summaryrefslogtreecommitdiff
path: root/old
diff options
context:
space:
mode:
Diffstat (limited to 'old')
-rw-r--r--old/20050530-1555.txt967
-rw-r--r--old/200505301555.zipbin0 -> 19925 bytes
-rw-r--r--old/apitd10.txt842
-rw-r--r--old/apitd10.zipbin0 -> 17770 bytes
4 files changed, 1809 insertions, 0 deletions
diff --git a/old/20050530-1555.txt b/old/20050530-1555.txt
new file mode 100644
index 0000000..c0b223f
--- /dev/null
+++ b/old/20050530-1555.txt
@@ -0,0 +1,967 @@
+The Project Gutenberg EBook of A Passion in the Desert, by Honore de Balzac
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.net
+
+
+Title: A Passion in the Desert
+
+Author: Honore de Balzac
+
+Translator: Ernest Dowson
+
+Release Date: May 30, 2005 [EBook #1555]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK A PASSION IN THE DESERT ***
+
+
+
+
+Produced by Dagny; and John Bickers
+
+
+
+
+
+ A PASSION IN THE DESERT
+
+ BY
+
+ HONORE DE BALZAC
+
+
+
+ Translated by
+ Ernest Dowson
+
+
+
+"The whole show is dreadful," she cried coming out of the menagerie of
+M. Martin. She had just been looking at that daring speculator
+"working with his hyena,"--to speak in the style of the programme.
+
+"By what means," she continued, "can he have tamed these animals to
+such a point as to be certain of their affection for----"
+
+"What seems to you a problem," said I, interrupting, "is really quite
+natural."
+
+"Oh!" she cried, letting an incredulous smile wander over her lips.
+
+"You think that beasts are wholly without passions?" I asked her.
+"Quite the reverse; we can communicate to them all the vices arising
+in our own state of civilization."
+
+She looked at me with an air of astonishment.
+
+"But," I continued, "the first time I saw M. Martin, I admit, like
+you, I did give vent to an exclamation of surprise. I found myself
+next to an old soldier with the right leg amputated, who had come in
+with me. His face had struck me. He had one of those heroic heads,
+stamped with the seal of warfare, and on which the battles of Napoleon
+are written. Besides, he had that frank, good-humored expression which
+always impresses me favorably. He was without doubt one of those
+troopers who are surprised at nothing, who find matter for laughter in
+the contortions of a dying comrade, who bury or plunder him quite
+light-heartedly, who stand intrepidly in the way of bullets;--in fact,
+one of those men who waste no time in deliberation, and would not
+hesitate to make friends with the devil himself. After looking very
+attentively at the proprietor of the menagerie getting out of his box,
+my companion pursed up his lips with an air of mockery and contempt,
+with that peculiar and expressive twist which superior people assume
+to show they are not taken in. Then, when I was expatiating on the
+courage of M. Martin, he smiled, shook his head knowingly, and said,
+'Well known.'
+
+"'How "well known"?' I said. 'If you would only explain me the
+mystery, I should be vastly obliged.'
+
+"After a few minutes, during which we made acquaintance, we went to
+dine at the first restauranteur's whose shop caught our eye. At
+dessert a bottle of champagne completely refreshed and brightened up
+the memories of this odd old soldier. He told me his story, and I saw
+that he was right when he exclaimed, 'Well known.'"
+
+When she got home, she teased me to that extent, was so charming, and
+made so many promises, that I consented to communicate to her the
+confidences of the old soldier. Next day she received the following
+episode of an epic which one might call "The French in Egypt."
+
+
+
+During the expedition in Upper Egypt under General Desaix, a Provencal
+soldier fell into the hands of the Maugrabins, and was taken by these
+Arabs into the deserts beyond the falls of the Nile.
+
+In order to place a sufficient distance between themselves and the
+French army, the Maugrabins made forced marches, and only halted when
+night was upon them. They camped round a well overshadowed by palm
+trees under which they had previously concealed a store of provisions.
+Not surmising that the notion of flight would occur to their prisoner,
+they contented themselves with binding his hands, and after eating a
+few dates, and giving provender to their horses, went to sleep.
+
+When the brave Provencal saw that his enemies were no longer watching
+him, he made use of his teeth to steal a scimiter, fixed the blade
+between his knees, and cut the cords which prevented him from using
+his hands; in a moment he was free. He at once seized a rifle and a
+dagger, then taking the precautions to provide himself with a sack of
+dried dates, oats, and powder and shot, and to fasten a scimiter to
+his waist, he leaped on to a horse, and spurred on vigorously in the
+direction where he thought to find the French army. So impatient was
+he to see a bivouac again that he pressed on the already tired courser
+at such speed, that its flanks were lacerated with his spurs, and at
+last the poor animal died, leaving the Frenchman alone in the desert.
+After walking some time in the sand with all the courage of an escaped
+convict, the soldier was obliged to stop, as the day had already
+ended. In spite of the beauty of an Oriental sky at night, he felt he
+had not strength enough to go on. Fortunately he had been able to find
+a small hill, on the summit of which a few palm trees shot up into the
+air; it was their verdure seen from afar which had brought hope and
+consolation to his heart. His fatigue was so great that he lay down
+upon a rock of granite, capriciously cut out like a camp-bed; there he
+fell asleep without taking any precaution to defend himself while he
+slept. He had made the sacrifice of his life. His last thought was one
+of regret. He repented having left the Maugrabins, whose nomadic life
+seemed to smile upon him now that he was far from them and without
+help. He was awakened by the sun, whose pitiless rays fell with all
+their force on the granite and produced an intolerable heat--for he
+had had the stupidity to place himself adversely to the shadow thrown
+by the verdant majestic heads of the palm trees. He looked at the
+solitary trees and shuddered--they reminded him of the graceful shafts
+crowned with foliage which characterize the Saracen columns in the
+cathedral of Arles.
+
+But when, after counting the palm trees, he cast his eyes around him,
+the most horrible despair was infused into his soul. Before him
+stretched an ocean without limit. The dark sand of the desert spread
+further than eye could reach in every direction, and glittered like
+steel struck with bright light. It might have been a sea of
+looking-glass, or lakes melted together in a mirror. A fiery vapor
+carried up in surging waves made a perpetual whirlwind over the
+quivering land. The sky was lit with an Oriental splendor of
+insupportable purity, leaving naught for the imagination to desire.
+Heaven and earth were on fire.
+
+The silence was awful in its wild and terrible majesty. Infinity,
+immensity, closed in upon the soul from every side. Not a cloud in the
+sky, not a breath in the air, not a flaw on the bosom of the sand,
+ever moving in diminutive waves; the horizon ended as at sea on a
+clear day, with one line of light, definite as the cut of a sword.
+
+The Provencal threw his arms round the trunk of one of the palm trees,
+as though it were the body of a friend, and then, in the shelter of
+the thin, straight shadow that the palm cast upon the granite, he
+wept. Then sitting down he remained as he was, contemplating with
+profound sadness the implacable scene, which was all he had to look
+upon. He cried aloud, to measure the solitude. His voice, lost in the
+hollows of the hill, sounded faintly, and aroused no echo--the echo
+was in his own heart. The Provencal was twenty-two years old:--he
+loaded his carbine.
+
+"There'll be time enough," he said to himself, laying on the ground
+the weapon which alone could bring him deliverance.
+
+Viewing alternately the dark expanse of the desert and the blue
+expanse of the sky, the soldier dreamed of France--he smelled with
+delight the gutters of Paris--he remembered the towns through which he
+had passed, the faces of his comrades, the most minute details of his
+life. His Southern fancy soon showed him the stones of his beloved
+Provence, in the play of the heat which undulated above the wide
+expanse of the desert. Realizing the danger of this cruel mirage, he
+went down the opposite side of the hill to that by which he had come
+up the day before. The remains of a rug showed that this place of
+refuge had at one time been inhabited; at a short distance he saw some
+palm trees full of dates. Then the instinct which binds us to life
+awoke again in his heart. He hoped to live long enough to await the
+passing of some Maugrabins, or perhaps he might hear the sound of
+cannon; for at this time Bonaparte was traversing Egypt.
+
+This thought gave him new life. The palm tree seemed to bend with the
+weight of the ripe fruit. He shook some of it down. When he tasted
+this unhoped-for manna, he felt sure that the palms had been
+cultivated by a former inhabitant--the savory, fresh meat of the dates
+were proof of the care of his predecessor. He passed suddenly from
+dark despair to an almost insane joy. He went up again to the top of
+the hill, and spent the rest of the day in cutting down one of the
+sterile palm trees, which the night before had served him for shelter.
+A vague memory made him think of the animals of the desert; and in
+case they might come to drink at the spring, visible from the base of
+the rocks but lost further down, he resolved to guard himself from
+their visits by placing a barrier at the entrance of his hermitage.
+
+In spite of his diligence, and the strength which the fear of being
+devoured asleep gave him, he was unable to cut the palm in pieces,
+though he succeeded in cutting it down. At eventide the king of the
+desert fell; the sound of its fall resounded far and wide, like a sigh
+in the solitude; the soldier shuddered as though he had heard some
+voice predicting woe.
+
+But like an heir who does not long bewail a deceased relative, he tore
+off from this beautiful tree the tall broad green leaves which are its
+poetic adornment, and used them to mend the mat on which he was to
+sleep.
+
+Fatigued by the heat and his work, he fell asleep under the red
+curtains of his wet cave.
+
+In the middle of the night his sleep was troubled by an extraordinary
+noise; he sat up, and the deep silence around allowed him to
+distinguish the alternative accents of a respiration whose savage
+energy could not belong to a human creature.
+
+A profound terror, increased still further by the darkness, the
+silence, and his waking images, froze his heart within him. He almost
+felt his hair stand on end, when by straining his eyes to their utmost
+he perceived through the shadow two faint yellow lights. At first he
+attributed these lights to the reflections of his own pupils, but soon
+the vivid brilliance of the night aided him gradually to distinguish
+the objects around him in the cave, and he beheld a huge animal lying
+but two steps from him. Was it a lion, a tiger, or a crocodile?
+
+The Provencal was not sufficiently educated to know under what species
+his enemy ought to be classed; but his fright was all the greater, as
+his ignorance led him to imagine all terrors at once; he endured a
+cruel torture, noting every variation of the breathing close to him
+without daring to make the slightest movement. An odor, pungent like
+that of a fox, but more penetrating, more profound,--so to speak,
+--filled the cave, and when the Provencal became sensible of this, his
+terror reached its height, for he could no longer doubt the proximity
+of a terrible companion, whose royal dwelling served him for a
+shelter.
+
+Presently the reflection of the moon descending on the horizon lit up
+the den, rendering gradually visible and resplendent the spotted skin
+of a panther.
+
+This lion of Egypt slept, curled up like a big dog, the peaceful
+possessor of a sumptuous niche at the gate of an hotel; its eyes
+opened for a moment and closed again; its face was turned towards the
+man. A thousand confused thoughts passed through the Frenchman's mind;
+first he thought of killing it with a bullet from his gun, but he saw
+there was not enough distance between them for him to take proper aim
+--the shot would miss the mark. And if it were to wake!--the thought
+made his limbs rigid. He listened to his own heart beating in the
+midst of the silence, and cursed the too violent pulsations which the
+flow of blood brought on, fearing to disturb that sleep which allowed
+him time to think of some means of escape.
+
+Twice he placed his hand on his scimiter, intending to cut off the
+head of his enemy; but the difficulty of cutting the stiff short hair
+compelled him to abandon this daring project. To miss would be to die
+for CERTAIN, he thought; he preferred the chances of fair fight, and
+made up his mind to wait till morning; the morning did not leave him
+long to wait.
+
+He could now examine the panther at ease; its muzzle was smeared with
+blood.
+
+"She's had a good dinner," he thought, without troubling himself as to
+whether her feast might have been on human flesh. "She won't be hungry
+when she gets up."
+
+It was a female. The fur on her belly and flanks was glistening white;
+many small marks like velvet formed beautiful bracelets round her
+feet; her sinuous tail was also white, ending with black rings; the
+overpart of her dress, yellow like burnished gold, very lissome and
+soft, had the characteristic blotches in the form of rosettes, which
+distinguish the panther from every other feline species.
+
+This tranquil and formidable hostess snored in an attitude as graceful
+as that of a cat lying on a cushion. Her blood-stained paws, nervous
+and well armed, were stretched out before her face, which rested upon
+them, and from which radiated her straight slender whiskers, like
+threads of silver.
+
+If she had been like that in a cage, the Provencal would doubtless
+have admired the grace of the animal, and the vigorous contrasts of
+vivid color which gave her robe an imperial splendor; but just then
+his sight was troubled by her sinister appearance.
+
+The presence of the panther, even asleep, could not fail to produce
+the effect which the magnetic eyes of the serpent are said to have on
+the nightingale.
+
+For a moment the courage of the soldier began to fail before this
+danger, though no doubt it would have risen at the mouth of a cannon
+charged with shell. Nevertheless, a bold thought brought daylight to
+his soul and sealed up the source of the cold sweat which sprang forth
+on his brow. Like men driven to bay, who defy death and offer their
+body to the smiter, so he, seeing in this merely a tragic episode,
+resolved to play his part with honor to the last.
+
+"The day before yesterday the Arabs would have killed me, perhaps," he
+said; so considering himself as good as dead already, he waited
+bravely, with excited curiosity, the awakening of his enemy.
+
+When the sun appeared, the panther suddenly opened her eyes; then she
+put out her paws with energy, as if to stretch them and get rid of
+cramp. At last she yawned, showing the formidable apparatus of her
+teeth and pointed tongue, rough as a file.
+
+"A regular petite maitresse," thought the Frenchman, seeing her roll
+herself about so softly and coquettishly. She licked off the blood
+which stained her paws and muzzle, and scratched her head with
+reiterated gestures full of prettiness. "All right, make a little
+toilet," the Frenchman said to himself, beginning to recover his
+gaiety with his courage; "we'll say good morning to each other
+presently;" and he seized the small, short dagger which he had taken
+from the Maugrabins.
+
+At this moment the panther turned her head toward the man and looked
+at him fixedly without moving. The rigidity of her metallic eyes and
+their insupportable luster made him shudder, especially when the
+animal walked towards him. But he looked at her caressingly, staring
+into her eyes in order to magnetize her, and let her come quite close
+to him; then with a movement both gentle and amorous, as though he
+were caressing the most beautiful of women, he passed his hand over
+her whole body, from the head to the tail, scratching the flexible
+vertebrae which divided the panther's yellow back. The animal waved
+her tail voluptuously, and her eyes grew gentle; and when for the
+third time the Frenchman accomplished this interesting flattery, she
+gave forth one of those purrings by which cats express their pleasure;
+but this murmur issued from a throat so powerful and so deep that it
+resounded through the cave like the last vibrations of an organ in a
+church. The man, understanding the importance of his caresses,
+redoubled them in such a way as to surprise and stupefy his imperious
+courtesan. When he felt sure of having extinguished the ferocity of
+his capricious companion, whose hunger had so fortunately been
+satisfied the day before, he got up to go out of the cave; the panther
+let him go out, but when he had reached the summit of the hill she
+sprang with the lightness of a sparrow hopping from twig to twig, and
+rubbed herself against his legs, putting up her back after the manner
+of all the race of cats. Then regarding her guest with eyes whose
+glare had softened a little, she gave vent to that wild cry which
+naturalists compare to the grating of a saw.
+
+"She is exacting," said the Frenchman, smilingly.
+
+He was bold enough to play with her ears; he caressed her belly and
+scratched her head as hard as he could. When he saw that he was
+successful, he tickled her skull with the point of his dagger,
+watching for the right moment to kill her, but the hardness of her
+bones made him tremble for his success.
+
+The sultana of the desert showed herself gracious to her slave; she
+lifted her head, stretched out her neck and manifested her delight by
+the tranquility of her attitude. It suddenly occurred to the soldier
+that to kill this savage princess with one blow he must poniard her in
+the throat.
+
+He raised the blade, when the panther, satisfied no doubt, laid
+herself gracefully at his feet, and cast up at him glances in which,
+in spite of their natural fierceness, was mingled confusedly a kind of
+good will. The poor Provencal ate his dates, leaning against one of
+the palm trees, and casting his eyes alternately on the desert in
+quest of some liberator and on his terrible companion to watch her
+uncertain clemency.
+
+The panther looked at the place where the date stones fell, and every
+time that he threw one down her eyes expressed an incredible mistrust.
+
+She examined the man with an almost commercial prudence. However, this
+examination was favorable to him, for when he had finished his meager
+meal she licked his boots with her powerful rough tongue, brushing off
+with marvelous skill the dust gathered in the creases.
+
+"Ah, but when she's really hungry!" thought the Frenchman. In spite of
+the shudder this thought caused him, the soldier began to measure
+curiously the proportions of the panther, certainly one of the most
+splendid specimens of its race. She was three feet high and four feet
+long without counting her tail; this powerful weapon, rounded like a
+cudgel, was nearly three feet long. The head, large as that of a
+lioness, was distinguished by a rare expression of refinement. The
+cold cruelty of a tiger was dominant, it was true, but there was also
+a vague resemblance to the face of a sensual woman. Indeed, the face
+of this solitary queen had something of the gaiety of a drunken Nero:
+she had satiated herself with blood, and she wanted to play.
+
+The soldier tried if he might walk up and down, and the panther left
+him free, contenting herself with following him with her eyes, less
+like a faithful dog than a big Angora cat, observing everything and
+every movement of her master.
+
+When he looked around, he saw, by the spring, the remains of his
+horse; the panther had dragged the carcass all that way; about two
+thirds of it had been devoured already. The sight reassured him.
+
+It was easy to explain the panther's absence, and the respect she had
+had for him while he slept. The first piece of good luck emboldened
+him to tempt the future, and he conceived the wild hope of continuing
+on good terms with the panther during the entire day, neglecting no
+means of taming her, and remaining in her good graces.
+
+He returned to her, and had the unspeakable joy of seeing her wag her
+tail with an almost imperceptible movement at his approach. He sat
+down then, without fear, by her side, and they began to play together;
+he took her paws and muzzle, pulled her ears, rolled her over on her
+back, stroked her warm, delicate flanks. She let him do what ever he
+liked, and when he began to stroke the hair on her feet she drew her
+claws in carefully.
+
+The man, keeping the dagger in one hand, thought to plunge it into the
+belly of the too confiding panther, but he was afraid that he would be
+immediately strangled in her last convulsive struggle; besides, he
+felt in his heart a sort of remorse which bid him respect a creature
+that had done him no harm. He seemed to have found a friend, in a
+boundless desert; half unconsciously he thought of his first
+sweetheart, whom he had nicknamed "Mignonne" by way of contrast,
+because she was so atrociously jealous that all the time of their love
+he was in fear of the knife with which she had always threatened him.
+
+This memory of his early days suggested to him the idea of making the
+young panther answer to this name, now that he began to admire with
+less terror her swiftness, suppleness, and softness. Toward the end of
+the day he had familiarized himself with his perilous position; he now
+almost liked the painfulness of it. At last his companion had got into
+the habit of looking up at him whenever he cried in a falsetto voice,
+"Mignonne."
+
+At the setting of the sun Mignonne gave, several times running, a
+profound melancholy cry. "She's been well brought up," said the
+lighthearted soldier; "she says her prayers." But this mental joke
+only occurred to him when he noticed what a pacific attitude his
+companion remained in. "Come, ma petite blonde, I'll let you go to bed
+first," he said to her, counting on the activity of his own legs to
+run away as quickly as possible, directly she was asleep, and seek
+another shelter for the night.
+
+The soldier waited with impatience the hour of his flight, and when it
+had arrived he walked vigorously in the direction of the Nile; but
+hardly had he made a quarter of a league in the sand when he heard the
+panther bounding after him, crying with that saw-like cry more
+dreadful even than the sound of her leaping.
+
+"Ah!" he said, "then she's taken a fancy to me, she has never met
+anyone before, and it is really quite flattering to have her first
+love." That instant the man fell into one of those movable quicksands
+so terrible to travelers and from which it is impossible to save
+oneself. Feeling himself caught, he gave a shriek of alarm; the
+panther seized him with her teeth by the collar, and, springing
+vigorously backwards, drew him as if by magic out of the whirling
+sand.
+
+"Ah, Mignonne!" cried the soldier, caressing her enthusiastically;
+"we're bound together for life and death but no jokes, mind!" and he
+retraced his steps.
+
+From that time the desert seemed inhabited. It contained a being to
+whom the man could talk, and whose ferocity was rendered gentle by
+him, though he could not explain to himself the reason for their
+strange friendship. Great as was the soldier's desire to stay upon
+guard, he slept.
+
+On awakening he could not find Mignonne; he mounted the hill, and in
+the distance saw her springing toward him after the habit of these
+animals, who cannot run on account of the extreme flexibility of the
+vertebral column. Mignonne arrived, her jaws covered with blood; she
+received the wonted caress of her companion, showing with much purring
+how happy it made her. Her eyes, full of languor, turned still more
+gently than the day before toward the Provencal, who talked to her as
+one would to a tame animal.
+
+"Ah! mademoiselle, you are a nice girl, aren't you? Just look at that!
+So we like to be made much of, don't we? Aren't you ashamed of
+yourself? So you have been eating some Arab or other, have you? That
+doesn't matter. They're animals just the same as you are; but don't
+you take to eating Frenchmen, or I shan't like you any longer."
+
+She played like a dog with its master, letting herself be rolled over,
+knocked about, and stroked, alternately; sometimes she herself would
+provoke the soldier, putting up her paw with a soliciting gesture.
+
+Some days passed in this manner. This companionship permitted the
+Provencal to appreciate the sublime beauty of the desert; now that he
+had a living thing to think about, alternations of fear and quiet, and
+plenty to eat, his mind became filled with contrast and his life began
+to be diversified.
+
+Solitude revealed to him all her secrets, and enveloped him in her
+delights. He discovered in the rising and setting of the sun sights
+unknown to the world. He knew what it was to tremble when he heard
+over his head the hiss of a bird's wing, so rarely did they pass, or
+when he saw the clouds, changing and many colored travelers, melt one
+into another. He studied in the night time the effect of the moon upon
+the ocean of sand, where the simoom made waves swift of movement and
+rapid in their change. He lived the life of the Eastern day, marveling
+at its wonderful pomp; then, after having reveled in the sight of a
+hurricane over the plain where the whirling sands made red, dry mists
+and death-bearing clouds, he would welcome the night with joy, for
+then fell the healthful freshness of the stars, and he listened to
+imaginary music in the skies. Then solitude taught him to unroll the
+treasures of dreams. He passed whole hours in remembering mere
+nothings, and comparing his present life with his past.
+
+At last he grew passionately fond of the panther; for some sort of
+affection was a necessity.
+
+Whether it was that his will powerfully projected had modified the
+character of his companion, or whether, because she found abundant
+food in her predatory excursions in the desert, she respected the
+man's life, he began to fear for it no longer, seeing her so well
+tamed.
+
+He devoted the greater part of his time to sleep, but he was obliged
+to watch like a spider in its web that the moment of his deliverance
+might not escape him, if anyone should pass the line marked by the
+horizon. He had sacrificed his shirt to make a flag with, which he
+hung at the top of a palm tree, whose foliage he had torn off. Taught
+by necessity, he found the means of keeping it spread out, by
+fastening it with little sticks; for the wind might not be blowing at
+the moment when the passing traveler was looking through the desert.
+
+It was during the long hours, when he had abandoned hope, that he
+amused himself with the panther. He had come to learn the different
+inflections of her voice, the expressions of her eyes; he had studied
+the capricious patterns of all the rosettes which marked the gold of
+her robe. Mignonne was not even angry when he took hold of the tuft at
+the end of her tail to count her rings, those graceful ornaments which
+glittered in the sun like jewelry. It gave him pleasure to contemplate
+the supple, fine outlines of her form, the whiteness of her belly, the
+graceful pose of her head. But it was especially when she was playing
+that he felt most pleasure in looking at her; the agility and youthful
+lightness of her movements were a continual surprise to him; he
+wondered at the supple way in which she jumped and climbed, washed
+herself and arranged her fur, crouched down and prepared to spring.
+However rapid her spring might be, however slippery the stone she was
+on, she would always stop short at the word "Mignonne."
+
+One day, in a bright midday sun, an enormous bird coursed through the
+air. The man left his panther to look at his new guest; but after
+waiting a moment the deserted sultana growled deeply.
+
+"My goodness! I do believe she's jealous," he cried, seeing her eyes
+become hard again; "the soul of Virginie has passed into her body;
+that's certain."
+
+The eagle disappeared into the air, while the soldier admired the
+curved contour of the panther.
+
+But there was such youth and grace in her form! she was beautiful as a
+woman! the blond fur of her robe mingled well with the delicate tints
+of faint white which marked her flanks.
+
+The profuse light cast down by the sun made this living gold, these
+russet markings, to burn in a way to give them an indefinable
+attraction.
+
+The man and the panther looked at one another with a look full of
+meaning; the coquette quivered when she felt her friend stroke her
+head; her eyes flashed like lightning--then she shut them tightly.
+
+"She has a soul," he said, looking at the stillness of this queen of
+the sands, golden like them, white like them, solitary and burning
+like them.
+
+
+
+"Well," she said, "I have read your plea in favor of beasts; but how
+did two so well adapted to understand each other end?"
+
+"Ah, well! you see, they ended as all great passions do end--by a
+misunderstanding. For some reason ONE suspects the other of treason;
+they don't come to an explanation through pride, and quarrel and part
+from sheer obstinacy."
+
+"Yet sometimes at the best moments a single word or a look is enough
+--but anyhow go on with your story."
+
+"It's horribly difficult, but you will understand, after what the old
+villain told me over his champagne. He said--'I don't know if I hurt
+her, but she turned round, as if enraged, and with her sharp teeth
+caught hold of my leg--gently, I daresay; but I, thinking she would
+devour me, plunged my dagger into her throat. She rolled over, giving
+a cry that froze my heart; and I saw her dying, still looking at me
+without anger. I would have given all the world--my cross even, which
+I had not got then--to have brought her to life again. It was as
+though I had murdered a real person; and the soldiers who had seen my
+flag, and were come to my assistance, found me in tears.'
+
+"'Well sir,' he said, after a moment of silence, 'since then I have
+been in war in Germany, in Spain, in Russia, in France; I've certainly
+carried my carcase about a good deal, but never have I seen anything
+like the desert. Ah! yes, it is very beautiful!'
+
+"'What did you feel there?' I asked him.
+
+"'Oh! that can't be described, young man! Besides, I am not always
+regretting my palm trees and my panther. I should have to be very
+melancholy for that. In the desert, you see, there is everything and
+nothing.'
+
+"'Yes, but explain----'
+
+"'Well,' he said, with an impatient gesture, 'it is God without
+mankind.'"
+
+
+
+
+
+End of Project Gutenberg's A Passion in the Desert, by Honore de Balzac
+
+*** END OF THIS PROJECT GUTENBERG EBOOK A PASSION IN THE DESERT ***
+
+***** This file should be named 1555.txt or 1555.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/1/5/5/1555/
+
+Produced by Dagny; and John Bickers
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.net/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.net
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.net),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.net
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/old/200505301555.zip b/old/200505301555.zip
new file mode 100644
index 0000000..3a229cf
--- /dev/null
+++ b/old/200505301555.zip
Binary files differ
diff --git a/old/apitd10.txt b/old/apitd10.txt
new file mode 100644
index 0000000..e0e2b2d
--- /dev/null
+++ b/old/apitd10.txt
@@ -0,0 +1,842 @@
+The Project Gutenberg Etext of A Passion in the Desert by Balzac
+#48 in our series Balzac
+
+
+Copyright laws are changing all over the world, be sure to check
+the copyright laws for your country before posting these files!!
+
+Please take a look at the important information in this header.
+We encourage you to keep this file on your own disk, keeping an
+electronic path open for the next readers. Do not remove this.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**Etexts Readable By Both Humans and By Computers, Since 1971**
+
+*These Etexts Prepared By Hundreds of Volunteers and Donations*
+
+Information on contacting Project Gutenberg to get Etexts, and
+further information is included below. We need your donations.
+
+
+A Passion in the Desert
+
+by Honore de Balzac
+
+Translated by Ernest Dowson
+
+December, 1998 [Etext #1555]
+
+
+The Project Gutenberg Etext of A Passion in the Desert by Balzac
+******This file should be named apitd10.txt or apitd10.zip******
+
+Corrected EDITIONS of our etexts get a new NUMBER, apitd11.txt.
+VERSIONS based on separate sources get new LETTER, apitd10a.txt.
+
+
+Etext prepared by Dagny, dagnyj@hotmail.com
+and John Bickers, jbickers@templar.actrix.gen.nz
+
+
+We are now trying to release all our books one month in advance
+of the official release dates, for time for better editing.
+
+Please note: neither this list nor its contents are final till
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg Etexts is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so. To be sure you have an
+up to date first edition [xxxxx10x.xxx] please check file sizes
+in the first week of the next month. Since our ftp program has
+a bug in it that scrambles the date [tried to fix and failed] a
+look at the file size will have to do, but we will try to see a
+new copy has at least one byte more or less.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+fifty hours is one conservative estimate for how long it we take
+to get any etext selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. This
+projected audience is one hundred million readers. If our value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour this year as we release thirty-two text
+files per month, or 384 more Etexts in 1997 for a total of 1000+
+If these reach just 10% of the computerized population, then the
+total should reach over 100 billion Etexts given away.
+
+The Goal of Project Gutenberg is to Give Away One Trillion Etext
+Files by the December 31, 2001. [10,000 x 100,000,000=Trillion]
+This is ten thousand titles each to one hundred million readers,
+which is only 10% of the present number of computer users. 2001
+should have at least twice as many computer users as that, so it
+will require us reaching less than 5% of the users in 2001.
+
+
+We need your donations more than ever!
+
+
+All donations should be made to "Project Gutenberg/CMU": and are
+tax deductible to the extent allowable by law. (CMU = Carnegie-
+Mellon University).
+
+For these and other matters, please mail to:
+
+Project Gutenberg
+P. O. Box 2782
+Champaign, IL 61825
+
+When all other email fails try our Executive Director:
+Michael S. Hart <hart@pobox.com>
+
+We would prefer to send you this information by email
+(Internet, Bitnet, Compuserve, ATTMAIL or MCImail).
+
+******
+If you have an FTP program (or emulator), please
+FTP directly to the Project Gutenberg archives:
+[Mac users, do NOT point and click. . .type]
+
+ftp uiarchive.cso.uiuc.edu
+login: anonymous
+password: your@login
+cd etext/etext90 through /etext96
+or cd etext/articles [get suggest gut for more information]
+dir [to see files]
+get or mget [to get files. . .set bin for zip files]
+GET INDEX?00.GUT
+for a list of books
+and
+GET NEW GUT for general information
+and
+MGET GUT* for newsletters.
+
+**Information prepared by the Project Gutenberg legal advisor**
+(Three Pages)
+
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this etext, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you can distribute copies of this etext if you want to.
+
+*BEFORE!* YOU USE OR READ THIS ETEXT
+By using or reading any part of this PROJECT GUTENBERG-tm
+etext, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this etext by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this etext on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM ETEXTS
+This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-
+tm etexts, is a "public domain" work distributed by Professor
+Michael S. Hart through the Project Gutenberg Association at
+Carnegie-Mellon University (the "Project"). Among other
+things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this etext
+under the Project's "PROJECT GUTENBERG" trademark.
+
+To create these etexts, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's etexts and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other etext medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] the Project (and any other party you may receive this
+etext from as a PROJECT GUTENBERG-tm etext) disclaims all
+liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this etext within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold the Project, its directors,
+officers, members and agents harmless from all liability, cost
+and expense, including legal fees, that arise directly or
+indirectly from any of the following that you do or cause:
+[1] distribution of this etext, [2] alteration, modification,
+or addition to the etext, or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this etext electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ etext or this "small print!" statement. You may however,
+ if you wish, distribute this etext in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word pro-
+ cessing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The etext, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The etext may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the etext (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ etext in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the etext refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Project of 20% of the
+ net profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Association/Carnegie-Mellon
+ University" within the 60 days following each
+ date you prepare (or were legally required to prepare)
+ your annual (or equivalent periodic) tax return.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+The Project gratefully accepts contributions in money, time,
+scanning machines, OCR software, public domain etexts, royalty
+free copyright licenses, and every other sort of contribution
+you can think of. Money should be paid to "Project Gutenberg
+Association / Carnegie-Mellon University".
+
+*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*
+
+
+
+
+
+Etext prepared by Dagny, dagnyj@hotmail.com
+and John Bickers, jbickers@templar.actrix.gen.nz
+
+
+
+
+
+A PASSION IN THE DESERT
+
+by HONORE DE BALZAC
+
+
+
+Translated By
+Ernest Dowson
+
+
+
+"The whole show is dreadful," she cried coming out of the menagerie of
+M. Martin. She had just been looking at that daring speculator
+"working with his hyena,"--to speak in the style of the programme.
+
+"By what means," she continued, "can he have tamed these animals to
+such a point as to be certain of their affection for----"
+
+"What seems to you a problem," said I, interrupting, "is really quite
+natural."
+
+"Oh!" she cried, letting an incredulous smile wander over her lips.
+
+"You think that beasts are wholly without passions?" I asked her.
+"Quite the reverse; we can communicate to them all the vices arising
+in our own state of civilization."
+
+She looked at me with an air of astonishment.
+
+"But," I continued, "the first time I saw M. Martin, I admit, like
+you, I did give vent to an exclamation of surprise. I found myself
+next to an old soldier with the right leg amputated, who had come in
+with me. His face had struck me. He had one of those heroic heads,
+stamped with the seal of warfare, and on which the battles of Napoleon
+are written. Besides, he had that frank, good-humored expression which
+always impresses me favorably. He was without doubt one of those
+troopers who are surprised at nothing, who find matter for laughter in
+the contortions of a dying comrade, who bury or plunder him quite
+light-heartedly, who stand intrepidly in the way of bullets;--in fact,
+one of those men who waste no time in deliberation, and would not
+hesitate to make friends with the devil himself. After looking very
+attentively at the proprietor of the menagerie getting out of his box,
+my companion pursed up his lips with an air of mockery and contempt,
+with that peculiar and expressive twist which superior people assume
+to show they are not taken in. Then, when I was expatiating on the
+courage of M. Martin, he smiled, shook his head knowingly, and said,
+'Well known.'
+
+" 'How "well known"?' I said. 'If you would only explain me the
+mystery, I should be vastly obliged.'
+
+"After a few minutes, during which we made acquaintance, we went to
+dine at the first restauranteur's whose shop caught our eye. At
+dessert a bottle of champagne completely refreshed and brightened up
+the memories of this odd old soldier. He told me his story, and I saw
+that he was right when he exclaimed, 'Well known.' "
+
+When she got home, she teased me to that extent, was so charming, and
+made so many promises, that I consented to communicate to her the
+confidences of the old soldier. Next day she received the following
+episode of an epic which one might call "The French in Egypt."
+
+
+
+During the expedition in Upper Egypt under General Desaix, a Provencal
+soldier fell into the hands of the Maugrabins, and was taken by these
+Arabs into the deserts beyond the falls of the Nile.
+
+In order to place a sufficient distance between themselves and the
+French army, the Maugrabins made forced marches, and only halted when
+night was upon them. They camped round a well overshadowed by palm
+trees under which they had previously concealed a store of provisions.
+Not surmising that the notion of flight would occur to their prisoner,
+they contented themselves with binding his hands, and after eating a
+few dates, and giving provender to their horses, went to sleep.
+
+When the brave Provencal saw that his enemies were no longer watching
+him, he made use of his teeth to steal a scimiter, fixed the blade
+between his knees, and cut the cords which prevented him from using
+his hands; in a moment he was free. He at once seized a rifle and a
+dagger, then taking the precautions to provide himself with a sack of
+dried dates, oats, and powder and shot, and to fasten a scimiter to
+his waist, he leaped on to a horse, and spurred on vigorously in the
+direction where he thought to find the French army. So impatient was
+he to see a bivouac again that he pressed on the already tired courser
+at such speed, that its flanks were lacerated with his spurs, and at
+last the poor animal died, leaving the Frenchman alone in the desert.
+After walking some time in the sand with all the courage of an escaped
+convict, the soldier was obliged to stop, as the day had already
+ended. In spite of the beauty of an Oriental sky at night, he felt he
+had not strength enough to go on. Fortunately he had been able to find
+a small hill, on the summit of which a few palm trees shot up into the
+air; it was their verdure seen from afar which had brought hope and
+consolation to his heart. His fatigue was so great that he lay down
+upon a rock of granite, capriciously cut out like a camp-bed; there he
+fell asleep without taking any precaution to defend himself while he
+slept. He had made the sacrifice of his life. His last thought was one
+of regret. He repented having left the Maugrabins, whose nomadic life
+seemed to smile upon him now that he was far from them and without
+help. He was awakened by the sun, whose pitiless rays fell with all
+their force on the granite and produced an intolerable heat--for he
+had had the stupidity to place himself adversely to the shadow thrown
+by the verdant majestic heads of the palm trees. He looked at the
+solitary trees and shuddered--they reminded him of the graceful shafts
+crowned with foliage which characterize the Saracen columns in the
+cathedral of Arles.
+
+But when, after counting the palm trees, he cast his eyes around him,
+the most horrible despair was infused into his soul. Before him
+stretched an ocean without limit. The dark sand of the desert spread
+further than eye could reach in every direction, and glittered like
+steel struck with bright light. It might have been a sea of looking-
+glass, or lakes melted together in a mirror. A fiery vapor carried up
+in surging waves made a perpetual whirlwind over the quivering land.
+The sky was lit with an Oriental splendor of insupportable purity,
+leaving naught for the imagination to desire. Heaven and earth were on
+fire.
+
+The silence was awful in its wild and terrible majesty. Infinity,
+immensity, closed in upon the soul from every side. Not a cloud in the
+sky, not a breath in the air, not a flaw on the bosom of the sand,
+ever moving in diminutive waves; the horizon ended as at sea on a
+clear day, with one line of light, definite as the cut of a sword.
+
+The Provencal threw his arms round the trunk of one of the palm trees,
+as though it were the body of a friend, and then, in the shelter of
+the thin, straight shadow that the palm cast upon the granite, he
+wept. Then sitting down he remained as he was, contemplating with
+profound sadness the implacable scene, which was all he had to look
+upon. He cried aloud, to measure the solitude. His voice, lost in the
+hollows of the hill, sounded faintly, and aroused no echo--the echo
+was in his own heart. The Provencal was twenty-two years old:--he
+loaded his carbine.
+
+"There'll be time enough," he said to himself, laying on the ground
+the weapon which alone could bring him deliverance.
+
+Viewing alternately the dark expanse of the desert and the blue
+expanse of the sky, the soldier dreamed of France--he smelled with
+delight the gutters of Paris--he remembered the towns through which he
+had passed, the faces of his comrades, the most minute details of his
+life. His Southern fancy soon showed him the stones of his beloved
+Provence, in the play of the heat which undulated above the wide
+expanse of the desert. Realizing the danger of this cruel mirage, he
+went down the opposite side of the hill to that by which he had come
+up the day before. The remains of a rug showed that this place of
+refuge had at one time been inhabited; at a short distance he saw some
+palm trees full of dates. Then the instinct which binds us to life
+awoke again in his heart. He hoped to live long enough to await the
+passing of some Maugrabins, or perhaps he might hear the sound of
+cannon; for at this time Bonaparte was traversing Egypt.
+
+This thought gave him new life. The palm tree seemed to bend with the
+weight of the ripe fruit. He shook some of it down. When he tasted
+this unhoped-for manna, he felt sure that the palms had been
+cultivated by a former inhabitant--the savory, fresh meat of the dates
+were proof of the care of his predecessor. He passed suddenly from
+dark despair to an almost insane joy. He went up again to the top of
+the hill, and spent the rest of the day in cutting down one of the
+sterile palm trees, which the night before had served him for shelter.
+A vague memory made him think of the animals of the desert; and in
+case they might come to drink at the spring, visible from the base of
+the rocks but lost further down, he resolved to guard himself from
+their visits by placing a barrier at the entrance of his hermitage.
+
+In spite of his diligence, and the strength which the fear of being
+devoured asleep gave him, he was unable to cut the palm in pieces,
+though he succeeded in cutting it down. At eventide the king of the
+desert fell; the sound of its fall resounded far and wide, like a sigh
+in the solitude; the soldier shuddered as though he had heard some
+voice predicting woe.
+
+But like an heir who does not long bewail a deceased relative, he tore
+off from this beautiful tree the tall broad green leaves which are its
+poetic adornment, and used them to mend the mat on which he was to
+sleep.
+
+Fatigued by the heat and his work, he fell asleep under the red
+curtains of his wet cave.
+
+In the middle of the night his sleep was troubled by an extraordinary
+noise; he sat up, and the deep silence around allowed him to
+distinguish the alternative accents of a respiration whose savage
+energy could not belong to a human creature.
+
+A profound terror, increased still further by the darkness, the
+silence, and his waking images, froze his heart within him. He almost
+felt his hair stand on end, when by straining his eyes to their utmost
+he perceived through the shadow two faint yellow lights. At first he
+attributed these lights to the reflections of his own pupils, but soon
+the vivid brilliance of the night aided him gradually to distinguish
+the objects around him in the cave, and he beheld a huge animal lying
+but two steps from him. Was it a lion, a tiger, or a crocodile?
+
+The Provencal was not sufficiently educated to know under what species
+his enemy ought to be classed; but his fright was all the greater, as
+his ignorance led him to imagine all terrors at once; he endured a
+cruel torture, noting every variation of the breathing close to him
+without daring to make the slightest movement. An odor, pungent like
+that of a fox, but more penetrating, more profound,--so to speak,--
+filled the cave, and when the Provencal became sensible of this, his
+terror reached its height, for he could no longer doubt the proximity
+of a terrible companion, whose royal dwelling served him for a
+shelter.
+
+Presently the reflection of the moon descending on the horizon lit up
+the den, rendering gradually visible and resplendent the spotted skin
+of a panther.
+
+This lion of Egypt slept, curled up like a big dog, the peaceful
+possessor of a sumptuous niche at the gate of an hotel; its eyes
+opened for a moment and closed again; its face was turned towards the
+man. A thousand confused thoughts passed through the Frenchman's mind;
+first he thought of killing it with a bullet from his gun, but he saw
+there was not enough distance between them for him to take proper aim
+--the shot would miss the mark. And if it were to wake!--the thought
+made his limbs rigid. He listened to his own heart beating in the
+midst of the silence, and cursed the too violent pulsations which the
+flow of blood brought on, fearing to disturb that sleep which allowed
+him time to think of some means of escape.
+
+Twice he placed his hand on his scimiter, intending to cut off the
+head of his enemy; but the difficulty of cutting the stiff short hair
+compelled him to abandon this daring project. To miss would be to die
+for CERTAIN, he thought; he preferred the chances of fair fight, and
+made up his mind to wait till morning; the morning did not leave him
+long to wait.
+
+He could now examine the panther at ease; its muzzle was smeared with
+blood.
+
+"She's had a good dinner," he thought, without troubling himself as to
+whether her feast might have been on human flesh. "She won't be hungry
+when she gets up."
+
+It was a female. The fur on her belly and flanks was glistening white;
+many small marks like velvet formed beautiful bracelets round her
+feet; her sinuous tail was also white, ending with black rings; the
+overpart of her dress, yellow like burnished gold, very lissome and
+soft, had the characteristic blotches in the form of rosettes, which
+distinguish the panther from every other feline species.
+
+This tranquil and formidable hostess snored in an attitude as graceful
+as that of a cat lying on a cushion. Her blood-stained paws, nervous
+and well armed, were stretched out before her face, which rested upon
+them, and from which radiated her straight slender whiskers, like
+threads of silver.
+
+If she had been like that in a cage, the Provencal would doubtless
+have admired the grace of the animal, and the vigorous contrasts of
+vivid color which gave her robe an imperial splendor; but just then
+his sight was troubled by her sinister appearance.
+
+The presence of the panther, even asleep, could not fail to produce
+the effect which the magnetic eyes of the serpent are said to have on
+the nightingale.
+
+For a moment the courage of the soldier began to fail before this
+danger, though no doubt it would have risen at the mouth of a cannon
+charged with shell. Nevertheless, a bold thought brought daylight to
+his soul and sealed up the source of the cold sweat which sprang forth
+on his brow. Like men driven to bay, who defy death and offer their
+body to the smiter, so he, seeing in this merely a tragic episode,
+resolved to play his part with honor to the last.
+
+"The day before yesterday the Arabs would have killed me, perhaps," he
+said; so considering himself as good as dead already, he waited
+bravely, with excited curiosity, the awakening of his enemy.
+
+When the sun appeared, the panther suddenly opened her eyes; then she
+put out her paws with energy, as if to stretch them and get rid of
+cramp. At last she yawned, showing the formidable apparatus of her
+teeth and pointed tongue, rough as a file.
+
+"A regular petite maitresse," thought the Frenchman, seeing her roll
+herself about so softly and coquettishly. She licked off the blood
+which stained her paws and muzzle, and scratched her head with
+reiterated gestures full of prettiness. "All right, make a little
+toilet," the Frenchman said to himself, beginning to recover his
+gaiety with his courage; "we'll say good morning to each other
+presently;" and he seized the small, short dagger which he had taken
+from the Maugrabins.
+
+At this moment the panther turned her head toward the man and looked
+at him fixedly without moving. The rigidity of her metallic eyes and
+their insupportable luster made him shudder, especially when the
+animal walked towards him. But he looked at her caressingly, staring
+into her eyes in order to magnetize her, and let her come quite close
+to him; then with a movement both gentle and amorous, as though he
+were caressing the most beautiful of women, he passed his hand over
+her whole body, from the head to the tail, scratching the flexible
+vertebrae which divided the panther's yellow back. The animal waved
+her tail voluptuously, and her eyes grew gentle; and when for the
+third time the Frenchman accomplished this interesting flattery, she
+gave forth one of those purrings by which cats express their pleasure;
+but this murmur issued from a throat so powerful and so deep that it
+resounded through the cave like the last vibrations of an organ in a
+church. The man, understanding the importance of his caresses,
+redoubled them in such a way as to surprise and stupefy his imperious
+courtesan. When he felt sure of having extinguished the ferocity of
+his capricious companion, whose hunger had so fortunately been
+satisfied the day before, he got up to go out of the cave; the panther
+let him go out, but when he had reached the summit of the hill she
+sprang with the lightness of a sparrow hopping from twig to twig, and
+rubbed herself against his legs, putting up her back after the manner
+of all the race of cats. Then regarding her guest with eyes whose
+glare had softened a little, she gave vent to that wild cry which
+naturalists compare to the grating of a saw.
+
+"She is exacting," said the Frenchman, smilingly.
+
+He was bold enough to play with her ears; he caressed her belly and
+scratched her head as hard as he could. When he saw that he was
+successful, he tickled her skull with the point of his dagger,
+watching for the right moment to kill her, but the hardness of her
+bones made him tremble for his success.
+
+The sultana of the desert showed herself gracious to her slave; she
+lifted her head, stretched out her neck and manifested her delight by
+the tranquility of her attitude. It suddenly occurred to the soldier
+that to kill this savage princess with one blow he must poniard her in
+the throat.
+
+He raised the blade, when the panther, satisfied no doubt, laid
+herself gracefully at his feet, and cast up at him glances in which,
+in spite of their natural fierceness, was mingled confusedly a kind of
+good will. The poor Provencal ate his dates, leaning against one of
+the palm trees, and casting his eyes alternately on the desert in
+quest of some liberator and on his terrible companion to watch her
+uncertain clemency.
+
+The panther looked at the place where the date stones fell, and every
+time that he threw one down her eyes expressed an incredible mistrust.
+
+She examined the man with an almost commercial prudence. However, this
+examination was favorable to him, for when he had finished his meager
+meal she licked his boots with her powerful rough tongue, brushing off
+with marvelous skill the dust gathered in the creases.
+
+"Ah, but when she's really hungry!" thought the Frenchman. In spite of
+the shudder this thought caused him, the soldier began to measure
+curiously the proportions of the panther, certainly one of the most
+splendid specimens of its race. She was three feet high and four feet
+long without counting her tail; this powerful weapon, rounded like a
+cudgel, was nearly three feet long. The head, large as that of a
+lioness, was distinguished by a rare expression of refinement. The
+cold cruelty of a tiger was dominant, it was true, but there was also
+a vague resemblance to the face of a sensual woman. Indeed, the face
+of this solitary queen had something of the gaiety of a drunken Nero:
+she had satiated herself with blood, and she wanted to play.
+
+The soldier tried if he might walk up and down, and the panther left
+him free, contenting herself with following him with her eyes, less
+like a faithful dog than a big Angora cat, observing everything and
+every movement of her master.
+
+When he looked around, he saw, by the spring, the remains of his
+horse; the panther had dragged the carcass all that way; about two
+thirds of it had been devoured already. The sight reassured him.
+
+It was easy to explain the panther's absence, and the respect she had
+had for him while he slept. The first piece of good luck emboldened
+him to tempt the future, and he conceived the wild hope of continuing
+on good terms with the panther during the entire day, neglecting no
+means of taming her, and remaining in her good graces.
+
+He returned to her, and had the unspeakable joy of seeing her wag her
+tail with an almost imperceptible movement at his approach. He sat
+down then, without fear, by her side, and they began to play together;
+he took her paws and muzzle, pulled her ears, rolled her over on her
+back, stroked her warm, delicate flanks. She let him do what ever he
+liked, and when he began to stroke the hair on her feet she drew her
+claws in carefully.
+
+The man, keeping the dagger in one hand, thought to plunge it into the
+belly of the too confiding panther, but he was afraid that he would be
+immediately strangled in her last convulsive struggle; besides, he
+felt in his heart a sort of remorse which bid him respect a creature
+that had done him no harm. He seemed to have found a friend, in a
+boundless desert; half unconsciously he thought of his first
+sweetheart, whom he had nicknamed "Mignonne" by way of contrast,
+because she was so atrociously jealous that all the time of their love
+he was in fear of the knife with which she had always threatened him.
+
+This memory of his early days suggested to him the idea of making the
+young panther answer to this name, now that he began to admire with
+less terror her swiftness, suppleness, and softness. Toward the end of
+the day he had familiarized himself with his perilous position; he now
+almost liked the painfulness of it. At last his companion had got into
+the habit of looking up at him whenever he cried in a falsetto voice,
+"Mignonne."
+
+At the setting of the sun Mignonne gave, several times running, a
+profound melancholy cry. "She's been well brought up," said the
+lighthearted soldier; "she says her prayers." But this mental joke
+only occurred to him when he noticed what a pacific attitude his
+companion remained in. "Come, ma petite blonde, I'll let you go to bed
+first," he said to her, counting on the activity of his own legs to
+run away as quickly as possible, directly she was asleep, and seek
+another shelter for the night.
+
+The soldier waited with impatience the hour of his flight, and when it
+had arrived he walked vigorously in the direction of the Nile; but
+hardly had he made a quarter of a league in the sand when he heard the
+panther bounding after him, crying with that saw-like cry more
+dreadful even than the sound of her leaping.
+
+"Ah!" he said, "then she's taken a fancy to me, she has never met
+anyone before, and it is really quite flattering to have her first
+love." That instant the man fell into one of those movable quicksands
+so terrible to travelers and from which it is impossible to save
+oneself. Feeling himself caught, he gave a shriek of alarm; the
+panther seized him with her teeth by the collar, and, springing
+vigorously backwards, drew him as if by magic out of the whirling
+sand.
+
+"Ah, Mignonne!" cried the soldier, caressing her enthusiastically;
+"we're bound together for life and death but no jokes, mind!" and he
+retraced his steps.
+
+From that time the desert seemed inhabited. It contained a being to
+whom the man could talk, and whose ferocity was rendered gentle by
+him, though he could not explain to himself the reason for their
+strange friendship. Great as was the soldier's desire to stay upon
+guard, he slept.
+
+On awakening he could not find Mignonne; he mounted the hill, and in
+the distance saw her springing toward him after the habit of these
+animals, who cannot run on account of the extreme flexibility of the
+vertebral column. Mignonne arrived, her jaws covered with blood; she
+received the wonted caress of her companion, showing with much purring
+how happy it made her. Her eyes, full of languor, turned still more
+gently than the day before toward the Provencal, who talked to her as
+one would to a tame animal.
+
+"Ah! mademoiselle, you are a nice girl, aren't you? Just look at that!
+So we like to be made much of, don't we? Aren't you ashamed of
+yourself? So you have been eating some Arab or other, have you? That
+doesn't matter. They're animals just the same as you are; but don't
+you take to eating Frenchmen, or I shan't like you any longer."
+
+She played like a dog with its master, letting herself be rolled over,
+knocked about, and stroked, alternately; sometimes she herself would
+provoke the soldier, putting up her paw with a soliciting gesture.
+
+Some days passed in this manner. This companionship permitted the
+Provencal to appreciate the sublime beauty of the desert; now that he
+had a living thing to think about, alternations of fear and quiet, and
+plenty to eat, his mind became filled with contrast and his life began
+to be diversified.
+
+Solitude revealed to him all her secrets, and enveloped him in her
+delights. He discovered in the rising and setting of the sun sights
+unknown to the world. He knew what it was to tremble when he heard
+over his head the hiss of a bird's wing, so rarely did they pass, or
+when he saw the clouds, changing and many colored travelers, melt one
+into another. He studied in the night time the effect of the moon upon
+the ocean of sand, where the simoom made waves swift of movement and
+rapid in their change. He lived the life of the Eastern day, marveling
+at its wonderful pomp; then, after having reveled in the sight of a
+hurricane over the plain where the whirling sands made red, dry mists
+and death-bearing clouds, he would welcome the night with joy, for
+then fell the healthful freshness of the stars, and he listened to
+imaginary music in the skies. Then solitude taught him to unroll the
+treasures of dreams. He passed whole hours in remembering mere
+nothings, and comparing his present life with his past.
+
+At last he grew passionately fond of the panther; for some sort of
+affection was a necessity.
+
+Whether it was that his will powerfully projected had modified the
+character of his companion, or whether, because she found abundant
+food in her predatory excursions in the desert, she respected the
+man's life, he began to fear for it no longer, seeing her so well
+tamed.
+
+He devoted the greater part of his time to sleep, but he was obliged
+to watch like a spider in its web that the moment of his deliverance
+might not escape him, if anyone should pass the line marked by the
+horizon. He had sacrificed his shirt to make a flag with, which he
+hung at the top of a palm tree, whose foliage he had torn off. Taught
+by necessity, he found the means of keeping it spread out, by
+fastening it with little sticks; for the wind might not be blowing at
+the moment when the passing traveler was looking through the desert.
+
+It was during the long hours, when he had abandoned hope, that he
+amused himself with the panther. He had come to learn the different
+inflections of her voice, the expressions of her eyes; he had studied
+the capricious patterns of all the rosettes which marked the gold of
+her robe. Mignonne was not even angry when he took hold of the tuft at
+the end of her tail to count her rings, those graceful ornaments which
+glittered in the sun like jewelry. It gave him pleasure to contemplate
+the supple, fine outlines of her form, the whiteness of her belly, the
+graceful pose of her head. But it was especially when she was playing
+that he felt most pleasure in looking at her; the agility and youthful
+lightness of her movements were a continual surprise to him; he
+wondered at the supple way in which she jumped and climbed, washed
+herself and arranged her fur, crouched down and prepared to spring.
+However rapid her spring might be, however slippery the stone she was
+on, she would always stop short at the word "Mignonne."
+
+One day, in a bright midday sun, an enormous bird coursed through the
+air. The man left his panther to look at his new guest; but after
+waiting a moment the deserted sultana growled deeply.
+
+"My goodness! I do believe she's jealous," he cried, seeing her eyes
+become hard again; "the soul of Virginie has passed into her body;
+that's certain."
+
+The eagle disappeared into the air, while the soldier admired the
+curved contour of the panther.
+
+But there was such youth and grace in her form! she was beautiful as a
+woman! the blond fur of her robe mingled well with the delicate tints
+of faint white which marked her flanks.
+
+The profuse light cast down by the sun made this living gold, these
+russet markings, to burn in a way to give them an indefinable
+attraction.
+
+The man and the panther looked at one another with a look full of
+meaning; the coquette quivered when she felt her friend stroke her
+head; her eyes flashed like lightning--then she shut them tightly.
+
+"She has a soul," he said, looking at the stillness of this queen of
+the sands, golden like them, white like them, solitary and burning
+like them.
+
+
+
+"Well," she said, "I have read your plea in favor of beasts; but how
+did two so well adapted to understand each other end?"
+
+"Ah, well! you see, they ended as all great passions do end--by a
+misunderstanding. For some reason ONE suspects the other of treason;
+they don't come to an explanation through pride, and quarrel and part
+from sheer obstinacy."
+
+"Yet sometimes at the best moments a single word or a look is enough--
+but anyhow go on with your story."
+
+"It's horribly difficult, but you will understand, after what the old
+villain told me over his champagne. He said--'I don't know if I hurt
+her, but she turned round, as if enraged, and with her sharp teeth
+caught hold of my leg--gently, I daresay; but I, thinking she would
+devour me, plunged my dagger into her throat. She rolled over, giving
+a cry that froze my heart; and I saw her dying, still looking at me
+without anger. I would have given all the world--my cross even, which
+I had not got then--to have brought her to life again. It was as
+though I had murdered a real person; and the soldiers who had seen my
+flag, and were come to my assistance, found me in tears.'
+
+" 'Well sir,' he said, after a moment of silence, 'since then I have
+been in war in Germany, in Spain, in Russia, in France; I've certainly
+carried my carcase about a good deal, but never have I seen anything
+like the desert. Ah! yes, it is very beautiful!'
+
+" 'What did you feel there?' I asked him.
+
+"'Oh! that can't be described, young man! Besides, I am not always
+regretting my palm trees and my panther. I should have to be very
+melancholy for that. In the desert, you see, there is everything and
+nothing.'
+
+" 'Yes, but explain----'
+
+" 'Well,' he said, with an impatient gesture, 'it is God without
+mankind.' "
+
+
+
+
+
+End of The Project Gutenberg Etext of A Passion in the Desert by Balzac
+
diff --git a/old/apitd10.zip b/old/apitd10.zip
new file mode 100644
index 0000000..26e89e9
--- /dev/null
+++ b/old/apitd10.zip
Binary files differ