summaryrefslogtreecommitdiff
path: root/1554-h
diff options
context:
space:
mode:
Diffstat (limited to '1554-h')
-rw-r--r--1554-h/1554-h.htm2579
1 files changed, 2579 insertions, 0 deletions
diff --git a/1554-h/1554-h.htm b/1554-h/1554-h.htm
new file mode 100644
index 0000000..da28412
--- /dev/null
+++ b/1554-h/1554-h.htm
@@ -0,0 +1,2579 @@
+<?xml version="1.0" encoding="utf-8"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <title>
+ Adieu, by Honore de Balzac
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 70%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+The Project Gutenberg EBook of Adieu, by Honore de Balzac
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Adieu
+
+Author: Honore de Balzac
+
+Translator: Katharine Prescott Wormeley
+
+Release Date: February 26, 2010 [EBook #1554]
+Last Updated: November 21, 2016
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK ADIEU ***
+
+
+
+
+Produced by John Bickers, and Dagny, and David Widger
+
+
+
+
+
+
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <h1>
+ ADIEU
+ </h1>
+ <p>
+ <br /><br />
+ </p>
+ <h2>
+ By Honore De Balzac
+ </h2>
+ <p>
+ <br /><br />
+ </p>
+ <h3>
+ Translated by Katharine Prescott Wormeley
+ </h3>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <h3>
+ DEDICATION<br /><br /> To Prince Frederic Schwartzenburg<br />
+ </h3>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <h2>
+ Contents
+ </h2>
+ <h3>
+ <a href="#link2H_4_0001"> ADIEU </a>
+ </h3>
+ <h3>
+ </h3>
+ <table summary="" style="margin-right: auto; margin-left: auto">
+ <tr>
+ <td>
+ <a href="#link2HCH0001"> CHAPTER I. </a>
+ </td>
+ <td>
+ AN OLD MONASTERY
+ </td>
+ </tr>
+ <tr>
+ <td>
+ <a href="#link2HCH0002"> CHAPTER II. </a>
+ </td>
+ <td>
+ THE PASSAGE OF THE BERESINA
+ </td>
+ </tr>
+ <tr>
+ <td>
+ <a href="#link2HCH0003"> CHAPTER III. &nbsp;&nbsp;</a>
+ </td>
+ <td>
+ THE CURE
+ </td>
+ </tr>
+ <tr>
+ <td>
+ </td>
+ </tr>
+ </table>
+ <h3>
+ <a href="#link2H_4_0005"> ADDENDUM </a>
+ </h3>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br /> <a name="link2H_4_0001" id="link2H_4_0001">
+ <!-- H2 anchor --> </a>
+ </p>
+ <h1>
+ ADIEU
+ </h1>
+ <p>
+ <a name="link2HCH0001" id="link2HCH0001">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER I. AN OLD MONASTERY
+ </h2>
+ <p>
+ &ldquo;Come, deputy of the Centre, forward! Quick step! march! if we want to be
+ in time to dine with the others. Jump, marquis! there, that&rsquo;s right! why,
+ you can skip across a stubble-field like a deer!&rdquo;
+ </p>
+ <p>
+ These words were said by a huntsman peacefully seated at the edge of the
+ forest of Ile-Adam, who was finishing an Havana cigar while waiting for
+ his companion, who had lost his way in the tangled underbrush of the wood.
+ At his side four panting dogs were watching, as he did, the personage he
+ addressed. To understand how sarcastic were these exhortations, repeated
+ at intervals, we should state that the approaching huntsman was a stout
+ little man whose protuberant stomach was the evidence of a truly
+ ministerial &ldquo;embonpoint.&rdquo; He was struggling painfully across the furrows
+ of a vast wheat-field recently harvested, the stubble of which
+ considerably impeded him; while to add to his other miseries the sun&rsquo;s
+ rays, striking obliquely on his face, collected an abundance of drops of
+ perspiration. Absorbed in the effort to maintain his equilibrium, he
+ leaned, now forward, now back, in close imitation of the pitching of a
+ carriage when violently jolted. The weather looked threatening. Though
+ several spaces of blue sky still parted the thick black clouds toward the
+ horizon, a flock of fleecy vapors were advancing with great rapidity and
+ drawing a light gray curtain from east to west. As the wind was acting
+ only on the upper region of the air, the atmosphere below it pressed down
+ the hot vapors of the earth. Surrounded by masses of tall trees, the
+ valley through which the hunter struggled felt like a furnace. Parched and
+ silent, the forest seemed thirsty. The birds, even the insects, were
+ voiceless; the tree-tops scarcely waved. Those persons who may still
+ remember the summer of 1819 can imagine the woes of the poor deputy, who
+ was struggling along, drenched in sweat, to regain his mocking friend. The
+ latter, while smoking his cigar, had calculated from the position of the
+ sun that it must be about five in the afternoon.
+ </p>
+ <p>
+ &ldquo;Where the devil are we?&rdquo; said the stout huntsman, mopping his forehead
+ and leaning against the trunk of a tree nearly opposite to his companion,
+ for he felt unequal to the effort of leaping the ditch between them.
+ </p>
+ <p>
+ &ldquo;That&rsquo;s for me to ask you,&rdquo; said the other, laughing, as he lay among the
+ tall brown brake which crowned the bank. Then, throwing the end of his
+ cigar into the ditch, he cried out vehemently: &ldquo;I swear by Saint Hubert
+ that never again will I trust myself in unknown territory with a
+ statesman, though he be, like you, my dear d&rsquo;Albon, a college mate.&rdquo;
+ </p>
+ <p>
+ &ldquo;But, Philippe, have you forgotten your French? Or have you left your wits
+ in Siberia?&rdquo; replied the stout man, casting a sorrowfully comic look at a
+ sign-post about a hundred feet away.
+ </p>
+ <p>
+ &ldquo;True, true,&rdquo; cried Philippe, seizing his gun and springing with a bound
+ into the field and thence to the post. &ldquo;This way, d&rsquo;Albon, this way,&rdquo; he
+ called back to his friend, pointing to a broad paved path and reading
+ aloud the sign: &ldquo;&lsquo;From Baillet to Ile-Adam.&rsquo; We shall certainly find the
+ path to Cassan, which must branch from this one between here and
+ Ile-Adam.&rdquo;
+ </p>
+ <p>
+ &ldquo;You are right, colonel,&rdquo; said Monsieur d&rsquo;Albon, replacing upon his head
+ the cap with which he had been fanning himself.
+ </p>
+ <p>
+ &ldquo;Forward then, my respectable privy councillor,&rdquo; replied Colonel Philippe,
+ whistling to the dogs, who seemed more willing to obey him than the public
+ functionary to whom they belonged.
+ </p>
+ <p>
+ &ldquo;Are you aware, marquis,&rdquo; said the jeering soldier, &ldquo;that we still have
+ six miles to go? That village over there must be Baillet.&rdquo;
+ </p>
+ <p>
+ &ldquo;Good heavens!&rdquo; cried the marquis, &ldquo;go to Cassan if you must, but you&rsquo;ll
+ go alone. I prefer to stay here, in spite of the coming storm, and wait
+ for the horse you can send me from the chateau. You&rsquo;ve played me a trick,
+ Sucy. We were to have had a nice little hunt not far from Cassan, and
+ beaten the coverts I know. Instead of that, you have kept me running like
+ a hare since four o&rsquo;clock this morning, and all I&rsquo;ve had for breakfast is
+ a cup of milk. Now, if you ever have a petition before the Court, I&rsquo;ll
+ make you lose it, however just your claim.&rdquo;
+ </p>
+ <p>
+ The poor discouraged huntsman sat down on a stone that supported the
+ signpost, relieved himself of his gun and his gamebag, and heaved a long
+ sigh.
+ </p>
+ <p>
+ &ldquo;France! such are thy deputies!&rdquo; exclaimed Colonel de Sucy, laughing. &ldquo;Ah!
+ my poor d&rsquo;Albon, if you had been like me six years in the wilds of Siberia&mdash;&rdquo;
+ </p>
+ <p>
+ He said no more, but he raised his eyes to heaven as if that anguish were
+ between himself and God.
+ </p>
+ <p>
+ &ldquo;Come, march on!&rdquo; he added. &ldquo;If you sit still you are lost.&rdquo;
+ </p>
+ <p>
+ &ldquo;How can I, Philippe? It is an old magisterial habit to sit still. On my
+ honor! I&rsquo;m tired out&mdash;If I had only killed a hare!&rdquo;
+ </p>
+ <p>
+ The two men presented a rather rare contrast: the public functionary was
+ forty-two years of age and seemed no more than thirty, whereas the soldier
+ was thirty, and seemed forty at the least. Both wore the red rosette of
+ the officers of the Legion of honor. A few spare locks of black hair mixed
+ with white, like the wing of a magpie, escaped from the colonel&rsquo;s cap,
+ while handsome brown curls adorned the brow of the statesman. One was
+ tall, gallant, high-strung, and the lines of his pallid face showed
+ terrible passions or frightful griefs. The other had a face that was
+ brilliant with health, and jovially worth of an epicurean. Both were
+ deeply sun-burned, and their high gaiters of tanned leather showed signs
+ of the bogs and the thickets they had just come through.
+ </p>
+ <p>
+ &ldquo;Come,&rdquo; said Monsieur de Sucy, &ldquo;let us get on. A short hour&rsquo;s march, and
+ we shall reach Cassan in time for a good dinner.&rdquo;
+ </p>
+ <p>
+ &ldquo;It is easy to see you have never loved,&rdquo; replied the councillor, with a
+ look that was pitifully comic; &ldquo;you are as relentless as article 304 of
+ the penal code.&rdquo;
+ </p>
+ <p>
+ Philippe de Sucy quivered; his broad brow contracted; his face became as
+ sombre as the skies above them. Some memory of awful bitterness distorted
+ for a moment his features, but he said nothing. Like all strong men, he
+ drove down his emotions to the depths of his heart; thinking perhaps, as
+ simple characters are apt to think, that there was something immodest in
+ unveiling griefs when human language cannot render their depths and may
+ only rouse the mockery of those who do not comprehend them. Monsieur
+ d&rsquo;Albon had one of those delicate natures which divine sorrows, and are
+ instantly sympathetic to the emotion they have involuntarily aroused. He
+ respected his friend&rsquo;s silence, rose, forgot his fatigue, and followed him
+ silently, grieved to have touched a wound that was evidently not healed.
+ </p>
+ <p>
+ &ldquo;Some day, my friend,&rdquo; said Philippe, pressing his hand, and thanking him
+ for his mute repentance by a heart-rending look, &ldquo;I will relate to you my
+ life. To-day I cannot.&rdquo;
+ </p>
+ <p>
+ They continued their way in silence. When the colonel&rsquo;s pain seemed
+ soothed, the marquis resumed his fatigue; and with the instinct, or rather
+ the will, of a wearied man his eye took in the very depths of the forest;
+ he questioned the tree-tops and examined the branching paths, hoping to
+ discover some dwelling where he could ask hospitality. Arriving at a
+ cross-ways, he thought he noticed a slight smoke rising among the trees;
+ he stopped, looked more attentively, and saw, in the midst of a vast
+ copse, the dark-green branches of several pine-trees.
+ </p>
+ <p>
+ &ldquo;A house! a house!&rdquo; he cried, with the joy the sailor feels in crying
+ &ldquo;Land!&rdquo;
+ </p>
+ <p>
+ Then he sprang quickly into the copse, and the colonel, who had fallen
+ into a deep reverie, followed him mechanically.
+ </p>
+ <p>
+ &ldquo;I&rsquo;d rather get an omelet, some cottage bread, and a chair here,&rdquo; he said,
+ &ldquo;than go to Cassan for sofas, truffles, and Bordeaux.&rdquo;
+ </p>
+ <p>
+ These words were an exclamation of enthusiasm, elicited from the
+ councillor on catching sight of a wall, the white towers of which
+ glimmered in the distance through the brown masses of the tree trunks.
+ </p>
+ <p>
+ &ldquo;Ha! ha! this looks to me as if it had once been a priory,&rdquo; cried the
+ marquis, as they reached a very old and blackened gate, through which they
+ could see, in the midst of a large park, a building constructed in the
+ style of the monasteries of old. &ldquo;How those rascals the monks knew how to
+ choose their sites!&rdquo;
+ </p>
+ <p>
+ This last exclamation was an expression of surprise and pleasure at the
+ poetical hermitage which met his eyes. The house stood on the slope of the
+ mountain, at the summit of which is the village of Nerville. The great
+ centennial oaks of the forest which encircled the dwelling made the place
+ an absolute solitude. The main building, formerly occupied by the monks,
+ faced south. The park seemed to have about forty acres. Near the house lay
+ a succession of green meadows, charmingly crossed by several clear
+ rivulets, with here and there a piece of water naturally placed without
+ the least apparent artifice. Trees of elegant shape and varied foliage
+ were distributed about. Grottos, cleverly managed, and massive terraces
+ with dilapidated steps and rusty railings, gave a peculiar character to
+ this lone retreat. Art had harmonized her constructions with the
+ picturesque effects of nature. Human passions seemed to die at the feet of
+ those great trees, which guarded this asylum from the tumult of the world
+ as they shaded it from the fires of the sun.
+ </p>
+ <p>
+ &ldquo;How desolate!&rdquo; thought Monsieur d&rsquo;Albon, observing the sombre expression
+ which the ancient building gave to the landscape, gloomy as though a curse
+ were on it. It seemed a fatal spot deserted by man. Ivy had stretched its
+ tortuous muscles, covered by its rich green mantle, everywhere. Brown or
+ green, red or yellow mosses and lichen spread their romantic tints on
+ trees and seats and roofs and stones. The crumbling window-casings were
+ hollowed by rain, defaced by time; the balconies were broken, the terraces
+ demolished. Some of the outside shutters hung from a single hinge. The
+ rotten doors seemed quite unable to resist an assailant. Covered with
+ shining tufts of mistletoe, the branches of the neglected fruit-trees gave
+ no sign of fruit. Grass grew in the paths. Such ruin and desolation cast a
+ weird poesy on the scene, filling the souls of the spectators with dreamy
+ thoughts. A poet would have stood there long, plunged in a melancholy
+ reverie, admiring this disorder so full of harmony, this destruction which
+ was not without its grace. Suddenly, the brown tiles shone, the mosses
+ glittered, fantastic shadows danced upon the meadows and beneath the
+ trees; fading colors revived; striking contrasts developed, the foliage of
+ the trees and shrubs defined itself more clearly in the light. Then&mdash;the
+ light went out. The landscape seemed to have spoken, and now was silent,
+ returning to its gloom, or rather to the soft sad tones of an autumnal
+ twilight.
+ </p>
+ <p>
+ &ldquo;It is the palace of the Sleeping Beauty,&rdquo; said the marquis, beginning to
+ view the house with the eyes of a land owner. &ldquo;I wonder to whom it
+ belongs! He must be a stupid fellow not to live in such an exquisite
+ spot.&rdquo;
+ </p>
+ <p>
+ At that instant a woman sprang from beneath a chestnut-tree standing to
+ the right of the gate, and, without making any noise, passed before the
+ marquis as rapidly as the shadow of a cloud. This vision made him mute
+ with surprise.
+ </p>
+ <p>
+ &ldquo;Why, Albon, what&rsquo;s the matter?&rdquo; asked the colonel.
+ </p>
+ <p>
+ &ldquo;I am rubbing my eyes to know if I am asleep or awake,&rdquo; replied the
+ marquis, with his face close to the iron rails as he tried to get another
+ sight of the phantom.
+ </p>
+ <p>
+ &ldquo;She must be beneath that fig-tree,&rdquo; he said, pointing to the foliage of a
+ tree which rose above the wall to the left of the gate.
+ </p>
+ <p>
+ &ldquo;She! who?&rdquo;
+ </p>
+ <p>
+ &ldquo;How can I tell?&rdquo; replied Monsieur d&rsquo;Albon. &ldquo;A strange woman rose up
+ there, just before me,&rdquo; he said in a low voice; &ldquo;she seemed to come from
+ the world of shades rather than from the land of the living. She is so
+ slender, so light, so filmy, she must be diaphanous. Her face was as white
+ as milk; her eyes, her clothes, her hair jet black. She looked at me as
+ she flitted by, and though I may say I&rsquo;m no coward, that cold immovable
+ look froze the blood in my veins.&rdquo;
+ </p>
+ <p>
+ &ldquo;Is she pretty?&rdquo; asked Philippe.
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know. I could see nothing but the eyes in that face.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, let the dinner at Cassan go to the devil!&rdquo; cried the colonel.
+ &ldquo;Suppose we stay here. I have a sudden childish desire to enter that
+ singular house. Do you see those window-frames painted red, and the red
+ lines on the doors and shutters? Doesn&rsquo;t the place look to you as if it
+ belonged to the devil?&mdash;perhaps he inherited it from the monks. Come,
+ let us pursue the black and white lady&mdash;forward, march!&rdquo; cried
+ Philippe, with forced gaiety.
+ </p>
+ <p>
+ At that instant the two huntsmen heard a cry that was something like that
+ of a mouse caught in a trap. They listened. The rustle of a few shrubs
+ sounded in the silence like the murmur of a breaking wave. In vain they
+ listened for other sounds; the earth was dumb, and kept the secret of
+ those light steps, if, indeed, the unknown woman moved at all.
+ </p>
+ <p>
+ &ldquo;It is very singular!&rdquo; said Philippe, as they skirted the park wall.
+ </p>
+ <p>
+ The two friends presently reached a path in the forest which led to the
+ village of Chauvry. After following this path some way toward the main
+ road to Paris, they came to another iron gate which led to the principal
+ facade of the mysterious dwelling. On this side the dilapidation and
+ disorder of the premises had reached their height. Immense cracks furrowed
+ the walls of the house, which was built on three sides of a square.
+ Fragments of tiles and slates lying on the ground, and the dilapidated
+ condition of the roofs, were evidence of a total want of care on the part
+ of the owners. The fruit had fallen from the trees and lay rotting on the
+ ground; a cow was feeding on the lawn and treading down the flowers in the
+ borders, while a goat browsed on the shoots of the vines and munched the
+ unripe grapes.
+ </p>
+ <p>
+ &ldquo;Here all is harmony; the devastation seems organized,&rdquo; said the colonel,
+ pulling the chain of a bell; but the bell was without a clapper.
+ </p>
+ <p>
+ The huntsmen heard nothing but the curiously sharp noise of a rusty
+ spring. Though very dilapidated, a little door made in the wall beside the
+ iron gates resisted all their efforts to open it.
+ </p>
+ <p>
+ &ldquo;Well, well, this is getting to be exciting,&rdquo; said de Sucy to his
+ companion.
+ </p>
+ <p>
+ &ldquo;If I were not a magistrate,&rdquo; replied Monsieur d&rsquo;Albon, &ldquo;I should think
+ that woman was a witch.&rdquo;
+ </p>
+ <p>
+ As he said the words, the cow came to the iron gate and pushed her warm
+ muzzle towards them, as if she felt the need of seeing human beings. Then
+ a woman, if that name could be applied to the indefinable being who
+ suddenly issued from a clump of bushes, pulled away the cow by its rope.
+ This woman wore on her head a red handkerchief, beneath which trailed long
+ locks of hair in color and shape like the flax on a distaff. She wore no
+ fichu. A coarse woollen petticoat in black and gray stripes, too short by
+ several inches, exposed her legs. She might have belonged to some tribe of
+ Red-Skins described by Cooper, for her legs, neck, and arms were the color
+ of brick. No ray of intelligence enlivened her vacant face. A few whitish
+ hairs served her for eyebrows; the eyes themselves, of a dull blue, were
+ cold and wan; and her mouth was so formed as to show the teeth, which were
+ crooked, but as white as those of a dog.
+ </p>
+ <p>
+ &ldquo;Here, my good woman!&rdquo; called Monsieur de Sucy.
+ </p>
+ <p>
+ She came very slowly to the gate, looking with a silly expression at the
+ two huntsmen, the sight of whom brought a forced and painful smile to her
+ face.
+ </p>
+ <p>
+ &ldquo;Where are we? Whose house is this? Who are you? Do you belong here?&rdquo;
+ </p>
+ <p>
+ To these questions and several others which the two friends alternately
+ addressed to her, she answered only with guttural sounds that seemed more
+ like the growl of an animal than the voice of a human being.
+ </p>
+ <p>
+ &ldquo;She must be deaf and dumb,&rdquo; said the marquis.
+ </p>
+ <p>
+ &ldquo;Bons-Hommes!&rdquo; cried the peasant woman.
+ </p>
+ <p>
+ &ldquo;Ah! I see. This is, no doubt, the old monastery of the Bons-Hommes,&rdquo; said
+ the marquis.
+ </p>
+ <p>
+ He renewed his questions. But, like a capricious child, the peasant woman
+ colored, played with her wooden shoe, twisted the rope of the cow, which
+ was now feeding peaceably, and looked at the two hunters, examining every
+ part of their clothing; then she yelped, growled, and clucked, but did not
+ speak.
+ </p>
+ <p>
+ &ldquo;What is your name?&rdquo; said Philippe, looking at her fixedly, as if he meant
+ to mesmerize her.
+ </p>
+ <p>
+ &ldquo;Genevieve,&rdquo; she said, laughing with a silly air.
+ </p>
+ <p>
+ &ldquo;The cow is the most intelligent being we have seen so far,&rdquo; said the
+ marquis. &ldquo;I shall fire my gun and see if that will being some one.&rdquo;
+ </p>
+ <p>
+ Just as d&rsquo;Albon raised his gun, the colonel stopped him with a gesture,
+ and pointed to the form of a woman, probably the one who had so keenly
+ piqued his curiosity. At this moment she seemed lost in the deepest
+ meditation, and was coming with slow steps along a distant pathway, so
+ that the two friends had ample time to examine her.
+ </p>
+ <p>
+ She was dressed in a ragged gown of black satin. Her long hair fell in
+ masses of curls over her forehead, around her shoulders, and below her
+ waist, serving her for a shawl. Accustomed no doubt to this disorder, she
+ seldom pushed her hair from her forehead; and when she did so, it was with
+ a sudden toss of her head which only for a moment cleared her forehead and
+ eyes from the thick veil. Her gesture, like that of an animal, had a
+ remarkable mechanical precision, the quickness of which seemed wonderful
+ in a woman. The huntsmen were amazed to see her suddenly leap up on the
+ branch of an apple-tree, and sit there with the ease of a bird. She
+ gathered an apple and ate it; then she dropped to the ground with the
+ graceful ease we admire in a squirrel. Her limbs possessed an elasticity
+ which took from every movement the slightest appearance of effort or
+ constraint. She played upon the turf, rolling herself about like a child;
+ then, suddenly, she flung her feet and hands forward, and lay at full
+ length on the grass, with the grace and natural ease of a young cat asleep
+ in the sun. Thunder sounded in the distance, and she turned suddenly,
+ rising on her hands and knees with the rapidity of a dog which hears a
+ coming footstep.
+ </p>
+ <p>
+ The effects of this singular attitude was to separate into two heavy
+ masses the volume of her black hair, which now fell on either side of her
+ head, and allowed the two spectators to admire the white shoulders
+ glistening like daisies in a field, and the throat, the perfection of
+ which allowed them to judge of the other beauties of her figure.
+ </p>
+ <p>
+ Suddenly she uttered a distressful cry and rose to her feet. Her movements
+ succeeded each other with such airiness and grace that she seemed not a
+ creature of this world but a daughter of the atmosphere, as sung in the
+ poems of Ossian. She ran toward a piece of water, shook one of her legs
+ lightly to cast off her shoe, and began to dabble her foot, white as
+ alabaster, in the current, admiring, perhaps, the undulations she thus
+ produced upon the surface of the water. Then she knelt down at the edge of
+ the stream and amused herself, like a child, in casting in her long
+ tresses and pulling them abruptly out, to watch the shower of drops that
+ glittered down, looking, as the sunlight struck athwart them, like a
+ chaplet of pearls.
+ </p>
+ <p>
+ &ldquo;That woman is mad!&rdquo; cried the marquis.
+ </p>
+ <p>
+ A hoarse cry, uttered by Genevieve, seemed uttered as a warning to the
+ unknown woman, who turned suddenly, throwing back her hair from either
+ side of her face. At this instant the colonel and Monsieur d&rsquo;Albon could
+ distinctly see her features; she, herself, perceiving the two friends,
+ sprang to the iron railing with the lightness and rapidity of a deer.
+ </p>
+ <p>
+ &ldquo;Adieu!&rdquo; she said, in a soft, harmonious voice, the melody of which did
+ not convey the slightest feeling or the slightest thought.
+ </p>
+ <p>
+ Monsieur d&rsquo;Albon admired the long lashes of her eyelids, the blackness of
+ her eyebrows, and the dazzling whiteness of a skin devoid of even the
+ faintest tinge of color. Tiny blue veins alone broke the uniformity of its
+ pure white tones. When the marquis turned to his friend as if to share
+ with him his amazement at the sight of this singular creature, he found
+ him stretched on the ground as if dead. D&rsquo;Albon fired his gun in the air
+ to summon assistance, crying out &ldquo;Help! help!&rdquo; and then endeavored to
+ revive the colonel. At the sound of the shot, the unknown woman, who had
+ hitherto stood motionless, fled away with the rapidity of an arrow,
+ uttering cries of fear like a wounded animal, and running hither and
+ thither about the meadow with every sign of the greatest terror.
+ </p>
+ <p>
+ Monsieur d&rsquo;Albon, hearing the rumbling of a carriage on the high-road to
+ Ile-Adam, waved his handkerchief and shouted to its occupants for
+ assistance. The carriage was immediately driven up to the old monastery,
+ and the marquis recognized his neighbors, Monsieur and Madame de
+ Granville, who at once gave up their carriage to the service of the two
+ gentlemen. Madame de Granville had with her, by chance, a bottle of salts,
+ which revived the colonel for a moment. When he opened his eyes he turned
+ them to the meadow, where the unknown woman was still running and uttering
+ her distressing cries. A smothered exclamation escaped him, which seemed
+ to express a sense of horror; then he closed his eyes again, and made a
+ gesture as if to implore his friend to remove him from that sight.
+ </p>
+ <p>
+ Monsieur and Madame de Granville placed their carriage entirely at the
+ disposal of the marquis, assuring him courteously that they would like to
+ continue their way on foot.
+ </p>
+ <p>
+ &ldquo;Who is that lady?&rdquo; asked the marquis, signing toward the unknown woman.
+ </p>
+ <p>
+ &ldquo;I believe she comes from Moulins,&rdquo; replied Monsieur de Granville. &ldquo;She is
+ the Comtesse de Vandieres, and they say she is mad; but as she has only
+ been here two months I will not vouch for the truth of these hearsays.&rdquo;
+ </p>
+ <p>
+ Monsieur d&rsquo;Albon thanked his friends, and placing the colonel in the
+ carriage, started with him for Cassan.
+ </p>
+ <p>
+ &ldquo;It is she!&rdquo; cried Philippe, recovering his senses.
+ </p>
+ <p>
+ &ldquo;Who is she?&rdquo; asked d&rsquo;Albon.
+ </p>
+ <p>
+ &ldquo;Stephanie. Ah, dead and living, living and mad! I fancied I was dying.&rdquo;
+ </p>
+ <p>
+ The prudent marquis, appreciating the gravity of the crisis through which
+ his friend was passing, was careful not to question or excite him; he was
+ only anxious to reach the chateau, for the change which had taken place in
+ the colonel&rsquo;s features, in fact in his whole person, made him fear for his
+ friend&rsquo;s reason. As soon, therefore, as the carriage had reached the main
+ street of Ile-Adam, he dispatched the footman to the village doctor, so
+ that the colonel was no sooner fairly in his bed at the chateau than the
+ physician was beside him.
+ </p>
+ <p>
+ &ldquo;If monsieur had not been many hours without food the shock would have
+ killed him,&rdquo; said the doctor.
+ </p>
+ <p>
+ After naming the first precautions, the doctor left the room, to prepare,
+ himself, a calming potion. The next day, Monsieur de Sucy was better, but
+ the doctor still watched him carefully.
+ </p>
+ <p>
+ &ldquo;I will admit to you, monsieur le marquis,&rdquo; he said, &ldquo;that I have feared
+ some affection of the brain. Monsieur de Sucy has received a violent
+ shock; his passions are strong; but, in him, the first blow decides all.
+ To-morrow he may be entirely out of danger.&rdquo;
+ </p>
+ <p>
+ The doctor was not mistaken; and the following day he allowed the marquis
+ to see his friend.
+ </p>
+ <p>
+ &ldquo;My dear d&rsquo;Albon,&rdquo; said Philippe, pressing his hand, &ldquo;I am going to ask a
+ kindness of you. Go to the Bons-Hommes, and find out all you can of the
+ lady we saw there; and return to me as quickly as you can; I shall count
+ the minutes.&rdquo;
+ </p>
+ <p>
+ Monsieur d&rsquo;Albon mounted his horse at once, and galloped to the old abbey.
+ When he arrived there, he saw before the iron gate a tall, spare man with
+ a very kindly face, who answered in the affirmative when asked if he lived
+ there. Monsieur d&rsquo;Albon then informed him of the reasons for his visit.
+ </p>
+ <p>
+ &ldquo;What! monsieur,&rdquo; said the other, &ldquo;was it you who fired that fatal shot?
+ You very nearly killed my poor patient.&rdquo;
+ </p>
+ <p>
+ &ldquo;But, monsieur, I fired in the air.&rdquo;
+ </p>
+ <p>
+ &ldquo;You would have done the countess less harm had you fired at her.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then we must not reproach each other, monsieur, for the sight of the
+ countess has almost killed my friend, Monsieur de Sucy.&rdquo;
+ </p>
+ <p>
+ &ldquo;Heavens! can you mean Baron Philippe de Sucy?&rdquo; cried the doctor, clasping
+ his hands. &ldquo;Did he go to Russia; was he at the passage of the Beresina?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; replied d&rsquo;Albon, &ldquo;he was captured by the Cossacks and kept for five
+ years in Siberia; he recovered his liberty a few months ago.&rdquo;
+ </p>
+ <p>
+ &ldquo;Come in, monsieur,&rdquo; said the master of the house, leading the marquis
+ into a room on the lower floor where everything bore the marks of
+ capricious destruction. The silken curtains beside the windows were torn,
+ while those of muslin remained intact.
+ </p>
+ <p>
+ &ldquo;You see,&rdquo; said the tall old man, as they entered, &ldquo;the ravages committed
+ by that dear creature, to whom I devote myself. She is my niece; in spite
+ of the impotence of my art, I hope some day to restore her reason by
+ attempting a method which can only be employed, unfortunately, by very
+ rich people.&rdquo;
+ </p>
+ <p>
+ Then, like all persons living in solitude who are afflicted with an ever
+ present and ever renewed grief, he related to the marquis at length the
+ following narrative, which is here condensed, and relieved of the many
+ digressions made by both the narrator and the listener.
+ </p>
+ <p>
+ <a name="link2HCH0002" id="link2HCH0002">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER II. THE PASSAGE OF THE BERESINA
+ </h2>
+ <p>
+ Marechal Victor, when he started, about nine at night, from the heights of
+ Studzianka, which he had defended, as the rear-guard of the retreating
+ army, during the whole day of November 28th, 1812, left a thousand men
+ behind him, with orders to protect to the last possible moment whichever
+ of the two bridges across the Beresina might still exist. This rear-guard
+ had devoted itself to the task of saving a frightful multitude of
+ stragglers overcome by the cold, who obstinately refused to leave the
+ bivouacs of the army. The heroism of this generous troop proved useless.
+ The stragglers who flocked in masses to the banks of the Beresina found
+ there, unhappily, an immense number of carriages, caissons, and articles
+ of all kinds which the army had been forced to abandon when effecting its
+ passage of the river on the 27th and 28th of November. Heirs to such
+ unlooked-for riches, the unfortunate men, stupid with cold, took up their
+ abode in the deserted bivouacs, broke up the material which they found
+ there to build themselves cabins, made fuel of everything that came to
+ hand, cut up the frozen carcasses of the horses for food, tore the cloth
+ and the curtains from the carriages for coverlets, and went to sleep,
+ instead of continuing their way and crossing quietly during the night that
+ cruel Beresina, which an incredible fatality had already made so
+ destructive to the army.
+ </p>
+ <p>
+ The apathy of these poor soldiers can only be conceived by those who
+ remember to have crossed vast deserts of snow without other perspective
+ than a snow horizon, without other drink than snow, without other bed than
+ snow, without other food than snow or a few frozen beet-roots, a few
+ handfuls of flour, or a little horseflesh. Dying of hunger, thirst,
+ fatigue, and want of sleep, these unfortunates reached a shore where they
+ saw before them wood, provisions, innumerable camp equipages, and
+ carriages,&mdash;in short a whole town at their service. The village of
+ Studzianka had been wholly taken to pieces and conveyed from the heights
+ on which it stood to the plain. However forlorn and dangerous that refuge
+ might be, its miseries and its perils only courted men who had lately seen
+ nothing before them but the awful deserts of Russia. It was, in fact, a
+ vast asylum which had an existence of twenty-four hours only.
+ </p>
+ <p>
+ Utter lassitude, and the sense of unexpected comfort, made that mass of
+ men inaccessible to every thought but that of rest. Though the artillery
+ of the left wing of the Russians kept up a steady fire on this mass,&mdash;visible
+ like a stain now black, now flaming, in the midst of the trackless snow,&mdash;this
+ shot and shell seemed to the torpid creatures only one inconvenience the
+ more. It was like a thunderstorm, despised by all because the lightning
+ strikes so few; the balls struck only here and there, the dying, the sick,
+ the dead sometimes! Stragglers arrived in groups continually; but once
+ here those perambulating corpses separated; each begged for himself a
+ place near a fire; repulsed repeatedly, they met again, to obtain by force
+ the hospitality already refused to them. Deaf to the voice of some of
+ their officers, who warned them of probable destruction on the morrow,
+ they spent the amount of courage necessary to cross the river in building
+ that asylum of a night, in making one meal that they themselves doomed to
+ be their last. The death that awaited them they considered no evil,
+ provided they could have that one night&rsquo;s sleep. They thought nothing evil
+ but hunger, thirst, and cold. When there was no more wood or food or fire,
+ horrible struggles took place between fresh-comers and the rich who
+ possessed a shelter. The weakest succumbed.
+ </p>
+ <p>
+ At last there came a moment when a number, pursued by the Russians, found
+ only snow on which to bivouac, and these lay down to rise no more.
+ Insensibly this mass of almost annihilated beings became so compact, so
+ deaf, so torpid, so happy perhaps, that Marechal Victor, who had been
+ their heroic defender by holding twenty thousand Russians under
+ Wittgenstein at bay, was forced to open a passage by main force through
+ this forest of men in order to cross the Beresina with five thousand
+ gallant fellows whom he was taking to the emperor. The unfortunate
+ malingerers allowed themselves to be crushed rather than stir; they
+ perished in silence, smiling at their extinguished fires, without a
+ thought of France.
+ </p>
+ <p>
+ It was not until ten o&rsquo;clock that night that Marechal Victor reached the
+ bank of the river. Before crossing the bridge which led to Zembin, he
+ confided the fate of his own rear-guard now left in Studzianka to Eble,
+ the savior of all those who survived the calamities of the Beresina. It
+ was towards midnight when this great general, followed by one brave
+ officer, left the cabin he occupied near the bridge, and studied the
+ spectacle of that improvised camp placed between the bank of the river and
+ Studzianka. The Russian cannon had ceased to thunder. Innumerable fires,
+ which, amid that trackless waste of snow, burned pale and scarcely sent
+ out any gleams, illumined here and there by sudden flashes forms and faces
+ that were barely human. Thirty thousand poor wretches, belonging to all
+ nations, from whom Napoleon had recruited his Russian army, were trifling
+ away their lives with brutish indifference.
+ </p>
+ <p>
+ &ldquo;Let us save them!&rdquo; said General Eble to the officer who accompanied him.
+ &ldquo;To-morrow morning the Russians will be masters of Studzianka. We must
+ burn the bridge the moment they appear. Therefore, my friend, take your
+ courage in your hand! Go to the heights. Tell General Fournier he has
+ barely time to evacuate his position, force a way through this crowd, and
+ cross the bridge. When you have seen him in motion follow him. Find men
+ you can trust, and the moment Fournier had crossed the bridge, burn,
+ without pity, huts, equipages, caissons, carriages,&mdash;EVERYTHING!
+ Drive that mass of men to the bridge. Compel all that has two legs to get
+ to the other side of the river. The burning of everything&mdash;EVERYTHING&mdash;is
+ now our last resource. If Berthier had let me destroy those damned camp
+ equipages, this river would swallow only my poor pontoniers, those fifty
+ heroes who will save the army, but who themselves will be forgotten.&rdquo;
+ </p>
+ <p>
+ The general laid his hand on his forehead and was silent. He felt that
+ Poland would be his grave, and that no voice would rise to do justice to
+ those noble men who stood in the water, the icy water of Beresina, to
+ destroy the buttresses of the bridges. One alone of those heroes still
+ lives&mdash;or, to speak more correctly, suffers&mdash;in a village,
+ totally ignored.
+ </p>
+ <p>
+ The aide-de-camp started. Hardly had this generous officer gone a hundred
+ yards towards Studzianka than General Eble wakened a number of his weary
+ pontoniers, and began the work,&mdash;the charitable work of burning the
+ bivouacs set up about the bridge, and forcing the sleepers, thus
+ dislodged, to cross the river.
+ </p>
+ <p>
+ Meanwhile the young aide-de-camp reached, not without difficulty, the only
+ wooden house still left standing in Studzianka.
+ </p>
+ <p>
+ &ldquo;This barrack seems pretty full, comrade,&rdquo; he said to a man whom he saw by
+ the doorway.
+ </p>
+ <p>
+ &ldquo;If you can get in you&rsquo;ll be a clever trooper,&rdquo; replied the officer,
+ without turning his head or ceasing to slice off with his sabre the bark
+ of the logs of which the house was built.
+ </p>
+ <p>
+ &ldquo;Is that you, Philippe?&rdquo; said the aide-de-camp, recognizing a friend by
+ the tones of his voice.
+ </p>
+ <p>
+ &ldquo;Yes. Ha, ha! is it you, old fellow?&rdquo; replied Monsieur de Sucy, looking at
+ the aide-de-camp, who, like himself, was only twenty-three years of age.
+ &ldquo;I thought you were the other side of that cursed river. What are you here
+ for? Have you brought cakes and wine for our dessert? You&rsquo;ll be welcome,&rdquo;
+ and he went on slicing off the bark, which he gave as a sort of provender
+ to his horse.
+ </p>
+ <p>
+ &ldquo;I am looking for your commander to tell him, from General Eble, to make
+ for Zembin. You&rsquo;ll have barely enough time to get through that crowd of
+ men below. I am going presently to set fire to their camp and force them
+ to march.&rdquo;
+ </p>
+ <p>
+ &ldquo;You warm me up&mdash;almost! That news makes me perspire. I have two
+ friends I MUST save. Ah! without those two to cling to me, I should be
+ dead already. It is for them that I feed my horse and don&rsquo;t eat myself.
+ Have you any food,&mdash;a mere crust? It is thirty hours since anything
+ has gone into my stomach, and yet I have fought like a madman&mdash;just
+ to keep a little warmth and courage in me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Poor Philippe, I have nothing&mdash;nothing! But where&rsquo;s your general,&mdash;in
+ this house?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, don&rsquo;t go there; the place is full of wounded. Go up the street;
+ you&rsquo;ll find on your left a sort of pig-pen; the general is there.
+ Good-bye, old fellow. If we ever dance a trenis on a Paris floor&mdash;&rdquo;
+ </p>
+ <p>
+ He did not end his sentence; the north wind blew at that moment with such
+ ferocity that the aide-de-camp hurried on to escape being frozen, and the
+ lips of Major de Sucy stiffened. Silence reigned, broken only by the moans
+ which came from the house, and the dull sound made by the major&rsquo;s horse as
+ it chewed in a fury of hunger the icy bark of the trees with which the
+ house was built. Monsieur de Sucy replaced his sabre in its scabbard, took
+ the bridle of the precious horse he had hitherto been able to preserve,
+ and led it, in spite of the animal&rsquo;s resistance, from the wretched fodder
+ it appeared to think excellent.
+ </p>
+ <p>
+ &ldquo;We&rsquo;ll start, Bichette, we&rsquo;ll start! There&rsquo;s none but you, my beauty, who
+ can save Stephanie. Ha! by and bye you and I may be able to rest&mdash;and
+ die,&rdquo; he added.
+ </p>
+ <p>
+ Philippe, wrapped in a fur pelisse, to which he owed his preservation and
+ his energy, began to run, striking his feet hard upon the frozen snow to
+ keep them warm. Scarcely had he gone a few hundred yards from the village
+ than he saw a blaze in the direction of the place where, since morning, he
+ had left his carriage in charge of his former orderly, an old soldier.
+ Horrible anxiety laid hold of him. Like all others who were controlled
+ during this fatal retreat by some powerful sentiment, he found a strength
+ to save his friends which he could not have put forth to save himself.
+ </p>
+ <p>
+ Presently he reached a slight declivity at the foot of which, in a spot
+ sheltered from the enemy&rsquo;s balls, he had stationed the carriage,
+ containing a young woman, the companion of his childhood, the being most
+ dear to him on earth. At a few steps distant from the vehicle he now found
+ a company of some thirty stragglers collected around an immense fire,
+ which they were feeding with planks, caisson covers, wheels, and broken
+ carriages. These soldiers were, no doubt, the last comers of that crowd
+ who, from the base of the hill of Studzianka to the fatal river, formed an
+ ocean of heads intermingled with fires and huts,&mdash;a living sea,
+ swayed by motions that were almost imperceptible, and giving forth a
+ murmuring sound that rose at times to frightful outbursts. Driven by
+ famine and despair, these poor wretches must have rifled the carriage
+ before de Sucy reached it. The old general and his young wife, whom he had
+ left lying in piles of clothes and wrapped in mantles and pelisses, were
+ now on the snow, crouching before the fire. One door of the carriage was
+ already torn off.
+ </p>
+ <p>
+ No sooner did the men about the fire hear the tread of the major&rsquo;s horse
+ than a hoarse cry, the cry of famine, arose,&mdash;
+ </p>
+ <p>
+ &ldquo;A horse! a horse!&rdquo;
+ </p>
+ <p>
+ Those voices formed but one voice.
+ </p>
+ <p>
+ &ldquo;Back! back! look out for yourself!&rdquo; cried two or three soldiers, aiming
+ at the mare. Philippe threw himself before his animal, crying out,&mdash;
+ </p>
+ <p>
+ &ldquo;You villains! I&rsquo;ll throw you into your own fire. There are plenty of dead
+ horses up there. Go and fetch them.&rdquo;
+ </p>
+ <p>
+ &ldquo;Isn&rsquo;t he a joker, that officer! One, two&mdash;get out of the way,&rdquo; cried
+ a colossal grenadier. &ldquo;No, you won&rsquo;t, hey! Well, as you please, then.&rdquo;
+ </p>
+ <p>
+ A woman&rsquo;s cry rose higher than the report of the musket. Philippe
+ fortunately was not touched, but Bichette, mortally wounded, was
+ struggling in the throes of death. Three men darted forward and dispatched
+ her with their bayonets.
+ </p>
+ <p>
+ &ldquo;Cannibals!&rdquo; cried Philippe, &ldquo;let me at any rate take the horse-cloth and
+ my pistols.&rdquo;
+ </p>
+ <p>
+ &ldquo;Pistols, yes,&rdquo; replied the grenadier. &ldquo;But as for that horse-cloth, no!
+ here&rsquo;s a poor fellow afoot, with nothing in his stomach for two days, and
+ shivering in his rags. It is our general.&rdquo;
+ </p>
+ <p>
+ Philippe kept silence as he looked at the man, whose boots were worn out,
+ his trousers torn in a dozen places, while nothing but a ragged
+ fatigue-cap covered with ice was on his head. He hastened, however, to
+ take his pistols. Five men dragged the mare to the fire, and cut her up
+ with the dexterity of a Parisian butcher. The pieces were instantly seized
+ and flung upon the embers.
+ </p>
+ <p>
+ The major went up to the young woman, who had uttered a cry on recognizing
+ him. He found her motionless, seated on a cushion beside the fire. She
+ looked at him silently, without smiling. Philippe then saw the soldier to
+ whom he had confided the carriage; the man was wounded. Overcome by
+ numbers, he had been forced to yield to the malingerers who attacked him;
+ and, like the dog who defended to the last possible moment his master&rsquo;s
+ dinner, he had taken his share of the booty, and was now sitting beside
+ the fire, wrapped in a white sheet by way of cloak, and turning carefully
+ on the embers a slice of the mare. Philippe saw upon his face the joy
+ these preparations gave him. The Comte de Vandieres, who, for the last few
+ days, had fallen into a state of second childhood, was seated on a cushion
+ beside his wife, looking fixedly at the fire, which was beginning to thaw
+ his torpid limbs. He had shown no emotion of any kind, either at
+ Philippe&rsquo;s danger, or at the fight which ended in the pillage of the
+ carriage and their expulsion from it.
+ </p>
+ <p>
+ At first de Sucy took the hand of the young countess, as if to show her
+ his affection, and the grief he felt at seeing her reduced to such utter
+ misery; then he grew silent; seated beside her on a heap of snow which was
+ turning into a rivulet as it melted, he yielded himself up to the
+ happiness of being warm, forgetting their peril, forgetting all things.
+ His face assumed, in spite of himself, an expression of almost stupid joy,
+ and he waited with impatience until the fragment of the mare given to his
+ orderly was cooked. The smell of the roasting flesh increased his hunger,
+ and his hunger silenced his heart, his courage, and his love. He looked,
+ without anger, at the results of the pillage of his carriage. All the men
+ seated around the fire had shared his blankets, cushions, pelisses, robes,
+ also the clothing of the Comte and Comtesse de Vandieres and his own.
+ Philippe looked about him to see if there was anything left in or near the
+ vehicle that was worth saving. By the light of the flames he saw gold and
+ diamonds and plate scattered everywhere, no one having thought it worth
+ his while to take any.
+ </p>
+ <p>
+ Each of the individuals collected by chance around this fire maintained a
+ silence that was almost horrible, and did nothing but what he judged
+ necessary for his own welfare. Their misery was even grotesque. Faces,
+ discolored by cold, were covered with a layer of mud, on which tears had
+ made a furrow from the eyes to the beard, showing the thickness of that
+ miry mask. The filth of their long beards made these men still more
+ repulsive. Some were wrapped in the countess&rsquo;s shawls, others wore the
+ trappings of horses and muddy saddlecloths, or masses of rags from which
+ the hoar-frost hung; some had a boot on one leg and a shoe on the other;
+ in fact, there were none whose costume did not present some laughable
+ singularity. But in presence of such amusing sights the men themselves
+ were grave and gloomy. The silence was broken only by the snapping of the
+ wood, the crackling of the flames, the distant murmur of the camps, and
+ the blows of the sabre given to what remained of Bichette in search of her
+ tenderest morsels. A few miserable creatures, perhaps more weary than the
+ rest, were sleeping; when one of their number rolled into the fire no one
+ attempted to help him out. These stern logicians argued that if he were
+ not dead his burns would warn him to find a safer place. If the poor
+ wretch waked in the flames and perished, no one cared. Two or three
+ soldiers looked at each other to justify their own indifference by that of
+ others. Twice this scene had taken place before the eyes of the countess,
+ who said nothing. When the various pieces of Bichette, placed here and
+ there upon the embers, were sufficiently broiled, each man satisfied his
+ hunger with the gluttony that disgusts us when we see it in animals.
+ </p>
+ <p>
+ &ldquo;This is the first time I ever saw thirty infantrymen on one horse,&rdquo; cried
+ the grenadier who had shot the mare.
+ </p>
+ <p>
+ It was the only jest made that night which proved the national character.
+ </p>
+ <p>
+ Soon the great number of these poor soldiers wrapped themselves in what
+ they could find and lay down on planks, or whatever would keep them from
+ contact with the snow, and slept, heedless of the morrow. When the major
+ was warm, and his hunger appeased, an invincible desire to sleep weighed
+ down his eyelids. During the short moment of his struggle against that
+ desire he looked at the young woman, who had turned her face to the fire
+ and was now asleep, leaving her closed eyes and a portion of her forehead
+ exposed to sight. She was wrapped in a furred pelisse and a heavy
+ dragoon&rsquo;s cloak; her head rested on a pillow stained with blood; an
+ astrakhan hood, kept in place by a handkerchief knotted round her neck,
+ preserved her face from the cold as much as possible. Her feet were
+ wrapped in the cloak. Thus rolled into a bundle, as it were, she looked
+ like nothing at all. Was she the last of the &ldquo;vivandieres&rdquo;? Was she a
+ charming woman, the glory of a lover, the queen of Parisian salons? Alas!
+ even the eye of her most devoted friend could trace no sign of anything
+ feminine in that mass of rags and tatters. Love had succumbed to cold in
+ the heart of a woman!
+ </p>
+ <p>
+ Through the thick veils of irresistible sleep, the major soon saw the
+ husband and wife as mere points or formless objects. The flames of the
+ fire, those outstretched figures, the relentless cold, waiting, not three
+ feet distant from that fugitive heat, became all a dream. One importunate
+ thought terrified Philippe:
+ </p>
+ <p>
+ &ldquo;If I sleep, we shall all die; I will not sleep,&rdquo; he said to himself.
+ </p>
+ <p>
+ And yet he slept.
+ </p>
+ <p>
+ A terrible clamor and an explosion awoke him an hour later. The sense of
+ his duty, the peril of his friend, fell suddenly on his heart. He uttered
+ a cry that was like a roar. He and his orderly were alone afoot. A sea of
+ fire lay before them in the darkness of the night, licking up the cabins
+ and the bivouacs; cries of despair, howls, and imprecations reached their
+ ears; they saw against the flames thousands of human beings with agonized
+ or furious faces. In the midst of that hell, a column of soldiers was
+ forcing its way to the bridge, between two hedges of dead bodies.
+ </p>
+ <p>
+ &ldquo;It is the retreat of the rear-guard!&rdquo; cried the major. &ldquo;All hope is
+ gone!&rdquo;
+ </p>
+ <p>
+ &ldquo;I have saved your carriage, Philippe,&rdquo; said a friendly voice.
+ </p>
+ <p>
+ Turning round, de Sucy recognized the young aide-de-camp in the flaring of
+ the flames.
+ </p>
+ <p>
+ &ldquo;Ah! all is lost!&rdquo; replied the major, &ldquo;they have eaten my horse; and how
+ can I make this stupid general and his wife walk?&rdquo;
+ </p>
+ <p>
+ &ldquo;Take a brand from the fire and threaten them.&rdquo;
+ </p>
+ <p>
+ &ldquo;Threaten the countess!&rdquo;
+ </p>
+ <p>
+ &ldquo;Good-bye,&rdquo; said the aide-de-camp, &ldquo;I have scarcely time to get across
+ that fatal river&mdash;and I MUST; I have a mother in France. What a
+ night! These poor wretches prefer to lie here in the snow; half will allow
+ themselves to perish in those flames rather than rise and move on. It is
+ four o&rsquo;clock, Philippe! In two hours the Russians will begin to move. I
+ assure you you will again see the Beresina choked with corpses. Philippe!
+ think of yourself! You have no horses, you cannot carry the countess in
+ your arms. Come&mdash;come with me!&rdquo; he said urgently, pulling de Sucy by
+ the arm.
+ </p>
+ <p>
+ &ldquo;My friend! abandon Stephanie!&rdquo;
+ </p>
+ <p>
+ De Sucy seized the countess, made her stand upright, shook her with the
+ roughness of a despairing man, and compelled her to wake up. She looked at
+ him with fixed, dead eyes.
+ </p>
+ <p>
+ &ldquo;You must walk, Stephanie, or we shall all die here.&rdquo;
+ </p>
+ <p>
+ For all answer the countess tried to drop again upon the snow and sleep.
+ The aide-de-camp seized a brand from the fire and waved it in her face.
+ </p>
+ <p>
+ &ldquo;We will save her in spite of herself!&rdquo; cried Philippe, lifting the
+ countess and placing her in the carriage.
+ </p>
+ <p>
+ He returned to implore the help of his friend. Together they lifted the
+ old general, without knowing whether he were dead or alive, and put him
+ beside his wife. The major then rolled over the men who were sleeping on
+ his blankets, which he tossed into the carriage, together with some
+ roasted fragments of his mare.
+ </p>
+ <p>
+ &ldquo;What do you mean to do?&rdquo; asked the aide-de-camp.
+ </p>
+ <p>
+ &ldquo;Drag them.&rdquo;
+ </p>
+ <p>
+ &ldquo;You are crazy.&rdquo;
+ </p>
+ <p>
+ &ldquo;True,&rdquo; said Philippe, crossing his arms in despair.
+ </p>
+ <p>
+ Suddenly, he was seized by a last despairing thought.
+ </p>
+ <p>
+ &ldquo;To you,&rdquo; he said, grasping the sound arm of his orderly, &ldquo;I confide her
+ for one hour. Remember that you must die sooner than let any one approach
+ her.&rdquo;
+ </p>
+ <p>
+ The major then snatched up the countess&rsquo;s diamonds, held them in one hand,
+ drew his sabre with the other, and began to strike with the flat of its
+ blade such of the sleepers as he thought the most intrepid. He succeeded
+ in awaking the colossal grenadier, and two other men whose rank it was
+ impossible to tell.
+ </p>
+ <p>
+ &ldquo;We are done for!&rdquo; he said.
+ </p>
+ <p>
+ &ldquo;I know it,&rdquo; said the grenadier, &ldquo;but I don&rsquo;t care.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, death for death, wouldn&rsquo;t you rather sell your life for a pretty
+ woman, and take your chances of seeing France?&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;d rather sleep,&rdquo; said a man, rolling over on the snow, &ldquo;and if you
+ trouble me again, I&rsquo;ll stick my bayonet into your stomach.&rdquo;
+ </p>
+ <p>
+ &ldquo;What is the business, my colonel?&rdquo; said the grenadier. &ldquo;That man is
+ drunk; he&rsquo;s a Parisian; he likes his ease.&rdquo;
+ </p>
+ <p>
+ &ldquo;That is yours, my brave grenadier,&rdquo; cried the major, offering him a
+ string of diamonds, &ldquo;if you will follow me and fight like a madman. The
+ Russians are ten minutes&rsquo; march from here; they have horses; we are going
+ up to their first battery for a pair.&rdquo;
+ </p>
+ <p>
+ &ldquo;But the sentinels?&rdquo;
+ </p>
+ <p>
+ &ldquo;One of us three&mdash;&rdquo; he interrupted himself, and turned to the
+ aide-de-camp. &ldquo;You will come, Hippolyte, won&rsquo;t you?&rdquo;
+ </p>
+ <p>
+ Hippolyte nodded.
+ </p>
+ <p>
+ &ldquo;One of us,&rdquo; continued the major, &ldquo;will take care of the sentinel.
+ Besides, perhaps they are asleep too, those cursed Russians.&rdquo;
+ </p>
+ <p>
+ &ldquo;Forward! major, you&rsquo;re a brave one! But you&rsquo;ll give me a lift on your
+ carriage?&rdquo; said the grenadier.
+ </p>
+ <p>
+ &ldquo;Yes, if you don&rsquo;t leave your skin up there&mdash;If I fall, Hippolyte,
+ and you, grenadier, promise me to do your utmost to save the countess.&rdquo;
+ </p>
+ <p>
+ &ldquo;Agreed!&rdquo; cried the grenadier.
+ </p>
+ <p>
+ They started for the Russian lines, toward one of the batteries which had
+ so decimated the hapless wretches lying on the banks of the river. A few
+ moments later, the gallop of two horses echoed over the snow, and the
+ wakened artillery men poured out a volley which ranged above the heads of
+ the sleeping men. The pace of the horses was so fleet that their steps
+ resounded like the blows of a blacksmith on his anvil. The generous
+ aide-de-camp was killed. The athletic grenadier was safe and sound.
+ Philippe in defending Hippolyte had received a bayonet in his shoulder;
+ but he clung to his horse&rsquo;s mane, and clasped him so tightly with his
+ knees that the animal was held as in a vice.
+ </p>
+ <p>
+ &ldquo;God be praised!&rdquo; cried the major, finding his orderly untouched, and the
+ carriage in its place.
+ </p>
+ <p>
+ &ldquo;If you are just, my officer, you will get me the cross for this,&rdquo; said
+ the man. &ldquo;We&rsquo;ve played a fine game of guns and sabres here, I can tell
+ you.&rdquo;
+ </p>
+ <p>
+ &ldquo;We have done nothing yet&mdash;Harness the horses. Take these ropes.&rdquo;
+ </p>
+ <p>
+ &ldquo;They are not long enough.&rdquo;
+ </p>
+ <p>
+ &ldquo;Grenadier, turn over those sleepers, and take their shawls and linen, to
+ eke out.&rdquo;
+ </p>
+ <p>
+ &ldquo;Tiens! that&rsquo;s one dead,&rdquo; said the grenadier, stripping the first man he
+ came to. &ldquo;Bless me! what a joke, they are all dead!&rdquo;
+ </p>
+ <p>
+ &ldquo;All?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, all; seems as if horse-meat must be indigestible if eaten with
+ snow.&rdquo;
+ </p>
+ <p>
+ The words made Philippe tremble. The cold was increasing.
+ </p>
+ <p>
+ &ldquo;My God! to lose the woman I have saved a dozen times!&rdquo;
+ </p>
+ <p>
+ The major shook the countess.
+ </p>
+ <p>
+ &ldquo;Stephanie! Stephanie!&rdquo;
+ </p>
+ <p>
+ The young woman opened her eyes.
+ </p>
+ <p>
+ &ldquo;Madame! we are saved.&rdquo;
+ </p>
+ <p>
+ &ldquo;Saved!&rdquo; she repeated, sinking down again.
+ </p>
+ <p>
+ The horses were harnessed as best they could. The major, holding his sabre
+ in his well hand, with his pistols in his belt, gathered up the reins with
+ the other hand and mounted one horse while the grenadier mounted the
+ other. The orderly, whose feet were frozen, was thrown inside the
+ carriage, across the general and the countess. Excited by pricks from a
+ sabre, the horses drew the carriage rapidly, with a sort of fury, to the
+ plain, where innumerable obstacles awaited it. It was impossible to force
+ a way without danger of crushing the sleeping men, women, and even
+ children, who refused to move when the grenadier awoke them. In vain did
+ Monsieur de Sucy endeavor to find the swathe cut by the rear-guard through
+ the mass of human beings; it was already obliterated, like the wake of a
+ vessel through the sea. They could only creep along, being often stopped
+ by soldiers who threatened to kill their horses.
+ </p>
+ <p>
+ &ldquo;Do you want to reach the bridge?&rdquo; said the grenadier.
+ </p>
+ <p>
+ &ldquo;At the cost of my life&mdash;at the cost of the whole world!&rdquo;
+ </p>
+ <p>
+ &ldquo;Then forward, march! you can&rsquo;t make omelets without breaking eggs.&rdquo;
+ </p>
+ <p>
+ And the grenadier of the guard urged the horses over men and bivouacs with
+ bloody wheels and a double line of corpses on either side of them. We must
+ do him the justice to say that he never spared his breath in shouting in
+ stentorian tones,&mdash;
+ </p>
+ <p>
+ &ldquo;Look out there, carrion!&rdquo;
+ </p>
+ <p>
+ &ldquo;Poor wretches!&rdquo; cried the major.
+ </p>
+ <p>
+ &ldquo;Pooh! that or the cold, that or the cannon,&rdquo; said the grenadier, prodding
+ the horses, and urging them on.
+ </p>
+ <p>
+ A catastrophe, which might well have happened to them much sooner, put a
+ stop to their advance. The carriage was overturned.
+ </p>
+ <p>
+ &ldquo;I expected it,&rdquo; cried the imperturbable grenadier. &ldquo;Ho! ho! your man is
+ dead.&rdquo;
+ </p>
+ <p>
+ &ldquo;Poor Laurent!&rdquo; said the major.
+ </p>
+ <p>
+ &ldquo;Laurent? Was he in the 5th chasseurs?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then he was my cousin. Oh, well, this dog&rsquo;s life isn&rsquo;t happy enough to
+ waste any joy in grieving for him.&rdquo;
+ </p>
+ <p>
+ The carriage could not be raised; the horses were taken out with serious
+ and, as it proved, irreparable loss of time. The shock of the overturn was
+ so violent that the young countess, roused from her lethargy, threw off
+ her coverings and rose.
+ </p>
+ <p>
+ &ldquo;Philippe, where are we?&rdquo; she cried in a gentle voice, looking about her.
+ </p>
+ <p>
+ &ldquo;Only five hundred feet from the bridge. We are now going to cross the
+ Beresina, Stephanie, and once across I will not torment you any more; you
+ shall sleep; we shall be in safety, and can reach Wilna easily.&mdash;God
+ grant that she may never know what her life has cost!&rdquo; he thought.
+ </p>
+ <p>
+ &ldquo;Philippe! you are wounded!&rdquo;
+ </p>
+ <p>
+ &ldquo;That is nothing.&rdquo;
+ </p>
+ <p>
+ Too late! the fatal hour had come. The Russian cannon sounded the
+ reveille. Masters of Studzianka, they could sweep the plain, and by
+ daylight the major could see two of their columns moving and forming on
+ the heights. A cry of alarm arose from the multitude, who started to their
+ feet in an instant. Every man now understood his danger instinctively, and
+ the whole mass rushed to gain the bridge with the motion of a wave.
+ </p>
+ <p>
+ The Russians came down with the rapidity of a conflagration. Men, women,
+ children, horses,&mdash;all rushed tumultuously to the bridge. Fortunately
+ the major, who was carrying the countess, was still some distance from it.
+ General Eble had just set fire to the supports on the other bank. In spite
+ of the warnings shouted to those who were rushing upon the bridge, not a
+ soul went back. Not only did the bridge go down crowded with human beings,
+ but the impetuosity of that flood of men toward the fatal bank was so
+ furious that a mass of humanity poured itself violently into the river
+ like an avalanche. Not a cry was heard; the only sound was like the
+ dropping of monstrous stones into the water. Then the Beresina was a mass
+ of floating corpses.
+ </p>
+ <p>
+ The retrograde movement of those who now fell back into the plain to
+ escape the death before them was so violent, and their concussion against
+ those who were advancing from the rear so terrible, that numbers were
+ smothered or trampled to death. The Comte and Comtesse de Vandieres owed
+ their lives to their carriage, behind which Philippe forced them, using it
+ as a breastwork. As for the major and the grenadier, they found their
+ safety in their strength. They killed to escape being killed.
+ </p>
+ <p>
+ This hurricane of human beings, the flux and reflux of living bodies, had
+ the effect of leaving for a few short moments the whole bank of the
+ Beresina deserted. The multitude were surging to the plain. If a few men
+ rushed to the river, it was less in the hope of reaching the other bank,
+ which to them was France, than to rush from the horrors of Siberia.
+ Despair proved an aegis to some bold hearts. One officer sprang from
+ ice-cake to ice-cake, and reached the opposite shore. A soldier clambered
+ miraculously over mounds of dead bodies and heaps of ice. The multitude
+ finally comprehended that the Russians would not put to death a body of
+ twenty thousand men, without arms, torpid, stupid, unable to defend
+ themselves; and each man awaited his fate with horrible resignation. Then
+ the major and the grenadier, the general and his wife, remained almost
+ alone on the river bank, a few steps from the spot where the bridge had
+ been. They stood there, with dry eyes, silent, surrounded by heaps of
+ dead. A few sound soldiers, a few officers to whom the emergency had
+ restored their natural energy, were near them. This group consisted of
+ some fifty men in all. The major noticed at a distance of some two hundred
+ yards the remains of another bridge intended for carriages and destroyed
+ the day before.
+ </p>
+ <p>
+ &ldquo;Let us make a raft!&rdquo; he cried.
+ </p>
+ <p>
+ He had hardly uttered the words before the whole group rushed to the
+ ruins, and began to pick up iron bolts, and screws, and pieces of wood and
+ ropes, whatever materials they could find that were suitable for the
+ construction of a raft. A score of soldiers and officers, who were armed,
+ formed a guard, commanded by the major, to protect the workers against the
+ desperate attacks which might be expected from the crowd, if their scheme
+ was discovered. The instinct of freedom, strong in all prisoners,
+ inspiring them to miraculous acts, can only be compared with that which
+ now drove to action these unfortunate Frenchmen.
+ </p>
+ <p>
+ &ldquo;The Russians! the Russians are coming!&rdquo; cried the defenders to the
+ workers; and the work went on, the raft increased in length and breadth
+ and depth. Generals, soldiers, colonel, all put their shoulders to the
+ wheel; it was a true image of the building of Noah&rsquo;s ark. The young
+ countess, seated beside her husband, watched the progress of the work with
+ regret that she could not help it; and yet she did assist in making knots
+ to secure the cordage.
+ </p>
+ <p>
+ At last the raft was finished. Forty men launched it on the river, a dozen
+ others holding the cords which moored it to the shore. But no sooner had
+ the builders seen their handiwork afloat, than they sprang from the bank
+ with odious selfishness. The major, fearing the fury of this first rush,
+ held back the countess and the general, but too late he saw the whole raft
+ covered, men pressing together like crowds at a theatre.
+ </p>
+ <p>
+ &ldquo;Savages!&rdquo; he cried, &ldquo;it was I who gave you the idea of that raft. I have
+ saved you, and you deny me a place.&rdquo;
+ </p>
+ <p>
+ A confused murmur answered him. The men at the edge of the raft, armed
+ with long sticks, pressed with violence against the shore to send off the
+ frail construction with sufficient impetus to force its way through
+ corpses and ice-floes to the other shore.
+ </p>
+ <p>
+ &ldquo;Thunder of heaven! I&rsquo;ll sweep you into the water if you don&rsquo;t take the
+ major and his two companions,&rdquo; cried the stalwart grenadier, who swung his
+ sabre, stopped the departure, and forced the men to stand closer in spite
+ of furious outcries.
+ </p>
+ <p>
+ &ldquo;I shall fall,&rdquo;&mdash;&ldquo;I am falling,&rdquo;&mdash;&ldquo;Push off! push off!&mdash;Forward!&rdquo;
+ resounded on all sides.
+ </p>
+ <p>
+ The major looked with haggard eyes at Stephanie, who lifted hers to heaven
+ with a feeling of sublime resignation.
+ </p>
+ <p>
+ &ldquo;To die with thee!&rdquo; she said.
+ </p>
+ <p>
+ There was something even comical in the position of the men in possession
+ of the raft. Though they were uttering awful groans and imprecations, they
+ dared not resist the grenadier, for in truth they were so closely packed
+ together, that a push to one man might send half of them overboard. This
+ danger was so pressing that a cavalry captain endeavored to get rid of the
+ grenadier; but the latter, seeing the hostile movement of the officer,
+ seized him round the waist and flung him into the water, crying out,&mdash;
+ </p>
+ <p>
+ &ldquo;Ha! ha! my duck, do you want to drink? Well, then, drink!&mdash;Here are
+ two places,&rdquo; he cried. &ldquo;Come, major, toss me the little woman and follow
+ yourself. Leave that old fossil, who&rsquo;ll be dead by to-morrow.&rdquo;
+ </p>
+ <p>
+ &ldquo;Make haste!&rdquo; cried the voice of all, as one man.
+ </p>
+ <p>
+ &ldquo;Come, major, they are grumbling, and they have a right to do so.&rdquo;
+ </p>
+ <p>
+ The Comte de Vandieres threw off his wrappings and showed himself in his
+ general&rsquo;s uniform.
+ </p>
+ <p>
+ &ldquo;Let us save the count,&rdquo; said Philippe.
+ </p>
+ <p>
+ Stephanie pressed his hand, and throwing herself on his breast, she
+ clasped him tightly.
+ </p>
+ <p>
+ &ldquo;Adieu!&rdquo; she said.
+ </p>
+ <p>
+ They had understood each other.
+ </p>
+ <p>
+ The Comte de Vandieres recovered sufficient strength and presence of mind
+ to spring upon the raft, whither Stephanie followed him, after turning a
+ last look to Philippe.
+ </p>
+ <p>
+ &ldquo;Major! will you take my place? I don&rsquo;t care a fig for life,&rdquo; cried the
+ grenadier. &ldquo;I&rsquo;ve neither wife nor child nor mother.&rdquo;
+ </p>
+ <p>
+ &ldquo;I confide them to your care,&rdquo; said the major, pointing to the count and
+ his wife.
+ </p>
+ <p>
+ &ldquo;Then be easy; I&rsquo;ll care for them, as though they were my very eyes.&rdquo;
+ </p>
+ <p>
+ The raft was now sent off with so much violence toward the opposite side
+ of the river, that as it touched ground, the shock was felt by all. The
+ count, who was at the edge of it, lost his balance and fell into the
+ river; as he fell, a cake of sharp ice caught him, and cut off his head,
+ flinging it to a great distance.
+ </p>
+ <p>
+ &ldquo;See there! major!&rdquo; cried the grenadier.
+ </p>
+ <p>
+ &ldquo;Adieu!&rdquo; said a woman&rsquo;s voice.
+ </p>
+ <p>
+ Philippe de Sucy fell to the ground, overcome with horror and fatigue.
+ </p>
+ <p>
+ <a name="link2HCH0003" id="link2HCH0003">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER III. THE CURE
+ </h2>
+ <p>
+ &ldquo;My poor niece became insane,&rdquo; continued the physician, after a few
+ moment&rsquo;s silence. &ldquo;Ah! monsieur,&rdquo; he said, seizing the marquis&rsquo;s hand,
+ &ldquo;life has been awful indeed for that poor little woman, so young, so
+ delicate! After being, by dreadful fatality, separated from the grenadier,
+ whose name was Fleuriot, she was dragged about for two years at the heels
+ of the army, the plaything of a crowd of wretches. She was often, they
+ tell me, barefooted, and scarcely clothed; for months together, she had no
+ care, no food but what she could pick up; sometimes kept in hospitals,
+ sometimes driven away like an animal, God alone knows the horrors that
+ poor unfortunate creature has survived. She was locked up in a madhouse,
+ in a little town in Germany, at the time her relatives, thinking her dead,
+ divided her property. In 1816, the grenadier Fleuriot was at an inn in
+ Strasburg, where she went after making her escape from the madhouse.
+ Several peasants told the grenadier that she had lived for a whole month
+ in the forest, where they had tracked her in vain, trying to catch her,
+ but she had always escaped them. I was then staying a few miles from
+ Strasburg. Hearing much talk of a wild woman caught in the woods, I felt a
+ desire to ascertain the truth of the ridiculous stories which were current
+ about her. What were my feelings on beholding my own niece! Fleuriot told
+ me all he knew of her dreadful history. I took the poor man with my niece
+ back to my home in Auvergne, where, unfortunately, I lost him some months
+ later. He had some slight control over Madame de Vandieres; he alone could
+ induce her to wear clothing. &lsquo;Adieu,&rsquo; that word, which is her only
+ language, she seldom uttered at that time. Fleuriot had endeavored to
+ awaken in her a few ideas, a few memories of the past; but he failed; all
+ that he gained was to make her say that melancholy word a little oftener.
+ Still, the grenadier knew how to amuse her and play with her; my hope was
+ in him, but&mdash;&rdquo;
+ </p>
+ <p>
+ He was silent for a moment.
+ </p>
+ <p>
+ &ldquo;Here,&rdquo; he continued, &ldquo;she has found another creature, with whom she seems
+ to have some strange understanding. It is a poor idiotic peasant-girl,
+ who, in spite of her ugliness and stupidity, loved a man, a mason. The
+ mason was willing to marry her, as she had some property. Poor Genevieve
+ was happy for a year; she dressed in her best to dance with her lover on
+ Sunday; she comprehended love; in her heart and soul there was room for
+ that one sentiment. But the mason, Dallot, reflected. He found a girl with
+ all her senses, and more land than Genevieve, and he deserted the poor
+ creature. Since then she has lost the little intellect that love developed
+ in her; she can do nothing but watch the cows, or help at harvesting. My
+ niece and this poor girl are friends, apparently by some invisible chain
+ of their common destiny, by the sentiment in each which has caused their
+ madness. See!&rdquo; added Stephanie&rsquo;s uncle, leading the marquis to a window.
+ </p>
+ <p>
+ The latter then saw the countess seated on the ground between Genevieve&rsquo;s
+ legs. The peasant-girl, armed with a huge horn comb, was giving her whole
+ attention to the work of disentangling the long black hair of the poor
+ countess, who was uttering little stifled cries, expressive of some
+ instinctive sense of pleasure. Monsieur d&rsquo;Albon shuddered as he saw the
+ utter abandonment of the body, the careless animal ease which revealed in
+ the hapless woman a total absence of soul.
+ </p>
+ <p>
+ &ldquo;Philippe, Philippe!&rdquo; he muttered, &ldquo;the past horrors are nothing!&mdash;Is
+ there no hope?&rdquo; he asked.
+ </p>
+ <p>
+ The old physician raised his eyes to heaven.
+ </p>
+ <p>
+ &ldquo;Adieu, monsieur,&rdquo; said the marquis, pressing his hand. &ldquo;My friend is
+ expecting me. He will soon come to you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then it was really she!&rdquo; cried de Sucy at d&rsquo;Albon&rsquo;s first words. &ldquo;Ah! I
+ still doubted it,&rdquo; he added, a few tears falling from his eyes, which were
+ habitually stern.
+ </p>
+ <p>
+ &ldquo;Yes, it is the Comtesse de Vandieres,&rdquo; replied the marquis.
+ </p>
+ <p>
+ The colonel rose abruptly from his bed and began to dress.
+ </p>
+ <p>
+ &ldquo;Philippe!&rdquo; cried his friend, &ldquo;are you mad?&rdquo;
+ </p>
+ <p>
+ &ldquo;I am no longer ill,&rdquo; replied the colonel, simply. &ldquo;This news has quieted
+ my suffering. What pain can I feel when I think of Stephanie? I am going
+ to the Bons-Hommes, to see her, speak to her, cure her. She is free. Well,
+ happiness will smile upon us&mdash;or Providence is not in this world.
+ Think you that that poor woman could hear my voice and not recover
+ reason?&rdquo;
+ </p>
+ <p>
+ &ldquo;She has already seen you and not recognized you,&rdquo; said his friend,
+ gently, for he felt the danger of Philippe&rsquo;s excited hopes, and tried to
+ cast a salutary doubt upon them.
+ </p>
+ <p>
+ The colonel quivered; then he smiled, and made a motion of incredulity. No
+ one dared to oppose his wish, and within a very short time he reached the
+ old priory.
+ </p>
+ <p>
+ &ldquo;Where is she?&rdquo; he cried, on arriving.
+ </p>
+ <p>
+ &ldquo;Hush!&rdquo; said her uncle, &ldquo;she is sleeping. See, here she is.&rdquo;
+ </p>
+ <p>
+ Philippe then saw the poor insane creature lying on a bench in the sun.
+ Her head was protected from the heat by a forest of hair which fell in
+ tangled locks over her face. Her arms hung gracefully to the ground; her
+ body lay easily posed like that of a doe; her feet were folded under her
+ without effort; her bosom rose and fell at regular intervals; her skin,
+ her complexion, had that porcelain whiteness, which we admire so much in
+ the clear transparent faces of children. Standing motionless beside her,
+ Genevieve held in her hand a branch which Stephanie had doubtless climbed
+ a tall poplar to obtain, and the poor idiot was gently waving it above her
+ sleeping companion, to chase away the flies and cool the atmosphere.
+ </p>
+ <p>
+ The peasant-woman gazed at Monsieur Fanjat and the colonel; then, like an
+ animal which recognizes its master, she turned her head slowly to the
+ countess, and continued to watch her, without giving any sign of surprise
+ or intelligence. The air was stifling; the stone bench glittered in the
+ sunlight; the meadow exhaled to heaven those impish vapors which dance and
+ dart above the herbage like silvery dust; but Genevieve seemed not to feel
+ this all-consuming heat.
+ </p>
+ <p>
+ The colonel pressed the hand of the doctor violently in his own. Tears
+ rolled from his eyes along his manly cheeks, and fell to the earth at the
+ feet of his Stephanie.
+ </p>
+ <p>
+ &ldquo;Monsieur,&rdquo; said the uncle, &ldquo;for two years past, my heart is broken day by
+ day. Soon you will be like me. You may not always weep, but you will
+ always feel your sorrow.&rdquo;
+ </p>
+ <p>
+ The two men understood each other; and again, pressing each other&rsquo;s hands,
+ they remained motionless, contemplating the exquisite calmness which sleep
+ had cast upon that graceful creature. From time to time she gave a sigh,
+ and that sigh, which had all the semblance of sensibilities, made the
+ unhappy colonel tremble with hope.
+ </p>
+ <p>
+ &ldquo;Alas!&rdquo; said Monsieur Fanjat, &ldquo;do not deceive yourself, monsieur; there is
+ no meaning in her sigh.&rdquo;
+ </p>
+ <p>
+ Those who have ever watched for hours with delight the sleep of one who is
+ tenderly beloved, whose eyes will smile to them at waking, can understand
+ the sweet yet terrible emotion that shook the colonel&rsquo;s soul. To him, this
+ sleep was an illusion; the waking might be death, death in its most awful
+ form. Suddenly, a little goat jumped in three bounds to the bench, and
+ smelt at Stephanie, who waked at the sound. She sprang to her feet, but so
+ lightly that the movement did not frighten the freakish animal; then she
+ caught sight of Philippe, and darted away, followed by her four-footed
+ friend, to a hedge of elders; there she uttered the same little cry like a
+ frightened bird, which the two men had heard near the other gate. Then she
+ climbed an acacia, and nestling into its tufted top, she watched the
+ stranger with the inquisitive attention of the forest birds.
+ </p>
+ <p>
+ &ldquo;Adieu, adieu, adieu,&rdquo; she said, without the soul communicating one single
+ intelligent inflexion to the word.
+ </p>
+ <p>
+ It was uttered impassively, as the bird sings his note.
+ </p>
+ <p>
+ &ldquo;She does not recognize me!&rdquo; cried the colonel, in despair. &ldquo;Stephanie! it
+ is Philippe, thy Philippe, PHILIPPE!&rdquo;
+ </p>
+ <p>
+ And the poor soldier went to the acacia; but when he was a few steps from
+ it, the countess looked at him, as if defying him, although a slight
+ expression of fear seemed to flicker in her eye; then, with a single bound
+ she sprang from the acacia to a laburnum, and thence to a Norway fir,
+ where she darted from branch to branch with extraordinary agility.
+ </p>
+ <p>
+ &ldquo;Do not pursue her,&rdquo; said Monsieur Fanjat to the colonel, &ldquo;or you will
+ arouse an aversion which might become insurmountable. I will help you to
+ tame her and make her come to you. Let us sit on this bench. If you pay no
+ attention to her, she will come of her own accord to examine you.&rdquo;
+ </p>
+ <p>
+ &ldquo;SHE! not to know me! to flee me!&rdquo; repeated the colonel, seating himself
+ on a bench with his back to a tree that shaded it, and letting his head
+ fall upon his breast.
+ </p>
+ <p>
+ The doctor said nothing. Presently, the countess came gently down the
+ fir-tree, letting herself swing easily on the branches, as the wind swayed
+ them. At each branch she stopped to examine the stranger; but seeing him
+ motionless, she at last sprang to the ground and came slowly towards him
+ across the grass. When she reached a tree about ten feet distant, against
+ which she leaned, Monsieur Fanjat said to the colonel in a low voice,&mdash;
+ </p>
+ <p>
+ &ldquo;Take out, adroitly, from my right hand pocket some lumps of sugar you
+ will feel there. Show them to her, and she will come to us. I will
+ renounce in your favor my sole means of giving her pleasure. With sugar,
+ which she passionately loves, you will accustom her to approach you, and
+ to know you again.&rdquo;
+ </p>
+ <p>
+ &ldquo;When she was a woman,&rdquo; said Philippe, sadly, &ldquo;she had no taste for sweet
+ things.&rdquo;
+ </p>
+ <p>
+ When the colonel showed her the lump of sugar, holding it between the
+ thumb and forefinger of his right hand, she again uttered her little wild
+ cry, and sprang toward him; then she stopped, struggling against the
+ instinctive fear he caused her; she looked at the sugar and turned away
+ her head alternately, precisely like a dog whose master forbids him to
+ touch his food until he has said a letter of the alphabet which he slowly
+ repeats. At last the animal desire triumphed over fear. Stephanie darted
+ to Philippe, cautiously putting out her little brown hand to seize the
+ prize, touched the fingers of her poor lover as she snatched the sugar,
+ and fled away among the trees. This dreadful scene overcame the colonel;
+ he burst into tears and rushed into the house.
+ </p>
+ <p>
+ &ldquo;Has love less courage than friendship?&rdquo; Monsieur Fanjat said to him. &ldquo;I
+ have some hope, Monsieur le baron. My poor niece was in a far worse state
+ than that in which you now find her.&rdquo;
+ </p>
+ <p>
+ &ldquo;How was that possible?&rdquo; cried Philippe.
+ </p>
+ <p>
+ &ldquo;She went naked,&rdquo; replied the doctor.
+ </p>
+ <p>
+ The colonel made a gesture of horror and turned pale. The doctor saw in
+ that sudden pallor alarming symptoms; he felt the colonel&rsquo;s pulse, found
+ him in a violent fever, and half persuaded, half compelled him to go to
+ bed. Then he gave him a dose of opium to ensure a calm sleep.
+ </p>
+ <p>
+ Eight days elapsed, during which Colonel de Sucy struggled against mortal
+ agony; tears no longer came to his eyes. His soul, often lacerated, could
+ not harden itself to the sight of Stephanie&rsquo;s insanity; but he covenanted,
+ so to speak, with his cruel situation, and found some assuaging of his
+ sorrow. He had the courage to slowly tame the countess by bringing her
+ sweetmeats; he took such pains in choosing them, and he learned so well
+ how to keep the little conquests he sought to make upon her instincts&mdash;that
+ last shred of her intellect&mdash;that he ended by making her much TAMER
+ than she had ever been.
+ </p>
+ <p>
+ Every morning he went into the park, and if, after searching for her long,
+ he could not discover on what tree she was swaying, nor the covert in
+ which she crouched to play with a bird, nor the roof on which she might
+ have clambered, he would whistle the well-known air of &ldquo;Partant pour la
+ Syrie,&rdquo; to which some tender memory of their love attached. Instantly,
+ Stephanie would run to him with the lightness of a fawn. She was now so
+ accustomed to see him, that he frightened her no longer. Soon she was
+ willing to sit upon his knee, and clasp him closely with her thin and
+ agile arm. In that attitude&mdash;so dear to lovers!&mdash;Philippe would
+ feed her with sugarplums. Then, having eaten those that he gave her, she
+ would often search his pockets with gestures that had all the mechanical
+ velocity of a monkey&rsquo;s motions. When she was very sure there was nothing
+ more, she looked at Philippe with clear eyes, without ideas, with
+ recognition. Then she would play with him, trying at times to take off his
+ boots to see his feet, tearing his gloves, putting on his hat; she would
+ even let him pass his hands through her hair, and take her in his arms;
+ she accepted, but without pleasure, his ardent kisses. She would look at
+ him silently, without emotion, when his tears flowed; but she always
+ understood his &ldquo;Partant pour la Syrie,&rdquo; when he whistled it, though he
+ never succeeded in teaching her to say her own name Stephanie.
+ </p>
+ <p>
+ Philippe was sustained in his agonizing enterprise by hope, which never
+ abandoned him. When, on fine autumn mornings, he found the countess
+ sitting peacefully on a bench, beneath a poplar now yellowing, the poor
+ lover would sit at her feet, looking into her eyes as long as she would
+ let him, hoping ever that the light that was in them would become
+ intelligent. Sometimes the thought deluded him that he saw those hard
+ immovable rays softening, vibrating, living, and he cried out,&mdash;
+ </p>
+ <p>
+ &ldquo;Stephanie! Stephanie! thou hearest me, thou seest me!&rdquo;
+ </p>
+ <p>
+ But she listened to that cry as to a noise, the soughing of the wind in
+ the tree-tops, or the lowing of the cow on the back of which she climbed.
+ Then the colonel would wring his hands in despair,&mdash;despair that was
+ new each day.
+ </p>
+ <p>
+ One evening, under a calm sky, amid the silence and peace of that rural
+ haven, the doctor saw, from a distance, that the colonel was loading his
+ pistols. The old man felt then that the young man had ceased to hope; he
+ felt the blood rushing to his heart, and if he conquered the vertigo that
+ threatened him, it was because he would rather see his niece living and
+ mad than dead. He hastened up.
+ </p>
+ <p>
+ &ldquo;What are you doing?&rdquo; he said.
+ </p>
+ <p>
+ &ldquo;That is for me,&rdquo; replied the colonel, pointing to a pistol already
+ loaded, which was lying on the bench; &ldquo;and this is for her,&rdquo; he added, as
+ he forced the wad into the weapon he held.
+ </p>
+ <p>
+ The countess was lying on the ground beside him, playing with the balls.
+ </p>
+ <p>
+ &ldquo;Then you do not know,&rdquo; said the doctor, coldly, concealing his terror,
+ &ldquo;that in her sleep last night she called you: Philippe!&rdquo;
+ </p>
+ <p>
+ &ldquo;She called me!&rdquo; cried the baron, dropping his pistol, which Stephanie
+ picked up. He took it from her hastily, caught up the one that was on the
+ bench, and rushed away.
+ </p>
+ <p>
+ &ldquo;Poor darling!&rdquo; said the doctor, happy in the success of his lie. He
+ pressed the poor creature to his breast, and continued speaking to
+ himself: &ldquo;He would have killed thee, selfish man! because he suffers. He
+ does not love thee for thyself, my child! But we forgive, do we not? He is
+ mad, out of his senses, but thou art only senseless. No, God alone should
+ call thee to Him. We think thee unhappy, we pity thee because thou canst
+ not share our sorrows, fools that we are!&mdash;But,&rdquo; he said, sitting
+ down and taking her on his knee, &ldquo;nothing troubles thee; thy life is like
+ that of a bird, of a fawn&mdash;&rdquo;
+ </p>
+ <p>
+ As he spoke she darted upon a young blackbird which was hopping near them,
+ caught it with a little note of satisfaction, strangled it, looked at it,
+ dead in her hand, and flung it down at the foot of a tree without a
+ thought.
+ </p>
+ <p>
+ The next day, as soon as it was light, the colonel came down into the
+ gardens, and looked about for Stephanie,&mdash;he believed in the coming
+ happiness. Not finding her he whistled. When his darling came to him, he
+ took her on his arm; they walked together thus for the first time, and he
+ led her within a group of trees, the autumn foliage of which was dropping
+ to the breeze. The colonel sat down. Of her own accord Stephanie placed
+ herself on his knee. Philippe trembled with joy.
+ </p>
+ <p>
+ &ldquo;Love,&rdquo; he said, kissing her hands passionately, &ldquo;I am Philippe.&rdquo;
+ </p>
+ <p>
+ She looked at him with curiosity.
+ </p>
+ <p>
+ &ldquo;Come,&rdquo; he said, pressing her to him, &ldquo;dost thou feel my heart? It has
+ beaten for thee alone. I love thee ever. Philippe is not dead; he is not
+ dead, thou art on him, in his arms. Thou art MY Stephanie; I am thy
+ Philippe.&rdquo;
+ </p>
+ <p>
+ &ldquo;Adieu,&rdquo; she said, &ldquo;adieu.&rdquo;
+ </p>
+ <p>
+ The colonel quivered, for he fancied he saw his own excitement
+ communicated to his mistress. His heart-rending cry, drawn from him by
+ despair, that last effort of an eternal love, of a delirious passion, was
+ successful, the mind of his darling was awaking.
+ </p>
+ <p>
+ &ldquo;Ah! Stephanie! Stephanie! we shall yet be happy.&rdquo;
+ </p>
+ <p>
+ She gave a cry of satisfaction, and her eyes brightened with a flash of
+ vague intelligence.
+ </p>
+ <p>
+ &ldquo;She knows me!&mdash;Stephanie!&rdquo;
+ </p>
+ <p>
+ His heart swelled; his eyelids were wet with tears. Then, suddenly, the
+ countess showed him a bit of sugar she had found in his pocket while he
+ was speaking to her. He had mistaken for human thought the amount of
+ reason required for a monkey&rsquo;s trick. Philippe dropped to the ground
+ unconscious. Monsieur Fanjat found the countess sitting on the colonel&rsquo;s
+ body. She was biting her sugar, and testifying her pleasure by pretty
+ gestures and affectations with which, had she her reason, she might have
+ imitated her parrot or her cat.
+ </p>
+ <p>
+ &ldquo;Ah! my friend,&rdquo; said Philippe, when he came to his senses, &ldquo;I die every
+ day, every moment! I love too well! I could still bear all, if, in her
+ madness, she had kept her woman&rsquo;s nature. But to see her always a savage,
+ devoid even of modesty, to see her&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;You want opera madness, do you? something picturesque and pleasing,&rdquo; said
+ the doctor, bitterly. &ldquo;Your love and your devotion yield before a
+ prejudice. Monsieur, I have deprived myself for your sake of the sad
+ happiness of watching over my niece; I have left to you the pleasure of
+ playing with her; I have kept for myself the heaviest cares. While you
+ have slept, I have watched, I have&mdash;Go, monsieur, go! abandon her!
+ leave this sad refuge. I know how to live with that dear darling creature;
+ I comprehend her madness, I watch her gestures, I know her secrets. Some
+ day you will thank me for thus sending you away.&rdquo;
+ </p>
+ <p>
+ The colonel left the old monastery, never to return but once. The doctor
+ was horrified when he saw the effect he had produced upon his guest, whom
+ he now began to love when he saw him thus. Surely, if either of the two
+ lovers were worthy of pity, it was Philippe; did he not bear alone the
+ burden of their dreadful sorrow?
+ </p>
+ <p>
+ After the colonel&rsquo;s departure the doctor kept himself informed about him;
+ he learned that the miserable man was living on an estate near
+ Saint-Germain. In truth, the baron, on the faith of a dream, had formed a
+ project which he believed would yet restore the mind of his darling.
+ Unknown to the doctor, he spent the rest of the autumn in preparing for
+ his enterprise. A little river flowed through his park and inundated
+ during the winter the marshes on either side of it, giving it some
+ resemblance to the Beresina. The village of Satout, on the heights above,
+ closed in, like Studzianka, the scene of horror. The colonel collected
+ workmen to deepen the banks, and by the help of his memory, he copied in
+ his park the shore where General Eble destroyed the bridge. He planted
+ piles, and made buttresses and burned them, leaving their charred and
+ blackened ruins, standing in the water from shore to shore. Then he
+ gathered fragments of all kinds, like those of which the raft was built.
+ He ordered dilapidated uniforms and clothing of every grade, and hired
+ hundreds of peasants to wear them; he erected huts and cabins for the
+ purpose of burning them. In short, he forgot nothing that might recall
+ that most awful of all scenes, and he succeeded.
+ </p>
+ <p>
+ Toward the last of December, when the snow had covered with its thick,
+ white mantle all his imitative preparations, he recognized the Beresina.
+ This false Russia was so terribly truthful, that several of his army
+ comrades recognized the scene of their past misery at once. Monsieur de
+ Sucy took care to keep secret the motive for this tragic imitation, which
+ was talked of in several Parisian circles as a proof of insanity.
+ </p>
+ <p>
+ Early in January, 1820, the colonel drove in a carriage, the very
+ counterpart of the one in which he had driven the Comte and Comtesse de
+ Vandieres from Moscow to Studzianka. The horses, too, were like those he
+ had gone, at the peril of his life, to fetch from the Russian outposts. He
+ himself wore the soiled fantastic clothing, the same weapons, as on the
+ 29th of November, 1812. He had let his beard grow, also his hair, which
+ was tangled and matted, and his face was neglected, so that nothing might
+ be wanting to represent the awful truth.
+ </p>
+ <p>
+ &ldquo;I can guess your purpose,&rdquo; cried Monsieur Fanjat, when he saw the colonel
+ getting out of the carriage. &ldquo;If you want to succeed, do not let my niece
+ see you in that equipage. To-night I will give her opium. During her
+ sleep, we will dress her as she was at Studzianka, and place her in the
+ carriage. I will follow you in another vehicle.&rdquo;
+ </p>
+ <p>
+ About two in the morning, the sleeping countess was placed in the carriage
+ and wrapped in heavy coverings. A few peasants with torches lighted up
+ this strange abduction. Suddenly, a piercing cry broke the silence of the
+ night. Philippe and the doctor turned, and saw Genevieve coming half-naked
+ from the ground-floor room in which she slept.
+ </p>
+ <p>
+ &ldquo;Adieu, adieu! all is over, adieu!&rdquo; she cried, weeping hot tears.
+ </p>
+ <p>
+ &ldquo;Genevieve, what troubles you?&rdquo; asked the doctor.
+ </p>
+ <p>
+ Genevieve shook her head with a motion of despair, raised her arm to
+ heaven, looked at the carriage, uttering a long-drawn moan with every sign
+ of the utmost terror; then she returned to her room silently.
+ </p>
+ <p>
+ &ldquo;That is a good omen!&rdquo; cried the colonel. &ldquo;She feels she is to lose her
+ companion. Perhaps she SEES that Stephanie will recover her reason.&rdquo;
+ </p>
+ <p>
+ &ldquo;God grant it!&rdquo; said Monsieur Fanjat, who himself was affected by the
+ incident.
+ </p>
+ <p>
+ Ever since he had made a close study of insanity, the good man had met
+ with many examples of the prophetic faculty and the gift of second sight,
+ proofs of which are frequently given by alienated minds, and which may
+ also be found, so travellers say, among certain tribes of savages.
+ </p>
+ <p>
+ As the colonel had calculated, Stephanie crossed the fictitious plain of
+ the Beresina at nine o&rsquo;clock in the morning, when she was awakened by a
+ cannon shot not a hundred yards from the spot where the experiment was to
+ be tried. This was a signal. Hundreds of peasants made a frightful clamor
+ like that on the shore of the river that memorable night, when twenty
+ thousand stragglers were doomed to death or slavery by their own folly.
+ </p>
+ <p>
+ At the cry, at the shot, the countess sprang from the carriage, and ran,
+ with delirious emotion, over the snow to the banks of the river; she saw
+ the burned bivouacs and the charred remains of the bridge, and the fatal
+ raft, which the men were launching into the icy waters of the Beresina.
+ The major, Philippe, was there, striking back the crowd with his sabre.
+ Madame de Vandieres gave a cry, which went to all hearts, and threw
+ herself before the colonel, whose heart beat wildly. She seemed to gather
+ herself together, and, at first, looked vaguely at the singular scene. For
+ an instant, as rapid as the lightning&rsquo;s flash, her eyes had that lucidity,
+ devoid of mind, which we admire in the eye of birds; then passing her hand
+ across her brow with the keen expression of one who meditates, she
+ contemplated the living memory of a past scene spread before her, and,
+ turning quickly to Philippe, she SAW HIM. An awful silence reigned in the
+ crowd. The colonel gasped, but dared not speak; the doctor wept.
+ Stephanie&rsquo;s sweet face colored faintly; then, from tint to tint, it
+ returned to the brightness of youth, till it glowed with a beautiful
+ crimson. Life and happiness, lighted by intelligence, came nearer and
+ nearer like a conflagration. Convulsive trembling rose from her feet to
+ her heart. Then these phenomena seemed to blend in one as Stephanie&rsquo;s eyes
+ cast forth a celestial ray, the flame of a living soul. She lived, she
+ thought! She shuddered, with fear perhaps, for God himself unloosed that
+ silent tongue, and cast anew His fires into that long-extinguished soul.
+ Human will came with its full electric torrent, and vivified the body from
+ which it had been driven.
+ </p>
+ <p>
+ &ldquo;Stephanie!&rdquo; cried the colonel.
+ </p>
+ <p>
+ &ldquo;Oh! it is Philippe,&rdquo; said the poor countess.
+ </p>
+ <p>
+ She threw herself into the trembling arms that the colonel held out to
+ her, and the clasp of the lovers frightened the spectators. Stephanie
+ burst into tears. Suddenly her tears stopped, she stiffened as though the
+ lightning had touched her, and said in a feeble voice,&mdash;
+ </p>
+ <p>
+ &ldquo;Adieu, Philippe; I love thee, adieu!&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh! she is dead,&rdquo; cried the colonel, opening his arms.
+ </p>
+ <p>
+ The old doctor received the inanimate body of his niece, kissed it as
+ though he were a young man, and carrying it aside, sat down with it still
+ in his arms on a pile of wood. He looked at the countess and placed his
+ feeble trembling hand upon her heart. That heart no longer beat.
+ </p>
+ <p>
+ &ldquo;It is true,&rdquo; he said, looking up at the colonel, who stood motionless,
+ and then at Stephanie, on whom death was placing that resplendent beauty,
+ that fugitive halo, which is, perhaps, a pledge of the glorious future&mdash;&ldquo;Yes,
+ she is dead.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah! that smile,&rdquo; cried Philippe, &ldquo;do you see that smile? Can it be true?&rdquo;
+ </p>
+ <p>
+ &ldquo;She is turning cold,&rdquo; replied Monsieur Fanjat.
+ </p>
+ <p>
+ Monsieur de Sucy made a few steps to tear himself away from the sight; but
+ he stopped, whistled the air that Stephanie had known, and when she did
+ not come to him, went on with staggering steps like a drunken man, still
+ whistling, but never turning back.
+ </p>
+ <p>
+ General Philippe de Sucy was thought in the social world to be a very
+ agreeable man, and above all a very gay one. A few days ago, a lady
+ complimented him on his good humor, and the charming equability of his
+ nature.
+ </p>
+ <p>
+ &ldquo;Ah! madame,&rdquo; he said, &ldquo;I pay dear for my liveliness in my lonely
+ evenings.&rdquo;
+ </p>
+ <p>
+ &ldquo;Are you ever alone?&rdquo; she said.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; he replied smiling.
+ </p>
+ <p>
+ If a judicious observer of human nature could have seen at that moment the
+ expression on the Comte de Sucy&rsquo;s face, he would perhaps have shuddered.
+ </p>
+ <p>
+ &ldquo;Why don&rsquo;t you marry?&rdquo; said the lady, who had several daughters at school.
+ &ldquo;You are rich, titled, and of ancient lineage; you have talents, and a
+ great future before you; all things smile upon you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; he said, &ldquo;but a smile kills me.&rdquo;
+ </p>
+ <p>
+ The next day the lady heard with great astonishment that Monsieur de Sucy
+ had blown his brains out during the night. The upper ranks of society
+ talked in various ways over this extraordinary event, and each person
+ looked for the cause of it. According to the proclivities of each
+ reasoner, play, love, ambition, hidden disorders, and vices, explained the
+ catastrophe, the last scene of a drama begun in 1812. Two men alone, a
+ marquis and former deputy, and an aged physician, knew that Philippe de
+ Sucy was one of those strong men to whom God has given the unhappy power
+ of issuing daily in triumph from awful combats which they fight with an
+ unseen monster. If, for a moment, God withdraws from such men His
+ all-powerful hand, they succumb.
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br /> <a name="link2H_4_0005" id="link2H_4_0005">
+ <!-- H2 anchor --> </a>
+ </p>
+ <h2>
+ ADDENDUM
+ </h2>
+ <h3>
+ The following personage appears in other stories of the Human Comedy.
+ </h3>
+ <p>
+ Note: Adieu is also entitled Farewell.
+ </p>
+<pre xml:space="preserve">
+ Granville, Vicomte de
+ The Gondreville Mystery
+ A Second Home
+ Farewell (Adieu)
+ Cesar Birotteau
+ Scenes from a Courtesan&rsquo;s Life
+ A Daughter of Eve
+ Cousin Pons
+</pre>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+<pre xml:space="preserve">
+
+
+
+
+
+End of the Project Gutenberg EBook of Adieu, by Honore de Balzac
+
+*** END OF THIS PROJECT GUTENBERG EBOOK ADIEU ***
+
+***** This file should be named 1554-h.htm or 1554-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/1/5/5/1554/
+
+Produced by John Bickers, and Dagny, and David Widger
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &ldquo;Project
+Gutenberg&rdquo;), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. &ldquo;Project Gutenberg&rdquo; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (&ldquo;the Foundation&rdquo;
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase &ldquo;Project Gutenberg&rdquo; appears, or with which the phrase &ldquo;Project
+Gutenberg&rdquo; is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase &ldquo;Project Gutenberg&rdquo; associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+&ldquo;Plain Vanilla ASCII&rdquo; or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original &ldquo;Plain Vanilla ASCII&rdquo; or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, &ldquo;Information about donations to
+ the Project Gutenberg Literary Archive Foundation.&rdquo;
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+&ldquo;Defects,&rdquo; such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &ldquo;Right
+of Replacement or Refund&rdquo; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you &lsquo;AS-IS&rsquo; WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm&rsquo;s
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation&rsquo;s EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state&rsquo;s laws.
+
+The Foundation&rsquo;s principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation&rsquo;s web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+ </body>
+</html>