summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--15862-h.zipbin0 -> 58857 bytes
-rw-r--r--15862-h/15862-h.htm5210
-rw-r--r--15862.txt4040
-rw-r--r--15862.zipbin0 -> 54661 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
7 files changed, 9266 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/15862-h.zip b/15862-h.zip
new file mode 100644
index 0000000..8e2666e
--- /dev/null
+++ b/15862-h.zip
Binary files differ
diff --git a/15862-h/15862-h.htm b/15862-h/15862-h.htm
new file mode 100644
index 0000000..22938e9
--- /dev/null
+++ b/15862-h/15862-h.htm
@@ -0,0 +1,5210 @@
+<?xml version="1.0" encoding="us-ascii"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml">
+ <head>
+ <meta content="pg2html (binary v0.17)" name="linkgenerator" />
+ <title>
+ Afterwhiles, by James Whitcomb Riley
+ </title>
+ <style type="text/css" xml:space="preserve">
+ body { margin:15%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .75em; margin-bottom: .75em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 5%; margin-right: 5%; text-align: justify; font-size: 80%; font-style: italic;}
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ .xx-small {font-size: 60%;}
+ .x-small {font-size: 75%;}
+ .small {font-size: 85%;}
+ .large {font-size: 115%;}
+ .x-large {font-size: 130%;}
+ .indent5 { margin-left: 5%;}
+ .indent10 { margin-left: 10%;}
+ .indent15 { margin-left: 15%;}
+ .indent20 { margin-left: 20%;}
+ .indent25 { margin-left: 25%;}
+ .indent30 { margin-left: 30%;}
+ .indent35 { margin-left: 35%;}
+ .indent40 { margin-left: 40%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {position: absolute; right: 1%; font-size: 0.6em;
+ font-variant: normal; font-style: normal;
+ text-align: right; background-color: #FFFACD;
+ border: 1px solid; padding: 0.3em;text-indent: 0em;}
+ .side { float: left; font-size: 75%; width: 15%; padding-left: 0.8em;
+ border-left: dashed thin; text-align: left;
+ text-indent: 0; font-weight: bold; font-style: italic;
+ font-weight: bold; color: black; background: #eeeeee; border: solid 1px;}
+ .head { float: left; font-size: 90%; width: 98%; padding-left: 0.8em;
+ border-left: dashed thin; text-align: center;
+ text-indent: 0; font-weight: bold; font-style: italic;
+ font-weight: bold; color: black; background: #eeeeee; border: solid 1px;}
+ p.pfirst, p.noindent {text-indent: 0}
+ span.dropcap { float: left; margin: 0 0.1em 0 0; line-height: 0.8 }
+ pre { font-family: Times New Roman; font-size: 100%; margin-left: 10%;}
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+The Project Gutenberg EBook of Afterwhiles, by James Whitcomb Riley
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Afterwhiles
+
+Author: James Whitcomb Riley
+
+Release Date: May 19, 2005 [EBook #15862]
+Last Updated: December 29, 2018
+
+
+Language: English
+
+Character set encoding: iso-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK AFTERWHILES ***
+
+
+
+
+Etext produced by "Teary Eyes" Anderson
+
+HTML file produced by David Widger
+
+
+TRANSCRIBER'S NOTE:
+
+Most of this etext was made with a "Top Scan" text scanner, with a bit
+of correcting here and there. Mr. Riley does spell pretty=purty and
+such things and have been left as printed, including the first poem
+in this book listed as "Proem" on both the contents page and the
+page headers, even though in later editions this poem is simply called
+"Afterwhiles." In "The South Wind and the Sun" the line is 'Laughed out in
+every look.' while in later versions it has the word 'nook', replacing
+'look.' The poem "Old Aunt Mary's" is later retitled "Out To Old Aunt
+Mary's" and later enlarged by 13 verses. The "In Dalect" section has the '
+to replace a letter that he left out, to make the word sound a certain way,
+including words like sure-enuff he writes as sho'-nuff, or He'pless as
+helpless and ect. This etext is based on the 1898 edition Published by The
+Bobbs-Merrill Company, Indianapolis Publishers. "Teary Eyes" Anderson***
+
+
+
+</pre>
+ <div style="height: 8em;">
+ <br /><br /><br /><br /><br /><br /><br /><br />
+ </div>
+ <h1>
+ AFTERWHILES
+ </h1>
+ <h2>
+ By James Whitcomb Riley
+ </h2>
+ <h3>
+ DEDICATED TO MY MOTHER ELIZABETH
+ </h3>
+ <hr />
+ <p>
+ <b>CONTENTS</b>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0001"> <b>PROEM (AKA "Afterwhiles")</b> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0002"> <i>Herr Weiser</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0003"> <i>The Beautiful City</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0004"> <i>Lockerbie Street</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0005"> <i>Das Krist Kindel</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0006"> <i>Anselmo</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0007"> <i>A Home-Made Fairy Tale</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0008"> <i>The South Wind and the Sun</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0009"> <i>The Lost Kiss</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0010"> <i>The Sphinx</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0011"> <i>If I knew What Poets Know</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0012"> <i>Ike Walton's Prayer</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0013"> <i>A Rough Sketch</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0014"> <i>Our Kind of a Man</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0015"> <i>The Harper</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0016"> <i>Old Aunt Mary's</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0017"> <i>Illileo</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0018"> <i>The King</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0019"> <i>A Bride</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0020"> <i>The Dead Lover</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0021"> <i>A Song</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0022"> <i>When Bessie Died</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0023"> <i>The Shower</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0024"> <i>A Life Lesson</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0025"> <i>A Scrawl</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0026"> <i>Away</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0027"> <i>Who Bides His Time</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0028"> <i>From the Headboard of a Grave in Paraguay</i>
+ </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0029"> <i>Laughter Holding Both His Sides</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0030"> <i>Fame</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0031"> <i>The Ripest Peach</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0032"> <i>A Fruit Piece</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0033"> <i>Their Sweet Sorrow</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0034"> <i>John McKeen</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0035"> <i>Out of Nazareth</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0036"> <i>September Dark</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0037"> <i>We To Sigh Instead of Sing</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0038"> <i>The Blossoms on the Trees</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0039"> <i>Last Night&mdash; And This</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0040"> <i>A Discouraging Model</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0041"> <i>Back From a Two-years' Sentence</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0042"> <i>The Wandering Jew</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0043"> <i>Becalmed</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0044"> <i>To Santa Claus</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0045"> <i>Where the Children used to Play</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0046"> <i>A Glimpse of Pan</i> </a>
+ </p>
+ <p>
+ <br />
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0047"> <b>SONNETS</b> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0048"> <i>Pan</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0049"> <i>Dusk</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0050"> <i>June</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0051"> <i>Silence</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0052"> <i>Sleep</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0053"> <i>Her Hair</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0054"> <i>Dearth</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0055"> <i>A Voice From the Farm</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0056"> <i>The Serenade</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0057"> <i>Art and Love</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0058"> <i>Longfellow</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0059"> <i>Indiana</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0060"> <i>Time</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0061"> <i>Grant</i> </a>
+ </p>
+ <p>
+ <br />
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0062"> <b>IN DIALECT</b> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0063"> <i>Old Fashioned Roses</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0064"> <i>Griggsby's Station</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0065"> <i>Knee Deep in June</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0066"> <i>When The Hearse Comes Back</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0067"> <i>A Canary At the Farm</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0068"> <i>A Liz Town Humorist</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0069"> <i>Kingry's Mill</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0070"> <i>Joney</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0071"> <i>Like His Mother Used To Make</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0072"> <i>The Train Misser</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0073"> <i>Granny</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0074"> <i>Old October</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0075"> <i>Jim</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0076"> <i>To Robert Burns</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0077"> <i>A New Year's Time at Willards's</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0078"> <i>The Town Karnteel</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0079"> <i>Regardin' Terry Hut</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0080"> <i>Leedle Dutch Baby</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0081"> <i>Down On Wriggle Crick</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0082"> <i>When De Folks Is Gone</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0083"> <i>The Little Town O' Tailholt</i> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0084"> <i>Little Orphant Annie</i> </a>
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0001" id="link2H_4_0001"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ PROEM (AKA "Afterwhiles")
+ </h2>
+<pre xml:space="preserve">
+ Where are they&mdash; the Afterwhiles&mdash;
+ Luring us the lengthening miles
+ Of our lives? Where is the dawn
+ With the dew across the lawn
+ Stroked with eager feet the far
+ Way the hills and valleys are?
+ Were the sun that smites the frown
+ Of the eastward-gazer down?
+ Where the rifted wreaths of mist
+ O'er us, tinged with amethyst,
+ Round the mountain's steep defiles?
+ Where are the afterwhiles?
+
+ Afterwhile&mdash; and we will go
+ Thither, yon, and too and fro&mdash;
+ From the stifling city streets
+ To the country's cool retreats&mdash;
+ From the riot to the rest
+ Were hearts beat the placidest:
+ Afterwhile, and we will fall
+ Under breezy trees, and loll
+ In the shade, with thirsty sight
+ Drinking deep the blue delight
+ Of the skies that will beguile
+ Us as children&mdash; afterwhile.
+
+ Afterwhile&mdash; and one intends
+ To be gentler to his friends&mdash;,
+ To walk with them, in the hush
+ Of still evenings, o'er the plush
+ Of home-leading fields, and stand
+ Long at parting, hand in hand:
+ One, in time, will joy to take
+ New resolves for some one's sake,
+ And wear then the look that lies
+ Clear and pure in other eyes&mdash;
+ We will soothe and reconcile
+ His own conscience&mdash; afterwhile.
+
+ Afterwhile&mdash; we have in view
+ A far scene to journey to&mdash;,
+ Where the old home is, and where
+ The old mother waits us there,
+ Peering, as the time grows late,
+ Down the old path to the gate&mdash;.
+ How we'll click the latch that locks
+ In the pinks and hollyhocks,
+ And leap up the path once more
+ Where she waits us at the door&mdash;!
+ How we'll greet the dear old smile,
+ And the warm tears&mdash; afterwhile!
+
+ Ah, the endless afterwhiles&mdash;!
+ Leagues on leagues, and miles on miles,
+ In distance far withdrawn,
+ Stretching on, and on, and on,
+ Till the fancy is footsore
+ And faints in the dust before
+ The last milestone's granite face,
+ Hacked with: Here Beginneth Space.
+ O far glimmering worlds and wings,
+ Mystic smiles and beckonings,
+ Lead us through the shadowy aisles
+ Out into the afterwhiles.
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0002" id="link2H_4_0002"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Herr Weiser</i>
+ </h2>
+<pre xml:space="preserve">
+ Herr Weiser&mdash;! Three-score-years-and-ten&mdash;,
+ A hale white rose of his country-men,
+ Transplanted here in the Hoosier loam,
+ And blossomy as his German home&mdash;
+ As blossomy and as pure and sweet
+ As the cool green glen of his calm retreat,
+ Far withdrawn from the noisy town
+ Where trade goes clamoring up and down,
+ Whose fret and fever, and stress and strife,
+ May not trouble his tranquil life!
+
+ Breath of rest, what a balmy gust&mdash;!
+ Quite of the city's heat and dust,
+ Jostling down by the winding road,
+ Through the orchard ways of his quaint abode&mdash;.
+ Tether the horse, as we onward fare
+ Under the pear-trees trailing there,
+ And thumping the wood bridge at night
+ With lumps of ripeness and lush delight,
+ Till the stream, as it maunders on till dawn,
+ Is powdered and pelted and smiled upon.
+
+ Herr Weiser, with his wholesome face,
+ And the gentle blue of his eyes, and grace
+ Of unassuming honesty,
+ Be there to welcome you and me!
+ And what though the toil of the farm be stopped
+ And the tireless plans of the place be dropped,
+ While the prayerful master's knees are set
+ In beds of pansy and mignonette
+ And lily and aster and columbine,
+ Offered in love, as yours and mine&mdash;?
+
+ What, but a blessing of kindly thought,
+ Sweet as the breath of forget-me-not&mdash;!
+ What, but a spirit of lustrous love
+ White as the aster he bends above&mdash;!
+ What, but an odorous memory
+ Of the dear old man, made known to me
+ In days demanding a help like his&mdash;,
+ As sweet as the life of the lily is&mdash;
+ As sweet as the soul of a babe, bloom-wise
+ Born of a lily in paradise.
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0003" id="link2H_4_0003"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>The Beautiful City</i>
+ </h2>
+<pre xml:space="preserve">
+ The Beautiful City! Forever
+ Its rapturous praises resound;
+ We fain would behold it&mdash; but never
+ A glimpse of its dory is found:
+ We slacken our lips at the tender
+ White breasts of our mothers to hear
+ Of its marvellous beauty and splendor&mdash;;
+ We see&mdash; but the gleam of a tear!
+
+ Yet never the story may tire us&mdash;
+ First graven in symbols of stone&mdash;
+ Rewritten on scrolls of papyrus
+ And parchment, and scattered and blown
+ By the winds of the tongues of all nations,
+ Like a litter of leaves wildly whirled
+ Down the rack of a hundred translations,
+ From the earliest lisp of the world.
+
+ We compass the earth and the ocean,
+ From the Orient's uttermost light,
+ To where the last ripple in motion
+ Lips hem of the skirt of the night&mdash;,
+ But the Beautiful City evades us&mdash;
+ No spire of it glints in the sun&mdash;
+ No glad-bannered battlement shades us
+ When all our Journey is done.
+
+ Where lies it? We question and listen;
+ We lean from the mountain, or mast,
+ And see but dull earth, or the glisten
+ Of seas inconceivably vast:
+ The dust of the one blurs our vision,
+ The glare of the other our brain,
+ Nor city nor island Elysian
+ In all of the land or the main!
+
+ We kneel in dim fanes where the thunders
+ Of organs tumultuous roll,
+ And the longing heart listens and wonders,
+ And the eyes look aloft from the soul:
+ But the chanson grows fainter and fainter,
+ Swoons wholly away and is dead;
+ AND our eyes only reach where the painter
+ Has dabbled a saint overhead.
+
+ The Beautiful City! O mortal,
+ Fare hopefully on in thy quest,
+ Pass down through the green grassy portal
+ That leads to the Valley of Rest;
+ There first passed the One who, in pity
+ Of all thy great yearning, awaits
+ To point out The Beautiful City,
+ And loosen the trump at the gates.
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0004" id="link2H_4_0004"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Lockerbie Street</i>
+ </h2>
+<pre xml:space="preserve">
+ Such a dear little street it is, nestled away
+ From the noise of the city and heat of the day,
+ In cool shady coverts of whispering trees,
+ With their leaves lifted up to shake hands with the breeze
+ Which in all its wide wanderings never may meet
+ With a resting-place fairer than Lockerbie street!
+
+ There is such a relief, from the clangor and din
+ Of the heart of the town, to go loitering in
+ Through the dim, narrow walks, with the sheltering shade
+ Of the trees waving over the long promenade,
+ And littering lightly the ways of our feet
+ With the gold of the sunshine of Lockerbie street.
+
+ And the nights that come down the dark pathways of dusk,
+ With the stars in their tresses, and odors of musk
+ In their moon-woven raiments, bespangled with dews,
+ And looped up with lilies for lovers to use
+ In the songs that they sing to the tinkle and beat
+ Of their sweet serenadings through Lockerbie street.
+
+ O my Lockerbie street! You are fair to be seen&mdash;
+ Be it noon of the day, or the rare and serene
+ Afternoon of the night&mdash; you are one to my heart,
+ And I love you above all the phrases of art,
+ For no language could frame and no lips could repeat
+ My rhyme-haunted raptures of Lockerbie street.
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0005" id="link2H_4_0005"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Das Krist Kindel</i>
+ </h2>
+<pre xml:space="preserve">
+ I had fed the fire and stirred it, till the sparkles in delight
+ Snapped their saucy little fingers at the chill December night;
+ And in dressing-gown and slippers, I had tilted back "my throne&mdash;"
+ The old split-bottomed rocker&mdash; and was musing all alone.
+
+ I could hear the hungry Winter prowling round the outer door,
+ And the tread of muffled footsteps on the white piazza floor;
+ But the sounds came to me only as the murmur of a stream
+ That mingled with the current of a lazy-flowing dream.
+
+ Like a fragrant incense rising, curled the smoke of my cigar,
+ With the lamplight gleaming through it like a mist-enfolded star&mdash;;
+ And as I gazed, the vapor like a curtain rolled away,
+ With a sound of bells that tinkled, and the clatter of a sleigh.
+
+ And in a vision, painted like a picture in the air,
+ I saw the elfish figure, of a man with frosty hair&mdash;
+ A quaint old man that chuckled with a laugh as he appeared,
+ And with ruddy cheeks like embers in the ashes of his beard.
+
+ He poised himself grotesquely, in an attitude of mirth,
+ On a damask-covered hassock that was sitting on the hearth;
+ And at a magic signal of his stubbly little thumb,
+ I saw the fireplace changing to a bright proscenium.
+
+ And looking there, I marvelled as I saw a mimic stage
+ Alive with little actors of a very tender age;
+ And some so very tiny that they tottered as they walked,
+ And lisped and purled and gurgled like the brooklets, when they talked.
+
+ And their faces were like lilies, and their eyes like purest dew,
+ And their tresses like the shadows that the shine is woven through;
+ And they each had little burdens, and a little tale to tell
+ Of fairy lore, and giants, and delights delectable.
+
+ And they mixed and intermingled, weaving melody with joy,
+ Till the magic circle clustered round a blooming baby-boy;
+ And they threw aside their treasures in an ecstasy of glee,
+ And bent, with dazzled faces and with parted lips, to see.
+
+ 'Twas a wondrous little fellow, with a dainty double-chin
+ And chubby-cheeks, and dimples for the smiles to blossom in;
+ And he looked as ripe and rosy, on his bed of straw and reeds,
+ As a mellow little pippin that had tumbled in the weeds.
+
+ And I saw the happy mother, and a group surrounding her
+ That knelt with costly presents of frankincense and myrrh;
+ And I thrilled with awe and wonder, as a murmur on the air
+ Came drifting o'er the hearing in a melody of prayer&mdash;:
+
+ By the splendor in the heavens, and the hush upon the sea,
+ And the majesty of silence reigning over Galilee,
+ We feel Thy kingly presence, and we humbly bow the knee
+ And lift our hearts and voices in gratefulness to Thee.
+
+ Thy messenger has spoken, and our doubts have fled and gone
+ As the dark and spectral shadows of the night before the dawn;
+ And in kindly shelter of the light around us drawn,
+ We would nestle down forever in the breast we lean upon.
+
+ You have given us a shepherd&mdash; You have given us a guide,
+ And the light of Heaven grew dimmer when You sent him from Your side&mdash;,
+ But he comes to lead Thy children where the gates will open wide
+ To welcome his returning when his works are glorified.
+
+ By the splendor in the heavens, and the hush upon the sea,
+ And the majesty of silence reigning over Galilee&mdash;,
+ We feel Thy kingly presence, and we humbly bow the knee
+ And lift our hearts and voices in gratefulness to Thee.
+
+ Then the vision, slowly failing, with the words of the refrain,
+ Fell swooning in the moonlight through the frosty window-pane;
+ And I heard the clock proclaiming, like an eager sentinel
+ Who brings the world good tidings&mdash;, "It is Christmas&mdash; all is well!"
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0006" id="link2H_4_0006"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Anselmo</i>
+ </h2>
+<pre xml:space="preserve">
+ Years did I vainly seek the good Lord's grace&mdash;,
+ Prayed, fasted, and did penance dire and dread;
+ Did kneel, with bleeding knees and rainy face,
+ And mouth the dust, with ashes on my head;
+ Yea, still with knotted scourge the flesh I flayed,
+ Rent fresh the wounds, and moaned and shrieked insanely;
+ And froth oozed with the pleadings that I made,
+ And yet I prayed on vainly, vainly, vainly!
+
+ A time, from out of swoon I lifted eye,
+ To find a wretched outcast, gray and grim,
+ Bathing my brow, with many a pitying sigh,
+ And I did pray God's grace might rest on him&mdash;.
+ Then, lo! A gentle voice fell on mine ears&mdash;
+ "Thou shalt not sob in suppliance hereafter;
+ Take up thy prayers and wring them dry of tears,
+ And lift them, white and pure with love and laughter!"
+
+ So is it now for all men else I pray;
+ So is it I am blest and glad alway.
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0007" id="link2H_4_0007"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>A Home-Made Fairy Tale</i>
+ </h2>
+<pre xml:space="preserve">
+ Bud, come here to your uncle a spell,
+ And I'll tell you something you mustn't tell&mdash;
+ For it's a secret and shore-'nuf true,
+ And maybe I oughtn't to tell it to you&mdash;!
+ But out in the garden, under the shade
+ Of the apple-trees, where we romped and played
+ Till the moon was up, and you thought I'd gone
+ Fast asleep&mdash;, That was all put on!
+ For I was a-watchin' something queer
+ Goin' on there in the grass, my dear&mdash;!
+ 'Way down deep in it, there I see
+ A little dude-Fairy who winked at me,
+ And snapped his fingers, and laughed as low
+ And fine as the whine of a mus-kee-to!
+ I kept still&mdash; watchin' him closer&mdash; and
+ I noticed a little guitar in his hand,
+ Which he leant 'ginst a little dead bee&mdash; and laid
+ His cigarette down on a clean grass-blade,
+ And then climbed up on the shell of a snail&mdash;
+ Carefully dusting his swallowtail&mdash;
+ And pulling up, by a waxed web-thread,
+ This little guitar, you remember. I said!
+ And there he trinkled and trilled a tune&mdash;,
+ "My Love, so Fair, Tans in the Moon!"
+ Till presently, out of the clover-top
+ He seemed to be singing to, came k'pop!
+ The purtiest, daintiest Fairy face
+ In all this world, or any place!
+ Then the little ser'nader waved his hand,
+ As much as to say, "We'll excuse you!" and
+ I heard, as I squinted my eyelids to,
+ A kiss like the drip of a drop of dew!
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0008" id="link2H_4_0008"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>The South Wind and the Sun</i>
+ </h2>
+<pre xml:space="preserve">
+ O The South Wind and the Sun!
+ How each loved the other one
+ Full of fancy&mdash;- full folly&mdash;
+ Full of jollity and fun!
+ How they romped and ran about,
+ Like two boys when school is out,
+ With glowing face, and lisping lip,
+ Low laugh, and lifted shout!
+
+ And the South Wind&mdash; he was dressed
+ With a ribbon round his breast
+ That floated, flapped and fluttered
+ In a riotous unrest,
+ And a drapery of mist
+ From the shoulder and the wrist
+ Flowing backward with the motion
+ Of the waving hand he kissed.
+
+ And the Sun had on a crown
+ Wrought of gilded thistle-down,
+ And a scarf of velvet vapor,
+ And a ravelled-rainbow gown;
+ And his tinsel-tangled hair,
+ Tossed and lost upon the air,
+ Was glossier and flossier
+ Than any anywhere.
+
+ And the South Wind's eyes were two
+ Little dancing drops of dew,
+ As he puffed his cheeks, and pursed his lips,
+ And blew and blew and blew!
+ And the Sun's&mdash; like diamond-stone,
+ Brighter yet than ever known,
+ As he knit his brows and held his breath,
+ And shone and shone and shone!
+
+ And this pair of merry fays
+ Wandered through the summer days;
+ Arm-in-arm they went together
+ Over heights of morning haze&mdash;
+ Over slanting slopes of lawn
+ They went on and on and on,
+ Where the daisies looked like star-tracks
+ Trailing up and down the dawn.
+
+ And where'er they found the top
+ Of a wheat-stalk droop and lop
+ They chucked it underneath the chin
+ And praised the lavish crop,
+ Till it lifted with the pride
+ Of the heads it grew beside,
+ And then the South Wind and the Sun
+ Went onward satisfied.
+
+ Over meadow-lands they tripped,
+ Where the dandelions dipped
+ In crimson foam of clover-bloom,
+ And dripped and dripped and dripped;
+ And they clinched the bumble-stings,
+ Gauming honey on their wings,
+ And bundling them in lily-bells,
+ With maudlin murmurings.
+
+ And the humming-bird that hung
+ Like a jewel up among
+ The tilted honeysuckle-horns,
+ They mesmerized, and swung
+ In the palpitating air,
+ Drowsed with odors strange and rare,
+ And with whispered laughter, slipped away,
+ And left him hanging there.
+
+ And they braided blades of grass
+ Where the truant had to pass;
+ And they wriggled through the rushes
+ And the reeds of the morass,
+ Where they danced, in rapture sweet,
+ O'er the leaves that laid a street
+ Of undulant mosaic for
+ The touches of their feet.
+
+ By the brook with mossy brink
+ Where the cattle came to drink.
+ They trilled and piped and whistled
+ With the thrush and bobolink,
+ Till the kine in listless pause,
+ Switched their tails in mute applause,
+ With lifted heads and dreamy eyes,
+ And bubble-dripping jaws.
+
+ And where the melons grew,
+ Streaked with yellow, green and blue
+ These jolly sprites went wandering
+ Through spangled paths of dew;
+ And the melons, here and there,
+ They made love to, everywhere
+ Turning their pink souls to crimson
+ With caresses fond and fair.
+
+ Over orchard walls they went,
+ Where the fruited boughs were bent
+ Till they brushed the sward beneath them
+ Where the shine and shadow blent;
+ And the great green pear they shook
+ Till the sallow hue forsook
+ Its features, and the gleam of gold
+ Laughed out in every look.
+
+ And they stroked the downy cheek
+ Of the peach, and smoothed it sleek,
+ And flushed it into splendor;
+ And with many an elfish freak,
+ Gave the russet's rust a wipe&mdash;
+ Prankt the rambo with a stripe,
+ And the wine-sap blushed its reddest
+ As they spanked the pippins ripe.
+
+ Through the woven ambuscade
+ That the twining vines had made,
+ They found the grapes, in clusters,
+ Drinking up the shine and shade&mdash;
+ Plumpt like tiny skins of wine,
+ With a vintage so divine
+ That the tongue of fancy tingled
+ With the tang of muscadine.
+
+ And the golden-banded bees,
+ Droning o'er the flowery leas,
+ They bridled, reigned, and rode away
+ Across the fragrant breeze,
+ Till in hollow oak and elm
+ They had groomed and stabled them
+ In waxen stalls oozed with dews
+ Of rose and lily-stem.
+
+ Where the dusty highway leads,
+ High above the wayside weeds
+ They sowed the air with butterflies
+ Like blooming flower-seeds,
+ Till the dull grasshopper sprung
+ Half a man's height up, and hung
+ Tranced in the heat, with whirring wings,
+ And sung and sung and sung!
+
+ And they loitered, hand in hand,
+ Where the snipe along the sand
+ Of the river ran to meet them
+ As the ripple meets the land,
+ Till the dragon-fly, in light
+ Gauzy armor, burnished bright,
+ Came tilting down the waters
+ In a wild, bewildered flight.
+
+ And they heard the killdee's call,
+ And afar, the waterfall,
+ But the rustle of a falling leaf
+ They heard above it all;
+ And the trailing willow crept
+ Deeper in the tide that swept
+ The leafy shallop to the shore,
+ And wept and wept and wept!
+
+ And the fairy vessel veered
+ From its moorings&mdash; tacked and steered
+ For the centre of the current
+ Sailed away and disappeared:
+ And the burthen that it bore
+ From the long-enchanted shore&mdash;
+ "Alas! The South Wind and the Sun!"
+ I murmur evermore.
+
+ For the South Wind and the Sun,
+ Each so loves the other one,
+ For all his jolly folly
+ And frivolity and fun,
+ That our love for them they weigh
+ As their fickle fancies may,
+ And when at last we love them most,
+ They laugh and sail away.
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0009" id="link2H_4_0009"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>The Lost Kiss</i>
+ </h2>
+<pre xml:space="preserve">
+ I put by the half-written poem,
+ While the pen, idly trailed in my hand,
+ Writes on&mdash;, "Had I words to complete it,
+ Who'd read it, or who'd understand?"
+ But the little bare feet on the stairway,
+ And the faint, smothered laugh in the hall,
+ And the eerie-low lisp on the silence,
+ Cry up to me over it all.
+
+ So I gather it up&mdash; where was broken
+ The tear-faded thread of my theme,
+ Telling how, as one night I sat writing,
+ A fairy broke in on my dream,
+ A little inquisitive fairy&mdash;
+ My own little girl, with the gold
+ Of the sun in her hair, and the dewy
+ Blue eyes of the fairies of old.
+
+ 'Twas the dear little girl that I scolded&mdash;
+ "For was it a moment like this,"
+ I said, "when she knew I was busy,
+ To come romping in for a kiss&mdash;?
+ Come rowdying up from her mother,
+ And clamoring there at my knee
+ For 'One 'ittle kiss for my dolly,
+ And one 'ittle uzzer for me!"
+
+ God pity, the heart that repelled her,
+ And the cold hand that turned her away,
+ And take, from the lips that denied her,
+ This answerless prayer of to-day!
+ Take Lord, from my mem'ry forever
+ That pitiful sob of despair,
+ And the patter and trip of the little bare feet,
+ And the one piercing cry on the stair!
+
+ I put by the half-written poem,
+ While the pen, idly trailed in my hand
+ Writes on&mdash;, "Had I words to complete it
+ Who'd read it, or who'd understand?"
+ But the little bare feet on the stairway,
+ And the faint, smothered laugh in the hall,
+ And the eerie-low lisp on the silence,
+ Cry up to me over it all.
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0010" id="link2H_4_0010"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>The Sphinx</i>
+ </h2>
+<pre xml:space="preserve">
+ I know all about the Sphinx&mdash;
+ I know even what she thinks,
+ Staring with her stony eyes
+ Up forever at the skies.
+
+ For last night I dreamed that she
+ Told me all the mystery&mdash;
+ Why for aeons mute she sat&mdash;:
+ She was just cut out for that!
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0011" id="link2H_4_0011"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>If I knew What Poets Know</i>
+ </h2>
+<pre xml:space="preserve">
+ If I knew what poets know,
+ Would I write a rhyme
+ Of the buds that never blow
+ In the summer-time ?
+ Would I sing of golden seeds
+ Springing up in ironweeds?
+ And of raindrops turned to snow,
+ If I knew what poets know?
+
+ Did I know what poets do,
+ Would I sing a song
+ Sadder than the pigeon's coo
+ When the days are long?
+ Where I found a heart in pain,
+ I would make it glad again;
+ And the false should be the true,
+ Did I know what poets do.
+
+ If I knew what poets know,
+ I would find a theme
+ Sweeter than the placid flow
+ Of the fairest dream:
+ I would sing of love that lives
+ On the errors it forgives;
+ And the world would better grow
+ If I knew what poets know.
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0012" id="link2H_4_0012"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Ike Walton's Prayer</i>
+ </h2>
+<pre xml:space="preserve">
+ I crave, dear Lord,
+ No boundless hoard
+ Of gold and gear,
+ Nor jewels fine,
+ Nor lands, nor kine,
+ Nor treasure-heaps of anything&mdash;.
+ Let but a little hut be mine
+ Where at the hearthstone I may hear
+ The cricket sing,
+ And have the shine
+ Of one glad woman's eyes to make,
+ For my poor sake,
+ Our simple home a place divine&mdash;;
+ Just the wee cot&mdash; the cricket's chirr&mdash;
+ Love and the smiling face of her.
+
+ I pray not for
+ Great riches, nor
+ For vast estates and castle-halls&mdash;,
+ Give me to hear the bare footfalls
+ Of children o'er
+ An oaken floor
+ New-rinsed with sunshine, or bespread
+ With but the tiny coverlet
+ And pillow for the baby's head;
+ And pray Thou, may
+ The door stand open and the day
+ Send ever in a gentle breeze,
+ With fragrance from the locust-trees,
+ And drowsy moan of doves, and blur
+ Of robin-chirps, and drone of bees,
+ With after-hushes of the stir
+ Of intermingling sounds, and then
+ The good-wife and the smile of her
+ Filling the silences again&mdash;
+ The cricket's call
+ And the wee cot,
+ Dear Lord of all,
+ Deny me not!
+
+ I pray not that
+ Men tremble at
+ My power of place
+ And lordly sway&mdash;,
+ I only pray for simple grace
+ To look my neighbor in the face
+ Full honestly from day to day&mdash;
+ Yield me his horny palm to hold.
+ And I'll not pray
+ For gold&mdash;;
+ The tanned face, garlanded with mirth,
+ It hath the kingliest smile on earth;
+ The swart brow, diamonded with sweat,
+ Hath never need of coronet.
+ And so I reach,
+ Dear Lord, to Thee,
+ And do beseech
+ Thou givest me
+ The wee cot, and the cricket's chirr,
+ Love and the glad sweet face of her!
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0013" id="link2H_4_0013"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>A Rough Sketch</i>
+ </h2>
+<pre xml:space="preserve">
+ I caught, for a second, across the crowd&mdash;
+ Just for a second, and barely that&mdash;
+ A face, pox-pitted and evil-browed,
+ Hid in the shade of a slouch-rim'd hat&mdash;
+ With small gray eyes, of a look as keen
+ As the long, sharp nose that grew between.
+
+ And I said: 'Tis a sketch of Nature's own,
+ Drawn i' the dark o' the moon, I swear,
+ On a tatter of Fate that the winds have blown
+ Hither and thither and everywhere&mdash;
+ With its keen little sinister eyes of gray,
+ And nose like the beak of a bird of prey!
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0014" id="link2H_4_0014"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Our Kind of a Man</i>
+ </h2>
+<pre xml:space="preserve">
+ 1
+ The kind of a man for you and me!
+ He faces the world unflinchingly,
+ And smites, as long as the wrong resists,
+ With a knuckled faith and force like fists:
+ He lives the life he is preaching of,
+ And loves where most is the need of love;
+ His voice is clear to the deaf man's ears,
+ And his face sublime through the blind man's tears;
+ The light shines out where the clouds were dim,
+ And the widow's prayer goes up for him;
+ The latch is clicked at the hovel door
+ And the sick man sees the sun once more,
+ And out o'er the barren fields he sees
+ Springing blossoms and waving trees,
+ Feeling as only the dying may,
+ That God's own servant has come that way,
+ Smoothing the path as it still winds on
+ Through the golden gate where his loved have gone.
+
+ 2
+ The kind of a man for me and you!
+ However little of worth we do
+ He credits full, and abides in trust
+ That time will teach us how more is just.
+ He walks abroad, and he meets all kinds
+ Of querulous and uneasy minds,
+ And sympathizing, he shares the pain
+ Of the doubts that rack us, heart and brain;
+ And knowing this, as we grasp his hand
+ We are surely coming to understand!
+ He looks on sin with pitying eyes&mdash;
+ E'en as the Lord, since Paradise&mdash;,
+ Else, should we read, Though our sins should glow
+ As scarlet, they shall be white as snow&mdash;?
+ And feeling still, with a grief half glad,
+ That the bad are as good as the good are bad,
+ He strikes straight out for the Right&mdash; and he
+ Is the kind of a man for you and me!
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0015" id="link2H_4_0015"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>The Harper</i>
+ </h2>
+<pre xml:space="preserve">
+ Like a drift of faded blossoms
+ Caught in a slanting rain,
+ His fingers glimpsed down the strings of his harp
+ In a tremulous refrain:
+
+ Patter and tinkle, and drip and drip!
+ Ah! But the chords were rainy sweet!
+ And I closed my eyes and I bit my lip,
+ As he played there in the street.
+
+ Patter, and drip, and tinkle!
+ And there was the little bed
+ In the corner of the garret,
+ And the rafters overhead!
+
+ And there was the little window&mdash;
+ Tinkle, and drip, and drip&mdash;!
+ The rain above, and a mother's love,
+ And God's companionship!
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0016" id="link2H_4_0016"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Old Aunt Mary's</i>
+ </h2>
+<pre xml:space="preserve">
+ Wasn't it pleasant, O brother mine,
+ In those old days of the lost sunshine
+ Of youth&mdash; when the Saturday's chores were through,
+ And the "Sunday's wood" in the kitchen too,
+ And we went visiting, "me and you,"
+ Out to Old Aunt Mary's?
+
+ It all comes back so clear to-day!
+ Though I am as bald as you are gray&mdash;
+ Out by the barn-lot, and down the lane,
+ We patter along in the dust again,
+ As light as the tips of the drops of the rain,
+ Out to Old Aunt Mary's!
+
+ We cross the pasture, and through the wood
+ Where the old gray snag of the poplar stood,
+ Where the hammering "red-heads" hopped awry,
+ And the buzzard "raised" in the "clearing" sky
+ And lolled and circled, as we went by
+ Out to Old Aunt Mary's.
+
+ And then in the dust of the road again;
+ And the teams we met, and the countrymen;
+ And the long highway, with sunshine spread
+ As thick as butter on country bread,
+ Our cares behind, and our hearts ahead
+ Out to Old Aunt Mary's.
+
+ Why, I see her now in the open door,
+ Where the little gourds grew up the sides and o'er
+ The clapboard roof&mdash;! And her face&mdash; ah, me!
+ Wasn't it good for a boy to see&mdash;
+ And wasn't it good for a boy to be
+ Out to Old Aunt Mary's?
+
+ The jelly&mdash; the Jam and the marmalade,
+ And the cherry and quince "preserves'' she made!
+ And the sweet-sour pickles of peach and pear,
+ With cinnamon in 'em, and all things rare&mdash;!
+ And the more we ate was the more to spare,
+ Out to Old Aunt Mary's!
+
+ And the old spring-house in the cool green gloom
+ Of the willow-trees&mdash;, and the cooler room
+ Where the swinging-shelves and the crocks were kept&mdash;
+ Where the cream in a golden languor slept
+ While the waters gurgled and laughed and wept&mdash;
+ Out to Old Aunt Mary's.
+
+ And O my brother, so far away,
+ This is to tell you she waits to-day
+ To welcome us&mdash;: Aunt Mary fell
+ Asleep this morning, whispering&mdash; "Tell
+ The boys to come!" And all is well
+ Out to Old Aunt Mary's.
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0017" id="link2H_4_0017"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Illileo</i>
+ </h2>
+<pre xml:space="preserve">
+ Illileo, the moonlight seemed lost across the vales&mdash;
+ The stars but strewed the azure as an armor's scattered scales;
+ The airs of night were quiet as the breath of silken sails,
+ And all your words were sweeter than the notes of nightingales.
+
+ Illileo Legardi, in the garden there alone,
+ With your figure carved of fervor, as the Psyche carved of stone,
+ There came to me no murmur of the fountain's undertone
+ So mystically, musically mellow as your own.
+
+ You whispered low, Illileo&mdash; so low the leaves were mute,
+ And the echoes faltered breathless in your voice's vain pursuit;
+ And there died the distant dalliance of the serenader's lute:
+ And I held you in my bosom as the husk may hold the fruit.
+
+ Illileo, I listened. I believed you. In my bliss,
+ What were all the worlds above me since I found you thus in this&mdash;?
+ Let them reeling reach to win me&mdash; even Heaven I would miss,
+ Grasping earthward&mdash;! I would cling here, though I clung by just a kiss.
+
+ And blossoms should grow odorless&mdash; and lilies all aghast&mdash;
+ And I said the stars should slacken in their paces through the vast,
+ Ere yet my loyalty should fail enduring to the last&mdash;.
+ So vowed I. It is written. It is changeless as the past.
+
+ IIlileo Legardi, in the shade your palace throws
+ Like a cowl about the singer at your gilded porticos,
+ A moan goes with the music that may vex the high repose
+ Of a heart that fades and crumbles as the crimson of a rose.
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0018" id="link2H_4_0018"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>The King</i>
+ </h2>
+<pre xml:space="preserve">
+ They rode right out of the morning sun&mdash;
+ A glimmering, glittering cavalcade
+ Of knights and ladies and every one
+ In princely sheen arrayed;
+ And the king of them all, O he rode ahead,
+ With a helmet of gold, and a plume of red
+ That spurted about in the breeze and bled
+ In the bloom of the everglade.
+
+ And they rode high over the dewy lawn,
+ With brave, glad banners of every hue
+ That rolled in ripples, as they rode on
+ In splendor, two and two;
+ And the tinkling links of the golden reins
+ Of the steeds they rode rang such refrains
+ As the castanets in a dream of Spain's
+ Intensest gold and blue.
+
+ And they rode and rode; and the steeds they neighed
+ And pranced, and the sun on their glossy hides
+ Flickered and lightened and glanced and played
+ Like the moon on rippling tides;
+
+ And their manes were silken, and thick and strong,
+ And their tails were flossy, and fetlock-long,
+ And jostled in time to the teeming throng,
+ And their knightly song besides.
+
+ Clank of scabbard and jingle of spur,
+ And the fluttering sash of the queen went wild
+ In the wind, and the proud king glanced at her
+ As one at a wilful child&mdash;,
+ And as knight and lady away they flew,
+ And the banners flapped, and the falcon too,
+ And the lances flashed and the bugle blew,
+ He kissed his hand and smiled.
+
+ And then, like a slanting sunlit shower,
+ The pageant glittered across the plain,
+ And the turf spun back, and the wildweed flower
+ Was only a crimson stain.
+ And a dreamer's eyes they are downward cast,
+ As he blends these words with the wailing blast:
+ "It is the King of the Year rides past!"
+ And Autumn is here again.
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0019" id="link2H_4_0019"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>A Bride</i>
+ </h2>
+<pre xml:space="preserve">
+ "O I am weary!" she sighed, as her billowy
+ Hair she unloosed in a torrent of gold
+ That rippled and fell o'er a figure as willowy,
+ Graceful and fair as a goddess of old:
+ Over her jewels she flung herself drearily,
+ Crumpled the laces that snowed on her breast,
+ Crushed with her fingers the lily that wearily
+ Clung in her hair like a dove in its nest&mdash;.
+ And naught but her shadowy form in the mirror
+ To kneel in dumb agony down and weep near her!
+
+ "Weary&mdash;?" Of what? Could we fathom the mystery&mdash;?
+ Lift up the lashes weighed down by her tears
+ And wash with their dews one white face from her history,
+ Set like a gem in the red rust of years?
+ Nothing will rest her&mdash; unless he who died of her
+ Strayed from his grave, and in place of the groom,
+ Tipping her face, kneeling there by the side of her,
+ Drained the old kiss to the dregs of his doom&mdash;.
+ And naught but that shadowy form in the mirror
+ To heel in dumb agony down and weep near her!
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0020" id="link2H_4_0020"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>The Dead Lover</i>
+ </h2>
+<pre xml:space="preserve">
+ Time is so long when a man is dead!
+ Some one sews; and the room is made
+ Very clean; and the light is shed
+ Soft through the window-shade.
+
+ Yesterday I thought: "I know
+ Just how the bells will sound, and how
+ The friends will talk, and the sermon go,
+ And the hearse-horse bow and bow!"
+
+ This is to-day; and I have no thing
+ To think of&mdash; nothing whatever to do
+ But to hear the throb of the pulse of a wing
+ That wants to fly back to you.
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0021" id="link2H_4_0021"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>A Song</i>
+ </h2>
+<pre xml:space="preserve">
+ There is ever a song somewhere, my dear;
+ There is ever a something sings alway:
+ There's the song of the lark when the skies are clear,
+ And the song of the thrush when the skies are gray.
+ The sunshine showers across the grain,
+ And the bluebird trills in the orchard tree;
+ And in and out, when the eaves dip rain,
+ The swallows are twittering ceaselessly.
+
+ There is ever a song somewhere, my dear,
+ Be the skies above or dark or fair,
+ There is ever a song that our hearts may hear&mdash;
+ There is ever a song somewhere, my dear
+ There is ever a song somewhere!
+
+ There is ever a song somewhere, my dear,
+ In the midnight black, or the mid-day blue:
+ The robin pipes when the sun is here,
+ And the cricket chirrups the whole night through.
+ The buds may blow, and the fruit may grow,
+ And the autumn leaves drop crisp and sear;
+ But whether the sun, or the rain, or the snow,
+ There is ever a song somewhere, my dear.
+
+ There is ever a song somewhere, my dear,
+ Be the skies above or dark or fair,
+ There is ever a song that our hearts may hear&mdash;
+ There is ever a song somewhere, my dear&mdash;
+ There is ever a song somewhere!
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0022" id="link2H_4_0022"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>When Bessie Died</i>
+ </h2>
+<pre xml:space="preserve">
+ If from your own the dimpled hands had slipped,
+ And ne'er would nestle in your palm again;
+ If the white feet into the grave had tripped&mdash;"
+
+ When Bessie died&mdash;
+ We braided the brown hair, and tied
+ It just as her own little hands
+ Had fastened back the silken strands
+ A thousand times&mdash; the crimson bit
+ Of ribbon woven into it
+ That she had worn with childish pride&mdash;
+ Smoothed down the dainty bow&mdash; and cried
+ When Bessie died.
+
+ When Bessie died&mdash;
+ We drew the nursery blinds aside,
+ And as the morning in the room
+ Burst like a primrose into bloom,
+ Her pet canary's cage we hung
+ Where she might hear him when he sung&mdash;
+ And yet not any note he tried,
+ Though she lay listening folded-eyed.
+
+ When Bessie died&mdash;
+ We writhed in prayer unsatisfied:
+ We begged of God, and He did smile
+ In silence on us all the while;
+ And we did see Him, through our tears,
+ Enfolding that fair form of hers,
+ She laughing back against His love
+ The kisses had nothing of&mdash;
+ And death to us He still denied,
+ When Bessie died&mdash;
+ When Bessie died.
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0023" id="link2H_4_0023"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>The Shower</i>
+ </h2>
+<pre xml:space="preserve">
+ The landscape, like the awed face of a child,
+ Grew curiously blurred; a hush of death
+ Fell on the fields, and in the darkened wild
+ The zephyr held its breath.
+
+ No wavering glamour-work of light and shade
+ Dappled the shivering surface of the brook;
+ The frightened ripples in their ambuscade
+ Of willows thrilled and shook.
+
+ The sullen day grew darker, and anon
+ Dim flashes of pent anger lit the sky;
+ With rumbling wheels of wrath came rolling on
+ The storm's artillery.
+
+ The cloud above put on its blackest frown,
+ And then, as with a vengeful cry of pain,
+ The lightning snatched it, ripped and flung it down
+ In ravelled shreds of rain:
+
+ While I, transfigured by some wondrous art,
+ Bowed with the thirsty lilies to the sod,
+ My empty soul brimmed over, and my heart
+ Drenched with the love of God.
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0024" id="link2H_4_0024"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>A Life Lesson</i>
+ </h2>
+<pre xml:space="preserve">
+ There! Little girl; don't cry!
+ They have broken your doll, I know;
+ And your tea-set blue,
+ And your play-house too,
+ Are things of the long ago;
+ But childish troubles will soon pass by&mdash;.
+ There! Little girl; don't cry!
+
+ There! Little girl; don't cry!
+ They have broken your slate, I know;
+ And the glad, wild ways
+ Of your school-girl days
+ Are things of the long ago;
+ But life and love will soon come by&mdash;.
+ There! Little girl; don't cry!
+
+ There! Little girl; don't cry!
+ They have broken your heart, I know;
+ And the rainbow gleams
+ Of your youthful dreams
+ Are things of the long ago;
+ But heaven holds all for which you sigh&mdash;.
+ There! Little girl; don't cry!
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0025" id="link2H_4_0025"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>A Scrawl</i>
+ </h2>
+<pre xml:space="preserve">
+ I want to sing something&mdash; but this is all&mdash;
+ I try and I try, but the rhymes are dull
+ As though they were damp, and the echoes fall
+ Limp and unlovable.
+
+ Words will not say what I yearn to say&mdash;
+ They will not walk as I want them to,
+ But they stumble and fall in the path of the way
+ Of my telling my love for you.
+
+ Simply take what the scrawl is worth&mdash;
+ Knowing I love you as sun the sod
+ On the ripening side of the great round earth
+ That swings in the smile of God.
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0026" id="link2H_4_0026"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Away</i>
+ </h2>
+<pre xml:space="preserve">
+ I cannot say, and I will not say
+ That he is dead&mdash;. He is just away!
+
+ With a cheery smile, and a wave of the hand
+ He has wandered into an unknown land,
+
+ And left us dreaming how very fair
+ It needs must be, since he lingers there.
+
+ And you&mdash; O you, who the wildest yearn
+ For the old-time step and the glad return&mdash;,
+
+ Think of him faring on, as dear
+ In the love of There as the love of Here;
+
+ And loyal still, as he gave the blows
+ Of his warrior-strength to his country's foes&mdash;.
+
+ Mild and gentle, as he was brave&mdash;,
+ When the sweetest love of his life he gave
+
+ To simple things&mdash;: Where the violets grew
+ Blue as the eyes they were likened to,
+
+ The touches of his hands have strayed
+ As reverently as his lips have prayed:
+
+ When the little brown thrush that harshly chirred
+ Was dear to him as the mocking-bird;
+
+ And he pitied as much as a man in pain
+ A writhing honey-bee wet with rain&mdash;.
+
+ Think of him still as the same, I say:
+ He is not dead&mdash; he is just away!
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0027" id="link2H_4_0027"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Who Bides His Time</i>
+ </h2>
+<pre xml:space="preserve">
+ Who bides his time, and day by day
+ Faces defeat full patiently,
+ And lifts a mirthful roundelay,
+ However poor his fortunes be&mdash;,
+ He will not fail in any qualm
+ Of poverty&mdash; the paltry dime
+ It will grow golden in his palm,
+ Who bides his time.
+
+ Who bides his time&mdash; he tastes the sweet
+ Of honey in the saltest tear;
+ And though he fares with slowest feet,
+ Joy runs to meet him, drawing near;
+ The birds are heralds of his cause;
+ And like a never-ending rhyme,
+ The roadsides bloom in his applause,
+ Who bides his time.
+
+ Who bides his time, and fevers not
+ In the hot race that none achieves,
+ Shall wear cool-wreathen laurel, wrought
+ With crimson berries in the leaves;
+ And he shall reign a goodly king,
+ And sway his hand o'er every clime,
+ With peace writ on his signet-ring,
+ Who bides his time.
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0028" id="link2H_4_0028"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>From the Headboard of a Grave in Paraguay</i>
+ </h2>
+<pre xml:space="preserve">
+ A troth, and a grief, and a blessing,
+ Disguised them and came this way&mdash;,
+ And one was a promise, and one was a doubt,
+ And one was a rainy day.
+
+ And they met betimes with this maiden,
+ And the promise it spake and lied,
+ And the doubt it gibbered and hugged itself,
+ And the rainy day&mdash; she died.
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0029" id="link2H_4_0029"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Laughter Holding Both His Sides</i>
+ </h2>
+<pre xml:space="preserve">
+ Ay, thou varlet! Laugh away!
+ All the world's a holiday!
+ Laugh away, and roar and shout
+ Till thy hoarse tongue lolleth out!
+ Bloat thy cheeks, and bulge thine eyes
+ Unto bursting; pelt thy thighs
+ With thy swollen palms, and roar
+ As thou never hast before!
+ Lustier! Wilt thou! Peal on peal!
+ Stiflest? Squat and grind thy heel&mdash;
+ Wrestle with thy loins, and then
+ Wheeze thee whiles, and whoop again!
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0030" id="link2H_4_0030"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Fame</i>
+ </h2>
+<pre xml:space="preserve">
+ 1
+ Once, in a dream, I saw a man,
+ With haggard face and tangled hair,
+ And eyes that nursed as wild a care
+ As gaunt Starvation ever can;
+ And in his hand he held a wand
+ Whose magic touch gave life and thought
+ Unto a form his fancy wrought
+ And robed with coloring so grand,
+ It seemed the reflex of some child
+ Of Heaven, fair and undefiled&mdash;
+ A face of purity and love&mdash;
+ To woo him into worlds above:
+ And as I gazed with dazzled eyes,
+ A gleaming smile lit up his lips
+ As his bright soul from its eclipse
+ Went flashing into Paradise.
+ Then tardy Fame came through the door
+ And found a picture&mdash; nothing more.
+
+ 2
+ And once I saw a man alone,
+ In abject poverty, with hand
+ Uplifted o'er a block of stone
+ That took a shape at his command
+ And smiled upon him, fair and good&mdash;
+ A perfect work of womanhood,
+ Save that the eyes might never weep,
+ Nor weary hands be crossed in sleep,
+ Nor hair that fell from crown to wrist,
+ Be brushed away, caressed and kissed.
+ And as in awe I gazed on her,
+ I saw the sculptor's chisel fall&mdash;
+ I saw him sink, without a moan,
+ Sink life less at the feet of stone,
+ And lie there like a worshipper.
+ Fame crossed the threshold of the hall,
+ And found a statue&mdash; that was all.
+
+ 3
+ And once I saw a man who drew
+ A gloom about him like cloak,
+ And wandered aimlessly. The few
+ Who spoke of him at all, but spoke
+ Disparagingly of a mind
+ The Fates had faultily designed:
+ Too indolent for modern times&mdash;
+ Too fanciful, and full of whims&mdash;
+ For talking to himself in rhymes,
+ And scrawling never-heard-of hymns,
+ The idle life to which he clung
+ Was worthless as the songs he sung!
+ I saw him, in my vision, filled
+ With rapture o'er a spray of bloom
+ The wind threw in his lonely room;
+ And of the sweet perfume it spilled
+ He drank to drunkenness, and flung
+ His long hair back, and laughed and sung
+ And clapped his hands as children do
+ At fairy tales they listen to,
+ While from his flying quill there dripped
+ Such music on his manuscript
+ That he who listens to the words
+ May close his eyes and dream the birds
+ Are twittering on every hand
+ A language he can understand.
+ He journeyed on through life unknown,
+ Without one friend to call his own;
+ He tired. No kindly hand to press
+ The cooling touch of tenderness
+ Upon his burning brow, nor lift
+ To his parched lips God's freest gift&mdash;
+ No sympathetic sob or sigh
+ Of trembling lips&mdash; no sorrowing eye
+ Looked out through tears to see him die.
+ And Fame her greenest laurels brought
+ To crown a head that heeded not.
+
+ And this is Fame! A thing indeed,
+ That only comes when least the need:
+ The wisest minds of every age
+ The book of life from page to page
+ Have searched in vain; each lesson conned
+ Will promise it the page beyond&mdash;
+ Until the last, when dusk of night
+ Falls over it, and reason's light
+ Is smothered by that unknown friend
+ Who signs his nom de plume, The End.
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0031" id="link2H_4_0031"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>The Ripest Peach</i>
+ </h2>
+<pre xml:space="preserve">
+ The ripest peach is highest on the tree&mdash;
+ And so her love, beyond the reach of me,
+ Is dearest in my sight. Sweet breezes bow
+ Her heart down to me where I worship now!
+
+ She looms aloft where every eye may see
+ The ripest peach is highest on the tree.
+ Such fruitage as her love I know, alas!
+ I may not reach here from the orchard grass.
+
+ I drink the sunshine showered past her lips
+ As roses drain the dewdrop as it drips.
+ The ripest peach is highest on the tree,
+ And so mine eyes gaze upward eagerly.
+
+ Why&mdash; why do I not turn away in wrath
+ And pluck some heart here hanging in my path&mdash;?
+ Lover's lower boughs bend with them&mdash; but, ah me!
+ The ripest peach is highest on the tree!
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0032" id="link2H_4_0032"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>A Fruit Piece</i>
+ </h2>
+<pre xml:space="preserve">
+ The afternoon of summer folds
+ Its warm arms round the marigolds,
+
+ And with its gleaming fingers, pets
+ The watered pinks and violets
+
+ That from the casement vases spill,
+ Over the cottage window-sill,
+
+ Their fragrance down the garden walks
+ Where droop the dry-mouthed hollyhocks.
+
+ How vividly the sunshine scrawls
+ The grape-vine shadows on the walls!
+
+ How like a truant swings the breeze
+ In high boughs of the apple-trees!
+
+ The slender "free-stone" lifts aloof,
+ Full languidly above the roof,
+
+ A hoard of fruitage, stamped with gold
+ And precious mintings manifold.
+
+ High up, through curled green leaves, a pear
+ Hangs hot with ripeness here and there.
+
+ Beneath the sagging trellisings,
+ In lush, lack-lustre clusterings,
+
+ Great torpid grapes, all fattened through
+ With moon and sunshine, shade and dew,
+
+ Until their swollen girths express
+ But forms of limp deliciousness&mdash;
+
+ Drugged to an indolence divine
+ With heaven's own sacramental wine.
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0033" id="link2H_4_0033"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Their Sweet Sorrow</i>
+ </h2>
+<pre xml:space="preserve">
+ They meet to say farewell: Their way
+ Of saying this is hard to say&mdash;.
+ He holds her hand an Instant, wholly
+ Distressed&mdash; and she unclasps it slowly,
+
+ He lends his gaze evasively
+ Over the printed page that she
+ Recurs to, with a new-moon shoulder
+ Glimpsed from the lace-mists that infold her.
+
+ The clock, beneath its crystal cup,
+ Discreetly clicks&mdash; "Quick! Act! Speak up!"
+ A tension circles both her slender
+ Wrists&mdash; and her raised eyes flash in splendor,
+
+ Even as he feels his dazzled own&mdash;.
+ Then blindingly, round either thrown,
+ They feel a stress of arms that ever
+ Strain tremblingly&mdash; and "Never! Never!"
+
+ Is whispered brokenly, with half
+ A sob, like a belated laugh&mdash;,
+ While cloyingly their blurred kiss closes&mdash;,
+ Sweet as the dew's lip to the rose's.
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0034" id="link2H_4_0034"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>John McKeen</i>
+ </h2>
+<pre xml:space="preserve">
+ John McKeen, in his rusty dress,
+ His loosened collar, and swarthy throat,
+ His face unshaven, and none the less,
+ His hearty laugh and his wholesomeness,
+ And the wealth of a workman's vote!
+
+ Bring him, O Memory, here once more,
+ And tilt him back in his Windsor chair
+ By the kitchen stove, when the day is o'er
+ And the light of the hearth is across the floor,
+ And the crickets everywhere!
+
+ And let their voices be gladly blent
+ With a watery jingle of pans and spoons,
+ And a motherly chirrup of sweet content,
+ And neighborly gossip and merriment,
+ And old-time fiddle-tunes!
+
+ Tick the clock with a wooden sound,
+ And fill the hearing with childish glee
+ Of rhyming riddle, or story found
+ In the Robinson Crusoe, leather-bound
+ Old book of the Used-to-be!
+
+ John McKeen of the Past! Ah John,
+ To have grown ambitious in worldly ways&mdash;!
+ To have rolled your shirt-sleeves down, to don
+ A broadcloth suit, and forgetful, gone
+ Out on election days!
+
+ John ah, John! Did it prove your worth
+ To yield you the office you still maintain&mdash;?
+ To fill your pockets, but leave the dearth
+ Of all the happier things on earth
+ To the hunger of heart and brain?
+
+ Under the dusk of your villa trees,
+ Edging the drives where your blooded span
+ Paw the pebbles and wait your ease&mdash;,
+ Where are the children about your knees,
+ And the mirth, and the happy man?
+
+ The blinds of your mansion are battened to;
+ Your faded wife is a close recluse;
+ And your "finished" daughters will doubtless do
+ Dutifully all that is willed of you,
+ And marry as you shall choose&mdash;!
+
+ But O for the old-home voices, blent
+ With the watery jingle of pans and spoons,
+ And the motherly chirrup of glad content,
+ And neighborly gossip and merriment,
+ And the old-time fiddle-tunes!
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0035" id="link2H_4_0035"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Out of Nazareth</i>
+ </h2>
+<pre xml:space="preserve">
+ "He shall sleep unscathed of thieves
+ Who loves Allah and believes."
+ Thus heard one who shared the tent,
+ In the far-off Orient,
+ Of the Bedouin ben Ahrzz&mdash;
+ Nobler never loved the stars
+ Through the palm-leaves nigh the dim
+ Dawn his courser neighed to him!
+
+ He said: "Let the sands be swarmed
+ With such thieves as I, and thou
+ Shalt at morning rise unharmed,
+ Light as eyelash to the brow
+ Of thy camel amber-eyed,
+ Ever munching either side,
+ Striding still, with nestled knees,
+ Through the midnight's oases."
+
+ "Who can rob thee an thou hast
+ More than this that thou hast cast
+ At my feet&mdash; this dust of gold?
+ Simply this and that, all told!
+ Hast thou not a treasure of
+ Such a thing as men call love?"
+
+ "Can the dusky band I lead
+ Rob thee of thy daily need
+ Of a whiter soul, or steal
+ What thy lordly prayers reveal?
+ Who could be enriched of thee
+ By such hoard of poverty
+ As thy niggard hand pretends
+ To dole me&mdash; thy worst of friends?
+ Therefore shouldst thou pause to bless
+ One indeed who blesses thee:
+ Robbing thee, I dispossess
+ But myself&mdash;. Pray thou for me!"
+
+ He shall sleep unscathed of thieves
+ Who loves Allah and believes.
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0036" id="link2H_4_0036"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>September Dark</i>
+ </h2>
+<pre xml:space="preserve">
+ 1
+ The air falls chill;
+ The whippoorwill
+ Pipes lonesomely behind the Hill:
+ The dusk grows dense,
+ The silence tense;
+ And lo, the katydids commence.
+
+ 2
+ Through shadowy rifts
+ Of woodland lifts
+ The low, slow moon, and upward drifts,
+ While left and right
+ The fireflies' light
+ Swirls eddying in the skirts of Night.
+
+ 3
+ O Cloudland gray
+ And level lay
+ Thy mists across the face of Day!
+ At foot and head,
+ Above the dead
+ O Dews, weep on uncomforted!
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0037" id="link2H_4_0037"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>We To Sigh Instead of Sing</i>
+ </h2>
+<pre xml:space="preserve">
+ "Rain and rain! And rain and rain!"
+ Yesterday we muttered
+ Grimly as the grim refrain
+ That the thunders uttered:
+ All the heavens under cloud&mdash;
+ All the sunshine sleeping;
+ All the grasses limply bowed
+ With their weight of weeping.
+
+ Sigh and sigh! And sigh and sigh!
+ Never end of sighing;
+ Rain and rain for our reply&mdash;
+ Hopes half drowned and dying;
+ Peering through the window-pane,
+ Naught but endless raining&mdash;
+ Endless sighing, and as vain,
+ Endlessly complaining,
+
+ Shine and shine! And shine and shine!
+ Ah! To-day the splendor&mdash;!
+ All this glory yours and mine&mdash;
+ God! But God is tender!
+ We to sigh instead of sing,
+ Yesterday, in sorrow,
+ While the Lord was fashioning
+ This for our To-morrow!
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0038" id="link2H_4_0038"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>The Blossoms on the Trees</i>
+ </h2>
+<pre xml:space="preserve">
+ Blossoms crimson, white, or blue,
+ Purple, pink, and every hue,
+ From sunny skies, to tintings drowned
+ In dusky drops of dew,
+ I praise you all, wherever found,
+ And love you through and through&mdash;;
+ But, Blossoms On The Trees,
+ With your breath upon the breeze
+ There's nothing all the world around
+ As half as sweet as you!
+
+ Could the rhymer only wring
+ All the sweetness to the lees
+ Of all the kisses clustering
+ In juicy Used-to-bes,
+ To dip his rhymes therein and sing
+ The blossoms on the trees&mdash;,
+ "O Blossoms on the Trees,"
+ He would twitter, trill, and coo,
+ "However sweet, such songs as these
+ Are not as sweet as you&mdash;:
+ For you are blooming melodies
+ The eyes may listen to!"
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0039" id="link2H_4_0039"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Last Night&mdash; And This</i>
+ </h2>
+<pre xml:space="preserve">
+ Last night&mdash; how deep the darkness was!
+ And well I knew its depths, because
+ I waded it from shore to shore,
+ Thinking to reach the light no more.
+
+ She would not even touch my hand&mdash;-.
+ The winds rose and the cedars fanned
+ The moon out, and the stars fled back
+ In heaven and hid&mdash; and all was black!
+
+ But ah! To-night a summons came,
+ Signed with a tear-drop for a name,
+ For as I wondering kissed it, lo
+ A line beneath it told me so.
+
+ And now&mdash; the moon hangs over me
+ A disk of dazzling brilliancy,
+ And every star-tip stabs my sights
+ With splintered glitterings of light!
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0040" id="link2H_4_0040"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>A Discouraging Model</i>
+ </h2>
+<pre xml:space="preserve">
+ Just the airiest, fairiest slip of a thing,
+ With a Gainsborough hat, like a butterfly's wing,
+ Tilted up at one side with the jauntiest air,
+ And a knot of red roses sown in under there
+ Where the shadows are lost in her hair.
+
+ Then a cameo face, carven in on a ground
+ Of that shadowy hair where the roses are wound;
+ And the gleam of a smile, O as fair and as faint
+ And as sweet as the master of old used to paint
+ Round the lips of their favorite saint!
+
+ And that lace at her throat&mdash; and fluttering hands
+ Snowing there, with a grace that no art understands,
+ The flakes of their touches&mdash; first fluttering at
+ The bow&mdash; then the roses&mdash; the hair and then that
+ Little tilt of the Gainsborough hat.
+
+ Ah, what artist on earth with a model like this,
+ Holding not on his palette the tint of a kiss,
+ Nor a pigment to hint of the hue of her hair
+ Nor the gold of her smile&mdash; O what artist could dare
+ To expect a result half so fair?
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0041" id="link2H_4_0041"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Back From a Two-years' Sentence</i>
+ </h2>
+<pre xml:space="preserve">
+ Back from a two-years' sentence!
+ And though it had been ten,
+ You think, I were scarred no deeper
+ In the eyes of my fellow-men.
+ "My fellow-men&mdash;?" Sounds like a satire,
+ You think&mdash; and I so allow,
+ Here in my home since childhood,
+ Yet more than a stranger now!
+
+ Pardon&mdash;! Not wholly a stranger&mdash;,
+ For I have a wife and child:
+ That woman has wept for two long years,
+ And yet last night she smiled&mdash;!
+ Smiled, as I leapt from the platform
+ Of the midnight train, and then&mdash;
+ All that I knew was that smile of hers,
+ And our babe in my arms again!
+
+ Back from a two-years' sentence&mdash;
+ But I've thought the whole thing through&mdash;,
+ A hint of it came when the bars swung back
+ And I looked straight up in the blue
+ Of the blessed skies with my hat off!
+ O-ho! I've a wife and child:
+ That woman has wept for two long years,
+ And yet last night she smiled!
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0042" id="link2H_4_0042"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>The Wandering Jew</i>
+ </h2>
+<pre xml:space="preserve">
+ The stars are falling, and the sky
+ Is like a field of faded flowers;
+ The winds on weary wings go by;
+ The moon hides, and the tempest lowers;
+ And still through every clime and age
+ I wander on a pilgrimage
+ That all men know an idle quest,
+ For that the goal I seek is&mdash; Rest!
+
+ I hear the voice of summer streams,
+ And following, I find the brink
+ Of cooling springs, with childish dreams
+ Returning as I bend to drink&mdash;
+ But suddenly, with startled eyes,
+ My face looks on its grim disguise
+ Of long gray beard; and so, distressed,
+ I hasten on, nor taste of rest.
+
+ I come upon a merry group
+ Of children in the dusky wood,
+ Who answer back the owlet's whoop,
+ That laughs as it had understood;
+ And I would pause a little space,
+ But that each happy blossom-face
+ Is like to one His hands have blessed
+ Who sent me forth in search of rest.
+
+ Sometimes I fain would stay my feet
+ In shady lanes, where huddled kine
+ Couch in the grasses cool and sweet,
+ And lift their patient eyes to mine;
+ But I, for thoughts that ever then
+ Go back to Bethlehem again,
+ Must needs fare on my weary quest,
+ And weep for very need of rest.
+
+ Is there no end? I plead in vain:
+ Lost worlds nor living answer me.
+ Since Pontius Pilate's awful reign
+ Have I not passed eternity?
+ Have I not drunk the fetid breath
+ Of every fevered phase of death,
+ And come unscathed through every pest
+ And scourge and plague that promised rest?
+
+ Have I not seen the stars go out
+ That shed their light o'er Galilee,
+ And mighty kingdoms tossed about
+ And crumbled clod-like in the sea?
+ Dead ashes of dead ages blow
+ And cover me like drifting snow,
+ And time laughs on as 'twere a jest
+ That I have any need of rest.
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0043" id="link2H_4_0043"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Becalmed</i>
+ </h2>
+<pre xml:space="preserve">
+ 1
+ Would that the winds might only blow
+ As they blew in the golden long ago&mdash;!
+ Laden with odors of Orient isles
+ Where ever and ever the sunshine smiles,
+ And the bright sands blend with the shady trees,
+ And the lotus blooms in the midst of these.
+
+ 2
+ Warm winds won from the midland vales
+ To where the tress of the Siren trails
+ O'er the flossy tip of the mountain phlox
+ And the bare limbs twined in the crested rocks,
+ High above as the seagulls flap
+ Their lopping wings at the thunder-clap.
+
+ 3
+ Ah! That the winds might rise and blow
+ The great surge up from the port below,
+ Bloating the sad, lank, silken sails
+ Of the Argo out with the swift, sweet gales
+ That blew from Colchis when Jason had
+ His love's full will and his heart was glad&mdash;
+ When Medea's voice was soft and low.
+ Ah! That the winds might rise and blow!
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0044" id="link2H_4_0044"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>To Santa Claus</i>
+ </h2>
+<pre xml:space="preserve">
+ Most tangible of all the gods that be,
+ O Santa Claus&mdash; our own since Infancy!
+ As first we scampered to thee&mdash; now, as then,
+ Take us as children to thy heart again.
+
+ Be wholly good to us, just as of old:
+ As a pleased father, let thine arms infold
+ Us, homed within the haven of thy love,
+ And all the cheer and wholesomeness thereof.
+
+ Thou lone reality, when O so long
+ Life's unrealities have wrought us wrong:
+ Ambition hath allured us&mdash;, fame likewise,
+ And all that promised honor in men's eyes.
+
+ Throughout the world's evasions, wiles, and shifts,
+ Thou only bidest stable as thy gifts&mdash;:
+ A grateful king re-ruleth from thy lap,
+ Crowned with a little tinselled soldier-cap:
+
+ A mighty general&mdash; a nation's pride&mdash;
+ Thou givest again a rocking-horse to ride,
+ And wildly glad he groweth as the grim
+ Old jurist with the drum thou givest him:
+
+ The sculptor's chisel, at thy mirth's command,
+ Is as a whistle in his boyish hand;
+ The painters model fadeth utterly,
+ And there thou standest&mdash;, and he painteth thee&mdash;:
+
+ Most like a winter pippin, sound and fine
+ And tingling-red that ripe old face of thine,
+ Set in thy frosty beard of cheek and chin
+ As midst the snows the thaws of spring set in.
+
+ Ho! Santa Claus&mdash; our own since Infancy&mdash;
+ Most tangible of all the gods that be&mdash;!
+ As first we scampered to thee&mdash; now, as then,
+ Take us as children to thy heart again.
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0045" id="link2H_4_0045"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Where the Children used to Play</i>
+ </h2>
+<pre xml:space="preserve">
+ The old farm-home is Mother's yet and mine,
+ And filled it is with plenty and to spare&mdash;,
+ But we are lonely here in life's decline,
+ Though fortune smiles around us everywhere:
+ We look across the gold
+ Of the harvests, as of old&mdash;
+ The corn, the fragrant clover, and the hay;
+ But most we turn our gaze,
+ As with eyes of other days,
+ To the orchard where the children used to play.
+
+ O from our life's full measure
+ And rich hoard of worldly treasure
+ We often turn our weary eyes away,
+ And hand in hand we wander
+ Down the old path winding yonder
+ To the orchard where the children used to play.
+
+ Our sloping pasture-lands are filled with herds;
+ The barn and granary-bins are bulging o'ver;
+ The grove's a paradise of singing birds&mdash;
+ The woodland brook leaps laughing by the door;
+ Yet lonely, lonely still,
+ Let us prosper as we will,
+ Our old hearts seem so empty everyway&mdash;
+ We can only through a mist
+ See the faces we have kissed
+ In the orchard where the children used to play.
+
+ O from our life's full measure
+ And rich hoard of worldly treasure
+ We often turn our weary eyes away,
+ And hand in hand we wander
+ Down the old path winding yonder
+ To the orchard where the children used to play.
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0046" id="link2H_4_0046"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>A Glimpse of Pan</i>
+ </h2>
+<pre xml:space="preserve">
+ I caught but a glimpse of him. Summer was here.
+ And I strayed from the town and its dust and heat.
+ And walked in a wood, while the noon was near,
+ Where the shadows were cool, and the atmosphere
+ Was misty with fragrances stirred by my feet
+ From surges of blossoms that billowed sheer
+ Of the grasses, green and sweet.
+
+ And I peered through a vista of leaning tree,
+ Tressed with long tangles of vines that swept
+ To the face of a river, that answered these
+ With vines in the wave like the vines in the breeze,
+ Till the yearning lips of the ripples crept
+ And kissed them, with quavering ecstasies,
+ And wistfully laughed and wept
+
+ And there, like a dream in swoon, I swear
+ I saw Pan lying&mdash;, his limbs in the dew
+ And the shade, and his face in the dazzle and glare
+ Of the glad sunshine; while everywhere,
+ Over across, and around him blew
+ Filmy dragon-flies hither and there,
+ And little white butterflies, two and two,
+ In eddies of odorous air.
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0047" id="link2H_4_0047"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ SONNETS
+ </h2>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0048" id="link2H_4_0048"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Pan</i>
+ </h2>
+<pre xml:space="preserve">
+ This Pan is but an idle god, I guess,
+ Since all the fair midsummer of my dreams
+ He loiters listlessly by woody streams,
+ Soaking the lush glooms up with laziness;
+ Or drowsing while the maiden-winds caress
+ Him prankishly, and powder him with gleams
+ Of sifted sunshine. And he ever seems
+ Drugged with a joy unutterable&mdash; unless
+ His low pipes whistle hints of it far out
+ Across the ripples to the dragon-fly
+ That like a wind-born blossom blown about,
+ Drops quiveringly down, as though to die&mdash;
+ Then lifts and wavers on, as if in doubt
+ Whether to fan his wings or fly without.
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0049" id="link2H_4_0049"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Dusk</i>
+ </h2>
+<pre xml:space="preserve">
+ The frightened herds of clouds across the sky
+ Trample the sunshine down, and chase the day
+ Into the dusky forest-lands of gray
+ And sombre twilight. Far and faint, and high,
+ The wild goose trails his harrow, with a cry
+ Sad as the wail of some poor castaway
+ Who sees a vessel drifting far astray
+ Of his last hope, and lays him down to die.
+ The children, riotous from school, grow bold
+ And quarrel with the wind whose angry gust
+ Plucks off the summer-hat, and flaps the fold
+ Of many a crimson cloak, and twirls the dust
+ In spiral shapes grotesque, and dims the gold
+ Of gleaming tresses with the blur of rust.
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0050" id="link2H_4_0050"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>June</i>
+ </h2>
+<pre xml:space="preserve">
+ O queenly month of indolent repose!
+ I drink thy breath in sips of rare perfume,
+ As in thy downy lap of clover-bloom
+ I nestle like a drowsy child and doze
+ The lazy hours away. The zephyr throws
+ The shifting shuttle of the Summer's loom
+ And weaves a damask-work of gleam and gloom
+ Before thy listless feet. The lily blows
+ A bugle-call of fragrance o'er the glade;
+ And wheeling into ranks, with plume and spear,
+ Thy harvest-armies gather on parade;
+ While faint and far away, yet pure and clear,
+ A voice calls out of alien lands of shade&mdash;:
+ All hail the Peerless Goddess of the Year!
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0051" id="link2H_4_0051"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Silence</i>
+ </h2>
+<pre xml:space="preserve">
+ Thousands of thousands of hushed years ago,
+ Out on the edge of Chaos, all alone
+ I stood on peaks of vapor, high upthrown
+ Above a sea that knew nor ebb nor flow,
+ Nor any motion won of winds that blow,
+ Nor any sound of watery wail or moan,
+ Nor lisp of wave, nor wandering undertone
+ Of any tide lost in the night below.
+ So still it was, I mind me, as I laid
+ My thirsty ear against mine own faint sigh
+ To drink of that, I sipped it, half afraid
+ 'Twas but the ghost of a dead voice spilled by
+ The one starved star that tottered through the shade
+ And came tiptoeing toward me down the sky.
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0052" id="link2H_4_0052"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Sleep</i>
+ </h2>
+<pre xml:space="preserve">
+ Thou drowsy god, whose blurred eyes, half awink
+ Muse on me&mdash;, drifting out upon thy dreams,
+ I lave my soul as in enchanted streams
+ Where revelling satyrs pipe along the brink,
+ And tipsy with the melody they drink,
+ Uplift their dangling hooves, and down the beams
+ Of sunshine dance like motes. Thy languor seems
+ An ocean-depth of love wherein I sink
+ Like some fond Argonaut, right willingly&mdash;,
+ Because of wooing eyes upturned to mine,
+ And siren-arms that coil their sorcery
+ About my neck, with kisses so divine,
+ The heavens reel above me, and the sea
+ Swallows and licks its wet lips over me.
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0053" id="link2H_4_0053"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Her Hair</i>
+ </h2>
+<pre xml:space="preserve">
+ The beauty of her hair bewilders me&mdash;
+ Pouring adown the brow, its cloven tide
+ Swirling about the ears on either side
+ And storming round the neck tumultuously:
+ Or like the lights of old antiquity
+ Through mullioned windows, in cathedrals wide
+ Spilled moltenly o'er figures deified
+ In chastest marble, nude of drapery.
+ And so I love it&mdash;. Either unconfined;
+ Or plaited in close braidings manifold;
+ Or smoothly drawn; or indolently twined
+ In careless knots whose coilings come unrolled
+ At any lightest kiss; or by the wind
+ Whipped out in flossy ravellings of gold.
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0054" id="link2H_4_0054"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Dearth</i>
+ </h2>
+<pre xml:space="preserve">
+ I hold your trembling hand to-night&mdash; and yet
+ I may not know what wealth of bliss is mine,
+ My heart is such a curious design
+ Of trust and jealousy! Your eyes are wet&mdash;
+ So must I think they jewel some regret&mdash;,
+ And lo, the loving arms that round me twine
+ Cling only as the tendrils of a vine
+ Whose fruit has long been gathered: I forget,
+ While crimson clusters of your kisses press
+ Their wine out on my lips, my royal fair
+ Of rapture, since blind fancy needs must guess
+ They once poured out their sweetness otherwhere,
+ With fuller flavoring of happiness
+ Than e'en your broken sobs may now declare.
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0055" id="link2H_4_0055"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>A Voice From the Farm</i>
+ </h2>
+<pre xml:space="preserve">
+ It is my dream to have you here with me,
+ Out of the heated city's dust and din&mdash;
+ Here where the colts have room to gambol in,
+ And kine to graze, in clover to the knee.
+ I want to see your wan face happily
+ Lit with the wholesome smiles that have not been
+ In use since the old games you used to win
+ When we pitched horseshoes: And I want to be
+ At utter loaf with you in this dim land
+ Of grove and meadow, while the crickets make
+ Our own talk tedious, and the bat wields
+ His bulky flight, as we cease converse and
+ In a dusk like velvet smoothly take
+ Our way toward home across the dewy fields.
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0056" id="link2H_4_0056"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>The Serenade</i>
+ </h2>
+<pre xml:space="preserve">
+ The midnight is not more bewildering
+ To her drowsed eyes, than to her ears, the sound
+ Of dim, sweet singing voices, interwound
+ With purl of flute and subtle twang of string,
+ Strained through the lattice, where the roses cling
+ And, with their fragrance, waft the notes around
+ Her haunted senses. Thirsting beyond bound
+ Of her slow-yielding dreams, the lilt and swing
+ Of the mysterious delirious tune,
+ She drains like some strange opiate, with awed eyes
+ Upraised against her casement, where aswoon,
+ The stars fail from her sight, and up the skies
+ Of alien azure rolls the full round moon
+ Like some vast bubble blown of summer noon.
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0057" id="link2H_4_0057"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Art and Love</i>
+ </h2>
+<pre xml:space="preserve">
+ He faced his canvas (as a seer whose ken
+ Pierces the crust of this existence through)
+ And smiled beyond on that his genius knew
+ Ere mated with his being. Conscious then
+ Of his high theme alone, he smiled again
+ Straight back upon himself in many a hue
+ And tint, and light and shade, which slowly grew
+ Enfeatured of a fair girl's face, as when
+ First time she smiles for love's sake with no fear.
+ So wrought he, witless that behind him leant
+ A woman, with old features, dim and sear,
+ And glamoured eyes that felt the brimming tear,
+ And with a voice, like some sad instrument,
+ That sighing said, "I'm dead there; love me here!"
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0058" id="link2H_4_0058"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Longfellow</i>
+ </h2>
+<pre xml:space="preserve">
+ The winds have talked with him confidingly;
+ The trees have whispered to him; and the night
+ Hath held him gently as a mother might,
+ And taught him all sad tones of melody:
+ The mountains have bowed to him; and the sea,
+ In clamorous waves, and murmurs exquisite,
+ Hath told him all her sorrow and delight&mdash;
+ Her legends fair&mdash; her darkest mystery.
+ His verse blooms like a flower, night and day;
+ Bees cluster round his rhymes; and twitterings
+ Of lark and swallow, in an endless May,
+ Are mingling with the tender songs he sings&mdash;.
+ Nor shall he cease to sing&mdash; in every lay
+ Of Nature's voice he sings&mdash; and will alway.
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0059" id="link2H_4_0059"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Indiana</i>
+ </h2>
+<pre xml:space="preserve">
+ Our Land&mdash; our Home&mdash; the common home indeed
+ Of soil-born children and adopted ones&mdash;
+ The stately daughters and the stalwart sons
+ Of Industry&mdash;: All greeting and godspeed!
+ O home to proudly live for, and if need
+ Be proudly die for, with the roar of guns
+ Blent with our latest prayer&mdash;. So died men once...
+ Lo Peace...! As we look on the land They freed&mdash;
+ Its harvests all in ocean-over flow
+ Poured round autumnal coasts in billowy gold&mdash;
+ Its corn and wine and balmed fruits and flow'rs&mdash;,
+ We know the exaltation that they know
+ Who now, steadfast inheritors, behold
+ The Land Elysian, marvelling "This is ours?"
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0060" id="link2H_4_0060"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Time</i>
+ </h2>
+<pre xml:space="preserve">
+ 1
+ The ticking&mdash; ticking&mdash; ticking of the clock&mdash;!
+ That vexed me so last night&mdash;! "For though Time keeps
+ Such drowsy watch," I moaned, "he never sleeps,
+ But only nods above the world to mock
+ Its restless occupant, then rudely rock
+ It as the cradle of a babe that weeps!"
+ I seemed to see the seconds piled in heaps
+ Like sand about me; and at every shock
+ O' the bell, the piled sands were swirled away
+ As by a desert-storm that swept the earth
+ Stark as a granary floor, whereon the gray
+ And mist-bedrizzled moon amidst the dearth
+ Came crawling, like a sickly child, to lay
+ Its pale face next mine own and weep for day.
+
+ 2
+ Wait for the morning! Ah! We wait indeed
+ For daylight, we who toss about through stress
+ Of vacant-armed desires and emptiness
+ Of all the warm, warm touches that we need,
+ And the warm kisses upon which we feed
+ Our famished lips in fancy! May God bless
+ The starved lips of us with but one caress
+ Warm as the yearning blood our poor hearts bleed...!
+ A wild prayer&mdash;! Bite thy pillow, praying so&mdash;
+ Toss this side, and whirl that, and moan for dawn;
+ Let the clock's seconds dribble out their woe,
+ And Time be drained of sorrow! Long ago
+ We heard the crowing cock, with answer drawn
+ As hoarsely sad at throat as sobs... Pray on!
+</pre>
+<pre xml:space="preserve">
+ Grant
+ At Rest&mdash; August 8, 1885
+
+ Sir Launcelot rode overthwart and endlong in a wide forest, and held no
+ path but as wild adventure led him... And he returned and came again to his
+ horse, and took off his saddle and his bridle, and let him pasture; and
+ unlaced his helm, and ungirdled his sword, and laid him down to sleep upon
+ his shield before the cross. &mdash;Age of Chivalary
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0061" id="link2H_4_0061"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Grant</i>
+ </h2>
+<pre xml:space="preserve">
+ What shall we say of the soldier. Grant,
+ His sword put by and his great soul free?
+ How shall we cheer him now or chant
+ His requiem befittingly?
+ The fields of his conquest now are seen
+ Ranged no more with his armed men&mdash;
+ But the rank and file of the gold and green
+ Of the waving grain is there again.
+
+ Though his valiant life is a nation's pride,
+ And his death heroic and half divine,
+ And our grief as great as the world is wide,
+ There breaks in speech but a single line&mdash;:
+ We loved him living, revere him dead&mdash;!
+ A silence then on our lips is laid:
+ We can say no thing that has not been said,
+ Nor pray one prayer that has not been prayed.
+
+ But a spirit within us speaks: and lo,
+ We lean and listen to wondrous words
+ That have a sound as of winds that blow,
+ And the voice of waters and low of herds;
+ And we hear, as the song flows on serene,
+ The neigh of horses, and then the beat
+ Of hooves that skurry o'er pastures green,
+ And the patter and pad of a boy's bare feet.
+
+ A brave lad, wearing a manly brow,
+ Knit as with problems of grave dispute,
+ And a face, like the bloom of the orchard bough,
+ Pink and pallid, but resolute;
+ And flushed it grows as the clover-bloom,
+ And fresh it gleams as the morning dew,
+ As he reins his steed where the quick quails boom
+ Up from the grasses he races through.
+
+ And ho! As he rides what dreams are his?
+ And what have the breezes to suggest&mdash;?
+ Do they whisper to him of shells that whiz
+ O'er fields made ruddy with wrongs redressed?
+ Does the hawk above him an Eagle float?
+ Does he thrill and his boyish heart beat high,
+ Hearing the ribbon about his throat
+ Flap as a Flag as the winds go by?
+
+ And does he dream of the Warrior's fame&mdash;
+ This Western boy in his rustic dress?
+ For in miniature, this is the man that came
+ Riding out of the Wilderness&mdash;!
+ The selfsame figure&mdash; the knitted brow&mdash;
+ The eyes full steady&mdash; the lips full mute&mdash;
+ And the face, like the bloom of the orchard bough,
+ Pink and pallid, but resolute.
+
+ Ay, this is the man, with features grim
+ And stoical as the Sphinx's own,
+ That heard the harsh guns calling him,
+ As musical as the bugle blown,
+ When the sweet spring heavens were clouded o'er
+ With a tempest, glowering and wild,
+ And our country's flag bowed down before
+ Its bursting wrath as a stricken child.
+
+ Thus, ready mounted and booted and spurred,
+ He loosed his bridle and dashed away&mdash;!
+ Like a roll of drums were his hoof-beats heard,
+ Like the shriek of the fife his charger's neigh!
+ And over his shoulder and backward blown,
+ We heard his voice, and we saw the sod
+ Reel, as our wild steeds chased his own
+ As though hurled on by the hand of God!
+
+ And still, in fancy, we see him ride
+ In the blood-red front of a hundred frays,
+ His face set stolid, but glorified
+ As a knight's of the old Arthurian days:
+ And victor ever as courtly too,
+ Gently lifting the vanquished foe,
+ And staying him with a hand as true
+ As dealt the deadly avenging blow.
+
+ So brighter than all of the cluster of stars
+ Of the flag enshrouding his form to-day,
+ His face shines forth from the grime of wars
+ With a glory that shall not pass away:
+ He rests at last: he has borne his part
+ Of salutes and salvos and cheers on cheers&mdash;
+ But O the sobs of his country's heart,
+ And the driving rain of a nations tears!
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0062" id="link2H_4_0062"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ IN DIALECT
+ </h2>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0063" id="link2H_4_0063"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Old Fashioned Roses</i>
+ </h2>
+<pre xml:space="preserve">
+ They ain't no style about 'em,
+ And they're sorto' pale and faded,
+ Yit the doorway here, without 'em,
+ Would be lonesomer, and shaded
+ With a good 'eal blacker shudder
+ Than the morning-glories makes,
+ And the sunshine would look sadder
+ Fer their good old-fashion' sakes.
+
+ I like 'em 'cause they kindo'&mdash;
+ Sorto' make a feller like 'em!
+ And I tell you, when I find a
+ Bunch out whur the sun kin strike 'em,
+ It allus sets me thinkin'
+ O' the ones 'at used to grow
+ And peek in thro' the chinkin'
+ O' the cabin, don't you know!
+
+ And then I think o' mother,
+ And how she ust to love 'em&mdash;
+ When they wuzn't any other,
+ 'Less she found 'em up above 'em!
+ And her eyes, afore she shut 'em,
+ Whispered with a smile and said
+ We must pick a bunch and putt 'em
+ In her hand when she wuz dead.
+
+ But as I wuz a-sayin',
+ They ain't no style about 'em
+ Very gaudy er displayin',
+ But I wouldn't be without 'em&mdash;,
+ 'Cause I'm happier in these posies,
+ And the hollyhawks and sich,
+ Than the hummin'-bird 'at noses
+ In the roses of the rich.
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0064" id="link2H_4_0064"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Griggsby's Station</i>
+ </h2>
+<pre xml:space="preserve">
+ Pap's got his patent-right, and rich is all creation;
+ But where's the peace and comfort that we all had before?
+ Le's go a-visitin' back to Griggsby's Station&mdash;
+ Back where we ust to be so happy and so pore!
+
+ The likes of us a-livin' here! It's jest a mortal pity
+ To see us in this great big house, with cyarpets on the stairs,
+ And the pump right in the kitchen! And the city! City! City
+ And nothin' but the city all around us ever'wheres!
+
+ Climb clean above the roof and look from the steeple,
+ And never see a robin, nor a beech or ellum tree!
+ And right here in ear-shot of at least a thousan' people,
+ And none that neighbors with us or we want to go and see!
+
+ Le's go a-visitin' back to Griggsby's Station&mdash;
+ Back where the latch-strings a-hangin' from the door,
+ And ever' neighbor round the place is dear as a relation&mdash;
+ Back where we ust to be so happy and so pore!
+
+ I want to see the Wiggenses, the whole kit-and-bilin',
+ A-drivin' up from Shallor Ford to stay the Sunday through;
+ And I want to see 'em hitchin' at their son-in-law's and pilin'
+ Out there at 'Lizy Ellen's like they ust to do!
+
+ I want to see the piece-quilts the Jones girls is makin';
+ And I want to pester Laury 'bout their freckled hired hand,
+ And joke her 'bout the widower she come purt' nigh a-takin',
+ Till her Pap got his pension 'lowed in time to save his land.
+
+ Le's go a-visitin' back to Griggsby's Station&mdash;
+ Back where they's nothin' aggervatin' any more,
+ Shet away safe in the woods around the old location&mdash;
+ Back where we ust to be so happy and so pore!
+
+ I want to see Marindy and he'p her with her sewin',
+ And hear her talk so lovin' of her man that's dead and gone,
+ And stand up with Emanuel to show me how he's growin',
+ And smile as I have saw her 'fore she putt her mournin' on.
+
+ And I want to see the Samples, on the old lower eighty,
+ Where John, our oldest boy, he was tuk and burried&mdash; for
+ His own sake and Katy's&mdash;, and I want to cry with Katy
+ As she reads all his letters over, writ from The War.
+
+ What's in all this grand life and high situation,
+ And nary pink nor hollyhawk a-bloomin' at the door&mdash;?
+ Le's go a-visitin' back to Griggsby's Station&mdash;
+ Back where we ust to be so happy and so pore!
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0065" id="link2H_4_0065"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Knee Deep in June</i>
+ </h2>
+<pre xml:space="preserve">
+ 1
+ Tell you what I like the best&mdash;
+ 'Long about knee-deep in June,
+ 'Bout the time strawberries melts
+ On the vine&mdash;, some afternoon
+ Like to jes' git out and rest,
+ And not work at nothin' else!
+
+ 2
+ Orchard's where I'd ruther be&mdash;
+ Needn't fence it in fer me&mdash;!
+ Jes' the whole sky overhead,
+ And the whole airth underneath&mdash;
+ Sorto' so's a man kin breathe
+ Like he ort, and kindo' has
+ Elbow-room to keerlessly
+ Sprawl out len'thways on the grass
+ Where the shadders thick and soft
+ As the kivvers on the bed
+ Mother fixes in the loft
+ Allus, when they's company!
+
+ 3
+ Jes' a-sorto' lazin' there&mdash;
+ S'lazy, 'at you peeks and peer
+ Through the wavin' leaves above,
+ Like a feller 'ats in love
+ And don't know it, ner don't keer!
+ Ever'thing you hear and see
+ Got some sort o' interest&mdash;
+ Maybe find a bluebird's nest
+ Tucked up there conveenently
+ Fer the boy 'at's ap' to be
+ Up some other apple-tree!
+ Watch the swallers skootin' past
+ 'Bout as peert as you could ast;
+ Er the Bob-white raise and whiz
+ Where some other's whistle is.
+
+ 4
+ Ketch a shadder down below,
+ And look up to find the crow&mdash;
+ Er a hawk&mdash;, away up there
+ 'Pearantly froze in the air&mdash;!
+ Hear the old hen squawk, and squat
+ Over ever' chick she's got,
+ Suddent-like&mdash;! And she knows where
+ That-air hawk is, well as you&mdash;!
+ You jes' bet yer life she do&mdash;!
+ Eyes a-glittern' like glass,
+ Waitin' till he makes a pass!
+
+ 5
+ Pee-wees' singin', to express
+ My opinion, 's second class,
+ Yit you'll hear 'em more er less;
+ Sapsucks gittin' down to biz,
+ Weedin' out the lonesomeness;
+ Mr. Bluejay, full o' sass,
+ In them base-ball clothes o' his,
+ Sportin' round the orchard jes'
+ Life he owned the premises!
+ Sun out in the fields kin sizz,
+ But flat on yer back, I guess,
+ In the shade's where glory is!
+ That's jes' what I'd like to do
+ Stiddy fer a year er two!
+
+ 6
+ Plague! Ef they ain't somepin' in
+ Work 'at kindo' goes ag'in'
+ My convictions&mdash;! 'Long about
+ Here in June especially&mdash;!
+ Under some old apple-tree,
+ Jes' a-restin' through and through,
+ I could git along without
+ Nothin' else at all to do
+ Only jes' a-wishin' you
+ Wuz a-gittin' there like me,
+ And June was eternity!
+
+ 7
+ Lay out there and try to see
+ Jes' how lazy you kin be&mdash;!
+ Tumble round and souse yer head
+ In the clover-bloom, er pull
+ Yer straw hat acrost yer eyes
+ And peek through it at the skies,
+ Thinkin' of old chums 'at's dead,
+ Maybe, smilin' back at you
+ In betwixt the 'beautiful
+ Clouds o' gold and white and blue&mdash;!
+ Month a man kin railly love
+ June, you know, I'm talkin' of!
+
+ 8
+ March ain't never nothin' new&mdash;!
+ Aprile's altogether too
+ Brash fer me! And May&mdash; I jes'
+ 'Bominate its promises&mdash;,
+ Little hints o' sunshine and
+ Green around the timber-land&mdash;
+ A few blossoms, and a few
+ Chip-birds, and a sprout er two&mdash;,
+ Drap asleep, and it turns in
+ 'Fore daylight and snows ag'in&mdash;!
+ But when June comes&mdash; Clear my th'oat
+ With wild honey&mdash;! Rench my hair
+ In the dew! And hold my coat!
+ Whoop out loud! And th'ow my hat&mdash;!
+ June wants me, and I'm to spare!
+ Spread them shadders anywhere,
+ I'll git down and waller there,
+ And obleeged to you at that!
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0066" id="link2H_4_0066"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>When The Hearse Comes Back</i>
+ </h2>
+<pre xml:space="preserve">
+ A thing 'at's 'bout as tryin' as a healthy man kin meet
+ Is some poor feller's funeral a-joggin' 'long the street:
+ The slow hearse and the hosses&mdash; slow enough, to say at least,
+ Fer to even tax the patience of gentleman deceased!
+ The low scrunch of the gravel&mdash; and the slow grind of the wheels&mdash;,
+ The slow, slow go of ev'ry woe 'at ev'rybody feels!
+ So I ruther like the contrast when I hear the whip-lash crack
+ A quickstep fer the hosses,
+ When the
+ Hearse
+ Comes
+ Back!
+
+ Meet it goin' to'rds the cimet'ry, you'll want to drap yer eyes&mdash;
+ But ef the plumes don't fetch you, it'll ketch you otherwise&mdash;
+ You'll haf to see the caskit, though you'd ort to look away
+ And 'conomize and save yer sighs fer any other day!
+ Yer sympathizin' won't wake up the sleeper from his rest&mdash;
+ Yer tears won't thaw them hands o' his 'at's froze acrost his breast!
+ And this is why&mdash; when airth and sky's a gittin blurred and black&mdash;
+ I like the flash and hurry
+ When the
+ Hearse
+ Comes
+ Back!
+
+ It's not 'cause I don't 'preciate it ain't no time fer jokes,
+ Ner 'cause I' got no common human feelin' fer the folks&mdash;;
+ I've went to funerals myse'f, and tuk on some, perhaps&mdash;
+ Fer my hearth's 'bout as mal'able as any other chap's&mdash;,
+ I've buried father, mother&mdash; But I'll haf to jes' git you
+ To "excuse me," as the feller says&mdash;. The p'int I'm drivin' to
+ Is simply when we're plum broke down and all knocked out o' whack,
+ It he'ps to shape us up like,
+ When the
+ Hearse
+ Comes
+ Back!
+
+ The idy! Wadin round here over shoe-mouth deep in woe,
+ When they's a graded 'pike o' joy and sunshine don't you know!
+ When evening strikes the pastur', cows'll pull out fer the bars,
+ And skittish-like from out the night'll prance the happy stars.
+ And so when my time comes to die, and I've got ary friend
+ 'At wants expressed my last request&mdash; I'll mebby, rickommend
+ To drive slow, ef they haf to, goin' 'long the out'ard track,
+ But I'll smile and say, "You speed 'em
+ When the
+ Hearse
+ Comes
+ Back!"
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0067" id="link2H_4_0067"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>A Canary At the Farm</i>
+ </h2>
+<pre xml:space="preserve">
+ Folks has be'n to town, and Sahry
+ Fetched 'er home a pet canary&mdash;,
+ And of all the blame', contrary,
+ Aggervatin' things alive!
+ I love music&mdash; that I love it
+ When it's free&mdash; and plenty of it&mdash;;
+ But I kindo' git above it,
+ At a dollar-eighty-five!
+
+ Reason's plain as I'm a-sayin'&mdash;,
+ Jes' the idy, now, o' layin'
+ Out yer money, and a-payin'
+ Fer a willer-cage and bird,
+ When the medder-larks is wingin'
+ Round you, and the woods is ringin'
+ With the beautifullest singin'
+ That a mortal ever heard!
+
+ Sahry's sot, tho'&mdash;. So I tell her
+ He's a purty little feller,
+ With his wings o' creamy-yeller,
+ And his eyes keen as a cat;
+ And the twitter o' the critter
+ 'Pears to absolutely glitter!
+ Guess I'll haf to go and git her
+ A high-priceter cage 'n that!
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0068" id="link2H_4_0068"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>A Liz Town Humorist</i>
+ </h2>
+<pre xml:space="preserve">
+ Settin' round the stove, last night,
+ Down at Wess's store, was me
+ And Mart Strimples, Tunk, and White,
+ And Doc Bills, and two er three
+ Fellers o' the Mudsock tribe
+ No use tryin' to describe!
+ And says Doc, he says, says he&mdash;,
+ "Talkin' 'bout good things to eat,
+ Ripe mushmillon's hard to beat!"
+
+ I chawed on. And Mart he 'lowed
+ Wortermillon beat the mush&mdash;.
+ "Red," he says, "and juicy&mdash; Hush&mdash;!
+ I'll jes' leave it to the crowd!"
+ Then a Mudsock chap, says he&mdash;,
+ "Punkin's good enough fer me&mdash;
+ Punkin pies, I mean," he says&mdash;,
+ Them beats millons&mdash;! What say, Wess?
+
+ I chawed on. And Wess says&mdash;, "Well,
+ You jes' fetch that wife of mine
+ All yer wortermillon-rine&mdash;,
+ And she'll bile it down a spell&mdash;
+ In with sorghum, I suppose,
+ And what else, Lord only knows&mdash;!
+ But I'm here to tell all hands
+ Them p'serves meets my demands!"
+
+ I chawed on. And White he says&mdash;,
+ "Well, I'll jes' stand, in with Wess&mdash;
+ I'm no hog!" And Tunk says&mdash;, "I
+ Guess I'll pastur' out on pie
+ With the Mudsock boys!" says he;
+ "Now what's yourn?" he says to me:
+ I chawed on&mdash; fer&mdash; quite a spell
+ Then I speaks up, slow and dry&mdash;,
+ Jes' tobacker!" I-says-I&mdash;.
+ And you'd ort o' heerd 'em yell!
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0069" id="link2H_4_0069"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Kingry's Mill</i>
+ </h2>
+<pre xml:space="preserve">
+ On old Brandywine&mdash; about
+ Where White's Lots is now laid out,
+ And the old crick narries down
+ To the ditch that splits the town&mdash;,
+ Kingry's Mill stood. Hardly see
+ Where the old dam ust to be;
+ Shallor, long, dry trought o' grass
+ Where the old race ust to pass!
+
+ That's be'n forty years ago&mdash;
+ Forty years o' frost and snow&mdash;
+ Forty years o' shade and shine
+ Sence them boyhood-days o' mine&mdash;!
+ All the old landmarks o' town.
+ Changed about, er rotted down!
+ Where's the Tanyard? Where's the Still?
+ Tell me where's old Kingry's Mill?
+
+ Don't seem furder back, to me,
+ I'll be dogg'd! Than yisterd'y,
+ Since us fellers, in bare feet
+ And straw hats, went through the wheat,
+ Cuttin' 'crost the shortest shoot
+ Fer that-air old ellum root
+ Jest above the mill-dam&mdash; where
+ The blame' cars now crosses there!
+
+ Through the willers down the crick
+ We could see the old mill stick
+ Its red gable up, as if
+ It jest knowed we'd stol'd the skiff!
+ See the winders in the sun
+ Blink like they wuz wonderun'
+ What the miller ort to do
+ With sich boys as me and you!
+
+ But old Kingry&mdash;! Who could fear
+ That old chap, with all his cheer&mdash;?
+ Leanin' at the window-sill,
+ Er the half-door o' the mill,
+ Swoppin' lies, and pokin' fun,
+ 'N jigglin' like his hoppers done&mdash;
+ Laughin' grists o' gold and red
+ Right out o' the wagon-bed!
+
+ What did he keer where we went&mdash;?
+ "Jest keep out o' devilment,
+ And don't fool around the belts,
+ Bolts, ner burrs, ner nothin' else
+ 'Bout the blame machinery,
+ And that's all I ast!" says-ee.
+ Then we'd climb the stairs, and play
+ In the bran-bins half the day!
+
+ Rickollect the dusty wall,
+ And the spider-webs, and all!
+ Rickollect the trimblin' spout
+ Where the meal come josslln' out&mdash;
+ Stand and comb yer fingers through
+ The fool-truck an hour er two&mdash;
+ Felt so sorto' warm-like and
+ Soothin' to a feller's hand!
+
+ Climb, high up above the stream,
+ And "coon" out the wobbly beam
+ And peek down from out the lof'
+ Where the weather-boards was off&mdash;
+ Gee-mun-nee! w'y, it takes grit
+ Even jest to think of it&mdash;!
+ Lookin' 'way down there below
+ On the worter roarin' so!
+
+ Rickollect the flume, and wheel,
+ And the worter slosh and reel
+ And jest ravel out in froth
+ Flossier'n satin cloth!
+ Rickollect them paddles jest
+ Knock the bubbles galley-west,
+ And plunge under, and come up
+ Drippin' like a worter-pup!
+
+ And to see them old things gone
+ That I onc't was bettin' on,
+ In rale p'int o' fact, I feel
+ kindo' like that worter-wheel&mdash;,
+ Sorto' drippy-like and wet
+ Round the eyes&mdash; but paddlin' yet,
+ And in mem'ry, loafin' still
+ Down around old Kingry's Mill!
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0070" id="link2H_4_0070"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Joney</i>
+ </h2>
+<pre xml:space="preserve">
+ Had a hare-lip&mdash; Joney had:
+ Spiled his looks, and Joney knowed it:
+ Fellers tried to bore him, bad&mdash;
+ But ef ever he got mad,
+ He kep' still and never showed it.
+ 'Druther have his mouth all pouted
+ And split up, and like it wuz,
+ Than the ones 'at laughed about it.
+ Purty is as purty does!
+
+ Had to listen ruther clos't
+ 'Fore you knowed "what he wuz givin'
+ You; and yet, without no boast,
+ Joney he wuz jest the most
+ Entertainin' talker livin'!
+ Take the Scriptur's and run through 'em,
+ Might say, like a' auctioneer,
+ And 'ud argy and review 'em
+ 'At wuz beautiful to hear!
+
+ Hare-lip and inpediment,
+ Both wuz bad, and both ag'in' him&mdash;
+ But the old folks where he went,
+ 'Preared like, knowin' his intent,
+ 'Scused his mouth fer what wuz in him.
+ And the childern all loved Joney&mdash;
+ And he loved 'em back, you bet&mdash;!
+ Putt their arms around him&mdash; on'y
+ None had ever kissed him yet!
+
+ In young company, someway,
+ Boys 'ud grin at one another
+ On the sly; and girls 'ud lay
+ Low, with nothin' much to say,
+ Er leave Joney with their mother.
+ Many and many a time he's fetched 'em
+ Candy by the paper sack,
+ And turned right around and ketched 'em
+ Makin mouths behind his back!
+
+ S'prised sometimes, the slurs he took&mdash;.
+ Chap said onc't his mouth looked sorter
+ Like a fish's mouth 'ud look
+ When he'd be'n jerked off the hook
+ And plunked back into the worter&mdash;.
+ Same durn feller&mdash; it's su'prisin',
+ But it's facts&mdash; 'at stood and cherred
+ From the bank that big babtizin'
+ 'Pike-bridge accident occurred&mdash;!
+
+ Cherred for Joney while he give
+ Life to little childern drowndin'!
+ Which wuz fittenest to live&mdash;
+ Him 'at cherred, er him 'at div'
+ And saved thirteen lives...? They found one
+ Body, three days later, floated
+ Down the by-o, eight mile' south,
+ All so colored-up and bloated&mdash;
+ On'y knowed him by his mouth!
+
+ Had a hare-lip&mdash; Joney had&mdash;
+ Folks 'at filed apast all knowed it&mdash;.
+ Them 'at ust to smile looked sad,
+ But ef he thought good er bad,
+ He kep' still and never showed it.
+ 'Druther have that mouth, all pouted
+ And split up, and like it wuz,
+ Than the ones 'at laughed about it&mdash;.
+ Purty is as purty does!
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0071" id="link2H_4_0071"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Like His Mother Used To Make</i>
+ </h2>
+<pre xml:space="preserve">
+ "Uncle Jake's Place," St. Jo, Mo., 1874
+
+ "I was born in Indiany," says a stranger, lank and slim,
+ As us fellers in the restarunt was kindo' guyin' him,
+ And Uncle Jake was slidin' him another punkin pie
+ And a' extry cup o' coffee, with a twinkle in his eye.
+ "I was born in Indiany&mdash; more'n forty year' ago&mdash;
+ I hain't be'n back in twenty&mdash; and I'm workin' back'ards slow;
+ But I've et in ever' restarunt 'twixt here and Santy Fee,
+ And I want to state this coffee tastes like gittin' home, to me!"
+
+ "Pour us out another, Daddy," says the feller, warmin' up,
+ A-speakin' 'cost a saucerful, as Uncle tuk his cup&mdash;,
+ "When I seed yer sign out yander," he went on, to Uncle Jake- -,
+ "'Come in and git some coffee like yer mother used to make'&mdash;
+ I thought of my old mother, and the Posey County farm,
+ And me a little kid ag'in, a-hangin' in her arm,
+ As she set the pot: a-bilin', broke the eggs and poured 'em in&mdash;"
+ And the feller kindo' halted, with a trimble in his chin:
+
+ And Uncle Jake he fetched the feller's coffee back, and stood
+ As solemn, fer a minute, as a' undertaker would;
+ Then he sorto' turned and tiptoed to'rds the kitchen door&mdash; and nex',
+ Here comes his old wife out with him, a-rubbin' of her specs&mdash;
+ And she rushes fer the stranger, and she hollers out, "It's him&mdash;!
+ Thank God we've met him comin'&mdash;! Don't you know, yer mother, Jim?"
+ And the feller, as he grabbed her, says&mdash;, "You bet I hain't forgot&mdash;
+ But," wipin' of his eyes, says he, "yer coffee's mighty hot!"
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0072" id="link2H_4_0072"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>The Train Misser</i>
+ </h2>
+<pre xml:space="preserve">
+ At Union Station
+
+ 'Ll where in the world my eyes has bin&mdash;
+ Ef I hain't missed that train ag'in!
+ Chuff! And whistle! And toot! And ring!
+ But blast and blister the dasted train&mdash;!
+ How it does it I can't explain!
+ Git here thirty-five minutes before
+ The durn things due&mdash;! And, drat the thing
+ It'll manage to git past-shore!
+
+ The more I travel around, the more
+ I got no sense&mdash;! To stand right here
+ And let it beat me! 'Ll ding my melts!
+ I got no gumption, ner nothin' else!
+ Ticket Agent's a dad-burned bore&mdash;!
+ Sell you a tickets all they keer&mdash;!
+ Ticket Agents ort to all be
+
+ Prosecuted&mdash; and that's jes what&mdash;!
+ How'd I know which train's fer me?
+ And how'd I know which train was not&mdash;?
+ Goern and comin' and gone astray,
+ And backin' and switchin' ever'-which-way!
+
+ Ef I could jes sneak round behind
+ Myse'f, where I could git full swing,
+ I'd lift my coat, and kick, by jing!
+ Till I jes got jerked up and fined&mdash;!
+ Fer here I stood, as a durn fool's apt
+ To, and let that train jes chuff and choo
+ Right apast me&mdash; and mouth jes gapped
+ Like a blamed old sandwitch warped in two!
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0073" id="link2H_4_0073"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Granny</i>
+ </h2>
+<pre xml:space="preserve">
+ Granny's come to our house,
+ And ho! My lawzy-daisy!
+ All the childern round the place
+ Is ist a-runnin' crazy!
+ Fetched a cake fer little Jake,
+ And fetched a pie fer Nanny,
+ And fetched a pear fer all the pack
+ That runs to kiss their Granny!
+
+ Lucy Ellen's in her lap,
+ And Wade and Silas Walker
+ Both's a ridin' on her foot,
+ And 'Pollos on the rocker;
+ And Marthy's twins, from Aunt Marinn's
+ And little Orphant Annie,
+ All's a-eatin' gingerbread
+ And giggle-un at Granny!
+
+ Tells us all the fairy tales
+ Ever thought er wundered&mdash;
+ And 'bundance o' other stories&mdash;
+ Bet she knows a hunderd&mdash;!
+
+ Bob's the one fer "Whittington,"
+ And "Golden Locks" fer Fanny!
+ Hear 'em laugh and clap their hands,
+ Listenin' at Granny!
+
+ "Jack the Giant-Killer" 's good;
+ And "Bean-Stalk" 's another&mdash;!
+ So's the one of "Cinderell'"
+ And her old godmother&mdash;;
+ That-un's best of all the rest&mdash;
+ Bestest one of any&mdash;,
+ Where the mices scampers home
+ Like we runs to Granny!
+
+ Granny's come to our house,
+ Ho! My lawzy-daisy!
+ All the childern round the place
+ Is ist a runnin' crazy!
+ Fetched a cake fer little Jake,
+ And fetched a pie fer Nanny,
+ And fetched a pear fer all the pack
+ That runs to kiss their Granny!
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0074" id="link2H_4_0074"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Old October</i>
+ </h2>
+<pre xml:space="preserve">
+ Old October's purt' nigh gone,
+ And the frosts is comin' on
+ Little heavier every day&mdash;
+ Like our hearts is thataway!
+ Leaves is changin' overhead
+ Back from green to gray and red,
+ Brown and yeller, with their stems
+ Loosenin' on the oaks and e'ms;
+ And the balance of the trees
+ Gittin' balder every breeze&mdash;
+ Like the heads we're scratchin' on!
+ Old October's purt' nigh gone.
+
+ I love Old October so,
+ I can't bear to see her go&mdash;
+ Seems to me like losin' some
+ Old-home relative er chum&mdash;
+ 'Pears like sorto' settin' by
+ Some old friend 'at sigh by sigh
+ Was a-passin' out o' sight
+ Into everlastin' night!
+ Hickernuts a feller hears
+ Rattlin' down is more like tears
+ Drappin' on the leaves below&mdash;
+ I love Old October so!
+
+ Can't tell what it is about
+ Old October knock me out&mdash;!
+ I sleep well enough at night&mdash;
+ And the blamedest appetite
+ Ever mortal man possessed&mdash;,
+ Last thing et, it tastes the best&mdash;!
+ Warnuts, butternuts, pawpaws,
+ 'Iles and limbers up my jaws
+ Fer raal service, sich as new
+ Pork, spareribs, and sausage, too&mdash;.
+ Yit fer all, they's somepin' 'bout
+ Old October knocks me out!
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0075" id="link2H_4_0075"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Jim</i>
+ </h2>
+<pre xml:space="preserve">
+ He was jes a plain ever'-day, all-round kind of a jour.,
+ Consumpted-Iookin'&mdash; but la!
+ The jokeiest, wittiest, story-tellin', song-singin', laughin'est, jolliest
+ Feller you ever saw!
+ Worked at jes coarse work, but you kin bet he was fine enough in his talk,
+ And his feelin's too!
+ Lordy! Ef he was on'y back on his bench ag'in to-day, a- carryin' on
+ Like he ust to do!
+
+ Any shopmate'll tell you there never was, on top o' dirt,
+ A better feller'n Jim!
+ You want a favor, and couldn't git it anywheres else&mdash;
+ You could git it o' him!
+ Most free-heartedest man thataway in the world, I guess!
+ Give up ever' nickel he's worth&mdash;
+ And ef you'd a-wanted it, and named it to him, and it was his,
+ He'd a-give you the earth!
+
+ Allus a reachin' out, Jim was, and a-he'ppin' some
+ Pore feller onto his feet&mdash;
+ He'd a-never a-keered how hungry he was hisse'f,
+ So's the feller got somepin' to eat!
+ Didn't make no differ'nce at all to him how he was dressed,
+ He ust to say to me&mdash;,
+ "You togg out a tramp purty comfortable in winter-time, a huntin' a job,
+ And he'll git along!" says he.
+
+ Jim didn't have, ner never could git ahead, so overly much
+ O' this world's goods at a time&mdash;.
+ 'Fore now I've saw him, more'n onc't, lend a dollar, and haf to, more'n
+ likely,
+ Turn round and borry a dime!
+ Mebby laugh and joke about it hisse'f fer awhile&mdash; then jerk his coat,
+ And kindo' square his chin,
+ Tie on his apern, and squat hisse'f on his old shoe-bench,
+ And go to peggin' ag'in!
+
+ Patientest feller too, I reckon, 'at ever jes natchurly
+ Coughed hisse'f to death!
+ Long enough after his voice was lost he'd laugh in a whisper and say
+ He could git ever'thing but his breath&mdash;
+ "You fellers," he'd sorto' twinkle his eyes and say,
+ "Is a-pilin' onto me
+ A mighty big debt fer that-air little weak-chested ghost o' mine to pack
+ Through all Eternity!"
+
+ Now there was a man 'at jes 'peared-like, to me,
+ 'At ortn't a-never a-died!
+ "But death hain't a-showin' no favors," the old boss said&mdash;
+ "On'y to Jim!" and cried:
+ And Wigger, who puts up the best sewed-work in the shop&mdash;
+ Er the whole blame neighborhood&mdash;,
+ He says, "When God made Jim, I bet you He didn't do anything else that day
+ But jes set around and feel good!"
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0076" id="link2H_4_0076"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>To Robert Burns</i>
+ </h2>
+<pre xml:space="preserve">
+ Sweet Singer that I loe the maist
+ O' ony, sin' wi' eager haste
+ I smacket bairn-lips ower the taste
+ O' hinnied sang,
+ I hail thee, though a blessed ghaist
+ In Heaven lang!
+
+ For weel I ken, nae cantie phrase,
+ Nor courtly airs, nor lairdly ways,
+ Could gar me freer blame, or praise,
+ Or proffer hand,
+ Where "Rantin' Robbie" and his lays
+ Thegither stand.
+
+ And sae these hamely lines I send,
+ Wi' jinglin' words at ilka end,
+ In echo o' the sangs that wend
+ Frae thee to me
+ Like simmer-brooks, wi mony a bend
+ O' wimplin' glee.
+
+ In fancy, as wi' dewy een,
+ I part the clouds aboon the scene
+ Where thou wast born, and peer atween,
+ I see nae spot
+ In a' the Hielands half sae green
+ And unforgot?
+
+ I see nae storied castle-hall,
+ Wi' banners flauntin' ower the wall
+ And serf and page in ready call,
+ Sae grand to me
+ As ane puir cotter's hut, wi' all
+ Its poverty.
+
+ There where the simple daisy grew
+ Sae bonnie sweet, and modest too,
+ Thy liltin' filled its wee head fu'
+ O' sic a grace,
+ It aye is weepin' tears o' dew
+ Wi' droopit face.
+
+ Frae where the heather bluebells fling
+ Their sangs o' fragrance to the Spring,
+ To where the lavrock soars to sing,
+ Still lives thy strain,
+ For' a' the birds are twittering
+ Sangs like thine ain.
+
+ And aye, by light o' sun or moon,
+ By banks o' Ayr, or Bonnie Doon,
+ The waters lilt nae tender tune
+ But sweeter seems
+ Because they poured their limpid rune
+ Through a' thy dreams.
+
+ Wi' brimmin' lip, and laughin' ee,
+ Thou shookest even Grief wi' glee,
+ Yet had nae niggart sympathy
+ Where Sorrow bowed,
+ But gavest a' thy tears as free
+ As a' thy gowd.
+
+ And sae it is we be thy name
+ To see bleeze up wi' sic a flame,
+ That a' pretentious stars o' fame
+ Maun blink asklent,
+ To see how simple worth may shame
+ Their brightest glent.
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0077" id="link2H_4_0077"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>A New Year's Time at Willards's</i>
+ </h2>
+<pre xml:space="preserve">
+ 1
+ The Hired Man Talks
+
+ There's old man Willards; an' his wife;
+ An' Marg'et&mdash; S'repty's sister&mdash;; an'
+ There's me&mdash; an' I'm the hired man;
+ An' Tomps McClure, you better yer life!
+
+ Well now, old Willards hain't so bad,
+ Considerin' the chance he's had.
+ Of course, he's rich, an' sleeps an' eats
+ Whenever he's a mind to: Takes
+ An' leans back in the Amen-seats
+ An' thanks the Lord fer all he makes&mdash;.
+ That's purty much all folks has got
+ Ag'inst the old man, like as not!
+ But there's his woman&mdash; jes the turn
+ Of them-air two wild girls o' hern&mdash;
+ Marg'et an' S'repty&mdash; allus in
+ Fer any cuttin'-up concern&mdash;
+ Church festibals, and foolishin'
+ Round Christmas-trees, an' New Year's sprees&mdash;
+ Set up to watch the Old Year go
+ An' New Year come&mdash; sich things as these;
+ An' turkey-dinners, don't you know!
+ S'repty's younger, an' more gay,
+ An' purtier, an' finer dressed
+ Than Marg'et is&mdash; but, lawzy-day!
+ She hain't the independentest!
+ "Take care!" old Willards used to say,
+ "Take care&mdash;! Let Marg'et have her way,
+ An' S'repty, you go off an' play
+ On your melodeum&mdash;!" But, best
+ Of all, comes Tomps! An' I'll be bound,
+ Ef he hain't jes the beatin'est
+ Young chap in all the country round!
+ Ef you knowed Tomps you'd like him, shore!
+ They hain't no man on top o' ground
+ Walks into my affections more&mdash;!
+ An' all the Settlement'll say
+ That Tomps was liked jes thataway
+ By ever'body, till he tuk
+ A shine to S'repty Willards&mdash;. Then
+ You'd ort'o see the old man buck
+ An' h'ist hisse'f, an' paw the dirt,
+ An' hint that "common workin'-men
+ That didn't want their feelin's hurt
+ 'Ud better hunt fer 'comp'ny' where
+ The folks was pore an' didn't care&mdash;!"
+ The pine-blank facts is&mdash;, the old man,
+ Last Christmas was a year ago,
+ Found out some presents Tomps had got
+ Fer S'repty, an' hit made him hot&mdash;
+ Set down an' tuk his pen in hand
+ An' writ to Tomps an' told him so
+ On legal cap, in white an' black,
+ An' give him jes to understand
+ "No Christmas-gifts o' 'lily-white'
+ An' bear's-ile could fix matters right,"
+ An' wropped 'em up an' sent 'em back!
+ Well, S'repty cried an' snuffled round
+ Consid'able. But Marg'et she
+ Toed out another sock, an' wound
+ Her knittin' up, an' drawed the tea,
+ An' then set on the supper-things,
+ An' went up in the loft an' dressed&mdash;
+ An' through it all you'd never guessed
+ What she was up to! An' she brings
+ Her best hat with her an her shawl,
+ An' gloves, an' redicule, an' all,
+ An' injirubbers, an' comes down
+ An' tells 'em she's a-goin' to town
+ To he'p the Christmas goin's-on
+ Her Church got up. An' go she does&mdash;
+ The best hosswoman ever was!
+ "An" what'll We do while you're gone?"
+ The old man says, a-tryin' to be
+ Agreeable. "Oh! You?" says she&mdash;,
+ "You kin jaw S'repty, like you did,
+ An' slander Tomps!" An' off she rid!
+
+ Now, this is all I'm goin' to tell
+ Of this-here story&mdash; that is, I
+ Have done my very level best
+ As fur as this, an' here I "dwell,"
+ As auctioneers says, winkin' sly:
+ Hit's old man Willards tells the rest.
+
+ 2
+ The Old Man Talks
+
+ Adzackly jes one year ago,
+ This New Year's day, Tomps comes to me&mdash;
+ In my own house, an' whilse the folks
+ Was gittin' dinner&mdash;, an' he pokes
+ His nose right in, an' says, says he:
+ "I got yer note&mdash; an' read it slow!
+ You don't like me, ner I don't you,"
+ He says&mdash;, "we're even there, you know!
+ But you've said, furder that no gal
+ Of yourn kin marry me, er shall,
+ An' I'd best shet off comin', too!"
+ An' then he says&mdash;, "Well, them's Your views&mdash;;
+ But havin' talked with S'repty, we
+ Have both agreed to disagree
+ With your peculiar notions&mdash; some;
+ An', that s the reason, I refuse
+ To quit a-comin' here, but come&mdash;
+ Not fer to threat, ner raise no skeer
+ An' spile yer turkey-dinner here&mdash;,
+ But jes fer S'repty's sake, to sheer
+ Yer New Year's. Shall I take a cheer?"
+
+ Well, blame-don! Ef I ever see
+ Sich impidence! I couldn't say
+ Not nary word! But Mother she
+ Sot out a cheer fer Tomps, an' they
+ Shuk hands an' turnt their back on me.
+ Then I riz&mdash; mad as mad could be&mdash;!
+ But Marg'et says&mdash;, "Now, Pap! You set
+ Right where you're settin'&mdash;! Don't you fret!
+ An' Tomps&mdash; you warm yer feet!" says she,
+ "An throw yer mitts an' comfert on
+ The bed there! Where is S'repty gone!
+ The cabbage is a-scortchin'! Ma,
+ Stop cryin' there an' stir the slaw!"
+ Well&mdash;! What was Mother cryin' fer&mdash;?
+ I half riz up&mdash; but Marg'et's chin
+ Hit squared&mdash; an' I set down ag'in&mdash;
+ I allus was afeard o' her,
+ I was, by jucks! So there I set,
+ Betwixt a sinkin'-chill an' sweat,
+ An' scuffled with my wrath, an' shet
+ My teeth to mighty tight, you bet!
+ An' yit, fer all that I could do,
+ I eeched to jes git up an' whet
+ The carvin'-knife a rasp er two
+ On Tomps's ribs&mdash; an' so would you&mdash;!
+ Fer he had riz an' faced around,
+ An' stood there, smilin', as they brung
+ The turkey in, all stuffed an' browned&mdash;
+ Too sweet fer nose, er tooth, er tongue!
+ With sniffs o' sage, an' p'r'aps a dash
+ Of old burnt brandy, steamin'-hot
+ Mixed kindo' in with apple-mash
+ An' mince-meat, an' the Lord knows what!
+ Nobody was a-talkin' then,
+ To 'filiate any awk'ardness&mdash;
+ No noise o' any kind but jes
+ The rattle o' the dishes when
+ They'd fetch 'em in an' set 'em down,
+ An' fix an' change 'em round an' round,
+ Like women does&mdash; till Mother says&mdash;,
+ "Vittels is ready; Abner, call
+ Down S'repty&mdash; she's up-stairs, I guess&mdash;."
+ And Marg'et she says, "Ef you bawl
+ Like that, she'll not come down at all!
+ Besides, we needn't wait till she
+ Gits down! Here Temps, set down by me,
+ An' Pap: say grace...!" Well, there I was&mdash;!
+ What could I do! I drapped my head
+ Behind my fists an' groaned; an' said&mdash;:
+ "Indulgent Parent! In Thy cause
+ We bow the head an' bend the knee
+ An' break the bread, an' pour the wine,
+ Feelin'&mdash;" (The stair-door suddently
+ Went bang! An' S'repty flounced by me&mdash;)
+ "Feelin'," I says, "this feast is Thine&mdash;
+ This New Year's feast&mdash;" an' rap-rap-rap!
+ Went Marg'ets case-knife on her plate&mdash;
+ An' next, I heerd a sasser drap&mdash;,
+ Then I looked up, an' strange to state,
+ There S'repty set in Tomps lap&mdash;
+ An' huggin' him, as shore as fate!
+ An' Mother kissin' him k-slap!
+ An' Marg'et&mdash; she chips in to drap
+ The ruther peert remark to me&mdash;:
+ "That 'grace' o' yourn," she says, "won't 'gee'&mdash;
+ This hain't no 'New Year's feast,'" says she&mdash;,
+ "This is a' Infair-Dinner, Pap!"
+
+ An' so it was&mdash;! Be'n married fer
+ Purt' nigh a week&mdash;! 'Twas Marg'et planned
+ The whole thing fer 'em, through an' through.
+ I'm rickonciled; an' understand,
+ I take things jes as they occur&mdash;,
+ Ef Marg'et liked Tomps, Tomps 'ud do&mdash;!
+ But I-says-I, a-holt his hand&mdash;,
+ "I'm glad you didn't marry Her&mdash;
+ 'Cause Marg'et's my guardeen&mdash; yes-sir&mdash;!
+ An' S'repty's good enough fer you!"
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0078" id="link2H_4_0078"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>The Town Karnteel</i>
+ </h2>
+<pre xml:space="preserve">
+ The Town Karnteel&mdash;! It's who'll reveal
+ Its praises jushtifiable?
+ For who can sing av anything
+ So lovely and reliable?
+ Whin Summer, Spring, or Winter lies
+ From Malin's Head to Tipperary,
+ There's no such town for interprise
+ Bechuxt Youghal and Londonderry!
+
+ There's not its likes in Ireland&mdash;
+ For twic't the week, be gorries!
+ They're playing jigs upon the band,
+ And joomping there in sacks&mdash; and&mdash; and&mdash;
+ And racing, wid wheelborries!
+
+ Kanteel&mdash; it's there, like any fair,
+ The purty gurrls is plinty, sure&mdash;!
+ And man-alive! At forty-five
+ The leg's av me air twinty, sure!
+ I lave me cares, and hoein' too,
+ Behint me, as is sinsible,
+ And it's Karnteel I'm goin' to,
+ To cilebrate in principle!
+
+ For there's the town av all the land!
+ And twic't the week, be-gorries!
+ They're playing jigs upon the band,
+ And joomping there in sacks&mdash; and&mdash; and&mdash;
+ And racing, wid wheelborries!
+
+ And whilst I feel for owld Karnteel
+ That I've no phrases glorious,
+ It stands above the need av love
+ That boasts in voice uproarious&mdash;!
+ Lave that for Cork, and Dublin too,
+ And Armagh and Killarney thin&mdash;,
+ And Karnteel won't be troublin' you
+ Wid any jilous blarney, thin!
+
+ For there's the town av all the land
+ Where twic't the week, be-gorries!
+ They're playing jigs upon the band,
+ And joomping there in sacks&mdash; and&mdash; and&mdash;
+ And racing, wid wheelborries!
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0079" id="link2H_4_0079"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Regardin' Terry Hut</i>
+ </h2>
+<pre xml:space="preserve">
+ Sence I tuk holt o' Gibbses' Churn
+ And be'n a-handlin' the concern,
+ I've travelled round the grand old State
+ Of Indiany, lots, o' late&mdash;!
+ I've canvassed Crawferdsville and sweat
+ Around the town o' Layfayette;
+ I've saw a many a County-seat
+ I ust to think was hard to beat:
+ At constant dreenage and expense
+ I've worked Greencastle and Vincennes&mdash;
+ Drapped out o' Putnam into Clay,
+ Owen, and on down thataway
+ Plum into Knox, on the back-track
+ Fer home ag'in&mdash; and glad I'm back&mdash;!
+ I've saw these towns, as I say&mdash; but
+ They's none 'at beats old Terry Hut!
+
+ It's more'n likely you'll insist
+ I claim this 'cause I'm prejudist,
+ Bein' born'd here in ole Vygo
+ In sight o' Terry Hut&mdash;; but no,
+ Yer clean dead wrong&mdash;! And I maintain
+ They's nary drap in ary vein
+ O' mine but what's as free as air
+ To jest take issue with you there&mdash;!
+ 'Cause, boy and man, fer forty year,
+ I've argied ag'inst livin' here,
+ And jawed around and traded lies
+ About our lack o' enterprise,
+ And tuk and turned in and agreed
+ All other towns was in the lead,
+ When&mdash; drat my melts&mdash;! They couldn't cut
+ No shine a-tall with Terry Hut!
+
+ Take even, statesmanship, and wit,
+ And ginerel git-up-and-git,
+ Old Terry Hut is sound clean through&mdash;!
+ Turn old Dick Thompson loose, er Dan
+ Vorehees&mdash; and where's they any man
+ Kin even hold a candle to
+ Their eloquence&mdash;? And where's as clean
+ A fi-nan-seer as Rile' McKeen&mdash;
+ Er puorer, in his daily walk,
+ In railroad er in racin' stock!
+ And there's 'Gene Debs&mdash; a man 'at stands
+ And jest holds out in his two hands
+ As warm a heart as ever beat
+ Betwixt here and the Jedgement Seat&mdash;!
+ All these is reasons why I putt
+ Sich bulk o' faith in Terry Hut.
+
+ So I've come back, with eyes 'at sees
+ My faults, at last&mdash;, to make my peace
+ With this old place, and truthful' swear&mdash;
+ Like Gineral Tom Nelson does&mdash;,
+ "They hain't no city anywhere
+ On God's green earth lays over us!"
+ Our city government is grand&mdash;
+ "Ner is they better farmin'-land
+ Sun-kissed&mdash;" as Tom goes on and says&mdash;
+ "Er dower'd with sich advantages!"
+ And I've come back, with welcome tread,
+ From journeyin's vain, as I have said,
+ To settle down in ca'm content,
+ And cuss the towns where I have went,
+ And brag on ourn, and boast and strut
+ Around the streets o' Terry Hut!
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0080" id="link2H_4_0080"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Leedle Dutch Baby</i>
+ </h2>
+<pre xml:space="preserve">
+ Leedle Dutch baby haff come ter town!
+ Jabber und jump till der day gone down&mdash;
+ Jabber und sphlutter und sphlit hees jaws&mdash;
+ Vot a Dutch baby dees Londsmon vas!
+ I dink dose mout' vas leedle too vide
+ Ober he laugh fon dot altso-side!
+ Haff got blenty off deemple und vrown&mdash;?
+ Hey! Leedle Dutchman come ter town!
+
+ Leedle Dutch baby, I dink me proud
+ Ober your fader can schquall dot loud
+ Ven he vas leedle Dutch baby like you
+ Und yoost don't gare, like he alvays do&mdash;!
+ Guess ven dey vean him on beer, you bet
+ Dot's der because dot he aind veaned yet&mdash;!
+ Vot you said off he dringk you down&mdash;?
+ Hey! Leedle Dutchman come ter town!
+
+ Leedle Dutch baby, yoost schquall avay&mdash;
+ Schquall fon preakfast till gisterday!
+ Better you all time gry und shout
+ Dan shmile me vonce fon der coffin out!
+ Vot I gare off you keek my nose
+ Downside-up mit your heels und toes&mdash;
+ Downside, oder der oopside-down&mdash;?
+ Hey! Leedle Dutchman come ter town!
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0081" id="link2H_4_0081"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Down On Wriggle Crick</i>
+ </h2>
+<pre xml:space="preserve">
+ "Best time to kill a hog's when he's fat." &mdash;Old Saw.
+
+ Mostly folks is law-abidin'
+ Down on Wriggle Crick&mdash;,
+ Seein' they's no Squire residin'
+ In our bailywick;
+ No grand juries, no suppeenies,
+ Ner no vested rights to pick
+ Out yer man, jerk up and jail ef
+ He's outragin' Wriggle Crick!
+</pre>
+<pre xml:space="preserve">
+ Wriggle Crick hain't got no lawin',
+ Ner no suits to beat;
+ Ner no court-house gee-and-hawin'
+ Like a County-seat;
+ Hain't no waitin' round fer verdick,
+ Ner non-gittin' witness-fees;
+ Ner no thiefs 'at gits "new heain's,"
+ By some lawyer slick as grease!
+
+ Wriggle Cricks's leadin' spirit
+ Is old Johnts Culwell&mdash;,
+ Keeps post-office, and right near it
+ Owns what's called "The Grand Hotel&mdash;"
+ (Warehouse now&mdash;) buys wheat and ships it;
+ Gits out ties, and trades in stock,
+ And knows all the high-toned drummers
+ 'Twixt South Bend and Mishawauk'
+
+ Last year comes along a feller&mdash;
+ Sharper 'an a lance&mdash;
+ Stovepipe-hat and silk umbreller,
+ And a boughten all-wool pants&mdash;,
+ Tinkerin of clocks and watches:
+ Says a trial's all he wants&mdash;
+ And rents out the tavern-office
+ Next to Uncle Johnts.
+
+ Well&mdash;. He tacked up his k'dentials,
+ And got down to biz&mdash;.
+ Captured Johnts by cuttin' stenchils
+ Fer them old wheat-sacks o' his&mdash;.
+
+ Fixed his clock, in the post-office&mdash;
+ Painted fer him, clean and slick,
+ 'Crost his safe, in gold-leaf letters,
+ "J. Culwells's Wriggle Crick."
+
+ Any kindo' job you keered to
+ Resk him with, and bring,
+ He'd fix fer you&mdash; jest appeared to
+ Turn his hand to anything&mdash;!
+ Rings, er earbobs, er umbrellers&mdash;
+ Glue a cheer er chany doll&mdash;,
+ W'y, of all the beatin' fellers,
+ He Jest beat 'em all!
+
+ Made his friends, but wouldn't stop there&mdash;,
+ One mistake he learnt,
+ That was, sleepin' in his shop there&mdash;.
+ And one Sund'y night it burnt!
+ Come in one o' jest a-sweepin'
+ All the whole town high and dry&mdash;
+ And that feller, when they waked him,
+ Suffocatin', mighty nigh!
+
+ Johnts he drug him from the buildin',
+ He'pless&mdash; 'peared to be&mdash;,
+ And the women and the childern
+ Drenchin' him with sympathy!
+ But I noticed Johnts helt on him
+ With a' extry lovin' grip,
+ And the men-folks gethered round him
+ In most warmest pardership!
+
+ That's the whole mess, grease-and-dopin'!
+ Johnt's safe was saved&mdash;,
+ But the lock was found sprung open,
+ And the inside caved.
+ Was no trial&mdash; ner no jury&mdash;
+ Ner no jedge ner court-house-click&mdash;.
+ Circumstances alters cases
+ Down on Wriggle Crick!
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0082" id="link2H_4_0082"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>When De Folks Is Gone</i>
+ </h2>
+<pre xml:space="preserve">
+ What dat scratchin' at de kitchin do'?
+ Done heah'n dat foh an hour er mo'!
+ Tell you Mr. Niggah, das sho's yo' bo'n,
+ Hit's mighty lonesome waitin' when de folks is gone!
+
+ Blame my trap! How de wind do blow!
+ An' dis is das de night foh de witches, sho'!
+ Dey's trouble gon' to waste when de old slut whine,
+ An' you heah de cat a-spittin' when de moon don't shine!
+
+ Chune my fiddle, an' de bridge go "bang!"
+ An' I lef' 'er right back whah she allus hang,
+ An' de tribble snap short an' de apern split
+ When dey no mortal man wah a-tetchin' hit!
+
+ Dah! Now, what? How de ole j'ice cracks!
+ 'Spec' dis house, ef hit tell plain fac's,
+ 'Ud talk about de ha'nts wid dey long tails on
+ What das'n't on'y come when de folks is gone!
+
+ What I tuk an' done ef a sho'-nuff ghos'
+ Pop right up by de ole bed-pos'?
+ What dat shinin' fru de front do' crack...?
+ God bress de Lo'd! Hit's de folks got back!
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0083" id="link2H_4_0083"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>The Little Town O' Tailholt</i>
+ </h2>
+<pre xml:space="preserve">
+ You kin boast about yer cities, and their stiddy growth and size,
+ And brag about yer County-seats, and business enterprise,
+ And railroads, and factories, and all sich foolery&mdash;
+ But the little Town o' Tailholt is big enough fer me!
+
+ You kin harp about yer churches, with their steeples in the clouds,
+ And gas about yer graded streets, and blow about yer crowds;
+ You kin talk about yer "theaters," and all you've got to see&mdash;
+ But the little Town o' Tailholt is show enough fer me!
+
+ They hain't no style in our town&mdash; hit's little-like and small&mdash;
+ They hain't no "churches," nuther&mdash;, jes' the meetin' house is all;
+ They's no sidewalks, to speak of&mdash; but the highway's allus free,
+ And the little Town o' Tailholt is wide enough fer me!
+
+ Some find it discommodin'-like, I'm willin' to admit,
+ To hev but one post-office, and a womern keepin' hit,
+ And the drug-store, and shoe-shop, and grocery, all three&mdash;
+ But the little Town o' Tailholt is handy 'nough fer me!
+
+ You kin smile and turn yer nose up, and joke and hev yer fun,
+ And laugh and holler "Tail-holts is better holts'n none!
+ Ef the city suits you better w'y, hit's where you'd ort'o be&mdash;
+ But the little Town o' Tailholt's good enough fer me!
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0084" id="link2H_4_0084"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ <i>Little Orphant Annie</i>
+ </h2>
+<pre xml:space="preserve">
+ Little Orphant Annie's come to our house to stay,
+ An' wash the cups an' saucers up, an' brush the crumbs away,
+ An' shoo the chickens off the porch, an' dust the hearth, an' sweep,
+ An' make the fire, an' bake the bread, an' earn her board-an'-keep;
+ An' all us other childern, when the supper things is done,
+ We set around the kitchen fire an' has the mostest fun
+ A-list'nin' to the witch-tales 'at Annie tells about,
+ An' the Gobble-uns 'at gits you
+ Ef you
+ Don't
+ Watch
+ Out!
+
+ Onc't they was a little boy wouldn't say his prayers&mdash;,
+ An' when he went to bed at night, away up stairs,
+ His Mammy heerd him holler, an' his Daddy heerd him bawl,
+ An' when they turn't the kivvers down, he wasn't there at all!
+ An' they seeked him in the rafter-room, an' cubby-hole, an' press,
+ An' seeked him up the chimbly-flue, an' ever'wheres, I guess;
+ But all they found was thist his pants an' roundabout&mdash;:
+ An' the Gobble-uns 'll git you
+ Ef you
+ Don't
+ Watch
+ Out!
+
+ An' one time a little girl 'ud allus laugh and grin,
+ An' make fun of ever'one, an' all her blood an' kin;
+ An' onc't, when they was "company," an' ole folks was there,
+ She mocked 'em an' shocked 'em, an' said she didn't care!
+ An' thist as she kicked her heels, an' turn't to run an' hide,
+ They was two great big Black Things a-standin' by her side,
+ An' they snatched her through the ceilin' 'fore she knowed what she's about!
+ An' the Gobble-uns 'll git you
+ Ef you
+ Don't
+ Watch
+ Out!
+
+ An' little Orphant Annie says, when the blaze is blue,
+ An' the lamp-wick sputters, an' the wind goes woo-oo!
+ An' you hear the crickets quit, an' the moon is gray,
+ An' the lightn'-bugs in dew is all squenched away&mdash;,
+ You better mind yer parents, an' yer teachers fond an' dear,
+ An' churish them 'at loves you, an' dry the orphant's tear,
+ An' he'p the pore an' needy ones 'at clusters all about
+ Er the Gobble-uns 'll git you
+ Ef you
+ Don't
+ Watch
+ Out!
+</pre>
+ <div style="height: 6em;">
+ <br /><br /><br /><br /><br /><br />
+ </div>
+<pre xml:space="preserve">
+
+
+End of the Project Gutenberg EBook of Afterwhiles, by James Whitcomb Riley
+
+*** END OF THIS PROJECT GUTENBERG EBOOK AFTERWHILES ***
+
+***** This file should be named 15862-h.htm or 15862-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/5/8/6/15862/
+
+Etext produced by "Teary Eyes" Anderson
+
+HTML file produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+*** END: FULL LICENSE ***
+
+
+
+
+</pre>
+ </body>
+</html>
diff --git a/15862.txt b/15862.txt
new file mode 100644
index 0000000..ac78231
--- /dev/null
+++ b/15862.txt
@@ -0,0 +1,4040 @@
+The Project Gutenberg EBook of Afterwhiles, by James Whitcomb Riley
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Afterwhiles
+
+Author: James Whitcomb Riley
+
+Release Date: May 19, 2005 [EBook #15862]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK AFTERWHILES ***
+
+
+
+
+Produced by "Teary Eyes" Anderson
+
+
+
+
+
+
+
+***Transcriber's Note.
+Most of this etext was made with a "Top Scan" text scanner, with a bit
+of correcting here and there. Mr. Riley does spell pretty=purty and
+such things and have been left as printed, including the first poem
+in this book listed as "Proem" on both the contents page and the
+page headers, even though in later editions this poem is simply called
+"Afterwhiles." In "The South Wind and the Sun" the line is 'Laughed out in
+every look.' while in later versions it has the word 'nook', replacing
+'look.' The poem "Old Aunt Mary's" is later retitled "Out To Old Aunt
+Mary's" and later enlarged by 13 verses. The "In Dalect" section has the '
+to replace a letter that he left out, to make the word sound a certain way,
+including words like sure-enuff he writes as sho'-nuff, or He'pless as
+helpless and ect. This etext is based on the 1898 edition Published by The
+Bobbs-Merrill Company, Indianapolis Publishers. "Teary Eyes" Anderson***
+
+
+
+
+Afterwhiles by James Whitcomb Riley
+
+Dedicated to my mother Elizabeth
+
+
+ Contents
+Proem (AKA "Afterwhiles")
+Herr Weiser
+The Beautiful City
+Lockerbie Street
+Das Krist Kindel
+Anselmo
+A Home Made Fairy Tale
+The South Wind and the Sun
+The Lost Kiss
+The Sphinx
+If I knew What Poets Know
+Ike Walton's Prayer
+A Rough Sketch
+Our Kind of a Man
+The Harper
+Old Aunt Mary's (AKA "Out To Old Aunt Mary's" Later was enlarged by 13
+verses)
+Illileo
+The King
+A Bride
+The Dead Lover
+A Song
+When Bessie Died
+The Shower
+A Life-Lesson
+A Scrawl
+Away
+Who Bides His Time
+From the Headboard of a Grave in Paraguay
+Laughter Holding Both His Sides
+Fame
+The Ripest Peach
+A Fruit Piece
+Their Sweet Sorrow
+John McKeen
+Out of Nazareth
+September Dark
+We to Sigh Instead of Sing
+The Blossoms on the Trees
+Last Night And This
+A Discouraging Model
+Back from a Two Year Sentence
+The Wandering Jew
+Becalmed
+To Santa Claus
+Where the Children Used to Play
+A Glipse of Pan
+
+ Sonnets
+Pan
+Dusk
+June
+Silence
+Sleep
+Her Hair
+Dearth
+A Voice from the Farm
+The Serenade
+Art and Love
+Longfellow
+Indiana
+Time
+Grant At Rest August 8, 1885
+
+ In Dialect
+Old Fashioned Roses
+Griggsby's Station
+Knee Deep in June
+When the Hearse Comes Back
+A Canary at the Farm
+A Liz Town Humorist
+Kingry's Mill
+Joney
+Like His Mother Used to Make
+The Train Misser
+Granny
+Old October
+Jim
+To Robert Burns
+A New Year's Time at Willard's
+The Town Karnteel
+Regardin' Terry Hut
+Leedle Dutch Baby
+Down on Wriggle Crick
+When de Folks is Gone
+The Little Town o' Tailholt
+Little Orphant Annie
+
+
+
+ _Proem_
+
+Where are they-- the Afterwhiles--
+Luring us the lengthening miles
+Of our lives? Where is the dawn
+With the dew across the lawn
+Stroked with eager feet the far
+Way the hills and valleys are?
+Were the sun that smites the frown
+Of the eastward-gazer down?
+Where the rifted wreaths of mist
+O'er us, tinged with amethyst,
+Round the mountain's steep defiles?
+Where are the afterwhiles?
+
+Afterwhile-- and we will go
+Thither, yon, and too and fro--
+From the stifling city streets
+To the country's cool retreats--
+From the riot to the rest
+Were hearts beat the placidest:
+Afterwhile, and we will fall
+Under breezy trees, and loll
+In the shade, with thirsty sight
+Drinking deep the blue delight
+Of the skies that will beguile
+Us as children-- afterwhile.
+
+Afterwhile-- and one intends
+To be gentler to his friends--,
+To walk with them, in the hush
+Of still evenings, o'er the plush
+Of home-leading fields, and stand
+Long at parting, hand in hand:
+One, in time, will joy to take
+New resolves for some one's sake,
+And wear then the look that lies
+Clear and pure in other eyes--
+We will soothe and reconcile
+His own conscience-- afterwhile.
+
+Afterwhile-- we have in view
+A far scene to journey to--,
+Where the old home is, and where
+The old mother waits us there,
+Peering, as the time grows late,
+Down the old path to the gate--.
+How we'll click the latch that locks
+In the pinks and hollyhocks,
+And leap up the path once more
+Where she waits us at the door--!
+How we'll greet the dear old smile,
+And the warm tears-- afterwhile!
+
+Ah, the endless afterwhiles--!
+Leagues on leagues, and miles on miles,
+In distance far withdrawn,
+Stretching on, and on, and on,
+Till the fancy is footsore
+And faints in the dust before
+The last milestone's granite face,
+Hacked with: Here Beginneth Space.
+O far glimmering worlds and wings,
+Mystic smiles and beckonings,
+Lead us through the shadowy aisles
+Out into the afterwhiles.
+
+
+ _Herr Weiser_
+
+Herr Weiser--! Three-score-years-and-ten--,
+A hale white rose of his country-men,
+Transplanted here in the Hoosier loam,
+And blossomy as his German home--
+As blossomy and as pure and sweet
+As the cool green glen of his calm retreat,
+Far withdrawn from the noisy town
+Where trade goes clamoring up and down,
+Whose fret and fever, and stress and strife,
+May not trouble his tranquil life!
+
+Breath of rest, what a balmy gust--!
+Quite of the city's heat and dust,
+Jostling down by the winding road,
+Through the orchard ways of his quaint abode--.
+Tether the horse, as we onward fare
+Under the pear-trees trailing there,
+And thumping the wood bridge at night
+With lumps of ripeness and lush delight,
+Till the stream, as it maunders on till dawn,
+Is powdered and pelted and smiled upon.
+
+Herr Weiser, with his wholesome face,
+And the gentle blue of his eyes, and grace
+Of unassuming honesty,
+Be there to welcome you and me!
+And what though the toil of the farm be stopped
+And the tireless plans of the place be dropped,
+While the prayerful master's knees are set
+In beds of pansy and mignonette
+And lily and aster and columbine,
+Offered in love, as yours and mine--?
+
+What, but a blessing of kindly thought,
+Sweet as the breath of forget-me-not--!
+What, but a spirit of lustrous love
+White as the aster he bends above--!
+What, but an odorous memory
+Of the dear old man, made known to me
+In days demanding a help like his--,
+As sweet as the life of the lily is--
+As sweet as the soul of a babe, bloom-wise
+Born of a lily in paradise.
+
+ _The Beautiful City_
+
+The Beautiful City! Forever
+Its rapturous praises resound;
+We fain would behold it-- but never
+A glimpse of its dory is found:
+We slacken our lips at the tender
+White breasts of our mothers to hear
+Of its marvellous beauty and splendor--;
+We see-- but the gleam of a tear!
+
+Yet never the story may tire us--
+First graven in symbols of stone--
+Rewritten on scrolls of papyrus
+And parchment, and scattered and blown
+By the winds of the tongues of all nations,
+Like a litter of leaves wildly whirled
+Down the rack of a hundred translations,
+From the earliest lisp of the world.
+
+We compass the earth and the ocean,
+From the Orient's uttermost light,
+To where the last ripple in motion
+Lips hem of the skirt of the night--,
+But the Beautiful City evades us--
+No spire of it glints in the sun--
+No glad-bannered battlement shades us
+When all our Journey is done.
+
+Where lies it? We question and listen;
+We lean from the mountain, or mast,
+And see but dull earth, or the glisten
+Of seas inconceivably vast:
+The dust of the one blurs our vision,
+The glare of the other our brain,
+Nor city nor island Elysian
+In all of the land or the main!
+
+We kneel in dim fanes where the thunders
+Of organs tumultuous roll,
+And the longing heart listens and wonders,
+And the eyes look aloft from the soul:
+But the chanson grows fainter and fainter,
+Swoons wholly away and is dead;
+AND our eyes only reach where the painter
+Has dabbled a saint overhead.
+
+The Beautiful City! O mortal,
+Fare hopefully on in thy quest,
+Pass down through the green grassy portal
+That leads to the Valley of Rest;
+There first passed the One who, in pity
+Of all thy great yearning, awaits
+To point out The Beautiful City,
+And loosen the trump at the gates.
+
+
+ _Lockerbie Street_
+
+Such a dear little street it is, nestled away
+From the noise of the city and heat of the day,
+In cool shady coverts of whispering trees,
+With their leaves lifted up to shake hands with the breeze
+Which in all its wide wanderings never may meet
+With a resting-place fairer than Lockerbie street!
+
+There is such a relief, from the clangor and din
+Of the heart of the town, to go loitering in
+Through the dim, narrow walks, with the sheltering shade
+Of the trees waving over the long promenade,
+And littering lightly the ways of our feet
+With the gold of the sunshine of Lockerbie street.
+
+And the nights that come down the dark pathways of dusk,
+With the stars in their tresses, and odors of musk
+In their moon-woven raiments, bespangled with dews,
+And looped up with lilies for lovers to use
+In the songs that they sing to the tinkle and beat
+Of their sweet serenadings through Lockerbie street.
+
+O my Lockerbie street! You are fair to be seen--
+Be it noon of the day, or the rare and serene
+Afternoon of the night-- you are one to my heart,
+And I love you above all the phrases of art,
+For no language could frame and no lips could repeat
+My rhyme-haunted raptures of Lockerbie street.
+
+
+ _Das Krist Kindel_
+
+I had fed the fire and stirred it, till the sparkles in delight
+Snapped their saucy little fingers at the chill December night;
+And in dressing-gown and slippers, I had tilted back "my throne--"
+The old split-bottomed rocker-- and was musing all alone.
+
+I could hear the hungry Winter prowling round the outer door,
+And the tread of muffled footsteps on the white piazza floor;
+But the sounds came to me only as the murmur of a stream
+That mingled with the current of a lazy-flowing dream.
+
+Like a fragrant incense rising, curled the smoke of my cigar,
+With the lamplight gleaming through it like a mist-enfolded star--;
+And as I gazed, the vapor like a curtain rolled away,
+With a sound of bells that tinkled, and the clatter of a sleigh.
+
+And in a vision, painted like a picture in the air,
+I saw the elfish figure, of a man with frosty hair--
+A quaint old man that chuckled with a laugh as he appeared,
+And with ruddy cheeks like embers in the ashes of his beard.
+
+He poised himself grotesquely, in an attitude of mirth,
+On a damask-covered hassock that was sitting on the hearth;
+And at a magic signal of his stubbly little thumb,
+I saw the fireplace changing to a bright proscenium.
+
+And looking there, I marvelled as I saw a mimic stage
+Alive with little actors of a very tender age;
+And some so very tiny that they tottered as they walked,
+And lisped and purled and gurgled like the brooklets, when they talked.
+
+And their faces were like lilies, and their eyes like purest dew,
+And their tresses like the shadows that the shine is woven through;
+And they each had little burdens, and a little tale to tell
+Of fairy lore, and giants, and delights delectable.
+
+And they mixed and intermingled, weaving melody with joy,
+Till the magic circle clustered round a blooming baby-boy;
+And they threw aside their treasures in an ecstasy of glee,
+And bent, with dazzled faces and with parted lips, to see.
+
+'Twas a wondrous little fellow, with a dainty double-chin
+And chubby-cheeks, and dimples for the smiles to blossom in;
+And he looked as ripe and rosy, on his bed of straw and reeds,
+As a mellow little pippin that had tumbled in the weeds.
+
+And I saw the happy mother, and a group surrounding her
+That knelt with costly presents of frankincense and myrrh;
+And I thrilled with awe and wonder, as a murmur on the air
+Came drifting o'er the hearing in a melody of prayer--:
+
+By the splendor in the heavens, and the hush upon the sea,
+And the majesty of silence reigning over Galilee,
+We feel Thy kingly presence, and we humbly bow the knee
+And lift our hearts and voices in gratefulness to Thee.
+
+Thy messenger has spoken, and our doubts have fled and gone
+As the dark and spectral shadows of the night before the dawn;
+And in kindly shelter of the light around us drawn,
+We would nestle down forever in the breast we lean upon.
+
+You have given us a shepherd-- You have given us a guide,
+And the light of Heaven grew dimmer when You sent him from Your side--,
+But he comes to lead Thy children where the gates will open wide
+To welcome his returning when his works are glorified.
+
+By the splendor in the heavens, and the hush upon the sea,
+And the majesty of silence reigning over Galilee--,
+We feel Thy kingly presence, and we humbly bow the knee
+And lift our hearts and voices in gratefulness to Thee.
+
+Then the vision, slowly failing, with the words of the refrain,
+Fell swooning in the moonlight through the frosty window-pane;
+And I heard the clock proclaiming, like an eager sentinel
+Who brings the world good tidings--, "It is Christmas-- all is well!"
+
+
+ _Anselmo_
+
+Years did I vainly seek the good Lord's grace--,
+Prayed, fasted, and did penance dire and dread;
+Did kneel, with bleeding knees and rainy face,
+And mouth the dust, with ashes on my head;
+Yea, still with knotted scourge the flesh I flayed,
+Rent fresh the wounds, and moaned and shrieked insanely;
+And froth oozed with the pleadings that I made,
+And yet I prayed on vainly, vainly, vainly!
+
+A time, from out of swoon I lifted eye,
+To find a wretched outcast, gray and grim,
+Bathing my brow, with many a pitying sigh,
+And I did pray God's grace might rest on him--.
+Then, lo! A gentle voice fell on mine ears--
+"Thou shalt not sob in suppliance hereafter;
+Take up thy prayers and wring them dry of tears,
+And lift them, white and pure with love and laughter!"
+
+So is it now for all men else I pray;
+So is it I am blest and glad alway.
+
+
+ _A Home-Made Fairy Tale_
+
+Bud, come here to your uncle a spell,
+And I'll tell you something you mustn't tell--
+For it's a secret and shore-'nuf true,
+And maybe I oughtn't to tell it to you--!
+But out in the garden, under the shade
+Of the apple-trees, where we romped and played
+Till the moon was up, and you thought I'd gone
+Fast asleep--, That was all put on!
+For I was a-watchin' something queer
+Goin' on there in the grass, my dear--!
+'Way down deep in it, there I see
+A little dude-Fairy who winked at me,
+And snapped his fingers, and laughed as low
+And fine as the whine of a mus-kee-to!
+I kept still-- watchin' him closer-- and
+I noticed a little guitar in his hand,
+Which he leant 'ginst a little dead bee-- and laid
+His cigarette down on a clean grass-blade,
+And then climbed up on the shell of a snail--
+Carefully dusting his swallowtail--
+And pulling up, by a waxed web-thread,
+This little guitar, you remember. I said!
+And there he trinkled and trilled a tune--,
+"My Love, so Fair, Tans in the Moon!"
+Till presently, out of the clover-top
+He seemed to be singing to, came k'pop!
+The purtiest, daintiest Fairy face
+In all this world, or any place!
+Then the little ser'nader waved his hand,
+As much as to say, "We'll excuse you!" and
+I heard, as I squinted my eyelids to,
+A kiss like the drip of a drop of dew!
+
+
+ _The South Wind and the Sun_
+
+O The South Wind and the Sun!
+How each loved the other one
+Full of fancy--- full folly--
+Full of jollity and fun!
+How they romped and ran about,
+Like two boys when school is out,
+With glowing face, and lisping lip,
+Low laugh, and lifted shout!
+
+And the South Wind-- he was dressed
+With a ribbon round his breast
+That floated, flapped and fluttered
+In a riotous unrest,
+And a drapery of mist
+From the shoulder and the wrist
+Flowing backward with the motion
+Of the waving hand he kissed.
+
+And the Sun had on a crown
+Wrought of gilded thistle-down,
+And a scarf of velvet vapor,
+And a ravelled-rainbow gown;
+And his tinsel-tangled hair,
+Tossed and lost upon the air,
+Was glossier and flossier
+Than any anywhere.
+
+And the South Wind's eyes were two
+Little dancing drops of dew,
+As he puffed his cheeks, and pursed his lips,
+And blew and blew and blew!
+And the Sun's-- like diamond-stone,
+Brighter yet than ever known,
+As he knit his brows and held his breath,
+And shone and shone and shone!
+
+And this pair of merry fays
+Wandered through the summer days;
+Arm-in-arm they went together
+Over heights of morning haze--
+Over slanting slopes of lawn
+They went on and on and on,
+Where the daisies looked like star-tracks
+Trailing up and down the dawn.
+
+And where'er they found the top
+Of a wheat-stalk droop and lop
+They chucked it underneath the chin
+And praised the lavish crop,
+Till it lifted with the pride
+Of the heads it grew beside,
+And then the South Wind and the Sun
+Went onward satisfied.
+
+Over meadow-lands they tripped,
+Where the dandelions dipped
+In crimson foam of clover-bloom,
+And dripped and dripped and dripped;
+And they clinched the bumble-stings,
+Gauming honey on their wings,
+And bundling them in lily-bells,
+With maudlin murmurings.
+
+And the humming-bird that hung
+Like a jewel up among
+The tilted honeysuckle-horns,
+They mesmerized, and swung
+In the palpitating air,
+Drowsed with odors strange and rare,
+And with whispered laughter, slipped away,
+And left him hanging there.
+
+And they braided blades of grass
+Where the truant had to pass;
+And they wriggled through the rushes
+And the reeds of the morass,
+Where they danced, in rapture sweet,
+O'er the leaves that laid a street
+Of undulant mosaic for
+The touches of their feet.
+
+By the brook with mossy brink
+Where the cattle came to drink.
+They trilled and piped and whistled
+With the thrush and bobolink,
+Till the kine in listless pause,
+Switched their tails in mute applause,
+With lifted heads and dreamy eyes,
+And bubble-dripping jaws.
+
+And where the melons grew,
+Streaked with yellow, green and blue
+These jolly sprites went wandering
+Through spangled paths of dew;
+And the melons, here and there,
+They made love to, everywhere
+Turning their pink souls to crimson
+With caresses fond and fair.
+
+Over orchard walls they went,
+Where the fruited boughs were bent
+Till they brushed the sward beneath them
+Where the shine and shadow blent;
+And the great green pear they shook
+Till the sallow hue forsook
+Its features, and the gleam of gold
+Laughed out in every look.
+
+And they stroked the downy cheek
+Of the peach, and smoothed it sleek,
+And flushed it into splendor;
+And with many an elfish freak,
+Gave the russet's rust a wipe--
+Prankt the rambo with a stripe,
+And the wine-sap blushed its reddest
+As they spanked the pippins ripe.
+
+Through the woven ambuscade
+That the twining vines had made,
+They found the grapes, in clusters,
+Drinking up the shine and shade--
+Plumpt like tiny skins of wine,
+With a vintage so divine
+That the tongue of fancy tingled
+With the tang of muscadine.
+
+And the golden-banded bees,
+Droning o'er the flowery leas,
+They bridled, reigned, and rode away
+Across the fragrant breeze,
+Till in hollow oak and elm
+They had groomed and stabled them
+In waxen stalls oozed with dews
+Of rose and lily-stem.
+
+Where the dusty highway leads,
+High above the wayside weeds
+They sowed the air with butterflies
+Like blooming flower-seeds,
+Till the dull grasshopper sprung
+Half a man's height up, and hung
+Tranced in the heat, with whirring wings,
+And sung and sung and sung!
+
+And they loitered, hand in hand,
+Where the snipe along the sand
+Of the river ran to meet them
+As the ripple meets the land,
+Till the dragon-fly, in light
+Gauzy armor, burnished bright,
+Came tilting down the waters
+In a wild, bewildered flight.
+
+And they heard the killdee's call,
+And afar, the waterfall,
+But the rustle of a falling leaf
+They heard above it all;
+And the trailing willow crept
+Deeper in the tide that swept
+The leafy shallop to the shore,
+And wept and wept and wept!
+
+And the fairy vessel veered
+From its moorings-- tacked and steered
+For the centre of the current
+Sailed away and disappeared:
+And the burthen that it bore
+From the long-enchanted shore--
+"Alas! The South Wind and the Sun!"
+I murmur evermore.
+
+For the South Wind and the Sun,
+Each so loves the other one,
+For all his jolly folly
+And frivolity and fun,
+That our love for them they weigh
+As their fickle fancies may,
+And when at last we love them most,
+They laugh and sail away.
+
+
+ _The Lost Kiss_
+
+I put by the half-written poem,
+While the pen, idly trailed in my hand,
+Writes on--, "Had I words to complete it,
+Who'd read it, or who'd understand?"
+But the little bare feet on the stairway,
+And the faint, smothered laugh in the hall,
+And the eerie-low lisp on the silence,
+Cry up to me over it all.
+
+So I gather it up-- where was broken
+The tear-faded thread of my theme,
+Telling how, as one night I sat writing,
+A fairy broke in on my dream,
+A little inquisitive fairy--
+My own little girl, with the gold
+Of the sun in her hair, and the dewy
+Blue eyes of the fairies of old.
+
+'Twas the dear little girl that I scolded--
+"For was it a moment like this,"
+I said, "when she knew I was busy,
+To come romping in for a kiss--?
+Come rowdying up from her mother,
+And clamoring there at my knee
+For 'One 'ittle kiss for my dolly,
+And one 'ittle uzzer for me!"
+
+God pity, the heart that repelled her,
+And the cold hand that turned her away,
+And take, from the lips that denied her,
+This answerless prayer of to-day!
+Take Lord, from my mem'ry forever
+That pitiful sob of despair,
+And the patter and trip of the little bare feet,
+And the one piercing cry on the stair!
+
+I put by the half-written poem,
+While the pen, idly trailed in my hand
+Writes on--, "Had I words to complete it
+Who'd read it, or who'd understand?"
+But the little bare feet on the stairway,
+And the faint, smothered laugh in the hall,
+And the eerie-low lisp on the silence,
+Cry up to me over it all.
+
+
+ _The Sphinx_
+
+I know all about the Sphinx--
+I know even what she thinks,
+Staring with her stony eyes
+Up forever at the skies.
+
+For last night I dreamed that she
+Told me all the mystery--
+Why for aeons mute she sat--:
+She was just cut out for that!
+
+
+ _If I knew What Poets Know_
+
+If I knew what poets know,
+Would I write a rhyme
+Of the buds that never blow
+In the summer-time ?
+Would I sing of golden seeds
+Springing up in ironweeds?
+And of raindrops turned to snow,
+If I knew what poets know?
+
+Did I know what poets do,
+Would I sing a song
+Sadder than the pigeon's coo
+When the days are long?
+Where I found a heart in pain,
+I would make it glad again;
+And the false should be the true,
+Did I know what poets do.
+
+If I knew what poets know,
+I would find a theme
+Sweeter than the placid flow
+Of the fairest dream:
+I would sing of love that lives
+On the errors it forgives;
+And the world would better grow
+If I knew what poets know.
+
+
+ _Ike Walton's Prayer_
+
+I crave, dear Lord,
+No boundless hoard
+Of gold and gear,
+Nor jewels fine,
+Nor lands, nor kine,
+Nor treasure-heaps of anything--.
+Let but a little hut be mine
+Where at the hearthstone I may hear
+The cricket sing,
+And have the shine
+Of one glad woman's eyes to make,
+For my poor sake,
+Our simple home a place divine--;
+Just the wee cot-- the cricket's chirr--
+Love and the smiling face of her.
+
+I pray not for
+Great riches, nor
+For vast estates and castle-halls--,
+Give me to hear the bare footfalls
+Of children o'er
+An oaken floor
+New-rinsed with sunshine, or bespread
+With but the tiny coverlet
+And pillow for the baby's head;
+And pray Thou, may
+The door stand open and the day
+Send ever in a gentle breeze,
+With fragrance from the locust-trees,
+And drowsy moan of doves, and blur
+Of robin-chirps, and drone of bees,
+With after-hushes of the stir
+Of intermingling sounds, and then
+The good-wife and the smile of her
+Filling the silences again--
+The cricket's call
+And the wee cot,
+Dear Lord of all,
+Deny me not!
+
+I pray not that
+Men tremble at
+My power of place
+And lordly sway--,
+I only pray for simple grace
+To look my neighbor in the face
+Full honestly from day to day--
+Yield me his horny palm to hold.
+And I'll not pray
+For gold--;
+The tanned face, garlanded with mirth,
+It hath the kingliest smile on earth;
+The swart brow, diamonded with sweat,
+Hath never need of coronet.
+And so I reach,
+Dear Lord, to Thee,
+And do beseech
+Thou givest me
+The wee cot, and the cricket's chirr,
+Love and the glad sweet face of her!
+
+
+ _A Rough Sketch_
+
+I caught, for a second, across the crowd--
+Just for a second, and barely that--
+A face, pox-pitted and evil-browed,
+Hid in the shade of a slouch-rim'd hat--
+With small gray eyes, of a look as keen
+As the long, sharp nose that grew between.
+
+And I said: 'Tis a sketch of Nature's own,
+Drawn i' the dark o' the moon, I swear,
+On a tatter of Fate that the winds have blown
+Hither and thither and everywhere--
+With its keen little sinister eyes of gray,
+And nose like the beak of a bird of prey!
+
+
+ _Our Kind of a Man_
+
+ 1
+The kind of a man for you and me!
+He faces the world unflinchingly,
+And smites, as long as the wrong resists,
+With a knuckled faith and force like fists:
+He lives the life he is preaching of,
+And loves where most is the need of love;
+His voice is clear to the deaf man's ears,
+And his face sublime through the blind man's tears;
+The light shines out where the clouds were dim,
+And the widow's prayer goes up for him;
+The latch is clicked at the hovel door
+And the sick man sees the sun once more,
+And out o'er the barren fields he sees
+Springing blossoms and waving trees,
+Feeling as only the dying may,
+That God's own servant has come that way,
+Smoothing the path as it still winds on
+Through the golden gate where his loved have gone.
+
+ 2
+The kind of a man for me and you!
+However little of worth we do
+He credits full, and abides in trust
+That time will teach us how more is just.
+He walks abroad, and he meets all kinds
+Of querulous and uneasy minds,
+And sympathizing, he shares the pain
+Of the doubts that rack us, heart and brain;
+And knowing this, as we grasp his hand
+We are surely coming to understand!
+He looks on sin with pitying eyes--
+E'en as the Lord, since Paradise--,
+Else, should we read, Though our sins should glow
+As scarlet, they shall be white as snow--?
+And feeling still, with a grief half glad,
+That the bad are as good as the good are bad,
+He strikes straight out for the Right-- and he
+Is the kind of a man for you and me!
+
+
+ _The Harper_
+
+Like a drift of faded blossoms
+Caught in a slanting rain,
+His fingers glimpsed down the strings of his harp
+In a tremulous refrain:
+
+Patter and tinkle, and drip and drip!
+Ah! But the chords were rainy sweet!
+And I closed my eyes and I bit my lip,
+As he played there in the street.
+
+Patter, and drip, and tinkle!
+And there was the little bed
+In the corner of the garret,
+And the rafters overhead!
+
+And there was the little window--
+Tinkle, and drip, and drip--!
+The rain above, and a mother's love,
+And God's companionship!
+
+
+ _Old Aunt Mary's_
+
+Wasn't it pleasant, O brother mine,
+In those old days of the lost sunshine
+Of youth-- when the Saturday's chores were through,
+And the "Sunday's wood" in the kitchen too,
+And we went visiting, "me and you,"
+Out to Old Aunt Mary's?
+
+It all comes back so clear to-day!
+Though I am as bald as you are gray--
+Out by the barn-lot, and down the lane,
+We patter along in the dust again,
+As light as the tips of the drops of the rain,
+Out to Old Aunt Mary's!
+
+We cross the pasture, and through the wood
+Where the old gray snag of the poplar stood,
+Where the hammering "red-heads" hopped awry,
+And the buzzard "raised" in the "clearing" sky
+And lolled and circled, as we went by
+Out to Old Aunt Mary's.
+
+And then in the dust of the road again;
+And the teams we met, and the countrymen;
+And the long highway, with sunshine spread
+As thick as butter on country bread,
+Our cares behind, and our hearts ahead
+Out to Old Aunt Mary's.
+
+Why, I see her now in the open door,
+Where the little gourds grew up the sides and o'er
+The clapboard roof--! And her face-- ah, me!
+Wasn't it good for a boy to see--
+And wasn't it good for a boy to be
+Out to Old Aunt Mary's?
+
+The jelly-- the Jam and the marmalade,
+And the cherry and quince "preserves'' she made!
+And the sweet-sour pickles of peach and pear,
+With cinnamon in 'em, and all things rare--!
+And the more we ate was the more to spare,
+Out to Old Aunt Mary's!
+
+And the old spring-house in the cool green gloom
+Of the willow-trees--, and the cooler room
+Where the swinging-shelves and the crocks were kept--
+Where the cream in a golden languor slept
+While the waters gurgled and laughed and wept--
+Out to Old Aunt Mary's.
+
+And O my brother, so far away,
+This is to tell you she waits to-day
+To welcome us--: Aunt Mary fell
+Asleep this morning, whispering-- "Tell
+The boys to come!" And all is well
+Out to Old Aunt Mary's.
+
+
+ _Illileo_
+
+Illileo, the moonlight seemed lost across the vales--
+The stars but strewed the azure as an armor's scattered scales;
+The airs of night were quiet as the breath of silken sails,
+And all your words were sweeter than the notes of nightingales.
+
+Illileo Legardi, in the garden there alone,
+With your figure carved of fervor, as the Psyche carved of stone,
+There came to me no murmur of the fountain's undertone
+So mystically, musically mellow as your own.
+
+You whispered low, Illileo-- so low the leaves were mute,
+And the echoes faltered breathless in your voice's vain pursuit;
+And there died the distant dalliance of the serenader's lute:
+And I held you in my bosom as the husk may hold the fruit.
+
+Illileo, I listened. I believed you. In my bliss,
+What were all the worlds above me since I found you thus in this--?
+Let them reeling reach to win me-- even Heaven I would miss,
+Grasping earthward--! I would cling here, though I clung by just a kiss.
+
+And blossoms should grow odorless-- and lilies all aghast--
+And I said the stars should slacken in their paces through the vast,
+Ere yet my loyalty should fail enduring to the last--.
+So vowed I. It is written. It is changeless as the past.
+
+IIlileo Legardi, in the shade your palace throws
+Like a cowl about the singer at your gilded porticos,
+A moan goes with the music that may vex the high repose
+Of a heart that fades and crumbles as the crimson of a rose.
+
+
+ _The King_
+
+They rode right out of the morning sun--
+A glimmering, glittering cavalcade
+Of knights and ladies and every one
+In princely sheen arrayed;
+And the king of them all, O he rode ahead,
+With a helmet of gold, and a plume of red
+That spurted about in the breeze and bled
+In the bloom of the everglade.
+
+And they rode high over the dewy lawn,
+With brave, glad banners of every hue
+That rolled in ripples, as they rode on
+In splendor, two and two;
+And the tinkling links of the golden reins
+Of the steeds they rode rang such refrains
+As the castanets in a dream of Spain's
+Intensest gold and blue.
+
+And they rode and rode; and the steeds they neighed
+And pranced, and the sun on their glossy hides
+Flickered and lightened and glanced and played
+Like the moon on rippling tides;
+
+And their manes were silken, and thick and strong,
+And their tails were flossy, and fetlock-long,
+And jostled in time to the teeming throng,
+And their knightly song besides.
+
+Clank of scabbard and jingle of spur,
+And the fluttering sash of the queen went wild
+In the wind, and the proud king glanced at her
+As one at a wilful child--,
+And as knight and lady away they flew,
+And the banners flapped, and the falcon too,
+And the lances flashed and the bugle blew,
+He kissed his hand and smiled.
+
+And then, like a slanting sunlit shower,
+The pageant glittered across the plain,
+And the turf spun back, and the wildweed flower
+Was only a crimson stain.
+And a dreamer's eyes they are downward cast,
+As he blends these words with the wailing blast:
+"It is the King of the Year rides past!"
+And Autumn is here again.
+
+
+ _A Bride_
+
+"O I am weary!" she sighed, as her billowy
+Hair she unloosed in a torrent of gold
+That rippled and fell o'er a figure as willowy,
+Graceful and fair as a goddess of old:
+Over her jewels she flung herself drearily,
+Crumpled the laces that snowed on her breast,
+Crushed with her fingers the lily that wearily
+Clung in her hair like a dove in its nest--.
+And naught but her shadowy form in the mirror
+To kneel in dumb agony down and weep near her!
+
+"Weary--?" Of what? Could we fathom the mystery--?
+Lift up the lashes weighed down by her tears
+And wash with their dews one white face from her history,
+Set like a gem in the red rust of years?
+Nothing will rest her-- unless he who died of her
+Strayed from his grave, and in place of the groom,
+Tipping her face, kneeling there by the side of her,
+Drained the old kiss to the dregs of his doom--.
+And naught but that shadowy form in the mirror
+To heel in dumb agony down and weep near her!
+
+
+ _The Dead Lover_
+
+Time is so long when a man is dead!
+Some one sews; and the room is made
+Very clean; and the light is shed
+Soft through the window-shade.
+
+Yesterday I thought: "I know
+Just how the bells will sound, and how
+The friends will talk, and the sermon go,
+And the hearse-horse bow and bow!"
+
+This is to-day; and I have no thing
+To think of-- nothing whatever to do
+But to hear the throb of the pulse of a wing
+That wants to fly back to you.
+
+
+ _A Song_
+
+There is ever a song somewhere, my dear;
+There is ever a something sings alway:
+There's the song of the lark when the skies are clear,
+And the song of the thrush when the skies are gray.
+The sunshine showers across the grain,
+And the bluebird trills in the orchard tree;
+And in and out, when the eaves dip rain,
+The swallows are twittering ceaselessly.
+
+There is ever a song somewhere, my dear,
+Be the skies above or dark or fair,
+There is ever a song that our hearts may hear--
+There is ever a song somewhere, my dear
+There is ever a song somewhere!
+
+There is ever a song somewhere, my dear,
+In the midnight black, or the mid-day blue:
+The robin pipes when the sun is here,
+And the cricket chirrups the whole night through.
+The buds may blow, and the fruit may grow,
+And the autumn leaves drop crisp and sear;
+But whether the sun, or the rain, or the snow,
+There is ever a song somewhere, my dear.
+
+There is ever a song somewhere, my dear,
+Be the skies above or dark or fair,
+There is ever a song that our hearts may hear--
+There is ever a song somewhere, my dear--
+There is ever a song somewhere!
+
+
+ _When Bessie Died_
+
+If from your own the dimpled hands had slipped,
+And ne'er would nestle in your palm again;
+If the white feet into the grave had tripped--"
+
+When Bessie died--
+We braided the brown hair, and tied
+It just as her own little hands
+Had fastened back the silken strands
+A thousand times-- the crimson bit
+Of ribbon woven into it
+That she had worn with childish pride--
+Smoothed down the dainty bow-- and cried
+When Bessie died.
+
+When Bessie died--
+We drew the nursery blinds aside,
+And as the morning in the room
+Burst like a primrose into bloom,
+Her pet canary's cage we hung
+Where she might hear him when he sung--
+And yet not any note he tried,
+Though she lay listening folded-eyed.
+
+When Bessie died--
+We writhed in prayer unsatisfied:
+We begged of God, and He did smile
+In silence on us all the while;
+And we did see Him, through our tears,
+Enfolding that fair form of hers,
+She laughing back against His love
+The kisses had nothing of--
+And death to us He still denied,
+When Bessie died--
+When Bessie died.
+
+
+ _The Shower_
+
+The landscape, like the awed face of a child,
+Grew curiously blurred; a hush of death
+Fell on the fields, and in the darkened wild
+The zephyr held its breath.
+
+No wavering glamour-work of light and shade
+Dappled the shivering surface of the brook;
+The frightened ripples in their ambuscade
+Of willows thrilled and shook.
+
+The sullen day grew darker, and anon
+Dim flashes of pent anger lit the sky;
+With rumbling wheels of wrath came rolling on
+The storm's artillery.
+
+The cloud above put on its blackest frown,
+And then, as with a vengeful cry of pain,
+The lightning snatched it, ripped and flung it down
+In ravelled shreds of rain:
+
+While I, transfigured by some wondrous art,
+Bowed with the thirsty lilies to the sod,
+My empty soul brimmed over, and my heart
+Drenched with the love of God.
+
+
+ _A Life Lesson_
+
+There! Little girl; don't cry!
+They have broken your doll, I know;
+And your tea-set blue,
+And your play-house too,
+Are things of the long ago;
+But childish troubles will soon pass by--.
+There! Little girl; don't cry!
+
+There! Little girl; don't cry!
+They have broken your slate, I know;
+And the glad, wild ways
+Of your school-girl days
+Are things of the long ago;
+But life and love will soon come by--.
+There! Little girl; don't cry!
+
+There! Little girl; don't cry!
+They have broken your heart, I know;
+And the rainbow gleams
+Of your youthful dreams
+Are things of the long ago;
+But heaven holds all for which you sigh--.
+There! Little girl; don't cry!
+
+
+ _A Scrawl_
+
+I want to sing something-- but this is all--
+I try and I try, but the rhymes are dull
+As though they were damp, and the echoes fall
+Limp and unlovable.
+
+Words will not say what I yearn to say--
+They will not walk as I want them to,
+But they stumble and fall in the path of the way
+Of my telling my love for you.
+
+Simply take what the scrawl is worth--
+Knowing I love you as sun the sod
+On the ripening side of the great round earth
+That swings in the smile of God.
+
+
+ _Away_
+
+I cannot say, and I will not say
+That he is dead--. He is just away!
+
+With a cheery smile, and a wave of the hand
+He has wandered into an unknown land,
+
+And left us dreaming how very fair
+It needs must be, since he lingers there.
+
+And you-- O you, who the wildest yearn
+For the old-time step and the glad return--,
+
+Think of him faring on, as dear
+In the love of There as the love of Here;
+
+And loyal still, as he gave the blows
+Of his warrior-strength to his country's foes--.
+
+Mild and gentle, as he was brave--,
+When the sweetest love of his life he gave
+
+To simple things--: Where the violets grew
+Blue as the eyes they were likened to,
+
+The touches of his hands have strayed
+As reverently as his lips have prayed:
+
+When the little brown thrush that harshly chirred
+Was dear to him as the mocking-bird;
+
+And he pitied as much as a man in pain
+A writhing honey-bee wet with rain--.
+
+Think of him still as the same, I say:
+He is not dead-- he is just away!
+
+
+ _Who Bides His Time_
+
+Who bides his time, and day by day
+Faces defeat full patiently,
+And lifts a mirthful roundelay,
+However poor his fortunes be--,
+He will not fail in any qualm
+Of poverty-- the paltry dime
+It will grow golden in his palm,
+Who bides his time.
+
+Who bides his time-- he tastes the sweet
+Of honey in the saltest tear;
+And though he fares with slowest feet,
+Joy runs to meet him, drawing near;
+The birds are heralds of his cause;
+And like a never-ending rhyme,
+The roadsides bloom in his applause,
+Who bides his time.
+
+Who bides his time, and fevers not
+In the hot race that none achieves,
+Shall wear cool-wreathen laurel, wrought
+With crimson berries in the leaves;
+And he shall reign a goodly king,
+And sway his hand o'er every clime,
+With peace writ on his signet-ring,
+Who bides his time.
+
+
+ _From the Headboard of a Grave in Paraguay_
+
+A troth, and a grief, and a blessing,
+Disguised them and came this way--,
+And one was a promise, and one was a doubt,
+And one was a rainy day.
+
+And they met betimes with this maiden,
+And the promise it spake and lied,
+And the doubt it gibbered and hugged itself,
+And the rainy day-- she died.
+
+
+ _Laughter Holding Both His Sides_
+
+Ay, thou varlet! Laugh away!
+All the world's a holiday!
+Laugh away, and roar and shout
+Till thy hoarse tongue lolleth out!
+Bloat thy cheeks, and bulge thine eyes
+Unto bursting; pelt thy thighs
+With thy swollen palms, and roar
+As thou never hast before!
+Lustier! Wilt thou! Peal on peal!
+Stiflest? Squat and grind thy heel--
+Wrestle with thy loins, and then
+Wheeze thee whiles, and whoop again!
+
+
+ _Fame_
+
+ 1
+Once, in a dream, I saw a man,
+With haggard face and tangled hair,
+And eyes that nursed as wild a care
+As gaunt Starvation ever can;
+And in his hand he held a wand
+Whose magic touch gave life and thought
+Unto a form his fancy wrought
+And robed with coloring so grand,
+It seemed the reflex of some child
+Of Heaven, fair and undefiled--
+A face of purity and love--
+To woo him into worlds above:
+And as I gazed with dazzled eyes,
+A gleaming smile lit up his lips
+As his bright soul from its eclipse
+Went flashing into Paradise.
+Then tardy Fame came through the door
+And found a picture-- nothing more.
+
+ 2
+And once I saw a man alone,
+In abject poverty, with hand
+Uplifted o'er a block of stone
+That took a shape at his command
+And smiled upon him, fair and good--
+A perfect work of womanhood,
+Save that the eyes might never weep,
+Nor weary hands be crossed in sleep,
+Nor hair that fell from crown to wrist,
+Be brushed away, caressed and kissed.
+And as in awe I gazed on her,
+I saw the sculptor's chisel fall--
+I saw him sink, without a moan,
+Sink life less at the feet of stone,
+And lie there like a worshipper.
+Fame crossed the threshold of the hall,
+And found a statue-- that was all.
+
+ 3
+And once I saw a man who drew
+A gloom about him like cloak,
+And wandered aimlessly. The few
+Who spoke of him at all, but spoke
+Disparagingly of a mind
+The Fates had faultily designed:
+Too indolent for modern times--
+Too fanciful, and full of whims--
+For talking to himself in rhymes,
+And scrawling never-heard-of hymns,
+The idle life to which he clung
+Was worthless as the songs he sung!
+I saw him, in my vision, filled
+With rapture o'er a spray of bloom
+The wind threw in his lonely room;
+And of the sweet perfume it spilled
+He drank to drunkenness, and flung
+His long hair back, and laughed and sung
+And clapped his hands as children do
+At fairy tales they listen to,
+While from his flying quill there dripped
+Such music on his manuscript
+That he who listens to the words
+May close his eyes and dream the birds
+Are twittering on every hand
+A language he can understand.
+He journeyed on through life unknown,
+Without one friend to call his own;
+He tired. No kindly hand to press
+The cooling touch of tenderness
+Upon his burning brow, nor lift
+To his parched lips God's freest gift--
+No sympathetic sob or sigh
+Of trembling lips-- no sorrowing eye
+Looked out through tears to see him die.
+And Fame her greenest laurels brought
+To crown a head that heeded not.
+
+And this is Fame! A thing indeed,
+That only comes when least the need:
+The wisest minds of every age
+The book of life from page to page
+Have searched in vain; each lesson conned
+Will promise it the page beyond--
+Until the last, when dusk of night
+Falls over it, and reason's light
+Is smothered by that unknown friend
+Who signs his nom de plume, The End.
+
+
+ _The Ripest Peach_
+
+The ripest peach is highest on the tree--
+And so her love, beyond the reach of me,
+Is dearest in my sight. Sweet breezes bow
+Her heart down to me where I worship now!
+
+She looms aloft where every eye may see
+The ripest peach is highest on the tree.
+Such fruitage as her love I know, alas!
+I may not reach here from the orchard grass.
+
+I drink the sunshine showered past her lips
+As roses drain the dewdrop as it drips.
+The ripest peach is highest on the tree,
+And so mine eyes gaze upward eagerly.
+
+Why-- why do I not turn away in wrath
+And pluck some heart here hanging in my path--?
+Lover's lower boughs bend with them-- but, ah me!
+The ripest peach is highest on the tree!
+
+
+ _A Fruit Piece_
+
+The afternoon of summer folds
+Its warm arms round the marigolds,
+
+And with its gleaming fingers, pets
+The watered pinks and violets
+
+That from the casement vases spill,
+Over the cottage window-sill,
+
+Their fragrance down the garden walks
+Where droop the dry-mouthed hollyhocks.
+
+How vividly the sunshine scrawls
+The grape-vine shadows on the walls!
+
+How like a truant swings the breeze
+In high boughs of the apple-trees!
+
+The slender "free-stone" lifts aloof,
+Full languidly above the roof,
+
+A hoard of fruitage, stamped with gold
+And precious mintings manifold.
+
+High up, through curled green leaves, a pear
+Hangs hot with ripeness here and there.
+
+Beneath the sagging trellisings,
+In lush, lack-lustre clusterings,
+
+Great torpid grapes, all fattened through
+With moon and sunshine, shade and dew,
+
+Until their swollen girths express
+But forms of limp deliciousness--
+
+Drugged to an indolence divine
+With heaven's own sacramental wine.
+
+
+ _Their Sweet Sorrow_
+
+They meet to say farewell: Their way
+Of saying this is hard to say--.
+He holds her hand an Instant, wholly
+Distressed-- and she unclasps it slowly,
+
+He lends his gaze evasively
+Over the printed page that she
+Recurs to, with a new-moon shoulder
+Glimpsed from the lace-mists that infold her.
+
+The clock, beneath its crystal cup,
+Discreetly clicks-- "Quick! Act! Speak up!"
+A tension circles both her slender
+Wrists-- and her raised eyes flash in splendor,
+
+Even as he feels his dazzled own--.
+Then blindingly, round either thrown,
+They feel a stress of arms that ever
+Strain tremblingly-- and "Never! Never!"
+
+Is whispered brokenly, with half
+A sob, like a belated laugh--,
+While cloyingly their blurred kiss closes--,
+Sweet as the dew's lip to the rose's.
+
+
+ _John McKeen_
+
+John McKeen, in his rusty dress,
+His loosened collar, and swarthy throat,
+His face unshaven, and none the less,
+His hearty laugh and his wholesomeness,
+And the wealth of a workman's vote!
+
+Bring him, O Memory, here once more,
+And tilt him back in his Windsor chair
+By the kitchen stove, when the day is o'er
+And the light of the hearth is across the floor,
+And the crickets everywhere!
+
+And let their voices be gladly blent
+With a watery jingle of pans and spoons,
+And a motherly chirrup of sweet content,
+And neighborly gossip and merriment,
+And old-time fiddle-tunes!
+
+Tick the clock with a wooden sound,
+And fill the hearing with childish glee
+Of rhyming riddle, or story found
+In the Robinson Crusoe, leather-bound
+Old book of the Used-to-be!
+
+John McKeen of the Past! Ah John,
+To have grown ambitious in worldly ways--!
+To have rolled your shirt-sleeves down, to don
+A broadcloth suit, and forgetful, gone
+Out on election days!
+
+John ah, John! Did it prove your worth
+To yield you the office you still maintain--?
+To fill your pockets, but leave the dearth
+Of all the happier things on earth
+To the hunger of heart and brain?
+
+Under the dusk of your villa trees,
+Edging the drives where your blooded span
+Paw the pebbles and wait your ease--,
+Where are the children about your knees,
+And the mirth, and the happy man?
+
+The blinds of your mansion are battened to;
+Your faded wife is a close recluse;
+And your "finished" daughters will doubtless do
+Dutifully all that is willed of you,
+And marry as you shall choose--!
+
+But O for the old-home voices, blent
+With the watery jingle of pans and spoons,
+And the motherly chirrup of glad content,
+And neighborly gossip and merriment,
+And the old-time fiddle-tunes!
+
+ _Out of Nazareth_
+
+"He shall sleep unscathed of thieves
+Who loves Allah and believes."
+Thus heard one who shared the tent,
+In the far-off Orient,
+Of the Bedouin ben Ahrzz--
+Nobler never loved the stars
+Through the palm-leaves nigh the dim
+Dawn his courser neighed to him!
+
+He said: "Let the sands be swarmed
+With such thieves as I, and thou
+Shalt at morning rise unharmed,
+Light as eyelash to the brow
+Of thy camel amber-eyed,
+Ever munching either side,
+Striding still, with nestled knees,
+Through the midnight's oases."
+
+"Who can rob thee an thou hast
+More than this that thou hast cast
+At my feet-- this dust of gold?
+Simply this and that, all told!
+Hast thou not a treasure of
+Such a thing as men call love?"
+
+"Can the dusky band I lead
+Rob thee of thy daily need
+Of a whiter soul, or steal
+What thy lordly prayers reveal?
+Who could be enriched of thee
+By such hoard of poverty
+As thy niggard hand pretends
+To dole me-- thy worst of friends?
+Therefore shouldst thou pause to bless
+One indeed who blesses thee:
+Robbing thee, I dispossess
+But myself--. Pray thou for me!"
+
+He shall sleep unscathed of thieves
+Who loves Allah and believes.
+
+
+ _September Dark_
+
+ 1
+The air falls chill;
+The whippoorwill
+Pipes lonesomely behind the Hill:
+The dusk grows dense,
+The silence tense;
+And lo, the katydids commence.
+
+ 2
+Through shadowy rifts
+Of woodland lifts
+The low, slow moon, and upward drifts,
+While left and right
+The fireflies' light
+Swirls eddying in the skirts of Night.
+
+ 3
+O Cloudland gray
+And level lay
+Thy mists across the face of Day!
+At foot and head,
+Above the dead
+O Dews, weep on uncomforted!
+
+
+ _We To Sigh Instead of Sing_
+
+"Rain and rain! And rain and rain!"
+Yesterday we muttered
+Grimly as the grim refrain
+That the thunders uttered:
+All the heavens under cloud--
+All the sunshine sleeping;
+All the grasses limply bowed
+With their weight of weeping.
+
+Sigh and sigh! And sigh and sigh!
+Never end of sighing;
+Rain and rain for our reply--
+Hopes half drowned and dying;
+Peering through the window-pane,
+Naught but endless raining--
+Endless sighing, and as vain,
+Endlessly complaining,
+
+Shine and shine! And shine and shine!
+Ah! To-day the splendor--!
+All this glory yours and mine--
+God! But God is tender!
+We to sigh instead of sing,
+Yesterday, in sorrow,
+While the Lord was fashioning
+This for our To-morrow!
+
+
+ _The Blossoms on the Trees_
+
+Blossoms crimson, white, or blue,
+Purple, pink, and every hue,
+From sunny skies, to tintings drowned
+In dusky drops of dew,
+I praise you all, wherever found,
+And love you through and through--;
+But, Blossoms On The Trees,
+With your breath upon the breeze
+There's nothing all the world around
+As half as sweet as you!
+
+Could the rhymer only wring
+All the sweetness to the lees
+Of all the kisses clustering
+In juicy Used-to-bes,
+To dip his rhymes therein and sing
+The blossoms on the trees--,
+"O Blossoms on the Trees,"
+He would twitter, trill, and coo,
+"However sweet, such songs as these
+Are not as sweet as you--:
+For you are blooming melodies
+The eyes may listen to!"
+
+
+ _Last Night-- And This_
+
+Last night-- how deep the darkness was!
+And well I knew its depths, because
+I waded it from shore to shore,
+Thinking to reach the light no more.
+
+She would not even touch my hand---.
+The winds rose and the cedars fanned
+The moon out, and the stars fled back
+In heaven and hid-- and all was black!
+
+But ah! To-night a summons came,
+Signed with a tear-drop for a name,
+For as I wondering kissed it, lo
+A line beneath it told me so.
+
+And now-- the moon hangs over me
+A disk of dazzling brilliancy,
+And every star-tip stabs my sights
+With splintered glitterings of light!
+
+
+ _A Discouraging Model_
+
+Just the airiest, fairiest slip of a thing,
+With a Gainsborough hat, like a butterfly's wing,
+Tilted up at one side with the jauntiest air,
+And a knot of red roses sown in under there
+Where the shadows are lost in her hair.
+
+Then a cameo face, carven in on a ground
+Of that shadowy hair where the roses are wound;
+And the gleam of a smile, O as fair and as faint
+And as sweet as the master of old used to paint
+Round the lips of their favorite saint!
+
+And that lace at her throat-- and fluttering hands
+Snowing there, with a grace that no art understands,
+The flakes of their touches-- first fluttering at
+The bow-- then the roses-- the hair and then that
+Little tilt of the Gainsborough hat.
+
+Ah, what artist on earth with a model like this,
+Holding not on his palette the tint of a kiss,
+Nor a pigment to hint of the hue of her hair
+Nor the gold of her smile-- O what artist could dare
+To expect a result half so fair?
+
+
+ _Back From a Two-years' Sentence_
+
+Back from a two-years' sentence!
+And though it had been ten,
+You think, I were scarred no deeper
+In the eyes of my fellow-men.
+"My fellow-men--?" Sounds like a satire,
+You think-- and I so allow,
+Here in my home since childhood,
+Yet more than a stranger now!
+
+Pardon--! Not wholly a stranger--,
+For I have a wife and child:
+That woman has wept for two long years,
+And yet last night she smiled--!
+Smiled, as I leapt from the platform
+Of the midnight train, and then--
+All that I knew was that smile of hers,
+And our babe in my arms again!
+
+Back from a two-years' sentence--
+But I've thought the whole thing through--,
+A hint of it came when the bars swung back
+And I looked straight up in the blue
+Of the blessed skies with my hat off!
+O-ho! I've a wife and child:
+That woman has wept for two long years,
+And yet last night she smiled!
+
+
+ _The Wandering Jew_
+
+The stars are falling, and the sky
+Is like a field of faded flowers;
+The winds on weary wings go by;
+The moon hides, and the tempest lowers;
+And still through every clime and age
+I wander on a pilgrimage
+That all men know an idle quest,
+For that the goal I seek is-- Rest!
+
+I hear the voice of summer streams,
+And following, I find the brink
+Of cooling springs, with childish dreams
+Returning as I bend to drink--
+But suddenly, with startled eyes,
+My face looks on its grim disguise
+Of long gray beard; and so, distressed,
+I hasten on, nor taste of rest.
+
+I come upon a merry group
+Of children in the dusky wood,
+Who answer back the owlet's whoop,
+That laughs as it had understood;
+And I would pause a little space,
+But that each happy blossom-face
+Is like to one His hands have blessed
+Who sent me forth in search of rest.
+
+Sometimes I fain would stay my feet
+In shady lanes, where huddled kine
+Couch in the grasses cool and sweet,
+And lift their patient eyes to mine;
+But I, for thoughts that ever then
+Go back to Bethlehem again,
+Must needs fare on my weary quest,
+And weep for very need of rest.
+
+Is there no end? I plead in vain:
+Lost worlds nor living answer me.
+Since Pontius Pilate's awful reign
+Have I not passed eternity?
+Have I not drunk the fetid breath
+Of every fevered phase of death,
+And come unscathed through every pest
+And scourge and plague that promised rest?
+
+Have I not seen the stars go out
+That shed their light o'er Galilee,
+And mighty kingdoms tossed about
+And crumbled clod-like in the sea?
+Dead ashes of dead ages blow
+And cover me like drifting snow,
+And time laughs on as 'twere a jest
+That I have any need of rest.
+
+ _Becalmed_
+
+ 1
+Would that the winds might only blow
+As they blew in the golden long ago--!
+Laden with odors of Orient isles
+Where ever and ever the sunshine smiles,
+And the bright sands blend with the shady trees,
+And the lotus blooms in the midst of these.
+
+ 2
+Warm winds won from the midland vales
+To where the tress of the Siren trails
+O'er the flossy tip of the mountain phlox
+And the bare limbs twined in the crested rocks,
+High above as the seagulls flap
+Their lopping wings at the thunder-clap.
+
+ 3
+Ah! That the winds might rise and blow
+The great surge up from the port below,
+Bloating the sad, lank, silken sails
+Of the Argo out with the swift, sweet gales
+That blew from Colchis when Jason had
+His love's full will and his heart was glad--
+When Medea's voice was soft and low.
+Ah! That the winds might rise and blow!
+
+
+ _To Santa Claus_
+
+Most tangible of all the gods that be,
+O Santa Claus-- our own since Infancy!
+As first we scampered to thee-- now, as then,
+Take us as children to thy heart again.
+
+Be wholly good to us, just as of old:
+As a pleased father, let thine arms infold
+Us, homed within the haven of thy love,
+And all the cheer and wholesomeness thereof.
+
+Thou lone reality, when O so long
+Life's unrealities have wrought us wrong:
+Ambition hath allured us--, fame likewise,
+And all that promised honor in men's eyes.
+
+Throughout the world's evasions, wiles, and shifts,
+Thou only bidest stable as thy gifts--:
+A grateful king re-ruleth from thy lap,
+Crowned with a little tinselled soldier-cap:
+
+A mighty general-- a nation's pride--
+Thou givest again a rocking-horse to ride,
+And wildly glad he groweth as the grim
+Old jurist with the drum thou givest him:
+
+The sculptor's chisel, at thy mirth's command,
+Is as a whistle in his boyish hand;
+The painters model fadeth utterly,
+And there thou standest--, and he painteth thee--:
+
+Most like a winter pippin, sound and fine
+And tingling-red that ripe old face of thine,
+Set in thy frosty beard of cheek and chin
+As midst the snows the thaws of spring set in.
+
+Ho! Santa Claus-- our own since Infancy--
+Most tangible of all the gods that be--!
+As first we scampered to thee-- now, as then,
+Take us as children to thy heart again.
+
+
+ _Where the Children used to Play_
+
+The old farm-home is Mother's yet and mine,
+And filled it is with plenty and to spare--,
+But we are lonely here in life's decline,
+Though fortune smiles around us everywhere:
+We look across the gold
+Of the harvests, as of old--
+The corn, the fragrant clover, and the hay;
+But most we turn our gaze,
+As with eyes of other days,
+To the orchard where the children used to play.
+
+O from our life's full measure
+And rich hoard of worldly treasure
+We often turn our weary eyes away,
+And hand in hand we wander
+Down the old path winding yonder
+To the orchard where the children used to play.
+
+Our sloping pasture-lands are filled with herds;
+The barn and granary-bins are bulging o'ver;
+The grove's a paradise of singing birds--
+The woodland brook leaps laughing by the door;
+Yet lonely, lonely still,
+Let us prosper as we will,
+Our old hearts seem so empty everyway--
+We can only through a mist
+See the faces we have kissed
+In the orchard where the children used to play.
+
+O from our life's full measure
+And rich hoard of worldly treasure
+We often turn our weary eyes away,
+And hand in hand we wander
+Down the old path winding yonder
+To the orchard where the children used to play.
+
+
+ _A Glimpse of Pan_
+
+I caught but a glimpse of him. Summer was here.
+And I strayed from the town and its dust and heat.
+And walked in a wood, while the noon was near,
+Where the shadows were cool, and the atmosphere
+Was misty with fragrances stirred by my feet
+From surges of blossoms that billowed sheer
+Of the grasses, green and sweet.
+
+And I peered through a vista of leaning tree,
+Tressed with long tangles of vines that swept
+To the face of a river, that answered these
+With vines in the wave like the vines in the breeze,
+Till the yearning lips of the ripples crept
+And kissed them, with quavering ecstasies,
+And wistfully laughed and wept
+
+And there, like a dream in swoon, I swear
+I saw Pan lying--, his limbs in the dew
+And the shade, and his face in the dazzle and glare
+Of the glad sunshine; while everywhere,
+Over across, and around him blew
+Filmy dragon-flies hither and there,
+And little white butterflies, two and two,
+In eddies of odorous air.
+
+
+
+ Sonnets
+
+
+
+ _Pan_
+
+This Pan is but an idle god, I guess,
+Since all the fair midsummer of my dreams
+He loiters listlessly by woody streams,
+Soaking the lush glooms up with laziness;
+Or drowsing while the maiden-winds caress
+Him prankishly, and powder him with gleams
+Of sifted sunshine. And he ever seems
+Drugged with a joy unutterable-- unless
+His low pipes whistle hints of it far out
+Across the ripples to the dragon-fly
+That like a wind-born blossom blown about,
+Drops quiveringly down, as though to die--
+Then lifts and wavers on, as if in doubt
+Whether to fan his wings or fly without.
+
+
+ _Dusk_
+
+The frightened herds of clouds across the sky
+Trample the sunshine down, and chase the day
+Into the dusky forest-lands of gray
+And sombre twilight. Far and faint, and high,
+The wild goose trails his harrow, with a cry
+Sad as the wail of some poor castaway
+Who sees a vessel drifting far astray
+Of his last hope, and lays him down to die.
+The children, riotous from school, grow bold
+And quarrel with the wind whose angry gust
+Plucks off the summer-hat, and flaps the fold
+Of many a crimson cloak, and twirls the dust
+In spiral shapes grotesque, and dims the gold
+Of gleaming tresses with the blur of rust.
+
+
+ _June_
+
+O queenly month of indolent repose!
+I drink thy breath in sips of rare perfume,
+As in thy downy lap of clover-bloom
+I nestle like a drowsy child and doze
+The lazy hours away. The zephyr throws
+The shifting shuttle of the Summer's loom
+And weaves a damask-work of gleam and gloom
+Before thy listless feet. The lily blows
+A bugle-call of fragrance o'er the glade;
+And wheeling into ranks, with plume and spear,
+Thy harvest-armies gather on parade;
+While faint and far away, yet pure and clear,
+A voice calls out of alien lands of shade--:
+All hail the Peerless Goddess of the Year!
+
+
+ _Silence_
+
+Thousands of thousands of hushed years ago,
+Out on the edge of Chaos, all alone
+I stood on peaks of vapor, high upthrown
+Above a sea that knew nor ebb nor flow,
+Nor any motion won of winds that blow,
+Nor any sound of watery wail or moan,
+Nor lisp of wave, nor wandering undertone
+Of any tide lost in the night below.
+So still it was, I mind me, as I laid
+My thirsty ear against mine own faint sigh
+To drink of that, I sipped it, half afraid
+'Twas but the ghost of a dead voice spilled by
+The one starved star that tottered through the shade
+And came tiptoeing toward me down the sky.
+
+
+ _Sleep_
+
+Thou drowsy god, whose blurred eyes, half awink
+Muse on me--, drifting out upon thy dreams,
+I lave my soul as in enchanted streams
+Where revelling satyrs pipe along the brink,
+And tipsy with the melody they drink,
+Uplift their dangling hooves, and down the beams
+Of sunshine dance like motes. Thy languor seems
+An ocean-depth of love wherein I sink
+Like some fond Argonaut, right willingly--,
+Because of wooing eyes upturned to mine,
+And siren-arms that coil their sorcery
+About my neck, with kisses so divine,
+The heavens reel above me, and the sea
+Swallows and licks its wet lips over me.
+
+
+ _Her Hair_
+
+The beauty of her hair bewilders me--
+Pouring adown the brow, its cloven tide
+Swirling about the ears on either side
+And storming round the neck tumultuously:
+Or like the lights of old antiquity
+Through mullioned windows, in cathedrals wide
+Spilled moltenly o'er figures deified
+In chastest marble, nude of drapery.
+And so I love it--. Either unconfined;
+Or plaited in close braidings manifold;
+Or smoothly drawn; or indolently twined
+In careless knots whose coilings come unrolled
+At any lightest kiss; or by the wind
+Whipped out in flossy ravellings of gold.
+
+
+ _Dearth_
+
+I hold your trembling hand to-night-- and yet
+I may not know what wealth of bliss is mine,
+My heart is such a curious design
+Of trust and jealousy! Your eyes are wet--
+So must I think they jewel some regret--,
+And lo, the loving arms that round me twine
+Cling only as the tendrils of a vine
+Whose fruit has long been gathered: I forget,
+While crimson clusters of your kisses press
+Their wine out on my lips, my royal fair
+Of rapture, since blind fancy needs must guess
+They once poured out their sweetness otherwhere,
+With fuller flavoring of happiness
+Than e'en your broken sobs may now declare.
+
+
+ _A Voice From the Farm_
+
+It is my dream to have you here with me,
+Out of the heated city's dust and din--
+Here where the colts have room to gambol in,
+And kine to graze, in clover to the knee.
+I want to see your wan face happily
+Lit with the wholesome smiles that have not been
+In use since the old games you used to win
+When we pitched horseshoes: And I want to be
+At utter loaf with you in this dim land
+Of grove and meadow, while the crickets make
+Our own talk tedious, and the bat wields
+His bulky flight, as we cease converse and
+In a dusk like velvet smoothly take
+Our way toward home across the dewy fields.
+
+
+ _The Serenade_
+
+The midnight is not more bewildering
+To her drowsed eyes, than to her ears, the sound
+Of dim, sweet singing voices, interwound
+With purl of flute and subtle twang of string,
+Strained through the lattice, where the roses cling
+And, with their fragrance, waft the notes around
+Her haunted senses. Thirsting beyond bound
+Of her slow-yielding dreams, the lilt and swing
+Of the mysterious delirious tune,
+She drains like some strange opiate, with awed eyes
+Upraised against her casement, where aswoon,
+The stars fail from her sight, and up the skies
+Of alien azure rolls the full round moon
+Like some vast bubble blown of summer noon.
+
+
+ _Art and Love_
+
+He faced his canvas (as a seer whose ken
+Pierces the crust of this existence through)
+And smiled beyond on that his genius knew
+Ere mated with his being. Conscious then
+Of his high theme alone, he smiled again
+Straight back upon himself in many a hue
+And tint, and light and shade, which slowly grew
+Enfeatured of a fair girl's face, as when
+First time she smiles for love's sake with no fear.
+So wrought he, witless that behind him leant
+A woman, with old features, dim and sear,
+And glamoured eyes that felt the brimming tear,
+And with a voice, like some sad instrument,
+That sighing said, "I'm dead there; love me here!"
+
+
+ _Longfellow_
+
+The winds have talked with him confidingly;
+The trees have whispered to him; and the night
+Hath held him gently as a mother might,
+And taught him all sad tones of melody:
+The mountains have bowed to him; and the sea,
+In clamorous waves, and murmurs exquisite,
+Hath told him all her sorrow and delight--
+Her legends fair-- her darkest mystery.
+His verse blooms like a flower, night and day;
+Bees cluster round his rhymes; and twitterings
+Of lark and swallow, in an endless May,
+Are mingling with the tender songs he sings--.
+Nor shall he cease to sing-- in every lay
+Of Nature's voice he sings-- and will alway.
+
+
+ _Indiana_
+
+Our Land-- our Home-- the common home indeed
+Of soil-born children and adopted ones--
+The stately daughters and the stalwart sons
+Of Industry--: All greeting and godspeed!
+O home to proudly live for, and if need
+Be proudly die for, with the roar of guns
+Blent with our latest prayer--. So died men once...
+Lo Peace...! As we look on the land They freed--
+Its harvests all in ocean-over flow
+Poured round autumnal coasts in billowy gold--
+Its corn and wine and balmed fruits and flow'rs--,
+We know the exaltation that they know
+Who now, steadfast inheritors, behold
+The Land Elysian, marvelling "This is ours?"
+
+
+ _Time_
+
+ 1
+The ticking-- ticking-- ticking of the clock--!
+That vexed me so last night--! "For though Time keeps
+Such drowsy watch," I moaned, "he never sleeps,
+But only nods above the world to mock
+Its restless occupant, then rudely rock
+It as the cradle of a babe that weeps!"
+I seemed to see the seconds piled in heaps
+Like sand about me; and at every shock
+O' the bell, the piled sands were swirled away
+As by a desert-storm that swept the earth
+Stark as a granary floor, whereon the gray
+And mist-bedrizzled moon amidst the dearth
+Came crawling, like a sickly child, to lay
+Its pale face next mine own and weep for day.
+
+ 2
+Wait for the morning! Ah! We wait indeed
+For daylight, we who toss about through stress
+Of vacant-armed desires and emptiness
+Of all the warm, warm touches that we need,
+And the warm kisses upon which we feed
+Our famished lips in fancy! May God bless
+The starved lips of us with but one caress
+Warm as the yearning blood our poor hearts bleed...!
+A wild prayer--! Bite thy pillow, praying so--
+Toss this side, and whirl that, and moan for dawn;
+Let the clock's seconds dribble out their woe,
+And Time be drained of sorrow! Long ago
+We heard the crowing cock, with answer drawn
+As hoarsely sad at throat as sobs... Pray on!
+
+
+ Grant
+At Rest-- August 8, 1885
+
+ Sir Launcelot rode overthwart and endlong in a wide forest, and held no
+path but as wild adventure led him... And he returned and came again to his
+horse, and took off his saddle and his bridle, and let him pasture; and
+unlaced his helm, and ungirdled his sword, and laid him down to sleep upon
+his shield before the cross. --Age of Chivalary
+
+ _Grant_
+
+What shall we say of the soldier. Grant,
+His sword put by and his great soul free?
+How shall we cheer him now or chant
+His requiem befittingly?
+The fields of his conquest now are seen
+Ranged no more with his armed men--
+But the rank and file of the gold and green
+Of the waving grain is there again.
+
+Though his valiant life is a nation's pride,
+And his death heroic and half divine,
+And our grief as great as the world is wide,
+There breaks in speech but a single line--:
+We loved him living, revere him dead--!
+A silence then on our lips is laid:
+We can say no thing that has not been said,
+Nor pray one prayer that has not been prayed.
+
+But a spirit within us speaks: and lo,
+We lean and listen to wondrous words
+That have a sound as of winds that blow,
+And the voice of waters and low of herds;
+And we hear, as the song flows on serene,
+The neigh of horses, and then the beat
+Of hooves that skurry o'er pastures green,
+And the patter and pad of a boy's bare feet.
+
+A brave lad, wearing a manly brow,
+Knit as with problems of grave dispute,
+And a face, like the bloom of the orchard bough,
+Pink and pallid, but resolute;
+And flushed it grows as the clover-bloom,
+And fresh it gleams as the morning dew,
+As he reins his steed where the quick quails boom
+Up from the grasses he races through.
+
+And ho! As he rides what dreams are his?
+And what have the breezes to suggest--?
+Do they whisper to him of shells that whiz
+O'er fields made ruddy with wrongs redressed?
+Does the hawk above him an Eagle float?
+Does he thrill and his boyish heart beat high,
+Hearing the ribbon about his throat
+Flap as a Flag as the winds go by?
+
+And does he dream of the Warrior's fame--
+This Western boy in his rustic dress?
+For in miniature, this is the man that came
+Riding out of the Wilderness--!
+The selfsame figure-- the knitted brow--
+The eyes full steady-- the lips full mute--
+And the face, like the bloom of the orchard bough,
+Pink and pallid, but resolute.
+
+Ay, this is the man, with features grim
+And stoical as the Sphinx's own,
+That heard the harsh guns calling him,
+As musical as the bugle blown,
+When the sweet spring heavens were clouded o'er
+With a tempest, glowering and wild,
+And our country's flag bowed down before
+Its bursting wrath as a stricken child.
+
+Thus, ready mounted and booted and spurred,
+He loosed his bridle and dashed away--!
+Like a roll of drums were his hoof-beats heard,
+Like the shriek of the fife his charger's neigh!
+And over his shoulder and backward blown,
+We heard his voice, and we saw the sod
+Reel, as our wild steeds chased his own
+As though hurled on by the hand of God!
+
+And still, in fancy, we see him ride
+In the blood-red front of a hundred frays,
+His face set stolid, but glorified
+As a knight's of the old Arthurian days:
+And victor ever as courtly too,
+Gently lifting the vanquished foe,
+And staying him with a hand as true
+As dealt the deadly avenging blow.
+
+So brighter than all of the cluster of stars
+Of the flag enshrouding his form to-day,
+His face shines forth from the grime of wars
+With a glory that shall not pass away:
+He rests at last: he has borne his part
+Of salutes and salvos and cheers on cheers--
+But O the sobs of his country's heart,
+And the driving rain of a nations tears!
+
+
+
+
+ In Dialect
+
+
+ _Old Fashioned Roses_
+
+They ain't no style about 'em,
+And they're sorto' pale and faded,
+Yit the doorway here, without 'em,
+Would be lonesomer, and shaded
+With a good 'eal blacker shudder
+Than the morning-glories makes,
+And the sunshine would look sadder
+Fer their good old-fashion' sakes.
+
+I like 'em 'cause they kindo'--
+Sorto' make a feller like 'em!
+And I tell you, when I find a
+Bunch out whur the sun kin strike 'em,
+It allus sets me thinkin'
+O' the ones 'at used to grow
+And peek in thro' the chinkin'
+O' the cabin, don't you know!
+
+And then I think o' mother,
+And how she ust to love 'em--
+When they wuzn't any other,
+'Less she found 'em up above 'em!
+And her eyes, afore she shut 'em,
+Whispered with a smile and said
+We must pick a bunch and putt 'em
+In her hand when she wuz dead.
+
+But as I wuz a-sayin',
+They ain't no style about 'em
+Very gaudy er displayin',
+But I wouldn't be without 'em--,
+'Cause I'm happier in these posies,
+And the hollyhawks and sich,
+Than the hummin'-bird 'at noses
+In the roses of the rich.
+
+
+ _Griggsby's Station_
+
+Pap's got his patent-right, and rich is all creation;
+But where's the peace and comfort that we all had before?
+Le's go a-visitin' back to Griggsby's Station--
+Back where we ust to be so happy and so pore!
+
+The likes of us a-livin' here! It's jest a mortal pity
+To see us in this great big house, with cyarpets on the stairs,
+And the pump right in the kitchen! And the city! City! City
+And nothin' but the city all around us ever'wheres!
+
+Climb clean above the roof and look from the steeple,
+And never see a robin, nor a beech or ellum tree!
+And right here in ear-shot of at least a thousan' people,
+And none that neighbors with us or we want to go and see!
+
+Le's go a-visitin' back to Griggsby's Station--
+Back where the latch-strings a-hangin' from the door,
+And ever' neighbor round the place is dear as a relation--
+Back where we ust to be so happy and so pore!
+
+I want to see the Wiggenses, the whole kit-and-bilin',
+A-drivin' up from Shallor Ford to stay the Sunday through;
+And I want to see 'em hitchin' at their son-in-law's and pilin'
+Out there at 'Lizy Ellen's like they ust to do!
+
+I want to see the piece-quilts the Jones girls is makin';
+And I want to pester Laury 'bout their freckled hired hand,
+And joke her 'bout the widower she come purt' nigh a-takin',
+Till her Pap got his pension 'lowed in time to save his land.
+
+Le's go a-visitin' back to Griggsby's Station--
+Back where they's nothin' aggervatin' any more,
+Shet away safe in the woods around the old location--
+Back where we ust to be so happy and so pore!
+
+I want to see Marindy and he'p her with her sewin',
+And hear her talk so lovin' of her man that's dead and gone,
+And stand up with Emanuel to show me how he's growin',
+And smile as I have saw her 'fore she putt her mournin' on.
+
+And I want to see the Samples, on the old lower eighty,
+Where John, our oldest boy, he was tuk and burried-- for
+His own sake and Katy's--, and I want to cry with Katy
+As she reads all his letters over, writ from The War.
+
+What's in all this grand life and high situation,
+And nary pink nor hollyhawk a-bloomin' at the door--?
+Le's go a-visitin' back to Griggsby's Station--
+Back where we ust to be so happy and so pore!
+
+
+ _Knee Deep in June_
+
+ 1
+Tell you what I like the best--
+'Long about knee-deep in June,
+'Bout the time strawberries melts
+On the vine--, some afternoon
+Like to jes' git out and rest,
+And not work at nothin' else!
+
+ 2
+Orchard's where I'd ruther be--
+Needn't fence it in fer me--!
+Jes' the whole sky overhead,
+And the whole airth underneath--
+Sorto' so's a man kin breathe
+Like he ort, and kindo' has
+Elbow-room to keerlessly
+Sprawl out len'thways on the grass
+Where the shadders thick and soft
+As the kivvers on the bed
+Mother fixes in the loft
+Allus, when they's company!
+
+ 3
+Jes' a-sorto' lazin' there--
+S'lazy, 'at you peeks and peer
+Through the wavin' leaves above,
+Like a feller 'ats in love
+And don't know it, ner don't keer!
+Ever'thing you hear and see
+Got some sort o' interest--
+Maybe find a bluebird's nest
+Tucked up there conveenently
+Fer the boy 'at's ap' to be
+Up some other apple-tree!
+Watch the swallers skootin' past
+'Bout as peert as you could ast;
+Er the Bob-white raise and whiz
+Where some other's whistle is.
+
+ 4
+Ketch a shadder down below,
+And look up to find the crow--
+Er a hawk--, away up there
+'Pearantly froze in the air--!
+Hear the old hen squawk, and squat
+Over ever' chick she's got,
+Suddent-like--! And she knows where
+That-air hawk is, well as you--!
+You jes' bet yer life she do--!
+Eyes a-glittern' like glass,
+Waitin' till he makes a pass!
+
+ 5
+Pee-wees' singin', to express
+My opinion, 's second class,
+Yit you'll hear 'em more er less;
+Sapsucks gittin' down to biz,
+Weedin' out the lonesomeness;
+Mr. Bluejay, full o' sass,
+In them base-ball clothes o' his,
+Sportin' round the orchard jes'
+Life he owned the premises!
+Sun out in the fields kin sizz,
+But flat on yer back, I guess,
+In the shade's where glory is!
+That's jes' what I'd like to do
+Stiddy fer a year er two!
+
+ 6
+Plague! Ef they ain't somepin' in
+Work 'at kindo' goes ag'in'
+My convictions--! 'Long about
+Here in June especially--!
+Under some old apple-tree,
+Jes' a-restin' through and through,
+I could git along without
+Nothin' else at all to do
+Only jes' a-wishin' you
+Wuz a-gittin' there like me,
+And June was eternity!
+
+ 7
+Lay out there and try to see
+Jes' how lazy you kin be--!
+Tumble round and souse yer head
+In the clover-bloom, er pull
+Yer straw hat acrost yer eyes
+And peek through it at the skies,
+Thinkin' of old chums 'at's dead,
+Maybe, smilin' back at you
+In betwixt the 'beautiful
+Clouds o' gold and white and blue--!
+Month a man kin railly love
+June, you know, I'm talkin' of!
+
+ 8
+March ain't never nothin' new--!
+Aprile's altogether too
+Brash fer me! And May-- I jes'
+'Bominate its promises--,
+Little hints o' sunshine and
+Green around the timber-land--
+A few blossoms, and a few
+Chip-birds, and a sprout er two--,
+Drap asleep, and it turns in
+'Fore daylight and snows ag'in--!
+But when June comes-- Clear my th'oat
+With wild honey--! Rench my hair
+In the dew! And hold my coat!
+Whoop out loud! And th'ow my hat--!
+June wants me, and I'm to spare!
+Spread them shadders anywhere,
+I'll git down and waller there,
+And obleeged to you at that!
+
+
+ _When The Hearse Comes Back_
+
+A thing 'at's 'bout as tryin' as a healthy man kin meet
+Is some poor feller's funeral a-joggin' 'long the street:
+The slow hearse and the hosses-- slow enough, to say at least,
+Fer to even tax the patience of gentleman deceased!
+The low scrunch of the gravel-- and the slow grind of the wheels--,
+The slow, slow go of ev'ry woe 'at ev'rybody feels!
+So I ruther like the contrast when I hear the whip-lash crack
+A quickstep fer the hosses,
+ When the
+ Hearse
+ Comes
+ Back!
+
+Meet it goin' to'rds the cimet'ry, you'll want to drap yer eyes--
+But ef the plumes don't fetch you, it'll ketch you otherwise--
+You'll haf to see the caskit, though you'd ort to look away
+And 'conomize and save yer sighs fer any other day!
+Yer sympathizin' won't wake up the sleeper from his rest--
+Yer tears won't thaw them hands o' his 'at's froze acrost his breast!
+And this is why-- when airth and sky's a gittin blurred and black--
+I like the flash and hurry
+ When the
+ Hearse
+ Comes
+ Back!
+
+It's not 'cause I don't 'preciate it ain't no time fer jokes,
+Ner 'cause I' got no common human feelin' fer the folks--;
+I've went to funerals myse'f, and tuk on some, perhaps--
+Fer my hearth's 'bout as mal'able as any other chap's--,
+I've buried father, mother-- But I'll haf to jes' git you
+To "excuse me," as the feller says--. The p'int I'm drivin' to
+Is simply when we're plum broke down and all knocked out o' whack,
+It he'ps to shape us up like,
+ When the
+ Hearse
+ Comes
+ Back!
+
+The idy! Wadin round here over shoe-mouth deep in woe,
+When they's a graded 'pike o' joy and sunshine don't you know!
+When evening strikes the pastur', cows'll pull out fer the bars,
+And skittish-like from out the night'll prance the happy stars.
+And so when my time comes to die, and I've got ary friend
+'At wants expressed my last request-- I'll mebby, rickommend
+To drive slow, ef they haf to, goin' 'long the out'ard track,
+But I'll smile and say, "You speed 'em
+ When the
+ Hearse
+ Comes
+ Back!"
+
+
+ _A Canary At the Farm_
+
+Folks has be'n to town, and Sahry
+Fetched 'er home a pet canary--,
+And of all the blame', contrary,
+Aggervatin' things alive!
+I love music-- that I love it
+When it's free-- and plenty of it--;
+But I kindo' git above it,
+At a dollar-eighty-five!
+
+Reason's plain as I'm a-sayin'--,
+Jes' the idy, now, o' layin'
+Out yer money, and a-payin'
+Fer a willer-cage and bird,
+When the medder-larks is wingin'
+Round you, and the woods is ringin'
+With the beautifullest singin'
+That a mortal ever heard!
+
+Sahry's sot, tho'--. So I tell her
+He's a purty little feller,
+With his wings o' creamy-yeller,
+And his eyes keen as a cat;
+And the twitter o' the critter
+'Pears to absolutely glitter!
+Guess I'll haf to go and git her
+A high-priceter cage 'n that!
+
+
+ _A Liz Town Humorist_
+
+Settin' round the stove, last night,
+Down at Wess's store, was me
+And Mart Strimples, Tunk, and White,
+And Doc Bills, and two er three
+Fellers o' the Mudsock tribe
+No use tryin' to describe!
+And says Doc, he says, says he--,
+"Talkin' 'bout good things to eat,
+Ripe mushmillon's hard to beat!"
+
+I chawed on. And Mart he 'lowed
+Wortermillon beat the mush--.
+"Red," he says, "and juicy-- Hush--!
+I'll jes' leave it to the crowd!"
+Then a Mudsock chap, says he--,
+"Punkin's good enough fer me--
+Punkin pies, I mean," he says--,
+Them beats millons--! What say, Wess?
+
+I chawed on. And Wess says--, "Well,
+You jes' fetch that wife of mine
+All yer wortermillon-rine--,
+And she'll bile it down a spell--
+In with sorghum, I suppose,
+And what else, Lord only knows--!
+But I'm here to tell all hands
+Them p'serves meets my demands!"
+
+I chawed on. And White he says--,
+"Well, I'll jes' stand, in with Wess--
+I'm no hog!" And Tunk says--, "I
+Guess I'll pastur' out on pie
+With the Mudsock boys!" says he;
+"Now what's yourn?" he says to me:
+I chawed on-- fer-- quite a spell
+Then I speaks up, slow and dry--,
+Jes' tobacker!" I-says-I--.
+And you'd ort o' heerd 'em yell!
+
+
+ _Kingry's Mill_
+
+On old Brandywine-- about
+Where White's Lots is now laid out,
+And the old crick narries down
+To the ditch that splits the town--,
+Kingry's Mill stood. Hardly see
+Where the old dam ust to be;
+Shallor, long, dry trought o' grass
+Where the old race ust to pass!
+
+That's be'n forty years ago--
+Forty years o' frost and snow--
+Forty years o' shade and shine
+Sence them boyhood-days o' mine--!
+All the old landmarks o' town.
+Changed about, er rotted down!
+Where's the Tanyard? Where's the Still?
+Tell me where's old Kingry's Mill?
+
+Don't seem furder back, to me,
+I'll be dogg'd! Than yisterd'y,
+Since us fellers, in bare feet
+And straw hats, went through the wheat,
+Cuttin' 'crost the shortest shoot
+Fer that-air old ellum root
+Jest above the mill-dam-- where
+The blame' cars now crosses there!
+
+Through the willers down the crick
+We could see the old mill stick
+Its red gable up, as if
+It jest knowed we'd stol'd the skiff!
+See the winders in the sun
+Blink like they wuz wonderun'
+What the miller ort to do
+With sich boys as me and you!
+
+But old Kingry--! Who could fear
+That old chap, with all his cheer--?
+Leanin' at the window-sill,
+Er the half-door o' the mill,
+Swoppin' lies, and pokin' fun,
+'N jigglin' like his hoppers done--
+Laughin' grists o' gold and red
+Right out o' the wagon-bed!
+
+What did he keer where we went--?
+"Jest keep out o' devilment,
+And don't fool around the belts,
+Bolts, ner burrs, ner nothin' else
+'Bout the blame machinery,
+And that's all I ast!" says-ee.
+Then we'd climb the stairs, and play
+In the bran-bins half the day!
+
+Rickollect the dusty wall,
+And the spider-webs, and all!
+Rickollect the trimblin' spout
+Where the meal come josslln' out--
+Stand and comb yer fingers through
+The fool-truck an hour er two--
+Felt so sorto' warm-like and
+Soothin' to a feller's hand!
+
+Climb, high up above the stream,
+And "coon" out the wobbly beam
+And peek down from out the lof'
+Where the weather-boards was off--
+Gee-mun-nee! w'y, it takes grit
+Even jest to think of it--!
+Lookin' 'way down there below
+On the worter roarin' so!
+
+Rickollect the flume, and wheel,
+And the worter slosh and reel
+And jest ravel out in froth
+Flossier'n satin cloth!
+Rickollect them paddles jest
+Knock the bubbles galley-west,
+And plunge under, and come up
+Drippin' like a worter-pup!
+
+And to see them old things gone
+That I onc't was bettin' on,
+In rale p'int o' fact, I feel
+kindo' like that worter-wheel--,
+Sorto' drippy-like and wet
+Round the eyes-- but paddlin' yet,
+And in mem'ry, loafin' still
+Down around old Kingry's Mill!
+
+
+ _Joney_
+
+Had a hare-lip-- Joney had:
+Spiled his looks, and Joney knowed it:
+Fellers tried to bore him, bad--
+But ef ever he got mad,
+He kep' still and never showed it.
+'Druther have his mouth all pouted
+And split up, and like it wuz,
+Than the ones 'at laughed about it.
+Purty is as purty does!
+
+Had to listen ruther clos't
+'Fore you knowed "what he wuz givin'
+You; and yet, without no boast,
+Joney he wuz jest the most
+Entertainin' talker livin'!
+Take the Scriptur's and run through 'em,
+Might say, like a' auctioneer,
+And 'ud argy and review 'em
+'At wuz beautiful to hear!
+
+Hare-lip and inpediment,
+Both wuz bad, and both ag'in' him--
+But the old folks where he went,
+'Preared like, knowin' his intent,
+'Scused his mouth fer what wuz in him.
+And the childern all loved Joney--
+And he loved 'em back, you bet--!
+Putt their arms around him-- on'y
+None had ever kissed him yet!
+
+In young company, someway,
+Boys 'ud grin at one another
+On the sly; and girls 'ud lay
+Low, with nothin' much to say,
+Er leave Joney with their mother.
+Many and many a time he's fetched 'em
+Candy by the paper sack,
+And turned right around and ketched 'em
+Makin mouths behind his back!
+
+S'prised sometimes, the slurs he took--.
+Chap said onc't his mouth looked sorter
+Like a fish's mouth 'ud look
+When he'd be'n jerked off the hook
+And plunked back into the worter--.
+Same durn feller-- it's su'prisin',
+But it's facts-- 'at stood and cherred
+From the bank that big babtizin'
+'Pike-bridge accident occurred--!
+
+Cherred for Joney while he give
+Life to little childern drowndin'!
+Which wuz fittenest to live--
+Him 'at cherred, er him 'at div'
+And saved thirteen lives...? They found one
+Body, three days later, floated
+Down the by-o, eight mile' south,
+All so colored-up and bloated--
+On'y knowed him by his mouth!
+
+Had a hare-lip-- Joney had--
+Folks 'at filed apast all knowed it--.
+Them 'at ust to smile looked sad,
+But ef he thought good er bad,
+He kep' still and never showed it.
+'Druther have that mouth, all pouted
+And split up, and like it wuz,
+Than the ones 'at laughed about it--.
+Purty is as purty does!
+
+
+ _Like His Mother Used To Make_
+
+"Uncle Jake's Place," St. Jo, Mo., 1874
+
+"I was born in Indiany," says a stranger, lank and slim,
+As us fellers in the restarunt was kindo' guyin' him,
+And Uncle Jake was slidin' him another punkin pie
+And a' extry cup o' coffee, with a twinkle in his eye.
+"I was born in Indiany-- more'n forty year' ago--
+I hain't be'n back in twenty-- and I'm workin' back'ards slow;
+But I've et in ever' restarunt 'twixt here and Santy Fee,
+And I want to state this coffee tastes like gittin' home, to me!"
+
+"Pour us out another, Daddy," says the feller, warmin' up,
+A-speakin' 'cost a saucerful, as Uncle tuk his cup--,
+"When I seed yer sign out yander," he went on, to Uncle Jake- -,
+"'Come in and git some coffee like yer mother used to make'--
+I thought of my old mother, and the Posey County farm,
+And me a little kid ag'in, a-hangin' in her arm,
+As she set the pot: a-bilin', broke the eggs and poured 'em in--"
+And the feller kindo' halted, with a trimble in his chin:
+
+And Uncle Jake he fetched the feller's coffee back, and stood
+As solemn, fer a minute, as a' undertaker would;
+Then he sorto' turned and tiptoed to'rds the kitchen door-- and nex',
+Here comes his old wife out with him, a-rubbin' of her specs--
+And she rushes fer the stranger, and she hollers out, "It's him--!
+Thank God we've met him comin'--! Don't you know, yer mother, Jim?"
+And the feller, as he grabbed her, says--, "You bet I hain't forgot--
+But," wipin' of his eyes, says he, "yer coffee's mighty hot!"
+
+
+ _The Train Misser_
+
+ At Union Station
+
+'Ll where in the world my eyes has bin--
+Ef I hain't missed that train ag'in!
+Chuff! And whistle! And toot! And ring!
+But blast and blister the dasted train--!
+How it does it I can't explain!
+Git here thirty-five minutes before
+The durn things due--! And, drat the thing
+It'll manage to git past-shore!
+
+The more I travel around, the more
+I got no sense--! To stand right here
+And let it beat me! 'Ll ding my melts!
+I got no gumption, ner nothin' else!
+Ticket Agent's a dad-burned bore--!
+Sell you a tickets all they keer--!
+Ticket Agents ort to all be
+
+Prosecuted-- and that's jes what--!
+How'd I know which train's fer me?
+And how'd I know which train was not--?
+Goern and comin' and gone astray,
+And backin' and switchin' ever'-which-way!
+
+Ef I could jes sneak round behind
+Myse'f, where I could git full swing,
+I'd lift my coat, and kick, by jing!
+Till I jes got jerked up and fined--!
+Fer here I stood, as a durn fool's apt
+To, and let that train jes chuff and choo
+Right apast me-- and mouth jes gapped
+Like a blamed old sandwitch warped in two!
+
+
+ _Granny_
+
+Granny's come to our house,
+And ho! My lawzy-daisy!
+All the childern round the place
+Is ist a-runnin' crazy!
+Fetched a cake fer little Jake,
+And fetched a pie fer Nanny,
+And fetched a pear fer all the pack
+That runs to kiss their Granny!
+
+Lucy Ellen's in her lap,
+And Wade and Silas Walker
+Both's a ridin' on her foot,
+And 'Pollos on the rocker;
+And Marthy's twins, from Aunt Marinn's
+And little Orphant Annie,
+All's a-eatin' gingerbread
+And giggle-un at Granny!
+
+Tells us all the fairy tales
+Ever thought er wundered--
+And 'bundance o' other stories--
+Bet she knows a hunderd--!
+
+Bob's the one fer "Whittington,"
+And "Golden Locks" fer Fanny!
+Hear 'em laugh and clap their hands,
+Listenin' at Granny!
+
+"Jack the Giant-Killer" 's good;
+And "Bean-Stalk" 's another--!
+So's the one of "Cinderell'"
+And her old godmother--;
+That-un's best of all the rest--
+Bestest one of any--,
+Where the mices scampers home
+Like we runs to Granny!
+
+Granny's come to our house,
+Ho! My lawzy-daisy!
+All the childern round the place
+Is ist a runnin' crazy!
+Fetched a cake fer little Jake,
+And fetched a pie fer Nanny,
+And fetched a pear fer all the pack
+That runs to kiss their Granny!
+
+
+ _Old October_
+
+Old October's purt' nigh gone,
+And the frosts is comin' on
+Little heavier every day--
+Like our hearts is thataway!
+Leaves is changin' overhead
+Back from green to gray and red,
+Brown and yeller, with their stems
+Loosenin' on the oaks and e'ms;
+And the balance of the trees
+Gittin' balder every breeze--
+Like the heads we're scratchin' on!
+Old October's purt' nigh gone.
+
+I love Old October so,
+I can't bear to see her go--
+Seems to me like losin' some
+Old-home relative er chum--
+'Pears like sorto' settin' by
+Some old friend 'at sigh by sigh
+Was a-passin' out o' sight
+Into everlastin' night!
+Hickernuts a feller hears
+Rattlin' down is more like tears
+Drappin' on the leaves below--
+I love Old October so!
+
+Can't tell what it is about
+Old October knock me out--!
+I sleep well enough at night--
+And the blamedest appetite
+Ever mortal man possessed--,
+Last thing et, it tastes the best--!
+Warnuts, butternuts, pawpaws,
+'Iles and limbers up my jaws
+Fer raal service, sich as new
+Pork, spareribs, and sausage, too--.
+Yit fer all, they's somepin' 'bout
+Old October knocks me out!
+
+
+ _Jim_
+
+He was jes a plain ever'-day, all-round kind of a jour.,
+Consumpted-Iookin'-- but la!
+The jokeiest, wittiest, story-tellin', song-singin', laughin'est, jolliest
+Feller you ever saw!
+Worked at jes coarse work, but you kin bet he was fine enough in his talk,
+And his feelin's too!
+Lordy! Ef he was on'y back on his bench ag'in to-day, a- carryin' on
+Like he ust to do!
+
+Any shopmate'll tell you there never was, on top o' dirt,
+A better feller'n Jim!
+You want a favor, and couldn't git it anywheres else--
+You could git it o' him!
+Most free-heartedest man thataway in the world, I guess!
+Give up ever' nickel he's worth--
+And ef you'd a-wanted it, and named it to him, and it was his,
+He'd a-give you the earth!
+
+Allus a reachin' out, Jim was, and a-he'ppin' some
+Pore feller onto his feet--
+He'd a-never a-keered how hungry he was hisse'f,
+So's the feller got somepin' to eat!
+Didn't make no differ'nce at all to him how he was dressed,
+He ust to say to me--,
+"You togg out a tramp purty comfortable in winter-time, a huntin' a job,
+And he'll git along!" says he.
+
+Jim didn't have, ner never could git ahead, so overly much
+O' this world's goods at a time--.
+'Fore now I've saw him, more'n onc't, lend a dollar, and haf to, more'n
+likely,
+Turn round and borry a dime!
+Mebby laugh and joke about it hisse'f fer awhile-- then jerk his coat,
+And kindo' square his chin,
+Tie on his apern, and squat hisse'f on his old shoe-bench,
+And go to peggin' ag'in!
+
+Patientest feller too, I reckon, 'at ever jes natchurly
+Coughed hisse'f to death!
+Long enough after his voice was lost he'd laugh in a whisper and say
+He could git ever'thing but his breath--
+"You fellers," he'd sorto' twinkle his eyes and say,
+"Is a-pilin' onto me
+A mighty big debt fer that-air little weak-chested ghost o' mine to pack
+Through all Eternity!"
+
+Now there was a man 'at jes 'peared-like, to me,
+'At ortn't a-never a-died!
+"But death hain't a-showin' no favors," the old boss said--
+"On'y to Jim!" and cried:
+And Wigger, who puts up the best sewed-work in the shop--
+Er the whole blame neighborhood--,
+He says, "When God made Jim, I bet you He didn't do anything else that day
+But jes set around and feel good!"
+
+ _To Robert Burns_
+
+Sweet Singer that I loe the maist
+O' ony, sin' wi' eager haste
+I smacket bairn-lips ower the taste
+O' hinnied sang,
+I hail thee, though a blessed ghaist
+In Heaven lang!
+
+For weel I ken, nae cantie phrase,
+Nor courtly airs, nor lairdly ways,
+Could gar me freer blame, or praise,
+Or proffer hand,
+Where "Rantin' Robbie" and his lays
+Thegither stand.
+
+And sae these hamely lines I send,
+Wi' jinglin' words at ilka end,
+In echo o' the sangs that wend
+Frae thee to me
+Like simmer-brooks, wi mony a bend
+O' wimplin' glee.
+
+In fancy, as wi' dewy een,
+I part the clouds aboon the scene
+Where thou wast born, and peer atween,
+I see nae spot
+In a' the Hielands half sae green
+And unforgot?
+
+I see nae storied castle-hall,
+Wi' banners flauntin' ower the wall
+And serf and page in ready call,
+Sae grand to me
+As ane puir cotter's hut, wi' all
+Its poverty.
+
+There where the simple daisy grew
+Sae bonnie sweet, and modest too,
+Thy liltin' filled its wee head fu'
+O' sic a grace,
+It aye is weepin' tears o' dew
+Wi' droopit face.
+
+Frae where the heather bluebells fling
+Their sangs o' fragrance to the Spring,
+To where the lavrock soars to sing,
+Still lives thy strain,
+For' a' the birds are twittering
+Sangs like thine ain.
+
+And aye, by light o' sun or moon,
+By banks o' Ayr, or Bonnie Doon,
+The waters lilt nae tender tune
+But sweeter seems
+Because they poured their limpid rune
+Through a' thy dreams.
+
+Wi' brimmin' lip, and laughin' ee,
+Thou shookest even Grief wi' glee,
+Yet had nae niggart sympathy
+Where Sorrow bowed,
+But gavest a' thy tears as free
+As a' thy gowd.
+
+And sae it is we be thy name
+To see bleeze up wi' sic a flame,
+That a' pretentious stars o' fame
+Maun blink asklent,
+To see how simple worth may shame
+Their brightest glent.
+
+
+ _A New Year's Time at Willards's_
+
+ 1
+ The Hired Man Talks
+
+There's old man Willards; an' his wife;
+An' Marg'et-- S'repty's sister--; an'
+There's me-- an' I'm the hired man;
+An' Tomps McClure, you better yer life!
+
+Well now, old Willards hain't so bad,
+Considerin' the chance he's had.
+Of course, he's rich, an' sleeps an' eats
+Whenever he's a mind to: Takes
+An' leans back in the Amen-seats
+An' thanks the Lord fer all he makes--.
+That's purty much all folks has got
+Ag'inst the old man, like as not!
+But there's his woman-- jes the turn
+Of them-air two wild girls o' hern--
+Marg'et an' S'repty-- allus in
+Fer any cuttin'-up concern--
+Church festibals, and foolishin'
+Round Christmas-trees, an' New Year's sprees--
+Set up to watch the Old Year go
+An' New Year come-- sich things as these;
+An' turkey-dinners, don't you know!
+S'repty's younger, an' more gay,
+An' purtier, an' finer dressed
+Than Marg'et is-- but, lawzy-day!
+She hain't the independentest!
+"Take care!" old Willards used to say,
+"Take care--! Let Marg'et have her way,
+An' S'repty, you go off an' play
+On your melodeum--!" But, best
+Of all, comes Tomps! An' I'll be bound,
+Ef he hain't jes the beatin'est
+Young chap in all the country round!
+Ef you knowed Tomps you'd like him, shore!
+They hain't no man on top o' ground
+Walks into my affections more--!
+An' all the Settlement'll say
+That Tomps was liked jes thataway
+By ever'body, till he tuk
+A shine to S'repty Willards--. Then
+You'd ort'o see the old man buck
+An' h'ist hisse'f, an' paw the dirt,
+An' hint that "common workin'-men
+That didn't want their feelin's hurt
+'Ud better hunt fer 'comp'ny' where
+The folks was pore an' didn't care--!"
+The pine-blank facts is--, the old man,
+Last Christmas was a year ago,
+Found out some presents Tomps had got
+Fer S'repty, an' hit made him hot--
+Set down an' tuk his pen in hand
+An' writ to Tomps an' told him so
+On legal cap, in white an' black,
+An' give him jes to understand
+"No Christmas-gifts o' 'lily-white'
+An' bear's-ile could fix matters right,"
+An' wropped 'em up an' sent 'em back!
+Well, S'repty cried an' snuffled round
+Consid'able. But Marg'et she
+Toed out another sock, an' wound
+Her knittin' up, an' drawed the tea,
+An' then set on the supper-things,
+An' went up in the loft an' dressed--
+An' through it all you'd never guessed
+What she was up to! An' she brings
+Her best hat with her an her shawl,
+An' gloves, an' redicule, an' all,
+An' injirubbers, an' comes down
+An' tells 'em she's a-goin' to town
+To he'p the Christmas goin's-on
+Her Church got up. An' go she does--
+The best hosswoman ever was!
+"An" what'll We do while you're gone?"
+The old man says, a-tryin' to be
+Agreeable. "Oh! You?" says she--,
+"You kin jaw S'repty, like you did,
+An' slander Tomps!" An' off she rid!
+
+Now, this is all I'm goin' to tell
+Of this-here story-- that is, I
+Have done my very level best
+As fur as this, an' here I "dwell,"
+As auctioneers says, winkin' sly:
+Hit's old man Willards tells the rest.
+
+ 2
+ The Old Man Talks
+
+Adzackly jes one year ago,
+This New Year's day, Tomps comes to me--
+In my own house, an' whilse the folks
+Was gittin' dinner--, an' he pokes
+His nose right in, an' says, says he:
+"I got yer note-- an' read it slow!
+You don't like me, ner I don't you,"
+He says--, "we're even there, you know!
+But you've said, furder that no gal
+Of yourn kin marry me, er shall,
+An' I'd best shet off comin', too!"
+An' then he says--, "Well, them's Your views--;
+But havin' talked with S'repty, we
+Have both agreed to disagree
+With your peculiar notions-- some;
+An', that s the reason, I refuse
+To quit a-comin' here, but come--
+Not fer to threat, ner raise no skeer
+An' spile yer turkey-dinner here--,
+But jes fer S'repty's sake, to sheer
+Yer New Year's. Shall I take a cheer?"
+
+Well, blame-don! Ef I ever see
+Sich impidence! I couldn't say
+Not nary word! But Mother she
+Sot out a cheer fer Tomps, an' they
+Shuk hands an' turnt their back on me.
+Then I riz-- mad as mad could be--!
+But Marg'et says--, "Now, Pap! You set
+Right where you're settin'--! Don't you fret!
+An' Tomps-- you warm yer feet!" says she,
+"An throw yer mitts an' comfert on
+The bed there! Where is S'repty gone!
+The cabbage is a-scortchin'! Ma,
+Stop cryin' there an' stir the slaw!"
+Well--! What was Mother cryin' fer--?
+I half riz up-- but Marg'et's chin
+Hit squared-- an' I set down ag'in--
+I allus was afeard o' her,
+I was, by jucks! So there I set,
+Betwixt a sinkin'-chill an' sweat,
+An' scuffled with my wrath, an' shet
+My teeth to mighty tight, you bet!
+An' yit, fer all that I could do,
+I eeched to jes git up an' whet
+The carvin'-knife a rasp er two
+On Tomps's ribs-- an' so would you--!
+Fer he had riz an' faced around,
+An' stood there, smilin', as they brung
+The turkey in, all stuffed an' browned--
+Too sweet fer nose, er tooth, er tongue!
+With sniffs o' sage, an' p'r'aps a dash
+Of old burnt brandy, steamin'-hot
+Mixed kindo' in with apple-mash
+An' mince-meat, an' the Lord knows what!
+Nobody was a-talkin' then,
+To 'filiate any awk'ardness--
+No noise o' any kind but jes
+The rattle o' the dishes when
+They'd fetch 'em in an' set 'em down,
+An' fix an' change 'em round an' round,
+Like women does-- till Mother says--,
+"Vittels is ready; Abner, call
+Down S'repty-- she's up-stairs, I guess--."
+And Marg'et she says, "Ef you bawl
+Like that, she'll not come down at all!
+Besides, we needn't wait till she
+Gits down! Here Temps, set down by me,
+An' Pap: say grace...!" Well, there I was--!
+What could I do! I drapped my head
+Behind my fists an' groaned; an' said--:
+"Indulgent Parent! In Thy cause
+We bow the head an' bend the knee
+An' break the bread, an' pour the wine,
+Feelin'--" (The stair-door suddently
+Went bang! An' S'repty flounced by me--)
+"Feelin'," I says, "this feast is Thine--
+This New Year's feast--" an' rap-rap-rap!
+Went Marg'ets case-knife on her plate--
+An' next, I heerd a sasser drap--,
+Then I looked up, an' strange to state,
+There S'repty set in Tomps lap--
+An' huggin' him, as shore as fate!
+An' Mother kissin' him k-slap!
+An' Marg'et-- she chips in to drap
+The ruther peert remark to me--:
+"That 'grace' o' yourn," she says, "won't 'gee'--
+This hain't no 'New Year's feast,'" says she--,
+"This is a' Infair-Dinner, Pap!"
+
+An' so it was--! Be'n married fer
+Purt' nigh a week--! 'Twas Marg'et planned
+The whole thing fer 'em, through an' through.
+I'm rickonciled; an' understand,
+I take things jes as they occur--,
+Ef Marg'et liked Tomps, Tomps 'ud do--!
+But I-says-I, a-holt his hand--,
+"I'm glad you didn't marry Her--
+'Cause Marg'et's my guardeen-- yes-sir--!
+An' S'repty's good enough fer you!"
+
+
+ _The Town Karnteel_
+
+The Town Karnteel--! It's who'll reveal
+Its praises jushtifiable?
+For who can sing av anything
+So lovely and reliable?
+Whin Summer, Spring, or Winter lies
+From Malin's Head to Tipperary,
+There's no such town for interprise
+Bechuxt Youghal and Londonderry!
+
+There's not its likes in Ireland--
+For twic't the week, be gorries!
+They're playing jigs upon the band,
+And joomping there in sacks-- and-- and--
+And racing, wid wheelborries!
+
+Kanteel-- it's there, like any fair,
+The purty gurrls is plinty, sure--!
+And man-alive! At forty-five
+The leg's av me air twinty, sure!
+I lave me cares, and hoein' too,
+Behint me, as is sinsible,
+And it's Karnteel I'm goin' to,
+To cilebrate in principle!
+
+For there's the town av all the land!
+And twic't the week, be-gorries!
+They're playing jigs upon the band,
+And joomping there in sacks-- and-- and--
+And racing, wid wheelborries!
+
+And whilst I feel for owld Karnteel
+That I've no phrases glorious,
+It stands above the need av love
+That boasts in voice uproarious--!
+Lave that for Cork, and Dublin too,
+And Armagh and Killarney thin--,
+And Karnteel won't be troublin' you
+Wid any jilous blarney, thin!
+
+For there's the town av all the land
+Where twic't the week, be-gorries!
+They're playing jigs upon the band,
+And joomping there in sacks-- and-- and--
+And racing, wid wheelborries!
+
+
+ _Regardin' Terry Hut_
+
+Sence I tuk holt o' Gibbses' Churn
+And be'n a-handlin' the concern,
+I've travelled round the grand old State
+Of Indiany, lots, o' late--!
+I've canvassed Crawferdsville and sweat
+Around the town o' Layfayette;
+I've saw a many a County-seat
+I ust to think was hard to beat:
+At constant dreenage and expense
+I've worked Greencastle and Vincennes--
+Drapped out o' Putnam into Clay,
+Owen, and on down thataway
+Plum into Knox, on the back-track
+Fer home ag'in-- and glad I'm back--!
+I've saw these towns, as I say-- but
+They's none 'at beats old Terry Hut!
+
+It's more'n likely you'll insist
+I claim this 'cause I'm prejudist,
+Bein' born'd here in ole Vygo
+In sight o' Terry Hut--; but no,
+Yer clean dead wrong--! And I maintain
+They's nary drap in ary vein
+O' mine but what's as free as air
+To jest take issue with you there--!
+'Cause, boy and man, fer forty year,
+I've argied ag'inst livin' here,
+And jawed around and traded lies
+About our lack o' enterprise,
+And tuk and turned in and agreed
+All other towns was in the lead,
+When-- drat my melts--! They couldn't cut
+No shine a-tall with Terry Hut!
+
+Take even, statesmanship, and wit,
+And ginerel git-up-and-git,
+Old Terry Hut is sound clean through--!
+Turn old Dick Thompson loose, er Dan
+Vorehees-- and where's they any man
+Kin even hold a candle to
+Their eloquence--? And where's as clean
+A fi-nan-seer as Rile' McKeen--
+Er puorer, in his daily walk,
+In railroad er in racin' stock!
+And there's 'Gene Debs-- a man 'at stands
+And jest holds out in his two hands
+As warm a heart as ever beat
+Betwixt here and the Jedgement Seat--!
+All these is reasons why I putt
+Sich bulk o' faith in Terry Hut.
+
+So I've come back, with eyes 'at sees
+My faults, at last--, to make my peace
+With this old place, and truthful' swear--
+Like Gineral Tom Nelson does--,
+"They hain't no city anywhere
+On God's green earth lays over us!"
+Our city government is grand--
+"Ner is they better farmin'-land
+Sun-kissed--" as Tom goes on and says--
+"Er dower'd with sich advantages!"
+And I've come back, with welcome tread,
+From journeyin's vain, as I have said,
+To settle down in ca'm content,
+And cuss the towns where I have went,
+And brag on ourn, and boast and strut
+Around the streets o' Terry Hut!
+
+
+ _Leedle Dutch Baby_
+
+Leedle Dutch baby haff come ter town!
+Jabber und jump till der day gone down--
+Jabber und sphlutter und sphlit hees jaws--
+Vot a Dutch baby dees Londsmon vas!
+I dink dose mout' vas leedle too vide
+Ober he laugh fon dot altso-side!
+Haff got blenty off deemple und vrown--?
+Hey! Leedle Dutchman come ter town!
+
+Leedle Dutch baby, I dink me proud
+Ober your fader can schquall dot loud
+Ven he vas leedle Dutch baby like you
+Und yoost don't gare, like he alvays do--!
+Guess ven dey vean him on beer, you bet
+Dot's der because dot he aind veaned yet--!
+Vot you said off he dringk you down--?
+Hey! Leedle Dutchman come ter town!
+
+Leedle Dutch baby, yoost schquall avay--
+Schquall fon preakfast till gisterday!
+Better you all time gry und shout
+Dan shmile me vonce fon der coffin out!
+Vot I gare off you keek my nose
+Downside-up mit your heels und toes--
+Downside, oder der oopside-down--?
+Hey! Leedle Dutchman come ter town!
+
+
+ _Down On Wriggle Crick_
+
+"Best time to kill a hog's when he's fat." --Old Saw.
+
+Mostly folks is law-abidin'
+Down on Wriggle Crick--,
+Seein' they's no Squire residin'
+In our bailywick;
+No grand juries, no suppeenies,
+Ner no vested rights to pick
+Out yer man, jerk up and jail ef
+He's outragin' Wriggle Crick!
+
+
+Wriggle Crick hain't got no lawin',
+Ner no suits to beat;
+Ner no court-house gee-and-hawin'
+Like a County-seat;
+Hain't no waitin' round fer verdick,
+Ner non-gittin' witness-fees;
+Ner no thiefs 'at gits "new heain's,"
+By some lawyer slick as grease!
+
+Wriggle Cricks's leadin' spirit
+Is old Johnts Culwell--,
+Keeps post-office, and right near it
+Owns what's called "The Grand Hotel--"
+(Warehouse now--) buys wheat and ships it;
+Gits out ties, and trades in stock,
+And knows all the high-toned drummers
+'Twixt South Bend and Mishawauk'
+
+Last year comes along a feller--
+Sharper 'an a lance--
+Stovepipe-hat and silk umbreller,
+And a boughten all-wool pants--,
+Tinkerin of clocks and watches:
+Says a trial's all he wants--
+And rents out the tavern-office
+Next to Uncle Johnts.
+
+Well--. He tacked up his k'dentials,
+And got down to biz--.
+Captured Johnts by cuttin' stenchils
+Fer them old wheat-sacks o' his--.
+
+Fixed his clock, in the post-office--
+Painted fer him, clean and slick,
+'Crost his safe, in gold-leaf letters,
+"J. Culwells's Wriggle Crick."
+
+Any kindo' job you keered to
+Resk him with, and bring,
+He'd fix fer you-- jest appeared to
+Turn his hand to anything--!
+Rings, er earbobs, er umbrellers--
+Glue a cheer er chany doll--,
+W'y, of all the beatin' fellers,
+He Jest beat 'em all!
+
+Made his friends, but wouldn't stop there--,
+One mistake he learnt,
+That was, sleepin' in his shop there--.
+And one Sund'y night it burnt!
+Come in one o' jest a-sweepin'
+All the whole town high and dry--
+And that feller, when they waked him,
+Suffocatin', mighty nigh!
+
+Johnts he drug him from the buildin',
+He'pless-- 'peared to be--,
+And the women and the childern
+Drenchin' him with sympathy!
+But I noticed Johnts helt on him
+With a' extry lovin' grip,
+And the men-folks gethered round him
+In most warmest pardership!
+
+That's the whole mess, grease-and-dopin'!
+Johnt's safe was saved--,
+But the lock was found sprung open,
+And the inside caved.
+Was no trial-- ner no jury--
+Ner no jedge ner court-house-click--.
+Circumstances alters cases
+Down on Wriggle Crick!
+
+
+ _When De Folks Is Gone_
+
+What dat scratchin' at de kitchin do'?
+Done heah'n dat foh an hour er mo'!
+Tell you Mr. Niggah, das sho's yo' bo'n,
+Hit's mighty lonesome waitin' when de folks is gone!
+
+Blame my trap! How de wind do blow!
+An' dis is das de night foh de witches, sho'!
+Dey's trouble gon' to waste when de old slut whine,
+An' you heah de cat a-spittin' when de moon don't shine!
+
+Chune my fiddle, an' de bridge go "bang!"
+An' I lef' 'er right back whah she allus hang,
+An' de tribble snap short an' de apern split
+When dey no mortal man wah a-tetchin' hit!
+
+Dah! Now, what? How de ole j'ice cracks!
+'Spec' dis house, ef hit tell plain fac's,
+'Ud talk about de ha'nts wid dey long tails on
+What das'n't on'y come when de folks is gone!
+
+What I tuk an' done ef a sho'-nuff ghos'
+Pop right up by de ole bed-pos'?
+What dat shinin' fru de front do' crack...?
+God bress de Lo'd! Hit's de folks got back!
+
+
+ _The Little Town O' Tailholt_
+
+You kin boast about yer cities, and their stiddy growth and size,
+And brag about yer County-seats, and business enterprise,
+And railroads, and factories, and all sich foolery--
+But the little Town o' Tailholt is big enough fer me!
+
+You kin harp about yer churches, with their steeples in the clouds,
+And gas about yer graded streets, and blow about yer crowds;
+You kin talk about yer "theaters," and all you've got to see--
+But the little Town o' Tailholt is show enough fer me!
+
+They hain't no style in our town-- hit's little-like and small--
+They hain't no "churches," nuther--, jes' the meetin' house is all;
+They's no sidewalks, to speak of-- but the highway's allus free,
+And the little Town o' Tailholt is wide enough fer me!
+
+Some find it discommodin'-like, I'm willin' to admit,
+To hev but one post-office, and a womern keepin' hit,
+And the drug-store, and shoe-shop, and grocery, all three--
+But the little Town o' Tailholt is handy 'nough fer me!
+
+You kin smile and turn yer nose up, and joke and hev yer fun,
+And laugh and holler "Tail-holts is better holts'n none!
+Ef the city suits you better w'y, hit's where you'd ort'o be--
+But the little Town o' Tailholt's good enough fer me!
+
+
+ _Little Orphant Annie_
+
+Little Orphant Annie's come to our house to stay,
+An' wash the cups an' saucers up, an' brush the crumbs away,
+An' shoo the chickens off the porch, an' dust the hearth, an' sweep,
+An' make the fire, an' bake the bread, an' earn her board-an'-keep;
+An' all us other childern, when the supper things is done,
+We set around the kitchen fire an' has the mostest fun
+A-list'nin' to the witch-tales 'at Annie tells about,
+An' the Gobble-uns 'at gits you
+ Ef you
+ Don't
+ Watch
+ Out!
+
+Onc't they was a little boy wouldn't say his prayers--,
+An' when he went to bed at night, away up stairs,
+His Mammy heerd him holler, an' his Daddy heerd him bawl,
+An' when they turn't the kivvers down, he wasn't there at all!
+An' they seeked him in the rafter-room, an' cubby-hole, an' press,
+An' seeked him up the chimbly-flue, an' ever'wheres, I guess;
+But all they found was thist his pants an' roundabout--:
+An' the Gobble-uns 'll git you
+ Ef you
+ Don't
+ Watch
+ Out!
+
+An' one time a little girl 'ud allus laugh and grin,
+An' make fun of ever'one, an' all her blood an' kin;
+An' onc't, when they was "company," an' ole folks was there,
+She mocked 'em an' shocked 'em, an' said she didn't care!
+An' thist as she kicked her heels, an' turn't to run an' hide,
+They was two great big Black Things a-standin' by her side,
+An' they snatched her through the ceilin' 'fore she knowed what she's about!
+An' the Gobble-uns 'll git you
+ Ef you
+ Don't
+ Watch
+ Out!
+
+An' little Orphant Annie says, when the blaze is blue,
+An' the lamp-wick sputters, an' the wind goes woo-oo!
+An' you hear the crickets quit, an' the moon is gray,
+An' the lightn'-bugs in dew is all squenched away--,
+You better mind yer parents, an' yer teachers fond an' dear,
+An' churish them 'at loves you, an' dry the orphant's tear,
+An' he'p the pore an' needy ones 'at clusters all about
+Er the Gobble-uns 'll git you
+ Ef you
+ Don't
+ Watch
+ Out!
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Afterwhiles, by James Whitcomb Riley
+
+*** END OF THIS PROJECT GUTENBERG EBOOK AFTERWHILES ***
+
+***** This file should be named 15862.txt or 15862.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/5/8/6/15862/
+
+Produced by "Teary Eyes" Anderson
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+*** END: FULL LICENSE ***
+
diff --git a/15862.zip b/15862.zip
new file mode 100644
index 0000000..a7f07e9
--- /dev/null
+++ b/15862.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..8145b76
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #15862 (https://www.gutenberg.org/ebooks/15862)