> +Before he died, the saddest word? +</P> + +<P CLASS="poem"> +"'What word is that?' the maiden cried;<BR> +'I'd like to hear it before I died.' +</P> + +<P CLASS="poem"> +"'Then come with me,' her father said,<BR> +As to the stockyards her he led; +</P> + +<P CLASS="poem"> +"Where layin' on the ground so low<BR> +She seen a tired and weary Bo. +</P> + +<P CLASS="poem"> +"But when he seen her standin' 'round,<BR> +He riz up from the cold, cold ground. +</P> + +<P CLASS="poem"> +"'Is this a hold-up game?' sez he.<BR> +And then her pa laughed wickedly. +</P> + +<P CLASS="poem"> +"'This ain't no hold-up!' loud he cried,<BR> +As he stood beside the fair maiden's side. +</P> + +<P CLASS="poem"> +"'But this here gal of mine ain't heard<BR> +What you Boes call the saddest word.' +</P> + +<P CLASS="poem"> +"'The Bo, who onct had been a gent,<BR> +Took off his lid and low he bent. +</P> + +<P CLASS="poem"> +"He saw the maiden was fed up good,<BR> +So her father's wink he understood. +</P> + +<P CLASS="poem"> +"'The saddest word,' the Bo he spoke,<BR> +'Is the dinner-bell, when you are broke.'" +</P> + +<BR> + +<P> +And Sundown paused, gazing ceilingward, that the moral might seep +through. +</P> + +<P> +"You're ridin' right to home!" laughed the cow-boy. "You just light +down and we'll trail over to Chola Charley's and prospect a tub of +frijoles. The dinner-bell when you are broke is plumb correct. Got +any more of that po'try broke to ride gentle?" +</P> + +<P> +"Uhuh. Say, how far is it to the next town?" +</P> + +<P> +"Comin' or goin'?" +</P> + +<P> +"Goin'." +</P> + +<P> +"'Bout seventy-three miles, but there's nothin' doin' there. Worse'n +this." +</P> + +<P> +"Looks like me for a job, or the next rattler goin' west. Any chanct +for a cook here?" +</P> + +<P> +"Nope. All Mexican cooks. But say, I reckon you <I>might</I> tie up over +to the Concho. Hearn tell that Jack Corliss wants a cook. Seems his +ole stand-by Hi Wingle's gone to Phoenix on law business. Jack's a +good boss to tie to. Worked for him myself." +</P> + +<P> +"How far to his place?" queried Sundown. +</P> + +<P> +"Sixty miles, straight south." +</P> + +<P> +"Gee Gosh! Looks like the towns was scared of each other in this here +country. Who'd you say raises them frijoles?" +</P> + +<P> +The cowboy laughed and slapped Sundown on the back. "Come on, Bud! +You eat with me this trip." +</P> + +<BR> + +<P> +Western humor, accentuated by alcohol, is apt to broaden rapidly in +proportion to the quantity of liquor consumed. After a given quantity +has been consumed—varying with the individual—Western humor broadens +without regard to proportion of any kind. +</P> + +<P> +The jovial puncher, having enjoyed Sundown's society to the extent of +six-bits' worth of Mexican provender, suggested a return to "The Last +Chance," where the tramp was solemnly introduced to a newly arrived +coterie of thirsty riders of the mesas. Gaunt and exceedingly tall, he +loomed above the heads of the group in the barroom "like a crane in a +frog-waller," as one cowboy put it. "Which ain't insinooatin' that our +hind legs is good to eat, either," remarked another. "He keeps right +on smilin'," asserted the first speaker. "And takin' his smile," said +the other. "Wonder what's his game? He sure is the lonesomest-lookin' +cuss this side of that dead pine on Bald Butte, that I ever seen." But +conviviality was the order of the evening, and the punchers grouped +together and told and listened to jokes, old and new, talked sagebrush +politics, and threw dice for the privilege of paying rather than +winning. "Says he's scoutin' for a job cookin'," remarked a young +cowboy to the main group of riders. "Heard him tell Johnny." +</P> + +<P> +Meanwhile, Sundown, forgetful of everything save the congeniality of +the moment, was recounting, to an amused audience of three, his +experiences as assistant cook in an Eastern hotel. The rest of the +happy and irresponsible punchers gravitated to the far end of the bar +and proposed that they "have a little fun with the tall guy." One of +them drew his gun and stepped quietly behind the tramp. About to fire +into the floor he hesitated, bolstered his gun and tiptoed clumsily +back to his companions. "Got a better scheme," he whispered. +</P> + +<P> +Presently Sundown, in the midst of his recital, was startled by a roar +of laughter. He turned quickly. The laughter ceased. The cowboy who +had released him from the box-car stated that he must be going, and +amid protests and several challenges to have as many "one-mores," swung +out into the night to ride thirty miles to his ranch. Then it was, as +has been said elsewhere and oft, "the plot thickened." +</P> + +<P> +A rider, leaning against the bar and puffing thoughtfully at a cigar of +elephantine proportions, suddenly took his cigar from his lips, held it +poised, examined it with the eye of a connoisseur—of cattle—and +remarked slowly: "Now, why didn't I think of it? Wonder you fellas +didn't think of it. They need a cook bad! Been without a cook for a +year—and everybody fussin' 'round cookin' for himself." +</P> + +<P> +Sundown caught the word "cook" and turned to, face the speaker. "I was +lookin' for a job, meself," he said, apologetically. "Did you know of +one?" +</P> + +<P> +"You was!" exclaimed the cowboy. "Well, now, that's right queer. I +know where a cook is needed bad. But say, can you honest-to-Gosh +<I>cook</I>?" +</P> + +<P> +"I cooked in everything from a hotel to a gradin'-camp. All I want is +a chanct." +</P> + +<P> +The cowboy shook his head. "I don' know. It'll take a pretty good man +to hold down this job." +</P> + +<P> +"Where is the job?" queried Sundown. +</P> + +<P> +Several of the men grinned, and Sundown, eager to be friendly, grinned +in return. +</P> + +<P> +"Mebby you <I>could</I> hold it down," continued the cowboy. "But say, do +you eat your own cookin'?" +</P> + +<P> +"Guess you're joshin' me." And the tramp's face expressed +disappointment. "I eat my own cookin' when I can't get any better," he +added, cheerfully. +</P> + +<P> +"Well, it ain't no joke—cookin' for that hotel," stated the puncher, +gazing at the end of his cigar and shaking his head. "Is it, boys?" +</P> + +<P> +"Sure ain't," they chorused. +</P> + +<P> +"A man's got to shoot the good chuck to hold the trade," he continued. +</P> + +<P> +"Hotel?" queried Sundown. "In this here town?" +</P> + +<P> +"Naw!" exclaimed the puncher. "It's one o' them swell joints out in +the desert. Kind o' what folks East calls a waterin'-place. Eh, boys?" +</P> + +<P> +"That's her!" volleyed the group. +</P> + +<P> +"Kind o' select-like," continued the puncher. +</P> + +<P> +"Sure is!" they chorused. +</P> + +<P> +"Do you know what the job pays?" asked Sundown. +</P> + +<P> +"U-m-m-m, let's see. Don't know as I ever heard. But there'll be no +trouble about the pay. And you'll have things your own way, if you can +deliver the goods." +</P> + +<P> +"That's right!" concurred a listener. +</P> + +<P> +Sundown looked upon work of any kind too seriously to suspect that it +could be a subject for jest. He gazed hopefully at their hard, keen +faces. They all seemed interested, even eager that he should find +work. "Well, if it's a job I can hold down," he said, slowly, "I'll +start for her right now. I ain't afraid to work when I got to." +</P> + +<P> +"That's the talk, pardner! Well, I'll tell you. You take that road at +the end of the station and follow her south right plumb over the hill. +Over the hill you'll see a ranch, 'way on. Keep right on fannin' it +and you'll come to a sign that reads 'American Hotel.' That's her. +Good water, fine scenery, quiet-like, and just the kind of a place them +tourists is always lookin' for. I stopped there many a time. So has +the rest of the boys." +</P> + +<P> +"You was tellin' me it was select-like—" ventured Sundown. +</P> + +<P> +The men roared. Even Sundown's informant relaxed and grinned. But he +became grave again, flicked the ashes from his cigar and waved his +hand. "It's this way, pardner. That there hotel is run on the +American style; if you got the price, you can have anything in the +house. And tourists kind o' like to see a bunch of punchers settin' +'round smokin' and talkin' and tellin' yarns. Why, they was a lady +onct—" +</P> + +<P> +"But she went back East," interrupted a listener. +</P> + +<P> +"That's the way with them," said the cowboy. "They're always stickin' +their irons on some other fella's stock. Don't you pay no 'tention to +them." +</P> + +<P> +Sundown shook hands with his informant, crossed to the corner of the +room, and slung his blanket-roll across his back. "Much obliged to you +fellas," he said, his lean, timorous face beaming with gratitude. "It +makes a guy feel happy when a bunch of strangers does him a good turn. +You see I ain't got the chanct to get a job, like you fellas, me bein' +a Bo. I had a pal onct—but He crossed over. He was the only one that +ever done me a good turn without my askin'. He was a college guy. I +wisht he was here so he could say thanks to you fellas classy-like. +I'm feeling them kind of thanks, but I can't say 'em." +</P> + +<P> +The grins faded from some of the faces. "You ain't goin' to fan it +to-night?" asked one. +</P> + +<P> +"Guess I will. You see, I'm broke, now. I'm used to travelin' any old +time, and nights ain't bad—believe me. It's mighty hot daytimes in +this here country. How far did you say?" +</P> + +<P> +"Just over the hill—then a piece down the trail. You can't miss it," +said the cowboy who had spoken first. +</P> + +<P> +"Well, so-long, gents. If I get that job and any of you boys come out +to the hotel, I'll sure feed you good." +</P> + +<P> +An eddy of smoke followed Sundown as he passed through the doorway. A +cowboy snickered. The room became silent. +</P> + +<P> +"Call the poor ramblin' lightnin'-rod back," suggested a kindly puncher. +</P> + +<P> +"He'll come back fast enough," asserted the perpetrator of the "joke." +"It's thirty dry and dusty miles to the water-hole ranch. When he gets +a look at how far it is to-morrow mornin' he'll sure back into the +fence and come flyin' for Antelope with reins draggin'. Set 'em up +again, Joe." +</P> + +<BR><BR><BR> + +<A NAME="chap02"></A> +<H2 ALIGN="center"> +CHAPTER II +</H2> + +<H3 ALIGN="center"> +THE JOKE +</H3> + +<P> +Owing to his unaccustomed potations Sundown was perhaps a trifle +over-zealous in taking the road at night. He began to realize this +after he had journeyed along the dim, starlit trail for an hour or so +and found no break in the level monotony of the mesa. He peered ahead, +hoping to see the blur of a hill against the southern stars. The air +was cool and clear and sweet. He plodded along, happy in the prospect +of work. Although he was a physical coward, darkness and the solitudes +held no enemies for him. He felt that the world belonged to him at +night. The moon was his lantern and the stars were his friends. +Circumstance and environment had wrought for him a coat of cheerful +effrontery which passed for hardihood; a coat patched with slang and +gaping with inconsistencies, which he put on or off at will. Out on +the starlit mesas he had metaphorically shed his coat. He was at home. +Here there were no men to joke about his awkwardness and his ungainly +height. A wanderer by nature, he looked upon space as his kingdom. +Great distances were but the highways of his heritage, each promising +new vistas, new adventuring. His wayside fires were his altars, their +smoke the incense to his gods. A true adventurer, albeit timid, he +journeyed not knowing why, but rather because he knew no reason for not +journeying. Wrapped in his vague imaginings he swung along, peering +ahead from time to time until at last he saw upon the far background of +the night a darker something shaped like a tiny mound. "That's her!" +he exclaimed, joyously, and quickened his pace. "But Gee Gosh! I +guess them fellas forgot I was afoot. That hill looks turruble far +off. Mebby because it's dark." The distant hill seemed to keep pace +ahead of him, sliding away into the southern night as he advanced. +Having that stubbornness so frequently associated with timidity, he +plodded on, determined to top the hill before morning. "Them fellas as +rides don't know how far things are," he commented. "But, anyhow, the +folks at that hotel will sure know I want the job, walkin' all night +for it." +</P> + +<P> +Gradually the outline of the hill became bolder. Sundown estimated +that he had been traveling several hours, when the going stiffened to a +slow grade. Presently the grade became steep and rocky. Thus far the +road had led straight south. Now it swung to the west and skirted the +base of the hill in a gradual ascent. Then it swung back again +following a fairly easy slope to the top. His optimism waned as he saw +no light ahead. The night grew colder. The stars flickered as the +wind of the dawn, whispering over the grasses, touched his face. He +paused for a moment on the crest of the hill, turned to look back, and +then started down the slope. It was steep and rutted. He had not gone +far when he stumbled and fell. His blanket-roll had pitched ahead of +him. He fumbled about for it and finally found it. "Them as believes +in signs would say it was about time to go to roost," he remarked, +nursing his knee that had been cut on a fragment of ragged tufa. A +coyote wailed. Sundown started up. "Some lonesome. But she sure is +one grand old night! Guess I'll turn in." +</P> + +<P> +He rolled in his blankets. Hardly had he adjusted his length of limb +to the unevenness of the ground when he fell asleep. He had come +twenty-five miles across the midnight mesas. Five miles below him was +his destination, shrouded by the night, but visioned in his dreams as a +palatial summer resort, aglow with lights and eagerly awaiting the +coming of the new cook. +</P> + +<P> +The dawn, edging its slow way across the mesas, struck palely on the +hillside where he slept. A rabbit, huddled beneath a scrub-cedar, +hopped to the middle of the road and sat up, staring with moveless eyes +at the motionless hump of blanket near the road. In a flash the wide +mesas were tinged with gold as the smouldering red sun rose, to march +unclouded to the western sea. +</P> + +<BR> + +<P> +Midway between the town of Antelope and the river Concho is the +water-hole. The land immediately surrounding the water-hole is +enclosed with a barb-wire fence. Within the enclosure is a ranch-house +painted white, a scrub-cedar corral, a small stable, and a lean-to +shading the water-hole from the desert sun. The place is altogether +neat and habitable. It is rather a surprise to the chance wayfarer to +find the ranch uninhabited. As desolate as a stranded steamer on a mud +bank, it stands in the center of several hundred acres of desert, +incapable, without irrigation, of producing anything more edible than +lizards and horned toads. Why a homesteader should have chosen to +locate there is a mystery. His reason for abandoning the place is +glaringly obvious. Though failure be written in every angle and nook +of the homestead, it is the failure of large-hearted enterprise, of +daring to attempt, of striving to make the desert bloom, and not the +failure of indolence or sloth. +</P> + +<P> +Western humor like Western topography is apt to be more or less rugged. +Between the high gateposts of the yard enclosure there is a great, +twelve-foot sign lettered in black. It reads: "American Hotel." A +band of happy cowboys appropriated the sign when on a visit to +Antelope, pressed a Mexican freighter to pack it thirty miles across +the desert, and nailed it above the gateway of the water-hole ranch. +It is a standing joke among the cattle- and sheep-men of the Concho +Valley. +</P> + +<P> +Sundown sat up and gazed about. The rabbit, startled out of its +ordinary resourcefulness, stiffened. The delicate nostrils ceased +twitching. "Good mornin', little fella! You been travelin' all night +too?" And Sundown yawned and stretched. Down the road sped a brown +exclamation mark with a white dot at its visible end. "Guess he don't +have to travel nights to get 'most anywhere," laughed Sundown. He +kicked back his blankets and rose stiffly. The luxury of his yawn was +stifled as he saw below him the ranchhouse with some strange kind of a +sign above its gate. "If that's the hotel," he said as he corded his +blankets, "she don't look much bigger than me own. But distances is +mighty deceivin' in this here open-face country." For a moment he +stood on the hillside, a gaunt, lonely figure, gazing out across the +limitless mesas. Then he jogged down the grade, whistling. +</P> + +<P> +As he drew near the ranch his whistling ceased and his expression +changed to one of quizzical uncertainty. "That's the sign, all +right,—'American Hotel,'—but the hotel part ain't livin' up to the +sign. But some hotels is like that; mostly front." +</P> + +<P> +He opened the ranch-house gate and strode to the door. He knocked +timidly. Then he dropped his blanket-roll and stepped to a window. +Through the grimy glass he saw an empty, board-walled room, a slant of +sunlight across the floor, and in the sunlight a rusted stove. He +walked back to the gateway and stood gazing at the sign. He peered +round helplessly. Then a slow grin illumined his face. "Why," he +exclaimed, "it's—it's a joke. Reckon the proprietor must be out +huntin' up trade. And accordin' to that he won't be back direct." +</P> + +<P> +He wandered about the place like a stray cat in a strange attic, +timorous and curious. Ordinarily he would have considered himself +fortunate. The house offered shelter and seclusion. There was clear +cold water to drink and a stove on which to cook. As he thought of the +stove the latitude and longitude of the "joke" dawned upon him with +full significance. He drank at the water-hole and, gathering a few +sticks, built a fire. From his blankets he took a tin can, drew a wad +of newspaper from it, and made coffee. Then he cast about for +something to eat. "Now, if I was a cow—" he began, when he suddenly +remembered the rabbit. "Reckon he's got relations hoppin' around in +them bushes." He picked up a stick and started for the gate. +</P> + +<P> +Not far from the ranch he saw a rabbit crouched beneath a clump of +brush. He flung his stick and missed. The rabbit ran to another bush +and stopped. Encouraged by the little animal's nonchalance, he dashed +after it with a wild and startling whoop. The rabbit circled the brush +and set off at right angles to his pursuer's course. Sundown made the +turn, but it was "on one wheel" so to speak. His foot caught in a +prairie-dog hole and he dove headlong with an exclamation that sounded +as much like "Whump!" as anything else. He uttered another and less +forced exclamation when he discovered in the tangle of brush that had +broken his fall, another rabbit that had not survived his sudden +visitation. He picked up the limp, furry shape. "Asleep at the +switch," he said. "He ain't much bigger than a whisper, but he's +breakfast." +</P> + +<P> +Rabbit, fried on a stove-lid, makes a pretty satisfying meal when +eating ceases to be a pleasure and becomes a necessity. Sundown wisely +reserved a portion of his kill for future consumption. +</P> + +<P> +As the morning grew warmer, he fell asleep in the shade of the +ranch-house. Late in the afternoon he wakened, went into the house and +made coffee. After the coffee he came out, rolled a cigarette, and sat +smoking and gazing out across the afternoon mesas. "I feel it comin'," +he said to himself. "And it's a good one, so I guess I'll put her in +me book." +</P> + +<P> +He rummaged in his blankets and unearthed a grimy, tattered notebook. +Lubricating the blunt point of a stubby pencil he set to work. When he +had finished, the sun was close to the horizon. He sat back and gazed +sideways at his effort. "I'll try her on meself," he said, drawing up +his leg and resting the notebook against his lean knee. "Wish I could +stand off and listen to meself," he muttered. "Kind o' get the defect +better." Then he read laboriously:— +</P> + +<BR> + +<P CLASS="poem"> +"Bo, it's goin' to be hot all right;<BR> + Sun's a floodin' the eastern range.<BR> +Mebby it was kind o' cold last night,<BR> + But there's nothin' like havin' a little change.<BR> +Money? No. Only jest room for me;<BR> + Mountings and valleys and plains and such.<BR> +Ain't I got eyes that was made to see?<BR> + Ain't I got ears? But they don't hear much:<BR> +Only a kind of a inside song,<BR> + Like when the grasshopper quits his sad,<BR> +And says: 'Rickety-chick! Why, there is nothin' wrong!'<BR> + And after the coffee, things ain't so bad." +</P> + +<BR> + +<P> +"Huh! Sounds all right for a starter. Ladies and them as came with +you, I will now spiel the next section." +</P> + +<BR> + +<P CLASS="poem"> +"The wind is makin' my bed for me,<BR> + Smoothin' the grass where I'm goin' to flop,<BR> +When the quails roost up in the live-oak tree,<BR> + And my legs feel like as they want to stop.<BR> +Pal or no pal, it's about the same,<BR> + For nobody knows how you feel inside.<BR> +Hittin' the grit is a lonesome game,—<BR> + But quit it? No matter how hard I tried.<BR> +But mebby I will when that inside song<BR> + Stops a-buzzin' like bees that's mad,<BR> +Grumblin' together: 'There's nothin' wrong!'<BR> + And—after the coffee things ain't so bad." +</P> + +<BR> + +<P> +"Bees ain't so darned happy, either. They're too busy. Guess it's a +good thing I went back to me grasshopper in the last verse. And now, +ladies and gents, this is posituvely the last appearance of the noted +electrocutionist, Sundown Slim; so, listen." +</P> + +<BR> + +<P CLASS="poem"> +"Ladies, I've beat it from Los to Maine.<BR> + And, gents, not knowin' jest what to do,<BR> +I turned and slippered it back again,<BR> + Wantin' to see, jest the same as you.<BR> +Ridin' rods and a-dodgin' flies;<BR> + Eatin' at times when me luck was good.<BR> +Spielin' the con to the easy guys,<BR> + But never jest makin' it understood,<BR> +Even to me, why that inside song<BR> + Kep' a-handin' me out the glad,<BR> +Like the grasshopper singin': 'There's nothin' wrong!'<BR> + And—after the coffee things ain't so bad." +</P> + +<BR> + +<P> +Sundown grinned with unalloyed pleasure. His mythical audience seemed +to await a few words, so he rose stiffly, and struck an attitude +somewhat akin to that of Henry Irving standing beside a milk-can and +contemplating the village pump. "It gives me great pleasure to inform +you"—he hesitated and cleared his throat—"that them there words of +mine was expired by half a rabbit—small—and two cans of coffee. Had +I been fed up like youse"—and he bowed grandly—"there's no tellin' +what I might 'a' writ. Thankin' you for the box-office receipts, I am +yours to demand, Sundown Slim, of Outdoors, Anywhere, till further +notice." +</P> + +<P> +Then he marched histrionically to the ranchhouse and made a fire in the +rusted stove. +</P> + +<BR><BR><BR> + +<A NAME="chap03"></A> +<H2 ALIGN="center"> +CHAPTER III +</H2> + +<H3 ALIGN="center"> +THIRTY MILES TO THE CONCHO +</H3> + +<P> +John Corliss rode up to the water-hole, dismounted, and pushed through +the gate. His horse "Chinook" watched him with gently inquisitive +eyes. Chinook was not accustomed to inattention when he was thirsty. +He had covered the thirty miles from the Concho Ranch in five long, +dry, and dusty hours. He nickered. "In a minute," said Corliss. Then +he knocked at the ranch-house door. Riders of the Concho usually +strode jingling into the ranch-house without formality. Corliss, +however, had been gazing at the lean stovepipe for hours before he +finally decided that there was smoke rising from it. He knocked a +second time. +</P> + +<P> +"She ain't locked," came in a rusty, smothered voice. +</P> + +<P> +Corliss shoved the door open with his knee. The interior was heavy +with smoke. Near the stove knelt Sundown trying to encourage the smoke +to more perpendicular behavior. He coughed. "She ain't good in her +intentions, this here stove. One time she goes and the next time she +stays and takes a smoke. Her innards is out of gear. Whew!" +</P> + +<P> +"The damper has slipped down," said Corliss. +</P> + +<P> +"Her little ole chest-pertector is kind o' worked down toward her +stummick. There, now she feels better a'ready." +</P> + +<P> +"Cooking chuck?" queried Corliss, glancing round the bare room. +</P> + +<P> +"Rabbit," replied Sundown. "When I hit this here hotel I was hungry. +I seen a rabbit—not this here one, but the other one. This one was +settin' in a bunch of-brush on me right-of-way. I was behind and +runnin' to make up time. I kind o' seen the leetle prairie-dog give me +the red to slow down, but it was too late. Hit his cyclone cellar with +me right driver, and got wrecked. This here leetle wad o' cotton was +under me steam-chest. No other passengers hurt, except the engineer." +</P> + +<P> +Corliss laughed. "You're a railroad man, I take it. Belong in this +country?" +</P> + +<P> +Sundown rose from his knees and backed away from the stove. "Nope. +Don't belong anywhere, I guess. My address when I'm to home is Sundown +Slim, Outdoors, Anywhere, speakin' general." +</P> + +<P> +"Come in afoot?" +</P> + +<P> +"Uhuh. Kind o' thought I'd get a job. Fellas at Antelope told me they +wanted a cook at this hotel. I reckon they do—and some boarders and +somethin' to cook." +</P> + +<P> +"That's one of their jokes. Pretty stiff joke, sending you in here +afoot." +</P> + +<P> +"Oh, I ain't sore, mister. They stole me nanny, all right, but I feel +jest as good here as anywhere." +</P> + +<P> +Corliss led Chinook to the water-hole. Sundown followed. +</P> + +<P> +"Ever think how many kinds of water they was?" queried Sundown. "Some +is jest water; then they's some got a taste; then some's jest wet, but +this here is fine! Felt like jumpin' in and drinkin' from the bottom +up when I lit here. Where do you live?" +</P> + +<P> +"On the Concho, thirty miles south." +</P> + +<P> +"Any towns in between?" +</P> + +<P> +Corliss smiled. "No, there isn't a fence or a house from here to the +ranch." +</P> + +<P> +"Gee Gosh! Any cows in this country?" +</P> + +<P> +"Yes. The Concho runs ten thousand head on the range." +</P> + +<P> +"Had your supper?" +</P> + +<P> +"No. I was late getting away from the ranch. Expected to make +Antelope, but I guess I'll bush here to-night." +</P> + +<P> +"Well, seein' you're the first boarder at me hotel, I'll pass the +hash." And Sundown stepped into the house and returned with the half +rabbit. "I got some coffee, too. I can cook to beat the band when I +got somethin' to cook. Help yourself, pardner. What's mine is +anybody's that's hungry. I et the other half." +</P> + +<P> +"Don't mind if I do. Thanks. Say, you can cook?" +</P> + +<P> +"Next to writin' po'try it's me long suit." +</P> + +<P> +"Well, I'm no judge of poetry," said Corliss. "This rabbit tastes +pretty good." +</P> + +<P> +"You ain't a cop, be you?" queried Sundown. +</P> + +<P> +"No. Why?" +</P> + +<P> +"Nothin'. I was jest wonderin'." +</P> + +<P> +"You have traveled some, I take it." +</P> + +<P> +"Me? Say! I'm the ramblin' son with the nervous feet. Been round the +world and back again on them same feet, and some freights. Had a pal +onct. He was a college guy. Run on to him on a cattle-boat. He writ +po'try that was the real thing! It's ketchin' and I guess I caught it +from him. He was a good little pal." +</P> + +<P> +"What became of him?" +</P> + +<P> +"I dunno, pardner. They was a wreck—but guess I'll get that coffee." +</P> + +<P> +"How did you cross the Beaver Dam?" inquired Corliss as Sundown +reappeared with his can of coffee. +</P> + +<P> +"So that's what you call that creek back there? Well, it don't need no +Beaver hitched on to it to say what I'd call it. I come through last +night, but I'm dry now." +</P> + +<P> +The cattle-man proffered Sundown tobacco and papers. They smoked and +gazed at the stars. "Said your friend was a college man. What was his +name?" queried Corliss, turning to glance at Sundown. +</P> + +<P> +"Well, his real name was Billy Corliss, but I called him jest Bill." +</P> + +<P> +"Corliss! When did you lose track of him?" +</P> + +<P> +"In that wreck, 'bout a year ago. We was ridin' a fast freight goin' +west. He said he was goin' home, but he never said where it was. Hit +a open switch—so they said after—and when they pulled the stitches, +and took that plaster dingus off me leg, I starts out huntin' for +Billy. Nobody knowed anything about him. Wasn't no signs in the +wreck,—so they said. You see I was in that fadeaway joint six weeks." +</P> + +<P> +"What did he look like?" +</P> + +<P> +"Billy? More like a girl than a man. Slim-like, with blue eyes and +kind o' bright, wavy-like hair. He never said nothin' about his folks. +He was a awful quiet kid." +</P> + +<P> +John Corliss studied Sundown's face. "You say he was killed in a +wreck?" +</P> + +<P> +"I ain't sure. But I reckon he was. It was a bad one. He was ridin' +a empty, just ahead of me. Then the whole train buckled up and +somethin' hit me on the lid. That's all I remember, till after." +</P> + +<P> +"What are you going to do now? Go back to Antelope?" +</P> + +<P> +"Me? Guess I will. I was lookin' for a job cooking but the pay ain't +right here. What you lookin' at me that way for?" +</P> + +<P> +"Sit still. I'm all right. My brother Will left home three years ago. +Didn't say a word to any one. He'd been to school East, and he wrote +some things for the magazines—poetry. I was wondering—" +</P> + +<P> +"Say, mister, what's your name?" +</P> + +<P> +"John Corliss." +</P> + +<P> +"Gee Gosh! I knowed when I et that rabbit this mornin' that somethin' +was goin' to happen. Thought it was po'try, but I was mistook." +</P> + +<P> +"So you ate your half of the rabbit this morning, eh?" +</P> + +<P> +"Sure!!—" +</P> + +<P> +"And you gave me the rest. You sure are loco." +</P> + +<P> +"Mebby I be. Anyhow, I'm used to bein' hungry. They ain't so much of +me to keep as you—crossways, I mean. Of course, up and down—" +</P> + +<P> +"Well, I'm right sorry," said Corliss. "You're the queerest Hobo I +ever saw." +</P> + +<P> +"That's what they all say," said Sundown, grinning. "I ain't no common +hand-out grabber, not me! I learnt things from Bill. He had class!" +</P> + +<P> +"You sure Will never said anything about the Concho, or his brother, or +Chance?" +</P> + +<P> +"Chance? Who's he?" +</P> + +<P> +"Wolf-dog that belonged to Will." +</P> + +<P> +"Gee Gosh! Big, and long legs, and kind of long, rough hair, and deep +in the chest and—" +</P> + +<P> +"That's Chance; but how did you know?" +</P> + +<P> +"Why, Billy writ a pome 'bout him onct. Sold it and we lived high—for +a week. Sure as you live! It was called 'Chance of the Concher.' Gee +Gosh! I thought it was jest one of them poetical dogs, like." +</P> + +<P> +Corliss, who was not given to sentiment, smoked and pondered the +possibility of his brother's whereabouts. He had written to all the +large cities asking for information from the police as to the +probability of their being able to locate his brother. The answers had +not been encouraging. At the end of three years he practically gave up +making inquiry and turned his whole attention to the management of the +Concho. There had been trouble between the cattle and sheep interests +and time had passed more swiftly than he had realized. His meeting +with Sundown had awakened the old regret for his brother's uncalled-for +disappearance. Had he been positive that his brother had been killed +in the wreck he would have felt a kind of relief. As it was, the +uncertainty as to his whereabouts, his welfare, worried and perplexed +him, especially in view of the fact that he was on his way to Antelope +to present to the Forest Service a petition from the cattle-men of the +valley for grazing allotments. The sheep had been destroying the +grazing on the west side of the river. There had been bickerings and +finally an open declaration of war against David Loring, the old +sheep-man of the valley. Corliss wished to avoid friction with David +Loring. Their ranches were opposite each other. And as Corliss was +known as level-headed and shrewd, it devolved upon him to present in +person the complaint and petition of his brother cattle-men. Argument +with David Loring, as he had passed the latter's homestead that +morning, had delayed him on his journey to Antelope. Presently he got +up and entered the ranch-house. Sundown followed and poked about in +the corners of the room. He found a bundle of gunny-sacks and +spreading them on the floor, laid his blankets on them. +</P> + +<P> +Corliss stepped out and led Chinook to the distant mesa and picketed +him for the night. As he returned, he considered the advisability of +hiring the tramp to cook until his own cook returned from Phoenix. He +entered the house, kicked off his leather chaps, tossed his spurs into +a corner, and made a bed of his saddle-blankets and saddle. "I'll be +starting early," he said as he drew off his boots. "What are you +intending to do next?" +</P> + +<P> +"Me? Well, I ain't got no plans. Beat it back to Antelope, I guess. +Say, mister, do you think my pal was your brother?" +</P> + +<P> +"I don't know. From your description I should say so. See here. I +don't know you, but I need a cook. The Concho is thirty miles in. I'm +headed the other way, but if you are game to walk it, I'll see if I can +use you." +</P> + +<P> +"Me! You ain't givin' me another josh, be you?" +</P> + +<P> +"Never a josh. You won't think so when you get to punchin' dough for +fifteen hungry cowboys. Want to try it?" +</P> + +<P> +"Say, mister, I'm just comin' to. A guy told me in Antelope that they +was a John Corliss—only he said Jack—what was needin' a cook. Just +thunk of it, seein' as I was thinkin' of Billy most ever since I met +you. Are you the one?" +</P> + +<P> +"Guess I am," said Corliss, smiling. "It's up to you." +</P> + +<P> +"Say, mister, that listens like home more'n anything I heard since I +was a kid. I can sure cook, but I ain't no rider." +</P> + +<P> +"How long would it take you to foot it to the Concho?" +</P> + +<P> +"Oh, travelin' easy, say 'bout eight hours." +</P> + +<P> +"Don't see that you need a horse, then, even if there was one handy." +</P> + +<P> +"Nope. I don't need no horse. All I need is a job." +</P> + +<P> +"All right. You'd have to travel thirty miles either way—to get out +of here. I won't be there, but you can tell my foreman, Bud Shoop, +that I sent you in." +</P> + +<P> +"And I'll jest be tellin' him that 'bout twelve, to-morrow. I sure +wisht Billy was here. He'd sure be glad to know his ole pal was +cookin' for his brother. Me for the shavin's. And say, thanks, +pardner. Reckon they ain't all jokers in Arizona." +</P> + +<P> +"No. There are a few that can't make or take one," said Corliss. +"Hope you'll make the ranch all right." +</P> + +<P> +"I'm there! Next to cookin' and writin' po'try, walkin' is me long +suit." +</P> + +<BR><BR><BR> + +<A NAME="chap04"></A> +<H2 ALIGN="center"> +CHAPTER IV +</H2> + +<H3 ALIGN="center"> +PIE; AND SEPTEMBER MORN +</H3> + +<P> +When a Westerner, a native-born son of the outlands, likes a man, he +likes him. That is all there is to it. His horses, blankets, money, +provender, and even his saddle are at his friend's disposal. If the +friend prove worthy,—and your Westerner is shrewd,—a lifelong +friendship is the result. If the friend prove unworthy, it is well for +him to seek other latitudes, for the average man of the outlands has a +peculiar and deep-seated pride which is apt to manifest itself in +prompt and vigorous action when touched by ridicule or ingratitude. +There are many Davids and Jonathans in the sagebrush country. David +may have flocks and herds, and Jonathan may have naught but the care of +them. David may possess lands and water-rights, and Jonathan nothing +more than a pick, a shovel, a pan, and an incurable itch for placering. +A Westerner likes a man for what he is and not because of his vocation. +He usually proceeds cautiously in the matter of friendship, but sudden +and instinctive friendships are not infrequent. It so happened that +John Corliss had taken a liking to the Hobo, Sundown Slim. Knowing a +great deal more about cattle than about psychology, the rancher wasted +no time in trying to analyze his feelings. If the tramp had courage +enough to walk another thirty miles across the mesas to get a job +cooking, there must be something to him besides legs. Possibly the +cattle-man felt that he was paying a tribute to the memory of his +brother. In any event, he greeted Sundown next morning as the latter +came to the water-hole to drink. "You can't lose your way," he said, +pointing across the mesa. "Just keep to the road. The first ranch on +the right is the Concho. Good luck!" And he led Chinook through the +gateway. In an hour he had topped the hill. He reined Chinook round. +He saw a tiny figure far to the south. Half in joke he waved his +sombrero. Sundown, who had glanced back from time to time, saw the +salute and answered it with a sweeping gesture of his lean arm. "And +now," he said, "I got the whole works to meself. That Concho guy is a +mighty fine-lookin' young fella, but he don't look like Billy. Rides +that hoss easy-like jest as if he was settin' in a rockin'-chair +knittin' socks. But I reckon he could flash up if you stepped on his +tail. I sure ain't goin' to." +</P> + +<BR> + +<P> +It was mid-afternoon, when Sundown, gaunt and weary, arrived at the +Concho. He was faint for lack of food and water. The Mexican cook, or +rather the cook's assistant, was the only one present when Sundown +drifted in, for the Concho was, in the parlance of the riders, "A man's +ranch from chuck to sunup, and never a skirt on the clothes-line." +</P> + +<P> +Not until evening was Sundown able to make his errand known, and +appreciated. A group of riders swung in in a swirl of dust, +dismounted, and, as if by magic, the yard was empty of horses. +</P> + +<P> +The riders disappeared in the bunk-house to wash and make ready for +supper. One of the men, who had spoken to him in passing, reappeared. +</P> + +<P> +"Lookin' for the boss?" he asked. +</P> + +<P> +"Nope. I seen him. I'm lookin' for Mr. Shoop." +</P> + +<P> +"All right, pardner. Saw off the mister and size me up. I'm him." +</P> + +<P> +"The boss said I was to be cook," said Sundown, rather awed by the +personality of the bluff foreman. +</P> + +<P> +"Meet him at Antelope?" +</P> + +<P> +"No. It was the American Hotel. He said for me to tell you if I +walked in I could get a job cookin'." +</P> + +<P> +"All right. What he says goes. Had anything to eat recent?" +</P> + +<P> +"I et a half a rabbit yesterday mornin'." +</P> + +<P> +"Well, sufferin' shucks! You fan it right in here!" +</P> + +<P> +Later that evening, Sundown straggled out to the corral and stood +watching the saddle-stock of the Concho pull hay from the long +feed-rack and munch lazily. Suddenly he jerked up his hand and jumped +round. The men, loafing in front of the bunk-house, laughed. Chance, +the great wolf-dog, was critically inspecting the tramp's legs. +</P> + +<P> +Sundown was a self-confessed coward, physically. Above all things he +feared dogs. His reception by the men, aside from Bud Shoop's +greeting, had been cool. Even the friendship of a dog seemed +acceptable at that moment. Plodding along the weary miles between the +water-hole and the ranch, he had, in his way, decided to turn over a +new leaf: to ignore the insistent call of the road and settle down to +something worth while. Childishly egotistical, he felt in a vague way +that his virtuous intent was not appreciated, not reasoning that the +men knew nothing of his wanderings, nor cared to know anything other +than as to his ability to cook. So he timidly stroked the long muzzle +of the wolf-dog, and was agreeably surprised to find that Chance seemed +to like it. In fact, Chance, having an instinct superior to that of +his men companions of the Concho, recognized in the gaunt and lonely +figure a kindred spirit; a being that had the wander-fever in its +veins; that was forever searching for the undiscoverable, the something +just beyond the visible boundaries of day. The dog, part Russian +wolf-hound and part Great Dane, deep-chested, swift and powerful, shook +his shaggy coat and sneezed. Sundown jumped. Again the men laughed. +"You and me's built about alike—for speed," he said, endeavoring to +convey his friendly intent through compliment. "Did you ever ketch a +rabbit?" +</P> + +<P> +Chance whined. Possibly he understood. In any event, he leaped +playfully against Sundown's chest and stood with his paws on the +tramp's shoulders. Sundown shrunk back against the corral bars. "Go +to it," he said, trying to cover his fear with a jest, "if you like +bones." +</P> + +<P> +From behind him came a rush of feet. "Great Scott!" exclaimed Shoop. +"Come 'ere, Chance. I sure didn't know he was loose." +</P> + +<P> +The dog dropped to his feet and wagged his tail inquiringly. +</P> + +<P> +"Chance—there—he don't cotton to strangers," explained Shoop, +slipping his hand in the wolf-dog's collar. "Did he nip you?" +</P> + +<P> +"Nope. But me and him ain't strangers, mister. You see, I knowed the +boss's brother Billy, what passed over in a wreck. He used to own +Chance, so the boss says." +</P> + +<P> +"You knew Billy! But Chance don't know that. I'll chain him up till +he gets used to seein' you 'round." +</P> + +<P> +Shoop led the dog to the stable. Sundown felt relieved. The +solicitude of the foreman, impersonal as it was, made him happier. +</P> + +<P> +Next morning he was installed as cook. He did fairly well, and the men +rode away joking about the new "dough-puncher." +</P> + +<P> +Then it was that Sundown had an inspiration—not to write verse, but to +manufacture pies. He knew that the great American appetite is keen for +pies. Finding plenty of material,—dried apples, dried prunes, and +apricots,—he set to work, having in mind former experiences on the +various "east-sides" of various cities. Determined that his reputation +should rest not alone upon flavor, he borrowed a huge Mexican spur from +his assistant and immersed it in a pan of boiling water. "And speakin' +of locality color," he murmured, grinning at the possibilities before +him, "how's that, Johnny?" And he rolled out a thin layer of pie-dough +and taking the spur for a "pattern-wheel," he indented a free-hand +sketch of the Concho brand on the immaculate dough. Next he wheeled +out a rather wobbly cayuse, then an equally wobbly and ferocious cow. +Each pie came from the oven with some symbol of the range printed upon +it, the general effect being enhanced by the upheaval of the piecrust +in the process of baking. When the punchers rode in that evening and +entered the messroom, they sniffed knowingly. But not until the +psychological moment did Sundown parade his pies. Then he stepped to +the kitchen and, with the lordly gesture of a Michael Angelo unveiling +a statue for the approval of Latin princes, commanded the assistant to +"Bring forth them pies." And they were "brung." +</P> + +<P> +Each astonished puncher was gravely presented with a whole +pie—bubbling kine, dimpled cayuses, and sprawling spurs. Silence—as +silence is wont to do in dramatic moments—reigned supreme. Then it +was that the purveyor of spontaneous Western exclamations missed his +opportunity, being elsewhere at the time. +</P> + +<P> +"Whoop! Let 'er buck!" exclaimed Bud Shoop, swinging an imaginary hat +and rocking from side to side. +</P> + +<P> +"So-o, Boss!" exclaimed a puncher from the Middle West. +</P> + +<P> +"Hand-made and silver mounted," remarked another. "Hate to eat 'em." +</P> + +<P> +"Trade you my pinto for a steer," offered still another. +</P> + +<P> +"Nothin" doin'! That hoss of yours has got colic—bad." +</P> + +<P> +"Swap this here goat for that rooster of yours," said "Sinker," a youth +whose early education in art had been neglected. +</P> + +<P> +"Goat? You box-head! That's a calf. Kind 'a' mired down, but it's +sure a calf. And this ain't no rooster. This here's a eagle settin' +on his eggs. You need specs." +</P> + +<P> +"Noah has sure been herdin' 'em in," said another puncher. +</P> + +<P> +Meanwhile, "Noah" stood in the messroom doorway, arms folded and face +beaming. His attitude invited applause, and won it. Eventually his +reputation as a "pie-artist" spread far and wide. When it leaked out +that he had wrought his masterpieces with a spur, there was some +murmuring. Being assured by the assistant that the spur had been +previously boiled, the murmuring changed to approval. "That new cook +was sure a original cuss! Stickin' right to the range in his +picture-work. Had them there old Hopi picture-writin's on the rocks +beat a mile." And the like. +</P> + +<P> +Inspired by a sense of repletion, conducive to generosity and humor, +the boys presented Sundown with a pair of large-rowelled Mexican spurs, +silver-mounted and altogether formidable. Like many an historic +adventurer, he had won his spurs by a <I>tour-de-force</I> that swept his +compatriots off their feet; innuendo if you will—but the average +cowboy is capable of assimilating much pie. +</P> + +<P> +Although Sundown was offered the use of a bunk in the men's quarters, +he chose to sleep in a box-stall in the stable, explaining that he was +accustomed to sleep in all kinds of places, and that the unused +box-stall with fresh clean straw and blankets would make a very +comfortable bedroom. His reason for declining a place with the men +became apparent about midnight. +</P> + +<P> +Bud Shoop had, in a bluff, offhand way, given him a flannel shirt, +overalls, an old flop-brimmed Stetson, and, much to Sundown's delight, +a pair of old riding-boots. Hitherto, Sundown had been too preoccupied +with culinary matters to pay much attention to his clothing. +Incidentally he was spending not a little time in getting accustomed to +his spurs, which he wore upon all occasions, clinking and clanking +about the cook-room, a veritable Don Quixote of the (kitchen) range. +</P> + +<P> +The arrival of Corliss, three days after Sundown's advent, had a +stimulating effect on the new cook. He determined to make the best +appearance possible. +</P> + +<P> +The myriad Arizona stars burned with darting radiance, in thin, +unwavering shafts of splintered fire. The moon, coldly brilliant, +sharp-edged and flat like a disk of silver paper, touched the twinkling +aspens with a pallid glow and stamped a distorted silhouette of the +low-roofed ranch-buildings on the hard-packed earth. In the corral the +shadow of a restless pony drifted back and forth. Chance, chained to a +post near the bunk-house, shook himself and sniffed the keen air, for +just at that moment the stable door had opened and a ghostly figure +appeared; a figure that shivered in the moonlight. The dog bristled +and whined. "S-s-s-h!" whispered Sundown. "It's me, ain't it?" +</P> + +<P> +With his bundle of clothes beneath his arm, he picked a hesitating +course across the yard and deposited the bundle beside the +water-trough. Chance, not altogether satisfied with Sundown's +assurance, proclaimed his distrust by a long nerve-reaching howl. Some +one in the bunkhouse muttered. Sundown squatted hastily in the shadow +of the trough. Bud Shoop rose from his bunk and crept to the door. He +saw nothing unusual, and was about to return to his bed when an +apparition rose slowly from behind the water-trough. The foreman drew +back in the shadow of the doorway and watched. +</P> + +<P> +Sundown's bath was extensive as to territory but brief as to duration. +He dried himself with a gunny-sack and slipped shivering into his new +raiment. "That there September Morn ain't got nothin' on me except +looks," he spluttered. "And she is welcome to the looks. Shirts and +pants for mine!" +</P> + +<P> +Then he crept back to his blankets and slept the sleep of one who has +atoned for his sins of omission and suffered righteously in the ordeal. +</P> + +<P> +Bud Shoop wanted to laugh, but forgot to do it. Instead he padded back +to his bunk and lay awake pondering. "Takin' a bath sure does make a +fella feel like the fella he wants to feel like—but in the +drinkin'-trough, at night…! I reckon that there Hobo ain't right +in his head." +</P> + +<P> +Sundown dreamed that he was chasing an elusive rabbit over endless +wastes of sand and greasewood. With him ran a phantom dog, a lean, +shaggy shape that raced tirelessly. When Sundown wanted to give up the +dream-hunt and rest, the dog would urge him on with whimperings and +short, explosive barks of impatience. Presently the dream-dog ran +ahead and disappeared beyond a rise. Sundown sank to the desert and +slept. He dreamed within his dream that the dog was curled beside him. +He put out his hand and stroked the dog's head. Presently a side of +the box-stall took outline. A ray of sunlight filtered in; sunlight +flecked with fine golden dust. The straw rustled at his side and he +sat up quickly. Chance, stretching himself and yawning, showed his +long, white fangs in an elaborated dog-smile. "Gee Gosh!" exclaimed +Sundown, eyeing the dog sideways, "so it's you, eh? You wasn't foolin' +me, then, when you said we'd be pals?" +</P> + +<P> +Chance settled down in the straw again and sighed contentedly. +</P> + +<P> +From the corral came the sound of horses running. The boys were +catching up their ponies for the day's work. Chance pricked his ears. +"I guess it's up to me and you to move lively," said Sundown, +stretching and groaning. "We're sleepin' late, account of them +midnight abolitions." +</P> + +<P> +He rose and limped to the doorway. Chance followed him, evidently +quite uninterested in the activities outside. Would this queer, +ungainly man-thing saddle a horse and ride with the others, or would he +now depart on foot, taking the trail to Antelope? Chance knew quite as +well as did the men that something unusual was in the air. Hi Wingle, +the cook, had returned unexpectedly that night. Chance had listened +gravely while his master had told Bud Shoop that "the outfit" would +move over to Bald Knoll in the morning. Then the dog had barked and +capered about, anticipating a break in the monotony of ranch-life. +</P> + +<P> +Sundown hurried to the cook-room. Chance at his heels. Hi Wingle was +already installed in his old quarters, but he greeted Sundown heartily, +and set him to work helping. +</P> + +<P> +After breakfast, Bud Shoop, in heavy wing chaps and trailing his spurs, +swaggered up to Sundown. "How you makin' it this mornin'?" he +inquired. There was a note of humorous good-fellowship in his voice +that did not escape Sundown. +</P> + +<P> +"Doin' fine without crutches," replied Sundown, grinning. +</P> + +<P> +"Well, you go eat now, and I'll catch up a cayuse for you. We're goin' +to fan it for Bald Knoll in about ten minutes." +</P> + +<P> +"Do I go, too?" +</P> + +<P> +"Sure! Do you think we don't eat pie only onct a year? You bet you +go—helpin' Hi. Boss's orders." +</P> + +<P> +"Thanks—but I ain't no rider." +</P> + +<P> +Shoop glanced questioningly at Sundown's legs. "Mebby not. But if I +owned them legs I'd contract to ride white-lightnin' bareback. I'd +just curl 'em 'round and grab holt of my feet when they showed up on +the other side. Them ain't legs; them's <I>cinchas</I>." +</P> + +<P> +"Mebby they ain't," sighed Sundown. "It's the only pair I got, and I'm +kind of used to 'em." +</P> + +<P> +"Did you let Chance loose?" queried the foreman. +</P> + +<P> +"Me? Nix. But he was sleepin' in the stall with me this mornin'." +</P> + +<P> +"Heard him goin' on last night. Thought mebby a coyote or a wolf had +strayed in to get a drink." +</P> + +<P> +"Get a drink! Can't they get a drink up in them hills?" +</P> + +<P> +"Sure! But they kind of fancy the flavor of the water-trough. They +come in frequent. But you better fan it for chuck. See you later." +</P> + +<BR> + +<P> +Sundown hurried through breakfast. He was anxious to hear more about +the habits of coyotes and wolves. When he again came to the corral, +many of the riders had departed. Shoop stood waiting for John Corliss. +</P> + +<P> +"You said them wolves and coyotes—" began Sundown. +</P> + +<P> +"Yes, ding 'em!" interrupted Shoop. "Looks like they come down last +night. Somethin' 's been monkeyin' with the water." +</P> + +<P> +"Did you ever see one—at night?" queried Sundown, nervously. +</P> + +<P> +"See 'em? Why, I shot droves of 'em right from the bunk-house door. I +never miss a chance. Cut loose every time I see one standin' with his +front paws on the trough. Get 'em every time." +</P> + +<P> +"Wisht I'd knowed that." +</P> + +<P> +"So?" +</P> + +<P> +"Uhuh. I'd 'a' borrowed a gun off you and set up and watched for 'em +myself." +</P> + +<P> +Bud Shoop made a pretense of tightening a cinch on Sundown's pony, that +he might "blush unseen," as it were. +</P> + +<P> +Presently Corliss appeared and motioned to Shoop. "How's the new cook +doing?" he asked. +</P> + +<P> +"Fine!" +</P> + +<P> +Sundown retired modestly to the off-side of the pony. +</P> + +<P> +"Got a line on him already," said Shoop. "First thing, Chance, here, +took to him. Then, next thing, he manufactures a batch of pies that +ain't been matched on the Concho since she was a ranch. Then, next +thing after that, Chance slips his collar and goes and bushes with the +Bo—sleeps with him till this mornin'. And you can rope me for a +parson if that walkin' wish-bone didn't get to ramblin' in his sleep +last night and come out and take a <I>bath</I> in the <I>drinkin</I>'-trough! +He's got on them clothes I give him, this mornin'. Can you copper +that?" +</P> + +<P> +"Bad dream, Bud." +</P> + +<P> +"You wait!" said the grinning foreman. "You watch him. Don't pay no +'tention to me." +</P> + +<P> +Corliss smiled. Shoop's many and devious methods of estimating +character had their humorous angles. The rancher appreciated a joke +quite as much as did any of his employees, but usually as a spectator +and not a participant. Bud Shoop had served him well and faithfully, +tiding over many a threatened quarrel among the men by a humorous +suggestion or a seemingly impersonal anecdote anent disputes in +general. So Corliss waited, meanwhile inspecting the ponies in the +corral. He noticed a pinto with a saddle-gall and told Shoop to turn +the horse out on the range. +</P> + +<P> +"It's one of Fadeaway's string," said Shoop. +</P> + +<P> +"I know it. Catch him up." +</P> + +<P> +Shoop, who felt that his opportunity to confirm his dream-like +statement about Sundown's bathing, was slipping away, suddenly evolved +a plan. He knew that the horses had all been watered. "Hey!" he +called to Sundown, who stood gravely inspecting his own mount. "Come +over here and make this cayuse drink. He won't for me." +</P> + +<P> +Shoop roped the horse and handed the rope to Sundown, who marched to +the water-trough. The pony sniffed at the water and threw up his head. +"I reckoned that was it!" said Shoop. +</P> + +<P> +"What?" queried Corliss, meanwhile watching Sundown's face. +</P> + +<P> +"Oh, some dam' coyote's been paddlin' in that trough again. No wonder +the hosses won't drink this mornin'. I don't blame 'em." +</P> + +<P> +Sundown rolled a frightened eye and tried to look at everything but his +companions. Corliss and Shoop exploded simultaneously. Slowly the +light of understanding dawned, rose, and radiated in the dull red of +the new cook's face. He was hurt and a bit angry. The anticipating +and performing of his midnight ablutions had cost Slim a mighty +struggle, mentally and otherwise. +</P> + +<P> +"If you think it's any early mornin' joke to take a wash-up in that +there Chinese coffin—why, try her yourself, about midnight." Then he +addressed Shoop singly. "If I was <I>you</I>, and you got kind of +absent-minded and done likewise, and I seen <I>you</I>, do you think I'd go +snitch to the boss? Nix, for it might set him to worryin'." +</P> + +<P> +Shoop accepted the compliment good-naturedly, for he knew he had earned +it. He swaggered up to Sundown and slapped him on the back. "Cheer +up, pardner, and listen to the good news. I'm goin' to have that +trough made three foot longer so it'll be more comfortable." +</P> + +<P> +"Thanks, but never again at night. Guess if I hadn't been feelin' +all-to-Gosh happy at havin' a home and a job, I'd 'a' froze stiff." +</P> + +<BR><BR><BR> + +<A NAME="chap05"></A> +<H2 ALIGN="center"> +CHAPTER V +</H2> + +<H3 ALIGN="center"> +ON THE CAŅON TRAIL +</H3> + +<P> +The Loring homestead, a group of low-roofed adobe buildings blending +with the abrupt red background of the hill which sheltered it from the +winter winds, was a settlement in itself, providing shelter and comfort +for the wives and children of the herders. Each home maintained a +small garden of flowers and vegetables. Across the somber brown of the +'dobe walls hung strings of chiles drying in the sun. Gay blossoms, +neatly kept garden rows, red ollas hanging in the shade of cypress and +acacia, the rose-bordered plaza on which fronted the house of the +patron, the gigantic windmill purring lazily and turning now to the +right, now to the left, to meet the varying breeze, the entire prospect +was in its pastoral quietude a reflection of Seņora Loring's sweet and +placid nature. Innuendo might include the windmill, and justly so, for +the Seņora in truth met the varying breeze of circumstance and +invariably turned it to good uses, cooling the hot temper of the patron +with a flow of soft Spanish utterances, and enriching the simple lives +of the little colony with a charity as free and unvarying as the flow +of the clear, cool water. +</P> + +<P> +Far to the east, where the mesas sloped gently to the hills, grazed the +sheep, some twenty bands of a thousand each, and each band guarded and +cared for by a herder and an assistant who cooked and at times +journeyed with the lazy burros to and from the hacienda for supplies +and provisions. +</P> + +<P> +David Loring, erstwhile plainsman and scout, had drifted in the early +days from New Mexico to Arizona with his small band of sheep, and +settled in the valley of the Concho. He had been tolerated by the +cattle-men, as his flock was but a speck on the limitless mesas. As +his holdings increased, the ranchers awakened to the fact that he had +come to stay and that some boundary must be established to protect +their grazing. The Concho River was chosen as the dividing line, which +would have been well enough had Loring been a party to the agreement. +But he declined to recognize any boundary. The cattle-men felt that +they had given him fair warning in naming the Concho as the line of +demarcation. He, in turn, considered that his right to graze his sheep +on any part or all of the free range had not been circumscribed. +</P> + +<P> +His neighbor—if cattle-men and sheep-men may under any circumstances +be termed neighbors—was John Corliss. The Corliss rancho was just +across the river opposite the Loring homestead. After the death of +their parents the Corliss boys, John and his younger brother Will, had +been constant visitors at the sheep-man's home, both of them enjoying +the vivacious companionship of Eleanor Loring, and each, in his way, in +love with the girl. Eventually the younger brother disappeared without +any apparent reason. Then it was that John Corliss's visits to the +Loring rancho became less frequent and the friendliness which had +existed between the rival ranches became a kind of tolerant +acquaintanceship, as that of neighbors who have nothing in common save +the back fence. +</P> + +<BR> + +<P> +Fernando, the oldest herder in Loring's employ, stood shading his eyes +from the glare of noon as he gazed toward the distant rancho. His son +was with the flock and the old man had just risen from preparing the +noon meal. "The Seņorita," he murmured, and his swart features were +lighted by a wrinkled smile. He stepped to his tent, whipped a gay +bandanna from his blankets and knotted it about his lean throat. Then +he took off his hat, gazing at it speculatively. It was beyond +reconstruction as to definite shape, so he tossed it to the ground, ran +his fingers through his silver-streaked hair, and stepped out to await +his Seņorita's arrival. +</P> + +<P> +The sunlight flashed on silver spur and bit as the black-and-white +pinto "Challenge" swept across the mesa toward the sheep-camp. Into +the camp he flung, fretting at the curb and pivoting. His rider, +Eleanor Loring, about to dismount, spoke to him sharply. Still he +continued to pivot uneasily. "Morning, Fernando! Challenge is fussy +this morning. I'll be right back!" And she disciplined Challenge with +bit and spur, wheeling him and loping him away from the camp. Down the +trail she checked him and brought him around on his hind feet. Back +they came, with a rush. Fernando's deep-set eyes glowed with +admiration as the girl "set-up" the pinto and swung to the ground with +a laugh. "Made him do it all over again, si. He is the big baby, but +he pretends he is bronco. Don't you, Challenge?" She dropped the +reins and rubbed his nose. The pony laid back his ears in simulated +anger and nipped at her sleeve. "Straighten your ears up, pronto!" she +commanded, nevertheless laughing. Then a strain of her father's blood +was apparent as she seized the reins and stood back from the horse. +"Because you're bluffing this morning, I'm going to make you do your +latest trick. Down!" she commanded. The pony extended his foreleg and +begged to shake hands. "No! Down!" With a grunt the horse dropped to +his knees, rolled to his side, but still kept his head raised. "Clear +down! Dead, Challenge!" The horse lay with extended neck, but +switched his tail significantly. "Don't you dare roll!" she said, as +he gave evidence of getting up. Then, at her gesture, he heaved +himself to his feet and shook himself till the stirrups clattered. The +girl dropped the reins and turned to the old herder. "I taught him +that, Fernando. I didn't make him do it just to show off. He +understands now, and he'll behave." +</P> + +<P> +Old Fernando grinned. "He always have the good manner, being always +with the Seņorita," he said bowing. +</P> + +<P> +"Thanks, Fernando. You always say something nice. But I can't let you +get ahead of me. What a pretty scarf. It's just right. Do you wear +it always, Fernando?" +</P> + +<P> +"It is—I know—what the vaquero of the Concho call the 'josh' that you +give me, but I am yet not too old to like it. It is muy pleasure, si! +to be noticed when one is old—by the Seņorita of especial." +</P> + +<P> +The girl's dark eyes flashed and she laughed happily. "It's lots of +fun, isn't it—to 'josh'? But I came to see if you needed anything." +</P> + +<P> +"Nothing while still the Seņorita is at thees camp." +</P> + +<P> +"Well, you'd better think up something, for I'm going in a minute. +Have to make the rounds. Dad is down with the rheumatism and as cross +as a grizzly. I was glad to get away. And then, there's Madre." +</P> + +<P> +Fernando smiled and nodded. He was not unfamiliar with the patron's +temper when rheumatism obliged him to be inactive. "He say nothing, +the patron—that we cross the sheep to the west of the river, Seņorita?" +</P> + +<P> +"No. Not lately. I don't know why he should want to. The feed is +good here." +</P> + +<P> +"I have this morning talk with the vaquero Corlees. He tell me that +the South Fork is dry up." +</P> + +<P> +"John Corliss is not usually interested in our sheep," said the girl. +</P> + +<P> +"No. Of the sheep he knows nothing." And the old herder smiled. "But +many times he look out there," he added, pointing toward the Loring +rancho. +</P> + +<P> +"He was afraid father would catch him talking to one of the herders," +laughed the girl. +</P> + +<P> +"The vaquero Corlees he afraid of not even the bear, I think, Seņorita." +</P> + +<P> +Eleanor Loring laughed. "Don't you let father catch you calling him a +bear!" she cautioned, provoking the old herder to immediate apology and +a picturesque explanation of the fact that he had referred not to the +patron, but the grizzly. +</P> + +<P> +"All right, Fernando. I'll not forget to tell the patron that you +called him a bear." +</P> + +<P> +The old herder grinned and waved farewell as she mounted and rode down +the trail. Practical in everyday affairs, he untied his bandanna and +neatly folded and replaced it among his effects. As he came out of the +tent he picked up his hat. He was no longer the cavalier, but a +stoop-shouldered, shriveled little Mexican herder. He slouched out +toward the flock and called his son to dinner. No, it was not so many +years—was not the Seņorita but twenty years old?—since he had wooed +the Seņora Loring, then a slim dark girl of the people, his people, but +now the wealthy Seņora, wife of his patron. Ah, yes! It was good that +she should have the comfortable home and the beautiful daughter. He +had nothing but his beloved sheep, but did they not belong to his +Seņorita? +</P> + +<BR> + +<P> +At the ford the girl took the trail to the uplands, deciding to visit +the farthest camp first, and then, if she had time, to call at one or +two other camps on her way back to the rancho. As the trail grew +steeper, she curbed the impatient Challenge to a steadier pace and rode +leisurely to the level of the timber. On the park-like level, +clean-swept between the boles of the great pines, she again put +Challenge to a lope until she came to the edge on the upper mesa. Then +she drew up suddenly and held the horse in. +</P> + +<P> +Far out on the mesa was the figure of a man, on foot. Toward him came +a horse without bridle or saddle. She recognized the figure as that of +John Corliss, and she wondered why he was on foot and evidently trying +to coax a stray horse toward him. Presently she saw Corliss reach out +slowly and give the horse something from his hand. Still she was +puzzled, and urging Challenge forward, drew nearer. The stray, seeing +her horse, pricked up its ears, swung round stiffly, and galloped off. +Corliss turned and held up his hand, palm toward her. It was their old +greeting; a greeting that they had exchanged as boy and girl long +before David Loring had become recognized as a power to be reckoned +with in the Concho Valley. +</P> + +<P> +"Peace?" she queried, smiling, as she rode up. +</P> + +<P> +"Why not, Nell?" +</P> + +<P> +"Oh, cattle and sheep, I suppose. There's no other reason, is there?" +</P> + +<P> +Corliss was silent, thinking of his brother Will. +</P> + +<P> +"Unless—Will—" she said, reading his thought. +</P> + +<P> +He shook his head, "That would be no reason for—for our quarreling, +would it?" +</P> + +<P> +She laughed. "Why, who has quarreled? I'm sure I haven't." +</P> + +<P> +"But you don't seem the same—since Will left." +</P> + +<P> +"Neither do you, John. You haven't called at the rancho for—well, +about a year." +</P> + +<P> +"And then I was told to stay away even longer than that." +</P> + +<P> +"Oh, you mustn't mind Dad. He growls—but he won't bite." +</P> + +<P> +Corliss glanced up at her. His steady gray eyes were smiling, but his +lips were grave. "Would it make any difference if I did come?" +</P> + +<P> +The girl's dark face flushed and her eyes sparkled. "Lots! Perhaps +you and Dad could agree to stop growling altogether. But we won't talk +about it. I'd like to know what you are doing up here afoot?" +</P> + +<P> +"Wouldn't tell you for a dollar," he replied, smiling. "My horse is +over there—near the timber. The rest of the band are at the +waterhole." +</P> + +<P> +"Oh, but you will tell me!" she said. "And before we get back to the +caņon." +</P> + +<P> +"I wasn't headed that way—" he began; but she interrupted quickly. +</P> + +<P> +"Of course. I'm not, either." Then she glanced at him with mischief +scintillating in her dark eyes. "Fernando told me you were talking +with him this morning. I don't see that it has done you much good." +</P> + +<P> +His perplexity was apparent in his silence. +</P> + +<P> +"Fernando is—is polite," she asserted, wheeling her horse. +</P> + +<P> +Corliss stood gazing at her unsmilingly. "I want to be," he said +presently. +</P> + +<P> +"Oh, John! I—you always take things so seriously. I was just +'joshing' you, as Fernando says. Of course you do! Won't you shake +hands?" +</P> + +<P> +He strode forward. The girl drew off her gauntlet and extended her +hand. "Let's begin over again," she said as he shook hands with her. +"We've both been acting." +</P> + +<P> +Before she was aware of his intent, he bowed his head and kissed her +fingers. She drew her hand away with a little cry of surprise. She +was pleased, yet he mistook her expression. +</P> + +<P> +He flushed and, confused, drew back. "I—I didn't mean it," he said, +as though apologizing for his gallantry. +</P> + +<P> +The girl's eyes dilated for an instant. Then she laughed with all the +joyous <I>abandon</I> of youth and absolute health. "You get worse and +worse," she said, teasingly. "Do go and have another talk with +Fernando, John. Then come and tell me all about it." +</P> + +<P> +Despite her teasing, Corliss was beginning to enjoy the play. As a +rule undemonstrative, he was when moved capable of intense feeling, and +the girl knew it. She saw a light in his eyes that she recognized; a +light that she remembered well, for once when they were boy and girl +together she had dared him to kiss her, and had not been disappointed. +</P> + +<P> +"You are cross this morning," she said, making as though to go. +</P> + +<P> +"Well, I've begun over again, Nell. You wait till I get Chinook and +we'll ride home together." +</P> + +<P> +"Oh, but I'm—you're not going that way," she mocked. +</P> + +<P> +"Yes, I am—and so are you. If you won't wait, I'll catch you up, +anyway. You daren't put Challenge down the caņon trail faster than a +walk." +</P> + +<P> +"I daren't? Then, catch me!" +</P> + +<P> +She wheeled her pony and sped toward the timber. Corliss, running +heavily in his high-heeled boots, caught up his own horse and leaped to +the saddle as Chinook broke into a run. The young rancher knew that +the girl would do her best to beat him to the caņon level. He feared +for her safety on the ragged trail below them. +</P> + +<P> +Chinook swung down the trail taking the turns without slackening his +speed and Corliss, leaning in on the curves, dodged the sweeping +branches. +</P> + +<P> +Arrived at the far edge of the timber, he could see the girl ahead of +him, urging Challenge down the rain-gutted trail at a lope. As she +pulled up at an abrupt turn, she waved to him. He accepted the +challenge and, despite his better judgment, set spurs to Chinook. +</P> + +<P> +Round the next turn he reined up and leaped from his horse. Below him +he saw Challenge, riderless, and galloping along the edge of the +hillside. On the trail lay Eleanor Loring, her black hair vivid +against the gray of the shale. He plunged toward her and stooping +caught her up in his arms. "Nell! Nell!" he cried, smoothing back her +hair from her forehead. "God, Nell! I—I didn't mean it." +</P> + +<P> +Her eyelids quivered. Then she gasped. He could feel her trembling. +Presently her eyes opened and a faint smile touched her white lips. +"I'm all right. Challenge fell—and I jumped clear. Struck my head. +Don't look at me like that! I'm not going to die." +</P> + +<P> +"I'm—I'm mighty glad, Nell!" he said, helping her to a seat on the +rock against which she had fallen. +</P> + +<P> +Her hands were busy with her hair. He found her hat and handed it to +her. "If my head wasn't just splitting, I'd like to laugh. You are +the funniest man alive! I couldn't speak, but I heard you call to me +and tell me you didn't mean it! Then you say you are mighty glad I'm +alive. Doesn't that sound funny enough to bring a person to life +again?" +</P> + +<P> +"No, it's not funny. It was a close call." +</P> + +<P> +She glanced at his grave, white face. "Guess you were scared, John. I +didn't know you could be scared at anything. Jack Corliss as white as +a sheet and trembling like a—a girl!" +</P> + +<P> +"On account of a girl," said Corliss, smiling a little. +</P> + +<P> +"Now, <I>that</I> sounds better. What were you doing up on the mesa this +afternoon?" +</P> + +<P> +"I took some lump-sugar up for my old pony, Apache. He likes it." +</P> + +<P> +"Well, I'll never forget it!" she exclaimed. "How the boys would laugh +if they heard <I>you'd</I> been feeding sugar to an old broken-down +cow-pony! You! Why, I feel better already." +</P> + +<P> +"I'm right glad you do, Nell. But you needn't say anything about the +sugar. I kind of like the old hoss. Will you promise?" +</P> + +<P> +"I don't know. Oh, my head!" She went white and leaned against him. +He put his arm around her, and her head lay back against his shoulder. +"I'll be all right—in a minute," she murmured. +</P> + +<P> +He bent above her, his eyes burning. Slowly he drew her close and +kissed her lips. Her eyelids quivered and lifted. "Nell!" he +whispered. +</P> + +<P> +"Did you mean it?" she murmured, smiling wanly. +</P> + +<P> +He drew his head back and gazed at her up-turned face. "I'm all +right," she said, and drew herself up beside him. "Serves me right for +putting Challenge down the trail so fast." +</P> + +<P> +As they rode homeward Corliss told her of the advent of Sundown and +what the latter had said about the wreck and the final disappearance of +his "pal," Will Corliss. +</P> + +<P> +The girl heard him silently and had nothing to say until they parted at +the ford. Then she turned to him. "I don't believe Will was killed. +I can't say why, but if he had been killed I think I should have known +it. Don't ask me to explain, John. I have always expected that he +would come back. I have been thinking about him lately." +</P> + +<P> +"I can't understand it," said Corliss. "Will always had what he +wanted. He owns a half-interest in the Concho. I can't do as I want +to, sometimes. My hands are tied, for if I made a bad move and lost +out, I'd be sinking Will's money with mine." +</P> + +<P> +"I wouldn't make any bad moves if I were you," said the girl, glancing +at the rancher's grave face. +</P> + +<P> +"Business is business, Nell. We needn't begin that old argument. +Only, understand this: I'll play square just as long as the other side +plays square. There's going to be trouble before long and you know +why. It won't begin on the west side of the Concho." +</P> + +<P> +"Good-bye, John," said the girl, reining her pony around. +</P> + +<P> +He raised his hat. Then he wheeled Chinook and loped toward the ranch. +</P> + +<P> +Eleanor Loring, riding slowly, thought of what he had said. "He won't +give in an inch," she said aloud. "Will would have given up the cattle +business, or anything else, to please me." Then she reasoned with +herself, knowing that Will Corliss had given up all interest in the +Concho, not to please her but to hurt her, for the night before his +disappearance he had asked her to marry him and she had very sensibly +refused, telling him frankly that she liked him, but that until he had +settled down to something worth while she had no other answer for him. +</P> + +<P> +She was thinking of Will when she rode in to the rancho and turned her +horse over to Miguel. Suddenly she flushed, remembering John Corliss's +eyes as he had held her in his arms. +</P> + +<BR><BR><BR> + +<A NAME="chap06"></A> +<H2 ALIGN="center"> +CHAPTER VI +</H2> + +<H3 ALIGN="center"> +THE BROTHERS +</H3> + +<P> +As Corliss rode up to the ranch gate he took the mail from the little +wooden mail-box and stuffed it into his pocket with the exception of a +letter which bore the postmark of Antelope and his address in a +familiar handwriting. He tore the envelope open hastily and glanced at +the signature, "Will." +</P> + +<P> +Then he read the letter. It told of his brother's unexpected arrival +in Antelope, penniless and sick. Corliss was not altogether surprised +except in regard to the intuition of Eleanor, which puzzled him, coming +as it had so immediately preceding the letter. +</P> + +<P> +He rode to the rancho and ordered one of the men to have the buckboard +at the gate early next morning. He wondered why his brother had not +driven out to the ranch, being well known in Antelope and able to +command credit. Then he thought of Eleanor, and surmised that his +brother possibly wished to avoid meeting her. And as it happened, he +was not mistaken. +</P> + +<P> +On the evening of the following day he drove up to the Palace Hotel and +inquired for his brother. The proprietor drew him to one side. "It's +all right for you to see him, John, but I been tryin' to keep him in +his room. He's—well, he ain't just feelin' right to be on the street. +Sabe?" +</P> + +<P> +Corliss nodded, and turning, climbed the stairs. He knocked at a door. +There was no response. He knocked again. +</P> + +<P> +"What you want?" came in a muffled voice. +</P> + +<P> +"It's John," said Corliss. "Let me in." +</P> + +<P> +The door opened, and Corliss stepped into the room to confront a dismal +scene. On the washstand stood several empty whiskey bottles and murky +glasses. The bedding was half on the floor, and standing with hand +braced against the wall was Will Corliss, ragged, unshaven, and visibly +trembling. His eyelids were red and swollen. His face was white save +for the spots that burned on his emaciated cheeks. +</P> + +<P> +"John!" he exclaimed, and extended his hand. +</P> + +<P> +Corliss shook hands with him and then motioned him to a chair. "Well, +Will, if you're sick, this isn't the way to get over it." +</P> + +<P> +"Brother's keeper, eh? Glad to see me back, eh, Jack?" +</P> + +<P> +"Not in this shape. What do you suppose Nell would think?" +</P> + +<P> +"I don't know and I don't care. I'm sick. That's all." +</P> + +<P> +"Where have you been—for the last three years?" +</P> + +<P> +"A whole lot you care. Been? I have been everywhere from heaven to +hell—the whole route. I'm in hell just now." +</P> + +<P> +"You look it. Will, what can I do for you? You want to quit the booze +and straighten up. You're killing yourself." +</P> + +<P> +"Maybe I don't know it! Say, Jack, I want some dough. I'm broke." +</P> + +<P> +"All right. How much?" +</P> + +<P> +"A couple of hundred—for a starter." +</P> + +<P> +"What are you going to do with it?" +</P> + +<P> +"What do you suppose? Not going to eat it." +</P> + +<P> +"No. And you're not going to drink it, either. I'll see that you have +everything you need. You're of age and can do as you like. But you're +not going to kill yourself with whiskey." +</P> + +<P> +Will Corliss stared at his brother; then laughed. +</P> + +<P> +"Have one with me, Jack. You didn't used to be afraid of it." +</P> + +<P> +"I'm not now, but I'm not going to take a drink with you." +</P> + +<P> +"Sorry. Well, here's looking." And the brother poured himself a +half-tumblerful of whiskey and gulped it down. "Now, let's talk +business." +</P> + +<P> +Corliss smiled despite his disgust. "All right. You talk and I'll +listen." +</P> + +<P> +The brother slouched to the bed and sat down. "How's the Concho been +making it?" he asked. +</P> + +<P> +"We've been doing pretty fair. I've been busy." +</P> + +<P> +"How's old man Loring?" +</P> + +<P> +"About the same." +</P> + +<P> +"Nell gone into mourning?" +</P> + +<P> +Corliss frowned and straightened his shoulders. +</P> + +<P> +"See here, Will, you said you'd talk business. I'm waiting." +</P> + +<P> +"Touched you that time, eh? Well, you can have Nell and be damned. No +Mexican blood for mine." +</P> + +<P> +"If you weren't down and out—" began Corliss; then checked himself. +"Go ahead. What do you want?" +</P> + +<P> +"I told you—money." +</P> + +<P> +"And I told you—no." +</P> + +<P> +The younger man started up. "Think because I'm edged up that I don't +know what's mine? You've been piling it up for three years and I've +been hitting the road. Now I've come to get what belongs to me and I'm +going to get it!" +</P> + +<P> +"All right, Will. But don't forget that I was made guardian of your +interest in the Concho until you got old enough to be responsible. The +will reads, until you come of age, providing you had settled down and +showed that you could take care of yourself. Father didn't leave his +money to either of us to be drunk up, or wasted." +</P> + +<P> +"Prodigal son, eh, Jack? Well, I'm it. What's the use of getting sore +at me? All I want is a couple of hundred and I'll get out of this town +mighty quick. It's the deadest burg I've struck yet." +</P> + +<P> +John Corliss gazed at his brother, thinking of the bright-faced, +blue-eyed lad that had ridden the mesas and the hills with him. He was +touched by the other's miserable condition, and even more grieved to +realize that this condition was but the outcome of a rapid lowering of +the other's moral and physical well-being. He strode to him and sat +beside him. "Will, I'll give anything I have to help you. You know +that. Anything! You're so changed that it just makes me sick to +realize it. You needn't have got where you are. I would have helped +you out any time. Why didn't you write to me?" +</P> + +<P> +"Write? And have you tell Nell Loring how your good little brother was +whining for help? She would have enjoyed that—after what she handed +me." +</P> + +<P> +"I don't know what she said to you," said Corliss, glancing at his +brother. "But I know this: she didn't say anything that wasn't so. If +that's the reason you left home, it was a mighty poor one. You've +always had your own way, Will." +</P> + +<P> +"Why shouldn't I? Who's got anything to say about it? You seem to +think that I always need looking after—you and Nell Loring. I can +look after myself." +</P> + +<P> +"Doesn't look like it," said Corliss, gesturing toward the washstand. +"Had anything to eat to-day?" +</P> + +<P> +"No, and I don't want anything." +</P> + +<P> +"Well, wash up and we'll go and get some clothes and something to eat. +I'll wait." +</P> + +<P> +"You needn't. Just give me a check—and I won't bother you after that." +</P> + +<P> +"No. I said wash up! Get busy now!" +</P> + +<P> +The younger man demurred, but finally did as he was told. They went +downstairs and out to the street. In an hour they returned, Will +Corliss looking somewhat like his former self in respectable raiment. +"John," he said as they entered the room again, "you've always been a +good old stand-by, ever since we were kids. I guess I got in bad this +time, but I'm going to quit. I don't want to go back to the +Concho—you know why. If you'll give me some dough I'll take care of +myself. Just forget what I said about my share of the money." +</P> + +<P> +"Wait till morning," said Corliss. "I'll take the room next, here, and +if you get to feeling bad, call me." +</P> + +<P> +"All right, Jack. I'll cut it out. Maybe I will go back to the +Concho; I don't know." +</P> + +<P> +"Wish you would, Will. You'll get on your feet. There's plenty to do +and we're short-handed. Think it over." +</P> + +<P> +"Does—Nell—ever say anything?" queried the brother. +</P> + +<P> +"She talks about you often. Yesterday we were talking about you. I +told her what Sundown said about—" +</P> + +<P> +"Sundown?" +</P> + +<P> +"Forgot about him. He drifted in a few months ago. I met up with him +at the water-hole ranch. He was broke and looking for work. Gave him +a job cooking, and he made good. He told me that he used to have a pal +named Will Corliss—" +</P> + +<P> +"And Sundown's at the Concho! I never told him where I lived." +</P> + +<P> +"He came into Antelope on a freight. Got side-tracked and had to stay. +He didn't know this used to be your country till I told him." +</P> + +<P> +"Well, that beats me, Jack! Say, Sun was just an uncle to me when we +were on the road. We made it clear around, freights, cattle-boats, and +afoot. I didn't hit the booze then. Funny thing: he used to hit it, +and I kind of weaned him. Now it's me…" +</P> + +<P> +"He's straight, all right," said Corliss. "He 'tends right to +business. The boys like him." +</P> + +<P> +"Everybody liked him," asserted Will Corliss. "But he is the queerest +Hobo that ever hit the grit." +</P> + +<P> +"Some queer, at that. It's after nine now, Will. You get to bed. I +want to see Banks a minute. I'll be back soon." +</P> + +<P> +When John Corliss had left the room, something intangible went with +him. Will felt his moral stamina crumbling. He waited until he heard +his brother leave the hotel. Then he went downstairs and returned with +a bottle of whiskey. He drank, hid the bottle, and went to bed. He +knew that without the whiskey he would have been unable to sleep. +</P> + +<BR> + +<P> +The brothers had breakfast together next morning. After breakfast +Corliss went for the team and returned to the hotel, hoping to induce +his brother to come home with him. Will Corliss, however, pleaded +weariness, and said that he would stay at the Palace until he felt +better. +</P> + +<P> +"All right, Will. I'll leave some cash with Banks. He'll give you +what you need as you want it." +</P> + +<P> +"Banks? The sheriff?" +</P> + +<P> +"Yes." +</P> + +<P> +"Oh, all right. Suppose you think I'm not to be trusted." +</P> + +<P> +"No. But we'll leave it that way till I see you again. Write in if +you need me—and take care of yourself. When you get ready to settle +down, I'll turn over your share of the Concho to you. So long, Will." +</P> + +<P> +Will Corliss watched his brother drive away. When the team had +disappeared up the road he walked down the street to the sheriff's +office. The sheriff greeted him cordially. +</P> + +<P> +"I came for that money, Jim." +</P> + +<P> +"Sure! Here you are," and the sheriff handed him a five-dollar +gold-piece. +</P> + +<P> +"Quit kidding and come across," said Corliss, ignoring the significance +of the allowance. +</P> + +<P> +"Can't, Will. John said to give you five any time you wanted it, but +only five a day." +</P> + +<P> +"He did, eh? John's getting mighty close in his old age, ain't he?" +</P> + +<P> +"Mebby. I don't know." +</P> + +<P> +"How much did he leave for me?" +</P> + +<P> +"Five a day, as I said." +</P> + +<P> +"Oh, you go to hell!" +</P> + +<P> +The sheriff smiled pleasantly. "Nope, Billy! I'm goin' to stay right +to home. Have a cigar?" +</P> + +<P> +The young man refused the proffered cigar, picked up the gold-piece and +strolled out. +</P> + +<P> +The sheriff leaned back in his chair. "Well if Billy feels that way +toward folks, reckon he won't get far with John, or anybody else. Too +dinged bad. He used to be a good kid." +</P> + +<BR><BR><BR> + +<A NAME="chap07"></A> +<H2 ALIGN="center"> +CHAPTER VII +</H2> + +<H3 ALIGN="center"> +FADEAWAY'S HAND +</H3> + +<P> +Fadeaway, one of the Concho riders, urged his cayuse through the ford, +reined short, and turned to watch Chance, who accompanied him. The dog +drew back from the edge of the stream and bunching himself, shot up and +over the muddy water, nor did the jump break his stride as he leaped to +overtake the rider, who had spurred out of his way. Fadeaway cursed +joyously and put his pony to a lope. Stride for stride Chance ran +beside him. The cowboy, swaying easily, turned and looked down upon +the dog. Chance was enjoying himself. "Wonder how fast the cuss <I>can</I> +run?" And Fadeaway swung his quirt. The stride quickened to the +rhythmic beat of the cow-horse at top speed. The dog kept abreast +without apparent effort. A half-mile beyond the ford the pace +slackened as the pony took the hill across which the trail led to the +open mesas. As they topped the rise Fadeaway again urged his cayuse to +a run, for the puncher had enjoyed the hospitality of his companions of +"The Blue," a distant cattle ranch, a day longer than had been set for +his return to the Concho. Just then a startled jack rabbit leaped up +and bounced down the trail ahead of them. Fadeaway jerked his horse to +a stop. "Now we'll see some real speed!" he said. There was a flash +of the dog's long body, which grew smaller and smaller in the distance; +then a puff of dust spurted up. Fadeaway saw the dog turn end over +end, regain his feet and toss something in the air. +</P> + +<P> +"The fastest dog in Arizona," remarked the cowboy. "And you, you +glass-eyed son of a mistake, you're about as fast as a fence-post!" +This to his patient and willing pony, that again swung into a run and +ran steadily despite his fatigue, for he feared the instant slash of +the quirt should he slacken pace. +</P> + +<P> +Round a bend in the trail, where an arm of the distant forest ran out +into the mesa. Fadeaway again set his horse up viciously. Chance +stopped and looked up at the rider. The cowboy pointed through the +thin rim of timber beyond which a herd of sheep was grazing. "Take +'em!" he whispered. Chance hesitated, not because he was unfamiliar +with sheep, but because he had been punished for chasing and worrying +them. "Go to it! Take 'em, Chance!" +</P> + +<P> +The dog slunk through the timber and disappeared. The cowboy rode +slowly, peering through the timber. Presently came the trample of +frightened sheep—a shrill bleating, and then silence. Fadeaway loped +out into the open. The sheep were running in all directions. He +whistled the dog to him. Chance's muzzle dripped red. The dog slunk +round behind the horse, knowing that he had done wrong, despite the +fact that he had been set upon the sheep. +</P> + +<P> +From the edge of the timber some one shouted. The cowboy turned and +saw a herder running toward him. He reined around and sat waiting +grimly. When the herder was within speaking distance. Fadeaway's hand +dropped to his hip and the herder stopped. He gesticulated and spoke +rapidly in Spanish. Fadeaway answered, but in a kind of Spanish not +taught in schools or heard in indoor conversation. +</P> + +<P> +The herder pressed forward. "Why, how! Fernando. Now what's bitin' +you?" +</P> + +<P> +"The sheep! He kill the lamb!" cried the herder. +</P> + +<P> +Fadeaway laughed. "Did, eh? Well, I tried to call him off. Reckon +you heard me whistle him, didn't you?" +</P> + +<P> +The cowboy's assertion was so palpably an insult that old Fernando's +anger overcame his caution. He stepped forward threateningly. +Fadeaway's gun was out and a splash of dust leaped up at Fernando's +feet. The herder turned and ran. Fadeaway laughed and swung away at a +lope. +</P> + +<P> +When he arrived at the Concho he unsaddled, turned his pony into the +corral, and called to Chance. He was at the water-trough washing the +dog's muzzle when John Corliss appeared. Fadeaway straightened up. He +knew what was coming and knew that he deserved it. The effects of his +conviviality at the Blue had worn off, leaving him in an ugly mood. +</P> + +<P> +Corliss looked him over from head to heel. Then he glanced at the dog. +Chance turned his head down and sideways, avoiding his master's eye. +Fadeaway laughed. +</P> + +<P> +"You get your time!" said Corliss. +</P> + +<P> +"You're dam' right!" retorted Fadeaway. +</P> + +<P> +"And you're damned wrong! Chance knows better than to tackle sheep +unless he's put up to it. You needn't explain. Bud will give you your +time." +</P> + +<P> +Then Corliss turned to Shoop who had just ridden in. +</P> + +<P> +"Chain that dog up and keep him chained up! And give Fadeaway his +time, right up to the minute!" +</P> + +<P> +Shoop dropped easily from the saddle, led his horse toward the corral, +and whistled a sprightly ditty as he unsaddled him. +</P> + +<P> +Fadeaway rolled a cigarette and strolled over to the bunk-house where +he retailed his visit and its climax to a group of interested punchers. +</P> + +<P> +"So he tied the can onto you, eh? And for settin' Chance on the sheep? +He ought to be much obliged to you, Fade. They ain't room for sheep +and cattle both on this here range. We're gettin' backed plumb into +the sunset." +</P> + +<P> +Fadeaway nodded to the puncher who had spoken. +</P> + +<P> +"And ole man Loring's just run in twenty thousand head from New Mex.," +continued the puncher. "Wonder how Corliss likes that?" +</P> + +<P> +"Don' know—and dam' 'f I care. If a guy can't have a little sport +without gettin' fired for it, why, that guy don't work for the Concho. +The Blue's good enough for me and I can get a job ridin' for the Blue +any time I want to cinch up." +</P> + +<P> +"Well, Fade, I reckon you better cinch up pronto, then," said Shoop who +had just entered. "Here's your time. Jack's some sore, believe me!" +</P> + +<P> +"Sore, eh? Well, before he gets through with me he'll be sorer. You +can tell him for me." +</P> + +<P> +"'Course I <I>can</I>—but I ain't goin' to. And I wouldn't if I was you. +No use showin' your hand so early in the game." And Shoop laughed. +</P> + +<P> +"Well, she's full—six aces," said Fadeaway, touching his holster +significantly. +</P> + +<P> +"And Jack throws the fastest gun on the Concho," said Shoop, his genial +smile gone; his face flushed. "I been your friend, if I do say it, +Fade. But don't you go away with any little ole idea that I ain't +workin' for Jack Corliss." +</P> + +<P> +"What's that to me? I'm fired, ain't I?" +</P> + +<P> +"Correct. Only I was thinkin' your cayuse is all in. You couldn't get +out of sight on him tonight. But you can take one of my string and +send it back when you get ready." +</P> + +<P> +"Oh, I ain't sweatin' to hit the trail," said Fadeaway, for the benefit +of his audience. +</P> + +<P> +"All right, Fade. But the boss is. It's up to you." +</P> + +<BR> + +<P> +After he had eaten, Fadeaway rolled his few belongings in his slicker +and tied it to the saddle. He was not afraid of Corliss, but like men +of his stamp he wanted Corliss to know that he was not alone unafraid, +but willing to be aggressive. He mounted and rode up to the +ranch-house. Corliss, who had seen him approach through the window, +sat at his desk, waiting for the cow-boy to dismount and come in. But +Fadeaway sat his horse, determined to make the rancher come outside. +</P> + +<P> +Corliss understood, and pushing back his chair, strode to the doorway. +"Want to see me?" he asked. +</P> + +<P> +Fadeaway noticed that Corliss was unarmed, and he twisted the +circumstance to suit a false interpretation of the fact. "Playin' +safe!" he sneered. +</P> + +<P> +Corliss flushed and the veins swelled on his neck, but he kept silent. +He looked the cowboy in the eye and was met by a gaze as steady as his +own; an aggressive and insolent gaze that had for its backing sheer +physical courage and nothing more. It became a battle of mental +endurance and Corliss eventually won. +</P> + +<P> +After the lapse of several seconds, the cowboy spoke to his horse. +"Come on, Doc! The son-of-a——- is loco." +</P> + +<P> +Corliss heard, but held his peace. He stood watching the cowboy until +the latter was out on the road. He noticed that he took the northern +branch, toward Antelope. Then the rancher entered the house, picked up +his hat, buckled on his gun, and hastened to the corral. He saddled +Chinook and took the trail to the Loring rancho. +</P> + +<P> +He rode slowly, trying to arrive at the best method of presenting his +side of the sheep-killing to Loring. He hoped that Eleanor Loring +would not be present during the interview with her father. He was +disappointed, for she came from the wide veranda as he rode up and +greeted him. +</P> + +<P> +"Won't you come in?" she asked. +</P> + +<P> +"I guess not. I'd like to see your father." +</P> + +<P> +She knew that her father had forbidden Corliss the house, and, indeed, +the premises. She wondered what urgency brought him to the rancho. +"I'll call him, then." +</P> + +<P> +Corliss answered the grave questioning in her eyes briefly. "The +sheep," he said. +</P> + +<P> +"Oh!" She turned and stepped to the veranda. "Dad, John is here." +</P> + +<P> +David Loring came to the doorway and stood blinking at Corliss. He did +not speak. +</P> + +<P> +"Mr. Loring, one of my men set Chance on a band of your sheep. My +foreman tells me that Chance killed a lamb. I want to pay for it." +</P> + +<P> +Loring had expected something of the kind. "Mighty proud of it, I +reckon?" +</P> + +<P> +"No, I'm not proud of it. I apologize—for the Concho." +</P> + +<P> +"You say it easy." +</P> + +<P> +"No, it isn't easy to say—to you. I'll pay the damage. How much?" +</P> + +<P> +"Your dog, eh? Well, if you'll shoot the dam' dog the lamb won't cost +you a cent." +</P> + +<P> +"No, I won't shoot the dog. He was put up to it. I fired the man that +set him on to the sheep." +</P> + +<P> +"That's your business. But that don't square you with me." +</P> + +<P> +"I'll settle, if you'll fix the price," said Corliss. +</P> + +<P> +"You will, eh? Then, mebby you'd think you was square with ole man +Loring and come foolin' around here like that tramp brother of yours. +Fine doin's in Antelope, from what I hear." +</P> + +<P> +"Dad!" exclaimed the girl, stepping to her father. "Dad!" +</P> + +<P> +"You go in the house, Nellie! We'll settle this." +</P> + +<P> +Corliss dismounted and strode up to Loring. "If you weren't an old man +I'd give you the licking of your life! I've offered to settle with you +and I've apologized. You don't belong in a white man's country." +</P> + +<P> +"I got a pup that barks jest like that—and he's afraid of his own +bark," said Loring. +</P> + +<P> +"Have it your way. I'm through." And Corliss stepped to his horse. +</P> + +<P> +"Well, I ain't!" cried Loring. "I'm jest startin' in! You better +crawl your cayuse and eat the wind for home, Mr. Concho Jack! And +lemme tell you this: they's twenty thousand head of my sheep goin' to +cross the Concho, and the first puncher that runs any of my sheep is +goin' to finish in smoke!" +</P> + +<P> +"All right, Loring. Glad you put me on to your scheme. I don't want +trouble with you, but if you're set on having trouble, you can find it." +</P> + +<P> +The old man straightened and shook his fist at the rancher. "Fust time +you ever talked like a man in your life. Nex' thing is to see if you +got sand enough to back it up. There's the gate." +</P> + +<P> +Corliss mounted and wheeled his horse. The girl, who stood beside her +father, started forward as though to speak to the rancher. Loring +seized her arm. Her face flamed and she turned on her father. "Dad! +Let me go!" +</P> + +<P> +He shrunk beneath her steady gaze. He released her arm and she stepped +up to Corliss. "I'm sorry, John," she said, and offered her hand. +</P> + +<P> +"You heard it all, Nell. I'd do anything to save you all this, if I +could." +</P> + +<P> +"Anything?" +</P> + +<P> +"Yes." +</P> + +<P> +"Well, try and get Will—to—stop drinking. He—I heard all about it. +I can't do anything to help. You ought to look after him. He's your +brother. He's telling folks in Antelope that you refused to help him. +Is that so?" +</P> + +<P> +"I refused to give him two hundred dollars to blow in if that's what +you mean." +</P> + +<P> +"Did you quarrel with Will?" +</P> + +<P> +"No. I asked him to come home. I knew he wouldn't." +</P> + +<P> +"Yes. And I think I know how you went at it. I wish I could talk to +him." +</P> + +<P> +"I wish you would. You can do more with him than anybody." +</P> + +<P> +Loring strode toward Corliss. The girl turned to her father. He +raised his arm and pointed toward the road. "You git!" he said. She +reached up and patted his grizzled cheek. Then she clung to him, +sobbing. +</P> + +<BR><BR><BR> + +<A NAME="chap08"></A> +<H2 ALIGN="center"> +CHAPTER VIII +</H2> + +<H3 ALIGN="center"> +AT "THE LAST CHANCE" +</H3> + +<P> +The afternoon following the day of his discharge from the Concho, +Fadeaway rode into Antelope, tied his pony to the hitching-rail in +front of "The Last Chance," and entered the saloon. Several men loafed +at the bar. The cowboy, known as "a good spender when flush," was made +welcome. He said nothing about being out of employment, craftily +anticipating the possibility of having to ask for credit later, as he +had but a half-month's pay with him. He was discussing the probability +of early rains with a companion when Will Corliss entered the place. +</P> + +<P> +Fadeaway greeted him with loud, counterfeit heartiness, and they drank +together. Their talk centered on the Concho. Gradually they drew away +from the group at the bar. Finally Corliss mentioned his brother. +Fadeaway at once became taciturn. +</P> + +<P> +Corliss noticed this and questioned the puncher. "Had a row with +Jack?" he asked. +</P> + +<P> +"Between you and me, I did. He fired me, couple of days ago." +</P> + +<P> +"Full?" +</P> + +<P> +"Nope. Chance killed one of Loring's sheep. John hung it onto me, +seein' Chance was with me. Guess John's gettin' religion." +</P> + +<P> +Corliss laughed, and his lips twisted to a sneer. "Guess he is. I +tried to touch him for two hundred of my own money and he turned me +down. Maybe I like it." +</P> + +<P> +"Turned you down, eh! That's what I call nerve! And you been away +three year and more. Reckon, by the way the Concho is makin' good, you +got more'n two hundred comin'. She's half yours, ain't she?" +</P> + +<P> +"Yes. And I'm going to get my share. He told me I could have a +job—that he was short-handed. What do you think of that! And I own +half the Concho! I guess I'd like to ride range with a lot of—well, +you understand, Fade. I never liked the Concho and I never will. +Let's have another. No. This is on me." +</P> + +<P> +Again they drank and Corliss became more talkative. He posed as one +wronged by society in general and his brother especially. +</P> + +<P> +As his talk grew louder, Fadeaway cautioned him. "Easy, Billy. No use +advertisin'. Come on over here." And Fadeaway gestured toward one of +the tables in the rear of the room. +</P> + +<P> +Corliss was about to retort to the other's apparently good-natured +interference with his right to free speech, when he caught Fadeaway's +glance. "Well?" he exclaimed. +</P> + +<P> +The cowboy evidently had something to say in confidence. Corliss +followed him to one of the tables. +</P> + +<P> +"It's this way," began the cowboy. "You're sore at Jack. Now Jack's +got friends here and it won't help you any to let 'em know you're sore +at him. I ain't feelin' like kissin' him myself—right now. But I +ain't advertisin' it. What you want to do is—" +</P> + +<P> +"What's that got to do with me?" interrupted Corliss. +</P> + +<P> +Fadeaway laughed. "Nothin'—if you like. Only there's been doin's +since you lit out." And he paused to let the inference sink in. +</P> + +<P> +"You mean—?" +</P> + +<P> +"Look here, Billy. I been your friend ever since you was a kid. And +seein' you're kind of out of luck makes me sore—when I think what's +yours by rights. Mebby I'm ridin' over the line some to say it, but +from what I seen since you been gone, Jack ain't goin' to cry any if +you never come back. Old man Loring ain't goin' to live more'n a +thousand years. Mebby Jack don't jest love him—but Jack ain't been +losin' any time since you been gone." +</P> + +<P> +Corliss flushed. "I suppose I don't know that! But he hasn't seen the +last of me yet." +</P> + +<P> +"If I had what's comin' to you, you bet I wouldn't work on no +cattle-ranch, either. I'd sure hire a law-shark and find out where I +got off." +</P> + +<P> +Fadeaway's suggestion had its intended effect. The younger man knew +that an appeal to the law would be futile so long as he chose to ignore +that clause in the will which covered the contingency he was +illustrating by his conduct. Fadeaway again cautioned him as he became +loud in his invective against his brother. The cowboy, while posing as +friend and adviser, was in reality working out a subtle plan of his +own, a plan of which Corliss had not the slightest inkling. +</P> + +<P> +"And the Concho's makin' good," said Fadeaway, helping himself to a +drink. He shoved the bottle toward Corliss. "Take a little +'Forget-it,' Billy. That's her! Here's to what's yours!" They drank +together. The cowboy rolled a cigarette, tilted back his chair, and +puffed thoughtfully. "Yes, she's makin' good. Why, Bud is gettin' a +hundred and twenty-five, now. Old Hi Wingle's drawin' down +eighty—Jack's payin' the best wages in this country. Must of cleaned +up four or five thousand last year. And here you're settin', broke." +</P> + +<P> +"Well, you needn't rub it in," said Corliss, frowning. +</P> + +<P> +Fadeaway grinned. "I ain't, Billy. I'm out of a job myself: and +nothin' comin'—like you." +</P> + +<P> +Corliss felt that there was something in his companion's easy drift +that had not as yet come to the surface. Fadeaway's hard-lined face +was unreadable. The cowboy saw a question in the other's eyes and +cleverly ignored it. Since meeting the brother he had arrived at a +plan to revenge himself on John Corliss and he intended that the +brother should take the initiative. +</P> + +<P> +He got up and proffered his hand. "So long, Billy. If you ever need a +friend, you know where to find him." +</P> + +<P> +"Hold on, Fade. What's your rush?" +</P> + +<P> +"Got to see a fella. Mebby I'll drop in later." +</P> + +<P> +Corliss rose. +</P> + +<P> +Fadeaway leaned across the table. "I'm broke, and you're broke. The +Concho pays off Monday, next week. The boys got three months +comin'—close to eighteen hundred—and gold." +</P> + +<P> +"Gold? Thought John paid by check?" +</P> + +<P> +"He's tryin' to keep the boys from cashin' in, here. Things are goin' +to be lively between Loring and the Concho before long. Jack needs all +the hands he's got." +</P> + +<P> +"But I don't see what that's got to do with it, Fade." +</P> + +<P> +"Nothing 'ceptin' I'm game to stand by a pal—any time." +</P> + +<P> +"You mean—?" +</P> + +<P> +"Jest a josh, Billy. I was only thinkin' what <I>could</I> be pulled off by +a couple of wise ones. So-long!" +</P> + +<P> +And the cowboy departed wondering just how far his covert suggestion +had carried with Will Corliss. As for Will Corliss, Fadeaway cared +nothing whatever. Nor did he intend to risk getting caught with a +share of the money in his possession, provided his plan was carried to +a conclusion. He anticipated that John Corliss would be away from the +ranch frequently, owing to the threatened encroachment of Loring's +sheep on the west side of the Concho River. Tony, the Mexican, would +be left in charge of the ranch. Will Corliss knew the combination of +the safe—of that Fadeaway was pretty certain. Should they get the +money, people in the valley would most naturally suspect the brother. +And Fadeaway reasoned that John Corliss would take no steps to recover +the money should suspicion point to his brother having stolen it. +Meanwhile he would wait. +</P> + +<BR> + +<P> +Shortly after Fadeaway had gone out, Will Corliss got up and sauntered +to the street. He gazed up and down the straggling length of Antelope +and cursed. Then he walked across to the sheriff's office. +</P> + +<P> +The sheriff motioned him to a chair, which he declined. "Better sit +down, Billy. I want to talk to you." +</P> + +<P> +"Haven't got time," said Corliss. "You know what I came for." +</P> + +<P> +"That's just what I want to talk about. See here, Billy, you've been +hitting it up pretty steady this week. Here's the prospect. John told +me to hand you five a day for a week. You got clothes, grub, and a +place to sleep and all paid for. You could go out to the ranch if you +wanted to. The week is up and you're goin' it just the same. If you +want any more money you'll have to see John. I give you all he left +with me." +</P> + +<P> +"By God, that's the limit!" exclaimed Corliss. +</P> + +<P> +"I guess it is, Billy. Have a cigar?" +</P> + +<P> +Corliss flung out of the office and tramped across to the saloon. He +called for whiskey and, seating himself at one of the tables, drank +steadily. Fadeaway wasn't such a fool, after all. But robbery! Was +it robbery? Eighteen hundred dollars would mean San Francisco… +Corliss closed his eyes. Out of the red mist of remembrance a girl's +face appeared. The heavy-lidded eyes and vivid lips smiled. Then +other faces, and the sound of music and laughter. He nodded to them +and raised his glass.… As the raw whiskey touched his lips the +red mist swirled away. The dingy interior of the saloon, the booted +and belted riders, the grimy floor littered with cigarette-ends, the +hanging oil-lamp with its blackened chimney, flashed up and spread +before him like the speeding film of a picture, stationary upon the +screen of his vision, yet trembling toward a change of scene. A blur +appeared in the doorway. In the nightmare of his intoxication he +welcomed the change. Why didn't some one say something or do +something? And the figure that had appeared, why should it pause and +speak to one of the men at the bar, and not come at once to him. They +were laughing. He grew silently furious. Why should they laugh and +talk and keep him waiting? He knew who had come in. Of course he +knew! Did Fadeaway think to hide himself behind the man at the bar? +Then Fadeaway should not wear chaps with silver conchas that glittered +and gleamed as he shifted his leg and turned his back. "Said he was my +friend," mumbled Corliss. "My friend! Huh!" Was it a friend that +would leave him sitting there, alone? +</P> + +<P> +He rose and lurched to the bar. Some one steadied him as he swayed. +He stiffened and struck the man in the face. He felt himself jerked +backward and the shock cleared his vision. Opposite him two men held +Fadeaway, whose mouth was bleeding. The puncher was struggling to get +at his gun. +</P> + +<P> +Corliss laughed. "Got you that time, you thief!" +</P> + +<P> +"He's crazy drunk," said one of the men. "Don't get het up, Fade. He +ain't packin' a gun." +</P> + +<P> +Fadeaway cursed and wiped the blood from his mouth. He was playing his +part well. Accident had helped him. To all intents and purposes they +were open enemies. +</P> + +<P> +Still, he was afraid Corliss would talk, so he laughed and extended his +hand. "Shake, Billy. I guess you didn't know what you were doin'. I +was tryin' to keep you from fallin'." +</P> + +<P> +Corliss stared at the other with unwinking eyes. +</P> + +<P> +Fadeaway laughed and turned toward the bar. "Ought to hand him one, +but he's all in now, I reckon. That's what a fella gets for mixin' up +with kids. Set 'em up, Joe." +</P> + +<P> +Left to himself Corliss stared about stupidly. Then he started for the +doorway. +</P> + +<P> +As he passed Fadeaway, the latter turned and seized his arm. "Come on +up and forget it, Billy. You and me's friends, ain't we?" +</P> + +<P> +The cowboy, by sheer force of his personality, dominated the now +repentant Corliss, whose stubbornness had given way to tearful +retraction and reiterated apology. Of course they were friends! +</P> + +<P> +They drank and Fadeaway noticed the other's increasing pallor. "Jest +about one more and he'll take a sleep," soliloquized the cowboy. "In +the mornin' 's when I ketch him, raw, sore, and ready for anything." +</P> + +<P> +One of the cowboys helped Corliss to his room at the Palace. Later +Fadeaway entered the hotel, asked for a room, and clumped upstairs. He +rose early and knocked at Corliss's door, then entered without waiting +for a response. +</P> + +<P> +He wakened Corliss, who sat up and stared at him stupidly. "Mornin', +Billy. How's the head?" +</P> + +<P> +"I don't know yet. Got any cash, Fade? I'm broke." +</P> + +<P> +"Sure. What you want?" +</P> + +<P> +Corliss made a gesture, at which the other laughed. "All right, +pardner. I'll fan it for the medicine." +</P> + +<P> +When he returned to the room, Corliss was up and dressed. Contrary to +Fadeaway's expectations, the other was apparently himself, although a +little too bright and active to be normal. +</P> + +<P> +"Guess I got noisy last night," said Corliss, glancing at Fadeaway's +swollen lip. +</P> + +<P> +"Forget it! Have some of this. Then I got to fan it." +</P> + +<P> +"Where are you going?" +</P> + +<P> +"Me? Over to the Blue. Got a job waitin' for me." +</P> + +<P> +Corliss's fingers worked nervously. "When did you say the Concho paid +off?" he queried, avoiding the other's eye. +</P> + +<P> +Fadeaway's face expressed surprise. "The Concho? Why, next Monday. +Why?" +</P> + +<P> +"Oh—nothing. I was just wondering…" +</P> + +<P> +"Want to send any word to Jack?" asked the cowboy. +</P> + +<P> +"No, I don't. Thanks, just the same, Fade." +</P> + +<P> +"Sure! Well, I guess I'll be goin'." +</P> + +<P> +"Wait a minute. Don't be in a rush. I was thinking…" +</P> + +<P> +Fadeaway strode to the window and stood looking out on the street. His +apparent indifference was effective. +</P> + +<P> +"Say, Fade, do you think we could—could get away with it?" +</P> + +<P> +"With what?" exclaimed the cowboy, turning. +</P> + +<P> +"Oh, you know! What you said yesterday." +</P> + +<P> +"Guess I said a whole lot yesterday that I forgot this mornin'. I get +to joshin' when I'm drinkin' bug-juice. What you gettin' at?" +</P> + +<P> +"The money—at the Concho." +</P> + +<P> +"Oh, that! Why, Billy, I was jest stringin' you! Supposin' somebody +was to make a try for it; there's Chance like to be prowlin' around and +the safe ain't standin' open nights. Besides, Jack sleeps next to the +office. That was a josh." +</P> + +<P> +"Well, I could handle Chance," said Corliss. "And I know the +combination to the safe, if it hasn't been changed. You said Jack was +likely to be away nights, now." +</P> + +<P> +Fadeaway shook his head. "You're dreamin', Bill. 'Sides, I wouldn't +touch a job like that for less'n five hundred." +</P> + +<P> +"Would you—for five hundred?" +</P> + +<P> +"I dunno. Depends on who I was ridin' with." +</P> + +<P> +"Well, I'll divvy up—give you five hundred if you'll come in on it." +</P> + +<P> +Again Fadeaway shook his head. "It's too risky, Billy. 'Course you +mean all right—but I reckon you ain't got nerve enough to put her +through." +</P> + +<P> +"I haven't!" flashed Corliss. "Try me!" +</P> + +<P> +"And make a get-away," continued the cowboy. "I wouldn't want to see +you pinched." +</P> + +<P> +"I'll take a chance, if you will," said Corliss, now assuming, as +Fadeaway had intended, the rôle of leader in the proposed robbery. +</P> + +<P> +"How you expect to get clear—when they find it out?" +</P> + +<P> +"I could get old man Soper to hide me out till I could get to Sagetown. +He'll do anything for money. I could be on the Limited before the news +would get to Antelope." +</P> + +<P> +"And if you got pinched, first thing you'd sing out 'Fadeaway,' and +then me for over the road, eh?" +</P> + +<P> +"Honest, Fade. I'll swear that I won't give you away, even if I get +caught. Here's my hand on it." +</P> + +<P> +"Give me nine hundred and I'll go you," said Fadeaway, shaking hands +with his companion. +</P> + +<P> +Corliss hesitated. Was the risk worth but half the money involved? +"Five's a whole lot, Fade." +</P> + +<P> +"Well, seein' you're goin' to do the gettin' at it, why, mebby I'd risk +it for five hundred. I dunno." +</P> + +<P> +"You said you'd stand by a pal, Fade. Now's your chance." +</P> + +<P> +"All right. See here, Bill. You cut out the booze all you can to-day. +Foot it out to the Beaver Dam to-night and I'll have a hoss for you. +We can ride up the old caņon trail. Nobody takes her nowadays, so +we'll be under cover till we hit the ford. We can camp there back in +the brush and tackle her next evenin'. So-long." +</P> + +<P> +Fadeaway was downstairs and out on the street before Corliss realized +that he had committed himself to a desperate and dangerous undertaking. +He recalled the expression in Fadeaway's eyes when they had shaken +hands. Unquestionably the cowboy meant business. +</P> + +<BR><BR><BR> + +<A NAME="chap09"></A> +<H2 ALIGN="center"> +CHAPTER IX +</H2> + +<H3 ALIGN="center"> +SUNDOWN'S FRIEND +</H3> + +<P> +Bud Shoop was illustrating, with quaint and humorous gestures and +adjectives, one of his early experiences as Ranger on the Apache +Reservation. The men, grouped around the night-fire, smoked and helped +the tale along with reminiscent suggestions and ejaculations of +interest and curiosity. In the midst of a vivid account of the +juxtaposition of a telephone battery and a curious yet unsuspicious +Apache, Shoop paused in the recital and gazed out across the mesa. +"It's the boss," he said, getting to his feet. "Wonder what's up?" +</P> + +<P> +Corliss rode into camp, swung from the saddle, and called to Shoop. +The men gazed at each other, nodded, and the words "Loring" and +"sheep," punctuated their mutterings. +</P> + +<P> +Shoop and Corliss talked together. Then the foreman called to Hi +Wingle, asking him how the "chuck" was holding out. +</P> + +<P> +"Runnin' short on flour and beans, Bud. Figured on makin' the Concho +to-morrow." +</P> + +<P> +Corliss and his foreman came to the fire. "Boss says we're goin' to +bush here the rest of this week," and Corliss nodded. +</P> + +<P> +"I'm expecting company on the west side," explained Corliss, +</P> + +<P> +The men gazed at each other knowingly. +</P> + +<P> +"All right," said Wingle. "Four sacks of flour and a sack of +frijoles'll see us through. Got enough other stuff." +</P> + +<P> +"Send some one in for it," ordered Corliss. "I'm going to stay with +the outfit, from now on." +</P> + +<P> +The men cheered. That was the kind of a boss to work for! No settin' +back and lettin' the men do the fightin'! Some style to Jack Corliss! +All of which was subtly expressed in their applause, although unspoken. +</P> + +<P> +"To see that you boys don't get into mischief," continued Corliss, +smiling. +</P> + +<P> +"Which means keepin' other folks out of mischief, eh, patron?" said a +cow-puncher. +</P> + +<P> +At the word "patron" the men laughed. "They're talkin' of turnin' this +outfit into a sheep-camp," remarked another. "Ba-a-ah!" And again they +laughed. +</P> + +<P> +Shoop motioned to Sundown who rose from beside the fire. "You can +saddle up, Sun." +</P> + +<P> +Sundown caught up his horse and stood waiting while one of the men +saddled two pack-animals. "Tony has the keys. He'll pack the stuff +for you," said Corliss. "Keep jogging and you ought to be back here by +sunup." +</P> + +<P> +The assistant cook mounted and took the lead-rope of the pack-horses. +He was not altogether pleased with the prospect of an all-night ride, +but he knew that he had been chosen as the one whose services could +most easily be dispensed with at the camp. Silently he rode away, the +empty kyacks clattering as the pack-horses trotted unwillingly behind +him. Too busy with the unaccustomed lead-rope to roll cigarettes, he +whistled, and, in turn, recited verse to keep up his spirits. +</P> + +<P> +About midnight he discerned the outline of the low ranch-buildings and +urged his horse to a faster gait. As he passed a clump of cottonwoods, +his horse snorted and shied. Sundown reined him in and leaned peering +ahead. The pack-animals tugged back on the rope. Finally he coaxed +them past the cottonwoods and up to the gate. It was open, an unusual +circumstance which did not escape his notice. He drifted through the +shadows toward the corral, where he tied the horses. Then he stepped +to the bunk-house, found a lantern and lighted it. He hallooed. There +was no response. He stalked across to the ranch-house. He found the +door unlocked. "Hi! Tony!" he called. No one answered. He pushed +the door open and entered. Holding the lantern above his head he +peered around the room. +</P> + +<P> +In the dim light of the lantern vague outlines took shape. He noticed +that the small safe in the corner was open. He became alarmed and +again called. He heard a slight movement behind him and turned to see +the door close. From behind stepped a figure, a slender figure that +seemed unreal, yet familiar. With a cry of surprise he jumped back and +stood facing his old friend and companion of the road, Will Corliss. +</P> + +<P> +"Billy!" he ejaculated, backing away and staring. +</P> + +<P> +"Yes, it's Billy." And Corliss extended his hand. +</P> + +<P> +"But—what, where—?" Sundown hesitated and glanced at the safe. His +eyes widened and he lowered the lantern. "Billy!" he said, ignoring +the other's proffered hand, "what you doin' here?" +</P> + +<P> +Corliss assumed a nonchalant air. "Shake, pal! It's a long time since +we been in a wreck, eh?" +</P> + +<P> +Sundown was silent, studying the other's hardened features. "Billy!" +he reiterated, "what you doin' here?" +</P> + +<P> +Corliss laughed nervously. "What are you doing here?" he +retorted,—"in the office of the Concho, at midnight?" +</P> + +<P> +"I was comin' to get flour and beans for the camp—" he began. +</P> + +<P> +Corliss interrupted him. "Sounds good, that! But they don't keep the +grub here. Guess you made a mistake." +</P> + +<P> +Sundown's face was expressionless. "Guess you made the mistake, Billy. +I thought you was—dead." +</P> + +<P> +"Not on your tin-type, Sun." +</P> + +<P> +"I never thought you was crooked, Billy." +</P> + +<P> +"Crooked!" flashed Corliss. "Say, you—you forget it. I'm here to get +what's coming to me. Jack turned me down, so I'm going to take what's +mine." +</P> + +<P> +"Mebby it's yours, but you ain't gettin' it right," said Sundown. +"I—I—never thought you was—" +</P> + +<P> +"Oh, cut that out! You didn't used to be so dam' particular." +</P> + +<P> +"I never swiped a cent in me life, Billy." +</P> + +<P> +"Well, forget it. I'm in a hurry. You go ahead and get the chuck. +Here are the keys to the store-room—and beat it. Just forget that you +saw me; that's all." +</P> + +<P> +Sundown shook his head. "I ain't forgettin' that easy, Billy. 'Sides, +I'm workin' for the Concho, now. They're treatin' me fine—and I +reckon I got to be square." +</P> + +<P> +"You mean you're going to squeal—going back on your old pal, eh?" +</P> + +<P> +Sundown's face expressed conflicting emotions. He straightened his +lean shoulders. "I tell you, Billy; if you beat it now, they won't be +nothin' to squeal about." +</P> + +<P> +"I'm going to." And Corliss stepped toward the safe. "Just hold that +light this way a minute." +</P> + +<P> +Sundown complied, and Corliss thought that the other had overcome his +scruples. Corliss hastily drew a small canvas sack from the safe and +stuffed it into his pocket. Sundown backed toward the door. +</P> + +<P> +Corliss got to his feet. "Well, so-long, Sun. Guess I'll light out." +</P> + +<P> +"Not with that," said Sundown. "I ain't no preacher, but I ain't goin' +to see you go straight to hell and me do nothin'. Mebby some of that +dough is yourn. I dunno. But somebody's goin' to get pinched for +takin' it. Bein' a Bo, it'll be me." +</P> + +<P> +"So that's what's worrying you, eh? Scared you'll get sent over for +this. Well, you won't. You haven't got anything on you." +</P> + +<P> +"'T ain't that, Billy. It's you." +</P> + +<P> +Corliss laughed. "You're getting religion, too. Well, I never thought +you'd go back on me." +</P> + +<P> +"I ain't. I was always your friend, Billy." +</P> + +<P> +Corliss hesitated. The door behind Sundown moved ever so little. +Corliss's eyes held Sundown with unwinking gaze. Slowly the door swung +open. Sundown felt rather than heard a presence behind him. Before he +could turn, something crashed down on his head. The face of his old +friend, intense, hard, desperate, was the last thing imaged upon his +mind as the room swung round and he dropped limply to the floor. +</P> + +<P> +"Just in time," said Fadeaway, bending over the prostrate figure. "Get +a move, Bill. I followed him from the cottonwoods and heard his talk. +I was waitin' to get him when he come out, but I seen what he was up to +and I fixed him." +</P> + +<P> +Corliss backed against the wall, trembling and white. "Is he—did +you—?" +</P> + +<P> +Fadeaway grinned. "No, just chloroformed him. Get a move, Bill. No +tellin' who'll come moseyin' along. Got the stuff?" +</P> + +<P> +Corliss nodded. +</P> + +<P> +Fadeaway blew out the light. "Come on, Bill. She worked slick." +</P> + +<P> +"But—he knows me," said Corliss. "He'll squeal." +</P> + +<P> +"And I reckon Jack'll believe him. Why, it's easy, Bill. They find +the Bo on the job and the money gone. Who did it? Ask me." +</P> + +<P> +At the cottonwoods they mounted. "Now, you fan it for Soper's," said +Fadeaway. "I'll keep on for the Blue. To-morrow evenin' I'll ride +over and get my divvy." +</P> + +<P> +Corliss hesitated. +</P> + +<P> +"You better travel," said Fadeaway, reining his horse around. +"So-long." +</P> + +<P> +Chance, a prisoner in the stable, whined and gnawed at the rope with +which Corliss had tied him. The rope was hard-twisted and tough. +Finally the last strand gave way. The dog leaped through the doorway +and ran sniffing around the enclosure. He found Sundown's trail and +followed it to the ranch-house. At the threshold the dog stopped. His +neck bristled and he crooked one foreleg. Slowly he stalked to the +prone figure on the floor. He sniffed at Sundown's hands and pawed at +him. Slowly Sundown's eyes opened. He tried to rise and sank back +groaning. Chance frisked around him playfully coaxing. Finally +Sundown managed to sit up. With pain-heavy eyes he gazed around the +room. Slowly he got to his feet and staggered to the doorway. He +leaned against the lintel and breathed deeply of the fresh morning air. +The clear cold tang of the storm that had passed, lingered, giving a +keen edge to the morning. "We're sure in wrong," he muttered, gazing +at Chance, who stood watching him with head cocked and eyes eager for +something to happen—preferably action. Sundown studied the dog dully. +"Say, Chance," he said finally, "do you think you could take a little +word to the camp? I heard of dogs doin' such things. Mebby you could. +Somebody's got to do 'somethin' and I can't." Painfully he stooped and +pointed toward the south. "Go tell the boss!" he commanded. Chance +whined. "No, that way. The camp!" +</P> + +<P> +Chance nosed across the yard toward the gate. Then he stopped and +looked back. Sundown encouraged him by waving his arm toward the +south. "Go ahead, Chance. The boss wants you." +</P> + +<P> +Chance trotted toward the cottonwood, nosed among them, and finally +took Sundown's trail to the knoll. +</P> + +<P> +Sundown crept to the bunk-house, wondering what had become of the +Mexican, Tony. He determined to search for him, but became dizzy, and, +crawling to a bunk, lay back groaning as the dull pain in his head +leaped intermittently to blinding stabs of agony. It seemed ages +before he heard the quick staccato of hoofs on the road. He raised +himself on his elbow as Shoop and Corliss rode up on their +mud-spattered and steaming ponies. Sundown called as they dismounted +at the corral. +</P> + +<P> +Corliss and Shoop stamped in, breathing hard. "What's up?" questioned +Corliss. +</P> + +<P> +"They—they got the money," muttered Sundown, pointing toward the +office. +</P> + +<P> +"Who? See what's up, Bud." +</P> + +<P> +Shoop swung out and across the enclosure. +</P> + +<P> +Corliss stooped over Sundown. "What's wrong, Sun? Why, Great God, +you're hurt!" +</P> + +<P> +The rancher brought water and bathed Sundown's head. "Who did it?" he +questioned. +</P> + +<P> +"I dunno, boss. I come and caught 'em at it. Two of 'em, I guess. I +was tryin' to stop one fella from takin' it when the other slips me one +on the head, and I takes a sleep. I was lookin' for Tony in the +office." +</P> + +<P> +"Where's Tony?" +</P> + +<P> +"I dunno. I was goin' to see—but—my head…" +</P> + +<P> +"That's all right. You take it easy as you can. I'll find out." +</P> + +<P> +And Corliss left the room. With Chance he explored the outbuildings +and finally discovered the Mexican bound and gagged in the stable. He +released him, but could make nothing of his answers save that some one +had come at night, tied his hands and feet, and carried him from the +ranch-house. +</P> + +<P> +Corliss returned to Sundown. In the bunkhouse he encountered Shoop. +</P> + +<P> +"They robbed the safe," said Shoop, and he spoke with a strange +quietness. "Better come and take a look, Jack." +</P> + +<P> +"Didn't blow her," said Shoop, pointing toward the corner as they +entered the office. +</P> + +<P> +Corliss knelt and examined the safe. "The man that did it knew the +combination," he said. "There isn't a mark on the door." +</P> + +<P> +He rose, and Shoop met his eye. Corliss shook his head. "I don't +know," he said, as if in answer to a silent questioning. Then he told +Shoop to look for tracks. +</P> + +<P> +"The rain's fixed the tracks," said Shoop, turning in the doorway. +"But it ain't drowned out my guess on this proposition." +</P> + +<P> +"Well, keep guessing, Bud, till I talk to Sundown." And Corliss walked +slowly to the bunkhouse. He sat on the edge of the bunk and laid his +hand on Sundown's sleeve. "Look here, Sun, if you know anything about +this, just tell me. The money's gone and you didn't get that cut on +the head trying to take it. I guess you're straight, all right, but I +think you know something." +</P> + +<P> +Sundown blinked and set his jaw. +</P> + +<P> +Corliss observed and wisely forbore to threaten or command. "Did you +recognize either of the men?" he asked, presently. +</P> + +<P> +"No!" lied Sundown. "Wasn't I hit in the back of me head?" +</P> + +<P> +Corliss smiled grimly. "What were you doing when you got hit?" +</P> + +<P> +"Tryin' to stop the other guy—" +</P> + +<P> +"What did he look like?" +</P> + +<P> +"I dunno. Me lantern was on the floor. He was a hefty guy, bigger 'n +you. Mebby six feet and pow'ful built. Had whiskers so's I couldn't +pipe his face. Big puncher hat down over his eyes and a handkerchief +tied like a mask. I was scared of him, you bet!" +</P> + +<P> +Corliss slowly drew a sack of tobacco and papers from his pocket. He +rolled a cigarette and puffed reflectively. Then he laughed. "I'm out +about eighteen hundred. That's the first thing. Next, you're used up +pretty bad and we're short-handed. Then, we're losing time trying to +track the thieves. But I'm not riled up a little bit. Don't think I'm +mad at you. I'm mighty glad you didn't get put out in this deal. +That's where I stand. I want to find out who took the money. I don't +say that I'll lift a rein to follow them. Depends on who did it." +</P> + +<P> +Sundown winced, and gazed up helplessly. He felt oppressed by the +broad-chested figure near him. He felt that he could not get away +from—what? Not Corliss, for Corliss was undoubtedly friendly. In a +flash he saw that he could not get away from the truth. Yet he +determined to shield his old pal of the road. "You're sure givin' me +the third degree," he said with an attempt at humor. "I reckon I got +to come through. Boss, are you believin' I didn't take the cash?" +</P> + +<P> +"Sure I am! But that isn't enough. Are you working for the Concho, +Sun, or for some other outfit?" +</P> + +<P> +"The Concho," muttered Sundown stubbornly. +</P> + +<P> +"And I'm the Concho. You're working for me. Listen. I've got a yarn +to spin. The man that took the money—or one of them—was short, and +slim, and clean-shaved, and he didn't wear a puncher hat. You weren't +scared of him because he was a coward. You tried to get him to play +square and he talked to you while the other man got you from behind. +That's just a guess, but you furnished the meat for it." +</P> + +<P> +"Me hands are up," said Sundown. +</P> + +<P> +"All right. I'm not going to get after Billy for this. You lied to +me, but you lied to save your pal. Shake!" +</P> + +<BR><BR><BR> + +<A NAME="chap10"></A> +<H2 ALIGN="center"> +CHAPTER X +</H2> + +<H3 ALIGN="center"> +THE STORM +</H3> + +<P> +Will Corliss, riding through the timberlands toward the west, shivered +as a drop of rain touched his hand. He glanced up through the trees. +The sky seemed clouded to the level of the pine-tops. He spurred his +horse as he again felt a spatter of rain. Before him lay several miles +of rugged trail leading to an open stretch across which he would again +enter the timber on the edge of the hollow where Soper's cabin was +concealed. When Corliss had suggested Soper's place as a rendezvous, +Fadeaway had laughed to himself, knowing that old man Soper had been +driven from the country by a committee of irate ranchers. The illicit +sale of whiskey to the cowboys of the Concho Valley had been the cause +of Soper's hurried evacuation. The cabin had been burned to the +ground. Fadeaway knew that without Soper's assistance Corliss would be +unable to get to the railroad—would be obliged either to return to the +Concho or starve on the empty mesas. +</P> + +<P> +Corliss bent his head as the rain drove faster. When he arrived at the +edge of the mesa, the storm had increased to a steady dull roar of +rushing rain. He hesitated to face the open and reined up beneath a +spruce. He was drenched and shivered. The fever of drink had died out +leaving him unstrung and strangely fearful of the night. His horse +stood with lowered head, its storm-blown mane whipping in the wind like +a wet cloth. A branch riven from a giant pine crashed down behind him. +Corliss jerked upright in the saddle, and the horse, obeying the +accidental touch of the spurs, plodded out to the mesa with head held +sideways. +</P> + +<P> +The rider's hands grew numb and he dropped the reins over the horn and +shoved his hands in his pockets. Unaccustomed to riding he grew weary +and, despite the storm, he drowsed, to awaken with a start as gusts of +wind swept against his face. He raised his dripping hat and shook the +water from it. Then he crouched shivering in the saddle. He cursed +himself for a fool and longed for shelter and the warmth of a fire. +Slowly a feeling of helplessness stole over him and he pictured himself +returning to the Concho and asking forgiveness of his brother. Yet he +kept stubbornly on, glancing ahead from time to time until at last he +saw the dim edge of the distant timber—a black line against the +darkness. He urged his horse to a trot, and was all but thrown as the +animal suddenly avoided a prairie-dog hole. The sweep of the storm was +broken as he entered the farther timber. Then came the muffled roll of +thunder and an instant white flash. The horse reared as a bolt struck +a pine. Came the ghastly whistle of flying splinters as the tree was +shattered. Corliss grabbed the saddle-horn as the horse bolted through +the timberlands, working against the curb to reach the open. Once more +on the trail the animal quieted. They topped a gentle rise. Corliss +breathed his relief. Soper's cabin was in the hollow below them. +</P> + +<P> +Cautiously the horse worked sideways down the ridge, slipping and +checking short as the loose stones slithered beneath his feet. At the +bottom of the hollow Corliss reined up and shouted. The wind whipped +his call to a thin shred of sound that was swept away in the roar of +the storm. Again he shouted. As though in answer there came a burning +flash of blue. The dripping trees surrounding the hollow jumped into +view to be blotted from sight as the succeeding crash of thunder +diminished to far titanic echoes. Where Soper's cabin had stood there +was a wet, glistening heap of fallen logs and rafters, charred and +twisted. The lightning flash had revealed more to the rider than the +desolation of the burned and abandoned homestead. He saw with instant +vividness the wrecked framework of his own plans. He heard the echo of +Fadeaway's sneering laugh in the fury of the wind. He told himself +that he had been duped and that he deserved it. Lacking physical +strength to carry him through to a place of tentative safety, he gave +up, and credited his sudden regret to true repentance rather than to +weakness. He would return to the Concho, knowing that his brother +would forgive him. He wept as he thought of his attitude of the +repentant and broken son returning in sorrow to atone for his sin and +shame. He magnified his wrongdoing to heroic proportions endeavoring +to filch some sentimental comfort from the romantic. He it was that +needed the sympathy of the world and not his brother John; John was a +plodder, a clod, good enough, but incapable of emotion, or the finer +feelings. And Eleanor Loring… she could have saved him from all +this. He had begun well; had written acceptable verse… then had +come her refusal to marry him. What a fool he had been through it all! +The wind and rain chastised his emotional intoxication, and he turned +shivering to look for shelter. Dismounting, he crept beneath a low +spruce and shivered beneath the scant covering of his saddle-blanket. +To-morrow the sun would shine on a new world. He would arise and +conquer his temptation. As he drifted to troubled sleep he knew, deep +in his heart, that despite his heroics he would at that moment have +given the little canvas sack of his brother's money for the +obliterating warmth of intoxication. +</P> + +<P> +With the morning sun he rose and saddled. About to mount, his +stiffened muscles blundered. He slipped and fell. The horse, keen +with hunger, jumped away from him and trotted down the trail. He +followed shouting. His strength gave out and he gave up the chase, +wondering where the horse would go. Stumbling along the slippery +trail, he cursed his clumsiness. A chill sweat gathered on his face. +His legs trembled and he was forced to rest frequently. Crossing a +stream, he stooped and drank. Then he toiled on, eagerly scanning the +hoof-prints in the rain-gutted trail. +</P> + +<P> +The sun was high when he arrived at the wagon-road above the Concho. +Dazed and weak, he endeavored to determine which direction the horse +had taken. The heat of the sun oppressed him. He became faint, and, +crawling beneath the shade of a wayside fir, he rested, promising +himself that he would, when the afternoon shadows drifted across the +road, make his way to the Concho. He had slept little more than an +hour when the swift patter of hoofs wakened him. As he got to his +feet, a buckboard, drawn by a pair of pinto range-ponies, drew up. +Corliss started back. The Mexican driving the ponies turned toward the +sweet-faced Spanish woman beside him as though questioning her +pleasure. She spoke in quick, low accents. He cramped the wagon and +she stepped to the road. The Seņora Loring, albeit having knowledge of +his recent return to Antelope, his drinking, and all the unsavory +rumors connected with his return, greeted Corliss as a mother greets a +wayward son. She set all this knowledge aside and spoke to him with +the placid wisdom of her years and nature. Her gentle solicitude +touched him. She had been his foster-mother in those years that he and +his brother had known no other fostering hand than that of old Hi +Wingle, the cook, whose efforts to "raise" the Corliss boys were more +largely faithful than discriminating. +</P> + +<P> +Seņora Loring knew at a glance that he was in trouble of some kind. +She asked no questions, but held out her hands. +</P> + +<P> +Corliss, blind with tears, dropped to his knee: "Madre! Madre!" he +cried. +</P> + +<P> +She patted his head. "You come with me. Then perhaps you have to say +to me that which now you do not say." +</P> + +<P> +He shook his head, but she paid no attention, leading the way to the +buckboard. He climbed beside the driver, then with an ejaculation of +apology, leaped to the road and helped her in. +</P> + +<P> +"Where you would like to go?" she asked. "The Concho?" +</P> + +<P> +Again he shook his head. "I can't. I—" +</P> + +<P> +She questioned his hesitation with her eyes. +</P> + +<P> +"I'll tell you when—when I feel better. Madre, I'm sick." +</P> + +<P> +"I know," she said. +</P> + +<P> +Then, turning to the driver, she gestured down the wagon-trail. +</P> + +<P> +They drove through the morning woodlands, swung to the east, and +crossed the ford. The clustered adobes of the Loring homestead +glimmered in the sun. Corliss glanced across the river toward the +Concho. Again the Seņora Loring questioned him with a glance. +</P> + +<P> +He shook his head. "Away—anywhere," he said, gesturing toward the +horizon. +</P> + +<P> +"You come home with me," she said quietly. "Nellie is not at the home +to-day. You rest, and then perhaps you go to the Concho." +</P> + +<P> +As they entered the gateway of the Loring rancho, Corliss made as +though to dismount. The Seņora Loring touched his arm. He shrugged +his shoulders; then gazed ahead at the peaceful habitation of the old +sheep-herder. +</P> + +<P> +The Seņora told the driver to tie the team and wait. Then she entered +the house. Corliss gazed about the familiar room while she made +coffee. Half starved, he ate ravenously the meal she prepared for him. +Later, when she came and sat opposite, her plump hands folded in her +lap, her whole attitude restful and assuring, he told her of the +robbery, concealing nothing save the name of Fadeaway. +</P> + +<P> +Then he drew the canvas sack from his pocket. "I thought I could go +back and face it out, but now, I can't. Will you—return it—and—tell +John?" +</P> + +<P> +She nodded. "Si! If you wish it so, my son. You would not do that as +I would tell you—so I say nothing. I can only—what you say—help, +with my hands," and she gestured gracefully as though leading a child. +"You have money to go away?" +</P> + +<P> +"No, madre." +</P> + +<P> +"Then I give you the money." And the Seņora, ignoring his half-hearted +protests, stepped to an adjoining room and returned. "Here is this to +help you go. Some day you come back strong and like your father the +big John Corliss. Then I shall be much glad." +</P> + +<P> +"I'll pay it back. I'll do anything—" +</P> + +<P> +But she silenced him, touching his lips with her fingers. "No. The +promise to make is not so hard, but to keep… Ah! When you come +back, then you promise; si?" +</P> + +<P> +Not a word of reproof, not a glance or a look of disapproval, yet +Corliss knew that the Seņora's heart was heavy with sorrow for him. He +strode to the doorway. Seņora Loring followed and called to the +driver. As Corliss shook hands with her, she kissed him. +</P> + +<P> +An anger against himself flushed his cheek. "I don't know which road +I'll take, madre,—after I leave here,—this country. But I shall +always remember… And tell Nell… that…" he hesitated. +</P> + +<P> +The Seņora smiled and patted his arm. "Si! I understand." +</P> + +<P> +"And, madre, there is a man—vaquero, or cook, a big man, tall, that +they call Sundown, who works for the Concho. If you see him, please +tell him—that I sent it back." And he gestured toward the table +whereon lay the little canvas sack of gold. "Good-bye!" +</P> + +<P> +He stepped hurriedly from the veranda, climbed to the seat of the +buckboard, and spoke to the driver. For a long time the Seņora stood +in the doorway watching the glint of the speeding ponies. Then she +went to her bedroom and knelt before the little crucifix. Her prayer +was, strangely enough, not for Will Corliss. She prayed that the sweet +Madonna would forgive her if she had done wrong. +</P> + +<BR><BR><BR> + +<A NAME="chap11"></A> +<H2 ALIGN="center"> +CHAPTER XI +</H2> + +<H3 ALIGN="center"> +CHANCE—CONQUEROR +</H3> + +<P> +Sundown's return to the camp occasioned some indirect questioning and +not a little comment. He told the story of his adventure at the Concho +in detail up to the point of his conversation with Will Corliss. Then +he lapsed into generalities, exhibiting with some little pride the +wound on his head as evidence of his attempt to prevent the robbery and +incidentally as a reason for being unable to discourse further upon the +subject. His oft-repeated recital invariably concluded with, "I steps +in and tries to stop the first guy when <I>Wham!</I> round goes the room and +I takes a sleep." +</P> + +<P> +The men seemed satisfied with Sundown's graphic account in the main. +Hi Wingle, the cook, asked no questions, but did a great deal of +thinking. He was aware that Will Corliss had returned to the Concho, +and also, through rumor, that Corliss and Fadeaway had been together in +Antelope. The fact that the robbers failed to get the money—so it was +given out—left the drama unfinished, and as such it lacked sustained +interest. There would be no bandits to capture; no further excitement; +so the talk eventually drifted to other subjects. +</P> + +<P> +The assistant cook's evident melancholy finally gave place to a happier +mood as he realized that he had gained a modicum of respect in a camp +where hitherto he had been more or less of a joke. While he grieved +over the events which led up to his newly attained prestige as a man of +nerve, he was not a little proud of the prestige itself, and +principally because he lacked the very quality of courage that he was +now accredited with. Perhaps the fact that he had "played square," as +he saw it, was the true foundation of his attitude. +</P> + +<P> +He discharged his duties as assistant cook with a new and professional +flourish that amused the riders. When they rolled from their blankets +in the crisp air of the morning, they were never kept waiting for their +coffee, hot bread, and frijoles. Moreover, he always had a small fire +going, around which he arranged the tin plates, cups, knives and forks. +This additional fire was acceptable, as the cooking was done on a large +sheet-iron camp-stove, the immediate territory of which was sacred to +Hi Wingle. Wingle, who had been an old-timer when most of the Concho +hands were learning the rudiments of the game, took himself and his +present occupation seriously. His stove was his altar, though burnt +offerings were infrequent. He guarded his culinary precincts with a +watchful eye. His attitude was somewhat akin to that of Cardinal +Richelieu in the handkerchief scene, "Take but one step within these +sacred bounds and on our head I'll lunch the cuss of Rum," or something +to that effect. He was short, ruddy, and bald, and his antithesis, +Sundown, was a source of constant amazement to him. Wingle had seen +many tall men, but never such an elongated individual as his assistant. +It became the habit of one or another of the boys to ask the cook the +way to the distant Concho, usually after the evening meal, when they +were loafing by the camp-fire. Wingle would thereupon scratch his head +and assume an air of intense concentration. "Well," he would +invariably remark, "you take the trail along Sundown's shadder there, +and keep a-fannin' it smart for about three hours. When you come to +the end of the shadder, take the right fork of the river, and in +another hour you'll strike the Concho. That's the quickest way." And +this bit of attenuated humor never failed to produce an effect. +</P> + +<BR> + +<P> +One morning, about a week after Sundown's return to his duties as +assistant, while Wingle was drying his hands, preparatory to reading a +few pages of his favorite novel, Sundown ambled into camp with an +armful of greasewood, dumped it near the wagon, and, straightening up, +rolled a cigarette. +</P> + +<P> +Wingle, immersed in the novel, read for a while and then glanced up +questioningly. +</P> + +<P> +Sundown shook his head. +</P> + +<P> +"Now this here story," said Wingle; "I read her forty-three times come +next round-up, and blamed if I sabe her yet. Now, take it where the +perfesser—a slim gent with large round eye-glasses behind which +twinkled a couple of deep-set studyus eyes—so the book says; now, take +it where he talks about them Hopi graves over there in the valley—" +</P> + +<P> +"This here valley?" queried Sundown, immediately interested. +</P> + +<P> +"Sure! Well, I can sabe all that. I seen 'em." +</P> + +<P> +"Seen 'em?" +</P> + +<P> +"Sure! Why Arizona's got more leavin's of history and dead Injuns and +such, right on top of the ground, than any other State in the Union. +Why, right over there in the caņon of the Concho there's a hull ruined +Injun village—stones piled up in little circles, and what was huts and +caves and the leavin's of a old irrigatin' ditch and busted ollas, and +bones and arrow-heads and picture-writin' on the rocks—bears and +eagles and mounting-lions and hosses—scratched right on the rocks. +Them cliffs there is covered with it." +</P> + +<P> +"Them?" queried Sundown, pointing toward the caņon, "Do they charge +anything to see it?" +</P> + +<P> +"Well, seein' they been dead about a thousand years, I reckon not." +</P> + +<P> +"A thousand years! Huh! I ain't scared of no Injuns a thousand years +old. How far is it to them picture-things?" +</P> + +<P> +"'Bout three mile. You can take a hoss and mosey over if you like. +Figure on gettin' back 'round noon." +</P> + +<P> +"Any snakes over there?" +</P> + +<P> +"Comf'table thick. You might get a pretty good mess of 'em, if you was +to take your time. I never bother to look for 'em." +</P> + +<P> +Sundown gazed at his length of nether limb and sighed. +</P> + +<P> +"Snakes won't bother you none," said Wingle, reassuringly. "They get +tired, same as anybody, and they'd have to climb too fur to see if you +was to home." +</P> + +<P> +Sundown rose and saddled a horse. He mounted and rode slowly toward +the rim of the distant caņon. At the caņon's brink, he dismounted and +led his horse down the trail, stopping frequently to gaze in wonderment +at the painted cliffs and masses of red rock strewn along the slopes. +High up on the perpendicular face of the caņon walls he saw many caves +and wondered how they came to be there. "Makes a fella feel like +sayin' his prayers," he muttered. "Wisht I knowed one." +</P> + +<P> +He drifted on down the trail, which wound around huge fragments of rock +riven from the cliffs in prehistoric days. He was awed by the +immensity of the chasm and talked continuously to his horse which +shuffled along behind paying careful attention to the footing. Arrived +at the stream the horse drank. Sundown mounted and rode along the +narrow level paralleling the river course. The caņon widened, and +before he realized it he was in a narrow valley carpeted with +bunch-grass and dotted with solitary cypress and infrequent clumps of +pine. He paused to inspect a small mound of rock which was partially +surrounded by a wall of neatly laid stone. Within the semicircular +wall was a hole in the ground—the entrance to a cave. Farther along +he came upon the ruins of a walled square, unmistakably of human +construction. He became interested, and, tying his horse to a +scrub-cedar, began to dig among the loose stones covering the interior +of the square. He discovered a fragment of painted pottery—the +segment of an olla, smooth, dark red, and decorated with a design in +black. He rubbed the earth from the fragment and polished it on his +overalls. He unearthed a larger fragment and found that it matched the +other piece. He was happy. He forgot his surroundings, and scratched +and dug in the ruin until he accumulated quite a little pile of shards, +oddly marked and colored. Eventually he gathered up his spoils and +tied them in his handkerchief. +</P> + +<P> +Leaving his horse, he meandered down the valley until he came to +another and larger cave. "Wonder what's down there?" he soliloquized. +"Mebby one of them Injuns. Been there a thousand years waitin' for +somethin' to turn up. 'Nough to make a fella tired, waitin' that +long." He wanted to explore the cave, but he was afraid. Moreover, +the interior was dark. He pondered. Finally his natural fondness for +mild adventure overcame his fear. "Got some matches!" he exclaimed, +joyfully. "Wonder if it's deep? Guess I could put me legs in first, +and if nothin' bites me legs, why, I could follow 'em down to bottom." +He put his head in the hole. "Hey!" he hallooed, "are you in there?" +He rose to his feet. "Nothin' doin'. Well, here goes. I sure want to +see what's down there." +</P> + +<P> +In his excitement he overlooked the possibility of disturbing a torpid +rattler. He slid feet first into the cave, found that he could all but +stand upright, and struck a match. +</P> + +<BR> + +<P> +The ancient Hopis buried their dead in a sitting posture on a woven +grass mat, with an olla, and frequently a bone dagger, beside them. In +the clean, dry air of the uplands of Arizona the process of decay is +slow. Sundown, unaware of this, hardly anticipated that which +confronted him as the match flamed blue and flared up, lighting the +interior of the cave with instant brilliance. About six feet from +where he crouched was the dried and shriveled figure of a Hopi chief, +propped against the wall of the cave. Beside the figure stood the +painted olla untarnished by age. The dead Indian's head was bowed upon +his breast, and his skeleton arms, parchment-skinned and rigid, were +crossed upon his knees. +</P> + +<P> +Sundown scrambled for the circle of daylight above him. "Gee Gosh!" he +panted, as he got to his feet outside the cave. "It was him!" He +clambered over the circle of stones and backed away, eyeing the +entrance as though he expected to see the Hopi emerge at any moment. +He crouched behind a boulder, his pulses racing. He was keyed to a +high tension of expectancy. In fact, he was in a decidedly receptive +mood for that which immediately happened. He noticed that his horse, a +hundred yards or so up the valley, was circling the cedar and pulling +back on the reins. He wondered what was the matter with him. The +horse was usually a well-behaved animal. The explanation came rapidly. +Sundown saw the horse back and tear loose from the cedar; saw him whirl +and charge down the valley snorting. "Guess he seen one, too!" said +Sundown making no effort to check the frightened animal. Almost +immediately came the long-drawn bell of a dog following a hot scent. +Sundown turned from watching his vanishing steed and saw a huge +timber-wolf leap from a thicket. Behind the wolf came Chance, neck +outstretched, and flanks working at top speed. The wolf dodged a +boulder, flashing around it with no apparent loss of ground. Chance +rose over the boulder as though borne on the wind. The wolf turned and +snapped at him. Sundown decided instantly that the sepulcher of the +dead Hopi was preferable to the proximity of the live wolf, and he made +for the cave. +</P> + +<P> +The wolf circled the wall of stones and also made for the cave. +Sundown had arrived a little ahead of him. The top of Sundown's head +appeared for an instant; then vanished. The wolf backed snarling +against the wall as Chance leaped in. When Sundown's head again +appeared, the whirling mass of writhing fur and kicking legs had taken +more definite shape. Chance had fastened on the wolf's shoulder. The +wolf was slashing effectively at the dog's side. Presently they lay +down facing each other. Chance licked a long gash in his foreleg. The +wolf snapped as he lay and a red slaver dripped from his fangs. Not +twelve feet away, Sundown gazed upon the scene with fear-wide eyes. +"Go to it, Chance!" he quavered, and his encouragement was all but the +dog's undoing, for he lost the wolf's gaze for an instant, barely +turning in time to meet the vicious charge. Sundown groaned as the +wolf, with a slashing stroke, ripped the dog's neck from ear to +shoulder. The stones in the enclosure were spattered with red as they +whirled, each trying to reach the throat of the other. Suddenly Chance +leaped up and over the wolf, lunging for his neck as he descended. The +wolf rolled from under and backed toward the cave. "Hey!" yelled +Sundown. "You can't come in here!" +</P> + +<P> +Chance, weakened from loss of blood, lay watching the wolf as it +crouched tensely. Again the great gray shadow lunged and a bright +streak sprung up on the dog's side. "Gee Gosh!" whined Sundown; "he +can't stand much more of that!" Undoubtedly Chance knew it, for he +straight-way gathered himself and leaped in, diving low for the wolf's +fore leg. As the wolf turned his shoulder, Chance again sprang over +him and, descending, caught him just behind the ear, and held. The +wolf writhed and snarled. Chance gripped in and in, with each savage +shake of his head biting deeper. In a mighty effort to free himself +the wolf surged backward, dragging Chance around the enclosure. +Sundown, rising from the cave's mouth, crouched before it. "You got +him! You got him!" he cried. "Once more, now!" +</P> + +<P> +The body of the wolf quivered and sagged, then stiffened as if for a +last effort. Chance held. They were both lying on the stones now. +Chance with fore feet braced against the wolf's chest. Presently the +dog gave a final shake, drew back, and lay panting. From head to +flanks he was soaked with blood. The wolf was dead. +</P> + +<P> +Sundown stood up. "Good boy, Chance!" he said. The great, gaunt body +of the dog raised itself on trembling legs, the pride of the conqueror +lighting for a moment his dimming eyes. "It's me, Chance!" said +Sundown, stroking the dog's head. Chance wagged his tail and reaching +up his torn and bleeding muzzle licked Sundown's hand. Then slowly he +sank to the ground, breathed heavily, and rolled to his side. Sundown +knelt over him and unaccustomed tears ran down his lean cheeks and +dripped on the clotted fur. "You was some fighter, Chance, ole pal! +Gee Gosh! He's nothin' except cuts and slashes all over. Gee Gosh!" +He drew the dog's head to his lap and sat crooning weird, broken words +and stroking the torn ears. Suddenly he stopped and put his hand over +the dog's heart. Then he leaped to his feet and, dumping the fragments +of pottery from his bandanna, tore it in strips and began bandaging the +wounds. The gash on Chance's neck still bled. Sundown drew his knife +and cut the sleeve from his shirt. He ripped it open and bound the +dog's neck. Realizing that Chance was not dead, he became valiant. +"We sure put up the great scrap, didn't we, pal? We licked him! But +if he'd 'a' licked you…" And Sundown gazed at the still form of +the wolf and shuddered, not knowing that the wolf would have fled at +sight of him had he been able to get away from Chance. +</P> + +<BR> + +<P> +Two hours later, Eleanor Loring, riding along the caņon stream, met a +lean giant, one sleeve of his shirt gone, his hat missing, and his +hands splotched with blood. His eyes were wild, his face white and +set. He carried a great, shaggy dog in his arms. +</P> + +<P> +"Are you hurt?" she asked, swinging from her pony and coming to him. +</P> + +<P> +"Me? No, lady. But me pal here is hurt bad. Jest breathin'. Killed +a wolf back there. Mebby I can save him." +</P> + +<P> +"Why, it's Chance—of the Concho!" +</P> + +<P> +"Yes, lady. What is left of him." +</P> + +<P> +"Do you work for the Concho? Won't you take my horse?" +</P> + +<P> +"I'm assistant cook at the camp. No, thanks, lady. Ridin' might +joggle him and start him to bleedin'. I can carry him so he'll be +easier-like." +</P> + +<P> +"But how did it happen?" +</P> + +<P> +"I dunno. Chance chased the wolf and they went to it where I was +explorin' one of them caves. I guess I better be goin'." +</P> + +<P> +The girl reined her horse around and rode down the valley trail, +pausing occasionally to watch the tall figure climbing the caņon with +that shapeless burden in his arms. "I wonder if any other man on the +Concho would have done that?" she asked herself. And Sundown, despite +his more or less terrifying appearance, won her estimation for kindness +at once. +</P> + +<P> +Slowly he climbed the caņon trail, resting at each level. The dog hung +a limp, dead weight in his arms. Midway up the trail Sundown rested +again, and gazed down into the valley. He imagined he could discern +the place of the fight. "That there wolf," he soliloquized, "he was +some fighter, too. Mebby he didn't like to get licked any more than +Chance, here. Wonder what they was fightin' about? I dunno. But, Gee +Gosh, she was one dandy scrap!" +</P> + +<P> +At the top of the caņon wall he again rested. He expected to be +discharged for being late, but solaced himself with the thought that if +he could save Chance, it was worth the risk. +</P> + +<P> +The riders had returned to the chuck-wagon when Sundown arrived lugging +the inert body of the wolf-dog. They gathered around and asked brief +questions. Sundown, busy washing the dog's wounds, answered as well as +he could. His account of the fight did not suffer for lack of +embellishment, and while he did not absolutely state that he had taken +a hand in the fight, his story implied it. +</P> + +<P> +"Don't see nothin' on you to show you been in a scrap," remarked a +young puncher. +</P> + +<P> +"That's because you can't see in deep enough," retorted Sundown. "If I +wasn't in every jump of that fight, me heart was." +</P> + +<P> +"Better shoot him and put him out of his sufferin'," suggested the +puncher. +</P> + +<P> +Sundown rose from beside the dog. Shoot Chance? Not so long as he +could keep between the dog and the cowboy's gun. The puncher, half in +jest, reached for his holster. Sundown's overwrought nerves gave way. +He dropped to his knees and lifted his long arms imploringly. "Don't! +Don't!" he wailed. "He ain't dead! Don't shoot my pal!" +</P> + +<P> +Bud Shoop, who had kept silent, shouldered the puncher aside. "Cut it +out, Sinker," he growled. "Can't you sabe that Sundown means it?" +</P> + +<BR> + +<P> +Later in the evening, and fortified with a hearty meal. Sundown gave a +revised version of the fight, wherein his participation was modified, +though the story lost nothing in re-telling. And, indeed, his own +achievement, of lugging Chance up the caņon trail, awakened a kind of +respect among the easy-going cowboys. To carry an eighty-pound dog up +that trail took sand! Again Sundown had unconsciously won their +respect. Nothing was said about his late return. And his horse had +found its way back to the camp. +</P> + +<BR> + +<P> +Sometime in the night, Bud Shoop was awakened by the man next him. +</P> + +<P> +"What's goin' on?" queried Shoop, rising on his elbow. +</P> + +<P> +"Ask me again," said the puncher. "Listen!" +</P> + +<P> +From the vicinity of the wagon came the gurgle of water and then a +distinctly canine sneeze. +</P> + +<P> +"Dinged if he ain't fussin' with that dog again!" grumbled Shoop. "The +dam' fool!" Which, as it is the spirit which giveth life to the +letter, was not altogether uncomplimentary. +</P> + +<BR><BR><BR> + +<A NAME="chap12"></A> +<H2 ALIGN="center"> +CHAPTER XII +</H2> + +<H3 ALIGN="center"> +A GIFT +</H3> + +<P> +Warned by John Corliss of Loring's evident intent to graze his sheep on +the west side of the Concho River, the cattle-men held a quiet meeting +at the ranch of the Concho and voted unanimously to round up a month +earlier than usual. The market was at a fair level. Beef was in +demand. Moreover, the round-up would, by the mere physical presence of +the riders and the cattle, check for the time being any such move as +Loring contemplated, as the camps would be at the ford. Meanwhile the +cattle-men again petitioned the Ranger at Antelope to stir up the +service at Washington in regard to grazing allotments. +</P> + +<P> +The round-up began. The Concho outfit moved camp to the ford and +Sundown had his first introduction to real work. From morning till +night and far into the night the fires were going. Groups of belated +riders swung in and made for the chuck-wagons. Sundown, following a +strenuous eighteen hours of uninterrupted toil, solemnly borrowed a +piece of "tarp" from his outfit on which he lettered the legend:— +</P> + +<P CLASS="noindent"> + "CAFE DE CONCHO—MEELS AT ALL<BR> + HOURS—PRIVIT TABELS FOR LADYS" +</P> + +<P> +He hung the tarp in a conspicuous place and retired to rest. The +following morning his efforts were applauded with much picturesque +expletive, and even criticism was evoked by a lean puncher who insisted +"that the tall guy might be a good cook all right, but he sure didn't +know how to spell 'calf.'" Naturally the puncher's erudition leaned +toward cattle and the range. +</P> + +<P> +At all times conspicuous, for he topped by a head and shoulders the +tallest rider on the range. Sundown became doubly conspicuous as the +story of his experience with the hold-ups and his rescue of Chance +became known. If he strutted, it was pardonable, for he strutted among +men difficult to wrest approval from, and he had won their approval. +</P> + +<P> +At Hi Wingle's suggestion, he "packed a gun"—a formidable .45 lent him +by that gracious individual, for it grieved the solid Wingle's soul to +see so notable a character go unarmed. Sundown, like many a wiser man, +was not indifferent to the effect of clothing and equipment. Obliged +frequently to relate his midnight adventure with the robbers, he became +a past-master in the art of dramatic expression. "If I'd 'a' had me +gun with me," he was wont to say, slapping the holster significantly, +"the deal might 'a' turned out different. I reckon it's luck I +didn't." Which may have been true enough, for Sundown would +undoubtedly have been afraid to use the weapon and Fadeaway might have +misunderstood his bungling. +</P> + +<P> +In his spare time he built a lean-to of odds and ends, and beneath it +Chance drowsed away the long, sunny hours while Sundown was rustling +firewood or holding hot argument with an obstreperous dutch-oven. And +Chance became the pet and the pride of the outfit. Riders from distant +ranches would stray over to the lean-to and look at him, commenting on +his size and elaborating on the fact that it usually took two of the +best dogs ever whelped to pull down a timber-wolf. +</P> + +<P> +Even Fadeaway, now riding for the Blue, became enthusiastic and boasted +of his former friendship with Chance. When he essayed the intimacy of +patting the dog's head, some of the onlookers doubted him, for Chance +received these overtures with a deep-throated growl. +</P> + +<P> +"He won't let nobody touch him but that Sundown gent," cautioned a +bystander. +</P> + +<P> +"Guess he's loco since he got chewed up," said Fadeaway, retreating. +</P> + +<P> +Chance licked his wounds and recovered slowly. He would lie in the +sun, watching with unwinking gaze the camp and the cluster of men about +it until the form of Sundown loomed through the mass. Then he would +beat the ground with his tail and whine expectantly. As he became +stronger, he ventured to stretch his wound-stiffened muscles in short +pilgrimages to the camp, where the men welcomed him with hearty and +profane zest. Was he not the slayer of their enemy's sheep and the +killer of the timber-wolf? Eventually he was presented with a broad +collar studded with brass spikes, and engraved upon it was the +sanguinary and somewhat ambiguous legend: "Chance—The Killer of the +Concho." +</P> + +<BR> + +<P> +John Corliss, visiting the round-up, rode over to Sundown's tepee, as +it was called. The assistant cook was greasing Chance's wounds. +</P> + +<P> +"How is he getting along?" asked Corliss. +</P> + +<P> +"Fine, boss, fine! This here is some little ole red-cross ward, +believe me! He's gettin' over bein' lame and he eats regular." +</P> + +<P> +"Here, Chance!" called Corliss. +</P> + +<P> +The dog rose stiffly and stalked to his master, smelt of him and wagged +his tail, then stood with lowered head as though pondering some serious +dog-logic. +</P> + +<P> +"He's kind of queer," explained Sundown, "but he's a whole pile better +than he was a spell ago. Had to bring him water and feed him like a +baby cuttin' teeth—though I never seen one doin' that. He wouldn't +let nobody touch him 'ceptin' me." +</P> + +<P> +"Is he able to travel?" +</P> + +<P> +"Oh, some." +</P> + +<P> +"Think he could make it to the Concho?" +</P> + +<P> +Sundown hesitated. "Mebby. Yes, I reckon he could. He can run all +right, only I guess he kind of likes hangin' around me." And Sundown +glanced sideways at Corliss. +</P> + +<P> +"He seems all right. I guess I'll take him back with me. I don't like +the idea of his running loose here." +</P> + +<P> +"He ain't bitin' nobody," assured Sundown. +</P> + +<P> +Corliss glanced shrewdly at the other's lean, questioning face. "Guess +you won't miss him much. How are you making it?" +</P> + +<P> +"Me? Fine! Reckon I'll take out me papers for a full-chested range +cook afore long. You see the L.D. outfit says that I could have a job +with them after the round-up. It kind of leaked out about them pies. +'Course they was joshin', mebby. I dunno." +</P> + +<P> +"The L.D. boys are all right," said Corliss. "If you want to make a +change—" +</P> + +<P> +"See here, boss! I done some ramblin' in my time. Guess because I was +lookin' for somethin' new and excitin'. Well, I reckon they's plenty +new and excitin' right to home on the Concho. Any time I get tired of +fallin' off hosses, and gettin' beat up, and mixin' up in dog and wolf +fights, why, I can go to bustin' broncos to keep me from goin' to +sleep. Then Chance there, he needs lookin' after." +</P> + +<P> +Corliss seemingly ignored the gentle hint. He mounted and called to +the dog. Chance made no movement to follow him. Corliss frowned. +"Here, Chance!" he commanded, slapping his thigh with his gauntleted +hand. The dog followed at the horse's heels as Corliss rode across the +hard-packed circle around the camp. Sundown's throat tightened. His +pal was gone. +</P> + +<P> +He puttered about, straightening the blankets. "Gee Gosh! but this +here shack looks empty! Never knowed sick folks could be so much +comp'ny. And Chance is folks, all right. Talk about blue blood! Huh! +I reckon a thoroughbred dog is prouder than common folks, like me. +Some king, he was! Layin' there lookin' out at them punchers and his +eyes sad-like and proud, and turnin' his head slow, watchin' 'em like +they was workin' for him. They's somethin' about class that gets a +fella, even in a dog. And most folks knows it, but won't let on." +</P> + +<P> +He took Chance's drinking-basin—a bread-pan appropriated from the +outfit—and the frayed saddle-blanket that had been the dog's bed, and +carried them to the cottonwoods edging the river. There he hid the +things. He returned to the lean-to and threw himself on his blankets. +He felt as though he had just buried a friend. A cowboy strolled up +and squatted in front of the lean-to. He gazed at the interior, nodded +to Sundown, and rolled a cigarette. He smoked for a while, glanced up +at the sky, peered round the camp, and shrugged his shoulders. +</P> + +<P> +Sundown nodded. "You said it all, Joe. He's gone." +</P> + +<P> +The cowboy blew rings of smoke, watching them spread and dissolve in +the evening air. "Had a hoss onct," he began slowly,—"ornery, +glass-eyed, she-colt that got mixed up in a bob-wire fence. Seein' as +she was like to make the buzzards happy 'most any day, I took to +nussin' her. Me, Joe Scott, eh? And a laugh comin'. Well, the boys +joshed—mebby you hearn some of 'em call me Doc. That's why. The boys +joshed and went around like they was in a horsepital, quiet and +steppin' catty. I could write a book out of them joshin's and sell +her, if I could write her with a brandin'-iron or a rope. Anyhow, the +colt she gets well and I turns her out on the range, which ought to be +the end of the story, but it ain't. She come nickerin' after me like I +was her man, hangin' around when I showed up at the ranch jest like I +was a millionaire and she wantin' to get married. Couldn't get shet of +her. So one day I ropes her and says to myself I'll make a trick hoss +of her and sell her. The fust trick she done wasn't the one I reckoned +to learn her. She lifted me one in the jeans and I like to lost all +the teeth in my head. 'You're welcome, lady,' says I, 'for this here +'fectionate token of thanks for my nussin' and gettin' joshed to +fare-ye-well. Bein' set on learnin' her, I shortened the rope and let +her kick a few holes in the climate. When she got tired of that, I +begins workin' on her head, easy-like and talkin' kind. Fust thing I +knowed she takes a san'wich out of my shirt, the meat part bein' a +piece of my hide. Then I got riled. I lit into her with the boots, +and we had it. When I got tired of exercisin' my feet, she comes to me +rubbin' her nose ag'in' me and kind of nickerin' and lovin' up +tremendous, bein' a she-hoss. 'Now,' says I, 'I'm goin' to do the +courtin', sister.' And I sot out to learn her to shake hands. She got +most as good as a state senator at it: purfessional-like, but not real +glad to see you. Jest put on. Then I learns her to nod yes. That was +hard. Then I gets her so she would lay down and stay till I told her +to get up. 'Course it takes time and I didn't have the time reg'lar. +I feeds her every time, though. Then she took to sleepin' ag'in' the +bunk-house every night, seein' as she run loose jest like a dog. When +somebody'd get up in the mornin', there she would be with her eyes +lookin' in the winder, shinin', and her ears lookin' in, too. You see +she was waitin' for her beau to come out, which was me. She took to +followin' me on the range when I rid out, and she got fat and sizable. +The boys give up joshin' and got kind of interested. But that ain't +what I'm gettin' at. Come one day, about two year after I'd been +monkeyin' with learnin' her her lessons, when I thinks to break her to +ride. I got shet of the idea of sellin' her and was goin' to keep her +myself. The boys was lookin' for to see me get piled, always figurin' +a pet hoss was worse to break than a bronc. She did some fussin', but +she never bucked—never pitched a move. Thinks I, I sure got a winner. +Next day she was gone. Never seen her after that. Trailed all over +the range, but she sure vamoosed. And nobody never seen her after +that. She sure made a dent in my feelin's." +</P> + +<P> +Sundown sat up blinking. "I reckon that's the difference between a +hoss and a dog," he said, slowly. "Now, a hoss and me ain't what you'd +call a nacheral combination. And a hoss gets away and don't come back. +But a dog comes back every time, if he can. 'Most any hoss will stay +where the feedin' is good, but a dog won't. He wants to be where his +boss is." +</P> + +<P> +"And that there Chance is with the boss," said the cowboy, gesturing +toward the north. "Seen him foller him down the trail." +</P> + +<P> +Sundown nodded. The cowboy departed, swaggering away in the dusk. +</P> + +<P> +Just before Sundown was called to take his turn with the night-shift, a +lean, brown shape tore through the camp, upsetting a pot of frijoles +and otherwise disturbing the peace and order of the culinary department. +</P> + +<P> +"Coyote!" shouted Wingle, vainly reaching for the gun that he had given +to Sundown. +</P> + +<P> +"Coyote nothin'!" said a puncher, laughing. "It's the Killer come back +hot-foot to find his pardner." +</P> + +<P> +Chance bounded into the lean-to: it was empty. He sniffed at the place +where his bed had once been, found Sundown's tracks and followed them +toward the river. Sundown was on his knees pawing over something that +looked very much like a torn and frayed saddle-blanket. Chance +volleyed into him, biting playfully at his sleeve, and whining. +</P> + +<P> +Sundown jumped to his feet. He stood speechless. Then a slow grin +crept to his face. "Gee Gosh!" he said, softly. "Gee Gosh! It's you!" +</P> + +<P> +Chance lay down panting. He had come far and fast. Sundown gathered +up the blanket and pan, rose and marched to the shack. "I was airin' +'em out against your comin' back," he explained, untruthfully. The +fact was that he could not bear to see the empty bed in the lean-to and +had hidden it in the bushes. +</P> + +<P> +The dog watched him spread the blanket, but would not lie down. +Instead he followed Sundown to the camp and found a place under the +chuck-wagon, where he watched his lean companion work over the fires +until midnight. If Sundown disappeared for a minute in search of +something. Chance was up and at his heels. Hi Wingle expressed +himself profanely in regard to the return of the dog, adding with +unction, "There's a pair of 'em; a pair of 'em." Which ambiguity +seemed to satisfy him immensely. +</P> + +<P> +When Sundown finally returned to the lean-to, he was too happy to +sleep. He built a small fire, rolled a cigarette and sat gazing into +the flames. Chance sat beside him, proud, dignified, contented. +Sundown became drowsy and slept, his head fallen forward and his lean +arms crossed upon his knees. Chance waited patiently for him to waken. +Finally the dog nuzzled Sundown's arm with little jerks of impatience. +"What's bitin' you now?" mumbled Sundown. "We're here, ain't we?" +Nevertheless he slipped his arm around the dog's muscular shoulders and +talked to him. "How'd you get away? The boss'll raise peelin's over +this, Chance. It ain't like to set good with him." He noticed that +Chance frequently scratched at his collar as though it irritated him. +Finally he slipped his fingers under the collar. "Suthin' got ketched +in here," he said, unbuckling the strap. Tied inside the collar was a +folded piece of paper. Sundown was about to throw it away when he +reconsidered and unfolded it. In the flickering light of the fire he +spread the paper and read laboriously:— +</P> + +<BR> + +<P CLASS="noindent"> +"Chance followed me to the Concho because I made him come. He showed +that he didn't want to stay. I let him go. If he gets back to you, +keep him. He is yours. +</P> + +<P CLASS="noindent"> +"JOHN CORLISS." +</P> + +<BR> + +<P> +Sundown folded the note and carefully tucked it in his pocket. He rose +and slapped his chest grandiloquently. "Chance, ole pal," he said with +a brave gesture, "you're mine! Got the dockyments to show. What do +you think?" +</P> + +<P> +Chance, with mouth open and lolling tongue, seemed to be laughing. +</P> + +<P> +Sundown reached out his long arm as one who greets a friend. +</P> + +<P> +The dog extended his muscular fore leg and solemnly placed his paw in +Sundown's hand. No document was required to substantiate his +allegiance to his new master, nor his new master's title to ownership. +Despite genealogy, each was in his way a thoroughbred. +</P> + +<BR><BR><BR> + +<A NAME="chap13"></A> +<H2 ALIGN="center"> +CHAPTER XIII +</H2> + +<H3 ALIGN="center"> +SUNDOWN, VAQUERO +</H3> + +<P> +The strenuous days of the round-up were over. Bands of riders departed +for their distant ranches leaving a few of their number to ride line +and incidentally to keep a vigilant eye On the sheep-camps. +</P> + +<P> +David Loring, realizing that he had been checkmated in the first move +of the game in which cattle and sheep were the pawns and cowboys and +herders the castles, knights, and, stretching the metaphor a bit, +bishops, tacitly admitted defeat and employed a diagonal to draw the +cattle-men's forces elsewhere. He determined to locate on the +abandoned water-hole ranch, homestead it, and, by so doing, cut off the +supply of water necessary to the cattle on the west side of the Concho +River. This would be entering the enemy's territory with a vengeance, +yet there was no law prohibiting his homesteading the ranch, the title +of which had reverted to the Government. Too shrewd to risk legal +entanglement by placing one of his employees on the homestead, he +decided to have his daughter file application, and nothing forbade her +employing whom she chose to do the necessary work to prove up. The +plan appealed to the girl for various reasons, one of which was that +she might, by her presence, avert the long-threatened war between the +two factions. +</P> + +<P> +Sundown and, indirectly, Fadeaway precipitated the impending trouble. +Fadeaway, riding for the Blue, was left with a companion to ride line +on the mesas. Sundown, although very much unlike Othello, found that +his occupation was gone. Assistant cooks were a drug on the range. He +was equipped with a better horse, a rope, quirt, slicker, and +instructions to cover daily a strip of territory between the Concho and +the sheep-camps. He became in fact an itinerant patrol, his mere +physical presence on the line being all that was required of him. +</P> + +<BR> + +<P> +It was the Seņora Loring who drove to the Concho one morning and was +welcomed by Corliss to whom she gave the little sack of gold. She told +him all that he wished to know in regard to his brother Will, pleading +for him with motherly gentleness. Corliss assured her that he felt no +anger toward his brother, but rather solicitude, and made her happy by +his generous attitude toward the wrongdoer. He had already heard that +his brother had driven to Antelope and taken the train for the West. +His great regret was that Will had not written to him or come to him +directly, instead of leaving to the good Seņora the task of +explanation. "Never figured that repenting by proxy was the best +plan," he told the Seņora. "But he couldn't have chosen a better +proxy." At which she smiled, and in departing blessed him in her +sincere and simple manner, assuring him in turn that should the sheep +and cattle ever come to an understanding—the Spanish for which +embraced the larger aspect of the problem—there was nothing she +desired or prayed for more than the friendship and presence of Corliss +at the Loring hacienda. Corliss drew his own inference from this, +which was a pleasant one. He felt that he had a friend at court, yet +explained humorously that sheep and cattle were not by nature fitted to +occupy the same territory. He was alive to sentiment, but more keen +than ever to maintain his position unalterably so far as business was +concerned. The Seņora liked him none the less for this. To her he was +a man who stood straight, on both feet, and faced the sun. Her +daughter Nell… Ah, the big Juan Corliss has such a fine way with +him… what a husband for any woman! In the mean time… only +thoughts, hopes were possible… yet… maņana… maņana… +there was always to-morrow that would be a brighter day. +</P> + +<P> +To say that Sundown was proud of his unaccustomed regalia from the +crown of his lofty Stetson to the soles of his high-heeled +riding-boots, would be putting it mildly. To say that he was +especially useful in his new calling as vaquero would not be to put it +so mildly. Under the more or less profane tutelage of his companions, +he learned to throw a rope after a fashion, taking the laughing sallies +of his comrades good-naturedly. He persevered. He was forever +stealing upon some maternal and unsuspicious cow and launching his rope +at her with a wild shout—possibly as an anticipatory expression of +fear in case his rope should fall true. More than once he had been +yanked bodily from the saddle and had arisen to find himself minus +rope, cow, and pony, for no self-respecting cow-horse could watch +Sundown's unprecedented evolutions and not depart thitherward, feeling +ashamed and grieved to think that he had ever lived to be a horse. And +Sundown, despite his length of limb, seemed unbreakable. "He's the +most durable rider on the range," remarked Hi Wingle, incident to one +of his late assistant's meteoric departures from the saddle. "He wears +good." +</P> + +<P> +One morning as Sundown was jogging along, engaged chiefly in watching +his shadow bob up and down across the wavering bunch-grass, he saw that +which appeared to be the back of a cow just over a rise. He walked his +horse to the rise and for some fantastic reason decided to rope the +cow. He swung his rope. It fell true—in fact, too true, for it +encircled the animal's neck and looped tight just where the neck joins +the shoulders. He took a turn of the rope around the saddle horn. At +last he had mastered the knack of the thing! Why, it was as easy as +rolling pie-crust! He was about to wonder what he was going to do +next, when the cow—which happened to be a large and active +steer—humped itself and departed for realms unknown. +</P> + +<P> +With the perversity of inanimate objects the rope flipped in a loop +around Sundown's foot. The horse bucked, just once, and Sundown was +launched on a new and promising career. The ground shot beneath him. +He clutched wildly at the bunch-grass, secured some, and took it along +with him. Chance, who always accompanied Sundown, raced alongside, +enjoying the novelty of the thing. He barked and then shot ahead, +nipping at the steer's heels, and this did not add to his master's +prospects of ultimate survival. Sundown shouted for help when he +could, which was not often. Startled prairie-dogs disappeared in their +holes as the mad trio shot past. The steer, becoming warmed up to his +work, paid little attention to direction and much to speed. That a +band of sheep were grazing ahead made no difference to the charging +steer. He plunged into the band. Sundown dimly saw a sea of sheep +surge around him and break in storm-tossed waves of wool on either +side. He heard some one shout. Then he fainted. +</P> + +<P> +When he again beheld the sun, a girl was kneeling beside him, a girl +with dark, troubled eyes. She offered him wine from a wicker jug. He +drank and felt better. +</P> + +<P> +"Are you hurt badly?" she asked. +</P> + +<P> +"Am—I—all here?" queried Sundown. +</P> + +<P> +"I guess so. You seem to be." +</P> + +<P> +"Was anybody else killed in the wreck?" +</P> + +<P> +The girl smiled. "You're feeling better. Let me help you to sit up." +</P> + +<P> +Sundown for the moment felt disinclined to move. He was in fact pretty +thoroughly used up. "Say, did he win?" he queried finally. +</P> + +<P> +"Who?" +</P> + +<P> +"Me dog, Chance. I got the start at first, but he kind of got ahead +for a spell." +</P> + +<P> +"I don't know. Chance is right behind you. He's out of breath." +</P> + +<P> +"Huh! Reckon I'm out more'n that. He's in luck this trip." +</P> + +<P> +"How did it happen?" +</P> + +<P> +"That's what I'm wonderin', lady. And say, would you be so kind as to +tell me which way is north?" +</P> + +<P> +Despite her solicitude for the recumbent Sundown, Eleanor Loring +laughed. "You are in one of the sheep-camps. I'm Eleanor Loring." +</P> + +<P> +"Sheep-camp? Gee Gosh! Did you stop me?" +</P> + +<P> +"Yes. I was just riding into camp when you—er—arrived. I headed the +steer back and Fernando cut the rope." +</P> + +<P> +"Thanks, miss. And Fernando is wise to his business, all right." +</P> + +<P> +"Can you sit up now?" she asked. +</P> + +<P> +"Ow! I guess I can. That part of me wasn't expectin' to be moved +sudden-like. How'd I get under these trees?" +</P> + +<P> +"Fernando carried you." +</P> + +<P> +"Well, little old Fernando is some carrier. Where is he? I wouldn't +mind shakin' hands with that gent." +</P> + +<P> +"He's out after the sheep. The steer stampeded them." +</P> + +<P> +"Well, miss, speakin' from me heart—that there steer was no lady. I +thought she was till I roped him. I was mistook serious." +</P> + +<P> +"He might have killed you. Let me help you up." +</P> + +<P> +Sundown had been endeavoring to get to his feet. Finally he rose and +leaned against a tree. Fortunately for him his course had been over a +stretch of yielding bunch-grass, and not, as might have been the case, +over the ragged tufa. As it was his shirt hung from his back in +shreds, and he felt that his overalls were not all that their name +implied. The numbness of his abrasions and bruises was wearing off. +The pain quickened his senses. He realized that his hat was missing, +that one spur was gone and the other was half-way up his leg. He was +not pleased with his appearance, and determined to "make a slope" as +gracefully and as quickly as circumstances would permit. +</P> + +<P> +Chance, gnawing at a burr that had stuck between his toes, saw his +master rise. He leaped toward Sundown and stood waiting for more fun. +</P> + +<P> +"Chance seems all right now," said the girl, patting the dog's head. +</P> + +<P> +"John Corliss give him to me, miss. He's my dog now. Yes, he's active +all right, 'specially chasin' steers." +</P> + +<P> +"I remember you. You're the man that carried Chance up the caņon trail +that day when he was hurt." +</P> + +<P> +"Yes, miss. He ain't forgettin' either." +</P> + +<P> +The girl studied Sundown's lean face as he gazed across the mesas, +wondering how he was going to make his exit without calling undue +attention to his dearth of raiment. She had heard that this man, this +queer, ungainly outlander, had been companion to Will Corliss. She had +also heard that Sundown had been injured when the robbery occurred. +Pensively she drew her empty gauntlet through her fingers. +</P> + +<P> +"Do you know who took the money—that night?" she asked suddenly, and +Sundown straightened and gazed at her. +</P> + +<P> +He blinked and coughed. "Bein' no hand to lie to a lady, I do," he +said, simply. "But I can't tell, even if you did save me life from +that there steer." +</P> + +<P> +She bit her lips, and nodded. "I didn't really mean to ask. I was +curious to know. Won't you take my horse? You can send him back +to-morrow." +</P> + +<P> +"And you beat it home afoot? Say, lady, I mebby been a Bo onct, but I +ain't hurt that bad. If I can't find me trail back to where I started +from, it won't be because it ain't there. Thanks, jest the same." +</P> + +<P> +Sundown essayed a step, halted and groaned. He felt of himself +gingerly. He did not seem to be injured in any special place, as he +ached equally all over. "I'll be goin', lady. I say thanks for savin' +me life." +</P> + +<P> +The girl smiled and nodded. "Will you please tell Mr. Corliss that I +should like to see him, to-morrow, at Fernando's camp? I think he'll +understand." +</P> + +<P> +"Sure, miss! I'll tell him. That Fernando man looks to be havin' some +trouble with them sheep." +</P> + +<P> +The girl glanced toward the mesa. Fernando and his assistant were +herding the sheep closer, and despite their activity were really +getting the frightened animals bunched well. When she turned again +Sundown had disappeared. +</P> + +<BR> + +<P> +Sundown's arrival in camp, on foot, was not altogether unexpected. One +of the men had seen a riderless horse grazing on the mesa, and had +ridden out and caught it. Circumstantial evidence—rider and rope +missing—confirmed Hi Wingle's remark that "that there walkin' +clothes-pin has probably roped somethin' at last." And the "walking +clothes-pin's" condition when he appeared seemed to substantiate the +cook's theory. +</P> + +<P> +"Lose your rope?" queried Wingle as Sundown limped up. +</P> + +<P> +"Uhuh. And that ain't all. You ain't got a pair of pants that ain't +working have you?" +</P> + +<P> +Wingle smiled. "Pants? Think this here's a Jew clothin'-store?" +</P> + +<P> +"Nope. But if she was a horsepital now—" +</P> + +<P> +"Been visitin'?" +</P> + +<P> +"Uhuh. I jest run over to see some friends of mine in a sheep-camp." +</P> + +<P> +"Did, eh? And mebby you can tell me what you run over?" +</P> + +<P> +"'Most everything out there," said Sundown, pointing to the mesa. +"Say, you ain't got any of that plaster like they put on a guy's head +when he gets hit with a brick?" +</P> + +<P> +"Nope. But I got salt." +</P> + +<P> +"And pepper," concluded Sundown with some sarcasm. "Mebby I do look +like a barbecue." +</P> + +<P> +"Straight, Sun, salt and water is mighty healin'. You better ride over +to the Concho and get fixed up." +</P> + +<P> +"Reckon that ain't no dream, Hi. Got to see the boss, anyhow." +</P> + +<P> +"Well, 'anyhow' is correc'. And, say, you want to see him first and +tell him it's you. Your hoss is tied over there. Sinker fetched him +in." +</P> + +<P> +"Hoss? Oh, yes, hoss! My hoss! Uhuh!" +</P> + +<P> +With this somewhat ambiguous string of ejaculations Sundown limped +toward the pony. He turned when halfway there and called to Wingle. +"The cattle business is fine, Hi, fine, but between you and me I reckon +I'll invest in sheep. A fella is like to live longer." +</P> + +<P> +Wingle stared gravely at the tall and tattered figure. He stared +gravely, but inwardly he shook with laughter. "Say, Sun!" he managed +to exclaim finally, "that there Nell Loring is a right fine gal, ain't +she?" +</P> + +<P> +"You bet!" +</P> + +<P> +"And Jack ain't the worst…" Wingle spat and chewed ruminatively. +"No, he ain't the worst," he asserted again. +</P> + +<P> +"I dunno what that's got to do with gettin' drug sixteen mile," said +Sundown. "But, anyhow, you're right." +</P> + +<BR><BR><BR> + +<A NAME="chap14"></A> +<H2 ALIGN="center"> +CHAPTER XIV +</H2> + +<H3 ALIGN="center"> +ON THE TRAIL TO THE BLUE +</H3> + +<P> +In the shade of the forest that edged the mesa, and just back of +Fernando's camp, a Ranger trail cuts through a patch of quaking-asp and +meanders through the heavy-timbered land toward the Blue range, a +spruce-clad ridge of southern hills. Close to the trail two saddle +horses were tied. +</P> + +<P> +Fadeaway, riding toward his home ranch on the "Blue," reined up, eyed +the horses, and grinned. One of them was Chinook, the other Eleanor +Loring's black-and-white pinto, Challenge. The cowboy bent in his +saddle and peered through the aspens toward the sheep-camp. He saw +Corliss and Nell Loring standing close together, evidently discussing +something of more than usual import, for at that moment John Corliss +had raised his broad Stetson as though bidding farewell to the girl, +but she had caught his arm as he turned and was clinging to him. Her +attitude was that of one supplicating, coaxing, imploring. Fadeaway, +with a vicious twist to his mouth, spat. "The cattle business and the +sheep business looks like they was goin' into partnership," he +muttered. "Leave it to a woman to fool a man every time. And him +pertendin' to be all for the long-horns!" He saw the girl turn from +Corliss, bury her face in her arms, and lean against the tree beneath +which they were standing. Fadeaway grinned. "Women are all crooked, +when they want to be," he remarked,—"or any I ever knowed. If they +can't work a guy by talkin' and lovin', then they take to cryin'." +</P> + +<P> +Just then Corliss stepped to the girl and put his hand on her shoulder. +Again she turned to him. He took her hands and held them while he +talked. Fadeaway could see her lips move, evidently in reply. He +could not hear what was being said, as his horse was restless, fretting +and stamping. The saddle creaked. Fadeaway jerked the horse up, and +in the momentary silence he caught the word "love." +</P> + +<P> +"Makes me sick!" he said, spurring forward. "'Love,' eh? Well, mebby +my little idea of puttin' Billy Corliss in wrong didn't work, but I'll +hand Jack a jolt that'll make him think of somethin' else besides love, +one of these fine mornin's!" And the cowboy rode on, out of tune with +the peace and beauty of his surroundings, his whole being centered upon +making trouble for a man who he knew in his heart wished him no ill, +and in fact had all but forgotten him so far as considering him either +as an enemy or a friend. +</P> + +<P> +Just as he was about to swing out to the open of the mesa near the edge +of the caņon, he came upon a Mexican boy asleep beneath the low +branches of a spruce. Fadeaway glanced across the mesa and, as he had +expected, saw a band of sheep grazing in the sunshine. His trail ran +directly toward the sheep. Beyond lay the caņon. He would not ride +around a herd of sheep that blocked his trail, not if he knew it! As +he drew nearer the sheep they bunched, forcing those ahead to move on. +Fadeaway glanced back at the sleeping boy, then set spur to his horse +and waved his sombrero. The sheep broke into a trot. He rode back and +forth behind them forcing them toward the caņon. He beat upon his +rolled slicker with his quirt. The sound frenzied the sheep and they +leaped forward. Lambs, trailing behind, called dolefully to the +plunging ewes that trampled each other in their terror. Again the +cowboy glanced back. No one was in sight. He wondered, for an +instant, what had become of Fernando, for he knew it was Fernando's +herd. He shortened rein and spurred his pony, making him rear. The +sheep plunged ahead, those in front swerving as they came to the +caņon's brink. The crowding mass behind forced them on. Fadeaway +reined up. A great gray wave rolled over the cliff and disappeared +into the soundless chasm. A thousand feet below lay the mangled +carcasses of some five hundred sheep and lambs. A scattered few of the +band had turned and were trotting aimlessly along the edge of the mesa. +They separated as the rider swept up. One terror-stricken lamb, +bleating piteously, hesitated on the very edge of the chasm. Fadeaway +swung his hat and laughed as the little creature reared and leaped out +into space. There had been but little noise—an occasional frightened +bleat, a drumming of hoofs on the mesa, and they were swept from sight. +</P> + +<P> +Fadeaway reined around and took a direct line for the nearest timber. +Halfway across the open he saw the Mexican boy running toward him. He +leaned forward in the saddle and hung his spurs in his pony's sides. A +quick beat of hoofs and he was within the shadow of the forest. The +next thing was to avoid pursuit. He changed his course and rode toward +the heart of the forest. He would take an old and untraveled +bridle-trail to the Blue. He was riding in a rocky hollow when he +thought he heard the creak of saddle-leather. He glanced back. No one +was following him. Farther on he stopped. He was certain that he had +again heard the sound. As he topped the rise he saw Corliss riding +toward him. The rancher had evidently swung from the Concho trail and +was making his way directly toward the unused trail which Fadeaway +rode. The cowboy became doubly alert. He shifted a little in the +saddle, sitting straight, his right hand resting easily on his hip. +Corliss drew rein and they faced each other. There was something about +the rancher's grim, silent attitude that warned Fadeaway. +</P> + +<P> +Yet he grinned and waved a greeting. "How!" he said, as though he were +meeting an old friend. +</P> + +<P> +Corliss nodded briefly. He sat gazing at Fadeaway with an unreadable +expression. +</P> + +<P> +"Got the lock-jaw?" queried Fadeaway, his pretended heartiness +vanishing. +</P> + +<P> +Corliss allowed himself to smile, a very little. "You better ride back +with me," he said, quietly. +</P> + +<P> +Fadeaway laughed. "I'm takin' orders from the Blue, these days," he +said. "Mebby you forgot." +</P> + +<P> +"No, I haven't." +</P> + +<P> +"And I'm headed for the Blue," continued the cowboy. "Goin' my way?" +</P> + +<P> +"You're on the wrong trail," asserted Corliss. "You've been riding the +wrong trail ever since you left the Concho." +</P> + +<P> +"Uhuh. Well, I been keepin' clear of the sheep camps, at that." +</P> + +<P> +"Don't know about that," said Corliss, easily. +</P> + +<P> +Fadeaway was too shrewd to have recourse to his gun. He knew that +Corliss was the quicker man, and he realized that, even should he get +the better of a six-gun argument, the ultimate result would be outlawry +and perhaps death. He wanted to get away from that steady, +heart-searching gaze that held him. +</P> + +<P> +"Sheep business is lookin' up," he said, with an attempt at jocularity. +</P> + +<P> +"We'll ride back and have a talk with Loring," said Corliss. "Some one +put a band of his sheep into the caņon, not two hours ago. Maybe you +know something about it." +</P> + +<P> +"Me? What you dreaming anyhow?" +</P> + +<P> +"I'm not. It looks like your work." +</P> + +<P> +"So you're tryin' to hang somethin' onto me, eh? Well, you want to +call around early—you're late." +</P> + +<P> +"No, I'm the first one on the job. Did you stampede Loring's sheep?" +</P> + +<P> +"Did I stampede the love-makin'?" sneered Fadeaway. +</P> + +<P> +Corliss shortened rein and drew close to the cowboy. +</P> + +<P> +"Just explain that," he said. +</P> + +<P> +"Oh, I don' know. You the boss of creation?" +</P> + +<P> +Corliss's lips hardened. He let his quirt slip butt-first through his +hand and grasped the lash. Fadeaway's hand slipped to his holster. +Before he could pull his gun, Corliss swung the quirt. The blow caught +Fadeaway just below the brim of his hat. He wavered and grabbed at the +saddle-horn. As Corliss again swung his quirt, the cowboy jerked out +his gun and brought it down on the rancher's head. Corliss dropped +from the saddle. Fadeaway rode around and covered him. Corliss's hat +lay a few feet from where he had fallen. Beneath his head a dark ooze +spread a hand's-breadth on the trail. The cowboy dismounted and bent +over him. "He's sportin' a dam' good hat," he said, "or that would 'a' +fixed <I>him</I>. Guess he'll be good for a spell." Then he reached for +his stirrup, mounted, and loped up the trail. +</P> + +<BR> + +<P> +Old Fernando, having excused himself on some pretext when Corliss rode +into the camp that morning, returned to find Corliss gone and Nell +Loring strangely grave and white. She nodded as he spoke to her and +pointed toward the mesa. "Carlos—is out—looking for the sheep," she +said, her lips trembling. "He says some one stampeded them—run them +into the caņon." +</P> + +<P> +Fernando called upon his saints and cursed himself for his negligence +in leaving his son with the sheep. Nell Loring spoke to him quietly, +assuring him that she understood why he had absented himself. "It's my +fault, Fernando, not yours. The patron will want to know why you were +away. You will tell him that John Corliss came to your camp; that you +thought I wanted to talk with him alone. Then he will know that it was +my fault. I'll tell him when I get back to the rancho." +</P> + +<P> +Fernando straightened his wizened frame. "Si! As the Seņorita says, I +shall do. But first I go to look. Perhaps the patron shall not know +that the vaquero Corlees was here this morning. It is that I ask the +Seņorita to say nothing to the patron until I look. Is it that you +will do this?" +</P> + +<P> +"What can you do?" she asked. +</P> + +<P> +"It is yet to know. Adios, Seņorita. You will remember the old +Fernando, perhaps?" +</P> + +<P> +"But you're coming back! Oh! it was terrible!" she cried. "I rode to +the caņon and looked down." +</P> + +<P> +Fernando meanwhile had been thinking rapidly. With quaint dignity he +excused himself as he departed to catch up one of the burros, which he +saddled and rode out to where his son was standing near the caņon. The +boy shrank from him as he accosted him. Fernando's deep-set eyes +blazed forth the anger that his lips imprisoned. He sent the boy back +to the camp. Then he picked up the tracks of a horseman on the mesa, +followed them to the caņon's brink, glanced down, shrugged his +shoulders, and again took up the horseman's trail toward the forest. +With the true instinct of the outlander, he reasoned that the horseman +had headed for the old trail to the Blue, as the tracks led diagonally +toward the south. Finally he realized that he could never overtake the +rider by following the tracks, so he dismounted and tied his burro. He +struck toward the caņon. A mile above him there was a ford. He would +wait there and see who came. He made his perilous way down a notch in +the cliff, dropped slowly to the level of the stream, and followed it +to the ford. He searched for tracks in the sun-baked mud. With a sigh +of satisfaction, perhaps of anticipation, he stepped to a clump of +cottonwoods down the stream and backed within them. Scarcely had he +crossed himself and drawn his gun from its weather-blackened holster, +when he heard the click of shod hoofs on the trail. He stiffened and +his eyes gleamed as though he anticipated some pleasant prospect. The +creases at the corners of his eyes deepened as he recognized in the +rider the vaquero who had set the Concho dog upon his sheep some months +before. He had a score to settle with that vaquero for having shot at +him. He had another and larger score to settle with him for—no, he +would not think of his beloved sheep mangled and dead at the bottom of +the caņon. That would anger him and make his hand unsteady. +</P> + +<P> +Fadeaway rode his horse into the ford and sat looking downstream as the +horse drank. Just as he drew rein, the old herder imitated with +perfect intonation the quavering bleat of a lamb calling to its mother. +Fadeaway jerked straight in the saddle. A ball of smoke puffed from +the cottonwoods. The cowboy doubled up and slid headforemost into the +stream. The horse, startled by the lunge of its rider, leaped to the +bank and raced up the trail. A diminishing echo ran along the caņon +walls and rolled away to distant, faint muttering. Old Fernando had +paid his debt of vengeance. +</P> + +<P> +Leisurely he broke a twig from the cottonwoods, tore a strip from his +bandanna, and cleaned his gun. Then he retraced his steps to the +burro, mounted, and rode directly to his camp. After he had eaten he +told his son to pack their few belongings. Then he again mounted the +burro and rode toward the hacienda to face the fury of the patron. +</P> + +<P> +He had for a moment left the flock in charge of his son. He had +returned to find all but a few of the sheep gone. He had tracked them +to the caņon brink. Ah! could the patron have seen them, lying mangled +upon the rocks! It had been a long hard climb to the bottom of the +caņon, else he should have reported sooner. Some one had driven the +sheep into the chasm. As to the man who did it, he knew nothing. +There were tracks of a horse—that was all. He had come to report and +receive his dismissal. Never again should he see the Seņora Loring. +He had been the patron's faithful servant for many years. He was +disgraced, and would be dismissed for negligence. +</P> + +<P> +So he soliloquized as he rode, yet he was not altogether unhappy. He +had avenged insult and the killing of his beloved sheep with one little +crook of his finger; a thing that his patron, brave as he was, would +not dare do. He would return to New Mexico. It was well! +</P> + +<BR><BR><BR> + +<A NAME="chap15"></A> +<H2 ALIGN="center"> +CHAPTER XV +</H2> + +<H3 ALIGN="center"> +THEY KILLED THE BOSS! +</H3> + +<P> +Sundown, much to his dismay, was lost. With a sack of salt tied across +his saddle, he had ridden out that morning to fill one of the salt-logs +near a spring where the cattle came to drink. He had found the log, +filled it, and had turned to retrace his journey when a flock of wild +turkeys strung out across his course. His horse, from which the riders +of the Concho had aforetime shot turkeys, broke into a kind of +reminiscent lope, which quickened as the turkeys wheeled and ran +swiftly through the timberland. Sundown clung to the saddle-horn as +the pony took fallen logs at top speed. The turkeys made for a rim of +a narrow caņon and from it sailed off into space, leaving Chance a +disconsolate spectator and Sundown sitting his horse and thanking the +Arizona stars that his steed was not equipped with wings. It was then +that he realized that the Concho ranch might be in any one of the four +directions he chose to take. He wheeled the horse, slackened rein, and +allowed that sagacious but apparently disinterested animal to pick its +leisurely way through the forest. Chance trotted sullenly behind. He +could have told his master something about hunting turkeys had he been +able to speak, and, judging from the dog's dejected stride and +expression, speech would have been a relief to his feelings. +</P> + +<P> +The horse, nipping at scant shoots of bunch-grass and the blue-flowered +patches of wild peas, gravitated toward the old trail to the Blue and, +once upon it, turned toward home. Chance, refreshing his memory of the +old trail, ran ahead, pausing at this fallen log and that +fungus-spotted stump to investigate squirrel-holes with much sniffing +and circling of the immediate territory. Sundown imagined that Chance +was leading the way toward home, though in reality the dog was merely +killing time, so to speak, while the pony plodded deliberately down the +homeward trail. +</P> + +<P> +Dawdling along in the barred sunshine, at peace with himself and the +pleasant solitudes, Sundown relaxed and fell to dreaming of Andalusian +castles builded in far forests of the south, and of some Spanish +Penelope—possibly not unlike the Seņorita Loring—who waited his +coming with patient tears and rare fidelity. "Them there +true-be-doors," he muttered, "like Billy used to say, sure had the glad +job—singin' and wrastlin' out po'try galore! A singin'-man sure gets +the ladies. Now if I was to take on a little weight—mebby…" His +weird soliloquy was broken by a sharp and excited bark. Chance was +standing in the trail, and beyond him there was something… +</P> + +<P> +Sundown, anticipating more turkeys, slid from his horse without delay. +He stalked stealthily toward the quivering dog. Then, dropping the +reins, he ran to Corliss, knelt beside him, and lifted his head. He +called to him. He ripped the rancher's shirt open and felt over his +heart. "They killed me boss! They killed me boss!" he wailed, rising +and striding back and forth in impotent excitement and grief. He did +not know where to look for water. He did not know what to do. A +sudden fury at his helplessness overcame him, and he mounted and rode +down the trail at a wild gallop. Fortunately he was headed in the +right direction. +</P> + +<P> +Wingle, Bud Shoop, and several of the men were holding a heated +conference with old man Loring when Sundown dashed into the Concho. +Trembling with rage and fear he leaped from his horse. +</P> + +<P> +"They killed the boss!" he cried hoarsely. "Up there—in the woods." +</P> + +<P> +"Killed who? Where? Slow down and talk easy! Who's killed?" volleyed +the group. +</P> + +<P> +"Me boss! Up there on the trail with his head bashed in! Chance and +me found him layin' on the trail." +</P> + +<P> +The men swung to their saddles. "Better come along, Loring," said +Shoop, riding close to the old sheep-man. "Looks like they was more 'n +one side to this deal. And you, too, Sun." +</P> + +<P> +The riders, led by the gesticulating and excited Sundown, swung out to +the road and crossed to the forest. Shoop and Hi Wingle spurred ahead +while the others questioned Sundown, following easily. When they +arrived at the scene of the fight, Corliss was sitting propped against +a tree with Shoop and Wangle on either side of him. Corliss stared +stupidly at the men. +</P> + +<P> +"Who done it?" asked Wingle. +</P> + +<P> +"Fadeaway," murmured the rancher. +</P> + +<P> +Loring, in the rear of the group, laughed ironically. +</P> + +<P> +Shoop's gun jumped from its holster and covered the sheep-man. "If one +of your lousy herders done this, he'll graze clost to hell to-night +with the rest of your dam' sheep!" he cried. +</P> + +<P> +"Easy, Bud!" cautioned Wingle. "The boss ain't passed over yet. Bill, +you help Sinker here get the boss back home. The rest of you boys hit +the trail for the Blue. Fadeaway is like to be up in that country." +</P> + +<P> +"Ante up, Loring!" said Shoop, mounting his horse. "I'll see your hand +if it takes every chip in the stack." +</P> + +<P> +"Here, too!" chorused the riders. "We're all in on this." +</P> + +<P> +They trailed along in single file until they came to the ford. They +reined up sharply. One of them dismounted and dragged the body of +Fadeaway to the bank. They grouped around gazing at the hole in +Fadeaway's shirt. +</P> + +<P> +Shoop turned the body over. "Got it from in front," he said, which was +obvious to their experienced eyes. +</P> + +<P> +"And it took a fast gun to get him," asserted Loring. +</P> + +<P> +The men were silent, each visualizing his own theory of the fight on +the trail and the killing of Fadeaway. +</P> + +<P> +"Jack was layin' a long way from here," said Wingle. +</P> + +<P> +"When you found him," commented Loring. +</P> + +<P> +"Only one hoss crossed the ford this morning," announced Shoop, wading +across the stream. +</P> + +<P> +"And Fade got it from in front," commented a puncher. "His tracks is +headed for the Blue." +</P> + +<P> +Again the men were silent. Shoop rolled a cigarette. The splutter of +the sulphur-match, as it burned from blue to yellow, startled them. +They relaxed, cursing off their nervous tension in monosyllables. +</P> + +<P> +"Well, Fade's played his stack, and lost. Jack was sure in the game, +but how far—I dunno. Reckon that's got anything to do with stampedin' +your sheep?" asked Wingle, turning to Loring. +</P> + +<P> +Loring's deep-set eyes flashed. "Fernando reported that a Concho rider +done the job. He didn't say who done it." +</P> + +<P> +"Didn't, eh? And did Fernando say anything about doin' a job himself?" +asked Shoop. +</P> + +<P> +"If you're tryin' to hang this onto any of my herders, you're ridin' on +the wrong side of the river. I reckon you won't have to look far for +the gun that got <I>him</I>." And Loring gestured toward the body. +</P> + +<P> +Hi Wingle stooped and pulled Fadeaway's gun from its holster. He spun +the cylinder, swung it out, and invited general inspection. "Fade +never had a chance," he said, lowering the gun. "They's six pills in +her yet. You got to show me he wasn't plugged from behind a rock or +them bushes." And Wingle pointed toward the cottonwoods. +</P> + +<P> +One of the men rode down the caņon, searching for tracks. Chance, +following, circled the bushes, and suddenly set off toward the north. +</P> + +<P> +Sundown, who had been watching him, dismounted his horse. "Chance, +there, mebby he's found somethin'." +</P> + +<P> +"Well, he's your dog. Go ahead if you like. Mebby Chance struck a +scent." +</P> + +<P> +"Coyote or lion," said Wingle. "They ain't no trail down them rocks." +</P> + +<P> +Sundown, following Chance, disappeared in the caņon. The men covered +Fadeaway's body with a slicker and weighted it with stones. Then they +sent a puncher to Antelope to notify the sheriff. +</P> + +<BR> + +<P> +As they rode into the Concho, they saw that Corliss's horse was in the +corral. Their first anger had cooled, yet they gazed sullenly at +Loring. They were dissatisfied with his interpretation of the killing +and not a little puzzled. +</P> + +<P> +"Where's Fernando?" queried Shoop aggressively. +</P> + +<P> +Loring put the question aside with a wave of his hand. "Jest a minute +afore I go. You're tryin' to hang this onto me or mine. You're wrong. +You're forgettin' they's five hundred of my sheep at the bottom of the +Concho Caņon, I guess. They didn't get there by themselves. +Fadeaway's got his, which was comin' to him this long time. That's +nothin' to me. What I want to see is Jack Corliss's gun." +</P> + +<P> +Bud Shoop stepped into the ranch-house and presently returned with the +Coitus. "Here she is. Take a look." +</P> + +<P> +The old sheep-man swung out the cylinder and pointed with a gnarled and +horny finger. The men closed in and gazed in silence. One of the +shells was empty. +</P> + +<P> +Loring handed the gun to Shoop. "I'll ask Jack," said the foreman. +When he returned to the group he was unusually grave. "Says he plugged +a coyote this mornin'." +</P> + +<P> +Loring's seamed and weathered face was expressionless. "Well, he did a +good job, if I do say it," he remarked, as though to himself. +</P> + +<P> +"Which?" queried Shoop. +</P> + +<P> +"I don't say," replied Loring. "I'm lettin' the evidence do the +talkin'." +</P> + +<P> +"Well, you'll hear her holler before we get through!" asserted the +irrepressible Bud. "Fade, mebby, wa'n't no lady's man, but he had +sand. He was a puncher from the ground up, and we ain't forgettin' +that!" +</P> + +<P> +"And I ain't forgettin' them five hundred sheep." Loring reined +around. "And you're goin' to hear from me right soon. I reckon they's +law in this country." +</P> + +<P> +"Let her come!" retorted Shoop. "We'll all be here!" +</P> + +<BR><BR><BR> + +<A NAME="chap16"></A> +<H2 ALIGN="center"> +CHAPTER XVI +</H2> + +<H3 ALIGN="center"> +SUNDOWN ADVENTURES +</H3> + +<P> +By dint of perilous scrambling Sundown managed to keep within sight of +Chance, who had picked up Fernando's tracks leading from the +cottonwoods. The dog leaped over rocks and trotted along the levels, +sniffing until he came to the rift in the caņon wall down which the +herder had toiled on his grewsome errand. Chance climbed the sharp +ascent with clawing reaches of his powerful forelegs and quick thrusts +of his muscular haunches. Sundown followed as best he could. He was +keyed to the strenuous task by that spurious by-product of anticipation +frequently termed a "hunch." +</P> + +<P> +When the dog at last reached the edge of the timber and dashed into +Fernando's deserted camp, Sundown was puzzled until he happened to +recall the incidents leading to Fadeaway's discharge from the Concho. +He reclined beneath a tree familiar to him as a former basis for +recuperation. He felt of himself reminiscently while watching Chance +nose about the camp. Presently the dog came and, squatting on his +haunches, faced his master with the query, "What next?" scintillating +in his glowing eyes. +</P> + +<P> +"I dunno," replied Sundown. "You see, pardner, this here's Fernando's +camp all right. Now, I ain't got nothin' ag'in' that little ole +Fernando man, 'specially as it was him cut the rope that was snakin' me +to glory onct. I ain't got nothin' ag'in' him, or nobody. Mebby Fade +did set after them sheep. Mebby Fernando knows it and sets after him. +Mebby he squats in them cotton-woods by the ford and 'Pom!' goes +somethin' and pore Fadeaway sure makes his name good. Never did like +him, but I ain't got nothin' ag'in' him now. You see, Chance, he's +quit bein' mean, now. And say, gettin' killed ain't no dream. I been +there three, four times myself—all but the singin'. Two wrecks, one +shootin', and one can o' beans that was sick. It sure ain't no fun. +Wonder if gettin' killed that way will square Fade with the Big Boss +over there? I reckon not. 'T ain't what a fella gets done to him that +counts. It's what he does to the other guy, good or bad. Now, take +them martyrs what my pal Billy used to talk about. They was always +standin' 'round gettin' burned and punctured with arrers, and +lengthened out and shortened up when they ought to been takin' boxin' +lessons or sords or somethin'. Huh! I never took much stock in them. +If it's what a fella gets <I>done</I> to him, it's easy money I'll be takin' +tickets at the gate instead of crawlin' under the canvas—and mebby +tryin' to sneak you in, too—eh, Chance?" +</P> + +<P> +To all of which the great wolf-dog listened with exemplary patience. +He would have preferred action, but not unlike many human beings who +strive to appear profound under a broadside of philosophical eloquence, +applauding each bursting shrapnel of platitudes by mentally wagging +their tails, Chance wagged his tail, impressed more by the detonation +than the substance. And Chance was quite a superior dog, as dogs go. +</P> + +<P> +When Sundown finally arrived at the Concho, he was met by Bud Shoop, +who questioned him. Sundown gave a detailed account of his recent +exploration. +</P> + +<P> +"You say they was no burros at the camp—no tarp, or grub, or nothin'?" +</P> + +<P> +"Nope. Nothin' but a dead fire," replied Sundown. +</P> + +<P> +"Any sheep?" +</P> + +<P> +"Mebby four or five. Didn't count 'em." +</P> + +<P> +"Huh! Wonder where the rest of the greaser's herd is grazin'?" +</P> + +<P> +"I dunno. I rode straight acrost to here." +</P> + +<P> +"Looks mighty queer to me," commented the foreman. "I take it that +Fernando's lit out." +</P> + +<P> +"Will they pinch the boss?" queried Sundown. +</P> + +<P> +"I don' know. Anyhow, they can't prove it on him. Even if Jack +did—and I don't mind sayin' it to you—plug Fade, he did it to keep +from gettin' plugged hisself. Do you reckon I'd let any fella +chloroform me with the butt of a .45 and not turn loose? I tell you, +if Jack had been a-goin' to get Fade <I>right</I>, you'd 'a' found 'em +closter together. And that ain't all. If Jack had wanted to get Fade, +you can bet he wouldn't got walloped on the head first. The gun that +got Fade weren't packed by a puncher." +</P> + +<P> +"Will they be any more shootin'?" queried Sundown. +</P> + +<P> +"Gettin' cold feet, Sun?" +</P> + +<P> +"Nope. But say, it ain't no fun to get shot up. It don't feel good +and it's like to make a guy cross. A guy can't make pie or eat pie all +shot up, nohow." +</P> + +<P> +"Pie? You sure are loco. What you tryin' to rope now?" +</P> + +<P> +"Nothin'. But onct I was in the repair shop with two docs explorin' me +works with them there shiny little corkscrews, lookin' for a bullit +that Clammie-the-dip let into me system—me bein' mistook for another +friend of his by mistake. After the docs dug up the bullit they says, +'Anything you want to say?'—expectin' me to pass over, I reckon. +'There is,' says I. 'I want to say that I ain't et nothin' sense the +day before Clammie done me dirt. An' if I'm goin' to hit the slide I +jest as soon hit it full of pie as empty.' And them docs commenced to +laugh. 'Let him have it,' says one. 'But don't you reckon ice-cream +would be less apt to—er—hasten—the—er—' jest like that. 'Pussuble +you're correct' says the other.'" Sundown scratched his ear. "And I +et the ice-cream, feelin' kind o' sad-like seein' it wasn't pie. You +see, Bud, gettin' shot up is kind of disconvenient." +</P> + +<P> +"Well, you're the limit!" exclaimed Shoop. "Say, the boss wants to +make a few talks to you to-morrow. Told me to tell you when you come +back. You better go feed up. As I recollec' Hi's wrastlin' out some +pie-dough right now." +</P> + +<P> +"Well, I ain't takin' no chances, Bud." +</P> + +<P> +"You tell that to Hi and see what he says." +</P> + +<P> +"Nope. 'T ain't necessary. You see when them docs seen, about a week +after, that I was comin' strong instead of goin', they says, 'Me man, +if you'd 'a' had pie in your stummick when you was shot, you wouldn't +be here to-day. You'd be planted—or somethin' similar. The fac' that +your stummick was empty evidentially saved your life.' And," concluded +Sundown, "they's no use temptin' Providence now." +</P> + +<BR> + +<P> +Shortly after breakfast next morning Corliss sent for Sundown. The +rancher sat propped up in a wide armchair. He was pale, but his eyes +were clear and steady. +</P> + +<P> +"Bud told me about yesterday," he began, anticipating Sundown's +leisurely and erratic recital. "I understand you found me on the trail +and went for help." +</P> + +<P> +"Yes. I thought you was needin' some about then." +</P> + +<P> +"How did you come to find me?" +</P> + +<P> +"Got lost. Hoss he took me there." +</P> + +<P> +"Did you see any one on the trail?" +</P> + +<P> +"Nope." +</P> + +<P> +"Hear any shooting?" +</P> + +<P> +"Nope. But I seen some turkeys." +</P> + +<P> +"Well, I expect the sheriff will be here tomorrow. He'll want to talk +to you. Answer him straight. Don't try to help me in any way. Just +tell him what you know—not what you think." +</P> + +<P> +"I sure will, boss. Wish Chance could talk. He could tell." +</P> + +<P> +Corliss smiled faintly. "Yes, I suppose he could. You followed him to +Fernando's camp?" +</P> + +<P> +"Uhuh." +</P> + +<P> +"All right. Now, I've had a talk with Bud about something that has +been bothering me. I think I can trust you. I want you to ride to +Antelope to-morrow morning and give a letter from me to the lawyer +there, Kennedy. He'll tell you what to do after that. I don't feel +like talking much, but I'll say this: You remember the water-hole +ranch. Well, I want you to file application to homestead it. Kennedy +will tell you what to do. Don't ask any questions, but do as he says. +You'll have to go to Usher by train and he'll go with you. You won't +lose anything by it." +</P> + +<P> +"Me? Homestead? Huh! And have cows and pigs and things? I don't +jest get you, boss, but what you say goes. Why, I'd homestead a ranch +in hell and take chances on findin' water if you said it. Say, +boss,"—and Sundown leaned toward Corliss confidentially and lowered +his voice,—"I ain't what you'd call a nervy man, but say, I got +somethin' jest as good. I—I—" and Sundown staggered around feeling +for the word he wanted. +</P> + +<P> +"I know. We'll look it up in the dictionary some day when we're in +town. Here's ten dollars for your trip. If you need more, Kennedy +will give it to you." +</P> + +<P> +Sundown departed, thrilled with the thought that his employer had +placed so much confidence in him. He wanted to write a poem, but +circumstances forbade his signaling to his muse. On his way to the +bunk-house he hesitated and retraced his steps to the ranch office. +Corliss told him to come in. He approached his employer deferentially +as though about to ask a favor. +</P> + +<P> +"Say, boss," he began, "they's two things just hit me to onct. Can I +take Chance with me?" +</P> + +<P> +"If you like. Part of your trip will be on the train." +</P> + +<P> +"I can fix that. Then I was thinkin': No! my hoss is lame. I got to +ride a strange hoss, which I'm gettin' kind o' used to. But if you'll +keep your eye on my hoss while I'm gone, it'll ease me mind +considerable. You see he's been with me reg'lar and ain't learned no +bad tricks. If the boys know I'm gone and get to learnin' him about +buckin' and bitin' the arm offen a guy and kickin' a guy's head off and +rollin' on him, and rarin' up and stompin' him, like some, they's no +tellin' what might happen when I get back." +</P> + +<P> +Corliss laughed outright. "That's so. But I guess the boys will be +busy enough without monkeying with your cayuse. If you put that +homestead deal through, you can have any horse on the range except +Chinook. You'll need a team, anyway, when you go to ranching." +</P> + +<P> +"Thanks, boss, but I'm gettin' kind of used to Pill." +</P> + +<P> +"Pill? You mean Phil—Phil Sheridan. That's your horse's name." +</P> + +<P> +"Mebby. I did try callin' him 'Phil.' It went all right when he was +standin' quiet. But when he got to goin' I was lucky if I could holler +just 'Whoa, Pill!' The 'h' got jarred loose every time. 'Course, +bein' a puncher now,"—and Sundown threw out his chest,—"it's +different. Anyhow, Pill is his name because there ain't anything a doc +ever give a fella that can stir up your insides worse 'n he can when he +takes a spell. Your head hurtin' much?" +</P> + +<P> +"No. But it will be if you don't get out of here." And Corliss +laughed and waved his hand toward the door. +</P> + +<BR><BR><BR> + +<A NAME="chap17"></A> +<H2 ALIGN="center"> +CHAPTER XVII +</H2> + +<H3 ALIGN="center"> +THE STRANGER +</H3> + +<P> +Sundown, maintaining a mysterious and unusual silence, prepared to +carry out his employer's plans. His preparations were not extensive. +First, he polished his silver spurs. Then he borrowed a coat from one +of the boys, brushed his Stetson, and with the business instinct of a +Hebrew offered Hi Wingle nine dollars for a pair of Texas wing chaps. +The cook, whose active riding-days were over, had no use for the chaps +and would have gladly given them to Sundown. The latter's offer of +nine dollars, however, interested Wingle. He decided to have a bit of +fun with the tall one. He cared nothing for the money, but wondered +why Sundown had offered nine dollars instead of ten. +</P> + +<P> +"What you been eatin'?" he queried as Sundown made his bid. "Goin' +courtin'?" +</P> + +<P> +"Nope," replied the lean one. "Goin' east." +</P> + +<P> +"Huh! Expect to ride all the way in them chaps?" +</P> + +<P> +"Nope! But I need 'em. Heard you tell Bud you paid ten dollars for +'em 'way back fifteen years. Guess they's a dollar's worth worn off of +'em by now." +</P> + +<P> +"Well, you sure do some close figurin'. I sure paid ten for 'em. Got +'em from a Chola puncher what was hard up. Mebby you ain't figurin' +that they's about twenty bucks' worth of hand-worked silver conchas on +'em which ain't wore off any." +</P> + +<P> +Sundown took this as Wingle's final word. The amused Hi noted the +other's disappointment and determined to enhance the value of the chaps +by making them difficult to obtain, then give them to his assistant. +Wingle liked Sundown in a rough-shod way, though Sundown was a bit too +serious-minded to appreciate the fact. +</P> + +<P> +The cook assumed the air of one gravely concerned about his friend's +mental balance. "Somethin' sure crawled into your roost, Sun, but if +you're goin' crazy I suppose a pair of chaps won't make no difference +either way. Anyhow, you ain't crazy in your legs—just your head." +</P> + +<P> +"Thanks, Hi. It's accommodatin' of you to put me wise to myself. I +know I ain't so durned smart as some." +</P> + +<P> +"Say, you old fool, can't you take a fall to it that I'm joshin'? You +sure are the melancholiest stretch of bones and hide I ever seen. +Somehow you always make a fella come down to cases every time, with +that sad-lookin' mug of yourn. You sure would 'a' made a good +undertaker. I'll get them chaps." +</P> + +<P> +And Wingle, fat, bald, and deliberate, chuckled as he dug among his +belongings and brought forth the coveted riding apparel. "Them chaps +has set on some good hosses, if I do say it," he remarked. "Take 'em +and keep your nine bucks for life insurance. You'll need it." +</P> + +<P> +Sundown grinned like a boy. "Nope. A bargain's a bargain. Here's the +money. Mebby you could buy a fust-class cook-book with it and learn +somethin'." +</P> + +<P> +"Learn somethin'! Why, you long-geared, double-jointed, glass-eyed, +hay-topped, star-smellin' st-st-steeple, you! Get out o' this afore I +break my neck tryin' to see your face! Set down so I can look you in +the eye!" And Wingle waved his stout arms and glowered in mock anger. +</P> + +<P> +Sundown laid the money on the table. "Keep the change," he said mildly +with a twinkle in his eye. +</P> + +<P> +He picked up the chaps and stalked from the bunk-house. Chance, who +had been an interested spectator of this lively exchange of compliment +and merchandise, followed his master to the stable where Sundown at +once put on the chaps and strutted for the dog's benefit, and his own. +By degrees he was assuming the characteristics of a genuine +cow-puncher. He would show the folks in Antelope what a rider for the +Concho looked like. +</P> + +<P> +The following morning, much earlier than necessary, he mounted and rode +to the bunk-house, where Corliss gave him the letter and told him to +leave the horse at the stables in Antelope until he returned from Usher. +</P> + +<P> +Sundown, stiffened by the importance of his mission, rode straight up, +looking neither to the right nor to the left until the Concho was far +behind him. Then he slouched in the saddle, gazing with a pleased +expression first at one leather-clad leg and then the other. For a +time the wide, free glory of the Arizona morning mesas was forgotten. +The shadow of his pony walked beside him as the low eastern sun burned +across the golden levels. Long silhouettes of fantastic buttes spread +across the plain. The sky was cloudless and the crisp thin air +foretold a hot noon. The gaunt rider's face beamed with an inner +light—the light of romance. What more could a man ask than a good +horse, a faithful and intelligent dog, a mission of trust, and sixty +undisturbed miles of wondrous upland o'er which to journey, fancy-free +and clad in cowboy garb? Nothing more—except—and Sundown realized +with a slight sensation of emptiness that he had forgotten to eat +breakfast. He had plenty to eat in his saddle-bags, but he put the +temptation to refresh himself aside as unworthy, for the nonce, of his +higher self. Naturally the pent-up flood of verse that had been +oppressing him of late surged up and filled his mind with vague and +poignant fancies. His love for animals, despite his headlong +experiences on the Concho, was unimpaired, so to speak. He patted the +neck of the rangy roan which he bestrode, and settled himself to the +serious task of expressing his inner-most being in verse. He dipped +deep into the Pierian springs, and poesy broke forth. But not, +however, until he had "cinched up," as he mentally termed it, the +saddle of his Pegasus of the mesas. +</P> + +<P> +Sundown paused and called the attention of his horse to the last line. +</P> + +<P> +He hesitated, harking back for his climax. "Jing!" he exclaimed, "it's +the durndest thing to put a finish on a piece of po'try! You get to +goin' and she goes fine. Then you commence to feel that you're comin' +to the end and nacherally you asks yourself what's the end goin' to be +like. Fust thing you're stompin' around in your head upsettin' all +that you writ tryin' to rope somethin' to put on the tail-end of the +parade that'll show up strong. Kind o' like ropin' a steer. No +tellin' where that pome is goin' to land you." +</P> + +<P> +Sundown was more than pleased with himself. He again recited the verse +as he plodded along, fixing it in his memory for the future edification +of his compatriots of the Concho. +</P> + +<P> +"The best thing I ever writ!" he assured himself. "Fust thing I know +they'll be puttin' me in one of them doxologies for keeps. 'Sundown +Slim, The Poet of the Mesas!' Sounds good to me. Reckon that's why I +never seen a woman that I wanted to get married to. Writin' po'try +kind of detracted me mind from love. Guess I could love a woman if she +wouldn't laugh at me for bein' so dog-goned lengthy. She would have to +be a small one, though, so as she'd be kind o' scared o' me bein' so +big. Then mebby we could get along pretty good. 'Course, I wouldn't +like her to be scared all the time, but jest kind o' respectable-like +to me. Them's the best kind. Mebby I'll ketch one some day. Now +there goes that Chance after a rabbit ag'in. He's a long piece +off—jest can hardly see him except somethin' movin'. Well, if he +comes back as quick as he went, he'll be here soon." And Sundown +jogged along, spur-chains jingling a fairy tune to his oral soliloquies. +</P> + +<P> +Aside from forgetting to have breakfast that morning, he had made a +pretty fair beginning. He was well on his way, had composed a +roan-colored lyric of the ranges, discoursed on the subject of love, +and had set his spirit free to meander in the realms of imagination. +Yet his spirit swept back to him with a rush of wings and a question. +Why not get married? And "Gee! Gosh!" he ejaculated, startled by the +abruptness of the thought. "Now I like hosses and dogs and folks, but +livin' with hosses and dogs ain't like livin' with folks. If hosses +and dogs take to you, they think you're the whole thing. But wimmen is +different. If they take to you—why, they think they're the whole +thing jest because they landed you. I dunno! Jest bein' good to folks +ain't everything, either. But bein' good to hosses and dogs is. +Funny. I dunno, though. You either got to understand 'em and be rough +to 'em, or be good to 'em and then they understand you. Guess they +ain't no regular guide-book on how to git along with wimmen. Well, I +never come West for me health. I brung it with me, but I ain't goin' +to take chances by fallin' in love. Writin' po'try is wearin' enough." +</P> + +<P> +For a while he rode silently, enjoying his utter freedom. But +followers of Romance must ever be minute-men, armed and equipped to +answer her call with instant readiness and grace. Lacking, perhaps, +the grace, nevertheless Sundown was loyal to his sovereign mistress, in +proof of which he again sat straight in the saddle, stirred to speech +by hidden voices. "Now, take it like I was wearin' a hard-boiled hat +and a collar and buttin shoes, like the rest of them sports. Why, that +wouldn't ketch the eye of some likely-lookin' lady wantin' to get +married. Nix! When I hit town it's me for the big smoke and me +picture on the front page, standin' with me faithful dog and a lot of +them fat little babies without any clothes on, but wings, flyin' around +the edge of me picture and down by me boots and up around me hat—and +in big letters she'll say: 'Romance of A Cowboy. Western Cattle King +in Search for his Long-lost Sweetheart. Sundown, once one of our +Leading Hoboes, now a Wealthy Rancher, visits the Metrokolis on +Mysterious Errand.' Huh! I guess mebby that wouldn't ketch a good +one, mebby with money." +</P> + +<P> +But the proverbial fly must appear in the equally proverbial amber. +"'Bout as clost as them papers ever come to it," he soliloquized. +"Anyhow, if she was the wrong one, and not me long-lost affiniky, and +was to get stuck on me shape and these here chaps and spurs, reckon I +could tell her that the papers made the big mistake, and that me +Mexican wife does the cookin' with a bread-knife in her boot-leg, and +that I never had no Mormon ideas, nohow. That ought to sound kind o' +home-like, and let her down easy and gentle. I sure don't want to get +sent down for breakin' the wimmen's hearts, so I got to be durned +careful." +</P> + +<P> +So immersed was he in his imaginings that he did not at once realize +that his horse had stopped and was leisurely grazing at the edge of the +trail. Chance, who had been running ahead, swung back in a wide circle +and barked impatiently. Sundown awakened to himself. "Here, you red +hoss, this ain't no pie-contest. We got to hit the water-hole afore +dark." Once more in motion, he reverted to his old theme, but with +finality in his tone. "I guess mebby I can't tell them reporters +somethin' about me hotel out here on the desert! 'The only prevailable +road-house between Antelope and the Concho, run by the retired +cattle-king, Sundown Slim.' Sounds good to me. Mebby I could work up +a trade by advertisin' to some of them Eastern folks that eats nothin' +tougher for breakfast than them quakin'-oats and buns and coffee. Get +along, you red hoss." +</P> + +<P> +About six o'clock that evening Sundown arrived at the deserted ranch. +He unsaddled and led the horse to water. Then he picketed him for the +night. Returning, he prepared a meal and ate heartily. Just as the +light faded from the dusty windows, Chance, who was curled in a corner, +rose and growled. Sundown strode to the door. The dog followed, +sniffing along the crack. Presently Sundown heard the shuffling tread +of a horse plodding through the sand. He swung open the door and stood +peering into the dusk. He saw a horseman dismount and enter the +gateway. Chance again bristled and growled. Sundown restrained him. +</P> + +<P> +"Hello, there! That you, Jack?" +</P> + +<P> +"Nope. It's me—Sundown from the Concho." +</P> + +<P> +"Concho, eh? Was headed that way myself. Saw the dog. Thought mebby +it was Jack's dog." +</P> + +<P> +"Goin' to stop?" queried Sundown as the other advanced, leading his +horse. +</P> + +<P> +"Guess I'll have to. Don't fancy riding at night. Getting too old." +And the short, genial-faced stranger laughed heartily. +</P> + +<P> +"Well, they's plenty room. Had your supper?" +</P> + +<P> +"No, but I got some chuck along with me. Got a match?" +</P> + +<P> +Sundown produced matches. The other rolled a cigarette and studied +Sundown's face covertly in the glow of the match. In the flare Sundown +beheld a thick-set, rather short-necked man, smooth-shaven, and of a +ruddy countenance. He also noticed that the stranger wore a coat, and +at once surmised that he was neither cowboy nor herder. +</P> + +<P> +"Guess I'll stake out the hoss," said the man. "See you later." +</P> + +<P> +Chance, who had stood with head lowered and neck outstretched, whined +and leaped up at Sundown, standing with paws on his master's chest and +vainly endeavoring to tell him something. The dog's eyes were eloquent +and intense. +</P> + +<P> +Sundown patted him. "It's all right, Chance. That guy's all right. +Guess I know a good face when I see one. What's the matter, anyway?" +</P> + +<P> +Chance dropped to his feet and stalked to his corner. He settled +himself with a lugubrious sigh, as though unwillingly relinquishing his +responsibilities in the matter. +</P> + +<P> +When the stranger returned, Sundown had a fire going. "Feels good," +commented the man, rubbing his hands and surveying the room in the glow +that flared up as he lifted the stove-lid. "On your way in?" +</P> + +<P> +"Me? Nope. I'm goin' to Antelope." +</P> + +<P> +"So? Is Jack Corliss hurt bad?" +</P> + +<P> +"He was kind o' shook up for a couple of days. Guess he's gettin' +along all right now. Reckon you heard what somebody done to Fadeaway." +</P> + +<P> +The stranger nodded. "They got him, all right. Knew Fade pretty well +myself. Guess I'll eat.—That coffee of yours was good, all right," he +said as he finished eating. He reached for the coffee-pot and tipped +it. "She's plumb empty." +</P> + +<P> +"I'll fill her," volunteered Sundown, obligingly. +</P> + +<P> +As he disappeared in the darkness, the stranger stepped to the rear +door of the room and opened it. Then he closed the door and stooping +laid his saddle and blankets against it. "He can't make a break that +way," he said to himself. As Sundown came in, the man noticed that the +front door creaked shrilly when opened or closed and seemed pleased +with the fact. "Too bad about Fadeaway," he said, helping himself to +more coffee. "Wonder who got him?" +</P> + +<P> +"I dunno. I found me boss with his head busted the same day they got +Fade." +</P> + +<P> +"Been riding for the Concho long?" +</P> + +<P> +"That ain't no joke, if you're meanin' feet and inches." +</P> + +<P> +The other laughed. His eyes twinkled in the ruddy glow of the stove. +Suddenly he straightened his shoulders and appeared to be listening. +"It's the hosses," he said finally. "Some coyote's fussin' around +bothering 'em. It's a long way from home as the song goes. Lend me +your gun and I'll go see if I can plug one of 'em and stop their +yipping." +</P> + +<P> +Sundown presented his gun to the stranger, who slid it between trousers +and shirt at the waist-band. "Don't hear 'em now," he announced +finally. "Well, guess I'll roll in." +</P> + +<P> +Strangely enough, he had apparently forgotten to return the gun. +Sundown, undecided whether to ask for it or not, finally spread his +blankets and called Chance to him. The dog curled at his master's +feet. Save for the diminishing crackle of dry brush in the stove, the +room was still. Evidently the ruddy-faced individual was asleep. +Vaguely troubled by the stranger's failure to return his gun, Sundown +drifted to sleep, not for an instant suspecting that he was virtually +the prisoner of the sheriff of Apache County, who had at Loring's +instigation determined to arrest the erstwhile tramp for the murder of +Fadeaway. The sheriff had his own theory as to the killing and his +theory did not for a moment include Sundown as a possible suspect, but +he had a good, though unadvertised, reason for holding him. Accustomed +to dealing with frontier folk, he argued that Sundown's imprisonment +would eventually bring to light evidence leading to the identity of the +murderer. It was a game of bluff, and at such a game he played a +master hand. +</P> + +<BR> + +<P> +The stranger seemed unusually affable in the morning. He made the +fire, and, before Sundown had finished eating, had the two ponies +saddled and ready for the road. Sundown thought him a little too +agreeable. He was even more perplexed when the man said that he had +changed his mind and would ride to Antelope with him. "Thought you +said you was goin' to the Concho?" +</P> + +<P> +"Well, seeing you say Jack can't ride yet, guess I'll wait." +</P> + +<P> +"He can talk, all right," asserted Sundown. +</P> + +<P> +The other paid no apparent attention to this remark but rode along +pointing out landmarks and discoursing largely upon the weather, the +feed, and price of hay and grain and a hundred topics associated with +ranch-life. Sundown, forgetful of his pose as a vaquero of long +standing (unintentional), assumed rather the attitude of one absorbing +information on such topics than disseminating it. Nor did he +understand the stranger's genial invitation to have supper with him at +Antelope that night, as they rode into the town. He knew, however, +that he was creating a sensation, which he attributed to his Mexican +spurs and chaps. People stared at him as he stalked down the street +and turned to stare again. His companion seemed very well known in +Antelope. Nearly every one spoke to him or waved a greeting. Yet +there was something peculiar in their attitudes. There was an +aloofness about them that was puzzling. +</P> + +<P> +"He sure looks like the bad man from Coyote Gulch," remarked one who +stood in front of "The Last Chance" saloon. +</P> + +<P> +"He ain't heeled," asserted the speaker's companion. +</P> + +<P> +"Heeled! Do you reckon Jim's plumb loco? Jim took care of that." +</P> + +<P> +All of which was music to Sundown. He was making an impression, yet he +was not altogether happy. He did not object to being classed as a bad +man so long as he knew at heart that he was anything but that. Still, +he was rather proud of his instant notoriety. +</P> + +<P> +They stopped in front of a square, one-story building. Sundown's +companion unlocked the door. "Come on in," he said. "We'll have a +smoke and talk things over." +</P> + +<P> +"But I was to see Mr. Kennedy the lawyer," asserted Sundown. +</P> + +<P> +"So? Well, it ain't quite time to see him yet." +</P> + +<P> +Sundown's back became cold and he stared at the stranger with eyes that +began to see the drift of things. "You ain't a cop, be you?" he asked +timorously. +</P> + +<P> +"They call it 'sheriff' here." +</P> + +<P> +"Well, I call it kind o' warm and I'm goin' outside." +</P> + +<P> +"I wouldn't. One of my deputies is sitting just across the street. +He's a mighty good shot. Can beat me hands down. Suppose you drop +back in your chair and tell me what you know about the shooting of +Fadeaway." +</P> + +<P> +"Me? You ain't joshin', be you?" +</P> + +<P> +"Never more serious in my life! I'm interested in this case." +</P> + +<P> +"Well, I ain't!" was Sundown's prompt remark. "And I got to go. I'm +goin' on privut business for me boss and confidenshell. Me and Chance." +</P> + +<P> +"That's all right, my friend. But I have some private and confidential +business that can't wait." +</P> + +<P> +"But I ain't done nothin'," whined Sundown, lapsing into his old +attitude toward the law. +</P> + +<P> +"Maybe not. Mr. Loring telephoned me that Fadeaway had been shot and +that a man answering your description—a tramp, he said—seemed to know +something about it. You never was a puncher. You don't get on or off +a cayuse like one. From what I learn you were a Hobo when Jack Corliss +gave you a job. That's none of my business. I arrest you as a +suspicious character, and I guess I'll have to keep you here till I +find out more about Fadeaway's case. Have a cigar?" +</P> + +<P> +"Huh! Say, don't you ever get mad?" queried Sundown, impressed by the +other's most genial attitude. +</P> + +<P> +The sheriff laughed. "Doesn't pay in my business. Now, you just ease +up and tell me what you know. It will save time. Did you ever have +trouble with Fadeaway?" +</P> + +<P> +"Not on your life! I give him all the room he wanted." +</P> + +<P> +"Did you know Fernando—-one of Loring's herders?" +</P> + +<P> +"I seen him onct. He saved me life from bein' killed by a steer. Did +he say I done it?" parried Sundown. +</P> + +<P> +The sheriff's opinion of Sundown's acumen was disturbed. Evidently +this queer individual posing as a cowboy was not such a fool, after all. +</P> + +<P> +"No. Have you seen him lately?" +</P> + +<P> +"Nope. Chance and me was over to his camp, but he was gone. We kind +o' tracked back there from the place where we found Fadeaway." +</P> + +<P> +"That so?" +</P> + +<P> +"Uhuh. It was like this." And Sundown gave a detailed account of his +explorations. +</P> + +<P> +When he had finished, the sheriff made a note on the edge of a +newspaper. Then he turned to Sundown. "You're either the deepest hand +I've tackled yet, or you're just a plain fool. You don't act like a +killer." +</P> + +<P> +"Killer! Say, mister, I wouldn't kill a bug that was bitin' me 'less'n +he wouldn't let go. Why, ask Chance there!" +</P> + +<P> +"I wish that dog could talk," said the sheriff, smiling. "Did you know +that old Fernando had left the country—crossed the line into New +Mexico?" +</P> + +<P> +"What? Him?" +</P> + +<P> +"Yes. I know about where he is." +</P> + +<P> +"Guess his boss fired him for lettin' all the sheep get killed. Guess +he had to go somewhere." +</P> + +<P> +The sheriff nodded. "So you were going to take a little trip yourself, +were you?" +</P> + +<P> +"For me boss. You ask him. He can tell you." +</P> + +<P> +"I reckon when he finds out where you are he'll come in." +</P> + +<P> +"And you're goin' to pinch me?" +</P> + +<P> +"You're pinched." +</P> + +<P> +"Well, I'm dum clost to gettin' mad. You look here! Do you think I'd +be ridin' to Antelope if I done anything like shoot a man? Do you +think I'd hand you me gun without sayin' a word? And if you think I +didn't shoot Fadeaway, what in hell you pinchin' me for? Ain't a guy +got a right to live?" +</P> + +<P> +"Yes. Fadeaway had a right to live." +</P> + +<P> +"Well, I sure never wanted to see him cross over. That's the way with +you cops. If a fella is a Bo, he gets pinched, anyhow. If he quits +bein' a Bo and goes to workin' at somethin', then he gets pinched for +havin' been a Bo onct. I been livin' honest and peaceful-like and +straight—and I get pinched. Do you wonder a Bo gets tired of tryin' +to brace up?" +</P> + +<P> +"Can't say that I do. Got to leave you now. I'll fix you up +comfortable in here." And the sheriff unlocked the door leading to the +one-room jail. "I'll talk it over with you in the morning. The wife +and kid will sure be surprised to see me back, so I'll mosey down home +before somebody scares her to death telling her I'm back in town. +So-long." +</P> + +<P> +Sundown sat on the narrow bed and gazed at the four walls of the room. +"Wife and kid!" he muttered. "Well, I reckon he's got a right to have +'em. Gee Gosh! Wonder if he'll feed Chance!" +</P> + +<BR><BR><BR> + +<A NAME="chap18"></A> +<H2 ALIGN="center"> +CHAPTER XVIII +</H2> + +<H3 ALIGN="center"> +THE SHERIFF AND OTHERS +</H3> + +<P> +Chance, disconsolate, wandered about Antelope, returning at last to lie +before the door of the sheriff's office. The sheriff, having +reestablished himself, for the nonce, in the bosom of his family, +strolled out to the street. He called to Chance, who dashed toward +him, then stopped with neck bristling. +</P> + +<P> +The sheriff's companion laughed. "I was going to feed him," explained +the sheriff. +</P> + +<P> +"I know what I'd feed him," growled his companion. +</P> + +<P> +"What for? He's faithful to his boss—and that's something." +</P> + +<P> +The other grunted and they passed up the street. Groups of men waylaid +them asking questions. As they drifted from one group to another, the +friend remarked that his companion seemed to be saying little. The +stout sheriff smiled. He was listening. +</P> + +<P> +Chance, aware that something was wrong, fretted around the door of +Sundown's temporary habitation. Finally he threw himself down, nose on +outstretched paws, and gazed at the lights and the men across the way. +Later, when the town had become dark and silent, the dog rose, shook +himself, and padded down the highway taking the trail for the Concho. +He knew that his master's disappearance had not been voluntary. He +also knew that his own appearance alone at the Concho would be evidence +that something had gone wrong. +</P> + +<P> +Once well outside the town, Chance settled to a long, steady stride +that ate into the miles. At the water-hole he leaped the closed gate +and drank. Again upon the road he swung along across the starlit +mesas, taking the hills at a trot and pausing on each rise to rest and +sniff the midnight air. Then down the slopes he raced, and out across +the levels, the great bunching muscles of his flanks and shoulders +working tirelessly. As dawn shimmered across the ford he trotted down +the mud-bank and waded into the stream, where he stood shoulder-deep +and lapped the cool water. +</P> + +<P> +Corliss, early afoot, found him curled at the front door of the +ranch-house. Chance braced himself on his fore legs and yawned. Then +stretching he rose and, frisking about Corliss, tried to make himself +understood. Corliss glanced toward the corral, half expecting to see +Sundown's horse. Then he stepped to the men's quarters. He greeted +Wingle, asking him if Sundown had returned. +</P> + +<P> +"No. Thought he went east." +</P> + +<P> +"Chance came back, alone." +</P> + +<P> +And Corliss and the cook eyed each other simultaneously and nodded. +</P> + +<P> +"Loring," said Wingle. +</P> + +<P> +"Guess you're right, Hi." +</P> + +<P> +"Sheriff must 'a' been out of town and got back just in time to meet up +with Sundown," suggested Wingle. And he seized a scoop and dug into +the flour barrel. +</P> + +<BR> + +<P> +An hour later the buckboard stood at the ranch gate. Bud Shoop, +crooning a range-ditty that has not as yet disgraced an anthology, +stood flicking the rear wheel with his whip:— +</P> + +<BR> + +<P CLASS="poem"> +"Oh, that biscuit-shooter on the Santa Fé,<BR> + —Hot coffee, ham-and-eggs, huckleberry pies,—<BR> +Got every lonely puncher that went down that way<BR> + With her yella-bird hair and them big blue eyes… +</P> + +<P CLASS="poem"> +"For a two-bit feed and a two-bit smile…" +</P> + +<BR> + +<P> +The song was interrupted by the appearance of Corliss, who swung to the +seat and took the reins. +</P> + +<P> +"I'll jog 'em for a while," he said as Shoop climbed beside him. "Go +ahead, Bud. Don't mind me." +</P> + +<P> +Shoop laughed and gestured over his shoulder. "Chance, there, is +sleepin' with both fists this lovely mornin'. Wonder how Sun is makin' +it?" +</P> + +<P> +"We'll find out," said Corliss, shaking his head. +</P> + +<P> +"Believe us! For we're goin' to town! Say, ain't you kind of offerin' +Jim Banks a chance to get you easy?" +</P> + +<P> +"If he wants to. If he locked Sundown up, he made the wrong move." +</P> + +<P> +"It's easy!" said Shoop, gesturing toward the Loring rancho as they +passed. "Goin' to bush at the water-hole to-night?" +</P> + +<P> +"No. We'll go through." +</P> + +<P> +Shoop whistled. "Suits me! And I reckon the team is good for it." +</P> + +<P> +He glanced sideways at Corliss, who sat with eyes fixed straight ahead. +The cattle-man's face was expressionless. He was thinking hard and +fast, but chose to mask it. +</P> + +<P> +Suddenly Shoop, who had watched him some little time, burst into song. +"Suits me!" he reiterated, more or less ambiguously, by the way, for he +had just concluded another ornate stanza of the "Biscuit-shooter" lyric. +</P> + +<P> +"It's a real song," remarked Corliss. +</P> + +<P> +"Well, now!" exclaimed Shoop. And thereafter he also became silent, +knowing from experience that when Corliss had anything worth while to +say, he would say it. +</P> + +<P> +About noon they reached the water-hole where Corliss spent some time +examining the fences and inspecting the outbuildings. +</P> + +<P> +"She's in right good shape yet," commented Shoop. +</P> + +<P> +"The title has reverted to the State. It's queer Loring hasn't tried +to file on it." +</P> + +<P> +"Mebby he's used his homestead right a'ready," suggested Shoop. "But +Nell Loring could file." +</P> + +<P> +They climbed back into the buckboard. Again Shoop began a stanza of +his ditty. He seemed well pleased about something. Possibly he +realized that his employer's attitude had changed; that he had at last +awakened to the obvious necessity for doing something. As Corliss put +the team to a brisk trot the foreman's song ran high. Action was his +element. Inactivity tended to make him more or less cynical, and ate +into his tobacco money. +</P> + +<P> +Suddenly Corliss turned to him. "Bud, I'm going to homestead that +ranch." +</P> + +<P> +"Whoop!" cried the foreman. "First shot at the buck!" +</P> + +<P> +"I'm going to put Sundown on it, for himself. He's steady and wouldn't +hurt a fly." +</P> + +<P> +Shoop became silent. He, in turn, stared straight ahead. +</P> + +<P> +"What do you think of it?" queried Corliss. +</P> + +<P> +"Nothin'. 'Cept I wouldn't mind havin' a little ole homestead myself." +</P> + +<P> +Corliss laughed. "You're not cut out for it, Bud. You mean you'd like +the chance to make the water-hole a base for operations against Loring. +And the place isn't worth seed, Bud." +</P> + +<P> +"But that water is goin' to be worth somethin'—and right soon. Loring +can't graze over this side the Concho, if he can't get to water." +</P> + +<P> +"That's it. If I put you on that ranch, you'd stand off Loring's +outfit to the finish, I guess." +</P> + +<P> +"I sure would." +</P> + +<P> +"That's why I want Sundown to take it up. He'd let his worst enemy +water sheep or cattle there. He won't fight, but he's loyal enough to +my interests to sue Loring for trespass, if necessary." +</P> + +<P> +"See you and raise you one, Jack. They'll bluff Sun clean off his hind +feet. He won't stick." +</P> + +<P> +"I'll chance it, Bud. And, besides, I need you right where you are." +</P> + +<P> +"I'm sure happy!" exclaimed the irrepressible Bud, grinning. +</P> + +<P> +Corliss laughed, then shook his head. "I'll tell you one thing," he +said, facing his foreman. "I've been 'tending too many irons and some +of 'em are getting cold. I don't want trouble with any one. I've held +off from Loring because—oh—because I had a good reason to say +nothing. Billy's out of it again. The coast is clear, and I'm going +to give old man Loring the fight of his life." +</P> + +<P> +The whoop which Shoop let out startled the team into a lunging gallop. +"Go it, if you want to!" said Corliss as the buckboard swung around a +turn and took the incline toward Antelope. "I'm in a hurry myself." +</P> + +<P> +Nevertheless, he saved the team as they struck the level and held them +to a trot. "Wise old head," was Shoop's inward comment. And then +aloud: "Say, Jack, I ain't sayin' I'm glad to see you get beat up, but +that bing on the head sure got you started right. The boys was +commencin' to wonder how long you'd stand it without gettin' your back +up. She's up. I smell smoke." +</P> + +<BR> + +<P> +At Antelope, Shoop put up the horses. Later he joined his employer and +they had supper at the hotel. Then they strolled out and down the +street toward the sheriff's home. When they knocked at the door it was +opened by a plump, dark-eyed woman who greeted them heartily. +</P> + +<P> +"Come right in, boys. Jim's tendin' the baby." And she took their +hats. +</P> + +<P> +They stepped to the adjoining room where Sheriff Jim sat on the floor, +his coat off, while his youngest deputy, clad only in an abbreviated +essential garnished with a safety-pin, sat opposite, gravely tearing up +the evening paper and handing the pieces to his proud father, who +stuffed the pieces in his pants pocket and cheerfully asked for more. +</P> + +<P> +"Election?" queried Shoop. +</P> + +<P> +"And all coming Jim's way," commented Corliss. +</P> + +<P> +The baby paused in his balloting and solemnly surveyed the dusty +strangers. Then he pulled a piece of paper from his father's pocket +and offered it to Shoop. "Wants me to vote, the little cuss! Well, +here goes." And, albeit unfamiliar with plump aborigines at close +range, the foreman entered into the spirit of the game and cast his +vote for the present incumbent, deputizing the "yearlin'" to handle the +matter. The yearling however, evidently thought it was time for a +recount. He gravitated to the perspiring candidate and, standing on +his hands and feet,—an attitude which seemingly caused him no +inconvenience,—reached in the ballot-box and pulling therefrom a +handful of votes he cast them ceiling-ward with a shrill laugh, +followed by an unintelligible spluttering as he sat down suddenly and +began to pick up the scattered pieces of paper. +</P> + +<P> +"You're elected," announced Shoop. +</P> + +<P> +And the by-play was understood by the three men, yet each maintained +his unchanged expression of countenance. +</P> + +<P> +"You see how I'm fixed, boys," said the sheriff. "Got to stick by my +constituent or he'll howl." +</P> + +<P> +"We're in no hurry, Jim. Just drove into town to look around a little." +</P> + +<P> +"I'll take him now," said Mrs. Jim, as she came from the kitchen drying +her hands on her apron. +</P> + +<P> +The elector, however, was of a different mind. He greeted his mother +with a howl and a series of windmill revolutions of his arms and legs +as she caught him up. +</P> + +<P> +"Got mighty free knee-action," remarked Shoop. "Mebby when he's bedded +down for the night you can come over to the 'Palace.'" +</P> + +<P> +"I'll be right with you." And the sheriff slipped into his coat. "How +you feeling, Jack?" +</P> + +<P> +"Pretty good. That's a great boy of yours." +</P> + +<P> +"Sure got your brand," added Shoop. "Built close to the ground like +his dad." +</P> + +<P> +Sheriff Banks accepted these hardy compliments with an embarrassed grin +and followed his guests to the doorway. +</P> + +<P> +"Good-night!" called Mrs. Jim from the obscurity of the bedroom. +</P> + +<P> +"Good-night, ma'am!" from Shoop. +</P> + +<P> +"Good-night!" said Corliss. "Take good care of that yearling." +</P> + +<P> +"Well, now, John, as if I wouldn't!" +</P> + +<P> +"Molly would come out," apologized Jim, "only the kid is—is grazin'. +How's the feed holdin' out on the Concho?" which question following in +natural sequence was not, however, put accidentally. +</P> + +<P> +"Fair," said Corliss. "We looked for you up that way." +</P> + +<P> +"I was over on the Reservation. I sent Tom up there to see after +things," and the sheriff gestured toward the distant Concho. "Sent him +up to-night. Let's go over to the office." +</P> + +<P> +Corliss shook his head. "Don't want to see him, just now. Besides, I +want to say a few things private." +</P> + +<P> +"All right. There was a buyer from Kansas City dropped in to town +to-day. Didn't see him, did you?" +</P> + +<P> +"Cattle?" +</P> + +<P> +"Uhuh." +</P> + +<P> +"No. We just got in." +</P> + +<P> +They turned and walked up the street, nodding to an occasional lounger, +laughing and talking easily, yet each knew that their banter was a +meandering current leading to something deeper which would be sounded +before they separated. +</P> + +<P> +Sheriff Banks suddenly stopped and slapped his thigh. "By Gum! I +clean forgot to ask if you had chuck. You see that kid of mine—" +</P> + +<P> +"Sure! But we put the 'Palace' two feeds to the bad," asserted Shoop. +</P> + +<P> +They drifted to the hotel doorway and paused at the counter where each +gravely selected a cigar. Then they clumped upstairs to Corliss's +room. Jim Banks straddled a chair and faced his friends. +</P> + +<P> +Shoop, excusing himself with humorous politeness, punched the pillows +together and lay back on the bed which creaked and rustled beneath his +weight. "These here corn-husk mattresses is apologizin'," he said, +twisting around and leaning on his elbow. +</P> + +<P> +"Well, Jack," said the smiling sheriff, "shoot the piece." +</P> + +<P> +"Or the justice of the peace—don't matter," murmured Shoop. +</P> + +<P> +Corliss, leaning forward, gazed at the end of his cigar. Then he +raised his eyes. "Jim," he said quietly, "I want Sundown." +</P> + +<P> +"So do I." +</P> + +<P> +Corliss smiled. "You've got him, all right. What's your idea?" +</P> + +<P> +"Well, if anybody else besides you asked me, Jack, they'd be wasting +time. Sundown is your man. I don't know anything about him except he +was a Hobo before he hit the Concho. But I happen to know that he was +pretty close to the place where Fadeaway got his, the same day and +about the same time. I've listened to all the talk around town and it +hasn't all been friendly to you. You can guess that part of it." +</P> + +<P> +"If you want me—" began Corliss. +</P> + +<P> +"No." And the sheriff's gesture of negation spread a film of cigar-ash +on the floor. "It's the other man I want." +</P> + +<P> +"Sundown?" asked Shoop, sitting up suddenly. +</P> + +<P> +"You go to sleep, Bud," laughed the sheriff. "You can't catch me that +easy." +</P> + +<P> +Shoop relaxed with the grin of a school-boy. +</P> + +<P> +"I'll go bail," offered Corliss. +</P> + +<P> +"No. That would spoil my plan. See here, Jack, I know you and Bud +won't talk. Loring telephoned me to look out for Sundown. I did. +Now, Loring knows who shot Fadeaway, or I miss my guess. Nellie Loring +knows, too. So do you, but you can't prove it. It was like Fade to +put Loring's sheep into the caņon, but we can't prove even that, now. +I'm pretty sure your scrap with Fade didn't have anything to do with +his getting shot. You ain't that kind." +</P> + +<P> +"Well, here's my side of it, Jim. Fadeaway had it in for me for firing +him. He happened to see me talking to Nellie Loring at Fernando's +camp. Later we met up on the old Blue Trail. He said one or two +things that I didn't like. I let him have it with the butt of my +quirt. He jerked out his gun and hit me a clip on the head. That's +all I remember till the boys came along." +</P> + +<P> +"You didn't ride as far as the upper ford, that day?" +</P> + +<P> +"No. I told Fadeaway I wanted him to come back with me and talk to +Loring. I was pretty sure he put the sheep into the caņon." +</P> + +<P> +"Well, Jack, knowing you since you were a boy, that's good enough for +me." +</P> + +<P> +"But how about Sundown?" +</P> + +<P> +"He stays. How long do you think I'll hold Sundown before Nell Loring +drives into Antelope to tell me she can like as not prove he didn't +kill Fade?" +</P> + +<P> +"But if you know that, why do you hold him?" +</P> + +<P> +"To cinch up my ideas, tight. Holding him will make talk. Folks +always like to show off what they know about such things. It's natural +in 'em." +</P> + +<P> +"New Mex. is a comf'table-sized State," commented Shoop from the bed. +</P> + +<P> +"And he was raised there," said the sheriff. "He's got friends over +the line and so have I. Sent 'em over last week." +</P> + +<P> +"Thought Sun was raised back East?" said Shoop, again sitting up. +</P> + +<P> +Corliss smiled. "Better give it up, Bud." +</P> + +<P> +"Oh, <I>very</I> well!" said Shoop, mimicking a <I>grande dame</I> who had once +stopped at Antelope in search for local color. "Anyhow, you got to set +a Mexican to catch a Mexican when he's hidin' out with Mexicans." With +this bit of advice, Shoop again relapsed to silence. +</P> + +<P> +"Going back to the Concho to-morrow?" queried Banks. +</P> + +<P> +"No. Got a little business in town." +</P> + +<P> +"I heard Loring was due here to-morrow." The sheriff stated this +casually, yet with intent. "I was talking with Art Kennedy 'bout two +hours ago—" +</P> + +<P> +"Kennedy the land-shark?" queried Shoop. +</P> + +<P> +"The same. He said something about expecting Loring." +</P> + +<P> +Bud Shoop had never aspired to the distinction of being called a +diplomat, but he had an active and an aggressive mind. With the +instinct for seizing the main chance by its time-honored forelock, he +rose swiftly. "By Gravy, Jack! I gone and left them things in the +buckboard!" +</P> + +<P> +"Oh, they'll be all right," said Corliss easily. Then he caught his +foreman's eye and read its meaning. His nod to Shoop was all but +imperceptible. +</P> + +<P> +"I dunno, Jack. I'd hate to lose them notes." +</P> + +<P> +"Notes?" And the sheriff grinned. "Writing a song or starting a bank, +Bud?" +</P> + +<P> +"Song. I was composin' it to Jack, drivin' in." And the genial Bud +grabbed his hat and swept out of the room. +</P> + +<P> +Long before he returned, Sheriff Jim had departed puzzling over the +foreman's sudden exit until he came opposite "The Last Chance" saloon. +There he had an instant glimpse of Bud and the one known as Kennedy +leaning against the bar and conversing with much gusto. Then the +swing-door dropped into place. The sheriff smiled and putting two and +two together found that they made four, as is usually the case. He had +wanted to let Corliss know that Loring was coming to Antelope and to +let him know casually, and glean from the knowledge anything that might +be of value. Sheriff Banks knew a great deal more about the affairs of +the distant ranchers than he was ordinarily given credit for. He had +long wondered why Corliss had not taken up the water-hole homestead. +</P> + +<P> +Corliss was in bed when Shoop swaggered in. The foreman did a few +steps of a jig, flung his hat in the corner, and proceeded to undress. +</P> + +<P> +"Did you see Kennedy?" yawned Corliss. +</P> + +<P> +"Bet your whiskers I did! Got the descriptions in my pocket. You owe +me the price of seven drinks, Jack, to say nothin' of what I took +myself. Caught him at 'The Last Chance' and let on I was the pore +lonely cowboy with a sufferin' thirst. Filled him up with +'Look-out-I'm-Comin'' and landed him at his shack, where he dug up them +ole water-hole descriptions, me helpin' promiscus. He kind o' bucked +when I ast him for them papers. Said he only had one copy that he was +holdin' for another party. And I didn't have to strain my guesser any, +to guess who. I told him to saw off and get busy quick or I'd have him +pinched for playin' favorites. Guess he seen I meant business, for he +come acrost. She toots for Antelope six-forty tomorrow mornin'. This +is where I make the grand play as a homesteader, seein' pore Sundown's +eatin' on the county. Kind o' had a hunch that way." +</P> + +<P> +"We'll have to nail it quick. If you file you'll have to quit on the +Concho." +</P> + +<P> +"Well, then, I quit. Sinker is right in line for my bunk. Me for the +big hammer and the little ole sign what says: 'Private property! Keep +off! All trespassers will be executed!' And underneath, kind o' +sassy-like, 'Bud Shoop, proprietor.'" +</P> + +<BR><BR><BR> + +<A NAME="chap19"></A> +<H2 ALIGN="center"> +CHAPTER XIX +</H2> + +<H3 ALIGN="center"> +THE ESCAPE +</H3> + +<P> +About midnight Corliss and his foreman were awakened by a cry of +"Fire!" They scrambled from bed and pawed around in the dark for their +clothes. +</P> + +<P> +"Spontinuous conibustication," said Shoop, with a yawn. "A Jew +clothin'-store and a insurance-policy. Wonder who's ablaze?" +</P> + +<P> +"I can see from here," said Corliss at the window. "Keep on dressing, +Bud, it's the sheriff's office!" +</P> + +<P> +"Sundown!" Shoop exclaimed, dancing about inelegantly with one foot +halfway down his pants-leg. +</P> + +<P> +They tramped down the stairs and ran across to the blazing building. A +group of half-dressed citizens were passing buckets and dashing their +final and ineffectual contents against the spouting flames. +</P> + +<P> +"He's sure done on both sides if he's in there," remarked Shoop. He +ran around to the back of the jail and called loudly on Sundown. +Jumping, he caught the high wooden bars of the window and peered into +the rear room. A rivulet of flame crept along the door that led from +the jail to the office. The room seemed to be empty. Shoop dropped to +the ground and strolled around to the front. "Tryin' to save the +buildin' or the prisoner?" he asked of a sweating bucket-passer. +</P> + +<P> +The man paused for a second, slopping water on his boots and gazing +about excitedly. "Hey, boys!" he shouted. "Get an axe and chop open +the back! The long gent is roastin' to death in there!" +</P> + +<P> +"And I reckon that'll keep 'em busy while Sun fans it," soliloquized +Shoop. "Hello, Jack!" And he beckoned to Corliss. "He ain't in +there," he whispered, "But how he got out, gets me!" +</P> + +<P> +"We might as well go back to bed," said Corliss. "They'll get him, +anyway. There's one of Jim's deputies on a cayuse now." +</P> + +<P> +"Where do you reckon he'll head for?" +</P> + +<P> +"Don't know, Bud. If he heads for the water-hole, they'll get him in +no time." +</P> + +<P> +"Think he set her on fire?" +</P> + +<P> +"Maybe he dropped a cigarette. I don't think he'd risk it, on purpose." +</P> + +<P> +Shoop glanced at his watch, tilting it toward the light of the flames. +"It's just one. Hello! There comes the agent. Reckon he thought the +station was afire." +</P> + +<P> +"Guess not. He's lighting up. Must be a special going to stop." +</P> + +<P> +"He's sure set the red. Say, I'm goin' over to see. Wait a minute." +</P> + +<P> +Shoop followed the agent into the station. Presently the foreman +reappeared and beckoned to Corliss. "Listen, Jack! Reddy says he's +got some runnin' orders for the Flyer and she's got to stop to get 'em. +That means we can eat breakfast in Usher, 'stead of here. No tellin' +who'll be on the six-forty headed for the same place, tomorrow mornin'." +</P> + +<P> +Corliss pondered. His plan of homesteading the water-hole ranch had +been upset by the arrest of Sundown. Still, that was no reason for +giving up the plan. From Shoop's talk with Kennedy, the lawyer, it was +evident that Loring had his eye on the deserted ranch. +</P> + +<P> +Far down the track he saw a glimmering dot of fire and heard the faint +muffled whistle of the Flyer. "All right, Bud. I'll get the tickets. +Get our coats. We can just make it." +</P> + +<P> +When they stepped from the Flyer at Usher, the faint light of dawn was +edging the eastern hills. A baggage-truck rumbled past and they heard +some one shout, "Get out o' that!" In the dim light they saw a figure +crawl from beneath the baggage-car and dash across the station platform +to be swallowed up in the shadowy gloom of a side street. +</P> + +<P> +"I only had seven drinks," said Shoop, gazing after the disappearing +figure. "But if Sundown ain't a pair of twins, that was him." +</P> + +<P> +"Hold on, Bud!" And Corliss laid his hand on Shoop's arm. "Don't take +after him. That's the way to stampede him. We go easy till it's +light. He'll see us." +</P> + +<P> +They sauntered up the street and stopped opposite an "all-night" +eating-house. +</P> + +<P> +"We won't advertise the Concho, this trip," said Corliss, as they +entered. +</P> + +<P> +Shoop, with his legs curled around the counter stool, sipped his coffee +and soliloquized. "Wise old head! Never was a hotel built that was +too good for Jack when he's travelin'. And he don't do his thinkin' +with his feet, either." +</P> + +<P> +The waiter, who had retired to the semi-seclusion of the kitchen, dozed +in a chair tilted back against the wall. He was awakened by a voice at +the rear door. Shoop straightened up and grinned at Corliss. The +waiter vocalized his attitude with the brief assertion that there was +"nothin' doin'." +</P> + +<P> +"It's him!" said Shoop. +</P> + +<P> +"I got the price," came from the unseen. +</P> + +<P> +"Then you beat it around to the front," suggested the waiter. +</P> + +<P> +Shoop called for another cup of coffee. As the waiter brought it, +Sundown, hatless, begrimed, and showing the effects of an unupholstered +journey, appeared in the doorway. Shoop turned and stood up. +</P> + +<P> +"Well, if it ain't me old pal Buddy!" exclaimed Sundown. "What you +doin' in this here burg?" +</P> + +<P> +"Why, hello, Hawkins! Where'd you fall from? How's things over to +Homer?" +</P> + +<P> +Sundown took the hint and fabricated a heart-rending tale of an +all-night ride on "a cayuse that had been tryin' to get rid of him ever +since he started and had finally piled him as the Flyer tooted for +Usher." +</P> + +<P> +"You do look kind o' shook-up. Better eat." +</P> + +<P> +"I sure got room," said Sundown. "Fetch me a basket of doughnuts and a +pail of coffee. That there Fly—cayuse sure left me, but he didn't +take me appetite." +</P> + +<P> +After the third cup of coffee and the seventh doughnut, Sundown +asserted that he felt better. They sauntered out to the street. +</P> + +<P> +"How in blazes did you get loose?" queried Shoop, surveying the unkempt +adventurer with frank amazement. +</P> + +<P> +"Blazes is correct. I clumb out of the window." +</P> + +<P> +"Set her on fire?" +</P> + +<P> +"Not with mellishus extent, as the judge says. Mebby it was a +cigarette. I dunno. First thing I know I was dreamin' I smelt smoke +and the dream sure come true. If them bars had been a leetle closter +together, I reckon I would be tunin' a harp, right now." +</P> + +<P> +"How did you happen to jump our train—and get off here?" asked Corliss. +</P> + +<P> +"It was sure lucky," said Sundown, grinning. "I run 'round back of the +station and snook up and crawled under the platform in front. I could +see everybody hoppin' 'round and I figured I was safer on the job, +expectin' they'd be lookin' for me to beat it out of town. Then you +fellas come up and stood talkin' right over me head. Bud he says +somethin' about eatin' breakfast in Usher, and bein' hungry and likin' +good comp'ny, I waits till the train pulls up and crawls under the +baggage. And here I be." +</P> + +<P> +"We'll have to get you a hat and a coat. We'll stop at the next +barber-shop. You wash up and get shaved. We'll wait. Then we'll head +for the court-house." +</P> + +<P> +"Me ranch?" And Sundown beamed through his grime. "Makes me feel like +writin' a pome! Now, mebby—" +</P> + +<P> +"Haven't time, now. Got to scare up two more witnesses to go on your +paper. There's a place, just opening up." +</P> + +<P> +They crossed the street. Next to the barbershop was a saloon. +</P> + +<P> +Sundown eyed the sign pensively. "I ain't a drinkin' man—regular," he +said, "but there are times…" +</P> + +<P> +"There are times," echoed Corliss, and the three filed between the +swing-doors and disappeared. +</P> + +<BR> + +<P> +An hour later three men, evidently cow-men from their gait and bearing, +passed along the main street of Usher and entered the court-house, +where they were met by two citizens. The five men were admitted to the +inner sanctum of the hall of justice, from which they presently +emerged, laughing and joking. The tallest of them seemed to be +receiving the humorous congratulations of his companions. He shook +hands all around and remarked half-apologetically: "I ain't a drinkin' +man, reg'lar… but there are times…" +</P> + +<P> +The five men drifted easily toward the swing-doors. Presently they +emerged. Shoop nudged his employer. David Loring and his daughter had +just crossed the street. The old sheep-man glanced at the group in +front of the saloon and blinked hard. Of the West, he read at a glance +the situation. Sundown, Corliss, and Shoop raised their hats as +Eleanor Loring bowed. +</P> + +<P> +"Beat him by a neck!" said Shoop. "Guess we better fan it, eh, Jack?" +</P> + +<P> +"There's no hurry," said Corliss easily. Nevertheless, he realized +that Sundown's presence in Usher was quite apt to be followed by a wire +from the sheriff of Antelope which would complicate matters, to say the +least. He shook hands with the two townsmen and assured them that the +hospitality of the Concho was theirs when they chose to honor it. Then +he turned to Bud Shoop. "Get the fastest saddle-horse in town and ride +out to the South road and wait for us. I'm going to send Sundown over +to Murphy's. Pat knows me pretty well. From there he can take the +Apache road to the Concho. We can outfit him and get him settled at +the water-hole ranch before any one finds out where he is." +</P> + +<P> +"But Jim'll get him again," said Shoop. +</P> + +<P> +"I expect him to. That'll be all right." +</P> + +<P> +"Well, you got me. Thought I knowed somethin' about your style, but I +don't even know your name." +</P> + +<P> +"Let's move on. You go ahead and get the cayuse. I want to talk to +Sundown." +</P> + +<P> +Then Corliss explained his plan. He told Sundown to keep the +water-hole fenced and so keep the sheep-men from using it. This would +virtually control several thousand acres of range around the water-hole +ranch. He told Sundown that he expected him to homestead the ranch for +himself—do the necessary work to secure a title, and then at his +option either continue as a rancher or sell the holding to the Concho. +"I'll start you with some stock—a few head, and a horse or two. All +you have to do is to 'tend to business and forget that I have ever +spoken to you about homesteading the place. You'll have to play it +alone after you get started." +</P> + +<P> +"Suits me, boss. I ain't what you'd call a farmer, but me and Chance +can scratch around and act like we was. But the smooth gent as pinched +me—ain't he goin' to come again?" +</P> + +<P> +"Sure as you're wearing spurs! But you just take it easy and you'll +come out all right. Loring put Jim Banks after you. Jim is all right +and he's business. Loring wants the water-hole ranch. So do I. Now, +if Loring tells the sheriff he saw you in Usher, and later at the +water-hole, Jim will begin to think that Loring is keeping pretty close +trail on you. When Jim finds out you've filed on the water-hole,—and +he already knows that Loring wants it,—he'll begin to figure that +Loring had you jailed to keep you out of his way. And you can take it +from me, Jim Banks is the squarest man in Apache County. He'll give +you a chance to make good. If we can keep you out of sight till he +hears from over the line, I think you'll be safe after that. If we +can't, why, you still have your title to the water-hole ranch and that +holds it against trespassers." +</P> + +<P> +"Well, you're sure some shark on the long think! Say, I been scared +stiff so long I'm just commencin' to feel me legs again. The sun is +shinin' and the birds are sawin' wood. I get you, boss! The old guy +that owns the wool had me pinched. Well, I ain't got nothin' ag'in' +him, but that don't say I ain't workin' for you. Say, if he comes +botherin' around me farm, do I shoot?" +</P> + +<P> +"No. You just keep right on. Pay no attention to him." +</P> + +<P> +"Just sick Chance on him, eh?" +</P> + +<P> +"He'd get Chance. I'm going to run some cattle over that way soon. +Then you'll have company. You needn't be scared." +</P> + +<P> +"Cattle is some comp'ny at that. Say, have I got to ride that there +bronc Bud jest went down the street on?" +</P> + +<P> +"As soon as we get out of town." +</P> + +<P> +"Which wouldn't be long if we had hosses like him, eh?" +</P> + +<P> +"I'll give you a note to Murphy. He'll send your horse back to Usher +and let you take a fresh horse when you start for the Concho. Take it +easy, and don't talk." +</P> + +<P> +"All right, boss. But I was thinkin'—" +</P> + +<P> +"What?" +</P> + +<P> +"Well, it's men like me and you that puts things through. It takes a +man with sand to go around this country gettin' pinched and thrun and +burnt up and bein' arrested every time he goes to spit. Folks'll be +sayin' that there Sundown gent is a brave man—me! Never shot nobody +and dependin' on his nerve, every time. They's nothin' like havin' a +bad repetation." +</P> + +<P> +"Nothing like it," assented Corliss, smiling. "Well, here's your road. +Keep straight on till you cross the river. Then take the right fork +and stick to it, and you'll ride right into Murphy's. He'll fix you +up, all right." +</P> + +<P> +"Did you think in this note to tell him to give me a hoss that only +travels one way to onct?" queried Sundown. +</P> + +<P> +Corliss laughed. "Yes, I told him. Don't forget you're a citizen and +a homesteader. We're depending on you." +</P> + +<P> +"You bet! And I'll be there with the bells!" +</P> + +<BR> + +<P> +Shoop and Corliss watched Sundown top a distant rise and disappear in a +cloud of dust. Then they walked back to the station. As they waited +for the local, Shoop rolled a cigarette. "Jest statin' it mild and +gentle," he said, yawning, "the last couple of weeks has been kind of a +busy day. Guess the fun's all over. Sundown's got a flyin' start; +Loring's played his ace and lost, and you and me is plumb sober. If +I'd knowed it was goin' to be as quiet as this, I'd 'a' brought my +knittin' along." +</P> + +<P> +"There are times…" said Corliss. +</P> + +<P> +"And we got just five minutes," said Shoop. "Come on." +</P> + +<BR><BR><BR> + +<A NAME="chap20"></A> +<H2 ALIGN="center"> +CHAPTER XX +</H2> + +<H3 ALIGN="center"> +THE WALKING MAN +</H3> + +<P> +Sundown's sense of the dramatic, his love for posing, with his +linguistic ability to adopt the vernacular of the moment so impressed +the temperamental Murphy that he disregarded a portion of his friend +Corliss's note, and the morning following his lean guest's arrival at +the ranch the jovial Irishman himself saddled and bridled the swiftest +and most vicious horse in the corral; a glass-eyed pinto, bronc from +the end of his switching tail to his pink-mottled muzzle. He was a +horse with a record which he did not allow to become obsolete, although +he had plenty of competition to contend with in the string of broncs +that Murphy's riders variously bestrode. Moreover, the pinto, like +dynamite, "went off" at the most unexpected intervals, as did many of +his riders. Sundown, bidding farewell to his host, mounted and swung +out of the yard at a lope. The pinto had ideas of his own. Should he +buck in the yard, he would immediately be roped and turned into the +corral again. Out on the mesas it would be different—and it was. +</P> + +<P> +He paid no attention to a tumble-weed gyrating across the Apache road. +Neither did he seem disturbed when a rattler burred in the bunch-grass. +Even the startled leap of a rabbit that shot athwart his immediate +course was greeted with nothing more than a snort and a toss of his +swinging head. Such things were excuses for bad behavior, but he was +of that type which furnishes its own excuse. He would lull his rider +to a false security, and then… +</P> + +<P> +The pinto loped over level and rise tirelessly. Sundown stood in his +stirrups and gazed ahead. The wide mesas glowing in the sun, the sense +of illimitable freedom, the keen, odorless air wrought him to a pitch +of inspiration. He would, just over the next rise, draw rein and woo +his muse. But the next rise and the next swept beneath the pinto's +rhythmic hoofs. The poetry of motion swayed his soul. He was enjoying +himself. At last, he reflected, he had mastered the art of sitting a +horse. He had already mastered the art of mounting and of descending +under various conditions and at seemingly impossible angles. As Hi +Wingle had once remarked—Sundown was the most <I>durable</I> rider on the +range. His length of limb had no apparent relation to his shortcomings +as a vaquero. +</P> + +<P> +Curiosity, as well as pride, may precede a fall. Sundown eventually +reined up and breathed the pinto, which paced with lowered head as +though dejected and altogether weary—which was merely a pose, if an +object in motion can be said to pose. His rider, relaxing, slouched in +the saddle and dreamed of a peaceful and domestic future as owner of a +small herd of cattle, a few fenced acres of alfalfa and vegetables, a +saddle-horse something like the pinto which he bestrode, with Chance as +companion and audience—and perhaps a low-voiced seņora to welcome him +at night when he rode in with spur-chains jingling and the silver +conchas on his chaps gleaming like stars in the setting sun. "But me +chaps did their last gleam in that there fire," he reflected sadly. +"But I got me big spurs yet." Which after-thought served in a measure +to mitigate his melancholy. Like a true knight, he had slept spurred +and belted for the chance encounter while held in durance vile at +Antelope. "But me ranch!" he exclaimed. "Me! And mebby a tame cow +and chickens and things,—eh, Chance!" But Chance, he immediately +realized, was not with him. He would have a windmill and shade-trees +and a border of roses along the roadway to the house—like the Loring +rancho. But the seņorita to be wooed and won—that was a different +matter. "'T ain't no woman's country nohow—this here Arizona. She's +fine! But she's a man's country every time! Only sech as me and Jack +Corliss and Bud and them kind is fit to take the risks of makin' good +in this here State. But we're makin' good, you calico-hoss! Listen:— +</P> + +<P CLASS="poem"> +"Oh, there's sunshine on the Concho where the little owls are cryin',<BR> + And red across the 'dobe strings of chiles are a-dryin';<BR> +And if Arizona's heaven, tell me what's the use of dyin'?<BR> + Yes, it's good enough down here, just breathin' air; +</P> + +<P CLASS="poem"> +"For the posies are a-bloomin' and the mockin'-birds are matin',<BR> + And somewhere in Arizona there's a Chola girl a-waitin'<BR> +For to cook them enchiladas while I do the irrigatin'<BR> + On me little desert homestead over there. +</P> + +<P CLASS="poem"> +"While I'm ridin' slow and easy…" +</P> + +<P> +"Whoa! Wonder what that is? Never seen one of them things before. 'T +ain't a lizard, but he looks like his pa was a lizard. Mebby his ma +was a toad. Kind of a Mormon, I guess." +</P> + +<P> +He leaned forward and gravely inspected the horned toad that blinked at +him from the edge of the grass. The pinto realized that his rider's +attention was otherwise and thoroughly occupied. With that +unforgettable drop of head and arch of spine the horse bucked. Sundown +did an unpremeditated evolution that would have won him much applause +and gold had he been connected with a circus. He landed in a clump of +brush and watched his hat sail gently down. The pinto whirled and took +the homeward road, snorting and bounding from side to side as the dust +swirled behind him. Sundown scratched his head. "Lemme see. 'We was +ridin', slow and easy…' Huh! Well, I ain't cussin' because I +don' know how. Lemme see… I was facin' east when I started. Now +I'm lit, and I'm facin' south. Me hat's there, and that there +toad-lizard oughter be over there, if he ain't scared to death. Reckon +I'll quit writin' po'try jest at present and finish gettin' acquainted +with that there toad-lizard. Wonder how far I got to walk? Anyhow, I +was gettin' tired of ridin'. By gum! me eats is tied to the saddle! +It's mighty queer how a fella gets set back to beginnin' all over ag'in +every onct in a while. Now, this mornin' I was settin' up ridin' a +good hoss and thinkin' poetical. Now I'm settin' down restin'. The +sun is shinin' yet, and them jiggers in the brush is chirpin' and the +air is fine, but I ain't thinkin' poetical. I'd sure hate to have a +real lady read what I'm thinkin', if it was in a book. 'Them that sets +on the eggs of untruth,' as the parson says, 'sure hatches lies.' Jest +yesterday I was tellin' in Usher how me bronc piled me when I'd been +ridin' the baggage, which was kind of a hoss-lie. I must 'a' had it +comin'." +</P> + +<P> +He rose and stalked to the roadway. The horned toad, undisturbed, +squatted in the grass and eyed him with bright, expressionless eyes. +</P> + +<P> +"If I was like some," said Sundown, addressing the toad, "I'd pull me +six-shooter, only I ain't got it now, and bling you to nothin'. +Accordin' to law you're the injudicious cause preceding the act, which +makes you guilty accordin' to the statues of this here commonwealth, +and I seen lots of 'em on the same street, in Boston, scarin' hosses to +death and makin' kids and nuss-girls cry. But I ain't goin' to shoot +you. If I was to have the sayin' of it, I'd kind o' like to shoot that +hoss, though. He broke as fine a pome in the middle as I ever writ, to +say nothin' of hurtin' me personal feelin's. Well, so-long, leetle +toad-lizard. Just tell them that you saw me—and they will know the +rest—if anybody was to ask you, a empty saddle and a man a-foot in the +desert is sure circumvential evidence ag'in the hoss. Wonder how far +it is to the Concho?" +</P> + +<P> +With many a backward glance, inspired by fond imaginings that the pinto +<I>might</I> have stopped to graze, Sundown stalked down the road. Waif of +chance and devotee of the goddess "Maybeso," he rose sublimely superior +to the predicament in which he found himself. "The only reason I'm +goin' east is because I ain't goin' west," he told himself, ignoring, +with warm adherence to the glowing courses of the sun the frigid +possibilities of the poles. Warmed by the exercise of plodding across +the mesa trail in high-heeled boots, he swung out of his coat and slung +it across his shoulder. Dust gathered in the wrinkles of his boots, +and more than once he stopped to mop his sweating face with his +bandanna. Rise after rise swept gently before him and within the hour +he saw the misty outline of the blue hills to the south. Slowly his +moving shadow shifted, bobbing in front of him as the sun slipped +toward the western horizon. A little breeze sighed along the road and +whirls of sand spun in tiny cones around the roots of the chaparral. +He reached in his pocket, drew forth a silver dollar, and examined it. +"Now if they weren't any folks on this here earth, I reckon silver and +gold and precious jools wouldn't be worth any more than rocks and mud +and gravel, eh? Why, even if they weren't no folks, water would be +worth more to this here world than gold. Water makes things grow +and—and keeps a fella from gettin' thirsty. And mud makes things +grow, too, but I dunno what rocks are for. Just to sit on when you're +tired, I reckon." The sibilant burring of a rattler in the brush set +his neck and back tingling. "And what snakes was made for, gets me! +They ain't good to eat, nohow. And they ain't friendly like some of +the bugs and things. I'm thinkin' that that there snake what clumb the +tree and got Mrs. Eve interested in the apple business would 'a' been a +whole lot better for folks, if he'd 'a' stayed up that tree and died, +instead o' runnin' around and raisin' young ones. Accordin' to my way +of thinkin' a garden ain't a garden with a snake in it, nohow. Now, +Mrs. Eve—if she'd had to take a hammer and nails and make a ladder to +get to them apples, by the time she got the ladder done I reckon them +apples wouldn't 'a' looked so good to her. That's what comes of havin' +a snake handy. 'Course, bein' a woman, she jest nacherally couldn't +wait for 'em to get ripe and fall off the tree. That would 'a' been +too easy. It sure is funny how folks goes to all kinds o' trouble to +get into it. Mebby she did get kind o' tired eatin' the same +breakfast-food every mornin'. Lots o' folks do, and hankers to try a +new one. But I never got tired of drinkin' water yet. Wisht I had a +barrel with ice in it. Gee Gosh! Ice! Mebby a cup of water would be +enough for a fella, but when he's dry he sure likes to see lots ahead +even if he can't drink it all. Mebby it's jest knowin' it's there that +kind o' eases up a fella's thirst. I dunno." +</P> + +<P> +Romance, as romance was wont to do at intervals, lay in wait for the +weary Sundown. Hunger and thirst and a burning sun may not be +immediately conducive to poetry or romantic imaginings. But the 'dobe +in the distance shaded by a clump of trees, the gleam of the drying +chiles, the glow of flowers, offered an acceptable antithesis to the +barren roadway and the empty mesas. Sundown quickened his pace. Eden, +though circumscribed by a barb-wire fence enclosing scant territory, +invited him to rest and refresh himself. And all unexpected the +immemorial Eve stood in the doorway of the 'dobe, gazing down the road +and doubtless wondering why this itinerant Adam, booted and spurred, +chose to walk the dusty highway. +</P> + +<P> +At the gate of the homestead Sundown paused and raised his broad +sombrero. Anita, dusky and buxom daughter of Chico Miguel, "the little +hombre with the little herd," as the cattle-men described him, nodded a +bashful acknowledgment of the salute, and spoke sharply to the dog +which had risen and was bristling toward the Strange wayfarer. +</P> + +<P> +"Agua," said Sundown, opening the gate, "Mucha agua, Senorita," adding, +with a humorous gesture of drinking, "I'm dry clean to me boots." +</P> + +<P> +The Mexican girl, slow-eyed and smiling, gazed at this most wonderful +man, of such upstanding height that his hat brushed the limbs of the +shade-trees at the gateway. Anita was plump and not tall. As Sundown +stalked up the path assuming an air of gallantry that was not wasted on +the desert air, the girl stepped to the olla hanging in the shade and +offered him the gourd. Sundown drank long and deep. Anita watched him +with wondering eyes. Such a man she had never seen. Vaqueros? Ah, +yes! many of them, but never such a man as this. This one smiled, yet +his face had much of the sadness in it. He had perhaps walked many +weary miles in the heat. Would he—with a gesture interpreting her +speech—be pleased to rest awhile? Without hesitation, he would. As +he sat on the doorstep gazing contentedly at the flowers bordering the +path, Anita's mother appeared from some mysterious recess of the 'dobe +and questioned Anita with quick low utterance. The girl's answer, +interpretable to Sundown only by its intonation, was music to him. The +Mexican woman, more than buxom, large-eyed and placid, turned to +Sundown, who rose and again doffed his sombrero. +</P> + +<P> +"I lost me horse—back there. I'm headed for the Concho—ma'am. +Concho," he reiterated in a louder tone. "Sabe?" +</P> + +<P> +The mother of Anita nodded. "You sick?" she asked. +</P> + +<P> +"What? Me? Not on your life, lady! I'm the healthiest Ho—puncher in +this here State. You sabe Concho?" +</P> + +<P> +"Si! Zhack Corlees—'Juan,' we say. Si! You of him?" +</P> + +<P> +"Yes, lady. I'm workin' for him. Lost me hoss." +</P> + +<P> +Anita and her mother exchanged glances. Sundown felt that his status +as a vaquero was in question. Would he let the beautiful Anita know +that he had been ignominiously "piled" by that pinto horse? Not he. +"Circumventions alters cases," he soliloquized, not altogether +untruthfully. Then aloud, "Me hoss put his foot in a gopher-hole. +Bruk his leg, and I had to shoot him, lady. Hated to part with him." +And the inventive Sundown illustrated with telling gesture the +imaginary accident. +</P> + +<P> +Sympathy flowed freely from the gentle-hearted Seņora and her daughter. +"Si!" It was not of unusual happening that horses met with such +accidents. It was getting late in the afternoon. Would the +unfortunate caballero accept of their hospitality in the way of +frijoles and some of the good coffee, perhaps? Sundown would, without +question. He pressed a dollar into the palm of the reluctant Seņora. +He was not a tramp. Of that she might be assured. He had met with +misfortune, that was all. And would the patron return soon? The +patron would return with the setting of the sun. Meanwhile the vaquero +of the Concho was to rest and perhaps enjoy his cigarette? And the +"vaquero" loafed and smoked many cigarettes while the glowing eyes of +Anita shone upon him with large sympathy. As yet Sundown had not +especially noticed her, but returning from his third visit to the +cooling olla, he caught her glance and read, or imagined he read, deep +admiration, lacking words to utter. From that moment he became a +changed man. He shed his weariness as a tattered garment is thrown +aside. He straightened his shoulders and held his head high. At last +a woman had looked at him and had not smiled at his ungainly stature. +Nay! But rather seemed impressed, awe-stricken, amazed. And his heart +quickened to faster rhythm, driving the blood riotously through his +imaginative mind. He grew eloquent, in gesture, if not in speech. He +told of his wanderings, his arrival at the Concho, of Chance his great +wolf-dog, his horse "Pill," and his good friends Bud Snoop and Hi +Wangle. Sundown could have easily given Othello himself "cards and +spades" in this chance game of hearts and won—moving metaphor!—in a +canter. That the little Seņorita with the large eyes did not +understand more than a third of that which she heard made no difference +to her. His ambiguity of utterance, backed by assurance and illumined +by the divine fire of inspiration, awakened curiosity in the placid +breast of this Desdemona of the mesas. It required no sophistication +on her part to realize that this caballero was not as the vaqueros she +had heretofore known. He made no boorish jests; his eyes were not as +the eyes of many that had gazed at her in a way that had tinged her +dusky cheeks with warm resentment. She felt that he was endeavoring to +interest her, to please her rather than to woo. And more than that—he +seemed intensely interested in his own brave eloquence. A child could +have told that Sundown was single-hearted. And with the instinct of a +child—albeit eighteen, and quite a woman in her way—Anita approved of +this adventurer as she had never approved of men, or man, before. His +great height, his long, sweeping arms, moving expansively as he +illustrated this or that incident, his silver spurs, his loose-jointed +"tout ensemble," so to speak, combined with an eloquent though puzzling +manner of speech, fascinated her. Warmed to his work, and forgetful of +his employer's caution in regard to certain plans having to do with the +water-hole ranch, Sundown elaborated, drawing heavily on future +possibilities, among which he towered in imagination monarch of rich +mellow acres and placid herds. He intimated delicately that a +rancher's life was lonely at best, and enriched the tender intimation +with the assurance that he was more than fond of enchiladas, frijoles, +carne-con-chile, tamales, adding as an afterthought that he was +somewhat of an expert himself in "wrastlin' out" pies and doughnuts and +various other gastronomical delicacies. +</P> + +<P> +A delicate frown touched the gentle Anita's smooth forehead when her +mother interrupted Sundown with a steaming cup of coffee and a plate of +frijoles, yet Anita realized, as she saw his ardent expression when the +aroma of the coffee reached him, that this was a most sensible and +fitting climax to his glowing discourse. Her frown vanished together +with the coffee and beans. +</P> + +<P> +Fortified by the strong black coffee and the nourishing frijoles, +Sundown rose from his seat on the doorstep and betook himself to the +back of the house where he labored with an axe until he had accumulated +quite a pile of firewood. Then he rolled up his sleeves, washed his +hands, and asked permission to prepare the evening meal. Although a +little astonished, the Seņora consented, and watched Sundown, at first +with a smile of indulgence, then with awakening curiosity, and finally +with frank and complimentary amazement as he deftly kneaded and rolled +pie-crust and manufactured a pie that eventually had, for those +immediately concerned, historical significance. +</P> + +<P> +The "little hombre," Chico Miguel, returning to his 'dobe that evening, +was greeted with a tide of explanatory utterances that swept him off +his feet. He was introduced to Sundown, apprised of the strange +guest's manifold accomplishments, and partook of the substantial +evidence of his skill until of the erstwhile generous pie there was +nothing left save tender reminiscence and replete satisfaction. +</P> + +<P> +Later in the evening, when the Arizona stars glowed and shimmered on +the shadowy adobe, when the wide mesas grew mysteriously beautiful in +the soft radiance of the slow moon, Chico Miguel brought his guitar +from the bedroom, tuned it, and struck a swaying cadence from its +strings. Then Anita's voice, blending with the rhythm, made melody, +and Sundown sat entranced. Mood, environment, temperament, lent +romance to the simple song. Every singing string on the old guitar was +silver—the singer's girlish voice a sunlit wave of gold. +</P> + +<P> +The bleak and almost barren lives of these isolated folk became +illumined with a reminiscent glow as the tinkling notes of the guitar +hushed to faint echoes of fairy bells hung on the silver boughs of +starlit trees. "Adios, linda Rosa," ran the song. Then silence, the +summer night, the myriad stars. +</P> + +<P> +Sundown, turning his head, gazed spellbound at the dark-eyed singing +girl. In the dim light of the lamp she saw that his lean cheeks were +wet with tears. +</P> + +<BR><BR><BR> + +<A NAME="chap21"></A> +<H2 ALIGN="center"> +CHAPTER XXI +</H2> + +<H3 ALIGN="center"> +ON THE MESA +</H3> + +<P> +With the morning sun came a brave, cloudless day and a more jovial mood +to Sundown as he explained the necessity for haste to the Concho. +Chico Miguel would gladly furnish horse and saddle. Juan Corlees was +of men the finest! Once upon a time, in fact, Chico Miguel had ridden +range for the father of Seņor Corlees, but that was in years long past, +Ah, yes! Then there were no sheep in the country—nothing but cattle +and vaqueros. Would the caballero accept the loan of horse and saddle? +The horse could be returned at his convenience. And possibly—and here +Chico Miguel paused to roll a cigarette, light it, and smoke awhile +reflectively—and possibly the caballero would again make their humble +home beautiful with his presence. Such pie as the Seņor made was a not +unworthy meal for the saints. Indeed, Chico Miguel himself had had +many pleasant dreams following their feast of the evening before. +Would Sundown condescend to grace their home with his presence again +and soon? Sundown would, be Gosh! He sure did like music, especially +them Spanish songs what made a fella kind of shivery and sad-like from +his boots up. And that part of the country looked good to him. In +fact he was willing to be thrun from—er—have his hoss step in a +gopher-hole any day if the accident might terminate as pleasantly as +had his late misfortune. He aspired to become a master of the art of +cooking Mexican dishes. 'Course at reg'lar plain-cookin' and deserts +he wasn't such a slouch, but when it come to spreadin' the chile, he +wasn't, as yet, an expert. +</P> + +<P> +Meanwhile he clung tenaciously to the few Spanish words he knew, added +to which was "Linda Rosa"—"pretty rose,"—which he intended to use +with telling effect when he made his adieux. After breakfast he rose +and disappeared. When he again entered the house the keen Seņora +noticed that his shirt front swelled expansively just above his heart. +She wondered if the tall one had helped himself to a few of her beloved +chiles. +</P> + +<P> +Presently Chico Miguel appeared with the pony. Sundown mounted, +hesitated, and then nodded farewell to the Seņora and the almost +tearful Anita who stood in the doorway. Things were not as Sundown +would have had them. He was long of arm and vigorous, but to cast a +bouquet of hastily gathered and tied flowers from the gateway to the +hand of the Seņorita would require a longer arm and a surer aim than +his. "Gee Gosh!" he exclaimed, dismounting hurriedly. "What's that on +his hind foot?" +</P> + +<P> +He referred to the horse. Chico Miguel, at the gate, hastened to +examine the pony, but Sundown, realizing that the Seņorita still stood +beside her mother, must needs create further delay. He stepped to the +pony and, assuming an air of experience, reached to take up the horse's +foot and examine it. The horse, possibly realizing that its foot was +sound, resented Sundown's solicitude. The upshot—used advisedly—of +it was that Sundown found himself sitting in the road and Chico Miguel +struggling with the pony. +</P> + +<P> +With a scream Anita rushed to the gateway, wringing her hands as +Sundown rose stiffly and felt of his shirt front. The flowers that he +had picked for his adored, were now literally pressed to his bosom. He +wondered if they "were mushed up much?" Yet he was not unhappy. His +grand climax was at hand. Again he mounted the pony, turned to the +Seņorita, and, drawing the more or less mangled blossoms from his +shirt, presented them to her with sweeping gallantry. Anita blushed +and smiled. Sundown raised his hat. "Adios! Adios! Mucha adios! +Seņorita! For you sure are the lindaest little linda rosa of the whole +bunch!" he said. +</P> + +<P> +And with Anita standing in rapt admiration, Chico Miguel wondering if +the kick of the horse had not unsettled the strange caballero's reason, +and the Seņora blandly aware that her daughter and the tall one had +become adepts in interpreting the language of the eyes, Sundown rode +away in a cloud of dust, triumphantly joyous, yet with a peculiar +sensation in the region of his heart, where the horse had kicked him. +When he realized that admiring eyes could not follow him forever, he +checked the horse and rubbed his chest. +</P> + +<P> +"It hurts, all right! but hoss-shoes is a sign of <I>luck</I>—and posies is +a sign of <I>love</I>—and them two signs sure come together this mornin'. +'Oh, down in Arizona there's a—' No, I reckon I won't be temptin' +Providence ag'in. This hoss might have some kind of a dislikin' for +toad-lizards and po'try mixed, same as the other one. I can jest kind +o' work the rest of that poem up inside and keep her on the ice +till—er—till she's the right flavor. Wonder how they're makin' it at +the Concho? Guess I'll stir along. Mebby they're waitin' for me to +show up so's they can get busy. I dunno. It sure is wonderful what a +lot is dependin' on me these here days. I'm gettin' to be kind of a +center figure in this here country. Lemme see. Now I bruk +jail—hopped the Limited, took out me homesteader papers, got thrun off +a hoss, slumped right into love with that sure-enough Linda Rosa, and +got kicked by another hoss. And they say I ain't a enterprisin' guy! +Gee Gosh!" +</P> + +<P> +Never so much at home as when alone, the mellifluous Sundown's +imagination expanded, till it embraced the farthest outpost of his +theme. He became the towering center of things terrestrial. The world +revolved around but one individual that glorious morning, and he +generously decided to let it revolve. He felt—being, for the first +time in his weird career, very much in love—that Dame Fortune, so long +indifferent to his modest aspirations, had at last recognized in him a +true adventurer worthy of her grace. He was a remarkable man, +physically. He considered himself a remarkable man mentally, and he +was, in Arizona. "Why," he announced to his horse, "they's folks as +says they ain't no romantics left in this here world! Huh! Some of +them writin' folks oughter jest trail my smoke for a week, instead o' +settin' in clubs and drinkin' high-balls and expectin' them high-balls +to put 'em wise to real life! Huh! A fella's got to sweat it out +himself. The kind of romantics that comes in a bottle ain't the real +thing. Pickles is all right, but they ain't cucumbers, nohow. Wisht I +had one—and some salt. The stories them guys write is like pickles, +jest two kinds of flavor, sweet and sour. Now, when I write me life's +history she'll be a cucumber sliced thin with a few of them little red +chiles to kind o' give the right kick, and mebby a leetle onion +representin' me sentiment, and salt to draw out the proper taste, and +'bout three drops o' vinegar standin' for hard luck, and the hull thing +fixed tasty-like on a lettuce leaf, the crinkles representin' the +mountings and valleys of this here world, and me name on the cover in +red with gold edges. Gee Gosh!" +</P> + +<P> +The creak of the saddle, the tinkle of his spurs, the springy stride of +the horse furnished a truly pastoral accompaniment to Sundown's +"romantics." +</P> + +<P> +As he rode down a draw, he came suddenly upon two coyotes playing like +puppies in the sun. He reined up and watched them, and his heart +warmed to their antics. "Now, 'most any fella ridin' range would +nacherally pull his gun and bling at 'em. What for? Search me! They +ain't botherin' nobody. Jest playin'. Guess 'most any animals like to +play if they wasn't scared o' gettin' shot all the time. Funny how +some folks got to kill everything they see runnin' wild. What's the +use? Now, mebby them coyotes is a pa and ma thinkin' o' settin' up +ranchin' and raisin' alfalfa and young ones. Or mebby he's just +a-courtin' her and showin' how he can run and jump better than any +other coyote she ever seen. I dunno. There they go. Guess they seen +me. Say! but they are jest floatin' across the mesa—they ain't +runnin'. Goin' easy, like their legs belonged to somebody else and +they was jest keepin' up with 'em. So-long, folks! Here's hopin' you +get settled on that coyote-ranch all right!" +</P> + +<P> +Thus far on his journey Sundown had enjoyed the pleasing local flavor +of the morning and his imaginings. The vinegar, which was to represent +"hard luck," had not as yet been added to the salad. +</P> + +<P> +As he ascended the gentle slope of the draw he heard a quick, blunt +sound, as though some one had struck a drum and immediately muffled the +reverberations with the hand. He was too deeply immersed in himself to +pay much attention to this. Topping the rise, the fresh vista of +rolling mesa, the far blue hills, and a white dot—the distant +Concho—awakened him to a realization of his whereabouts. Again he +heard that peculiar, dull sound. He lifted his horse to a lope and +swept along, the dancing shadow at his side shortening as noon overtook +him. He was about to dismount and partake of the luncheon the kindly +Seņora had prepared for him, when he changed his mind. "Lunch and +hunch makes a rhyme," he announced. "And I got 'em both. Guess I'll +jog along and eat at the Concho. Mebby I'll get there in two, three +hours." +</P> + +<P> +As the white dot took on a familiar outline and the eastern wall of the +caņon of the Concho showed sharply against the sky, he saw a horseman, +strangely doubled up in the saddle, riding across the mesa toward the +ranch-house. Evidently he also was going to the Concho. Possibly it +was Bud, or Hi Wingle, or Lone Johnny. Following an interval of +attending strictly to the trail he raised his eyes. He pulled his +horse up and sat blinking. Where there had been a horse and rider +there was but the horse, standing with lowered head. He shaded his +eyes with his palm and gazed again. There stood the horse. The man +had disappeared. "Fell into one of them Injun graves," remarked +Sundown. "Guess I'll go see." +</P> + +<P> +It took much longer than he had anticipated to come up with the +riderless horse. He recognized it as one of the Concho ponies. Almost +beneath the animal lay a huddled something. Sundown's scalp tingled. +Slowly he got from his horse and stalked across the intervening space. +He led the pony from the tumbled shape on the ground. Then he knelt +and raised the man's shoulders. Sinker, one of the Concho riders, +groaned and tore at the shirt over his stomach. Then Sundown knew. He +eased the cowboy back and called his name. Slowly the gray lids +opened. "It's me, Sundown! Who done it?" +</P> + +<P> +The cowboy tried to rise on his elbow. Sundown supported his head, +questioning him, for he knew that Sinker had but little time left to +speak. The wounded man writhed impotently, then quieted. +</P> + +<P> +"God, Sun!" he moaned, "they got me. Tell Jack—Mexican—Loring—sheep +at—waterhole. Tried to bluff—'em off—orders not to shoot. They got +orders to shoot—all right. Tell Jack—Guess I'm bleedin' +inside—So-long—pardner." +</P> + +<P> +The dying man writhed from Sundown's arms and rolled to his face, +cursing and clutching at the grass in agony. Sundown stood over him, +his hat off, his gaze lifted toward the cloudless sky, his face white +with a new and strange emotion. He raised his long arms and clenched +his hands. "God A'mighty," he whispered, rocking back and forth, "I +got to tell You that sech things is <I>wrong</I>. And from what I seen +sence I come to this country, You don't care. But some of us does +care… and I reckon we got to do somethin' if You don't." +</P> + +<A NAME="img-254"></A> +<CENTER> +<IMG SRC="images/img-254.jpg" ALT=""God A'mighty, sech things is wrong."" BORDER="2" WIDTH="361" HEIGHT="539"> +<H4> +[Illustration: "God A'mighty, sech things is wrong."] +</H4> +</CENTER> + +<P> +The cowboy raised himself on rigid arms, he lifted his head, and his +eyes, filmed with the chill of death, grew clear for an instant. +"'Sandro—the herder—got me," he gasped. His lips writhed back from +his clenched teeth. A rush of blood choked him. He sank to the +ground, quivered, and was still. +</P> + +<P> +"'Sandro… the herder"… whispered Sundown. "Sinker was me +friend. I reckon God's got to leave the finish of this to me." +</P> + +<BR><BR><BR> + +<A NAME="chap22"></A> +<H2 ALIGN="center"> +CHAPTER XXII +</H2> + +<H3 ALIGN="center"> +WAIT! +</H3> + +<P> +To see a man's life go out and to stand by unable to help, unable to +offer comfort or ease mortal agony, is a bitter experience. It brings +the beholder close to the abyss of eternity, wherein the world shrinks +to a speck of whirling dust and the sun is but a needle-point of light. +Then it is that the fleshless face of the unconquerable One leans close +and whispers, not to the insensate clay that mocks the living, but to +the impotent soul that mourns the dead. +</P> + +<P> +That Sundown should consider himself morally bound to become one of +those who he knew would avenge the killing of the cowboy, and without +recourse to law, was not altogether strange. The iron had entered his +soul. Heretofore at loose ends with the world, the finding of Sinker, +dying on the mesas, kindled within him righteous wrath against the +circumstance rather than the individual slayer. His meandering +thoughts and emotions became crystallized. His energies hardened to a +set purpose. He was obsessed with a fanaticism akin to that of those +who had burned witches and thanked their Maker for the opportunity. +</P> + +<P> +In his simple way he wondered why he had not wept. He rode slowly to +the Concho. Chance leaped circling about his horse. He greeted the +dog with a word. When he dismounted, Chance cringed and crept to him. +Without question this was his master, and yet there was something in +Sundown's attitude that silenced the dog's joyous welcoming. Chance +sat on his haunches, whined, and did his best by his own attitude to +show that he was in sympathy with his master's strange mood. +</P> + +<P> +John Corliss saw instantly that there was something wrong, and his +hearty greeting lapsed into terse questioning. Sundown pointed toward +the northern mesas. +</P> + +<P> +"What's up?" he queried. +</P> + +<P> +"Sinker—he's dead—over there." +</P> + +<P> +"Sinker?" Corliss ran to the corral, calling to Wingle, who came from +the bunk-house. The cook whisked off his apron, grabbed his hat, and +followed Corliss. "Sinker's done for!" said Corliss. "Saddle up, Hi. +Sun found him out there. Must have had trouble at the water-hole. I +should have sent another man with him." +</P> + +<P> +Wingle, with the taciturnity of the plainsman, jerked the cinchas tight +and swung to the saddle. Sinker's death had come like a white-hot +flash of lightning from the bulked clouds that had shadowed disaster +impending—and in that shadow the three men rode silently toward the +north. Again Corliss questioned Sundown. Tense with the stress of an +emotion that all but sealed his lips, Sundown turned his white face to +Corliss and whispered, "Wait!" The rancher felt that that one terse, +whispered word implied more than he cared to imagine. There was +something uncanny about the man. If the killing of Sinker could so +change the timorous, kindly Sundown to this grim, unbending epitome of +lean death and vengeance, what could he himself do to check the wild +fury of his riders when they heard of their companion's passing from +the sun? +</P> + +<P> +Sinker's horse, grazing, lifted its head and nickered as they rode up. +They dismounted and turned the body over. Wingle, kneeling, examined +the cowboy's six-gun. +</P> + +<P> +Corliss, in a burst of wrath, turned on Sundown. "Damn you, open your +mouth. What do you know about this?" +</P> + +<P> +Sundown bit his nails and glowered at Corliss. "God A'mighty sent +me—" he began. +</P> + +<P> +With a swift gesture Corliss interrupted. "You're working for the +Concho. Was he dead when you found him?" +</P> + +<P> +Sundown slowly raised his arm and pointed across the mesa. +</P> + +<P> +Corliss fingered his belt and bit his lip impatiently. +</P> + +<P> +"A herder—over there to my ranch—done it. Sinker told me—'fore he +crossed over. Said it was 'Sandro. Said he had orders not to shoot. +He tried to bluff 'em off, for they was bringin' sheep to the +water-hole. He said to tell you." +</P> + +<P> +Corliss and Wingle turned from looking at Sundown and gazed at each +other. "If that's right—" And the rancher hesitated. +</P> + +<P> +"I reckon it's right," said Wingle. And he stooped and together they +lifted the body and laid it across the cowboy's horse. +</P> + +<P> +Sundown watched them with burning eyes. "We'll ride back home," said +Corliss, motioning to him. +</P> + +<P> +"Home? Ain't you goin' to do nothin'?" +</P> + +<P> +Corliss shook his head. Sundown slowly mounted and followed them to +the Concho. He watched them as they carried Sinker to the bunkhouse. +</P> + +<P> +When Corliss reappeared, Sundown strode up to him. "This here hoss +belongs to that leetle Mexican on the Apache road, Chico Miguel—said +you knowed him. I was goin' to take him back with my hoss. Now I +reckon I can't. I kind o' liked it over there to his place. I guess I +want my own hoss, Pill." +</P> + +<P> +"I guess you better get something to eat and rest up. You're in bad +shape, Sun." +</P> + +<P> +Sundown shook his head. "I got somethin' to do—after that mebby I can +rest up. Can I have me hoss?" +</P> + +<P> +"Yes, if it'll do you any good. What are you going to do?" +</P> + +<P> +"I got me homesteader papers. I'm goin' to me ranch." +</P> + +<P> +"But you're not outfitted. There's no grub there. You better take it +easy. You'll feel better to-morrow." +</P> + +<P> +"I don't need no outfit. I reckon I'll saddle Pill." +</P> + +<P> +Sundown turned the Mexican's pony into the corral and saddled his own +horse which he led to the bunk-house. "I ain't got no gun," he said. +"The sheriff gent's got mine. Mebby you'd be lendin' me one?" +</P> + +<P> +Wingle stepped to the doorway and stood beside Corliss. "What does he +want, Jack?" +</P> + +<P> +"He's loco. Wants to borrow a gun." The rancher turned to Sundown. +"See here, Sun, there's no use thinking you've got to take a hand in +this. Some of the boys'll get the Mexican sure! I can't stop them, +but I don't want you to get in trouble." +</P> + +<P> +"No. You come on in and eat," said Wingle. "You got a touch of sun, I +guess." +</P> + +<P> +Sundown mounted. "Ain't you goin' to do nothin'?" he asked again. +</P> + +<P> +Corliss and Wingle glanced at each other. "No, not now." +</P> + +<P> +"Then me and Chance is," said Sundown. "Come on, Chance." +</P> + +<P> +Corliss and the cook watched the tall figure as it passed through the +gateway and out to the mesa. "I'll go head him off, if you say the +word, Jack." +</P> + +<P> +Corliss made a negative gesture. "He'll come back when he gets hungry. +It's a long ride to the water-hole. Sinker had sand to get as near +home as he did. It's going to be straight hell from now on, Hi." +</P> + +<P> +Wingle nodded. Through force of habit he reached for his apron to wipe +his hand—his invariable preliminary before he shook hands with any +one. His apron being off, he hesitated, then stepped to his employer. +"It sure is," he said, "and I'm ridin' with you." +</P> + +<P> +They shook hands. Moved by a mutual impulse they glanced at the long, +rigid shape covered with a blanket. "When the boys come—" began +Wingle. +</P> + +<P> +"It will be out of our hands," concluded Corliss. +</P> + +<P> +"If Sun—" +</P> + +<P> +"I ought to ride out after him," said Corliss, nodding. "But I can't +leave. And you can't." +</P> + +<P> +Wingle stepped to the doorway and shaded his eyes. Far out on the mesa +the diminishing figure of a horseman showed black against the glare of +the sun. Wingle turned and, with a glance at the shrouded figure on +the bunk-house floor, donned his apron and shuffled to the kitchen. +Corliss tied his horse and strode to the office. +</P> + +<P> +Hi Wingle puttered about the kitchen. There would be supper to get for +fifteen hungry—No! fourteen, to-night. He paused, set down the pan +that he held and opened the door of the chuck-room. With finger +marking the count he totaled the number of chairs at the table. +Fifteen. Then he stepped softly to the bunk-room, took Sinker's hat +and stepped back to the table. He placed the hat on the dead cowboy's +chair. Then he closed the door and turned to the preparation of the +evening meal. "Jack'll report to Antelope and try and keep the boys +quiet. I'm sure with Jack—only I was a puncher first afore I took to +cookin'. And I'm a puncher yet—inside." Which was his singular and +only spoken tribute to the memory of Sinker. He had reasoned that it +was only right and fitting that the slayer of a cowman should be slain +by a cowman—a code that held good in his time and would hold good +now—especially when the boys saw the battered Stetson, every line of +which was mutely eloquent of its owner's individuality. +</P> + +<P> +Sundown drifted through the afternoon solitudes, his mind dulled by the +monotony of the theme which obsessed him. It was evening when he +reached the water-hole. Around the enclosure straggled a few stray +sheep. He cautioned Chance against molesting them. Ordinarily he +would have approached the ranch-house timidly, but he was beyond fear. +He rode to the gate, tied his horse, and stepped to the doorway. The +door was open. He entered and struck a match. In the dusk he saw that +the room was empty save for a tarpaulin and a pair of rawhide kyacks +such as the herders use. Examining the kyacks he found that they +contained flour, beans, salt, sugar, and coffee. Evidently the herders +had intended making the deserted ranch-house their headquarters. He +wondered vaguely where the Mexicans were. The thought that they might +return did not worry him. He knew what he would do in that instance. +He would find out which one was 'Sandro… and then… +</P> + +<P> +The bleating of the stray sheep annoyed him. He told Chance to stay in +the room. Then he stalked out and opened the gate. "Mebby they want +water. I dunno. Them's Loring's sheep, all right, but they ain't to +blame for—for Sinker." With the idea came a more reasonable mood. +The sheep were not to blame for the killing of Sinker. The sheep +belonged to Loring. The herders, also, practically belonged to Loring. +They were only following his bidding when they protected the sheep. +With such reasoning he finally concluded that Loring, not his herder, +was responsible for the cowboy's death. He returned to the house, +built a fire, and cooked an indifferent meal. +</P> + +<BR> + +<P> +Sundown sat up suddenly. In the dim light of the moon flickering +through the dusty panes he saw Chance standing close to the door with +neck bristling and head lowered. Throwing back his blanket he rose and +whispered to the dog. Chance came to him obediently. Sundown saw that +the dog was trembling. He motioned him back and stepped to the door. +His slumbers had served to restore him to himself in a measure. His +old timidity became manifest as he hesitated, listening. In the +absolute silence of the night he thought he heard a shuffling as of +something being dragged across the enclosure. Tense with anticipating +he knew not what, he listened. Again he heard that peculiar slithering +sound. He opened the door an inch and peered out. In the pallid glow +of the moon he beheld a shapeless object that seemed to be crawling +toward him. Something in the helpless attitude of the object suggested +Sinker as he had risen on his arm, endeavoring to tell of the disaster +which had overtaken him. With a gesture of scorn at his own fear he +swung open the door. Chance crept at his heels, whining. Then Sundown +stepped out and stood gazing at the strange figure on the ground. Not +until a groan of agony broke the utter silence did he realize that the +night had brought to him a man, wounded and suffering terribly. "Who +are you?" he questioned, stooping above the man. The other dragged +himself to Sundown's feet and clawed at his knees. "'Sandro… It +is—that I—die. You don' keel… You don'…" +</P> + +<P> +Sundown dragged the herder to the house and into the bedroom. He got +water, for which the herder called piteously. With his own blanket he +made him as comfortable as he could. Then he built a fire that he +might have light. The herder was shot through the thigh, and had all +but bled to death dragging himself across the mesa from where he had +fallen from his horse. Sundown tried to stop the bleeding with strips +torn from his bandanna. Meanwhile the wounded man was imploring him +not to kill him. +</P> + +<P> +"I'm doin' me best to fix you up, Dago," said Sundown. "But you better +go ahead and say them prayers—and you might put in a couple for Sinker +what you shot. I reckon his slug cut the big vein and you got to go. +Wisht I could do somethin'… to help… you stay… but mebby +it's better that you cross over easy. Then the boys don't get you." +</P> + +<P> +The Mexican seemed to understand. He nodded as he lay gazing at the +lean figure illumined by the dancing light of the open stove. "Si. +You good hombre, si," he gasped. +</P> + +<P> +Sundown frowned. "Now, don't you take any idea like that along to +glory with you. Sinker—what you shot—was me friend. I ought to kill +you like a snake. But God A'mighty took the job off me hands. I +reckon that makes me square with—with Sinker—and Him." +</P> + +<P> +Again Sundown brought water to the herder. Gently he raised his head +and held the cup to his lips. Chance stood in the middle of the room +strangely subdued, yet he watched each movement of his master with +alert eyes. The moonlight faded from the window and the fire died +down. The air became chill as the faint light of dawn crept in to +emphasize the ghastly picture—the barren, rough-boarded room, the +rusted stove, the towering figure of Sundown, impassively waiting; and +the shattered, shrunken figure of the Mexican, hopeless and helpless, +as the morning mesas welcomed the golden glow of dawn and a new day. +</P> + +<P> +The herder, despite his apparent torpor, was the first to hear the +faint thud of hoofs in the loose sand of the roadway. He grew +instantly alert, raising himself on his elbow and gazing with fear-wide +eyes toward the south. +</P> + +<P> +Sundown nodded. "It's the boys," he said, as though speaking to +himself. "I was hopin' he could die easy. I dunno." +</P> + +<P> +'Sandro raised his hands and implored Sundown to save him from the +riders. Sundown stepped to the window. He saw the flash of spurs and +bits as a group of the Concho boys swept down the road. One of them +was leading a riderless horse. In a flash he realized that they had +found the herder's horse and had tracked 'Sandro to the water-hole. He +backed away from the window and reaching down took the Mexican's gun +from its holster. "'T ain't what I figured on," he muttered. "They's +me friends, but this is me ranch." +</P> + +<P> +With a rush and a slither of hoofs in the loose sand the Concho riders, +headed by Shoop, swung up to the gate and dismounted. Sundown stepped +to the doorway, Chance beside him. +</P> + +<P> +Shoop glanced quickly at the silent figure. Then his gaze drifted to +the ground. +</P> + +<P> +"'Mornin', Sun! Seen anybody 'round here this mornin'?" +</P> + +<P> +"Mornin', fellas. Nope. Just me and Chance." +</P> + +<P> +The men hesitated, eyeing Sundown suspiciously. +</P> + +<P> +Corliss stepped toward the ranch-house. +</P> + +<P> +"Guess we'll look in," he said, and stepped past Shoop. +</P> + +<P> +Sundown had closed the door of the bedroom. He was at a loss to +prevent the men entering the house, but once within the house he +determined that they should not enter the bedroom. +</P> + +<P> +He backed toward it and stood with one shoulder against the lintel. +"Come right in. I ain't got to housekeepin' yet, but…" +</P> + +<P> +He ceased speaking as he saw Corliss's gaze fixed on the kyacks. +"Where did you get 'em?" queried the rancher. +</P> + +<P> +The men crowded in and gazed curiously at the kyacks—then at Sundown. +</P> + +<P> +Shoop strode forward. "The game's up, Sun. We want the Mexican." +</P> + +<P> +"This is me ranch," said Sundown. "I got the papers—here. You fellas +is sure welcome—only they ain't goin' to be no shootin' or such-like. +I ain't joshin' this time." +</P> + +<P> +A voice broke the succeeding silence. "If the Mexican is in there, we +want him—that's all." +</P> + +<P> +Sundown's eyes became bright with a peculiar expression. Slowly—yet +before any one could realize his intent—he reached down and drew the +Mexican's gun. "You're me friends," he said quietly. "He's in +there—dyin'. I reckon Sinker got him. He drug himself here last +night and I took him in. This is me home—and if you fellas is <I>men</I>, +you'll let him die easy and quiet." +</P> + +<P> +"I'm from Missouri," said Shoop, with a hard laugh. "You got to show +me that he's—like you say, or—" +</P> + +<P> +Sundown leveled his gun at Shoop. "I ain't lyin' to you, Bud. Sinker +was me friend. And I ain't lyin' when I says that the fust fella that +tries to tech him crosses over afore he does." +</P> + +<P> +Some one laughed. Corliss touched Shoop's arm and whispered to him. +With a curse the foreman turned and the men clumped out to the yard. +</P> + +<P> +"He's right," said Corliss. "We'll wait." +</P> + +<P> +They stood around talking and commenting upon Sundown's defense of the +Mexican. +</P> + +<P> +"'Course we could 'a' got him," said Shoop, "but it don't set right +with me to be stood up by a tenderfoot. Sundown's sure loco." +</P> + +<P> +"I don't know, Bud. He's queer, all right, but this is his ranch. +He's got a right to order us out." +</P> + +<P> +Shoop was about to retort when Sundown came to the doorway. "I guess +you can come in now," he said. "And you won't need no gun." The men +shuffled awkwardly, and finally led by Corliss they filed into the room +and one by one they stepped to the open door of the bedroom and gazed +within. Then they filed out silently. +</P> + +<P> +"I'll send over some grub," said Corliss as they mounted. Sundown +nodded. +</P> + +<P> +The band of riders moved slowly back toward the Concho. About halfway +on their homeward journey they met Loring in a buckboard. The old +sheep-man drove up and would have passed them without speaking had not +Corliss reined across the road and halted him. +</P> + +<P> +"One of your herders—'Sandro—is over at the water-hole," said +Corliss. "If you're headed for Antelope, you might stop by and take +him along." +</P> + +<P> +Loring glared at the Concho riders, seemed about to speak, but instead +clucked to his team. The riders reined out of his way and he swept +past, gazing straight ahead, grim, silent, and utterly without fear. +He understood the rancher's brief statement, and he already knew of the +killing of Sinker. 'Sandro's assistant, becoming frightened, had left +his wounded companion on the mesas, and had ridden to the Loring rancho +with the story of the fight and its ending. +</P> + +<BR><BR><BR> + +<A NAME="chap23"></A> +<H2 ALIGN="center"> +CHAPTER XXIII +</H2> + +<H3 ALIGN="center"> +THE PEACEMAKER +</H3> + +<P> +"But I ain't no dove—more like a stork, I guess," reflected Sundown as +he stood in the doorway of his house. "And storks brings +responsibilities in baskets, instead of olive branches. No wonder ole +man Noah fired the dove right out ag'in—bringin' him olives what +wa'n't pickled, instead of a bunch of grapes or somethin' you can eat! +And that there dove never come back. I reckon he figured if he did, +ole man Noah'd shoot him. Anyhow, if I ain't no dove of peace, I'm +goin' to do the best I can. Everybody 'round here seems like they was +tryin' to ride right into trouble wishful, 'stead of reinin' to one +side an' givin' trouble a chance to get past. Gee Gosh! If I'd 'a' +knowed what I know now—afore I hit this country—but I'm here. +Anyhow, they's nothin' wrong with the country. It's the folks, like it +'most always is. Reckon I ought to keep on buildin' fence this +mornin', but that there peace idea 's got to singin' in me head. I'll +jest saddle up Pill and ride over and tell ole man Loring that I'm +takin' care of his sheep charitable what's been hangin' around here +since 'Sandro passed over. Mebby that'll kind o' start the talk. Then +I can slip him a couple of ideas 'bout how neighbors ought to act. +Huh! Me nussin' them sheep for two weeks and more, an' me just dyin' +for a leetle taste o' mutton. Mebby his herders was scared to come for +'em, I dunno." +</P> + +<BR> + +<P> +Sundown was established at the water-hole. Corliss had sent a team to +Antelope for provisions, implements, and fencing. Meanwhile, Sundown +had been industrious, not alone because he felt the necessity for +something to occupy his time, but that he wanted to forget the tragedy +he had so recently witnessed. And he had dreams of a more +companionable future which included Mexican dishes served hot, evenings +of blissful indolence accompanied by melody, and a Seņora who would +sing "Linda Rosa, Adios!" which would be the "piece de resistance" of +his pastoral menu. +</P> + +<P> +The "tame cow," which he had so ardently longed for, now grazed +soulfully in a temporary enclosure out on the mesa. Two young and +sprightly black pigs prospected the confines of their littered +hermitage. Four gaunt hens and a more or less dilapidated rooster +stalked about the yard, no longer afraid of the watchful Chance, who +had previously introduced himself to the rooster without the formality +of Sundown's presence as mediator. Sundown was proud of his chickens. +The cow, however, had been, at first, rather a disappointment to him. +Milk had not heretofore been a conspicuous portion of Sundown's diet, +nor was he versed in the art of obtaining it except over the counter in +tins. With due formality and some trepidation he had placed a pail +beneath "Gentle Annie" as he called her, and had waited patiently. So +had Gentle Annie, munching a reflective cud, and Sundown, in a +metaphorical sense, doing likewise. He had walked around the cow +inspecting her with an anxious and critical eye. She seemed healthful +and voluptuously contented. Yet no milk came. Bud Shoop, having at +that moment arrived with the team, sized up the situation. When he had +recovered enough poise to stand without assistance and had wiped the +wild tears from his eyes, he instructed the amazed Sundown as to +certain manipulations necessary to produce the desired result. "Huh! +Folks says cows <I>give</I> milk. But I reckon that ain't right," Sundown +had asserted. "You got to take it away from 'em." So he had taken +what he could, which was not, at first, a great deal. +</P> + +<P> +This momentous morning he had decided that his unsolicited mission was +to induce or persuade Loring to arbitrate the question of +grazing-rights. It was a strange idea, although not incompatible with +Sundown's peculiar temperament. He felt justified in taking the +initiative; especially in view of the fact that Loring's sheep had been +trespassing on his property. +</P> + +<P> +He saddled "Pill," and called to Chance. "See here, Chance, you and +me's pals. No, you ain't comin' this trip. You stick around and keep +your eye on me stock. What's mine is yourn exceptin' the rooster. +Speakin' poetical, he belongs to them hens. If he ain't here when I +get back, I can pretty nigh tell by the leavin's where he is. When I +git back I look to find you hungry, sabe? And not sneakin' around +lookin' at me edgeways with leetle feathers stickin' to your nose. I +reckon you understand." +</P> + +<P> +Chance followed his master to the road, and there the dog sat gazing at +the bobbing figure of Sundown until it was but a speck in the morning +sunshine. Then Chance fell to scratching his ear with his hind foot, +rose and shook himself, and stalked indolently to the yard where he lay +with his nose along his outstretched fore legs, watching the proscribed +rooster with an eloquence of expression that illustrated the proverbial +power of mind over matter. +</P> + +<P> +Sundown kept Pill loping steadily. It was a long ride, but Sundown's +mind was so preoccupied with the preparing of his proposed appeal to +the sheep-man that the morning hours and the sunlit miles swept past +unnoticed. The dark green of the acacias bordering the hacienda, the +twinkling white of the speeding windmill, and the dull brown of the +adobes became distinct and separate colors against the far edge of the +eastern sky. He reined his pony to a walk. "When you're in a hurry to +do somethin'," he informed his horse, "it ain't always good politics to +let folks know it. So we'll ride up easy, like we had money to spend, +and was jest lookin' over the show-case." And Pill was not averse to +the suggestion. +</P> + +<P> +Sundown dismounted, opened the gate, and swinging to the saddle, rode +up to the ranch-house. Had he known that Anita, the daughter of Chico +Miguel, was at that moment talking with the wife of one of Loring's +herders; that she was describing him in glowing terms to her friend, +and moreover, as he passed up the driveway, that Anita had turned +swiftly, dropping the pitcher of milk which she had just brought from +the cooling-room as she saw him, he might well have been excused from +promulgating his mission of peace with any degree of coherence. +Sublimely ignorant of her presence,—spiritualists and sentimentalists +to the contrary in like instances,—he rode directly to the hacienda, +asked for the patron, and was shown to the cool interior of the house +by the mildly astonished Seņora. Seņor Loring would return presently. +Would the gentleman refresh himself by resting until the Seņor +returned? Possibly she herself could receive the message—or the +Seņorita, who was in the garden? +</P> + +<P> +"Thanks, lady. I reckon Pill is dry—wants a drink—agua—got a +thirst. No, ma'am. I can wait. I mean me horse." +</P> + +<P> +"Oh! Si! But Juan would attend to the horse and at once." +</P> + +<P> +"Thanks, lady. And if Miss Loring ain't too busy, I reckon I'd like to +see her a minute." +</P> + +<P> +The Seņora disappeared. Sundown could hear her call for Juan. +Presently Nell Loring came to the room, checked an exclamation of +surprise as she recognized him, and stepping forward, offered her hand. +"You're from Mr. Corliss. I remember.… Is Chance all right now?" +</P> + +<P> +"Yes, ma'am. He is enjoyin' fust-rate health. He eats reg'lar—and +rabbits in between. But I ain't from the Concho, lady. I'm from me +own ranch, down there at the water-hole. Me boss ain't got nothin' to +do with me bein' here. It's me own idea. I come friendly and wishful +to make a little talk to your pa." +</P> + +<P> +Wondering what could have induced Sundown to call at her home, +especially under the existing circumstances, Nell Loring made him +welcome. After he had washed and strolled over to the stables to see +to his horse. Sundown, returning, declined an invitation to come in, +and sat on the veranda, smoking cigarettes and making mental note of +the exterior details of the hacienda: its garden, shade-trees, corrals, +and windmill. Should prosperity smile upon him, he would have a +windmill, be Gosh! Not a white one—though white wasn't so bad—but +something tasty; red, white and blue, mebby—a real American windmill, +and in the front of the house a flagpole with the American flag. And +he would keep the sign "American Hotel" above the gate. There was +nothin' like bein' paterotic. Mexican ranches—some of 'em—was purty +enough in a lazy kind of style, but he was goin' to let folks know that +a white man was runnin' the water-hole ranch! +</P> + +<P> +And all unknown to him, Anita stood in the doorway of one of the +herder's 'dobes, more than ever impressed by the evident importance of +her beau-idéal of chivalry, who took the kick of horses as a matter of +course, and rose smilingly from such indignities to present flowers to +her with eyes which spake of love and lips that expressed, as best they +could, admiration. Anita was a bit disappointed and perhaps a bit +pleased that he had not as yet seen her. As it was she could worship +from a distance that lent security to her tender embarrassment. The +tall one must, indeed, be a great caballero to be made welcome at the +patron's home. Assuredly he was not as the other vaqueros who visited +the patron. <I>He</I> sat upon the veranda and smoked in a lordly way, +while they inevitably held forth in the less conspicuous latitude of +the bunk-house and its environs. Anita was happy. +</P> + +<P> +Sundown, elated by the righteousness of his mission as harbinger of +peace, met Loring returning from one of the camps with gracious +indifference to the other's gruff welcome. +</P> + +<P> +They sat at the table and ate in silence for a while. With the +refreshing coffee Sundown's embarrassment melted. His weird command of +language, enhanced by the opportunity for exercise in a good cause, +astonished and eventually interested his hearers. He did not approach +his subject directly, but mounted the metaphorical steps of his rostrum +leisurely. He discoursed on the opportunities afforded by the almost +limitless free range. He hinted at the possibility of internecine +strife eventually awakening the cupidity of "land-sharks" all over the +country. If there was land worth killing folks for, there was land +worth stealing. If the Concho Valley was once thrown open to +homesteaders, then farewell free range and fat cattle and sheep. And +the mention of sheep led him to remark that there was a small band at +the water-hole, uncared-for save by himself. "And he was no sheep-man, +but he sure hated to see any critters sufferin' for water, so he had +allowed the sheep to drink at the water-hole." Then he paused, +anticipating the obvious question to which he made answer: "Yes. The +water-hole ranch is me ranch. I filed on her the same day that you and +Miss Loring come to Usher. Incondescent to that I was in the calaboose +at Antelope. Somebody tole the sheriff that I was a suspicious +character. Mebby I am, judgin' from the outside, but inside I ain't. +You can't always tell what the works is like by the case, I ain't got +no hard feelin's for nobody, and I'm wishful that folks don't have no +hard feelin's ag'in' me or anybody else." +</P> + +<P> +Loring listened in silence. Finally he spoke. "I'll take care of my +sheep. I'll send for 'em to-day. Looks like you're tryin' to play +square, but you don't figure in this deal. Jack Corliss is at the +bottom of it and he's using you. And he'll use you hard. What you +goin' to do with the overflow from the water-hole?" +</P> + +<P> +"I'm goin' to irrigate me ranch," said Sundown. +</P> + +<P> +Loring nodded. "And cut off the water from everybody?" +</P> + +<P> +"Not from me friends." +</P> + +<P> +"Which means the Concho." +</P> + +<P> +"Sure! Jack Corliss is me friend. But that ain't all. If you want to +be me friend, I ain't kickin' even if you did tell the sheriff he ought +to git acquainted with me closer. I'm goin' to speak right out. I +reckon it's the best way. I got a proposition. If you'll quit sickin' +them herders onto cowboys and if Jack'll quit settin' the punchers at +your herders, I'll open up me spring and run her down to where they's +water for everybody. If cows comes, they drink. If sheep comes, +<I>they</I> drink. If folks comes, they drink, likewise. But no fightin'." +</P> + +<P> +Sundown as arbiter of peace felt that he had, in truth, "spoken right +out." He was not a little surprised at himself and a bit fearful. Yet +he felt justified in his suggestion. Theoretically he had made a fair +offer. Practically his offer was of no value. Sheep and cattle could +not occupy the same range. Loring grumbled something and shoved back +his chair. They rose and stepped to the veranda. +</P> + +<P> +"If you can get Corliss to agree to what you say—and quit runnin' +cattle on the water-hole side—I'll quit runnin' sheep there." And +Loring waved his hand toward the north. +</P> + +<P> +"But the Concho is on the west side—" began Sundown. +</P> + +<P> +"And cattle are grazin' on the east side," said Loring. +</P> + +<P> +Sundown scratched his head. "I reckon I got to see Jack," he said. +</P> + +<P> +"And you'll waste time, at that," said Loring. "Look here! Are you +ranchin' to hold down the water-hole for Corliss or to make a livin'?" +</P> + +<P> +Sundown hesitated. He gazed across the yard to the distant mesa. +Suddenly a figure crossed the pathway to the gate. He jerked up his +head and stood with mouth open. It couldn't be—but, yes, it was +Anita—Linda Rosa! Gee Gosh! He turned to Loring. "I been tellin' +you the truth," he said simply. "'Course I got to see me boss, now. +But it makes no difference what he says, after this. I'm ranchin' for +meself, because I'm—er—thinkin' of gettin' married." +</P> + +<P> +Without further explanation, Sundown stalked to the stable and got his +horse. He came to the hacienda and made his adieux. Then he mounted +and rode slowly down the roadway toward the gate. +</P> + +<P> +Anita's curiosity had overcome her timidity. Quite accidentally she +stood toying with a bud that she had picked from the flower-bordered +roadway. She turned as Sundown jingled up and met him with a murmur of +surprise and pleasure. He swung from his horse hat in hand and +advanced, bowing. Anita flushed and gazed at the ground. +</P> + +<P> +"'Mornin', Seņorita! I sure am jest hoppin' glad to see you ag'in. If +I'd 'a' knowed you was here… But I come on business—important. +Reckon you're visitin' friends, eh?" +</P> + +<P> +"Si, Seņor!" +</P> + +<P> +"Do you come here reg'lar?" +</P> + +<P> +"Only to see the good aunt sometimes." +</P> + +<P> +"Uhuh. I kind of wish your aunt was hangin' out at the Concho, though. +This here ain't a reg'lar stoppin'-place for me." +</P> + +<P> +"You go away?" queried Anita. +</P> + +<P> +"I reckon I got to after what I said up there to the house. Yes, I'm +goin' back to feed me pigs and Chance and the hens. I set up +housekeepin' since I seen you. Got a ranch of me own—that I was +tellin' you about. You ought to see it! Some class! But it's mighty +lonely, evenin's." +</P> + +<P> +Anita sighed and glanced at Sundown. Then her gaze dwelt on the bud +she held. "Si, Seņor—it is lonely in the evenings," she said, and +although she spoke in Spanish, Sundown did not misunderstand. +</P> + +<P> +He grinned hugely. "You sure don't need to talk American to tell it," +he said as one who had just made a portentous discovery. "It was +worryin' me how we was goin' to get along—me short on the Spanish and +you short on my talk. But I reckon we'll get along fine. Your pa in +good health, and your ma?" +</P> + +<P> +Anita nodded shyly. +</P> + +<P> +Sundown was at a loss to continue this pleasant conversation. He +brightened, however, as a thought inspired him. "And the leetle hoss, +is he doin' well?" +</P> + +<P> +"That Sarko I do not like that he should keeck you!" flamed Anita, and +Sundown's cup of happiness was full to overflowing. +</P> + +<P> +Quite unconsciously he was leading his horse toward the gate and quite +unconsciously Anita was walking beside him. Forgotten was the Loring +ranch, the Concho, his own homestead. He was with his inamorata, the +"Linda Rosa" of his dreams. +</P> + +<P> +At the gateway he turned to her. "I'm comin' over to see your folks +soon as I git things to runnin' on me ranch. Keeps a fella busy, but +I'm sure comin'. I ain't got posies to growin' yet, but I'm goin' to +have some—like them," and he indicated the bud which she held. +</P> + +<P> +"You like it?" she queried. And with bashful gesture she gave him the +rose, smiling as he immediately stuck it in the band of his sombrero. +</P> + +<P> +Then he held out his hand. "Linda Rosa," he said gently, "I can't make +the big talk in the Spanish lingo or I'd say how I was lovin' you and +thinkin' of you reg'lar and deep. 'Course I got to put your pa and ma +wise first. But some day I'm comin'—me and Chance—and tell you that +I'm ready—that me ranch is doin' fine, and that I sure want you to +come over and boss the outfit. I used to reckon that I didn't want no +woman around bossin' things, but I changed me mind. Adios! +Seņorita!—for I sure got to feed them hens." +</P> + +<P> +Sundown extended his hand. Anita laid her own plump brown hand in +Sundown's hairy paw. For an instant he hesitated, moved by a most +natural impulse to kiss her. Her girlish face, innocently sweet and +trusting, her big brown eyes glowing with admiration and wonder, as she +gazed up at him, offered temptation and excuse enough. It was not +timidity nor lack of opportunity that caused Sundown to hesitate, but +rather that innate respect for women which distinguishes the gentle man +from the slovenly generalization "gentleman." "Adios! Linda Rosa!" he +murmured, and stooping, kissed her brown fingers. Then he gestured +with magnificence toward the flowers bordering the roadway. "And you +sure are the lindaest little Linda Rosa of the bunch!" +</P> + +<P> +And Anita's heart was filled with happiness as she watched her brave +caballero ride away, so tall, so straight, and of such the gentle +manner and the royal air! +</P> + +<P> +It was inevitable that he should turn and wave to her, but it was not +inevitable that she should have thrown him a pretty kiss with the grace +of her pent-up emotion—but she did. +</P> + +<BR><BR><BR> + +<A NAME="chap24"></A> +<H2 ALIGN="center"> +CHAPTER XXIV +</H2> + +<H3 ALIGN="center"> +AN UNEXPECTED VISIT +</H3> + +<P> +It was late in the evening when Sundown returned to his ranch. Chance +welcomed him with vocal and gymnastic abandon. Sundown hastened to his +"tame cow" and milked her while the four hens peeped and clucked from +their roost, evidently disturbed by the light of the lantern. +Meanwhile Chance lay gravely watching his master until Gentle Annie had +been relieved of the full and creamy quota of her donation to the +maintenance of the household. Then the wolf-dog followed his master to +the kitchen where they enjoyed, in separate dishes, Gentle Annie's warm +contribution, together with broken bread and "a leetle salt to bring +out the gamey flavor." +</P> + +<P> +Solicitous of the welfare of his stock, as he termed them, he betook +himself to the hen-house to feed the chickens. "Huh!" he exclaimed, +raising the lantern and peering round, "there's one rooster missin'!" +<I>The</I> rooster had in truth disappeared. He put down the lantern and +turned to Chance. "Lemme look at your mouth. No, they ain't no signs +on you. Hold on! Be Gosh, if they ain't some leetle red hairs +stickin' to your chops. What's the answer?" +</P> + +<P> +Chance whined and wagged his tail. "You don't look like you was +guilty. And that there rooster wasn't sportin' red hair the last time +I seen him. Did you eat him fust and then swaller a rabbit to cover +his tracks? I reckon not. You're some dog—but you ain't got +boiler-room for a full-size Rhode Island Red and a rabbit and two +quarts of bread-and-milk. It ain't reas'nable. I got to investigate." +</P> + +<P> +The dog seemed to understand. He leaped up and trotted to the yard, +turning his head and silently coaxing his master to follow him. +Sundown, with a childish and most natural faith in Chance's +intelligence, followed him to the fence, scrambled through and trailed +him out on the mesa. In a little hollow Chance stopped and stood with +crooked fore leg. Sundown stalked up. At his feet fluttered his red +rooster and not far from it lay the body of a full-grown coyote. +Chance ran to the coyote and diving in shook the inanimate shape and +growled. "Huh! Showin' me what you done to him for stealin' our +rooster, eh? Well, you sure are goin' to get suthin' extra for this! +You caught him with the goods—looks like. And look here!"—and +Sundown deposited the lantern on a knoll and sat down facing the dog. +"What I'm goin' to give you that extra for ain't for killin' the +coyote. That is your business when I ain't to home. You could 'a' +finished off Jimmy"—and he gestured toward the rooster—"and the +evidence would 'a' been in your favor, seein' as you was wise to show +me the coyote. I got some candy put by for—for later, if she likes +it, but we're goin' to bust open that box of candy and celebrate. Got +to see if I can repair Jimmy fust, though, or else use the axe. I +dunno." +</P> + +<P> +Jimmy was a sad spectacle. His tail-feathers were about gone and one +leg was maimed, yet he still showed the fighting spirit of his New +England sires, for, as Sundown essayed to pick him up, he pecked and +squawked energetically. +</P> + +<P> +They returned to the house, where Sundown examined the bedraggled bird +critically. "I ain't no doc, but I have been practiced on some meself. +Looks like his left kicker was bruk. Guess it's the splints for him +and nussin' by hand. Here, you! Let go that button! That ain't a +bug! There! 'T ain't what you'd call a perfessional job, but if you +jest quit runnin' around nights and take care of your health, mebby +you'll come through. Don' know what them hens'll think, though. You +sure ain't no Anner Dominus no more. If you was a lady hen, you could +pertend you was wearin' evenin' dress like—low-neck and suspenders. +But bein' a he, 't ain't the style. Wonder if you got your crow left? +You ain't got a whole lot more to tell you from jest a hen." +</P> + +<P> +With Jimmy installed in a box of straw in the kitchen, the pigs fed, +and Gentle Annie grazing contentedly, Sundown felt able to relax. It +had been a strenuous day for him. He drew a chair to the stove, and +before he sat down he brought forth from beneath the bed a highly +colored cardboard box on which was embossed a ribbon of blue sealed +with a gold paster-seal. Chance watched him gravely. It was a +ceremony. Sundown opened the box and picking out a chocolate held it +up that Chance might realize fully that it was a ceremony. The dog's +nose twitched and he licked his chops. "Tastes good a'ready, eh? +Well, it's yourn." And he solemnly gave Chance the chocolate. "Gee +Gosh! What'd you do with it? That ain't no way to eat candy! You +want to chew her slow and kind o' hang on till she ain't there. Then +you get your money's worth. Want another?" +</P> + +<P> +Later Sundown essayed to smoke, but found the flavor of chocolate +incompatible with the enjoyment of tobacco. Chance dozed by the fire, +and Jimmy, with neck stretched above the edge of the box, watched +Sundown with beady, blinking eyes. +</P> + +<BR> + +<P> +Sundown slept late next morning. The lowing of Gentle Annie as she +mildly endeavored to make it known that milking-time was past, the +muffled grunting of the two pigs as they rooted in the mud or poked +flat flexible noses through the bars, the restless padding of Chance to +and from the bedroom, merely harmonized in chorus with audible slumbers +until one of the hens cackled. Then Jimmy, from his box near the +stove, lifted his clarion shrill in reply to the hen. Sundown sat up, +scratched his ear, and arose. +</P> + +<P> +He was returning from a practice of five-finger exercise on Gentle +Annie, busy with his thoughts and the balance of the pail, when a shout +brought his gaze to the road. John Corliss and Bud Shoop waved him +greeting, and dismounting led their horses to the yard. +</P> + +<P> +"Saves me a ride," muttered Sundown. Then, "How, folks! Come right +in!" +</P> + +<P> +He noticed that the ponies seemed tired—that the cinchas were +mud-spattered and that the riders seemed weary. He invited his guests +to breakfast. After the meal the three foregathered outside the house. +</P> + +<P> +"That was right good beef you fed us," remarked Shoop, slightly raising +one eyebrow as Corliss glanced at him. +</P> + +<P> +"The best in the country," cheerfully assented Sundown. +</P> + +<P> +"How you making it, Sun?" +</P> + +<P> +"Me? Oh, I'm wigglin' along. Come home last night and found Jimmy +with his leg bruk. Everything else was all right." +</P> + +<P> +"Jimmy?" +</P> + +<P> +"Uhuh. Me rooster." +</P> + +<P> +"Coyote grab him?" +</P> + +<P> +"Uhuh. And Chance fixed Mr. Coyote. I was to Loring's yesterday on +business." +</P> + +<P> +Shoop glanced at Corliss who had thus far remained silent. +</P> + +<P> +"We had a little business to talk over," said the rancher. "You're +located now. I'm going to run some cattle down this way next week. +Some of mine and some of the Two-Bar-O." Corliss, who had been +standing, stepped to the doorway and sat down. Shoop and Sundown +followed him and lay outstretched on the warm earth. "Funny thing, +Bud, about that Two-Bar-O steer we found cut up." +</P> + +<P> +"Sure was," said Shoop. +</P> + +<P> +"Did he get in a fence?" queried Sundown. +</P> + +<P> +"No. He was killed for beef. We ran across him yesterday and did some +looking around last night. Trailed over this way to have a talk." +</P> + +<P> +"I'm right glad to see you. I wanted to speak a little piece meself +after you get through." +</P> + +<P> +"All right. Here's the story." And Corliss gazed across the mesa for +a moment. "The South Spring's gone dry. The fork is so low that only +a dozen head can drink at once. It's been a mighty dry year, and the +river is about played out except in the caņon, and the stock can't get +to the water there. This is about the only natural supply outside the +ranch. I want to put a couple of men in here and ditch to that hollow +over there. It'll take about all your water, but we got to have it. I +want you to put in a gas-engine and pump for us. Maybe we'll have to +pipe to tanks before we get through. I'll give you fifty a month to +run the engine." +</P> + +<P> +"I'll sure keep that leetle ole gas-engine coughin' regular," said +Sundown. "I was thinkin' of somethin' like that meself. You see I +seen Loring yesterday. I told him that anybody that was wishful could +water stock here so long as she held out—except there was to be no +shootin' and killin', and the like. Ole man Loring says to tell you +what I told him and see what you said. I reckon he'll take his sheep +out of here if you folks'll take your cattle off the east side. I +ain't playin' no favorites. You been my friend—you and Bud. You come +and make me a proposition to pump water for you—and the fifty a month +is for the water. That's business. Loring ain't said nothin' about +buyin' water from me, so you get it. You see I was kind of figurin' +somethin' like this when I first come to this here place—'way back +when I met you that evenin'. Says I to meself, 'a fella couldn't even +raise robins on this here farm, but from the looks of that water-hole +he could raise water, and folks sure got to have water in this +country.' I was thinkin' of irrigatin' and raisin' alfalfa and +veg'tables, but fifty a month sounds good to me. Bein' a puncher +meself, I ain't got no use for sheep, but I was willin' to give ole man +Loring a chance. If the mesas is goin' dry on the east side, what's he +goin' to do?" +</P> + +<P> +"I don't know, Sun. He's got a card up his sleeve, and you want to +stay right on the job. Bud here got a tip in Antelope that a bunch of +Mexicans came in last week from Loring's old ranch in New Mexico. Some +of 'em are herders and some of 'em are worse. I reckon he'll try to +push his sheep across and take up around here. He'll try it at night. +If he does and you get on to it before we do, just saddle Pill and fan +it for the Concho." +</P> + +<P> +"Gee Gosh! But that means more fightin'!" +</P> + +<P> +Shoop and Corliss said nothing. Sundown gazed at them questioningly. +</P> + +<P> +Presently Corliss gestured toward the south. "They'll make it +interesting for you. Loring's an old-timer and he won't quit. This +thing won't be settled until something happens—and I reckon it's going +to happen soon." +</P> + +<P> +"Well, I'm sure sittin' on the dynamite," said Sundown lugubriously. +"I reckoned to settle down and git m—me farm to goin' and keep out of +trouble. Now it looks like I was the cat what fell out of a tree into +a dog-fight by mistake. They was nothin' left of that cat." +</P> + +<P> +Shoop laughed. "We'll see that you come out all right." +</P> + +<P> +Sundown accepted this meager consolation with a grimace. Then his face +beamed. "Say! What's the matter of me tellin' the sheriff that +there's like to be doin's—and mebby he could come over and kind of +scare 'em off." +</P> + +<P> +"The idea is all right, Sun. But Jim is a married man. Most of his +deputies are married. If it comes to a mix some of 'em 'd get it sure. +Now there isn't a married man on the Concho—which makes a lot of +difference. Sabe?" +</P> + +<P> +"I reckon that's right," admitted Sundown, "Killin' a married man is +like killin' the whole fambly." +</P> + +<P> +"And you're a single man—so you're all right," said Shoop. +</P> + +<P> +"Gee Gosh! Mebby that ought to make me feel good, but it don't. +Supposin' a fella was goin' to get married?" +</P> + +<P> +"Then—he'd—better wait," said Corliss, smiling at his foreman. +</P> + +<P> +Corliss stood up and yawned. "Oh, say, Sun, where'd you get that +beef?" he asked casually. +</P> + +<P> +"The beef? Why, a Chola come along here day afore yesterday and say if +I wanted some meat. I says yes. Then he rides off and purty soon he +comes back with a hind-quarter on his saddle. I give him two dollars +for it. It looked kind of funny, but I thought he was mebby campin' +out there somewhere and peddlin' meat." +</P> + +<P> +Shoop and Corliss glanced at each other. "They don't peddle meat that +way in this country, Sun. What did the Mexican look like?" +</P> + +<P> +"Kind of fat and greasy-like, and he was as cross-eyed as a rabbit +watchin' two dogs to onct." +</P> + +<P> +"That so? Let's have a look at that hind-quarter." +</P> + +<P> +"Sure! Over there in the well-shed." +</P> + +<P> +When Corliss returned, he nodded to Shoop. Then he turned to Sundown. +"We found a Two-Bar-O steer killed right close to here yesterday. +Looks queer. Well, we'll be fanning it. I'll send to Antelope and +have them order the pump and some pipe. Got plenty of grub?" +</P> + +<P> +"Plenty 'nough for a couple of weeks." +</P> + +<P> +"All right. So-long. Keep your eye on things." +</P> + +<BR><BR><BR> + +<A NAME="chap25"></A> +<H2 ALIGN="center"> +CHAPTER XXV +</H2> + +<H3 ALIGN="center"> +VAMOSE, EH? +</H3> + +<P> +The intermittent popping of the gasoline engine, as it forced water to +the big, unpainted tank near the water-hole, became at first monotonous +and finally irritating. Sundown, clad in oil-spotted overalls that did +not by many inches conceal his riding-boots and his Spanish spurs, +puttered about the engine until he happened to glance at the distant +tank. A silvery rill of water was pouring from the top of the tank. +He shut off the engine, wiped his hands, and strode to the house. +</P> + +<P> +He was gone a long time, so long in fact that Chance decided to +investigate. The dog got up, stretched lazily, and padded to the +doorway. He could hear Sundown muttering and shuffling about in the +bedroom. Chance stalked in quietly and stood gazing at his master. +Sundown had evidently been taking a bath,—not in the pail of water +that stood near him, but obviously round and about it. At the moment +he was engaged in tying a knot in the silk bandanna about his neck. +Chance became animated. His master was going somewhere! Sundown +turned his head, glancing at the dog with a preoccupied eye. The knot +adjusted to his satisfaction, he knelt and drew a large box from +beneath the bed. From the box he took an immaculate and exceedingly +wide-brimmed Stetson with an exceedingly high crown. He dented the +crown until the hat had that rakish appearance dear to the heart of the +cowboy. Then he took the foot-square looking-glass from the wall and +studied the effect at various and more or less unsatisfactory angles. +Again he knelt—after depositing the hat on the bed—and emerged with a +pair of gorgeous leather chaps that glittered with the polished silver +of conchas from waist-band to heel. Next he drew on a pair of +elaborate gauntlets embellished with hand-worked silk roses of crimson. +Then he glanced at his boots. They were undoubtedly serviceable, but +more or less muddy and stained. That wouldn't do at all! Striding to +the kitchen he poked about and finally unearthed a box of stove-polish +that he had purchased and laid away for future use against that happy +time when stove-polish would be doubly appreciated. The metallic +luster of his boots was not altogether satisfactory, but it would do. +"This here bein' chief engineer of a popcorn machine ain't what it's +said to be in the perspectus. Gets a fella lookin' greasy and feelin' +greasy, but the pay kind of makes up for it. Me first month's wages +blowed in for outside decoratin'—but I reckon the grub'll hold out for +a spell." +</P> + +<P> +Then he strode from the house and made his rounds, inspecting the pigs, +shooing the chickens to their coop, and finally making a short +pilgrimage to where Gentle Annie was grazing. After he had saddled +"Pill," he returned to the house and reappeared with a piece of +wrapping-paper on which he had printed:— +</P> + +<BR> + +<P CLASS="noindent"> +Help yourself to grub—but no fighting on thees premisus. +</P> + +<P CLASS="noindent"> +SUNDOWN, Propriter. +</P> + +<BR> + +<P> +"It's all right trustin' folks," he remarked as he gazed proudly at the +sign and still more proudly at the signature. "And I sure hate to put +up anything that looks kind of religious, but these days I don't trust +nobody but meself, and I sure have a hard time doin' that, knowin' how +crooked I could be if I tried." +</P> + +<P> +He gathered up the reins and mounted Pill. "Come on, Chance!" he +called. "We don't need any rooster-police to-day. Jimmy's in there +talkin' to his hens, and like as not cussin' because I shet him up. +And he sure ought to be glad he ain't goin' on crutches." +</P> + +<P> +He rode out to the mesa and, turning from the trail, took as direct a +course as he could approximate for the home of Chico Miguel, and +incidentally Anita. His mission would have been obvious to an utter +stranger. He shone and glistened from head to heel—his face with the +inner light of anticipation and his boots with the effulgence of +hastily applied stove-polish. +</P> + +<P> +He rode slowly, for he wished to collect himself, that his errand might +have all the grace of a chance visit and yet not lack the most +essential significance. He did not stop to reason that Anita's father +and mother were anything but blind. +</P> + +<P> +The day was exceptionally hot. The sun burned steadily on the ripening +bunch-grass. His pony's feet swept aside bright flowers that tilted +their faces eagerly like the faces of questioning children. He glanced +at his watch. "Got to move along, Pill. Reckon we'll risk havin' +somethin' to say when we get there—and not cook her up goin' along. +It sure is hot. Huh! That there butte over there looks jest like a +city athletic club with muscles all on its front of fellas wrastlin' +and throwin' things at themselves. Wisht I had a big lookin'-glass so +I could see meself comin'. Gee Gosh, but she's hot!" +</P> + +<P> +He put the horse to a lope, and with the subdued rhythm of the pony's +feet came Euterpe with a song. Recitation of verse at a lope is apt to +be punctuated according to the physical contour of the ground:— +</P> + +<BR> + +<P CLASS="poem"> +"In the Pull—man <I>car</I> with turnin' <I>fans</I>,<BR> +The desert <I>looks</I> like a lovely p—<I>lace</I>.<BR> +But crossin' a<I>lone</I> on the <I>burn</I>in' sands,<BR> +She's hell, with a <I>grin</I> on her face." +</P> + +<BR> + +<P> +"Got to slow up to get that right," he said, "or jest stop an' git off. +But we ain't got time. 'Oh, down in Arizona there's a…' No. I +reckon I won't. I want to sing, but I can't take no risks." +</P> + +<P> +That "the Colonel's lady and Julie O'Grady are sisters under their +skins," is not to be doubted. That Romeo and Sundown are brothers, +with the odds slightly in favor of Sundown, is apparent to those who +have been, are, or are willing to be, in love. "Will this plume, these +trunks and hose, this bonnet please my fair Juliet?" sighs Romeo to his +mirror. And "Will these here chaps and me bandanna and me new Stetson +make a hit with me leetle Anita?" asks Sundown of the mesas. +</P> + +<P> +That the little Anita was pleased, nay, overwhelmed by the arrival of +her gorgeous caballero was more than apparent to the anxious Sundown. +She came running to the gate and stood with clasped hands while he +bowed for the seventh time and slowly dismounted, giving his leg an +unnecessary shake that the full effect of spur and concha might not be +lost. He felt the high importance of his visit, and Anita also +surmised that something unusual was about to happen. He strode +magnificently to the house and again doffed his Stetson to the +astonished and smiling Seņora. Evidently the strange vaquero had met +with fortune. With experienced eye the mother of Anita swiftly +estimated the monetary outlay necessary to possess such an equipment. +It was well to be courted, of that she was reminiscently certain. Yet +it was also well to be courted by one who bore the earmarks—so to +speak—of prosperity. Sundown was made heartily welcome. After they +had had dinner,—Chico Miguel would return at night as usual,—Sundown +mentally besought his stars to aid him, lend him eloquence and the +Seņora understanding, and found excuse to follow the Seņora to the +kitchen where he offered to wipe the dishes. This she would not hear +of, but being wise in her generation she dismissed Anita on a trivial +errand and motioned her guest to a seat. What was said is a matter of +interest only to those immediately concerned. Love is his own +interpreter and labors willingly, yet in this instance his limitations +must be excused by the result. The Seņora and Sundown came to a +perfect understanding. The cabellero was welcome to make the state of +his heart known to Anita. As for her father, she—the Seņora—would +attend to him. And was Sundown fond of the tortillas? He was, be +Gosh! It was well. They would have tortillas that evening. Chico +Miguel was especially fond of the tortillas. They made him of the +pleasant disposition and induced him to tune the big guitar. +</P> + +<P> +The Seņora would take her siesta. Possibly her guest would smoke and +entertain Anita with news from the Concho and of the Patron Loring and +of his own rancho. Anita was not of what you say the kind to do the +much talking, but she had a heart. Of that the Seņora had reason to be +assured. Had not Anita gone, each day, to the gate and stood gazing +down the road? Surely there was nothing to see save the mesas. Had +she not begged to be allowed to visit the Loring hacienda not of so +very long time past? And Anita had not been to the Loring hacienda for +a year or more. Such things were significant. And the Seņora gestured +toward her own bosom, implying that she of a surety knew from which +quarter the south wind blew. +</P> + +<P> +All of which delighted the already joyous Sundown. He saw before him a +flower-bordered pathway to his happiness, and incidentally, as he gazed +down the pathway toward the gate of Chico Miguel's homestead, he saw +Anita standing pensively beneath the shade of an acacia, pulling a +flower to pieces and casting quick glances at the house. "Good-night, +Seņora,—I mean—er—here's hopin' you have a good sleep. It sure is +refreshin' this hot weather." The Seņora nodded and disappeared in the +bedroom. Sundown strode jingling down the pathway, a brave figure in +his glittering chaps and tinkling spurs. Anita's eyes were hidden +beneath her long black lashes. Perhaps she had anticipated something +of that which followed—perhaps she anticipated even more. In any +event, Sundown was not a disappointment. He asked her to sit beside +him beneath the acacia. Then he took her hand and squeezed it. "Let's +jest sit here and look out at them there mesas dancin' in the sun; and +say, 'Nita, let's jest say nothin' for a spell. I'm so right down +happy that suthin' hurts me throat." +</P> + +<P> +When Chico Miguel returned in the dusk of evening, humming a song of +the herd, he was not a little surprised to find that Anita was absent. +He questioned the Seņora, who smiled as she bustled about the table. +"Tortillas," she said, and was gratified at the change in Chico +Miguel's expression. Then she explained the presence of the broad new +Stetson that lay on a chair, adding a gesture toward the gateway. "It +is the tall one and our daughter—he of the grand manner and the sad +countenance. It is possible that a new home will be thought of for +Anita." There had been conversations that afternoon with the tall +caballero and understandings. Chico Miguel was to wash himself and put +on his black suit. It was an event—and there were tortillas. +</P> + +<P> +Chico Miguel wondered why the hour of eating had been so long past. To +which the Seņora replied that he had just arrived, and, moreover, that +she had already called to Anita this the third time, yet had had no +response. Chico Miguel moved toward the doorway, but his wife laid her +hand on his arm. "It is that you take the big guitar and play the +'Linda Rosa, Adios.' Then, to be sure, they will hear and the supper +will not grow cold." +</P> + +<P> +Grumblingly Chico Miguel took his guitar and struck the opening chords +of the song. Presently up the pathway came two shadowy figures, close +together and seemingly in no haste. As they entered the house, Sundown +apologized for having delayed supper, stating that he had been so +interested in discussing with Anita the "best breed of chickens to +raise for eggs," that other things had for the nonce not occupied his +attention. "And we're sure walkin' on music," he added. "Jest +steppin' along on the notes of that there song. I reckon I got to get +one of them leetle potato-bug mandolins and learn to tickle its neck. +There's nothin' like music—exceptin'"—and he glanced at the blushing +Anita—"exceptin' ranchin'." +</P> + +<BR> + +<P> +It was late when Sundown finally departed, He grew anxious as he rode +across the mesas, wondering if he had not taken advantage, as it were, +of Gentle Annie's good nature, and whether or not the chickens were +very hungry. Chance plodded beside him, a vague shadow in the +starlight. The going was more or less rough and Pill dodged many +gopher-holes, to the peril of his rider's equilibrium. Yet Sundown was +glad that it was night. There was nothing to divert him from the +golden dreams of the future. He felt that success, as he put it, "was +hangin' around the door whinin' to be let in." He formulated a creed +for himself and told the stars. "I believe in meself—you bet." Yet +he was honest with his soul. "I know more about everything and less +about anything than anybody—exceptin' po'try and cookin'. But gettin' +along ain't jest what you know. It's more like what you do. They's +fellas knows more than I could learn in four thousand eight hundred and +seventy-six years, but that don't help 'em get along none. It's what +you know inside what counts." +</P> + +<P> +He lapsed into silence and slouched in the saddle. Presently he +nodded, recovered, and nodded again. He would not wittingly have gone +to sleep in the saddle, being as yet too unaccustomed to riding to +relax to that extent. But sleep had something to say anent the matter. +He dozed, clasping the saddle-horn instinctively. Pill plodded along +patiently. The east grew gray, then rose-pink, then golden. The horse +lifted its head and quickened pace. Sundown swayed and nodded. +</P> + +<BR> + +<P> +His uneasy slumber was broken by an explosive bark from Chance. +Sundown straightened and rubbed his eyes. Before him lay the +ranch-house, glittering in the sun. Out on the mesa grazed a herd of +sheep and past them another and another. Again he rubbed his eyes. +</P> + +<P> +Then he distinguished several saddle-horses tied to the fence +surrounding the water-hole and there were figures of men walking to and +from his house, many of them. He set spur to Pill and loped up to the +fence. A Mexican with a hard, lined face stepped up to him. "You +vamose!" he said, pointing down the road. +</P> + +<P> +Sundown stared at the men about the yard. Among them he recognized +several of Loring's herders, armed and evidently equipped with horses, +for they were booted and spurred. He pushed back his hat. "Vamose, +eh? I'll be damned if I do." +</P> + +<BR><BR><BR> + +<A NAME="chap26"></A> +<H2 ALIGN="center"> +CHAPTER XXVI +</H2> + +<H3 ALIGN="center"> +THE INVADERS +</H3> + +<P> +The Mexican whipped his gun out and covered Sundown, who wisely put up +his hands. Two of the men crawled through the fence, secured Sundown's +horse, and ordered him to dismount. Before both feet had touched the +ground one of the Mexicans had snatched Sundown's gun from its holster. +Chance leaped at the Mexican, but Sundown's "Here, Chance!" brought the +dog growling to his master. +</P> + +<P> +At that moment Loring stepped from the house, and shouldering aside the +men strode up to Sundown. The sheep-man was about to speak when the +tall one raised his arm and shook his fist in Loring's face. +</P> + +<P> +"Fer two pins I'd jump you and stomp the gizzard out of you, you +low-down, dried-up, whisker-faced, mutton-eatin' butcher, you! I goes +to you and makes you a square offer and you come pussy-footin' in and +steals me ranch when I ain't there! If Jack Corliss don't run you +plumb off the edge afore to-morrow night, I'll sure see if there's any +law—" and Sundown paused for lack of breath. +</P> + +<P> +"Law? Mebby you think you got somethin' to say about this here +water-hole, and mebby not," said Loring. "Don't get het up. I come to +this country before you knew it was here. And for law—I reckon seein' +you're wanted by the law that them papers of yourn is good for startin' +a fire—and nothin' more. The <I>law</I> says that no man wanted by the law +kin homestead. The water-hole is open to the fust man that wants it +and I'm the fust. Now mebby you can think that over and cool off." +</P> + +<P> +Sundown was taken aback. Though unversed in the intricacies of the +law, he was sensible enough to realize that Loring was right. Yet he +held tenaciously to his attitude of proprietor of the water-hole. It +was his home—the only home that he had known in his variegated career. +The fact that he was not guilty buoyed him up, however. He decided +that discretion had its uses. As his first anger evaporated, he cast +about for a plan whereby to notify Corliss of the invasion of the +water-hole ranch. His glance wandered to Chance. +</P> + +<P> +Then he raised his eyes. "Well, now the fireworks is burned down, what +you goin' to do?" +</P> + +<P> +Loring gestured toward the house. "That's my business. But you can +turn in and cook grub for the men. That'll keep you from thinkin' too +hard, and we're like to be busy." +</P> + +<P> +"Then you're takin' me prisoner?" queried Sundown. +</P> + +<P> +"That's correc'." +</P> + +<P> +"How about the law of that?" +</P> + +<P> +"This outfit's makin' its own laws these days," said Loring. +</P> + +<P> +And so far as Loring was concerned that ended the argument. Not so, +however, with Sundown. He said nothing. Had Loring known him better, +that fact would have caused him to suspect his prisoner. With evident +meekness the tall one entered the house and gazed with disconsolate +eyes at the piled kyacks of provisions, the tarpaulins and sheepskins. +His citadel of dreams had been rudely invaded, in truth. He was not so +much angered by the possible effects of the invasion as by the fact. +Gentle Annie was lowing plaintively. The chickens were scurrying about +the yard, cackling hysterically as they dodged this and that herder. +The two pigs, Sundown reflected consolingly, seemed happy enough. +Loring, standing in the doorway, pointed to the stove. "Get busy," he +said tersely. That was the last straw. Silently Sundown stalked to +the stove, rolled up his sleeves, and went to work. If there were not +a score of mighty sick herders that night, it would not be his fault. +He had determined on a bloodless but effective victory, wherein soda +and cream-of-tartar should be the victors. +</P> + +<P> +Soda and cream-of-tartar in proper proportions is harmless. But double +the proportion of cream-of-tartar and the result is internal riot. +"And a leetle spice to kill the bitter of the taste ought to work all +right," he soliloquized. Then he remembered Chance. Loring had left +to oversee the establishment of an outlying camp. The Mexican who +assisted Sundown seemed stupid and sullen. Sundown found excuse to +enter his bedroom, where he hastily scrawled a note to Corliss. Later +he tied the note to the inside of the dog's collar. The next thing was +to get Chance started on the road to the Concho. He rolled down his +sleeves and strolled to the doorway. A Mexican sat smoking and +watching the road. Sundown stepped past him and began to tinker with +the gas-engine. Chance stood watching him. Presently the gas-engine +started with a cough and splutter. Sundown walked to the door and +seemed about to enter when the Mexican called to him and pointed toward +the distant tank. Water was pouring over its rim. "Gee Gosh!" +exclaimed Sundown. "I got to shut her off." He ran to the engine and +its sound ceased. Yet the water still poured from the rim of the tank. +"Got to fix that!" he asserted, and started toward the tank. The +Mexican followed him to the fence. +</P> + +<P> +"You come back?" he queried significantly. +</P> + +<P> +"Sure thing! I ain't got a hoss, have I?" +</P> + +<P> +The Mexican nodded. Sundown crawled through the fence and strode +slowly to the tank. He pretended to examine it first in view of the +house and finally on the opposite side. As Chance sniffed along the +bottom of the tank, Sundown spoke to him. The dog's ears pricked +forward. Sundown's tone suggested action. "Here, Chance,—you fan it +for the Concho—Jack—the boss. Beat it for all you're worth. The +Concho! Sabe?" And he patted the dog's head and pointed toward the +south. +</P> + +<P> +Chance hesitated, leaping up and whining. +</P> + +<P> +"That's all right, pardner. They ain't nothin' goin' to happen to me. +You go!" +</P> + +<P> +Chance trotted off a few yards and then turned his head inquiringly. +</P> + +<P> +"That's right. Keep a-goin'. It's your stunt this time." And Sundown +waved his arm. +</P> + +<P> +The return of Sundown without the dog occasioned no suspicion on the +Mexican's part. He most naturally thought, if he considered the fact +at all, that the dog was hunting the mesas. Then Sundown entered the +house and experimented with soda and cream-of-tartar as though he were +concocting a high explosive with proportions of the ingredients +calculated to produce the most satisfactory results. His plan, +however, was nipped in the bud. That night the herders refused to eat +the biscuits after tasting them. +</P> + +<P> +Hi Wingle, coming from the bunk-house, wiped his hands on his apron, +rolled a cigarette, and squatted in the shade. From within came the +clatter of knives and forks and the rattle of dishes. The riders of +the Concho were about through dinner. Wingle, gazing down the road, +suddenly cast his cigarette away and rose. The road seemed empty save +for a lean brown shape that raced toward the Concho with sweeping +stride. "It's the dog. Wonder what's up now?" +</P> + +<P> +Chance, his muzzle specked with froth and his tongue lolling, swung +into the yard and trotted to Wingle. "Boss git piled ag'in?" queried +the cook, patting Chance's head. "What you scratchin' about?" +</P> + +<P> +The dog lay panting and occasionally pawing at his collar. +</P> + +<P> +"What's the matter? Cockle-burr?" And Wingle ran his fingers under +the collar. "So? Playin' mail-man, eh?" +</P> + +<P> +He spread out the note and read it. Slowly he straightened up and +slowly he walked to the bunk-house. "No. Guess I'll tell Jack first." +</P> + +<P> +He strode to the office and laid the note on Corliss's desk. The +rancher, busy running up totals on the pay-roll, glanced at the +sweat-stained piece of paper. He read it and pushed it from him. "All +right, Hi." +</P> + +<P> +Wingle hesitated, then stepped out and over to the bunk-house. "Takes +it mighty cool! Wonder what he's got up his sleeve. Somethin'—sure!" +</P> + +<P> +Corliss studied the note. Then he reached for paper and envelopes and +wrote busily. One of the letters was to the sheriff in Antelope. It +was brief. +</P> + +<P> +</P> + +<P> +I'm going to push a bunch of stock over to the water-hole range. My +boys have instructions not to shoot. That's the best I can do for them +and the other side. JOHN CORLISS. +</P> + +<P> +</P> + +<P> +The other letter was to Nell Loring. Then he rose and buckled on his +gun. At the bunk-house he gave the letters to Lone Johnny, who saddled +and departed immediately. +</P> + +<P> +Without making the contents of the note known, he told the men that +they would join Bud Shoop and his outfit at the Knoll and push the herd +north. Later he took Wingle aside and told him that he could stay and +look after the rancho. +</P> + +<P> +The indignant Hi rolled down his sleeves, spat, and glared at Corliss. +"I quit," he snapped. "You can hire a new cook." +</P> + +<P> +Despite his preoccupation Corliss smiled. "All right, Hi. Now that +you're out of a job, you might saddle up and ride with us. We'll need +some one to keep us good-natured, I reckon." +</P> + +<P> +"Now you're whistlin'!" said Wingle. "Got a gun I can use? I give +mine to Sundown." +</P> + +<P> +"There's one over in the office on the desk. But we're going to push +the herd over to the water-hole. We're not going there to fight." +</P> + +<P> +"Huh! Goin' to be quiet, eh? Mebby I better take my knittin' along to +pass the time." +</P> + +<P> +And Wingle departed toward the office. Rejoining Corliss they rode +with the men to the Knoll. Bud Shoop nodded gravely as his employer +told him of Loring's occupation of the west bank of the river. Then +the genial Bud rode over to the herd that was bunched in anticipation +of just such a contingency as had developed. "It's a case of push 'em +along easy—and all night," he told his men. "And if any of you boys +is out of cartridges there's plenty in the wagon." +</P> + +<BR> + +<P> +John Corliss rode with his men. He told them to cut out any stray +Two-Bar-O stock they saw and turn them back. Toward evening they had +the cattle in motion, drifting slowly toward the north. The sixteen +riders, including Corliss and Wingle, spread out and pushed the herd +across the afternoon mesas. The day was hot and there was no water +between the Knoll and Sundown's ranch. Corliss intended to hold the +cattle when within a mile of the water-hole by milling them until +daylight. When they got the smell of water, he knew that he would not +be able to hold them longer, nor did he wish to. He regretted the fact +that Chance was running with him, for he knew that Loring's men, under +the circumstances, would shoot the dog if they had opportunity. +</P> + +<P> +Toward evening the outfit drew up in a draw and partook of a hearty +supper. The cattle began to lag as they were urged forward, and Chance +was called into requisition to keep after the stragglers. As the herd +was not large,—in fact, numbered but five hundred,—it was possible to +keep it moving steadily and well bunched, throughout the night. +</P> + +<P> +Within a short mile of the water-hole the riders began to mill the herd. +</P> + +<P> +Bud Shoop, riding up to Corliss, pointed toward the east. "Reckon we +can't hold 'em much longer, Jack. They're crazy dry—and they smell +water." +</P> + +<P> +"All right, Bud. Hold 'em for fifteen minutes more. Then take four of +the boys with you and fan it for the road. You can cache in that draw +just north of the water-hole. About sunup the herd'll break for water. +Loring's outfit will be plenty busy on this side, about then. If he's +got any gunmen handy, they'll be camped at the ranch. Chances are that +when the cattle stampede a band or two of sheep, he'll turn his men on +us. That's your time to ride down and take possession of the ranch. +Most likely you won't have to draw a gun." +</P> + +<P> +Shoop reined close to Corliss and held out his hand. "Mebby not, Jack. +But if we do—so-long." +</P> + +<P> +Then the genial Bud loped to the outriders, picking them up one by one. +The cattle, freed from the vigilance of the circling horsemen, sniffed +the dawn, crowded to a wedge, and began to trot, then to run. Shoop +and his four companions spurred ahead, swung to the road, and thundered +past the ranch-house as a faint edge of light shot over the eastern +horizon. They entered the mouth of the draw, swung around, and reined +up. +</P> + +<P> +"We're goin' to chip in when Jack opens the pot," said Shoop. "Just +how strong we'll come in depends on how strong Jack opens her." Then +with seeming irrelevance he remarked casually: "Sinker wasn't such a +bad ole scout." +</P> + +<P> +"Which Loring's goin' to find out right soon," said "Mebby-So," a lean +Texan. +</P> + +<P> +"Sinker's sure goin' to have company, I take it," remarked "Bull" +Cassidy. +</P> + +<P> +"Boss's orders is to take her without makin' any noise," said Shoop. +</P> + +<P> +"Huh! <I>I'm</I> plumb disappointed," asserted Mebby-So. "I was figurin' +on singin' hymns and accompanyin' meself on me—me cayuse. Listen! +Somethin' 's broke loose!" +</P> + +<P> +Thundering like an avalanche the herd swept down on the water-hole, +ploughing through a band of sheep that were bedded down between them +and the ranch. The herder's tent was torn to ribbons. Wingle, +trailing behind the herd, dismounted, and, stooping, disarmed the +bruised and battered Mexican who had struggled to his feet as he rode +up. +</P> + +<P> +From the water-hole came shouts, and Corliss saw several men come +running from the house to seize their horses and ride out toward the +cattle. The band of riders opened up and the distant popping of +Winchesters told him that the herders were endeavoring to check the +rush of the thirst-maddened steers. The carcasses of sheep, trampled +to pulp, lay scattered over the mesa. +</P> + +<P> +"It sure is hell!" remarked Wingle, riding up to Corliss. +</P> + +<P> +"Hell is correct," said Corliss, spurring forward. "Now I reckon we'll +ride over to the rancho and see if Loring wants any more of it." +</P> + +<P> +Silently the rancher and his men rode toward the water-hole. As they +drew near the line fence, the Mexican riders, swinging in a wide +circle, spurred to head them off. +</P> + +<P> +"Hold on!" shouted Corliss. "We'll pull up and wait for 'em." +</P> + +<P> +"Suits me," said Wingle, loosening his gun from the holster. +</P> + +<P> +The Mexicans, led by Loring, loped up and reined with a slither of +hoofs and the snorting of excited ponies. Corliss held up his hand. +Loring spurred forward and Corliss rode to meet him. +</P> + +<P> +"Want any more of it?" queried Corliss. +</P> + +<P> +"I'll take all you got," snarled Loring. +</P> + +<P> +"All right. Just listen a minute." And Corliss reached in his +saddle-pocket. "Here's a lease from the Government covering the ten +sections adjoining the water-hole ranch, on the south and west. And +here's a contract with the owner of the water-hole, signed and +witnessed, for the use of the water for my stock. You're playing an +old-fashioned game, Loring, that's out of date. Want to look over +these papers?" +</P> + +<P> +"To hell with your papers. I'm here and I'm goin' to stay." +</P> + +<P> +"Well, we'll visit you regular," shouted a puncher. +</P> + +<P> +"Better come over to the house and talk things over," said Corliss. "I +don't want trouble with you—but my boys do." +</P> + +<P> +Loring hesitated. One of his men, spurring up, whispered to him. +</P> + +<P> +Wingle, keenly alert, restrained a cowboy who was edging forward. +"Don't start nothin'," he said. "If she's goin' to start, she'll start +herself." +</P> + +<P> +Loring turned to Corliss. "I'd like to look at them papers," he said +slowly. +</P> + +<P> +"All right. We'll ride over to the house." +</P> + +<P> +The two bands of riders swung toward the north, passed the tank, and +trotted up to the ranch-gate. They dismounted and were met by Shoop +and his companions. Loring blinked and muttered. He had been +outgeneraled. One of the Concho riders laughed. Loring's hand slipped +to his belt. "Don't," said Corliss easily. The tension relaxed, and +the men began joking and laughing. +</P> + +<P> +"Where's Sundown?" queried Corliss. +</P> + +<P> +Loring gestured toward the house. +</P> + +<P> +"I'll go," said Wingle. And he shouldered through the group of +scowling herders and entered the house. +</P> + +<P> +Sundown, with hands tied, was sitting on the edge of his bed. "They +roped me," he said lugubriously, "in me own house. Bud he was goin' to +untie me, but I says for the love of Mike leave me tied or I'll take a +chair and brain that Chola what kicked Gentle Annie in the stummick +this mornin'. He was goin' to milk her and I reckon she didn't like +his looks. Anyhow, she laid him out with a kind of hind-leg upper-cut. +When he come to, he set in to kickin' her. I got his picture and if I +get me hands on him…" +</P> + +<P> +Wingle cut the rope and Sundown stood up. "They swiped me gun," he +asserted. +</P> + +<P> +"Here's one I took off a herder," said Wingle. "if things get to +boilin' over—why, jest nacherally wilt the legs from under anything +that looks like a Chola. Jack's got the cards, all right—but I don't +jest like the look of things. Loring's in the corner and he's got his +back up." +</P> + +<P> +As they came from the house, Loring was reading the papers that Corliss +had handed to him. The old sheep-man glanced at the signatures on the +documents and then slowly folded them, hesitated, and with a quick turn +of his wrist tore them and flung the pieces in Corliss's face. "That +for your law! We stay!" +</P> + +<P> +Corliss bit his lip, and the dull red of restrained anger burned in his +face. He had gone too far to retreat or retract. He knew that his men +would lose all respect for him if he backed down now. Yet he was +unable to frame a plan whereby he might avoid the arbitration of the +six-gun. His men eyed him curiously. Was Jack going to show a yellow +streak? They thought that he would not—and yet… +</P> + +<P> +Sundown raised his long arm and pointed. "There's the gent what kicked +me cow," he said, his face white and his eyes burning. +</P> + +<P> +The punchers of the Concho laughed. "Jump him!" shouted "Bull" +Cassidy. "We'll stand by and see that there's no monkeyin'." +</P> + +<P> +Corliss held up his hand. The Mexicans drew together and the age-old +hatred for the Gringo burned in their beady eyes. +</P> + +<P> +Sundown's thin lips drew tight. "I've a good mind to—" he began. The +Mexican who had maltreated the cow mistook Sundown's gesture for intent +to kill. The herder's gun whipped up. Sundown grabbed a chair that +stood tilted against the house and swung it. The Mexican went down. +With the accidental explosion of the gun, Mebby-So grunted, put his +hand to his side, and toppled from the saddle. Corliss wheeled his +horse. +</P> + +<P> +"Don't shoot, boys!" he shouted. +</P> + +<P> +His answer was a roar of six-guns. He felt Chinook shiver. He jumped +clear as the horse rolled to its side. Sundown, retreating to the +house, flung open the bedroom window and kneeling, laid the barrel of +his gun on the sill. Deliberately he sighted, hesitated, and flung the +gun from him. "God Almighty—I ought to—but I can't!" He had seen +Corliss fall and thought that he had been killed. He saw a Mexican +raise his gun to fire; saw him suddenly straighten in the saddle. Then +the gun dropped from his hand, and he bent forward upon his horse, +recovered, swayed a moment, and fell limply. +</P> + +<P> +Bud Shoop, on foot, ran around to the rear of the house. His horse lay +kicking, shot through the stomach. The foreman drew himself up under +cover of the hen-house and fired into the huddle of Mexicans that swept +around the yard as the riders of the Concho drove them back. He saw +"Bull" Cassidy in the thick of it, swinging his guns and swearing +heartily. Finally a Mexican pony, wounded and wild with fright, tore +through the barb-wire fence. Behind him spurred the herders. Out on +the mesa they turned and threw lead at the Concho riders, who retreated +to the cover of the house. Corliss caught up a herder's horse and rode +around to them. Shorty, one of his men, grinned, fell to coughing, and +sank forward on his horse. +</P> + +<P> +"Loring's down," said Wingle, solemnly reloading his gun. "Think they +got enough, Jack?" +</P> + +<P> +"Loring, eh? Well, I know who got him. Yes, they got enough." +</P> + +<P> +Shorty, vomiting blood, wiped his lips on his sleeve. "Well, I +ain't—not yet," he gasped. "<I>I'm</I> goin' to finish in a blaze of +glory. Come on, boys!" And he whirled his horse. Swaying drunkenly +he spurred around the corner of the house and through the gateway. +</P> + +<P> +Corliss glanced at Wingle. "We can't let him ride into 'em by his +lonesome," said Wingle. "Eh, boys?" +</P> + +<P> +"Not on your fat life!" said Bull Cassidy. "I got one wing that's +workin' and I'm goin' to fly her till she gits busted." +</P> + +<P> +"Let's clean 'em up! Might's well do a good job now we're at it. +Where's Bud?" +</P> + +<P> +"He's layin' over there back of the chicken-roost. Reckon he's +thinkin' things over. He ain't sayin' much." +</P> + +<P> +"Bud down, too? Then I guess we ride!" And they swept out after +Shorty. They saw the diminutive cowboy tear through the band of +herders, his gun going; saw his horse stumble and fall and a figure +pitch from the saddle and roll to one side. "And if I'm goin'—I want +to go out that way," shouted Bull Cassidy. "Shorty was some sport!" +</P> + +<P> +But the Mexicans had had enough of it. They wheeled and spurred toward +the south. The Concho horses, worn out by the night-journey, were soon +distanced. +</P> + +<P> +Corliss pulled up. "Catch up a fresh horse, Hi. And let Banks know +how things stand. If Loring isn't all in, you might fetch the doctor +back with you. We'll need him, anyway." +</P> + +<P> +"Sure! Wonder who that is fannin' it this way? Don't look like a +puncher." +</P> + +<P> +Corliss turned and gazed down the road. From the south came little +puffs of dust as a black-and-white pinto running at top speed swept +toward them. He paled as he recognized the horse. +</P> + +<P> +"It's Loring's girl," said Wingle, glancing at Corliss. +</P> + +<P> +Nell Loring reined up as she came opposite the Concho riders and turned +from the road. The men glanced at each other. Then ensued an awkward +silence. The girl's face was white and her dark eyes burned with +reproach as she saw the trampled sheep and here and there the figure of +a man prone on the mesa. Corliss raised his hat as she rode up. She +sat her horse gazing at the men. Without a word she turned and rode +toward the ranch-house. The Concho riders jingled along, in no hurry +to face the scene which they knew awaited them at the water-hole. +</P> + +<P> +She was on her knees supporting her father's head when they dismounted +and shuffled into the yard. The old sheep-man blinked and tried to +raise himself. One of the Concho boys stepped forward and helped her +get the wounded man to the house. +</P> + +<P> +Corliss strode to the bedroom and spoke to Sundown who turned and sat +up. "Get hit, Sun?" +</P> + +<P> +"No. But I'm feelin' kind of sick. Is the ole man dead?" +</P> + +<P> +"He's hurt, but not bad. We want the bed." +</P> + +<P> +Sundown got to his feet and sidled past the girl as she helped her +father to the bed. +</P> + +<P> +"I sent for the doctor," said Corliss. +</P> + +<P> +The girl whirled and faced him. "You!" she exclaimed—"You!" +</P> + +<P> +The rancher's shoulders straightened. "Yes—and it was my gun got him. +You might as well know all there is to it." Then he turned and, +followed by Sundown, stepped to the yard. "We'll keep busy while we're +waiting. Any of you boys that feel like riding can round up the herd. +Hi and I will look after—the rest of it." +</P> + +<P> +"And Bud," suggested a rider. +</P> + +<BR> + +<P> +They found Shoop on the ground, the flesh of his shoulder torn away by +a .45 and a welt of red above his ear where a Mexican's bullet had +creased him. They carried him to the house. "Sun, you might stir +around and rustle some grub. The boys will want to eat directly." And +Corliss stepped to the water-trough, washed his hands, and then rolled +a cigarette. Hi Wingle sat beside him as they waited for dinner. +Suddenly Corliss turned to his cook. "I guess we've won out, Hi," he +said. +</P> + +<P> +"Generally speakin'—we sure have," said Wingle. "But I reckon <I>you</I> +lost." +</P> + +<P> +Corliss nodded. +</P> + +<BR><BR><BR> + +<A NAME="chap27"></A> +<H2 ALIGN="center"> +CHAPTER XXVII +</H2> + +<H3 ALIGN="center"> +"JUST ME AND HER" +</H3> + +<P> +Sheriff Banks tossed Corliss's note on his desk, reached in his pocket +and drew forth a jack-knife with which he began to trim his +finger-nails. He paid no apparent attention to the arrival of one of +his deputies, but proceeded with his manipulation of the knife. The +deputy sidled to a chair and sat watching the sheriff. +</P> + +<P> +Presently Banks closed his knife, slid it into his pocket, and leaned +back in his chair. "Lone Johnny gone back?" he queried. +</P> + +<P> +The deputy nodded. +</P> + +<P> +Banks proffered his companion a cigar and lit one himself. For a while +he smoked and gazed at the ceiling. "I got two cards to play," he +said, straightening up and brushing cigar-ash from his vest. "Last +election was pretty close. By rights I ought to be at the county-seat. +Got any idea why they side-tracked me here in Antelope?" +</P> + +<P> +The deputy grinned. "It's right handy to the line. And I guess they +saw what was comin' and figured to put you up against it. They +couldn't beat you at the polls, so they tried to put you where you +wouldn't come back." +</P> + +<P> +"Correct. And there's no use running against the rope. Now I want you +to call on every citizen in Antelope and tell every dog-goned one of +'em what Lone Johnny kind of hinted at regarding the Concho and Loring. +And show 'em this note from Jack. Tell 'em I'm going to swear in each +of 'em as a special. I want to go on record as having done what I +could." +</P> + +<P> +The deputy rose. "All right, Jim. Kind of late to make that move, +ain't it?" +</P> + +<P> +"I got another card," said the sheriff. "Tell 'em we'll be ready to +start about twelve. It's ten, now." +</P> + +<P> +With the departure of the deputy the sheriff reached in his desk and +brought forth a book. It was thumbed and soiled. He turned the pages +slowly, pausing to read a line here and there. Finally he settled back +and became immersed in the perennial delight of "Huckleberry Finn." He +read uninterruptedly for an hour, drifting on the broad current of the +Mississippi to eventually disembark in Antelope as the deputy shadowed +the doorway. The sheriff closed the book and glanced up. He read his +answer in the deputy's eyes. +</P> + +<P> +"'T ain't that they don't like you," said the deputy. "But they ain't +one of 'em that'll do anything for Loring or do anything against Jack +Corliss." +</P> + +<P> +The sheriff smiled. "Public opinion is setting on the fence and +hanging on with both hands. All right, Joe. I'll play her alone. I +got a wire from Hank that he's got the herder, Fernando. Due here on +the two-thirty. You hang around and tell Hank to keep on—take the +Mexican along up to Usher." +</P> + +<P> +"Goin' to go after the Concho boys and Loring's herders?" +</P> + +<P> +"Sure thing. And I'm going alone. Then they won't make a fuss. +They'll come back with me all right." +</P> + +<P> +"But you couldn't get a jury to send one of 'em over—not in this +county." +</P> + +<P> +"Correct, Joe. But the county's paying me to go through the +motions—don't matter what I think personally. If they've pulled off a +shooting-match at the water-hole, the thing's settled by this time. It +had to come and if it's over, I'm dam' glad. It'll clear the air for +quite a spell to come." +</P> + +<P> +"The papers'll sure make a holler—" began the deputy. +</P> + +<P> +"Not so much as you think. They got one good reason to keep still and +that's because the free range is like to be opened up to homesteaders +any day. Too much noise about cattle-and-sheep war would scare good +money from coming to the State. I heard the other day that that +Sundown Jack picked up is settled at the water-hole. I took him for a +tenderfoot once. I reckon he ain't. It's hard to figure on those +queer kind. Well, you meet the two-thirty. I guess I'll ride over to +the Concho and see the boys." +</P> + +<BR> + +<P> +The Loring-Corliss case is now a matter of record in the dusty files of +the "Usher Sentinel" and its decidedly disesteemed contemporary, the +"Mesa News." The case was dismissed for lack of anything like definite +evidence, though Loring and Corliss were bound over to keep the peace. +Incidentally one tall and angular witness refused to testify, and was +sentenced to pay a not insignificant fine for contempt of court. That +his fine was promptly paid by Corliss furnished a more or less +gratuitous excuse for a wordy vilification of the rancher and his +"hireling assassin," "menace to public welfare," and the like. +Sundown, however, stuck to his guns, even to the extent of searching +out the editor of the "Mesa News" and offering graciously to engage in +hand-to-hand combat, provided the editor, or what was left of him after +the battle, would insert an apology in the next issue of the paper—the +apology to be dictated by Sundown. +</P> + +<P> +The editor temporized by asking the indignant Sundown to frame the +apology, which he did. Then the wily autocrat of the "Mesa News," +after reading the apology, agreed to an armistice and mentioned the +fact that it was a hot day. Sundown intimated that he knew one or two +places in Usher which he was not averse to visiting under the +circumstances. And so the treaty was ratified. +</P> + +<P> +Perhaps among Sundown's possessions there is none so cherished, +speaking broadly, as a certain clipping from an Arizona newspaper in +which the editor prints a strangely worded and colorful apology, above +his personal signature, for having been misled temporarily in his +estimation of a "certain person of warlike proclivities who visited our +sanctum bent upon eradicating us in a physical sense." The apology +follows. In a separate paragraph, however, is this information: +</P> + +<P> +"We find it imperative, however, to state that the above apology is a +personal matter and in no wise affects our permanent attitude toward +the lawlessness manifest so recently in our midst. Moreover, we were +forced at the muzzle of a six-shooter, in the hands of the +above-mentioned Sundown, to insert that illiterate and blood-thirsty +gentleman's screed in the MESA NEWS, as he, together with the gang of +cutthroats with whom he seems in league, stood over us with drawn +weapons until the entire issue had been run off. Such is the condition +of affairs under the present corrupt administration of our suffering +State." +</P> + +<P> +Such advertising, Sundown reflected, breathing of battle and carnage, +would obviate the necessity for future upholding of his reputation in a +physical sense. Great is the power of the press! It became whispered +about that he was a two-gun man of dexterous attainments in dispensing +lead and that his mild and even apologetic manner was but a cloak. +Accident and the tongues of men earned for Sundown that peace which he +so thoroughly loved. He became immune to strife. When he felt his +outward attitude sagging a little, he re-read the clipping and braced +up. +</P> + +<P> +Sundown rode to the Concho gate, dismounted and opened it. Chance ran +ahead, leaping up as Corliss came from the ranch-house. +</P> + +<P> +"Got them holes plugged in the tank," said Sundown. "Got the engine +runnin' ag'in and things is fine. You goin' to put them cattle back on +the water-hole range?" +</P> + +<P> +"Yes, as soon as Bud can get around again. He's up, but he can't ride +yet." +</P> + +<P> +"How's Bull?" +</P> + +<P> +"Oh, he's all right. Mebby-So's laid up yet. He got it pretty bad." +</P> + +<P> +"Well, I reckon they ain't goin' to be no more fightin' 'bout cattle +and sheep. I stopped by to the Loring ranch. Ole man Loring was sure +ugly, so I reckon he's feelin' nacheral ag'in. He was like to get mad +at me for stopping but his gal, Nell, she smoothed down his wool and +asked me to stay and eat. I wasn't feelin' extra hungry, so I come +along up here." +</P> + +<P> +"I have some good news," said Corliss. "Got a letter from Billy last +week. Didn't have time to tell you. He's working for a broker in +'Frisco. I shouldn't wonder if he should turn up one of these days. +How would you like to drive over to Antelope and meet him when he +comes?" +</P> + +<P> +"I'd sure be glad. Always did like Billy. 'Course you don't know when +he's comin'—and I got to do some drivin' meself right soon." +</P> + +<P> +"So?" +</P> + +<P> +"Yep. 'Course I got the wagon, but they ain't no style to that. I was +wantin' a rig with style to it—like the buckboard." Sundown fidgeted +nervously with the buttons of his shirt. He coughed, took off his hat, +and mopped his face with a red bandanna. Despite his efforts he grew +warmer and warmer. He was about to approach a delicate subject. +Finally he seized the bull by the horns, so to speak, and his tanned +face grew red. "I was wantin' to borrow that buckboard, mebby, +Saturday." +</P> + +<P> +"Sure! Going to Antelope?" +</P> + +<P> +"Nope—not first. I got business over to Chico Miguel's place. I'm +goin' to call on a lady." +</P> + +<P> +"Oh, I see! Anita?" +</P> + +<P> +"Well, I sure ain't goin' to call on her ma—she's married a'ready." +</P> + +<P> +Despite himself, Corliss smiled. "So that's what you wanted that new +bed and table and the chairs for. Did they get marked up much coming +in?" +</P> + +<P> +"The legs some. I rubbed 'em with that hoss-liniment you give me. You +can hardly tell. It kind of smelled like turpentine, and I didn't have +nothin' else." +</P> + +<P> +"Well, anything you want—" +</P> + +<P> +"I know, boss. But this is goin' to be a quiet weddin'. No +brass-bands or ice-cream or pop-corn or style. Just me and her +and—and I reckon a priest, seein' she was brung up that way. I ain't +asked her yet." +</P> + +<P> +"What? About getting married, or the priest?" +</P> + +<P> +"Nothin'. We got kind of a eye-understandin' and her ma and me is good +friends. It's like this. Bein' no hand to do love-makin' stylish, I +just passes her a couple of bouquets onct or twict and said a few +words. Now, you see, if I get that buckboard and a couple of hosses—I +sure would like the white ones—and drive over lookin' like business +and slip the ole man a box of cigars I bought, and Mrs. Miguel that +there red-and-yella serape I paid ten dollars for in Antelope, and show +Anita me new contract with the Concho for pumpin' water for +seventy-five bones a month, I reckon the rest of it'll come easy. I'm +figurin' strong on them white hosses, likewise. Bein' white'll kind of +look like gettin' married, without me sayin' it. You see, boss, I'm +short on the Spanish talk and so I have to do some figurin'." +</P> + +<P> +"Well, Sun, you have come along a lot since you first hit the Concho! +Go ahead, and good luck to you! If you need any money—" +</P> + +<P> +"I was comin' to that. Seein' as you kind of know me—and seein' I'm +goin' to git hitched—I was thinkin' you might lend me mebby a hundred +on the contrac'." +</P> + +<P> +"I guess I can. Will that be enough?" +</P> + +<P> +"Plenty. You see I was figurin' on buyin' a few head of stock to run +with yourn on the water-hole range." +</P> + +<P> +"Why, I can let you have the stock. You can pay me when you get ready." +</P> + +<P> +"That's just it. You'd kind of give 'em to me and I ain't askin' +favors, except the buckboard and the white hosses." +</P> + +<P> +"But what do you want to monkey with cattle for? You're doing pretty +well with the water." +</P> + +<P> +"That's just it. You see, Anita thinks I'm a rarin', high-ridin', +cussin', tearin', bronco-bustin' cow-puncher from over the hill. I +reckon you know I ain't, but I got to live up to it and kind of let her +down easy-like. I can put on me spurs and chaps onct or twict a week +and go flyin' out and whoopin' around me stock, and scarin' 'em to +death, pertendin' I'm mighty interested in ridin' range. If you got a +lady's goat, you want to keep it. 'Course, later on, I can kind o' +slack up. Then I'm goin' to learn her to read American, and she can +read that piece in the paper about me. I reckon that'll kind of cinch +up the idea that her husband sure is the real thing. But I got to have +them cows till she can learn to read." +</P> + +<P> +"We've got to brand a few yearlings that got by last round-up. Bud +said there was about fifteen of them. You can ride over after you get +settled and help cut 'em out. What iron do you want to put on them?" +</P> + +<P> +"Well, seein' it's me own brand, I reckon it will be like this: A kind +of half-circle for the sun, and a lot of little lines runnin' out to +show that it's shinin', and underneath a straight line meanin' the +earth, which is 'Sundown'—me own brand. Could Johnny make one like +that?" +</P> + +<P> +"I don't know. That's a pretty big order. You go over and tell Johnny +what you want. And I'll send the buckboard over Saturday." +</P> + +<BR><BR><BR> + +<A NAME="chap28"></A> +<H2 ALIGN="center"> +CHAPTER XXVIII +</H2> + +<H3 ALIGN="center"> +IMPROVEMENTS +</H3> + +<P> +Out in a field bordered by the roadway a man toiled behind a +disk-plough. He trudged with seven-league strides along the furrows, +disdaining to ride on the seat of the plough. To effect a comfortable +following of his operations he had lengthened the reins with +clothes-line. He drove a team of old and gentle white horses as +wheelers. His lead animals were mules, neither old nor gentle. It is +possible that this fact accounted for his being afoot. He was arrayed +in cowboy boots and chaps, a faded flannel shirt, and a Stetson. +Despite the fact that a year had passed since he had practically +"Lochinvared" the most willing Anita,—though with the full and joyous +consent of her parents,—he still clung to the habiliments of the +cowboy, feeling that they offset the more or less menial requirements +of tilling the soil. Behind him trailed a lean, shaggy wolf-dog who +nosed the furrows occasionally and dug for prairie-dogs with +intermittent zest. +</P> + +<P> +The toiler, too preoccupied with his ploughing to see more than his +horses' heads and the immediate unbroken territory before them, did not +realize that a team had stopped out on the road and that a man had +leaped from the buckboard and was standing at the fence. Chance, +however, saw the man, and, running to Sundown, whined. Sundown pulled +up his team and wiped his brow. "Hurt your foot ag'in?" he queried. +"Nope? Then what's wrong?" +</P> + +<P> +The man in the road called. +</P> + +<P> +Sundown wheeled and stood with mouth open. "It's—Gee Gosh! It's +Billy!" +</P> + +<P> +He observed that a young and fashionably attired woman sat in the +buckboard holding the team. He fumbled at his shirt and buttoned it at +the neck. Then he swung his team around and started toward the fence. +</P> + +<P> +Will Corliss, attired in a quiet-hued business suit, his cheeks +healthfully pink and his eye clear, smiled as the lean one tied the +team and stalked toward him. +</P> + +<P> +Corliss held out his hand. Sundown shook his head. "Excuse me, Billy, +but I ain't shakin' hands with you across no fence." +</P> + +<P> +And Sundown wormed his length between the wires and straightened up, +extending a tanned and hairy paw. "Shake, pardner! Say, you're +lookin' gorjus!" +</P> + +<P> +"My wife," said Corliss. +</P> + +<P> +Sundown doffed his sombrero sweepingly. "Welcome to Arizona, ma'am." +</P> + +<P> +"This is my friend, Washington Hicks, Margery." +</P> + +<P> +"Yes, ma'am," said Sundown. "It ain't my fault, neither. I had +nothin' to say about it when they hitched that name onto me. I reckon +I hollered, but it didn't do no good. Me pals"—and Sundown shrugged +his shoulder—"mostly gents travelin' for their health—got to callin' +me Sundown, which is more poetical. 'Course, when I got married—" +</P> + +<P> +"Married!" exclaimed Corliss, grinning. +</P> + +<P> +"You needn't to grin, Billy. Gettin' married's mighty +responsible-like." +</P> + +<P> +Corliss made a gesture of apology. "So you're homesteading the +water-hole? Jack wrote to me about it. He didn't say anything about +your getting married." +</P> + +<P> +"Kind of like his not sayin' anything about your gettin' hitched up, +eh? He said he was hearin' from you, but nothin' about Misses Corliss. +Please to expect my congratulations, ma'am—and you, too, Billy." +</P> + +<P> +"Thank you!" said Mrs. Corliss, smiling. "Will has told me a great +deal about you." +</P> + +<P> +"He has, eh? Well, I'm right glad to be acquainted by heresy. It kind +of puts you on to what to expect. But say, it's hot here. If you'll +drive back to me house, I'd sure like to show you the improvements." +</P> + +<P> +"All right, Sun! We'll drive right in and wait for you." +</P> + +<BR> + +<P> +They did not have to wait, however. Sundown, leaving his team at the +fence, took a short cut to the house. He entered the back door and +called to Anita. +</P> + +<P> +"Neeter," he said, as she hastened to answer him, "they's some friends +of mine just drivin' up. If you could kind of make a quick change and +put on that white dress with the leetle roses sprinkled on it—quick; +and is—is he sleepin'?" +</P> + +<P> +"Si! He is having the good sleep." +</P> + +<P> +"Fine! I'll hold 'em off till you get fixed up. It's me ole pal, +Billy Corliss,—and he's brung along a wife. We got to make a good +front, seein' it's kind of unexpected. Wrastle into that purty dress +and don't wake him up." +</P> + +<P> +"Si! I go queek." +</P> + +<P> +"Why, this is fine!" said Corliss, entering, hat in hand, and gazing +about the room. "It's as snug and picturesque as a lodge." +</P> + +<P> +"Beautiful!" exclaimed the enthusiastic Margery, gazing at the Navajo +rugs, the clean, white-washed walls against which the red ollas, filled +with wild flowers, made a pretty picture, and the great grizzly-bear +rug thrown across a home-made couch. "It's actually romantic!" +</P> + +<P> +"Me long suit, lady. We ain't got much, but what we got goes with this +kind of country." +</P> + +<P> +Margery smiled. "Oh, Will, I'd like a home like this. Just simple and +clean—and comfortable. It's a real home." +</P> + +<P> +"Me wife's comin' in a minute. While she's—er—combin' her hair, +mebby you'd like to see some of the improvements." And Sundown marched +proudly to the new dining-room—an extension that he had built +himself—and waved an invitation for his guests to behold and marvel. +</P> + +<P> +The dining-room was, in its way, also picturesque. The exceedingly +plain table was covered with a clean white cloth. The furniture, owing +to some fortunate accident of choice, was not ornate but of plain +straight lines, redeemed by painted ollas filled with flowers. The +white walls were decorated with two pictures, a lithograph of the +Madonna,—which seemed entirely in keeping with the general tone of the +room, but which would have looked glaringly out of place anywhere +else,—and an enlarged full-length photograph, framed, of an +exceedingly tall and gorgeous cowboy, hat in hand, quirt on wrist, and +looking extremely impressive. Beside the cowboy stood a great, shaggy +dog—Chance. And, by chance, the picture was a success. +</P> + +<P> +"Why, it's you, Sun!" exclaimed Corliss, striding to the picture. "And +it's a dandy! I'd hang it in the front room."' +</P> + +<P> +"That's what Neeter was sayin'. But I kind of like it in here. You +see, Neeter sets there and I set here where I can see me picture while +I'm eatin'. It kind of gives me a good appetite. 'Course, lookin' out +the window is fine. See them there mesas dancin' in the sun, and the +grass wavin' and me cows grazing and 'way off like in a dream them blue +hills! It's sure a millionaire picture! And it don't cost nothin'." +</P> + +<P> +"That's the best of it!" said Corliss heartily. "We're going to +build—over on the mesa near the fork. You remember?" +</P> + +<P> +Sundown's flush was inexplicable to Margery, but Corliss understood. +He had ridden the trail toward the fork one night.… But that was +past, atoned for.… He would live that down. +</P> + +<P> +"It's a purty view, over there," said Sundown gently. +</P> + +<P> +And the two men felt that that which was not forgotten was at least +forgiven—would never again be mentioned. +</P> + +<P> +"And me kitchen," said Sundown, leading the way, "is Neeter's. She +runs it. There's more good eats comes out of it than they is fancy +crockery in it, which just suits me. And out here"—and the party +progressed to the back yard—"is me new corral and stable and +chicken-coop. I made all them improvements meself, durin' the winter. +Reckon you saw the gasoline-engine what does the pumpin' for the tanks. +I wanted to have a windmill, but the engine works faster. It's kind of +hot, ma'am, and if you'll come in and set down I reckon me wife's got +her hair—" +</P> + +<P> +"Wah! Wah! Wah!" came in a crescendo from the bedroom. +</P> + +<P> +Sundown straightened his shoulders. "Gee Gosh, he's gone and give it +away, already!" +</P> + +<P> +Corliss and his wife glanced at their host inquisitively. +</P> + +<P> +"Me latest improvement," said Sundown, bowing, as Anita, a plump brown +baby on her arm, opened the bedroom door and stood bashfully looking at +the strangers. +</P> + +<P> +"And me wife," he added. +</P> + +<P> +Corliss bowed, but Margery rushed to Anita and held out her arms. "Oh, +let me take him!" she cried. "What big brown eyes! Let me hold him! +I'll be awfully careful! Isn't he sweet!" +</P> + +<P> +They moved to the living-room where Anita and Margery sat side by side +on the couch with the baby absorbing all their attention. +</P> + +<P> +Sundown stalked about the room, his hands in his pockets, vainly +endeavoring to appear very mannish and unconcerned, but his eye roved +unceasingly to the baby. He was the longest and most upstanding +six-feet-four of proud father that Margery or her husband had ever had +the pleasure of meeting. +</P> + +<P> +"He's got Neeter's eyes—and—and her—complexion, but he's sure got me +style. He measures up two-feet-six by the yardstick what we got with +buyin' a case of bakin'-soda, and he ain't a yearlin' yet. I don't +just recollec' the day but I reckon Neeter knows." +</P> + +<P> +"He's great!" exclaimed Corliss. "Isn't he, Margery?" +</P> + +<P> +"He's just the cutest little brown baby!" said Margery, hugging the +plump little body. +</P> + +<P> +"He—he ain't so <I>turruble</I> brown," asserted Sundown. "'Course, he's +tanned up some, seein' we keep him outside lots. I'm kind o' tanned up +meself, and I reckon he takes after me." +</P> + +<P> +"He has a head shaped just like yours," said Margery, anxious to please +the proud father. +</P> + +<P> +"Then," said Sundown solemnly, "he's goin' to be a pole." +</P> + +<P> +Anita, proud of her offspring, her husband, her neat and clean home, +laughed softly, and held out her arms for the baby. With a kick and a +struggle the young Sundown wriggled to her arms and snuggled against +her, gravely inspecting the pink roses on his mother's white dress. +They were new to him. He was more used to blue gingham. The roses +were interesting. +</P> + +<P> +"Yes, Billy's me latest improvement," said Sundown, anxious to assert +himself in view of the presence of so much femininity and a +correspondingly seeming lack of vital interest in anything save the +baby. +</P> + +<P> +"Billy!" said Corliss, turning from where he had stood gazing out of +the window. +</P> + +<P> +"Uhuh! We named him Billy after you." +</P> + +<P> +Corliss turned again to the window. +</P> + +<P> +Sundown stepped to him, misinterpreting his silence. He put his hand +on Corliss's shoulder. "You ain't mad 'cause we called him that, be +you?" +</P> + +<P> +"Mad! Say, Sun,"—and Corliss laughed, choked, and brushed his eyes. +"Sun, I don't deserve it." +</P> + +<P> +"Well, seein' what I been through since I was his size, I reckon I +don't either. But he's here, and you're here and your wife—and things +is fine! The sun is shinin' and the jiggers out on the mesa is +chirkin' and to-morrow's goin' to be a fine day. There's nothin' like +bankin' on to-morrow, 'specially if you are doin' the best you kin +today." And with this bit of philosophy, Sundown, motioning to +Corliss, excused himself and his companion as they strode to the +doorway and out to the open. There they talked about many things +having to do with themselves and others until Margery, hailing them +from the door, told them that dinner was waiting. +</P> + +<P> +After dinner the men foregathered in the shade of an acacia and smoked, +saying little, but each thinking of the future. Sundown in his +peculiarly optimistic and half-melancholy way, and Corliss with mingled +feelings of hope and regret. He had endeavored to live down his past +away from home. He had succeeded in a measure: had sought and found +work, had become acquainted with his employer's daughter, told her +frankly of his previous manner of life, and found, not a little to his +astonishment, that she had faith in him. Then he wrote to his brother, +asking to come back. John Corliss was more than glad to realize that +Will had straightened up. If the younger man was willing to reclaim +himself among folk who knew him at his worst, there must be something +to him. So Corliss had asked his brother to give him his employer's +address; had written to the employer, explaining certain facts +regarding Will's share in the Concho, and also asking that he urge Will +to come home. Just here Miss Margery had something to say, the +ultimate result of which was a more definite understanding all around. +If Will was going back to Arizona, Margery was also going. And as +Margery was a young woman quietly determined to have her way when she +knew that it was right to do so, they were married the day before Will +Corliss was to leave for Arizona. This was to be their honeymoon. +</P> + +<P> +All of which was in Will Corliss's mind as he lay smoking and gazing at +the cloudless sky. It may be added to his credit that he had not +returned because of the money that was his when he chose to claim it. +Rather, he had realized—and Margery had a great deal to do with his +newer outlook—that so long as he stayed away from home he was +confessing to cowardice. Incidentally Margery, being utterly feminine, +wanted to see Arizona and the free life of the range, of which Corliss +had told her. As for Nell Loring… Corliss sighed. +</P> + +<P> +"It sure is hot," muttered Sundown. "'Course, you'll stay over and +light out in the mornin' cool. You and me can sleep in the front room. +'T ain't the fust time we rustled for a roost. And the wimmen-folks +can bunk in the bedroom. Billy he's right comf'table in his big +clothes-basket. He's a sure good sleeper, if I do say it." +</P> + +<P> +"We could have gone on through," said Corliss, smiling. "Of course +we'd have been late, but Margery likes driving." +</P> + +<P> +"Well, if you had 'a' gone through—and I'd 'a' <I>ketched</I> you at +it—I—I—I'd 'a' changed Billy's name to—to somethin' else." And +Sundown frowned ferociously. +</P> + +<P> +Corliss laughed. "But we didn't. We're here—and it's mighty good to +breathe Arizona air again. You never really begin to love Arizona till +you've been somewhere else for a while." +</P> + +<P> +"And bein' married helps some, too," suggested Sundown. +</P> + +<P> +"Yes, a whole lot. Margery's enthusiasm makes me see beautiful things +that I'd passed a hundred times before I knew her." +</P> + +<P> +"That's correc'," concurred Sundown. "Now, take Gentle Annie, for +instance—" +</P> + +<P> +"You mean Mrs.—er—Sundown?" +</P> + +<P> +"Nope! Me tame cow. 'Annie' is American for 'Anita,' so I called her +that. Now, that there Gentle Annie's just a regular cow. She ain't +purty—but she sure gives plenty milk. Neeter got me to seein' that +Gentle Annie's eyes was purty and mournful-like and that she was a +right handsome cow. If your wife's pettin' and feedin' somethin', and +callin' it them there smooth Spanish names, a fella's wise to do the +same. It helps things along." +</P> + +<P> +"Little Billy, for instance," suggested Corliss. +</P> + +<P> +"Leetle Billy is right! But he couldn't help bein' good-lookin', I +guess. He's different. Fust thing your wife said wuz he took after +his pa." +</P> + +<P> +"You haven't changed much," said Corliss, smiling. +</P> + +<P> +"Me? Mebby not—outside; but say, inside things is different. I got +feelin's now what I never knowed I had before. Why, sometimes, when +Neeter is rockin' leetle Bill, and singing and me settin' in the door, +towards evenin', and everything fed up and happy, why, do you know, I +feel jest like cryin'. Plumb foolish, ain't it?" +</P> + +<P> +"I don't know about that, Sun." +</P> + +<P> +"Well, you will some day," asserted Sundown, taking him literally. "'T +ain't gettin' married what makes a man, but it's a dum' poor one what +don't make the best of things if he is hitched up to a good girl. Only +one thing—it sure don't give a fella time to write much po'try." +</P> + +<P> +Corliss did not smile. "You're living the poetry," he said with simple +sincerity. +</P> + +<P> +"Which is correc', Billy. And speakin' of po'try, I reckon I got to go +feed them pigs. They's gruntin' somethin' scand'lous for havin' +comp'ny to our house—and anyhow, they's like to wake up leetle Bill." +</P> + +<P> +And Sundown departed to feed his pigs. +</P> + +<BR><BR><BR> + +<A NAME="chap29"></A> +<H2 ALIGN="center"> +CHAPTER XXIX +</H2> + +<H3 ALIGN="center"> +A MAN'S COUNTRY +</H3> + +<P> +"As for that," said John Corliss, gazing out across the mesa, "Loring +and I shook hands—over the line fence. That's settled." +</P> + +<P> +Sundown had just dismounted. He stood holding the reins of his old +saddle-horse "Pill." He had ridden to the Concho to get his monthly +pay. "And pore leetle ole Fernando—he's gone," said Sundown. "That's +jest the difference between <I>one</I> fella doin' what he thinks is right +and a <I>bunch</I> of fellas shootin' up themselves. The one fella gets it +every time. The bunch, bein' so many of 'em, gets off. Mebby that's +law, but it ain't fair." +</P> + +<P> +"There's a difference, Sun. A fight in the open and downing a man from +ambush—two mighty different things." +</P> + +<P> +"Well, mebby. But I'm feelin' sad for that leetle Fernando jest the +same.—That Billy's new house?" +</P> + +<P> +"Yes. They expect to get settled this month." +</P> + +<P> +"Gee Gosh! I been so busy I missed a bunch of days. Reckon I got to +rustle up somethin' for a weddin' present. I know, be Gosh! I'll send +'em me picture. Billy was kind of stuck on it." +</P> + +<P> +"Good idea, Sun. But I guess you'll miss it yourself." +</P> + +<P> +"I dunno. Neeter ain't lookin' at it as much as she used to. She's +busy lookin' after leetle Bill—and me. 'Course I can get another one +took most any time." +</P> + +<P> +"Make it two and give me one," said Corliss. +</P> + +<P> +"You ain't joshin'?" +</P> + +<P> +"No. I'll hang it in the office." +</P> + +<P> +"Then she gets took—immediate." +</P> + +<P> +Chance, who stood watching the two men, rose and wagged his tail. +</P> + +<P> +Chance never failed to recognize that note in his master's voice. It +meant that his master was pleased, enthusiastic, happy, and Chance, +loyal companion, found his happiness in that of his friends. +</P> + +<P> +"Well," said Sundown, "I reckon I got to be joggin'. Thanks for the +check." +</P> + +<P> +Corliss waved his hand. "I'll step over to the gate with you. Thought +perhaps you'd stay and see Billy." +</P> + +<P> +"Nope. I ain't feelin' like meetin' folks today. Don' know why. +Sky's clear and fine, but inside I feel like it was goin' to rain. +When you comin' down to see leetle Bill and Neeter?" +</P> + +<P> +"Pretty soon. Is Billy well?" +</P> + +<P> +"Well! Gee Gosh! If you could hear the langwidge he uses when Neeter +puts him to bed and he don't want to go! Why, yesterday he was on the +floor playin' with Chance and Chance got tired of it and lays down to +snooze. Billy hitches along up to Chance, and <I>Bim</I>! he punches Chance +on the nose. Made him sneeze, too! Why, that kid ain't afraid of +nothin'—jest like his pa. I reckon Billy told you that his wife said +that leetle Billy took after me, eh? Leave it to a woman to see them +things!" +</P> + +<P> +"Well, I'm mighty glad you're settled, and making a go of it, Sun." +</P> + +<P> +"So be I. I was recollectin' when I fust come into this country and +landed at that water-hole. It was kind of a joke then, but it ain't no +joke now. Funny thing—that bunch of punchers what started me lookin' +for that there hotel that time—they come jinglin' up last week. +Didn't know I was the boss till one of 'em grins after sizin' me up and +says—er—well, two three words what kids hadn't ought to hear, and +then, 'It's him, boys!' Then I steps out and says, 'It is, gents. +Come right in and have dinner and it won't cost you fellas a cent. I +told you I'd feed you up good when I got me hotel to runnin'.' And +sure enough, in they come and we fed 'em. They was goin' to the Blue. +They bunked in me hay that night. Next mornin' they acted kind of +queer, sayin' nothin' except, 'So-long,' when they lit out. And what +do you think! They went and left four dollars and twenty-eight cents +in the sugar-bowl—and a piece of paper with it sayin', 'For the kid.' +We never found it out till I was drinkin' me coffee that night and +liked to choked to death on a nickel. Guess them punchers ain't so +bad." +</P> + +<P> +"No. They stopped here next day. Said they'd never had a finer feed +than you gave 'em." +</P> + +<P> +"Neeter is sure some cook. Pretty nigh's good as me. Well, so-long, +Jack. I—I—kind of wish you was buildin' a new house yourself." +</P> + +<P> +Corliss, standing with his hand on the neck of Sundown's horse, smiled. +"Arizona's a man's country, Sun." +</P> + +<P> +"She sure is!" said Sundown, throwing out his chest. "And lemme tell +you, Jack, it's a man's business to get married and settle +down—and—raise more of 'em. 'Specially like <I>me</I> and <I>you</I> and Bud +and Hi—only Hi's gettin' kind of old. She's a fine country, but she +needs improvin'. Sometimes them improvements keeps you awake nights, +but they're worth it!" +</P> + +<P> +"Yes, I believe they're worth it," said Corliss, "So-long, Sun." +</P> + +<P> +"So-long, Jack. I got to get back and milk Gentle Annie. We're +switchin' Billy onto the bottle, and he don't like to be kep' waitin'." +</P> + +<P> +Chance, following Sundown, trotted behind the horse a few steps, then +turned and ran back to Corliss. He nuzzled the rancher's hand, whined, +and leapt away to follow his master. +</P> + +<BR><BR><BR> + +<P CLASS="noindent"> +THE END +</P> + +<BR><BR><BR><BR> + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of Sundown Slim, by Henry Hubert Knibbs + +*** END OF THIS PROJECT GUTENBERG EBOOK SUNDOWN SLIM *** + +***** This file should be named 16334-h.htm or 16334-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/6/3/3/16334/ + +Produced by Al Haines + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Sundown Slim + +Author: Henry Hubert Knibbs + +Illustrator: Anton Fischer + +Release Date: July 20, 2005 [EBook #16334] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK SUNDOWN SLIM *** + + + + +Produced by Al Haines + + + + + + + + + + +[Frontispiece: "You!" she exclaimed. "You!"] + + + + + + +SUNDOWN SLIM + + +BY + +HENRY HERBERT KNIBBS + + + +WITH ILLUSTRATIONS BY + +ANTON FISCHER + + + + + + +NEW YORK + +GROSSET & DUNLAP + +PUBLISHERS + + + + +COPYRIGHT, 1915, BY HENRY HERBERT KNIBBS + +ALL RIGHTS RESERVED + + +Published May 1915 + + + + +DEDICATED TO + +EVERETT E. HARASZTHY + + + + + +Contents + +Chapter + + ARIZONA + I. SUNDOWN IN ANTELOPE + II. THE JOKE + III. THIRTY MILES TO THE CONCHO + IV. PIE; AND SEPTEMBER MORN + V. ON THE CANON TRAIL + VI. THE BROTHERS + VII. FADEAWAY'S HAND + VIII. AT "THE LAST CHANCE" + IX. SUNDOWN'S FRIEND + X. THE STORM + XI. CHANCE--CONQUEROR + XII. A GIFT + XIII. SUNDOWN, VAQUERO + XIV. ON THE TRAIL TO THE BLUE + XV. THEY KILLED THE BOSS! + XVI. SUNDOWN ADVENTURES + XVII. THE STRANGER + XVIII. THE SHERIFF--AND OTHERS + XIX. THE ESCAPE + XX. THE WALKING MAN + XXI. ON THE MESA + XXII. WAIT! + XXIII. THE PEACEMAKER + XXIV. AN UNEXPECTED VISIT + XXV. VAMOSE, EH? + XXVI. THE INVADERS + XXVII. "JUST ME AND HER" + XXVIII. IMPROVEMENTS + XXIX. A MAN'S COUNTRY + + + + +List of Illustrations + +"You!" she exclaimed. "You!" . . . " . . . _Frontispiece_ + +"God A'mighty, sech things is wrong." + + + + +Arizona + +Across the wide, sun-swept mesas the steel trail of the railroad runs +east and west, diminishing at either end to a shimmering blur of +silver. South of the railroad these level immensities, rich in their +season with ripe bunch-grass and grama-grass roll up to the barrier of +the far blue hills of spruce and pine. The red, ragged shoulders of +buttes blot the sky-line here and there; wind-worn and grotesque +silhouettes of gigantic fortifications, castles and villages wrought by +some volcanic Cyclops who grew tired of his labors, abandoning his +unfinished task to the weird ravages of wind and weather. + +In the southern hills the swart Apache hunts along historic trails o'er +which red cavalcades once swept to the plundering of Sonora's herds. +His sires and their flashing pintos have vanished to other +hunting-grounds, and he rides the boundaries of his scant heritage, +wrapped in sullen imaginings. + +The canons and the hills of this broad land are of heroic mould as are +its men. Sons of the open, deep-chested, tall and straight, they ride +like conquerors and walk--like bears. Slow to anger and quick to act, +they carry their strength and health easily and with a dignity which no +worn trappings, faded shirt, or flop-brimmed hat may obscure. Speak to +one of them and his level gaze will travel to your feet and back again +to your eyes. He may not know what you are, but he assuredly knows +what you are not. He will answer you quietly and to the point. If you +have been fortunate enough to have ridden range, hunted or camped with +him or his kind, ask him, as he stands with thumb in belt and wide +Stetson tilted back, the trail to heaven. He will smile and point +toward the mesas and the mountains of his home. Ask him the trail to +that other place with which he so frequently garnishes his +conversation, and he will gravely point to the mesas and the hills +again. And there you have Arizona. + + + + +SUNDOWN SLIM + + +CHAPTER I + +SUNDOWN IN ANTELOPE + +Sundown Slim, who had enjoyed the un-upholstered privacy of a box-car +on his journey west from Albuquerque, awakened to realize that his +conveyance was no longer an integral part of the local freight which +had stopped at the town of Antelope, and which was now rumbling and +grumbling across the Arizona mesas. He was mildly irritated by a +management that gave its passengers such negligent service. He +complained to himself as he rolled and corded his blankets. However, +he would disembark and leave the car to those base uses for which +corporate greed, and a shipper of baled hay, intended it. He was +further annoyed to find that the door of the car had been locked since +he had taken possession. Hearing voices, he hammered on the door. +After an exchange of compliments with an unseen rescuer, the door was +pushed back and he leaped to the ground. He was a bit surprised to +find, not the usual bucolic agent of a water-plug station, but a belted +and booted rider of the mesas; a cowboy in all the glory of wide +Stetson, wing chaps, and Mexican spurs. + +"Thought you was the agent. I couldn't see out," apologized the tramp. + +The cowboy laughed. "He was scared to open her up, so I took a chanct, +seein' as I'm agent for the purvention of crulty to Hoboes." + +"Well, you got a fine chance to make a record this evening" said +Sundown, estimating with experienced eye the possibilities of Antelope +and its environs. "I et at Albuquerque." + +"Ain't a bad town to eat in," commented the puncher, gazing at the sky. + +"I never seen one that was," the tramp offered, experimentally. + +The cowboy grinned. "Well, take a look at this pueblo, then. You can +see her all from here. If the station door was open you could see +clean through to New Mexico. They got about as much use for a Bo in +these parts as they have for raisin' posies. And this ain't no garden." + +"Well, I'm raised. I got me full growth," said Sundown, straightening +his elongated frame,--he stood six-feet-four in whatever he could get +to stand in,--"and I raised meself." + +"Good thing you stopped when you did," commented the puncher. "What's +your line?" + +"Me line? Well, the Santa Fe, jest now. Next comes cookin'. I been +cook in everything from a hotel to a gradin'-camp. I cooked for +high-collars and swalley-tails, and low-brows and jeans--till it come +time to go. Incondescent to that I been poet select to the T.W.U." + +"Temperance?" + +"Not exactly. T.W.U. is Tie Walkers' Union. I lost me job account of +a long-hair buttin' in and ramblin' round the country spielin' +high-toned stuff about 'Art for her own sake'--and such. Me pals +selected him animus for poet, seein' as how I just writ things +nacheral; no high-fluted stuff like him. Why, say, pardner, I believe +in writin' from the ground up, so folks can understand. Why, this +country is sufferin' full of guys tryin' to pull all the G strings out +of a harp to onct--when they ought to be practicin' scales on a +mouth-organ. And it's printed ag'in' 'em in the magazines, right +along. I read lots of it. But speakin' of eats and _thinkin_' of +eats, did you ever listen to 'Them Saddest Words,'--er--one of me own +competitions?" + +"Not while I was awake. But come on over to 'The Last Chance' and +lubricate your works. I don't mind a little po'try on a full stummick." + +"Well, I'm willin', pardner." + +The process of lubrication was brief; and "Have another?" queried the +tramp. "I ain't all broke--only I ain't payin' dividen's, bein' hard +times." + +"Keep your two-bits," said the puncher. "This is on me. You're goin' +to furnish the chaser, Go to it and cinch up them there 'saddest.'" + +"Bein' just two-bits this side of bein' a socialist, I guess I'll keep +me change. I ain't a drinkin' man--regular, but I never was scared of +eatin'." + +Sundown gazed about the dingy room. Like most poets, he was not averse +to an audience, and like most poets he was quite willing that such +audience should help defray his incidental expenses--indirectly, of +course. Prospects were pretty thin just then. Two Mexican herders +loafed at the other end of the bar. They appeared anything but +susceptible to the blandishments of Euterpe. Sundown gazed at the +ceiling, which was fly-specked and uninspiring, + +"Turn her loose!" said the puncher, winking at the bartender. + +Sundown folded his long arms and tilted one lean shoulder as though +defying the elements to blast him where he stood:-- + + + "Lives there a gent who has not heard, + Before he died, the saddest word? + + "'What word is that?' the maiden cried; + 'I'd like to hear it before I died.' + + "'Then come with me,' her father said, + As to the stockyards her he led; + + "Where layin' on the ground so low + She seen a tired and weary Bo. + + "But when he seen her standin' 'round, + He riz up from the cold, cold ground. + + "'Is this a hold-up game?' sez he. + And then her pa laughed wickedly. + + "'This ain't no hold-up!' loud he cried, + As he stood beside the fair maiden's side. + + "'But this here gal of mine ain't heard + What you Boes call the saddest word.' + + "'The Bo, who onct had been a gent, + Took off his lid and low he bent. + + "He saw the maiden was fed up good, + So her father's wink he understood. + + "'The saddest word,' the Bo he spoke, + 'Is the dinner-bell, when you are broke.'" + + +And Sundown paused, gazing ceilingward, that the moral might seep +through. + +"You're ridin' right to home!" laughed the cow-boy. "You just light +down and we'll trail over to Chola Charley's and prospect a tub of +frijoles. The dinner-bell when you are broke is plumb correct. Got +any more of that po'try broke to ride gentle?" + +"Uhuh. Say, how far is it to the next town?" + +"Comin' or goin'?" + +"Goin'." + +"'Bout seventy-three miles, but there's nothin' doin' there. Worse'n +this." + +"Looks like me for a job, or the next rattler goin' west. Any chanct +for a cook here?" + +"Nope. All Mexican cooks. But say, I reckon you _might_ tie up over +to the Concho. Hearn tell that Jack Corliss wants a cook. Seems his +ole stand-by Hi Wingle's gone to Phoenix on law business. Jack's a +good boss to tie to. Worked for him myself." + +"How far to his place?" queried Sundown. + +"Sixty miles, straight south." + +"Gee Gosh! Looks like the towns was scared of each other in this here +country. Who'd you say raises them frijoles?" + +The cowboy laughed and slapped Sundown on the back. "Come on, Bud! +You eat with me this trip." + + +Western humor, accentuated by alcohol, is apt to broaden rapidly in +proportion to the quantity of liquor consumed. After a given quantity +has been consumed--varying with the individual--Western humor broadens +without regard to proportion of any kind. + +The jovial puncher, having enjoyed Sundown's society to the extent of +six-bits' worth of Mexican provender, suggested a return to "The Last +Chance," where the tramp was solemnly introduced to a newly arrived +coterie of thirsty riders of the mesas. Gaunt and exceedingly tall, he +loomed above the heads of the group in the barroom "like a crane in a +frog-waller," as one cowboy put it. "Which ain't insinooatin' that our +hind legs is good to eat, either," remarked another. "He keeps right +on smilin'," asserted the first speaker. "And takin' his smile," said +the other. "Wonder what's his game? He sure is the lonesomest-lookin' +cuss this side of that dead pine on Bald Butte, that I ever seen." But +conviviality was the order of the evening, and the punchers grouped +together and told and listened to jokes, old and new, talked sagebrush +politics, and threw dice for the privilege of paying rather than +winning. "Says he's scoutin' for a job cookin'," remarked a young +cowboy to the main group of riders. "Heard him tell Johnny." + +Meanwhile, Sundown, forgetful of everything save the congeniality of +the moment, was recounting, to an amused audience of three, his +experiences as assistant cook in an Eastern hotel. The rest of the +happy and irresponsible punchers gravitated to the far end of the bar +and proposed that they "have a little fun with the tall guy." One of +them drew his gun and stepped quietly behind the tramp. About to fire +into the floor he hesitated, bolstered his gun and tiptoed clumsily +back to his companions. "Got a better scheme," he whispered. + +Presently Sundown, in the midst of his recital, was startled by a roar +of laughter. He turned quickly. The laughter ceased. The cowboy who +had released him from the box-car stated that he must be going, and +amid protests and several challenges to have as many "one-mores," swung +out into the night to ride thirty miles to his ranch. Then it was, as +has been said elsewhere and oft, "the plot thickened." + +A rider, leaning against the bar and puffing thoughtfully at a cigar of +elephantine proportions, suddenly took his cigar from his lips, held it +poised, examined it with the eye of a connoisseur--of cattle--and +remarked slowly: "Now, why didn't I think of it? Wonder you fellas +didn't think of it. They need a cook bad! Been without a cook for a +year--and everybody fussin' 'round cookin' for himself." + +Sundown caught the word "cook" and turned to, face the speaker. "I was +lookin' for a job, meself," he said, apologetically. "Did you know of +one?" + +"You was!" exclaimed the cowboy. "Well, now, that's right queer. I +know where a cook is needed bad. But say, can you honest-to-Gosh +_cook_?" + +"I cooked in everything from a hotel to a gradin'-camp. All I want is +a chanct." + +The cowboy shook his head. "I don' know. It'll take a pretty good man +to hold down this job." + +"Where is the job?" queried Sundown. + +Several of the men grinned, and Sundown, eager to be friendly, grinned +in return. + +"Mebby you _could_ hold it down," continued the cowboy. "But say, do +you eat your own cookin'?" + +"Guess you're joshin' me." And the tramp's face expressed +disappointment. "I eat my own cookin' when I can't get any better," he +added, cheerfully. + +"Well, it ain't no joke--cookin' for that hotel," stated the puncher, +gazing at the end of his cigar and shaking his head. "Is it, boys?" + +"Sure ain't," they chorused. + +"A man's got to shoot the good chuck to hold the trade," he continued. + +"Hotel?" queried Sundown. "In this here town?" + +"Naw!" exclaimed the puncher. "It's one o' them swell joints out in +the desert. Kind o' what folks East calls a waterin'-place. Eh, boys?" + +"That's her!" volleyed the group. + +"Kind o' select-like," continued the puncher. + +"Sure is!" they chorused. + +"Do you know what the job pays?" asked Sundown. + +"U-m-m-m, let's see. Don't know as I ever heard. But there'll be no +trouble about the pay. And you'll have things your own way, if you can +deliver the goods." + +"That's right!" concurred a listener. + +Sundown looked upon work of any kind too seriously to suspect that it +could be a subject for jest. He gazed hopefully at their hard, keen +faces. They all seemed interested, even eager that he should find +work. "Well, if it's a job I can hold down," he said, slowly, "I'll +start for her right now. I ain't afraid to work when I got to." + +"That's the talk, pardner! Well, I'll tell you. You take that road at +the end of the station and follow her south right plumb over the hill. +Over the hill you'll see a ranch, 'way on. Keep right on fannin' it +and you'll come to a sign that reads 'American Hotel.' That's her. +Good water, fine scenery, quiet-like, and just the kind of a place them +tourists is always lookin' for. I stopped there many a time. So has +the rest of the boys." + +"You was tellin' me it was select-like--" ventured Sundown. + +The men roared. Even Sundown's informant relaxed and grinned. But he +became grave again, flicked the ashes from his cigar and waved his +hand. "It's this way, pardner. That there hotel is run on the +American style; if you got the price, you can have anything in the +house. And tourists kind o' like to see a bunch of punchers settin' +'round smokin' and talkin' and tellin' yarns. Why, they was a lady +onct--" + +"But she went back East," interrupted a listener. + +"That's the way with them," said the cowboy. "They're always stickin' +their irons on some other fella's stock. Don't you pay no 'tention to +them." + +Sundown shook hands with his informant, crossed to the corner of the +room, and slung his blanket-roll across his back. "Much obliged to you +fellas," he said, his lean, timorous face beaming with gratitude. "It +makes a guy feel happy when a bunch of strangers does him a good turn. +You see I ain't got the chanct to get a job, like you fellas, me bein' +a Bo. I had a pal onct--but He crossed over. He was the only one that +ever done me a good turn without my askin'. He was a college guy. I +wisht he was here so he could say thanks to you fellas classy-like. +I'm feeling them kind of thanks, but I can't say 'em." + +The grins faded from some of the faces. "You ain't goin' to fan it +to-night?" asked one. + +"Guess I will. You see, I'm broke, now. I'm used to travelin' any old +time, and nights ain't bad--believe me. It's mighty hot daytimes in +this here country. How far did you say?" + +"Just over the hill--then a piece down the trail. You can't miss it," +said the cowboy who had spoken first. + +"Well, so-long, gents. If I get that job and any of you boys come out +to the hotel, I'll sure feed you good." + +An eddy of smoke followed Sundown as he passed through the doorway. A +cowboy snickered. The room became silent. + +"Call the poor ramblin' lightnin'-rod back," suggested a kindly puncher. + +"He'll come back fast enough," asserted the perpetrator of the "joke." +"It's thirty dry and dusty miles to the water-hole ranch. When he gets +a look at how far it is to-morrow mornin' he'll sure back into the +fence and come flyin' for Antelope with reins draggin'. Set 'em up +again, Joe." + + + + +CHAPTER II + +THE JOKE + +Owing to his unaccustomed potations Sundown was perhaps a trifle +over-zealous in taking the road at night. He began to realize this +after he had journeyed along the dim, starlit trail for an hour or so +and found no break in the level monotony of the mesa. He peered ahead, +hoping to see the blur of a hill against the southern stars. The air +was cool and clear and sweet. He plodded along, happy in the prospect +of work. Although he was a physical coward, darkness and the solitudes +held no enemies for him. He felt that the world belonged to him at +night. The moon was his lantern and the stars were his friends. +Circumstance and environment had wrought for him a coat of cheerful +effrontery which passed for hardihood; a coat patched with slang and +gaping with inconsistencies, which he put on or off at will. Out on +the starlit mesas he had metaphorically shed his coat. He was at home. +Here there were no men to joke about his awkwardness and his ungainly +height. A wanderer by nature, he looked upon space as his kingdom. +Great distances were but the highways of his heritage, each promising +new vistas, new adventuring. His wayside fires were his altars, their +smoke the incense to his gods. A true adventurer, albeit timid, he +journeyed not knowing why, but rather because he knew no reason for not +journeying. Wrapped in his vague imaginings he swung along, peering +ahead from time to time until at last he saw upon the far background of +the night a darker something shaped like a tiny mound. "That's her!" +he exclaimed, joyously, and quickened his pace. "But Gee Gosh! I +guess them fellas forgot I was afoot. That hill looks turruble far +off. Mebby because it's dark." The distant hill seemed to keep pace +ahead of him, sliding away into the southern night as he advanced. +Having that stubbornness so frequently associated with timidity, he +plodded on, determined to top the hill before morning. "Them fellas as +rides don't know how far things are," he commented. "But, anyhow, the +folks at that hotel will sure know I want the job, walkin' all night +for it." + +Gradually the outline of the hill became bolder. Sundown estimated +that he had been traveling several hours, when the going stiffened to a +slow grade. Presently the grade became steep and rocky. Thus far the +road had led straight south. Now it swung to the west and skirted the +base of the hill in a gradual ascent. Then it swung back again +following a fairly easy slope to the top. His optimism waned as he saw +no light ahead. The night grew colder. The stars flickered as the +wind of the dawn, whispering over the grasses, touched his face. He +paused for a moment on the crest of the hill, turned to look back, and +then started down the slope. It was steep and rutted. He had not gone +far when he stumbled and fell. His blanket-roll had pitched ahead of +him. He fumbled about for it and finally found it. "Them as believes +in signs would say it was about time to go to roost," he remarked, +nursing his knee that had been cut on a fragment of ragged tufa. A +coyote wailed. Sundown started up. "Some lonesome. But she sure is +one grand old night! Guess I'll turn in." + +He rolled in his blankets. Hardly had he adjusted his length of limb +to the unevenness of the ground when he fell asleep. He had come +twenty-five miles across the midnight mesas. Five miles below him was +his destination, shrouded by the night, but visioned in his dreams as a +palatial summer resort, aglow with lights and eagerly awaiting the +coming of the new cook. + +The dawn, edging its slow way across the mesas, struck palely on the +hillside where he slept. A rabbit, huddled beneath a scrub-cedar, +hopped to the middle of the road and sat up, staring with moveless eyes +at the motionless hump of blanket near the road. In a flash the wide +mesas were tinged with gold as the smouldering red sun rose, to march +unclouded to the western sea. + + +Midway between the town of Antelope and the river Concho is the +water-hole. The land immediately surrounding the water-hole is +enclosed with a barb-wire fence. Within the enclosure is a ranch-house +painted white, a scrub-cedar corral, a small stable, and a lean-to +shading the water-hole from the desert sun. The place is altogether +neat and habitable. It is rather a surprise to the chance wayfarer to +find the ranch uninhabited. As desolate as a stranded steamer on a mud +bank, it stands in the center of several hundred acres of desert, +incapable, without irrigation, of producing anything more edible than +lizards and horned toads. Why a homesteader should have chosen to +locate there is a mystery. His reason for abandoning the place is +glaringly obvious. Though failure be written in every angle and nook +of the homestead, it is the failure of large-hearted enterprise, of +daring to attempt, of striving to make the desert bloom, and not the +failure of indolence or sloth. + +Western humor like Western topography is apt to be more or less rugged. +Between the high gateposts of the yard enclosure there is a great, +twelve-foot sign lettered in black. It reads: "American Hotel." A +band of happy cowboys appropriated the sign when on a visit to +Antelope, pressed a Mexican freighter to pack it thirty miles across +the desert, and nailed it above the gateway of the water-hole ranch. +It is a standing joke among the cattle- and sheep-men of the Concho +Valley. + +Sundown sat up and gazed about. The rabbit, startled out of its +ordinary resourcefulness, stiffened. The delicate nostrils ceased +twitching. "Good mornin', little fella! You been travelin' all night +too?" And Sundown yawned and stretched. Down the road sped a brown +exclamation mark with a white dot at its visible end. "Guess he don't +have to travel nights to get 'most anywhere," laughed Sundown. He +kicked back his blankets and rose stiffly. The luxury of his yawn was +stifled as he saw below him the ranchhouse with some strange kind of a +sign above its gate. "If that's the hotel," he said as he corded his +blankets, "she don't look much bigger than me own. But distances is +mighty deceivin' in this here open-face country." For a moment he +stood on the hillside, a gaunt, lonely figure, gazing out across the +limitless mesas. Then he jogged down the grade, whistling. + +As he drew near the ranch his whistling ceased and his expression +changed to one of quizzical uncertainty. "That's the sign, all +right,--'American Hotel,'--but the hotel part ain't livin' up to the +sign. But some hotels is like that; mostly front." + +He opened the ranch-house gate and strode to the door. He knocked +timidly. Then he dropped his blanket-roll and stepped to a window. +Through the grimy glass he saw an empty, board-walled room, a slant of +sunlight across the floor, and in the sunlight a rusted stove. He +walked back to the gateway and stood gazing at the sign. He peered +round helplessly. Then a slow grin illumined his face. "Why," he +exclaimed, "it's--it's a joke. Reckon the proprietor must be out +huntin' up trade. And accordin' to that he won't be back direct." + +He wandered about the place like a stray cat in a strange attic, +timorous and curious. Ordinarily he would have considered himself +fortunate. The house offered shelter and seclusion. There was clear +cold water to drink and a stove on which to cook. As he thought of the +stove the latitude and longitude of the "joke" dawned upon him with +full significance. He drank at the water-hole and, gathering a few +sticks, built a fire. From his blankets he took a tin can, drew a wad +of newspaper from it, and made coffee. Then he cast about for +something to eat. "Now, if I was a cow--" he began, when he suddenly +remembered the rabbit. "Reckon he's got relations hoppin' around in +them bushes." He picked up a stick and started for the gate. + +Not far from the ranch he saw a rabbit crouched beneath a clump of +brush. He flung his stick and missed. The rabbit ran to another bush +and stopped. Encouraged by the little animal's nonchalance, he dashed +after it with a wild and startling whoop. The rabbit circled the brush +and set off at right angles to his pursuer's course. Sundown made the +turn, but it was "on one wheel" so to speak. His foot caught in a +prairie-dog hole and he dove headlong with an exclamation that sounded +as much like "Whump!" as anything else. He uttered another and less +forced exclamation when he discovered in the tangle of brush that had +broken his fall, another rabbit that had not survived his sudden +visitation. He picked up the limp, furry shape. "Asleep at the +switch," he said. "He ain't much bigger than a whisper, but he's +breakfast." + +Rabbit, fried on a stove-lid, makes a pretty satisfying meal when +eating ceases to be a pleasure and becomes a necessity. Sundown wisely +reserved a portion of his kill for future consumption. + +As the morning grew warmer, he fell asleep in the shade of the +ranch-house. Late in the afternoon he wakened, went into the house and +made coffee. After the coffee he came out, rolled a cigarette, and sat +smoking and gazing out across the afternoon mesas. "I feel it comin'," +he said to himself. "And it's a good one, so I guess I'll put her in +me book." + +He rummaged in his blankets and unearthed a grimy, tattered notebook. +Lubricating the blunt point of a stubby pencil he set to work. When he +had finished, the sun was close to the horizon. He sat back and gazed +sideways at his effort. "I'll try her on meself," he said, drawing up +his leg and resting the notebook against his lean knee. "Wish I could +stand off and listen to meself," he muttered. "Kind o' get the defect +better." Then he read laboriously:-- + + + "Bo, it's goin' to be hot all right; + Sun's a floodin' the eastern range. + Mebby it was kind o' cold last night, + But there's nothin' like havin' a little change. + Money? No. Only jest room for me; + Mountings and valleys and plains and such. + Ain't I got eyes that was made to see? + Ain't I got ears? But they don't hear much: + Only a kind of a inside song, + Like when the grasshopper quits his sad, + And says: 'Rickety-chick! Why, there is nothin' wrong!' + And after the coffee, things ain't so bad." + + +"Huh! Sounds all right for a starter. Ladies and them as came with +you, I will now spiel the next section." + + + "The wind is makin' my bed for me, + Smoothin' the grass where I'm goin' to flop, + When the quails roost up in the live-oak tree, + And my legs feel like as they want to stop. + Pal or no pal, it's about the same, + For nobody knows how you feel inside. + Hittin' the grit is a lonesome game,-- + But quit it? No matter how hard I tried. + But mebby I will when that inside song + Stops a-buzzin' like bees that's mad, + Grumblin' together: 'There's nothin' wrong!' + And--after the coffee things ain't so bad." + + +"Bees ain't so darned happy, either. They're too busy. Guess it's a +good thing I went back to me grasshopper in the last verse. And now, +ladies and gents, this is posituvely the last appearance of the noted +electrocutionist, Sundown Slim; so, listen." + + + "Ladies, I've beat it from Los to Maine. + And, gents, not knowin' jest what to do, + I turned and slippered it back again, + Wantin' to see, jest the same as you. + Ridin' rods and a-dodgin' flies; + Eatin' at times when me luck was good. + Spielin' the con to the easy guys, + But never jest makin' it understood, + Even to me, why that inside song + Kep' a-handin' me out the glad, + Like the grasshopper singin': 'There's nothin' wrong!' + And--after the coffee things ain't so bad." + + +Sundown grinned with unalloyed pleasure. His mythical audience seemed +to await a few words, so he rose stiffly, and struck an attitude +somewhat akin to that of Henry Irving standing beside a milk-can and +contemplating the village pump. "It gives me great pleasure to inform +you"--he hesitated and cleared his throat--"that them there words of +mine was expired by half a rabbit--small--and two cans of coffee. Had +I been fed up like youse"--and he bowed grandly--"there's no tellin' +what I might 'a' writ. Thankin' you for the box-office receipts, I am +yours to demand, Sundown Slim, of Outdoors, Anywhere, till further +notice." + +Then he marched histrionically to the ranchhouse and made a fire in the +rusted stove. + + + + +CHAPTER III + +THIRTY MILES TO THE CONCHO + +John Corliss rode up to the water-hole, dismounted, and pushed through +the gate. His horse "Chinook" watched him with gently inquisitive +eyes. Chinook was not accustomed to inattention when he was thirsty. +He had covered the thirty miles from the Concho Ranch in five long, +dry, and dusty hours. He nickered. "In a minute," said Corliss. Then +he knocked at the ranch-house door. Riders of the Concho usually +strode jingling into the ranch-house without formality. Corliss, +however, had been gazing at the lean stovepipe for hours before he +finally decided that there was smoke rising from it. He knocked a +second time. + +"She ain't locked," came in a rusty, smothered voice. + +Corliss shoved the door open with his knee. The interior was heavy +with smoke. Near the stove knelt Sundown trying to encourage the smoke +to more perpendicular behavior. He coughed. "She ain't good in her +intentions, this here stove. One time she goes and the next time she +stays and takes a smoke. Her innards is out of gear. Whew!" + +"The damper has slipped down," said Corliss. + +"Her little ole chest-pertector is kind o' worked down toward her +stummick. There, now she feels better a'ready." + +"Cooking chuck?" queried Corliss, glancing round the bare room. + +"Rabbit," replied Sundown. "When I hit this here hotel I was hungry. +I seen a rabbit--not this here one, but the other one. This one was +settin' in a bunch of-brush on me right-of-way. I was behind and +runnin' to make up time. I kind o' seen the leetle prairie-dog give me +the red to slow down, but it was too late. Hit his cyclone cellar with +me right driver, and got wrecked. This here leetle wad o' cotton was +under me steam-chest. No other passengers hurt, except the engineer." + +Corliss laughed. "You're a railroad man, I take it. Belong in this +country?" + +Sundown rose from his knees and backed away from the stove. "Nope. +Don't belong anywhere, I guess. My address when I'm to home is Sundown +Slim, Outdoors, Anywhere, speakin' general." + +"Come in afoot?" + +"Uhuh. Kind o' thought I'd get a job. Fellas at Antelope told me they +wanted a cook at this hotel. I reckon they do--and some boarders and +somethin' to cook." + +"That's one of their jokes. Pretty stiff joke, sending you in here +afoot." + +"Oh, I ain't sore, mister. They stole me nanny, all right, but I feel +jest as good here as anywhere." + +Corliss led Chinook to the water-hole. Sundown followed. + +"Ever think how many kinds of water they was?" queried Sundown. "Some +is jest water; then they's some got a taste; then some's jest wet, but +this here is fine! Felt like jumpin' in and drinkin' from the bottom +up when I lit here. Where do you live?" + +"On the Concho, thirty miles south." + +"Any towns in between?" + +Corliss smiled. "No, there isn't a fence or a house from here to the +ranch." + +"Gee Gosh! Any cows in this country?" + +"Yes. The Concho runs ten thousand head on the range." + +"Had your supper?" + +"No. I was late getting away from the ranch. Expected to make +Antelope, but I guess I'll bush here to-night." + +"Well, seein' you're the first boarder at me hotel, I'll pass the +hash." And Sundown stepped into the house and returned with the half +rabbit. "I got some coffee, too. I can cook to beat the band when I +got somethin' to cook. Help yourself, pardner. What's mine is +anybody's that's hungry. I et the other half." + +"Don't mind if I do. Thanks. Say, you can cook?" + +"Next to writin' po'try it's me long suit." + +"Well, I'm no judge of poetry," said Corliss. "This rabbit tastes +pretty good." + +"You ain't a cop, be you?" queried Sundown. + +"No. Why?" + +"Nothin'. I was jest wonderin'." + +"You have traveled some, I take it." + +"Me? Say! I'm the ramblin' son with the nervous feet. Been round the +world and back again on them same feet, and some freights. Had a pal +onct. He was a college guy. Run on to him on a cattle-boat. He writ +po'try that was the real thing! It's ketchin' and I guess I caught it +from him. He was a good little pal." + +"What became of him?" + +"I dunno, pardner. They was a wreck--but guess I'll get that coffee." + +"How did you cross the Beaver Dam?" inquired Corliss as Sundown +reappeared with his can of coffee. + +"So that's what you call that creek back there? Well, it don't need no +Beaver hitched on to it to say what I'd call it. I come through last +night, but I'm dry now." + +The cattle-man proffered Sundown tobacco and papers. They smoked and +gazed at the stars. "Said your friend was a college man. What was his +name?" queried Corliss, turning to glance at Sundown. + +"Well, his real name was Billy Corliss, but I called him jest Bill." + +"Corliss! When did you lose track of him?" + +"In that wreck, 'bout a year ago. We was ridin' a fast freight goin' +west. He said he was goin' home, but he never said where it was. Hit +a open switch--so they said after--and when they pulled the stitches, +and took that plaster dingus off me leg, I starts out huntin' for +Billy. Nobody knowed anything about him. Wasn't no signs in the +wreck,--so they said. You see I was in that fadeaway joint six weeks." + +"What did he look like?" + +"Billy? More like a girl than a man. Slim-like, with blue eyes and +kind o' bright, wavy-like hair. He never said nothin' about his folks. +He was a awful quiet kid." + +John Corliss studied Sundown's face. "You say he was killed in a +wreck?" + +"I ain't sure. But I reckon he was. It was a bad one. He was ridin' +a empty, just ahead of me. Then the whole train buckled up and +somethin' hit me on the lid. That's all I remember, till after." + +"What are you going to do now? Go back to Antelope?" + +"Me? Guess I will. I was lookin' for a job cooking but the pay ain't +right here. What you lookin' at me that way for?" + +"Sit still. I'm all right. My brother Will left home three years ago. +Didn't say a word to any one. He'd been to school East, and he wrote +some things for the magazines--poetry. I was wondering--" + +"Say, mister, what's your name?" + +"John Corliss." + +"Gee Gosh! I knowed when I et that rabbit this mornin' that somethin' +was goin' to happen. Thought it was po'try, but I was mistook." + +"So you ate your half of the rabbit this morning, eh?" + +"Sure!!--" + +"And you gave me the rest. You sure are loco." + +"Mebby I be. Anyhow, I'm used to bein' hungry. They ain't so much of +me to keep as you--crossways, I mean. Of course, up and down--" + +"Well, I'm right sorry," said Corliss. "You're the queerest Hobo I +ever saw." + +"That's what they all say," said Sundown, grinning. "I ain't no common +hand-out grabber, not me! I learnt things from Bill. He had class!" + +"You sure Will never said anything about the Concho, or his brother, or +Chance?" + +"Chance? Who's he?" + +"Wolf-dog that belonged to Will." + +"Gee Gosh! Big, and long legs, and kind of long, rough hair, and deep +in the chest and--" + +"That's Chance; but how did you know?" + +"Why, Billy writ a pome 'bout him onct. Sold it and we lived high--for +a week. Sure as you live! It was called 'Chance of the Concher.' Gee +Gosh! I thought it was jest one of them poetical dogs, like." + +Corliss, who was not given to sentiment, smoked and pondered the +possibility of his brother's whereabouts. He had written to all the +large cities asking for information from the police as to the +probability of their being able to locate his brother. The answers had +not been encouraging. At the end of three years he practically gave up +making inquiry and turned his whole attention to the management of the +Concho. There had been trouble between the cattle and sheep interests +and time had passed more swiftly than he had realized. His meeting +with Sundown had awakened the old regret for his brother's uncalled-for +disappearance. Had he been positive that his brother had been killed +in the wreck he would have felt a kind of relief. As it was, the +uncertainty as to his whereabouts, his welfare, worried and perplexed +him, especially in view of the fact that he was on his way to Antelope +to present to the Forest Service a petition from the cattle-men of the +valley for grazing allotments. The sheep had been destroying the +grazing on the west side of the river. There had been bickerings and +finally an open declaration of war against David Loring, the old +sheep-man of the valley. Corliss wished to avoid friction with David +Loring. Their ranches were opposite each other. And as Corliss was +known as level-headed and shrewd, it devolved upon him to present in +person the complaint and petition of his brother cattle-men. Argument +with David Loring, as he had passed the latter's homestead that +morning, had delayed him on his journey to Antelope. Presently he got +up and entered the ranch-house. Sundown followed and poked about in +the corners of the room. He found a bundle of gunny-sacks and +spreading them on the floor, laid his blankets on them. + +Corliss stepped out and led Chinook to the distant mesa and picketed +him for the night. As he returned, he considered the advisability of +hiring the tramp to cook until his own cook returned from Phoenix. He +entered the house, kicked off his leather chaps, tossed his spurs into +a corner, and made a bed of his saddle-blankets and saddle. "I'll be +starting early," he said as he drew off his boots. "What are you +intending to do next?" + +"Me? Well, I ain't got no plans. Beat it back to Antelope, I guess. +Say, mister, do you think my pal was your brother?" + +"I don't know. From your description I should say so. See here. I +don't know you, but I need a cook. The Concho is thirty miles in. I'm +headed the other way, but if you are game to walk it, I'll see if I can +use you." + +"Me! You ain't givin' me another josh, be you?" + +"Never a josh. You won't think so when you get to punchin' dough for +fifteen hungry cowboys. Want to try it?" + +"Say, mister, I'm just comin' to. A guy told me in Antelope that they +was a John Corliss--only he said Jack--what was needin' a cook. Just +thunk of it, seein' as I was thinkin' of Billy most ever since I met +you. Are you the one?" + +"Guess I am," said Corliss, smiling. "It's up to you." + +"Say, mister, that listens like home more'n anything I heard since I +was a kid. I can sure cook, but I ain't no rider." + +"How long would it take you to foot it to the Concho?" + +"Oh, travelin' easy, say 'bout eight hours." + +"Don't see that you need a horse, then, even if there was one handy." + +"Nope. I don't need no horse. All I need is a job." + +"All right. You'd have to travel thirty miles either way--to get out +of here. I won't be there, but you can tell my foreman, Bud Shoop, +that I sent you in." + +"And I'll jest be tellin' him that 'bout twelve, to-morrow. I sure +wisht Billy was here. He'd sure be glad to know his ole pal was +cookin' for his brother. Me for the shavin's. And say, thanks, +pardner. Reckon they ain't all jokers in Arizona." + +"No. There are a few that can't make or take one," said Corliss. +"Hope you'll make the ranch all right." + +"I'm there! Next to cookin' and writin' po'try, walkin' is me long +suit." + + + + +CHAPTER IV + +PIE; AND SEPTEMBER MORN + +When a Westerner, a native-born son of the outlands, likes a man, he +likes him. That is all there is to it. His horses, blankets, money, +provender, and even his saddle are at his friend's disposal. If the +friend prove worthy,--and your Westerner is shrewd,--a lifelong +friendship is the result. If the friend prove unworthy, it is well for +him to seek other latitudes, for the average man of the outlands has a +peculiar and deep-seated pride which is apt to manifest itself in +prompt and vigorous action when touched by ridicule or ingratitude. +There are many Davids and Jonathans in the sagebrush country. David +may have flocks and herds, and Jonathan may have naught but the care of +them. David may possess lands and water-rights, and Jonathan nothing +more than a pick, a shovel, a pan, and an incurable itch for placering. +A Westerner likes a man for what he is and not because of his vocation. +He usually proceeds cautiously in the matter of friendship, but sudden +and instinctive friendships are not infrequent. It so happened that +John Corliss had taken a liking to the Hobo, Sundown Slim. Knowing a +great deal more about cattle than about psychology, the rancher wasted +no time in trying to analyze his feelings. If the tramp had courage +enough to walk another thirty miles across the mesas to get a job +cooking, there must be something to him besides legs. Possibly the +cattle-man felt that he was paying a tribute to the memory of his +brother. In any event, he greeted Sundown next morning as the latter +came to the water-hole to drink. "You can't lose your way," he said, +pointing across the mesa. "Just keep to the road. The first ranch on +the right is the Concho. Good luck!" And he led Chinook through the +gateway. In an hour he had topped the hill. He reined Chinook round. +He saw a tiny figure far to the south. Half in joke he waved his +sombrero. Sundown, who had glanced back from time to time, saw the +salute and answered it with a sweeping gesture of his lean arm. "And +now," he said, "I got the whole works to meself. That Concho guy is a +mighty fine-lookin' young fella, but he don't look like Billy. Rides +that hoss easy-like jest as if he was settin' in a rockin'-chair +knittin' socks. But I reckon he could flash up if you stepped on his +tail. I sure ain't goin' to." + + +It was mid-afternoon, when Sundown, gaunt and weary, arrived at the +Concho. He was faint for lack of food and water. The Mexican cook, or +rather the cook's assistant, was the only one present when Sundown +drifted in, for the Concho was, in the parlance of the riders, "A man's +ranch from chuck to sunup, and never a skirt on the clothes-line." + +Not until evening was Sundown able to make his errand known, and +appreciated. A group of riders swung in in a swirl of dust, +dismounted, and, as if by magic, the yard was empty of horses. + +The riders disappeared in the bunk-house to wash and make ready for +supper. One of the men, who had spoken to him in passing, reappeared. + +"Lookin' for the boss?" he asked. + +"Nope. I seen him. I'm lookin' for Mr. Shoop." + +"All right, pardner. Saw off the mister and size me up. I'm him." + +"The boss said I was to be cook," said Sundown, rather awed by the +personality of the bluff foreman. + +"Meet him at Antelope?" + +"No. It was the American Hotel. He said for me to tell you if I +walked in I could get a job cookin'." + +"All right. What he says goes. Had anything to eat recent?" + +"I et a half a rabbit yesterday mornin'." + +"Well, sufferin' shucks! You fan it right in here!" + +Later that evening, Sundown straggled out to the corral and stood +watching the saddle-stock of the Concho pull hay from the long +feed-rack and munch lazily. Suddenly he jerked up his hand and jumped +round. The men, loafing in front of the bunk-house, laughed. Chance, +the great wolf-dog, was critically inspecting the tramp's legs. + +Sundown was a self-confessed coward, physically. Above all things he +feared dogs. His reception by the men, aside from Bud Shoop's +greeting, had been cool. Even the friendship of a dog seemed +acceptable at that moment. Plodding along the weary miles between the +water-hole and the ranch, he had, in his way, decided to turn over a +new leaf: to ignore the insistent call of the road and settle down to +something worth while. Childishly egotistical, he felt in a vague way +that his virtuous intent was not appreciated, not reasoning that the +men knew nothing of his wanderings, nor cared to know anything other +than as to his ability to cook. So he timidly stroked the long muzzle +of the wolf-dog, and was agreeably surprised to find that Chance seemed +to like it. In fact, Chance, having an instinct superior to that of +his men companions of the Concho, recognized in the gaunt and lonely +figure a kindred spirit; a being that had the wander-fever in its +veins; that was forever searching for the undiscoverable, the something +just beyond the visible boundaries of day. The dog, part Russian +wolf-hound and part Great Dane, deep-chested, swift and powerful, shook +his shaggy coat and sneezed. Sundown jumped. Again the men laughed. +"You and me's built about alike--for speed," he said, endeavoring to +convey his friendly intent through compliment. "Did you ever ketch a +rabbit?" + +Chance whined. Possibly he understood. In any event, he leaped +playfully against Sundown's chest and stood with his paws on the +tramp's shoulders. Sundown shrunk back against the corral bars. "Go +to it," he said, trying to cover his fear with a jest, "if you like +bones." + +From behind him came a rush of feet. "Great Scott!" exclaimed Shoop. +"Come 'ere, Chance. I sure didn't know he was loose." + +The dog dropped to his feet and wagged his tail inquiringly. + +"Chance--there--he don't cotton to strangers," explained Shoop, +slipping his hand in the wolf-dog's collar. "Did he nip you?" + +"Nope. But me and him ain't strangers, mister. You see, I knowed the +boss's brother Billy, what passed over in a wreck. He used to own +Chance, so the boss says." + +"You knew Billy! But Chance don't know that. I'll chain him up till +he gets used to seein' you 'round." + +Shoop led the dog to the stable. Sundown felt relieved. The +solicitude of the foreman, impersonal as it was, made him happier. + +Next morning he was installed as cook. He did fairly well, and the men +rode away joking about the new "dough-puncher." + +Then it was that Sundown had an inspiration--not to write verse, but to +manufacture pies. He knew that the great American appetite is keen for +pies. Finding plenty of material,--dried apples, dried prunes, and +apricots,--he set to work, having in mind former experiences on the +various "east-sides" of various cities. Determined that his reputation +should rest not alone upon flavor, he borrowed a huge Mexican spur from +his assistant and immersed it in a pan of boiling water. "And speakin' +of locality color," he murmured, grinning at the possibilities before +him, "how's that, Johnny?" And he rolled out a thin layer of pie-dough +and taking the spur for a "pattern-wheel," he indented a free-hand +sketch of the Concho brand on the immaculate dough. Next he wheeled +out a rather wobbly cayuse, then an equally wobbly and ferocious cow. +Each pie came from the oven with some symbol of the range printed upon +it, the general effect being enhanced by the upheaval of the piecrust +in the process of baking. When the punchers rode in that evening and +entered the messroom, they sniffed knowingly. But not until the +psychological moment did Sundown parade his pies. Then he stepped to +the kitchen and, with the lordly gesture of a Michael Angelo unveiling +a statue for the approval of Latin princes, commanded the assistant to +"Bring forth them pies." And they were "brung." + +Each astonished puncher was gravely presented with a whole +pie--bubbling kine, dimpled cayuses, and sprawling spurs. Silence--as +silence is wont to do in dramatic moments--reigned supreme. Then it +was that the purveyor of spontaneous Western exclamations missed his +opportunity, being elsewhere at the time. + +"Whoop! Let 'er buck!" exclaimed Bud Shoop, swinging an imaginary hat +and rocking from side to side. + +"So-o, Boss!" exclaimed a puncher from the Middle West. + +"Hand-made and silver mounted," remarked another. "Hate to eat 'em." + +"Trade you my pinto for a steer," offered still another. + +"Nothin" doin'! That hoss of yours has got colic--bad." + +"Swap this here goat for that rooster of yours," said "Sinker," a youth +whose early education in art had been neglected. + +"Goat? You box-head! That's a calf. Kind 'a' mired down, but it's +sure a calf. And this ain't no rooster. This here's a eagle settin' +on his eggs. You need specs." + +"Noah has sure been herdin' 'em in," said another puncher. + +Meanwhile, "Noah" stood in the messroom doorway, arms folded and face +beaming. His attitude invited applause, and won it. Eventually his +reputation as a "pie-artist" spread far and wide. When it leaked out +that he had wrought his masterpieces with a spur, there was some +murmuring. Being assured by the assistant that the spur had been +previously boiled, the murmuring changed to approval. "That new cook +was sure a original cuss! Stickin' right to the range in his +picture-work. Had them there old Hopi picture-writin's on the rocks +beat a mile." And the like. + +Inspired by a sense of repletion, conducive to generosity and humor, +the boys presented Sundown with a pair of large-rowelled Mexican spurs, +silver-mounted and altogether formidable. Like many an historic +adventurer, he had won his spurs by a _tour-de-force_ that swept his +compatriots off their feet; innuendo if you will--but the average +cowboy is capable of assimilating much pie. + +Although Sundown was offered the use of a bunk in the men's quarters, +he chose to sleep in a box-stall in the stable, explaining that he was +accustomed to sleep in all kinds of places, and that the unused +box-stall with fresh clean straw and blankets would make a very +comfortable bedroom. His reason for declining a place with the men +became apparent about midnight. + +Bud Shoop had, in a bluff, offhand way, given him a flannel shirt, +overalls, an old flop-brimmed Stetson, and, much to Sundown's delight, +a pair of old riding-boots. Hitherto, Sundown had been too preoccupied +with culinary matters to pay much attention to his clothing. +Incidentally he was spending not a little time in getting accustomed to +his spurs, which he wore upon all occasions, clinking and clanking +about the cook-room, a veritable Don Quixote of the (kitchen) range. + +The arrival of Corliss, three days after Sundown's advent, had a +stimulating effect on the new cook. He determined to make the best +appearance possible. + +The myriad Arizona stars burned with darting radiance, in thin, +unwavering shafts of splintered fire. The moon, coldly brilliant, +sharp-edged and flat like a disk of silver paper, touched the twinkling +aspens with a pallid glow and stamped a distorted silhouette of the +low-roofed ranch-buildings on the hard-packed earth. In the corral the +shadow of a restless pony drifted back and forth. Chance, chained to a +post near the bunk-house, shook himself and sniffed the keen air, for +just at that moment the stable door had opened and a ghostly figure +appeared; a figure that shivered in the moonlight. The dog bristled +and whined. "S-s-s-h!" whispered Sundown. "It's me, ain't it?" + +With his bundle of clothes beneath his arm, he picked a hesitating +course across the yard and deposited the bundle beside the +water-trough. Chance, not altogether satisfied with Sundown's +assurance, proclaimed his distrust by a long nerve-reaching howl. Some +one in the bunkhouse muttered. Sundown squatted hastily in the shadow +of the trough. Bud Shoop rose from his bunk and crept to the door. He +saw nothing unusual, and was about to return to his bed when an +apparition rose slowly from behind the water-trough. The foreman drew +back in the shadow of the doorway and watched. + +Sundown's bath was extensive as to territory but brief as to duration. +He dried himself with a gunny-sack and slipped shivering into his new +raiment. "That there September Morn ain't got nothin' on me except +looks," he spluttered. "And she is welcome to the looks. Shirts and +pants for mine!" + +Then he crept back to his blankets and slept the sleep of one who has +atoned for his sins of omission and suffered righteously in the ordeal. + +Bud Shoop wanted to laugh, but forgot to do it. Instead he padded back +to his bunk and lay awake pondering. "Takin' a bath sure does make a +fella feel like the fella he wants to feel like--but in the +drinkin'-trough, at night . . .! I reckon that there Hobo ain't right +in his head." + +Sundown dreamed that he was chasing an elusive rabbit over endless +wastes of sand and greasewood. With him ran a phantom dog, a lean, +shaggy shape that raced tirelessly. When Sundown wanted to give up the +dream-hunt and rest, the dog would urge him on with whimperings and +short, explosive barks of impatience. Presently the dream-dog ran +ahead and disappeared beyond a rise. Sundown sank to the desert and +slept. He dreamed within his dream that the dog was curled beside him. +He put out his hand and stroked the dog's head. Presently a side of +the box-stall took outline. A ray of sunlight filtered in; sunlight +flecked with fine golden dust. The straw rustled at his side and he +sat up quickly. Chance, stretching himself and yawning, showed his +long, white fangs in an elaborated dog-smile. "Gee Gosh!" exclaimed +Sundown, eyeing the dog sideways, "so it's you, eh? You wasn't foolin' +me, then, when you said we'd be pals?" + +Chance settled down in the straw again and sighed contentedly. + +From the corral came the sound of horses running. The boys were +catching up their ponies for the day's work. Chance pricked his ears. +"I guess it's up to me and you to move lively," said Sundown, +stretching and groaning. "We're sleepin' late, account of them +midnight abolitions." + +He rose and limped to the doorway. Chance followed him, evidently +quite uninterested in the activities outside. Would this queer, +ungainly man-thing saddle a horse and ride with the others, or would he +now depart on foot, taking the trail to Antelope? Chance knew quite as +well as did the men that something unusual was in the air. Hi Wingle, +the cook, had returned unexpectedly that night. Chance had listened +gravely while his master had told Bud Shoop that "the outfit" would +move over to Bald Knoll in the morning. Then the dog had barked and +capered about, anticipating a break in the monotony of ranch-life. + +Sundown hurried to the cook-room. Chance at his heels. Hi Wingle was +already installed in his old quarters, but he greeted Sundown heartily, +and set him to work helping. + +After breakfast, Bud Shoop, in heavy wing chaps and trailing his spurs, +swaggered up to Sundown. "How you makin' it this mornin'?" he +inquired. There was a note of humorous good-fellowship in his voice +that did not escape Sundown. + +"Doin' fine without crutches," replied Sundown, grinning. + +"Well, you go eat now, and I'll catch up a cayuse for you. We're goin' +to fan it for Bald Knoll in about ten minutes." + +"Do I go, too?" + +"Sure! Do you think we don't eat pie only onct a year? You bet you +go--helpin' Hi. Boss's orders." + +"Thanks--but I ain't no rider." + +Shoop glanced questioningly at Sundown's legs. "Mebby not. But if I +owned them legs I'd contract to ride white-lightnin' bareback. I'd +just curl 'em 'round and grab holt of my feet when they showed up on +the other side. Them ain't legs; them's _cinchas_." + +"Mebby they ain't," sighed Sundown. "It's the only pair I got, and I'm +kind of used to 'em." + +"Did you let Chance loose?" queried the foreman. + +"Me? Nix. But he was sleepin' in the stall with me this mornin'." + +"Heard him goin' on last night. Thought mebby a coyote or a wolf had +strayed in to get a drink." + +"Get a drink! Can't they get a drink up in them hills?" + +"Sure! But they kind of fancy the flavor of the water-trough. They +come in frequent. But you better fan it for chuck. See you later." + + +Sundown hurried through breakfast. He was anxious to hear more about +the habits of coyotes and wolves. When he again came to the corral, +many of the riders had departed. Shoop stood waiting for John Corliss. + +"You said them wolves and coyotes--" began Sundown. + +"Yes, ding 'em!" interrupted Shoop. "Looks like they come down last +night. Somethin' 's been monkeyin' with the water." + +"Did you ever see one--at night?" queried Sundown, nervously. + +"See 'em? Why, I shot droves of 'em right from the bunk-house door. I +never miss a chance. Cut loose every time I see one standin' with his +front paws on the trough. Get 'em every time." + +"Wisht I'd knowed that." + +"So?" + +"Uhuh. I'd 'a' borrowed a gun off you and set up and watched for 'em +myself." + +Bud Shoop made a pretense of tightening a cinch on Sundown's pony, that +he might "blush unseen," as it were. + +Presently Corliss appeared and motioned to Shoop. "How's the new cook +doing?" he asked. + +"Fine!" + +Sundown retired modestly to the off-side of the pony. + +"Got a line on him already," said Shoop. "First thing, Chance, here, +took to him. Then, next thing, he manufactures a batch of pies that +ain't been matched on the Concho since she was a ranch. Then, next +thing after that, Chance slips his collar and goes and bushes with the +Bo--sleeps with him till this mornin'. And you can rope me for a +parson if that walkin' wish-bone didn't get to ramblin' in his sleep +last night and come out and take a _bath_ in the _drinkin_'-trough! +He's got on them clothes I give him, this mornin'. Can you copper +that?" + +"Bad dream, Bud." + +"You wait!" said the grinning foreman. "You watch him. Don't pay no +'tention to me." + +Corliss smiled. Shoop's many and devious methods of estimating +character had their humorous angles. The rancher appreciated a joke +quite as much as did any of his employees, but usually as a spectator +and not a participant. Bud Shoop had served him well and faithfully, +tiding over many a threatened quarrel among the men by a humorous +suggestion or a seemingly impersonal anecdote anent disputes in +general. So Corliss waited, meanwhile inspecting the ponies in the +corral. He noticed a pinto with a saddle-gall and told Shoop to turn +the horse out on the range. + +"It's one of Fadeaway's string," said Shoop. + +"I know it. Catch him up." + +Shoop, who felt that his opportunity to confirm his dream-like +statement about Sundown's bathing, was slipping away, suddenly evolved +a plan. He knew that the horses had all been watered. "Hey!" he +called to Sundown, who stood gravely inspecting his own mount. "Come +over here and make this cayuse drink. He won't for me." + +Shoop roped the horse and handed the rope to Sundown, who marched to +the water-trough. The pony sniffed at the water and threw up his head. +"I reckoned that was it!" said Shoop. + +"What?" queried Corliss, meanwhile watching Sundown's face. + +"Oh, some dam' coyote's been paddlin' in that trough again. No wonder +the hosses won't drink this mornin'. I don't blame 'em." + +Sundown rolled a frightened eye and tried to look at everything but his +companions. Corliss and Shoop exploded simultaneously. Slowly the +light of understanding dawned, rose, and radiated in the dull red of +the new cook's face. He was hurt and a bit angry. The anticipating +and performing of his midnight ablutions had cost Slim a mighty +struggle, mentally and otherwise. + +"If you think it's any early mornin' joke to take a wash-up in that +there Chinese coffin--why, try her yourself, about midnight." Then he +addressed Shoop singly. "If I was _you_, and you got kind of +absent-minded and done likewise, and I seen _you_, do you think I'd go +snitch to the boss? Nix, for it might set him to worryin'." + +Shoop accepted the compliment good-naturedly, for he knew he had earned +it. He swaggered up to Sundown and slapped him on the back. "Cheer +up, pardner, and listen to the good news. I'm goin' to have that +trough made three foot longer so it'll be more comfortable." + +"Thanks, but never again at night. Guess if I hadn't been feelin' +all-to-Gosh happy at havin' a home and a job, I'd 'a' froze stiff." + + + + +CHAPTER V + +ON THE CANON TRAIL + +The Loring homestead, a group of low-roofed adobe buildings blending +with the abrupt red background of the hill which sheltered it from the +winter winds, was a settlement in itself, providing shelter and comfort +for the wives and children of the herders. Each home maintained a +small garden of flowers and vegetables. Across the somber brown of the +'dobe walls hung strings of chiles drying in the sun. Gay blossoms, +neatly kept garden rows, red ollas hanging in the shade of cypress and +acacia, the rose-bordered plaza on which fronted the house of the +patron, the gigantic windmill purring lazily and turning now to the +right, now to the left, to meet the varying breeze, the entire prospect +was in its pastoral quietude a reflection of Senora Loring's sweet and +placid nature. Innuendo might include the windmill, and justly so, for +the Senora in truth met the varying breeze of circumstance and +invariably turned it to good uses, cooling the hot temper of the patron +with a flow of soft Spanish utterances, and enriching the simple lives +of the little colony with a charity as free and unvarying as the flow +of the clear, cool water. + +Far to the east, where the mesas sloped gently to the hills, grazed the +sheep, some twenty bands of a thousand each, and each band guarded and +cared for by a herder and an assistant who cooked and at times +journeyed with the lazy burros to and from the hacienda for supplies +and provisions. + +David Loring, erstwhile plainsman and scout, had drifted in the early +days from New Mexico to Arizona with his small band of sheep, and +settled in the valley of the Concho. He had been tolerated by the +cattle-men, as his flock was but a speck on the limitless mesas. As +his holdings increased, the ranchers awakened to the fact that he had +come to stay and that some boundary must be established to protect +their grazing. The Concho River was chosen as the dividing line, which +would have been well enough had Loring been a party to the agreement. +But he declined to recognize any boundary. The cattle-men felt that +they had given him fair warning in naming the Concho as the line of +demarcation. He, in turn, considered that his right to graze his sheep +on any part or all of the free range had not been circumscribed. + +His neighbor--if cattle-men and sheep-men may under any circumstances +be termed neighbors--was John Corliss. The Corliss rancho was just +across the river opposite the Loring homestead. After the death of +their parents the Corliss boys, John and his younger brother Will, had +been constant visitors at the sheep-man's home, both of them enjoying +the vivacious companionship of Eleanor Loring, and each, in his way, in +love with the girl. Eventually the younger brother disappeared without +any apparent reason. Then it was that John Corliss's visits to the +Loring rancho became less frequent and the friendliness which had +existed between the rival ranches became a kind of tolerant +acquaintanceship, as that of neighbors who have nothing in common save +the back fence. + + +Fernando, the oldest herder in Loring's employ, stood shading his eyes +from the glare of noon as he gazed toward the distant rancho. His son +was with the flock and the old man had just risen from preparing the +noon meal. "The Senorita," he murmured, and his swart features were +lighted by a wrinkled smile. He stepped to his tent, whipped a gay +bandanna from his blankets and knotted it about his lean throat. Then +he took off his hat, gazing at it speculatively. It was beyond +reconstruction as to definite shape, so he tossed it to the ground, ran +his fingers through his silver-streaked hair, and stepped out to await +his Senorita's arrival. + +The sunlight flashed on silver spur and bit as the black-and-white +pinto "Challenge" swept across the mesa toward the sheep-camp. Into +the camp he flung, fretting at the curb and pivoting. His rider, +Eleanor Loring, about to dismount, spoke to him sharply. Still he +continued to pivot uneasily. "Morning, Fernando! Challenge is fussy +this morning. I'll be right back!" And she disciplined Challenge with +bit and spur, wheeling him and loping him away from the camp. Down the +trail she checked him and brought him around on his hind feet. Back +they came, with a rush. Fernando's deep-set eyes glowed with +admiration as the girl "set-up" the pinto and swung to the ground with +a laugh. "Made him do it all over again, si. He is the big baby, but +he pretends he is bronco. Don't you, Challenge?" She dropped the +reins and rubbed his nose. The pony laid back his ears in simulated +anger and nipped at her sleeve. "Straighten your ears up, pronto!" she +commanded, nevertheless laughing. Then a strain of her father's blood +was apparent as she seized the reins and stood back from the horse. +"Because you're bluffing this morning, I'm going to make you do your +latest trick. Down!" she commanded. The pony extended his foreleg and +begged to shake hands. "No! Down!" With a grunt the horse dropped to +his knees, rolled to his side, but still kept his head raised. "Clear +down! Dead, Challenge!" The horse lay with extended neck, but +switched his tail significantly. "Don't you dare roll!" she said, as +he gave evidence of getting up. Then, at her gesture, he heaved +himself to his feet and shook himself till the stirrups clattered. The +girl dropped the reins and turned to the old herder. "I taught him +that, Fernando. I didn't make him do it just to show off. He +understands now, and he'll behave." + +Old Fernando grinned. "He always have the good manner, being always +with the Senorita," he said bowing. + +"Thanks, Fernando. You always say something nice. But I can't let you +get ahead of me. What a pretty scarf. It's just right. Do you wear +it always, Fernando?" + +"It is--I know--what the vaquero of the Concho call the 'josh' that you +give me, but I am yet not too old to like it. It is muy pleasure, si! +to be noticed when one is old--by the Senorita of especial." + +The girl's dark eyes flashed and she laughed happily. "It's lots of +fun, isn't it--to 'josh'? But I came to see if you needed anything." + +"Nothing while still the Senorita is at thees camp." + +"Well, you'd better think up something, for I'm going in a minute. +Have to make the rounds. Dad is down with the rheumatism and as cross +as a grizzly. I was glad to get away. And then, there's Madre." + +Fernando smiled and nodded. He was not unfamiliar with the patron's +temper when rheumatism obliged him to be inactive. "He say nothing, +the patron--that we cross the sheep to the west of the river, Senorita?" + +"No. Not lately. I don't know why he should want to. The feed is +good here." + +"I have this morning talk with the vaquero Corlees. He tell me that +the South Fork is dry up." + +"John Corliss is not usually interested in our sheep," said the girl. + +"No. Of the sheep he knows nothing." And the old herder smiled. "But +many times he look out there," he added, pointing toward the Loring +rancho. + +"He was afraid father would catch him talking to one of the herders," +laughed the girl. + +"The vaquero Corlees he afraid of not even the bear, I think, Senorita." + +Eleanor Loring laughed. "Don't you let father catch you calling him a +bear!" she cautioned, provoking the old herder to immediate apology and +a picturesque explanation of the fact that he had referred not to the +patron, but the grizzly. + +"All right, Fernando. I'll not forget to tell the patron that you +called him a bear." + +The old herder grinned and waved farewell as she mounted and rode down +the trail. Practical in everyday affairs, he untied his bandanna and +neatly folded and replaced it among his effects. As he came out of the +tent he picked up his hat. He was no longer the cavalier, but a +stoop-shouldered, shriveled little Mexican herder. He slouched out +toward the flock and called his son to dinner. No, it was not so many +years--was not the Senorita but twenty years old?--since he had wooed +the Senora Loring, then a slim dark girl of the people, his people, but +now the wealthy Senora, wife of his patron. Ah, yes! It was good that +she should have the comfortable home and the beautiful daughter. He +had nothing but his beloved sheep, but did they not belong to his +Senorita? + + +At the ford the girl took the trail to the uplands, deciding to visit +the farthest camp first, and then, if she had time, to call at one or +two other camps on her way back to the rancho. As the trail grew +steeper, she curbed the impatient Challenge to a steadier pace and rode +leisurely to the level of the timber. On the park-like level, +clean-swept between the boles of the great pines, she again put +Challenge to a lope until she came to the edge on the upper mesa. Then +she drew up suddenly and held the horse in. + +Far out on the mesa was the figure of a man, on foot. Toward him came +a horse without bridle or saddle. She recognized the figure as that of +John Corliss, and she wondered why he was on foot and evidently trying +to coax a stray horse toward him. Presently she saw Corliss reach out +slowly and give the horse something from his hand. Still she was +puzzled, and urging Challenge forward, drew nearer. The stray, seeing +her horse, pricked up its ears, swung round stiffly, and galloped off. +Corliss turned and held up his hand, palm toward her. It was their old +greeting; a greeting that they had exchanged as boy and girl long +before David Loring had become recognized as a power to be reckoned +with in the Concho Valley. + +"Peace?" she queried, smiling, as she rode up. + +"Why not, Nell?" + +"Oh, cattle and sheep, I suppose. There's no other reason, is there?" + +Corliss was silent, thinking of his brother Will. + +"Unless--Will--" she said, reading his thought. + +He shook his head, "That would be no reason for--for our quarreling, +would it?" + +She laughed. "Why, who has quarreled? I'm sure I haven't." + +"But you don't seem the same--since Will left." + +"Neither do you, John. You haven't called at the rancho for--well, +about a year." + +"And then I was told to stay away even longer than that." + +"Oh, you mustn't mind Dad. He growls--but he won't bite." + +Corliss glanced up at her. His steady gray eyes were smiling, but his +lips were grave. "Would it make any difference if I did come?" + +The girl's dark face flushed and her eyes sparkled. "Lots! Perhaps +you and Dad could agree to stop growling altogether. But we won't talk +about it. I'd like to know what you are doing up here afoot?" + +"Wouldn't tell you for a dollar," he replied, smiling. "My horse is +over there--near the timber. The rest of the band are at the +waterhole." + +"Oh, but you will tell me!" she said. "And before we get back to the +canon." + +"I wasn't headed that way--" he began; but she interrupted quickly. + +"Of course. I'm not, either." Then she glanced at him with mischief +scintillating in her dark eyes. "Fernando told me you were talking +with him this morning. I don't see that it has done you much good." + +His perplexity was apparent in his silence. + +"Fernando is--is polite," she asserted, wheeling her horse. + +Corliss stood gazing at her unsmilingly. "I want to be," he said +presently. + +"Oh, John! I--you always take things so seriously. I was just +'joshing' you, as Fernando says. Of course you do! Won't you shake +hands?" + +He strode forward. The girl drew off her gauntlet and extended her +hand. "Let's begin over again," she said as he shook hands with her. +"We've both been acting." + +Before she was aware of his intent, he bowed his head and kissed her +fingers. She drew her hand away with a little cry of surprise. She +was pleased, yet he mistook her expression. + +He flushed and, confused, drew back. "I--I didn't mean it," he said, +as though apologizing for his gallantry. + +The girl's eyes dilated for an instant. Then she laughed with all the +joyous _abandon_ of youth and absolute health. "You get worse and +worse," she said, teasingly. "Do go and have another talk with +Fernando, John. Then come and tell me all about it." + +Despite her teasing, Corliss was beginning to enjoy the play. As a +rule undemonstrative, he was when moved capable of intense feeling, and +the girl knew it. She saw a light in his eyes that she recognized; a +light that she remembered well, for once when they were boy and girl +together she had dared him to kiss her, and had not been disappointed. + +"You are cross this morning," she said, making as though to go. + +"Well, I've begun over again, Nell. You wait till I get Chinook and +we'll ride home together." + +"Oh, but I'm--you're not going that way," she mocked. + +"Yes, I am--and so are you. If you won't wait, I'll catch you up, +anyway. You daren't put Challenge down the canon trail faster than a +walk." + +"I daren't? Then, catch me!" + +She wheeled her pony and sped toward the timber. Corliss, running +heavily in his high-heeled boots, caught up his own horse and leaped to +the saddle as Chinook broke into a run. The young rancher knew that +the girl would do her best to beat him to the canon level. He feared +for her safety on the ragged trail below them. + +Chinook swung down the trail taking the turns without slackening his +speed and Corliss, leaning in on the curves, dodged the sweeping +branches. + +Arrived at the far edge of the timber, he could see the girl ahead of +him, urging Challenge down the rain-gutted trail at a lope. As she +pulled up at an abrupt turn, she waved to him. He accepted the +challenge and, despite his better judgment, set spurs to Chinook. + +Round the next turn he reined up and leaped from his horse. Below him +he saw Challenge, riderless, and galloping along the edge of the +hillside. On the trail lay Eleanor Loring, her black hair vivid +against the gray of the shale. He plunged toward her and stooping +caught her up in his arms. "Nell! Nell!" he cried, smoothing back her +hair from her forehead. "God, Nell! I--I didn't mean it." + +Her eyelids quivered. Then she gasped. He could feel her trembling. +Presently her eyes opened and a faint smile touched her white lips. +"I'm all right. Challenge fell--and I jumped clear. Struck my head. +Don't look at me like that! I'm not going to die." + +"I'm--I'm mighty glad, Nell!" he said, helping her to a seat on the +rock against which she had fallen. + +Her hands were busy with her hair. He found her hat and handed it to +her. "If my head wasn't just splitting, I'd like to laugh. You are +the funniest man alive! I couldn't speak, but I heard you call to me +and tell me you didn't mean it! Then you say you are mighty glad I'm +alive. Doesn't that sound funny enough to bring a person to life +again?" + +"No, it's not funny. It was a close call." + +She glanced at his grave, white face. "Guess you were scared, John. I +didn't know you could be scared at anything. Jack Corliss as white as +a sheet and trembling like a--a girl!" + +"On account of a girl," said Corliss, smiling a little. + +"Now, _that_ sounds better. What were you doing up on the mesa this +afternoon?" + +"I took some lump-sugar up for my old pony, Apache. He likes it." + +"Well, I'll never forget it!" she exclaimed. "How the boys would laugh +if they heard _you'd_ been feeding sugar to an old broken-down +cow-pony! You! Why, I feel better already." + +"I'm right glad you do, Nell. But you needn't say anything about the +sugar. I kind of like the old hoss. Will you promise?" + +"I don't know. Oh, my head!" She went white and leaned against him. +He put his arm around her, and her head lay back against his shoulder. +"I'll be all right--in a minute," she murmured. + +He bent above her, his eyes burning. Slowly he drew her close and +kissed her lips. Her eyelids quivered and lifted. "Nell!" he +whispered. + +"Did you mean it?" she murmured, smiling wanly. + +He drew his head back and gazed at her up-turned face. "I'm all +right," she said, and drew herself up beside him. "Serves me right for +putting Challenge down the trail so fast." + +As they rode homeward Corliss told her of the advent of Sundown and +what the latter had said about the wreck and the final disappearance of +his "pal," Will Corliss. + +The girl heard him silently and had nothing to say until they parted at +the ford. Then she turned to him. "I don't believe Will was killed. +I can't say why, but if he had been killed I think I should have known +it. Don't ask me to explain, John. I have always expected that he +would come back. I have been thinking about him lately." + +"I can't understand it," said Corliss. "Will always had what he +wanted. He owns a half-interest in the Concho. I can't do as I want +to, sometimes. My hands are tied, for if I made a bad move and lost +out, I'd be sinking Will's money with mine." + +"I wouldn't make any bad moves if I were you," said the girl, glancing +at the rancher's grave face. + +"Business is business, Nell. We needn't begin that old argument. +Only, understand this: I'll play square just as long as the other side +plays square. There's going to be trouble before long and you know +why. It won't begin on the west side of the Concho." + +"Good-bye, John," said the girl, reining her pony around. + +He raised his hat. Then he wheeled Chinook and loped toward the ranch. + +Eleanor Loring, riding slowly, thought of what he had said. "He won't +give in an inch," she said aloud. "Will would have given up the cattle +business, or anything else, to please me." Then she reasoned with +herself, knowing that Will Corliss had given up all interest in the +Concho, not to please her but to hurt her, for the night before his +disappearance he had asked her to marry him and she had very sensibly +refused, telling him frankly that she liked him, but that until he had +settled down to something worth while she had no other answer for him. + +She was thinking of Will when she rode in to the rancho and turned her +horse over to Miguel. Suddenly she flushed, remembering John Corliss's +eyes as he had held her in his arms. + + + + +CHAPTER VI + +THE BROTHERS + +As Corliss rode up to the ranch gate he took the mail from the little +wooden mail-box and stuffed it into his pocket with the exception of a +letter which bore the postmark of Antelope and his address in a +familiar handwriting. He tore the envelope open hastily and glanced at +the signature, "Will." + +Then he read the letter. It told of his brother's unexpected arrival +in Antelope, penniless and sick. Corliss was not altogether surprised +except in regard to the intuition of Eleanor, which puzzled him, coming +as it had so immediately preceding the letter. + +He rode to the rancho and ordered one of the men to have the buckboard +at the gate early next morning. He wondered why his brother had not +driven out to the ranch, being well known in Antelope and able to +command credit. Then he thought of Eleanor, and surmised that his +brother possibly wished to avoid meeting her. And as it happened, he +was not mistaken. + +On the evening of the following day he drove up to the Palace Hotel and +inquired for his brother. The proprietor drew him to one side. "It's +all right for you to see him, John, but I been tryin' to keep him in +his room. He's--well, he ain't just feelin' right to be on the street. +Sabe?" + +Corliss nodded, and turning, climbed the stairs. He knocked at a door. +There was no response. He knocked again. + +"What you want?" came in a muffled voice. + +"It's John," said Corliss. "Let me in." + +The door opened, and Corliss stepped into the room to confront a dismal +scene. On the washstand stood several empty whiskey bottles and murky +glasses. The bedding was half on the floor, and standing with hand +braced against the wall was Will Corliss, ragged, unshaven, and visibly +trembling. His eyelids were red and swollen. His face was white save +for the spots that burned on his emaciated cheeks. + +"John!" he exclaimed, and extended his hand. + +Corliss shook hands with him and then motioned him to a chair. "Well, +Will, if you're sick, this isn't the way to get over it." + +"Brother's keeper, eh? Glad to see me back, eh, Jack?" + +"Not in this shape. What do you suppose Nell would think?" + +"I don't know and I don't care. I'm sick. That's all." + +"Where have you been--for the last three years?" + +"A whole lot you care. Been? I have been everywhere from heaven to +hell--the whole route. I'm in hell just now." + +"You look it. Will, what can I do for you? You want to quit the booze +and straighten up. You're killing yourself." + +"Maybe I don't know it! Say, Jack, I want some dough. I'm broke." + +"All right. How much?" + +"A couple of hundred--for a starter." + +"What are you going to do with it?" + +"What do you suppose? Not going to eat it." + +"No. And you're not going to drink it, either. I'll see that you have +everything you need. You're of age and can do as you like. But you're +not going to kill yourself with whiskey." + +Will Corliss stared at his brother; then laughed. + +"Have one with me, Jack. You didn't used to be afraid of it." + +"I'm not now, but I'm not going to take a drink with you." + +"Sorry. Well, here's looking." And the brother poured himself a +half-tumblerful of whiskey and gulped it down. "Now, let's talk +business." + +Corliss smiled despite his disgust. "All right. You talk and I'll +listen." + +The brother slouched to the bed and sat down. "How's the Concho been +making it?" he asked. + +"We've been doing pretty fair. I've been busy." + +"How's old man Loring?" + +"About the same." + +"Nell gone into mourning?" + +Corliss frowned and straightened his shoulders. + +"See here, Will, you said you'd talk business. I'm waiting." + +"Touched you that time, eh? Well, you can have Nell and be damned. No +Mexican blood for mine." + +"If you weren't down and out--" began Corliss; then checked himself. +"Go ahead. What do you want?" + +"I told you--money." + +"And I told you--no." + +The younger man started up. "Think because I'm edged up that I don't +know what's mine? You've been piling it up for three years and I've +been hitting the road. Now I've come to get what belongs to me and I'm +going to get it!" + +"All right, Will. But don't forget that I was made guardian of your +interest in the Concho until you got old enough to be responsible. The +will reads, until you come of age, providing you had settled down and +showed that you could take care of yourself. Father didn't leave his +money to either of us to be drunk up, or wasted." + +"Prodigal son, eh, Jack? Well, I'm it. What's the use of getting sore +at me? All I want is a couple of hundred and I'll get out of this town +mighty quick. It's the deadest burg I've struck yet." + +John Corliss gazed at his brother, thinking of the bright-faced, +blue-eyed lad that had ridden the mesas and the hills with him. He was +touched by the other's miserable condition, and even more grieved to +realize that this condition was but the outcome of a rapid lowering of +the other's moral and physical well-being. He strode to him and sat +beside him. "Will, I'll give anything I have to help you. You know +that. Anything! You're so changed that it just makes me sick to +realize it. You needn't have got where you are. I would have helped +you out any time. Why didn't you write to me?" + +"Write? And have you tell Nell Loring how your good little brother was +whining for help? She would have enjoyed that--after what she handed +me." + +"I don't know what she said to you," said Corliss, glancing at his +brother. "But I know this: she didn't say anything that wasn't so. If +that's the reason you left home, it was a mighty poor one. You've +always had your own way, Will." + +"Why shouldn't I? Who's got anything to say about it? You seem to +think that I always need looking after--you and Nell Loring. I can +look after myself." + +"Doesn't look like it," said Corliss, gesturing toward the washstand. +"Had anything to eat to-day?" + +"No, and I don't want anything." + +"Well, wash up and we'll go and get some clothes and something to eat. +I'll wait." + +"You needn't. Just give me a check--and I won't bother you after that." + +"No. I said wash up! Get busy now!" + +The younger man demurred, but finally did as he was told. They went +downstairs and out to the street. In an hour they returned, Will +Corliss looking somewhat like his former self in respectable raiment. +"John," he said as they entered the room again, "you've always been a +good old stand-by, ever since we were kids. I guess I got in bad this +time, but I'm going to quit. I don't want to go back to the +Concho--you know why. If you'll give me some dough I'll take care of +myself. Just forget what I said about my share of the money." + +"Wait till morning," said Corliss. "I'll take the room next, here, and +if you get to feeling bad, call me." + +"All right, Jack. I'll cut it out. Maybe I will go back to the +Concho; I don't know." + +"Wish you would, Will. You'll get on your feet. There's plenty to do +and we're short-handed. Think it over." + +"Does--Nell--ever say anything?" queried the brother. + +"She talks about you often. Yesterday we were talking about you. I +told her what Sundown said about--" + +"Sundown?" + +"Forgot about him. He drifted in a few months ago. I met up with him +at the water-hole ranch. He was broke and looking for work. Gave him +a job cooking, and he made good. He told me that he used to have a pal +named Will Corliss--" + +"And Sundown's at the Concho! I never told him where I lived." + +"He came into Antelope on a freight. Got side-tracked and had to stay. +He didn't know this used to be your country till I told him." + +"Well, that beats me, Jack! Say, Sun was just an uncle to me when we +were on the road. We made it clear around, freights, cattle-boats, and +afoot. I didn't hit the booze then. Funny thing: he used to hit it, +and I kind of weaned him. Now it's me. . ." + +"He's straight, all right," said Corliss. "He 'tends right to +business. The boys like him." + +"Everybody liked him," asserted Will Corliss. "But he is the queerest +Hobo that ever hit the grit." + +"Some queer, at that. It's after nine now, Will. You get to bed. I +want to see Banks a minute. I'll be back soon." + +When John Corliss had left the room, something intangible went with +him. Will felt his moral stamina crumbling. He waited until he heard +his brother leave the hotel. Then he went downstairs and returned with +a bottle of whiskey. He drank, hid the bottle, and went to bed. He +knew that without the whiskey he would have been unable to sleep. + + +The brothers had breakfast together next morning. After breakfast +Corliss went for the team and returned to the hotel, hoping to induce +his brother to come home with him. Will Corliss, however, pleaded +weariness, and said that he would stay at the Palace until he felt +better. + +"All right, Will. I'll leave some cash with Banks. He'll give you +what you need as you want it." + +"Banks? The sheriff?" + +"Yes." + +"Oh, all right. Suppose you think I'm not to be trusted." + +"No. But we'll leave it that way till I see you again. Write in if +you need me--and take care of yourself. When you get ready to settle +down, I'll turn over your share of the Concho to you. So long, Will." + +Will Corliss watched his brother drive away. When the team had +disappeared up the road he walked down the street to the sheriff's +office. The sheriff greeted him cordially. + +"I came for that money, Jim." + +"Sure! Here you are," and the sheriff handed him a five-dollar +gold-piece. + +"Quit kidding and come across," said Corliss, ignoring the significance +of the allowance. + +"Can't, Will. John said to give you five any time you wanted it, but +only five a day." + +"He did, eh? John's getting mighty close in his old age, ain't he?" + +"Mebby. I don't know." + +"How much did he leave for me?" + +"Five a day, as I said." + +"Oh, you go to hell!" + +The sheriff smiled pleasantly. "Nope, Billy! I'm goin' to stay right +to home. Have a cigar?" + +The young man refused the proffered cigar, picked up the gold-piece and +strolled out. + +The sheriff leaned back in his chair. "Well if Billy feels that way +toward folks, reckon he won't get far with John, or anybody else. Too +dinged bad. He used to be a good kid." + + + + +CHAPTER VII + +FADEAWAY'S HAND + +Fadeaway, one of the Concho riders, urged his cayuse through the ford, +reined short, and turned to watch Chance, who accompanied him. The dog +drew back from the edge of the stream and bunching himself, shot up and +over the muddy water, nor did the jump break his stride as he leaped to +overtake the rider, who had spurred out of his way. Fadeaway cursed +joyously and put his pony to a lope. Stride for stride Chance ran +beside him. The cowboy, swaying easily, turned and looked down upon +the dog. Chance was enjoying himself. "Wonder how fast the cuss _can_ +run?" And Fadeaway swung his quirt. The stride quickened to the +rhythmic beat of the cow-horse at top speed. The dog kept abreast +without apparent effort. A half-mile beyond the ford the pace +slackened as the pony took the hill across which the trail led to the +open mesas. As they topped the rise Fadeaway again urged his cayuse to +a run, for the puncher had enjoyed the hospitality of his companions of +"The Blue," a distant cattle ranch, a day longer than had been set for +his return to the Concho. Just then a startled jack rabbit leaped up +and bounced down the trail ahead of them. Fadeaway jerked his horse to +a stop. "Now we'll see some real speed!" he said. There was a flash +of the dog's long body, which grew smaller and smaller in the distance; +then a puff of dust spurted up. Fadeaway saw the dog turn end over +end, regain his feet and toss something in the air. + +"The fastest dog in Arizona," remarked the cowboy. "And you, you +glass-eyed son of a mistake, you're about as fast as a fence-post!" +This to his patient and willing pony, that again swung into a run and +ran steadily despite his fatigue, for he feared the instant slash of +the quirt should he slacken pace. + +Round a bend in the trail, where an arm of the distant forest ran out +into the mesa. Fadeaway again set his horse up viciously. Chance +stopped and looked up at the rider. The cowboy pointed through the +thin rim of timber beyond which a herd of sheep was grazing. "Take +'em!" he whispered. Chance hesitated, not because he was unfamiliar +with sheep, but because he had been punished for chasing and worrying +them. "Go to it! Take 'em, Chance!" + +The dog slunk through the timber and disappeared. The cowboy rode +slowly, peering through the timber. Presently came the trample of +frightened sheep--a shrill bleating, and then silence. Fadeaway loped +out into the open. The sheep were running in all directions. He +whistled the dog to him. Chance's muzzle dripped red. The dog slunk +round behind the horse, knowing that he had done wrong, despite the +fact that he had been set upon the sheep. + +From the edge of the timber some one shouted. The cowboy turned and +saw a herder running toward him. He reined around and sat waiting +grimly. When the herder was within speaking distance. Fadeaway's hand +dropped to his hip and the herder stopped. He gesticulated and spoke +rapidly in Spanish. Fadeaway answered, but in a kind of Spanish not +taught in schools or heard in indoor conversation. + +The herder pressed forward. "Why, how! Fernando. Now what's bitin' +you?" + +"The sheep! He kill the lamb!" cried the herder. + +Fadeaway laughed. "Did, eh? Well, I tried to call him off. Reckon +you heard me whistle him, didn't you?" + +The cowboy's assertion was so palpably an insult that old Fernando's +anger overcame his caution. He stepped forward threateningly. +Fadeaway's gun was out and a splash of dust leaped up at Fernando's +feet. The herder turned and ran. Fadeaway laughed and swung away at a +lope. + +When he arrived at the Concho he unsaddled, turned his pony into the +corral, and called to Chance. He was at the water-trough washing the +dog's muzzle when John Corliss appeared. Fadeaway straightened up. He +knew what was coming and knew that he deserved it. The effects of his +conviviality at the Blue had worn off, leaving him in an ugly mood. + +Corliss looked him over from head to heel. Then he glanced at the dog. +Chance turned his head down and sideways, avoiding his master's eye. +Fadeaway laughed. + +"You get your time!" said Corliss. + +"You're dam' right!" retorted Fadeaway. + +"And you're damned wrong! Chance knows better than to tackle sheep +unless he's put up to it. You needn't explain. Bud will give you your +time." + +Then Corliss turned to Shoop who had just ridden in. + +"Chain that dog up and keep him chained up! And give Fadeaway his +time, right up to the minute!" + +Shoop dropped easily from the saddle, led his horse toward the corral, +and whistled a sprightly ditty as he unsaddled him. + +Fadeaway rolled a cigarette and strolled over to the bunk-house where +he retailed his visit and its climax to a group of interested punchers. + +"So he tied the can onto you, eh? And for settin' Chance on the sheep? +He ought to be much obliged to you, Fade. They ain't room for sheep +and cattle both on this here range. We're gettin' backed plumb into +the sunset." + +Fadeaway nodded to the puncher who had spoken. + +"And ole man Loring's just run in twenty thousand head from New Mex.," +continued the puncher. "Wonder how Corliss likes that?" + +"Don' know--and dam' 'f I care. If a guy can't have a little sport +without gettin' fired for it, why, that guy don't work for the Concho. +The Blue's good enough for me and I can get a job ridin' for the Blue +any time I want to cinch up." + +"Well, Fade, I reckon you better cinch up pronto, then," said Shoop who +had just entered. "Here's your time. Jack's some sore, believe me!" + +"Sore, eh? Well, before he gets through with me he'll be sorer. You +can tell him for me." + +"'Course I _can_--but I ain't goin' to. And I wouldn't if I was you. +No use showin' your hand so early in the game." And Shoop laughed. + +"Well, she's full--six aces," said Fadeaway, touching his holster +significantly. + +"And Jack throws the fastest gun on the Concho," said Shoop, his genial +smile gone; his face flushed. "I been your friend, if I do say it, +Fade. But don't you go away with any little ole idea that I ain't +workin' for Jack Corliss." + +"What's that to me? I'm fired, ain't I?" + +"Correct. Only I was thinkin' your cayuse is all in. You couldn't get +out of sight on him tonight. But you can take one of my string and +send it back when you get ready." + +"Oh, I ain't sweatin' to hit the trail," said Fadeaway, for the benefit +of his audience. + +"All right, Fade. But the boss is. It's up to you." + + +After he had eaten, Fadeaway rolled his few belongings in his slicker +and tied it to the saddle. He was not afraid of Corliss, but like men +of his stamp he wanted Corliss to know that he was not alone unafraid, +but willing to be aggressive. He mounted and rode up to the +ranch-house. Corliss, who had seen him approach through the window, +sat at his desk, waiting for the cow-boy to dismount and come in. But +Fadeaway sat his horse, determined to make the rancher come outside. + +Corliss understood, and pushing back his chair, strode to the doorway. +"Want to see me?" he asked. + +Fadeaway noticed that Corliss was unarmed, and he twisted the +circumstance to suit a false interpretation of the fact. "Playin' +safe!" he sneered. + +Corliss flushed and the veins swelled on his neck, but he kept silent. +He looked the cowboy in the eye and was met by a gaze as steady as his +own; an aggressive and insolent gaze that had for its backing sheer +physical courage and nothing more. It became a battle of mental +endurance and Corliss eventually won. + +After the lapse of several seconds, the cowboy spoke to his horse. +"Come on, Doc! The son-of-a----- is loco." + +Corliss heard, but held his peace. He stood watching the cowboy until +the latter was out on the road. He noticed that he took the northern +branch, toward Antelope. Then the rancher entered the house, picked up +his hat, buckled on his gun, and hastened to the corral. He saddled +Chinook and took the trail to the Loring rancho. + +He rode slowly, trying to arrive at the best method of presenting his +side of the sheep-killing to Loring. He hoped that Eleanor Loring +would not be present during the interview with her father. He was +disappointed, for she came from the wide veranda as he rode up and +greeted him. + +"Won't you come in?" she asked. + +"I guess not. I'd like to see your father." + +She knew that her father had forbidden Corliss the house, and, indeed, +the premises. She wondered what urgency brought him to the rancho. +"I'll call him, then." + +Corliss answered the grave questioning in her eyes briefly. "The +sheep," he said. + +"Oh!" She turned and stepped to the veranda. "Dad, John is here." + +David Loring came to the doorway and stood blinking at Corliss. He did +not speak. + +"Mr. Loring, one of my men set Chance on a band of your sheep. My +foreman tells me that Chance killed a lamb. I want to pay for it." + +Loring had expected something of the kind. "Mighty proud of it, I +reckon?" + +"No, I'm not proud of it. I apologize--for the Concho." + +"You say it easy." + +"No, it isn't easy to say--to you. I'll pay the damage. How much?" + +"Your dog, eh? Well, if you'll shoot the dam' dog the lamb won't cost +you a cent." + +"No, I won't shoot the dog. He was put up to it. I fired the man that +set him on to the sheep." + +"That's your business. But that don't square you with me." + +"I'll settle, if you'll fix the price," said Corliss. + +"You will, eh? Then, mebby you'd think you was square with ole man +Loring and come foolin' around here like that tramp brother of yours. +Fine doin's in Antelope, from what I hear." + +"Dad!" exclaimed the girl, stepping to her father. "Dad!" + +"You go in the house, Nellie! We'll settle this." + +Corliss dismounted and strode up to Loring. "If you weren't an old man +I'd give you the licking of your life! I've offered to settle with you +and I've apologized. You don't belong in a white man's country." + +"I got a pup that barks jest like that--and he's afraid of his own +bark," said Loring. + +"Have it your way. I'm through." And Corliss stepped to his horse. + +"Well, I ain't!" cried Loring. "I'm jest startin' in! You better +crawl your cayuse and eat the wind for home, Mr. Concho Jack! And +lemme tell you this: they's twenty thousand head of my sheep goin' to +cross the Concho, and the first puncher that runs any of my sheep is +goin' to finish in smoke!" + +"All right, Loring. Glad you put me on to your scheme. I don't want +trouble with you, but if you're set on having trouble, you can find it." + +The old man straightened and shook his fist at the rancher. "Fust time +you ever talked like a man in your life. Nex' thing is to see if you +got sand enough to back it up. There's the gate." + +Corliss mounted and wheeled his horse. The girl, who stood beside her +father, started forward as though to speak to the rancher. Loring +seized her arm. Her face flamed and she turned on her father. "Dad! +Let me go!" + +He shrunk beneath her steady gaze. He released her arm and she stepped +up to Corliss. "I'm sorry, John," she said, and offered her hand. + +"You heard it all, Nell. I'd do anything to save you all this, if I +could." + +"Anything?" + +"Yes." + +"Well, try and get Will--to--stop drinking. He--I heard all about it. +I can't do anything to help. You ought to look after him. He's your +brother. He's telling folks in Antelope that you refused to help him. +Is that so?" + +"I refused to give him two hundred dollars to blow in if that's what +you mean." + +"Did you quarrel with Will?" + +"No. I asked him to come home. I knew he wouldn't." + +"Yes. And I think I know how you went at it. I wish I could talk to +him." + +"I wish you would. You can do more with him than anybody." + +Loring strode toward Corliss. The girl turned to her father. He +raised his arm and pointed toward the road. "You git!" he said. She +reached up and patted his grizzled cheek. Then she clung to him, +sobbing. + + + + +CHAPTER VIII + +AT "THE LAST CHANCE" + +The afternoon following the day of his discharge from the Concho, +Fadeaway rode into Antelope, tied his pony to the hitching-rail in +front of "The Last Chance," and entered the saloon. Several men loafed +at the bar. The cowboy, known as "a good spender when flush," was made +welcome. He said nothing about being out of employment, craftily +anticipating the possibility of having to ask for credit later, as he +had but a half-month's pay with him. He was discussing the probability +of early rains with a companion when Will Corliss entered the place. + +Fadeaway greeted him with loud, counterfeit heartiness, and they drank +together. Their talk centered on the Concho. Gradually they drew away +from the group at the bar. Finally Corliss mentioned his brother. +Fadeaway at once became taciturn. + +Corliss noticed this and questioned the puncher. "Had a row with +Jack?" he asked. + +"Between you and me, I did. He fired me, couple of days ago." + +"Full?" + +"Nope. Chance killed one of Loring's sheep. John hung it onto me, +seein' Chance was with me. Guess John's gettin' religion." + +Corliss laughed, and his lips twisted to a sneer. "Guess he is. I +tried to touch him for two hundred of my own money and he turned me +down. Maybe I like it." + +"Turned you down, eh! That's what I call nerve! And you been away +three year and more. Reckon, by the way the Concho is makin' good, you +got more'n two hundred comin'. She's half yours, ain't she?" + +"Yes. And I'm going to get my share. He told me I could have a +job--that he was short-handed. What do you think of that! And I own +half the Concho! I guess I'd like to ride range with a lot of--well, +you understand, Fade. I never liked the Concho and I never will. +Let's have another. No. This is on me." + +Again they drank and Corliss became more talkative. He posed as one +wronged by society in general and his brother especially. + +As his talk grew louder, Fadeaway cautioned him. "Easy, Billy. No use +advertisin'. Come on over here." And Fadeaway gestured toward one of +the tables in the rear of the room. + +Corliss was about to retort to the other's apparently good-natured +interference with his right to free speech, when he caught Fadeaway's +glance. "Well?" he exclaimed. + +The cowboy evidently had something to say in confidence. Corliss +followed him to one of the tables. + +"It's this way," began the cowboy. "You're sore at Jack. Now Jack's +got friends here and it won't help you any to let 'em know you're sore +at him. I ain't feelin' like kissin' him myself--right now. But I +ain't advertisin' it. What you want to do is--" + +"What's that got to do with me?" interrupted Corliss. + +Fadeaway laughed. "Nothin'--if you like. Only there's been doin's +since you lit out." And he paused to let the inference sink in. + +"You mean--?" + +"Look here, Billy. I been your friend ever since you was a kid. And +seein' you're kind of out of luck makes me sore--when I think what's +yours by rights. Mebby I'm ridin' over the line some to say it, but +from what I seen since you been gone, Jack ain't goin' to cry any if +you never come back. Old man Loring ain't goin' to live more'n a +thousand years. Mebby Jack don't jest love him--but Jack ain't been +losin' any time since you been gone." + +Corliss flushed. "I suppose I don't know that! But he hasn't seen the +last of me yet." + +"If I had what's comin' to you, you bet I wouldn't work on no +cattle-ranch, either. I'd sure hire a law-shark and find out where I +got off." + +Fadeaway's suggestion had its intended effect. The younger man knew +that an appeal to the law would be futile so long as he chose to ignore +that clause in the will which covered the contingency he was +illustrating by his conduct. Fadeaway again cautioned him as he became +loud in his invective against his brother. The cowboy, while posing as +friend and adviser, was in reality working out a subtle plan of his +own, a plan of which Corliss had not the slightest inkling. + +"And the Concho's makin' good," said Fadeaway, helping himself to a +drink. He shoved the bottle toward Corliss. "Take a little +'Forget-it,' Billy. That's her! Here's to what's yours!" They drank +together. The cowboy rolled a cigarette, tilted back his chair, and +puffed thoughtfully. "Yes, she's makin' good. Why, Bud is gettin' a +hundred and twenty-five, now. Old Hi Wingle's drawin' down +eighty--Jack's payin' the best wages in this country. Must of cleaned +up four or five thousand last year. And here you're settin', broke." + +"Well, you needn't rub it in," said Corliss, frowning. + +Fadeaway grinned. "I ain't, Billy. I'm out of a job myself: and +nothin' comin'--like you." + +Corliss felt that there was something in his companion's easy drift +that had not as yet come to the surface. Fadeaway's hard-lined face +was unreadable. The cowboy saw a question in the other's eyes and +cleverly ignored it. Since meeting the brother he had arrived at a +plan to revenge himself on John Corliss and he intended that the +brother should take the initiative. + +He got up and proffered his hand. "So long, Billy. If you ever need a +friend, you know where to find him." + +"Hold on, Fade. What's your rush?" + +"Got to see a fella. Mebby I'll drop in later." + +Corliss rose. + +Fadeaway leaned across the table. "I'm broke, and you're broke. The +Concho pays off Monday, next week. The boys got three months +comin'--close to eighteen hundred--and gold." + +"Gold? Thought John paid by check?" + +"He's tryin' to keep the boys from cashin' in, here. Things are goin' +to be lively between Loring and the Concho before long. Jack needs all +the hands he's got." + +"But I don't see what that's got to do with it, Fade." + +"Nothing 'ceptin' I'm game to stand by a pal--any time." + +"You mean--?" + +"Jest a josh, Billy. I was only thinkin' what _could_ be pulled off by +a couple of wise ones. So-long!" + +And the cowboy departed wondering just how far his covert suggestion +had carried with Will Corliss. As for Will Corliss, Fadeaway cared +nothing whatever. Nor did he intend to risk getting caught with a +share of the money in his possession, provided his plan was carried to +a conclusion. He anticipated that John Corliss would be away from the +ranch frequently, owing to the threatened encroachment of Loring's +sheep on the west side of the Concho River. Tony, the Mexican, would +be left in charge of the ranch. Will Corliss knew the combination of +the safe--of that Fadeaway was pretty certain. Should they get the +money, people in the valley would most naturally suspect the brother. +And Fadeaway reasoned that John Corliss would take no steps to recover +the money should suspicion point to his brother having stolen it. +Meanwhile he would wait. + + +Shortly after Fadeaway had gone out, Will Corliss got up and sauntered +to the street. He gazed up and down the straggling length of Antelope +and cursed. Then he walked across to the sheriff's office. + +The sheriff motioned him to a chair, which he declined. "Better sit +down, Billy. I want to talk to you." + +"Haven't got time," said Corliss. "You know what I came for." + +"That's just what I want to talk about. See here, Billy, you've been +hitting it up pretty steady this week. Here's the prospect. John told +me to hand you five a day for a week. You got clothes, grub, and a +place to sleep and all paid for. You could go out to the ranch if you +wanted to. The week is up and you're goin' it just the same. If you +want any more money you'll have to see John. I give you all he left +with me." + +"By God, that's the limit!" exclaimed Corliss. + +"I guess it is, Billy. Have a cigar?" + +Corliss flung out of the office and tramped across to the saloon. He +called for whiskey and, seating himself at one of the tables, drank +steadily. Fadeaway wasn't such a fool, after all. But robbery! Was +it robbery? Eighteen hundred dollars would mean San Francisco . . . +Corliss closed his eyes. Out of the red mist of remembrance a girl's +face appeared. The heavy-lidded eyes and vivid lips smiled. Then +other faces, and the sound of music and laughter. He nodded to them +and raised his glass. . . . As the raw whiskey touched his lips the +red mist swirled away. The dingy interior of the saloon, the booted +and belted riders, the grimy floor littered with cigarette-ends, the +hanging oil-lamp with its blackened chimney, flashed up and spread +before him like the speeding film of a picture, stationary upon the +screen of his vision, yet trembling toward a change of scene. A blur +appeared in the doorway. In the nightmare of his intoxication he +welcomed the change. Why didn't some one say something or do +something? And the figure that had appeared, why should it pause and +speak to one of the men at the bar, and not come at once to him. They +were laughing. He grew silently furious. Why should they laugh and +talk and keep him waiting? He knew who had come in. Of course he +knew! Did Fadeaway think to hide himself behind the man at the bar? +Then Fadeaway should not wear chaps with silver conchas that glittered +and gleamed as he shifted his leg and turned his back. "Said he was my +friend," mumbled Corliss. "My friend! Huh!" Was it a friend that +would leave him sitting there, alone? + +He rose and lurched to the bar. Some one steadied him as he swayed. +He stiffened and struck the man in the face. He felt himself jerked +backward and the shock cleared his vision. Opposite him two men held +Fadeaway, whose mouth was bleeding. The puncher was struggling to get +at his gun. + +Corliss laughed. "Got you that time, you thief!" + +"He's crazy drunk," said one of the men. "Don't get het up, Fade. He +ain't packin' a gun." + +Fadeaway cursed and wiped the blood from his mouth. He was playing his +part well. Accident had helped him. To all intents and purposes they +were open enemies. + +Still, he was afraid Corliss would talk, so he laughed and extended his +hand. "Shake, Billy. I guess you didn't know what you were doin'. I +was tryin' to keep you from fallin'." + +Corliss stared at the other with unwinking eyes. + +Fadeaway laughed and turned toward the bar. "Ought to hand him one, +but he's all in now, I reckon. That's what a fella gets for mixin' up +with kids. Set 'em up, Joe." + +Left to himself Corliss stared about stupidly. Then he started for the +doorway. + +As he passed Fadeaway, the latter turned and seized his arm. "Come on +up and forget it, Billy. You and me's friends, ain't we?" + +The cowboy, by sheer force of his personality, dominated the now +repentant Corliss, whose stubbornness had given way to tearful +retraction and reiterated apology. Of course they were friends! + +They drank and Fadeaway noticed the other's increasing pallor. "Jest +about one more and he'll take a sleep," soliloquized the cowboy. "In +the mornin' 's when I ketch him, raw, sore, and ready for anything." + +One of the cowboys helped Corliss to his room at the Palace. Later +Fadeaway entered the hotel, asked for a room, and clumped upstairs. He +rose early and knocked at Corliss's door, then entered without waiting +for a response. + +He wakened Corliss, who sat up and stared at him stupidly. "Mornin', +Billy. How's the head?" + +"I don't know yet. Got any cash, Fade? I'm broke." + +"Sure. What you want?" + +Corliss made a gesture, at which the other laughed. "All right, +pardner. I'll fan it for the medicine." + +When he returned to the room, Corliss was up and dressed. Contrary to +Fadeaway's expectations, the other was apparently himself, although a +little too bright and active to be normal. + +"Guess I got noisy last night," said Corliss, glancing at Fadeaway's +swollen lip. + +"Forget it! Have some of this. Then I got to fan it." + +"Where are you going?" + +"Me? Over to the Blue. Got a job waitin' for me." + +Corliss's fingers worked nervously. "When did you say the Concho paid +off?" he queried, avoiding the other's eye. + +Fadeaway's face expressed surprise. "The Concho? Why, next Monday. +Why?" + +"Oh--nothing. I was just wondering . . ." + +"Want to send any word to Jack?" asked the cowboy. + +"No, I don't. Thanks, just the same, Fade." + +"Sure! Well, I guess I'll be goin'." + +"Wait a minute. Don't be in a rush. I was thinking . . ." + +Fadeaway strode to the window and stood looking out on the street. His +apparent indifference was effective. + +"Say, Fade, do you think we could--could get away with it?" + +"With what?" exclaimed the cowboy, turning. + +"Oh, you know! What you said yesterday." + +"Guess I said a whole lot yesterday that I forgot this mornin'. I get +to joshin' when I'm drinkin' bug-juice. What you gettin' at?" + +"The money--at the Concho." + +"Oh, that! Why, Billy, I was jest stringin' you! Supposin' somebody +was to make a try for it; there's Chance like to be prowlin' around and +the safe ain't standin' open nights. Besides, Jack sleeps next to the +office. That was a josh." + +"Well, I could handle Chance," said Corliss. "And I know the +combination to the safe, if it hasn't been changed. You said Jack was +likely to be away nights, now." + +Fadeaway shook his head. "You're dreamin', Bill. 'Sides, I wouldn't +touch a job like that for less'n five hundred." + +"Would you--for five hundred?" + +"I dunno. Depends on who I was ridin' with." + +"Well, I'll divvy up--give you five hundred if you'll come in on it." + +Again Fadeaway shook his head. "It's too risky, Billy. 'Course you +mean all right--but I reckon you ain't got nerve enough to put her +through." + +"I haven't!" flashed Corliss. "Try me!" + +"And make a get-away," continued the cowboy. "I wouldn't want to see +you pinched." + +"I'll take a chance, if you will," said Corliss, now assuming, as +Fadeaway had intended, the role of leader in the proposed robbery. + +"How you expect to get clear--when they find it out?" + +"I could get old man Soper to hide me out till I could get to Sagetown. +He'll do anything for money. I could be on the Limited before the news +would get to Antelope." + +"And if you got pinched, first thing you'd sing out 'Fadeaway,' and +then me for over the road, eh?" + +"Honest, Fade. I'll swear that I won't give you away, even if I get +caught. Here's my hand on it." + +"Give me nine hundred and I'll go you," said Fadeaway, shaking hands +with his companion. + +Corliss hesitated. Was the risk worth but half the money involved? +"Five's a whole lot, Fade." + +"Well, seein' you're goin' to do the gettin' at it, why, mebby I'd risk +it for five hundred. I dunno." + +"You said you'd stand by a pal, Fade. Now's your chance." + +"All right. See here, Bill. You cut out the booze all you can to-day. +Foot it out to the Beaver Dam to-night and I'll have a hoss for you. +We can ride up the old canon trail. Nobody takes her nowadays, so +we'll be under cover till we hit the ford. We can camp there back in +the brush and tackle her next evenin'. So-long." + +Fadeaway was downstairs and out on the street before Corliss realized +that he had committed himself to a desperate and dangerous undertaking. +He recalled the expression in Fadeaway's eyes when they had shaken +hands. Unquestionably the cowboy meant business. + + + + +CHAPTER IX + +SUNDOWN'S FRIEND + +Bud Shoop was illustrating, with quaint and humorous gestures and +adjectives, one of his early experiences as Ranger on the Apache +Reservation. The men, grouped around the night-fire, smoked and helped +the tale along with reminiscent suggestions and ejaculations of +interest and curiosity. In the midst of a vivid account of the +juxtaposition of a telephone battery and a curious yet unsuspicious +Apache, Shoop paused in the recital and gazed out across the mesa. +"It's the boss," he said, getting to his feet. "Wonder what's up?" + +Corliss rode into camp, swung from the saddle, and called to Shoop. +The men gazed at each other, nodded, and the words "Loring" and +"sheep," punctuated their mutterings. + +Shoop and Corliss talked together. Then the foreman called to Hi +Wingle, asking him how the "chuck" was holding out. + +"Runnin' short on flour and beans, Bud. Figured on makin' the Concho +to-morrow." + +Corliss and his foreman came to the fire. "Boss says we're goin' to +bush here the rest of this week," and Corliss nodded. + +"I'm expecting company on the west side," explained Corliss, + +The men gazed at each other knowingly. + +"All right," said Wingle. "Four sacks of flour and a sack of +frijoles'll see us through. Got enough other stuff." + +"Send some one in for it," ordered Corliss. "I'm going to stay with +the outfit, from now on." + +The men cheered. That was the kind of a boss to work for! No settin' +back and lettin' the men do the fightin'! Some style to Jack Corliss! +All of which was subtly expressed in their applause, although unspoken. + +"To see that you boys don't get into mischief," continued Corliss, +smiling. + +"Which means keepin' other folks out of mischief, eh, patron?" said a +cow-puncher. + +At the word "patron" the men laughed. "They're talkin' of turnin' this +outfit into a sheep-camp," remarked another. "Ba-a-ah!" And again they +laughed. + +Shoop motioned to Sundown who rose from beside the fire. "You can +saddle up, Sun." + +Sundown caught up his horse and stood waiting while one of the men +saddled two pack-animals. "Tony has the keys. He'll pack the stuff +for you," said Corliss. "Keep jogging and you ought to be back here by +sunup." + +The assistant cook mounted and took the lead-rope of the pack-horses. +He was not altogether pleased with the prospect of an all-night ride, +but he knew that he had been chosen as the one whose services could +most easily be dispensed with at the camp. Silently he rode away, the +empty kyacks clattering as the pack-horses trotted unwillingly behind +him. Too busy with the unaccustomed lead-rope to roll cigarettes, he +whistled, and, in turn, recited verse to keep up his spirits. + +About midnight he discerned the outline of the low ranch-buildings and +urged his horse to a faster gait. As he passed a clump of cottonwoods, +his horse snorted and shied. Sundown reined him in and leaned peering +ahead. The pack-animals tugged back on the rope. Finally he coaxed +them past the cottonwoods and up to the gate. It was open, an unusual +circumstance which did not escape his notice. He drifted through the +shadows toward the corral, where he tied the horses. Then he stepped +to the bunk-house, found a lantern and lighted it. He hallooed. There +was no response. He stalked across to the ranch-house. He found the +door unlocked. "Hi! Tony!" he called. No one answered. He pushed +the door open and entered. Holding the lantern above his head he +peered around the room. + +In the dim light of the lantern vague outlines took shape. He noticed +that the small safe in the corner was open. He became alarmed and +again called. He heard a slight movement behind him and turned to see +the door close. From behind stepped a figure, a slender figure that +seemed unreal, yet familiar. With a cry of surprise he jumped back and +stood facing his old friend and companion of the road, Will Corliss. + +"Billy!" he ejaculated, backing away and staring. + +"Yes, it's Billy." And Corliss extended his hand. + +"But--what, where--?" Sundown hesitated and glanced at the safe. His +eyes widened and he lowered the lantern. "Billy!" he said, ignoring +the other's proffered hand, "what you doin' here?" + +Corliss assumed a nonchalant air. "Shake, pal! It's a long time since +we been in a wreck, eh?" + +Sundown was silent, studying the other's hardened features. "Billy!" +he reiterated, "what you doin' here?" + +Corliss laughed nervously. "What are you doing here?" he +retorted,--"in the office of the Concho, at midnight?" + +"I was comin' to get flour and beans for the camp--" he began. + +Corliss interrupted him. "Sounds good, that! But they don't keep the +grub here. Guess you made a mistake." + +Sundown's face was expressionless. "Guess you made the mistake, Billy. +I thought you was--dead." + +"Not on your tin-type, Sun." + +"I never thought you was crooked, Billy." + +"Crooked!" flashed Corliss. "Say, you--you forget it. I'm here to get +what's coming to me. Jack turned me down, so I'm going to take what's +mine." + +"Mebby it's yours, but you ain't gettin' it right," said Sundown. +"I--I--never thought you was--" + +"Oh, cut that out! You didn't used to be so dam' particular." + +"I never swiped a cent in me life, Billy." + +"Well, forget it. I'm in a hurry. You go ahead and get the chuck. +Here are the keys to the store-room--and beat it. Just forget that you +saw me; that's all." + +Sundown shook his head. "I ain't forgettin' that easy, Billy. 'Sides, +I'm workin' for the Concho, now. They're treatin' me fine--and I +reckon I got to be square." + +"You mean you're going to squeal--going back on your old pal, eh?" + +Sundown's face expressed conflicting emotions. He straightened his +lean shoulders. "I tell you, Billy; if you beat it now, they won't be +nothin' to squeal about." + +"I'm going to." And Corliss stepped toward the safe. "Just hold that +light this way a minute." + +Sundown complied, and Corliss thought that the other had overcome his +scruples. Corliss hastily drew a small canvas sack from the safe and +stuffed it into his pocket. Sundown backed toward the door. + +Corliss got to his feet. "Well, so-long, Sun. Guess I'll light out." + +"Not with that," said Sundown. "I ain't no preacher, but I ain't goin' +to see you go straight to hell and me do nothin'. Mebby some of that +dough is yourn. I dunno. But somebody's goin' to get pinched for +takin' it. Bein' a Bo, it'll be me." + +"So that's what's worrying you, eh? Scared you'll get sent over for +this. Well, you won't. You haven't got anything on you." + +"'T ain't that, Billy. It's you." + +Corliss laughed. "You're getting religion, too. Well, I never thought +you'd go back on me." + +"I ain't. I was always your friend, Billy." + +Corliss hesitated. The door behind Sundown moved ever so little. +Corliss's eyes held Sundown with unwinking gaze. Slowly the door swung +open. Sundown felt rather than heard a presence behind him. Before he +could turn, something crashed down on his head. The face of his old +friend, intense, hard, desperate, was the last thing imaged upon his +mind as the room swung round and he dropped limply to the floor. + +"Just in time," said Fadeaway, bending over the prostrate figure. "Get +a move, Bill. I followed him from the cottonwoods and heard his talk. +I was waitin' to get him when he come out, but I seen what he was up to +and I fixed him." + +Corliss backed against the wall, trembling and white. "Is he--did +you--?" + +Fadeaway grinned. "No, just chloroformed him. Get a move, Bill. No +tellin' who'll come moseyin' along. Got the stuff?" + +Corliss nodded. + +Fadeaway blew out the light. "Come on, Bill. She worked slick." + +"But--he knows me," said Corliss. "He'll squeal." + +"And I reckon Jack'll believe him. Why, it's easy, Bill. They find +the Bo on the job and the money gone. Who did it? Ask me." + +At the cottonwoods they mounted. "Now, you fan it for Soper's," said +Fadeaway. "I'll keep on for the Blue. To-morrow evenin' I'll ride +over and get my divvy." + +Corliss hesitated. + +"You better travel," said Fadeaway, reining his horse around. +"So-long." + +Chance, a prisoner in the stable, whined and gnawed at the rope with +which Corliss had tied him. The rope was hard-twisted and tough. +Finally the last strand gave way. The dog leaped through the doorway +and ran sniffing around the enclosure. He found Sundown's trail and +followed it to the ranch-house. At the threshold the dog stopped. His +neck bristled and he crooked one foreleg. Slowly he stalked to the +prone figure on the floor. He sniffed at Sundown's hands and pawed at +him. Slowly Sundown's eyes opened. He tried to rise and sank back +groaning. Chance frisked around him playfully coaxing. Finally +Sundown managed to sit up. With pain-heavy eyes he gazed around the +room. Slowly he got to his feet and staggered to the doorway. He +leaned against the lintel and breathed deeply of the fresh morning air. +The clear cold tang of the storm that had passed, lingered, giving a +keen edge to the morning. "We're sure in wrong," he muttered, gazing +at Chance, who stood watching him with head cocked and eyes eager for +something to happen--preferably action. Sundown studied the dog dully. +"Say, Chance," he said finally, "do you think you could take a little +word to the camp? I heard of dogs doin' such things. Mebby you could. +Somebody's got to do 'somethin' and I can't." Painfully he stooped and +pointed toward the south. "Go tell the boss!" he commanded. Chance +whined. "No, that way. The camp!" + +Chance nosed across the yard toward the gate. Then he stopped and +looked back. Sundown encouraged him by waving his arm toward the +south. "Go ahead, Chance. The boss wants you." + +Chance trotted toward the cottonwood, nosed among them, and finally +took Sundown's trail to the knoll. + +Sundown crept to the bunk-house, wondering what had become of the +Mexican, Tony. He determined to search for him, but became dizzy, and, +crawling to a bunk, lay back groaning as the dull pain in his head +leaped intermittently to blinding stabs of agony. It seemed ages +before he heard the quick staccato of hoofs on the road. He raised +himself on his elbow as Shoop and Corliss rode up on their +mud-spattered and steaming ponies. Sundown called as they dismounted +at the corral. + +Corliss and Shoop stamped in, breathing hard. "What's up?" questioned +Corliss. + +"They--they got the money," muttered Sundown, pointing toward the +office. + +"Who? See what's up, Bud." + +Shoop swung out and across the enclosure. + +Corliss stooped over Sundown. "What's wrong, Sun? Why, Great God, +you're hurt!" + +The rancher brought water and bathed Sundown's head. "Who did it?" he +questioned. + +"I dunno, boss. I come and caught 'em at it. Two of 'em, I guess. I +was tryin' to stop one fella from takin' it when the other slips me one +on the head, and I takes a sleep. I was lookin' for Tony in the +office." + +"Where's Tony?" + +"I dunno. I was goin' to see--but--my head . . ." + +"That's all right. You take it easy as you can. I'll find out." + +And Corliss left the room. With Chance he explored the outbuildings +and finally discovered the Mexican bound and gagged in the stable. He +released him, but could make nothing of his answers save that some one +had come at night, tied his hands and feet, and carried him from the +ranch-house. + +Corliss returned to Sundown. In the bunkhouse he encountered Shoop. + +"They robbed the safe," said Shoop, and he spoke with a strange +quietness. "Better come and take a look, Jack." + +"Didn't blow her," said Shoop, pointing toward the corner as they +entered the office. + +Corliss knelt and examined the safe. "The man that did it knew the +combination," he said. "There isn't a mark on the door." + +He rose, and Shoop met his eye. Corliss shook his head. "I don't +know," he said, as if in answer to a silent questioning. Then he told +Shoop to look for tracks. + +"The rain's fixed the tracks," said Shoop, turning in the doorway. +"But it ain't drowned out my guess on this proposition." + +"Well, keep guessing, Bud, till I talk to Sundown." And Corliss walked +slowly to the bunkhouse. He sat on the edge of the bunk and laid his +hand on Sundown's sleeve. "Look here, Sun, if you know anything about +this, just tell me. The money's gone and you didn't get that cut on +the head trying to take it. I guess you're straight, all right, but I +think you know something." + +Sundown blinked and set his jaw. + +Corliss observed and wisely forbore to threaten or command. "Did you +recognize either of the men?" he asked, presently. + +"No!" lied Sundown. "Wasn't I hit in the back of me head?" + +Corliss smiled grimly. "What were you doing when you got hit?" + +"Tryin' to stop the other guy--" + +"What did he look like?" + +"I dunno. Me lantern was on the floor. He was a hefty guy, bigger 'n +you. Mebby six feet and pow'ful built. Had whiskers so's I couldn't +pipe his face. Big puncher hat down over his eyes and a handkerchief +tied like a mask. I was scared of him, you bet!" + +Corliss slowly drew a sack of tobacco and papers from his pocket. He +rolled a cigarette and puffed reflectively. Then he laughed. "I'm out +about eighteen hundred. That's the first thing. Next, you're used up +pretty bad and we're short-handed. Then, we're losing time trying to +track the thieves. But I'm not riled up a little bit. Don't think I'm +mad at you. I'm mighty glad you didn't get put out in this deal. +That's where I stand. I want to find out who took the money. I don't +say that I'll lift a rein to follow them. Depends on who did it." + +Sundown winced, and gazed up helplessly. He felt oppressed by the +broad-chested figure near him. He felt that he could not get away +from--what? Not Corliss, for Corliss was undoubtedly friendly. In a +flash he saw that he could not get away from the truth. Yet he +determined to shield his old pal of the road. "You're sure givin' me +the third degree," he said with an attempt at humor. "I reckon I got +to come through. Boss, are you believin' I didn't take the cash?" + +"Sure I am! But that isn't enough. Are you working for the Concho, +Sun, or for some other outfit?" + +"The Concho," muttered Sundown stubbornly. + +"And I'm the Concho. You're working for me. Listen. I've got a yarn +to spin. The man that took the money--or one of them--was short, and +slim, and clean-shaved, and he didn't wear a puncher hat. You weren't +scared of him because he was a coward. You tried to get him to play +square and he talked to you while the other man got you from behind. +That's just a guess, but you furnished the meat for it." + +"Me hands are up," said Sundown. + +"All right. I'm not going to get after Billy for this. You lied to +me, but you lied to save your pal. Shake!" + + + + +CHAPTER X + +THE STORM + +Will Corliss, riding through the timberlands toward the west, shivered +as a drop of rain touched his hand. He glanced up through the trees. +The sky seemed clouded to the level of the pine-tops. He spurred his +horse as he again felt a spatter of rain. Before him lay several miles +of rugged trail leading to an open stretch across which he would again +enter the timber on the edge of the hollow where Soper's cabin was +concealed. When Corliss had suggested Soper's place as a rendezvous, +Fadeaway had laughed to himself, knowing that old man Soper had been +driven from the country by a committee of irate ranchers. The illicit +sale of whiskey to the cowboys of the Concho Valley had been the cause +of Soper's hurried evacuation. The cabin had been burned to the +ground. Fadeaway knew that without Soper's assistance Corliss would be +unable to get to the railroad--would be obliged either to return to the +Concho or starve on the empty mesas. + +Corliss bent his head as the rain drove faster. When he arrived at the +edge of the mesa, the storm had increased to a steady dull roar of +rushing rain. He hesitated to face the open and reined up beneath a +spruce. He was drenched and shivered. The fever of drink had died out +leaving him unstrung and strangely fearful of the night. His horse +stood with lowered head, its storm-blown mane whipping in the wind like +a wet cloth. A branch riven from a giant pine crashed down behind him. +Corliss jerked upright in the saddle, and the horse, obeying the +accidental touch of the spurs, plodded out to the mesa with head held +sideways. + +The rider's hands grew numb and he dropped the reins over the horn and +shoved his hands in his pockets. Unaccustomed to riding he grew weary +and, despite the storm, he drowsed, to awaken with a start as gusts of +wind swept against his face. He raised his dripping hat and shook the +water from it. Then he crouched shivering in the saddle. He cursed +himself for a fool and longed for shelter and the warmth of a fire. +Slowly a feeling of helplessness stole over him and he pictured himself +returning to the Concho and asking forgiveness of his brother. Yet he +kept stubbornly on, glancing ahead from time to time until at last he +saw the dim edge of the distant timber--a black line against the +darkness. He urged his horse to a trot, and was all but thrown as the +animal suddenly avoided a prairie-dog hole. The sweep of the storm was +broken as he entered the farther timber. Then came the muffled roll of +thunder and an instant white flash. The horse reared as a bolt struck +a pine. Came the ghastly whistle of flying splinters as the tree was +shattered. Corliss grabbed the saddle-horn as the horse bolted through +the timberlands, working against the curb to reach the open. Once more +on the trail the animal quieted. They topped a gentle rise. Corliss +breathed his relief. Soper's cabin was in the hollow below them. + +Cautiously the horse worked sideways down the ridge, slipping and +checking short as the loose stones slithered beneath his feet. At the +bottom of the hollow Corliss reined up and shouted. The wind whipped +his call to a thin shred of sound that was swept away in the roar of +the storm. Again he shouted. As though in answer there came a burning +flash of blue. The dripping trees surrounding the hollow jumped into +view to be blotted from sight as the succeeding crash of thunder +diminished to far titanic echoes. Where Soper's cabin had stood there +was a wet, glistening heap of fallen logs and rafters, charred and +twisted. The lightning flash had revealed more to the rider than the +desolation of the burned and abandoned homestead. He saw with instant +vividness the wrecked framework of his own plans. He heard the echo of +Fadeaway's sneering laugh in the fury of the wind. He told himself +that he had been duped and that he deserved it. Lacking physical +strength to carry him through to a place of tentative safety, he gave +up, and credited his sudden regret to true repentance rather than to +weakness. He would return to the Concho, knowing that his brother +would forgive him. He wept as he thought of his attitude of the +repentant and broken son returning in sorrow to atone for his sin and +shame. He magnified his wrongdoing to heroic proportions endeavoring +to filch some sentimental comfort from the romantic. He it was that +needed the sympathy of the world and not his brother John; John was a +plodder, a clod, good enough, but incapable of emotion, or the finer +feelings. And Eleanor Loring . . . she could have saved him from all +this. He had begun well; had written acceptable verse . . . then had +come her refusal to marry him. What a fool he had been through it all! +The wind and rain chastised his emotional intoxication, and he turned +shivering to look for shelter. Dismounting, he crept beneath a low +spruce and shivered beneath the scant covering of his saddle-blanket. +To-morrow the sun would shine on a new world. He would arise and +conquer his temptation. As he drifted to troubled sleep he knew, deep +in his heart, that despite his heroics he would at that moment have +given the little canvas sack of his brother's money for the +obliterating warmth of intoxication. + +With the morning sun he rose and saddled. About to mount, his +stiffened muscles blundered. He slipped and fell. The horse, keen +with hunger, jumped away from him and trotted down the trail. He +followed shouting. His strength gave out and he gave up the chase, +wondering where the horse would go. Stumbling along the slippery +trail, he cursed his clumsiness. A chill sweat gathered on his face. +His legs trembled and he was forced to rest frequently. Crossing a +stream, he stooped and drank. Then he toiled on, eagerly scanning the +hoof-prints in the rain-gutted trail. + +The sun was high when he arrived at the wagon-road above the Concho. +Dazed and weak, he endeavored to determine which direction the horse +had taken. The heat of the sun oppressed him. He became faint, and, +crawling beneath the shade of a wayside fir, he rested, promising +himself that he would, when the afternoon shadows drifted across the +road, make his way to the Concho. He had slept little more than an +hour when the swift patter of hoofs wakened him. As he got to his +feet, a buckboard, drawn by a pair of pinto range-ponies, drew up. +Corliss started back. The Mexican driving the ponies turned toward the +sweet-faced Spanish woman beside him as though questioning her +pleasure. She spoke in quick, low accents. He cramped the wagon and +she stepped to the road. The Senora Loring, albeit having knowledge of +his recent return to Antelope, his drinking, and all the unsavory +rumors connected with his return, greeted Corliss as a mother greets a +wayward son. She set all this knowledge aside and spoke to him with +the placid wisdom of her years and nature. Her gentle solicitude +touched him. She had been his foster-mother in those years that he and +his brother had known no other fostering hand than that of old Hi +Wingle, the cook, whose efforts to "raise" the Corliss boys were more +largely faithful than discriminating. + +Senora Loring knew at a glance that he was in trouble of some kind. +She asked no questions, but held out her hands. + +Corliss, blind with tears, dropped to his knee: "Madre! Madre!" he +cried. + +She patted his head. "You come with me. Then perhaps you have to say +to me that which now you do not say." + +He shook his head, but she paid no attention, leading the way to the +buckboard. He climbed beside the driver, then with an ejaculation of +apology, leaped to the road and helped her in. + +"Where you would like to go?" she asked. "The Concho?" + +Again he shook his head. "I can't. I--" + +She questioned his hesitation with her eyes. + +"I'll tell you when--when I feel better. Madre, I'm sick." + +"I know," she said. + +Then, turning to the driver, she gestured down the wagon-trail. + +They drove through the morning woodlands, swung to the east, and +crossed the ford. The clustered adobes of the Loring homestead +glimmered in the sun. Corliss glanced across the river toward the +Concho. Again the Senora Loring questioned him with a glance. + +He shook his head. "Away--anywhere," he said, gesturing toward the +horizon. + +"You come home with me," she said quietly. "Nellie is not at the home +to-day. You rest, and then perhaps you go to the Concho." + +As they entered the gateway of the Loring rancho, Corliss made as +though to dismount. The Senora Loring touched his arm. He shrugged +his shoulders; then gazed ahead at the peaceful habitation of the old +sheep-herder. + +The Senora told the driver to tie the team and wait. Then she entered +the house. Corliss gazed about the familiar room while she made +coffee. Half starved, he ate ravenously the meal she prepared for him. +Later, when she came and sat opposite, her plump hands folded in her +lap, her whole attitude restful and assuring, he told her of the +robbery, concealing nothing save the name of Fadeaway. + +Then he drew the canvas sack from his pocket. "I thought I could go +back and face it out, but now, I can't. Will you--return it--and--tell +John?" + +She nodded. "Si! If you wish it so, my son. You would not do that as +I would tell you--so I say nothing. I can only--what you say--help, +with my hands," and she gestured gracefully as though leading a child. +"You have money to go away?" + +"No, madre." + +"Then I give you the money." And the Senora, ignoring his half-hearted +protests, stepped to an adjoining room and returned. "Here is this to +help you go. Some day you come back strong and like your father the +big John Corliss. Then I shall be much glad." + +"I'll pay it back. I'll do anything--" + +But she silenced him, touching his lips with her fingers. "No. The +promise to make is not so hard, but to keep . . . Ah! When you come +back, then you promise; si?" + +Not a word of reproof, not a glance or a look of disapproval, yet +Corliss knew that the Senora's heart was heavy with sorrow for him. He +strode to the doorway. Senora Loring followed and called to the +driver. As Corliss shook hands with her, she kissed him. + +An anger against himself flushed his cheek. "I don't know which road +I'll take, madre,--after I leave here,--this country. But I shall +always remember . . . And tell Nell . . . that . . ." he hesitated. + +The Senora smiled and patted his arm. "Si! I understand." + +"And, madre, there is a man--vaquero, or cook, a big man, tall, that +they call Sundown, who works for the Concho. If you see him, please +tell him--that I sent it back." And he gestured toward the table +whereon lay the little canvas sack of gold. "Good-bye!" + +He stepped hurriedly from the veranda, climbed to the seat of the +buckboard, and spoke to the driver. For a long time the Senora stood +in the doorway watching the glint of the speeding ponies. Then she +went to her bedroom and knelt before the little crucifix. Her prayer +was, strangely enough, not for Will Corliss. She prayed that the sweet +Madonna would forgive her if she had done wrong. + + + + +CHAPTER XI + +CHANCE--CONQUEROR + +Sundown's return to the camp occasioned some indirect questioning and +not a little comment. He told the story of his adventure at the Concho +in detail up to the point of his conversation with Will Corliss. Then +he lapsed into generalities, exhibiting with some little pride the +wound on his head as evidence of his attempt to prevent the robbery and +incidentally as a reason for being unable to discourse further upon the +subject. His oft-repeated recital invariably concluded with, "I steps +in and tries to stop the first guy when _Wham!_ round goes the room and +I takes a sleep." + +The men seemed satisfied with Sundown's graphic account in the main. +Hi Wingle, the cook, asked no questions, but did a great deal of +thinking. He was aware that Will Corliss had returned to the Concho, +and also, through rumor, that Corliss and Fadeaway had been together in +Antelope. The fact that the robbers failed to get the money--so it was +given out--left the drama unfinished, and as such it lacked sustained +interest. There would be no bandits to capture; no further excitement; +so the talk eventually drifted to other subjects. + +The assistant cook's evident melancholy finally gave place to a happier +mood as he realized that he had gained a modicum of respect in a camp +where hitherto he had been more or less of a joke. While he grieved +over the events which led up to his newly attained prestige as a man of +nerve, he was not a little proud of the prestige itself, and +principally because he lacked the very quality of courage that he was +now accredited with. Perhaps the fact that he had "played square," as +he saw it, was the true foundation of his attitude. + +He discharged his duties as assistant cook with a new and professional +flourish that amused the riders. When they rolled from their blankets +in the crisp air of the morning, they were never kept waiting for their +coffee, hot bread, and frijoles. Moreover, he always had a small fire +going, around which he arranged the tin plates, cups, knives and forks. +This additional fire was acceptable, as the cooking was done on a large +sheet-iron camp-stove, the immediate territory of which was sacred to +Hi Wingle. Wingle, who had been an old-timer when most of the Concho +hands were learning the rudiments of the game, took himself and his +present occupation seriously. His stove was his altar, though burnt +offerings were infrequent. He guarded his culinary precincts with a +watchful eye. His attitude was somewhat akin to that of Cardinal +Richelieu in the handkerchief scene, "Take but one step within these +sacred bounds and on our head I'll lunch the cuss of Rum," or something +to that effect. He was short, ruddy, and bald, and his antithesis, +Sundown, was a source of constant amazement to him. Wingle had seen +many tall men, but never such an elongated individual as his assistant. +It became the habit of one or another of the boys to ask the cook the +way to the distant Concho, usually after the evening meal, when they +were loafing by the camp-fire. Wingle would thereupon scratch his head +and assume an air of intense concentration. "Well," he would +invariably remark, "you take the trail along Sundown's shadder there, +and keep a-fannin' it smart for about three hours. When you come to +the end of the shadder, take the right fork of the river, and in +another hour you'll strike the Concho. That's the quickest way." And +this bit of attenuated humor never failed to produce an effect. + + +One morning, about a week after Sundown's return to his duties as +assistant, while Wingle was drying his hands, preparatory to reading a +few pages of his favorite novel, Sundown ambled into camp with an +armful of greasewood, dumped it near the wagon, and, straightening up, +rolled a cigarette. + +Wingle, immersed in the novel, read for a while and then glanced up +questioningly. + +Sundown shook his head. + +"Now this here story," said Wingle; "I read her forty-three times come +next round-up, and blamed if I sabe her yet. Now, take it where the +perfesser--a slim gent with large round eye-glasses behind which +twinkled a couple of deep-set studyus eyes--so the book says; now, take +it where he talks about them Hopi graves over there in the valley--" + +"This here valley?" queried Sundown, immediately interested. + +"Sure! Well, I can sabe all that. I seen 'em." + +"Seen 'em?" + +"Sure! Why Arizona's got more leavin's of history and dead Injuns and +such, right on top of the ground, than any other State in the Union. +Why, right over there in the canon of the Concho there's a hull ruined +Injun village--stones piled up in little circles, and what was huts and +caves and the leavin's of a old irrigatin' ditch and busted ollas, and +bones and arrow-heads and picture-writin' on the rocks--bears and +eagles and mounting-lions and hosses--scratched right on the rocks. +Them cliffs there is covered with it." + +"Them?" queried Sundown, pointing toward the canon, "Do they charge +anything to see it?" + +"Well, seein' they been dead about a thousand years, I reckon not." + +"A thousand years! Huh! I ain't scared of no Injuns a thousand years +old. How far is it to them picture-things?" + +"'Bout three mile. You can take a hoss and mosey over if you like. +Figure on gettin' back 'round noon." + +"Any snakes over there?" + +"Comf'table thick. You might get a pretty good mess of 'em, if you was +to take your time. I never bother to look for 'em." + +Sundown gazed at his length of nether limb and sighed. + +"Snakes won't bother you none," said Wingle, reassuringly. "They get +tired, same as anybody, and they'd have to climb too fur to see if you +was to home." + +Sundown rose and saddled a horse. He mounted and rode slowly toward +the rim of the distant canon. At the canon's brink, he dismounted and +led his horse down the trail, stopping frequently to gaze in wonderment +at the painted cliffs and masses of red rock strewn along the slopes. +High up on the perpendicular face of the canon walls he saw many caves +and wondered how they came to be there. "Makes a fella feel like +sayin' his prayers," he muttered. "Wisht I knowed one." + +He drifted on down the trail, which wound around huge fragments of rock +riven from the cliffs in prehistoric days. He was awed by the +immensity of the chasm and talked continuously to his horse which +shuffled along behind paying careful attention to the footing. Arrived +at the stream the horse drank. Sundown mounted and rode along the +narrow level paralleling the river course. The canon widened, and +before he realized it he was in a narrow valley carpeted with +bunch-grass and dotted with solitary cypress and infrequent clumps of +pine. He paused to inspect a small mound of rock which was partially +surrounded by a wall of neatly laid stone. Within the semicircular +wall was a hole in the ground--the entrance to a cave. Farther along +he came upon the ruins of a walled square, unmistakably of human +construction. He became interested, and, tying his horse to a +scrub-cedar, began to dig among the loose stones covering the interior +of the square. He discovered a fragment of painted pottery--the +segment of an olla, smooth, dark red, and decorated with a design in +black. He rubbed the earth from the fragment and polished it on his +overalls. He unearthed a larger fragment and found that it matched the +other piece. He was happy. He forgot his surroundings, and scratched +and dug in the ruin until he accumulated quite a little pile of shards, +oddly marked and colored. Eventually he gathered up his spoils and +tied them in his handkerchief. + +Leaving his horse, he meandered down the valley until he came to +another and larger cave. "Wonder what's down there?" he soliloquized. +"Mebby one of them Injuns. Been there a thousand years waitin' for +somethin' to turn up. 'Nough to make a fella tired, waitin' that +long." He wanted to explore the cave, but he was afraid. Moreover, +the interior was dark. He pondered. Finally his natural fondness for +mild adventure overcame his fear. "Got some matches!" he exclaimed, +joyfully. "Wonder if it's deep? Guess I could put me legs in first, +and if nothin' bites me legs, why, I could follow 'em down to bottom." +He put his head in the hole. "Hey!" he hallooed, "are you in there?" +He rose to his feet. "Nothin' doin'. Well, here goes. I sure want to +see what's down there." + +In his excitement he overlooked the possibility of disturbing a torpid +rattler. He slid feet first into the cave, found that he could all but +stand upright, and struck a match. + + +The ancient Hopis buried their dead in a sitting posture on a woven +grass mat, with an olla, and frequently a bone dagger, beside them. In +the clean, dry air of the uplands of Arizona the process of decay is +slow. Sundown, unaware of this, hardly anticipated that which +confronted him as the match flamed blue and flared up, lighting the +interior of the cave with instant brilliance. About six feet from +where he crouched was the dried and shriveled figure of a Hopi chief, +propped against the wall of the cave. Beside the figure stood the +painted olla untarnished by age. The dead Indian's head was bowed upon +his breast, and his skeleton arms, parchment-skinned and rigid, were +crossed upon his knees. + +Sundown scrambled for the circle of daylight above him. "Gee Gosh!" he +panted, as he got to his feet outside the cave. "It was him!" He +clambered over the circle of stones and backed away, eyeing the +entrance as though he expected to see the Hopi emerge at any moment. +He crouched behind a boulder, his pulses racing. He was keyed to a +high tension of expectancy. In fact, he was in a decidedly receptive +mood for that which immediately happened. He noticed that his horse, a +hundred yards or so up the valley, was circling the cedar and pulling +back on the reins. He wondered what was the matter with him. The +horse was usually a well-behaved animal. The explanation came rapidly. +Sundown saw the horse back and tear loose from the cedar; saw him whirl +and charge down the valley snorting. "Guess he seen one, too!" said +Sundown making no effort to check the frightened animal. Almost +immediately came the long-drawn bell of a dog following a hot scent. +Sundown turned from watching his vanishing steed and saw a huge +timber-wolf leap from a thicket. Behind the wolf came Chance, neck +outstretched, and flanks working at top speed. The wolf dodged a +boulder, flashing around it with no apparent loss of ground. Chance +rose over the boulder as though borne on the wind. The wolf turned and +snapped at him. Sundown decided instantly that the sepulcher of the +dead Hopi was preferable to the proximity of the live wolf, and he made +for the cave. + +The wolf circled the wall of stones and also made for the cave. +Sundown had arrived a little ahead of him. The top of Sundown's head +appeared for an instant; then vanished. The wolf backed snarling +against the wall as Chance leaped in. When Sundown's head again +appeared, the whirling mass of writhing fur and kicking legs had taken +more definite shape. Chance had fastened on the wolf's shoulder. The +wolf was slashing effectively at the dog's side. Presently they lay +down facing each other. Chance licked a long gash in his foreleg. The +wolf snapped as he lay and a red slaver dripped from his fangs. Not +twelve feet away, Sundown gazed upon the scene with fear-wide eyes. +"Go to it, Chance!" he quavered, and his encouragement was all but the +dog's undoing, for he lost the wolf's gaze for an instant, barely +turning in time to meet the vicious charge. Sundown groaned as the +wolf, with a slashing stroke, ripped the dog's neck from ear to +shoulder. The stones in the enclosure were spattered with red as they +whirled, each trying to reach the throat of the other. Suddenly Chance +leaped up and over the wolf, lunging for his neck as he descended. The +wolf rolled from under and backed toward the cave. "Hey!" yelled +Sundown. "You can't come in here!" + +Chance, weakened from loss of blood, lay watching the wolf as it +crouched tensely. Again the great gray shadow lunged and a bright +streak sprung up on the dog's side. "Gee Gosh!" whined Sundown; "he +can't stand much more of that!" Undoubtedly Chance knew it, for he +straight-way gathered himself and leaped in, diving low for the wolf's +fore leg. As the wolf turned his shoulder, Chance again sprang over +him and, descending, caught him just behind the ear, and held. The +wolf writhed and snarled. Chance gripped in and in, with each savage +shake of his head biting deeper. In a mighty effort to free himself +the wolf surged backward, dragging Chance around the enclosure. +Sundown, rising from the cave's mouth, crouched before it. "You got +him! You got him!" he cried. "Once more, now!" + +The body of the wolf quivered and sagged, then stiffened as if for a +last effort. Chance held. They were both lying on the stones now. +Chance with fore feet braced against the wolf's chest. Presently the +dog gave a final shake, drew back, and lay panting. From head to +flanks he was soaked with blood. The wolf was dead. + +Sundown stood up. "Good boy, Chance!" he said. The great, gaunt body +of the dog raised itself on trembling legs, the pride of the conqueror +lighting for a moment his dimming eyes. "It's me, Chance!" said +Sundown, stroking the dog's head. Chance wagged his tail and reaching +up his torn and bleeding muzzle licked Sundown's hand. Then slowly he +sank to the ground, breathed heavily, and rolled to his side. Sundown +knelt over him and unaccustomed tears ran down his lean cheeks and +dripped on the clotted fur. "You was some fighter, Chance, ole pal! +Gee Gosh! He's nothin' except cuts and slashes all over. Gee Gosh!" +He drew the dog's head to his lap and sat crooning weird, broken words +and stroking the torn ears. Suddenly he stopped and put his hand over +the dog's heart. Then he leaped to his feet and, dumping the fragments +of pottery from his bandanna, tore it in strips and began bandaging the +wounds. The gash on Chance's neck still bled. Sundown drew his knife +and cut the sleeve from his shirt. He ripped it open and bound the +dog's neck. Realizing that Chance was not dead, he became valiant. +"We sure put up the great scrap, didn't we, pal? We licked him! But +if he'd 'a' licked you . . ." And Sundown gazed at the still form of +the wolf and shuddered, not knowing that the wolf would have fled at +sight of him had he been able to get away from Chance. + + +Two hours later, Eleanor Loring, riding along the canon stream, met a +lean giant, one sleeve of his shirt gone, his hat missing, and his +hands splotched with blood. His eyes were wild, his face white and +set. He carried a great, shaggy dog in his arms. + +"Are you hurt?" she asked, swinging from her pony and coming to him. + +"Me? No, lady. But me pal here is hurt bad. Jest breathin'. Killed +a wolf back there. Mebby I can save him." + +"Why, it's Chance--of the Concho!" + +"Yes, lady. What is left of him." + +"Do you work for the Concho? Won't you take my horse?" + +"I'm assistant cook at the camp. No, thanks, lady. Ridin' might +joggle him and start him to bleedin'. I can carry him so he'll be +easier-like." + +"But how did it happen?" + +"I dunno. Chance chased the wolf and they went to it where I was +explorin' one of them caves. I guess I better be goin'." + +The girl reined her horse around and rode down the valley trail, +pausing occasionally to watch the tall figure climbing the canon with +that shapeless burden in his arms. "I wonder if any other man on the +Concho would have done that?" she asked herself. And Sundown, despite +his more or less terrifying appearance, won her estimation for kindness +at once. + +Slowly he climbed the canon trail, resting at each level. The dog hung +a limp, dead weight in his arms. Midway up the trail Sundown rested +again, and gazed down into the valley. He imagined he could discern +the place of the fight. "That there wolf," he soliloquized, "he was +some fighter, too. Mebby he didn't like to get licked any more than +Chance, here. Wonder what they was fightin' about? I dunno. But, Gee +Gosh, she was one dandy scrap!" + +At the top of the canon wall he again rested. He expected to be +discharged for being late, but solaced himself with the thought that if +he could save Chance, it was worth the risk. + +The riders had returned to the chuck-wagon when Sundown arrived lugging +the inert body of the wolf-dog. They gathered around and asked brief +questions. Sundown, busy washing the dog's wounds, answered as well as +he could. His account of the fight did not suffer for lack of +embellishment, and while he did not absolutely state that he had taken +a hand in the fight, his story implied it. + +"Don't see nothin' on you to show you been in a scrap," remarked a +young puncher. + +"That's because you can't see in deep enough," retorted Sundown. "If I +wasn't in every jump of that fight, me heart was." + +"Better shoot him and put him out of his sufferin'," suggested the +puncher. + +Sundown rose from beside the dog. Shoot Chance? Not so long as he +could keep between the dog and the cowboy's gun. The puncher, half in +jest, reached for his holster. Sundown's overwrought nerves gave way. +He dropped to his knees and lifted his long arms imploringly. "Don't! +Don't!" he wailed. "He ain't dead! Don't shoot my pal!" + +Bud Shoop, who had kept silent, shouldered the puncher aside. "Cut it +out, Sinker," he growled. "Can't you sabe that Sundown means it?" + + +Later in the evening, and fortified with a hearty meal. Sundown gave a +revised version of the fight, wherein his participation was modified, +though the story lost nothing in re-telling. And, indeed, his own +achievement, of lugging Chance up the canon trail, awakened a kind of +respect among the easy-going cowboys. To carry an eighty-pound dog up +that trail took sand! Again Sundown had unconsciously won their +respect. Nothing was said about his late return. And his horse had +found its way back to the camp. + + +Sometime in the night, Bud Shoop was awakened by the man next him. + +"What's goin' on?" queried Shoop, rising on his elbow. + +"Ask me again," said the puncher. "Listen!" + +From the vicinity of the wagon came the gurgle of water and then a +distinctly canine sneeze. + +"Dinged if he ain't fussin' with that dog again!" grumbled Shoop. "The +dam' fool!" Which, as it is the spirit which giveth life to the +letter, was not altogether uncomplimentary. + + + + +CHAPTER XII + +A GIFT + +Warned by John Corliss of Loring's evident intent to graze his sheep on +the west side of the Concho River, the cattle-men held a quiet meeting +at the ranch of the Concho and voted unanimously to round up a month +earlier than usual. The market was at a fair level. Beef was in +demand. Moreover, the round-up would, by the mere physical presence of +the riders and the cattle, check for the time being any such move as +Loring contemplated, as the camps would be at the ford. Meanwhile the +cattle-men again petitioned the Ranger at Antelope to stir up the +service at Washington in regard to grazing allotments. + +The round-up began. The Concho outfit moved camp to the ford and +Sundown had his first introduction to real work. From morning till +night and far into the night the fires were going. Groups of belated +riders swung in and made for the chuck-wagons. Sundown, following a +strenuous eighteen hours of uninterrupted toil, solemnly borrowed a +piece of "tarp" from his outfit on which he lettered the legend:-- + + "CAFE DE CONCHO--MEELS AT ALL + HOURS--PRIVIT TABELS FOR LADYS" + +He hung the tarp in a conspicuous place and retired to rest. The +following morning his efforts were applauded with much picturesque +expletive, and even criticism was evoked by a lean puncher who insisted +"that the tall guy might be a good cook all right, but he sure didn't +know how to spell 'calf.'" Naturally the puncher's erudition leaned +toward cattle and the range. + +At all times conspicuous, for he topped by a head and shoulders the +tallest rider on the range. Sundown became doubly conspicuous as the +story of his experience with the hold-ups and his rescue of Chance +became known. If he strutted, it was pardonable, for he strutted among +men difficult to wrest approval from, and he had won their approval. + +At Hi Wingle's suggestion, he "packed a gun"--a formidable .45 lent him +by that gracious individual, for it grieved the solid Wingle's soul to +see so notable a character go unarmed. Sundown, like many a wiser man, +was not indifferent to the effect of clothing and equipment. Obliged +frequently to relate his midnight adventure with the robbers, he became +a past-master in the art of dramatic expression. "If I'd 'a' had me +gun with me," he was wont to say, slapping the holster significantly, +"the deal might 'a' turned out different. I reckon it's luck I +didn't." Which may have been true enough, for Sundown would +undoubtedly have been afraid to use the weapon and Fadeaway might have +misunderstood his bungling. + +In his spare time he built a lean-to of odds and ends, and beneath it +Chance drowsed away the long, sunny hours while Sundown was rustling +firewood or holding hot argument with an obstreperous dutch-oven. And +Chance became the pet and the pride of the outfit. Riders from distant +ranches would stray over to the lean-to and look at him, commenting on +his size and elaborating on the fact that it usually took two of the +best dogs ever whelped to pull down a timber-wolf. + +Even Fadeaway, now riding for the Blue, became enthusiastic and boasted +of his former friendship with Chance. When he essayed the intimacy of +patting the dog's head, some of the onlookers doubted him, for Chance +received these overtures with a deep-throated growl. + +"He won't let nobody touch him but that Sundown gent," cautioned a +bystander. + +"Guess he's loco since he got chewed up," said Fadeaway, retreating. + +Chance licked his wounds and recovered slowly. He would lie in the +sun, watching with unwinking gaze the camp and the cluster of men about +it until the form of Sundown loomed through the mass. Then he would +beat the ground with his tail and whine expectantly. As he became +stronger, he ventured to stretch his wound-stiffened muscles in short +pilgrimages to the camp, where the men welcomed him with hearty and +profane zest. Was he not the slayer of their enemy's sheep and the +killer of the timber-wolf? Eventually he was presented with a broad +collar studded with brass spikes, and engraved upon it was the +sanguinary and somewhat ambiguous legend: "Chance--The Killer of the +Concho." + + +John Corliss, visiting the round-up, rode over to Sundown's tepee, as +it was called. The assistant cook was greasing Chance's wounds. + +"How is he getting along?" asked Corliss. + +"Fine, boss, fine! This here is some little ole red-cross ward, +believe me! He's gettin' over bein' lame and he eats regular." + +"Here, Chance!" called Corliss. + +The dog rose stiffly and stalked to his master, smelt of him and wagged +his tail, then stood with lowered head as though pondering some serious +dog-logic. + +"He's kind of queer," explained Sundown, "but he's a whole pile better +than he was a spell ago. Had to bring him water and feed him like a +baby cuttin' teeth--though I never seen one doin' that. He wouldn't +let nobody touch him 'ceptin' me." + +"Is he able to travel?" + +"Oh, some." + +"Think he could make it to the Concho?" + +Sundown hesitated. "Mebby. Yes, I reckon he could. He can run all +right, only I guess he kind of likes hangin' around me." And Sundown +glanced sideways at Corliss. + +"He seems all right. I guess I'll take him back with me. I don't like +the idea of his running loose here." + +"He ain't bitin' nobody," assured Sundown. + +Corliss glanced shrewdly at the other's lean, questioning face. "Guess +you won't miss him much. How are you making it?" + +"Me? Fine! Reckon I'll take out me papers for a full-chested range +cook afore long. You see the L.D. outfit says that I could have a job +with them after the round-up. It kind of leaked out about them pies. +'Course they was joshin', mebby. I dunno." + +"The L.D. boys are all right," said Corliss. "If you want to make a +change--" + +"See here, boss! I done some ramblin' in my time. Guess because I was +lookin' for somethin' new and excitin'. Well, I reckon they's plenty +new and excitin' right to home on the Concho. Any time I get tired of +fallin' off hosses, and gettin' beat up, and mixin' up in dog and wolf +fights, why, I can go to bustin' broncos to keep me from goin' to +sleep. Then Chance there, he needs lookin' after." + +Corliss seemingly ignored the gentle hint. He mounted and called to +the dog. Chance made no movement to follow him. Corliss frowned. +"Here, Chance!" he commanded, slapping his thigh with his gauntleted +hand. The dog followed at the horse's heels as Corliss rode across the +hard-packed circle around the camp. Sundown's throat tightened. His +pal was gone. + +He puttered about, straightening the blankets. "Gee Gosh! but this +here shack looks empty! Never knowed sick folks could be so much +comp'ny. And Chance is folks, all right. Talk about blue blood! Huh! +I reckon a thoroughbred dog is prouder than common folks, like me. +Some king, he was! Layin' there lookin' out at them punchers and his +eyes sad-like and proud, and turnin' his head slow, watchin' 'em like +they was workin' for him. They's somethin' about class that gets a +fella, even in a dog. And most folks knows it, but won't let on." + +He took Chance's drinking-basin--a bread-pan appropriated from the +outfit--and the frayed saddle-blanket that had been the dog's bed, and +carried them to the cottonwoods edging the river. There he hid the +things. He returned to the lean-to and threw himself on his blankets. +He felt as though he had just buried a friend. A cowboy strolled up +and squatted in front of the lean-to. He gazed at the interior, nodded +to Sundown, and rolled a cigarette. He smoked for a while, glanced up +at the sky, peered round the camp, and shrugged his shoulders. + +Sundown nodded. "You said it all, Joe. He's gone." + +The cowboy blew rings of smoke, watching them spread and dissolve in +the evening air. "Had a hoss onct," he began slowly,--"ornery, +glass-eyed, she-colt that got mixed up in a bob-wire fence. Seein' as +she was like to make the buzzards happy 'most any day, I took to +nussin' her. Me, Joe Scott, eh? And a laugh comin'. Well, the boys +joshed--mebby you hearn some of 'em call me Doc. That's why. The boys +joshed and went around like they was in a horsepital, quiet and +steppin' catty. I could write a book out of them joshin's and sell +her, if I could write her with a brandin'-iron or a rope. Anyhow, the +colt she gets well and I turns her out on the range, which ought to be +the end of the story, but it ain't. She come nickerin' after me like I +was her man, hangin' around when I showed up at the ranch jest like I +was a millionaire and she wantin' to get married. Couldn't get shet of +her. So one day I ropes her and says to myself I'll make a trick hoss +of her and sell her. The fust trick she done wasn't the one I reckoned +to learn her. She lifted me one in the jeans and I like to lost all +the teeth in my head. 'You're welcome, lady,' says I, 'for this here +'fectionate token of thanks for my nussin' and gettin' joshed to +fare-ye-well. Bein' set on learnin' her, I shortened the rope and let +her kick a few holes in the climate. When she got tired of that, I +begins workin' on her head, easy-like and talkin' kind. Fust thing I +knowed she takes a san'wich out of my shirt, the meat part bein' a +piece of my hide. Then I got riled. I lit into her with the boots, +and we had it. When I got tired of exercisin' my feet, she comes to me +rubbin' her nose ag'in' me and kind of nickerin' and lovin' up +tremendous, bein' a she-hoss. 'Now,' says I, 'I'm goin' to do the +courtin', sister.' And I sot out to learn her to shake hands. She got +most as good as a state senator at it: purfessional-like, but not real +glad to see you. Jest put on. Then I learns her to nod yes. That was +hard. Then I gets her so she would lay down and stay till I told her +to get up. 'Course it takes time and I didn't have the time reg'lar. +I feeds her every time, though. Then she took to sleepin' ag'in' the +bunk-house every night, seein' as she run loose jest like a dog. When +somebody'd get up in the mornin', there she would be with her eyes +lookin' in the winder, shinin', and her ears lookin' in, too. You see +she was waitin' for her beau to come out, which was me. She took to +followin' me on the range when I rid out, and she got fat and sizable. +The boys give up joshin' and got kind of interested. But that ain't +what I'm gettin' at. Come one day, about two year after I'd been +monkeyin' with learnin' her her lessons, when I thinks to break her to +ride. I got shet of the idea of sellin' her and was goin' to keep her +myself. The boys was lookin' for to see me get piled, always figurin' +a pet hoss was worse to break than a bronc. She did some fussin', but +she never bucked--never pitched a move. Thinks I, I sure got a winner. +Next day she was gone. Never seen her after that. Trailed all over +the range, but she sure vamoosed. And nobody never seen her after +that. She sure made a dent in my feelin's." + +Sundown sat up blinking. "I reckon that's the difference between a +hoss and a dog," he said, slowly. "Now, a hoss and me ain't what you'd +call a nacheral combination. And a hoss gets away and don't come back. +But a dog comes back every time, if he can. 'Most any hoss will stay +where the feedin' is good, but a dog won't. He wants to be where his +boss is." + +"And that there Chance is with the boss," said the cowboy, gesturing +toward the north. "Seen him foller him down the trail." + +Sundown nodded. The cowboy departed, swaggering away in the dusk. + +Just before Sundown was called to take his turn with the night-shift, a +lean, brown shape tore through the camp, upsetting a pot of frijoles +and otherwise disturbing the peace and order of the culinary department. + +"Coyote!" shouted Wingle, vainly reaching for the gun that he had given +to Sundown. + +"Coyote nothin'!" said a puncher, laughing. "It's the Killer come back +hot-foot to find his pardner." + +Chance bounded into the lean-to: it was empty. He sniffed at the place +where his bed had once been, found Sundown's tracks and followed them +toward the river. Sundown was on his knees pawing over something that +looked very much like a torn and frayed saddle-blanket. Chance +volleyed into him, biting playfully at his sleeve, and whining. + +Sundown jumped to his feet. He stood speechless. Then a slow grin +crept to his face. "Gee Gosh!" he said, softly. "Gee Gosh! It's you!" + +Chance lay down panting. He had come far and fast. Sundown gathered +up the blanket and pan, rose and marched to the shack. "I was airin' +'em out against your comin' back," he explained, untruthfully. The +fact was that he could not bear to see the empty bed in the lean-to and +had hidden it in the bushes. + +The dog watched him spread the blanket, but would not lie down. +Instead he followed Sundown to the camp and found a place under the +chuck-wagon, where he watched his lean companion work over the fires +until midnight. If Sundown disappeared for a minute in search of +something. Chance was up and at his heels. Hi Wingle expressed +himself profanely in regard to the return of the dog, adding with +unction, "There's a pair of 'em; a pair of 'em." Which ambiguity +seemed to satisfy him immensely. + +When Sundown finally returned to the lean-to, he was too happy to +sleep. He built a small fire, rolled a cigarette and sat gazing into +the flames. Chance sat beside him, proud, dignified, contented. +Sundown became drowsy and slept, his head fallen forward and his lean +arms crossed upon his knees. Chance waited patiently for him to waken. +Finally the dog nuzzled Sundown's arm with little jerks of impatience. +"What's bitin' you now?" mumbled Sundown. "We're here, ain't we?" +Nevertheless he slipped his arm around the dog's muscular shoulders and +talked to him. "How'd you get away? The boss'll raise peelin's over +this, Chance. It ain't like to set good with him." He noticed that +Chance frequently scratched at his collar as though it irritated him. +Finally he slipped his fingers under the collar. "Suthin' got ketched +in here," he said, unbuckling the strap. Tied inside the collar was a +folded piece of paper. Sundown was about to throw it away when he +reconsidered and unfolded it. In the flickering light of the fire he +spread the paper and read laboriously:-- + + +"Chance followed me to the Concho because I made him come. He showed +that he didn't want to stay. I let him go. If he gets back to you, +keep him. He is yours. + +"JOHN CORLISS." + + +Sundown folded the note and carefully tucked it in his pocket. He rose +and slapped his chest grandiloquently. "Chance, ole pal," he said with +a brave gesture, "you're mine! Got the dockyments to show. What do +you think?" + +Chance, with mouth open and lolling tongue, seemed to be laughing. + +Sundown reached out his long arm as one who greets a friend. + +The dog extended his muscular fore leg and solemnly placed his paw in +Sundown's hand. No document was required to substantiate his +allegiance to his new master, nor his new master's title to ownership. +Despite genealogy, each was in his way a thoroughbred. + + + + +CHAPTER XIII + +SUNDOWN, VAQUERO + +The strenuous days of the round-up were over. Bands of riders departed +for their distant ranches leaving a few of their number to ride line +and incidentally to keep a vigilant eye On the sheep-camps. + +David Loring, realizing that he had been checkmated in the first move +of the game in which cattle and sheep were the pawns and cowboys and +herders the castles, knights, and, stretching the metaphor a bit, +bishops, tacitly admitted defeat and employed a diagonal to draw the +cattle-men's forces elsewhere. He determined to locate on the +abandoned water-hole ranch, homestead it, and, by so doing, cut off the +supply of water necessary to the cattle on the west side of the Concho +River. This would be entering the enemy's territory with a vengeance, +yet there was no law prohibiting his homesteading the ranch, the title +of which had reverted to the Government. Too shrewd to risk legal +entanglement by placing one of his employees on the homestead, he +decided to have his daughter file application, and nothing forbade her +employing whom she chose to do the necessary work to prove up. The +plan appealed to the girl for various reasons, one of which was that +she might, by her presence, avert the long-threatened war between the +two factions. + +Sundown and, indirectly, Fadeaway precipitated the impending trouble. +Fadeaway, riding for the Blue, was left with a companion to ride line +on the mesas. Sundown, although very much unlike Othello, found that +his occupation was gone. Assistant cooks were a drug on the range. He +was equipped with a better horse, a rope, quirt, slicker, and +instructions to cover daily a strip of territory between the Concho and +the sheep-camps. He became in fact an itinerant patrol, his mere +physical presence on the line being all that was required of him. + + +It was the Senora Loring who drove to the Concho one morning and was +welcomed by Corliss to whom she gave the little sack of gold. She told +him all that he wished to know in regard to his brother Will, pleading +for him with motherly gentleness. Corliss assured her that he felt no +anger toward his brother, but rather solicitude, and made her happy by +his generous attitude toward the wrongdoer. He had already heard that +his brother had driven to Antelope and taken the train for the West. +His great regret was that Will had not written to him or come to him +directly, instead of leaving to the good Senora the task of +explanation. "Never figured that repenting by proxy was the best +plan," he told the Senora. "But he couldn't have chosen a better +proxy." At which she smiled, and in departing blessed him in her +sincere and simple manner, assuring him in turn that should the sheep +and cattle ever come to an understanding--the Spanish for which +embraced the larger aspect of the problem--there was nothing she +desired or prayed for more than the friendship and presence of Corliss +at the Loring hacienda. Corliss drew his own inference from this, +which was a pleasant one. He felt that he had a friend at court, yet +explained humorously that sheep and cattle were not by nature fitted to +occupy the same territory. He was alive to sentiment, but more keen +than ever to maintain his position unalterably so far as business was +concerned. The Senora liked him none the less for this. To her he was +a man who stood straight, on both feet, and faced the sun. Her +daughter Nell . . . Ah, the big Juan Corliss has such a fine way with +him . . . what a husband for any woman! In the mean time . . . only +thoughts, hopes were possible . . . yet . . . manana . . . manana . . . +there was always to-morrow that would be a brighter day. + +To say that Sundown was proud of his unaccustomed regalia from the +crown of his lofty Stetson to the soles of his high-heeled +riding-boots, would be putting it mildly. To say that he was +especially useful in his new calling as vaquero would not be to put it +so mildly. Under the more or less profane tutelage of his companions, +he learned to throw a rope after a fashion, taking the laughing sallies +of his comrades good-naturedly. He persevered. He was forever +stealing upon some maternal and unsuspicious cow and launching his rope +at her with a wild shout--possibly as an anticipatory expression of +fear in case his rope should fall true. More than once he had been +yanked bodily from the saddle and had arisen to find himself minus +rope, cow, and pony, for no self-respecting cow-horse could watch +Sundown's unprecedented evolutions and not depart thitherward, feeling +ashamed and grieved to think that he had ever lived to be a horse. And +Sundown, despite his length of limb, seemed unbreakable. "He's the +most durable rider on the range," remarked Hi Wingle, incident to one +of his late assistant's meteoric departures from the saddle. "He wears +good." + +One morning as Sundown was jogging along, engaged chiefly in watching +his shadow bob up and down across the wavering bunch-grass, he saw that +which appeared to be the back of a cow just over a rise. He walked his +horse to the rise and for some fantastic reason decided to rope the +cow. He swung his rope. It fell true--in fact, too true, for it +encircled the animal's neck and looped tight just where the neck joins +the shoulders. He took a turn of the rope around the saddle horn. At +last he had mastered the knack of the thing! Why, it was as easy as +rolling pie-crust! He was about to wonder what he was going to do +next, when the cow--which happened to be a large and active +steer--humped itself and departed for realms unknown. + +With the perversity of inanimate objects the rope flipped in a loop +around Sundown's foot. The horse bucked, just once, and Sundown was +launched on a new and promising career. The ground shot beneath him. +He clutched wildly at the bunch-grass, secured some, and took it along +with him. Chance, who always accompanied Sundown, raced alongside, +enjoying the novelty of the thing. He barked and then shot ahead, +nipping at the steer's heels, and this did not add to his master's +prospects of ultimate survival. Sundown shouted for help when he +could, which was not often. Startled prairie-dogs disappeared in their +holes as the mad trio shot past. The steer, becoming warmed up to his +work, paid little attention to direction and much to speed. That a +band of sheep were grazing ahead made no difference to the charging +steer. He plunged into the band. Sundown dimly saw a sea of sheep +surge around him and break in storm-tossed waves of wool on either +side. He heard some one shout. Then he fainted. + +When he again beheld the sun, a girl was kneeling beside him, a girl +with dark, troubled eyes. She offered him wine from a wicker jug. He +drank and felt better. + +"Are you hurt badly?" she asked. + +"Am--I--all here?" queried Sundown. + +"I guess so. You seem to be." + +"Was anybody else killed in the wreck?" + +The girl smiled. "You're feeling better. Let me help you to sit up." + +Sundown for the moment felt disinclined to move. He was in fact pretty +thoroughly used up. "Say, did he win?" he queried finally. + +"Who?" + +"Me dog, Chance. I got the start at first, but he kind of got ahead +for a spell." + +"I don't know. Chance is right behind you. He's out of breath." + +"Huh! Reckon I'm out more'n that. He's in luck this trip." + +"How did it happen?" + +"That's what I'm wonderin', lady. And say, would you be so kind as to +tell me which way is north?" + +Despite her solicitude for the recumbent Sundown, Eleanor Loring +laughed. "You are in one of the sheep-camps. I'm Eleanor Loring." + +"Sheep-camp? Gee Gosh! Did you stop me?" + +"Yes. I was just riding into camp when you--er--arrived. I headed the +steer back and Fernando cut the rope." + +"Thanks, miss. And Fernando is wise to his business, all right." + +"Can you sit up now?" she asked. + +"Ow! I guess I can. That part of me wasn't expectin' to be moved +sudden-like. How'd I get under these trees?" + +"Fernando carried you." + +"Well, little old Fernando is some carrier. Where is he? I wouldn't +mind shakin' hands with that gent." + +"He's out after the sheep. The steer stampeded them." + +"Well, miss, speakin' from me heart--that there steer was no lady. I +thought she was till I roped him. I was mistook serious." + +"He might have killed you. Let me help you up." + +Sundown had been endeavoring to get to his feet. Finally he rose and +leaned against a tree. Fortunately for him his course had been over a +stretch of yielding bunch-grass, and not, as might have been the case, +over the ragged tufa. As it was his shirt hung from his back in +shreds, and he felt that his overalls were not all that their name +implied. The numbness of his abrasions and bruises was wearing off. +The pain quickened his senses. He realized that his hat was missing, +that one spur was gone and the other was half-way up his leg. He was +not pleased with his appearance, and determined to "make a slope" as +gracefully and as quickly as circumstances would permit. + +Chance, gnawing at a burr that had stuck between his toes, saw his +master rise. He leaped toward Sundown and stood waiting for more fun. + +"Chance seems all right now," said the girl, patting the dog's head. + +"John Corliss give him to me, miss. He's my dog now. Yes, he's active +all right, 'specially chasin' steers." + +"I remember you. You're the man that carried Chance up the canon trail +that day when he was hurt." + +"Yes, miss. He ain't forgettin' either." + +The girl studied Sundown's lean face as he gazed across the mesas, +wondering how he was going to make his exit without calling undue +attention to his dearth of raiment. She had heard that this man, this +queer, ungainly outlander, had been companion to Will Corliss. She had +also heard that Sundown had been injured when the robbery occurred. +Pensively she drew her empty gauntlet through her fingers. + +"Do you know who took the money--that night?" she asked suddenly, and +Sundown straightened and gazed at her. + +He blinked and coughed. "Bein' no hand to lie to a lady, I do," he +said, simply. "But I can't tell, even if you did save me life from +that there steer." + +She bit her lips, and nodded. "I didn't really mean to ask. I was +curious to know. Won't you take my horse? You can send him back +to-morrow." + +"And you beat it home afoot? Say, lady, I mebby been a Bo onct, but I +ain't hurt that bad. If I can't find me trail back to where I started +from, it won't be because it ain't there. Thanks, jest the same." + +Sundown essayed a step, halted and groaned. He felt of himself +gingerly. He did not seem to be injured in any special place, as he +ached equally all over. "I'll be goin', lady. I say thanks for savin' +me life." + +The girl smiled and nodded. "Will you please tell Mr. Corliss that I +should like to see him, to-morrow, at Fernando's camp? I think he'll +understand." + +"Sure, miss! I'll tell him. That Fernando man looks to be havin' some +trouble with them sheep." + +The girl glanced toward the mesa. Fernando and his assistant were +herding the sheep closer, and despite their activity were really +getting the frightened animals bunched well. When she turned again +Sundown had disappeared. + + +Sundown's arrival in camp, on foot, was not altogether unexpected. One +of the men had seen a riderless horse grazing on the mesa, and had +ridden out and caught it. Circumstantial evidence--rider and rope +missing--confirmed Hi Wingle's remark that "that there walkin' +clothes-pin has probably roped somethin' at last." And the "walking +clothes-pin's" condition when he appeared seemed to substantiate the +cook's theory. + +"Lose your rope?" queried Wingle as Sundown limped up. + +"Uhuh. And that ain't all. You ain't got a pair of pants that ain't +working have you?" + +Wingle smiled. "Pants? Think this here's a Jew clothin'-store?" + +"Nope. But if she was a horsepital now--" + +"Been visitin'?" + +"Uhuh. I jest run over to see some friends of mine in a sheep-camp." + +"Did, eh? And mebby you can tell me what you run over?" + +"'Most everything out there," said Sundown, pointing to the mesa. +"Say, you ain't got any of that plaster like they put on a guy's head +when he gets hit with a brick?" + +"Nope. But I got salt." + +"And pepper," concluded Sundown with some sarcasm. "Mebby I do look +like a barbecue." + +"Straight, Sun, salt and water is mighty healin'. You better ride over +to the Concho and get fixed up." + +"Reckon that ain't no dream, Hi. Got to see the boss, anyhow." + +"Well, 'anyhow' is correc'. And, say, you want to see him first and +tell him it's you. Your hoss is tied over there. Sinker fetched him +in." + +"Hoss? Oh, yes, hoss! My hoss! Uhuh!" + +With this somewhat ambiguous string of ejaculations Sundown limped +toward the pony. He turned when halfway there and called to Wingle. +"The cattle business is fine, Hi, fine, but between you and me I reckon +I'll invest in sheep. A fella is like to live longer." + +Wingle stared gravely at the tall and tattered figure. He stared +gravely, but inwardly he shook with laughter. "Say, Sun!" he managed +to exclaim finally, "that there Nell Loring is a right fine gal, ain't +she?" + +"You bet!" + +"And Jack ain't the worst . . ." Wingle spat and chewed ruminatively. +"No, he ain't the worst," he asserted again. + +"I dunno what that's got to do with gettin' drug sixteen mile," said +Sundown. "But, anyhow, you're right." + + + + +CHAPTER XIV + +ON THE TRAIL TO THE BLUE + +In the shade of the forest that edged the mesa, and just back of +Fernando's camp, a Ranger trail cuts through a patch of quaking-asp and +meanders through the heavy-timbered land toward the Blue range, a +spruce-clad ridge of southern hills. Close to the trail two saddle +horses were tied. + +Fadeaway, riding toward his home ranch on the "Blue," reined up, eyed +the horses, and grinned. One of them was Chinook, the other Eleanor +Loring's black-and-white pinto, Challenge. The cowboy bent in his +saddle and peered through the aspens toward the sheep-camp. He saw +Corliss and Nell Loring standing close together, evidently discussing +something of more than usual import, for at that moment John Corliss +had raised his broad Stetson as though bidding farewell to the girl, +but she had caught his arm as he turned and was clinging to him. Her +attitude was that of one supplicating, coaxing, imploring. Fadeaway, +with a vicious twist to his mouth, spat. "The cattle business and the +sheep business looks like they was goin' into partnership," he +muttered. "Leave it to a woman to fool a man every time. And him +pertendin' to be all for the long-horns!" He saw the girl turn from +Corliss, bury her face in her arms, and lean against the tree beneath +which they were standing. Fadeaway grinned. "Women are all crooked, +when they want to be," he remarked,--"or any I ever knowed. If they +can't work a guy by talkin' and lovin', then they take to cryin'." + +Just then Corliss stepped to the girl and put his hand on her shoulder. +Again she turned to him. He took her hands and held them while he +talked. Fadeaway could see her lips move, evidently in reply. He +could not hear what was being said, as his horse was restless, fretting +and stamping. The saddle creaked. Fadeaway jerked the horse up, and +in the momentary silence he caught the word "love." + +"Makes me sick!" he said, spurring forward. "'Love,' eh? Well, mebby +my little idea of puttin' Billy Corliss in wrong didn't work, but I'll +hand Jack a jolt that'll make him think of somethin' else besides love, +one of these fine mornin's!" And the cowboy rode on, out of tune with +the peace and beauty of his surroundings, his whole being centered upon +making trouble for a man who he knew in his heart wished him no ill, +and in fact had all but forgotten him so far as considering him either +as an enemy or a friend. + +Just as he was about to swing out to the open of the mesa near the edge +of the canon, he came upon a Mexican boy asleep beneath the low +branches of a spruce. Fadeaway glanced across the mesa and, as he had +expected, saw a band of sheep grazing in the sunshine. His trail ran +directly toward the sheep. Beyond lay the canon. He would not ride +around a herd of sheep that blocked his trail, not if he knew it! As +he drew nearer the sheep they bunched, forcing those ahead to move on. +Fadeaway glanced back at the sleeping boy, then set spur to his horse +and waved his sombrero. The sheep broke into a trot. He rode back and +forth behind them forcing them toward the canon. He beat upon his +rolled slicker with his quirt. The sound frenzied the sheep and they +leaped forward. Lambs, trailing behind, called dolefully to the +plunging ewes that trampled each other in their terror. Again the +cowboy glanced back. No one was in sight. He wondered, for an +instant, what had become of Fernando, for he knew it was Fernando's +herd. He shortened rein and spurred his pony, making him rear. The +sheep plunged ahead, those in front swerving as they came to the +canon's brink. The crowding mass behind forced them on. Fadeaway +reined up. A great gray wave rolled over the cliff and disappeared +into the soundless chasm. A thousand feet below lay the mangled +carcasses of some five hundred sheep and lambs. A scattered few of the +band had turned and were trotting aimlessly along the edge of the mesa. +They separated as the rider swept up. One terror-stricken lamb, +bleating piteously, hesitated on the very edge of the chasm. Fadeaway +swung his hat and laughed as the little creature reared and leaped out +into space. There had been but little noise--an occasional frightened +bleat, a drumming of hoofs on the mesa, and they were swept from sight. + +Fadeaway reined around and took a direct line for the nearest timber. +Halfway across the open he saw the Mexican boy running toward him. He +leaned forward in the saddle and hung his spurs in his pony's sides. A +quick beat of hoofs and he was within the shadow of the forest. The +next thing was to avoid pursuit. He changed his course and rode toward +the heart of the forest. He would take an old and untraveled +bridle-trail to the Blue. He was riding in a rocky hollow when he +thought he heard the creak of saddle-leather. He glanced back. No one +was following him. Farther on he stopped. He was certain that he had +again heard the sound. As he topped the rise he saw Corliss riding +toward him. The rancher had evidently swung from the Concho trail and +was making his way directly toward the unused trail which Fadeaway +rode. The cowboy became doubly alert. He shifted a little in the +saddle, sitting straight, his right hand resting easily on his hip. +Corliss drew rein and they faced each other. There was something about +the rancher's grim, silent attitude that warned Fadeaway. + +Yet he grinned and waved a greeting. "How!" he said, as though he were +meeting an old friend. + +Corliss nodded briefly. He sat gazing at Fadeaway with an unreadable +expression. + +"Got the lock-jaw?" queried Fadeaway, his pretended heartiness +vanishing. + +Corliss allowed himself to smile, a very little. "You better ride back +with me," he said, quietly. + +Fadeaway laughed. "I'm takin' orders from the Blue, these days," he +said. "Mebby you forgot." + +"No, I haven't." + +"And I'm headed for the Blue," continued the cowboy. "Goin' my way?" + +"You're on the wrong trail," asserted Corliss. "You've been riding the +wrong trail ever since you left the Concho." + +"Uhuh. Well, I been keepin' clear of the sheep camps, at that." + +"Don't know about that," said Corliss, easily. + +Fadeaway was too shrewd to have recourse to his gun. He knew that +Corliss was the quicker man, and he realized that, even should he get +the better of a six-gun argument, the ultimate result would be outlawry +and perhaps death. He wanted to get away from that steady, +heart-searching gaze that held him. + +"Sheep business is lookin' up," he said, with an attempt at jocularity. + +"We'll ride back and have a talk with Loring," said Corliss. "Some one +put a band of his sheep into the canon, not two hours ago. Maybe you +know something about it." + +"Me? What you dreaming anyhow?" + +"I'm not. It looks like your work." + +"So you're tryin' to hang somethin' onto me, eh? Well, you want to +call around early--you're late." + +"No, I'm the first one on the job. Did you stampede Loring's sheep?" + +"Did I stampede the love-makin'?" sneered Fadeaway. + +Corliss shortened rein and drew close to the cowboy. + +"Just explain that," he said. + +"Oh, I don' know. You the boss of creation?" + +Corliss's lips hardened. He let his quirt slip butt-first through his +hand and grasped the lash. Fadeaway's hand slipped to his holster. +Before he could pull his gun, Corliss swung the quirt. The blow caught +Fadeaway just below the brim of his hat. He wavered and grabbed at the +saddle-horn. As Corliss again swung his quirt, the cowboy jerked out +his gun and brought it down on the rancher's head. Corliss dropped +from the saddle. Fadeaway rode around and covered him. Corliss's hat +lay a few feet from where he had fallen. Beneath his head a dark ooze +spread a hand's-breadth on the trail. The cowboy dismounted and bent +over him. "He's sportin' a dam' good hat," he said, "or that would 'a' +fixed _him_. Guess he'll be good for a spell." Then he reached for +his stirrup, mounted, and loped up the trail. + + +Old Fernando, having excused himself on some pretext when Corliss rode +into the camp that morning, returned to find Corliss gone and Nell +Loring strangely grave and white. She nodded as he spoke to her and +pointed toward the mesa. "Carlos--is out--looking for the sheep," she +said, her lips trembling. "He says some one stampeded them--run them +into the canon." + +Fernando called upon his saints and cursed himself for his negligence +in leaving his son with the sheep. Nell Loring spoke to him quietly, +assuring him that she understood why he had absented himself. "It's my +fault, Fernando, not yours. The patron will want to know why you were +away. You will tell him that John Corliss came to your camp; that you +thought I wanted to talk with him alone. Then he will know that it was +my fault. I'll tell him when I get back to the rancho." + +Fernando straightened his wizened frame. "Si! As the Senorita says, I +shall do. But first I go to look. Perhaps the patron shall not know +that the vaquero Corlees was here this morning. It is that I ask the +Senorita to say nothing to the patron until I look. Is it that you +will do this?" + +"What can you do?" she asked. + +"It is yet to know. Adios, Senorita. You will remember the old +Fernando, perhaps?" + +"But you're coming back! Oh! it was terrible!" she cried. "I rode to +the canon and looked down." + +Fernando meanwhile had been thinking rapidly. With quaint dignity he +excused himself as he departed to catch up one of the burros, which he +saddled and rode out to where his son was standing near the canon. The +boy shrank from him as he accosted him. Fernando's deep-set eyes +blazed forth the anger that his lips imprisoned. He sent the boy back +to the camp. Then he picked up the tracks of a horseman on the mesa, +followed them to the canon's brink, glanced down, shrugged his +shoulders, and again took up the horseman's trail toward the forest. +With the true instinct of the outlander, he reasoned that the horseman +had headed for the old trail to the Blue, as the tracks led diagonally +toward the south. Finally he realized that he could never overtake the +rider by following the tracks, so he dismounted and tied his burro. He +struck toward the canon. A mile above him there was a ford. He would +wait there and see who came. He made his perilous way down a notch in +the cliff, dropped slowly to the level of the stream, and followed it +to the ford. He searched for tracks in the sun-baked mud. With a sigh +of satisfaction, perhaps of anticipation, he stepped to a clump of +cottonwoods down the stream and backed within them. Scarcely had he +crossed himself and drawn his gun from its weather-blackened holster, +when he heard the click of shod hoofs on the trail. He stiffened and +his eyes gleamed as though he anticipated some pleasant prospect. The +creases at the corners of his eyes deepened as he recognized in the +rider the vaquero who had set the Concho dog upon his sheep some months +before. He had a score to settle with that vaquero for having shot at +him. He had another and larger score to settle with him for--no, he +would not think of his beloved sheep mangled and dead at the bottom of +the canon. That would anger him and make his hand unsteady. + +Fadeaway rode his horse into the ford and sat looking downstream as the +horse drank. Just as he drew rein, the old herder imitated with +perfect intonation the quavering bleat of a lamb calling to its mother. +Fadeaway jerked straight in the saddle. A ball of smoke puffed from +the cottonwoods. The cowboy doubled up and slid headforemost into the +stream. The horse, startled by the lunge of its rider, leaped to the +bank and raced up the trail. A diminishing echo ran along the canon +walls and rolled away to distant, faint muttering. Old Fernando had +paid his debt of vengeance. + +Leisurely he broke a twig from the cottonwoods, tore a strip from his +bandanna, and cleaned his gun. Then he retraced his steps to the +burro, mounted, and rode directly to his camp. After he had eaten he +told his son to pack their few belongings. Then he again mounted the +burro and rode toward the hacienda to face the fury of the patron. + +He had for a moment left the flock in charge of his son. He had +returned to find all but a few of the sheep gone. He had tracked them +to the canon brink. Ah! could the patron have seen them, lying mangled +upon the rocks! It had been a long hard climb to the bottom of the +canon, else he should have reported sooner. Some one had driven the +sheep into the chasm. As to the man who did it, he knew nothing. +There were tracks of a horse--that was all. He had come to report and +receive his dismissal. Never again should he see the Senora Loring. +He had been the patron's faithful servant for many years. He was +disgraced, and would be dismissed for negligence. + +So he soliloquized as he rode, yet he was not altogether unhappy. He +had avenged insult and the killing of his beloved sheep with one little +crook of his finger; a thing that his patron, brave as he was, would +not dare do. He would return to New Mexico. It was well! + + + + +CHAPTER XV + +THEY KILLED THE BOSS! + +Sundown, much to his dismay, was lost. With a sack of salt tied across +his saddle, he had ridden out that morning to fill one of the salt-logs +near a spring where the cattle came to drink. He had found the log, +filled it, and had turned to retrace his journey when a flock of wild +turkeys strung out across his course. His horse, from which the riders +of the Concho had aforetime shot turkeys, broke into a kind of +reminiscent lope, which quickened as the turkeys wheeled and ran +swiftly through the timberland. Sundown clung to the saddle-horn as +the pony took fallen logs at top speed. The turkeys made for a rim of +a narrow canon and from it sailed off into space, leaving Chance a +disconsolate spectator and Sundown sitting his horse and thanking the +Arizona stars that his steed was not equipped with wings. It was then +that he realized that the Concho ranch might be in any one of the four +directions he chose to take. He wheeled the horse, slackened rein, and +allowed that sagacious but apparently disinterested animal to pick its +leisurely way through the forest. Chance trotted sullenly behind. He +could have told his master something about hunting turkeys had he been +able to speak, and, judging from the dog's dejected stride and +expression, speech would have been a relief to his feelings. + +The horse, nipping at scant shoots of bunch-grass and the blue-flowered +patches of wild peas, gravitated toward the old trail to the Blue and, +once upon it, turned toward home. Chance, refreshing his memory of the +old trail, ran ahead, pausing at this fallen log and that +fungus-spotted stump to investigate squirrel-holes with much sniffing +and circling of the immediate territory. Sundown imagined that Chance +was leading the way toward home, though in reality the dog was merely +killing time, so to speak, while the pony plodded deliberately down the +homeward trail. + +Dawdling along in the barred sunshine, at peace with himself and the +pleasant solitudes, Sundown relaxed and fell to dreaming of Andalusian +castles builded in far forests of the south, and of some Spanish +Penelope--possibly not unlike the Senorita Loring--who waited his +coming with patient tears and rare fidelity. "Them there +true-be-doors," he muttered, "like Billy used to say, sure had the glad +job--singin' and wrastlin' out po'try galore! A singin'-man sure gets +the ladies. Now if I was to take on a little weight--mebby . . ." His +weird soliloquy was broken by a sharp and excited bark. Chance was +standing in the trail, and beyond him there was something . . . + +Sundown, anticipating more turkeys, slid from his horse without delay. +He stalked stealthily toward the quivering dog. Then, dropping the +reins, he ran to Corliss, knelt beside him, and lifted his head. He +called to him. He ripped the rancher's shirt open and felt over his +heart. "They killed me boss! They killed me boss!" he wailed, rising +and striding back and forth in impotent excitement and grief. He did +not know where to look for water. He did not know what to do. A +sudden fury at his helplessness overcame him, and he mounted and rode +down the trail at a wild gallop. Fortunately he was headed in the +right direction. + +Wingle, Bud Shoop, and several of the men were holding a heated +conference with old man Loring when Sundown dashed into the Concho. +Trembling with rage and fear he leaped from his horse. + +"They killed the boss!" he cried hoarsely. "Up there--in the woods." + +"Killed who? Where? Slow down and talk easy! Who's killed?" volleyed +the group. + +"Me boss! Up there on the trail with his head bashed in! Chance and +me found him layin' on the trail." + +The men swung to their saddles. "Better come along, Loring," said +Shoop, riding close to the old sheep-man. "Looks like they was more 'n +one side to this deal. And you, too, Sun." + +The riders, led by the gesticulating and excited Sundown, swung out to +the road and crossed to the forest. Shoop and Hi Wingle spurred ahead +while the others questioned Sundown, following easily. When they +arrived at the scene of the fight, Corliss was sitting propped against +a tree with Shoop and Wangle on either side of him. Corliss stared +stupidly at the men. + +"Who done it?" asked Wingle. + +"Fadeaway," murmured the rancher. + +Loring, in the rear of the group, laughed ironically. + +Shoop's gun jumped from its holster and covered the sheep-man. "If one +of your lousy herders done this, he'll graze clost to hell to-night +with the rest of your dam' sheep!" he cried. + +"Easy, Bud!" cautioned Wingle. "The boss ain't passed over yet. Bill, +you help Sinker here get the boss back home. The rest of you boys hit +the trail for the Blue. Fadeaway is like to be up in that country." + +"Ante up, Loring!" said Shoop, mounting his horse. "I'll see your hand +if it takes every chip in the stack." + +"Here, too!" chorused the riders. "We're all in on this." + +They trailed along in single file until they came to the ford. They +reined up sharply. One of them dismounted and dragged the body of +Fadeaway to the bank. They grouped around gazing at the hole in +Fadeaway's shirt. + +Shoop turned the body over. "Got it from in front," he said, which was +obvious to their experienced eyes. + +"And it took a fast gun to get him," asserted Loring. + +The men were silent, each visualizing his own theory of the fight on +the trail and the killing of Fadeaway. + +"Jack was layin' a long way from here," said Wingle. + +"When you found him," commented Loring. + +"Only one hoss crossed the ford this morning," announced Shoop, wading +across the stream. + +"And Fade got it from in front," commented a puncher. "His tracks is +headed for the Blue." + +Again the men were silent. Shoop rolled a cigarette. The splutter of +the sulphur-match, as it burned from blue to yellow, startled them. +They relaxed, cursing off their nervous tension in monosyllables. + +"Well, Fade's played his stack, and lost. Jack was sure in the game, +but how far--I dunno. Reckon that's got anything to do with stampedin' +your sheep?" asked Wingle, turning to Loring. + +Loring's deep-set eyes flashed. "Fernando reported that a Concho rider +done the job. He didn't say who done it." + +"Didn't, eh? And did Fernando say anything about doin' a job himself?" +asked Shoop. + +"If you're tryin' to hang this onto any of my herders, you're ridin' on +the wrong side of the river. I reckon you won't have to look far for +the gun that got _him_." And Loring gestured toward the body. + +Hi Wingle stooped and pulled Fadeaway's gun from its holster. He spun +the cylinder, swung it out, and invited general inspection. "Fade +never had a chance," he said, lowering the gun. "They's six pills in +her yet. You got to show me he wasn't plugged from behind a rock or +them bushes." And Wingle pointed toward the cottonwoods. + +One of the men rode down the canon, searching for tracks. Chance, +following, circled the bushes, and suddenly set off toward the north. + +Sundown, who had been watching him, dismounted his horse. "Chance, +there, mebby he's found somethin'." + +"Well, he's your dog. Go ahead if you like. Mebby Chance struck a +scent." + +"Coyote or lion," said Wingle. "They ain't no trail down them rocks." + +Sundown, following Chance, disappeared in the canon. The men covered +Fadeaway's body with a slicker and weighted it with stones. Then they +sent a puncher to Antelope to notify the sheriff. + + +As they rode into the Concho, they saw that Corliss's horse was in the +corral. Their first anger had cooled, yet they gazed sullenly at +Loring. They were dissatisfied with his interpretation of the killing +and not a little puzzled. + +"Where's Fernando?" queried Shoop aggressively. + +Loring put the question aside with a wave of his hand. "Jest a minute +afore I go. You're tryin' to hang this onto me or mine. You're wrong. +You're forgettin' they's five hundred of my sheep at the bottom of the +Concho Canon, I guess. They didn't get there by themselves. +Fadeaway's got his, which was comin' to him this long time. That's +nothin' to me. What I want to see is Jack Corliss's gun." + +Bud Shoop stepped into the ranch-house and presently returned with the +Coitus. "Here she is. Take a look." + +The old sheep-man swung out the cylinder and pointed with a gnarled and +horny finger. The men closed in and gazed in silence. One of the +shells was empty. + +Loring handed the gun to Shoop. "I'll ask Jack," said the foreman. +When he returned to the group he was unusually grave. "Says he plugged +a coyote this mornin'." + +Loring's seamed and weathered face was expressionless. "Well, he did a +good job, if I do say it," he remarked, as though to himself. + +"Which?" queried Shoop. + +"I don't say," replied Loring. "I'm lettin' the evidence do the +talkin'." + +"Well, you'll hear her holler before we get through!" asserted the +irrepressible Bud. "Fade, mebby, wa'n't no lady's man, but he had +sand. He was a puncher from the ground up, and we ain't forgettin' +that!" + +"And I ain't forgettin' them five hundred sheep." Loring reined +around. "And you're goin' to hear from me right soon. I reckon they's +law in this country." + +"Let her come!" retorted Shoop. "We'll all be here!" + + + + +CHAPTER XVI + +SUNDOWN ADVENTURES + +By dint of perilous scrambling Sundown managed to keep within sight of +Chance, who had picked up Fernando's tracks leading from the +cottonwoods. The dog leaped over rocks and trotted along the levels, +sniffing until he came to the rift in the canon wall down which the +herder had toiled on his grewsome errand. Chance climbed the sharp +ascent with clawing reaches of his powerful forelegs and quick thrusts +of his muscular haunches. Sundown followed as best he could. He was +keyed to the strenuous task by that spurious by-product of anticipation +frequently termed a "hunch." + +When the dog at last reached the edge of the timber and dashed into +Fernando's deserted camp, Sundown was puzzled until he happened to +recall the incidents leading to Fadeaway's discharge from the Concho. +He reclined beneath a tree familiar to him as a former basis for +recuperation. He felt of himself reminiscently while watching Chance +nose about the camp. Presently the dog came and, squatting on his +haunches, faced his master with the query, "What next?" scintillating +in his glowing eyes. + +"I dunno," replied Sundown. "You see, pardner, this here's Fernando's +camp all right. Now, I ain't got nothin' ag'in' that little ole +Fernando man, 'specially as it was him cut the rope that was snakin' me +to glory onct. I ain't got nothin' ag'in' him, or nobody. Mebby Fade +did set after them sheep. Mebby Fernando knows it and sets after him. +Mebby he squats in them cotton-woods by the ford and 'Pom!' goes +somethin' and pore Fadeaway sure makes his name good. Never did like +him, but I ain't got nothin' ag'in' him now. You see, Chance, he's +quit bein' mean, now. And say, gettin' killed ain't no dream. I been +there three, four times myself--all but the singin'. Two wrecks, one +shootin', and one can o' beans that was sick. It sure ain't no fun. +Wonder if gettin' killed that way will square Fade with the Big Boss +over there? I reckon not. 'T ain't what a fella gets done to him that +counts. It's what he does to the other guy, good or bad. Now, take +them martyrs what my pal Billy used to talk about. They was always +standin' 'round gettin' burned and punctured with arrers, and +lengthened out and shortened up when they ought to been takin' boxin' +lessons or sords or somethin'. Huh! I never took much stock in them. +If it's what a fella gets _done_ to him, it's easy money I'll be takin' +tickets at the gate instead of crawlin' under the canvas--and mebby +tryin' to sneak you in, too--eh, Chance?" + +To all of which the great wolf-dog listened with exemplary patience. +He would have preferred action, but not unlike many human beings who +strive to appear profound under a broadside of philosophical eloquence, +applauding each bursting shrapnel of platitudes by mentally wagging +their tails, Chance wagged his tail, impressed more by the detonation +than the substance. And Chance was quite a superior dog, as dogs go. + +When Sundown finally arrived at the Concho, he was met by Bud Shoop, +who questioned him. Sundown gave a detailed account of his recent +exploration. + +"You say they was no burros at the camp--no tarp, or grub, or nothin'?" + +"Nope. Nothin' but a dead fire," replied Sundown. + +"Any sheep?" + +"Mebby four or five. Didn't count 'em." + +"Huh! Wonder where the rest of the greaser's herd is grazin'?" + +"I dunno. I rode straight acrost to here." + +"Looks mighty queer to me," commented the foreman. "I take it that +Fernando's lit out." + +"Will they pinch the boss?" queried Sundown. + +"I don' know. Anyhow, they can't prove it on him. Even if Jack +did--and I don't mind sayin' it to you--plug Fade, he did it to keep +from gettin' plugged hisself. Do you reckon I'd let any fella +chloroform me with the butt of a .45 and not turn loose? I tell you, +if Jack had been a-goin' to get Fade _right_, you'd 'a' found 'em +closter together. And that ain't all. If Jack had wanted to get Fade, +you can bet he wouldn't got walloped on the head first. The gun that +got Fade weren't packed by a puncher." + +"Will they be any more shootin'?" queried Sundown. + +"Gettin' cold feet, Sun?" + +"Nope. But say, it ain't no fun to get shot up. It don't feel good +and it's like to make a guy cross. A guy can't make pie or eat pie all +shot up, nohow." + +"Pie? You sure are loco. What you tryin' to rope now?" + +"Nothin'. But onct I was in the repair shop with two docs explorin' me +works with them there shiny little corkscrews, lookin' for a bullit +that Clammie-the-dip let into me system--me bein' mistook for another +friend of his by mistake. After the docs dug up the bullit they says, +'Anything you want to say?'--expectin' me to pass over, I reckon. +'There is,' says I. 'I want to say that I ain't et nothin' sense the +day before Clammie done me dirt. An' if I'm goin' to hit the slide I +jest as soon hit it full of pie as empty.' And them docs commenced to +laugh. 'Let him have it,' says one. 'But don't you reckon ice-cream +would be less apt to--er--hasten--the--er--' jest like that. 'Pussuble +you're correct' says the other.'" Sundown scratched his ear. "And I +et the ice-cream, feelin' kind o' sad-like seein' it wasn't pie. You +see, Bud, gettin' shot up is kind of disconvenient." + +"Well, you're the limit!" exclaimed Shoop. "Say, the boss wants to +make a few talks to you to-morrow. Told me to tell you when you come +back. You better go feed up. As I recollec' Hi's wrastlin' out some +pie-dough right now." + +"Well, I ain't takin' no chances, Bud." + +"You tell that to Hi and see what he says." + +"Nope. 'T ain't necessary. You see when them docs seen, about a week +after, that I was comin' strong instead of goin', they says, 'Me man, +if you'd 'a' had pie in your stummick when you was shot, you wouldn't +be here to-day. You'd be planted--or somethin' similar. The fac' that +your stummick was empty evidentially saved your life.' And," concluded +Sundown, "they's no use temptin' Providence now." + + +Shortly after breakfast next morning Corliss sent for Sundown. The +rancher sat propped up in a wide armchair. He was pale, but his eyes +were clear and steady. + +"Bud told me about yesterday," he began, anticipating Sundown's +leisurely and erratic recital. "I understand you found me on the trail +and went for help." + +"Yes. I thought you was needin' some about then." + +"How did you come to find me?" + +"Got lost. Hoss he took me there." + +"Did you see any one on the trail?" + +"Nope." + +"Hear any shooting?" + +"Nope. But I seen some turkeys." + +"Well, I expect the sheriff will be here tomorrow. He'll want to talk +to you. Answer him straight. Don't try to help me in any way. Just +tell him what you know--not what you think." + +"I sure will, boss. Wish Chance could talk. He could tell." + +Corliss smiled faintly. "Yes, I suppose he could. You followed him to +Fernando's camp?" + +"Uhuh." + +"All right. Now, I've had a talk with Bud about something that has +been bothering me. I think I can trust you. I want you to ride to +Antelope to-morrow morning and give a letter from me to the lawyer +there, Kennedy. He'll tell you what to do after that. I don't feel +like talking much, but I'll say this: You remember the water-hole +ranch. Well, I want you to file application to homestead it. Kennedy +will tell you what to do. Don't ask any questions, but do as he says. +You'll have to go to Usher by train and he'll go with you. You won't +lose anything by it." + +"Me? Homestead? Huh! And have cows and pigs and things? I don't +jest get you, boss, but what you say goes. Why, I'd homestead a ranch +in hell and take chances on findin' water if you said it. Say, +boss,"--and Sundown leaned toward Corliss confidentially and lowered +his voice,--"I ain't what you'd call a nervy man, but say, I got +somethin' jest as good. I--I--" and Sundown staggered around feeling +for the word he wanted. + +"I know. We'll look it up in the dictionary some day when we're in +town. Here's ten dollars for your trip. If you need more, Kennedy +will give it to you." + +Sundown departed, thrilled with the thought that his employer had +placed so much confidence in him. He wanted to write a poem, but +circumstances forbade his signaling to his muse. On his way to the +bunk-house he hesitated and retraced his steps to the ranch office. +Corliss told him to come in. He approached his employer deferentially +as though about to ask a favor. + +"Say, boss," he began, "they's two things just hit me to onct. Can I +take Chance with me?" + +"If you like. Part of your trip will be on the train." + +"I can fix that. Then I was thinkin': No! my hoss is lame. I got to +ride a strange hoss, which I'm gettin' kind o' used to. But if you'll +keep your eye on my hoss while I'm gone, it'll ease me mind +considerable. You see he's been with me reg'lar and ain't learned no +bad tricks. If the boys know I'm gone and get to learnin' him about +buckin' and bitin' the arm offen a guy and kickin' a guy's head off and +rollin' on him, and rarin' up and stompin' him, like some, they's no +tellin' what might happen when I get back." + +Corliss laughed outright. "That's so. But I guess the boys will be +busy enough without monkeying with your cayuse. If you put that +homestead deal through, you can have any horse on the range except +Chinook. You'll need a team, anyway, when you go to ranching." + +"Thanks, boss, but I'm gettin' kind of used to Pill." + +"Pill? You mean Phil--Phil Sheridan. That's your horse's name." + +"Mebby. I did try callin' him 'Phil.' It went all right when he was +standin' quiet. But when he got to goin' I was lucky if I could holler +just 'Whoa, Pill!' The 'h' got jarred loose every time. 'Course, +bein' a puncher now,"--and Sundown threw out his chest,--"it's +different. Anyhow, Pill is his name because there ain't anything a doc +ever give a fella that can stir up your insides worse 'n he can when he +takes a spell. Your head hurtin' much?" + +"No. But it will be if you don't get out of here." And Corliss +laughed and waved his hand toward the door. + + + + +CHAPTER XVII + +THE STRANGER + +Sundown, maintaining a mysterious and unusual silence, prepared to +carry out his employer's plans. His preparations were not extensive. +First, he polished his silver spurs. Then he borrowed a coat from one +of the boys, brushed his Stetson, and with the business instinct of a +Hebrew offered Hi Wingle nine dollars for a pair of Texas wing chaps. +The cook, whose active riding-days were over, had no use for the chaps +and would have gladly given them to Sundown. The latter's offer of +nine dollars, however, interested Wingle. He decided to have a bit of +fun with the tall one. He cared nothing for the money, but wondered +why Sundown had offered nine dollars instead of ten. + +"What you been eatin'?" he queried as Sundown made his bid. "Goin' +courtin'?" + +"Nope," replied the lean one. "Goin' east." + +"Huh! Expect to ride all the way in them chaps?" + +"Nope! But I need 'em. Heard you tell Bud you paid ten dollars for +'em 'way back fifteen years. Guess they's a dollar's worth worn off of +'em by now." + +"Well, you sure do some close figurin'. I sure paid ten for 'em. Got +'em from a Chola puncher what was hard up. Mebby you ain't figurin' +that they's about twenty bucks' worth of hand-worked silver conchas on +'em which ain't wore off any." + +Sundown took this as Wingle's final word. The amused Hi noted the +other's disappointment and determined to enhance the value of the chaps +by making them difficult to obtain, then give them to his assistant. +Wingle liked Sundown in a rough-shod way, though Sundown was a bit too +serious-minded to appreciate the fact. + +The cook assumed the air of one gravely concerned about his friend's +mental balance. "Somethin' sure crawled into your roost, Sun, but if +you're goin' crazy I suppose a pair of chaps won't make no difference +either way. Anyhow, you ain't crazy in your legs--just your head." + +"Thanks, Hi. It's accommodatin' of you to put me wise to myself. I +know I ain't so durned smart as some." + +"Say, you old fool, can't you take a fall to it that I'm joshin'? You +sure are the melancholiest stretch of bones and hide I ever seen. +Somehow you always make a fella come down to cases every time, with +that sad-lookin' mug of yourn. You sure would 'a' made a good +undertaker. I'll get them chaps." + +And Wingle, fat, bald, and deliberate, chuckled as he dug among his +belongings and brought forth the coveted riding apparel. "Them chaps +has set on some good hosses, if I do say it," he remarked. "Take 'em +and keep your nine bucks for life insurance. You'll need it." + +Sundown grinned like a boy. "Nope. A bargain's a bargain. Here's the +money. Mebby you could buy a fust-class cook-book with it and learn +somethin'." + +"Learn somethin'! Why, you long-geared, double-jointed, glass-eyed, +hay-topped, star-smellin' st-st-steeple, you! Get out o' this afore I +break my neck tryin' to see your face! Set down so I can look you in +the eye!" And Wingle waved his stout arms and glowered in mock anger. + +Sundown laid the money on the table. "Keep the change," he said mildly +with a twinkle in his eye. + +He picked up the chaps and stalked from the bunk-house. Chance, who +had been an interested spectator of this lively exchange of compliment +and merchandise, followed his master to the stable where Sundown at +once put on the chaps and strutted for the dog's benefit, and his own. +By degrees he was assuming the characteristics of a genuine +cow-puncher. He would show the folks in Antelope what a rider for the +Concho looked like. + +The following morning, much earlier than necessary, he mounted and rode +to the bunk-house, where Corliss gave him the letter and told him to +leave the horse at the stables in Antelope until he returned from Usher. + +Sundown, stiffened by the importance of his mission, rode straight up, +looking neither to the right nor to the left until the Concho was far +behind him. Then he slouched in the saddle, gazing with a pleased +expression first at one leather-clad leg and then the other. For a +time the wide, free glory of the Arizona morning mesas was forgotten. +The shadow of his pony walked beside him as the low eastern sun burned +across the golden levels. Long silhouettes of fantastic buttes spread +across the plain. The sky was cloudless and the crisp thin air +foretold a hot noon. The gaunt rider's face beamed with an inner +light--the light of romance. What more could a man ask than a good +horse, a faithful and intelligent dog, a mission of trust, and sixty +undisturbed miles of wondrous upland o'er which to journey, fancy-free +and clad in cowboy garb? Nothing more--except--and Sundown realized +with a slight sensation of emptiness that he had forgotten to eat +breakfast. He had plenty to eat in his saddle-bags, but he put the +temptation to refresh himself aside as unworthy, for the nonce, of his +higher self. Naturally the pent-up flood of verse that had been +oppressing him of late surged up and filled his mind with vague and +poignant fancies. His love for animals, despite his headlong +experiences on the Concho, was unimpaired, so to speak. He patted the +neck of the rangy roan which he bestrode, and settled himself to the +serious task of expressing his inner-most being in verse. He dipped +deep into the Pierian springs, and poesy broke forth. But not, +however, until he had "cinched up," as he mentally termed it, the +saddle of his Pegasus of the mesas. + +Sundown paused and called the attention of his horse to the last line. + +He hesitated, harking back for his climax. "Jing!" he exclaimed, "it's +the durndest thing to put a finish on a piece of po'try! You get to +goin' and she goes fine. Then you commence to feel that you're comin' +to the end and nacherally you asks yourself what's the end goin' to be +like. Fust thing you're stompin' around in your head upsettin' all +that you writ tryin' to rope somethin' to put on the tail-end of the +parade that'll show up strong. Kind o' like ropin' a steer. No +tellin' where that pome is goin' to land you." + +Sundown was more than pleased with himself. He again recited the verse +as he plodded along, fixing it in his memory for the future edification +of his compatriots of the Concho. + +"The best thing I ever writ!" he assured himself. "Fust thing I know +they'll be puttin' me in one of them doxologies for keeps. 'Sundown +Slim, The Poet of the Mesas!' Sounds good to me. Reckon that's why I +never seen a woman that I wanted to get married to. Writin' po'try +kind of detracted me mind from love. Guess I could love a woman if she +wouldn't laugh at me for bein' so dog-goned lengthy. She would have to +be a small one, though, so as she'd be kind o' scared o' me bein' so +big. Then mebby we could get along pretty good. 'Course, I wouldn't +like her to be scared all the time, but jest kind o' respectable-like +to me. Them's the best kind. Mebby I'll ketch one some day. Now +there goes that Chance after a rabbit ag'in. He's a long piece +off--jest can hardly see him except somethin' movin'. Well, if he +comes back as quick as he went, he'll be here soon." And Sundown +jogged along, spur-chains jingling a fairy tune to his oral soliloquies. + +Aside from forgetting to have breakfast that morning, he had made a +pretty fair beginning. He was well on his way, had composed a +roan-colored lyric of the ranges, discoursed on the subject of love, +and had set his spirit free to meander in the realms of imagination. +Yet his spirit swept back to him with a rush of wings and a question. +Why not get married? And "Gee! Gosh!" he ejaculated, startled by the +abruptness of the thought. "Now I like hosses and dogs and folks, but +livin' with hosses and dogs ain't like livin' with folks. If hosses +and dogs take to you, they think you're the whole thing. But wimmen is +different. If they take to you--why, they think they're the whole +thing jest because they landed you. I dunno! Jest bein' good to folks +ain't everything, either. But bein' good to hosses and dogs is. +Funny. I dunno, though. You either got to understand 'em and be rough +to 'em, or be good to 'em and then they understand you. Guess they +ain't no regular guide-book on how to git along with wimmen. Well, I +never come West for me health. I brung it with me, but I ain't goin' +to take chances by fallin' in love. Writin' po'try is wearin' enough." + +For a while he rode silently, enjoying his utter freedom. But +followers of Romance must ever be minute-men, armed and equipped to +answer her call with instant readiness and grace. Lacking, perhaps, +the grace, nevertheless Sundown was loyal to his sovereign mistress, in +proof of which he again sat straight in the saddle, stirred to speech +by hidden voices. "Now, take it like I was wearin' a hard-boiled hat +and a collar and buttin shoes, like the rest of them sports. Why, that +wouldn't ketch the eye of some likely-lookin' lady wantin' to get +married. Nix! When I hit town it's me for the big smoke and me +picture on the front page, standin' with me faithful dog and a lot of +them fat little babies without any clothes on, but wings, flyin' around +the edge of me picture and down by me boots and up around me hat--and +in big letters she'll say: 'Romance of A Cowboy. Western Cattle King +in Search for his Long-lost Sweetheart. Sundown, once one of our +Leading Hoboes, now a Wealthy Rancher, visits the Metrokolis on +Mysterious Errand.' Huh! I guess mebby that wouldn't ketch a good +one, mebby with money." + +But the proverbial fly must appear in the equally proverbial amber. +"'Bout as clost as them papers ever come to it," he soliloquized. +"Anyhow, if she was the wrong one, and not me long-lost affiniky, and +was to get stuck on me shape and these here chaps and spurs, reckon I +could tell her that the papers made the big mistake, and that me +Mexican wife does the cookin' with a bread-knife in her boot-leg, and +that I never had no Mormon ideas, nohow. That ought to sound kind o' +home-like, and let her down easy and gentle. I sure don't want to get +sent down for breakin' the wimmen's hearts, so I got to be durned +careful." + +So immersed was he in his imaginings that he did not at once realize +that his horse had stopped and was leisurely grazing at the edge of the +trail. Chance, who had been running ahead, swung back in a wide circle +and barked impatiently. Sundown awakened to himself. "Here, you red +hoss, this ain't no pie-contest. We got to hit the water-hole afore +dark." Once more in motion, he reverted to his old theme, but with +finality in his tone. "I guess mebby I can't tell them reporters +somethin' about me hotel out here on the desert! 'The only prevailable +road-house between Antelope and the Concho, run by the retired +cattle-king, Sundown Slim.' Sounds good to me. Mebby I could work up +a trade by advertisin' to some of them Eastern folks that eats nothin' +tougher for breakfast than them quakin'-oats and buns and coffee. Get +along, you red hoss." + +About six o'clock that evening Sundown arrived at the deserted ranch. +He unsaddled and led the horse to water. Then he picketed him for the +night. Returning, he prepared a meal and ate heartily. Just as the +light faded from the dusty windows, Chance, who was curled in a corner, +rose and growled. Sundown strode to the door. The dog followed, +sniffing along the crack. Presently Sundown heard the shuffling tread +of a horse plodding through the sand. He swung open the door and stood +peering into the dusk. He saw a horseman dismount and enter the +gateway. Chance again bristled and growled. Sundown restrained him. + +"Hello, there! That you, Jack?" + +"Nope. It's me--Sundown from the Concho." + +"Concho, eh? Was headed that way myself. Saw the dog. Thought mebby +it was Jack's dog." + +"Goin' to stop?" queried Sundown as the other advanced, leading his +horse. + +"Guess I'll have to. Don't fancy riding at night. Getting too old." +And the short, genial-faced stranger laughed heartily. + +"Well, they's plenty room. Had your supper?" + +"No, but I got some chuck along with me. Got a match?" + +Sundown produced matches. The other rolled a cigarette and studied +Sundown's face covertly in the glow of the match. In the flare Sundown +beheld a thick-set, rather short-necked man, smooth-shaven, and of a +ruddy countenance. He also noticed that the stranger wore a coat, and +at once surmised that he was neither cowboy nor herder. + +"Guess I'll stake out the hoss," said the man. "See you later." + +Chance, who had stood with head lowered and neck outstretched, whined +and leaped up at Sundown, standing with paws on his master's chest and +vainly endeavoring to tell him something. The dog's eyes were eloquent +and intense. + +Sundown patted him. "It's all right, Chance. That guy's all right. +Guess I know a good face when I see one. What's the matter, anyway?" + +Chance dropped to his feet and stalked to his corner. He settled +himself with a lugubrious sigh, as though unwillingly relinquishing his +responsibilities in the matter. + +When the stranger returned, Sundown had a fire going. "Feels good," +commented the man, rubbing his hands and surveying the room in the glow +that flared up as he lifted the stove-lid. "On your way in?" + +"Me? Nope. I'm goin' to Antelope." + +"So? Is Jack Corliss hurt bad?" + +"He was kind o' shook up for a couple of days. Guess he's gettin' +along all right now. Reckon you heard what somebody done to Fadeaway." + +The stranger nodded. "They got him, all right. Knew Fade pretty well +myself. Guess I'll eat.--That coffee of yours was good, all right," he +said as he finished eating. He reached for the coffee-pot and tipped +it. "She's plumb empty." + +"I'll fill her," volunteered Sundown, obligingly. + +As he disappeared in the darkness, the stranger stepped to the rear +door of the room and opened it. Then he closed the door and stooping +laid his saddle and blankets against it. "He can't make a break that +way," he said to himself. As Sundown came in, the man noticed that the +front door creaked shrilly when opened or closed and seemed pleased +with the fact. "Too bad about Fadeaway," he said, helping himself to +more coffee. "Wonder who got him?" + +"I dunno. I found me boss with his head busted the same day they got +Fade." + +"Been riding for the Concho long?" + +"That ain't no joke, if you're meanin' feet and inches." + +The other laughed. His eyes twinkled in the ruddy glow of the stove. +Suddenly he straightened his shoulders and appeared to be listening. +"It's the hosses," he said finally. "Some coyote's fussin' around +bothering 'em. It's a long way from home as the song goes. Lend me +your gun and I'll go see if I can plug one of 'em and stop their +yipping." + +Sundown presented his gun to the stranger, who slid it between trousers +and shirt at the waist-band. "Don't hear 'em now," he announced +finally. "Well, guess I'll roll in." + +Strangely enough, he had apparently forgotten to return the gun. +Sundown, undecided whether to ask for it or not, finally spread his +blankets and called Chance to him. The dog curled at his master's +feet. Save for the diminishing crackle of dry brush in the stove, the +room was still. Evidently the ruddy-faced individual was asleep. +Vaguely troubled by the stranger's failure to return his gun, Sundown +drifted to sleep, not for an instant suspecting that he was virtually +the prisoner of the sheriff of Apache County, who had at Loring's +instigation determined to arrest the erstwhile tramp for the murder of +Fadeaway. The sheriff had his own theory as to the killing and his +theory did not for a moment include Sundown as a possible suspect, but +he had a good, though unadvertised, reason for holding him. Accustomed +to dealing with frontier folk, he argued that Sundown's imprisonment +would eventually bring to light evidence leading to the identity of the +murderer. It was a game of bluff, and at such a game he played a +master hand. + + +The stranger seemed unusually affable in the morning. He made the +fire, and, before Sundown had finished eating, had the two ponies +saddled and ready for the road. Sundown thought him a little too +agreeable. He was even more perplexed when the man said that he had +changed his mind and would ride to Antelope with him. "Thought you +said you was goin' to the Concho?" + +"Well, seeing you say Jack can't ride yet, guess I'll wait." + +"He can talk, all right," asserted Sundown. + +The other paid no apparent attention to this remark but rode along +pointing out landmarks and discoursing largely upon the weather, the +feed, and price of hay and grain and a hundred topics associated with +ranch-life. Sundown, forgetful of his pose as a vaquero of long +standing (unintentional), assumed rather the attitude of one absorbing +information on such topics than disseminating it. Nor did he +understand the stranger's genial invitation to have supper with him at +Antelope that night, as they rode into the town. He knew, however, +that he was creating a sensation, which he attributed to his Mexican +spurs and chaps. People stared at him as he stalked down the street +and turned to stare again. His companion seemed very well known in +Antelope. Nearly every one spoke to him or waved a greeting. Yet +there was something peculiar in their attitudes. There was an +aloofness about them that was puzzling. + +"He sure looks like the bad man from Coyote Gulch," remarked one who +stood in front of "The Last Chance" saloon. + +"He ain't heeled," asserted the speaker's companion. + +"Heeled! Do you reckon Jim's plumb loco? Jim took care of that." + +All of which was music to Sundown. He was making an impression, yet he +was not altogether happy. He did not object to being classed as a bad +man so long as he knew at heart that he was anything but that. Still, +he was rather proud of his instant notoriety. + +They stopped in front of a square, one-story building. Sundown's +companion unlocked the door. "Come on in," he said. "We'll have a +smoke and talk things over." + +"But I was to see Mr. Kennedy the lawyer," asserted Sundown. + +"So? Well, it ain't quite time to see him yet." + +Sundown's back became cold and he stared at the stranger with eyes that +began to see the drift of things. "You ain't a cop, be you?" he asked +timorously. + +"They call it 'sheriff' here." + +"Well, I call it kind o' warm and I'm goin' outside." + +"I wouldn't. One of my deputies is sitting just across the street. +He's a mighty good shot. Can beat me hands down. Suppose you drop +back in your chair and tell me what you know about the shooting of +Fadeaway." + +"Me? You ain't joshin', be you?" + +"Never more serious in my life! I'm interested in this case." + +"Well, I ain't!" was Sundown's prompt remark. "And I got to go. I'm +goin' on privut business for me boss and confidenshell. Me and Chance." + +"That's all right, my friend. But I have some private and confidential +business that can't wait." + +"But I ain't done nothin'," whined Sundown, lapsing into his old +attitude toward the law. + +"Maybe not. Mr. Loring telephoned me that Fadeaway had been shot and +that a man answering your description--a tramp, he said--seemed to know +something about it. You never was a puncher. You don't get on or off +a cayuse like one. From what I learn you were a Hobo when Jack Corliss +gave you a job. That's none of my business. I arrest you as a +suspicious character, and I guess I'll have to keep you here till I +find out more about Fadeaway's case. Have a cigar?" + +"Huh! Say, don't you ever get mad?" queried Sundown, impressed by the +other's most genial attitude. + +The sheriff laughed. "Doesn't pay in my business. Now, you just ease +up and tell me what you know. It will save time. Did you ever have +trouble with Fadeaway?" + +"Not on your life! I give him all the room he wanted." + +"Did you know Fernando---one of Loring's herders?" + +"I seen him onct. He saved me life from bein' killed by a steer. Did +he say I done it?" parried Sundown. + +The sheriff's opinion of Sundown's acumen was disturbed. Evidently +this queer individual posing as a cowboy was not such a fool, after all. + +"No. Have you seen him lately?" + +"Nope. Chance and me was over to his camp, but he was gone. We kind +o' tracked back there from the place where we found Fadeaway." + +"That so?" + +"Uhuh. It was like this." And Sundown gave a detailed account of his +explorations. + +When he had finished, the sheriff made a note on the edge of a +newspaper. Then he turned to Sundown. "You're either the deepest hand +I've tackled yet, or you're just a plain fool. You don't act like a +killer." + +"Killer! Say, mister, I wouldn't kill a bug that was bitin' me 'less'n +he wouldn't let go. Why, ask Chance there!" + +"I wish that dog could talk," said the sheriff, smiling. "Did you know +that old Fernando had left the country--crossed the line into New +Mexico?" + +"What? Him?" + +"Yes. I know about where he is." + +"Guess his boss fired him for lettin' all the sheep get killed. Guess +he had to go somewhere." + +The sheriff nodded. "So you were going to take a little trip yourself, +were you?" + +"For me boss. You ask him. He can tell you." + +"I reckon when he finds out where you are he'll come in." + +"And you're goin' to pinch me?" + +"You're pinched." + +"Well, I'm dum clost to gettin' mad. You look here! Do you think I'd +be ridin' to Antelope if I done anything like shoot a man? Do you +think I'd hand you me gun without sayin' a word? And if you think I +didn't shoot Fadeaway, what in hell you pinchin' me for? Ain't a guy +got a right to live?" + +"Yes. Fadeaway had a right to live." + +"Well, I sure never wanted to see him cross over. That's the way with +you cops. If a fella is a Bo, he gets pinched, anyhow. If he quits +bein' a Bo and goes to workin' at somethin', then he gets pinched for +havin' been a Bo onct. I been livin' honest and peaceful-like and +straight--and I get pinched. Do you wonder a Bo gets tired of tryin' +to brace up?" + +"Can't say that I do. Got to leave you now. I'll fix you up +comfortable in here." And the sheriff unlocked the door leading to the +one-room jail. "I'll talk it over with you in the morning. The wife +and kid will sure be surprised to see me back, so I'll mosey down home +before somebody scares her to death telling her I'm back in town. +So-long." + +Sundown sat on the narrow bed and gazed at the four walls of the room. +"Wife and kid!" he muttered. "Well, I reckon he's got a right to have +'em. Gee Gosh! Wonder if he'll feed Chance!" + + + + +CHAPTER XVIII + +THE SHERIFF AND OTHERS + +Chance, disconsolate, wandered about Antelope, returning at last to lie +before the door of the sheriff's office. The sheriff, having +reestablished himself, for the nonce, in the bosom of his family, +strolled out to the street. He called to Chance, who dashed toward +him, then stopped with neck bristling. + +The sheriff's companion laughed. "I was going to feed him," explained +the sheriff. + +"I know what I'd feed him," growled his companion. + +"What for? He's faithful to his boss--and that's something." + +The other grunted and they passed up the street. Groups of men waylaid +them asking questions. As they drifted from one group to another, the +friend remarked that his companion seemed to be saying little. The +stout sheriff smiled. He was listening. + +Chance, aware that something was wrong, fretted around the door of +Sundown's temporary habitation. Finally he threw himself down, nose on +outstretched paws, and gazed at the lights and the men across the way. +Later, when the town had become dark and silent, the dog rose, shook +himself, and padded down the highway taking the trail for the Concho. +He knew that his master's disappearance had not been voluntary. He +also knew that his own appearance alone at the Concho would be evidence +that something had gone wrong. + +Once well outside the town, Chance settled to a long, steady stride +that ate into the miles. At the water-hole he leaped the closed gate +and drank. Again upon the road he swung along across the starlit +mesas, taking the hills at a trot and pausing on each rise to rest and +sniff the midnight air. Then down the slopes he raced, and out across +the levels, the great bunching muscles of his flanks and shoulders +working tirelessly. As dawn shimmered across the ford he trotted down +the mud-bank and waded into the stream, where he stood shoulder-deep +and lapped the cool water. + +Corliss, early afoot, found him curled at the front door of the +ranch-house. Chance braced himself on his fore legs and yawned. Then +stretching he rose and, frisking about Corliss, tried to make himself +understood. Corliss glanced toward the corral, half expecting to see +Sundown's horse. Then he stepped to the men's quarters. He greeted +Wingle, asking him if Sundown had returned. + +"No. Thought he went east." + +"Chance came back, alone." + +And Corliss and the cook eyed each other simultaneously and nodded. + +"Loring," said Wingle. + +"Guess you're right, Hi." + +"Sheriff must 'a' been out of town and got back just in time to meet up +with Sundown," suggested Wingle. And he seized a scoop and dug into +the flour barrel. + + +An hour later the buckboard stood at the ranch gate. Bud Shoop, +crooning a range-ditty that has not as yet disgraced an anthology, +stood flicking the rear wheel with his whip:-- + + + "Oh, that biscuit-shooter on the Santa Fe, + --Hot coffee, ham-and-eggs, huckleberry pies,-- + Got every lonely puncher that went down that way + With her yella-bird hair and them big blue eyes . . . + + "For a two-bit feed and a two-bit smile . . ." + + +The song was interrupted by the appearance of Corliss, who swung to the +seat and took the reins. + +"I'll jog 'em for a while," he said as Shoop climbed beside him. "Go +ahead, Bud. Don't mind me." + +Shoop laughed and gestured over his shoulder. "Chance, there, is +sleepin' with both fists this lovely mornin'. Wonder how Sun is makin' +it?" + +"We'll find out," said Corliss, shaking his head. + +"Believe us! For we're goin' to town! Say, ain't you kind of offerin' +Jim Banks a chance to get you easy?" + +"If he wants to. If he locked Sundown up, he made the wrong move." + +"It's easy!" said Shoop, gesturing toward the Loring rancho as they +passed. "Goin' to bush at the water-hole to-night?" + +"No. We'll go through." + +Shoop whistled. "Suits me! And I reckon the team is good for it." + +He glanced sideways at Corliss, who sat with eyes fixed straight ahead. +The cattle-man's face was expressionless. He was thinking hard and +fast, but chose to mask it. + +Suddenly Shoop, who had watched him some little time, burst into song. +"Suits me!" he reiterated, more or less ambiguously, by the way, for he +had just concluded another ornate stanza of the "Biscuit-shooter" lyric. + +"It's a real song," remarked Corliss. + +"Well, now!" exclaimed Shoop. And thereafter he also became silent, +knowing from experience that when Corliss had anything worth while to +say, he would say it. + +About noon they reached the water-hole where Corliss spent some time +examining the fences and inspecting the outbuildings. + +"She's in right good shape yet," commented Shoop. + +"The title has reverted to the State. It's queer Loring hasn't tried +to file on it." + +"Mebby he's used his homestead right a'ready," suggested Shoop. "But +Nell Loring could file." + +They climbed back into the buckboard. Again Shoop began a stanza of +his ditty. He seemed well pleased about something. Possibly he +realized that his employer's attitude had changed; that he had at last +awakened to the obvious necessity for doing something. As Corliss put +the team to a brisk trot the foreman's song ran high. Action was his +element. Inactivity tended to make him more or less cynical, and ate +into his tobacco money. + +Suddenly Corliss turned to him. "Bud, I'm going to homestead that +ranch." + +"Whoop!" cried the foreman. "First shot at the buck!" + +"I'm going to put Sundown on it, for himself. He's steady and wouldn't +hurt a fly." + +Shoop became silent. He, in turn, stared straight ahead. + +"What do you think of it?" queried Corliss. + +"Nothin'. 'Cept I wouldn't mind havin' a little ole homestead myself." + +Corliss laughed. "You're not cut out for it, Bud. You mean you'd like +the chance to make the water-hole a base for operations against Loring. +And the place isn't worth seed, Bud." + +"But that water is goin' to be worth somethin'--and right soon. Loring +can't graze over this side the Concho, if he can't get to water." + +"That's it. If I put you on that ranch, you'd stand off Loring's +outfit to the finish, I guess." + +"I sure would." + +"That's why I want Sundown to take it up. He'd let his worst enemy +water sheep or cattle there. He won't fight, but he's loyal enough to +my interests to sue Loring for trespass, if necessary." + +"See you and raise you one, Jack. They'll bluff Sun clean off his hind +feet. He won't stick." + +"I'll chance it, Bud. And, besides, I need you right where you are." + +"I'm sure happy!" exclaimed the irrepressible Bud, grinning. + +Corliss laughed, then shook his head. "I'll tell you one thing," he +said, facing his foreman. "I've been 'tending too many irons and some +of 'em are getting cold. I don't want trouble with any one. I've held +off from Loring because--oh--because I had a good reason to say +nothing. Billy's out of it again. The coast is clear, and I'm going +to give old man Loring the fight of his life." + +The whoop which Shoop let out startled the team into a lunging gallop. +"Go it, if you want to!" said Corliss as the buckboard swung around a +turn and took the incline toward Antelope. "I'm in a hurry myself." + +Nevertheless, he saved the team as they struck the level and held them +to a trot. "Wise old head," was Shoop's inward comment. And then +aloud: "Say, Jack, I ain't sayin' I'm glad to see you get beat up, but +that bing on the head sure got you started right. The boys was +commencin' to wonder how long you'd stand it without gettin' your back +up. She's up. I smell smoke." + + +At Antelope, Shoop put up the horses. Later he joined his employer and +they had supper at the hotel. Then they strolled out and down the +street toward the sheriff's home. When they knocked at the door it was +opened by a plump, dark-eyed woman who greeted them heartily. + +"Come right in, boys. Jim's tendin' the baby." And she took their +hats. + +They stepped to the adjoining room where Sheriff Jim sat on the floor, +his coat off, while his youngest deputy, clad only in an abbreviated +essential garnished with a safety-pin, sat opposite, gravely tearing up +the evening paper and handing the pieces to his proud father, who +stuffed the pieces in his pants pocket and cheerfully asked for more. + +"Election?" queried Shoop. + +"And all coming Jim's way," commented Corliss. + +The baby paused in his balloting and solemnly surveyed the dusty +strangers. Then he pulled a piece of paper from his father's pocket +and offered it to Shoop. "Wants me to vote, the little cuss! Well, +here goes." And, albeit unfamiliar with plump aborigines at close +range, the foreman entered into the spirit of the game and cast his +vote for the present incumbent, deputizing the "yearlin'" to handle the +matter. The yearling however, evidently thought it was time for a +recount. He gravitated to the perspiring candidate and, standing on +his hands and feet,--an attitude which seemingly caused him no +inconvenience,--reached in the ballot-box and pulling therefrom a +handful of votes he cast them ceiling-ward with a shrill laugh, +followed by an unintelligible spluttering as he sat down suddenly and +began to pick up the scattered pieces of paper. + +"You're elected," announced Shoop. + +And the by-play was understood by the three men, yet each maintained +his unchanged expression of countenance. + +"You see how I'm fixed, boys," said the sheriff. "Got to stick by my +constituent or he'll howl." + +"We're in no hurry, Jim. Just drove into town to look around a little." + +"I'll take him now," said Mrs. Jim, as she came from the kitchen drying +her hands on her apron. + +The elector, however, was of a different mind. He greeted his mother +with a howl and a series of windmill revolutions of his arms and legs +as she caught him up. + +"Got mighty free knee-action," remarked Shoop. "Mebby when he's bedded +down for the night you can come over to the 'Palace.'" + +"I'll be right with you." And the sheriff slipped into his coat. "How +you feeling, Jack?" + +"Pretty good. That's a great boy of yours." + +"Sure got your brand," added Shoop. "Built close to the ground like +his dad." + +Sheriff Banks accepted these hardy compliments with an embarrassed grin +and followed his guests to the doorway. + +"Good-night!" called Mrs. Jim from the obscurity of the bedroom. + +"Good-night, ma'am!" from Shoop. + +"Good-night!" said Corliss. "Take good care of that yearling." + +"Well, now, John, as if I wouldn't!" + +"Molly would come out," apologized Jim, "only the kid is--is grazin'. +How's the feed holdin' out on the Concho?" which question following in +natural sequence was not, however, put accidentally. + +"Fair," said Corliss. "We looked for you up that way." + +"I was over on the Reservation. I sent Tom up there to see after +things," and the sheriff gestured toward the distant Concho. "Sent him +up to-night. Let's go over to the office." + +Corliss shook his head. "Don't want to see him, just now. Besides, I +want to say a few things private." + +"All right. There was a buyer from Kansas City dropped in to town +to-day. Didn't see him, did you?" + +"Cattle?" + +"Uhuh." + +"No. We just got in." + +They turned and walked up the street, nodding to an occasional lounger, +laughing and talking easily, yet each knew that their banter was a +meandering current leading to something deeper which would be sounded +before they separated. + +Sheriff Banks suddenly stopped and slapped his thigh. "By Gum! I +clean forgot to ask if you had chuck. You see that kid of mine--" + +"Sure! But we put the 'Palace' two feeds to the bad," asserted Shoop. + +They drifted to the hotel doorway and paused at the counter where each +gravely selected a cigar. Then they clumped upstairs to Corliss's +room. Jim Banks straddled a chair and faced his friends. + +Shoop, excusing himself with humorous politeness, punched the pillows +together and lay back on the bed which creaked and rustled beneath his +weight. "These here corn-husk mattresses is apologizin'," he said, +twisting around and leaning on his elbow. + +"Well, Jack," said the smiling sheriff, "shoot the piece." + +"Or the justice of the peace--don't matter," murmured Shoop. + +Corliss, leaning forward, gazed at the end of his cigar. Then he +raised his eyes. "Jim," he said quietly, "I want Sundown." + +"So do I." + +Corliss smiled. "You've got him, all right. What's your idea?" + +"Well, if anybody else besides you asked me, Jack, they'd be wasting +time. Sundown is your man. I don't know anything about him except he +was a Hobo before he hit the Concho. But I happen to know that he was +pretty close to the place where Fadeaway got his, the same day and +about the same time. I've listened to all the talk around town and it +hasn't all been friendly to you. You can guess that part of it." + +"If you want me--" began Corliss. + +"No." And the sheriff's gesture of negation spread a film of cigar-ash +on the floor. "It's the other man I want." + +"Sundown?" asked Shoop, sitting up suddenly. + +"You go to sleep, Bud," laughed the sheriff. "You can't catch me that +easy." + +Shoop relaxed with the grin of a school-boy. + +"I'll go bail," offered Corliss. + +"No. That would spoil my plan. See here, Jack, I know you and Bud +won't talk. Loring telephoned me to look out for Sundown. I did. +Now, Loring knows who shot Fadeaway, or I miss my guess. Nellie Loring +knows, too. So do you, but you can't prove it. It was like Fade to +put Loring's sheep into the canon, but we can't prove even that, now. +I'm pretty sure your scrap with Fade didn't have anything to do with +his getting shot. You ain't that kind." + +"Well, here's my side of it, Jim. Fadeaway had it in for me for firing +him. He happened to see me talking to Nellie Loring at Fernando's +camp. Later we met up on the old Blue Trail. He said one or two +things that I didn't like. I let him have it with the butt of my +quirt. He jerked out his gun and hit me a clip on the head. That's +all I remember till the boys came along." + +"You didn't ride as far as the upper ford, that day?" + +"No. I told Fadeaway I wanted him to come back with me and talk to +Loring. I was pretty sure he put the sheep into the canon." + +"Well, Jack, knowing you since you were a boy, that's good enough for +me." + +"But how about Sundown?" + +"He stays. How long do you think I'll hold Sundown before Nell Loring +drives into Antelope to tell me she can like as not prove he didn't +kill Fade?" + +"But if you know that, why do you hold him?" + +"To cinch up my ideas, tight. Holding him will make talk. Folks +always like to show off what they know about such things. It's natural +in 'em." + +"New Mex. is a comf'table-sized State," commented Shoop from the bed. + +"And he was raised there," said the sheriff. "He's got friends over +the line and so have I. Sent 'em over last week." + +"Thought Sun was raised back East?" said Shoop, again sitting up. + +Corliss smiled. "Better give it up, Bud." + +"Oh, _very_ well!" said Shoop, mimicking a _grande dame_ who had once +stopped at Antelope in search for local color. "Anyhow, you got to set +a Mexican to catch a Mexican when he's hidin' out with Mexicans." With +this bit of advice, Shoop again relapsed to silence. + +"Going back to the Concho to-morrow?" queried Banks. + +"No. Got a little business in town." + +"I heard Loring was due here to-morrow." The sheriff stated this +casually, yet with intent. "I was talking with Art Kennedy 'bout two +hours ago--" + +"Kennedy the land-shark?" queried Shoop. + +"The same. He said something about expecting Loring." + +Bud Shoop had never aspired to the distinction of being called a +diplomat, but he had an active and an aggressive mind. With the +instinct for seizing the main chance by its time-honored forelock, he +rose swiftly. "By Gravy, Jack! I gone and left them things in the +buckboard!" + +"Oh, they'll be all right," said Corliss easily. Then he caught his +foreman's eye and read its meaning. His nod to Shoop was all but +imperceptible. + +"I dunno, Jack. I'd hate to lose them notes." + +"Notes?" And the sheriff grinned. "Writing a song or starting a bank, +Bud?" + +"Song. I was composin' it to Jack, drivin' in." And the genial Bud +grabbed his hat and swept out of the room. + +Long before he returned, Sheriff Jim had departed puzzling over the +foreman's sudden exit until he came opposite "The Last Chance" saloon. +There he had an instant glimpse of Bud and the one known as Kennedy +leaning against the bar and conversing with much gusto. Then the +swing-door dropped into place. The sheriff smiled and putting two and +two together found that they made four, as is usually the case. He had +wanted to let Corliss know that Loring was coming to Antelope and to +let him know casually, and glean from the knowledge anything that might +be of value. Sheriff Banks knew a great deal more about the affairs of +the distant ranchers than he was ordinarily given credit for. He had +long wondered why Corliss had not taken up the water-hole homestead. + +Corliss was in bed when Shoop swaggered in. The foreman did a few +steps of a jig, flung his hat in the corner, and proceeded to undress. + +"Did you see Kennedy?" yawned Corliss. + +"Bet your whiskers I did! Got the descriptions in my pocket. You owe +me the price of seven drinks, Jack, to say nothin' of what I took +myself. Caught him at 'The Last Chance' and let on I was the pore +lonely cowboy with a sufferin' thirst. Filled him up with +'Look-out-I'm-Comin'' and landed him at his shack, where he dug up them +ole water-hole descriptions, me helpin' promiscus. He kind o' bucked +when I ast him for them papers. Said he only had one copy that he was +holdin' for another party. And I didn't have to strain my guesser any, +to guess who. I told him to saw off and get busy quick or I'd have him +pinched for playin' favorites. Guess he seen I meant business, for he +come acrost. She toots for Antelope six-forty tomorrow mornin'. This +is where I make the grand play as a homesteader, seein' pore Sundown's +eatin' on the county. Kind o' had a hunch that way." + +"We'll have to nail it quick. If you file you'll have to quit on the +Concho." + +"Well, then, I quit. Sinker is right in line for my bunk. Me for the +big hammer and the little ole sign what says: 'Private property! Keep +off! All trespassers will be executed!' And underneath, kind o' +sassy-like, 'Bud Shoop, proprietor.'" + + + + +CHAPTER XIX + +THE ESCAPE + +About midnight Corliss and his foreman were awakened by a cry of +"Fire!" They scrambled from bed and pawed around in the dark for their +clothes. + +"Spontinuous conibustication," said Shoop, with a yawn. "A Jew +clothin'-store and a insurance-policy. Wonder who's ablaze?" + +"I can see from here," said Corliss at the window. "Keep on dressing, +Bud, it's the sheriff's office!" + +"Sundown!" Shoop exclaimed, dancing about inelegantly with one foot +halfway down his pants-leg. + +They tramped down the stairs and ran across to the blazing building. A +group of half-dressed citizens were passing buckets and dashing their +final and ineffectual contents against the spouting flames. + +"He's sure done on both sides if he's in there," remarked Shoop. He +ran around to the back of the jail and called loudly on Sundown. +Jumping, he caught the high wooden bars of the window and peered into +the rear room. A rivulet of flame crept along the door that led from +the jail to the office. The room seemed to be empty. Shoop dropped to +the ground and strolled around to the front. "Tryin' to save the +buildin' or the prisoner?" he asked of a sweating bucket-passer. + +The man paused for a second, slopping water on his boots and gazing +about excitedly. "Hey, boys!" he shouted. "Get an axe and chop open +the back! The long gent is roastin' to death in there!" + +"And I reckon that'll keep 'em busy while Sun fans it," soliloquized +Shoop. "Hello, Jack!" And he beckoned to Corliss. "He ain't in +there," he whispered, "But how he got out, gets me!" + +"We might as well go back to bed," said Corliss. "They'll get him, +anyway. There's one of Jim's deputies on a cayuse now." + +"Where do you reckon he'll head for?" + +"Don't know, Bud. If he heads for the water-hole, they'll get him in +no time." + +"Think he set her on fire?" + +"Maybe he dropped a cigarette. I don't think he'd risk it, on purpose." + +Shoop glanced at his watch, tilting it toward the light of the flames. +"It's just one. Hello! There comes the agent. Reckon he thought the +station was afire." + +"Guess not. He's lighting up. Must be a special going to stop." + +"He's sure set the red. Say, I'm goin' over to see. Wait a minute." + +Shoop followed the agent into the station. Presently the foreman +reappeared and beckoned to Corliss. "Listen, Jack! Reddy says he's +got some runnin' orders for the Flyer and she's got to stop to get 'em. +That means we can eat breakfast in Usher, 'stead of here. No tellin' +who'll be on the six-forty headed for the same place, tomorrow mornin'." + +Corliss pondered. His plan of homesteading the water-hole ranch had +been upset by the arrest of Sundown. Still, that was no reason for +giving up the plan. From Shoop's talk with Kennedy, the lawyer, it was +evident that Loring had his eye on the deserted ranch. + +Far down the track he saw a glimmering dot of fire and heard the faint +muffled whistle of the Flyer. "All right, Bud. I'll get the tickets. +Get our coats. We can just make it." + +When they stepped from the Flyer at Usher, the faint light of dawn was +edging the eastern hills. A baggage-truck rumbled past and they heard +some one shout, "Get out o' that!" In the dim light they saw a figure +crawl from beneath the baggage-car and dash across the station platform +to be swallowed up in the shadowy gloom of a side street. + +"I only had seven drinks," said Shoop, gazing after the disappearing +figure. "But if Sundown ain't a pair of twins, that was him." + +"Hold on, Bud!" And Corliss laid his hand on Shoop's arm. "Don't take +after him. That's the way to stampede him. We go easy till it's +light. He'll see us." + +They sauntered up the street and stopped opposite an "all-night" +eating-house. + +"We won't advertise the Concho, this trip," said Corliss, as they +entered. + +Shoop, with his legs curled around the counter stool, sipped his coffee +and soliloquized. "Wise old head! Never was a hotel built that was +too good for Jack when he's travelin'. And he don't do his thinkin' +with his feet, either." + +The waiter, who had retired to the semi-seclusion of the kitchen, dozed +in a chair tilted back against the wall. He was awakened by a voice at +the rear door. Shoop straightened up and grinned at Corliss. The +waiter vocalized his attitude with the brief assertion that there was +"nothin' doin'." + +"It's him!" said Shoop. + +"I got the price," came from the unseen. + +"Then you beat it around to the front," suggested the waiter. + +Shoop called for another cup of coffee. As the waiter brought it, +Sundown, hatless, begrimed, and showing the effects of an unupholstered +journey, appeared in the doorway. Shoop turned and stood up. + +"Well, if it ain't me old pal Buddy!" exclaimed Sundown. "What you +doin' in this here burg?" + +"Why, hello, Hawkins! Where'd you fall from? How's things over to +Homer?" + +Sundown took the hint and fabricated a heart-rending tale of an +all-night ride on "a cayuse that had been tryin' to get rid of him ever +since he started and had finally piled him as the Flyer tooted for +Usher." + +"You do look kind o' shook-up. Better eat." + +"I sure got room," said Sundown. "Fetch me a basket of doughnuts and a +pail of coffee. That there Fly--cayuse sure left me, but he didn't +take me appetite." + +After the third cup of coffee and the seventh doughnut, Sundown +asserted that he felt better. They sauntered out to the street. + +"How in blazes did you get loose?" queried Shoop, surveying the unkempt +adventurer with frank amazement. + +"Blazes is correct. I clumb out of the window." + +"Set her on fire?" + +"Not with mellishus extent, as the judge says. Mebby it was a +cigarette. I dunno. First thing I know I was dreamin' I smelt smoke +and the dream sure come true. If them bars had been a leetle closter +together, I reckon I would be tunin' a harp, right now." + +"How did you happen to jump our train--and get off here?" asked Corliss. + +"It was sure lucky," said Sundown, grinning. "I run 'round back of the +station and snook up and crawled under the platform in front. I could +see everybody hoppin' 'round and I figured I was safer on the job, +expectin' they'd be lookin' for me to beat it out of town. Then you +fellas come up and stood talkin' right over me head. Bud he says +somethin' about eatin' breakfast in Usher, and bein' hungry and likin' +good comp'ny, I waits till the train pulls up and crawls under the +baggage. And here I be." + +"We'll have to get you a hat and a coat. We'll stop at the next +barber-shop. You wash up and get shaved. We'll wait. Then we'll head +for the court-house." + +"Me ranch?" And Sundown beamed through his grime. "Makes me feel like +writin' a pome! Now, mebby--" + +"Haven't time, now. Got to scare up two more witnesses to go on your +paper. There's a place, just opening up." + +They crossed the street. Next to the barbershop was a saloon. + +Sundown eyed the sign pensively. "I ain't a drinkin' man--regular," he +said, "but there are times . . ." + +"There are times," echoed Corliss, and the three filed between the +swing-doors and disappeared. + + +An hour later three men, evidently cow-men from their gait and bearing, +passed along the main street of Usher and entered the court-house, +where they were met by two citizens. The five men were admitted to the +inner sanctum of the hall of justice, from which they presently +emerged, laughing and joking. The tallest of them seemed to be +receiving the humorous congratulations of his companions. He shook +hands all around and remarked half-apologetically: "I ain't a drinkin' +man, reg'lar . . . but there are times . . ." + +The five men drifted easily toward the swing-doors. Presently they +emerged. Shoop nudged his employer. David Loring and his daughter had +just crossed the street. The old sheep-man glanced at the group in +front of the saloon and blinked hard. Of the West, he read at a glance +the situation. Sundown, Corliss, and Shoop raised their hats as +Eleanor Loring bowed. + +"Beat him by a neck!" said Shoop. "Guess we better fan it, eh, Jack?" + +"There's no hurry," said Corliss easily. Nevertheless, he realized +that Sundown's presence in Usher was quite apt to be followed by a wire +from the sheriff of Antelope which would complicate matters, to say the +least. He shook hands with the two townsmen and assured them that the +hospitality of the Concho was theirs when they chose to honor it. Then +he turned to Bud Shoop. "Get the fastest saddle-horse in town and ride +out to the South road and wait for us. I'm going to send Sundown over +to Murphy's. Pat knows me pretty well. From there he can take the +Apache road to the Concho. We can outfit him and get him settled at +the water-hole ranch before any one finds out where he is." + +"But Jim'll get him again," said Shoop. + +"I expect him to. That'll be all right." + +"Well, you got me. Thought I knowed somethin' about your style, but I +don't even know your name." + +"Let's move on. You go ahead and get the cayuse. I want to talk to +Sundown." + +Then Corliss explained his plan. He told Sundown to keep the +water-hole fenced and so keep the sheep-men from using it. This would +virtually control several thousand acres of range around the water-hole +ranch. He told Sundown that he expected him to homestead the ranch for +himself--do the necessary work to secure a title, and then at his +option either continue as a rancher or sell the holding to the Concho. +"I'll start you with some stock--a few head, and a horse or two. All +you have to do is to 'tend to business and forget that I have ever +spoken to you about homesteading the place. You'll have to play it +alone after you get started." + +"Suits me, boss. I ain't what you'd call a farmer, but me and Chance +can scratch around and act like we was. But the smooth gent as pinched +me--ain't he goin' to come again?" + +"Sure as you're wearing spurs! But you just take it easy and you'll +come out all right. Loring put Jim Banks after you. Jim is all right +and he's business. Loring wants the water-hole ranch. So do I. Now, +if Loring tells the sheriff he saw you in Usher, and later at the +water-hole, Jim will begin to think that Loring is keeping pretty close +trail on you. When Jim finds out you've filed on the water-hole,--and +he already knows that Loring wants it,--he'll begin to figure that +Loring had you jailed to keep you out of his way. And you can take it +from me, Jim Banks is the squarest man in Apache County. He'll give +you a chance to make good. If we can keep you out of sight till he +hears from over the line, I think you'll be safe after that. If we +can't, why, you still have your title to the water-hole ranch and that +holds it against trespassers." + +"Well, you're sure some shark on the long think! Say, I been scared +stiff so long I'm just commencin' to feel me legs again. The sun is +shinin' and the birds are sawin' wood. I get you, boss! The old guy +that owns the wool had me pinched. Well, I ain't got nothin' ag'in' +him, but that don't say I ain't workin' for you. Say, if he comes +botherin' around me farm, do I shoot?" + +"No. You just keep right on. Pay no attention to him." + +"Just sick Chance on him, eh?" + +"He'd get Chance. I'm going to run some cattle over that way soon. +Then you'll have company. You needn't be scared." + +"Cattle is some comp'ny at that. Say, have I got to ride that there +bronc Bud jest went down the street on?" + +"As soon as we get out of town." + +"Which wouldn't be long if we had hosses like him, eh?" + +"I'll give you a note to Murphy. He'll send your horse back to Usher +and let you take a fresh horse when you start for the Concho. Take it +easy, and don't talk." + +"All right, boss. But I was thinkin'--" + +"What?" + +"Well, it's men like me and you that puts things through. It takes a +man with sand to go around this country gettin' pinched and thrun and +burnt up and bein' arrested every time he goes to spit. Folks'll be +sayin' that there Sundown gent is a brave man--me! Never shot nobody +and dependin' on his nerve, every time. They's nothin' like havin' a +bad repetation." + +"Nothing like it," assented Corliss, smiling. "Well, here's your road. +Keep straight on till you cross the river. Then take the right fork +and stick to it, and you'll ride right into Murphy's. He'll fix you +up, all right." + +"Did you think in this note to tell him to give me a hoss that only +travels one way to onct?" queried Sundown. + +Corliss laughed. "Yes, I told him. Don't forget you're a citizen and +a homesteader. We're depending on you." + +"You bet! And I'll be there with the bells!" + + +Shoop and Corliss watched Sundown top a distant rise and disappear in a +cloud of dust. Then they walked back to the station. As they waited +for the local, Shoop rolled a cigarette. "Jest statin' it mild and +gentle," he said, yawning, "the last couple of weeks has been kind of a +busy day. Guess the fun's all over. Sundown's got a flyin' start; +Loring's played his ace and lost, and you and me is plumb sober. If +I'd knowed it was goin' to be as quiet as this, I'd 'a' brought my +knittin' along." + +"There are times . . ." said Corliss. + +"And we got just five minutes," said Shoop. "Come on." + + + + +CHAPTER XX + +THE WALKING MAN + +Sundown's sense of the dramatic, his love for posing, with his +linguistic ability to adopt the vernacular of the moment so impressed +the temperamental Murphy that he disregarded a portion of his friend +Corliss's note, and the morning following his lean guest's arrival at +the ranch the jovial Irishman himself saddled and bridled the swiftest +and most vicious horse in the corral; a glass-eyed pinto, bronc from +the end of his switching tail to his pink-mottled muzzle. He was a +horse with a record which he did not allow to become obsolete, although +he had plenty of competition to contend with in the string of broncs +that Murphy's riders variously bestrode. Moreover, the pinto, like +dynamite, "went off" at the most unexpected intervals, as did many of +his riders. Sundown, bidding farewell to his host, mounted and swung +out of the yard at a lope. The pinto had ideas of his own. Should he +buck in the yard, he would immediately be roped and turned into the +corral again. Out on the mesas it would be different--and it was. + +He paid no attention to a tumble-weed gyrating across the Apache road. +Neither did he seem disturbed when a rattler burred in the bunch-grass. +Even the startled leap of a rabbit that shot athwart his immediate +course was greeted with nothing more than a snort and a toss of his +swinging head. Such things were excuses for bad behavior, but he was +of that type which furnishes its own excuse. He would lull his rider +to a false security, and then . . . + +The pinto loped over level and rise tirelessly. Sundown stood in his +stirrups and gazed ahead. The wide mesas glowing in the sun, the sense +of illimitable freedom, the keen, odorless air wrought him to a pitch +of inspiration. He would, just over the next rise, draw rein and woo +his muse. But the next rise and the next swept beneath the pinto's +rhythmic hoofs. The poetry of motion swayed his soul. He was enjoying +himself. At last, he reflected, he had mastered the art of sitting a +horse. He had already mastered the art of mounting and of descending +under various conditions and at seemingly impossible angles. As Hi +Wingle had once remarked--Sundown was the most _durable_ rider on the +range. His length of limb had no apparent relation to his shortcomings +as a vaquero. + +Curiosity, as well as pride, may precede a fall. Sundown eventually +reined up and breathed the pinto, which paced with lowered head as +though dejected and altogether weary--which was merely a pose, if an +object in motion can be said to pose. His rider, relaxing, slouched in +the saddle and dreamed of a peaceful and domestic future as owner of a +small herd of cattle, a few fenced acres of alfalfa and vegetables, a +saddle-horse something like the pinto which he bestrode, with Chance as +companion and audience--and perhaps a low-voiced senora to welcome him +at night when he rode in with spur-chains jingling and the silver +conchas on his chaps gleaming like stars in the setting sun. "But me +chaps did their last gleam in that there fire," he reflected sadly. +"But I got me big spurs yet." Which after-thought served in a measure +to mitigate his melancholy. Like a true knight, he had slept spurred +and belted for the chance encounter while held in durance vile at +Antelope. "But me ranch!" he exclaimed. "Me! And mebby a tame cow +and chickens and things,--eh, Chance!" But Chance, he immediately +realized, was not with him. He would have a windmill and shade-trees +and a border of roses along the roadway to the house--like the Loring +rancho. But the senorita to be wooed and won--that was a different +matter. "'T ain't no woman's country nohow--this here Arizona. She's +fine! But she's a man's country every time! Only sech as me and Jack +Corliss and Bud and them kind is fit to take the risks of makin' good +in this here State. But we're makin' good, you calico-hoss! Listen:-- + + "Oh, there's sunshine on the Concho where the little owls are cryin', + And red across the 'dobe strings of chiles are a-dryin'; + And if Arizona's heaven, tell me what's the use of dyin'? + Yes, it's good enough down here, just breathin' air; + + "For the posies are a-bloomin' and the mockin'-birds are matin', + And somewhere in Arizona there's a Chola girl a-waitin' + For to cook them enchiladas while I do the irrigatin' + On me little desert homestead over there. + + "While I'm ridin' slow and easy . . ." + +"Whoa! Wonder what that is? Never seen one of them things before. 'T +ain't a lizard, but he looks like his pa was a lizard. Mebby his ma +was a toad. Kind of a Mormon, I guess." + +He leaned forward and gravely inspected the horned toad that blinked at +him from the edge of the grass. The pinto realized that his rider's +attention was otherwise and thoroughly occupied. With that +unforgettable drop of head and arch of spine the horse bucked. Sundown +did an unpremeditated evolution that would have won him much applause +and gold had he been connected with a circus. He landed in a clump of +brush and watched his hat sail gently down. The pinto whirled and took +the homeward road, snorting and bounding from side to side as the dust +swirled behind him. Sundown scratched his head. "Lemme see. 'We was +ridin', slow and easy . . .' Huh! Well, I ain't cussin' because I +don' know how. Lemme see . . . I was facin' east when I started. Now +I'm lit, and I'm facin' south. Me hat's there, and that there +toad-lizard oughter be over there, if he ain't scared to death. Reckon +I'll quit writin' po'try jest at present and finish gettin' acquainted +with that there toad-lizard. Wonder how far I got to walk? Anyhow, I +was gettin' tired of ridin'. By gum! me eats is tied to the saddle! +It's mighty queer how a fella gets set back to beginnin' all over ag'in +every onct in a while. Now, this mornin' I was settin' up ridin' a +good hoss and thinkin' poetical. Now I'm settin' down restin'. The +sun is shinin' yet, and them jiggers in the brush is chirpin' and the +air is fine, but I ain't thinkin' poetical. I'd sure hate to have a +real lady read what I'm thinkin', if it was in a book. 'Them that sets +on the eggs of untruth,' as the parson says, 'sure hatches lies.' Jest +yesterday I was tellin' in Usher how me bronc piled me when I'd been +ridin' the baggage, which was kind of a hoss-lie. I must 'a' had it +comin'." + +He rose and stalked to the roadway. The horned toad, undisturbed, +squatted in the grass and eyed him with bright, expressionless eyes. + +"If I was like some," said Sundown, addressing the toad, "I'd pull me +six-shooter, only I ain't got it now, and bling you to nothin'. +Accordin' to law you're the injudicious cause preceding the act, which +makes you guilty accordin' to the statues of this here commonwealth, +and I seen lots of 'em on the same street, in Boston, scarin' hosses to +death and makin' kids and nuss-girls cry. But I ain't goin' to shoot +you. If I was to have the sayin' of it, I'd kind o' like to shoot that +hoss, though. He broke as fine a pome in the middle as I ever writ, to +say nothin' of hurtin' me personal feelin's. Well, so-long, leetle +toad-lizard. Just tell them that you saw me--and they will know the +rest--if anybody was to ask you, a empty saddle and a man a-foot in the +desert is sure circumvential evidence ag'in the hoss. Wonder how far +it is to the Concho?" + +With many a backward glance, inspired by fond imaginings that the pinto +_might_ have stopped to graze, Sundown stalked down the road. Waif of +chance and devotee of the goddess "Maybeso," he rose sublimely superior +to the predicament in which he found himself. "The only reason I'm +goin' east is because I ain't goin' west," he told himself, ignoring, +with warm adherence to the glowing courses of the sun the frigid +possibilities of the poles. Warmed by the exercise of plodding across +the mesa trail in high-heeled boots, he swung out of his coat and slung +it across his shoulder. Dust gathered in the wrinkles of his boots, +and more than once he stopped to mop his sweating face with his +bandanna. Rise after rise swept gently before him and within the hour +he saw the misty outline of the blue hills to the south. Slowly his +moving shadow shifted, bobbing in front of him as the sun slipped +toward the western horizon. A little breeze sighed along the road and +whirls of sand spun in tiny cones around the roots of the chaparral. +He reached in his pocket, drew forth a silver dollar, and examined it. +"Now if they weren't any folks on this here earth, I reckon silver and +gold and precious jools wouldn't be worth any more than rocks and mud +and gravel, eh? Why, even if they weren't no folks, water would be +worth more to this here world than gold. Water makes things grow +and--and keeps a fella from gettin' thirsty. And mud makes things +grow, too, but I dunno what rocks are for. Just to sit on when you're +tired, I reckon." The sibilant burring of a rattler in the brush set +his neck and back tingling. "And what snakes was made for, gets me! +They ain't good to eat, nohow. And they ain't friendly like some of +the bugs and things. I'm thinkin' that that there snake what clumb the +tree and got Mrs. Eve interested in the apple business would 'a' been a +whole lot better for folks, if he'd 'a' stayed up that tree and died, +instead o' runnin' around and raisin' young ones. Accordin' to my way +of thinkin' a garden ain't a garden with a snake in it, nohow. Now, +Mrs. Eve--if she'd had to take a hammer and nails and make a ladder to +get to them apples, by the time she got the ladder done I reckon them +apples wouldn't 'a' looked so good to her. That's what comes of havin' +a snake handy. 'Course, bein' a woman, she jest nacherally couldn't +wait for 'em to get ripe and fall off the tree. That would 'a' been +too easy. It sure is funny how folks goes to all kinds o' trouble to +get into it. Mebby she did get kind o' tired eatin' the same +breakfast-food every mornin'. Lots o' folks do, and hankers to try a +new one. But I never got tired of drinkin' water yet. Wisht I had a +barrel with ice in it. Gee Gosh! Ice! Mebby a cup of water would be +enough for a fella, but when he's dry he sure likes to see lots ahead +even if he can't drink it all. Mebby it's jest knowin' it's there that +kind o' eases up a fella's thirst. I dunno." + +Romance, as romance was wont to do at intervals, lay in wait for the +weary Sundown. Hunger and thirst and a burning sun may not be +immediately conducive to poetry or romantic imaginings. But the 'dobe +in the distance shaded by a clump of trees, the gleam of the drying +chiles, the glow of flowers, offered an acceptable antithesis to the +barren roadway and the empty mesas. Sundown quickened his pace. Eden, +though circumscribed by a barb-wire fence enclosing scant territory, +invited him to rest and refresh himself. And all unexpected the +immemorial Eve stood in the doorway of the 'dobe, gazing down the road +and doubtless wondering why this itinerant Adam, booted and spurred, +chose to walk the dusty highway. + +At the gate of the homestead Sundown paused and raised his broad +sombrero. Anita, dusky and buxom daughter of Chico Miguel, "the little +hombre with the little herd," as the cattle-men described him, nodded a +bashful acknowledgment of the salute, and spoke sharply to the dog +which had risen and was bristling toward the Strange wayfarer. + +"Agua," said Sundown, opening the gate, "Mucha agua, Senorita," adding, +with a humorous gesture of drinking, "I'm dry clean to me boots." + +The Mexican girl, slow-eyed and smiling, gazed at this most wonderful +man, of such upstanding height that his hat brushed the limbs of the +shade-trees at the gateway. Anita was plump and not tall. As Sundown +stalked up the path assuming an air of gallantry that was not wasted on +the desert air, the girl stepped to the olla hanging in the shade and +offered him the gourd. Sundown drank long and deep. Anita watched him +with wondering eyes. Such a man she had never seen. Vaqueros? Ah, +yes! many of them, but never such a man as this. This one smiled, yet +his face had much of the sadness in it. He had perhaps walked many +weary miles in the heat. Would he--with a gesture interpreting her +speech--be pleased to rest awhile? Without hesitation, he would. As +he sat on the doorstep gazing contentedly at the flowers bordering the +path, Anita's mother appeared from some mysterious recess of the 'dobe +and questioned Anita with quick low utterance. The girl's answer, +interpretable to Sundown only by its intonation, was music to him. The +Mexican woman, more than buxom, large-eyed and placid, turned to +Sundown, who rose and again doffed his sombrero. + +"I lost me horse--back there. I'm headed for the Concho--ma'am. +Concho," he reiterated in a louder tone. "Sabe?" + +The mother of Anita nodded. "You sick?" she asked. + +"What? Me? Not on your life, lady! I'm the healthiest Ho--puncher in +this here State. You sabe Concho?" + +"Si! Zhack Corlees--'Juan,' we say. Si! You of him?" + +"Yes, lady. I'm workin' for him. Lost me hoss." + +Anita and her mother exchanged glances. Sundown felt that his status +as a vaquero was in question. Would he let the beautiful Anita know +that he had been ignominiously "piled" by that pinto horse? Not he. +"Circumventions alters cases," he soliloquized, not altogether +untruthfully. Then aloud, "Me hoss put his foot in a gopher-hole. +Bruk his leg, and I had to shoot him, lady. Hated to part with him." +And the inventive Sundown illustrated with telling gesture the +imaginary accident. + +Sympathy flowed freely from the gentle-hearted Senora and her daughter. +"Si!" It was not of unusual happening that horses met with such +accidents. It was getting late in the afternoon. Would the +unfortunate caballero accept of their hospitality in the way of +frijoles and some of the good coffee, perhaps? Sundown would, without +question. He pressed a dollar into the palm of the reluctant Senora. +He was not a tramp. Of that she might be assured. He had met with +misfortune, that was all. And would the patron return soon? The +patron would return with the setting of the sun. Meanwhile the vaquero +of the Concho was to rest and perhaps enjoy his cigarette? And the +"vaquero" loafed and smoked many cigarettes while the glowing eyes of +Anita shone upon him with large sympathy. As yet Sundown had not +especially noticed her, but returning from his third visit to the +cooling olla, he caught her glance and read, or imagined he read, deep +admiration, lacking words to utter. From that moment he became a +changed man. He shed his weariness as a tattered garment is thrown +aside. He straightened his shoulders and held his head high. At last +a woman had looked at him and had not smiled at his ungainly stature. +Nay! But rather seemed impressed, awe-stricken, amazed. And his heart +quickened to faster rhythm, driving the blood riotously through his +imaginative mind. He grew eloquent, in gesture, if not in speech. He +told of his wanderings, his arrival at the Concho, of Chance his great +wolf-dog, his horse "Pill," and his good friends Bud Snoop and Hi +Wangle. Sundown could have easily given Othello himself "cards and +spades" in this chance game of hearts and won--moving metaphor!--in a +canter. That the little Senorita with the large eyes did not +understand more than a third of that which she heard made no difference +to her. His ambiguity of utterance, backed by assurance and illumined +by the divine fire of inspiration, awakened curiosity in the placid +breast of this Desdemona of the mesas. It required no sophistication +on her part to realize that this caballero was not as the vaqueros she +had heretofore known. He made no boorish jests; his eyes were not as +the eyes of many that had gazed at her in a way that had tinged her +dusky cheeks with warm resentment. She felt that he was endeavoring to +interest her, to please her rather than to woo. And more than that--he +seemed intensely interested in his own brave eloquence. A child could +have told that Sundown was single-hearted. And with the instinct of a +child--albeit eighteen, and quite a woman in her way--Anita approved of +this adventurer as she had never approved of men, or man, before. His +great height, his long, sweeping arms, moving expansively as he +illustrated this or that incident, his silver spurs, his loose-jointed +"tout ensemble," so to speak, combined with an eloquent though puzzling +manner of speech, fascinated her. Warmed to his work, and forgetful of +his employer's caution in regard to certain plans having to do with the +water-hole ranch, Sundown elaborated, drawing heavily on future +possibilities, among which he towered in imagination monarch of rich +mellow acres and placid herds. He intimated delicately that a +rancher's life was lonely at best, and enriched the tender intimation +with the assurance that he was more than fond of enchiladas, frijoles, +carne-con-chile, tamales, adding as an afterthought that he was +somewhat of an expert himself in "wrastlin' out" pies and doughnuts and +various other gastronomical delicacies. + +A delicate frown touched the gentle Anita's smooth forehead when her +mother interrupted Sundown with a steaming cup of coffee and a plate of +frijoles, yet Anita realized, as she saw his ardent expression when the +aroma of the coffee reached him, that this was a most sensible and +fitting climax to his glowing discourse. Her frown vanished together +with the coffee and beans. + +Fortified by the strong black coffee and the nourishing frijoles, +Sundown rose from his seat on the doorstep and betook himself to the +back of the house where he labored with an axe until he had accumulated +quite a pile of firewood. Then he rolled up his sleeves, washed his +hands, and asked permission to prepare the evening meal. Although a +little astonished, the Senora consented, and watched Sundown, at first +with a smile of indulgence, then with awakening curiosity, and finally +with frank and complimentary amazement as he deftly kneaded and rolled +pie-crust and manufactured a pie that eventually had, for those +immediately concerned, historical significance. + +The "little hombre," Chico Miguel, returning to his 'dobe that evening, +was greeted with a tide of explanatory utterances that swept him off +his feet. He was introduced to Sundown, apprised of the strange +guest's manifold accomplishments, and partook of the substantial +evidence of his skill until of the erstwhile generous pie there was +nothing left save tender reminiscence and replete satisfaction. + +Later in the evening, when the Arizona stars glowed and shimmered on +the shadowy adobe, when the wide mesas grew mysteriously beautiful in +the soft radiance of the slow moon, Chico Miguel brought his guitar +from the bedroom, tuned it, and struck a swaying cadence from its +strings. Then Anita's voice, blending with the rhythm, made melody, +and Sundown sat entranced. Mood, environment, temperament, lent +romance to the simple song. Every singing string on the old guitar was +silver--the singer's girlish voice a sunlit wave of gold. + +The bleak and almost barren lives of these isolated folk became +illumined with a reminiscent glow as the tinkling notes of the guitar +hushed to faint echoes of fairy bells hung on the silver boughs of +starlit trees. "Adios, linda Rosa," ran the song. Then silence, the +summer night, the myriad stars. + +Sundown, turning his head, gazed spellbound at the dark-eyed singing +girl. In the dim light of the lamp she saw that his lean cheeks were +wet with tears. + + + + +CHAPTER XXI + +ON THE MESA + +With the morning sun came a brave, cloudless day and a more jovial mood +to Sundown as he explained the necessity for haste to the Concho. +Chico Miguel would gladly furnish horse and saddle. Juan Corlees was +of men the finest! Once upon a time, in fact, Chico Miguel had ridden +range for the father of Senor Corlees, but that was in years long past, +Ah, yes! Then there were no sheep in the country--nothing but cattle +and vaqueros. Would the caballero accept the loan of horse and saddle? +The horse could be returned at his convenience. And possibly--and here +Chico Miguel paused to roll a cigarette, light it, and smoke awhile +reflectively--and possibly the caballero would again make their humble +home beautiful with his presence. Such pie as the Senor made was a not +unworthy meal for the saints. Indeed, Chico Miguel himself had had +many pleasant dreams following their feast of the evening before. +Would Sundown condescend to grace their home with his presence again +and soon? Sundown would, be Gosh! He sure did like music, especially +them Spanish songs what made a fella kind of shivery and sad-like from +his boots up. And that part of the country looked good to him. In +fact he was willing to be thrun from--er--have his hoss step in a +gopher-hole any day if the accident might terminate as pleasantly as +had his late misfortune. He aspired to become a master of the art of +cooking Mexican dishes. 'Course at reg'lar plain-cookin' and deserts +he wasn't such a slouch, but when it come to spreadin' the chile, he +wasn't, as yet, an expert. + +Meanwhile he clung tenaciously to the few Spanish words he knew, added +to which was "Linda Rosa"--"pretty rose,"--which he intended to use +with telling effect when he made his adieux. After breakfast he rose +and disappeared. When he again entered the house the keen Senora +noticed that his shirt front swelled expansively just above his heart. +She wondered if the tall one had helped himself to a few of her beloved +chiles. + +Presently Chico Miguel appeared with the pony. Sundown mounted, +hesitated, and then nodded farewell to the Senora and the almost +tearful Anita who stood in the doorway. Things were not as Sundown +would have had them. He was long of arm and vigorous, but to cast a +bouquet of hastily gathered and tied flowers from the gateway to the +hand of the Senorita would require a longer arm and a surer aim than +his. "Gee Gosh!" he exclaimed, dismounting hurriedly. "What's that on +his hind foot?" + +He referred to the horse. Chico Miguel, at the gate, hastened to +examine the pony, but Sundown, realizing that the Senorita still stood +beside her mother, must needs create further delay. He stepped to the +pony and, assuming an air of experience, reached to take up the horse's +foot and examine it. The horse, possibly realizing that its foot was +sound, resented Sundown's solicitude. The upshot--used advisedly--of +it was that Sundown found himself sitting in the road and Chico Miguel +struggling with the pony. + +With a scream Anita rushed to the gateway, wringing her hands as +Sundown rose stiffly and felt of his shirt front. The flowers that he +had picked for his adored, were now literally pressed to his bosom. He +wondered if they "were mushed up much?" Yet he was not unhappy. His +grand climax was at hand. Again he mounted the pony, turned to the +Senorita, and, drawing the more or less mangled blossoms from his +shirt, presented them to her with sweeping gallantry. Anita blushed +and smiled. Sundown raised his hat. "Adios! Adios! Mucha adios! +Senorita! For you sure are the lindaest little linda rosa of the whole +bunch!" he said. + +And with Anita standing in rapt admiration, Chico Miguel wondering if +the kick of the horse had not unsettled the strange caballero's reason, +and the Senora blandly aware that her daughter and the tall one had +become adepts in interpreting the language of the eyes, Sundown rode +away in a cloud of dust, triumphantly joyous, yet with a peculiar +sensation in the region of his heart, where the horse had kicked him. +When he realized that admiring eyes could not follow him forever, he +checked the horse and rubbed his chest. + +"It hurts, all right! but hoss-shoes is a sign of _luck_--and posies is +a sign of _love_--and them two signs sure come together this mornin'. +'Oh, down in Arizona there's a--' No, I reckon I won't be temptin' +Providence ag'in. This hoss might have some kind of a dislikin' for +toad-lizards and po'try mixed, same as the other one. I can jest kind +o' work the rest of that poem up inside and keep her on the ice +till--er--till she's the right flavor. Wonder how they're makin' it at +the Concho? Guess I'll stir along. Mebby they're waitin' for me to +show up so's they can get busy. I dunno. It sure is wonderful what a +lot is dependin' on me these here days. I'm gettin' to be kind of a +center figure in this here country. Lemme see. Now I bruk +jail--hopped the Limited, took out me homesteader papers, got thrun off +a hoss, slumped right into love with that sure-enough Linda Rosa, and +got kicked by another hoss. And they say I ain't a enterprisin' guy! +Gee Gosh!" + +Never so much at home as when alone, the mellifluous Sundown's +imagination expanded, till it embraced the farthest outpost of his +theme. He became the towering center of things terrestrial. The world +revolved around but one individual that glorious morning, and he +generously decided to let it revolve. He felt--being, for the first +time in his weird career, very much in love--that Dame Fortune, so long +indifferent to his modest aspirations, had at last recognized in him a +true adventurer worthy of her grace. He was a remarkable man, +physically. He considered himself a remarkable man mentally, and he +was, in Arizona. "Why," he announced to his horse, "they's folks as +says they ain't no romantics left in this here world! Huh! Some of +them writin' folks oughter jest trail my smoke for a week, instead o' +settin' in clubs and drinkin' high-balls and expectin' them high-balls +to put 'em wise to real life! Huh! A fella's got to sweat it out +himself. The kind of romantics that comes in a bottle ain't the real +thing. Pickles is all right, but they ain't cucumbers, nohow. Wisht I +had one--and some salt. The stories them guys write is like pickles, +jest two kinds of flavor, sweet and sour. Now, when I write me life's +history she'll be a cucumber sliced thin with a few of them little red +chiles to kind o' give the right kick, and mebby a leetle onion +representin' me sentiment, and salt to draw out the proper taste, and +'bout three drops o' vinegar standin' for hard luck, and the hull thing +fixed tasty-like on a lettuce leaf, the crinkles representin' the +mountings and valleys of this here world, and me name on the cover in +red with gold edges. Gee Gosh!" + +The creak of the saddle, the tinkle of his spurs, the springy stride of +the horse furnished a truly pastoral accompaniment to Sundown's +"romantics." + +As he rode down a draw, he came suddenly upon two coyotes playing like +puppies in the sun. He reined up and watched them, and his heart +warmed to their antics. "Now, 'most any fella ridin' range would +nacherally pull his gun and bling at 'em. What for? Search me! They +ain't botherin' nobody. Jest playin'. Guess 'most any animals like to +play if they wasn't scared o' gettin' shot all the time. Funny how +some folks got to kill everything they see runnin' wild. What's the +use? Now, mebby them coyotes is a pa and ma thinkin' o' settin' up +ranchin' and raisin' alfalfa and young ones. Or mebby he's just +a-courtin' her and showin' how he can run and jump better than any +other coyote she ever seen. I dunno. There they go. Guess they seen +me. Say! but they are jest floatin' across the mesa--they ain't +runnin'. Goin' easy, like their legs belonged to somebody else and +they was jest keepin' up with 'em. So-long, folks! Here's hopin' you +get settled on that coyote-ranch all right!" + +Thus far on his journey Sundown had enjoyed the pleasing local flavor +of the morning and his imaginings. The vinegar, which was to represent +"hard luck," had not as yet been added to the salad. + +As he ascended the gentle slope of the draw he heard a quick, blunt +sound, as though some one had struck a drum and immediately muffled the +reverberations with the hand. He was too deeply immersed in himself to +pay much attention to this. Topping the rise, the fresh vista of +rolling mesa, the far blue hills, and a white dot--the distant +Concho--awakened him to a realization of his whereabouts. Again he +heard that peculiar, dull sound. He lifted his horse to a lope and +swept along, the dancing shadow at his side shortening as noon overtook +him. He was about to dismount and partake of the luncheon the kindly +Senora had prepared for him, when he changed his mind. "Lunch and +hunch makes a rhyme," he announced. "And I got 'em both. Guess I'll +jog along and eat at the Concho. Mebby I'll get there in two, three +hours." + +As the white dot took on a familiar outline and the eastern wall of the +canon of the Concho showed sharply against the sky, he saw a horseman, +strangely doubled up in the saddle, riding across the mesa toward the +ranch-house. Evidently he also was going to the Concho. Possibly it +was Bud, or Hi Wingle, or Lone Johnny. Following an interval of +attending strictly to the trail he raised his eyes. He pulled his +horse up and sat blinking. Where there had been a horse and rider +there was but the horse, standing with lowered head. He shaded his +eyes with his palm and gazed again. There stood the horse. The man +had disappeared. "Fell into one of them Injun graves," remarked +Sundown. "Guess I'll go see." + +It took much longer than he had anticipated to come up with the +riderless horse. He recognized it as one of the Concho ponies. Almost +beneath the animal lay a huddled something. Sundown's scalp tingled. +Slowly he got from his horse and stalked across the intervening space. +He led the pony from the tumbled shape on the ground. Then he knelt +and raised the man's shoulders. Sinker, one of the Concho riders, +groaned and tore at the shirt over his stomach. Then Sundown knew. He +eased the cowboy back and called his name. Slowly the gray lids +opened. "It's me, Sundown! Who done it?" + +The cowboy tried to rise on his elbow. Sundown supported his head, +questioning him, for he knew that Sinker had but little time left to +speak. The wounded man writhed impotently, then quieted. + +"God, Sun!" he moaned, "they got me. Tell Jack--Mexican--Loring--sheep +at--waterhole. Tried to bluff--'em off--orders not to shoot. They got +orders to shoot--all right. Tell Jack--Guess I'm bleedin' +inside--So-long--pardner." + +The dying man writhed from Sundown's arms and rolled to his face, +cursing and clutching at the grass in agony. Sundown stood over him, +his hat off, his gaze lifted toward the cloudless sky, his face white +with a new and strange emotion. He raised his long arms and clenched +his hands. "God A'mighty," he whispered, rocking back and forth, "I +got to tell You that sech things is _wrong_. And from what I seen +sence I come to this country, You don't care. But some of us does +care . . . and I reckon we got to do somethin' if You don't." + +[Illustration: "God A'mighty, sech things is wrong."] + +The cowboy raised himself on rigid arms, he lifted his head, and his +eyes, filmed with the chill of death, grew clear for an instant. +"'Sandro--the herder--got me," he gasped. His lips writhed back from +his clenched teeth. A rush of blood choked him. He sank to the +ground, quivered, and was still. + +"'Sandro . . . the herder" . . . whispered Sundown. "Sinker was me +friend. I reckon God's got to leave the finish of this to me." + + + + +CHAPTER XXII + +WAIT! + +To see a man's life go out and to stand by unable to help, unable to +offer comfort or ease mortal agony, is a bitter experience. It brings +the beholder close to the abyss of eternity, wherein the world shrinks +to a speck of whirling dust and the sun is but a needle-point of light. +Then it is that the fleshless face of the unconquerable One leans close +and whispers, not to the insensate clay that mocks the living, but to +the impotent soul that mourns the dead. + +That Sundown should consider himself morally bound to become one of +those who he knew would avenge the killing of the cowboy, and without +recourse to law, was not altogether strange. The iron had entered his +soul. Heretofore at loose ends with the world, the finding of Sinker, +dying on the mesas, kindled within him righteous wrath against the +circumstance rather than the individual slayer. His meandering +thoughts and emotions became crystallized. His energies hardened to a +set purpose. He was obsessed with a fanaticism akin to that of those +who had burned witches and thanked their Maker for the opportunity. + +In his simple way he wondered why he had not wept. He rode slowly to +the Concho. Chance leaped circling about his horse. He greeted the +dog with a word. When he dismounted, Chance cringed and crept to him. +Without question this was his master, and yet there was something in +Sundown's attitude that silenced the dog's joyous welcoming. Chance +sat on his haunches, whined, and did his best by his own attitude to +show that he was in sympathy with his master's strange mood. + +John Corliss saw instantly that there was something wrong, and his +hearty greeting lapsed into terse questioning. Sundown pointed toward +the northern mesas. + +"What's up?" he queried. + +"Sinker--he's dead--over there." + +"Sinker?" Corliss ran to the corral, calling to Wingle, who came from +the bunk-house. The cook whisked off his apron, grabbed his hat, and +followed Corliss. "Sinker's done for!" said Corliss. "Saddle up, Hi. +Sun found him out there. Must have had trouble at the water-hole. I +should have sent another man with him." + +Wingle, with the taciturnity of the plainsman, jerked the cinchas tight +and swung to the saddle. Sinker's death had come like a white-hot +flash of lightning from the bulked clouds that had shadowed disaster +impending--and in that shadow the three men rode silently toward the +north. Again Corliss questioned Sundown. Tense with the stress of an +emotion that all but sealed his lips, Sundown turned his white face to +Corliss and whispered, "Wait!" The rancher felt that that one terse, +whispered word implied more than he cared to imagine. There was +something uncanny about the man. If the killing of Sinker could so +change the timorous, kindly Sundown to this grim, unbending epitome of +lean death and vengeance, what could he himself do to check the wild +fury of his riders when they heard of their companion's passing from +the sun? + +Sinker's horse, grazing, lifted its head and nickered as they rode up. +They dismounted and turned the body over. Wingle, kneeling, examined +the cowboy's six-gun. + +Corliss, in a burst of wrath, turned on Sundown. "Damn you, open your +mouth. What do you know about this?" + +Sundown bit his nails and glowered at Corliss. "God A'mighty sent +me--" he began. + +With a swift gesture Corliss interrupted. "You're working for the +Concho. Was he dead when you found him?" + +Sundown slowly raised his arm and pointed across the mesa. + +Corliss fingered his belt and bit his lip impatiently. + +"A herder--over there to my ranch--done it. Sinker told me--'fore he +crossed over. Said it was 'Sandro. Said he had orders not to shoot. +He tried to bluff 'em off, for they was bringin' sheep to the +water-hole. He said to tell you." + +Corliss and Wingle turned from looking at Sundown and gazed at each +other. "If that's right--" And the rancher hesitated. + +"I reckon it's right," said Wingle. And he stooped and together they +lifted the body and laid it across the cowboy's horse. + +Sundown watched them with burning eyes. "We'll ride back home," said +Corliss, motioning to him. + +"Home? Ain't you goin' to do nothin'?" + +Corliss shook his head. Sundown slowly mounted and followed them to +the Concho. He watched them as they carried Sinker to the bunkhouse. + +When Corliss reappeared, Sundown strode up to him. "This here hoss +belongs to that leetle Mexican on the Apache road, Chico Miguel--said +you knowed him. I was goin' to take him back with my hoss. Now I +reckon I can't. I kind o' liked it over there to his place. I guess I +want my own hoss, Pill." + +"I guess you better get something to eat and rest up. You're in bad +shape, Sun." + +Sundown shook his head. "I got somethin' to do--after that mebby I can +rest up. Can I have me hoss?" + +"Yes, if it'll do you any good. What are you going to do?" + +"I got me homesteader papers. I'm goin' to me ranch." + +"But you're not outfitted. There's no grub there. You better take it +easy. You'll feel better to-morrow." + +"I don't need no outfit. I reckon I'll saddle Pill." + +Sundown turned the Mexican's pony into the corral and saddled his own +horse which he led to the bunk-house. "I ain't got no gun," he said. +"The sheriff gent's got mine. Mebby you'd be lendin' me one?" + +Wingle stepped to the doorway and stood beside Corliss. "What does he +want, Jack?" + +"He's loco. Wants to borrow a gun." The rancher turned to Sundown. +"See here, Sun, there's no use thinking you've got to take a hand in +this. Some of the boys'll get the Mexican sure! I can't stop them, +but I don't want you to get in trouble." + +"No. You come on in and eat," said Wingle. "You got a touch of sun, I +guess." + +Sundown mounted. "Ain't you goin' to do nothin'?" he asked again. + +Corliss and Wingle glanced at each other. "No, not now." + +"Then me and Chance is," said Sundown. "Come on, Chance." + +Corliss and the cook watched the tall figure as it passed through the +gateway and out to the mesa. "I'll go head him off, if you say the +word, Jack." + +Corliss made a negative gesture. "He'll come back when he gets hungry. +It's a long ride to the water-hole. Sinker had sand to get as near +home as he did. It's going to be straight hell from now on, Hi." + +Wingle nodded. Through force of habit he reached for his apron to wipe +his hand--his invariable preliminary before he shook hands with any +one. His apron being off, he hesitated, then stepped to his employer. +"It sure is," he said, "and I'm ridin' with you." + +They shook hands. Moved by a mutual impulse they glanced at the long, +rigid shape covered with a blanket. "When the boys come--" began +Wingle. + +"It will be out of our hands," concluded Corliss. + +"If Sun--" + +"I ought to ride out after him," said Corliss, nodding. "But I can't +leave. And you can't." + +Wingle stepped to the doorway and shaded his eyes. Far out on the mesa +the diminishing figure of a horseman showed black against the glare of +the sun. Wingle turned and, with a glance at the shrouded figure on +the bunk-house floor, donned his apron and shuffled to the kitchen. +Corliss tied his horse and strode to the office. + +Hi Wingle puttered about the kitchen. There would be supper to get for +fifteen hungry--No! fourteen, to-night. He paused, set down the pan +that he held and opened the door of the chuck-room. With finger +marking the count he totaled the number of chairs at the table. +Fifteen. Then he stepped softly to the bunk-room, took Sinker's hat +and stepped back to the table. He placed the hat on the dead cowboy's +chair. Then he closed the door and turned to the preparation of the +evening meal. "Jack'll report to Antelope and try and keep the boys +quiet. I'm sure with Jack--only I was a puncher first afore I took to +cookin'. And I'm a puncher yet--inside." Which was his singular and +only spoken tribute to the memory of Sinker. He had reasoned that it +was only right and fitting that the slayer of a cowman should be slain +by a cowman--a code that held good in his time and would hold good +now--especially when the boys saw the battered Stetson, every line of +which was mutely eloquent of its owner's individuality. + +Sundown drifted through the afternoon solitudes, his mind dulled by the +monotony of the theme which obsessed him. It was evening when he +reached the water-hole. Around the enclosure straggled a few stray +sheep. He cautioned Chance against molesting them. Ordinarily he +would have approached the ranch-house timidly, but he was beyond fear. +He rode to the gate, tied his horse, and stepped to the doorway. The +door was open. He entered and struck a match. In the dusk he saw that +the room was empty save for a tarpaulin and a pair of rawhide kyacks +such as the herders use. Examining the kyacks he found that they +contained flour, beans, salt, sugar, and coffee. Evidently the herders +had intended making the deserted ranch-house their headquarters. He +wondered vaguely where the Mexicans were. The thought that they might +return did not worry him. He knew what he would do in that instance. +He would find out which one was 'Sandro . . . and then . . . + +The bleating of the stray sheep annoyed him. He told Chance to stay in +the room. Then he stalked out and opened the gate. "Mebby they want +water. I dunno. Them's Loring's sheep, all right, but they ain't to +blame for--for Sinker." With the idea came a more reasonable mood. +The sheep were not to blame for the killing of Sinker. The sheep +belonged to Loring. The herders, also, practically belonged to Loring. +They were only following his bidding when they protected the sheep. +With such reasoning he finally concluded that Loring, not his herder, +was responsible for the cowboy's death. He returned to the house, +built a fire, and cooked an indifferent meal. + + +Sundown sat up suddenly. In the dim light of the moon flickering +through the dusty panes he saw Chance standing close to the door with +neck bristling and head lowered. Throwing back his blanket he rose and +whispered to the dog. Chance came to him obediently. Sundown saw that +the dog was trembling. He motioned him back and stepped to the door. +His slumbers had served to restore him to himself in a measure. His +old timidity became manifest as he hesitated, listening. In the +absolute silence of the night he thought he heard a shuffling as of +something being dragged across the enclosure. Tense with anticipating +he knew not what, he listened. Again he heard that peculiar slithering +sound. He opened the door an inch and peered out. In the pallid glow +of the moon he beheld a shapeless object that seemed to be crawling +toward him. Something in the helpless attitude of the object suggested +Sinker as he had risen on his arm, endeavoring to tell of the disaster +which had overtaken him. With a gesture of scorn at his own fear he +swung open the door. Chance crept at his heels, whining. Then Sundown +stepped out and stood gazing at the strange figure on the ground. Not +until a groan of agony broke the utter silence did he realize that the +night had brought to him a man, wounded and suffering terribly. "Who +are you?" he questioned, stooping above the man. The other dragged +himself to Sundown's feet and clawed at his knees. "'Sandro . . . It +is--that I--die. You don' keel . . . You don' . . ." + +Sundown dragged the herder to the house and into the bedroom. He got +water, for which the herder called piteously. With his own blanket he +made him as comfortable as he could. Then he built a fire that he +might have light. The herder was shot through the thigh, and had all +but bled to death dragging himself across the mesa from where he had +fallen from his horse. Sundown tried to stop the bleeding with strips +torn from his bandanna. Meanwhile the wounded man was imploring him +not to kill him. + +"I'm doin' me best to fix you up, Dago," said Sundown. "But you better +go ahead and say them prayers--and you might put in a couple for Sinker +what you shot. I reckon his slug cut the big vein and you got to go. +Wisht I could do somethin' . . . to help . . . you stay . . . but mebby +it's better that you cross over easy. Then the boys don't get you." + +The Mexican seemed to understand. He nodded as he lay gazing at the +lean figure illumined by the dancing light of the open stove. "Si. +You good hombre, si," he gasped. + +Sundown frowned. "Now, don't you take any idea like that along to +glory with you. Sinker--what you shot--was me friend. I ought to kill +you like a snake. But God A'mighty took the job off me hands. I +reckon that makes me square with--with Sinker--and Him." + +Again Sundown brought water to the herder. Gently he raised his head +and held the cup to his lips. Chance stood in the middle of the room +strangely subdued, yet he watched each movement of his master with +alert eyes. The moonlight faded from the window and the fire died +down. The air became chill as the faint light of dawn crept in to +emphasize the ghastly picture--the barren, rough-boarded room, the +rusted stove, the towering figure of Sundown, impassively waiting; and +the shattered, shrunken figure of the Mexican, hopeless and helpless, +as the morning mesas welcomed the golden glow of dawn and a new day. + +The herder, despite his apparent torpor, was the first to hear the +faint thud of hoofs in the loose sand of the roadway. He grew +instantly alert, raising himself on his elbow and gazing with fear-wide +eyes toward the south. + +Sundown nodded. "It's the boys," he said, as though speaking to +himself. "I was hopin' he could die easy. I dunno." + +'Sandro raised his hands and implored Sundown to save him from the +riders. Sundown stepped to the window. He saw the flash of spurs and +bits as a group of the Concho boys swept down the road. One of them +was leading a riderless horse. In a flash he realized that they had +found the herder's horse and had tracked 'Sandro to the water-hole. He +backed away from the window and reaching down took the Mexican's gun +from its holster. "'T ain't what I figured on," he muttered. "They's +me friends, but this is me ranch." + +With a rush and a slither of hoofs in the loose sand the Concho riders, +headed by Shoop, swung up to the gate and dismounted. Sundown stepped +to the doorway, Chance beside him. + +Shoop glanced quickly at the silent figure. Then his gaze drifted to +the ground. + +"'Mornin', Sun! Seen anybody 'round here this mornin'?" + +"Mornin', fellas. Nope. Just me and Chance." + +The men hesitated, eyeing Sundown suspiciously. + +Corliss stepped toward the ranch-house. + +"Guess we'll look in," he said, and stepped past Shoop. + +Sundown had closed the door of the bedroom. He was at a loss to +prevent the men entering the house, but once within the house he +determined that they should not enter the bedroom. + +He backed toward it and stood with one shoulder against the lintel. +"Come right in. I ain't got to housekeepin' yet, but . . ." + +He ceased speaking as he saw Corliss's gaze fixed on the kyacks. +"Where did you get 'em?" queried the rancher. + +The men crowded in and gazed curiously at the kyacks--then at Sundown. + +Shoop strode forward. "The game's up, Sun. We want the Mexican." + +"This is me ranch," said Sundown. "I got the papers--here. You fellas +is sure welcome--only they ain't goin' to be no shootin' or such-like. +I ain't joshin' this time." + +A voice broke the succeeding silence. "If the Mexican is in there, we +want him--that's all." + +Sundown's eyes became bright with a peculiar expression. Slowly--yet +before any one could realize his intent--he reached down and drew the +Mexican's gun. "You're me friends," he said quietly. "He's in +there--dyin'. I reckon Sinker got him. He drug himself here last +night and I took him in. This is me home--and if you fellas is _men_, +you'll let him die easy and quiet." + +"I'm from Missouri," said Shoop, with a hard laugh. "You got to show +me that he's--like you say, or--" + +Sundown leveled his gun at Shoop. "I ain't lyin' to you, Bud. Sinker +was me friend. And I ain't lyin' when I says that the fust fella that +tries to tech him crosses over afore he does." + +Some one laughed. Corliss touched Shoop's arm and whispered to him. +With a curse the foreman turned and the men clumped out to the yard. + +"He's right," said Corliss. "We'll wait." + +They stood around talking and commenting upon Sundown's defense of the +Mexican. + +"'Course we could 'a' got him," said Shoop, "but it don't set right +with me to be stood up by a tenderfoot. Sundown's sure loco." + +"I don't know, Bud. He's queer, all right, but this is his ranch. +He's got a right to order us out." + +Shoop was about to retort when Sundown came to the doorway. "I guess +you can come in now," he said. "And you won't need no gun." The men +shuffled awkwardly, and finally led by Corliss they filed into the room +and one by one they stepped to the open door of the bedroom and gazed +within. Then they filed out silently. + +"I'll send over some grub," said Corliss as they mounted. Sundown +nodded. + +The band of riders moved slowly back toward the Concho. About halfway +on their homeward journey they met Loring in a buckboard. The old +sheep-man drove up and would have passed them without speaking had not +Corliss reined across the road and halted him. + +"One of your herders--'Sandro--is over at the water-hole," said +Corliss. "If you're headed for Antelope, you might stop by and take +him along." + +Loring glared at the Concho riders, seemed about to speak, but instead +clucked to his team. The riders reined out of his way and he swept +past, gazing straight ahead, grim, silent, and utterly without fear. +He understood the rancher's brief statement, and he already knew of the +killing of Sinker. 'Sandro's assistant, becoming frightened, had left +his wounded companion on the mesas, and had ridden to the Loring rancho +with the story of the fight and its ending. + + + + +CHAPTER XXIII + +THE PEACEMAKER + +"But I ain't no dove--more like a stork, I guess," reflected Sundown as +he stood in the doorway of his house. "And storks brings +responsibilities in baskets, instead of olive branches. No wonder ole +man Noah fired the dove right out ag'in--bringin' him olives what +wa'n't pickled, instead of a bunch of grapes or somethin' you can eat! +And that there dove never come back. I reckon he figured if he did, +ole man Noah'd shoot him. Anyhow, if I ain't no dove of peace, I'm +goin' to do the best I can. Everybody 'round here seems like they was +tryin' to ride right into trouble wishful, 'stead of reinin' to one +side an' givin' trouble a chance to get past. Gee Gosh! If I'd 'a' +knowed what I know now--afore I hit this country--but I'm here. +Anyhow, they's nothin' wrong with the country. It's the folks, like it +'most always is. Reckon I ought to keep on buildin' fence this +mornin', but that there peace idea 's got to singin' in me head. I'll +jest saddle up Pill and ride over and tell ole man Loring that I'm +takin' care of his sheep charitable what's been hangin' around here +since 'Sandro passed over. Mebby that'll kind o' start the talk. Then +I can slip him a couple of ideas 'bout how neighbors ought to act. +Huh! Me nussin' them sheep for two weeks and more, an' me just dyin' +for a leetle taste o' mutton. Mebby his herders was scared to come for +'em, I dunno." + + +Sundown was established at the water-hole. Corliss had sent a team to +Antelope for provisions, implements, and fencing. Meanwhile, Sundown +had been industrious, not alone because he felt the necessity for +something to occupy his time, but that he wanted to forget the tragedy +he had so recently witnessed. And he had dreams of a more +companionable future which included Mexican dishes served hot, evenings +of blissful indolence accompanied by melody, and a Senora who would +sing "Linda Rosa, Adios!" which would be the "piece de resistance" of +his pastoral menu. + +The "tame cow," which he had so ardently longed for, now grazed +soulfully in a temporary enclosure out on the mesa. Two young and +sprightly black pigs prospected the confines of their littered +hermitage. Four gaunt hens and a more or less dilapidated rooster +stalked about the yard, no longer afraid of the watchful Chance, who +had previously introduced himself to the rooster without the formality +of Sundown's presence as mediator. Sundown was proud of his chickens. +The cow, however, had been, at first, rather a disappointment to him. +Milk had not heretofore been a conspicuous portion of Sundown's diet, +nor was he versed in the art of obtaining it except over the counter in +tins. With due formality and some trepidation he had placed a pail +beneath "Gentle Annie" as he called her, and had waited patiently. So +had Gentle Annie, munching a reflective cud, and Sundown, in a +metaphorical sense, doing likewise. He had walked around the cow +inspecting her with an anxious and critical eye. She seemed healthful +and voluptuously contented. Yet no milk came. Bud Shoop, having at +that moment arrived with the team, sized up the situation. When he had +recovered enough poise to stand without assistance and had wiped the +wild tears from his eyes, he instructed the amazed Sundown as to +certain manipulations necessary to produce the desired result. "Huh! +Folks says cows _give_ milk. But I reckon that ain't right," Sundown +had asserted. "You got to take it away from 'em." So he had taken +what he could, which was not, at first, a great deal. + +This momentous morning he had decided that his unsolicited mission was +to induce or persuade Loring to arbitrate the question of +grazing-rights. It was a strange idea, although not incompatible with +Sundown's peculiar temperament. He felt justified in taking the +initiative; especially in view of the fact that Loring's sheep had been +trespassing on his property. + +He saddled "Pill," and called to Chance. "See here, Chance, you and +me's pals. No, you ain't comin' this trip. You stick around and keep +your eye on me stock. What's mine is yourn exceptin' the rooster. +Speakin' poetical, he belongs to them hens. If he ain't here when I +get back, I can pretty nigh tell by the leavin's where he is. When I +git back I look to find you hungry, sabe? And not sneakin' around +lookin' at me edgeways with leetle feathers stickin' to your nose. I +reckon you understand." + +Chance followed his master to the road, and there the dog sat gazing at +the bobbing figure of Sundown until it was but a speck in the morning +sunshine. Then Chance fell to scratching his ear with his hind foot, +rose and shook himself, and stalked indolently to the yard where he lay +with his nose along his outstretched fore legs, watching the proscribed +rooster with an eloquence of expression that illustrated the proverbial +power of mind over matter. + +Sundown kept Pill loping steadily. It was a long ride, but Sundown's +mind was so preoccupied with the preparing of his proposed appeal to +the sheep-man that the morning hours and the sunlit miles swept past +unnoticed. The dark green of the acacias bordering the hacienda, the +twinkling white of the speeding windmill, and the dull brown of the +adobes became distinct and separate colors against the far edge of the +eastern sky. He reined his pony to a walk. "When you're in a hurry to +do somethin'," he informed his horse, "it ain't always good politics to +let folks know it. So we'll ride up easy, like we had money to spend, +and was jest lookin' over the show-case." And Pill was not averse to +the suggestion. + +Sundown dismounted, opened the gate, and swinging to the saddle, rode +up to the ranch-house. Had he known that Anita, the daughter of Chico +Miguel, was at that moment talking with the wife of one of Loring's +herders; that she was describing him in glowing terms to her friend, +and moreover, as he passed up the driveway, that Anita had turned +swiftly, dropping the pitcher of milk which she had just brought from +the cooling-room as she saw him, he might well have been excused from +promulgating his mission of peace with any degree of coherence. +Sublimely ignorant of her presence,--spiritualists and sentimentalists +to the contrary in like instances,--he rode directly to the hacienda, +asked for the patron, and was shown to the cool interior of the house +by the mildly astonished Senora. Senor Loring would return presently. +Would the gentleman refresh himself by resting until the Senor +returned? Possibly she herself could receive the message--or the +Senorita, who was in the garden? + +"Thanks, lady. I reckon Pill is dry--wants a drink--agua--got a +thirst. No, ma'am. I can wait. I mean me horse." + +"Oh! Si! But Juan would attend to the horse and at once." + +"Thanks, lady. And if Miss Loring ain't too busy, I reckon I'd like to +see her a minute." + +The Senora disappeared. Sundown could hear her call for Juan. +Presently Nell Loring came to the room, checked an exclamation of +surprise as she recognized him, and stepping forward, offered her hand. +"You're from Mr. Corliss. I remember. . . . Is Chance all right now?" + +"Yes, ma'am. He is enjoyin' fust-rate health. He eats reg'lar--and +rabbits in between. But I ain't from the Concho, lady. I'm from me +own ranch, down there at the water-hole. Me boss ain't got nothin' to +do with me bein' here. It's me own idea. I come friendly and wishful +to make a little talk to your pa." + +Wondering what could have induced Sundown to call at her home, +especially under the existing circumstances, Nell Loring made him +welcome. After he had washed and strolled over to the stables to see +to his horse. Sundown, returning, declined an invitation to come in, +and sat on the veranda, smoking cigarettes and making mental note of +the exterior details of the hacienda: its garden, shade-trees, corrals, +and windmill. Should prosperity smile upon him, he would have a +windmill, be Gosh! Not a white one--though white wasn't so bad--but +something tasty; red, white and blue, mebby--a real American windmill, +and in the front of the house a flagpole with the American flag. And +he would keep the sign "American Hotel" above the gate. There was +nothin' like bein' paterotic. Mexican ranches--some of 'em--was purty +enough in a lazy kind of style, but he was goin' to let folks know that +a white man was runnin' the water-hole ranch! + +And all unknown to him, Anita stood in the doorway of one of the +herder's 'dobes, more than ever impressed by the evident importance of +her beau-ideal of chivalry, who took the kick of horses as a matter of +course, and rose smilingly from such indignities to present flowers to +her with eyes which spake of love and lips that expressed, as best they +could, admiration. Anita was a bit disappointed and perhaps a bit +pleased that he had not as yet seen her. As it was she could worship +from a distance that lent security to her tender embarrassment. The +tall one must, indeed, be a great caballero to be made welcome at the +patron's home. Assuredly he was not as the other vaqueros who visited +the patron. _He_ sat upon the veranda and smoked in a lordly way, +while they inevitably held forth in the less conspicuous latitude of +the bunk-house and its environs. Anita was happy. + +Sundown, elated by the righteousness of his mission as harbinger of +peace, met Loring returning from one of the camps with gracious +indifference to the other's gruff welcome. + +They sat at the table and ate in silence for a while. With the +refreshing coffee Sundown's embarrassment melted. His weird command of +language, enhanced by the opportunity for exercise in a good cause, +astonished and eventually interested his hearers. He did not approach +his subject directly, but mounted the metaphorical steps of his rostrum +leisurely. He discoursed on the opportunities afforded by the almost +limitless free range. He hinted at the possibility of internecine +strife eventually awakening the cupidity of "land-sharks" all over the +country. If there was land worth killing folks for, there was land +worth stealing. If the Concho Valley was once thrown open to +homesteaders, then farewell free range and fat cattle and sheep. And +the mention of sheep led him to remark that there was a small band at +the water-hole, uncared-for save by himself. "And he was no sheep-man, +but he sure hated to see any critters sufferin' for water, so he had +allowed the sheep to drink at the water-hole." Then he paused, +anticipating the obvious question to which he made answer: "Yes. The +water-hole ranch is me ranch. I filed on her the same day that you and +Miss Loring come to Usher. Incondescent to that I was in the calaboose +at Antelope. Somebody tole the sheriff that I was a suspicious +character. Mebby I am, judgin' from the outside, but inside I ain't. +You can't always tell what the works is like by the case, I ain't got +no hard feelin's for nobody, and I'm wishful that folks don't have no +hard feelin's ag'in' me or anybody else." + +Loring listened in silence. Finally he spoke. "I'll take care of my +sheep. I'll send for 'em to-day. Looks like you're tryin' to play +square, but you don't figure in this deal. Jack Corliss is at the +bottom of it and he's using you. And he'll use you hard. What you +goin' to do with the overflow from the water-hole?" + +"I'm goin' to irrigate me ranch," said Sundown. + +Loring nodded. "And cut off the water from everybody?" + +"Not from me friends." + +"Which means the Concho." + +"Sure! Jack Corliss is me friend. But that ain't all. If you want to +be me friend, I ain't kickin' even if you did tell the sheriff he ought +to git acquainted with me closer. I'm goin' to speak right out. I +reckon it's the best way. I got a proposition. If you'll quit sickin' +them herders onto cowboys and if Jack'll quit settin' the punchers at +your herders, I'll open up me spring and run her down to where they's +water for everybody. If cows comes, they drink. If sheep comes, +_they_ drink. If folks comes, they drink, likewise. But no fightin'." + +Sundown as arbiter of peace felt that he had, in truth, "spoken right +out." He was not a little surprised at himself and a bit fearful. Yet +he felt justified in his suggestion. Theoretically he had made a fair +offer. Practically his offer was of no value. Sheep and cattle could +not occupy the same range. Loring grumbled something and shoved back +his chair. They rose and stepped to the veranda. + +"If you can get Corliss to agree to what you say--and quit runnin' +cattle on the water-hole side--I'll quit runnin' sheep there." And +Loring waved his hand toward the north. + +"But the Concho is on the west side--" began Sundown. + +"And cattle are grazin' on the east side," said Loring. + +Sundown scratched his head. "I reckon I got to see Jack," he said. + +"And you'll waste time, at that," said Loring. "Look here! Are you +ranchin' to hold down the water-hole for Corliss or to make a livin'?" + +Sundown hesitated. He gazed across the yard to the distant mesa. +Suddenly a figure crossed the pathway to the gate. He jerked up his +head and stood with mouth open. It couldn't be--but, yes, it was +Anita--Linda Rosa! Gee Gosh! He turned to Loring. "I been tellin' +you the truth," he said simply. "'Course I got to see me boss, now. +But it makes no difference what he says, after this. I'm ranchin' for +meself, because I'm--er--thinkin' of gettin' married." + +Without further explanation, Sundown stalked to the stable and got his +horse. He came to the hacienda and made his adieux. Then he mounted +and rode slowly down the roadway toward the gate. + +Anita's curiosity had overcome her timidity. Quite accidentally she +stood toying with a bud that she had picked from the flower-bordered +roadway. She turned as Sundown jingled up and met him with a murmur of +surprise and pleasure. He swung from his horse hat in hand and +advanced, bowing. Anita flushed and gazed at the ground. + +"'Mornin', Senorita! I sure am jest hoppin' glad to see you ag'in. If +I'd 'a' knowed you was here . . . But I come on business--important. +Reckon you're visitin' friends, eh?" + +"Si, Senor!" + +"Do you come here reg'lar?" + +"Only to see the good aunt sometimes." + +"Uhuh. I kind of wish your aunt was hangin' out at the Concho, though. +This here ain't a reg'lar stoppin'-place for me." + +"You go away?" queried Anita. + +"I reckon I got to after what I said up there to the house. Yes, I'm +goin' back to feed me pigs and Chance and the hens. I set up +housekeepin' since I seen you. Got a ranch of me own--that I was +tellin' you about. You ought to see it! Some class! But it's mighty +lonely, evenin's." + +Anita sighed and glanced at Sundown. Then her gaze dwelt on the bud +she held. "Si, Senor--it is lonely in the evenings," she said, and +although she spoke in Spanish, Sundown did not misunderstand. + +He grinned hugely. "You sure don't need to talk American to tell it," +he said as one who had just made a portentous discovery. "It was +worryin' me how we was goin' to get along--me short on the Spanish and +you short on my talk. But I reckon we'll get along fine. Your pa in +good health, and your ma?" + +Anita nodded shyly. + +Sundown was at a loss to continue this pleasant conversation. He +brightened, however, as a thought inspired him. "And the leetle hoss, +is he doin' well?" + +"That Sarko I do not like that he should keeck you!" flamed Anita, and +Sundown's cup of happiness was full to overflowing. + +Quite unconsciously he was leading his horse toward the gate and quite +unconsciously Anita was walking beside him. Forgotten was the Loring +ranch, the Concho, his own homestead. He was with his inamorata, the +"Linda Rosa" of his dreams. + +At the gateway he turned to her. "I'm comin' over to see your folks +soon as I git things to runnin' on me ranch. Keeps a fella busy, but +I'm sure comin'. I ain't got posies to growin' yet, but I'm goin' to +have some--like them," and he indicated the bud which she held. + +"You like it?" she queried. And with bashful gesture she gave him the +rose, smiling as he immediately stuck it in the band of his sombrero. + +Then he held out his hand. "Linda Rosa," he said gently, "I can't make +the big talk in the Spanish lingo or I'd say how I was lovin' you and +thinkin' of you reg'lar and deep. 'Course I got to put your pa and ma +wise first. But some day I'm comin'--me and Chance--and tell you that +I'm ready--that me ranch is doin' fine, and that I sure want you to +come over and boss the outfit. I used to reckon that I didn't want no +woman around bossin' things, but I changed me mind. Adios! +Senorita!--for I sure got to feed them hens." + +Sundown extended his hand. Anita laid her own plump brown hand in +Sundown's hairy paw. For an instant he hesitated, moved by a most +natural impulse to kiss her. Her girlish face, innocently sweet and +trusting, her big brown eyes glowing with admiration and wonder, as she +gazed up at him, offered temptation and excuse enough. It was not +timidity nor lack of opportunity that caused Sundown to hesitate, but +rather that innate respect for women which distinguishes the gentle man +from the slovenly generalization "gentleman." "Adios! Linda Rosa!" he +murmured, and stooping, kissed her brown fingers. Then he gestured +with magnificence toward the flowers bordering the roadway. "And you +sure are the lindaest little Linda Rosa of the bunch!" + +And Anita's heart was filled with happiness as she watched her brave +caballero ride away, so tall, so straight, and of such the gentle +manner and the royal air! + +It was inevitable that he should turn and wave to her, but it was not +inevitable that she should have thrown him a pretty kiss with the grace +of her pent-up emotion--but she did. + + + + +CHAPTER XXIV + +AN UNEXPECTED VISIT + +It was late in the evening when Sundown returned to his ranch. Chance +welcomed him with vocal and gymnastic abandon. Sundown hastened to his +"tame cow" and milked her while the four hens peeped and clucked from +their roost, evidently disturbed by the light of the lantern. +Meanwhile Chance lay gravely watching his master until Gentle Annie had +been relieved of the full and creamy quota of her donation to the +maintenance of the household. Then the wolf-dog followed his master to +the kitchen where they enjoyed, in separate dishes, Gentle Annie's warm +contribution, together with broken bread and "a leetle salt to bring +out the gamey flavor." + +Solicitous of the welfare of his stock, as he termed them, he betook +himself to the hen-house to feed the chickens. "Huh!" he exclaimed, +raising the lantern and peering round, "there's one rooster missin'!" +_The_ rooster had in truth disappeared. He put down the lantern and +turned to Chance. "Lemme look at your mouth. No, they ain't no signs +on you. Hold on! Be Gosh, if they ain't some leetle red hairs +stickin' to your chops. What's the answer?" + +Chance whined and wagged his tail. "You don't look like you was +guilty. And that there rooster wasn't sportin' red hair the last time +I seen him. Did you eat him fust and then swaller a rabbit to cover +his tracks? I reckon not. You're some dog--but you ain't got +boiler-room for a full-size Rhode Island Red and a rabbit and two +quarts of bread-and-milk. It ain't reas'nable. I got to investigate." + +The dog seemed to understand. He leaped up and trotted to the yard, +turning his head and silently coaxing his master to follow him. +Sundown, with a childish and most natural faith in Chance's +intelligence, followed him to the fence, scrambled through and trailed +him out on the mesa. In a little hollow Chance stopped and stood with +crooked fore leg. Sundown stalked up. At his feet fluttered his red +rooster and not far from it lay the body of a full-grown coyote. +Chance ran to the coyote and diving in shook the inanimate shape and +growled. "Huh! Showin' me what you done to him for stealin' our +rooster, eh? Well, you sure are goin' to get suthin' extra for this! +You caught him with the goods--looks like. And look here!"--and +Sundown deposited the lantern on a knoll and sat down facing the dog. +"What I'm goin' to give you that extra for ain't for killin' the +coyote. That is your business when I ain't to home. You could 'a' +finished off Jimmy"--and he gestured toward the rooster--"and the +evidence would 'a' been in your favor, seein' as you was wise to show +me the coyote. I got some candy put by for--for later, if she likes +it, but we're goin' to bust open that box of candy and celebrate. Got +to see if I can repair Jimmy fust, though, or else use the axe. I +dunno." + +Jimmy was a sad spectacle. His tail-feathers were about gone and one +leg was maimed, yet he still showed the fighting spirit of his New +England sires, for, as Sundown essayed to pick him up, he pecked and +squawked energetically. + +They returned to the house, where Sundown examined the bedraggled bird +critically. "I ain't no doc, but I have been practiced on some meself. +Looks like his left kicker was bruk. Guess it's the splints for him +and nussin' by hand. Here, you! Let go that button! That ain't a +bug! There! 'T ain't what you'd call a perfessional job, but if you +jest quit runnin' around nights and take care of your health, mebby +you'll come through. Don' know what them hens'll think, though. You +sure ain't no Anner Dominus no more. If you was a lady hen, you could +pertend you was wearin' evenin' dress like--low-neck and suspenders. +But bein' a he, 't ain't the style. Wonder if you got your crow left? +You ain't got a whole lot more to tell you from jest a hen." + +With Jimmy installed in a box of straw in the kitchen, the pigs fed, +and Gentle Annie grazing contentedly, Sundown felt able to relax. It +had been a strenuous day for him. He drew a chair to the stove, and +before he sat down he brought forth from beneath the bed a highly +colored cardboard box on which was embossed a ribbon of blue sealed +with a gold paster-seal. Chance watched him gravely. It was a +ceremony. Sundown opened the box and picking out a chocolate held it +up that Chance might realize fully that it was a ceremony. The dog's +nose twitched and he licked his chops. "Tastes good a'ready, eh? +Well, it's yourn." And he solemnly gave Chance the chocolate. "Gee +Gosh! What'd you do with it? That ain't no way to eat candy! You +want to chew her slow and kind o' hang on till she ain't there. Then +you get your money's worth. Want another?" + +Later Sundown essayed to smoke, but found the flavor of chocolate +incompatible with the enjoyment of tobacco. Chance dozed by the fire, +and Jimmy, with neck stretched above the edge of the box, watched +Sundown with beady, blinking eyes. + + +Sundown slept late next morning. The lowing of Gentle Annie as she +mildly endeavored to make it known that milking-time was past, the +muffled grunting of the two pigs as they rooted in the mud or poked +flat flexible noses through the bars, the restless padding of Chance to +and from the bedroom, merely harmonized in chorus with audible slumbers +until one of the hens cackled. Then Jimmy, from his box near the +stove, lifted his clarion shrill in reply to the hen. Sundown sat up, +scratched his ear, and arose. + +He was returning from a practice of five-finger exercise on Gentle +Annie, busy with his thoughts and the balance of the pail, when a shout +brought his gaze to the road. John Corliss and Bud Shoop waved him +greeting, and dismounting led their horses to the yard. + +"Saves me a ride," muttered Sundown. Then, "How, folks! Come right +in!" + +He noticed that the ponies seemed tired--that the cinchas were +mud-spattered and that the riders seemed weary. He invited his guests +to breakfast. After the meal the three foregathered outside the house. + +"That was right good beef you fed us," remarked Shoop, slightly raising +one eyebrow as Corliss glanced at him. + +"The best in the country," cheerfully assented Sundown. + +"How you making it, Sun?" + +"Me? Oh, I'm wigglin' along. Come home last night and found Jimmy +with his leg bruk. Everything else was all right." + +"Jimmy?" + +"Uhuh. Me rooster." + +"Coyote grab him?" + +"Uhuh. And Chance fixed Mr. Coyote. I was to Loring's yesterday on +business." + +Shoop glanced at Corliss who had thus far remained silent. + +"We had a little business to talk over," said the rancher. "You're +located now. I'm going to run some cattle down this way next week. +Some of mine and some of the Two-Bar-O." Corliss, who had been +standing, stepped to the doorway and sat down. Shoop and Sundown +followed him and lay outstretched on the warm earth. "Funny thing, +Bud, about that Two-Bar-O steer we found cut up." + +"Sure was," said Shoop. + +"Did he get in a fence?" queried Sundown. + +"No. He was killed for beef. We ran across him yesterday and did some +looking around last night. Trailed over this way to have a talk." + +"I'm right glad to see you. I wanted to speak a little piece meself +after you get through." + +"All right. Here's the story." And Corliss gazed across the mesa for +a moment. "The South Spring's gone dry. The fork is so low that only +a dozen head can drink at once. It's been a mighty dry year, and the +river is about played out except in the canon, and the stock can't get +to the water there. This is about the only natural supply outside the +ranch. I want to put a couple of men in here and ditch to that hollow +over there. It'll take about all your water, but we got to have it. I +want you to put in a gas-engine and pump for us. Maybe we'll have to +pipe to tanks before we get through. I'll give you fifty a month to +run the engine." + +"I'll sure keep that leetle ole gas-engine coughin' regular," said +Sundown. "I was thinkin' of somethin' like that meself. You see I +seen Loring yesterday. I told him that anybody that was wishful could +water stock here so long as she held out--except there was to be no +shootin' and killin', and the like. Ole man Loring says to tell you +what I told him and see what you said. I reckon he'll take his sheep +out of here if you folks'll take your cattle off the east side. I +ain't playin' no favorites. You been my friend--you and Bud. You come +and make me a proposition to pump water for you--and the fifty a month +is for the water. That's business. Loring ain't said nothin' about +buyin' water from me, so you get it. You see I was kind of figurin' +somethin' like this when I first come to this here place--'way back +when I met you that evenin'. Says I to meself, 'a fella couldn't even +raise robins on this here farm, but from the looks of that water-hole +he could raise water, and folks sure got to have water in this +country.' I was thinkin' of irrigatin' and raisin' alfalfa and +veg'tables, but fifty a month sounds good to me. Bein' a puncher +meself, I ain't got no use for sheep, but I was willin' to give ole man +Loring a chance. If the mesas is goin' dry on the east side, what's he +goin' to do?" + +"I don't know, Sun. He's got a card up his sleeve, and you want to +stay right on the job. Bud here got a tip in Antelope that a bunch of +Mexicans came in last week from Loring's old ranch in New Mexico. Some +of 'em are herders and some of 'em are worse. I reckon he'll try to +push his sheep across and take up around here. He'll try it at night. +If he does and you get on to it before we do, just saddle Pill and fan +it for the Concho." + +"Gee Gosh! But that means more fightin'!" + +Shoop and Corliss said nothing. Sundown gazed at them questioningly. + +Presently Corliss gestured toward the south. "They'll make it +interesting for you. Loring's an old-timer and he won't quit. This +thing won't be settled until something happens--and I reckon it's going +to happen soon." + +"Well, I'm sure sittin' on the dynamite," said Sundown lugubriously. +"I reckoned to settle down and git m--me farm to goin' and keep out of +trouble. Now it looks like I was the cat what fell out of a tree into +a dog-fight by mistake. They was nothin' left of that cat." + +Shoop laughed. "We'll see that you come out all right." + +Sundown accepted this meager consolation with a grimace. Then his face +beamed. "Say! What's the matter of me tellin' the sheriff that +there's like to be doin's--and mebby he could come over and kind of +scare 'em off." + +"The idea is all right, Sun. But Jim is a married man. Most of his +deputies are married. If it comes to a mix some of 'em 'd get it sure. +Now there isn't a married man on the Concho--which makes a lot of +difference. Sabe?" + +"I reckon that's right," admitted Sundown, "Killin' a married man is +like killin' the whole fambly." + +"And you're a single man--so you're all right," said Shoop. + +"Gee Gosh! Mebby that ought to make me feel good, but it don't. +Supposin' a fella was goin' to get married?" + +"Then--he'd--better wait," said Corliss, smiling at his foreman. + +Corliss stood up and yawned. "Oh, say, Sun, where'd you get that +beef?" he asked casually. + +"The beef? Why, a Chola come along here day afore yesterday and say if +I wanted some meat. I says yes. Then he rides off and purty soon he +comes back with a hind-quarter on his saddle. I give him two dollars +for it. It looked kind of funny, but I thought he was mebby campin' +out there somewhere and peddlin' meat." + +Shoop and Corliss glanced at each other. "They don't peddle meat that +way in this country, Sun. What did the Mexican look like?" + +"Kind of fat and greasy-like, and he was as cross-eyed as a rabbit +watchin' two dogs to onct." + +"That so? Let's have a look at that hind-quarter." + +"Sure! Over there in the well-shed." + +When Corliss returned, he nodded to Shoop. Then he turned to Sundown. +"We found a Two-Bar-O steer killed right close to here yesterday. +Looks queer. Well, we'll be fanning it. I'll send to Antelope and +have them order the pump and some pipe. Got plenty of grub?" + +"Plenty 'nough for a couple of weeks." + +"All right. So-long. Keep your eye on things." + + + + +CHAPTER XXV + +VAMOSE, EH? + +The intermittent popping of the gasoline engine, as it forced water to +the big, unpainted tank near the water-hole, became at first monotonous +and finally irritating. Sundown, clad in oil-spotted overalls that did +not by many inches conceal his riding-boots and his Spanish spurs, +puttered about the engine until he happened to glance at the distant +tank. A silvery rill of water was pouring from the top of the tank. +He shut off the engine, wiped his hands, and strode to the house. + +He was gone a long time, so long in fact that Chance decided to +investigate. The dog got up, stretched lazily, and padded to the +doorway. He could hear Sundown muttering and shuffling about in the +bedroom. Chance stalked in quietly and stood gazing at his master. +Sundown had evidently been taking a bath,--not in the pail of water +that stood near him, but obviously round and about it. At the moment +he was engaged in tying a knot in the silk bandanna about his neck. +Chance became animated. His master was going somewhere! Sundown +turned his head, glancing at the dog with a preoccupied eye. The knot +adjusted to his satisfaction, he knelt and drew a large box from +beneath the bed. From the box he took an immaculate and exceedingly +wide-brimmed Stetson with an exceedingly high crown. He dented the +crown until the hat had that rakish appearance dear to the heart of the +cowboy. Then he took the foot-square looking-glass from the wall and +studied the effect at various and more or less unsatisfactory angles. +Again he knelt--after depositing the hat on the bed--and emerged with a +pair of gorgeous leather chaps that glittered with the polished silver +of conchas from waist-band to heel. Next he drew on a pair of +elaborate gauntlets embellished with hand-worked silk roses of crimson. +Then he glanced at his boots. They were undoubtedly serviceable, but +more or less muddy and stained. That wouldn't do at all! Striding to +the kitchen he poked about and finally unearthed a box of stove-polish +that he had purchased and laid away for future use against that happy +time when stove-polish would be doubly appreciated. The metallic +luster of his boots was not altogether satisfactory, but it would do. +"This here bein' chief engineer of a popcorn machine ain't what it's +said to be in the perspectus. Gets a fella lookin' greasy and feelin' +greasy, but the pay kind of makes up for it. Me first month's wages +blowed in for outside decoratin'--but I reckon the grub'll hold out for +a spell." + +Then he strode from the house and made his rounds, inspecting the pigs, +shooing the chickens to their coop, and finally making a short +pilgrimage to where Gentle Annie was grazing. After he had saddled +"Pill," he returned to the house and reappeared with a piece of +wrapping-paper on which he had printed:-- + + +Help yourself to grub--but no fighting on thees premisus. + +SUNDOWN, Propriter. + + +"It's all right trustin' folks," he remarked as he gazed proudly at the +sign and still more proudly at the signature. "And I sure hate to put +up anything that looks kind of religious, but these days I don't trust +nobody but meself, and I sure have a hard time doin' that, knowin' how +crooked I could be if I tried." + +He gathered up the reins and mounted Pill. "Come on, Chance!" he +called. "We don't need any rooster-police to-day. Jimmy's in there +talkin' to his hens, and like as not cussin' because I shet him up. +And he sure ought to be glad he ain't goin' on crutches." + +He rode out to the mesa and, turning from the trail, took as direct a +course as he could approximate for the home of Chico Miguel, and +incidentally Anita. His mission would have been obvious to an utter +stranger. He shone and glistened from head to heel--his face with the +inner light of anticipation and his boots with the effulgence of +hastily applied stove-polish. + +He rode slowly, for he wished to collect himself, that his errand might +have all the grace of a chance visit and yet not lack the most +essential significance. He did not stop to reason that Anita's father +and mother were anything but blind. + +The day was exceptionally hot. The sun burned steadily on the ripening +bunch-grass. His pony's feet swept aside bright flowers that tilted +their faces eagerly like the faces of questioning children. He glanced +at his watch. "Got to move along, Pill. Reckon we'll risk havin' +somethin' to say when we get there--and not cook her up goin' along. +It sure is hot. Huh! That there butte over there looks jest like a +city athletic club with muscles all on its front of fellas wrastlin' +and throwin' things at themselves. Wisht I had a big lookin'-glass so +I could see meself comin'. Gee Gosh, but she's hot!" + +He put the horse to a lope, and with the subdued rhythm of the pony's +feet came Euterpe with a song. Recitation of verse at a lope is apt to +be punctuated according to the physical contour of the ground:-- + + + "In the Pull--man _car_ with turnin' _fans_, + The desert _looks_ like a lovely p--_lace_. + But crossin' a_lone_ on the _burn_in' sands, + She's hell, with a _grin_ on her face." + + +"Got to slow up to get that right," he said, "or jest stop an' git off. +But we ain't got time. 'Oh, down in Arizona there's a . . .' No. I +reckon I won't. I want to sing, but I can't take no risks." + +That "the Colonel's lady and Julie O'Grady are sisters under their +skins," is not to be doubted. That Romeo and Sundown are brothers, +with the odds slightly in favor of Sundown, is apparent to those who +have been, are, or are willing to be, in love. "Will this plume, these +trunks and hose, this bonnet please my fair Juliet?" sighs Romeo to his +mirror. And "Will these here chaps and me bandanna and me new Stetson +make a hit with me leetle Anita?" asks Sundown of the mesas. + +That the little Anita was pleased, nay, overwhelmed by the arrival of +her gorgeous caballero was more than apparent to the anxious Sundown. +She came running to the gate and stood with clasped hands while he +bowed for the seventh time and slowly dismounted, giving his leg an +unnecessary shake that the full effect of spur and concha might not be +lost. He felt the high importance of his visit, and Anita also +surmised that something unusual was about to happen. He strode +magnificently to the house and again doffed his Stetson to the +astonished and smiling Senora. Evidently the strange vaquero had met +with fortune. With experienced eye the mother of Anita swiftly +estimated the monetary outlay necessary to possess such an equipment. +It was well to be courted, of that she was reminiscently certain. Yet +it was also well to be courted by one who bore the earmarks--so to +speak--of prosperity. Sundown was made heartily welcome. After they +had had dinner,--Chico Miguel would return at night as usual,--Sundown +mentally besought his stars to aid him, lend him eloquence and the +Senora understanding, and found excuse to follow the Senora to the +kitchen where he offered to wipe the dishes. This she would not hear +of, but being wise in her generation she dismissed Anita on a trivial +errand and motioned her guest to a seat. What was said is a matter of +interest only to those immediately concerned. Love is his own +interpreter and labors willingly, yet in this instance his limitations +must be excused by the result. The Senora and Sundown came to a +perfect understanding. The cabellero was welcome to make the state of +his heart known to Anita. As for her father, she--the Senora--would +attend to him. And was Sundown fond of the tortillas? He was, be +Gosh! It was well. They would have tortillas that evening. Chico +Miguel was especially fond of the tortillas. They made him of the +pleasant disposition and induced him to tune the big guitar. + +The Senora would take her siesta. Possibly her guest would smoke and +entertain Anita with news from the Concho and of the Patron Loring and +of his own rancho. Anita was not of what you say the kind to do the +much talking, but she had a heart. Of that the Senora had reason to be +assured. Had not Anita gone, each day, to the gate and stood gazing +down the road? Surely there was nothing to see save the mesas. Had +she not begged to be allowed to visit the Loring hacienda not of so +very long time past? And Anita had not been to the Loring hacienda for +a year or more. Such things were significant. And the Senora gestured +toward her own bosom, implying that she of a surety knew from which +quarter the south wind blew. + +All of which delighted the already joyous Sundown. He saw before him a +flower-bordered pathway to his happiness, and incidentally, as he gazed +down the pathway toward the gate of Chico Miguel's homestead, he saw +Anita standing pensively beneath the shade of an acacia, pulling a +flower to pieces and casting quick glances at the house. "Good-night, +Senora,--I mean--er--here's hopin' you have a good sleep. It sure is +refreshin' this hot weather." The Senora nodded and disappeared in the +bedroom. Sundown strode jingling down the pathway, a brave figure in +his glittering chaps and tinkling spurs. Anita's eyes were hidden +beneath her long black lashes. Perhaps she had anticipated something +of that which followed--perhaps she anticipated even more. In any +event, Sundown was not a disappointment. He asked her to sit beside +him beneath the acacia. Then he took her hand and squeezed it. "Let's +jest sit here and look out at them there mesas dancin' in the sun; and +say, 'Nita, let's jest say nothin' for a spell. I'm so right down +happy that suthin' hurts me throat." + +When Chico Miguel returned in the dusk of evening, humming a song of +the herd, he was not a little surprised to find that Anita was absent. +He questioned the Senora, who smiled as she bustled about the table. +"Tortillas," she said, and was gratified at the change in Chico +Miguel's expression. Then she explained the presence of the broad new +Stetson that lay on a chair, adding a gesture toward the gateway. "It +is the tall one and our daughter--he of the grand manner and the sad +countenance. It is possible that a new home will be thought of for +Anita." There had been conversations that afternoon with the tall +caballero and understandings. Chico Miguel was to wash himself and put +on his black suit. It was an event--and there were tortillas. + +Chico Miguel wondered why the hour of eating had been so long past. To +which the Senora replied that he had just arrived, and, moreover, that +she had already called to Anita this the third time, yet had had no +response. Chico Miguel moved toward the doorway, but his wife laid her +hand on his arm. "It is that you take the big guitar and play the +'Linda Rosa, Adios.' Then, to be sure, they will hear and the supper +will not grow cold." + +Grumblingly Chico Miguel took his guitar and struck the opening chords +of the song. Presently up the pathway came two shadowy figures, close +together and seemingly in no haste. As they entered the house, Sundown +apologized for having delayed supper, stating that he had been so +interested in discussing with Anita the "best breed of chickens to +raise for eggs," that other things had for the nonce not occupied his +attention. "And we're sure walkin' on music," he added. "Jest +steppin' along on the notes of that there song. I reckon I got to get +one of them leetle potato-bug mandolins and learn to tickle its neck. +There's nothin' like music--exceptin'"--and he glanced at the blushing +Anita--"exceptin' ranchin'." + + +It was late when Sundown finally departed, He grew anxious as he rode +across the mesas, wondering if he had not taken advantage, as it were, +of Gentle Annie's good nature, and whether or not the chickens were +very hungry. Chance plodded beside him, a vague shadow in the +starlight. The going was more or less rough and Pill dodged many +gopher-holes, to the peril of his rider's equilibrium. Yet Sundown was +glad that it was night. There was nothing to divert him from the +golden dreams of the future. He felt that success, as he put it, "was +hangin' around the door whinin' to be let in." He formulated a creed +for himself and told the stars. "I believe in meself--you bet." Yet +he was honest with his soul. "I know more about everything and less +about anything than anybody--exceptin' po'try and cookin'. But gettin' +along ain't jest what you know. It's more like what you do. They's +fellas knows more than I could learn in four thousand eight hundred and +seventy-six years, but that don't help 'em get along none. It's what +you know inside what counts." + +He lapsed into silence and slouched in the saddle. Presently he +nodded, recovered, and nodded again. He would not wittingly have gone +to sleep in the saddle, being as yet too unaccustomed to riding to +relax to that extent. But sleep had something to say anent the matter. +He dozed, clasping the saddle-horn instinctively. Pill plodded along +patiently. The east grew gray, then rose-pink, then golden. The horse +lifted its head and quickened pace. Sundown swayed and nodded. + + +His uneasy slumber was broken by an explosive bark from Chance. +Sundown straightened and rubbed his eyes. Before him lay the +ranch-house, glittering in the sun. Out on the mesa grazed a herd of +sheep and past them another and another. Again he rubbed his eyes. + +Then he distinguished several saddle-horses tied to the fence +surrounding the water-hole and there were figures of men walking to and +from his house, many of them. He set spur to Pill and loped up to the +fence. A Mexican with a hard, lined face stepped up to him. "You +vamose!" he said, pointing down the road. + +Sundown stared at the men about the yard. Among them he recognized +several of Loring's herders, armed and evidently equipped with horses, +for they were booted and spurred. He pushed back his hat. "Vamose, +eh? I'll be damned if I do." + + + + +CHAPTER XXVI + +THE INVADERS + +The Mexican whipped his gun out and covered Sundown, who wisely put up +his hands. Two of the men crawled through the fence, secured Sundown's +horse, and ordered him to dismount. Before both feet had touched the +ground one of the Mexicans had snatched Sundown's gun from its holster. +Chance leaped at the Mexican, but Sundown's "Here, Chance!" brought the +dog growling to his master. + +At that moment Loring stepped from the house, and shouldering aside the +men strode up to Sundown. The sheep-man was about to speak when the +tall one raised his arm and shook his fist in Loring's face. + +"Fer two pins I'd jump you and stomp the gizzard out of you, you +low-down, dried-up, whisker-faced, mutton-eatin' butcher, you! I goes +to you and makes you a square offer and you come pussy-footin' in and +steals me ranch when I ain't there! If Jack Corliss don't run you +plumb off the edge afore to-morrow night, I'll sure see if there's any +law--" and Sundown paused for lack of breath. + +"Law? Mebby you think you got somethin' to say about this here +water-hole, and mebby not," said Loring. "Don't get het up. I come to +this country before you knew it was here. And for law--I reckon seein' +you're wanted by the law that them papers of yourn is good for startin' +a fire--and nothin' more. The _law_ says that no man wanted by the law +kin homestead. The water-hole is open to the fust man that wants it +and I'm the fust. Now mebby you can think that over and cool off." + +Sundown was taken aback. Though unversed in the intricacies of the +law, he was sensible enough to realize that Loring was right. Yet he +held tenaciously to his attitude of proprietor of the water-hole. It +was his home--the only home that he had known in his variegated career. +The fact that he was not guilty buoyed him up, however. He decided +that discretion had its uses. As his first anger evaporated, he cast +about for a plan whereby to notify Corliss of the invasion of the +water-hole ranch. His glance wandered to Chance. + +Then he raised his eyes. "Well, now the fireworks is burned down, what +you goin' to do?" + +Loring gestured toward the house. "That's my business. But you can +turn in and cook grub for the men. That'll keep you from thinkin' too +hard, and we're like to be busy." + +"Then you're takin' me prisoner?" queried Sundown. + +"That's correc'." + +"How about the law of that?" + +"This outfit's makin' its own laws these days," said Loring. + +And so far as Loring was concerned that ended the argument. Not so, +however, with Sundown. He said nothing. Had Loring known him better, +that fact would have caused him to suspect his prisoner. With evident +meekness the tall one entered the house and gazed with disconsolate +eyes at the piled kyacks of provisions, the tarpaulins and sheepskins. +His citadel of dreams had been rudely invaded, in truth. He was not so +much angered by the possible effects of the invasion as by the fact. +Gentle Annie was lowing plaintively. The chickens were scurrying about +the yard, cackling hysterically as they dodged this and that herder. +The two pigs, Sundown reflected consolingly, seemed happy enough. +Loring, standing in the doorway, pointed to the stove. "Get busy," he +said tersely. That was the last straw. Silently Sundown stalked to +the stove, rolled up his sleeves, and went to work. If there were not +a score of mighty sick herders that night, it would not be his fault. +He had determined on a bloodless but effective victory, wherein soda +and cream-of-tartar should be the victors. + +Soda and cream-of-tartar in proper proportions is harmless. But double +the proportion of cream-of-tartar and the result is internal riot. +"And a leetle spice to kill the bitter of the taste ought to work all +right," he soliloquized. Then he remembered Chance. Loring had left +to oversee the establishment of an outlying camp. The Mexican who +assisted Sundown seemed stupid and sullen. Sundown found excuse to +enter his bedroom, where he hastily scrawled a note to Corliss. Later +he tied the note to the inside of the dog's collar. The next thing was +to get Chance started on the road to the Concho. He rolled down his +sleeves and strolled to the doorway. A Mexican sat smoking and +watching the road. Sundown stepped past him and began to tinker with +the gas-engine. Chance stood watching him. Presently the gas-engine +started with a cough and splutter. Sundown walked to the door and +seemed about to enter when the Mexican called to him and pointed toward +the distant tank. Water was pouring over its rim. "Gee Gosh!" +exclaimed Sundown. "I got to shut her off." He ran to the engine and +its sound ceased. Yet the water still poured from the rim of the tank. +"Got to fix that!" he asserted, and started toward the tank. The +Mexican followed him to the fence. + +"You come back?" he queried significantly. + +"Sure thing! I ain't got a hoss, have I?" + +The Mexican nodded. Sundown crawled through the fence and strode +slowly to the tank. He pretended to examine it first in view of the +house and finally on the opposite side. As Chance sniffed along the +bottom of the tank, Sundown spoke to him. The dog's ears pricked +forward. Sundown's tone suggested action. "Here, Chance,--you fan it +for the Concho--Jack--the boss. Beat it for all you're worth. The +Concho! Sabe?" And he patted the dog's head and pointed toward the +south. + +Chance hesitated, leaping up and whining. + +"That's all right, pardner. They ain't nothin' goin' to happen to me. +You go!" + +Chance trotted off a few yards and then turned his head inquiringly. + +"That's right. Keep a-goin'. It's your stunt this time." And Sundown +waved his arm. + +The return of Sundown without the dog occasioned no suspicion on the +Mexican's part. He most naturally thought, if he considered the fact +at all, that the dog was hunting the mesas. Then Sundown entered the +house and experimented with soda and cream-of-tartar as though he were +concocting a high explosive with proportions of the ingredients +calculated to produce the most satisfactory results. His plan, +however, was nipped in the bud. That night the herders refused to eat +the biscuits after tasting them. + +Hi Wingle, coming from the bunk-house, wiped his hands on his apron, +rolled a cigarette, and squatted in the shade. From within came the +clatter of knives and forks and the rattle of dishes. The riders of +the Concho were about through dinner. Wingle, gazing down the road, +suddenly cast his cigarette away and rose. The road seemed empty save +for a lean brown shape that raced toward the Concho with sweeping +stride. "It's the dog. Wonder what's up now?" + +Chance, his muzzle specked with froth and his tongue lolling, swung +into the yard and trotted to Wingle. "Boss git piled ag'in?" queried +the cook, patting Chance's head. "What you scratchin' about?" + +The dog lay panting and occasionally pawing at his collar. + +"What's the matter? Cockle-burr?" And Wingle ran his fingers under +the collar. "So? Playin' mail-man, eh?" + +He spread out the note and read it. Slowly he straightened up and +slowly he walked to the bunk-house. "No. Guess I'll tell Jack first." + +He strode to the office and laid the note on Corliss's desk. The +rancher, busy running up totals on the pay-roll, glanced at the +sweat-stained piece of paper. He read it and pushed it from him. "All +right, Hi." + +Wingle hesitated, then stepped out and over to the bunk-house. "Takes +it mighty cool! Wonder what he's got up his sleeve. Somethin'--sure!" + +Corliss studied the note. Then he reached for paper and envelopes and +wrote busily. One of the letters was to the sheriff in Antelope. It +was brief. + + +I'm going to push a bunch of stock over to the water-hole range. My +boys have instructions not to shoot. That's the best I can do for them +and the other side. JOHN CORLISS. + + +The other letter was to Nell Loring. Then he rose and buckled on his +gun. At the bunk-house he gave the letters to Lone Johnny, who saddled +and departed immediately. + +Without making the contents of the note known, he told the men that +they would join Bud Shoop and his outfit at the Knoll and push the herd +north. Later he took Wingle aside and told him that he could stay and +look after the rancho. + +The indignant Hi rolled down his sleeves, spat, and glared at Corliss. +"I quit," he snapped. "You can hire a new cook." + +Despite his preoccupation Corliss smiled. "All right, Hi. Now that +you're out of a job, you might saddle up and ride with us. We'll need +some one to keep us good-natured, I reckon." + +"Now you're whistlin'!" said Wingle. "Got a gun I can use? I give +mine to Sundown." + +"There's one over in the office on the desk. But we're going to push +the herd over to the water-hole. We're not going there to fight." + +"Huh! Goin' to be quiet, eh? Mebby I better take my knittin' along to +pass the time." + +And Wingle departed toward the office. Rejoining Corliss they rode +with the men to the Knoll. Bud Shoop nodded gravely as his employer +told him of Loring's occupation of the west bank of the river. Then +the genial Bud rode over to the herd that was bunched in anticipation +of just such a contingency as had developed. "It's a case of push 'em +along easy--and all night," he told his men. "And if any of you boys +is out of cartridges there's plenty in the wagon." + + +John Corliss rode with his men. He told them to cut out any stray +Two-Bar-O stock they saw and turn them back. Toward evening they had +the cattle in motion, drifting slowly toward the north. The sixteen +riders, including Corliss and Wingle, spread out and pushed the herd +across the afternoon mesas. The day was hot and there was no water +between the Knoll and Sundown's ranch. Corliss intended to hold the +cattle when within a mile of the water-hole by milling them until +daylight. When they got the smell of water, he knew that he would not +be able to hold them longer, nor did he wish to. He regretted the fact +that Chance was running with him, for he knew that Loring's men, under +the circumstances, would shoot the dog if they had opportunity. + +Toward evening the outfit drew up in a draw and partook of a hearty +supper. The cattle began to lag as they were urged forward, and Chance +was called into requisition to keep after the stragglers. As the herd +was not large,--in fact, numbered but five hundred,--it was possible to +keep it moving steadily and well bunched, throughout the night. + +Within a short mile of the water-hole the riders began to mill the herd. + +Bud Shoop, riding up to Corliss, pointed toward the east. "Reckon we +can't hold 'em much longer, Jack. They're crazy dry--and they smell +water." + +"All right, Bud. Hold 'em for fifteen minutes more. Then take four of +the boys with you and fan it for the road. You can cache in that draw +just north of the water-hole. About sunup the herd'll break for water. +Loring's outfit will be plenty busy on this side, about then. If he's +got any gunmen handy, they'll be camped at the ranch. Chances are that +when the cattle stampede a band or two of sheep, he'll turn his men on +us. That's your time to ride down and take possession of the ranch. +Most likely you won't have to draw a gun." + +Shoop reined close to Corliss and held out his hand. "Mebby not, Jack. +But if we do--so-long." + +Then the genial Bud loped to the outriders, picking them up one by one. +The cattle, freed from the vigilance of the circling horsemen, sniffed +the dawn, crowded to a wedge, and began to trot, then to run. Shoop +and his four companions spurred ahead, swung to the road, and thundered +past the ranch-house as a faint edge of light shot over the eastern +horizon. They entered the mouth of the draw, swung around, and reined +up. + +"We're goin' to chip in when Jack opens the pot," said Shoop. "Just +how strong we'll come in depends on how strong Jack opens her." Then +with seeming irrelevance he remarked casually: "Sinker wasn't such a +bad ole scout." + +"Which Loring's goin' to find out right soon," said "Mebby-So," a lean +Texan. + +"Sinker's sure goin' to have company, I take it," remarked "Bull" +Cassidy. + +"Boss's orders is to take her without makin' any noise," said Shoop. + +"Huh! _I'm_ plumb disappointed," asserted Mebby-So. "I was figurin' +on singin' hymns and accompanyin' meself on me--me cayuse. Listen! +Somethin' 's broke loose!" + +Thundering like an avalanche the herd swept down on the water-hole, +ploughing through a band of sheep that were bedded down between them +and the ranch. The herder's tent was torn to ribbons. Wingle, +trailing behind the herd, dismounted, and, stooping, disarmed the +bruised and battered Mexican who had struggled to his feet as he rode +up. + +From the water-hole came shouts, and Corliss saw several men come +running from the house to seize their horses and ride out toward the +cattle. The band of riders opened up and the distant popping of +Winchesters told him that the herders were endeavoring to check the +rush of the thirst-maddened steers. The carcasses of sheep, trampled +to pulp, lay scattered over the mesa. + +"It sure is hell!" remarked Wingle, riding up to Corliss. + +"Hell is correct," said Corliss, spurring forward. "Now I reckon we'll +ride over to the rancho and see if Loring wants any more of it." + +Silently the rancher and his men rode toward the water-hole. As they +drew near the line fence, the Mexican riders, swinging in a wide +circle, spurred to head them off. + +"Hold on!" shouted Corliss. "We'll pull up and wait for 'em." + +"Suits me," said Wingle, loosening his gun from the holster. + +The Mexicans, led by Loring, loped up and reined with a slither of +hoofs and the snorting of excited ponies. Corliss held up his hand. +Loring spurred forward and Corliss rode to meet him. + +"Want any more of it?" queried Corliss. + +"I'll take all you got," snarled Loring. + +"All right. Just listen a minute." And Corliss reached in his +saddle-pocket. "Here's a lease from the Government covering the ten +sections adjoining the water-hole ranch, on the south and west. And +here's a contract with the owner of the water-hole, signed and +witnessed, for the use of the water for my stock. You're playing an +old-fashioned game, Loring, that's out of date. Want to look over +these papers?" + +"To hell with your papers. I'm here and I'm goin' to stay." + +"Well, we'll visit you regular," shouted a puncher. + +"Better come over to the house and talk things over," said Corliss. "I +don't want trouble with you--but my boys do." + +Loring hesitated. One of his men, spurring up, whispered to him. + +Wingle, keenly alert, restrained a cowboy who was edging forward. +"Don't start nothin'," he said. "If she's goin' to start, she'll start +herself." + +Loring turned to Corliss. "I'd like to look at them papers," he said +slowly. + +"All right. We'll ride over to the house." + +The two bands of riders swung toward the north, passed the tank, and +trotted up to the ranch-gate. They dismounted and were met by Shoop +and his companions. Loring blinked and muttered. He had been +outgeneraled. One of the Concho riders laughed. Loring's hand slipped +to his belt. "Don't," said Corliss easily. The tension relaxed, and +the men began joking and laughing. + +"Where's Sundown?" queried Corliss. + +Loring gestured toward the house. + +"I'll go," said Wingle. And he shouldered through the group of +scowling herders and entered the house. + +Sundown, with hands tied, was sitting on the edge of his bed. "They +roped me," he said lugubriously, "in me own house. Bud he was goin' to +untie me, but I says for the love of Mike leave me tied or I'll take a +chair and brain that Chola what kicked Gentle Annie in the stummick +this mornin'. He was goin' to milk her and I reckon she didn't like +his looks. Anyhow, she laid him out with a kind of hind-leg upper-cut. +When he come to, he set in to kickin' her. I got his picture and if I +get me hands on him . . ." + +Wingle cut the rope and Sundown stood up. "They swiped me gun," he +asserted. + +"Here's one I took off a herder," said Wingle. "if things get to +boilin' over--why, jest nacherally wilt the legs from under anything +that looks like a Chola. Jack's got the cards, all right--but I don't +jest like the look of things. Loring's in the corner and he's got his +back up." + +As they came from the house, Loring was reading the papers that Corliss +had handed to him. The old sheep-man glanced at the signatures on the +documents and then slowly folded them, hesitated, and with a quick turn +of his wrist tore them and flung the pieces in Corliss's face. "That +for your law! We stay!" + +Corliss bit his lip, and the dull red of restrained anger burned in his +face. He had gone too far to retreat or retract. He knew that his men +would lose all respect for him if he backed down now. Yet he was +unable to frame a plan whereby he might avoid the arbitration of the +six-gun. His men eyed him curiously. Was Jack going to show a yellow +streak? They thought that he would not--and yet . . . + +Sundown raised his long arm and pointed. "There's the gent what kicked +me cow," he said, his face white and his eyes burning. + +The punchers of the Concho laughed. "Jump him!" shouted "Bull" +Cassidy. "We'll stand by and see that there's no monkeyin'." + +Corliss held up his hand. The Mexicans drew together and the age-old +hatred for the Gringo burned in their beady eyes. + +Sundown's thin lips drew tight. "I've a good mind to--" he began. The +Mexican who had maltreated the cow mistook Sundown's gesture for intent +to kill. The herder's gun whipped up. Sundown grabbed a chair that +stood tilted against the house and swung it. The Mexican went down. +With the accidental explosion of the gun, Mebby-So grunted, put his +hand to his side, and toppled from the saddle. Corliss wheeled his +horse. + +"Don't shoot, boys!" he shouted. + +His answer was a roar of six-guns. He felt Chinook shiver. He jumped +clear as the horse rolled to its side. Sundown, retreating to the +house, flung open the bedroom window and kneeling, laid the barrel of +his gun on the sill. Deliberately he sighted, hesitated, and flung the +gun from him. "God Almighty--I ought to--but I can't!" He had seen +Corliss fall and thought that he had been killed. He saw a Mexican +raise his gun to fire; saw him suddenly straighten in the saddle. Then +the gun dropped from his hand, and he bent forward upon his horse, +recovered, swayed a moment, and fell limply. + +Bud Shoop, on foot, ran around to the rear of the house. His horse lay +kicking, shot through the stomach. The foreman drew himself up under +cover of the hen-house and fired into the huddle of Mexicans that swept +around the yard as the riders of the Concho drove them back. He saw +"Bull" Cassidy in the thick of it, swinging his guns and swearing +heartily. Finally a Mexican pony, wounded and wild with fright, tore +through the barb-wire fence. Behind him spurred the herders. Out on +the mesa they turned and threw lead at the Concho riders, who retreated +to the cover of the house. Corliss caught up a herder's horse and rode +around to them. Shorty, one of his men, grinned, fell to coughing, and +sank forward on his horse. + +"Loring's down," said Wingle, solemnly reloading his gun. "Think they +got enough, Jack?" + +"Loring, eh? Well, I know who got him. Yes, they got enough." + +Shorty, vomiting blood, wiped his lips on his sleeve. "Well, I +ain't--not yet," he gasped. "_I'm_ goin' to finish in a blaze of +glory. Come on, boys!" And he whirled his horse. Swaying drunkenly +he spurred around the corner of the house and through the gateway. + +Corliss glanced at Wingle. "We can't let him ride into 'em by his +lonesome," said Wingle. "Eh, boys?" + +"Not on your fat life!" said Bull Cassidy. "I got one wing that's +workin' and I'm goin' to fly her till she gits busted." + +"Let's clean 'em up! Might's well do a good job now we're at it. +Where's Bud?" + +"He's layin' over there back of the chicken-roost. Reckon he's +thinkin' things over. He ain't sayin' much." + +"Bud down, too? Then I guess we ride!" And they swept out after +Shorty. They saw the diminutive cowboy tear through the band of +herders, his gun going; saw his horse stumble and fall and a figure +pitch from the saddle and roll to one side. "And if I'm goin'--I want +to go out that way," shouted Bull Cassidy. "Shorty was some sport!" + +But the Mexicans had had enough of it. They wheeled and spurred toward +the south. The Concho horses, worn out by the night-journey, were soon +distanced. + +Corliss pulled up. "Catch up a fresh horse, Hi. And let Banks know +how things stand. If Loring isn't all in, you might fetch the doctor +back with you. We'll need him, anyway." + +"Sure! Wonder who that is fannin' it this way? Don't look like a +puncher." + +Corliss turned and gazed down the road. From the south came little +puffs of dust as a black-and-white pinto running at top speed swept +toward them. He paled as he recognized the horse. + +"It's Loring's girl," said Wingle, glancing at Corliss. + +Nell Loring reined up as she came opposite the Concho riders and turned +from the road. The men glanced at each other. Then ensued an awkward +silence. The girl's face was white and her dark eyes burned with +reproach as she saw the trampled sheep and here and there the figure of +a man prone on the mesa. Corliss raised his hat as she rode up. She +sat her horse gazing at the men. Without a word she turned and rode +toward the ranch-house. The Concho riders jingled along, in no hurry +to face the scene which they knew awaited them at the water-hole. + +She was on her knees supporting her father's head when they dismounted +and shuffled into the yard. The old sheep-man blinked and tried to +raise himself. One of the Concho boys stepped forward and helped her +get the wounded man to the house. + +Corliss strode to the bedroom and spoke to Sundown who turned and sat +up. "Get hit, Sun?" + +"No. But I'm feelin' kind of sick. Is the ole man dead?" + +"He's hurt, but not bad. We want the bed." + +Sundown got to his feet and sidled past the girl as she helped her +father to the bed. + +"I sent for the doctor," said Corliss. + +The girl whirled and faced him. "You!" she exclaimed--"You!" + +The rancher's shoulders straightened. "Yes--and it was my gun got him. +You might as well know all there is to it." Then he turned and, +followed by Sundown, stepped to the yard. "We'll keep busy while we're +waiting. Any of you boys that feel like riding can round up the herd. +Hi and I will look after--the rest of it." + +"And Bud," suggested a rider. + + +They found Shoop on the ground, the flesh of his shoulder torn away by +a .45 and a welt of red above his ear where a Mexican's bullet had +creased him. They carried him to the house. "Sun, you might stir +around and rustle some grub. The boys will want to eat directly." And +Corliss stepped to the water-trough, washed his hands, and then rolled +a cigarette. Hi Wingle sat beside him as they waited for dinner. +Suddenly Corliss turned to his cook. "I guess we've won out, Hi," he +said. + +"Generally speakin'--we sure have," said Wingle. "But I reckon _you_ +lost." + +Corliss nodded. + + + + +CHAPTER XXVII + +"JUST ME AND HER" + +Sheriff Banks tossed Corliss's note on his desk, reached in his pocket +and drew forth a jack-knife with which he began to trim his +finger-nails. He paid no apparent attention to the arrival of one of +his deputies, but proceeded with his manipulation of the knife. The +deputy sidled to a chair and sat watching the sheriff. + +Presently Banks closed his knife, slid it into his pocket, and leaned +back in his chair. "Lone Johnny gone back?" he queried. + +The deputy nodded. + +Banks proffered his companion a cigar and lit one himself. For a while +he smoked and gazed at the ceiling. "I got two cards to play," he +said, straightening up and brushing cigar-ash from his vest. "Last +election was pretty close. By rights I ought to be at the county-seat. +Got any idea why they side-tracked me here in Antelope?" + +The deputy grinned. "It's right handy to the line. And I guess they +saw what was comin' and figured to put you up against it. They +couldn't beat you at the polls, so they tried to put you where you +wouldn't come back." + +"Correct. And there's no use running against the rope. Now I want you +to call on every citizen in Antelope and tell every dog-goned one of +'em what Lone Johnny kind of hinted at regarding the Concho and Loring. +And show 'em this note from Jack. Tell 'em I'm going to swear in each +of 'em as a special. I want to go on record as having done what I +could." + +The deputy rose. "All right, Jim. Kind of late to make that move, +ain't it?" + +"I got another card," said the sheriff. "Tell 'em we'll be ready to +start about twelve. It's ten, now." + +With the departure of the deputy the sheriff reached in his desk and +brought forth a book. It was thumbed and soiled. He turned the pages +slowly, pausing to read a line here and there. Finally he settled back +and became immersed in the perennial delight of "Huckleberry Finn." He +read uninterruptedly for an hour, drifting on the broad current of the +Mississippi to eventually disembark in Antelope as the deputy shadowed +the doorway. The sheriff closed the book and glanced up. He read his +answer in the deputy's eyes. + +"'T ain't that they don't like you," said the deputy. "But they ain't +one of 'em that'll do anything for Loring or do anything against Jack +Corliss." + +The sheriff smiled. "Public opinion is setting on the fence and +hanging on with both hands. All right, Joe. I'll play her alone. I +got a wire from Hank that he's got the herder, Fernando. Due here on +the two-thirty. You hang around and tell Hank to keep on--take the +Mexican along up to Usher." + +"Goin' to go after the Concho boys and Loring's herders?" + +"Sure thing. And I'm going alone. Then they won't make a fuss. +They'll come back with me all right." + +"But you couldn't get a jury to send one of 'em over--not in this +county." + +"Correct, Joe. But the county's paying me to go through the +motions--don't matter what I think personally. If they've pulled off a +shooting-match at the water-hole, the thing's settled by this time. It +had to come and if it's over, I'm dam' glad. It'll clear the air for +quite a spell to come." + +"The papers'll sure make a holler--" began the deputy. + +"Not so much as you think. They got one good reason to keep still and +that's because the free range is like to be opened up to homesteaders +any day. Too much noise about cattle-and-sheep war would scare good +money from coming to the State. I heard the other day that that +Sundown Jack picked up is settled at the water-hole. I took him for a +tenderfoot once. I reckon he ain't. It's hard to figure on those +queer kind. Well, you meet the two-thirty. I guess I'll ride over to +the Concho and see the boys." + + +The Loring-Corliss case is now a matter of record in the dusty files of +the "Usher Sentinel" and its decidedly disesteemed contemporary, the +"Mesa News." The case was dismissed for lack of anything like definite +evidence, though Loring and Corliss were bound over to keep the peace. +Incidentally one tall and angular witness refused to testify, and was +sentenced to pay a not insignificant fine for contempt of court. That +his fine was promptly paid by Corliss furnished a more or less +gratuitous excuse for a wordy vilification of the rancher and his +"hireling assassin," "menace to public welfare," and the like. +Sundown, however, stuck to his guns, even to the extent of searching +out the editor of the "Mesa News" and offering graciously to engage in +hand-to-hand combat, provided the editor, or what was left of him after +the battle, would insert an apology in the next issue of the paper--the +apology to be dictated by Sundown. + +The editor temporized by asking the indignant Sundown to frame the +apology, which he did. Then the wily autocrat of the "Mesa News," +after reading the apology, agreed to an armistice and mentioned the +fact that it was a hot day. Sundown intimated that he knew one or two +places in Usher which he was not averse to visiting under the +circumstances. And so the treaty was ratified. + +Perhaps among Sundown's possessions there is none so cherished, +speaking broadly, as a certain clipping from an Arizona newspaper in +which the editor prints a strangely worded and colorful apology, above +his personal signature, for having been misled temporarily in his +estimation of a "certain person of warlike proclivities who visited our +sanctum bent upon eradicating us in a physical sense." The apology +follows. In a separate paragraph, however, is this information: + +"We find it imperative, however, to state that the above apology is a +personal matter and in no wise affects our permanent attitude toward +the lawlessness manifest so recently in our midst. Moreover, we were +forced at the muzzle of a six-shooter, in the hands of the +above-mentioned Sundown, to insert that illiterate and blood-thirsty +gentleman's screed in the MESA NEWS, as he, together with the gang of +cutthroats with whom he seems in league, stood over us with drawn +weapons until the entire issue had been run off. Such is the condition +of affairs under the present corrupt administration of our suffering +State." + +Such advertising, Sundown reflected, breathing of battle and carnage, +would obviate the necessity for future upholding of his reputation in a +physical sense. Great is the power of the press! It became whispered +about that he was a two-gun man of dexterous attainments in dispensing +lead and that his mild and even apologetic manner was but a cloak. +Accident and the tongues of men earned for Sundown that peace which he +so thoroughly loved. He became immune to strife. When he felt his +outward attitude sagging a little, he re-read the clipping and braced +up. + +Sundown rode to the Concho gate, dismounted and opened it. Chance ran +ahead, leaping up as Corliss came from the ranch-house. + +"Got them holes plugged in the tank," said Sundown. "Got the engine +runnin' ag'in and things is fine. You goin' to put them cattle back on +the water-hole range?" + +"Yes, as soon as Bud can get around again. He's up, but he can't ride +yet." + +"How's Bull?" + +"Oh, he's all right. Mebby-So's laid up yet. He got it pretty bad." + +"Well, I reckon they ain't goin' to be no more fightin' 'bout cattle +and sheep. I stopped by to the Loring ranch. Ole man Loring was sure +ugly, so I reckon he's feelin' nacheral ag'in. He was like to get mad +at me for stopping but his gal, Nell, she smoothed down his wool and +asked me to stay and eat. I wasn't feelin' extra hungry, so I come +along up here." + +"I have some good news," said Corliss. "Got a letter from Billy last +week. Didn't have time to tell you. He's working for a broker in +'Frisco. I shouldn't wonder if he should turn up one of these days. +How would you like to drive over to Antelope and meet him when he +comes?" + +"I'd sure be glad. Always did like Billy. 'Course you don't know when +he's comin'--and I got to do some drivin' meself right soon." + +"So?" + +"Yep. 'Course I got the wagon, but they ain't no style to that. I was +wantin' a rig with style to it--like the buckboard." Sundown fidgeted +nervously with the buttons of his shirt. He coughed, took off his hat, +and mopped his face with a red bandanna. Despite his efforts he grew +warmer and warmer. He was about to approach a delicate subject. +Finally he seized the bull by the horns, so to speak, and his tanned +face grew red. "I was wantin' to borrow that buckboard, mebby, +Saturday." + +"Sure! Going to Antelope?" + +"Nope--not first. I got business over to Chico Miguel's place. I'm +goin' to call on a lady." + +"Oh, I see! Anita?" + +"Well, I sure ain't goin' to call on her ma--she's married a'ready." + +Despite himself, Corliss smiled. "So that's what you wanted that new +bed and table and the chairs for. Did they get marked up much coming +in?" + +"The legs some. I rubbed 'em with that hoss-liniment you give me. You +can hardly tell. It kind of smelled like turpentine, and I didn't have +nothin' else." + +"Well, anything you want--" + +"I know, boss. But this is goin' to be a quiet weddin'. No +brass-bands or ice-cream or pop-corn or style. Just me and her +and--and I reckon a priest, seein' she was brung up that way. I ain't +asked her yet." + +"What? About getting married, or the priest?" + +"Nothin'. We got kind of a eye-understandin' and her ma and me is good +friends. It's like this. Bein' no hand to do love-makin' stylish, I +just passes her a couple of bouquets onct or twict and said a few +words. Now, you see, if I get that buckboard and a couple of hosses--I +sure would like the white ones--and drive over lookin' like business +and slip the ole man a box of cigars I bought, and Mrs. Miguel that +there red-and-yella serape I paid ten dollars for in Antelope, and show +Anita me new contract with the Concho for pumpin' water for +seventy-five bones a month, I reckon the rest of it'll come easy. I'm +figurin' strong on them white hosses, likewise. Bein' white'll kind of +look like gettin' married, without me sayin' it. You see, boss, I'm +short on the Spanish talk and so I have to do some figurin'." + +"Well, Sun, you have come along a lot since you first hit the Concho! +Go ahead, and good luck to you! If you need any money--" + +"I was comin' to that. Seein' as you kind of know me--and seein' I'm +goin' to git hitched--I was thinkin' you might lend me mebby a hundred +on the contrac'." + +"I guess I can. Will that be enough?" + +"Plenty. You see I was figurin' on buyin' a few head of stock to run +with yourn on the water-hole range." + +"Why, I can let you have the stock. You can pay me when you get ready." + +"That's just it. You'd kind of give 'em to me and I ain't askin' +favors, except the buckboard and the white hosses." + +"But what do you want to monkey with cattle for? You're doing pretty +well with the water." + +"That's just it. You see, Anita thinks I'm a rarin', high-ridin', +cussin', tearin', bronco-bustin' cow-puncher from over the hill. I +reckon you know I ain't, but I got to live up to it and kind of let her +down easy-like. I can put on me spurs and chaps onct or twict a week +and go flyin' out and whoopin' around me stock, and scarin' 'em to +death, pertendin' I'm mighty interested in ridin' range. If you got a +lady's goat, you want to keep it. 'Course, later on, I can kind o' +slack up. Then I'm goin' to learn her to read American, and she can +read that piece in the paper about me. I reckon that'll kind of cinch +up the idea that her husband sure is the real thing. But I got to have +them cows till she can learn to read." + +"We've got to brand a few yearlings that got by last round-up. Bud +said there was about fifteen of them. You can ride over after you get +settled and help cut 'em out. What iron do you want to put on them?" + +"Well, seein' it's me own brand, I reckon it will be like this: A kind +of half-circle for the sun, and a lot of little lines runnin' out to +show that it's shinin', and underneath a straight line meanin' the +earth, which is 'Sundown'--me own brand. Could Johnny make one like +that?" + +"I don't know. That's a pretty big order. You go over and tell Johnny +what you want. And I'll send the buckboard over Saturday." + + + + +CHAPTER XXVIII + +IMPROVEMENTS + +Out in a field bordered by the roadway a man toiled behind a +disk-plough. He trudged with seven-league strides along the furrows, +disdaining to ride on the seat of the plough. To effect a comfortable +following of his operations he had lengthened the reins with +clothes-line. He drove a team of old and gentle white horses as +wheelers. His lead animals were mules, neither old nor gentle. It is +possible that this fact accounted for his being afoot. He was arrayed +in cowboy boots and chaps, a faded flannel shirt, and a Stetson. +Despite the fact that a year had passed since he had practically +"Lochinvared" the most willing Anita,--though with the full and joyous +consent of her parents,--he still clung to the habiliments of the +cowboy, feeling that they offset the more or less menial requirements +of tilling the soil. Behind him trailed a lean, shaggy wolf-dog who +nosed the furrows occasionally and dug for prairie-dogs with +intermittent zest. + +The toiler, too preoccupied with his ploughing to see more than his +horses' heads and the immediate unbroken territory before them, did not +realize that a team had stopped out on the road and that a man had +leaped from the buckboard and was standing at the fence. Chance, +however, saw the man, and, running to Sundown, whined. Sundown pulled +up his team and wiped his brow. "Hurt your foot ag'in?" he queried. +"Nope? Then what's wrong?" + +The man in the road called. + +Sundown wheeled and stood with mouth open. "It's--Gee Gosh! It's +Billy!" + +He observed that a young and fashionably attired woman sat in the +buckboard holding the team. He fumbled at his shirt and buttoned it at +the neck. Then he swung his team around and started toward the fence. + +Will Corliss, attired in a quiet-hued business suit, his cheeks +healthfully pink and his eye clear, smiled as the lean one tied the +team and stalked toward him. + +Corliss held out his hand. Sundown shook his head. "Excuse me, Billy, +but I ain't shakin' hands with you across no fence." + +And Sundown wormed his length between the wires and straightened up, +extending a tanned and hairy paw. "Shake, pardner! Say, you're +lookin' gorjus!" + +"My wife," said Corliss. + +Sundown doffed his sombrero sweepingly. "Welcome to Arizona, ma'am." + +"This is my friend, Washington Hicks, Margery." + +"Yes, ma'am," said Sundown. "It ain't my fault, neither. I had +nothin' to say about it when they hitched that name onto me. I reckon +I hollered, but it didn't do no good. Me pals"--and Sundown shrugged +his shoulder--"mostly gents travelin' for their health--got to callin' +me Sundown, which is more poetical. 'Course, when I got married--" + +"Married!" exclaimed Corliss, grinning. + +"You needn't to grin, Billy. Gettin' married's mighty +responsible-like." + +Corliss made a gesture of apology. "So you're homesteading the +water-hole? Jack wrote to me about it. He didn't say anything about +your getting married." + +"Kind of like his not sayin' anything about your gettin' hitched up, +eh? He said he was hearin' from you, but nothin' about Misses Corliss. +Please to expect my congratulations, ma'am--and you, too, Billy." + +"Thank you!" said Mrs. Corliss, smiling. "Will has told me a great +deal about you." + +"He has, eh? Well, I'm right glad to be acquainted by heresy. It kind +of puts you on to what to expect. But say, it's hot here. If you'll +drive back to me house, I'd sure like to show you the improvements." + +"All right, Sun! We'll drive right in and wait for you." + + +They did not have to wait, however. Sundown, leaving his team at the +fence, took a short cut to the house. He entered the back door and +called to Anita. + +"Neeter," he said, as she hastened to answer him, "they's some friends +of mine just drivin' up. If you could kind of make a quick change and +put on that white dress with the leetle roses sprinkled on it--quick; +and is--is he sleepin'?" + +"Si! He is having the good sleep." + +"Fine! I'll hold 'em off till you get fixed up. It's me ole pal, +Billy Corliss,--and he's brung along a wife. We got to make a good +front, seein' it's kind of unexpected. Wrastle into that purty dress +and don't wake him up." + +"Si! I go queek." + +"Why, this is fine!" said Corliss, entering, hat in hand, and gazing +about the room. "It's as snug and picturesque as a lodge." + +"Beautiful!" exclaimed the enthusiastic Margery, gazing at the Navajo +rugs, the clean, white-washed walls against which the red ollas, filled +with wild flowers, made a pretty picture, and the great grizzly-bear +rug thrown across a home-made couch. "It's actually romantic!" + +"Me long suit, lady. We ain't got much, but what we got goes with this +kind of country." + +Margery smiled. "Oh, Will, I'd like a home like this. Just simple and +clean--and comfortable. It's a real home." + +"Me wife's comin' in a minute. While she's--er--combin' her hair, +mebby you'd like to see some of the improvements." And Sundown marched +proudly to the new dining-room--an extension that he had built +himself--and waved an invitation for his guests to behold and marvel. + +The dining-room was, in its way, also picturesque. The exceedingly +plain table was covered with a clean white cloth. The furniture, owing +to some fortunate accident of choice, was not ornate but of plain +straight lines, redeemed by painted ollas filled with flowers. The +white walls were decorated with two pictures, a lithograph of the +Madonna,--which seemed entirely in keeping with the general tone of the +room, but which would have looked glaringly out of place anywhere +else,--and an enlarged full-length photograph, framed, of an +exceedingly tall and gorgeous cowboy, hat in hand, quirt on wrist, and +looking extremely impressive. Beside the cowboy stood a great, shaggy +dog--Chance. And, by chance, the picture was a success. + +"Why, it's you, Sun!" exclaimed Corliss, striding to the picture. "And +it's a dandy! I'd hang it in the front room."' + +"That's what Neeter was sayin'. But I kind of like it in here. You +see, Neeter sets there and I set here where I can see me picture while +I'm eatin'. It kind of gives me a good appetite. 'Course, lookin' out +the window is fine. See them there mesas dancin' in the sun, and the +grass wavin' and me cows grazing and 'way off like in a dream them blue +hills! It's sure a millionaire picture! And it don't cost nothin'." + +"That's the best of it!" said Corliss heartily. "We're going to +build--over on the mesa near the fork. You remember?" + +Sundown's flush was inexplicable to Margery, but Corliss understood. +He had ridden the trail toward the fork one night. . . . But that was +past, atoned for. . . . He would live that down. + +"It's a purty view, over there," said Sundown gently. + +And the two men felt that that which was not forgotten was at least +forgiven--would never again be mentioned. + +"And me kitchen," said Sundown, leading the way, "is Neeter's. She +runs it. There's more good eats comes out of it than they is fancy +crockery in it, which just suits me. And out here"--and the party +progressed to the back yard--"is me new corral and stable and +chicken-coop. I made all them improvements meself, durin' the winter. +Reckon you saw the gasoline-engine what does the pumpin' for the tanks. +I wanted to have a windmill, but the engine works faster. It's kind of +hot, ma'am, and if you'll come in and set down I reckon me wife's got +her hair--" + +"Wah! Wah! Wah!" came in a crescendo from the bedroom. + +Sundown straightened his shoulders. "Gee Gosh, he's gone and give it +away, already!" + +Corliss and his wife glanced at their host inquisitively. + +"Me latest improvement," said Sundown, bowing, as Anita, a plump brown +baby on her arm, opened the bedroom door and stood bashfully looking at +the strangers. + +"And me wife," he added. + +Corliss bowed, but Margery rushed to Anita and held out her arms. "Oh, +let me take him!" she cried. "What big brown eyes! Let me hold him! +I'll be awfully careful! Isn't he sweet!" + +They moved to the living-room where Anita and Margery sat side by side +on the couch with the baby absorbing all their attention. + +Sundown stalked about the room, his hands in his pockets, vainly +endeavoring to appear very mannish and unconcerned, but his eye roved +unceasingly to the baby. He was the longest and most upstanding +six-feet-four of proud father that Margery or her husband had ever had +the pleasure of meeting. + +"He's got Neeter's eyes--and--and her--complexion, but he's sure got me +style. He measures up two-feet-six by the yardstick what we got with +buyin' a case of bakin'-soda, and he ain't a yearlin' yet. I don't +just recollec' the day but I reckon Neeter knows." + +"He's great!" exclaimed Corliss. "Isn't he, Margery?" + +"He's just the cutest little brown baby!" said Margery, hugging the +plump little body. + +"He--he ain't so _turruble_ brown," asserted Sundown. "'Course, he's +tanned up some, seein' we keep him outside lots. I'm kind o' tanned up +meself, and I reckon he takes after me." + +"He has a head shaped just like yours," said Margery, anxious to please +the proud father. + +"Then," said Sundown solemnly, "he's goin' to be a pole." + +Anita, proud of her offspring, her husband, her neat and clean home, +laughed softly, and held out her arms for the baby. With a kick and a +struggle the young Sundown wriggled to her arms and snuggled against +her, gravely inspecting the pink roses on his mother's white dress. +They were new to him. He was more used to blue gingham. The roses +were interesting. + +"Yes, Billy's me latest improvement," said Sundown, anxious to assert +himself in view of the presence of so much femininity and a +correspondingly seeming lack of vital interest in anything save the +baby. + +"Billy!" said Corliss, turning from where he had stood gazing out of +the window. + +"Uhuh! We named him Billy after you." + +Corliss turned again to the window. + +Sundown stepped to him, misinterpreting his silence. He put his hand +on Corliss's shoulder. "You ain't mad 'cause we called him that, be +you?" + +"Mad! Say, Sun,"--and Corliss laughed, choked, and brushed his eyes. +"Sun, I don't deserve it." + +"Well, seein' what I been through since I was his size, I reckon I +don't either. But he's here, and you're here and your wife--and things +is fine! The sun is shinin' and the jiggers out on the mesa is +chirkin' and to-morrow's goin' to be a fine day. There's nothin' like +bankin' on to-morrow, 'specially if you are doin' the best you kin +today." And with this bit of philosophy, Sundown, motioning to +Corliss, excused himself and his companion as they strode to the +doorway and out to the open. There they talked about many things +having to do with themselves and others until Margery, hailing them +from the door, told them that dinner was waiting. + +After dinner the men foregathered in the shade of an acacia and smoked, +saying little, but each thinking of the future. Sundown in his +peculiarly optimistic and half-melancholy way, and Corliss with mingled +feelings of hope and regret. He had endeavored to live down his past +away from home. He had succeeded in a measure: had sought and found +work, had become acquainted with his employer's daughter, told her +frankly of his previous manner of life, and found, not a little to his +astonishment, that she had faith in him. Then he wrote to his brother, +asking to come back. John Corliss was more than glad to realize that +Will had straightened up. If the younger man was willing to reclaim +himself among folk who knew him at his worst, there must be something +to him. So Corliss had asked his brother to give him his employer's +address; had written to the employer, explaining certain facts +regarding Will's share in the Concho, and also asking that he urge Will +to come home. Just here Miss Margery had something to say, the +ultimate result of which was a more definite understanding all around. +If Will was going back to Arizona, Margery was also going. And as +Margery was a young woman quietly determined to have her way when she +knew that it was right to do so, they were married the day before Will +Corliss was to leave for Arizona. This was to be their honeymoon. + +All of which was in Will Corliss's mind as he lay smoking and gazing at +the cloudless sky. It may be added to his credit that he had not +returned because of the money that was his when he chose to claim it. +Rather, he had realized--and Margery had a great deal to do with his +newer outlook--that so long as he stayed away from home he was +confessing to cowardice. Incidentally Margery, being utterly feminine, +wanted to see Arizona and the free life of the range, of which Corliss +had told her. As for Nell Loring . . . Corliss sighed. + +"It sure is hot," muttered Sundown. "'Course, you'll stay over and +light out in the mornin' cool. You and me can sleep in the front room. +'T ain't the fust time we rustled for a roost. And the wimmen-folks +can bunk in the bedroom. Billy he's right comf'table in his big +clothes-basket. He's a sure good sleeper, if I do say it." + +"We could have gone on through," said Corliss, smiling. "Of course +we'd have been late, but Margery likes driving." + +"Well, if you had 'a' gone through--and I'd 'a' _ketched_ you at +it--I--I--I'd 'a' changed Billy's name to--to somethin' else." And +Sundown frowned ferociously. + +Corliss laughed. "But we didn't. We're here--and it's mighty good to +breathe Arizona air again. You never really begin to love Arizona till +you've been somewhere else for a while." + +"And bein' married helps some, too," suggested Sundown. + +"Yes, a whole lot. Margery's enthusiasm makes me see beautiful things +that I'd passed a hundred times before I knew her." + +"That's correc'," concurred Sundown. "Now, take Gentle Annie, for +instance--" + +"You mean Mrs.--er--Sundown?" + +"Nope! Me tame cow. 'Annie' is American for 'Anita,' so I called her +that. Now, that there Gentle Annie's just a regular cow. She ain't +purty--but she sure gives plenty milk. Neeter got me to seein' that +Gentle Annie's eyes was purty and mournful-like and that she was a +right handsome cow. If your wife's pettin' and feedin' somethin', and +callin' it them there smooth Spanish names, a fella's wise to do the +same. It helps things along." + +"Little Billy, for instance," suggested Corliss. + +"Leetle Billy is right! But he couldn't help bein' good-lookin', I +guess. He's different. Fust thing your wife said wuz he took after +his pa." + +"You haven't changed much," said Corliss, smiling. + +"Me? Mebby not--outside; but say, inside things is different. I got +feelin's now what I never knowed I had before. Why, sometimes, when +Neeter is rockin' leetle Bill, and singing and me settin' in the door, +towards evenin', and everything fed up and happy, why, do you know, I +feel jest like cryin'. Plumb foolish, ain't it?" + +"I don't know about that, Sun." + +"Well, you will some day," asserted Sundown, taking him literally. "'T +ain't gettin' married what makes a man, but it's a dum' poor one what +don't make the best of things if he is hitched up to a good girl. Only +one thing--it sure don't give a fella time to write much po'try." + +Corliss did not smile. "You're living the poetry," he said with simple +sincerity. + +"Which is correc', Billy. And speakin' of po'try, I reckon I got to go +feed them pigs. They's gruntin' somethin' scand'lous for havin' +comp'ny to our house--and anyhow, they's like to wake up leetle Bill." + +And Sundown departed to feed his pigs. + + + + +CHAPTER XXIX + +A MAN'S COUNTRY + +"As for that," said John Corliss, gazing out across the mesa, "Loring +and I shook hands--over the line fence. That's settled." + +Sundown had just dismounted. He stood holding the reins of his old +saddle-horse "Pill." He had ridden to the Concho to get his monthly +pay. "And pore leetle ole Fernando--he's gone," said Sundown. "That's +jest the difference between _one_ fella doin' what he thinks is right +and a _bunch_ of fellas shootin' up themselves. The one fella gets it +every time. The bunch, bein' so many of 'em, gets off. Mebby that's +law, but it ain't fair." + +"There's a difference, Sun. A fight in the open and downing a man from +ambush--two mighty different things." + +"Well, mebby. But I'm feelin' sad for that leetle Fernando jest the +same.--That Billy's new house?" + +"Yes. They expect to get settled this month." + +"Gee Gosh! I been so busy I missed a bunch of days. Reckon I got to +rustle up somethin' for a weddin' present. I know, be Gosh! I'll send +'em me picture. Billy was kind of stuck on it." + +"Good idea, Sun. But I guess you'll miss it yourself." + +"I dunno. Neeter ain't lookin' at it as much as she used to. She's +busy lookin' after leetle Bill--and me. 'Course I can get another one +took most any time." + +"Make it two and give me one," said Corliss. + +"You ain't joshin'?" + +"No. I'll hang it in the office." + +"Then she gets took--immediate." + +Chance, who stood watching the two men, rose and wagged his tail. + +Chance never failed to recognize that note in his master's voice. It +meant that his master was pleased, enthusiastic, happy, and Chance, +loyal companion, found his happiness in that of his friends. + +"Well," said Sundown, "I reckon I got to be joggin'. Thanks for the +check." + +Corliss waved his hand. "I'll step over to the gate with you. Thought +perhaps you'd stay and see Billy." + +"Nope. I ain't feelin' like meetin' folks today. Don' know why. +Sky's clear and fine, but inside I feel like it was goin' to rain. +When you comin' down to see leetle Bill and Neeter?" + +"Pretty soon. Is Billy well?" + +"Well! Gee Gosh! If you could hear the langwidge he uses when Neeter +puts him to bed and he don't want to go! Why, yesterday he was on the +floor playin' with Chance and Chance got tired of it and lays down to +snooze. Billy hitches along up to Chance, and _Bim_! he punches Chance +on the nose. Made him sneeze, too! Why, that kid ain't afraid of +nothin'--jest like his pa. I reckon Billy told you that his wife said +that leetle Billy took after me, eh? Leave it to a woman to see them +things!" + +"Well, I'm mighty glad you're settled, and making a go of it, Sun." + +"So be I. I was recollectin' when I fust come into this country and +landed at that water-hole. It was kind of a joke then, but it ain't no +joke now. Funny thing--that bunch of punchers what started me lookin' +for that there hotel that time--they come jinglin' up last week. +Didn't know I was the boss till one of 'em grins after sizin' me up and +says--er--well, two three words what kids hadn't ought to hear, and +then, 'It's him, boys!' Then I steps out and says, 'It is, gents. +Come right in and have dinner and it won't cost you fellas a cent. I +told you I'd feed you up good when I got me hotel to runnin'.' And +sure enough, in they come and we fed 'em. They was goin' to the Blue. +They bunked in me hay that night. Next mornin' they acted kind of +queer, sayin' nothin' except, 'So-long,' when they lit out. And what +do you think! They went and left four dollars and twenty-eight cents +in the sugar-bowl--and a piece of paper with it sayin', 'For the kid.' +We never found it out till I was drinkin' me coffee that night and +liked to choked to death on a nickel. Guess them punchers ain't so +bad." + +"No. They stopped here next day. Said they'd never had a finer feed +than you gave 'em." + +"Neeter is sure some cook. Pretty nigh's good as me. Well, so-long, +Jack. I--I--kind of wish you was buildin' a new house yourself." + +Corliss, standing with his hand on the neck of Sundown's horse, smiled. +"Arizona's a man's country, Sun." + +"She sure is!" said Sundown, throwing out his chest. "And lemme tell +you, Jack, it's a man's business to get married and settle +down--and--raise more of 'em. 'Specially like _me_ and _you_ and Bud +and Hi--only Hi's gettin' kind of old. She's a fine country, but she +needs improvin'. Sometimes them improvements keeps you awake nights, +but they're worth it!" + +"Yes, I believe they're worth it," said Corliss, "So-long, Sun." + +"So-long, Jack. I got to get back and milk Gentle Annie. We're +switchin' Billy onto the bottle, and he don't like to be kep' waitin'." + +Chance, following Sundown, trotted behind the horse a few steps, then +turned and ran back to Corliss. He nuzzled the rancher's hand, whined, +and leapt away to follow his master. + + + + +THE END + + + + + + + + + + + +End of the Project Gutenberg EBook of Sundown Slim, by Henry Hubert Knibbs + +*** END OF THIS PROJECT GUTENBERG EBOOK SUNDOWN SLIM *** + +***** This file should be named 16334.txt or 16334.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/6/3/3/16334/ + +Produced by Al Haines + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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