summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--1477-0.txt7188
-rw-r--r--1477-0.zipbin0 -> 150318 bytes
-rw-r--r--1477-h.zipbin0 -> 154545 bytes
-rw-r--r--1477-h/1477-h.htm7504
-rw-r--r--1477.txt6819
-rw-r--r--1477.zipbin0 -> 140668 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/toypc10.txt7074
-rw-r--r--old/toypc10.zipbin0 -> 138622 bytes
11 files changed, 28601 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/1477-0.txt b/1477-0.txt
new file mode 100644
index 0000000..9250a17
--- /dev/null
+++ b/1477-0.txt
@@ -0,0 +1,7188 @@
+The Project Gutenberg eBook, The Toys of Peace, by Saki
+
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+
+
+
+Title: The Toys of Peace
+
+
+Author: Saki
+
+
+
+Release Date: December 26, 2011 [eBook #1477]
+This eText was first posted July 1998
+[Last updated: June 29, 2012]
+
+Language: English
+
+Character set encoding: UTF-8
+
+
+***START OF THE PROJECT GUTENBERG EBOOK THE TOYS OF PEACE***
+
+
+Transcribed from the 1919 John Lane edition by Jane Duff and David Price,
+email ccx074@pglaf.org
+
+
+
+
+
+ THE TOYS OF PEACE
+ AND OTHER PAPERS
+
+
+ * * * * *
+
+ TO
+ THE 22ND ROYAL FUSILIERS
+
+ * * * * *
+
+
+
+
+Note
+
+
+Thanks are due to the Editors of the _Morning Post_, the _Westminster
+Gazette_, and the _Bystander_ for their amiability in allowing tales that
+appeared in these journals to be reproduced in the present volume.
+
+ R. R.
+
+
+
+
+Contents
+
+ PAGE
+A Memoir of H. H. Munro ix
+The Toys of Peace 3
+Louise 13
+Tea 21
+The Disappearance of Crispina Umberleigh 29
+The Wolves of Cernogratz 39
+Louis 49
+The Guests 59
+The Penance 67
+The Phantom Luncheon 79
+A Bread and Butter Miss 87
+Bertie’s Christmas Eve 97
+Forewarned 107
+The Interlopers 119
+Quail Seed 129
+Canossa 141
+The Threat 149
+Excepting Mrs. Pentherby 157
+Mark 167
+The Hedgehog 175
+The Mappined Life 185
+Fate 193
+The Bull 201
+Morlvera 209
+Shock Tactics 217
+The Seven Cream Jugs 227
+The Occasional Garden 237
+The Sheep 245
+The Oversight 255
+Hyacinth 265
+The Image of the Lost Soul 277
+The Purple of the Balkan Kings 281
+The Cupboard of the Yesterdays 287
+For the Duration of the War 295
+
+
+
+
+HECTOR HUGH MUNRO
+
+
+“When peace comes,” wrote an officer of the 22nd Royal Fusiliers, the
+regiment in which Munro was a private and in which he rose to the rank of
+lance-sergeant, “Saki will give us the most wonderful of all the books
+about the war.” But that book of the war will not be written; for Munro
+has died for King and country. In this volume are his last tales. And
+it is because these tales, brilliant and elusive as butterflies, hide,
+rather than reveal, the character of the man who wrote them, give but a
+suggestion of his tenderness and simplicity, of his iron will, of his
+splendour in the grip of war, that it is my duty to write these pages
+about him, now that he lies in the kind earth of France. It is but to do
+what his choice of a pen-name makes me sure he himself would have done
+for a friend.
+
+ “Yon rising Moon that looks for us again,
+ How oft hereafter will she wax and wane;
+ How oft hereafter, rising, look for us!
+ Through this same Garden—and for _one_ in vain.
+
+ “And when like her, O Saki, you shall pass
+ Among the Guests, star-scattered on the grass,
+ And in your joyous errand reach the spot
+ Where I made one—turn down an empty glass.”
+
+The first time that Munro used the name of Saki was, I believe, in 1890,
+when he published in the _Westminster Gazette_ the second of the
+political satires, which were afterwards collected in a volume, called
+_Alice in Westminster_. It was, I think, because the wistful philosophy
+of FitzGerald appealed to him, as it did to so many of his
+contemporaries, that he chose a pen-name from his verses. He loved the
+fleeting beauty of life. “There is one thing I care for and that is
+youth,” he once said. And he always remained youthful. It was perfectly
+natural for him, although he was then a man of forty, to celebrate the
+coming in of a new year by seizing the hands of strangers and flying
+round in a great here-we-go-round-the-mulberry-bush at Oxford Circus,
+and, later in the year, to dance in the moonlight round a bonfire in the
+country, invoking Apollo with entreaties for sunshine to waken the
+flowers. His last tale, _For the Duration of the War_, written when he
+was at the front, shows that his spirit remained youthful to the end.
+But if he gloried in the beauty of life, he was conscious of its sadness.
+Have we any book in which the joy and pain of life are so intimately
+blended as they are in _The Unbearable Bassington_? Munro himself
+laughed when he was looking through a collection of criticisms of that
+novel, some of which emphasised its gaiety and others its poignancy, and
+remarked that they would bewilder the people who read them.
+
+It is not my present purpose to write a biography of my friend. That is
+a task which must be discharged later, and an account of his life will be
+given in the first volume of the collected edition of his works, which it
+is proposed to publish after the war. Nevertheless, before writing of
+the transformation wrought in him by the war, it may be well to give a
+brief outline of his career.
+
+Munro was born in 1870 in Burmah, where his father, the late Colonel C.
+A. Munro, was stationed. At his christening he was named Hector Hugh.
+He belonged to a family with traditions of the two services. His
+paternal grandfather had been in the army, and his mother was a daughter
+of Rear-Admiral Mercer. Mrs. Munro died when her children were very
+young, and Hector, his elder brother and his sister were brought up by
+their father’s sisters, two maiden ladies, who were devoted to the
+children, but had old-fashioned Scottish ideas of discipline. Their home
+was near Barnstaple, a lonely house in a garden shut in by high stone
+walls with meadows beyond. The three children had no companions, and
+were thrown on their own resources for amusement. One of their
+diversions was to produce a newspaper. All through his childhood Hector
+professed violent Tory opinions, and at a very early age he began to take
+an interest in politics and to read any books or papers dealing with them
+that came his way. He loved, above all, the woodlands and the wild
+things in them, especially the birds. His delicate health caused his
+aunts somewhat to temper their severity in his case, but I fancy they
+must have had some difficulty in curbing his high spirits; for he was a
+thoroughly human boy and up to every sort of prank. He was sent for a
+time to a private school at Exmouth, and when he left it did lessons at
+home with his sister’s governess. Later he was sent to Bedford College.
+
+When school-days were over and Colonel Munro had returned to England for
+good, Hector and his sister were taken abroad by their father. They
+lived in Normandy and then in Dresden, where the first German words that
+Hector learnt were the names of birds, sometimes picked up from strangers
+in the zoological gardens. Then came a strenuous series of visits to
+German and Austrian cities, which Colonel Munro arranged as much for the
+education as the pleasure of his son and daughter. Museums and
+picture-galleries were visited everywhere. Hector amused himself by
+counting up the number of St. Sebastians in each gallery and making bets
+with his sister as to which would have the most. Berlin won with
+eighteen. The impression made on Munro by this tour is to be seen in his
+books, and in the present volume there are two tales, _The Interlopers_
+and _The Wolves of Cernogratz_, which seem to have been inspired by the
+memory of some romantic castle in the heart of Europe. A short play,
+_Karl Ludwig’s Window_, which will be published later, is based on an
+idea given by a visit to a castle near Prague.
+
+After a long visit to Davos, Colonel Munro returned with his family to
+England and settled in North Devon, where he devoted himself during the
+next two years to directing the studies of his son and daughter. Then
+came another long visit to Davos, after which Hector left England and
+joined the Burmese Mounted Police. He once told me of the feeling of
+loneliness he experienced when he first arrived in Burmah, using almost
+the same words in which he described Bassington’s sense of isolation in
+the colony to which he was sent. That account of the young Englishman
+looking enviously at a native boy and girl, racing wildly along in the
+joy of youth and companionship, is one of the rare instances of
+autobiography in Munro’s works. He was unable to support the Burmese
+climate and, after having fever seven times in eleven months, was forced
+to return to England. He remained at home for a year and hunted
+regularly with his sister during the winter. He then came to London with
+the intention of making a literary career for himself. His talent was
+recognised by Sir Francis Gould, to whom a friend had given him an
+introduction, and he soon began to write for the _Westminster Gazette_.
+Two years after he settled in London the publication of the political
+satires, based on _Alice in Wonderland_, brought him into prominence as a
+wit and a writer to be counted with. Mr. Balfour was his chief butt in
+these pieces. He was still, as he always remained, a Conservative, but
+he held at the time that Mr. Balfour’s leadership was a weakness to the
+party.
+
+In 1902 Munro went to the Balkans for the _Morning Post_, and later he
+became the correspondent of that paper in St. Petersburg, where he was
+during the revolution of 1905.
+
+He left St. Petersburg to represent the _Morning Post_ in Paris, and
+returned to London in 1908, where the agreeable life of a man of letters
+with a brilliant reputation awaited him. He had a lodging in Mortimer
+Street and lived exceedingly simply. It was his custom to pass the
+morning in a dressing-gown writing. His writing-pad was usually propped
+up with a book to make it slant and he wrote slowly in a very clear hand,
+rarely erasing a word or making a correction. His air and the movement
+of his hand gave one the impression that he was drawing and not writing.
+He almost always lunched at a Lyons bread-shop, partly because it was
+economical and partly because, as he said, he got exactly the sort of
+luncheon he liked. He cared nothing for money. He had to earn his
+living, but he was content as long as he had enough money to supply his
+needs. When a friend once suggested a profitable field for his writings,
+he dismissed the idea by saying that he was not interested in the public
+for which it was proposed that he should write. He loved his art, and,
+by refusing to adopt a style that might have appealed to wider circles,
+he made himself a place in our literature which, in the opinion of many,
+will be lasting. Almost every day he played cards, either in the late
+afternoon or in the evening, at the Cocoa Tree Club. The sight of the
+wealth of others did not excite his envy. I remember his coming home
+from a ball and relating that he had sat at supper next a millionairess,
+whose doctor had prescribed a diet of milk-puddings. “I had a hearty
+supper,” he said gleefully, “and for all her millions she was unable to
+eat anything.”
+
+Munro was exceedingly generous. He would share his last sovereign with a
+friend, and nothing pleased him better than to entertain his friends at
+dinner in a club or restaurant. Nothing angered him more than meanness
+in others. I remember the indignation with which he spoke of a rich
+woman who had refused to give adequate help to a poor person, who stood
+in need of it.
+
+This even life in town, occasionally varied by a visit to a country
+house, was rudely disturbed by the shock of war. Munro was in the House
+of Commons when Sir Edward Grey made his statement on the position that
+this country was to take up. He told me that the strain of listening to
+that speech was so great that he found himself in a sweat. He described
+the slowness with which the Minister developed his argument and the way
+in which he stopped to put on his eye-glasses to read a memorandum and
+then took them off to continue, holding the House in suspense. That
+night we dined at a chop-house in the Strand with two friends. On our
+way Munro insisted on walking at a tremendous pace, and at dinner, when
+he ordered cheese and the waiter asked whether he wanted butter, he said
+peremptorily: “Cheese, no butter; there’s a war on.” A day or two later
+he was condemning himself for the slackness of the years in London and
+hiring a horse to take exercise, to which he was little addicted, in the
+Park. He was determined to fight. Nothing else was to have been
+expected of the man who wrote _When William Came_, a novel in which he
+used his supreme gift of irony to rouse his fellow-countrymen from their
+torpor and to stir them to take measures for the defence of the country.
+_Punch_ declared that there had been no such conversational fireworks
+since Wilde, in reviewing this book, but Munro was more gratified by a
+word of encouragement sent him by Lord Roberts, after he had read the
+book, than by all the praise of the critics. He was over military age
+and he was not robust. In the first weeks of the war there seemed little
+chance of his being able to become a soldier. “And I have always looked
+forward to the romance of a European war,” he said.
+
+There still hangs in his room in Mortimer Street an old Flemish picture,
+which he had picked up somewhere, of horsemen in doublets and plumed
+hats, fighting beneath the walls of a city. It was, I think, the only
+painting in his possession. Perhaps it was this picture that represented
+to him the romance of which he spoke; but he did not hide from himself
+the terrible side of war. Happily thoughts about war can be given in his
+own words. The following piece appeared in the first edition of the
+_Morning Post_ of April 23, 1915, under the title, _An Old Love_—
+
+ “‘I know nothing about war,’ a boy of nineteen said to me two days
+ ago, ‘except, of course, that I’ve heard of its horrors; yet,
+ somehow, in spite of the horrors, there seems to be something in it
+ different to anything else in the world, something a little bit
+ finer.’
+
+ “He spoke wistfully, as one who feared that to him war would always
+ be an unreal, distant, second-hand thing, to be read about in special
+ editions, and peeped at through the medium of cinematograph shows.
+ He felt that the thing that was a little bit finer than anything else
+ in the world would never come into his life.
+
+ “Nearly every red-blooded human boy has had war, in some shape or
+ form, for his first love; if his blood has remained red and he has
+ kept some of his boyishness in after life, that first love will never
+ have been forgotten. No one could really forget those wonderful
+ leaden cavalry soldiers; the horses were as sleek and prancing as
+ though they had never left the parade-ground, and the uniforms were
+ correspondingly spick and span, but the amount of campaigning and
+ fighting they got through was prodigious. There are other
+ unforgettable memories for those who had brothers to play with and
+ fight with, of sieges and ambushes and pitched encounters, of the
+ slaying of an entire garrison without quarter, or of chivalrous,
+ punctilious courtesy to a defeated enemy. Then there was the slow
+ unfolding of the long romance of actual war, particularly of European
+ war, ghastly, devastating, heartrending in its effect, and yet
+ somehow captivating to the imagination. The Thirty Years’ War was
+ one of the most hideously cruel wars ever waged, but, in conjunction
+ with the subsequent campaigns of the Great Louis, it throws a glamour
+ over the scene of the present struggle. The thrill that those
+ far-off things call forth in us may be ethically indefensible, but it
+ comes in the first place from something too deep to be driven out;
+ the magic region of the Low Countries is beckoning to us again, as it
+ beckoned to our forefathers, who went campaigning there almost from
+ force of habit.
+
+ “One must admit that we have in these Islands a variant from the
+ red-blooded type. One or two young men have assured me that they are
+ not in the least interested in the war—‘I’m not at all patriotic, you
+ know,’ they announce, as one might announce that one was not a
+ vegetable or did not use a safety-razor. There are others whom I
+ have met within the recent harrowing days who had no place for the
+ war crisis in their thoughts and conversations; they would talk by
+ the hour about chamber-music, Greek folk-dances, Florentine art, and
+ the difficulty of getting genuine old oak furniture, but the national
+ honour and the national danger were topics that bored them. One felt
+ that the war would affect them chiefly as involving a possible
+ shortage in the supply of eau-de-Cologne or by debarring them from
+ visiting some favourite art treasure at a Munich gallery. It is
+ inconceivable that these persons were ever boys, they have certainly
+ not grown up into men; one cannot call them womanish—the women of our
+ race are made of different stuff. They belong to no sex and it seems
+ a pity that they should belong to any nation; other nations probably
+ have similar encumbrances, but we seem to have more of them than we
+ either desire or deserve.
+
+ “There are other men among us who are patriotic, one supposes, but
+ with a patriotism that one cannot understand; it must be judged by a
+ standard that we should never care to set up. It seems to place a
+ huckstering interpretation on honour, to display sacred things in a
+ shop window, marked in plain figures. ‘If we remained neutral,’ as a
+ leading London morning paper once pleaded, ‘we should be, from the
+ commercial point of view, in precisely the same position as the
+ United States. We should be able to trade with all the belligerents
+ (so far as war allows of trade with them); we should be able to
+ capture the bulk of their trade in neutral markets; we should keep
+ our expenditure down; we should keep out of debt; we should have
+ healthy finances.’
+
+ “A question was buzzing in my head by the time I had finished reading
+ those alluring arguments:
+
+ “Some men of noble stock were made;
+ Some glory in the murder-blade:
+ Some praise a science or an art,
+ But I like honourable trade.
+
+ “The poet has given a satiric meaning to the last word but one in
+ those lines; perhaps that is why they flashed so readily to the mind.
+
+ “One remembers with some feeling of relief the spectacle last August
+ of boys and youths marching and shouting through the streets in
+ semi-disciplined mobs, waving the flags of France and Britain. There
+ is perhaps nothing very patriotic in shouting and flag-waving, but it
+ is the only way these youngsters had of showing their feelings.”
+
+When at last Munro managed to enlist in the 2nd King Edward’s Horse, he
+was supremely happy. He put on a trooper’s uniform with the exaltation
+of a novice assuming the religious habit. But after a few months he
+found that he was not strong enough for life in a cavalry regiment and he
+arranged to exchange into the 22nd Royal Fusiliers. He chafed at the
+long months of training in England and longed to get to the front, but
+military discipline was to him something sacred and, whether in England
+or in France, he did his utmost to conform himself to it and to force
+others to do the same. One of his comrades told me that at the front
+they would sometimes put their packs on a passing lorry; it was against
+orders, and Munro refused to lighten the strain of a long march in this
+way, although the straps of the pack galled his shoulders.
+
+Twice he was offered a commission, but he refused to take one. He
+distrusted his ability to be a good officer and also he desired to go on
+fighting side by side with his comrades, one of whom, now an officer and
+a prisoner in Germany, had been his friend before the war. I was told by
+a man of his company that one day a General was conducted along the
+trenches by the Colonel commanding the regiment and recognised Munro,
+whom he had met at dinner-parties in London. “What on earth are you
+doing here?” he asked, and said that he had a job to be done at the rear
+which would be the very thing for him. Munro excused himself from
+accepting it. Another opportunity of less arduous work was offered him.
+Men who could speak German were ordered to report: interpreters were
+wanted to deal with prisoners. Munro reported, but urged that it had
+taken him two years to get out to the front and that he desired to remain
+there. He was allowed to do as he wished. And his gaiety never left
+him. Those who were with him speak of the tales with which he amused
+them. He even founded a club in one place at which they were stationed,
+and called it the Back Kitchen Club, because the members met in the
+kitchen of a peasant’s cottage.
+
+When he came home on leave, it was evident that the strain of military
+life was telling on him. He was thin and his face was haggard. But the
+spiritual change wrought in him by the war was greater than the physical.
+He told me that he could never come back to the old life in London. And
+he wrote asking me to find out from a person in Russia whether it would
+be possible to acquire land in Siberia to till and to hunt, and whether a
+couple of Yakutsk lads could be got as servants. It was the love of the
+woodlands and the wild things in them, that he had felt as a child,
+returning. The dross had been burnt up in the flame of war.
+
+Munro fell in the Beaumont-Hamel action in November 1916. On the 12th he
+and his comrades were at Beldancourt. At one o’clock in the morning of
+the 14th they went to Mailly. As the men were crossing No-Man’s-Land to
+occupy trenches evacuated by the enemy, Munro was shot through the head.
+
+“Poor Saki! What an admiration we all had for him,” wrote the officer in
+command of the 22nd Royal Fusiliers. “I always quoted him as one of the
+heroes of the war. I saw daily the appalling discomforts he so
+cheerfully endured. He flatly refused to take a commission or in any way
+to allow me to try to make him more comfortable. General Vaughan told
+him that a brain like his was wasted as a private soldier. He just
+smiled. He was absolutely splendid. What courage! The men simply loved
+him.”
+
+ ROTHAY REYNOLDS,
+
+_September 1918_.
+
+
+
+
+THE TOYS OF PEACE
+
+
+“Harvey,” said Eleanor Bope, handing her brother a cutting from a London
+morning paper of the 19th of March, “just read this about children’s
+toys, please; it exactly carries out some of our ideas about influence
+and upbringing.”
+
+“In the view of the National Peace Council,” ran the extract, “there are
+grave objections to presenting our boys with regiments of fighting men,
+batteries of guns, and squadrons of ‘Dreadnoughts.’ Boys, the Council
+admits, naturally love fighting and all the panoply of war . . . but that
+is no reason for encouraging, and perhaps giving permanent form to, their
+primitive instincts. At the Children’s Welfare Exhibition, which opens
+at Olympia in three weeks’ time, the Peace Council will make an
+alternative suggestion to parents in the shape of an exhibition of ‘peace
+toys.’ In front of a specially-painted representation of the Peace
+Palace at The Hague will be grouped, not miniature soldiers but miniature
+civilians, not guns but ploughs and the tools of industry . . . It is
+hoped that manufacturers may take a hint from the exhibit, which will
+bear fruit in the toy shops.”
+
+“The idea is certainly an interesting and very well-meaning one,” said
+Harvey; “whether it would succeed well in practice—”
+
+“We must try,” interrupted his sister; “you are coming down to us at
+Easter, and you always bring the boys some toys, so that will be an
+excellent opportunity for you to inaugurate the new experiment. Go about
+in the shops and buy any little toys and models that have special bearing
+on civilian life in its more peaceful aspects. Of course you must
+explain the toys to the children and interest them in the new idea. I
+regret to say that the ‘Siege of Adrianople’ toy, that their Aunt Susan
+sent them, didn’t need any explanation; they knew all the uniforms and
+flags, and even the names of the respective commanders, and when I heard
+them one day using what seemed to be the most objectionable language they
+said it was Bulgarian words of command; of course it _may_ have been, but
+at any rate I took the toy away from them. Now I shall expect your
+Easter gifts to give quite a new impulse and direction to the children’s
+minds; Eric is not eleven yet, and Bertie is only nine-and-a-half, so
+they are really at a most impressionable age.”
+
+“There is primitive instinct to be taken into consideration, you know,”
+said Harvey doubtfully, “and hereditary tendencies as well. One of their
+great-uncles fought in the most intolerant fashion at Inkerman—he was
+specially mentioned in dispatches, I believe—and their great-grandfather
+smashed all his Whig neighbours’ hot houses when the great Reform Bill
+was passed. Still, as you say, they are at an impressionable age. I
+will do my best.”
+
+On Easter Saturday Harvey Bope unpacked a large, promising-looking red
+cardboard box under the expectant eyes of his nephews. “Your uncle has
+brought you the newest thing in toys,” Eleanor had said impressively, and
+youthful anticipation had been anxiously divided between Albanian
+soldiery and a Somali camel-corps. Eric was hotly in favour of the
+latter contingency. “There would be Arabs on horseback,” he whispered;
+“the Albanians have got jolly uniforms, and they fight all day long, and
+all night, too, when there’s a moon, but the country’s rocky, so they’ve
+got no cavalry.”
+
+A quantity of crinkly paper shavings was the first thing that met the
+view when the lid was removed; the most exiting toys always began like
+that. Harvey pushed back the top layer and drew forth a square, rather
+featureless building.
+
+“It’s a fort!” exclaimed Bertie.
+
+“It isn’t, it’s the palace of the Mpret of Albania,” said Eric, immensely
+proud of his knowledge of the exotic title; “it’s got no windows, you
+see, so that passers-by can’t fire in at the Royal Family.”
+
+“It’s a municipal dust-bin,” said Harvey hurriedly; “you see all the
+refuse and litter of a town is collected there, instead of lying about
+and injuring the health of the citizens.”
+
+In an awful silence he disinterred a little lead figure of a man in black
+clothes.
+
+“That,” he said, “is a distinguished civilian, John Stuart Mill. He was
+an authority on political economy.”
+
+“Why?” asked Bertie.
+
+“Well, he wanted to be; he thought it was a useful thing to be.”
+
+Bertie gave an expressive grunt, which conveyed his opinion that there
+was no accounting for tastes.
+
+Another square building came out, this time with windows and chimneys.
+
+“A model of the Manchester branch of the Young Women’s Christian
+Association,” said Harvey.
+
+“Are there any lions?” asked Eric hopefully. He had been reading Roman
+history and thought that where you found Christians you might reasonably
+expect to find a few lions.
+
+“There are no lions,” said Harvey. “Here is another civilian, Robert
+Raikes, the founder of Sunday schools, and here is a model of a municipal
+wash-house. These little round things are loaves baked in a sanitary
+bakehouse. That lead figure is a sanitary inspector, this one is a
+district councillor, and this one is an official of the Local Government
+Board.”
+
+“What does he do?” asked Eric wearily.
+
+“He sees to things connected with his Department,” said Harvey. “This
+box with a slit in it is a ballot-box. Votes are put into it at election
+times.”
+
+“What is put into it at other times?” asked Bertie.
+
+“Nothing. And here are some tools of industry, a wheelbarrow and a hoe,
+and I think these are meant for hop-poles. This is a model beehive, and
+that is a ventilator, for ventilating sewers. This seems to be another
+municipal dust-bin—no, it is a model of a school of art and public
+library. This little lead figure is Mrs. Hemans, a poetess, and this is
+Rowland Hill, who introduced the system of penny postage. This is Sir
+John Herschel, the eminent astrologer.”
+
+“Are we to play with these civilian figures?” asked Eric.
+
+“Of course,” said Harvey, “these are toys; they are meant to be played
+with.”
+
+“But how?”
+
+It was rather a poser. “You might make two of them contest a seat in
+Parliament,” said Harvey, “an have an election—”
+
+“With rotten eggs, and free fights, and ever so many broken heads!”
+exclaimed Eric.
+
+“And noses all bleeding and everybody drunk as can be,” echoed Bertie,
+who had carefully studied one of Hogarth’s pictures.
+
+“Nothing of the kind,” said Harvey, “nothing in the least like that.
+Votes will be put in the ballot-box, and the Mayor will count them—and he
+will say which has received the most votes, and then the two candidates
+will thank him for presiding, and each will say that the contest has been
+conducted throughout in the pleasantest and most straightforward fashion,
+and they part with expressions of mutual esteem. There’s a jolly game
+for you boys to play. I never had such toys when I was young.”
+
+“I don’t think we’ll play with them just now,” said Eric, with an entire
+absence of the enthusiasm that his uncle had shown; “I think perhaps we
+ought to do a little of our holiday task. It’s history this time; we’ve
+got to learn up something about the Bourbon period in France.”
+
+“The Bourbon period,” said Harvey, with some disapproval in his voice.
+
+“We’ve got to know something about Louis the Fourteenth,” continued Eric;
+“I’ve learnt the names of all the principal battles already.”
+
+This would never do. “There were, of course, some battles fought during
+his reign,” said Harvey, “but I fancy the accounts of them were much
+exaggerated; news was very unreliable in those days, and there were
+practically no war correspondents, so generals and commanders could
+magnify every little skirmish they engaged in till they reached the
+proportions of decisive battles. Louis was really famous, now, as a
+landscape gardener; the way he laid out Versailles was so much admired
+that it was copied all over Europe.”
+
+“Do you know anything about Madame Du Barry?” asked Eric; “didn’t she
+have her head chopped off?”
+
+“She was another great lover of gardening,” said Harvey, evasively; “in
+fact, I believe the well known rose Du Barry was named after her, and now
+I think you had better play for a little and leave your lessons till
+later.”
+
+Harvey retreated to the library and spent some thirty or forty minutes in
+wondering whether it would be possible to compile a history, for use in
+elementary schools, in which there should be no prominent mention of
+battles, massacres, murderous intrigues, and violent deaths. The York
+and Lancaster period and the Napoleonic era would, he admitted to
+himself, present considerable difficulties, and the Thirty Years’ War
+would entail something of a gap if you left it out altogether. Still, it
+would be something gained if, at a highly impressionable age, children
+could be got to fix their attention on the invention of calico printing
+instead of the Spanish Armada or the Battle of Waterloo.
+
+It was time, he thought, to go back to the boys’ room, and see how they
+were getting on with their peace toys. As he stood outside the door he
+could hear Eric’s voice raised in command; Bertie chimed in now and again
+with a helpful suggestion.
+
+“That is Louis the Fourteenth,” Eric was saying, “that one in
+knee-breeches, that Uncle said invented Sunday schools. It isn’t a bit
+like him, but it’ll have to do.”
+
+“We’ll give him a purple coat from my paintbox by and by,” said Bertie.
+
+“Yes, an’ red heels. That is Madame de Maintenon, that one he called
+Mrs. Hemans. She begs Louis not to go on this expedition, but he turns a
+deaf ear. He takes Marshal Saxe with him, and we must pretend that they
+have thousands of men with them. The watchword is _Qui vive_? and the
+answer is _L’état c’est moi_—that was one of his favourite remarks, you
+know. They land at Manchester in the dead of the night, and a Jacobite
+conspirator gives them the keys of the fortress.”
+
+Peeping in through the doorway Harvey observed that the municipal
+dust-bin had been pierced with holes to accommodate the muzzles of
+imaginary cannon, and now represented the principal fortified position in
+Manchester; John Stuart Mill had been dipped in red ink, and apparently
+stood for Marshal Saxe.
+
+“Louis orders his troops to surround the Young Women’s Christian
+Association and seize the lot of them. ‘Once back at the Louvre and the
+girls are mine,’ he exclaims. We must use Mrs. Hemans again for one of
+the girls; she says ‘Never,’ and stabs Marshal Saxe to the heart.”
+
+“He bleeds dreadfully,” exclaimed Bertie, splashing red ink liberally
+over the façade of the Association building.
+
+“The soldiers rush in and avenge his death with the utmost savagery. A
+hundred girls are killed”—here Bertie emptied the remainder of the red
+ink over the devoted building—“and the surviving five hundred are dragged
+off to the French ships. ‘I have lost a Marshal,’ says Louis, ‘but I do
+not go back empty-handed.’”
+
+Harvey stole away from the room, and sought out his sister.
+
+“Eleanor,” he said, “the experiment—”
+
+“Yes?”
+
+“Has failed. We have begun too late.”
+
+
+
+
+LOUISE
+
+
+“The tea will be quite cold, you’d better ring for some more,” said the
+Dowager Lady Beanford.
+
+Susan Lady Beanford was a vigorous old woman who had coquetted with
+imaginary ill-health for the greater part of a lifetime; Clovis Sangrail
+irreverently declared that she had caught a chill at the Coronation of
+Queen Victoria and had never let it go again. Her sister, Jane
+Thropplestance, who was some years her junior, was chiefly remarkable for
+being the most absent-minded woman in Middlesex.
+
+“I’ve really been unusually clever this afternoon,” she remarked gaily,
+as she rang for the tea. “I’ve called on all the people I meant to call
+on; and I’ve done all the shopping that I set out to do. I even
+remembered to try and match that silk for you at Harrod’s, but I’d
+forgotten to bring the pattern with me, so it was no use. I really think
+that was the only important thing I forgot during the whole afternoon.
+Quite wonderful for me, isn’t it?”
+
+“What have you done with Louise?” asked her sister. “Didn’t you take her
+out with you? You said you were going to.”
+
+“Good gracious,” exclaimed Jane, “what have I done with Louise? I must
+have left her somewhere.”
+
+“But where?”
+
+“That’s just it. Where have I left her? I can’t remember if the
+Carrywoods were at home or if I just left cards. If there were at home I
+may have left Louise there to play bridge. I’ll go and telephone to Lord
+Carrywood and find out.”
+
+“Is that you, Lord Carrywood?” she queried over the telephone; “it’s me,
+Jane Thropplestance. I want to know, have you seen Louise?”
+
+“‘Louise,’” came the answer, “it’s been my fate to see it three times.
+At first, I must admit, I wasn’t impressed by it, but the music grows on
+one after a bit. Still, I don’t think I want to see it again just at
+present. Were you going to offer me a seat in your box?”
+
+“Not the opera ‘Louise’—my niece, Louise Thropplestance. I thought I
+might have left her at your house.”
+
+“You left cards on us this afternoon, I understand, but I don’t think you
+left a niece. The footman would have been sure to have mentioned it if
+you had. Is it going to be a fashion to leave nieces on people as well
+as cards? I hope not; some of these houses in Berkeley-square have
+practically no accommodation for that sort of thing.”
+
+“She’s not at the Carrywoods’,” announced Jane, returning to her tea;
+“now I come to think of it, perhaps I left her at the silk counter at
+Selfridge’s. I may have told her to wait there a moment while I went to
+look at the silks in a better light, and I may easily have forgotten
+about her when I found I hadn’t your pattern with me. In that case she’s
+still sitting there. She wouldn’t move unless she was told to; Louise
+has no initiative.”
+
+“You said you tried to match the silk at Harrod’s,” interjected the
+dowager.
+
+“Did I? Perhaps it was Harrod’s. I really don’t remember. It was one
+of those places where every one is so kind and sympathetic and devoted
+that one almost hates to take even a reel of cotton away from such
+pleasant surroundings.”
+
+“I think you might have taken Louise away. I don’t like the idea of her
+being there among a lot of strangers. Supposing some unprincipled person
+was to get into conversation with her.”
+
+“Impossible. Louise has no conversation. I’ve never discovered a single
+topic on which she’d anything to say beyond ‘Do you think so? I dare say
+you’re right.’ I really thought her reticence about the fall of the
+Ribot Ministry was ridiculous, considering how much her dear mother used
+to visit Paris. This bread and butter is cut far too thin; it crumbles
+away long before you can get it to your mouth. One feels so absurd,
+snapping at one’s food in mid-air, like a trout leaping at may-fly.”
+
+“I am rather surprised,” said the dowager, “that you can sit there making
+a hearty tea when you’ve just lost a favourite niece.”
+
+“You talk as if I’d lost her in a churchyard sense, instead of having
+temporarily mislaid her. I’m sure to remember presently where I left
+her.”
+
+“You didn’t visit any place of devotion, did you? If you’ve left her
+mooning about Westminster Abbey or St. Peter’s, Eaton Square, without
+being able to give any satisfactory reason why she’s there, she’ll be
+seized under the Cat and Mouse Act and sent to Reginald McKenna.”
+
+“That would be extremely awkward,” said Jane, meeting an irresolute piece
+of bread and butter halfway; “we hardly know the McKennas, and it would
+be very tiresome having to telephone to some unsympathetic private
+secretary, describing Louise to him and asking to have her sent back in
+time for dinner. Fortunately, I didn’t go to any place of devotion,
+though I did get mixed up with a Salvation Army procession. It was quite
+interesting to be at close quarters with them, they’re so absolutely
+different to what they used to be when I first remember them in the
+’eighties. They used to go about then unkempt and dishevelled, in a sort
+of smiling rage with the world, and now they’re spruce and jaunty and
+flamboyantly decorative, like a geranium bed with religious convictions.
+Laura Kettleway was going on about them in the lift of the Dover Street
+Tube the other day, saying what a lot of good work they did, and what a
+loss it would have been if they’d never existed. ‘If they had never
+existed,’ I said, ‘Granville Barker would have been certain to have
+invented something that looked exactly like them.’ If you say things
+like that, quite loud, in a Tube lift, they always sound like epigrams.”
+
+“I think you ought to do something about Louise,” said the dowager.
+
+“I’m trying to think whether she was with me when I called on Ada
+Spelvexit. I rather enjoyed myself there. Ada was trying, as usual, to
+ram that odious Koriatoffski woman down my throat, knowing perfectly well
+that I detest her, and in an unguarded moment she said: ‘She’s leaving
+her present house and going to Lower Seymour Street.’ ‘I dare say she
+will, if she stays there long enough,’ I said. Ada didn’t see it for
+about three minutes, and then she was positively uncivil. No, I am
+certain I didn’t leave Louise there.”
+
+“If you could manage to remember where you _did_ leave her, it would be
+more to the point than these negative assurances,” said Lady Beanford;
+“so far, all we know is that she is not at the Carrywoods’, or Ada
+Spelvexit’s, or Westminster Abbey.”
+
+“That narrows the search down a bit,” said Jane hopefully; “I rather
+fancy she must have been with me when I went to Mornay’s. I know I went
+to Mornay’s, because I remember meeting that delightful Malcolm
+What’s-his-name there—you know whom I mean. That’s the great advantage
+of people having unusual first names, you needn’t try and remember what
+their other name is. Of course I know one or two other Malcolms, but
+none that could possibly be described as delightful. He gave me two
+tickets for the Happy Sunday Evenings in Sloane Square. I’ve probably
+left them at Mornay’s, but still it was awfully kind of him to give them
+to me.”
+
+“Do you think you left Louise there?”
+
+“I might telephone and ask. Oh, Robert, before you clear the tea-things
+away I wish you’d ring up Mornay’s, in Regent Street, and ask if I left
+two theatre tickets and one niece in their shop this afternoon.”
+
+“A niece, ma’am?” asked the footman.
+
+“Yes, Miss Louise didn’t come home with me, and I’m not sure where I left
+her.”
+
+“Miss Louise has been upstairs all the afternoon, ma’am, reading to the
+second kitchenmaid, who has the neuralgia. I took up tea to Miss Louise
+at a quarter to five o’clock, ma’am.”
+
+“Of course, how silly of me. I remember now, I asked her to read the
+_Faerie Queene_ to poor Emma, to try to send her to sleep. I always get
+some one to read the _Faerie Queene_ to me when I have neuralgia, and it
+usually sends me to sleep. Louise doesn’t seem to have been successful,
+but one can’t say she hasn’t tried. I expect after the first hour or so
+the kitchenmaid would rather have been left alone with her neuralgia, but
+of course Louise wouldn’t leave off till some one told her to. Anyhow,
+you can ring up Mornay’s, Robert, and ask whether I left two theatre
+tickets there. Except for your silk, Susan, those seem to be the only
+things I’ve forgotten this afternoon. Quite wonderful for me.”
+
+
+
+
+TEA
+
+
+James Cushat-Prinkly was a young man who had always had a settled
+conviction that one of these days he would marry; up to the age of
+thirty-four he had done nothing to justify that conviction. He liked and
+admired a great many women collectively and dispassionately without
+singling out one for especial matrimonial consideration, just as one
+might admire the Alps without feeling that one wanted any particular peak
+as one’s own private property. His lack of initiative in this matter
+aroused a certain amount of impatience among the sentimentally-minded
+women-folk of his home circle; his mother, his sisters, an
+aunt-in-residence, and two or three intimate matronly friends regarded
+his dilatory approach to the married state with a disapproval that was
+far from being inarticulate. His most innocent flirtations were watched
+with the straining eagerness which a group of unexercised terriers
+concentrates on the slightest movements of a human being who may be
+reasonably considered likely to take them for a walk. No decent-souled
+mortal can long resist the pleading of several pairs of walk-beseeching
+dog-eyes; James Cushat-Prinkly was not sufficiently obstinate or
+indifferent to home influences to disregard the obviously expressed wish
+of his family that he should become enamoured of some nice marriageable
+girl, and when his Uncle Jules departed this life and bequeathed him a
+comfortable little legacy it really seemed the correct thing to do to set
+about discovering some one to share it with him. The process of
+discovery was carried on more by the force of suggestion and the weight
+of public opinion than by any initiative of his own; a clear working
+majority of his female relatives and the aforesaid matronly friends had
+pitched on Joan Sebastable as the most suitable young woman in his range
+of acquaintance to whom he might propose marriage, and James became
+gradually accustomed to the idea that he and Joan would go together
+through the prescribed stages of congratulations, present-receiving,
+Norwegian or Mediterranean hotels, and eventual domesticity. It was
+necessary, however to ask the lady what she thought about the matter; the
+family had so far conducted and directed the flirtation with ability and
+discretion, but the actual proposal would have to be an individual
+effort.
+
+Cushat-Prinkly walked across the Park towards the Sebastable residence in
+a frame of mind that was moderately complacent. As the thing was going
+to be done he was glad to feel that he was going to get it settled and
+off his mind that afternoon. Proposing marriage, even to a nice girl
+like Joan, was a rather irksome business, but one could not have a
+honeymoon in Minorca and a subsequent life of married happiness without
+such preliminary. He wondered what Minorca was really like as a place to
+stop in; in his mind’s eye it was an island in perpetual half-mourning,
+with black or white Minorca hens running all over it. Probably it would
+not be a bit like that when one came to examine it. People who had been
+in Russia had told him that they did not remember having seen any Muscovy
+ducks there, so it was possible that there would be no Minorca fowls on
+the island.
+
+His Mediterranean musings were interrupted by the sound of a clock
+striking the half-hour. Half-past four. A frown of dissatisfaction
+settled on his face. He would arrive at the Sebastable mansion just at
+the hour of afternoon tea. Joan would be seated at a low table, spread
+with an array of silver kettles and cream-jugs and delicate porcelain
+tea-cups, behind which her voice would tinkle pleasantly in a series of
+little friendly questions about weak or strong tea, how much, if any,
+sugar, milk, cream, and so forth. “Is it one lump? I forgot. You do
+take milk, don’t you? Would you like some more hot water, if it’s too
+strong?”
+
+Cushat-Prinkly had read of such things in scores of novels, and hundreds
+of actual experiences had told him that they were true to life.
+Thousands of women, at this solemn afternoon hour, were sitting behind
+dainty porcelain and silver fittings, with their voices tinkling
+pleasantly in a cascade of solicitous little questions. Cushat-Prinkly
+detested the whole system of afternoon tea. According to his theory of
+life a woman should lie on a divan or couch, talking with incomparable
+charm or looking unutterable thoughts, or merely silent as a thing to be
+looked on, and from behind a silken curtain a small Nubian page should
+silently bring in a tray with cups and dainties, to be accepted silently,
+as a matter of course, without drawn-out chatter about cream and sugar
+and hot water. If one’s soul was really enslaved at one’s mistress’s
+feet how could one talk coherently about weakened tea? Cushat-Prinkly
+had never expounded his views on the subject to his mother; all her life
+she had been accustomed to tinkle pleasantly at tea-time behind dainty
+porcelain and silver, and if he had spoken to her about divans and Nubian
+pages she would have urged him to take a week’s holiday at the seaside.
+Now, as he passed through a tangle of small streets that led indirectly
+to the elegant Mayfair terrace for which he was bound, a horror at the
+idea of confronting Joan Sebastable at her tea-table seized on him. A
+momentary deliverance presented itself; on one floor of a narrow little
+house at the noisier end of Esquimault Street lived Rhoda Ellam, a sort
+of remote cousin, who made a living by creating hats out of costly
+materials. The hats really looked as if they had come from Paris; the
+cheques she got for them unfortunately never looked as if they were going
+to Paris. However, Rhoda appeared to find life amusing and to have a
+fairly good time in spite of her straitened circumstances.
+Cushat-Prinkly decided to climb up to her floor and defer by half-an-hour
+or so the important business which lay before him; by spinning out his
+visit he could contrive to reach the Sebastable mansion after the last
+vestiges of dainty porcelain had been cleared away.
+
+Rhoda welcomed him into a room that seemed to do duty as workshop,
+sitting-room, and kitchen combined, and to be wonderfully clean and
+comfortable at the same time.
+
+“I’m having a picnic meal,” she announced. “There’s caviare in that jar
+at your elbow. Begin on that brown bread-and-butter while I cut some
+more. Find yourself a cup; the teapot is behind you. Now tell me about
+hundreds of things.”
+
+She made no other allusion to food, but talked amusingly and made her
+visitor talk amusingly too. At the same time she cut the
+bread-and-butter with a masterly skill and produced red pepper and sliced
+lemon, where so many women would merely have produced reasons and regrets
+for not having any. Cushat-Prinkly found that he was enjoying an
+excellent tea without having to answer as many questions about it as a
+Minister for Agriculture might be called on to reply to during an
+outbreak of cattle plague.
+
+“And now tell me why you have come to see me,” said Rhoda suddenly. “You
+arouse not merely my curiosity but my business instincts. I hope you’ve
+come about hats. I heard that you had come into a legacy the other day,
+and, of course, it struck me that it would be a beautiful and desirable
+thing for you to celebrate the event by buying brilliantly expensive hats
+for all your sisters. They may not have said anything about it, but I
+feel sure the same idea has occurred to them. Of course, with Goodwood
+on us, I am rather rushed just now, but in my business we’re accustomed
+to that; we live in a series of rushes—like the infant Moses.”
+
+“I didn’t come about hats,” said her visitor. “In fact, I don’t think I
+really came about anything. I was passing and I just thought I’d look in
+and see you. Since I’ve been sitting talking to you, however, a rather
+important idea has occurred to me. If you’ll forget Goodwood for a
+moment and listen to me, I’ll tell you what it is.”
+
+Some forty minutes later James Cushat-Prinkly returned to the bosom of
+his family, bearing an important piece of news.
+
+“I’m engaged to be married,” he announced.
+
+A rapturous outbreak of congratulation and self-applause broke out.
+
+“Ah, we knew! We saw it coming! We foretold it weeks ago!”
+
+“I’ll bet you didn’t,” said Cushat-Prinkly. “If any one had told me at
+lunch-time to-day that I was going to ask Rhoda Ellam to marry me and
+that she was going to accept me I would have laughed at the idea.”
+
+The romantic suddenness of the affair in some measure compensated James’s
+women-folk for the ruthless negation of all their patient effort and
+skilled diplomacy. It was rather trying to have to deflect their
+enthusiasm at a moment’s notice from Joan Sebastable to Rhoda Ellam; but,
+after all, it was James’s wife who was in question, and his tastes had
+some claim to be considered.
+
+On a September afternoon of the same year, after the honeymoon in Minorca
+had ended, Cushat-Prinkly came into the drawing-room of his new house in
+Granchester Square. Rhoda was seated at a low table, behind a service of
+dainty porcelain and gleaming silver. There was a pleasant tinkling note
+in her voice as she handed him a cup.
+
+“You like it weaker than that, don’t you? Shall I put some more hot
+water to it? No?”
+
+
+
+
+THE DISAPPEARANCE OF CRISPINA UMBERLEIGH
+
+
+In a first-class carriage of a train speeding Balkanward across the flat,
+green Hungarian plain two Britons sat in friendly, fitful converse. They
+had first foregathered in the cold grey dawn at the frontier line, where
+the presiding eagle takes on an extra head and Teuton lands pass from
+Hohenzollern to Habsburg keeping—and where a probing official beak
+requires to delve in polite and perhaps perfunctory, but always tiresome,
+manner into the baggage of sleep-hungry passengers. After a day’s break
+of their journey at Vienna the travellers had again foregathered at the
+trainside and paid one another the compliment of settling instinctively
+into the same carriage. The elder of the two had the appearance and
+manner of a diplomat; in point of fact he was the well-connected
+foster-brother of a wine business. The other was certainly a journalist.
+Neither man was talkative and each was grateful to the other for not
+being talkative. That is why from time to time they talked.
+
+One topic of conversation naturally thrust itself forward in front of all
+others. In Vienna the previous day they had learned of the mysterious
+vanishing of a world-famous picture from the walls of the Louvre.
+
+“A dramatic disappearance of that sort is sure to produce a crop of
+imitations,” said the Journalist.
+
+“It has had a lot of anticipations, for the matter of that,” said the
+Wine-brother.
+
+“Oh, of course there have been thefts from the Louvre before.”
+
+“I was thinking of the spiriting away of human beings rather than
+pictures. In particular I was thinking of the case of my aunt, Crispina
+Umberleigh.”
+
+“I remember hearing something of the affair,” said the Journalist, “but I
+was away from England at the time. I never quite knew what was supposed
+to have happened.”
+
+“You may hear what really happened if you will respect it as a
+confidence,” said the Wine Merchant. “In the first place I may say that
+the disappearance of Mrs. Umberleigh was not regarded by the family
+entirely as a bereavement. My uncle, Edward Umberleigh, was not by any
+means a weak-kneed individual, in fact in the world of politics he had to
+be reckoned with more or less as a strong man, but he was unmistakably
+dominated by Crispina; indeed I never met any human being who was not
+frozen into subjection when brought into prolonged contact with her.
+Some people are born to command; Crispina Mrs. Umberleigh was born to
+legislate, codify, administrate, censor, license, ban, execute, and sit
+in judgement generally. If she was not born with that destiny she
+adopted it at an early age. From the kitchen regions upwards every one
+in the household came under her despotic sway and stayed there with the
+submissiveness of molluscs involved in a glacial epoch. As a nephew on a
+footing of only occasional visits she affected me merely as an epidemic,
+disagreeable while it lasted, but without any permanent effect; but her
+own sons and daughters stood in mortal awe of her; their studies,
+friendships, diet, amusements, religious observances, and way of doing
+their hair were all regulated and ordained according to the august lady’s
+will and pleasure. This will help you to understand the sensation of
+stupefaction which was caused in the family when she unobtrusively and
+inexplicably vanished. It was as though St. Paul’s Cathedral or the
+Piccadilly Hotel had disappeared in the night, leaving nothing but an
+open space to mark where it had stood. As far as was known nothing was
+troubling her; in fact there was much before her to make life
+particularly well worth living. The youngest boy had come back from
+school with an unsatisfactory report, and she was to have sat in
+judgement on him the very afternoon of the day she disappeared—if it had
+been he who had vanished in a hurry one could have supplied the motive.
+Then she was in the middle of a newspaper correspondence with a rural
+dean in which she had already proved him guilty of heresy, inconsistency,
+and unworthy quibbling, and no ordinary consideration would have induced
+her to discontinue the controversy. Of course the matter was put in the
+hands of the police, but as far as possible it was kept out of the
+papers, and the generally accepted explanation of her withdrawal from her
+social circle was that she had gone into a nursing home.”
+
+“And what was the immediate effect on the home circle?” asked the
+Journalist.
+
+“All the girls bought themselves bicycles; the feminine cycling craze was
+still in existence, and Crispina had rigidly vetoed any participation in
+it among the members of her household. The youngest boy let himself go
+to such an extent during his next term that it had to be his last as far
+as that particular establishment was concerned. The elder boys
+propounded a theory that their mother might be wandering somewhere
+abroad, and searched for her assiduously, chiefly, it must be admitted,
+in a class of Montmartre resort where it was extremely improbable that
+she would be found.”
+
+“And all this while couldn’t your uncle get hold of the least clue?”
+
+“As a matter of fact he had received some information, though of course I
+did not know of it at the time. He got a message one day telling him
+that his wife had been kidnapped and smuggled out of the country; she was
+said to be hidden away, in one of the islands off the coast of Norway I
+think it was, in comfortable surroundings and well cared for. And with
+the information came a demand for money; a lump sum of £2000 was to be
+paid yearly. Failing this she would be immediately restored to her
+family.”
+
+The Journalist was silent for a moment, and them began to laugh quietly.
+
+“It was certainly an inverted form of holding to ransom,” he said.
+
+“If you had known my aunt,” said the Wine Merchant, “you would have
+wondered that they didn’t put the figure higher.”
+
+“I realise the temptation. Did your uncle succumb to it?”
+
+“Well, you see, he had to think of others as well as himself. For the
+family to have gone back into the Crispina thraldom after having tasted
+the delights of liberty would have been a tragedy, and there were even
+wider considerations to be taken into account. Since his bereavement he
+had unconsciously taken up a far bolder and more initiatory line in
+public affairs, and his popularity and influence had increased
+correspondingly. From being merely a strong man in the political world
+he began to be spoken of as _the_ strong man. All this he knew would be
+jeopardised if he once more dropped into the social position of the
+husband of Mrs. Umberleigh. He was a rich man, and the £2000 a year,
+though not exactly a fleabite, did not seem an extravagant price to pay
+for the boarding-out of Crispina. Of course, he had severe qualms of
+conscience about the arrangement. Later on, when he took me into his
+confidence, he told me that in paying the ransom, or hush-money as I
+should have called it, he was partly influenced by the fear that if he
+refused it the kidnappers might have vented their rage and disappointment
+on their captive. It was better, he said, to think of her being well
+cared for as a highly-valued paying-guest in one of the Lofoden Islands
+than to have her struggling miserably home in a maimed and mutilated
+condition. Anyway he paid the yearly instalment as punctually as one
+pays a fire insurance, and with equal promptitude there would come an
+acknowledgment of the money and a brief statement to the effect that
+Crispina was in good health and fairly cheerful spirits. One report even
+mentioned that she was busying herself with a scheme for proposed reforms
+in Church management to be pressed on the local pastorate. Another spoke
+of a rheumatic attack and a journey to a ‘cure’ on the mainland, and on
+that occasion an additional eighty pounds was demanded and conceded. Of
+course it was to the interest of the kidnappers to keep their charge in
+good health, but the secrecy with which they managed to shroud their
+arrangements argued a really wonderful organisation. If my uncle was
+paying a rather high price, at least he could console himself with the
+reflection that he was paying specialists’ fees.”
+
+“Meanwhile had the police given up all attempts to track the missing
+lady?” asked the Journalist.
+
+“Not entirely; they came to my uncle from time to time to report on clues
+which they thought might yield some elucidation as to her fate or
+whereabouts, but I think they had their suspicions that he was possessed
+of more information than he had put at their disposal. And then, after a
+disappearance of more than eight years, Crispina returned with dramatic
+suddenness to the home she had left so mysteriously.”
+
+“She had given her captors the slip?”
+
+“She had never been captured. Her wandering away had been caused by a
+sudden and complete loss of memory. She usually dressed rather in the
+style of a superior kind of charwoman, and it was not so very surprising
+that she should have imagined that she was one; and still less that
+people should accept her statement and help her to get work. She had
+wandered as far afield as Birmingham, and found fairly steady employment
+there, her energy and enthusiasm in putting people’s rooms in order
+counterbalancing her obstinate and domineering characteristics. It was
+the shock of being patronisingly addressed as ‘my good woman’ by a
+curate, who was disputing with her where the stove should be placed in a
+parish concert hall that led to the sudden restoration of her memory. ‘I
+think you forget who you are speaking to,’ she observed crushingly, which
+was rather unduly severe, considering she had only just remembered it
+herself.”
+
+“But,” exclaimed the Journalist, “the Lofoden Island people! Who had
+they got hold of?”
+
+“A purely mythical prisoner. It was an attempt in the first place by
+some one who knew something of the domestic situation, probably a
+discharged valet, to bluff a lump sum out of Edward Umberleigh before the
+missing woman turned up; the subsequent yearly instalments were an
+unlooked-for increment to the original haul.
+
+“Crispina found that the eight years’ interregnum had materially weakened
+her ascendancy over her now grown-up offspring. Her husband, however,
+never accomplished anything great in the political world after her
+return; the strain of trying to account satisfactorily for an unspecified
+expenditure of sixteen thousand pounds spread over eight years
+sufficiently occupied his mental energies. Here is Belgrad and another
+custom house.”
+
+
+
+
+THE WOLVES OF CERNOGRATZ
+
+
+“Are there any old legends attached to the castle?” asked Conrad of his
+sister. Conrad was a prosperous Hamburg merchant, but he was the one
+poetically-dispositioned member of an eminently practical family.
+
+The Baroness Gruebel shrugged her plump shoulders.
+
+“There are always legends hanging about these old places. They are not
+difficult to invent and they cost nothing. In this case there is a story
+that when any one dies in the castle all the dogs in the village and the
+wild beasts in forest howl the night long. It would not be pleasant to
+listen to, would it?”
+
+“It would be weird and romantic,” said the Hamburg merchant.
+
+“Anyhow, it isn’t true,” said the Baroness complacently; “since we bought
+the place we have had proof that nothing of the sort happens. When the
+old mother-in-law died last springtime we all listened, but there was no
+howling. It is just a story that lends dignity to the place without
+costing anything.”
+
+“The story is not as you have told it,” said Amalie, the grey old
+governess. Every one turned and looked at her in astonishment. She was
+wont to sit silent and prim and faded in her place at table, never
+speaking unless some one spoke to her, and there were few who troubled
+themselves to make conversation with her. To-day a sudden volubility had
+descended on her; she continued to talk, rapidly and nervously, looking
+straight in front of her and seeming to address no one in particular.
+
+“It is not when _any one_ dies in the castle that the howling is heard.
+It was when one of the Cernogratz family died here that the wolves came
+from far and near and howled at the edge of the forest just before the
+death hour. There were only a few couple of wolves that had their lairs
+in this part of the forest, but at such a time the keepers say there
+would be scores of them, gliding about in the shadows and howling in
+chorus, and the dogs of the castle and the village and all the farms
+round would bay and howl in fear and anger at the wolf chorus, and as the
+soul of the dying one left its body a tree would crash down in the park.
+That is what happened when a Cernogratz died in his family castle. But
+for a stranger dying here, of course no wolf would howl and no tree would
+fall. Oh, no.”
+
+There was a note of defiance, almost of contempt, in her voice as she
+said the last words. The well-fed, much-too-well dressed Baroness stared
+angrily at the dowdy old woman who had come forth from her usual and
+seemly position of effacement to speak so disrespectfully.
+
+“You seem to know quite a lot about the von Cernogratz legends, Fraulein
+Schmidt,” she said sharply; “I did not know that family histories were
+among the subjects you are supposed to be proficient in.”
+
+The answer to her taunt was even more unexpected and astonishing than the
+conversational outbreak which had provoked it.
+
+“I am a von Cernogratz myself,” said the old woman, “that is why I know
+the family history.”
+
+“You a von Cernogratz? You!” came in an incredulous chorus.
+
+“When we became very poor,” she explained, “and I had to go out and give
+teaching lessons, I took another name; I thought it would be more in
+keeping. But my grandfather spent much of his time as a boy in this
+castle, and my father used to tell me many stories about it, and, of
+course, I knew all the family legends and stories. When one has nothing
+left to one but memories, one guards and dusts them with especial care.
+I little thought when I took service with you that I should one day come
+with you to the old home of my family. I could wish it had been anywhere
+else.”
+
+There was silence when she finished speaking, and then the Baroness
+turned the conversation to a less embarrassing topic than family
+histories. But afterwards, when the old governess had slipped away
+quietly to her duties, there arose a clamour of derision and disbelief.
+
+“It was an impertinence,” snapped out the Baron, his protruding eyes
+taking on a scandalised expression; “fancy the woman talking like that at
+our table. She almost told us we were nobodies, and I don’t believe a
+word of it. She is just Schmidt and nothing more. She has been talking
+to some of the peasants about the old Cernogratz family, and raked up
+their history and their stories.”
+
+“She wants to make herself out of some consequence,” said the Baroness;
+“she knows she will soon be past work and she wants to appeal to our
+sympathies. Her grandfather, indeed!”
+
+The Baroness had the usual number of grandfathers, but she never, never
+boasted about them.
+
+“I dare say her grandfather was a pantry boy or something of the sort in
+the castle,” sniggered the Baron; “that part of the story may be true.”
+
+The merchant from Hamburg said nothing; he had seen tears in the old
+woman’s eyes when she spoke of guarding her memories—or, being of an
+imaginative disposition, he thought he had.
+
+“I shall give her notice to go as soon as the New Year festivities are
+over,” said the Baroness; “till then I shall be too busy to manage
+without her.”
+
+But she had to manage without her all the same, for in the cold biting
+weather after Christmas, the old governess fell ill and kept to her room.
+
+“It is most provoking,” said the Baroness, as her guests sat round the
+fire on one of the last evenings of the dying year; “all the time that
+she has been with us I cannot remember that she was ever seriously ill,
+too ill to go about and do her work, I mean. And now, when I have the
+house full, and she could be useful in so many ways, she goes and breaks
+down. One is sorry for her, of course, she looks so withered and
+shrunken, but it is intensely annoying all the same.”
+
+“Most annoying,” agreed the banker’s wife, sympathetically; “it is the
+intense cold, I expect, it breaks the old people up. It has been
+unusually cold this year.”
+
+“The frost is the sharpest that has been known in December for many
+years,” said the Baron.
+
+“And, of course, she is quite old,” said the Baroness; “I wish I had
+given her notice some weeks ago, then she would have left before this
+happened to her. Why, Wappi, what is the matter with you?”
+
+The small, woolly lapdog had leapt suddenly down from its cushion and
+crept shivering under the sofa. At the same moment an outburst of angry
+barking came from the dogs in the castle-yard, and other dogs could be
+heard yapping and barking in the distance.
+
+“What is disturbing the animals?” asked the Baron.
+
+And then the humans, listening intently, heard the sound that had roused
+the dogs to their demonstrations of fear and rage; heard a long-drawn
+whining howl, rising and falling, seeming at one moment leagues away, at
+others sweeping across the snow until it appeared to come from the foot
+of the castle walls. All the starved, cold misery of a frozen world, all
+the relentless hunger-fury of the wild, blended with other forlorn and
+haunting melodies to which one could give no name, seemed concentrated in
+that wailing cry.
+
+“Wolves!” cried the Baron.
+
+Their music broke forth in one raging burst, seeming to come from
+everywhere.
+
+“Hundreds of wolves,” said the Hamburg merchant, who was a man of strong
+imagination.
+
+Moved by some impulse which she could not have explained, the Baroness
+left her guests and made her way to the narrow, cheerless room where the
+old governess lay watching the hours of the dying year slip by. In spite
+of the biting cold of the winter night, the window stood open. With a
+scandalised exclamation on her lips, the Baroness rushed forward to close
+it.
+
+“Leave it open,” said the old woman in a voice that for all its weakness
+carried an air of command such as the Baroness had never heard before
+from her lips.
+
+“But you will die of cold!” she expostulated.
+
+“I am dying in any case,” said the voice, “and I want to hear their
+music. They have come from far and wide to sing the death-music of my
+family. It is beautiful that they have come; I am the last von
+Cernogratz that will die in our old castle, and they have come to sing to
+me. Hark, how loud they are calling!”
+
+The cry of the wolves rose on the still winter air and floated round the
+castle walls in long-drawn piercing wails; the old woman lay back on her
+couch with a look of long-delayed happiness on her face.
+
+“Go away,” she said to the Baroness; “I am not lonely any more. I am one
+of a great old family . . . ”
+
+“I think she is dying,” said the Baroness when she had rejoined her
+guests; “I suppose we must send for a doctor. And that terrible howling!
+Not for much money would I have such death-music.”
+
+“That music is not to be bought for any amount of money,” said Conrad.
+
+“Hark! What is that other sound?” asked the Baron, as a noise of
+splitting and crashing was heard.
+
+It was a tree falling in the park.
+
+There was a moment of constrained silence, and then the banker’s wife
+spoke.
+
+“It is the intense cold that is splitting the trees. It is also the cold
+that has brought the wolves out in such numbers. It is many years since
+we have had such a cold winter.”
+
+The Baroness eagerly agreed that the cold was responsible for these
+things. It was the cold of the open window, too, which caused the heart
+failure that made the doctor’s ministrations unnecessary for the old
+Fraulein. But the notice in the newspapers looked very well—
+
+ “On December 29th, at Schloss Cernogratz, Amalie von Cernogratz, for
+ many years the valued friend of Baron and Baroness Gruebel.”
+
+
+
+
+LOUIS
+
+
+“It would be jolly to spend Easter in Vienna this year,” said
+Strudwarden, “and look up some of my old friends there. It’s about the
+jolliest place I know of to be at for Easter—”
+
+“I thought we had made up our minds to spend Easter at Brighton,”
+interrupted Lena Strudwarden, with an air of aggrieved surprise.
+
+“You mean that you had made up your mind that we should spend Easter
+there,” said her husband; “we spent last Easter there, and Whitsuntide as
+well, and the year before that we were at Worthing, and Brighton again
+before that. I think it would be just as well to have a real change of
+scene while we are about it.”
+
+“The journey to Vienna would be very expensive,” said Lena.
+
+“You are not often concerned about economy,” said Strudwarden, “and in
+any case the trip of Vienna won’t cost a bit more than the rather
+meaningless luncheon parties we usually give to quite meaningless
+acquaintances at Brighton. To escape from all that set would be a
+holiday in itself.”
+
+Strudwarden spoke feelingly; Lena Strudwarden maintained an equally
+feeling silence on that particular subject. The set that she gathered
+round her at Brighton and other South Coast resorts was composed of
+individuals who might be dull and meaningless in themselves, but who
+understood the art of flattering Mrs. Strudwarden. She had no intention
+of foregoing their society and their homage and flinging herself among
+unappreciative strangers in a foreign capital.
+
+“You must go to Vienna alone if you are bent on going,” she said; “I
+couldn’t leave Louis behind, and a dog is always a fearful nuisance in a
+foreign hotel, besides all the fuss and separation of the quarantine
+restrictions when one comes back. Louis would die if he was parted from
+me for even a week. You don’t know what that would mean to me.”
+
+Lena stooped down and kissed the nose of the diminutive brown Pomeranian
+that lay, snug and irresponsive, beneath a shawl on her lap.
+
+“Look here,” said Strudwarden, “this eternal Louis business is getting to
+be a ridiculous nuisance. Nothing can be done, no plans can be made,
+without some veto connected with that animal’s whims or convenience being
+imposed. If you were a priest in attendance on some African fetish you
+couldn’t set up a more elaborate code of restrictions. I believe you’d
+ask the Government to put off a General Election if you thought it would
+interfere with Louis’s comfort in any way.”
+
+By way of answer to this tirade Mrs. Strudwarden stooped down again and
+kissed the irresponsive brown nose. It was the action of a woman with a
+beautifully meek nature, who would, however, send the whole world to the
+stake sooner than yield an inch where she knew herself to be in the
+right.
+
+“It isn’t as if you were in the least bit fond of animals,” went on
+Strudwarden, with growing irritation; “when we are down at Kerryfield you
+won’t stir a step to take the house dogs out, even if they’re dying for a
+run, and I don’t think you’ve been in the stables twice in your life.
+You laugh at what you call the fuss that’s being made over the
+extermination of plumage birds, and you are quite indignant with me if I
+interfere on behalf of an ill-treated, over-driven animal on the road.
+And yet you insist on every one’s plans being made subservient to the
+convenience of that stupid little morsel of fur and selfishness.”
+
+“You are prejudiced against my little Louis,” said Lena, with a world of
+tender regret in her voice.
+
+“I’ve never had the chance of being anything else but prejudiced against
+him,” said Strudwarden; “I know what a jolly responsive companion a
+doggie can be, but I’ve never been allowed to put a finger near Louis.
+You say he snaps at any one except you and your maid, and you snatched
+him away from old Lady Peterby the other day, when she wanted to pet him,
+for fear he would bury his teeth in her. All that I ever see of him is
+the top of his unhealthy-looking little nose, peeping out from his basket
+or from your muff, and I occasionally hear his wheezy little bark when
+you take him for a walk up and down the corridor. You can’t expect one
+to get extravagantly fond of a dog of that sort. One might as well work
+up an affection for the cuckoo in a cuckoo-clock.”
+
+“He loves me,” said Lena, rising from the table, and bearing the
+shawl-swathed Louis in her arms. “He loves only me, and perhaps that is
+why I love him so much in return. I don’t care what you say against him,
+I am not going to be separated from him. If you insist on going to
+Vienna you must go alone, as far as I am concerned. I think it would be
+much more sensible if you were to come to Brighton with Louis and me, but
+of course you must please yourself.”
+
+“You must get rid of that dog,” said Strudwarden’s sister when Lena had
+left the room; “it must be helped to some sudden and merciful end. Lena
+is merely making use of it as an instrument for getting her own way on
+dozens of occasions when she would otherwise be obliged to yield
+gracefully to your wishes or to the general convenience. I am convinced
+that she doesn’t care a brass button about the animal itself. When her
+friends are buzzing round her at Brighton or anywhere else and the dog
+would be in the way, it has to spend whole days alone with the maid, but
+if you want Lena to go with you anywhere where she doesn’t want to go
+instantly she trots out the excuse that she couldn’t be separated from
+her dog. Have you ever come into a room unobserved and heard Lena
+talking to her beloved pet? I never have. I believe she only fusses
+over it when there’s some one present to notice her.”
+
+“I don’t mind admitting,” said Strudwarden, “that I’ve dwelt more than
+once lately on the possibility of some fatal accident putting an end to
+Louis’s existence. It’s not very easy, though, to arrange a fatality for
+a creature that spends most of its time in a muff or asleep in a toy
+kennel. I don’t think poison would be any good; it’s obviously horribly
+over-fed, for I’ve seen Lena offer it dainties at table sometimes, but it
+never seems to eat them.”
+
+“Lena will be away at church on Wednesday morning,” said Elsie
+Strudwarden reflectively; “she can’t take Louis with her there, and she
+is going on to the Dellings for lunch. That will give you several hours
+in which to carry out your purpose. The maid will be flirting with the
+chauffeur most of the time, and, anyhow, I can manage to keep her out of
+the way on some pretext or other.”
+
+“That leaves the field clear,” said Strudwarden, “but unfortunately my
+brain is equally a blank as far as any lethal project is concerned. The
+little beast is so monstrously inactive; I can’t pretend that it leapt
+into the bath and drowned itself, or that it took on the butcher’s
+mastiff in unequal combat and got chewed up. In what possible guise
+could death come to a confirmed basket-dweller? It would be too
+suspicious if we invented a Suffragette raid and pretended that they
+invaded Lena’s boudoir and threw a brick at him. We should have to do a
+lot of other damage as well, which would be rather a nuisance, and the
+servants would think it odd that they had seen nothing of the invaders.”
+
+“I have an idea,” said Elsie; “get a box with an air-tight lid, and bore
+a small hole in it, just big enough to let in an indiarubber tube. Pop
+Louis, kennel and all, into the box, shut it down, and put the other end
+of the tube over the gas-bracket. There you have a perfect lethal
+chamber. You can stand the kennel at the open window afterwards, to get
+rid of the smell of gas, and all that Lena will find when she comes home
+late in the afternoon will be a placidly defunct Louis.”
+
+“Novels have been written about women like you,” said Strudwarden; “you
+have a perfectly criminal mind. Let’s come and look for a box.”
+
+Two mornings later the conspirators stood gazing guiltily at a stout
+square box, connected with the gas-bracket by a length of indiarubber
+tubing.
+
+“Not a sound,” said Elsie; “he never stirred; it must have been quite
+painless. All the same I feel rather horrid now it’s done.”
+
+“The ghastly part has to come,” said Strudwarden, turning off the gas.
+“We’ll lift the lid slowly, and let the gas out by degrees. Swing the
+door to and fro to send a draught through the room.”
+
+Some minutes later, when the fumes had rushed off, he stooped down and
+lifted out the little kennel with its grim burden. Elsie gave an
+exclamation of terror. Louis sat at the door of his dwelling, head erect
+and ears pricked, as coldly and defiantly inert as when they had put him
+into his execution chamber. Strudwarden dropped the kennel with a jerk,
+and stared for a long moment at the miracle-dog; then he went into a peal
+of chattering laughter.
+
+It was certainly a wonderful imitation of a truculent-looking toy
+Pomeranian, and the apparatus that gave forth a wheezy bark when you
+pressed it had materially helped the imposition that Lena, and Lena’s
+maid, had foisted on the household. For a woman who disliked animals,
+but liked getting her own way under a halo of unselfishness, Mrs.
+Strudwarden had managed rather well.
+
+“Louis is dead,” was the curt information that greeted Lena on her return
+from her luncheon party.
+
+“Louis _dead_!” she exclaimed.
+
+“Yes, he flew at the butcher-boy and bit him, and he bit me, too, when I
+tried to get him off, so I had to have him destroyed. You warned me that
+he snapped, but you didn’t tell me that he was downright dangerous. I
+shall have to pay the boy something heavy by way of compensation, so you
+will have to go without those buckles that you wanted to have for Easter;
+also I shall have to go to Vienna to consult Dr. Schroeder, who is a
+specialist on dog-bites, and you will have to come too. I have sent what
+remains of Louis to Rowland Ward to be stuffed; that will be my Easter
+gift to you instead of the buckles. For Heaven’s sake, Lena, weep, if
+you really feel it so much; anything would be better than standing there
+staring as if you thought I had lost my reason.”
+
+Lena Strudwarden did not weep, but her attempt at laughing was an
+unmistakable failure.
+
+
+
+
+THE GUESTS
+
+
+“The landscape seen from our windows is certainly charming,” said
+Annabel; “those cherry orchards and green meadows, and the river winding
+along the valley, and the church tower peeping out among the elms, they
+all make a most effective picture. There’s something dreadfully sleepy
+and languorous about it, though; stagnation seems to be the dominant
+note. Nothing ever happens here; seedtime and harvest, an occasional
+outbreak of measles or a mildly destructive thunderstorm, and a little
+election excitement about once in five years, that is all that we have to
+modify the monotony of our existence. Rather dreadful, isn’t it?”
+
+“On the contrary,” said Matilda, “I find it soothing and restful; but
+then, you see, I’ve lived in countries where things do happen, ever so
+many at a time, when you’re not ready for them happening all at once.”
+
+“That, of course, makes a difference,” said Annabel.
+
+“I have never forgotten,” said Matilda, “the occasion when the Bishop of
+Bequar paid us an unexpected visit; he was on his way to lay the
+foundation-stone of a mission-house or something of the sort.”
+
+“I thought that out there you were always prepared for emergency guests
+turning up,” said Annabel.
+
+“I was quite prepared for half a dozen Bishops,” said Matilda, “but it
+was rather disconcerting to find out after a little conversation that
+this particular one was a distant cousin of mine, belonging to a branch
+of the family that had quarrelled bitterly and offensively with our
+branch about a Crown Derby dessert service; they got it, and we ought to
+have got it, in some legacy, or else we got it and they thought they
+ought to have it, I forget which; anyhow, I know they behaved
+disgracefully. Now here was one of them turning up in the odour of
+sanctity, so to speak, and claiming the traditional hospitality of the
+East.”
+
+“It was rather trying, but you could have left your husband to do most of
+the entertaining.”
+
+“My husband was fifty miles up-country, talking sense, or what he
+imagined to be sense, to a village community that fancied one of their
+leading men was a were-tiger.”
+
+“A what tiger?”
+
+“A were-tiger; you’ve heard of were-wolves, haven’t you, a mixture of
+wolf and human being and demon? Well, in those parts they have
+were-tigers, or think they have, and I must say that in this case, so far
+as sworn and uncontested evidence went, they had every ground for
+thinking so. However, as we gave up witchcraft prosecutions about three
+hundred years ago, we don’t like to have other people keeping on our
+discarded practices; it doesn’t seem respectful to our mental and moral
+position.”
+
+“I hope you weren’t unkind to the Bishop,” said Annabel.
+
+“Well, of course he was my guest, so I had to be outwardly polite to him,
+but he was tactless enough to rake up the incidents of the old quarrel,
+and to try to make out that there was something to be said for the way
+his side of the family had behaved; even if there was, which I don’t for
+a moment admit, my house was not the place in which to say it. I didn’t
+argue the matter, but I gave my cook a holiday to go and visit his aged
+parents some ninety miles away. The emergency cook was not a specialist
+in curries, in fact, I don’t think cooking in any shape or form could
+have been one of his strong points. I believe he originally came to us
+in the guise of a gardener, but as we never pretended to have anything
+that could be considered a garden he was utilised as assistant goat-herd,
+in which capacity, I understand, he gave every satisfaction. When the
+Bishop heard that I had sent away the cook on a special and unnecessary
+holiday he saw the inwardness of the manœuvre, and from that moment we
+were scarcely on speaking terms. If you have ever had a Bishop with whom
+you were not on speaking terms staying in your house, you will appreciate
+the situation.”
+
+Annabel confessed that her life-story had never included such a
+disturbing experience.
+
+“Then,” continued Matilda, “to make matters more complicated, the
+Gwadlipichee overflowed its banks, a thing it did every now and then when
+the rains were unduly prolonged, and the lower part of the house and all
+the out-buildings were submerged. We managed to get the ponies loose in
+time, and the syce swam the whole lot of them off to the nearest rising
+ground. A goat or two, the chief goat-herd, the chief goat-herd’s wife,
+and several of their babies came to anchorage in the verandah. All the
+rest of the available space was filled up with wet, bedraggled-looking
+hens and chickens; one never really knows how many fowls one possesses
+till the servants’ quarters are flooded out. Of course, I had been
+through something of the sort in previous floods, but never before had I
+had a houseful of goats and babies and half-drowned hens, supplemented by
+a Bishop with whom I was hardly on speaking terms.”
+
+“It must have been a trying experience,” commented Annabel.
+
+“More embarrassments were to follow. I wasn’t going to let a mere
+ordinary flood wash out the memory of that Crown Derby dessert service,
+and I intimated to the Bishop that his large bedroom, with a writing
+table in it, and his small bath-room, with a sufficiency of cold-water
+jars in it, was his share of the premises, and that space was rather
+congested under the existing circumstances. However, at about three
+o’clock in the afternoon, when he had awakened from his midday sleep, he
+made a sudden incursion into the room that was normally the drawing-room,
+but was now dining-room, store-house, saddle-room, and half a dozen other
+temporary premises as well. From the condition of my guest’s costume he
+seemed to think it might also serve as his dressing-room.
+
+“’I’m afraid there is nowhere for you to sit,’ I said coldly; ‘the
+verandah is full of goats.’
+
+“’There is a goat in my bedroom,’ he observed with equal coldness, and
+more than a suspicion of sardonic reproach.
+
+“’Really,’ I said, ‘another survivor? I thought all the other goats were
+done for.’
+
+“‘This particular goat is quite done for,’ he said, ‘it is being devoured
+by a leopard at the present moment. That is why I left the room; some
+animals resent being watched while they are eating.’
+
+“The leopard, of course, was easily explained; it had been hanging round
+the goat sheds when the flood came, and had clambered up by the outside
+staircase leading to the Bishop’s bath-room, thoughtfully bringing a goat
+with it. Probably it found the bath-room too damp and shut-in for its
+taste, and transferred its banqueting operations to the bedroom while the
+Bishop was having his nap.”
+
+“What a frightful situation!” exclaimed Annabel; “fancy having a ravening
+leopard in the house, with a flood all round you.”
+
+“Not in the least ravening,” said Matilda; “it was full of goat, had any
+amount of water at its disposal if it felt thirsty, and probably had no
+more immediate wish than a desire for uninterrupted sleep. Still, I
+think any one will admit that it was an embarrassing predicament to have
+your only available guest-room occupied by a leopard, the verandah choked
+up with goats and babies and wet hens, and a Bishop with whom you were
+scarcely on speaking terms planted down in your own sitting-room. I
+really don’t know how I got through those crawling hours, and of course
+mealtimes only made matters worse. The emergency cook had every excuse
+for sending in watery soup and sloppy rice, and as neither the chief
+goat-herd nor his wife were expert divers, the cellar could not be
+reached. Fortunately the Gwadlipichee subsides as rapidly as it rises,
+and just before dawn the syce came splashing back, with the ponies only
+fetlock deep in water. Then there arose some awkwardness from the fact
+that the Bishop wished to leave sooner than the leopard did, and as the
+latter was ensconced in the midst of the former’s personal possessions
+there was an obvious difficulty in altering the order of departure. I
+pointed out to the Bishop that a leopard’s habits and tastes are not
+those of an otter, and that it naturally preferred walking to wading; and
+that in any case a meal of an entire goat, washed down with tub-water,
+justified a certain amount of repose; if I had had guns fired to frighten
+the animal away, as the Bishop suggested, it would probably merely have
+left the bedroom to come into the already over-crowded drawing-room.
+Altogether it was rather a relief when they both left. Now, perhaps, you
+can understand my appreciation of a sleepy countryside where things don’t
+happen.”
+
+
+
+
+THE PENANCE
+
+
+Octavian Ruttle was one of those lively cheerful individuals on whom
+amiability had set its unmistakable stamp, and, like most of his kind,
+his soul’s peace depended in large measure on the unstinted approval of
+his fellows. In hunting to death a small tabby cat he had done a thing
+of which he scarcely approved himself, and he was glad when the gardener
+had hidden the body in its hastily dug grave under a lone oak-tree in the
+meadow, the same tree that the hunted quarry had climbed as a last effort
+towards safety. It had been a distasteful and seemingly ruthless deed,
+but circumstances had demanded the doing of it. Octavian kept chickens;
+at least he kept some of them; others vanished from his keeping, leaving
+only a few bloodstained feathers to mark the manner of their going. The
+tabby cat from the large grey house that stood with its back to the
+meadow had been detected in many furtive visits to the hen-coups, and
+after due negotiation with those in authority at the grey house a
+sentence of death had been agreed on. “The children will mind, but they
+need not know,” had been the last word on the matter.
+
+The children in question were a standing puzzle to Octavian; in the
+course of a few months he considered that he should have known their
+names, ages, the dates of their birthdays, and have been introduced to
+their favourite toys. They remained however, as non-committal as the
+long blank wall that shut them off from the meadow, a wall over which
+their three heads sometimes appeared at odd moments. They had parents in
+India—that much Octavian had learned in the neighbourhood; the children,
+beyond grouping themselves garment-wise into sexes, a girl and two boys,
+carried their life-story no further on his behoof. And now it seemed he
+was engaged in something which touched them closely, but must be hidden
+from their knowledge.
+
+The poor helpless chickens had gone one by one to their doom, so it was
+meet that their destroyer should come to a violent end; yet Octavian felt
+some qualms when his share of the violence was ended. The little cat,
+headed off from its wonted tracks of safety, had raced unfriended from
+shelter to shelter, and its end had been rather piteous. Octavian walked
+through the long grass of the meadow with a step less jaunty than usual.
+And as he passed beneath the shadow of the high blank wall he glanced up
+and became aware that his hunting had had undesired witnesses. Three
+white set faces were looking down at him, and if ever an artist wanted a
+threefold study of cold human hate, impotent yet unyielding, raging yet
+masked in stillness, he would have found it in the triple gaze that met
+Octavian’s eye.
+
+“I’m sorry, but it had to be done,” said Octavian, with genuine apology
+in his voice.
+
+“Beast!”
+
+The answer came from three throats with startling intensity.
+
+Octavian felt that the blank wall would not be more impervious to his
+explanations than the bunch of human hostility that peered over its
+coping; he wisely decided to withhold his peace overtures till a more
+hopeful occasion.
+
+Two days later he ransacked the best sweet shop in the neighbouring
+market town for a box of chocolates that by its size and contents should
+fitly atone for the dismal deed done under the oak tree in the meadow.
+The two first specimens that were shown him he hastily rejected; one had
+a group of chickens pictured on its lid, the other bore the portrait of a
+tabby kitten. A third sample was more simply bedecked with a spray of
+painted poppies, and Octavian hailed the flowers of forgetfulness as a
+happy omen. He felt distinctly more at ease with his surroundings when
+the imposing package had been sent across to the grey house, and a
+message returned to say that it had been duly given to the children. The
+next morning he sauntered with purposeful steps past the long blank wall
+on his way to the chicken-run and piggery that stood at the bottom of the
+meadow. The three children were perched at their accustomed look-out,
+and their range of sight did not seem to concern itself with Octavian’s
+presence. As he became depressingly aware of the aloofness of their gaze
+he also noted a strange variegation in the herbage at his feet; the
+greensward for a considerable space around was strewn and speckled with a
+chocolate-coloured hail, enlivened here and there with gay tinsel-like
+wrappings or the glistening mauve of crystallised violets. It was as
+though the fairy paradise of a greedyminded child had taken shape and
+substance in the vegetation of the meadow. Octavian’s bloodmoney had
+been flung back at him in scorn.
+
+To increase his discomfiture the march of events tended to shift the
+blame of ravaged chicken-coops from the supposed culprit who had already
+paid full forfeit; the young chicks were still carried off, and it seemed
+highly probable that the cat had only haunted the chicken-run to prey on
+the rats which harboured there. Through the flowing channels of servant
+talk the children learned of this belated revision of verdict, and
+Octavian one day picked up a sheet of copy-book paper on which was
+painstakingly written: “Beast. Rats eated your chickens.” More ardently
+than ever did he wish for an opportunity for sloughing off the disgrace
+that enwrapped him, and earning some happier nickname from his three
+unsparing judges.
+
+And one day a chance inspiration came to him. Olivia, his two-year-old
+daughter, was accustomed to spend the hour from high noon till one
+o’clock with her father while the nursemaid gobbled and digested her
+dinner and novelette. About the same time the blank wall was usually
+enlivened by the presence of its three small wardens. Octavian, with
+seeming carelessness of purpose, brought Olivia well within hail of the
+watchers and noted with hidden delight the growing interest that dawned
+in that hitherto sternly hostile quarter. His little Olivia, with her
+sleepy placid ways, was going to succeed where he, with his anxious
+well-meant overtures, had so signally failed. He brought her a large
+yellow dahlia, which she grasped tightly in one hand and regarded with a
+stare of benevolent boredom, such as one might bestow on amateur
+classical dancing performed in aid of a deserving charity. Then he
+turned shyly to the group perched on the wall and asked with affected
+carelessness, “Do you like flowers?” Three solemn nods rewarded his
+venture.
+
+“Which sorts do you like best?” he asked, this time with a distinct
+betrayal of eagerness in his voice.
+
+“Those with all the colours, over there.” Three chubby arms pointed to a
+distant tangle of sweet-pea. Child-like, they had asked for what lay
+farthest from hand, but Octavian trotted off gleefully to obey their
+welcome behest. He pulled and plucked with unsparing hand, and brought
+every variety of tint that he could see into his bunch that was rapidly
+becoming a bundle. Then he turned to retrace his steps, and found the
+blank wall blanker and more deserted than ever, while the foreground was
+void of all trace of Olivia. Far down the meadow three children were
+pushing a go-cart at the utmost speed they could muster in the direction
+of the piggeries; it was Olivia’s go-cart and Olivia sat in it, somewhat
+bumped and shaken by the pace at which she was being driven, but
+apparently retaining her wonted composure of mind. Octavian stared for a
+moment at the rapidly moving group, and then started in hot pursuit,
+shedding as he ran sprays of blossom from the mass of sweet-pea that he
+still clutched in his hands. Fast as he ran the children had reached the
+piggery before he could overtake them, and he arrived just in time to see
+Olivia, wondering but unprotesting, hauled and pushed up to the roof of
+the nearest sty. They were old buildings in some need of repair, and the
+rickety roof would certainly not have borne Octavian’s weight if he had
+attempted to follow his daughter and her captors on their new vantage
+ground.
+
+“What are you going to do with her?” he panted. There was no mistaking
+the grim trend of mischief in those flushed by sternly composed young
+faces.
+
+“Hang her in chains over a slow fire,” said one of the boys. Evidently
+they had been reading English history.
+
+“Frow her down the pigs will d’vour her, every bit ’cept the palms of her
+hands,” said the other boy. It was also evident that they had studied
+Biblical history.
+
+The last proposal was the one which most alarmed Octavian, since it might
+be carried into effect at a moment’s notice; there had been cases, he
+remembered, of pigs eating babies.
+
+“You surely wouldn’t treat my poor little Olivia in that way?” he
+pleaded.
+
+“You killed our little cat,” came in stern reminder from three throats.
+
+“I’m sorry I did,” said Octavian, and if there is a standard measurement
+in truths Octavian’s statement was assuredly a large nine.
+
+“We shall be very sorry when we’ve killed Olivia,” said the girl, “but we
+can’t be sorry till we’ve done it.”
+
+The inexorable child-logic rose like an unyielding rampart before
+Octavian’s scared pleadings. Before he could think of any fresh line of
+appeal his energies were called out in another direction. Olivia had
+slid off the roof and fallen with a soft, unctuous splash into a morass
+of muck and decaying straw. Octavian scrambled hastily over the pigsty
+wall to her rescue, and at once found himself in a quagmire that engulfed
+his feet. Olivia, after the first shock of surprise at her sudden drop
+through the air, had been mildly pleased at finding herself in close and
+unstinted contact with the sticky element that oozed around her, but as
+she began to sink gently into the bed of slime a feeling dawned on her
+that she was not after all very happy, and she began to cry in the
+tentative fashion of the normally good child. Octavian, battling with
+the quagmire, which seemed to have learned the rare art of giving way at
+all points without yielding an inch, saw his daughter slowly disappearing
+in the engulfing slush, her smeared face further distorted with the
+contortions of whimpering wonder, while from their perch on the pigsty
+roof the three children looked down with the cold unpitying detachment of
+the Parcæ Sisters.
+
+“I can’t reach her in time,” gasped Octavian, “she’ll be choked in the
+muck. Won’t you help her?”
+
+“No one helped our cat,” came the inevitable reminder.
+
+“I’ll do anything to show you how sorry I am about that,” cried Octavian,
+with a further desperate flounder, which carried him scarcely two inches
+forward.
+
+“Will you stand in a white sheet by the grave?”
+
+“Yes,” screamed Octavian.
+
+“Holding a candle?”
+
+“An’ saying ‘I’m a miserable Beast’?”
+
+Octavian agreed to both suggestions.
+
+“For a long, long time?”
+
+“For half an hour,” said Octavian. There was an anxious ring in his
+voice as he named the time-limit; was there not the precedent of a German
+king who did open-air penance for several days and nights at
+Christmas-time clad only in his shirt? Fortunately the children did not
+appear to have read German history, and half an hour seemed long and
+goodly in their eyes.
+
+“All right,” came with threefold solemnity from the roof, and a moment
+later a short ladder had been laboriously pushed across to Octavian, who
+lost no time in propping it against the low pigsty wall. Scrambling
+gingerly along its rungs he was able to lean across the morass that
+separated him from his slowly foundering offspring and extract her like
+an unwilling cork from it’s slushy embrace. A few minutes later he was
+listening to the shrill and repeated assurances of the nursemaid that her
+previous experience of filthy spectacles had been on a notably smaller
+scale.
+
+That same evening when twilight was deepening into darkness Octavian took
+up his position as penitent under the lone oak-tree, having first
+carefully undressed the part. Clad in a zephyr shirt, which on this
+occasion thoroughly merited its name, he held in one hand a lighted
+candle and in the other a watch, into which the soul of a dead plumber
+seemed to have passed. A box of matches lay at his feet and was resorted
+to on the fairly frequent occasions when the candle succumbed to the
+night breezes. The house loomed inscrutable in the middle distance, but
+as Octavian conscientiously repeated the formula of his penance he felt
+certain that three pairs of solemn eyes were watching his moth-shared
+vigil.
+
+And the next morning his eyes were gladdened by a sheet of copy-book
+paper lying beside the blank wall, on which was written the message
+“Un-Beast.”
+
+
+
+
+THE PHANTOM LUNCHEON
+
+
+“The Smithly-Dubbs are in Town,” said Sir James. “I wish you would show
+them some attention. Ask them to lunch with you at the Ritz or
+somewhere.”
+
+“From the little I’ve seen of the Smithly-Dubbs I don’t thing I want to
+cultivate their acquaintance,” said Lady Drakmanton.
+
+“They always work for us at election times,” said her husband; “I don’t
+suppose they influence very many votes, but they have an uncle who is on
+one of my ward committees, and another uncle speaks sometimes at some of
+our less important meetings. Those sort of people expect some return in
+the shape of hospitality.”
+
+“Expect it!” exclaimed Lady Drakmanton; “the Misses Smithly-Dubb do more
+than that; they almost demand it. They belong to my club, and hang about
+the lobby just about lunch-time, all three of them, with their tongues
+hanging out of their mouths and the six-course look in their eyes. If I
+were to breathe the word ‘lunch’ they would hustle me into a taxi and
+scream ‘Ritz’ or ‘Dieudonne’s’ to the driver before I knew what was
+happening.”
+
+“All the same, I think you ought to ask them to a meal of some sort,”
+persisted Sir James.
+
+“I consider that showing hospitality to the Smithly-Dubbs is carrying
+Free Food principles to a regrettable extreme,” said Lady Drakmanton;
+“I’ve entertained the Joneses and the Browns and the Snapheimers and the
+Lubrikoffs, and heaps of others whose names I forget, but I don’t see why
+I should inflict the society of the Misses Smithly-Dubb on myself for a
+solid hour. Imagine it, sixty minutes, more or less, of unrelenting
+gobble and gabble. Why can’t _you_ take them on, Milly?” she asked,
+turning hopefully to her sister.
+
+“I don’t know them,” said Milly hastily.
+
+“All the better; you can pass yourself off as me. People say that we are
+so alike that they can hardly tell us apart, and I’ve only spoken to
+these tiresome young women about twice in my life, at committee-rooms,
+and bowed to them in the club. Any of the club page-boys will point them
+out to you; they’re always to be found lolling about the hall just before
+lunch-time.”
+
+“My dear Betty, don’t be absurd,” protested Milly; “I’ve got some people
+lunching with me at the Carlton to-morrow, and I’m leaving Town the day
+afterwards.”
+
+“What time is your lunch to-morrow?” asked Lady Drakmanton reflectively.
+
+“Two o’clock,” said Milly.
+
+“Good,” said her sister; “the Smithly-Dubbs shall lunch with me
+to-morrow. It shall be rather an amusing lunch-party. At least, I shall
+be amused.”
+
+The last two remarks she made to herself. Other people did not always
+appreciate her ideas of humour. Sir James never did.
+
+The next day Lady Drakmanton made some marked variations in her usual
+toilet effects. She dressed her hair in an unaccustomed manner, and put
+on a hat that added to the transformation of her appearance. When she
+had made one or two minor alterations she was sufficiently unlike her
+usual smart self to produce some hesitation in the greeting which the
+Misses Smithly-Dubb bestowed on her in the club-lobby. She responded,
+however, with a readiness which set their doubts at rest.
+
+“What is the Carlton like for lunching in?” she asked breezily.
+
+The restaurant received an enthusiastic recommendation from the three
+sisters.
+
+“Let’s go and lunch there, shall we?” she suggested, and in a few
+minutes’ time the Smithly-Dubb mind was contemplating at close quarters a
+happy vista of baked meats and approved vintage.
+
+“Are you going to start with caviare? I am,” confided Lady Drakmanton,
+and the Smithly-Dubbs started with caviare. The subsequent dishes were
+chosen in the same ambitious spirit, and by the time they had arrived at
+the wild duck course it was beginning to be a rather expensive lunch.
+
+The conversation hardly kept pace with the brilliancy of the menu.
+Repeated references on the part of the guests to the local political
+conditions and prospects in Sir James’s constituency were met with vague
+“ahs” and “indeeds” from Lady Drakmanton, who might have been expected to
+be specially interested.
+
+“I think when the Insurance Act is a little better understood it will
+lose some of its present unpopularity,” hazarded Cecilia Smithly-Dubb.
+
+“Will it? I dare say. I’m afraid politics don’t interest me very much,”
+said Lady Drakmanton.
+
+The three Miss Smithly-Dubbs put down their cups of Turkish coffee and
+stared. Then they broke into protesting giggles.
+
+“Of course, you’re joking,” they said.
+
+“Not me,” was the disconcerting answer; “I can’t make head or tail of
+these bothering old politics. Never could, and never want to. I’ve
+quite enough to do to manage my own affairs, and that’s a fact.”
+
+“But,” exclaimed Amanda Smithly-Dubb, with a squeal of bewilderment
+breaking into her voice, “I was told you spoke so informingly about the
+Insurance Act at one of our social evenings.”
+
+It was Lady Drakmanton who stared now. “Do you know,” she said, with a
+scared look around her, “rather a dreadful thing is happening. I’m
+suffering from a complete loss of memory. I can’t even think who I am.
+I remember meeting you somewhere, and I remember you asking me to come
+and lunch with you here, and that I accepted your kind invitation.
+Beyond that my mind is a positive blank.”
+
+The scared look was transferred with intensified poignancy to the faces
+of her companions.
+
+“_You_ asked _us_ to lunch,” they exclaimed hurriedly. That seemed a
+more immediately important point to clear up than the question of
+identity.
+
+“Oh, no,” said the vanishing hostess, “_that_ I do remember about. You
+insisted on my coming here because the feeding was so good, and I must
+say it comes up to all you said about it. A very nice lunch it’s been.
+What I’m worrying about is who on earth am I? I haven’t the faintest
+notion?”
+
+“You are Lady Drakmanton,” exclaimed the three sisters in chorus.
+
+“Now, don’t make fun of me,” she replied, crossly, “I happen to know her
+quite well by sight, and she isn’t a bit like me. And it’s an odd thing
+you should have mentioned her, for it so happens she’s just come into the
+room. That lady in black, with the yellow plume in her hat, there over
+by the door.”
+
+The Smithly-Dubbs looked in the indicated direction, and the uneasiness
+in their eyes deepened into horror. In outward appearance the lady who
+had just entered the room certainly came rather nearer to their
+recollection of their Member’s wife than the individual who was sitting
+at table with them.
+
+“Who _are_ you, then, if that is Lady Drakmanton?” they asked in
+panic-stricken bewilderment.
+
+“That is just what I don’t know,” was the answer; “and you don’t seem to
+know much better than I do.”
+
+“You came up to us in the club—”
+
+“In what club?”
+
+“The New Didactic, in Calais Street.”
+
+“The New Didactic!” exclaimed Lady Drakmanton with an air of returning
+illumination; “thank you so much. Of course, I remember now who I am.
+I’m Ellen Niggle, of the Ladies’ Brasspolishing Guild. The Club employs
+me to come now and then and see to the polishing of the brass fittings.
+That’s how I came to know Lady Drakmanton by sight; she’s very often in
+the Club. And you are the ladies who so kindly asked me out to lunch.
+Funny how it should all have slipped my memory, all of a sudden. The
+unaccustomed good food and wine must have been too much for me; for the
+moment I really couldn’t call to mind who I was. Good gracious,” she
+broke off suddenly, “it’s ten past two; I should be at a polishing job in
+Whitehall. I must scuttle off like a giddy rabbit. Thanking you ever
+so.”
+
+She left the room with a scuttle sufficiently suggestive of the animal
+she had mentioned, but the giddiness was all on the side of her
+involuntary hostesses. The restaurant seemed to be spinning round them;
+and the bill when it appeared did nothing to restore their composure.
+They were as nearly in tears as it is permissible to be during the
+luncheon hour in a really good restaurant. Financially speaking, they
+were well able to afford the luxury of an elaborate lunch, but their
+ideas on the subject of entertaining differed very sharply, according to
+the circumstances of whether they were dispensing or receiving
+hospitality. To have fed themselves liberally at their own expense was,
+perhaps, an extravagance to be deplored, but, at any rate, they had had
+something for their money; to have drawn an unknown and socially
+unremunerative Ellen Niggle into the net of their hospitality was a
+catastrophe that they could not contemplate with any degree of calmness.
+
+The Smithly-Dubbs never quite recovered from their unnerving experience.
+They have given up politics and taken to doing good.
+
+
+
+
+A BREAD AND BUTTER MISS
+
+
+“Starling Chatter and Oakhill have both dropped back in the betting,”
+said Bertie van Tahn, throwing the morning paper across the breakfast
+table.
+
+“That leaves Nursery Tea practically favourite,” said Odo Finsberry.
+
+“Nursery Tea and Pipeclay are at the top of the betting at present,” said
+Bertie, “but that French horse, Le Five O’Clock, seems to be fancied as
+much as anything. Then there is Whitebait, and the Polish horse with a
+name like some one trying to stifle a sneeze in church; they both seem to
+have a lot of support.”
+
+“It’s the most open Derby there’s been for years,” said Odo.
+
+“It’s simply no good trying to pick the winner on form,” said Bertie;
+“one must just trust to luck and inspiration.”
+
+“The question is whether to trust to one’s own inspiration, or somebody
+else’s. _Sporting Swank_ gives Count Palatine to win, and Le Five
+O’Clock for a place.”
+
+“Count Palatine—that adds another to our list of perplexities. Good
+morning, Sir Lulworth; have you a fancy for the Derby by any chance?”
+
+“I don’t usually take much interest in turf matters,” said Sir Lulworth,
+who had just made his appearance, “but I always like to have a bet on the
+Guineas and the Derby. This year, I confess, it’s rather difficult to
+pick out anything that seems markedly better than anything else. What do
+you think of Snow Bunting?”
+
+“Snow Bunting?” said Odo, with a groan, “there’s another of them.
+Surely, Snow Bunting has no earthly chance?”
+
+“My housekeeper’s nephew, who is a shoeing-smith in the mounted section
+of the Church Lads’ Brigade, and an authority on horseflesh, expects him
+to be among the first three.”
+
+“The nephews of housekeepers are invariably optimists,” said Bertie;
+“it’s a kind of natural reaction against the professional pessimism of
+their aunts.”
+
+“We don’t seem to get much further in our search for the probable
+winner,” said Mrs. de Claux; “the more I listen to you experts the more
+hopelessly befogged I get.”
+
+“It’s all very well to blame us,” said Bertie to his hostess; “you
+haven’t produced anything in the way of an inspiration.”
+
+“My inspiration consisted in asking you down for Derby week,” retorted
+Mrs. de Claux; “I thought you and Odo between you might throw some light
+on the question of the moment.”
+
+Further recriminations were cut short by the arrival of Lola Pevensey,
+who floated into the room with an air of gracious apology.
+
+“So sorry to be so late,” she observed, making a rapid tour of inspection
+of the breakfast dishes.
+
+“Did you have a good night?” asked her hostess with perfunctory
+solicitude.
+
+“Quite, thank you,” said Lola; “I dreamt a most remarkable dream.”
+
+A flutter, indicative of general boredom; went round the table. Other
+people’s dreams are about as universally interesting as accounts of other
+people’s gardens, or chickens, or children.
+
+“I dreamt about the winner of the Derby,” said Lola.
+
+A swift reaction of attentive interest set in.
+
+“Do tell us what you dreamt,” came in a chorus.
+
+“The really remarkable thing about it is that I’ve dreamt it two nights
+running,” said Lola, finally deciding between the allurements of sausages
+and kedgeree; “that is why I thought it worth mentioning. You know, when
+I dream things two or three nights in succession, it always means
+something; I have special powers in that way. For instance, I once
+dreamed three times that a winged lion was flying through the sky and one
+of his wings dropped off, and he came to the ground with a crash; just
+afterwards the Campanile at Venice fell down. The winged lion is the
+symbol of Venice, you know,” she added for the enlightenment of those who
+might not be versed in Italian heraldry. “Then,” she continued, “just
+before the murder of the King and Queen of Servia I had a vivid dream of
+two crowned figures walking into a slaughter-house by the banks of a big
+river, which I took to be the Danube; and only the other day—”
+
+“Do tell us what you’ve dreamt about the Derby,” interrupted Odo
+impatiently.
+
+“Well, I saw the finish of the race as clearly as anything; and one horse
+won easily, almost in a canter, and everybody cried out ‘Bread and Butter
+wins! Good old Bread and Butter.’ I heard the name distinctly, and I’ve
+had the same dream two nights running.”
+
+“Bread and Butter,” said Mrs. de Claux, “now, whatever horse can that
+point to? Why—of course; Nursery Tea!”
+
+She looked round with the triumphant smile of a successful unraveller of
+mystery.
+
+“How about Le Five O’Clock?” interposed Sir Lulworth.
+
+“It would fit either of them equally well,” said Odo; “can you remember
+any details about the jockey’s colours? That might help us.”
+
+“I seem to remember a glimpse of lemon sleeves or cap, but I can’t be
+sure,” said Lola, after due reflection.
+
+“There isn’t a lemon jacket or cap in the race,” said Bertie, referring
+to a list of starters and jockeys; “can’t you remember anything about the
+appearance of the horse? If it were a thick-set animal, this bread and
+butter would typify Nursery Tea; and if it were thin, of course, it would
+mean Le Five O’Clock.”
+
+“That seems sound enough,” said Mrs. de Claux; “do think, Lola dear,
+whether the horse in your dream was thin or stoutly built.”
+
+“I can’t remember that it was one or the other,” said Lola; “one wouldn’t
+notice such a detail in the excitement of a finish.”
+
+“But this was a symbolic animal,” said Sir Lulworth; “if it were to
+typify thick or thin bread and butter surely it ought to have been either
+as bulky and tubby as a shire cart-horse; or as thin as a heraldic
+leopard.”
+
+“I’m afraid you are rather a careless dreamer,” said Bertie resentfully.
+
+“Of course, at the moment of dreaming I thought I was witnessing a real
+race, not the portent of one,” said Lola; “otherwise I should have
+particularly noticed all helpful details.”
+
+“The Derby isn’t run till to-morrow,” said Mrs. de Claux; “do you think
+you are likely to have the same dream again to-night? If so; you can fix
+your attention on the important detail of the animal’s appearance.”
+
+“I’m afraid I shan’t sleep at all to-night,” said Lola pathetically;
+“every fifth night I suffer from insomnia, and it’s due to-night.”
+
+“It’s most provoking,” said Bertie; “of course, we can back both horses,
+but it would be much more satisfactory to have all our money on the
+winner. Can’t you take a sleeping-draught, or something?”
+
+“Oakleaves, soaked in warm water and put under the bed, are recommended
+by some,” said Mrs. de Claux.
+
+“A glass of Benedictine, with a drop of eau-de-Cologne—” said Sir
+Lulworth.
+
+“I have tried every known remedy,” said Lola, with dignity; “I’ve been a
+martyr to insomnia for years.”
+
+“But now we are being martyrs to it,” said Odo sulkily; “I particularly
+want to land a big coup over this race.”
+
+“I don’t have insomnia for my own amusement,” snapped Lola.
+
+“Let us hope for the best,” said Mrs. de Claux soothingly; “to-night may
+prove an exception to the fifth-night rule.”
+
+But when breakfast time came round again Lola reported a blank night as
+far as visions were concerned.
+
+“I don’t suppose I had as much as ten minutes’ sleep, and, certainly, no
+dreams.”
+
+“I’m so sorry, for your sake in the first place, and ours as well,” said
+her hostess; “do you think you could induce a short nap after breakfast?
+It would be so good for you—and you _might_ dream something. There would
+still be time for us to get our bets on.”
+
+“I’ll try if you like,” said Lola; “it sounds rather like a small child
+being sent to bed in disgrace.”
+
+“I’ll come and read the _Encyclopædia Britannica_ to you if you think it
+will make you sleep any sooner,” said Bertie obligingly.
+
+Rain was falling too steadily to permit of outdoor amusement, and the
+party suffered considerably during the next two hours from the absolute
+quiet that was enforced all over the house in order to give Lola every
+chance of achieving slumber. Even the click of billiard balls was
+considered a possible factor of disturbance, and the canaries were
+carried down to the gardener’s lodge, while the cuckoo clock in the hall
+was muffled under several layers of rugs. A notice, “Please do not Knock
+or Ring,” was posted on the front door at Bertie’s suggestion, and guests
+and servants spoke in tragic whispers as though the dread presence of
+death or sickness had invaded the house. The precautions proved of no
+avail: Lola added a sleepless morning to a wakeful night, and the bets of
+the party had to be impartially divided between Nursery Tea and the
+French Colt.
+
+“So provoking to have to split out bets,” said Mrs. de Claux, as her
+guests gathered in the hall later in the day, waiting for the result of
+the race.
+
+“I did my best for you,” said Lola, feeling that she was not getting her
+due share of gratitude; “I told you what I had seen in my dreams, a brown
+horse, called Bread and Butter, winning easily from all the rest.”
+
+“What?” screamed Bertie, jumping up from his sea, “a _brown_ horse!
+Miserable woman, you never said a word about it’s being a brown horse.”
+
+“Didn’t I?” faltered Lola; “I thought I told you it was a brown horse.
+It was certainly brown in both dreams. But I don’t see what the colour
+has got to do with it. Nursery Tea and Le Five O’Clock are both
+chestnuts.”
+
+“Merciful Heaven! Doesn’t brown bread and butter with a sprinkling of
+lemon in the colours suggest anything to you?” raged Bertie.
+
+A slow, cumulative groan broke from the assembly as the meaning of his
+words gradually dawned on his hearers.
+
+For the second time that day Lola retired to the seclusion of her room;
+she could not face the universal looks of reproach directed at her when
+Whitebait was announced winner at the comfortable price of fourteen to
+one.
+
+
+
+
+BERTIE’S CHRISTMAS EVE
+
+
+It was Christmas Eve, and the family circle of Luke Steffink, Esq., was
+aglow with the amiability and random mirth which the occasion demanded.
+A long and lavish dinner had been partaken of, waits had been round and
+sung carols; the house-party had regaled itself with more caroling on its
+own account, and there had been romping which, even in a pulpit
+reference, could not have been condemned as ragging. In the midst of the
+general glow, however, there was one black unkindled cinder.
+
+Bertie Steffink, nephew of the aforementioned Luke, had early in life
+adopted the profession of ne’er-do-weel; his father had been something of
+the kind before him. At the age of eighteen Bertie had commenced that
+round of visits to our Colonial possessions, so seemly and desirable in
+the case of a Prince of the Blood, so suggestive of insincerity in a
+young man of the middle-class. He had gone to grow tea in Ceylon and
+fruit in British Columbia, and to help sheep to grow wool in Australia.
+At the age of twenty he had just returned from some similar errand in
+Canada, from which it may be gathered that the trial he gave to these
+various experiments was of the summary drum-head nature. Luke Steffink,
+who fulfilled the troubled role of guardian and deputy-parent to Bertie,
+deplored the persistent manifestation of the homing instinct on his
+nephew’s part, and his solemn thanks earlier in the day for the blessing
+of reporting a united family had no reference to Bertie’s return.
+
+Arrangements had been promptly made for packing the youth off to a
+distant corner of Rhodesia, whence return would be a difficult matter;
+the journey to this uninviting destination was imminent, in fact a more
+careful and willing traveller would have already begun to think about his
+packing. Hence Bertie was in no mood to share in the festive spirit
+which displayed itself around him, and resentment smouldered within him
+at the eager, self-absorbed discussion of social plans for the coming
+months which he heard on all sides. Beyond depressing his uncle and the
+family circle generally by singing “Say au revoir, and not good-bye,” he
+had taken no part in the evening’s conviviality.
+
+Eleven o’clock had struck some half-hour ago, and the elder Steffinks
+began to throw out suggestions leading up to that process which they
+called retiring for the night.
+
+“Come, Teddie, it’s time you were in your little bed, you know,” said
+Luke Steffink to his thirteen-year-old son.
+
+“That’s where we all ought to be,” said Mrs. Steffink.
+
+“There wouldn’t be room,” said Bertie.
+
+The remark was considered to border on the scandalous; everybody ate
+raisins and almonds with the nervous industry of sheep feeding during
+threatening weather.
+
+“In Russia,” said Horace Bordenby, who was staying in the house as a
+Christmas guest, “I’ve read that the peasants believe that if you go into
+a cow-house or stable at midnight on Christmas Eve you will hear the
+animals talk. They’re supposed to have the gift of speech at that one
+moment of the year.”
+
+“Oh, _do_ let’s _all_ go down to the cow-house and listen to what they’ve
+got to say!” exclaimed Beryl, to whom anything was thrilling and amusing
+if you did it in a troop.
+
+Mrs. Steffink made a laughing protest, but gave a virtual consent by
+saying, “We must all wrap up well, then.” The idea seemed a
+scatterbrained one to her, and almost heathenish, but if afforded an
+opportunity for “throwing the young people together,” and as such she
+welcomed it. Mr. Horace Bordenby was a young man with quite substantial
+prospects, and he had danced with Beryl at a local subscription ball a
+sufficient number of times to warrant the authorised inquiry on the part
+of the neighbours whether “there was anything in it.” Though Mrs.
+Steffink would not have put it in so many words, she shared the idea of
+the Russian peasantry that on this night the beast might speak.
+
+The cow-house stood at the junction of the garden with a small paddock,
+an isolated survival, in a suburban neighbourhood; of what had once been
+a small farm. Luke Steffink was complacently proud of his cow-house and
+his two cows; he felt that they gave him a stamp of solidity which no
+number of Wyandottes or Orpingtons could impart. They even seemed to
+link him in a sort of inconsequent way with those patriarchs who derived
+importance from their floating capital of flocks and herbs, he-asses and
+she-asses. It had been an anxious and momentous occasion when he had had
+to decide definitely between “the Byre” and “the Ranch” for the naming of
+his villa residence. A December midnight was hardly the moment he would
+have chosen for showing his farm-building to visitors, but since it was a
+fine night, and the young people were anxious for an excuse for a mild
+frolic, Luke consented to chaperon the expedition. The servants had long
+since gone to bed, so the house was left in charge of Bertie, who
+scornfully declined to stir out on the pretext of listening to bovine
+conversation.
+
+“We must go quietly,” said Luke, as he headed the procession of giggling
+young folk, brought up in the rear by the shawled and hooded figure of
+Mrs. Steffink; “I’ve always laid stress on keeping this a quiet and
+orderly neighbourhood.”
+
+It was a few minutes to midnight when the party reached the cow-house and
+made its way in by the light of Luke’s stable lantern. For a moment
+every one stood in silence, almost with a feeling of being in church.
+
+“Daisy—the one lying down—is by a shorthorn bull out of a Guernsey cow,”
+announced Luke in a hushed voice, which was in keeping with the foregoing
+impression.
+
+“Is she?” said Bordenby, rather as if he had expected her to be by
+Rembrandt.
+
+“Myrtle is—”
+
+Myrtle’s family history was cut short by a little scream from the women
+of the party.
+
+The cow-house door had closed noiselessly behind them and the key had
+turned gratingly in the lock; then they heard Bertie’s voice pleasantly
+wishing them good-night and his footsteps retreating along the garden
+path.
+
+Luke Steffink strode to the window; it was a small square opening of the
+old-fashioned sort, with iron bars let into the stonework.
+
+“Unlock the door this instant,” he shouted, with as much air of menacing
+authority as a hen might assume when screaming through the bars of a coop
+at a marauding hawk. In reply to his summons the hall-door closed with a
+defiant bang.
+
+A neighbouring clock struck the hour of midnight. If the cows had
+received the gift of human speech at that moment they would not have been
+able to make themselves heard. Seven or eight other voices were engaged
+in describing Bertie’s present conduct and his general character at a
+high pressure of excitement and indignation.
+
+In the course of half an hour or so everything that it was permissible to
+say about Bertie had been said some dozens of times, and other topics
+began to come to the front—the extreme mustiness of the cow-house, the
+possibility of it catching fire, and the probability of it being a Rowton
+House for the vagrant rats of the neighbourhood. And still no sign of
+deliverance came to the unwilling vigil-keepers.
+
+Towards one o’clock the sound of rather boisterous and undisciplined
+carol-singing approached rapidly, and came to a sudden anchorage,
+apparently just outside the garden-gate. A motor-load of youthful
+“bloods,” in a high state of conviviality, had made a temporary halt for
+repairs; the stoppage, however, did not extend to the vocal efforts of
+the party, and the watchers in the cow-shed were treated to a highly
+unauthorised rendering of “Good King Wenceslas,” in which the adjective
+“good” appeared to be very carelessly applied.
+
+The noise had the effect of bringing Bertie out into the garden, but he
+utterly ignored the pale, angry faces peering out at the cow-house
+window, and concentrated his attention on the revellers outside the gate.
+
+“Wassail, you chaps!” he shouted.
+
+“Wassail, old sport!” they shouted back; “we’d jolly well drink y’r
+health, only we’ve nothing to drink it in.”
+
+“Come and wassail inside,” said Bertie hospitably; “I’m all alone, and
+there’s heap’s of ‘wet’.”
+
+They were total strangers, but his touch of kindness made them instantly
+his kin. In another moment the unauthorised version of King Wenceslas,
+which, like many other scandals, grew worse on repetition, went echoing
+up the garden path; two of the revellers gave an impromptu performance on
+the way by executing the staircase waltz up the terraces of what Luke
+Steffink, hitherto with some justification, called his rock-garden. The
+rock part of it was still there when the waltz had been accorded its
+third encore. Luke, more than ever like a cooped hen behind the
+cow-house bars, was in a position to realise the feelings of
+concert-goers unable to countermand the call for an encore which they
+neither desire or deserve.
+
+The hall door closed with a bang on Bertie’s guests, and the sounds of
+merriment became faint and muffled to the weary watchers at the other end
+of the garden. Presently two ominous pops, in quick succession, made
+themselves distinctly heard.
+
+“They’ve got at the champagne!” exclaimed Mrs. Steffink.
+
+“Perhaps it’s the sparkling Moselle,” said Luke hopefully.
+
+Three or four more pops were heard.
+
+“The champagne _and_ the sparkling Moselle,” said Mrs. Steffink.
+
+Luke uncorked an expletive which, like brandy in a temperance household,
+was only used on rare emergencies. Mr. Horace Bordenby had been making
+use of similar expressions under his breath for a considerable time past.
+The experiment of “throwing the young people together” had been prolonged
+beyond a point when it was likely to produce any romantic result.
+
+Some forty minutes later the hall door opened and disgorged a crowd that
+had thrown off any restraint of shyness that might have influenced its
+earlier actions. Its vocal efforts in the direction of carol singing
+were now supplemented by instrumental music; a Christmas-tree that had
+been prepared for the children of the gardener and other household
+retainers had yielded a rich spoil of tin trumpets, rattles, and drums.
+The life-story of King Wenceslas had been dropped, Luke was thankful to
+notice, but it was intensely irritating for the chilled prisoners in the
+cow-house to be told that it was a hot time in the old town to-night,
+together with some accurate but entirely superfluous information as to
+the imminence of Christmas morning. Judging by the protests which began
+to be shouted from the upper windows of neighbouring houses the
+sentiments prevailing in the cow-house were heartily echoed in other
+quarters.
+
+The revellers found their car, and, what was more remarkable, managed to
+drive off in it, with a parting fanfare of tin trumpets. The lively beat
+of a drum disclosed the fact that the master of the revels remained on
+the scene.
+
+“Bertie!” came in an angry, imploring chorus of shouts and screams from
+the cow-house window.
+
+“Hullo,” cried the owner of the name, turning his rather errant steps in
+the direction of the summons; “are you people still there? Must have
+heard everything cows got to say by this time. If you haven’t, no use
+waiting. After all, it’s a Russian legend, and Russian Chrismush Eve not
+due for ’nother fortnight. Better come out.”
+
+After one or two ineffectual attempts he managed to pitch the key of the
+cow-house door in through the window. Then, lifting his voice in the
+strains of “I’m afraid to go home in the dark,” with a lusty drum
+accompaniment, he led the way back to the house. The hurried procession
+of the released that followed in his steps came in for a good deal of the
+adverse comment that his exuberant display had evoked.
+
+It was the happiest Christmas Eve he had ever spent. To quote his own
+words, he had a rotten Christmas.
+
+
+
+
+FOREWARNED
+
+
+Alethia Debchance sat in a corner of an otherwise empty railway carriage,
+more or less at ease as regarded body, but in some trepidation as to
+mind. She had embarked on a social adventure of no little magnitude as
+compared with the accustomed seclusion and stagnation of her past life.
+At the age of twenty-eight she could look back on nothing more eventful
+than the daily round of her existence in her aunt’s house at
+Webblehinton, a hamlet four and a half miles distant from a country town
+and about a quarter of a century removed from modern times. Their
+neighbours had been elderly and few, not much given to social
+intercourse, but helpful or politely sympathetic in times of illness.
+Newspapers of the ordinary kind were a rarity; those that Alethia saw
+regularly were devoted exclusively either to religion or to poultry, and
+the world of politics was to her an unheeded unexplored region. Her
+ideas on life in general had been acquired through the medium of popular
+respectable novel-writers, and modified or emphasised by such knowledge
+as her aunt, the vicar, and her aunt’s housekeeper had put at her
+disposal. And now, in her twenty-ninth year, her aunt’s death had left
+her, well provided for as regards income, but somewhat isolated in the
+matter of kith and kin and human companionship. She had some cousins who
+were on terms of friendly, though infrequent, correspondence with her,
+but as they lived permanently in Ceylon, a locality about which she knew
+little, beyond the assurance contained in the missionary hymn that the
+human element there was vile, they were not of much immediate use to her.
+Other cousins she also possessed, more distant as regards relationship,
+but not quite so geographically remote, seeing that they lived somewhere
+in the Midlands. She could hardly remember ever having met them, but
+once or twice in the course of the last three or four years they had
+expressed a polite wish that she should pay them a visit; they had
+probably not been unduly depressed by the fact that her aunt’s failing
+health had prevented her from accepting their invitation. The note of
+condolence that had arrived on the occasion of her aunt’s death had
+included a vague hope that Alethia would find time in the near future to
+spend a few days with her cousins, and after much deliberation and many
+hesitations she had written to propose herself as a guest for a definite
+date some weeks ahead. The family, she reflected with relief, was not a
+large one; the two daughters were married and away, there was only old
+Mrs. Bludward and her son Robert at home. Mrs. Bludward was something of
+an invalid, and Robert was a young man who had been at Oxford and was
+going into Parliament. Further than that Alethia’s information did not
+go; her imagination, founded on her extensive knowledge of the people one
+met in novels, had to supply the gaps. The mother was not difficult to
+place; she would either be an ultra-amiable old lady, bearing her feeble
+health with uncomplaining fortitude, and having a kind word for the
+gardener’s boy and a sunny smile for the chance visitor, or else she
+would be cold and peevish, with eyes that pierced you like a gimlet, and
+an unreasoning idolatry of her son. Alethia’s imagination rather
+inclined her to the latter view. Robert was more of a problem. There
+were three dominant types of manhood to be taken into consideration in
+working out his classification; there was Hugo, who was strong, good, and
+beautiful, a rare type and not very often met with; there was Sir Jasper,
+who was utterly vile and absolutely unscrupulous, and there was Nevil,
+who was not really bad at heart, but had a weak mouth and usually
+required the life-work of two good women to keep him from ultimate
+disaster. It was probable, Alethia considered, that Robert came into the
+last category, in which case she was certain to enjoy the companionship
+of one or two excellent women, and might possibly catch glimpses of
+undesirable adventuresses or come face to face with reckless
+admiration-seeking married women. It was altogether an exciting
+prospect, this sudden venture into an unexplored world of unknown human
+beings, and Alethia rather wished that she could have taken the vicar
+with her; she was not, however, rich or important enough to travel with a
+chaplain, as the Marquis of Moystoncleugh always did in the novel she had
+just been reading, so she recognised that such a proceeding was out of
+the question.
+
+The train which carried Alethia towards her destination was a local one,
+with the wayside station habit strongly developed. At most of the
+stations no one seemed to want to get into the train or to leave it, but
+at one there were several market folk on the platform, and two men, of
+the farmer or small cattle-dealer class, entered Alethia’s carriage.
+Apparently they had just foregathered, after a day’s business, and their
+conversation consisted of a rapid exchange of short friendly inquiries as
+to health, family, stock, and so forth, and some grumbling remarks on the
+weather. Suddenly, however, their talk took a dramatically interesting
+turn, and Alethia listened with wide-eyed attention.
+
+“What do you think of Mister Robert Bludward, eh?”
+
+There was a certain scornful ring in his question.
+
+“Robert Bludward? An out-an’-out rotter, that’s what he is. Ought to be
+ashamed to look any decent man in the face. Send him to Parliament to
+represent us—not much! He’d rob a poor man of his last shilling, he
+would.”
+
+“Ah, that he would. Tells a pack of lies to get our votes, that’s all
+that he’s after, damn him. Did you see the way the _Argus_ showed him up
+this week? Properly exposed him, hip and thigh, I tell you.”
+
+And so on they ran, in their withering indictment. There could be no
+doubt that it was Alethia’s cousin and prospective host to whom they were
+referring; the allusion to a Parliamentary candidature settled that.
+What could Robert Bludward have done, what manner of man could he be,
+that people should speak of him with such obvious reprobation?
+
+“He was hissed down at Shoalford yesterday,” said one of the speakers.
+
+Hissed! Had it come to that? There was something dramatically biblical
+in the idea of Robert Bludward’s neighbours and acquaintances hissing him
+for very scorn. Lord Hereward Stranglath had been hissed, now Alethia
+came to think of it, in the eighth chapter of _Matterby Towers_, while in
+the act of opening a Wesleyan bazaar, because he was suspected (unjustly
+as it turned out afterwards) of having beaten the German governess to
+death. And in _Tainted Guineas_ Roper Squenderby had been deservedly
+hissed, on the steps of the Jockey Club, for having handed a rival owner
+a forged telegram, containing false news of his mother’s death, just
+before the start for an important race, thereby ensuring the withdrawal
+of his rival’s horse. In placid Saxon-blooded England people did not
+demonstrate their feelings lightly and without some strong compelling
+cause. What manner of evildoer was Robert Bludward?
+
+The train stopped at another small station, and the two men got out. One
+of them left behind him a copy of the _Argus_, the local paper to which
+he had made reference. Alethia pounced on it, in the expectation of
+finding a cultured literary endorsement of the censure which these rough
+farming men had expressed in their homely, honest way. She had not far
+to look; “Mr. Robert Bludward, Swanker,” was the title of one of the
+principal articles in the paper. She did not exactly know what a swanker
+was, probably it referred to some unspeakable form of cruelty, but she
+read enough in the first few sentences of the article to discover that
+her cousin Robert, the man at whose house she was about to stay, was an
+unscrupulous, unprincipled character, of a low order of intelligence, yet
+cunning withal, and that he and his associates were responsible for most
+of the misery, disease, poverty, and ignorance with which the country was
+afflicted; never, except in one or two of the denunciatory Psalms, which
+she had always supposed to have be written in a spirit of exaggerated
+Oriental imagery, had she read such an indictment of a human being. And
+this monster was going to meet her at Derrelton Station in a few short
+minutes. She would know him at once; he would have the dark beetling
+brows, the quick, furtive glance, the sneering, unsavoury smile that
+always characterised the Sir Jaspers of this world. It was too late to
+escape; she must force herself to meet him with outward calm.
+
+It was a considerable shock to her to find that Robert was fair, with a
+snub nose, merry eye, and rather a schoolboy manner. “A serpent in
+duckling’s plumage,” was her private comment; merciful chance had
+revealed him to her in his true colours.
+
+As they drove away from the station a dissipated-looking man of the
+labouring class waved his hat in friendly salute. “Good luck to you, Mr.
+Bludward,” he shouted; “you’ll come out on top! We’ll break old
+Chobham’s neck for him.”
+
+“Who was that man?” asked Alethia quickly.
+
+“Oh, one of my supporters,” laughed Robert; “a bit of a poacher and a bit
+of a pub-loafer, but he’s on the right side.”
+
+So these were the sort of associates that Robert Bludward consorted with,
+thought Alethia.
+
+“Who is the person he referred to as old Chobham?” she asked.
+
+“Sir John Chobham, the man who is opposing me,” answered Robert; “that is
+his house away there among the trees on the right.”
+
+So there was an upright man, possibly a very Hugo in character, who was
+thwarting and defying the evildoer in his nefarious career, and there was
+a dastardly plot afoot to break his neck! Possibly the attempt would be
+made within the next few hours. He must certainly be warned. Alethia
+remembered how Lady Sylvia Broomgate, in _Nightshade Court_, had
+pretended to be bolted with by her horse up to the front door of a
+threatened county magnate, and had whispered a warning in his ear which
+saved him from being the victim of foul murder. She wondered if there
+was a quiet pony in the stables on which she would be allowed to ride out
+alone. The chances were that she would be watched. Robert would come
+spurring after her and seize her bridle just as she was turning in at Sir
+John’s gates.
+
+A group of men that they passed in a village street gave them no very
+friendly looks, and Alethia thought she heard a furtive hiss; a moment
+later they came upon an errand boy riding a bicycle. He had the frank
+open countenance, neatly brushed hair and tidy clothes that betoken a
+clear conscience and a good mother. He stared straight at the occupants
+of the car, and, after he had passed them, sang in his clear, boyish
+voice:
+
+“We’ll hang Bobby Bludward on the sour apple tree.”
+
+Robert merely laughed. That was how he took the scorn and condemnation
+of his fellow-men. He had goaded them to desperation with his shameless
+depravity till they spoke openly of putting him to a violent death, and
+he laughed.
+
+Mrs. Bludward proved to be of the type that Alethia had suspected,
+thin-lipped, cold-eyed, and obviously devoted to her worthless son. From
+her no help was to be expected. Alethia locked her door that night, and
+placed such ramparts of furniture against it that the maid had great
+difficulty in breaking in with the early tea in the morning.
+
+After breakfast Alethia, on the pretext of going to look at an outlying
+rose-garden, slipped away to the village through which they had passed on
+the previous evening. She remembered that Robert had pointed out to her
+a public reading-room, and here she considered it possible that she might
+meet Sir John Chobham, or some one who knew him well and would carry a
+message to him. The room was empty when she entered it; a _Graphic_
+twelve days old, a yet older copy of _Punch_, and one or two local papers
+lay upon the central table; the other tables were stacked for the most
+part with chess and draughts-boards, and wooden boxes of chessmen and
+dominoes. Listlessly she picked up one of the papers, the _Sentinel_,
+and glanced at its contents. Suddenly she started, and began to read
+with breathless attention a prominently printed article, headed “A Little
+Limelight on Sir John Chobham.” The colour ebbed away from her face, a
+look of frightened despair crept into her eyes. Never, in any novel that
+she had read, had a defenceless young woman been confronted with a
+situation like this. Sir John, the Hugo of her imagination, was, if
+anything, rather more depraved and despicable than Robert Bludward. He
+was mean, evasive, callously indifferent to his country’s interests, a
+cheat, a man who habitually broke his word, and who was responsible, with
+his associates, for most of the poverty, misery, crime, and national
+degradation with which the country was afflicted. He was also a
+candidate for Parliament, it seemed, and as there was only one seat in
+this particular locality, it was obvious that the success of either
+Robert or Sir John would mean a check to the ambitions of the other,
+hence, no doubt, the rivalry and enmity between these otherwise kindred
+souls. One was seeking to have his enemy done to death, the other was
+apparently trying to stir up his supporters to an act of “Lynch law”.
+All this in order that there might be an unopposed election, that one or
+other of the candidates might go into Parliament with honeyed eloquence
+on his lips and blood on his heart. Were men really so vile?
+
+“I must go back to Webblehinton at once,” Alethia informed her astonished
+hostess at lunch time; “I have had a telegram. A friend is very
+seriously ill and I have been sent for.”
+
+It was dreadful to have to concoct lies, but it would be more dreadful to
+have to spend another night under that roof.
+
+Alethia reads novels now with even greater appreciation than before. She
+has been herself in the world outside Webblehinton, the world where the
+great dramas of sin and villainy are played unceasingly. She had come
+unscathed through it, but what might have happened if she had gone
+unsuspectingly to visit Sir John Chobham and warn him of his danger?
+What indeed! She had been saved by the fearless outspokenness of the
+local Press.
+
+
+
+
+THE INTERLOPERS
+
+
+In a forest of mixed growth somewhere on the eastern spurs of the
+Karpathians, a man stood one winter night watching and listening, as
+though he waited for some beast of the woods to come within the range of
+his vision, and, later, of his rifle. But the game for whose presence he
+kept so keen an outlook was none that figured in the sportsman’s calendar
+as lawful and proper for the chase; Ulrich von Gradwitz patrolled the
+dark forest in quest of a human enemy.
+
+The forest lands of Gradwitz were of wide extent and well stocked with
+game; the narrow strip of precipitous woodland that lay on its outskirt
+was not remarkable for the game it harboured or the shooting it afforded,
+but it was the most jealously guarded of all its owner’s territorial
+possessions. A famous law suit, in the days of his grandfather, had
+wrested it from the illegal possession of a neighbouring family of petty
+landowners; the dispossessed party had never acquiesced in the judgment
+of the Courts, and a long series of poaching affrays and similar scandals
+had embittered the relationships between the families for three
+generations. The neighbour feud had grown into a personal one since
+Ulrich had come to be head of his family; if there was a man in the world
+whom he detested and wished ill to it was Georg Znaeym, the inheritor of
+the quarrel and the tireless game-snatcher and raider of the disputed
+border-forest. The feud might, perhaps, have died down or been
+compromised if the personal ill-will of the two men had not stood in the
+way; as boys they had thirsted for one another’s blood, as men each
+prayed that misfortune might fall on the other, and this wind-scourged
+winter night Ulrich had banded together his foresters to watch the dark
+forest, not in quest of four-footed quarry, but to keep a look-out for
+the prowling thieves whom he suspected of being afoot from across the
+land boundary. The roebuck, which usually kept in the sheltered hollows
+during a storm-wind, were running like driven things to-night, and there
+was movement and unrest among the creatures that were wont to sleep
+through the dark hours. Assuredly there was a disturbing element in the
+forest, and Ulrich could guess the quarter from whence it came.
+
+He strayed away by himself from the watchers whom he had placed in ambush
+on the crest of the hill, and wandered far down the steep slopes amid the
+wild tangle of undergrowth, peering through the tree trunks and listening
+through the whistling and skirling of the wind and the restless beating
+of the branches for sight and sound of the marauders. If only on this
+wild night, in this dark, lone spot, he might come across Georg Znaeym,
+man to man, with none to witness—that was the wish that was uppermost in
+his thoughts. And as he stepped round the trunk of a huge beech he came
+face to face with the man he sought.
+
+The two enemies stood glaring at one another for a long silent moment.
+Each had a rifle in his hand, each had hate in his heart and murder
+uppermost in his mind. The chance had come to give full play to the
+passions of a lifetime. But a man who has been brought up under the code
+of a restraining civilisation cannot easily nerve himself to shoot down
+his neighbour in cold blood and without word spoken, except for an
+offence against his hearth and honour. And before the moment of
+hesitation had given way to action a deed of Nature’s own violence
+overwhelmed them both. A fierce shriek of the storm had been answered by
+a splitting crash over their heads, and ere they could leap aside a mass
+of falling beech tree had thundered down on them. Ulrich von Gradwitz
+found himself stretched on the ground, one arm numb beneath him and the
+other held almost as helplessly in a tight tangle of forked branches,
+while both legs were pinned beneath the fallen mass. His heavy
+shooting-boots had saved his feet from being crushed to pieces, but if
+his fractures were not as serious as they might have been, at least it
+was evident that he could not move from his present position till some
+one came to release him. The descending twig had slashed the skin of his
+face, and he had to wink away some drops of blood from his eyelashes
+before he could take in a general view of the disaster. At his side, so
+near that under ordinary circumstances he could almost have touched him,
+lay Georg Znaeym, alive and struggling, but obviously as helplessly
+pinioned down as himself. All round them lay a thick-strewn wreckage of
+splintered branches and broken twigs.
+
+Relief at being alive and exasperation at his captive plight brought a
+strange medley of pious thank-offerings and sharp curses to Ulrich’s
+lips. Georg, who was nearly blinded with the blood which trickled across
+his eyes, stopped his struggling for a moment to listen, and then gave a
+short, snarling laugh.
+
+“So you’re not killed, as you ought to be, but you’re caught, anyway,” he
+cried; “caught fast. Ho, what a jest, Ulrich von Gradwitz snared in his
+stolen forest. There’s real justice for you!”
+
+And he laughed again, mockingly and savagely.
+
+“I’m caught in my own forest-land,” retorted Ulrich. “When my men come
+to release us you will wish, perhaps, that you were in a better plight
+than caught poaching on a neighbour’s land, shame on you.”
+
+Georg was silent for a moment; then he answered quietly:
+
+“Are you sure that your men will find much to release? I have men, too,
+in the forest to-night, close behind me, and _they_ will be here first
+and do the releasing. When they drag me out from under these damned
+branches it won’t need much clumsiness on their part to roll this mass of
+trunk right over on the top of you. Your men will find you dead under a
+fallen beech tree. For form’s sake I shall send my condolences to your
+family.”
+
+“It is a useful hint,” said Ulrich fiercely. “My men had orders to
+follow in ten minutes time, seven of which must have gone by already, and
+when they get me out—I will remember the hint. Only as you will have met
+your death poaching on my lands I don’t think I can decently send any
+message of condolence to your family.”
+
+“Good,” snarled Georg, “good. We fight this quarrel out to the death,
+you and I and our foresters, with no cursed interlopers to come between
+us. Death and damnation to you, Ulrich von Gradwitz.”
+
+“The same to you, Georg Znaeym, forest-thief, game-snatcher.”
+
+Both men spoke with the bitterness of possible defeat before them, for
+each knew that it might be long before his men would seek him out or find
+him; it was a bare matter of chance which party would arrive first on the
+scene.
+
+Both had now given up the useless struggle to free themselves from the
+mass of wood that held them down; Ulrich limited his endeavours to an
+effort to bring his one partially free arm near enough to his outer
+coat-pocket to draw out his wine-flask. Even when he had accomplished
+that operation it was long before he could manage the unscrewing of the
+stopper or get any of the liquid down his throat. But what a Heaven-sent
+draught it seemed! It was an open winter, and little snow had fallen as
+yet, hence the captives suffered less from the cold than might have been
+the case at that season of the year; nevertheless, the wine was warming
+and reviving to the wounded man, and he looked across with something like
+a throb of pity to where his enemy lay, just keeping the groans of pain
+and weariness from crossing his lips.
+
+“Could you reach this flask if I threw it over to you?” asked Ulrich
+suddenly; “there is good wine in it, and one may as well be as
+comfortable as one can. Let us drink, even if to-night one of us dies.”
+
+“No, I can scarcely see anything; there is so much blood caked round my
+eyes,” said Georg, “and in any case I don’t drink wine with an enemy.”
+
+Ulrich was silent for a few minutes, and lay listening to the weary
+screeching of the wind. An idea was slowly forming and growing in his
+brain, an idea that gained strength every time that he looked across at
+the man who was fighting so grimly against pain and exhaustion. In the
+pain and languor that Ulrich himself was feeling the old fierce hatred
+seemed to be dying down.
+
+“Neighbour,” he said presently, “do as you please if your men come first.
+It was a fair compact. But as for me, I’ve changed my mind. If my men
+are the first to come you shall be the first to be helped, as though you
+were my guest. We have quarrelled like devils all our lives over this
+stupid strip of forest, where the trees can’t even stand upright in a
+breath of wind. Lying here to-night thinking I’ve come to think we’ve
+been rather fools; there are better things in life than getting the
+better of a boundary dispute. Neighbour, if you will help me to bury the
+old quarrel I—I will ask you to be my friend.”
+
+Georg Znaeym was silent for so long that Ulrich thought, perhaps, he had
+fainted with the pain of his injuries. Then he spoke slowly and in
+jerks.
+
+“How the whole region would stare and gabble if we rode into the
+market-square together. No one living can remember seeing a Znaeym and a
+von Gradwitz talking to one another in friendship. And what peace there
+would be among the forester folk if we ended our feud to-night. And if
+we choose to make peace among our people there is none other to
+interfere, no interlopers from outside . . . You would come and keep the
+Sylvester night beneath my roof, and I would come and feast on some high
+day at your castle . . . I would never fire a shot on your land, save
+when you invited me as a guest; and you should come and shoot with me
+down in the marshes where the wildfowl are. In all the countryside there
+are none that could hinder if we willed to make peace. I never thought
+to have wanted to do other than hate you all my life, but I think I have
+changed my mind about things too, this last half-hour. And you offered
+me your wine-flask . . . Ulrich von Gradwitz, I will be your friend.”
+
+For a space both men were silent, turning over in their minds the
+wonderful changes that this dramatic reconciliation would bring about.
+In the cold, gloomy forest, with the wind tearing in fitful gusts through
+the naked branches and whistling round the tree-trunks, they lay and
+waited for the help that would now bring release and succour to both
+parties. And each prayed a private prayer that his men might be the
+first to arrive, so that he might be the first to show honourable
+attention to the enemy that had become a friend.
+
+Presently, as the wind dropped for a moment, Ulrich broke silence.
+
+“Let’s shout for help,” he said, “in this lull our voices may
+carry a little way.”
+
+“They won’t carry far through the trees and undergrowth,” said Georg,
+“but we can try. Together, then.”
+
+The two raised their voices in a prolonged hunting call.
+
+“Together again,” said Ulrich a few minutes later, after listening in
+vain for an answering halloo.
+
+“I heard nothing but the pestilential wind,” said Georg hoarsely.
+
+There was silence again for some minutes, and then Ulrich gave a joyful
+cry.
+
+“I can see figures coming through the wood. They are following in the
+way I came down the hillside.”
+
+Both men raised their voices in as loud a shout as they could muster.
+
+“They hear us! They’ve stopped. Now they see us. They’re running down
+the hill towards us,” cried Ulrich.
+
+“How many of them are there?” asked Georg.
+
+“I can’t see distinctly,” said Ulrich; “nine or ten,”
+
+“Then they are yours,” said Georg; “I had only seven out with me.”
+
+“They are making all the speed they can, brave lads,” said Ulrich gladly.
+
+“Are they your men?” asked Georg. “Are they your men?” he repeated
+impatiently as Ulrich did not answer.
+
+“No,” said Ulrich with a laugh, the idiotic chattering laugh of a man
+unstrung with hideous fear.
+
+“Who are they?” asked Georg quickly, straining his eyes to see what the
+other would gladly not have seen.
+
+“_Wolves_.”
+
+
+
+
+QUAIL SEED
+
+
+“The outlook is not encouraging for us smaller businesses,” said Mr.
+Scarrick to the artist and his sister, who had taken rooms over his
+suburban grocery store. “These big concerns are offering all sorts of
+attractions to the shopping public which we couldn’t afford to imitate,
+even on a small scale—reading-rooms and play-rooms and gramophones and
+Heaven knows what. People don’t care to buy half a pound of sugar
+nowadays unless they can listen to Harry Lauder and have the latest
+Australian cricket scores ticked off before their eyes. With the big
+Christmas stock we’ve got in we ought to keep half a dozen assistants
+hard at work, but as it is my nephew Jimmy and myself can pretty well
+attend to it ourselves. It’s a nice stock of goods, too, if I could only
+run it off in a few weeks time, but there’s no chance of that—not unless
+the London line was to get snowed up for a fortnight before Christmas. I
+did have a sort of idea of engaging Miss Luffcombe to give recitations
+during afternoons; she made a great hit at the Post Office entertainment
+with her rendering of ‘Little Beatrice’s Resolve’.”
+
+“Anything less likely to make your shop a fashionable shopping centre I
+can’t imagine,” said the artist, with a very genuine shudder; “if I were
+trying to decide between the merits of Carlsbad plums and confected figs
+as a winter dessert it would infuriate me to have my train of thought
+entangled with little Beatrice’s resolve to be an Angel of Light or a
+girl scout. No,” he continued, “the desire to get something thrown in
+for nothing is a ruling passion with the feminine shopper, but you can’t
+afford to pander effectively to it. Why not appeal to another instinct;
+which dominates not only the woman shopper but the male shopper—in fact,
+the entire human race?”
+
+“What is that instinct, sir?” said the grocer.
+
+ * * * * *
+
+Mrs. Greyes and Miss Fritten had missed the 2.18 to Town, and as there
+was not another train till 3.12 they thought that they might as well make
+their grocery purchases at Scarrick’s. It would not be sensational, they
+agreed, but it would still be shopping.
+
+For some minutes they had the shop almost to themselves, as far as
+customers were concerned, but while they were debating the respective
+virtues and blemishes of two competing brands of anchovy paste they were
+startled by an order, given across the counter, for six pomegranates and
+a packet of quail seed. Neither commodity was in general demand in that
+neighbourhood. Equally unusual was the style and appearance of the
+customer; about sixteen years old, with dark olive skin, large dusky
+eyes, and thick, low-growing, blue-black hair, he might have made his
+living as an artist’s model. As a matter of fact he did. The bowl of
+beaten brass that he produced for the reception of his purchases was
+distinctly the most astonishing variation on the string bag or marketing
+basket of suburban civilisation that his fellow-shoppers had ever seen.
+He threw a gold piece, apparently of some exotic currency, across the
+counter, and did not seem disposed to wait for any change that might be
+forthcoming.
+
+“The wine and figs were not paid for yesterday,” he said; “keep what is
+over of the money for our future purchases.”
+
+“A very strange-looking boy?” said Mrs. Greyes interrogatively to the
+grocer as soon as his customer had left.
+
+“A foreigner, I believe,” said Mr. Scarrick, with a shortness that was
+entirely out of keeping with his usually communicative manner.
+
+“I wish for a pound and a half of the best coffee you have,” said an
+authoritative voice a moment or two later. The speaker was a tall,
+authoritative-looking man of rather outlandish aspect, remarkable among
+other things for a full black beard, worn in a style more in vogue in
+early Assyria than in a London suburb of the present day.
+
+“Has a dark-faced boy been here buying pomegranates?” he asked suddenly,
+as the coffee was being weighed out to him.
+
+The two ladies almost jumped on hearing the grocer reply with an
+unblushing negative.
+
+“We have a few pomegranates in stock,” he continued, “but there has been
+no demand for them.”
+
+“My servant will fetch the coffee as usual,” said the purchaser,
+producing a coin from a wonderful metal-work purse. As an apparent
+afterthought he fired out the question: “Have you, perhaps, any quail
+seed?”
+
+“No,” said the grocer, without hesitation, “we don’t stock it.”
+
+“What will he deny next?” asked Mrs. Greyes under her breath. What made
+it seem so much worse was the fact that Mr. Scarrick had quite recently
+presided at a lecture on Savonarola.
+
+Turning up the deep astrachan collar of his long coat, the stranger swept
+out of the shop, with the air, Miss Fritten afterwards described it, of a
+Satrap proroguing a Sanhedrim. Whether such a pleasant function ever
+fell to a Satrap’s lot she was not quite certain, but the simile
+faithfully conveyed her meaning to a large circle of acquaintances.
+
+“Don’t let’s bother about the 3.12,” said Mrs. Greyes; “let’s go and talk
+this over at Laura Lipping’s. It’s her day.”
+
+When the dark-faced boy arrived at the shop next day with his brass
+marketing bowl there was quite a fair gathering of customers, most of
+whom seemed to be spinning out their purchasing operations with the air
+of people who had very little to do with their time. In a voice that was
+heard all over the shop, perhaps because everybody was intently
+listening, he asked for a pound of honey and a packet of quail seed.
+
+“More quail seed!” said Miss Fritten. “Those quails must be voracious,
+or else it isn’t quail seed at all.”
+
+“I believe it’s opium, and the bearded man is a detective,” said Mrs.
+Greyes brilliantly.
+
+“I don’t,” said Laura Lipping; “I’m sure it’s something to do with the
+Portuguese Throne.”
+
+“More likely to be a Persian intrigue on behalf of the ex-Shah,” said
+Miss Fritten; “the bearded man belongs to the Government Party. The
+quail-seed is a countersign, of course; Persia is almost next door to
+Palestine, and quails come into the Old Testament, you know.”
+
+“Only as a miracle,” said her well-informed younger sister; “I’ve thought
+all along it was part of a love intrigue.”
+
+The boy who had so much interest and speculation centred on him was on
+the point of departing with his purchases when he was waylaid by Jimmy,
+the nephew-apprentice, who, from his post at the cheese and bacon
+counter, commanded a good view of the street.
+
+“We have some very fine Jaffa oranges,” he said hurriedly, pointing to a
+corner where they were stored, behind a high rampart of biscuit tins.
+There was evidently more in the remark than met the ear. The boy flew at
+the oranges with the enthusiasm of a ferret finding a rabbit family at
+home after a long day of fruitless subterranean research. Almost at the
+same moment the bearded stranger stalked into the shop, and flung an
+order for a pound of dates and a tin of the best Smyrna halva across the
+counter. The most adventurous housewife in the locality had never heard
+of halva, but Mr. Scarrick was apparently able to produce the best Smyrna
+variety of it without a moment’s hesitation.
+
+“We might be living in the Arabian Nights,” said Miss Fritten, excitedly.
+
+“Hush! Listen,” beseeched Mrs. Greyes.
+
+“Has the dark-faced boy, of whom I spoke yesterday, been here to-day?”
+asked the stranger.
+
+“We’ve had rather more people than usual in the shop to-day,” said Mr.
+Scarrick, “but I can’t recall a boy such as you describe.”
+
+Mrs. Greyes and Miss Fritten looked round triumphantly at their friends.
+It was, of course, deplorable that any one should treat the truth as an
+article temporarily and excusably out of stock, but they felt gratified
+that the vivid accounts they had given of Mr. Scarrick’s traffic in
+falsehoods should receive confirmation at first hand.
+
+“I shall never again be able to believe what he tells me about the
+absence of colouring matter in the jam,” whispered an aunt of Mrs. Greyes
+tragically.
+
+The mysterious stranger took his departure; Laura Lipping distinctly saw
+a snarl of baffled rage reveal itself behind his heavy moustache and
+upturned astrachan collar. After a cautious interval the seeker after
+oranges emerged from behind the biscuit tins, having apparently failed to
+find any individual orange that satisfied his requirements. He, too,
+took his departure, and the shop was slowly emptied of its parcel and
+gossip laden customers. It was Emily Yorling’s “day”, and most of the
+shoppers made their way to her drawing-room. To go direct from a
+shopping expedition to a tea party was what was known locally as “living
+in a whirl”.
+
+Two extra assistants had been engaged for the following afternoon, and
+their services were in brisk demand; the shop was crowded. People bought
+and bought, and never seemed to get to the end of their lists. Mr.
+Scarrick had never had so little difficulty in persuading customers to
+embark on new experiences in grocery wares. Even those women whose
+purchases were of modest proportions dawdled over them as though they had
+brutal, drunken husbands to go home to. The afternoon had dragged
+uneventfully on, and there was a distinct buzz of unpent excitement when
+a dark-eyed boy carrying a brass bowl entered the shop. The excitement
+seemed to have communicated itself to Mr. Scarrick; abruptly deserting a
+lady who was making insincere inquiries about the home life of the Bombay
+duck, he intercepted the newcomer on his way to the accustomed counter
+and informed him, amid a deathlike hush, that he had run out of quail
+seed.
+
+The boy looked nervously round the shop, and turned hesitatingly to go.
+He was again intercepted, this time by the nephew, who darted out from
+behind his counter and said something about a better line of oranges.
+The boy’s hesitation vanished; he almost scuttled into the obscurity of
+the orange corner. There was an expectant turn of public attention
+towards the door, and the tall, bearded stranger made a really effective
+entrance. The aunt of Mrs. Greyes declared afterwards that she found
+herself sub-consciously repeating “The Assyrian came down like a wolf on
+the fold” under her breath, and she was generally believed.
+
+The newcomer, too, was stopped before he reached the counter, but not by
+Mr. Scarrick or his assistant. A heavily veiled lady, whom no one had
+hitherto noticed, rose languidly from a seat and greeted him in a clear,
+penetrating voice.
+
+“Your Excellency does his shopping himself?” she said.
+
+“I order the things myself,” he explained; “I find it difficult to make
+my servants understand.”
+
+In a lower, but still perfectly audible, voice the veiled lady gave him a
+piece of casual information.
+
+“They have some excellent Jaffa oranges here.” Then with a tinkling
+laugh she passed out of the shop.
+
+The man glared all round the shop, and then, fixing his eyes
+instinctively on the barrier of biscuit tins, demanded loudly of the
+grocer: “You have, perhaps, some good Jaffa oranges?”
+
+Every one expected an instant denial on the part of Mr. Scarrick of any
+such possession. Before he could answer, however, the boy had broken
+forth from his sanctuary. Holding his empty brass bowl before him he
+passed out into the street. His face was variously described afterwards
+as masked with studied indifference, overspread with ghastly pallor, and
+blazing with defiance. Some said that his teeth chattered, others that
+he went out whistling the Persian National Hymn. There was no mistaking,
+however, the effect produced by the encounter on the man who had seemed
+to force it. If a rabid dog or a rattlesnake had suddenly thrust its
+companionship on him he could scarcely have displayed a greater access of
+terror. His air of authority and assertiveness had gone, his masterful
+stride had given way to a furtive pacing to and fro, as of an animal
+seeking an outlet for escape. In a dazed perfunctory manner, always with
+his eyes turning to watch the shop entrance, he gave a few random orders,
+which the grocer made a show of entering in his book. Now and then he
+walked out into the street, looked anxiously in all directions, and
+hurried back to keep up his pretence of shopping. From one of these
+sorties he did not return; he had dashed away into the dusk, and neither
+he nor the dark-faced boy nor the veiled lady were seen again by the
+expectant crowds that continued to throng the Scarrick establishment for
+days to come.
+
+ * * * * *
+
+“I can never thank you and your sister sufficiently,” said the grocer.
+
+“We enjoyed the fun of it,” said the artist modestly, “and as for the
+model, it was a welcome variation on posing for hours for ‘The Lost
+Hylas’.”
+
+“At any rate,” said the grocer, “I insist on paying for the hire of the
+black beard.”
+
+
+
+
+CANOSSA
+
+
+Demosthenes Platterbaff, the eminent Unrest Inducer, stood on his trial
+for a serious offence, and the eyes of the political world were focussed
+on the jury. The offence, it should be stated, was serious for the
+Government rather than for the prisoner. He had blown up the Albert Hall
+on the eve of the great Liberal Federation Tango Tea, the occasion on
+which the Chancellor of the Exchequer was expected to propound his new
+theory: “Do partridges spread infectious diseases?” Platterbaff had
+chosen his time well; the Tango Tea had been hurriedly postponed, but
+there were other political fixtures which could not be put off under any
+circumstances. The day after the trial there was to be a by-election at
+Nemesis-on-Hand, and it had been openly announced in the division that if
+Platterbaff were languishing in gaol on polling day the Government
+candidate would be “outed” to a certainty. Unfortunately, there could be
+no doubt or misconception as to Platterbaff’s guilt. He had not only
+pleaded guilty, but had expressed his intention of repeating his escapade
+in other directions as soon as circumstances permitted; throughout the
+trial he was busy examining a small model of the Free Trade Hall in
+Manchester. The jury could not possibly find that the prisoner had not
+deliberately and intentionally blown up the Albert Hall; the question
+was: Could they find any extenuating circumstances which would permit of
+an acquittal? Of course any sentence which the law might feel compelled
+to inflict would be followed by an immediate pardon, but it was highly
+desirable, from the Government’s point of view, that the necessity for
+such an exercise of clemency should not arise. A headlong pardon, on the
+eve of a bye-election, with threats of a heavy voting defection if it
+were withheld or even delayed, would not necessarily be a surrender, but
+it would look like one. Opponents would be only too ready to attribute
+ungenerous motives. Hence the anxiety in the crowded Court, and in the
+little groups gathered round the tape-machines in Whitehall and Downing
+Street and other affected centres.
+
+The jury returned from considering their verdict; there was a flutter, an
+excited murmur, a deathlike hush. The foreman delivered his message:
+
+“The jury find the prisoner guilty of blowing up the Albert Hall. The
+jury wish to add a rider drawing attention to the fact that a by-election
+is pending in the Parliamentary division of Nemesis-on-Hand.”
+
+“That, of course,” said the Government Prosecutor, springing to his feet,
+“is equivalent to an acquittal?”
+
+“I hardly think so,” said the Judge, coldly; “I feel obliged to sentence
+the prisoner to a week’s imprisonment.”
+
+“And may the Lord have mercy on the poll,” a Junior Counsel exclaimed
+irreverently.
+
+It was a scandalous sentence, but then the Judge was not on the
+Ministerial side in politics.
+
+The verdict and sentence were made known to the public at twenty minutes
+past five in the afternoon; at half-past five a dense crowd was massed
+outside the Prime Minister’s residence lustily singing, to the air of
+“Trelawney”:
+
+ “And should our Hero rot in gaol,
+ For e’en a single day,
+ There’s Fifteen Hundred Voting Men
+ Will vote the other way.”
+
+“Fifteen hundred,” said the Prime Minister, with a shudder; “it’s too
+horrible to think of. Our majority last time was only a thousand and
+seven.”
+
+“The poll opens at eight to-morrow morning,” said the Chief Organiser;
+“we must have him out by 7 a.m.”
+
+“Seven-thirty,” amended the Prime Minister; “we must avoid any appearance
+of precipitancy.”
+
+“Not later than seven-thirty, then,” said the Chief Organiser; “I have
+promised the agent down there that he shall be able to display posters
+announcing ‘Platterbaff is Out,’ before the poll opens. He said it was
+our only chance of getting a telegram ‘Radprop is In’ to-night.”
+
+At half-past seven the next morning the Prime Minister and the Chief
+Organiser sat at breakfast, making a perfunctory meal, and awaiting the
+return of the Home Secretary, who had gone in person to superintend the
+releasing of Platterbaff. Despite the earliness of the hour a small
+crowd had gathered in the street outside, and the horrible menacing
+Trelawney refrain of the “Fifteen Hundred Voting Men” came in a steady,
+monotonous chant.
+
+“They will cheer presently when they hear the news,” said the Prime
+Minister hopefully; “hark! They are booing some one now! That must be
+McKenna.”
+
+The Home Secretary entered the room a moment later, disaster written on
+his face.
+
+“He won’t go!” he exclaimed.
+
+“Won’t go? Won’t leave gaol?”
+
+“He won’t go unless he has a brass band. He says he never has left
+prison without a brass band to play him out, and he’s not going to go
+without one now.”
+
+“But surely that sort of thing is provided by his supporters and
+admirers?” said the Prime Minister; “we can hardly be supposed to supply
+a released prisoner with a brass band. How on earth could we defend it
+on the Estimates?”
+
+“His supporters say it is up to us to provide the music,” said the Home
+Secretary; “they say we put him in prison, and it’s our affair to see
+that he leaves it in a respectable manner. Anyway, he won’t go unless he
+has a band.”
+
+The telephone squealed shrilly; it was a trunk call from Nemesis.
+
+“Poll opens in five minutes. Is Platterbaff out yet? In Heaven’s name,
+why—”
+
+The Chief Organiser rang off.
+
+“This is not a moment for standing on dignity,” he observed bluntly;
+“musicians must be supplied at once. Platterbaff must have his band.”
+
+“Where are you going to find the musicians?” asked the Home Secretary
+wearily; “we can’t employ a military band, in fact, I don’t think he’d
+have one if we offered it, and there ain’t any others. There’s a
+musicians’ strike on, I suppose you know.”
+
+“Can’t you get a strike permit?” asked the Organiser.
+
+“I’ll try,” said the Home Secretary, and went to the telephone.
+
+Eight o’clock struck. The crowd outside chanted with an increasing
+volume of sound:
+
+ “Will vote the other way.”
+
+A telegram was brought in. It was from the central committee rooms at
+Nemesis. “Losing twenty votes per minute,” was its brief message.
+
+Ten o’clock struck. The Prime Minister, the Home Secretary, the Chief
+Organiser, and several earnest helpful friends were gathered in the inner
+gateway of the prison, talking volubly to Demosthenes Platterbaff, who
+stood with folded arms and squarely planted feet, silent in their midst.
+Golden-tongued legislators whose eloquence had swayed the Marconi Inquiry
+Committee, or at any rate the greater part of it, expended their arts of
+oratory in vain on this stubborn unyielding man. Without a band he would
+not go; and they had no band.
+
+A quarter past ten, half-past. A constant stream of telegraph boys
+poured in through the prison gates.
+
+“Yamley’s factory hands just voted you can guess how,” ran a despairing
+message, and the others were all of the same tenour. Nemesis was going
+the way of Reading.
+
+“Have you any band instruments of an easy nature to play?” demanded the
+Chief Organiser of the Prison Governor; “drums, cymbals, those sort of
+things?”
+
+“The warders have a private band of their own,” said the Governor, “but
+of course I couldn’t allow the men themselves—”
+
+“Lend us the instruments,” said the Chief Organiser.
+
+One of the earnest helpful friends was a skilled performer on the cornet,
+the Cabinet Ministers were able to clash cymbals more or less in tune,
+and the Chief Organiser has some knowledge of the drum.
+
+“What tune would you prefer?” he asked Platterbaff.
+
+“The popular song of the moment,” replied the Agitator after a moment’s
+reflection.
+
+It was a tune they had all heard hundreds of times, so there was no
+difficulty in turning out a passable imitation of it. To the improvised
+strains of “I didn’t want to do it” the prisoner strode forth to freedom.
+The word of the song had reference, it was understood, to the
+incarcerating Government and not to the destroyer of the Albert Hall.
+
+The seat was lost, after all, by a narrow majority. The local Trade
+Unionists took offence at the fact of Cabinet Ministers having personally
+acted as strike-breakers, and even the release of Platterbaff failed to
+pacify them.
+
+The seat was lost, but Ministers had scored a moral victory. They had
+shown that they knew when and how to yield.
+
+
+
+
+THE THREAT
+
+
+Sir Lulworth Quayne sat in the lounge of his favourite restaurant, the
+Gallus Bankiva, discussing the weaknesses of the world with his nephew,
+who had lately returned from a much-enlivened exile in the wilds of
+Mexico. It was that blessed season of the year when the asparagus and
+the plover’s egg are abroad in the land, and the oyster has not yet
+withdrawn into it’s summer entrenchments, and Sir Lulworth and his nephew
+were in that enlightened after-dinner mood when politics are seen in
+their right perspective, even the politics of Mexico.
+
+“Most of the revolutions that take place in this country nowadays,” said
+Sir Lulworth, “are the product of moments of legislative panic. Take,
+for instance, one of the most dramatic reforms that has been carried
+through Parliament in the lifetime of this generation. It happened
+shortly after the coal strike, of unblessed memory. To you, who have
+been plunged up to the neck in events of a more tangled and tumbled
+description, the things I am going to tell you of may seem of secondary
+interest, but after all we had to live in the midst of them.”
+
+Sir Lulworth interrupted himself for a moment to say a few kind words to
+the liqueur brandy he had just tasted, and them resumed his narrative.
+
+“Whether one sympathises with the agitation for female suffrage or not
+one has to admit that its promoters showed tireless energy and
+considerable enterprise in devising and putting into action new methods
+for accomplishing their ends. As a rule they were a nuisance and a
+weariness to the flesh, but there were times when they verged on the
+picturesque. There was the famous occasion when they enlivened and
+diversified the customary pageantry of the Royal progress to open
+Parliament by letting loose thousands of parrots, which had been
+carefully trained to scream ‘Votes for women,’ and which circled round
+his Majesty’s coach in a clamorous cloud of green, and grey and scarlet.
+It was really rather a striking episode from the spectacular point of
+view; unfortunately, however, for its devisers, the secret of their
+intentions had not been well kept, and their opponents let loose at the
+same moment a rival swarm of parrots, which screeched ‘I _don’t_ think’
+and other hostile cries, thereby robbing the demonstration of the
+unanimity which alone could have made it politically impressive. In the
+process of recapture the birds learned a quantity of additional language
+which unfitted them for further service in the Suffragette cause; some of
+the green ones were secured by ardent Home Rule propagandists and trained
+to disturb the serenity of Orange meetings by pessimistic reflections on
+Sir Edward Carson’s destination in the life to come. In fact, the bird
+in politics is a factor that seems to have come to stay; quite recently,
+at a political gathering held in a dimly-lighted place of worship, the
+congregation gave a respectful hearing for nearly ten minutes to a
+jackdaw from Wapping, under the impression that they were listening to
+the Chancellor of the Exchequer, who was late in arriving.”
+
+“But the Suffragettes,” interrupted the nephew; “what did they do next?”
+
+“After the bird fiasco,” said Sir Lulworth, “the militant section made a
+demonstration of a more aggressive nature; they assembled in force on the
+opening day of the Royal Academy Exhibition and destroyed some three or
+four hundred of the pictures. This proved an even worse failure than the
+parrot business; every one agreed that there were always far too many
+pictures in the Academy Exhibition, and the drastic weeding out of a few
+hundred canvases was regarded as a positive improvement. Moreover, from
+the artists’ point of view it was realised that the outrage constituted a
+sort of compensation for those whose works were persistently ‘skied’,
+since out of sight meant also out of reach. Altogether it was one of the
+most successful and popular exhibitions that the Academy had held for
+many years. Then the fair agitators fell back on some of their earlier
+methods; they wrote sweetly argumentative plays to prove that they ought
+to have the vote, they smashed windows to show that they must have the
+vote, and they kicked Cabinet Ministers to demonstrate that they’d better
+have the vote, and still the coldly reasoned or unreasoned reply was that
+they’d better not. Their plight might have been summed up in a
+perversion of Gilbert’s lines—
+
+ “Twenty voteless millions we,
+ Voteless all against our will,
+ Twenty years hence we shall be
+ Twenty voteless millions still.”
+
+And of course the great idea for their master-stroke of strategy came
+from a masculine source. Lena Dubarri, who was the captain-general of
+their thinking department, met Waldo Orpington in the Mall one afternoon,
+just at a time when the fortunes of the Cause were at their lowest ebb.
+Waldo Orpington is a frivolous little fool who chirrups at drawing-room
+concerts and can recognise bits from different composers without
+referring to the programme, but all the same he occasionally has ideas.
+He didn’t care a twopenny fiddlestring about the Cause, but he rather
+enjoyed the idea of having his finger in the political pie. Also it is
+possible, though I should think highly improbable, that he admired Lena
+Dubarri. Anyhow, when Lena gave a rather gloomy account of the existing
+state of things in the Suffragette World, Waldo was not merely
+sympathetic but ready with a practical suggestion. Turning his gaze
+westward along the Mall, towards the setting sun and Buckingham Palace,
+he was silent for a moment, and then said significantly, ‘You have
+expended your energies and enterprise on labours of destruction; why has
+it never occurred to you to attempt something far more terrific?’
+
+“‘What do you mean?’ she asked him eagerly.
+
+“‘Create.’
+
+“‘Do you mean create disturbances? We’ve been doing nothing else for
+months,’ she said.
+
+“Waldo shook his head, and continued to look westward along the Mall.
+He’s rather good at acting in an amateur sort of fashion. Lena followed
+his gaze, and then turned to him with a puzzled look of inquiry.
+
+“‘Exactly,’ said Waldo, in answer to her look.
+
+“‘But—how can we create?’ she asked; ‘it’s been done already.’
+
+“‘Do it _again_,’ said Waldo, ‘and again and again—’
+
+“Before he could finish the sentence she had kissed him. She declared
+afterwards that he was the first man she had ever kissed, and he declared
+that she was the first woman who had ever kissed him in the Mall, so they
+both secured a record of a kind.
+
+“Within the next day or two a new departure was noticeable in Suffragette
+tactics. They gave up worrying Ministers and Parliament and took to
+worrying their own sympathisers and supporters—for funds. The ballot-box
+was temporarily forgotten in the cult of the collecting-box. The
+daughters of the horseleech were not more persistent in their demands,
+the financiers of the tottering _ancien régime_ were not more desperate
+in their expedients for raising money than the Suffragist workers of all
+sections at this juncture, and in one way and another, by fair means and
+normal, they really got together a very useful sum. What they were going
+to do with it no one seemed to know, not even those who were most active
+in collecting work. The secret on this occasion had been well kept.
+Certain transactions that leaked out from time to time only added to the
+mystery of the situation.
+
+“‘Don’t you long to know what we are going to do with our treasure
+hoard?’ Lena asked the Prime Minister one day when she happened to sit
+next to him at a whist drive at the Chinese Embassy.
+
+“‘I was hoping you were going to try a little personal bribery,’ he
+responded banteringly, but some genuine anxiety and curiosity lay behind
+the lightness of his chaff; ‘of course I know,’ he added, ‘that you have
+been buying up building sites in commanding situations in and around the
+Metropolis. Two or three, I’m told, are on the road to Brighton, and
+another near Ascot. You don’t mean to fortify them, do you?’
+
+“‘Something more insidious than that,’ she said; ‘you could prevent us
+from building forts; you can’t prevent us from erecting an exact replica
+of the Victoria Memorial on each of those sites. They’re all private
+property, with no building restrictions attached.’
+
+“‘Which memorial?’ he asked; ‘not the one in front of Buckingham Palace?
+Surely not that one?’
+
+“‘That one,’ she said.
+
+“‘My dear lady,’ he cried, ‘you can’t be serious. It is a beautiful and
+imposing work of art—at any rate one is getting accustomed to it, and
+even if one doesn’t happen to admire it one can always look in another
+direction. But imagine what life would be like if one saw that erection
+confronting one wherever one went. Imagine the effect on people with
+tired, harassed nerves who saw it three times on the way to Brighton and
+three times on the way back. Imagine seeing it dominate the landscape at
+Ascot, and trying to keep your eye off it on the Sandwich golf links.
+What have your countrymen done to deserve such a thing?’
+
+“‘They have refused us the vote,’ said Lena bitterly.
+
+“The Prime Minister always declared himself an opponent of anything
+savouring of panic legislation, but he brought a Bill into Parliament
+forthwith and successfully appealed to both Houses to pass it through all
+its stages within the week. And that is how we got one of the most
+glorious measures of the century.”
+
+“A measure conferring the vote on women?” asked the nephew.
+
+“Oh dear, no. An Act which made it a penal offence to erect
+commemorative statuary anywhere within three miles of a public highway.”
+
+
+
+
+EXCEPTING MRS. PENTHERBY
+
+
+It was Reggie Bruttle’s own idea for converting what had threatened to be
+an albino elephant into a beast of burden that should help him along the
+stony road of his finances. “The Limes,” which had come to him by
+inheritance without any accompanying provision for its upkeep, was one of
+those pretentious, unaccommodating mansions which none but a man of
+wealth could afford to live in, and which not one wealthy man in a
+hundred would choose on its merits. It might easily languish in the
+estate market for years, set round with noticeboards proclaiming it, in
+the eyes of a sceptical world, to be an eminently desirable residence.
+
+Reggie’s scheme was to turn it into the headquarters of a prolonged
+country-house party, in session during the months from October till the
+end of March—a party consisting of young or youngish people of both
+sexes, too poor to be able to do much hunting or shooting on a serious
+scale, but keen on getting their fill of golf, bridge, dancing, and
+occasional theatre-going. No one was to be on the footing of a paying
+guest, but every one was to rank as a paying host; a committee would look
+after the catering and expenditure, and an informal sub-committee would
+make itself useful in helping forward the amusement side of the scheme.
+
+As it was only an experiment, there was to be a general agreement on the
+part of those involved in it to be as lenient and mutually helpful to one
+another as possible. Already a promising nucleus, including one or two
+young married couples, had been got together, and the thing seemed to be
+fairly launched.
+
+“With good management and a little unobtrusive hard work, I think the
+thing ought to be a success,” said Reggie, and Reggie was one of those
+people who are painstaking first and optimistic afterwards.
+
+“There is one rock on which you will unfailingly come to grief, manage
+you never so wisely,” said Major Dagberry, cheerfully; “the women will
+quarrel. Mind you,” continued this prophet of disaster, “I don’t say
+that some of the men won’t quarrel too, probably they will; but the women
+are bound to. You can’t prevent it; it’s in the nature of the sex. The
+hand that rocks the cradle rocks the world, in a volcanic sense. A woman
+will endure discomforts, and make sacrifices, and go without things to an
+heroic extent, but the one luxury she will not go without is her
+quarrels. No matter where she may be, or how transient her appearance on
+a scene, she will instal her feminine feuds as assuredly as a Frenchman
+would concoct soup in the waste of the Arctic regions. At the
+commencement of a sea voyage, before the male traveller knows half a
+dozen of his fellow passengers by sight, the average woman will have
+started a couple of enmities, and laid in material for one or two
+more—provided, of course, that there are sufficient women aboard to
+permit quarrelling in the plural. If there’s no one else she will
+quarrel with the stewardess. This experiment of yours is to run for six
+months; in less than five weeks there will be war to the knife declaring
+itself in half a dozen different directions.”
+
+“Oh, come, there are only eight women in the party; they won’t pick
+quarrels quite so soon as that,” protested Reggie.
+
+“They won’t all originate quarrels, perhaps,” conceded the Major, “but
+they will all take sides, and just as Christmas is upon you, with its
+conventions of peace and good will, you will find yourself in for a
+glacial epoch of cold, unforgiving hostility, with an occasional Etna
+flare of open warfare. You can’t help it, old boy; but, at any rate, you
+can’t say you were not warned.”
+
+The first five weeks of the venture falsified Major Dagberry’s prediction
+and justified Reggie’s optimism. There were, of course, occasional small
+bickerings, and the existence of certain jealousies might be detected
+below the surface of everyday intercourse; but, on the whole, the
+women-folk got on remarkably well together. There was, however, a
+notable exception. It had not taken five weeks for Mrs. Pentherby to get
+herself cordially disliked by the members of her own sex; five days had
+been amply sufficient. Most of the women declared that they had detested
+her the moment they set eyes on her; but that was probably an
+afterthought.
+
+With the menfolk she got on well enough, without being of the type of
+woman who can only bask in male society; neither was she lacking in the
+general qualities which make an individual useful and desirable as a
+member of a co-operative community. She did not try to “get the better
+of” her fellow-hosts by snatching little advantages or cleverly evading
+her just contributions; she was not inclined to be boring or snobbish in
+the way of personal reminiscence. She played a fair game of bridge, and
+her card-room manners were irreproachable. But wherever she came in
+contact with her own sex the light of battle kindled at once; her talent
+of arousing animosity seemed to border on positive genius.
+
+Whether the object of her attentions was thick-skinned or sensitive,
+quick-tempered or good-natured, Mrs. Pentherby managed to achieve the
+same effect. She exposed little weaknesses, she prodded sore places, she
+snubbed enthusiasms, she was generally right in a matter of argument, or,
+if wrong, she somehow contrived to make her adversary appear foolish and
+opinionated. She did, and said, horrible things in a matter-of-fact
+innocent way, and she did, and said, matter-of-fact innocent things in a
+horrible way. In short, the unanimous feminine verdict on her was that
+she was objectionable.
+
+There was no question of taking sides, as the Major had anticipated; in
+fact, dislike of Mrs. Pentherby was almost a bond of union between the
+other women, and more than one threatening disagreement had been rapidly
+dissipated by her obvious and malicious attempts to inflame and extend
+it; and the most irritating thing about her was her successful assumption
+of unruffled composure at moments when the tempers of her adversaries
+were with difficulty kept under control. She made her most scathing
+remarks in the tone of a tube conductor announcing that the next station
+is Brompton Road—the measured, listless tone of one who knows he is
+right, but is utterly indifferent to the fact that he proclaims.
+
+On one occasion Mrs. Val Gwepton, who was not blessed with the most
+reposeful of temperaments, fairly let herself go, and gave Mrs. Pentherby
+a vivid and truthful _résumé_ of her opinion of her. The object of this
+unpent storm of accumulated animosity waited patiently for a lull, and
+then remarked quietly to the angry little woman—
+
+“And now, my dear Mrs. Gwepton, let me tell you something that I’ve been
+wanting to say for the last two or three minutes, only you wouldn’t give
+me a chance; you’ve got a hairpin dropping out on the left side. You
+thin-haired women always find it difficult to keep your hairpins in.”
+
+“What can one do with a woman like that?” Mrs. Val demanded afterwards of
+a sympathising audience.
+
+Of course, Reggie received numerous hints as to the unpopularity of this
+jarring personality. His sister-in-law openly tackled him on the subject
+of her many enormities. Reggie listened with the attenuated regret that
+one bestows on an earthquake disaster in Bolivia or a crop failure in
+Eastern Turkestan, events which seem so distant that one can almost
+persuade oneself they haven’t happened.
+
+“That woman has got some hold over him,” opined his sister-in-law,
+darkly; “either she is helping him to finance the show, and presumes on
+the fact, or else, which Heaven forbid, he’s got some queer infatuation
+for her. Men do take the most extraordinary fancies.”
+
+Matters never came exactly to a crisis. Mrs. Pentherby, as a source of
+personal offence, spread herself over so wide an area that no one woman
+of the party felt impelled to rise up and declare that she absolutely
+refused to stay another week in the same house with her. What is
+everybody’s tragedy is nobody’s tragedy. There was ever a certain
+consolation in comparing notes as to specific acts of offence. Reggie’s
+sister-in-law had the added interest of trying to discover the secret
+bond which blunted his condemnation of Mrs. Pentherby’s long catalogue of
+misdeeds. There was little to go on from his manner towards her in
+public, but he remained obstinately unimpressed by anything that was said
+against her in private.
+
+With the one exception of Mrs. Pentherby’s unpopularity, the house-party
+scheme was a success on its first trial, and there was no difficulty
+about reconstructing it on the same lines for another winter session. It
+so happened that most of the women of the party, and two or three of the
+men, would not be available on this occasion, but Reggie had laid his
+plans well ahead and booked plenty of “fresh blood” for the departure.
+It would be, if any thing, rather a larger party than before.
+
+“I’m so sorry I can’t join this winter,” said Reggie’s sister-in-law,
+“but we must go to our cousins in Ireland; we’ve put them off so often.
+What a shame! You’ll have none of the same women this time.”
+
+“Excepting Mrs. Pentherby,” said Reggie, demurely.
+
+“Mrs. Pentherby! _Surely_, Reggie, you’re not going to be so idiotic as
+to have that woman again! She’ll set all the women’s backs up just as
+she did this time. What _is_ this mysterious hold she’s go over you?”
+
+“She’s invaluable,” said Reggie; “she’s my official quarreller.”
+
+“Your—what did you say?” gasped his sister-in-law.
+
+“I introduced her into the house-party for the express purpose of
+concentrating the feuds and quarrelling that would otherwise have broken
+out in all directions among the womenkind. I didn’t need the advice and
+warning of sundry friends to foresee that we shouldn’t get through six
+months of close companionship without a certain amount of pecking and
+sparring, so I thought the best thing was to localise and sterilise it in
+one process. Of course, I made it well worth the lady’s while, and as
+she didn’t know any of you from Adam, and you don’t even know her real
+name, she didn’t mind getting herself disliked in a useful cause.”
+
+“You mean to say she was in the know all the time?”
+
+“Of course she was, and so were one or two of the men, so she was able to
+have a good laugh with us behind the scenes when she’d done anything
+particularly outrageous. And she really enjoyed herself. You see, she’s
+in the position of poor relation in a rather pugnacious family, and her
+life has been largely spent in smoothing over other people’s quarrels.
+You can imagine the welcome relief of being able to go about saying and
+doing perfectly exasperating things to a whole houseful of women—and all
+in the cause of peace.”
+
+“I think you are the most odious person in the whole world,” said
+Reggie’s sister-in-law. Which was not strictly true; more than anybody,
+more than ever she disliked Mrs. Pentherby. It was impossible to
+calculate how many quarrels that woman had done her out of.
+
+
+
+
+MARK
+
+
+Augustus Mellowkent was a novelist with a future; that is to say, a
+limited but increasing number of people read his books, and there seemed
+good reason to suppose that if he steadily continued to turn out novels
+year by year a progressively increasing circle of readers would acquire
+the Mellowkent habit, and demand his works from the libraries and
+bookstalls. At the instigation of his publisher he had discarded the
+baptismal Augustus and taken the front name of Mark.
+
+“Women like a name that suggests some one strong and silent, able but
+unwilling to answer questions. Augustus merely suggests idle splendour,
+but such a name as Mark Mellowkent, besides being alliterative, conjures
+up a vision of some one strong and beautiful and good, a sort of blend of
+Georges Carpentier and the Reverend What’s-his-name.”
+
+One morning in December Augustus sat in his writing-room, at work on the
+third chapter of his eighth novel. He had described at some length, for
+the benefit of those who could not imagine it, what a rectory garden
+looks like in July; he was now engaged in describing at greater length
+the feelings of a young girl, daughter of a long line of rectors and
+archdeacons, when she discovers for the first time that the postman is
+attractive.
+
+“Their eyes met, for a brief moment, as he handed her two circulars and
+the fat wrapper-bound bulk of the _East Essex News_. Their eyes met, for
+the merest fraction of a second, yet nothing could ever be quite the same
+again. Cost what it might she felt that she must speak, must break the
+intolerable, unreal silence that had fallen on them. ‘How is your
+mother’s rheumatism?’ she said.”
+
+The author’s labours were cut short by the sudden intrusion of a
+maidservant.
+
+“A gentleman to see you, sir,” said the maid, handing a card with the
+name Caiaphas Dwelf inscribed on it; “says it’s important.”
+
+Mellowkent hesitated and yielded; the importance of the visitor’s mission
+was probably illusory, but he had never met any one with the name
+Caiaphas before. It would be at least a new experience.
+
+Mr. Dwelf was a man of indefinite age; his high, narrow forehead, cold
+grey eyes, and determined manner bespoke an unflinching purpose. He had
+a large book under his arm, and there seemed every probability that he
+had left a package of similar volumes in the hall. He took a seat before
+it had been offered him, placed the book on the table, and began to
+address Mellowkent in the manner of an “open letter.”
+
+“You are a literary man, the author of several well-known books—”
+
+“I am engaged on a book at the present moment—rather busily engaged,”
+said Mellowkent, pointedly.
+
+“Exactly,” said the intruder; “time with you is a commodity of
+considerable importance. Minutes, even, have their value.”
+
+“They have,” agreed Mellowkent, looking at his watch.
+
+“That,” said Caiaphas, “is why this book that I am introducing to your
+notice is not a book that you can afford to be without. _Right Here_ is
+indispensable for the writing man; it is no ordinary encyclopædia, or I
+should not trouble to show it to you. It is an inexhaustible mine of
+concise information—”
+
+“On a shelf at my elbow,” said the author, “I have a row of reference
+books that supply me with all the information I am likely to require.”
+
+“Here,” persisted the would-be salesman, “you have it all in one compact
+volume. No matter what the subject may be which you wish to look up, or
+the fact you desire to verify, _Right Here_ gives you all that you want
+to know in the briefest and most enlightening form. Historical
+reference, for instance; career of John Huss, let us say. Here we are:
+‘Huss, John, celebrated religious reformer. Born 1369, burned at
+Constance 1415. The Emperor Sigismund universally blamed.’”
+
+“If he had been burnt in these days every one would have suspected the
+Suffragettes,” observed Mellowkent.
+
+“Poultry-keeping, now,” resumed Caiaphas, “that’s a subject that might
+crop up in a novel dealing with English country life. Here we have all
+about it: ‘The Leghorn as egg-producer. Lack of maternal instinct in the
+Minorca. Gapes in chickens, its cause and cure. Ducklings for the early
+market, how fattened.’ There, you see, there it all is, nothing
+lacking.”
+
+“Except the maternal instinct in the Minorca, and that you could hardly
+be expected to supply.”
+
+“Sporting records, that’s important, too; now how many men, sporting men
+even, are there who can say off-hand what horse won the Derby in any
+particular year? Now it’s just a little thing of that sort—”
+
+“My dear sir,” interrupted Mellowkent, “there are at least four men in my
+club who can not only tell me what horse won in any given year, but what
+horse ought to have won and why it didn’t. If your book could supply a
+method for protecting one from information of that sort it would do more
+than anything you have yet claimed for it.”
+
+“Geography,” said Caiaphas, imperturbably; “that’s a thing that a busy
+man, writing at high pressure, may easily make a slip over. Only the
+other day a well-known author made the Volga flow into the Black Sea
+instead of the Caspian; now, with this book—”
+
+“On a polished rose-wood stand behind you there reposes a reliable and
+up-to-date atlas,” said Mellowkent; “and now I must really ask you to be
+going.”
+
+“An atlas,” said Caiaphas, “gives merely the chart of the river’s course,
+and indicates the principal towns that it passes. Now _Right Here_ gives
+you the scenery, traffic, ferry-boat charges, the prevalent types of
+fish, boatmen’s slang terms, and hours of sailing of the principal river
+steamers. If gives you—”
+
+Mellowkent sat and watched the hard-featured, resolute, pitiless
+salesman, as he sat doggedly in the chair wherein he had installed
+himself, unflinchingly extolling the merits of his undesired wares. A
+spirit of wistful emulation took possession of the author; why could he
+not live up to the cold stern name he had adopted? Why must he sit here
+weakly and listen to this weary, unconvincing tirade, why could he not be
+Mark Mellowkent for a few brief moments, and meet this man on level
+terms?
+
+A sudden inspiration flashed across his.
+
+“Have you read my last book, _The Cageless Linnet_?” he asked.
+
+“I don’t read novels,” said Caiaphas tersely.
+
+“Oh, but you ought to read this one, every one ought to,” exclaimed
+Mellowkent, fishing the book down from a shelf; “published at six
+shillings, you can have it at four-and-six. There is a bit in chapter
+five that I feel sure you would like, where Emma is alone in the birch
+copse waiting for Harold Huntingdon—that is the man her family want her
+to marry. She really wants to marry him, too, but she does not discover
+that till chapter fifteen. Listen: ‘Far as the eye could stretch rolled
+the mauve and purple billows of heather, lit up here and there with the
+glowing yellow of gorse and broom, and edged round with the delicate
+greys and silver and green of the young birch trees. Tiny blue and brown
+butterflies fluttered above the fronds of heather, revelling in the
+sunlight, and overhead the larks were singing as only larks can sing. It
+was a day when all Nature—”
+
+“In _Right Here_ you have full information on all branches of Nature
+study,” broke in the bookagent, with a tired note sounding in his voice
+for the first time; “forestry, insect life, bird migration, reclamation
+of waste lands. As I was saying, no man who has to deal with the varied
+interests of life—”
+
+“I wonder if you would care for one of my earlier books, _The Reluctance
+of Lady Cullumpton_,” said Mellowkent, hunting again through the
+bookshelf; “some people consider it my best novel. Ah, here it is. I
+see there are one or two spots on the cover, so I won’t ask more than
+three-and-ninepence for it. Do let me read you how it opens:
+
+“‘Beatrice Lady Cullumpton entered the long, dimly-lit drawing-room, her
+eyes blazing with a hope that she guessed to be groundless, her lips
+trembling with a fear that she could not disguise. In her hand she
+carried a small fan, a fragile toy of lace and satinwood. Something
+snapped as she entered the room; she had crushed the fan into a dozen
+pieces.’
+
+“There, what do you think of that for an opening? It tells you at once
+that there’s something afoot.”
+
+“I don’t read novels,” said Caiaphas sullenly.
+
+“But just think what a resource they are,” exclaimed the author, “on long
+winter evenings, or perhaps when you are laid up with a strained ankle—a
+thing that might happen to any one; or if you were staying in a
+house-party with persistent wet weather and a stupid hostess and
+insufferably dull fellow-guests, you would just make an excuse that you
+had letters to write, go to your room, light a cigarette, and for
+three-and-ninepence you could plunge into the society of Beatrice Lady
+Cullumpton and her set. No one ought to travel without one or two of my
+novels in their luggage as a stand-by. A friend of mine said only the
+other day that he would as soon think of going into the tropics without
+quinine as of going on a visit without a couple of Mark Mellowkents in
+his kit-bag. Perhaps sensation is more in your line. I wonder if I’ve
+got a copy of _The Python’s Kiss_.”
+
+Caiaphas did not wait to be tempted with selections from that thrilling
+work of fiction. With a muttered remark about having no time to waste on
+monkey-talk, he gathered up his slighted volume and departed. He made no
+audible reply to Mellowkent’s cheerful “Good morning,” but the latter
+fancied that a look of respectful hatred flickered in the cold grey eyes.
+
+
+
+
+THE HEDGEHOG
+
+
+A “Mixed Double” of young people were contesting a game of lawn tennis at
+the Rectory garden party; for the past five-and-twenty years at least
+mixed doubles of young people had done exactly the same thing on exactly
+the same spot at about the same time of year. The young people changed
+and made way for others in the course of time, but very little else
+seemed to alter. The present players were sufficiently conscious of the
+social nature of the occasion to be concerned about their clothes and
+appearance, and sufficiently sport-loving to be keen on the game. Both
+their efforts and their appearance came under the fourfold scrutiny of a
+quartet of ladies sitting as official spectators on a bench immediately
+commanding the court. It was one of the accepted conditions of the
+Rectory garden party that four ladies, who usually knew very little about
+tennis and a great deal about the players, should sit at that particular
+spot and watch the game. It had also come to be almost a tradition that
+two ladies should be amiable, and that the other two should be Mrs. Dole
+and Mrs. Hatch-Mallard.
+
+“What a singularly unbecoming way Eva Jonelet has taken to doing her hair
+in,” said Mrs. Hatch-Mallard; “it’s ugly hair at the best of times, but
+she needn’t make it look ridiculous as well. Some one ought to tell
+her.”
+
+Eva Jonelet’s hair might have escaped Mrs. Hatch-Mallard’s condemnation
+if she could have forgotten the more glaring fact that Eva was Mrs.
+Dole’s favourite niece. It would, perhaps, have been a more comfortable
+arrangement if Mrs. Hatch-Mallard and Mrs. Dole could have been asked to
+the Rectory on separate occasions, but there was only one garden party in
+the course of the year, and neither lady could have been omitted from the
+list of invitations without hopelessly wrecking the social peace of the
+parish.
+
+“How pretty the yew trees look at this time of year,” interposed a lady
+with a soft, silvery voice that suggested a chinchilla muff painted by
+Whistler.
+
+“What do you mean by this time of year?” demanded Mrs. Hatch-Mallard.
+“Yew trees look beautiful at all times of the year. That is their great
+charm.”
+
+“Yew trees never look anything but hideous under any circumstances or at
+any time of year,” said Mrs. Dole, with the slow, emphatic relish of one
+who contradicts for the pleasure of the thing. “They are only fit for
+graveyards and cemeteries.”
+
+Mrs. Hatch-Mallard gave a sardonic snort, which, being translated, meant
+that there were some people who were better fitted for cemeteries than
+for garden parties.
+
+“What is the score, please?” asked the lady with the chinchilla voice.
+
+The desired information was given her by a young gentleman in spotless
+white flannels, whose general toilet effect suggested solicitude rather
+than anxiety.
+
+“What an odious young cub Bertie Dykson has become!” pronounced Mrs.
+Dole, remembering suddenly that Bertie was a favourite with Mrs.
+Hatch-Mallard. “The young men of to-day are not what they used to be
+twenty years ago.”
+
+“Of course not,” said Mrs. Hatch-Mallard; “twenty years ago Bertie Dykson
+was just two years old, and you must expect some difference in appearance
+and manner and conversation between those two periods.”
+
+“Do you know,” said Mrs. Dole, confidentially, “I shouldn’t be surprised
+if that was intended to be clever.”
+
+“Have you any one interesting coming to stay with you, Mrs. Norbury?”
+asked the chinchilla voice, hastily; “you generally have a house party at
+this time of year.”
+
+“I’ve got a most interesting woman coming,” said Mrs. Norbury, who had
+been mutely struggling for some chance to turn the conversation into a
+safe channel; “an old acquaintance of mine, Ada Bleek—”
+
+“What an ugly name,” said Mrs. Hatch-Mallard.
+
+“She’s descended from the de la Bliques, an old Huguenot family of
+Touraine, you know.”
+
+“There weren’t any Huguenots in Touraine,” said Mrs. Hatch-Mallard, who
+thought she might safely dispute any fact that was three hundred years
+old.
+
+“Well, anyhow, she’s coming to stay with me,” continued Mrs. Norbury,
+bringing her story quickly down to the present day, “she arrives this
+evening, and she’s highly clairvoyante, a seventh daughter of a seventh
+daughter, you now, and all that sort of thing.”
+
+“How very interesting,” said the chinchilla voice; “Exwood is just the
+right place for her to come to, isn’t it? There are supposed to be
+several ghosts there.”
+
+“That is why she was so anxious to come,” said Mrs. Norbury; “she put off
+another engagement in order to accept my invitation. She’s had visions
+and dreams, and all those sort of things, that have come true in a most
+marvellous manner, but she’s never actually seen a ghost, and she’s
+longing to have that experience. She belongs to that Research Society,
+you know.”
+
+“I expect she’ll see the unhappy Lady Cullumpton, the most famous of all
+the Exwood ghosts,” said Mrs. Dole; “my ancestor, you know, Sir Gervase
+Cullumpton, murdered his young bride in a fit of jealousy while they were
+on a visit to Exwood. He strangled her in the stables with a stirrup
+leather, just after they had come in from riding, and she is seen
+sometimes at dusk going about the lawns and the stable yard, in a long
+green habit, moaning and trying to get the thong from round her throat.
+I shall be most interested to hear if your friend sees—”
+
+“I don’t know why she should be expected to see a trashy, traditional
+apparition like the so-called Cullumpton ghost, that is only vouched for
+by housemaids and tipsy stable-boys, when my uncle, who was the owner of
+Exwood, committed suicide there under the most tragical circumstances,
+and most certainly haunts the place.”
+
+“Mrs. Hatch-Mallard has evidently never read _Popple’s County History_,”
+said Mrs. Dole icily, “or she would know that the Cullumpton ghost has a
+wealth of evidence behind it—”
+
+“Oh, Popple!” exclaimed Mrs. Hatch-Mallard scornfully; “any rubbishy old
+story is good enough for him. Popple, indeed! Now my uncle’s ghost was
+seen by a Rural Dean, who was also a Justice of the Peace. I should
+think that would be good enough testimony for any one. Mrs. Norbury, I
+shall take it as a deliberate personal affront if your clairvoyante
+friend sees any other ghost except that of my uncle.”
+
+“I daresay she won’t see anything at all; she never has yet, you know,”
+said Mrs. Norbury hopefully.
+
+“It was a most unfortunate topic for me to have broached,” she lamented
+afterwards to the owner of the chinchilla voice; “Exwood belongs to Mrs.
+Hatch-Mallard, and we’ve only got it on a short lease. A nephew of hers
+has been wanting to live there for some time, and if we offend her in any
+way she’ll refuse to renew the lease. I sometimes think these
+garden-parties are a mistake.”
+
+The Norburys played bridge for the next three nights till nearly one
+o’clock; they did not care for the game, but it reduced the time at their
+guest’s disposal for undesirable ghostly visitations.
+
+“Miss Bleek is not likely to be in a frame of mind to see ghosts,” said
+Hugo Norbury, “if she goes to bed with her brain awhirl with royal spades
+and no trumps and grand slams.”
+
+“I’ve talked to her for hours about Mrs. Hatch-Mallard’s uncle,” said his
+wife, “and pointed out the exact spot where he killed himself, and
+invented all sorts of impressive details, and I’ve found an old portrait
+of Lord John Russell and put it in her room, and told her that it’s
+supposed to be a picture of the uncle in middle age. If Ada does see a
+ghost at all it certainly ought to be old Hatch-Mallard’s. At any rate,
+we’ve done our best.”
+
+The precautions were in vain. On the third morning of her stay Ada Bleek
+came down late to breakfast, her eyes looking very tired, but ablaze with
+excitement, her hair done anyhow, and a large brown volume hugged under
+her arm.
+
+“At last I’ve seen something supernatural!” she exclaimed, and gave Mrs.
+Norbury a fervent kiss, as though in gratitude for the opportunity
+afforded her.
+
+“A ghost!” cried Mrs. Norbury, “not really!”
+
+“Really and unmistakably!”
+
+“Was it an oldish man in the dress of about fifty years ago?” asked Mrs.
+Norbury hopefully.
+
+“Nothing of the sort,” said Ada; “it was a white hedgehog.”
+
+“A white hedgehog!” exclaimed both the Norburys, in tones of disconcerted
+astonishment.
+
+“A huge white hedgehog with baleful yellow eyes,” said Ada; “I was lying
+half asleep in bed when suddenly I felt a sensation as of something
+sinister and unaccountable passing through the room. I sat up and looked
+round, and there, under the window, I saw an evil, creeping thing, a sort
+of monstrous hedgehog, of a dirty white colour, with black, loathsome
+claws that clicked and scraped along the floor, and narrow, yellow eyes
+of indescribable evil. It slithered along for a yard or two, always
+looking at me with its cruel, hideous eyes, then, when it reached the
+second window, which was open it clambered up the sill and vanished. I
+got up at once and went to the window; there wasn’t a sign of it
+anywhere. Of course, I knew it must be something from another world, but
+it was not till I turned up Popple’s chapter on local traditions that I
+realised what I had seen.”
+
+She turned eagerly to the large brown volume and read: “’Nicholas
+Herison, an old miser, was hung at Batchford in 1763 for the murder of a
+farm lad who had accidentally discovered his secret hoard. His ghost is
+supposed to traverse the countryside, appearing sometimes as a white owl,
+sometimes as a huge white hedgehog.”
+
+“I expect you read the Popple story overnight, and that made you _think_
+you saw a hedgehog when you were only half awake,” said Mrs. Norbury,
+hazarding a conjecture that probably came very near the truth.
+
+Ada scouted the possibility of such a solution of her apparition.
+
+“This must be hushed up,” said Mrs. Norbury quickly; “the servants—”
+
+“Hushed up!” exclaimed Ada, indignantly; “I’m writing a long report on it
+for the Research Society.”
+
+It was then that Hugo Norbury, who is not naturally a man of brilliant
+resource, had one of the really useful inspirations of his life.
+
+“It was very wicked of us, Miss Bleek,” he said, “but it would be a shame
+to let it go further. That white hedgehog is an old joke of ours;
+stuffed albino hedgehog, you know, that my father brought home from
+Jamaica, where they grow to enormous size. We hide it in the room with a
+string on it, run one end of the string through the window; then we pull
+if from below and it comes scraping along the floor, just as you’ve
+described, and finally jerks out of the window. Taken in heaps of
+people; they all read up Popple and think it’s old Harry Nicholson’s
+ghost; we always stop them from writing to the papers about it, though.
+That would be carrying matters too far.”
+
+Mrs. Hatch-Mallard renewed the lease in due course, but Ada Bleek has
+never renewed her friendship.
+
+
+
+
+THE MAPPINED LIFE
+
+
+“These Mappin Terraces at the Zoological Gardens are a great improvement
+on the old style of wild-beast cage,” said Mrs. James Gurtleberry,
+putting down an illustrated paper; “they give one the illusion of seeing
+the animals in their natural surroundings. I wonder how much of the
+illusion is passed on to the animals?”
+
+“That would depend on the animal,” said her niece; “a jungle-fowl, for
+instance, would no doubt think its lawful jungle surroundings were
+faithfully reproduced if you gave it a sufficiency of wives, a goodly
+variety of seed food and ants’ eggs, a commodious bank of loose earth to
+dust itself in, a convenient roosting tree, and a rival or two to make
+matters interesting. Of course there ought to be jungle-cats and birds
+of prey and other agencies of sudden death to add to the illusion of
+liberty, but the bird’s own imagination is capable of inventing
+those—look how a domestic fowl will squawk an alarm note if a rook or
+wood pigeon passes over its run when it has chickens.”
+
+“You think, then, they really do have a sort of illusion, if you give
+them space enough—”
+
+“In a few cases only. Nothing will make me believe that an acre or so of
+concrete enclosure will make up to a wolf or a tiger-cat for the range of
+night prowling that would belong to it in a wild state. Think of the
+dictionary of sound and scent and recollection that unfolds before a real
+wild beast as it comes out from its lair every evening, with the
+knowledge that in a few minutes it will be hieing along to some distant
+hunting ground where all the joy and fury of the chase awaits it; think
+of the crowded sensations of the brain when every rustle, every cry,
+every bent twig, and every whiff across the nostrils means something,
+something to do with life and death and dinner. Imagine the satisfaction
+of stealing down to your own particular drinking spot, choosing your own
+particular tree to scrape your claws on, finding your own particular bed
+of dried grass to roll on. Then, in the place of all that, put a
+concrete promenade, which will be of exactly the same dimensions whether
+you race or crawl across it, coated with stale, unvarying scents and
+surrounded with cries and noises that have ceased to have the least
+meaning or interest. As a substitute for a narrow cage the new
+enclosures are excellent, but I should think they are a poor imitation of
+a life of liberty.”
+
+“It’s rather depressing to think that,” said Mrs. Gurtleberry; “they look
+so spacious and so natural, but I suppose a good deal of what seems
+natural to us would be meaningless to a wild animal.”
+
+“That is where our superior powers of self-deception come in,” said the
+niece; “we are able to live our unreal, stupid little lives on our
+particular Mappin terrace, and persuade ourselves that we really are
+untrammelled men and women leading a reasonable existence in a reasonable
+sphere.”
+
+“But good gracious,” exclaimed the aunt, bouncing into an attitude of
+scandalised defence, “we are leading reasonable existences! What on
+earth do you mean by trammels? We are merely trammelled by the ordinary
+decent conventions of civilised society.”
+
+“We are trammelled,” said the niece, calmly and pitilessly, “by
+restrictions of income and opportunity, and above all by lack of
+initiative. To some people a restricted income doesn’t matter a bit, in
+fact it often seems to help as a means for getting a lot of reality out
+of life; I am sure there are men and women who do their shopping in
+little back streets of Paris, buying four carrots and a shred of beef for
+their daily sustenance, who lead a perfectly real and eventful existence.
+Lack of initiative is the thing that really cripples one, and that is
+where you and I and Uncle James are so hopelessly shut in. We are just
+so many animals stuck down on a Mappin terrace, with this difference in
+our disfavour, that the animals are there to be looked at, while nobody
+wants to look at us. As a matter of fact there would be nothing to look
+at. We get colds in winter and hay fever in summer, and if a wasp
+happens to sting one of us, well, that is the wasp’s initiative, not
+ours; all we do is to wait for the swelling to go down. Whenever we do
+climb into local fame and notice, it is by indirect methods; if it
+happens to be a good flowering year for magnolias the neighbourhood
+observes: ‘Have you seen the Gurtleberry’s magnolia? It is a perfect
+mass of flowers,’ and we go about telling people that there are
+fifty-seven blossoms as against thirty-nine the previous year.”
+
+“In Coronation year there were as many as sixty,” put in the aunt, “your
+uncle has kept a record for the last eight years.”
+
+“Doesn’t it ever strike you,” continued the niece relentlessly, “that if
+we moved away from here or were blotted out of existence our local claim
+to fame would pass on automatically to whoever happened to take the house
+and garden? People would say to one another, ‘Have you seen the
+Smith-Jenkins’ magnolia? It is a perfect mass of flowers,’ or else
+‘Smith-Jenkins tells me there won’t be a single blossom on their magnolia
+this year; the east winds have turned all the buds black.’ Now if, when
+we had gone, people still associated our names with the magnolia tree, no
+matter who temporarily possessed it, if they said, ‘Ah, that’s the tree
+on which the Gurtleberrys hung their cook because she sent up the wrong
+kind of sauce with the asparagus,’ that would be something really due to
+our own initiative, apart from anything east winds or magnolia vitality
+might have to say in the matter.”
+
+“We should never do such a thing,” said the aunt.
+
+The niece gave a reluctant sigh.
+
+“I can’t imagine it,” she admitted. “Of course,” she continued, “there
+are heaps of ways of leading a real existence without committing
+sensational deeds of violence. It’s the dreadful little everyday acts of
+pretended importance that give the Mappin stamp to our life. It would be
+entertaining, if it wasn’t so pathetically tragic, to hear Uncle James
+fuss in here in the morning and announce, ‘I must just go down into the
+town and find out what the men there are saying about Mexico. Matters
+are beginning to look serious there.’ Then he patters away into the
+town, and talks in a highly serious voice to the tobacconist,
+incidentally buying an ounce of tobacco; perhaps he meets one or two
+others of the world’s thinkers and talks to them in a highly serious
+voice, then he patters back here and announces with increased importance,
+‘I’ve just been talking to some men in the town about the condition of
+affairs in Mexico. They agree with the view that I have formed, that
+things there will have to get worse before they get better.’ Of course
+nobody in the town cared in the least little bit what his views about
+Mexico were or whether he had any. The tobacconist wasn’t even fluttered
+at his buying the ounce of tobacco; he knows that he purchases the same
+quantity of the same sort of tobacco every week. Uncle James might just
+as well have lain on his back in the garden and chattered to the lilac
+tree about the habits of caterpillars.”
+
+“I really will not listen to such things about your uncle,” protested
+Mrs. James Gurtleberry angrily.
+
+“My own case is just as bad and just as tragic,” said the niece,
+dispassionately; “nearly everything about me is conventional
+make-believe. I’m not a good dancer, and no one could honestly call me
+good-looking, but when I go to one of our dull little local dances I’m
+conventionally supposed to ‘have a heavenly time,’ to attract the ardent
+homage of the local cavaliers, and to go home with my head awhirl with
+pleasurable recollections. As a matter of fact, I’ve merely put in some
+hours of indifferent dancing, drunk some badly-made claret cup, and
+listened to an enormous amount of laborious light conversation. A
+moonlight hen-stealing raid with the merry-eyed curate would be
+infinitely more exciting; imagine the pleasure of carrying off all those
+white minorcas that the Chibfords are always bragging about. When we had
+disposed of them we could give the proceeds to a charity, so there would
+be nothing really wrong about it. But nothing of that sort lies within
+the Mappined limits of my life. One of these days somebody dull and
+decorous and undistinguished will ‘make himself agreeable’ to me at a
+tennis party, as the saying is, and all the dull old gossips of the
+neighbourhood will begin to ask when we are to be engaged, and at last we
+shall be engaged, and people will give us butter-dishes and
+blotting-cases and framed pictures of young women feeding swans. Hullo,
+Uncle, are you going out?”
+
+“I’m just going down to the town,” announced Mr. James Gurtleberry, with
+an air of some importance: “I want to hear what people are saying about
+Albania. Affairs there are beginning to take on a very serious look.
+It’s my opinion that we haven’t seen the worst of things yet.”
+
+In this he was probably right, but there was nothing in the immediate or
+prospective condition of Albania to warrant Mrs. Gurtleberry in bursting
+into tears.
+
+
+
+
+FATE
+
+
+Rex Dillot was nearly twenty-four, almost good-looking and quite
+penniless. His mother was supposed to make him some sort of an allowance
+out of what her creditors allowed her, and Rex occasionally strayed into
+the ranks of those who earn fitful salaries as secretaries or companions
+to people who are unable to cope unaided with their correspondence or
+their leisure. For a few months he had been assistant editor and
+business manager of a paper devoted to fancy mice, but the devotion had
+been all on one side, and the paper disappeared with a certain abruptness
+from club reading-rooms and other haunts where it had made a gratuitous
+appearance. Still, Rex lived with some air of comfort and well-being, as
+one can live if one is born with a genius for that sort of thing, and a
+kindly Providence usually arranged that his week-end invitations
+coincided with the dates on which his one white dinner-waistcoat was in a
+laundry-returned condition of dazzling cleanness. He played most games
+badly, and was shrewd enough to recognise the fact, but he had developed
+a marvellously accurate judgement in estimating the play and chances of
+other people, whether in a golf match, billiard handicap, or croquet
+tournament. By dint of parading his opinion of such and such a player’s
+superiority with a sufficient degree of youthful assertiveness he usually
+succeeded in provoking a wager at liberal odds, and he looked to his
+week-end winnings to carry him through the financial embarrassments of
+his mid-week existence. The trouble was, as he confided to Clovis
+Sangrail, that he never had enough available or even prospective cash at
+his command to enable him to fix the wager at a figure really worth
+winning.
+
+“Some day,” he said, “I shall come across a really safe thing, a bet that
+simply can’t go astray, and then I shall put it up for all I’m worth, or
+rather for a good deal more than I’m worth if you sold me up to the last
+button.”
+
+“It would be awkward if it didn’t happen to come off,” said Clovis.
+
+“It would be more than awkward,” said Rex; “it would be a tragedy. All
+the same, it would be extremely amusing to bring it off. Fancy awaking
+in the morning with about three hundred pounds standing to one’s credit.
+I should go and clear out my hostess’s pigeon-loft before breakfast out
+of sheer good-temper.”
+
+“Your hostess of the moment mightn’t have a pigeon-loft,” said Clovis.
+
+“I always choose hostesses that have,” said Rex; “a pigeon-loft is
+indicative of a careless, extravagant, genial disposition, such as I like
+to see around me. People who strew corn broadcast for a lot of feathered
+inanities that just sit about cooing and giving each other the glad eye
+in a Louis Quatorze manner are pretty certain to do you well.”
+
+“Young Strinnit is coming down this afternoon,” said Clovis reflectively;
+“I dare say you won’t find it difficult to get him to back himself at
+billiards. He plays a pretty useful game, but he’s not quite as good as
+he fancies he is.”
+
+“I know one member of the party who can walk round him,” said Rex softly,
+an alert look coming into his eyes; “that cadaverous-looking Major who
+arrived last night. I’ve seen him play at St. Moritz. If I could get
+Strinnit to lay odds on himself against the Major the money would be safe
+in my pocket. This looks like the good thing I’ve been watching and
+praying for.”
+
+“Don’t be rash,” counselled Clovis, “Strinnit may play up to his
+self-imagined form once in a blue moon.”
+
+“I intend to be rash,” said Rex quietly, and the look on his face
+corroborated his words.
+
+“Are you all going to flock to the billiard-room?” asked Teresa
+Thundleford, after dinner, with an air of some disapproval and a good
+deal of annoyance. “I can’t see what particular amusement you find in
+watching two men prodding little ivory balls about on a table.”
+
+“Oh, well,” said her hostess, “it’s a way of passing the time, you know.”
+
+“A very poor way, to my mind,” said Mrs. Thundleford; “now I was going to
+have shown all of you the photographs I took in Venice last summer.”
+
+“You showed them to us last night,” said Mrs. Cuvering hastily.
+
+“Those were the ones I took in Florence. These are quite a different
+lot.”
+
+“Oh, well, some time to-morrow we can look at them. You can leave them
+down in the drawing-room, and then every one can have a look.”
+
+“I should prefer to show them when you are all gathered together, as I
+have quite a lot of explanatory remarks to make, about Venetian art and
+architecture, on the same lines as my remarks last night on the
+Florentine galleries. Also, there are some verses of mine that I should
+like to read you, on the rebuilding of the Campanile. But, of course, if
+you all prefer to watch Major Latton and Mr. Strinnit knocking balls
+about on a table—”
+
+“They are both supposed to be first-rate players,” said the hostess.
+
+“I have yet to learn that my verses and my art _causerie_ are of
+second-rate quality,” said Mrs. Thundleford with acerbity. “However, as
+you all seem bent on watching a silly game, there’s no more to be said.
+I shall go upstairs and finish some writing. Later on, perhaps, I will
+come down and join you.”
+
+To one, at least, of the onlookers the game was anything but silly. It
+was absorbing, exciting, exasperating, nerve-stretching, and finally it
+grew to be tragic. The Major with the St. Moritz reputation was playing
+a long way below his form, young Strinnit was playing slightly above his,
+and had all the luck of the game as well. From the very start the balls
+seemed possessed by a demon of contrariness; they trundled about
+complacently for one player, they would go nowhere for the other.
+
+“A hundred and seventy, seventy-four,” sang out the youth who was
+marking. In a game of two hundred and fifty up it was an enormous lead
+to hold. Clovis watched the flush of excitement die away from Dillot’s
+face, and a hard white look take its place.
+
+“How much have you go on?” whispered Clovis. The other whispered the sum
+through dry, shaking lips. It was more than he or any one connected with
+him could pay; he had done what he had said he would do. He had been
+rash.
+
+“Two hundred and six, ninety-eight.”
+
+Rex heard a clock strike ten somewhere in the hall, then another
+somewhere else, and another, and another; the house seemed full of
+striking clocks. Then in the distance the stable clock chimed in. In
+another hour they would all be striking eleven, and he would be listening
+to them as a disgraced outcast, unable to pay, even in part, the wager he
+had challenged.
+
+“Two hundred and eighteen, a hundred and three.” The game was as good as
+over. Rex was as good as done for. He longed desperately for the
+ceiling to fall in, for the house to catch fire, for anything to happen
+that would put an end to that horrible rolling to and fro of red and
+white ivory that was jostling him nearer and nearer to his doom.
+
+“Two hundred and twenty-eight, a hundred and seven.”
+
+Rex opened his cigarette-case; it was empty. That at least gave him a
+pretext to slip away from the room for the purpose of refilling it; he
+would spare himself the drawn-out torture of watching that hopeless game
+played out to the bitter end. He backed away from the circle of absorbed
+watchers and made his way up a short stairway to a long, silent corridor
+of bedrooms, each with a guests’ name written in a little square on the
+door. In the hush that reigned in this part of the house he could still
+hear the hateful click-click of the balls; if he waited for a few minutes
+longer he would hear the little outbreak of clapping and buzz of
+congratulation that would hail Strinnit’s victory. On the alert tension
+of his nerves there broke another sound, the aggressive, wrath-inducing
+breathing of one who sleeps in heavy after-dinner slumber. The sound
+came from a room just at his elbow; the card on the door bore the
+announcement “Mrs. Thundleford.” The door was just slightly ajar; Rex
+pushed it open an inch or two more and looked in. The august Teresa had
+fallen asleep over an illustrated guide to Florentine art-galleries; at
+her side, somewhat dangerously near the edge of the table, was a
+reading-lamp. If Fate had been decently kind to him, thought Rex,
+bitterly, that lamp would have been knocked over by the sleeper and would
+have given them something to think of besides billiard matches.
+
+There are occasions when one must take one’s Fate in one’s hands. Rex
+took the lamp in his.
+
+“Two hundred and thirty-seven, one hundred and fifteen.” Strinnit was at
+the table, and the balls lay in good position for him; he had a choice of
+two fairly easy shots, a choice which he was never to decide. A sudden
+hurricane of shrieks and a rush of stumbling feet sent every one flocking
+to the door. The Dillot boy crashed into the room, carrying in his arms
+the vociferous and somewhat dishevelled Teresa Thundleford; her clothing
+was certainly not a mass of flames, as the more excitable members of the
+party afterwards declared, but the edge of her skirt and part of the
+table-cover in which she had been hastily wrapped were alight in a
+flickering, half-hearted manner. Rex flung his struggling burden on the
+billiard table, and for one breathless minute the work of beating out the
+sparks with rugs and cushions and playing on them with soda-water syphons
+engrossed the energies of the entire company.
+
+“It was lucky I was passing when it happened,” panted Rex; “some one had
+better see to the room, I think the carpet is alight.”
+
+As a matter of fact the promptitude and energy of the rescuer had
+prevented any great damage being done, either to the victim or her
+surroundings. The billiard table had suffered most, and had to be laid
+up for repairs; perhaps it was not the best place to have chosen for the
+scene of salvage operations; but then, as Clovis remarked, when one is
+rushing about with a blazing woman in one’s arms one can’t stop to think
+out exactly where one is going to put her.
+
+
+
+
+THE BULL
+
+
+Tom Yorkfield had always regarded his half-brother, Laurence, with a lazy
+instinct of dislike, toned down, as years went on, to a tolerant feeling
+of indifference. There was nothing very tangible to dislike him for; he
+was just a blood-relation, with whom Tom had no single taste or interest
+in common, and with whom, at the same time, he had had no occasion for
+quarrel. Laurence had left the farm early in life, and had lived for a
+few years on a small sum of money left him by his mother; he had taken up
+painting as a profession, and was reported to be doing fairly well at it,
+well enough, at any rate, to keep body and soul together. He specialised
+in painting animals, and he was successful in finding a certain number of
+people to buy his pictures. Tom felt a comforting sense of assured
+superiority in contrasting his position with that of his half-brother;
+Laurence was an artist-chap, just that and nothing more, though you might
+make it sound more important by calling him an animal painter; Tom was a
+farmer, not in a very big way, it was true, but the Helsery farm had been
+in the family for some generations, and it had a good reputation for the
+stock raised on it. Tom had done his best, with the little capital at
+his command, to maintain and improve the standard of his small herd of
+cattle, and in Clover Fairy he had bred a bull which was something rather
+better than any that his immediate neighbours could show. It would not
+have made a sensation in the judging-ring at an important cattle show,
+but it was as vigorous, shapely, and healthy a young animal as any small
+practical farmer could wish to possess. At the King’s Head on market
+days Clover Fairy was very highly spoken of, and Yorkfield used to
+declare that he would not part with him for a hundred pounds; a hundred
+pounds is a lot of money in the small farming line, and probably anything
+over eighty would have tempted him.
+
+It was with some especial pleasure that Tom took advantage of one of
+Laurence’s rare visits to the farm to lead him down to the enclosure
+where Clover Fairy kept solitary state—the grass widower of a grazing
+harem. Tom felt some of his old dislike for his half-brother reviving;
+the artist was becoming more languid in his manner, more unsuitably
+turned-out in attire, and he seemed inclined to impart a slightly
+patronising tone to his conversation. He took no heed of a flourishing
+potato crop, but waxed enthusiastic over a clump of yellow-flowering weed
+that stood in a corner by a gateway, which was rather galling to the
+owner of a really very well weeded farm; again, when he might have been
+duly complimentary about a group of fat, black-faced lambs, that simply
+cried aloud for admiration, he became eloquent over the foliage tints of
+an oak copse on the hill opposite. But now he was being taken to inspect
+the crowning pride and glory of Helsery; however grudging he might be in
+his praises, however backward and niggardly with his congratulations, he
+would have to see and acknowledge the many excellences of that
+redoubtable animal. Some weeks ago, while on a business journey to
+Taunton, Tom had been invited by his half-brother to visit a studio in
+that town, where Laurence was exhibiting one of his pictures, a large
+canvas representing a bull standing knee-deep in some marshy ground; it
+had been good of its kind, no doubt, and Laurence had seemed inordinately
+pleased with it; “the best thing I’ve done yet,” he had said over and
+over again, and Tom had generously agreed that it was fairly life-like.
+Now, the man of pigments was going to be shown a real picture, a living
+model of strength and comeliness, a thing to feast the eyes on, a picture
+that exhibited new pose and action with every shifting minute, instead of
+standing glued into one unvarying attitude between the four walls of a
+frame. Tom unfastened a stout wooden door and led the way into a
+straw-bedded yard.
+
+“Is he quiet?” asked the artist, as a young bull with a curly red coat
+came inquiringly towards them.
+
+“He’s playful at times,” said Tom, leaving his half-brother to wonder
+whether the bull’s ideas of play were of the catch-as-catch-can order.
+Laurence made one or two perfunctory comments on the animal’s appearance
+and asked a question or so as to his age and such-like details; then he
+coolly turned the talk into another channel.
+
+“Do you remember the picture I showed you at Taunton?” he asked.
+
+“Yes,” grunted Tom; “a white-faced bull standing in some slush. Don’t
+admire those Herefords much myself; bulky-looking brutes, don’t seem to
+have much life in them. Daresay they’re easier to paint that way; now,
+this young beggar is on the move all the time, aren’t you, Fairy?”
+
+“I’ve sold that picture,” said Laurence, with considerable complacency in
+his voice.
+
+“Have you?” said Tom; “glad to hear it, I’m sure. Hope you’re pleased
+with what you’ve got for it.”
+
+“I got three hundred pounds for it,” said Laurence.
+
+Tom turned towards him with a slowly rising flush of anger in his face.
+Three hundred pounds! Under the most favourable market conditions that
+he could imagine his prized Clover Fairy would hardly fetch a hundred,
+yet here was a piece of varnished canvas, painted by his half-brother,
+selling for three times that sum. It was a cruel insult that went home
+with all the more force because it emphasised the triumph of the
+patronising, self-satisfied Laurence. The young farmer had meant to put
+his relative just a little out of conceit with himself by displaying the
+jewel of his possessions, and now the tables were turned, and his valued
+beast was made to look cheap and insignificant beside the price paid for
+a mere picture. It was so monstrously unjust; the painting would never
+be anything more than a dexterous piece of counterfeit life, while Clover
+Fairy was the real thing, a monarch in his little world, a personality in
+the countryside. After he was dead, even, he would still be something of
+a personality; his descendants would graze in those valley meadows and
+hillside pastures, they would fill stall and byre and milking-shed, their
+good red coats would speckle the landscape and crowd the market-place;
+men would note a promising heifer or a well-proportioned steer, and say:
+“Ah, that one comes of good old Clover Fairy’s stock.” All that time the
+picture would be hanging, lifeless and unchanging, beneath its dust and
+varnish, a chattel that ceased to mean anything if you chose to turn it
+with its back to the wall. These thoughts chased themselves angrily
+through Tom Yorkfield’s mind, but he could not put them into words. When
+he gave tongue to his feelings he put matters bluntly and harshly.
+
+“Some soft-witted fools may like to throw away three hundred pounds on a
+bit of paintwork; can’t say as I envy them their taste. I’d rather have
+the real thing than a picture of it.”
+
+He nodded towards the young bull, that was alternately staring at them
+with nose held high and lowering its horns with a half-playful,
+half-impatient shake of the head.
+
+Laurence laughed a laugh of irritating, indulgent amusement.
+
+“I don’t think the purchaser of my bit of paintwork, as you call it, need
+worry about having thrown his money away. As I get to be better known
+and recognised my pictures will go up in value. That particular one will
+probably fetch four hundred in a sale-room five or six years hence;
+pictures aren’t a bad investment if you know enough to pick out the work
+of the right men. Now you can’t say your precious bull is going to get
+more valuable the longer you keep him; he’ll have his little day, and
+then, if you go on keeping him, he’ll come down at last to a few
+shillingsworth of hoofs and hide, just at a time, perhaps, when my bull
+is being bought for a big sum for some important picture gallery.”
+
+It was too much. The united force of truth and slander and insult put
+over heavy a strain on Tom Yorkfield’s powers of restraint. In his right
+hand he held a useful oak cudgel, with his left he made a grab at the
+loose collar of Laurence’s canary-coloured silk shirt. Laurence was not
+a fighting man; the fear of physical violence threw him off his balance
+as completely as overmastering indignation had thrown Tom off his, and
+thus it came to pass that Clover Fairy was regaled with the unprecedented
+sight of a human being scudding and squawking across the enclosure, like
+the hen that would persist in trying to establish a nesting-place in the
+manger. In another crowded happy moment the bull was trying to jerk
+Laurence over his left shoulder, to prod him in the ribs while still in
+the air, and to kneel on him when he reached the ground. It was only the
+vigorous intervention of Tom that induced him to relinquish the last item
+of his programme.
+
+Tom devotedly and ungrudgingly nursed his half brother to a complete
+recovery from his injuries, which consisted of nothing more serious than
+a dislocated shoulder, a broken rib or two, and a little nervous
+prostration. After all, there was no further occasion for rancour in the
+young farmer’s mind; Laurence’s bull might sell for three hundred, or for
+six hundred, and be admired by thousands in some big picture gallery, but
+it would never toss a man over one shoulder and catch him a jab in the
+ribs before he had fallen on the other side. That was Clover Fairy’s
+noteworthy achievement, which could never be taken away from him.
+
+Laurence continues to be popular as an animal artist, but his subjects
+are always kittens or fawns or lambkins—never bulls.
+
+
+
+
+MORLVERA
+
+
+The Olympic Toy Emporium occupied a conspicuous frontage in an important
+West End street. It was happily named Toy Emporium, because one would
+never have dreamed of according it the familiar and yet pulse-quickening
+name of toyshop. There was an air of cold splendour and elaborate
+failure about the wares that were set out in its ample windows; they were
+the sort of toys that a tired shop-assistant displays and explains at
+Christmas time to exclamatory parents and bored, silent children. The
+animal toys looked more like natural history models than the comfortable,
+sympathetic companions that one would wish, at a certain age, to take to
+bed with one, and to smuggle into the bath-room. The mechanical toys
+incessantly did things that no one could want a toy to do more than a
+half a dozen times in its lifetime; it was a merciful reflection that in
+any right-minded nursery the lifetime would certainly be short.
+
+Prominent among the elegantly-dressed dolls that filled an entire section
+of the window frontage was a large hobble-skirted lady in a confection of
+peach-coloured velvet, elaborately set off with leopard skin accessories,
+if one may use such a conveniently comprehensive word in describing an
+intricate feminine toilette. She lacked nothing that is to be found in a
+carefully detailed fashion-plate—in fact, she might be said to have
+something more than the average fashion-plate female possesses; in place
+of a vacant, expressionless stare she had character in her face. It must
+be admitted that it was bad character, cold, hostile, inquisitorial, with
+a sinister lowering of one eyebrow and a merciless hardness about the
+corners of the mouth. One might have imagined histories about her by the
+hour, histories in which unworthy ambition, the desire for money, and an
+entire absence of all decent feeling would play a conspicuous part.
+
+As a matter of fact, she was not without her judges and biographers, even
+in this shop-window stage of her career. Emmeline, aged ten, and Bert,
+aged seven, had halted on the way from their obscure back street to the
+minnow-stocked water of St. James’s Park, and were critically examining
+the hobble-skirted doll, and dissecting her character in no very tolerant
+spirit. There is probably a latent enmity between the necessarily
+under-clad and the unnecessarily overdressed, but a little kindness and
+good fellowship on the part of the latter will often change the sentiment
+to admiring devotion; if the lady in peach-coloured velvet and leopard
+skin had worn a pleasant expression in addition to her other elaborate
+furnishings, Emmeline at least might have respected and even loved her.
+As it was, she gave her a horrible reputation, based chiefly on a
+secondhand knowledge of gilded depravity derived from the conversation of
+those who were skilled in the art of novelette reading; Bert filled in a
+few damaging details from his own limited imagination.
+
+“She’s a bad lot, that one is,” declared Emmeline, after a long
+unfriendly stare; “’er ’usbind ’ates ’er.”
+
+“’E knocks ’er abart,” said Bert, with enthusiasm.
+
+“No, ’e don’t, cos ’e’s dead; she poisoned ’im slow and gradual, so that
+nobody didn’t know. Now she wants to marry a lord, with ’eaps and ’eaps
+of money. ’E’s got a wife already, but she’s going to poison ’er, too.”
+
+“She’s a bad lot,” said Bert with growing hostility.
+
+“’Er mother ’ates her, and she’s afraid of ’er, too, cos she’s got a
+serkestic tongue; always talking serkesms, she is. She’s greedy, too; if
+there’s fish going, she eats ’er own share and ’er little girl’s as well,
+though the little girl is dellikit.”
+
+“She ’ad a little boy once,” said Bert, “but she pushed ’im into the
+water when nobody wasn’t looking.”
+
+“No she didn’t,” said Emmeline, “she sent ’im away to be kep’ by poor
+people, so ’er ’usbind wouldn’t know where ’e was. They ill-treat ’im
+somethink cruel.”
+
+“Wot’s ’er nime?” asked Bert, thinking that it was time that so
+interesting a personality should be labelled.
+
+“’Er nime?” said Emmeline, thinking hard, “’er nime’s Morlvera.” It was
+as near as she could get to the name of an adventuress who figured
+prominently in a cinema drama. There was silence for a moment while the
+possibilities of the name were turned over in the children’s minds.
+
+“Those clothes she’s got on ain’t paid for, and never won’t be,” said
+Emmeline; “she thinks she’ll get the rich lord to pay for ’em, but ’e
+won’t. ’E’s given ’er jools, ’underds of pounds’ worth.”
+
+“’E won’t pay for the clothes,” said Bert, with conviction. Evidently
+there was some limit to the weak good nature of wealthy lords.
+
+At that moment a motor carriage with liveried servants drew up at the
+emporium entrance; a large lady, with a penetrating and rather hurried
+manner of talking, stepped out, followed slowly and sulkily by a small
+boy, who had a very black scowl on his face and a very white sailor suit
+over the rest of him. The lady was continuing an argument which had
+probably commenced in Portman Square.
+
+“Now, Victor, you are to come in and buy a nice doll for your cousin
+Bertha. She gave you a beautiful box of soldiers on your birthday, and
+you must give her a present on hers.”
+
+“Bertha is a fat little fool,” said Victor, in a voice that was as loud
+as his mother’s and had more assurance in it.
+
+“Victor, you are not to say such things. Bertha is not a fool, and she
+is not in the least fat. You are to come in and choose a doll for her.”
+
+The couple passed into the shop, out of view and hearing of the two
+back-street children.
+
+“My, he is in a wicked temper,” exclaimed Emmeline, but both she and Bert
+were inclined to side with him against the absent Bertha, who was
+doubtless as fat and foolish as he had described her to be.
+
+“I want to see some dolls,” said the mother of Victor to the nearest
+assistant; “it’s for a little girl of eleven.”
+
+“A fat little girl of eleven,” added Victor by way of supplementary
+information.
+
+“Victor, if you say such rude things about your cousin, you shall go to
+bed the moment we get home, without having any tea.”
+
+“This is one of the newest things we have in dolls,” said the assistant,
+removing a hobble-skirted figure in peach-coloured velvet from the
+window; “leopard skin toque and stole, the latest fashion. You won’t get
+anything newer than that anywhere. It’s an exclusive design.”
+
+“Look!” whispered Emmeline outside; “they’ve bin and took Morlvera.”
+
+There was a mingling of excitement and a certain sense of bereavement in
+her mind; she would have liked to gaze at that embodiment of overdressed
+depravity for just a little longer.
+
+“I ’spect she’s going away in a kerridge to marry the rich lord,”
+hazarded Bert.
+
+“She’s up to no good,” said Emmeline vaguely.
+
+Inside the shop the purchase of the doll had been decided on.
+
+“It’s a beautiful doll, and Bertha will be delighted with it,” asserted
+the mother of Victor loudly.
+
+“Oh, very well,” said Victor sulkily; “you needn’t have it stuck into a
+box and wait an hour while it’s being done up into a parcel. I’ll take
+it as it is, and we can go round to Manchester Square and give it to
+Bertha, and get the thing done with. That will save me the trouble of
+writing: ‘For dear Bertha, with Victor’s love,’ on a bit of paper.”
+
+“Very well,” said his mother, “we can go to Manchester Square on our way
+home. You must wish her many happy returns of to-morrow, and give her
+the doll.”
+
+“I won’t let the little beast kiss me,” stipulated Victor.
+
+His mother said nothing; Victor had not been half as troublesome as she
+had anticipated. When he chose he could really be dreadfully naughty.
+
+Emmeline and Bert were just moving away from the window when Morlvera
+made her exit from the shop, very carefully in Victor’s arms. A look of
+sinister triumph seemed to glow in her hard, inquisitorial face. As for
+Victor, a certain scornful serenity had replaced the earlier scowls; he
+had evidently accepted defeat with a contemptuous good grace.
+
+The tall lady gave a direction to the footman and settled herself in the
+carriage. The little figure in the white sailor suit clambered in beside
+her, still carefully holding the elegantly garbed doll.
+
+The car had to be backed a few yards in the process of turning. Very
+stealthily, very gently, very mercilessly Victor sent Morlvera flying
+over his shoulder, so that she fell into the road just behind the
+retrogressing wheel. With a soft, pleasant-sounding scrunch the car went
+over the prostrate form, then it moved forward again with another
+scrunch. The carriage moved off and left Bert and Emmeline gazing in
+scared delight at a sorry mess of petrol-smeared velvet, sawdust, and
+leopard skin, which was all that remained of the hateful Morlvera. They
+gave a shrill cheer, and then raced away shuddering from the scene of so
+much rapidly enacted tragedy.
+
+Later that afternoon, when they were engaged in the pursuit of minnows by
+the waterside in St. James’s Park, Emmeline said in a solemn undertone to
+Bert—
+
+“I’ve bin finking. Do you know oo ’e was? ’E was ’er little boy wot
+she’d sent away to live wiv poor folks. ’E come back and done that.”
+
+
+
+
+SHOCK TACTICS
+
+
+On a late spring afternoon Ella McCarthy sat on a green-painted chair in
+Kensington Gardens, staring listlessly at an uninteresting stretch of
+park landscape, that blossomed suddenly into tropical radiance as an
+expected figure appeared in the middle distance.
+
+“Hullo, Bertie!” she exclaimed sedately, when the figure arrived at the
+painted chair that was the nearest neighbour to her own, and dropped into
+it eagerly, yet with a certain due regard for the set of its trousers;
+“hasn’t it been a perfect spring afternoon?”
+
+The statement was a distinct untruth as far as Ella’s own feelings were
+concerned; until the arrival of Bertie the afternoon had been anything
+but perfect.
+
+Bertie made a suitable reply, in which a questioning note seemed to
+hover.
+
+“Thank you ever so much for those lovely handkerchiefs,” said Ella,
+answering the unspoken question; “they were just what I’ve been wanting.
+There’s only one thing spoilt my pleasure in your gift,” she added, with
+a pout.
+
+“What was that?” asked Bertie anxiously, fearful that perhaps he had
+chosen a size of handkerchief that was not within the correct feminine
+limit.
+
+“I should have liked to have written and thanked you for them as soon as
+I got them,” said Ella, and Bertie’s sky clouded at once.
+
+“You know what mother is,” he protested; “she opens all my letters, and
+if she found I’d been giving presents to any one there’d have been
+something to talk about for the next fortnight.”
+
+“Surely, at the age of twenty—” began Ella.
+
+“I’m not twenty till September,” interrupted Bertie.
+
+“At the age of nineteen years and eight months,” persisted Ella, “you
+might be allowed to keep your correspondence private to yourself.”
+
+“I ought to be, but things aren’t always what they ought to be. Mother
+opens every letter that comes into the house, whoever it’s for. My
+sisters and I have made rows about it time and again, but she goes on
+doing it.”
+
+“I’d find some way to stop her if I were in your place,” said Ella
+valiantly, and Bertie felt that the glamour of his anxiously deliberated
+present had faded away in the disagreeable restriction that hedged round
+its acknowledgment.
+
+“Is anything the matter?” asked Bertie’s friend Clovis when they met that
+evening at the swimming-bath.
+
+“Why do you ask?” said Bertie.
+
+“When you wear a look of tragic gloom in a swimming-bath,” said Clovis,
+“it’s especially noticeable from the fact that you’re wearing very little
+else. Didn’t she like the handkerchiefs?”
+
+Bertie explained the situation.
+
+“It is rather galling, you know,” he added, “when a girl has a lot of
+things she wants to write to you and can’t send a letter except by some
+roundabout, underhand way.”
+
+“One never realises one’s blessings while one enjoys them,” said Clovis;
+“now I have to spend a considerable amount of ingenuity inventing excuses
+for not having written to people.”
+
+“It’s not a joking matter,” said Bertie resentfully: “you wouldn’t find
+it funny if your mother opened all your letters.”
+
+“The funny thing to me is that you should let her do it.”
+
+“I can’t stop it. I’ve argued about it—”
+
+“You haven’t used the right kind of argument, I expect. Now, if every
+time one of your letters was opened you lay on your back on the
+dining-table during dinner and had a fit, or roused the entire family in
+the middle of the night to hear you recite one of Blake’s ‘Poems of
+Innocence,’ you would get a far more respectful hearing for future
+protests. People yield more consideration to a mutilated mealtime or a
+broken night’s rest, than ever they would to a broken heart.”
+
+“Oh, dry up,” said Bertie crossly, inconsistently splashing Clovis from
+head to foot as he plunged into the water.
+
+It was a day or two after the conversation in the swimming-bath that a
+letter addressed to Bertie Heasant slid into the letter-box at his home,
+and thence into the hands of his mother. Mrs. Heasant was one of those
+empty-minded individuals to whom other people’s affairs are perpetually
+interesting. The more private they are intended to be the more acute is
+the interest they arouse. She would have opened this particular letter
+in any case; the fact that it was marked “private,” and diffused a
+delicate but penetrating aroma merely caused her to open it with headlong
+haste rather than matter-of-course deliberation. The harvest of
+sensation that rewarded her was beyond all expectations.
+
+ “Bertie, carissimo,” it began, “I wonder if you will have the nerve
+ to do it: it will take some nerve, too. Don’t forget the jewels.
+ They are a detail, but details interest me.
+
+ “Yours as ever,
+ “CLOTILDE.”
+
+ “Your mother must not know of my existence. If questioned swear you
+ never heard of me.”
+
+For years Mrs. Heasant had searched Bertie’s correspondence diligently
+for traces of possible dissipation or youthful entanglements, and at last
+the suspicions that had stimulated her inquisitorial zeal were justified
+by this one splendid haul. That any one wearing the exotic name
+“Clotilde” should write to Bertie under the incriminating announcement
+“as ever” was sufficiently electrifying, without the astounding allusion
+to the jewels. Mrs. Heasant could recall novels and dramas wherein
+jewels played an exciting and commanding role, and here, under her own
+roof, before her very eyes as it were, her own son was carrying on an
+intrigue in which jewels were merely an interesting detail. Bertie was
+not due home for another hour, but his sisters were available for the
+immediate unburdening of a scandal-laden mind.
+
+“Bertie is in the toils of an adventuress,” she screamed; “her name is
+Clotilde,” she added, as if she thought they had better know the worst at
+once. There are occasions when more harm than good is done by shielding
+young girls from a knowledge of the more deplorable realities of life.
+
+By the time Bertie arrived his mother had discussed every possible and
+improbable conjecture as to his guilty secret; the girls limited
+themselves to the opinion that their brother had been weak rather than
+wicked.
+
+“Who is Clotilde?” was the question that confronted Bertie almost before
+he had got into the hall. His denial of any knowledge of such a person
+was met with an outburst of bitter laughter.
+
+“How well you have learned your lesson!” exclaimed Mrs. Heasant. But
+satire gave way to furious indignation when she realised that Bertie did
+not intend to throw any further light on her discovery.
+
+“You shan’t have any dinner till you’ve confessed everything,” she
+stormed.
+
+Bertie’s reply took the form of hastily collecting material for an
+impromptu banquet from the larder and locking himself into his bedroom.
+His mother made frequent visits to the locked door and shouted a
+succession of interrogations with the persistence of one who thinks that
+if you ask a question often enough an answer will eventually result.
+Bertie did nothing to encourage the supposition. An hour had passed in
+fruitless one-sided palaver when another letter addressed to Bertie and
+marked “private” made its appearance in the letter-box. Mrs. Heasant
+pounced on it with the enthusiasm of a cat that has missed its mouse and
+to whom a second has been unexpectedly vouchsafed. If she hoped for
+further disclosures assuredly she was not disappointed.
+
+ “So you have really done it!” the letter abruptly commenced; “Poor
+ Dagmar. Now she is done for I almost pity her. You did it very
+ well, you wicked boy, the servants all think it was suicide, and
+ there will be no fuss. Better not touch the jewels till after the
+ inquest.
+
+ “CLOTILDE.”
+
+Anything that Mrs. Heasant had previously done in the way of outcry was
+easily surpassed as she raced upstairs and beat frantically at her son’s
+door.
+
+“Miserable boy, what have you done to Dagmar?”
+
+“It’s Dagmar now, is it?” he snapped; “it will be Geraldine next.”
+
+“That it should come to this, after all my efforts to keep you at home of
+an evening,” sobbed Mrs. Heasant; “it’s no use you trying to hide things
+from me; Clotilde’s letter betrays everything.”
+
+“Does it betray who she is?” asked Bertie; “I’ve heard so much about her,
+I should like to know something about her home-life. Seriously, if you
+go on like this I shall fetch a doctor; I’ve often enough been preached
+at about nothing, but I’ve never had an imaginary harem dragged into the
+discussion.”
+
+“Are these letters imaginary?” screamed Mrs. Heasant; “what about the
+jewels, and Dagmar, and the theory of suicide?”
+
+No solution of these problems was forthcoming through the bedroom door,
+but the last post of the evening produced another letter for Bertie, and
+its contents brought Mrs. Heasant that enlightenment which had already
+dawned on her son.
+
+ “DEAR BERTIE,” it ran; “I hope I haven’t distracted your brain with
+ the spoof letters I’ve been sending in the name of a fictitious
+ Clotilde. You told me the other day that the servants, or somebody
+ at your home, tampered with your letters, so I thought I would give
+ any one that opened them something exciting to read. The shock might
+ do them good.
+
+ “Yours,
+ “CLOVIS SANGRAIL.”
+
+Mrs. Heasant knew Clovis slightly, and was rather afraid of him. It was
+not difficult to read between the lines of his successful hoax. In a
+chastened mood she rapped once more at Bertie’s door.
+
+“A letter from Mr. Sangrail. It’s all been a stupid hoax. He wrote
+those other letters. Why, where are you going?”
+
+Bertie had opened the door; he had on his hat and overcoat.
+
+“I’m going for a doctor to come and see if anything’s the matter with
+you. Of course it was all a hoax, but no person in his right mind could
+have believed all that rubbish about murder and suicide and jewels.
+You’ve been making enough noise to bring the house down for the last hour
+or two.”
+
+“But what was I to think of those letters?” whimpered Mrs. Heasant.
+
+“I should have known what to think of them,” said Bertie; “if you choose
+to excite yourself over other people’s correspondence it’s your own
+fault. Anyhow, I’m going for a doctor.”
+
+It was Bertie’s great opportunity, and he knew it. His mother was
+conscious of the fact that she would look rather ridiculous if the story
+got about. She was willing to pay hush-money.
+
+“I’ll never open your letters again,” she promised. And Clovis has no
+more devoted slave than Bertie Heasant.
+
+
+
+
+THE SEVEN CREAM JUGS
+
+
+“I suppose we shall never see Wilfred Pigeoncote here now that he has
+become heir to the baronetcy and to a lot of money,” observed Mrs. Peter
+Pigeoncote regretfully to her husband.
+
+“Well, we can hardly expect to,” he replied, “seeing that we always
+choked him off from coming to see us when he was a prospective nobody. I
+don’t think I’ve set eyes on him since he was a boy of twelve.”
+
+“There was a reason for not wanting to encourage his acquaintanceship,”
+said Mrs. Peter. “With that notorious failing of his he was not the sort
+of person one wanted in one’s house.”
+
+“Well, the failing still exists, doesn’t it?” said her husband; “or do
+you suppose a reform of character is entailed along with the estate?”
+
+“Oh, of course, there is still that drawback,” admitted the wife, “but
+one would like to make the acquaintance of the future head of the family,
+if only out of mere curiosity. Besides, cynicism apart, his being rich
+will make a difference in the way people will look at his failing. When
+a man is absolutely wealthy, not merely well-to-do, all suspicion of
+sordid motive naturally disappears; the thing becomes merely a tiresome
+malady.”
+
+Wilfrid Pigeoncote had suddenly become heir to his uncle, Sir Wilfrid
+Pigeoncote, on the death of his cousin, Major Wilfrid Pigeoncote, who had
+succumbed to the after-effects of a polo accident. (A Wilfrid Pigeoncote
+had covered himself with honours in the course of Marlborough’s
+campaigns, and the name Wilfrid had been a baptismal weakness in the
+family ever since.) The new heir to the family dignity and estates was a
+young man of about five-and-twenty, who was known more by reputation than
+by person to a wide circle of cousins and kinsfolk. And the reputation
+was an unpleasant one. The numerous other Wilfrids in the family were
+distinguished one from another chiefly by the names of their residences
+or professions, as Wilfrid of Hubbledown, and young Wilfrid the Gunner,
+but this particular scion was known by the ignominious and expressive
+label of Wilfrid the Snatcher. From his late schooldays onward he had
+been possessed by an acute and obstinate form of kleptomania; he had the
+acquisitive instinct of the collector without any of the collector’s
+discrimination. Anything that was smaller and more portable than a
+sideboard, and above the value of ninepence, had an irresistible
+attraction for him, provided that it fulfilled the necessary condition of
+belonging to some one else. On the rare occasions when he was included
+in a country-house party, it was usual and almost necessary for his host,
+or some member of the family, to make a friendly inquisition through his
+baggage on the eve of his departure, to see if he had packed up “by
+mistake” any one else’s property. The search usually produced a large
+and varied yield.
+
+“This is funny,” said Peter Pigeoncote to his wife, some half-hour after
+their conversation; “here’s a telegram from Wilfrid, saying he’s passing
+through here in his motor, and would like to stop and pay us his
+respects. Can stay for the night if it doesn’t inconvenience us. Signed
+‘Wilfrid Pigeoncote.’ Must be the Snatcher; none of the others have a
+motor. I suppose he’s bringing us a present for the silver wedding.”
+
+“Good gracious!” said Mrs. Peter, as a thought struck her; “this is
+rather an awkward time to have a person with his failing in the house.
+All those silver presents set out in the drawing-room, and others coming
+by every post; I hardly know what we’ve got and what are still to come.
+We can’t lock them all up; he’s sure to want to see them.”
+
+“We must keep a sharp look-out, that’s all,” said Peter reassuringly.
+
+“But these practised kleptomaniacs are so clever,” said his wife,
+apprehensively, “and it will be so awkward if he suspects that we are
+watching him.”
+
+Awkwardness was indeed the prevailing note that evening when the passing
+traveller was being entertained. The talk flitted nervously and
+hurriedly from one impersonal topic to another. The guest had none of
+the furtive, half-apologetic air that his cousins had rather expected to
+find; he was polite, well-assured, and, perhaps, just a little inclined
+to “put on side”. His hosts, on the other hand, wore an uneasy manner
+that might have been the hallmark of conscious depravity. In the
+drawing-room, after dinner, their nervousness and awkwardness increased.
+
+“Oh, we haven’t shown you the silver-wedding presents,” said Mrs. Peter,
+suddenly, as though struck by a brilliant idea for entertaining the
+guest; “here they all are. Such nice, useful gifts. A few duplicates,
+of course.”
+
+“Seven cream jugs,” put in Peter.
+
+“Yes, isn’t it annoying,” went on Mrs. Peter; “seven of them. We feel
+that we must live on cream for the rest of our lives. Of course, some of
+them can be changed.”
+
+Wilfrid occupied himself chiefly with such of the gifts as were of
+antique interest, carrying one or two of them over to the lamp to examine
+their marks. The anxiety of his hosts at these moments resembled the
+solicitude of a cat whose newly born kittens are being handed round for
+inspection.
+
+“Let me see; did you give me back the mustard-pot? This is its place
+here,” piped Mrs. Peter.
+
+“Sorry. I put it down by the claret-jug,” said Wilfrid, busy with
+another object.
+
+“Oh, just let me have the sugar-sifter again,” asked Mrs. Peter, dogged
+determination showing through her nervousness; “I must label it who it
+comes from before I forget.”
+
+Vigilance was not completely crowned with a sense of victory. After they
+had said “Good-night” to their visitor, Mrs. Peter expressed her
+conviction that he had taken something.
+
+“I fancy, by his manner, that there was something up,” corroborated her
+husband; “do you miss anything?”
+
+Mrs. Peters hastily counted the array of gifts.
+
+“I can only make it thirty-four, and I think it should be thirty-five,”
+she announced; “I can’t remember if thirty-five includes the Archdeacon’s
+cruet-stand that hasn’t arrived yet.”
+
+“How on earth are we to know?” said Peter. “The mean pig hasn’t brought
+us a present, and I’m hanged if he shall carry one off.”
+
+“To-morrow, when he’s having his bath,” said Mrs. Peter excitedly, “he’s
+sure to leave his keys somewhere, and we can go through his portmanteau.
+It’s the only thing to do.”
+
+On the morrow an alert watch was kept by the conspirators behind
+half-closed doors, and when Wilfrid, clad in a gorgeous bath-robe, had
+made his way to the bath-room, there was a swift and furtive rush by two
+excited individuals towards the principal guest-chamber. Mrs. Peter kept
+guard outside, while her husband first made a hurried and successful
+search for the keys, and then plunged at the portmanteau with the air of
+a disagreeably conscientious Customs official. The quest was a brief
+one; a silver cream jug lay embedded in the folds of some zephyr shirts.
+
+“The cunning brute,” said Mrs. Peters; “he took a cream jug because there
+were so many; he thought one wouldn’t be missed. Quick, fly down with it
+and put it back among the others.”
+
+Wilfrid was late in coming down to breakfast, and his manner showed
+plainly that something was amiss.
+
+“It’s an unpleasant thing to have to say,” he blurted out presently, “but
+I’m afraid you must have a thief among your servants. Something’s been
+taken out of my portmanteau. It was a little present from my mother and
+myself for your silver wedding. I should have given it to you last night
+after dinner, only it happened to be a cream jug, and you seemed annoyed
+at having so many duplicates, so I felt rather awkward about giving you
+another. I thought I’d get it changed for something else, and now it’s
+gone.”
+
+“Did you say it was from your _mother_ and yourself?” asked Mr. and Mrs.
+Peter almost in unison. The Snatcher had been an orphan these many
+years.
+
+“Yes, my mother’s at Cairo just now, and she wrote to me at Dresden to
+try and get you something quaint and pretty in the old silver line, and I
+pitched on this cream jug.”
+
+Both the Pigeoncotes had turned deadly pale. The mention of Dresden had
+thrown a sudden light on the situation. It was Wilfrid the Attache, a
+very superior young man, who rarely came within their social horizon,
+whom they had been entertaining unawares in the supposed character of
+Wilfrid the Snatcher. Lady Ernestine Pigeoncote, his mother, moved in
+circles which were entirely beyond their compass or ambitions, and the
+son would probably one day be an Ambassador. And they had rifled and
+despoiled his portmanteau! Husband and wife looked blankly and
+desperately at one another. It was Mrs. Peter who arrived first at an
+inspiration.
+
+“How dreadful to think there are thieves in the house! We keep the
+drawing-room locked up at night, of course, but anything might be carried
+off while we are at breakfast.”
+
+She rose and went out hurriedly, as though to assure herself that the
+drawing-room was not being stripped of its silverware, and returned a
+moment later, bearing a cream jug in her hands.
+
+“There are eight cream jugs now, instead of seven,” she cried; “this one
+wasn’t there before. What a curious trick of memory, Mr. Wilfrid! You
+must have slipped downstairs with it last night and put it there before
+we locked up, and forgotten all about having done it in the morning.”
+
+“One’s mind often plays one little tricks like that,” said Mr. Peter,
+with desperate heartiness. “Only the other day I went into the town to
+pay a bill, and went in again next day, having clean forgotten that I’d—”
+
+“It is certainly the jug I bought for you,” said Wilfrid, looking closely
+at it; “it was in my portmanteau when I got my bath-robe out this
+morning, before going to my bath, and it was not there when I unlocked
+the portmanteau on my return. Some one had taken it while I was away
+from the room.”
+
+The Pigeoncotes had turned paler than ever. Mrs. Peter had a final
+inspiration.
+
+“Get me my smelling-salts, dear,” she said to her husband; “I think
+they’re in the dressing-room.”
+
+Peter dashed out of the room with glad relief; he had lived so long
+during the last few minutes that a golden wedding seemed within
+measurable distance.
+
+Mrs. Peter turned to her guest with confidential coyness.
+
+“A diplomat like you will know how to treat this as if it hadn’t
+happened. Peter’s little weakness; it runs in the family.”
+
+“Good Lord! Do you mean to say he’s a kleptomaniac, like Cousin
+Snatcher?”
+
+“Oh, not exactly,” said Mrs. Peter, anxious to whitewash her husband a
+little greyer than she was painting him. “He would never touch anything
+he found lying about, but he can’t resist making a raid on things that
+are locked up. The doctors have a special name for it. He must have
+pounced on your portmanteau the moment you went to your bath, and taken
+the first thing he came across. Of course, he had no motive for taking a
+cream jug; we’ve already got _seven_, as you know—not, of course, that we
+don’t value the kind of gift you and your mother—hush here’s Peter
+coming.”
+
+Mrs. Peter broke off in some confusion, and tripped out to meet her
+husband in the hall.
+
+“It’s all right,” she whispered to him; “I’ve explained everything.
+Don’t say anything more about it.”
+
+“Brave little woman,” said Peter, with a gasp of relief; “I could never
+have done it.”
+
+ * * * * *
+
+Diplomatic reticence does not necessarily extend to family affairs.
+Peter Pigeoncote was never able to understand why Mrs. Consuelo van
+Bullyon, who stayed with them in the spring, always carried two very
+obvious jewel-cases with her to the bath-room, explaining them to any one
+she chanced to meet in the corridor as her manicure and face-massage set.
+
+
+
+
+THE OCCASIONAL GARDEN
+
+
+“Don’t talk to me about town gardens,” said Elinor Rapsley; “which means,
+of course, that I want you to listen to me for an hour or so while I talk
+about nothing else. ‘What a nice-sized garden you’ve got,’ people said
+to us when we first moved here. What I suppose they meant to say was
+what a nice-sized site for a garden we’d got. As a matter of fact, the
+size is all against it; it’s too large to be ignored altogether and
+treated as a yard, and it’s too small to keep giraffes in. You see, if
+we could keep giraffes or reindeer or some other species of browsing
+animal there we could explain the general absence of vegetation by a
+reference to the fauna of the garden: ‘You can’t have wapiti _and_ Darwin
+tulips, you know, so we didn’t put down any bulbs last year.’ As it is,
+we haven’t got the wapiti, and the Darwin tulips haven’t survived the
+fact that most of the cats of the neighbourhood hold a parliament in the
+centre of the tulip bed; that rather forlorn looking strip that we
+intended to be a border of alternating geranium and spiræa has been
+utilised by the cat-parliament as a division lobby. Snap divisions seem
+to have been rather frequent of late, far more frequent than the geranium
+blooms are likely to be. I shouldn’t object so much to ordinary cats,
+but I do complain of having a congress of vegetarian cats in my garden;
+they must be vegetarians, my dear, because, whatever ravages they may
+commit among the sweet pea seedlings, they never seem to touch the
+sparrows; there are always just as many adult sparrows in the garden on
+Saturday as there were on Monday, not to mention newly-fledged additions.
+There seems to have been an irreconcilable difference of opinion between
+sparrows and Providence since the beginning of time as to whether a
+crocus looks best standing upright with its roots in the earth or in a
+recumbent posture with its stem neatly severed; the sparrows always have
+the last word in the matter, at least in our garden they do. I fancy
+that Providence must have originally intended to bring in an amending
+Act, or whatever it’s called, providing either for a less destructive
+sparrow or a more indestructible crocus. The one consoling point about
+our garden is that it’s not visible from the drawing-room or the
+smoking-room, so unless people are dinning or lunching with us they can’t
+spy out the nakedness of the land. That is why I am so furious with
+Gwenda Pottingdon, who has practically forced herself on me for lunch on
+Wednesday next; she heard me offer the Paulcote girl lunch if she was up
+shopping on that day, and, of course, she asked if she might come too.
+She is only coming to gloat over my bedraggled and flowerless borders and
+to sing the praises of her own detestably over-cultivated garden. I’m
+sick of being told that it’s the envy of the neighbourhood; it’s like
+everything else that belongs to her—her car, her dinner-parties, even her
+headaches, they are all superlative; no one else ever had anything like
+them. When her eldest child was confirmed it was such a sensational
+event, according to her account of it, that one almost expected questions
+to be asked about it in the House of Commons, and now she’s coming on
+purpose to stare at my few miserable pansies and the gaps in my sweet-pea
+border, and to give me a glowing, full-length description of the rare and
+sumptuous blooms in her rose-garden.”
+
+“My dear Elinor,” said the Baroness, “you would save yourself all this
+heart-burning and a lot of gardener’s bills, not to mention sparrow
+anxieties, simply by paying an annual subscription to the O.O.S.A.”
+
+“Never heard of it,” said Elinor; “what is it?”
+
+“The Occasional-Oasis Supply Association,” said the Baroness; “it exists
+to meet cases exactly like yours, cases of backyards that are of no
+practical use for gardening purposes, but are required to blossom into
+decorative scenic backgrounds at stated intervals, when a luncheon or
+dinner-party is contemplated. Supposing, for instance, you have people
+coming to lunch at one-thirty; you just ring up the Association at about
+ten o’clock the same morning, and say ‘lunch garden’. That is all the
+trouble you have to take. By twelve forty-five your yard is carpeted
+with a strip of velvety turf, with a hedge of lilac or red may, or
+whatever happens to be in season, as a background, one or two cherry
+trees in blossom, and clumps of heavily-flowered rhododendrons filling in
+the odd corners; in the foreground you have a blaze of carnations or
+Shirley poppies, or tiger lilies in full bloom. As soon as the lunch is
+over and your guests have departed the garden departs also, and all the
+cats in Christendom can sit in council in your yard without causing you a
+moment’s anxiety. If you have a bishop or an antiquary or something of
+that sort coming to lunch you just mention the fact when you are ordering
+the garden, and you get an old-world pleasaunce, with clipped yew hedges
+and a sun-dial and hollyhocks, and perhaps a mulberry tree, and borders
+of sweet-williams and Canterbury bells, and an old-fashioned beehive or
+two tucked away in a corner. Those are the ordinary lines of supply that
+the Oasis Association undertakes, but by paying a few guineas a year
+extra you are entitled to its emergency E.O.N. service.”
+
+“What on earth is an E.O.N. service?”
+
+“It’s just a conventional signal to indicate special cases like the
+incursion of Gwenda Pottingdon. It means you’ve got some one coming to
+lunch or dinner whose garden is alleged to be ‘the envy of the
+neighbourhood.’”
+
+“Yes,” exclaimed Elinor, with some excitement, “and what happens then?”
+
+“Something that sounds like a miracle out of the Arabian Nights. Your
+backyard becomes voluptuous with pomegranate and almond trees, lemon
+groves, and hedges of flowering cactus, dazzling banks of azaleas,
+marble-basined fountains, in which chestnut-and-white pond-herons step
+daintily amid exotic water-lilies, while golden pheasants strut about on
+alabaster terraces. The whole effect rather suggests the idea that
+Providence and Norman Wilkinson have dropped mutual jealousies and
+collaborated to produce a background for an open-air Russian Ballet; in
+point of fact, it is merely the background to your luncheon party. If
+there is any kick left in Gwenda Pottingdon, or whoever your E.O.N. guest
+of the moment may be, just mention carelessly that your climbing putella
+is the only one in England, since the one at Chatsworth died last winter.
+There isn’t such a thing as a climbing putella, but Gwenda Pottingdon and
+her kind don’t usually know one flower from another without prompting.”
+
+“Quick,” said Elinor, “the address of the Association.”
+
+Gwenda Pottingdon did not enjoy her lunch. It was a simple yet elegant
+meal, excellently cooked and daintily served, but the piquant sauce of
+her own conversation was notably lacking. She had prepared a long
+succession of eulogistic comments on the wonders of her town garden, with
+its unrivalled effects of horticultural magnificence, and, behold, her
+theme was shut in on every side by the luxuriant hedge of Siberian
+berberis that formed a glowing background to Elinor’s bewildering
+fragment of fairyland. The pomegranate and lemon trees, the terraced
+fountain, where golden carp slithered and wriggled amid the roots of
+gorgeous-hued irises, the banked masses of exotic blooms, the pagoda-like
+enclosure, where Japanese sand-badgers disported themselves, all these
+contributed to take away Gwenda’s appetite and moderate her desire to
+talk about gardening matters.
+
+“I can’t say I admire the climbing putella,” she observed shortly, “and
+anyway it’s not the only one of its kind in England; I happen to know of
+one in Hampshire. How gardening is going out of fashion; I suppose
+people haven’t the time for it nowadays.”
+
+Altogether it was quite one of Elinor’s most successful luncheon parties.
+
+It was distinctly an unforeseen catastrophe that Gwenda should have burst
+in on the household four days later at lunch-time and made her way
+unbidden into the dining-room.
+
+“I thought I must tell you that my Elaine has had a water-colour sketch
+accepted by the Latent Talent Art Guild; it’s to be exhibited at their
+summer exhibition at the Hackney Gallery. It will be the sensation of
+the moment in the art world—Hullo, what on earth has happened to your
+garden? It’s not there!”
+
+“Suffragettes,” said Elinor promptly; “didn’t you hear about it? They
+broke in and made hay of the whole thing in about ten minutes. I was so
+heart-broken at the havoc that I had the whole place cleared out; I shall
+have it laid out again on rather more elaborate lines.”
+
+“That,” she said to the Baroness afterwards “is what I call having an
+emergency brain.”
+
+
+
+
+THE SHEEP
+
+
+The enemy had declared “no trumps.” Rupert played out his ace and king
+of clubs and cleared the adversary of that suit; then the Sheep, whom the
+Fates had inflicted on him for a partner, took the third round with the
+queen of clubs, and, having no other club to lead back, opened another
+suit. The enemy won the remainder of the tricks—and the rubber.
+
+“I had four more clubs to play; we only wanted the odd trick to win the
+rubber,” said Rupert.
+
+“But I hadn’t another club to lead you,” exclaimed the Sheep, with his
+ready, defensive smile.
+
+“It didn’t occur to you to throw your queen away on my king and leave me
+with the command of the suit,” said Rupert, with polite bitterness.
+
+“I suppose I ought to have—I wasn’t certain what to do. I’m awfully
+sorry,” said the Sheep.
+
+Being awfully and uselessly sorry formed a large part of his occupation
+in life. If a similar situation had arisen in a subsequent hand he would
+have blundered just as certainly, and he would have been just as
+irritatingly apologetic.
+
+Rupert stared gloomily across at him as he sat smiling and fumbling with
+his cards. Many men who have good brains for business do not possess the
+rudiments of a card-brain, and Rupert would not have judged and condemned
+his prospective brother-in-law on the evidence of his bridge play alone.
+The tragic part of it was that he smiled and fumbled through life just as
+fatuously and apologetically as he did at the card-table. And behind the
+defensive smile and the well-worn expressions of regret there shone a
+scarcely believable but quite obvious self-satisfaction. Every sheep of
+the pasture probably imagines that in an emergency it could become
+terrible as an army with banners—one has only to watch how they stamp
+their feet and stiffen their necks when a minor object of suspicion comes
+into view and behaves meekly. And probably the majority of human sheep
+see themselves in imagination taking great parts in the world’s more
+impressive dramas, forming swift, unerring decisions in moments of
+crisis, cowing mutinies, allaying panics, brave, strong, simple, but, in
+spite of their natural modesty, always slightly spectacular.
+
+“Why in the name of all that is unnecessary and perverse should Kathleen
+choose this man for her future husband?” was the question that Rupert
+asked himself ruefully. There was young Malcolm Athling, as
+nice-looking, decent, level-headed a fellow as any one could wish to
+meet, obviously her very devoted admirer, and yet she must throw herself
+away on this pale-eyed, weak-mouthed embodiment of self-approving
+ineptitude. If it had been merely Kathleen’s own affair Rupert would
+have shrugged his shoulders and philosophically hoped that she might make
+the best of an undeniably bad bargain. But Rupert had no heir; his own
+boy lay underground somewhere on the Indian frontier, in goodly company.
+And the property would pass in due course to Kathleen and Kathleen’s
+husband. The Sheep would live there in the beloved old home, rearing up
+other little Sheep, fatuous and rabbit-faced and self-satisfied like
+himself, to dwell in the land and possess it. It was not a soothing
+prospect.
+
+Towards dusk on the afternoon following the bridge experience Rupert and
+the Sheep made their way homeward after a day’s mixed shooting. The
+Sheep’s cartridge bag was nearly empty, but his game bag showed no signs
+of over-crowding. The birds he had shot at had seemed for the most part
+as impervious to death or damage as the hero of a melodrama. And for
+each failure to drop his bird he had some explanation or apology ready on
+his lips. Now he was striding along in front of his host, chattering
+happily over his shoulder, but obviously on the look-out for some belated
+rabbit or woodpigeon that might haply be secured as an eleventh-hour
+addition to his bag. As they passed the edge of a small copse a large
+bird rose from the ground and flew slowly towards the trees, offering an
+easy shot to the oncoming sportsmen. The Sheep banged forth with both
+barrels, and gave an exultant cry.
+
+“Horray! I’ve shot a thundering big hawk!”
+
+“To be exact, you’ve shot a honey-buzzard. That is the hen bird of one
+of the few pairs of honey-buzzards breeding in the United Kingdom. We’ve
+kept them under the strictest preservation for the last four years; every
+game-keeper and village gun loafer for twenty miles round has been warned
+and bribed and threatened to respect their sanctity, and egg-snatching
+agents have been carefully guarded against during the breeding season.
+Hundreds of lovers of rare birds have delighted in seeing their
+snap-shotted portraits in _Country Life_, and now you’ve reduced the hen
+bird to a lump of broken feathers.”
+
+Rupert spoke quietly and evenly, but for a moment or two a gleam of
+positive hatred shone in his eyes.
+
+“I say, I’m so sorry,” said the Sheep, with his apologetic smile. “Of
+course I remember hearing about the buzzards, but somehow I didn’t
+connect this bird with them. And it was such an east shot—”
+
+“Yes,” said Rupert; “that was the trouble.”
+
+Kathleen found him in the gun-room smoothing out the feathers of the dead
+bird. She had already been told of the catastrophe.
+
+“What a horrid misfortune,” she said sympathetically.
+
+“It was my dear Robbie who first discovered them, the last time he was
+home on leave. Don’t you remember how excited he was about them? Let’s
+go and have some tea.”
+
+Both bridge and shooting were given a rest for the next two or three
+weeks. Death, who enters into no compacts with party whips, had forced a
+Parliamentary vacancy on the neighbourhood at the least convenient
+season, and the local partisans on either side found themselves immersed
+in the discomforts of a mid-winter election. Rupert took his politics
+seriously and keenly. He belonged to that type of strangely but rather
+happily constituted individuals which these islands seem to produce in a
+fair plenty; men and women who for no personal profit or gain go forth
+from their comfortable firesides or club card-rooms to hunt to and fro in
+the mud and rain and wind for the capture or tracking of a stray vote
+here and there on their party’s behalf—not because they think they ought
+to, but because they want to. And his energies were welcome enough on
+this occasion, for the seat was a closely disputed possession, and its
+loss or retention would count for much in the present position of the
+Parliamentary game. With Kathleen to help him, he had worked his corner
+of the constituency with tireless, well-directed zeal, taking his share
+of the dull routine work as well as of the livelier episodes. The
+talking part of the campaign wound up on the eve of the poll with a
+meeting in a centre where more undecided votes were supposed to be
+concentrated than anywhere else in the division. A good final meeting
+here would mean everything. And the speakers, local and imported, left
+nothing undone to improve the occasion. Rupert was down for the
+unimportant task of moving the complimentary vote to the chairman which
+should close the proceedings.
+
+“I’m so hoarse,” he protested, when the moment arrived; “I don’t believe
+I can make my voice heard beyond the platform.”
+
+“Let me do it,” said the Sheep; “I’m rather good at that sort of thing.”
+
+The chairman was popular with all parties, and the Sheep’s opening words
+of complimentary recognition received a round of applause. The orator
+smiled expansively on his listeners and seized the opportunity to add a
+few words of political wisdom on his own account. People looked at the
+clock or began to grope for umbrellas and discarded neckwraps. Then, in
+the midst of a string of meaningless platitudes, the Sheep delivered
+himself of one of those blundering remarks which travel from one end of a
+constituency to the other in half an hour, and are seized on by the other
+side as being more potent on their behalf than a ton of election
+literature. There was a general shuffling and muttering across the
+length and breadth of the hall, and a few hisses made themselves heard.
+The Sheep tried to whittle down his remark, and the chairman
+unhesitatingly threw him over in his speech of thanks, but the damage was
+done.
+
+“I’m afraid I lost touch with the audience rather over that remark,” said
+the Sheep afterwards, with his apologetic smile abnormally developed.
+
+“You lost us the election,” said the chairman, and he proved a true
+prophet.
+
+A month or so of winter sport seemed a desirable pick-me-up after the
+strenuous work and crowning discomfiture of the election. Rupert and
+Kathleen hied them away to a small Alpine resort that was just coming
+into prominence, and thither the Sheep followed them in due course, in
+his role of husband-elect. The wedding had been fixed for the end of
+March.
+
+It was a winter of early and unseasonable thaws, and the far end of the
+local lake, at a spot where swift currents flowed into it, was decorated
+with notices, written in three languages, warning skaters not to venture
+over certain unsafe patches. The folly of approaching too near these
+danger spots seemed to have a natural fascination for the Sheep.
+
+“I don’t see what possible danger there can be,” he protested, with his
+inevitable smile, when Rupert beckoned him away from the proscribed area;
+“the milk that I put out on my window-sill last night was frozen an inch
+deep.”
+
+“It hadn’t got a strong current flowing through it,” said Rupert; “in any
+case, there is not much sense in hovering round a doubtful piece of ice
+when there are acres of good ice to skate over. The secretary of the
+ice-committee has warned you once already.”
+
+A few minutes later Rupert heard a loud squeal of fear, and saw a dark
+spot blotting the smoothness of the lake’s frozen surface. The Sheep was
+struggling helplessly in an ice-hole of his own making. Rupert gave one
+loud curse, and then dashed full tilt for the shore; outside a low stable
+building on the lake’s edge he remembered having seen a ladder. If he
+could slide it across the ice-hole before the Sheep went under the rescue
+would be comparatively simple work. Other skaters were dashing up from a
+distance, and, with the ladder’s help, they could get him out of his
+death-trap without having to trust themselves on the margin of rotten
+ice. Rupert sprang on to the surface of lumpy, frozen snow, and
+staggered to where the ladder lay. He had already lifted it when the
+rattle of a chain and a furious outburst of growls burst on his hearing,
+and he was dashed to the ground by a mass of white and tawny fur. A
+sturdy young yard-dog, frantic with the pleasure of performing his first
+piece of active guardian service, was ramping and snarling over him,
+rendering the task of regaining his feet or securing the ladder a matter
+of considerable difficulty. When he had at last succeeded in both
+efforts he was just by a hair’s-breadth too late to be of any use. The
+Sheep had definitely disappeared under the ice-rift.
+
+Kathleen Athling and her husband stay the greater part of the year with
+Rupert, and a small Robbie stands in some danger of being idolised by a
+devoted uncle. But for twelve months of the year Rupert’s most
+inseparable and valued companion is a sturdy tawny and white yard-dog.
+
+
+
+
+THE OVERSIGHT
+
+
+“It’s like a Chinese puzzle,” said Lady Prowche resentfully, staring at a
+scribbled list of names that spread over two or three loose sheets of
+notepaper on her writing-table. Most of the names had a pencil mark
+running through them.
+
+“What is like a Chinese puzzle?” asked Lena Luddleford briskly; she
+rather prided herself on being able to grapple with the minor problems of
+life.
+
+“Getting people suitably sorted together. Sir Richard likes me to have a
+house party about this time of year, and gives me a free hand as to whom
+I should invite; all he asks is that it should be a peaceable party, with
+no friction or unpleasantness.”
+
+“That seems reasonable enough,” said Lena.
+
+“Not only reasonable, my dear, but necessary. Sir Richard has his
+literary work to think of; you can’t expect a man to concentrate on the
+tribal disputes of Central Asian clansmen when he’s got social feuds
+blazing under his own roof.”
+
+“But why should they blaze? Why should there be feuds at all within the
+compass of a house party?”
+
+“Exactly; why should they blaze or why should they exist?” echoed Lady
+Prowche; “the point is that they always do. We have been unlucky;
+persistently unlucky, now that I come to look back on things. We have
+always got people of violently opposed views under one roof, and the
+result has been not merely unpleasantness but explosion.”
+
+“Do you mean people who disagree on matters of political opinion and
+religious views?” asked Lena.
+
+“No, not that. The broader lines of political or religious difference
+don’t matter. You can have Church of England and Unitarian and Buddhist
+under the same roof without courting disaster; the only Buddhist I ever
+had down here quarrelled with everybody, but that was on account of his
+naturally squabblesome temperament; it had nothing to do with his
+religion. And I’ve always found that people can differ profoundly about
+politics and meet on perfectly good terms at breakfast. Now, Miss Larbor
+Jones, who was staying here last year, worships Lloyd George as a sort of
+wingless angel, while Mrs. Walters, who was down here at the same time,
+privately considers him to be—an antelope, let us say.”
+
+“An antelope?”
+
+“Well, not an antelope exactly, but something with horns and hoofs and
+tail.”
+
+“Oh, I see.”
+
+“Still, that didn’t prevent them from being the chummiest of mortals on
+the tennis court and in the billiard-room. They did quarrel finally,
+about a lead in a doubled hand of no-trumps, but that of course is a
+thing that no account of judicious guest-grouping could prevent. Mrs.
+Walters had got king, knave, ten, and seven of clubs—”
+
+“You were saying that there were other lines of demarcation that caused
+the bother,” interrupted Lena.
+
+“Exactly. It is the minor differences and side-issues that give so much
+trouble,” said Lady Prowche; “not to my dying day shall I forget last
+year’s upheaval over the Suffragette question. Laura Henniseed left the
+house in a state of speechless indignation, but before she had reached
+that state she had used language that would not have been tolerated in
+the Austrian Reichsrath. Intensive bear-gardening was Sir Richard’s
+description of the whole affair, and I don’t think he exaggerated.”
+
+“Of course the Suffragette question is a burning one, and lets loose the
+most dreadful ill-feeling,” said Lena; “but one can generally find out
+beforehand what people’s opinions—”
+
+“My dear, the year before it was worse. It was Christian Science.
+Selina Goobie is a sort of High Priestess of the Cult, and she put down
+all opposition with a high hand. Then one evening, after dinner, Clovis
+Sangrail put a wasp down her back, to see if her theory about the
+non-existence of pain could be depended on in an emergency. The wasp was
+small, but very efficient, and it had been soured in temper by being kept
+in a paper cage all the afternoon. Wasps don’t stand confinement well,
+at least this one didn’t. I don’t think I ever realised till that moment
+what the word ‘invective’ could be made to mean. I sometimes wake in the
+night and think I still hear Selina describing Clovis’s conduct and
+general character. That was the year that Sir Richard was writing his
+volume on ‘Domestic Life in Tartary.’ The critics all blamed it for a
+lack of concentration.”
+
+“He’s engaged on a very important work this year, isn’t he?” asked Lena.
+
+“‘Land-tenure in Turkestan,’” said Lady Prowche; “he is just at work on
+the final chapters and they require all the concentration he can give
+them. That is why I am so very anxious not to have any unfortunate
+disturbance this year. I have taken every precaution I can think of to
+bring non-conflicting and harmonious elements together; the only two
+people I am not quite easy about are the Atkinson man and Marcus Popham.
+They are the two who will be down here longest together, and if they are
+going to fall foul of one another about any burning question, well, there
+will be more unpleasantness.”
+
+“Can’t you find out anything about them? About their opinions, I mean.”
+
+“Anything? My dear Lena, there’s scarcely anything that I haven’t found
+out about them. They’re both of them moderate Liberal, Evangelical,
+mildly opposed to female suffrage, they approve of the Falconer Report,
+and the Stewards’ decision about Craganour. Thank goodness in this
+country we don’t fly into violent passions about Wagner and Brahms and
+things of that sort. There is only one thorny subject that I haven’t
+been able to make sure about, the only stone that I have left unturned.
+Are they unanimously anti-vivisectionist or do they both uphold the
+necessity for scientific experiment? There has been a lot of
+correspondence on the subject in our local newspapers of late, and the
+vicar is certain to preach a sermon about it; vicars are dreadfully
+provocative at times. Now, if you could only find out for me whether
+these two men are divergently for or against—”
+
+“I!” exclaimed Lena; “how am I to find out? I don’t know either of them
+to speak to.”
+
+“Still you might discover, in some roundabout way. Write to them, under
+as assumed name of course, for subscriptions to one or other cause—or,
+better still, send a stamped type-written reply postcard, with a request
+for a declaration for or against vivisection; people who would hesitate
+to commit themselves to a subscription will cheerfully write Yes or No on
+a prepaid postcard. If you can’t manage it that way, try and meet them
+at some one’s house and get into argument on the subject. I think Milly
+occasionally has one or other of them at her at-homes; you might have the
+luck to meet both of them there the same evening. Only it must be done
+soon. My invitations ought to go out by Wednesday or Thursday at the
+latest, and to-day is Friday.
+
+“Milly’s at-homes are not very amusing, as a rule,” said Lena, “and one
+never gets a chance of talking uninterruptedly to any one for a couple of
+minutes at a time; Milly is one of those restless hostesses who always
+seem to be trying to see how you look in different parts of the room, in
+fresh grouping effects. Even if I got to speak to Popham or Atkinson I
+couldn’t plunge into a topic like vivisection straight away. No, I think
+the postcard scheme would be more hopeful and decidedly less tiresome.
+How would it be best to word them?”
+
+“Oh, something like this: ‘Are you in favour of experiments on living
+animals for the purpose of scientific research—Yes or No?’ That is quite
+simple and unmistakable. If they don’t answer it will at least be an
+indication that they are indifferent about the subject, and that is all I
+want to know.”
+
+“All right,” said Lena, “I’ll get my brother-in-law to let me have them
+addressed to his office, and he can telephone the result of the
+plebiscite direct to you.”
+
+“Thank you ever so much,” said Lady Prowche gratefully, “and be sure to
+get the cards sent off as soon as possible.”
+
+On the following Tuesday the voice of an office clerk, speaking through
+the telephone, informed Lady Prowche that the postcard poll showed
+unanimous hostility to experiments on living animals.
+
+Lady Prowche thanked the office clerk, and in a louder and more fervent
+voice she thanked Heaven. The two invitations, already sealed and
+addressed, were immediately dispatched; in due course they were both
+accepted. The house party of the halcyon hours, as the prospective
+hostess called it, was auspiciously launched.
+
+Lena Luddleford was not included among the guests, having previously
+committed herself to another invitation. At the opening day of a cricket
+festival, however, she ran across Lady Prowche, who had motored over from
+the other side of the county. She wore the air of one who is not
+interested in cricket and not particularly interested in life. She shook
+hands limply with Lena, and remarked that it was a beastly day.
+
+“The party, how has it gone off?” asked Lena quickly.
+
+“Don’t speak of it!” was the tragical answer; “why do I always have such
+rotten luck?”
+
+“But what has happened?”
+
+“It has been awful. Hyænas could not have behaved with greater savagery.
+Sir Richard said so, and he has been in countries where hyænas live, so
+he ought to know. They actually came to blows!”
+
+“Blows?”
+
+“Blows and curses. It really might have been a scene from one of
+Hogarth’s pictures. I never felt so humiliated in my life. What the
+servants must have thought!”
+
+“But who were the offenders?”
+
+“Oh, naturally the very two that we took all the trouble about.”
+
+“I thought they agreed on every subject that one could violently disagree
+about—religion, politics, vivisection, the Derby decision, the Falconer
+Report; what else was there left to quarrel about?”
+
+“My dear, we were fools not to have thought of it. One of them was
+Pro-Greek and the other Pro-Bulgar.”
+
+
+
+
+HYACINTH
+
+
+“The new fashion of introducing the candidate’s children into an election
+contest is a pretty one,” said Mrs. Panstreppon; “it takes away something
+from the acerbity of party warfare, and it makes an interesting
+experience for children to look back on in after years. Still, if you
+will listen to my advice, Matilda, you will not take Hyacinth with you
+down to Luffbridge on election day.”
+
+“Not take Hyacinth!” exclaimed his mother; “but why not? Jutterly is
+bringing his three children, and they are going to drive a pair of Nubian
+donkeys about the town, to emphasise the fact that their father has been
+appointed Colonial Secretary. We are making the demand for a strong Navy
+a special feature in _our_ campaign, and it will be particularly
+appropriate to have Hyacinth dressed in his sailor suit. He’ll look
+heavenly.”
+
+“The question is, not how he’ll look, but how he’ll behave. He’s a
+delightful child, of course, but there is a strain of unbridled pugnacity
+in him that breaks out at times in a really alarming fashion. You may
+have forgotten the affair of the little Gaffin children; I haven’t.”
+
+“I was in India at the time, and I’ve only a vague recollection of what
+happened; he was very naughty, I know.”
+
+“He was in his goat-carriage, and met the Gaffins in their perambulator,
+and he drove the goat full tilt at them and sent the perambulator
+spinning. Little Jacky Gaffin was pinned down under the wreckage, and
+while the nurse had her hands full with the goat Hyacinth was laying into
+Jacky’s legs with his belt like a small fury.”
+
+“I’m not defending him,” said Matilda, “but they must have done something
+to annoy him.”
+
+“Nothing intentionally, but some one had unfortunately told him that they
+were half French—their mother was a Duboc, you know—and he had been
+having a history lesson that morning, and had just heard of the final
+loss of Calais by the English, and was furious about it. He said he’d
+teach the little toads to go snatching towns from us, but we didn’t know
+at the time that he was referring to the Gaffins. I told him afterwards
+that all bad feeling between the two nations had died out long ago, and
+that anyhow the Gaffins were only half French, and he said that it was
+only the French half of Jacky that he had been hitting; the rest had been
+buried under the perambulator. If the loss of Calais unloosed such fury
+in him, I tremble to think what the possible loss of the election might
+entail.”
+
+“All that happened when he was eight; he’s older now and knows better.”
+
+“Children with Hyacinth’s temperament don’t know better as they grow
+older; they merely know more.”
+
+“Nonsense. He will enjoy the fun of the election, and in any case he’ll
+be tired out by the time the poll is declared, and the new sailor suit
+that I’ve had made for him is just in the right shade of blue for our
+election colours, and it will exactly match the blue of his eyes. He
+will be a perfectly charming note of colour.”
+
+“There is such a thing as letting one’s æsthetic sense override one’s
+moral sense,” said Mrs. Panstreppon. “I believe you would have condoned
+the South Sea Bubble and the persecution of the Albigenses if they had
+been carried out in effective colour schemes. However, if anything
+unfortunate should happen down at Luffbridge, don’t say it wasn’t
+foreseen by one member of the family.”
+
+The election was keenly but decorously contested. The newly-appointed
+Colonial Secretary was personally popular, while the Government to which
+he adhered was distinctly unpopular, and there was some expectancy that
+the majority of four hundred, obtained at the last election, would be
+altogether wiped out. Both sides were hopeful, but neither could feel
+confident. The children were a great success; the little Jutterlys drove
+their chubby donkeys solemnly up and down the main streets, displaying
+posters which advocated the claims of their father on the broad general
+grounds that he was their father, while as for Hyacinth, his conduct
+might have served as a model for any seraph-child that had strayed
+unwittingly on to the scene of an electoral contest. Of his own accord,
+and under the delighted eyes of half a dozen camera operators, he had
+gone up to the Jutterly children and presented them with a packet of
+butterscotch; “we needn’t be enemies because we’re wearing the opposite
+colours,” he said with engaging friendliness, and the occupants of the
+donkey-cart accepted his offering with polite solemnity. The grown-up
+members of both political camps were delighted at the incident—with the
+exception of Mrs. Panstreppon, who shuddered.
+
+“Never was Clytemnestra’s kiss sweeter than on the night she slew me,”
+she quoted, but made the quotation to herself.
+
+The last hour of the poll was a period of unremitting labour for both
+parties; it was generally estimated that not more than a dozen votes
+separated the candidates, and every effort was made to bring up
+obstinately wavering electors. It was with a feeling of relaxation and
+relief that every one heard the clocks strike the hour for the close of
+the poll. Exclamations broke out from the tired workers, and corks flew
+out from bottles.
+
+“Well, if we haven’t won; we’ve done our level best.” “It has been a
+clean straight fight, with no rancour.” “The children were quite a
+charming feature, weren’t they?”
+
+The children? It suddenly occurred to everybody that they had seen
+nothing of the children for the last hour. What had become of the three
+little Jutterlys and their donkey-cart, and, for the matter of that, what
+had become of Hyacinth. Hurried, anxious embassies went backwards and
+forwards between the respective party headquarters and the various
+committee-rooms, but there was blank ignorance everywhere as to the
+whereabouts of the children. Every one had been too busy in the closing
+moments of the poll to bestow a thought on them. Then there came a
+telephone call at the Unionist Women’s Committee-rooms, and the voice of
+Hyacinth was heard demanding when the poll would be declared.
+
+“Where are you, and where are the Jutterly children?” asked his mother.
+
+“I’ve just finished having high-tea at a pastry-cook’s,” came the answer,
+“and they let me telephone. I’ve had a poached egg and a sausage roll
+and four meringues.”
+
+“You’ll be ill. Are the little Jutterlys with you?”
+
+“Rather not. They’re in a pigstye.”
+
+“A pigstye? Why? What pigstye?”
+
+“Near the Crawleigh Road. I met them driving about a back road, and told
+them they were to have tea with me, and put their donkeys in a yard that
+I knew of. Then I took them to see an old sow that had got ten little
+pigs. I got the sow into the outer stye by giving her bits of bread,
+while the Jutterlys went in to look at the litter, then I bolted the door
+and left them there.”
+
+“You wicked boy, do you mean to say you’ve left those poor children there
+alone in the pigstye?”
+
+“They’re not alone, they’ve got ten little pigs in with them; they’re
+jolly well crowded. They were pretty mad at being shut in, but not half
+as mad as the old sow is at being shut out from her young ones. If she
+gets in while they’re there she’ll bite them into mincemeat. I can get
+them out by letting a short ladder down through the top window, and
+that’s what I’m going to do _if we win_. If their blighted father gets
+in, I’m just going to open the door for the sow, and let her do what she
+dashed well likes to them. That’s why I want to know when the poll will
+be declared.”
+
+Here the narrator rang off. A wild stampede and a frantic sending-off of
+messengers took place at the other end of the telephone. Nearly all the
+workers on either side had disappeared to their various club-rooms and
+public-house bars to await the declaration of the poll, but enough local
+information could be secured to determine the scene of Hyacinth’s
+exploit. Mr. John Ball had a stable yard down near the Crawleigh Road,
+up a short lane, and his sow was known to have a litter of ten young
+ones. Thither went in headlong haste both the candidates, Hyacinth’s
+mother, his aunt (Mrs. Panstreppon), and two or three hurriedly-summoned
+friends. The two Nubian donkeys, contentedly munching at bundles of hay,
+met their gaze as they entered the yard. The hoarse savage grunting of
+an enraged animal and the shriller note of thirteen young voices, three
+of them human, guided them to the stye, in the outer yard of which a huge
+Yorkshire sow kept up a ceaseless raging patrol before a closed door.
+Reclining on the broad ledge of an open window, from which point of
+vantage he could reach down and shoot the bolt of the door, was Hyacinth,
+his blue sailor-suit somewhat the worse of wear, and his angel smile
+exchanged for a look of demoniacal determination.
+
+“If any of you come a step nearer,” he shouted, “the sow will be inside
+in half a jiffy.”
+
+A storm of threatening, arguing, entreating expostulation broke from the
+baffled rescue party, but it made no more impression on Hyacinth than the
+squealing tempest that raged within the stye.
+
+“If Jutterly heads the poll I’m going to let the sow in. I’ll teach the
+blighters to win elections from us.”
+
+“He means it,” said Mrs. Panstreppon; “I feared the worst when I saw that
+butterscotch incident.”
+
+“It’s all right, my little man,” said Jutterly, with the duplicity to
+which even a Colonial Secretary can sometimes stoop, “your father has
+been elected by a large majority.”
+
+“Liar!” retorted Hyacinth, with the directness of speech that is not
+merely excusable, but almost obligatory, in the political profession;
+“the votes aren’t counted yet. You won’t gammon me as to the result,
+either. A boy that I’ve palled with is going to fire a gun when the poll
+is declared; two shots if we’ve won, one shot if we haven’t.”
+
+The situation began to look critical. “Drug the sow,” whispered
+Hyacinth’s father.
+
+Some one went off in the motor to the nearest chemist’s shop and returned
+presently with two large pieces of bread, liberally dosed with narcotic.
+The bread was thrown deftly and unostentatiously into the stye, but
+Hyacinth saw through the manœuvre. He set up a piercing imitation of a
+small pig in Purgatory, and the infuriated mother ramped round and round
+the stye; the pieces of bread were trampled into slush.
+
+At any moment now the poll might be declared. Jutterly flew back to the
+Town Hall, where the votes were being counted. His agent met him with a
+smile of hope.
+
+“You’re eleven ahead at present, and only about eighty more to be
+counted; you’re just going to squeak through.”
+
+“I mustn’t squeak through,” exclaimed Jutterly, hoarsely. “You must
+object to every doubtful vote on our side that can possibly be
+disallowed. I must _not_ have the majority.”
+
+Then was seen the unprecedented sight of a party agent challenging the
+votes on his own side with a captiousness that his opponents would have
+hesitated to display. One or two votes that would have certainly passed
+muster under ordinary circumstances were disallowed, but even so Jutterly
+was six ahead with only thirty more to be counted.
+
+To the watchers by the stye the moments seemed intolerable. As a last
+resort some one had been sent for a gun with which to shoot the sow,
+though Hyacinth would probably draw the bolt the moment such a weapon was
+brought into the yard. Nearly all the men were away from their homes,
+however, on election night, and the messenger had evidently gone far
+afield in his search. It must be a matter of minutes now to the
+declaration of the poll.
+
+A sudden roar of shouting and cheering was heard from the direction of
+the Town Hall. Hyacinth’s father clutched a pitchfork and prepared to
+dash into the stye in the forlorn hope of being in time.
+
+A shot rang out in the evening air. Hyacinth stooped down from his perch
+and put his finger on the bolt. The sow pressed furiously against the
+door.
+
+“Bang,” came another shot.
+
+Hyacinth wriggled back, and sent a short ladder down through the window
+of the inner stye.
+
+“Now you can come up, you unclean little blighters,” he sang out; “my
+daddy’s got in, not yours. Hurry up, I can’t keep the sow waiting much
+longer. And don’t you jolly well come butting into any election again
+where I’m on the job.”
+
+In the reaction that set in after the deliverance furious recrimination
+were indulged in by the lately opposed candidates, their women folk,
+agents, and party helpers. A recount was demanded, but failed to
+establish the fact that the Colonial Secretary had obtained a majority.
+Altogether the election left a legacy of soreness behind it, apart from
+any that was experienced by Hyacinth in person.
+
+“It is the last time I shall let him go to an election,” exclaimed his
+mother.
+
+“There I think you are going to extremes,” said Mrs. Panstreppon; “if
+there should be a general election in Mexico I think you might safely let
+him go there, but I doubt whether our English politics are suited to the
+rough and tumble of an angel-child.”
+
+
+
+
+THE IMAGE OF THE LOST SOUL
+
+
+There were a number of carved stone figures placed at intervals along the
+parapets of the old Cathedral; some of them represented angels, others
+kings and bishops, and nearly all were in attitudes of pious exaltation
+and composure. But one figure, low down on the cold north side of the
+building, had neither crown, mitre, not nimbus, and its face was hard and
+bitter and downcast; it must be a demon, declared the fat blue pigeons
+that roosted and sunned themselves all day on the ledges of the parapet;
+but the old belfry jackdaw, who was an authority on ecclesiastical
+architecture, said it was a lost soul. And there the matter rested.
+
+One autumn day there fluttered on to the Cathedral roof a slender,
+sweet-voiced bird that had wandered away from the bare fields and
+thinning hedgerows in search of a winter roosting-place. It tried to
+rest its tired feet under the shade of a great angel-wing or to nestle in
+the sculptured folds of a kingly robe, but the fat pigeons hustled it
+away from wherever it settled, and the noisy sparrow-folk drove it off
+the ledges. No respectable bird sang with so much feeling, they cheeped
+one to another, and the wanderer had to move on.
+
+Only the effigy of the Lost Soul offered a place of refuge. The pigeons
+did not consider it safe to perch on a projection that leaned so much out
+of the perpendicular, and was, besides, too much in the shadow. The
+figure did not cross its hands in the pious attitude of the other graven
+dignitaries, but its arms were folded as in defiance and their angle made
+a snug resting-place for the little bird. Every evening it crept
+trustfully into its corner against the stone breast of the image, and the
+darkling eyes seemed to keep watch over its slumbers. The lonely bird
+grew to love its lonely protector, and during the day it would sit from
+time to time on some rainshoot or other abutment and trill forth its
+sweetest music in grateful thanks for its nightly shelter. And, it may
+have been the work of wind and weather, or some other influence, but the
+wild drawn face seemed gradually to lose some of its hardness and
+unhappiness. Every day, through the long monotonous hours, the song of
+his little guest would come up in snatches to the lonely watcher, and at
+evening, when the vesper-bell was ringing and the great grey bats slid
+out of their hiding-places in the belfry roof, the bright-eyed bird would
+return, twitter a few sleepy notes, and nestle into the arms that were
+waiting for him. Those were happy days for the Dark Image. Only the
+great bell of the Cathedral rang out daily its mocking message, “After
+joy . . . sorrow.”
+
+The folk in the verger’s lodge noticed a little brown bird flitting about
+the Cathedral precincts, and admired its beautiful singing. “But it is a
+pity,” said they, “that all that warbling should be lost and wasted far
+out of hearing up on the parapet.” They were poor, but they understood
+the principles of political economy. So they caught the bird and put it
+in a little wicker cage outside the lodge door.
+
+That night the little songster was missing from its accustomed haunt, and
+the Dark Image knew more than ever the bitterness of loneliness. Perhaps
+his little friend had been killed by a prowling cat or hurt by a stone.
+Perhaps . . . perhaps he had flown elsewhere. But when morning came
+there floated up to him, through the noise and bustle of the Cathedral
+world, a faint heart-aching message from the prisoner in the wicker cage
+far below. And every day, at high noon, when the fat pigeons were
+stupefied into silence after their midday meal and the sparrows were
+washing themselves in the street-puddles, the song of the little bird
+came up to the parapets—a song of hunger and longing and hopelessness, a
+cry that could never be answered. The pigeons remarked, between
+mealtimes, that the figure leaned forward more than ever out of the
+perpendicular.
+
+One day no song came up from the little wicker cage. It was the coldest
+day of the winter, and the pigeons and sparrows on the Cathedral roof
+looked anxiously on all sides for the scraps of food which they were
+dependent on in hard weather.
+
+“Have the lodge-folk thrown out anything on to the dust-heap?” inquired
+one pigeon of another which was peering over the edge of the north
+parapet.
+
+“Only a little dead bird,” was the answer.
+
+There was a crackling sound in the night on the Cathedral roof and a
+noise as of falling masonry. The belfry jackdaw said the frost was
+affecting the fabric, and as he had experienced many frosts it must have
+been so. In the morning it was seen that the Figure of the Lost Soul had
+toppled from its cornice and lay now in a broken mass on the dust-heap
+outside the verger’s lodge.
+
+“It is just as well,” cooed the fat pigeons, after they had peered at the
+matter for some minutes; “now we shall have a nice angel put up there.
+Certainly they will put an angel there.”
+
+“After joy . . . sorrow,” rang out the great bell.
+
+
+
+
+THE PURPLE OF THE BALKAN KINGS
+
+
+Luitpold Wolkenstein, financier and diplomat on a small, obtrusive,
+self-important scale, sat in his favoured cafe in the world-wise Habsburg
+capital, confronted with the _Neue Freie Presse_ and the cup of
+cream-topped coffee and attendant glass of water that a sleek-headed
+piccolo had just brought him. For years longer than a dog’s lifetime
+sleek-headed piccolos had placed the _Neue Freie Presse_ and a cup of
+cream-topped coffee on his table; for years he had sat at the same spot,
+under the dust-coated, stuffed eagle, that had once been a living,
+soaring bird on the Styrian mountains, and was now made monstrous and
+symbolical with a second head grafted on to its neck and a gilt crown
+planted on either dusty skull. To-day Luitpold Wolkenstein read no more
+than the first article in his paper, but read it again and again.
+
+“The Turkish fortress of Kirk Kilisseh has fallen . . . The Serbs, it is
+officially announced, have taken Kumanovo . . . The fortress of Kirk
+Kilisseh lost, Kumanovo taken by the Serbs, these are tiding for
+Constantinople resembling something out of Shakspeare’s tragedies of the
+kings . . . The neighbourhood of Adrianople and the Eastern region,
+where the great battle is now in progress, will not reveal merely the
+future of Turkey, but also what position and what influence the Balkan
+States are to have in the world.”
+
+For years longer than a dog’s lifetime Luitpold Wolkenstein had disposed
+of the pretensions and strivings of the Balkan States over the cup of
+cream-topped coffee that sleek-headed piccolos had brought him. Never
+travelling further eastward than the horse-fair at Temesvar, never
+inviting personal risk in an encounter with anything more potentially
+desperate than a hare or partridge, he had constituted himself the
+critical appraiser and arbiter of the military and national prowess of
+the small countries that fringed the Dual Monarchy on its Danube border.
+And his judgment had been one of unsparing contempt for small-scale
+efforts, of unquestioning respect for the big battalions and full purses.
+Over the whole scene of the Balkan territories and their troubled
+histories had loomed the commanding magic of the words “the Great
+Powers”—even more imposing in their Teutonic rendering, “Die
+Grossmächte.”
+
+Worshipping power and force and money-mastery as an elderly nerve-ridden
+woman might worship youthful physical energy, the comfortable,
+plump-bodied cafe-oracle had jested and gibed at the ambitions of the
+Balkan kinglets and their peoples, had unloosed against them that battery
+of strange lip-sounds that a Viennese employs almost as an auxiliary
+language to express the thoughts when his thoughts are not complimentary.
+British travellers had visited the Balkan lands and reported high things
+of the Bulgarians and their future, Russian officers had taken peeps at
+their army and confessed “this is a thing to be reckoned with, and it is
+not we who have created it, they have done it by themselves.” But over
+his cups of coffee and his hour-long games of dominoes the oracle had
+laughed and wagged his head and distilled the worldly wisdom of his
+castle. The Grossmächte had not succeeded in stifling the roll of the
+war-drum, that was true; the big battalions of the Ottoman Empire would
+have to do some talking, and then the big purses and big threatenings of
+the Powers would speak and the last word would be with them. In
+imagination Luitpold heard the onward tramp of the red-fezzed bayonet
+bearers echoing through the Balkan passes, saw the little sheepskin-clad
+mannikins driven back to their villages, saw the augustly chiding
+spokesman of the Powers dictating, adjusting, restoring, settling things
+once again in their allotted places, sweeping up the dust of conflict,
+and now his ears had to listen to the war-drum rolling in quite another
+direction, had to listen to the tramp of battalions that were bigger and
+bolder and better skilled in war-craft than he had deemed possible in
+that quarter; his eyes had to read in the columns of his accustomed
+newspaper a warning to the Grossmächte that they had something new to
+learn, something new to reckon with, much that was time-honoured to
+relinquish. “The Great Powers will have not little difficulty in
+persuading the Balkan States of the inviolability of the principle that
+Europe cannot permit any fresh partition of territory in the East without
+her approval. Even now, while the campaign is still undecided, there are
+rumours of a project of fiscal unity, extending over the entire Balkan
+lands, and further of a constitutional union in imitation of the German
+Empire. That is perhaps only a political straw blown by the storm, but
+it is not possible to dismiss the reflection that the Balkan States
+leagued together command a military strength with which the Great Powers
+will have to reckon . . . The people who have poured out their blood on
+the battlefields and sacrificed the available armed men of an entire
+generation in order to encompass a union with their kinsfolk will not
+remain any longer in an attitude of dependence on the Great Powers or on
+Russia, but will go their own ways . . . The blood that has been poured
+forth to-day gives for the first time a genuine tone to the purple of the
+Balkan Kings. The Great Powers cannot overlook the fact that a people
+that has tasted victory will not let itself be driven back again within
+its former limits. Turkey has lost to-day not only Kirk Kilisseh and
+Kumanovo, but Macedonia also.”
+
+Luitpold Wolkenstein drank his coffee, but the flavour had somehow gone
+out of it. His world, his pompous, imposing, dictating world, had
+suddenly rolled up into narrower dimensions. The big purses and the big
+threats had been pushed unceremoniously on one side; a force that he
+could not fathom, could not comprehend, had made itself rudely felt. The
+august Cæsars of Mammon and armament had looked down frowningly on the
+combat, and those about to die had not saluted, had no intention of
+saluting. A lesson was being imposed on unwilling learners, a lesson of
+respect for certain fundamental principles, and it was not the small
+struggling States who were being taught the lesson.
+
+Luitpold Wolkenstein did not wait for the quorum of domino players to
+arrive. They would all have read the article in the _Freie Presse_. And
+there are moments when an oracle finds its greatest salvation in
+withdrawing itself from the area of human questioning.
+
+
+
+
+THE CUPBOARD OF THE YESTERDAYS
+
+
+“War is a cruelly destructive thing,” said the Wanderer, dropping his
+newspaper to the floor and staring reflectively into space.
+
+“Ah, yes, indeed,” said the Merchant, responding readily to what seemed
+like a safe platitude; “when one thinks of the loss of life and limb, the
+desolated homesteads, the ruined—”
+
+“I wasn’t thinking of anything of the sort,” said the Wanderer; “I was
+thinking of the tendency that modern war has to destroy and banish the
+very elements of picturesqueness and excitement that are its chief excuse
+and charm. It is like a fire that flares up brilliantly for a while and
+then leaves everything blacker and bleaker than before. After every
+important war in South-East Europe in recent times there has been a
+shrinking of the area of chronically disturbed territory, a stiffening of
+frontier lines, an intrusion of civilised monotony. And imagine what may
+happen at the conclusion of this war if the Turk should really be driven
+out of Europe.”
+
+“Well, it would be a gain to the cause of good government, I suppose,”
+said the Merchant.
+
+“But have you counted the loss?” said the other. “The Balkans have long
+been the last surviving shred of happy hunting-ground for the
+adventurous, a playground for passions that are fast becoming atrophied
+for want of exercise. In old bygone days we had the wars in the Low
+Countries always at our doors, as it were; there was no need to go far
+afield into malaria-stricken wilds if one wanted a life of boot and
+saddle and licence to kill and be killed. Those who wished to see life
+had a decent opportunity for seeing death at the same time.”
+
+“It is scarcely right to talk of killing and bloodshed in that way,” said
+the Merchant reprovingly; “one must remember that all men are brothers.”
+
+“One must also remember that a large percentage of them are younger
+brothers; instead of going into bankruptcy, which is the usual tendency
+of the younger brother nowadays, they gave their families a fair chance
+of going into mourning. Every bullet finds a billet, according to a
+rather optimistic proverb, and you must admit that nowadays it is
+becoming increasingly difficult to find billets for a lot of young
+gentlemen who would have adorned, and probably thoroughly enjoyed, one of
+the old-time happy-go-lucky wars. But that is not exactly the burden of
+my complaint. The Balkan lands are especially interesting to us in these
+rapidly-moving days because they afford us the last remaining glimpse of
+a vanishing period of European history. When I was a child one of the
+earliest events of the outside world that forced itself coherently under
+my notice was a war in the Balkans; I remember a sunburnt, soldierly man
+putting little pin-flags in a war-map, red flags for the Turkish forces
+and yellow flags for the Russians. It seemed a magical region, with its
+mountain passes and frozen rivers and grim battlefields, its drifting
+snows, and prowling wolves; there was a great stretch of water that bore
+the sinister but engaging name of the Black Sea—nothing that I ever
+learned before or after in a geography lesson made the same impression on
+me as that strange-named inland sea, and I don’t think its magic has ever
+faded out of my imagination. And there was a battle called Plevna that
+went on and on with varying fortunes for what seemed like a great part of
+a lifetime; I remember the day of wrath and mourning when the little red
+flag had to be taken away from Plevna—like other maturer judges, I was
+backing the wrong horse, at any rate the losing horse. And now to-day we
+are putting little pin-flags again into maps of the Balkan region, and
+the passions are being turned loose once more in their playground.”
+
+“The war will be localised,” said the Merchant vaguely; “at least every
+one hopes so.”
+
+“It couldn’t wish for a better locality,” said the Wanderer; “there is a
+charm about those countries that you find nowhere else in Europe, the
+charm of uncertainty and landslide, and the little dramatic happenings
+that make all the difference between the ordinary and the desirable.”
+
+“Life is held very cheap in those parts,” said the Merchant.
+
+“To a certain extent, yes,” said the Wanderer. “I remember a man at
+Sofia who used to teach me Bulgarian in a rather inefficient manner,
+interspersed with a lot of quite wearisome gossip. I never knew what his
+personal history was, but that was only because I didn’t listen; he told
+it to me many times. After I left Bulgaria he used to send me Sofia
+newspapers from time to time. I felt that he would be rather tiresome if
+I ever went there again. And then I heard afterwards that some men came
+in one day from Heaven knows where, just as things do happen in the
+Balkans, and murdered him in the open street, and went away as quietly as
+they had come. You will not understand it, but to me there was something
+rather piquant in the idea of such a thing happening to such a man; after
+his dullness and his long-winded small-talk it seemed a sort of brilliant
+_esprit d’esalier_ on his part to meet with an end of such ruthlessly
+planned and executed violence.”
+
+The Merchant shook his head; the piquancy of the incident was not within
+striking distance of his comprehension.
+
+“I should have been shocked at hearing such a thing about any one I had
+known,” he said.
+
+“The present war,” continued his companion, without stopping to discuss
+two hopelessly divergent points of view, “may be the beginning of the end
+of much that has hitherto survived the resistless creeping-in of
+civilisation. If the Balkan lands are to be finally parcelled out
+between the competing Christian Kingdoms and the haphazard rule of the
+Turk banished to beyond the Sea of Marmora, the old order, or disorder if
+you like, will have received its death-blow. Something of its spirit
+will linger perhaps for a while in the old charmed regions where it bore
+sway; the Greek villagers will doubtless be restless and turbulent and
+unhappy where the Bulgars rule, and the Bulgars will certainly be
+restless and turbulent and unhappy under Greek administration, and the
+rival flocks of the Exarchate and Patriarchate will make themselves
+intensely disagreeable to one another wherever the opportunity offers;
+the habits of a lifetime, of several lifetimes, are not laid aside all at
+once. And the Albanians, of course, we shall have with us still, a
+troubled Moslem pool left by the receding wave of Islam in Europe. But
+the old atmosphere will have changed, the glamour will have gone; the
+dust of formality and bureaucratic neatness will slowly settle down over
+the time-honoured landmarks; the Sanjak of Novi Bazar, the Muersteg
+Agreement, the Komitadje bands, the Vilayet of Adrianople, all those
+familiar outlandish names and things and places, that we have known so
+long as part and parcel of the Balkan Question, will have passed away
+into the cupboard of yesterdays, as completely as the Hansa League and
+the wars of the Guises.
+
+“They were the heritage that history handed down to us, spoiled and
+diminished no doubt, in comparison with yet earlier days that we never
+knew, but still something to thrill and enliven one little corner of our
+Continent, something to help us to conjure up in our imagination the days
+when the Turk was thundering at the gates of Vienna. And what shall we
+have to hand down to our children? Think of what their news from the
+Balkans will be in the course of another ten or fifteen years. Socialist
+Congress at Uskub, election riot at Monastir, great dock strike at
+Salonika, visit of the Y.M.C.A. to Varna. Varna—on the coast of that
+enchanted sea! They will drive out to some suburb to tea, and write home
+about it as the Bexhill of the East.
+
+“War is a wickedly destructive thing.”
+
+“Still, you must admit—” began the Merchant. But the Wanderer was not in
+the mood to admit anything. He rose impatiently and walked to where the
+tape-machine was busy with the news from Adrianople.
+
+
+
+
+FOR THE DURATION OF THE WAR
+
+
+The Rev. Wilfrid Gaspilton, in one of those clerical migrations
+inconsequent-seeming to the lay mind, had removed from the moderately
+fashionable parish of St. Luke’s, Kensingate, to the immoderately rural
+parish of St. Chuddocks, somewhere in Yondershire. There were doubtless
+substantial advantages connected with the move, but there were certainly
+some very obvious drawbacks. Neither the migratory clergyman nor his
+wife were able to adapt themselves naturally and comfortably to the
+conditions of country life. Beryl, Mrs. Gaspilton, had always looked
+indulgently on the country as a place where people of irreproachable
+income and hospitable instincts cultivated tennis-lawns and rose-gardens
+and Jacobean pleasaunces, wherein selected gatherings of interested
+week-end guests might disport themselves. Mrs. Gaspilton considered
+herself as distinctly an interesting personality, and from a limited
+standpoint she was doubtless right. She had indolent dark eyes and a
+comfortable chin, which belied the slightly plaintive inflection which
+she threw into her voice at suitable intervals. She was tolerably well
+satisfied with the smaller advantages of life, but she regretted that
+Fate had not seen its way to reserve for her some of the ampler successes
+for which she felt herself well qualified. She would have liked to be
+the centre of a literary, slightly political salon, where discerning
+satellites might have recognised the breadth of her outlook on human
+affairs and the undoubted smallness of her feet. As it was, Destiny had
+chosen for her that she should be the wife of a rector, and had now
+further decreed that a country rectory should be the background to her
+existence. She rapidly made up her mind that her surroundings did not
+call for exploration; Noah had predicted the Flood, but no one expected
+him to swim about in it. Digging in a wet garden or trudging through
+muddy lanes were exertions which she did not propose to undertake. As
+long as the garden produced asparagus and carnations at pleasingly
+frequent intervals Mrs. Gaspilton was content to approve of its expense
+and otherwise ignore its existence. She would fold herself up, so to
+speak, in an elegant, indolent little world of her own, enjoying the
+minor recreations of being gently rude to the doctor’s wife and
+continuing the leisurely production of her one literary effort, _The
+Forbidden Horsepond_, a translation of Baptiste Leopoy’s _L’Abreuvoir
+interdit_. It was a labour which had already been so long drawn-out that
+it seemed probable that Baptiste Lepoy would drop out of vogue before her
+translation of his temporarily famous novel was finished. However, the
+languid prosecution of the work had invested Mrs. Gaspilton with a
+certain literary dignity, even in Kensingate circles, and would place her
+on a pinnacle in St. Chuddocks, where hardly any one read French, and
+assuredly no one had heard of _L’Abreuvoir interdit_.
+
+The Rector’s wife might be content to turn her back complacently on the
+country; it was the Rector’s tragedy that the country turned its back on
+him. With the best intention in the world and the immortal example of
+Gilbert White before him, the Rev. Wilfrid found himself as bored and ill
+at ease in his new surroundings as Charles II would have been at a modern
+Wesleyan Conference. The birds that hopped across his lawn hopped across
+it as though it were their lawn, and not his, and gave him plainly to
+understand that in their eyes he was infinitely less interesting than a
+garden worm or the rectory cat. The hedgeside and meadow flowers were
+equally uninspiring; the lesser celandine seemed particularly unworthy of
+the attention that English poets had bestowed on it, and the Rector knew
+that he would be utterly miserable if left alone for a quarter of an hour
+in its company. With the human inhabitants of his parish he was no
+better off; to know them was merely to know their ailments, and the
+ailments were almost invariably rheumatism. Some, of course, had other
+bodily infirmities, but they always had rheumatism as well. The Rector
+had not yet grasped the fact that in rural cottage life not to have
+rheumatism is as glaring an omission as not to have been presented at
+Court would be in more ambitious circles. And with all this death of
+local interest there was Beryl shutting herself off with her ridiculous
+labours on _The Forbidden Horsepond_.
+
+“I don’t see why you should suppose that any one wants to read Baptiste
+Lepoy in English,” the Reverend Wilfrid remarked to his wife one morning,
+finding her surrounded with her usual elegant litter of dictionaries,
+fountain pens, and scribbling paper; “hardly any one bothers to read him
+now in France.”
+
+“My dear,” said Beryl, with an intonation of gentle weariness, “haven’t
+two or three leading London publishers told me they wondered no one had
+ever translated _L’Abreuvoir interdit_, and begged me—”
+
+“Publishers always clamour for the books that no one has ever written,
+and turn a cold shoulder on them as soon as they’re written. If St. Paul
+were living now they would pester him to write an Epistle to the
+Esquimaux, but no London publisher would dream of reading his Epistle to
+the Ephesians.”
+
+“Is there any asparagus in the garden?” asked Beryl; “because I’ve told
+cook—”
+
+“Not anywhere in the garden,” snapped the Rector, “but there’s no doubt
+plenty in the asparagus-bed, which is the usual place for it.”
+
+And he walked away into the region of fruit trees and vegetable beds to
+exchange irritation for boredom. It was there, among the gooseberry
+bushes and beneath the medlar trees, that the temptation to the
+perpetration of a great literary fraud came to him.
+
+Some weeks later the _Bi-Monthly Review_ gave to the world, under the
+guarantee of the Rev. Wilfrid Gaspilton, some fragments of Persian verse,
+alleged to have been unearthed and translated by a nephew who was at
+present campaigning somewhere in the Tigris valley. The Rev. Wilfrid
+possessed a host of nephews, and it was of course, quite possible that
+one or more of them might be in military employ in Mesopotamia, though no
+one could call to mind any particular nephew who could have been
+suspected of being a Persian scholar.
+
+The verses were attributed to one Ghurab, a hunter, or, according to
+other accounts, warden of the royal fishponds, who lived, in some
+unspecified century, in the neighbourhood of Karmanshah. They breathed a
+spirit of comfortable, even-tempered satire and philosophy, disclosing a
+mockery that did not trouble to be bitter, a joy in life that was not
+passionate to the verge of being troublesome.
+
+ “A Mouse that prayed for Allah’s aid
+ Blasphemed when no such aid befell:
+ A Cat, who feasted on that mouse,
+ Thought Allah managed vastly well.
+
+ Pray not for aid to One who made
+ A set of never-changing Laws,
+ But in your need remember well
+ He gave you speed, or guile—or claws.
+
+ Some laud a life of mild content:
+ Content may fall, as well as Pride.
+ The Frog who hugged his lowly Ditch
+ Was much disgruntled when it dried.
+
+ ‘You are not on the Road to Hell,’
+ You tell me with fanatic glee:
+ Vain boaster, what shall that avail
+ If Hell is on the road to thee?
+
+ A Poet praised the Evening Star,
+ Another praised the Parrot’s hue:
+ A Merchant praised his merchandise,
+ And he, at least, praised what he knew.”
+
+It was this verse which gave the critics and commentators some clue as to
+the probable date of the composition; the parrot, they reminded the
+public, was in high vogue as a type of elegance in the days of Hafiz of
+Shiraz; in the quatrains of Omar it makes no appearance.
+
+The next verse, it was pointed out, would apply to the political
+conditions of the present day as strikingly as to the region and era for
+which it was written—
+
+ “A Sultan dreamed day-long of Peace,
+ The while his Rivals’ armies grew:
+ They changed his Day-dreams into sleep
+ —The Peace, methinks, he never knew.”
+
+Woman appeared little, and wine not at all in the verse of the
+hunter-poet, but there was at least one contribution to the
+love-philosophy of the East—
+
+ “O Moon-faced Charmer, and Star-drownèd Eyes,
+ And cheeks of soft delight, exhaling musk,
+ They tell me that thy charm will fade; ah well,
+ The Rose itself grows hue-less in the Dusk.”
+
+Finally, there was a recognition of the Inevitable, a chill breath
+blowing across the poet’s comfortable estimate of life—
+
+ “There is a sadness in each Dawn,
+ A sadness that you cannot rede:
+ The joyous Day brings in its train
+ The Feast, the Loved One, and the Steed.
+
+ Ah, there shall come a Dawn at last
+ That brings no life-stir to your ken,
+ A long, cold Dawn without a Day,
+ And ye shall rede its sadness then.”
+
+The verses of Ghurab came on the public at a moment when a comfortable,
+slightly quizzical philosophy was certain to be welcome, and their
+reception was enthusiastic. Elderly colonels, who had outlived the love
+of truth, wrote to the papers to say that they had been familiar with the
+works of Ghurab in Afghanistan, and Aden, and other suitable localities a
+quarter of a century ago. A Ghurab-of-Karmanshah Club sprang into
+existence, the members of which alluded to each other as Brother
+Ghurabians on the slightest provocation. And to the flood of inquiries,
+criticisms, and requests for information, which naturally poured in on
+the discoverer, or rather the discloser, of this long-hidden poet, the
+Rev. Wilfrid made one effectual reply: Military considerations forbade
+any disclosures which might throw unnecessary light on his nephew’s
+movements.
+
+After the war the Rector’s position will be one of unthinkable
+embarrassment, but for the moment, at any rate, he has driven _The
+Forbidden Horsepond_ out of the field.
+
+
+
+
+***END OF THE PROJECT GUTENBERG EBOOK THE TOYS OF PEACE***
+
+
+******* This file should be named 1477-0.txt or 1477-0.zip *******
+
+
+This and all associated files of various formats will be found in:
+http://www.gutenberg.org/dirs/1/4/7/1477
+
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://www.gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://www.gutenberg.org/about/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://www.gutenberg.org/fundraising/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit:
+http://www.gutenberg.org/fundraising/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
diff --git a/1477-0.zip b/1477-0.zip
new file mode 100644
index 0000000..e30b3b2
--- /dev/null
+++ b/1477-0.zip
Binary files differ
diff --git a/1477-h.zip b/1477-h.zip
new file mode 100644
index 0000000..00ed186
--- /dev/null
+++ b/1477-h.zip
Binary files differ
diff --git a/1477-h/1477-h.htm b/1477-h/1477-h.htm
new file mode 100644
index 0000000..ac8b80b
--- /dev/null
+++ b/1477-h/1477-h.htm
@@ -0,0 +1,7504 @@
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=US-ASCII" />
+<title>The Toys of Peace, by Saki</title>
+ <style type="text/css">
+/*<![CDATA[ XML blockout */
+<!--
+ P { margin-top: .75em;
+ margin-bottom: .75em;
+ }
+ P.gutsumm { margin-left: 5%;}
+ P.poetry {margin-left: 3%; }
+ .GutSmall { font-size: 0.7em; }
+ H1, H2 {
+ text-align: center;
+ margin-top: 2em;
+ margin-bottom: 2em;
+ }
+ H3, H4, H5 {
+ text-align: center;
+ margin-top: 1em;
+ margin-bottom: 1em;
+ }
+ BODY{margin-left: 10%;
+ margin-right: 10%;
+ }
+ table { border-collapse: collapse; }
+table {margin-left:auto; margin-right:auto;}
+ td { vertical-align: top; border: 1px solid black;}
+ td p { margin: 0.2em; }
+ .blkquot {margin-left: 4em; margin-right: 4em;} /* block indent */
+
+ .smcap {font-variant: small-caps;}
+
+ .pagenum {position: absolute;
+ left: 92%;
+ font-size: small;
+ text-align: right;
+ font-weight: normal;
+ color: gray;
+ }
+ img { border: none; }
+ img.dc { float: left; width: 50px; height: 50px; }
+ div.gapspace { height: 0.8em; }
+ div.gapline { height: 0.8em; width: 100%; border-top: 1px solid;}
+ div.gapmediumline { height: 0.3em; width: 40%; margin-left:30%;
+ border-top: 1px solid; }
+ div.gapshortdoubleline { height: 0.3em; width: 20%;
+ margin-left: 40%; border-top: 1px solid;
+ border-bottom: 1px solid; }
+ div.gapdoubleline { height: 0.3em; width: 50%;
+ margin-left: 25%; border-top: 1px solid;
+ border-bottom: 1px solid;}
+ div.gapshortline { height: 0.3em; width: 20%; margin-left:40%;
+ border-top: 1px solid; }
+ .citation {vertical-align: super;
+ font-size: .8em;
+ text-decoration: none;}
+ img.floatleft { float: left;
+ margin-right: 1em;
+ margin-top: 0.5em; margin-bottom: 0.5em; }
+ img.floatright { float: right;
+ margin-left: 1em; margin-top: 0.5em;
+ margin-bottom: 0.5em; }
+ img.clearcenter {display: block;
+ margin-left: auto;
+ margin-right: auto; margin-top: 0.5em;
+ margin-bottom: 0.5em}
+ -->
+ /* XML end ]]>*/
+ </style>
+</head>
+<body>
+<pre>
+
+The Project Gutenberg eBook, The Toys of Peace, by Saki
+
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+
+
+
+Title: The Toys of Peace
+
+
+Author: Saki
+
+
+
+Release Date: December 26, 2011 [eBook #1477]
+This eText was first posted July 1998
+[Last updated: June 29, 2012]
+
+Language: English
+
+Character set encoding: ISO-646-US (US-ASCII)
+
+
+***START OF THE PROJECT GUTENBERG EBOOK THE TOYS OF PEACE***
+</pre>
+<p>Transcribed from the 1919 John Lane edition by Jane Duff and
+David Price, email ccx074@pglaf.org</p>
+<h1>THE TOYS OF PEACE<br />
+<span class="GutSmall">AND OTHER PAPERS</span></h1>
+<div class="gapdoubleline">&nbsp;</div>
+<p style="text-align: center">TO<br />
+THE 22<span class="smcap">nd</span> ROYAL FUSILIERS</p>
+<div class="gapline">&nbsp;</div>
+<h2>Note</h2>
+<p>Thanks are due to the Editors of the <i>Morning Post</i>, the
+<i>Westminster Gazette</i>, and the <i>Bystander</i> for their
+amiability in allowing tales that appeared in these journals to
+be reproduced in the present volume.</p>
+<p style="text-align: right">R. R.</p>
+<h2>Contents</h2>
+<table>
+<tr>
+<td><p>&nbsp;</p>
+</td>
+<td><p style="text-align: right"><span
+class="GutSmall">PAGE</span></p>
+</td>
+</tr>
+<tr>
+<td><p>A Memoir of H. H. Munro</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#pageix">ix</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>The Toys of Peace</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page3">3</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>Louise</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page13">13</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>Tea</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page21">21</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>The Disappearance of Crispina Umberleigh</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page29">29</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>The Wolves of Cernogratz</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page39">39</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>Louis</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page49">49</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>The Guests</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page59">59</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>The Penance</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page67">67</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>The Phantom Luncheon</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page79">79</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>A Bread and Butter Miss</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page87">87</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>Bertie&rsquo;s Christmas Eve</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page97">97</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>Forewarned</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page107">107</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>The Interlopers</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page119">119</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>Quail Seed</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page129">129</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>Canossa</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page141">141</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>The Threat</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page149">149</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>Excepting Mrs. Pentherby</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page157">157</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>Mark</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page167">167</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>The Hedgehog</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page175">175</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>The Mappined Life</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page185">185</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>Fate</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page193">193</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>The Bull</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page201">201</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>Morlvera</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page209">209</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>Shock Tactics</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page217">217</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>The Seven Cream Jugs</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page227">227</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>The Occasional Garden</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page237">237</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>The Sheep</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page245">245</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>The Oversight</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page255">255</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>Hyacinth</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page265">265</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>The Image of the Lost Soul</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page277">277</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>The Purple of the Balkan Kings</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page281">281</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>The Cupboard of the Yesterdays</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page287">287</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p>For the Duration of the War</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page295">295</a></span></p>
+</td>
+</tr>
+</table>
+<h2><a name="pageix"></a><span class="pagenum">p. ix</span>HECTOR
+HUGH MUNRO</h2>
+<p>&ldquo;When peace comes,&rdquo; wrote an officer of the 22nd
+Royal Fusiliers, the regiment in which Munro was a private and in
+which he rose to the rank of lance-sergeant, &ldquo;Saki will
+give us the most wonderful of all the books about the
+war.&rdquo;&nbsp; But that book of the war will not be written;
+for Munro has died for King and country.&nbsp; In this volume are
+his last tales.&nbsp; And it is because these tales, brilliant
+and elusive as butterflies, hide, rather than reveal, the
+character of the man who wrote them, give but a suggestion of his
+tenderness and simplicity, of his iron will, of his splendour in
+the grip of war, that it is my duty to write these pages about
+him, now that he lies in the kind earth of France.&nbsp; It is
+but to do what his choice of a pen-name makes me sure he himself
+would have done for a friend.</p>
+<blockquote><p>&ldquo;Yon rising Moon that looks for us again,<br
+/>
+How oft hereafter will she wax and wane;<br />
+How oft hereafter, rising, look for us!<br />
+Through this same Garden&mdash;and for <i>one</i> in vain.</p>
+<p>&ldquo;And when like her, O Saki, you shall pass<br />
+Among the Guests, star-scattered on the grass,<br />
+And in your joyous errand reach the spot<br />
+Where I made one&mdash;turn down an empty glass.&rdquo;</p>
+</blockquote>
+<p><a name="pagex"></a><span class="pagenum">p. x</span>The first
+time that Munro used the name of Saki was, I believe, in 1890,
+when he published in the <i>Westminster Gazette</i> the second of
+the political satires, which were afterwards collected in a
+volume, called <i>Alice in Westminster</i>.&nbsp; It was, I
+think, because the wistful philosophy of FitzGerald appealed to
+him, as it did to so many of his contemporaries, that he chose a
+pen-name from his verses.&nbsp; He loved the fleeting beauty of
+life.&nbsp; &ldquo;There is one thing I care for and that is
+youth,&rdquo; he once said.&nbsp; And he always remained
+youthful.&nbsp; It was perfectly natural for him, although he was
+then a man of forty, to celebrate the coming in of a new year by
+seizing the hands of strangers and flying round in a great
+here-we-go-round-the-mulberry-bush at Oxford Circus, and, later
+in the year, to dance in the moonlight round a bonfire in the
+country, invoking Apollo with entreaties for sunshine to waken
+the flowers.&nbsp; His last tale, <i>For the Duration of the
+War</i>, written when he was at the front, shows that his spirit
+remained youthful to the end.&nbsp; But if he gloried in the
+beauty of life, he was conscious of its sadness.&nbsp; Have we
+any book in which the joy and pain of life are so intimately
+blended as they are in <i>The Unbearable Bassington</i>?&nbsp;
+Munro himself laughed when he was looking through a collection of
+criticisms of that novel, some of <a name="pagexi"></a><span
+class="pagenum">p. xi</span>which emphasised its gaiety and
+others its poignancy, and remarked that they would bewilder the
+people who read them.</p>
+<p>It is not my present purpose to write a biography of my
+friend.&nbsp; That is a task which must be discharged later, and
+an account of his life will be given in the first volume of the
+collected edition of his works, which it is proposed to publish
+after the war.&nbsp; Nevertheless, before writing of the
+transformation wrought in him by the war, it may be well to give
+a brief outline of his career.</p>
+<p>Munro was born in 1870 in Burmah, where his father, the late
+Colonel C. A. Munro, was stationed.&nbsp; At his christening he
+was named Hector Hugh.&nbsp; He belonged to a family with
+traditions of the two services.&nbsp; His paternal grandfather
+had been in the army, and his mother was a daughter of
+Rear-Admiral Mercer.&nbsp; Mrs. Munro died when her children were
+very young, and Hector, his elder brother and his sister were
+brought up by their father&rsquo;s sisters, two maiden ladies,
+who were devoted to the children, but had old-fashioned Scottish
+ideas of discipline.&nbsp; Their home was near Barnstaple, a
+lonely house in a garden shut in by high stone walls with meadows
+beyond.&nbsp; The three children had no companions, and were
+thrown on their own resources for amusement.&nbsp; One of their
+diversions was to <a name="pagexii"></a><span class="pagenum">p.
+xii</span>produce a newspaper.&nbsp; All through his childhood
+Hector professed violent Tory opinions, and at a very early age
+he began to take an interest in politics and to read any books or
+papers dealing with them that came his way.&nbsp; He loved, above
+all, the woodlands and the wild things in them, especially the
+birds.&nbsp; His delicate health caused his aunts somewhat to
+temper their severity in his case, but I fancy they must have had
+some difficulty in curbing his high spirits; for he was a
+thoroughly human boy and up to every sort of prank.&nbsp; He was
+sent for a time to a private school at Exmouth, and when he left
+it did lessons at home with his sister&rsquo;s governess.&nbsp;
+Later he was sent to Bedford College.</p>
+<p>When school-days were over and Colonel Munro had returned to
+England for good, Hector and his sister were taken abroad by
+their father.&nbsp; They lived in Normandy and then in Dresden,
+where the first German words that Hector learnt were the names of
+birds, sometimes picked up from strangers in the zoological
+gardens.&nbsp; Then came a strenuous series of visits to German
+and Austrian cities, which Colonel Munro arranged as much for the
+education as the pleasure of his son and daughter.&nbsp; Museums
+and picture-galleries were visited everywhere.&nbsp; Hector
+amused himself by counting up the number of St. Sebastians in
+each gallery and making bets <a name="pagexiii"></a><span
+class="pagenum">p. xiii</span>with his sister as to which would
+have the most.&nbsp; Berlin won with eighteen.&nbsp; The
+impression made on Munro by this tour is to be seen in his books,
+and in the present volume there are two tales, <i>The
+Interlopers</i> and <i>The Wolves of Cernogratz</i>, which seem
+to have been inspired by the memory of some romantic castle in
+the heart of Europe.&nbsp; A short play, <i>Karl Ludwig&rsquo;s
+Window</i>, which will be published later, is based on an idea
+given by a visit to a castle near Prague.</p>
+<p>After a long visit to Davos, Colonel Munro returned with his
+family to England and settled in North Devon, where he devoted
+himself during the next two years to directing the studies of his
+son and daughter.&nbsp; Then came another long visit to Davos,
+after which Hector left England and joined the Burmese Mounted
+Police.&nbsp; He once told me of the feeling of loneliness he
+experienced when he first arrived in Burmah, using almost the
+same words in which he described Bassington&rsquo;s sense of
+isolation in the colony to which he was sent.&nbsp; That account
+of the young Englishman looking enviously at a native boy and
+girl, racing wildly along in the joy of youth and companionship,
+is one of the rare instances of autobiography in Munro&rsquo;s
+works.&nbsp; He was unable to support the Burmese climate and,
+after having fever seven times in eleven months, <a
+name="pagexiv"></a><span class="pagenum">p. xiv</span>was forced
+to return to England.&nbsp; He remained at home for a year and
+hunted regularly with his sister during the winter.&nbsp; He then
+came to London with the intention of making a literary career for
+himself.&nbsp; His talent was recognised by Sir Francis Gould, to
+whom a friend had given him an introduction, and he soon began to
+write for the <i>Westminster Gazette</i>.&nbsp; Two years after
+he settled in London the publication of the political satires,
+based on <i>Alice in Wonderland</i>, brought him into prominence
+as a wit and a writer to be counted with.&nbsp; Mr. Balfour was
+his chief butt in these pieces.&nbsp; He was still, as he always
+remained, a Conservative, but he held at the time that Mr.
+Balfour&rsquo;s leadership was a weakness to the party.</p>
+<p>In 1902 Munro went to the Balkans for the <i>Morning Post</i>,
+and later he became the correspondent of that paper in St.
+Petersburg, where he was during the revolution of 1905.</p>
+<p>He left St. Petersburg to represent the <i>Morning Post</i> in
+Paris, and returned to London in 1908, where the agreeable life
+of a man of letters with a brilliant reputation awaited
+him.&nbsp; He had a lodging in Mortimer Street and lived
+exceedingly simply.&nbsp; It was his custom to pass the morning
+in a dressing-gown writing.&nbsp; His writing-pad was usually
+propped up with a book to make it slant and he wrote slowly <a
+name="pagexv"></a><span class="pagenum">p. xv</span>in a very
+clear hand, rarely erasing a word or making a correction.&nbsp;
+His air and the movement of his hand gave one the impression that
+he was drawing and not writing.&nbsp; He almost always lunched at
+a Lyons bread-shop, partly because it was economical and partly
+because, as he said, he got exactly the sort of luncheon he
+liked.&nbsp; He cared nothing for money.&nbsp; He had to earn his
+living, but he was content as long as he had enough money to
+supply his needs.&nbsp; When a friend once suggested a profitable
+field for his writings, he dismissed the idea by saying that he
+was not interested in the public for which it was proposed that
+he should write.&nbsp; He loved his art, and, by refusing to
+adopt a style that might have appealed to wider circles, he made
+himself a place in our literature which, in the opinion of many,
+will be lasting.&nbsp; Almost every day he played cards, either
+in the late afternoon or in the evening, at the Cocoa Tree
+Club.&nbsp; The sight of the wealth of others did not excite his
+envy.&nbsp; I remember his coming home from a ball and relating
+that he had sat at supper next a millionairess, whose doctor had
+prescribed a diet of milk-puddings.&nbsp; &ldquo;I had a hearty
+supper,&rdquo; he said gleefully, &ldquo;and for all her millions
+she was unable to eat anything.&rdquo;</p>
+<p>Munro was exceedingly generous.&nbsp; He would share his last
+sovereign with a friend, and nothing <a name="pagexvi"></a><span
+class="pagenum">p. xvi</span>pleased him better than to entertain
+his friends at dinner in a club or restaurant.&nbsp; Nothing
+angered him more than meanness in others.&nbsp; I remember the
+indignation with which he spoke of a rich woman who had refused
+to give adequate help to a poor person, who stood in need of
+it.</p>
+<p>This even life in town, occasionally varied by a visit to a
+country house, was rudely disturbed by the shock of war.&nbsp;
+Munro was in the House of Commons when Sir Edward Grey made his
+statement on the position that this country was to take up.&nbsp;
+He told me that the strain of listening to that speech was so
+great that he found himself in a sweat.&nbsp; He described the
+slowness with which the Minister developed his argument and the
+way in which he stopped to put on his eye-glasses to read a
+memorandum and then took them off to continue, holding the House
+in suspense.&nbsp; That night we dined at a chop-house in the
+Strand with two friends.&nbsp; On our way Munro insisted on
+walking at a tremendous pace, and at dinner, when he ordered
+cheese and the waiter asked whether he wanted butter, he said
+peremptorily: &ldquo;Cheese, no butter; there&rsquo;s a war
+on.&rdquo;&nbsp; A day or two later he was condemning himself for
+the slackness of the years in London and hiring a horse to take
+exercise, to which he was little addicted, in the Park.&nbsp; He
+was determined to fight.&nbsp; <a name="pagexvii"></a><span
+class="pagenum">p. xvii</span>Nothing else was to have been
+expected of the man who wrote <i>When William Came</i>, a novel
+in which he used his supreme gift of irony to rouse his
+fellow-countrymen from their torpor and to stir them to take
+measures for the defence of the country.&nbsp; <i>Punch</i>
+declared that there had been no such conversational fireworks
+since Wilde, in reviewing this book, but Munro was more gratified
+by a word of encouragement sent him by Lord Roberts, after he had
+read the book, than by all the praise of the critics.&nbsp; He
+was over military age and he was not robust.&nbsp; In the first
+weeks of the war there seemed little chance of his being able to
+become a soldier.&nbsp; &ldquo;And I have always looked forward
+to the romance of a European war,&rdquo; he said.</p>
+<p>There still hangs in his room in Mortimer Street an old
+Flemish picture, which he had picked up somewhere, of horsemen in
+doublets and plumed hats, fighting beneath the walls of a
+city.&nbsp; It was, I think, the only painting in his
+possession.&nbsp; Perhaps it was this picture that represented to
+him the romance of which he spoke; but he did not hide from
+himself the terrible side of war.&nbsp; Happily thoughts about
+war can be given in his own words.&nbsp; The following piece
+appeared in the first edition of the <i>Morning Post</i> of April
+23, 1915, under the title, <i>An Old Love</i>&mdash;</p>
+<blockquote><p><a name="pagexviii"></a><span class="pagenum">p.
+xviii</span>&ldquo;&lsquo;I know nothing about war,&rsquo; a boy
+of nineteen said to me two days ago, &lsquo;except, of course,
+that I&rsquo;ve heard of its horrors; yet, somehow, in spite of
+the horrors, there seems to be something in it different to
+anything else in the world, something a little bit
+finer.&rsquo;</p>
+<p>&ldquo;He spoke wistfully, as one who feared that to him war
+would always be an unreal, distant, second-hand thing, to be read
+about in special editions, and peeped at through the medium of
+cinematograph shows.&nbsp; He felt that the thing that was a
+little bit finer than anything else in the world would never come
+into his life.</p>
+<p>&ldquo;Nearly every red-blooded human boy has had war, in some
+shape or form, for his first love; if his blood has remained red
+and he has kept some of his boyishness in after life, that first
+love will never have been forgotten.&nbsp; No one could really
+forget those wonderful leaden cavalry soldiers; the horses were
+as sleek and prancing as though they had never left the
+parade-ground, and the uniforms were correspondingly spick and
+span, but the amount of campaigning and fighting they got through
+was prodigious.&nbsp; There are other unforgettable memories for
+those who had brothers to play with and fight with, of sieges and
+ambushes and pitched encounters, of the slaying of an entire
+garrison without <a name="pagexix"></a><span class="pagenum">p.
+xix</span>quarter, or of chivalrous, punctilious courtesy to a
+defeated enemy.&nbsp; Then there was the slow unfolding of the
+long romance of actual war, particularly of European war,
+ghastly, devastating, heartrending in its effect, and yet somehow
+captivating to the imagination.&nbsp; The Thirty Years&rsquo; War
+was one of the most hideously cruel wars ever waged, but, in
+conjunction with the subsequent campaigns of the Great Louis, it
+throws a glamour over the scene of the present struggle.&nbsp;
+The thrill that those far-off things call forth in us may be
+ethically indefensible, but it comes in the first place from
+something too deep to be driven out; the magic region of the Low
+Countries is beckoning to us again, as it beckoned to our
+forefathers, who went campaigning there almost from force of
+habit.</p>
+<p>&ldquo;One must admit that we have in these Islands a variant
+from the red-blooded type.&nbsp; One or two young men have
+assured me that they are not in the least interested in the
+war&mdash;&lsquo;I&rsquo;m not at all patriotic, you know,&rsquo;
+they announce, as one might announce that one was not a vegetable
+or did not use a safety-razor.&nbsp; There are others whom I have
+met within the recent harrowing days who had no place for the war
+crisis in their thoughts and conversations; they would talk by
+the hour about chamber-music, Greek folk-dances, Florentine art,
+and the difficulty of <a name="pagexx"></a><span
+class="pagenum">p. xx</span>getting genuine old oak furniture,
+but the national honour and the national danger were topics that
+bored them.&nbsp; One felt that the war would affect them chiefly
+as involving a possible shortage in the supply of eau-de-Cologne
+or by debarring them from visiting some favourite art treasure at
+a Munich gallery.&nbsp; It is inconceivable that these persons
+were ever boys, they have certainly not grown up into men; one
+cannot call them womanish&mdash;the women of our race are made of
+different stuff.&nbsp; They belong to no sex and it seems a pity
+that they should belong to any nation; other nations probably
+have similar encumbrances, but we seem to have more of them than
+we either desire or deserve.</p>
+<p>&ldquo;There are other men among us who are patriotic, one
+supposes, but with a patriotism that one cannot understand; it
+must be judged by a standard that we should never care to set
+up.&nbsp; It seems to place a huckstering interpretation on
+honour, to display sacred things in a shop window, marked in
+plain figures.&nbsp; &lsquo;If we remained neutral,&rsquo; as a
+leading London morning paper once pleaded, &lsquo;we should be,
+from the commercial point of view, in precisely the same position
+as the United States.&nbsp; We should be able to trade with all
+the belligerents (so far as war allows of trade with them); we
+should be able to capture the bulk of their trade in neutral <a
+name="pagexxi"></a><span class="pagenum">p. xxi</span>markets; we
+should keep our expenditure down; we should keep out of debt; we
+should have healthy finances.&rsquo;</p>
+<p>&ldquo;A question was buzzing in my head by the time I had
+finished reading those alluring arguments:</p>
+<p>&ldquo;Some men of noble stock were made;<br />
+Some glory in the murder-blade:<br />
+Some praise a science or an art,<br />
+But I like honourable trade.</p>
+<p>&ldquo;The poet has given a satiric meaning to the last word
+but one in those lines; perhaps that is why they flashed so
+readily to the mind.</p>
+<p>&ldquo;One remembers with some feeling of relief the spectacle
+last August of boys and youths marching and shouting through the
+streets in semi-disciplined mobs, waving the flags of France and
+Britain.&nbsp; There is perhaps nothing very patriotic in
+shouting and flag-waving, but it is the only way these youngsters
+had of showing their feelings.&rdquo;</p>
+</blockquote>
+<p>When at last Munro managed to enlist in the 2nd King
+Edward&rsquo;s Horse, he was supremely happy.&nbsp; He put on a
+trooper&rsquo;s uniform with the exaltation of a novice assuming
+the religious habit.&nbsp; But after a few months he found that
+he was not strong enough for life in a cavalry regiment and he
+arranged to exchange into the 22nd Royal Fusiliers.&nbsp; He <a
+name="pagexxii"></a><span class="pagenum">p. xxii</span>chafed at
+the long months of training in England and longed to get to the
+front, but military discipline was to him something sacred and,
+whether in England or in France, he did his utmost to conform
+himself to it and to force others to do the same.&nbsp; One of
+his comrades told me that at the front they would sometimes put
+their packs on a passing lorry; it was against orders, and Munro
+refused to lighten the strain of a long march in this way,
+although the straps of the pack galled his shoulders.</p>
+<p>Twice he was offered a commission, but he refused to take
+one.&nbsp; He distrusted his ability to be a good officer and
+also he desired to go on fighting side by side with his comrades,
+one of whom, now an officer and a prisoner in Germany, had been
+his friend before the war.&nbsp; I was told by a man of his
+company that one day a General was conducted along the trenches
+by the Colonel commanding the regiment and recognised Munro, whom
+he had met at dinner-parties in London.&nbsp; &ldquo;What on
+earth are you doing here?&rdquo; he asked, and said that he had a
+job to be done at the rear which would be the very thing for
+him.&nbsp; Munro excused himself from accepting it.&nbsp; Another
+opportunity of less arduous work was offered him.&nbsp; Men who
+could speak German were ordered to report: interpreters were
+wanted to deal with prisoners.&nbsp; Munro reported, <a
+name="pagexxiii"></a><span class="pagenum">p. xxiii</span>but
+urged that it had taken him two years to get out to the front and
+that he desired to remain there.&nbsp; He was allowed to do as he
+wished.&nbsp; And his gaiety never left him.&nbsp; Those who were
+with him speak of the tales with which he amused them.&nbsp; He
+even founded a club in one place at which they were stationed,
+and called it the Back Kitchen Club, because the members met in
+the kitchen of a peasant&rsquo;s cottage.</p>
+<p>When he came home on leave, it was evident that the strain of
+military life was telling on him.&nbsp; He was thin and his face
+was haggard.&nbsp; But the spiritual change wrought in him by the
+war was greater than the physical.&nbsp; He told me that he could
+never come back to the old life in London.&nbsp; And he wrote
+asking me to find out from a person in Russia whether it would be
+possible to acquire land in Siberia to till and to hunt, and
+whether a couple of Yakutsk lads could be got as servants.&nbsp;
+It was the love of the woodlands and the wild things in them,
+that he had felt as a child, returning.&nbsp; The dross had been
+burnt up in the flame of war.</p>
+<p>Munro fell in the Beaumont-Hamel action in November
+1916.&nbsp; On the 12th he and his comrades were at
+Beldancourt.&nbsp; At one o&rsquo;clock in the morning of the
+14th they went to Mailly.&nbsp; As the men were crossing
+No-Man&rsquo;s-Land to occupy trenches evacuated <a
+name="pagexxiv"></a><span class="pagenum">p. xxiv</span>by the
+enemy, Munro was shot through the head.</p>
+<p>&ldquo;Poor Saki!&nbsp; What an admiration we all had for
+him,&rdquo; wrote the officer in command of the 22nd Royal
+Fusiliers.&nbsp; &ldquo;I always quoted him as one of the heroes
+of the war.&nbsp; I saw daily the appalling discomforts he so
+cheerfully endured.&nbsp; He flatly refused to take a commission
+or in any way to allow me to try to make him more
+comfortable.&nbsp; General Vaughan told him that a brain like his
+was wasted as a private soldier.&nbsp; He just smiled.&nbsp; He
+was absolutely splendid.&nbsp; What courage!&nbsp; The men simply
+loved him.&rdquo;</p>
+<p style="text-align: right"><span class="smcap">Rothay
+Reynolds</span>,</p>
+<p><i>September 1918</i>.</p>
+<h2><a name="page3"></a><span class="pagenum">p. 3</span>THE TOYS
+OF PEACE</h2>
+<p>&ldquo;Harvey,&rdquo; said Eleanor Bope, handing her brother a
+cutting from a London morning paper of the 19th of March,
+&ldquo;just read this about children&rsquo;s toys, please; it
+exactly carries out some of our ideas about influence and
+upbringing.&rdquo;</p>
+<p>&ldquo;In the view of the National Peace Council,&rdquo; ran
+the extract, &ldquo;there are grave objections to presenting our
+boys with regiments of fighting men, batteries of guns, and
+squadrons of &lsquo;Dreadnoughts.&rsquo;&nbsp; Boys, the Council
+admits, naturally love fighting and all the panoply of war . . .
+but that is no reason for encouraging, and perhaps giving
+permanent form to, their primitive instincts.&nbsp; At the
+Children&rsquo;s Welfare Exhibition, which opens at Olympia in
+three weeks&rsquo; time, the Peace Council will make an
+alternative suggestion to parents in the shape of an exhibition
+of &lsquo;peace toys.&rsquo;&nbsp; In front of a
+specially-painted representation of the Peace Palace at The Hague
+will be grouped, not miniature soldiers but miniature civilians,
+not guns but ploughs and the tools of industry . . .&nbsp; It is
+hoped that manufacturers may take a hint from the exhibit, which
+will bear fruit in the toy shops.&rdquo;</p>
+<p>&ldquo;The idea is certainly an interesting and very
+well-meaning one,&rdquo; said Harvey; &ldquo;whether it would
+succeed well in practice&mdash;&rdquo;</p>
+<p>&ldquo;We must try,&rdquo; interrupted his sister; &ldquo;you
+are coming down to us at Easter, and you always bring the boys
+some toys, so that will be an excellent opportunity for you to
+inaugurate the new experiment.&nbsp; Go about in the shops and
+buy any little toys and models that have special bearing on
+civilian life in its more peaceful aspects.&nbsp; Of course you
+must explain the toys to the children and interest them in the
+new idea.&nbsp; I regret to say that the &lsquo;Siege of
+Adrianople&rsquo; toy, that their Aunt Susan sent them,
+didn&rsquo;t need any explanation; they knew all the uniforms and
+flags, and even the names of the respective commanders, and when
+I heard them one day using what seemed to be the most
+objectionable language they said it was Bulgarian words of
+command; of course it <i>may</i> have been, but at any rate I
+took the toy away from them.&nbsp; Now I shall expect your Easter
+gifts to give quite a new impulse and direction to the
+children&rsquo;s minds; Eric is not eleven yet, and Bertie is
+only nine-and-a-half, so they are really at a most impressionable
+age.&rdquo;</p>
+<p>&ldquo;There is primitive instinct to be taken into
+consideration, you know,&rdquo; said Harvey doubtfully,
+&ldquo;and hereditary tendencies as well.&nbsp; One of their
+great-uncles fought in the most intolerant fashion at
+Inkerman&mdash;he was specially mentioned in dispatches, I
+believe&mdash;and their great-grandfather smashed all his Whig
+neighbours&rsquo; hot houses when the great Reform Bill was
+passed.&nbsp; Still, as you say, they are at an impressionable
+age.&nbsp; I will do my best.&rdquo;</p>
+<p>On Easter Saturday Harvey Bope unpacked a large,
+promising-looking red cardboard box under the expectant eyes of
+his nephews.&nbsp; &ldquo;Your uncle has brought you the newest
+thing in toys,&rdquo; Eleanor had said impressively, and youthful
+anticipation had been anxiously divided between Albanian soldiery
+and a Somali camel-corps.&nbsp; Eric was hotly in favour of the
+latter contingency.&nbsp; &ldquo;There would be Arabs on
+horseback,&rdquo; he whispered; &ldquo;the Albanians have got
+jolly uniforms, and they fight all day long, and all night, too,
+when there&rsquo;s a moon, but the country&rsquo;s rocky, so
+they&rsquo;ve got no cavalry.&rdquo;</p>
+<p>A quantity of crinkly paper shavings was the first thing that
+met the view when the lid was removed; the most exiting toys
+always began like that.&nbsp; Harvey pushed back the top layer
+and drew forth a square, rather featureless building.</p>
+<p>&ldquo;It&rsquo;s a fort!&rdquo; exclaimed Bertie.</p>
+<p>&ldquo;It isn&rsquo;t, it&rsquo;s the palace of the Mpret of
+Albania,&rdquo; said Eric, immensely proud of his knowledge of
+the exotic title; &ldquo;it&rsquo;s got no windows, you see, so
+that passers-by can&rsquo;t fire in at the Royal
+Family.&rdquo;</p>
+<p>&ldquo;It&rsquo;s a municipal dust-bin,&rdquo; said Harvey
+hurriedly; &ldquo;you see all the refuse and litter of a town is
+collected there, instead of lying about and injuring the health
+of the citizens.&rdquo;</p>
+<p>In an awful silence he disinterred a little lead figure of a
+man in black clothes.</p>
+<p>&ldquo;That,&rdquo; he said, &ldquo;is a distinguished
+civilian, John Stuart Mill.&nbsp; He was an authority on
+political economy.&rdquo;</p>
+<p>&ldquo;Why?&rdquo; asked Bertie.</p>
+<p>&ldquo;Well, he wanted to be; he thought it was a useful thing
+to be.&rdquo;</p>
+<p>Bertie gave an expressive grunt, which conveyed his opinion
+that there was no accounting for tastes.</p>
+<p>Another square building came out, this time with windows and
+chimneys.</p>
+<p>&ldquo;A model of the Manchester branch of the Young
+Women&rsquo;s Christian Association,&rdquo; said Harvey.</p>
+<p>&ldquo;Are there any lions?&rdquo; asked Eric hopefully.&nbsp;
+He had been reading Roman history and thought that where you
+found Christians you might reasonably expect to find a few
+lions.</p>
+<p>&ldquo;There are no lions,&rdquo; said Harvey.&nbsp;
+&ldquo;Here is another civilian, Robert Raikes, the founder of
+Sunday schools, and here is a model of a municipal
+wash-house.&nbsp; These little round things are loaves baked in a
+sanitary bakehouse.&nbsp; That lead figure is a sanitary
+inspector, this one is a district councillor, and this one is an
+official of the Local Government Board.&rdquo;</p>
+<p>&ldquo;What does he do?&rdquo; asked Eric wearily.</p>
+<p>&ldquo;He sees to things connected with his Department,&rdquo;
+said Harvey.&nbsp; &ldquo;This box with a slit in it is a
+ballot-box.&nbsp; Votes are put into it at election
+times.&rdquo;</p>
+<p>&ldquo;What is put into it at other times?&rdquo; asked
+Bertie.</p>
+<p>&ldquo;Nothing.&nbsp; And here are some tools of industry, a
+wheelbarrow and a hoe, and I think these are meant for
+hop-poles.&nbsp; This is a model beehive, and that is a
+ventilator, for ventilating sewers.&nbsp; This seems to be
+another municipal dust-bin&mdash;no, it is a model of a school of
+art and public library.&nbsp; This little lead figure is Mrs.
+Hemans, a poetess, and this is Rowland Hill, who introduced the
+system of penny postage.&nbsp; This is Sir John Herschel, the
+eminent astrologer.&rdquo;</p>
+<p>&ldquo;Are we to play with these civilian figures?&rdquo;
+asked Eric.</p>
+<p>&ldquo;Of course,&rdquo; said Harvey, &ldquo;these are toys;
+they are meant to be played with.&rdquo;</p>
+<p>&ldquo;But how?&rdquo;</p>
+<p>It was rather a poser.&nbsp; &ldquo;You might make two of them
+contest a seat in Parliament,&rdquo; said Harvey, &ldquo;an have
+an election&mdash;&rdquo;</p>
+<p>&ldquo;With rotten eggs, and free fights, and ever so many
+broken heads!&rdquo; exclaimed Eric.</p>
+<p>&ldquo;And noses all bleeding and everybody drunk as can
+be,&rdquo; echoed Bertie, who had carefully studied one of
+Hogarth&rsquo;s pictures.</p>
+<p>&ldquo;Nothing of the kind,&rdquo; said Harvey, &ldquo;nothing
+in the least like that.&nbsp; Votes will be put in the
+ballot-box, and the Mayor will count them&mdash;and he will say
+which has received the most votes, and then the two candidates
+will thank him for presiding, and each will say that the contest
+has been conducted throughout in the pleasantest and most
+straightforward fashion, and they part with expressions of mutual
+esteem.&nbsp; There&rsquo;s a jolly game for you boys to
+play.&nbsp; I never had such toys when I was young.&rdquo;</p>
+<p>&ldquo;I don&rsquo;t think we&rsquo;ll play with them just
+now,&rdquo; said Eric, with an entire absence of the enthusiasm
+that his uncle had shown; &ldquo;I think perhaps we ought to do a
+little of our holiday task.&nbsp; It&rsquo;s history this time;
+we&rsquo;ve got to learn up something about the Bourbon period in
+France.&rdquo;</p>
+<p>&ldquo;The Bourbon period,&rdquo; said Harvey, with some
+disapproval in his voice.</p>
+<p>&ldquo;We&rsquo;ve got to know something about Louis the
+Fourteenth,&rdquo; continued Eric; &ldquo;I&rsquo;ve learnt the
+names of all the principal battles already.&rdquo;</p>
+<p>This would never do.&nbsp; &ldquo;There were, of course, some
+battles fought during his reign,&rdquo; said Harvey, &ldquo;but I
+fancy the accounts of them were much exaggerated; news was very
+unreliable in those days, and there were practically no war
+correspondents, so generals and commanders could magnify every
+little skirmish they engaged in till they reached the proportions
+of decisive battles.&nbsp; Louis was really famous, now, as a
+landscape gardener; the way he laid out Versailles was so much
+admired that it was copied all over Europe.&rdquo;</p>
+<p>&ldquo;Do you know anything about Madame Du Barry?&rdquo;
+asked Eric; &ldquo;didn&rsquo;t she have her head chopped
+off?&rdquo;</p>
+<p>&ldquo;She was another great lover of gardening,&rdquo; said
+Harvey, evasively; &ldquo;in fact, I believe the well known rose
+Du Barry was named after her, and now I think you had better play
+for a little and leave your lessons till later.&rdquo;</p>
+<p>Harvey retreated to the library and spent some thirty or forty
+minutes in wondering whether it would be possible to compile a
+history, for use in elementary schools, in which there should be
+no prominent mention of battles, massacres, murderous intrigues,
+and violent deaths.&nbsp; The York and Lancaster period and the
+Napoleonic era would, he admitted to himself, present
+considerable difficulties, and the Thirty Years&rsquo; War would
+entail something of a gap if you left it out altogether.&nbsp;
+Still, it would be something gained if, at a highly
+impressionable age, children could be got to fix their attention
+on the invention of calico printing instead of the Spanish Armada
+or the Battle of Waterloo.</p>
+<p>It was time, he thought, to go back to the boys&rsquo; room,
+and see how they were getting on with their peace toys.&nbsp; As
+he stood outside the door he could hear Eric&rsquo;s voice raised
+in command; Bertie chimed in now and again with a helpful
+suggestion.</p>
+<p>&ldquo;That is Louis the Fourteenth,&rdquo; Eric was saying,
+&ldquo;that one in knee-breeches, that Uncle said invented Sunday
+schools.&nbsp; It isn&rsquo;t a bit like him, but it&rsquo;ll
+have to do.&rdquo;</p>
+<p>&ldquo;We&rsquo;ll give him a purple coat from my paintbox by
+and by,&rdquo; said Bertie.</p>
+<p>&ldquo;Yes, an&rsquo; red heels.&nbsp; That is Madame de
+Maintenon, that one he called Mrs. Hemans.&nbsp; She begs Louis
+not to go on this expedition, but he turns a deaf ear.&nbsp; He
+takes Marshal Saxe with him, and we must pretend that they have
+thousands of men with them.&nbsp; The watchword is <i>Qui
+vive</i>? and the answer is <i>L&rsquo;&eacute;tat c&rsquo;est
+moi</i>&mdash;that was one of his favourite remarks, you
+know.&nbsp; They land at Manchester in the dead of the night, and
+a Jacobite conspirator gives them the keys of the
+fortress.&rdquo;</p>
+<p>Peeping in through the doorway Harvey observed that the
+municipal dust-bin had been pierced with holes to accommodate the
+muzzles of imaginary cannon, and now represented the principal
+fortified position in Manchester; John Stuart Mill had been
+dipped in red ink, and apparently stood for Marshal Saxe.</p>
+<p>&ldquo;Louis orders his troops to surround the Young
+Women&rsquo;s Christian Association and seize the lot of
+them.&nbsp; &lsquo;Once back at the Louvre and the girls are
+mine,&rsquo; he exclaims.&nbsp; We must use Mrs. Hemans again for
+one of the girls; she says &lsquo;Never,&rsquo; and stabs Marshal
+Saxe to the heart.&rdquo;</p>
+<p>&ldquo;He bleeds dreadfully,&rdquo; exclaimed Bertie,
+splashing red ink liberally over the fa&ccedil;ade of the
+Association building.</p>
+<p>&ldquo;The soldiers rush in and avenge his death with the
+utmost savagery.&nbsp; A hundred girls are
+killed&rdquo;&mdash;here Bertie emptied the remainder of the red
+ink over the devoted building&mdash;&ldquo;and the surviving five
+hundred are dragged off to the French ships.&nbsp; &lsquo;I have
+lost a Marshal,&rsquo; says Louis, &lsquo;but I do not go back
+empty-handed.&rsquo;&rdquo;</p>
+<p>Harvey stole away from the room, and sought out his
+sister.</p>
+<p>&ldquo;Eleanor,&rdquo; he said, &ldquo;the
+experiment&mdash;&rdquo;</p>
+<p>&ldquo;Yes?&rdquo;</p>
+<p>&ldquo;Has failed.&nbsp; We have begun too late.&rdquo;</p>
+<h2><a name="page13"></a><span class="pagenum">p.
+13</span>LOUISE</h2>
+<p>&ldquo;The tea will be quite cold, you&rsquo;d better ring for
+some more,&rdquo; said the Dowager Lady Beanford.</p>
+<p>Susan Lady Beanford was a vigorous old woman who had coquetted
+with imaginary ill-health for the greater part of a lifetime;
+Clovis Sangrail irreverently declared that she had caught a chill
+at the Coronation of Queen Victoria and had never let it go
+again.&nbsp; Her sister, Jane Thropplestance, who was some years
+her junior, was chiefly remarkable for being the most
+absent-minded woman in Middlesex.</p>
+<p>&ldquo;I&rsquo;ve really been unusually clever this
+afternoon,&rdquo; she remarked gaily, as she rang for the
+tea.&nbsp; &ldquo;I&rsquo;ve called on all the people I meant to
+call on; and I&rsquo;ve done all the shopping that I set out to
+do.&nbsp; I even remembered to try and match that silk for you at
+Harrod&rsquo;s, but I&rsquo;d forgotten to bring the pattern with
+me, so it was no use.&nbsp; I really think that was the only
+important thing I forgot during the whole afternoon.&nbsp; Quite
+wonderful for me, isn&rsquo;t it?&rdquo;</p>
+<p>&ldquo;What have you done with Louise?&rdquo; asked her
+sister.&nbsp; &ldquo;Didn&rsquo;t you take her out with
+you?&nbsp; You said you were going to.&rdquo;</p>
+<p>&ldquo;Good gracious,&rdquo; exclaimed Jane, &ldquo;what have
+I done with Louise?&nbsp; I must have left her
+somewhere.&rdquo;</p>
+<p>&ldquo;But where?&rdquo;</p>
+<p>&ldquo;That&rsquo;s just it.&nbsp; Where have I left
+her?&nbsp; I can&rsquo;t remember if the Carrywoods were at home
+or if I just left cards.&nbsp; If there were at home I may have
+left Louise there to play bridge.&nbsp; I&rsquo;ll go and
+telephone to Lord Carrywood and find out.&rdquo;</p>
+<p>&ldquo;Is that you, Lord Carrywood?&rdquo; she queried over
+the telephone; &ldquo;it&rsquo;s me, Jane Thropplestance.&nbsp; I
+want to know, have you seen Louise?&rdquo;</p>
+<p>&ldquo;&lsquo;Louise,&rsquo;&rdquo; came the answer,
+&ldquo;it&rsquo;s been my fate to see it three times.&nbsp; At
+first, I must admit, I wasn&rsquo;t impressed by it, but the
+music grows on one after a bit.&nbsp; Still, I don&rsquo;t think
+I want to see it again just at present.&nbsp; Were you going to
+offer me a seat in your box?&rdquo;</p>
+<p>&ldquo;Not the opera &lsquo;Louise&rsquo;&mdash;my niece,
+Louise Thropplestance.&nbsp; I thought I might have left her at
+your house.&rdquo;</p>
+<p>&ldquo;You left cards on us this afternoon, I understand, but
+I don&rsquo;t think you left a niece.&nbsp; The footman would
+have been sure to have mentioned it if you had.&nbsp; Is it going
+to be a fashion to leave nieces on people as well as cards?&nbsp;
+I hope not; some of these houses in Berkeley-square have
+practically no accommodation for that sort of thing.&rdquo;</p>
+<p>&ldquo;She&rsquo;s not at the Carrywoods&rsquo;,&rdquo;
+announced Jane, returning to her tea; &ldquo;now I come to think
+of it, perhaps I left her at the silk counter at
+Selfridge&rsquo;s.&nbsp; I may have told her to wait there a
+moment while I went to look at the silks in a better light, and I
+may easily have forgotten about her when I found I hadn&rsquo;t
+your pattern with me.&nbsp; In that case she&rsquo;s still
+sitting there.&nbsp; She wouldn&rsquo;t move unless she was told
+to; Louise has no initiative.&rdquo;</p>
+<p>&ldquo;You said you tried to match the silk at
+Harrod&rsquo;s,&rdquo; interjected the dowager.</p>
+<p>&ldquo;Did I?&nbsp; Perhaps it was Harrod&rsquo;s.&nbsp; I
+really don&rsquo;t remember.&nbsp; It was one of those places
+where every one is so kind and sympathetic and devoted that one
+almost hates to take even a reel of cotton away from such
+pleasant surroundings.&rdquo;</p>
+<p>&ldquo;I think you might have taken Louise away.&nbsp; I
+don&rsquo;t like the idea of her being there among a lot of
+strangers.&nbsp; Supposing some unprincipled person was to get
+into conversation with her.&rdquo;</p>
+<p>&ldquo;Impossible.&nbsp; Louise has no conversation.&nbsp;
+I&rsquo;ve never discovered a single topic on which she&rsquo;d
+anything to say beyond &lsquo;Do you think so?&nbsp; I dare say
+you&rsquo;re right.&rsquo;&nbsp; I really thought her reticence
+about the fall of the Ribot Ministry was ridiculous, considering
+how much her dear mother used to visit Paris.&nbsp; This bread
+and butter is cut far too thin; it crumbles away long before you
+can get it to your mouth.&nbsp; One feels so absurd, snapping at
+one&rsquo;s food in mid-air, like a trout leaping at
+may-fly.&rdquo;</p>
+<p>&ldquo;I am rather surprised,&rdquo; said the dowager,
+&ldquo;that you can sit there making a hearty tea when
+you&rsquo;ve just lost a favourite niece.&rdquo;</p>
+<p>&ldquo;You talk as if I&rsquo;d lost her in a churchyard
+sense, instead of having temporarily mislaid her.&nbsp; I&rsquo;m
+sure to remember presently where I left her.&rdquo;</p>
+<p>&ldquo;You didn&rsquo;t visit any place of devotion, did
+you?&nbsp; If you&rsquo;ve left her mooning about Westminster
+Abbey or St. Peter&rsquo;s, Eaton Square, without being able to
+give any satisfactory reason why she&rsquo;s there, she&rsquo;ll
+be seized under the Cat and Mouse Act and sent to Reginald
+McKenna.&rdquo;</p>
+<p>&ldquo;That would be extremely awkward,&rdquo; said Jane,
+meeting an irresolute piece of bread and butter halfway;
+&ldquo;we hardly know the McKennas, and it would be very tiresome
+having to telephone to some unsympathetic private secretary,
+describing Louise to him and asking to have her sent back in time
+for dinner.&nbsp; Fortunately, I didn&rsquo;t go to any place of
+devotion, though I did get mixed up with a Salvation Army
+procession.&nbsp; It was quite interesting to be at close
+quarters with them, they&rsquo;re so absolutely different to what
+they used to be when I first remember them in the
+&rsquo;eighties.&nbsp; They used to go about then unkempt and
+dishevelled, in a sort of smiling rage with the world, and now
+they&rsquo;re spruce and jaunty and flamboyantly decorative, like
+a geranium bed with religious convictions.&nbsp; Laura Kettleway
+was going on about them in the lift of the Dover Street Tube the
+other day, saying what a lot of good work they did, and what a
+loss it would have been if they&rsquo;d never existed.&nbsp;
+&lsquo;If they had never existed,&rsquo; I said, &lsquo;Granville
+Barker would have been certain to have invented something that
+looked exactly like them.&rsquo;&nbsp; If you say things like
+that, quite loud, in a Tube lift, they always sound like
+epigrams.&rdquo;</p>
+<p>&ldquo;I think you ought to do something about Louise,&rdquo;
+said the dowager.</p>
+<p>&ldquo;I&rsquo;m trying to think whether she was with me when
+I called on Ada Spelvexit.&nbsp; I rather enjoyed myself
+there.&nbsp; Ada was trying, as usual, to ram that odious
+Koriatoffski woman down my throat, knowing perfectly well that I
+detest her, and in an unguarded moment she said:
+&lsquo;She&rsquo;s leaving her present house and going to Lower
+Seymour Street.&rsquo;&nbsp; &lsquo;I dare say she will, if she
+stays there long enough,&rsquo; I said.&nbsp; Ada didn&rsquo;t
+see it for about three minutes, and then she was positively
+uncivil.&nbsp; No, I am certain I didn&rsquo;t leave Louise
+there.&rdquo;</p>
+<p>&ldquo;If you could manage to remember where you <i>did</i>
+leave her, it would be more to the point than these negative
+assurances,&rdquo; said Lady Beanford; &ldquo;so far, all we know
+is that she is not at the Carrywoods&rsquo;, or Ada
+Spelvexit&rsquo;s, or Westminster Abbey.&rdquo;</p>
+<p>&ldquo;That narrows the search down a bit,&rdquo; said Jane
+hopefully; &ldquo;I rather fancy she must have been with me when
+I went to Mornay&rsquo;s.&nbsp; I know I went to Mornay&rsquo;s,
+because I remember meeting that delightful Malcolm
+What&rsquo;s-his-name there&mdash;you know whom I mean.&nbsp;
+That&rsquo;s the great advantage of people having unusual first
+names, you needn&rsquo;t try and remember what their other name
+is.&nbsp; Of course I know one or two other Malcolms, but none
+that could possibly be described as delightful.&nbsp; He gave me
+two tickets for the Happy Sunday Evenings in Sloane Square.&nbsp;
+I&rsquo;ve probably left them at Mornay&rsquo;s, but still it was
+awfully kind of him to give them to me.&rdquo;</p>
+<p>&ldquo;Do you think you left Louise there?&rdquo;</p>
+<p>&ldquo;I might telephone and ask.&nbsp; Oh, Robert, before you
+clear the tea-things away I wish you&rsquo;d ring up
+Mornay&rsquo;s, in Regent Street, and ask if I left two theatre
+tickets and one niece in their shop this afternoon.&rdquo;</p>
+<p>&ldquo;A niece, ma&rsquo;am?&rdquo; asked the footman.</p>
+<p>&ldquo;Yes, Miss Louise didn&rsquo;t come home with me, and
+I&rsquo;m not sure where I left her.&rdquo;</p>
+<p>&ldquo;Miss Louise has been upstairs all the afternoon,
+ma&rsquo;am, reading to the second kitchenmaid, who has the
+neuralgia.&nbsp; I took up tea to Miss Louise at a quarter to
+five o&rsquo;clock, ma&rsquo;am.&rdquo;</p>
+<p>&ldquo;Of course, how silly of me.&nbsp; I remember now, I
+asked her to read the <i>Faerie Queene</i> to poor Emma, to try
+to send her to sleep.&nbsp; I always get some one to read the
+<i>Faerie Queene</i> to me when I have neuralgia, and it usually
+sends me to sleep.&nbsp; Louise doesn&rsquo;t seem to have been
+successful, but one can&rsquo;t say she hasn&rsquo;t tried.&nbsp;
+I expect after the first hour or so the kitchenmaid would rather
+have been left alone with her neuralgia, but of course Louise
+wouldn&rsquo;t leave off till some one told her to.&nbsp; Anyhow,
+you can ring up Mornay&rsquo;s, Robert, and ask whether I left
+two theatre tickets there.&nbsp; Except for your silk, Susan,
+those seem to be the only things I&rsquo;ve forgotten this
+afternoon.&nbsp; Quite wonderful for me.&rdquo;</p>
+<h2><a name="page21"></a><span class="pagenum">p.
+21</span>TEA</h2>
+<p>James Cushat-Prinkly was a young man who had always had a
+settled conviction that one of these days he would marry; up to
+the age of thirty-four he had done nothing to justify that
+conviction.&nbsp; He liked and admired a great many women
+collectively and dispassionately without singling out one for
+especial matrimonial consideration, just as one might admire the
+Alps without feeling that one wanted any particular peak as
+one&rsquo;s own private property.&nbsp; His lack of initiative in
+this matter aroused a certain amount of impatience among the
+sentimentally-minded women-folk of his home circle; his mother,
+his sisters, an aunt-in-residence, and two or three intimate
+matronly friends regarded his dilatory approach to the married
+state with a disapproval that was far from being
+inarticulate.&nbsp; His most innocent flirtations were watched
+with the straining eagerness which a group of unexercised
+terriers concentrates on the slightest movements of a human being
+who may be reasonably considered likely to take them for a
+walk.&nbsp; No decent-souled mortal can long resist the pleading
+of several pairs of walk-beseeching dog-eyes; James
+Cushat-Prinkly was not sufficiently obstinate or indifferent to
+home influences to disregard the obviously expressed wish of his
+family that he should become enamoured of some nice marriageable
+girl, and when his Uncle Jules departed this life and bequeathed
+him a comfortable little legacy it really seemed the correct
+thing to do to set about discovering some one to share it with
+him.&nbsp; The process of discovery was carried on more by the
+force of suggestion and the weight of public opinion than by any
+initiative of his own; a clear working majority of his female
+relatives and the aforesaid matronly friends had pitched on Joan
+Sebastable as the most suitable young woman in his range of
+acquaintance to whom he might propose marriage, and James became
+gradually accustomed to the idea that he and Joan would go
+together through the prescribed stages of congratulations,
+present-receiving, Norwegian or Mediterranean hotels, and
+eventual domesticity.&nbsp; It was necessary, however to ask the
+lady what she thought about the matter; the family had so far
+conducted and directed the flirtation with ability and
+discretion, but the actual proposal would have to be an
+individual effort.</p>
+<p>Cushat-Prinkly walked across the Park towards the Sebastable
+residence in a frame of mind that was moderately
+complacent.&nbsp; As the thing was going to be done he was glad
+to feel that he was going to get it settled and off his mind that
+afternoon.&nbsp; Proposing marriage, even to a nice girl like
+Joan, was a rather irksome business, but one could not have a
+honeymoon in Minorca and a subsequent life of married happiness
+without such preliminary.&nbsp; He wondered what Minorca was
+really like as a place to stop in; in his mind&rsquo;s eye it was
+an island in perpetual half-mourning, with black or white Minorca
+hens running all over it.&nbsp; Probably it would not be a bit
+like that when one came to examine it.&nbsp; People who had been
+in Russia had told him that they did not remember having seen any
+Muscovy ducks there, so it was possible that there would be no
+Minorca fowls on the island.</p>
+<p>His Mediterranean musings were interrupted by the sound of a
+clock striking the half-hour.&nbsp; Half-past four.&nbsp; A frown
+of dissatisfaction settled on his face.&nbsp; He would arrive at
+the Sebastable mansion just at the hour of afternoon tea.&nbsp;
+Joan would be seated at a low table, spread with an array of
+silver kettles and cream-jugs and delicate porcelain tea-cups,
+behind which her voice would tinkle pleasantly in a series of
+little friendly questions about weak or strong tea, how much, if
+any, sugar, milk, cream, and so forth.&nbsp; &ldquo;Is it one
+lump?&nbsp; I forgot.&nbsp; You do take milk, don&rsquo;t
+you?&nbsp; Would you like some more hot water, if it&rsquo;s too
+strong?&rdquo;</p>
+<p>Cushat-Prinkly had read of such things in scores of novels,
+and hundreds of actual experiences had told him that they were
+true to life.&nbsp; Thousands of women, at this solemn afternoon
+hour, were sitting behind dainty porcelain and silver fittings,
+with their voices tinkling pleasantly in a cascade of solicitous
+little questions.&nbsp; Cushat-Prinkly detested the whole system
+of afternoon tea.&nbsp; According to his theory of life a woman
+should lie on a divan or couch, talking with incomparable charm
+or looking unutterable thoughts, or merely silent as a thing to
+be looked on, and from behind a silken curtain a small Nubian
+page should silently bring in a tray with cups and dainties, to
+be accepted silently, as a matter of course, without drawn-out
+chatter about cream and sugar and hot water.&nbsp; If one&rsquo;s
+soul was really enslaved at one&rsquo;s mistress&rsquo;s feet how
+could one talk coherently about weakened tea?&nbsp;
+Cushat-Prinkly had never expounded his views on the subject to
+his mother; all her life she had been accustomed to tinkle
+pleasantly at tea-time behind dainty porcelain and silver, and if
+he had spoken to her about divans and Nubian pages she would have
+urged him to take a week&rsquo;s holiday at the seaside.&nbsp;
+Now, as he passed through a tangle of small streets that led
+indirectly to the elegant Mayfair terrace for which he was bound,
+a horror at the idea of confronting Joan Sebastable at her
+tea-table seized on him.&nbsp; A momentary deliverance presented
+itself; on one floor of a narrow little house at the noisier end
+of Esquimault Street lived Rhoda Ellam, a sort of remote cousin,
+who made a living by creating hats out of costly materials.&nbsp;
+The hats really looked as if they had come from Paris; the
+cheques she got for them unfortunately never looked as if they
+were going to Paris.&nbsp; However, Rhoda appeared to find life
+amusing and to have a fairly good time in spite of her straitened
+circumstances.&nbsp; Cushat-Prinkly decided to climb up to her
+floor and defer by half-an-hour or so the important business
+which lay before him; by spinning out his visit he could contrive
+to reach the Sebastable mansion after the last vestiges of dainty
+porcelain had been cleared away.</p>
+<p>Rhoda welcomed him into a room that seemed to do duty as
+workshop, sitting-room, and kitchen combined, and to be
+wonderfully clean and comfortable at the same time.</p>
+<p>&ldquo;I&rsquo;m having a picnic meal,&rdquo; she
+announced.&nbsp; &ldquo;There&rsquo;s caviare in that jar at your
+elbow.&nbsp; Begin on that brown bread-and-butter while I cut
+some more.&nbsp; Find yourself a cup; the teapot is behind
+you.&nbsp; Now tell me about hundreds of things.&rdquo;</p>
+<p>She made no other allusion to food, but talked amusingly and
+made her visitor talk amusingly too.&nbsp; At the same time she
+cut the bread-and-butter with a masterly skill and produced red
+pepper and sliced lemon, where so many women would merely have
+produced reasons and regrets for not having any.&nbsp;
+Cushat-Prinkly found that he was enjoying an excellent tea
+without having to answer as many questions about it as a Minister
+for Agriculture might be called on to reply to during an outbreak
+of cattle plague.</p>
+<p>&ldquo;And now tell me why you have come to see me,&rdquo;
+said Rhoda suddenly.&nbsp; &ldquo;You arouse not merely my
+curiosity but my business instincts.&nbsp; I hope you&rsquo;ve
+come about hats.&nbsp; I heard that you had come into a legacy
+the other day, and, of course, it struck me that it would be a
+beautiful and desirable thing for you to celebrate the event by
+buying brilliantly expensive hats for all your sisters.&nbsp;
+They may not have said anything about it, but I feel sure the
+same idea has occurred to them.&nbsp; Of course, with Goodwood on
+us, I am rather rushed just now, but in my business we&rsquo;re
+accustomed to that; we live in a series of rushes&mdash;like the
+infant Moses.&rdquo;</p>
+<p>&ldquo;I didn&rsquo;t come about hats,&rdquo; said her
+visitor.&nbsp; &ldquo;In fact, I don&rsquo;t think I really came
+about anything.&nbsp; I was passing and I just thought I&rsquo;d
+look in and see you.&nbsp; Since I&rsquo;ve been sitting talking
+to you, however, a rather important idea has occurred to
+me.&nbsp; If you&rsquo;ll forget Goodwood for a moment and listen
+to me, I&rsquo;ll tell you what it is.&rdquo;</p>
+<p>Some forty minutes later James Cushat-Prinkly returned to the
+bosom of his family, bearing an important piece of news.</p>
+<p>&ldquo;I&rsquo;m engaged to be married,&rdquo; he
+announced.</p>
+<p>A rapturous outbreak of congratulation and self-applause broke
+out.</p>
+<p>&ldquo;Ah, we knew!&nbsp; We saw it coming!&nbsp; We foretold
+it weeks ago!&rdquo;</p>
+<p>&ldquo;I&rsquo;ll bet you didn&rsquo;t,&rdquo; said
+Cushat-Prinkly.&nbsp; &ldquo;If any one had told me at lunch-time
+to-day that I was going to ask Rhoda Ellam to marry me and that
+she was going to accept me I would have laughed at the
+idea.&rdquo;</p>
+<p>The romantic suddenness of the affair in some measure
+compensated James&rsquo;s women-folk for the ruthless negation of
+all their patient effort and skilled diplomacy.&nbsp; It was
+rather trying to have to deflect their enthusiasm at a
+moment&rsquo;s notice from Joan Sebastable to Rhoda Ellam; but,
+after all, it was James&rsquo;s wife who was in question, and his
+tastes had some claim to be considered.</p>
+<p>On a September afternoon of the same year, after the honeymoon
+in Minorca had ended, Cushat-Prinkly came into the drawing-room
+of his new house in Granchester Square.&nbsp; Rhoda was seated at
+a low table, behind a service of dainty porcelain and gleaming
+silver.&nbsp; There was a pleasant tinkling note in her voice as
+she handed him a cup.</p>
+<p>&ldquo;You like it weaker than that, don&rsquo;t you?&nbsp;
+Shall I put some more hot water to it?&nbsp; No?&rdquo;</p>
+<h2><a name="page29"></a><span class="pagenum">p. 29</span>THE
+DISAPPEARANCE OF CRISPINA UMBERLEIGH</h2>
+<p>In a first-class carriage of a train speeding Balkanward
+across the flat, green Hungarian plain two Britons sat in
+friendly, fitful converse.&nbsp; They had first foregathered in
+the cold grey dawn at the frontier line, where the presiding
+eagle takes on an extra head and Teuton lands pass from
+Hohenzollern to Habsburg keeping&mdash;and where a probing
+official beak requires to delve in polite and perhaps
+perfunctory, but always tiresome, manner into the baggage of
+sleep-hungry passengers.&nbsp; After a day&rsquo;s break of their
+journey at Vienna the travellers had again foregathered at the
+trainside and paid one another the compliment of settling
+instinctively into the same carriage.&nbsp; The elder of the two
+had the appearance and manner of a diplomat; in point of fact he
+was the well-connected foster-brother of a wine business.&nbsp;
+The other was certainly a journalist.&nbsp; Neither man was
+talkative and each was grateful to the other for not being
+talkative.&nbsp; That is why from time to time they talked.</p>
+<p>One topic of conversation naturally thrust itself forward in
+front of all others.&nbsp; In Vienna the previous day they had
+learned of the mysterious vanishing of a world-famous picture
+from the walls of the Louvre.</p>
+<p>&ldquo;A dramatic disappearance of that sort is sure to
+produce a crop of imitations,&rdquo; said the Journalist.</p>
+<p>&ldquo;It has had a lot of anticipations, for the matter of
+that,&rdquo; said the Wine-brother.</p>
+<p>&ldquo;Oh, of course there have been thefts from the Louvre
+before.&rdquo;</p>
+<p>&ldquo;I was thinking of the spiriting away of human beings
+rather than pictures.&nbsp; In particular I was thinking of the
+case of my aunt, Crispina Umberleigh.&rdquo;</p>
+<p>&ldquo;I remember hearing something of the affair,&rdquo; said
+the Journalist, &ldquo;but I was away from England at the
+time.&nbsp; I never quite knew what was supposed to have
+happened.&rdquo;</p>
+<p>&ldquo;You may hear what really happened if you will respect
+it as a confidence,&rdquo; said the Wine Merchant.&nbsp;
+&ldquo;In the first place I may say that the disappearance of
+Mrs. Umberleigh was not regarded by the family entirely as a
+bereavement.&nbsp; My uncle, Edward Umberleigh, was not by any
+means a weak-kneed individual, in fact in the world of politics
+he had to be reckoned with more or less as a strong man, but he
+was unmistakably dominated by Crispina; indeed I never met any
+human being who was not frozen into subjection when brought into
+prolonged contact with her.&nbsp; Some people are born to
+command; Crispina Mrs. Umberleigh was born to legislate, codify,
+administrate, censor, license, ban, execute, and sit in judgement
+generally.&nbsp; If she was not born with that destiny she
+adopted it at an early age.&nbsp; From the kitchen regions
+upwards every one in the household came under her despotic sway
+and stayed there with the submissiveness of molluscs involved in
+a glacial epoch.&nbsp; As a nephew on a footing of only
+occasional visits she affected me merely as an epidemic,
+disagreeable while it lasted, but without any permanent effect;
+but her own sons and daughters stood in mortal awe of her; their
+studies, friendships, diet, amusements, religious observances,
+and way of doing their hair were all regulated and ordained
+according to the august lady&rsquo;s will and pleasure.&nbsp;
+This will help you to understand the sensation of stupefaction
+which was caused in the family when she unobtrusively and
+inexplicably vanished.&nbsp; It was as though St. Paul&rsquo;s
+Cathedral or the Piccadilly Hotel had disappeared in the night,
+leaving nothing but an open space to mark where it had
+stood.&nbsp; As far as was known nothing was troubling her; in
+fact there was much before her to make life particularly well
+worth living.&nbsp; The youngest boy had come back from school
+with an unsatisfactory report, and she was to have sat in
+judgement on him the very afternoon of the day she
+disappeared&mdash;if it had been he who had vanished in a hurry
+one could have supplied the motive.&nbsp; Then she was in the
+middle of a newspaper correspondence with a rural dean in which
+she had already proved him guilty of heresy, inconsistency, and
+unworthy quibbling, and no ordinary consideration would have
+induced her to discontinue the controversy.&nbsp; Of course the
+matter was put in the hands of the police, but as far as possible
+it was kept out of the papers, and the generally accepted
+explanation of her withdrawal from her social circle was that she
+had gone into a nursing home.&rdquo;</p>
+<p>&ldquo;And what was the immediate effect on the home
+circle?&rdquo; asked the Journalist.</p>
+<p>&ldquo;All the girls bought themselves bicycles; the feminine
+cycling craze was still in existence, and Crispina had rigidly
+vetoed any participation in it among the members of her
+household.&nbsp; The youngest boy let himself go to such an
+extent during his next term that it had to be his last as far as
+that particular establishment was concerned.&nbsp; The elder boys
+propounded a theory that their mother might be wandering
+somewhere abroad, and searched for her assiduously, chiefly, it
+must be admitted, in a class of Montmartre resort where it was
+extremely improbable that she would be found.&rdquo;</p>
+<p>&ldquo;And all this while couldn&rsquo;t your uncle get hold
+of the least clue?&rdquo;</p>
+<p>&ldquo;As a matter of fact he had received some information,
+though of course I did not know of it at the time.&nbsp; He got a
+message one day telling him that his wife had been kidnapped and
+smuggled out of the country; she was said to be hidden away, in
+one of the islands off the coast of Norway I think it was, in
+comfortable surroundings and well cared for.&nbsp; And with the
+information came a demand for money; a lump sum of &pound;2000
+was to be paid yearly.&nbsp; Failing this she would be
+immediately restored to her family.&rdquo;</p>
+<p>The Journalist was silent for a moment, and them began to
+laugh quietly.</p>
+<p>&ldquo;It was certainly an inverted form of holding to
+ransom,&rdquo; he said.</p>
+<p>&ldquo;If you had known my aunt,&rdquo; said the Wine
+Merchant, &ldquo;you would have wondered that they didn&rsquo;t
+put the figure higher.&rdquo;</p>
+<p>&ldquo;I realise the temptation.&nbsp; Did your uncle succumb
+to it?&rdquo;</p>
+<p>&ldquo;Well, you see, he had to think of others as well as
+himself.&nbsp; For the family to have gone back into the Crispina
+thraldom after having tasted the delights of liberty would have
+been a tragedy, and there were even wider considerations to be
+taken into account.&nbsp; Since his bereavement he had
+unconsciously taken up a far bolder and more initiatory line in
+public affairs, and his popularity and influence had increased
+correspondingly.&nbsp; From being merely a strong man in the
+political world he began to be spoken of as <i>the</i> strong
+man.&nbsp; All this he knew would be jeopardised if he once more
+dropped into the social position of the husband of Mrs.
+Umberleigh.&nbsp; He was a rich man, and the &pound;2000 a year,
+though not exactly a fleabite, did not seem an extravagant price
+to pay for the boarding-out of Crispina.&nbsp; Of course, he had
+severe qualms of conscience about the arrangement.&nbsp; Later
+on, when he took me into his confidence, he told me that in
+paying the ransom, or hush-money as I should have called it, he
+was partly influenced by the fear that if he refused it the
+kidnappers might have vented their rage and disappointment on
+their captive.&nbsp; It was better, he said, to think of her
+being well cared for as a highly-valued paying-guest in one of
+the Lofoden Islands than to have her struggling miserably home in
+a maimed and mutilated condition.&nbsp; Anyway he paid the yearly
+instalment as punctually as one pays a fire insurance, and with
+equal promptitude there would come an acknowledgment of the money
+and a brief statement to the effect that Crispina was in good
+health and fairly cheerful spirits.&nbsp; One report even
+mentioned that she was busying herself with a scheme for proposed
+reforms in Church management to be pressed on the local
+pastorate.&nbsp; Another spoke of a rheumatic attack and a
+journey to a &lsquo;cure&rsquo; on the mainland, and on that
+occasion an additional eighty pounds was demanded and
+conceded.&nbsp; Of course it was to the interest of the
+kidnappers to keep their charge in good health, but the secrecy
+with which they managed to shroud their arrangements argued a
+really wonderful organisation.&nbsp; If my uncle was paying a
+rather high price, at least he could console himself with the
+reflection that he was paying specialists&rsquo; fees.&rdquo;</p>
+<p>&ldquo;Meanwhile had the police given up all attempts to track
+the missing lady?&rdquo; asked the Journalist.</p>
+<p>&ldquo;Not entirely; they came to my uncle from time to time
+to report on clues which they thought might yield some
+elucidation as to her fate or whereabouts, but I think they had
+their suspicions that he was possessed of more information than
+he had put at their disposal.&nbsp; And then, after a
+disappearance of more than eight years, Crispina returned with
+dramatic suddenness to the home she had left so
+mysteriously.&rdquo;</p>
+<p>&ldquo;She had given her captors the slip?&rdquo;</p>
+<p>&ldquo;She had never been captured.&nbsp; Her wandering away
+had been caused by a sudden and complete loss of memory.&nbsp;
+She usually dressed rather in the style of a superior kind of
+charwoman, and it was not so very surprising that she should have
+imagined that she was one; and still less that people should
+accept her statement and help her to get work.&nbsp; She had
+wandered as far afield as Birmingham, and found fairly steady
+employment there, her energy and enthusiasm in putting
+people&rsquo;s rooms in order counterbalancing her obstinate and
+domineering characteristics.&nbsp; It was the shock of being
+patronisingly addressed as &lsquo;my good woman&rsquo; by a
+curate, who was disputing with her where the stove should be
+placed in a parish concert hall that led to the sudden
+restoration of her memory.&nbsp; &lsquo;I think you forget who
+you are speaking to,&rsquo; she observed crushingly, which was
+rather unduly severe, considering she had only just remembered it
+herself.&rdquo;</p>
+<p>&ldquo;But,&rdquo; exclaimed the Journalist, &ldquo;the
+Lofoden Island people!&nbsp; Who had they got hold of?&rdquo;</p>
+<p>&ldquo;A purely mythical prisoner.&nbsp; It was an attempt in
+the first place by some one who knew something of the domestic
+situation, probably a discharged valet, to bluff a lump sum out
+of Edward Umberleigh before the missing woman turned up; the
+subsequent yearly instalments were an unlooked-for increment to
+the original haul.</p>
+<p>&ldquo;Crispina found that the eight years&rsquo; interregnum
+had materially weakened her ascendancy over her now grown-up
+offspring.&nbsp; Her husband, however, never accomplished
+anything great in the political world after her return; the
+strain of trying to account satisfactorily for an unspecified
+expenditure of sixteen thousand pounds spread over eight years
+sufficiently occupied his mental energies.&nbsp; Here is Belgrad
+and another custom house.&rdquo;</p>
+<h2><a name="page39"></a><span class="pagenum">p. 39</span>THE
+WOLVES OF CERNOGRATZ</h2>
+<p>&ldquo;Are there any old legends attached to the
+castle?&rdquo; asked Conrad of his sister.&nbsp; Conrad was a
+prosperous Hamburg merchant, but he was the one
+poetically-dispositioned member of an eminently practical
+family.</p>
+<p>The Baroness Gruebel shrugged her plump shoulders.</p>
+<p>&ldquo;There are always legends hanging about these old
+places.&nbsp; They are not difficult to invent and they cost
+nothing.&nbsp; In this case there is a story that when any one
+dies in the castle all the dogs in the village and the wild
+beasts in forest howl the night long.&nbsp; It would not be
+pleasant to listen to, would it?&rdquo;</p>
+<p>&ldquo;It would be weird and romantic,&rdquo; said the Hamburg
+merchant.</p>
+<p>&ldquo;Anyhow, it isn&rsquo;t true,&rdquo; said the Baroness
+complacently; &ldquo;since we bought the place we have had proof
+that nothing of the sort happens.&nbsp; When the old
+mother-in-law died last springtime we all listened, but there was
+no howling.&nbsp; It is just a story that lends dignity to the
+place without costing anything.&rdquo;</p>
+<p>&ldquo;The story is not as you have told it,&rdquo; said
+Amalie, the grey old governess.&nbsp; Every one turned and looked
+at her in astonishment.&nbsp; She was wont to sit silent and prim
+and faded in her place at table, never speaking unless some one
+spoke to her, and there were few who troubled themselves to make
+conversation with her.&nbsp; To-day a sudden volubility had
+descended on her; she continued to talk, rapidly and nervously,
+looking straight in front of her and seeming to address no one in
+particular.</p>
+<p>&ldquo;It is not when <i>any one</i> dies in the castle that
+the howling is heard.&nbsp; It was when one of the Cernogratz
+family died here that the wolves came from far and near and
+howled at the edge of the forest just before the death
+hour.&nbsp; There were only a few couple of wolves that had their
+lairs in this part of the forest, but at such a time the keepers
+say there would be scores of them, gliding about in the shadows
+and howling in chorus, and the dogs of the castle and the village
+and all the farms round would bay and howl in fear and anger at
+the wolf chorus, and as the soul of the dying one left its body a
+tree would crash down in the park.&nbsp; That is what happened
+when a Cernogratz died in his family castle.&nbsp; But for a
+stranger dying here, of course no wolf would howl and no tree
+would fall.&nbsp; Oh, no.&rdquo;</p>
+<p>There was a note of defiance, almost of contempt, in her voice
+as she said the last words.&nbsp; The well-fed, much-too-well
+dressed Baroness stared angrily at the dowdy old woman who had
+come forth from her usual and seemly position of effacement to
+speak so disrespectfully.</p>
+<p>&ldquo;You seem to know quite a lot about the von Cernogratz
+legends, Fraulein Schmidt,&rdquo; she said sharply; &ldquo;I did
+not know that family histories were among the subjects you are
+supposed to be proficient in.&rdquo;</p>
+<p>The answer to her taunt was even more unexpected and
+astonishing than the conversational outbreak which had provoked
+it.</p>
+<p>&ldquo;I am a von Cernogratz myself,&rdquo; said the old
+woman, &ldquo;that is why I know the family history.&rdquo;</p>
+<p>&ldquo;You a von Cernogratz?&nbsp; You!&rdquo; came in an
+incredulous chorus.</p>
+<p>&ldquo;When we became very poor,&rdquo; she explained,
+&ldquo;and I had to go out and give teaching lessons, I took
+another name; I thought it would be more in keeping.&nbsp; But my
+grandfather spent much of his time as a boy in this castle, and
+my father used to tell me many stories about it, and, of course,
+I knew all the family legends and stories.&nbsp; When one has
+nothing left to one but memories, one guards and dusts them with
+especial care.&nbsp; I little thought when I took service with
+you that I should one day come with you to the old home of my
+family.&nbsp; I could wish it had been anywhere else.&rdquo;</p>
+<p>There was silence when she finished speaking, and then the
+Baroness turned the conversation to a less embarrassing topic
+than family histories.&nbsp; But afterwards, when the old
+governess had slipped away quietly to her duties, there arose a
+clamour of derision and disbelief.</p>
+<p>&ldquo;It was an impertinence,&rdquo; snapped out the Baron,
+his protruding eyes taking on a scandalised expression;
+&ldquo;fancy the woman talking like that at our table.&nbsp; She
+almost told us we were nobodies, and I don&rsquo;t believe a word
+of it.&nbsp; She is just Schmidt and nothing more.&nbsp; She has
+been talking to some of the peasants about the old Cernogratz
+family, and raked up their history and their stories.&rdquo;</p>
+<p>&ldquo;She wants to make herself out of some
+consequence,&rdquo; said the Baroness; &ldquo;she knows she will
+soon be past work and she wants to appeal to our
+sympathies.&nbsp; Her grandfather, indeed!&rdquo;</p>
+<p>The Baroness had the usual number of grandfathers, but she
+never, never boasted about them.</p>
+<p>&ldquo;I dare say her grandfather was a pantry boy or
+something of the sort in the castle,&rdquo; sniggered the Baron;
+&ldquo;that part of the story may be true.&rdquo;</p>
+<p>The merchant from Hamburg said nothing; he had seen tears in
+the old woman&rsquo;s eyes when she spoke of guarding her
+memories&mdash;or, being of an imaginative disposition, he
+thought he had.</p>
+<p>&ldquo;I shall give her notice to go as soon as the New Year
+festivities are over,&rdquo; said the Baroness; &ldquo;till then
+I shall be too busy to manage without her.&rdquo;</p>
+<p>But she had to manage without her all the same, for in the
+cold biting weather after Christmas, the old governess fell ill
+and kept to her room.</p>
+<p>&ldquo;It is most provoking,&rdquo; said the Baroness, as her
+guests sat round the fire on one of the last evenings of the
+dying year; &ldquo;all the time that she has been with us I
+cannot remember that she was ever seriously ill, too ill to go
+about and do her work, I mean.&nbsp; And now, when I have the
+house full, and she could be useful in so many ways, she goes and
+breaks down.&nbsp; One is sorry for her, of course, she looks so
+withered and shrunken, but it is intensely annoying all the
+same.&rdquo;</p>
+<p>&ldquo;Most annoying,&rdquo; agreed the banker&rsquo;s wife,
+sympathetically; &ldquo;it is the intense cold, I expect, it
+breaks the old people up.&nbsp; It has been unusually cold this
+year.&rdquo;</p>
+<p>&ldquo;The frost is the sharpest that has been known in
+December for many years,&rdquo; said the Baron.</p>
+<p>&ldquo;And, of course, she is quite old,&rdquo; said the
+Baroness; &ldquo;I wish I had given her notice some weeks ago,
+then she would have left before this happened to her.&nbsp; Why,
+Wappi, what is the matter with you?&rdquo;</p>
+<p>The small, woolly lapdog had leapt suddenly down from its
+cushion and crept shivering under the sofa.&nbsp; At the same
+moment an outburst of angry barking came from the dogs in the
+castle-yard, and other dogs could be heard yapping and barking in
+the distance.</p>
+<p>&ldquo;What is disturbing the animals?&rdquo; asked the
+Baron.</p>
+<p>And then the humans, listening intently, heard the sound that
+had roused the dogs to their demonstrations of fear and rage;
+heard a long-drawn whining howl, rising and falling, seeming at
+one moment leagues away, at others sweeping across the snow until
+it appeared to come from the foot of the castle walls.&nbsp; All
+the starved, cold misery of a frozen world, all the relentless
+hunger-fury of the wild, blended with other forlorn and haunting
+melodies to which one could give no name, seemed concentrated in
+that wailing cry.</p>
+<p>&ldquo;Wolves!&rdquo; cried the Baron.</p>
+<p>Their music broke forth in one raging burst, seeming to come
+from everywhere.</p>
+<p>&ldquo;Hundreds of wolves,&rdquo; said the Hamburg merchant,
+who was a man of strong imagination.</p>
+<p>Moved by some impulse which she could not have explained, the
+Baroness left her guests and made her way to the narrow,
+cheerless room where the old governess lay watching the hours of
+the dying year slip by.&nbsp; In spite of the biting cold of the
+winter night, the window stood open.&nbsp; With a scandalised
+exclamation on her lips, the Baroness rushed forward to close
+it.</p>
+<p>&ldquo;Leave it open,&rdquo; said the old woman in a voice
+that for all its weakness carried an air of command such as the
+Baroness had never heard before from her lips.</p>
+<p>&ldquo;But you will die of cold!&rdquo; she expostulated.</p>
+<p>&ldquo;I am dying in any case,&rdquo; said the voice,
+&ldquo;and I want to hear their music.&nbsp; They have come from
+far and wide to sing the death-music of my family.&nbsp; It is
+beautiful that they have come; I am the last von Cernogratz that
+will die in our old castle, and they have come to sing to
+me.&nbsp; Hark, how loud they are calling!&rdquo;</p>
+<p>The cry of the wolves rose on the still winter air and floated
+round the castle walls in long-drawn piercing wails; the old
+woman lay back on her couch with a look of long-delayed happiness
+on her face.</p>
+<p>&ldquo;Go away,&rdquo; she said to the Baroness; &ldquo;I am
+not lonely any more.&nbsp; I am one of a great old family . . .
+&rdquo;</p>
+<p>&ldquo;I think she is dying,&rdquo; said the Baroness when she
+had rejoined her guests; &ldquo;I suppose we must send for a
+doctor.&nbsp; And that terrible howling!&nbsp; Not for much money
+would I have such death-music.&rdquo;</p>
+<p>&ldquo;That music is not to be bought for any amount of
+money,&rdquo; said Conrad.</p>
+<p>&ldquo;Hark!&nbsp; What is that other sound?&rdquo; asked the
+Baron, as a noise of splitting and crashing was heard.</p>
+<p>It was a tree falling in the park.</p>
+<p>There was a moment of constrained silence, and then the
+banker&rsquo;s wife spoke.</p>
+<p>&ldquo;It is the intense cold that is splitting the
+trees.&nbsp; It is also the cold that has brought the wolves out
+in such numbers.&nbsp; It is many years since we have had such a
+cold winter.&rdquo;</p>
+<p>The Baroness eagerly agreed that the cold was responsible for
+these things.&nbsp; It was the cold of the open window, too,
+which caused the heart failure that made the doctor&rsquo;s
+ministrations unnecessary for the old Fraulein.&nbsp; But the
+notice in the newspapers looked very well&mdash;</p>
+<blockquote><p>&ldquo;On December 29th, at Schloss Cernogratz,
+Amalie von Cernogratz, for many years the valued friend of Baron
+and Baroness Gruebel.&rdquo;</p>
+</blockquote>
+<h2><a name="page49"></a><span class="pagenum">p.
+49</span>LOUIS</h2>
+<p>&ldquo;It would be jolly to spend Easter in Vienna this
+year,&rdquo; said Strudwarden, &ldquo;and look up some of my old
+friends there.&nbsp; It&rsquo;s about the jolliest place I know
+of to be at for Easter&mdash;&rdquo;</p>
+<p>&ldquo;I thought we had made up our minds to spend Easter at
+Brighton,&rdquo; interrupted Lena Strudwarden, with an air of
+aggrieved surprise.</p>
+<p>&ldquo;You mean that you had made up your mind that we should
+spend Easter there,&rdquo; said her husband; &ldquo;we spent last
+Easter there, and Whitsuntide as well, and the year before that
+we were at Worthing, and Brighton again before that.&nbsp; I
+think it would be just as well to have a real change of scene
+while we are about it.&rdquo;</p>
+<p>&ldquo;The journey to Vienna would be very expensive,&rdquo;
+said Lena.</p>
+<p>&ldquo;You are not often concerned about economy,&rdquo; said
+Strudwarden, &ldquo;and in any case the trip of Vienna
+won&rsquo;t cost a bit more than the rather meaningless luncheon
+parties we usually give to quite meaningless acquaintances at
+Brighton.&nbsp; To escape from all that set would be a holiday in
+itself.&rdquo;</p>
+<p>Strudwarden spoke feelingly; Lena Strudwarden maintained an
+equally feeling silence on that particular subject.&nbsp; The set
+that she gathered round her at Brighton and other South Coast
+resorts was composed of individuals who might be dull and
+meaningless in themselves, but who understood the art of
+flattering Mrs. Strudwarden.&nbsp; She had no intention of
+foregoing their society and their homage and flinging herself
+among unappreciative strangers in a foreign capital.</p>
+<p>&ldquo;You must go to Vienna alone if you are bent on
+going,&rdquo; she said; &ldquo;I couldn&rsquo;t leave Louis
+behind, and a dog is always a fearful nuisance in a foreign
+hotel, besides all the fuss and separation of the quarantine
+restrictions when one comes back.&nbsp; Louis would die if he was
+parted from me for even a week.&nbsp; You don&rsquo;t know what
+that would mean to me.&rdquo;</p>
+<p>Lena stooped down and kissed the nose of the diminutive brown
+Pomeranian that lay, snug and irresponsive, beneath a shawl on
+her lap.</p>
+<p>&ldquo;Look here,&rdquo; said Strudwarden, &ldquo;this eternal
+Louis business is getting to be a ridiculous nuisance.&nbsp;
+Nothing can be done, no plans can be made, without some veto
+connected with that animal&rsquo;s whims or convenience being
+imposed.&nbsp; If you were a priest in attendance on some African
+fetish you couldn&rsquo;t set up a more elaborate code of
+restrictions.&nbsp; I believe you&rsquo;d ask the Government to
+put off a General Election if you thought it would interfere with
+Louis&rsquo;s comfort in any way.&rdquo;</p>
+<p>By way of answer to this tirade Mrs. Strudwarden stooped down
+again and kissed the irresponsive brown nose.&nbsp; It was the
+action of a woman with a beautifully meek nature, who would,
+however, send the whole world to the stake sooner than yield an
+inch where she knew herself to be in the right.</p>
+<p>&ldquo;It isn&rsquo;t as if you were in the least bit fond of
+animals,&rdquo; went on Strudwarden, with growing irritation;
+&ldquo;when we are down at Kerryfield you won&rsquo;t stir a step
+to take the house dogs out, even if they&rsquo;re dying for a
+run, and I don&rsquo;t think you&rsquo;ve been in the stables
+twice in your life.&nbsp; You laugh at what you call the fuss
+that&rsquo;s being made over the extermination of plumage birds,
+and you are quite indignant with me if I interfere on behalf of
+an ill-treated, over-driven animal on the road.&nbsp; And yet you
+insist on every one&rsquo;s plans being made subservient to the
+convenience of that stupid little morsel of fur and
+selfishness.&rdquo;</p>
+<p>&ldquo;You are prejudiced against my little Louis,&rdquo; said
+Lena, with a world of tender regret in her voice.</p>
+<p>&ldquo;I&rsquo;ve never had the chance of being anything else
+but prejudiced against him,&rdquo; said Strudwarden; &ldquo;I
+know what a jolly responsive companion a doggie can be, but
+I&rsquo;ve never been allowed to put a finger near Louis.&nbsp;
+You say he snaps at any one except you and your maid, and you
+snatched him away from old Lady Peterby the other day, when she
+wanted to pet him, for fear he would bury his teeth in her.&nbsp;
+All that I ever see of him is the top of his unhealthy-looking
+little nose, peeping out from his basket or from your muff, and I
+occasionally hear his wheezy little bark when you take him for a
+walk up and down the corridor.&nbsp; You can&rsquo;t expect one
+to get extravagantly fond of a dog of that sort.&nbsp; One might
+as well work up an affection for the cuckoo in a
+cuckoo-clock.&rdquo;</p>
+<p>&ldquo;He loves me,&rdquo; said Lena, rising from the table,
+and bearing the shawl-swathed Louis in her arms.&nbsp; &ldquo;He
+loves only me, and perhaps that is why I love him so much in
+return.&nbsp; I don&rsquo;t care what you say against him, I am
+not going to be separated from him.&nbsp; If you insist on going
+to Vienna you must go alone, as far as I am concerned.&nbsp; I
+think it would be much more sensible if you were to come to
+Brighton with Louis and me, but of course you must please
+yourself.&rdquo;</p>
+<p>&ldquo;You must get rid of that dog,&rdquo; said
+Strudwarden&rsquo;s sister when Lena had left the room; &ldquo;it
+must be helped to some sudden and merciful end.&nbsp; Lena is
+merely making use of it as an instrument for getting her own way
+on dozens of occasions when she would otherwise be obliged to
+yield gracefully to your wishes or to the general
+convenience.&nbsp; I am convinced that she doesn&rsquo;t care a
+brass button about the animal itself.&nbsp; When her friends are
+buzzing round her at Brighton or anywhere else and the dog would
+be in the way, it has to spend whole days alone with the maid,
+but if you want Lena to go with you anywhere where she
+doesn&rsquo;t want to go instantly she trots out the excuse that
+she couldn&rsquo;t be separated from her dog.&nbsp; Have you ever
+come into a room unobserved and heard Lena talking to her beloved
+pet?&nbsp; I never have.&nbsp; I believe she only fusses over it
+when there&rsquo;s some one present to notice her.&rdquo;</p>
+<p>&ldquo;I don&rsquo;t mind admitting,&rdquo; said Strudwarden,
+&ldquo;that I&rsquo;ve dwelt more than once lately on the
+possibility of some fatal accident putting an end to
+Louis&rsquo;s existence.&nbsp; It&rsquo;s not very easy, though,
+to arrange a fatality for a creature that spends most of its time
+in a muff or asleep in a toy kennel.&nbsp; I don&rsquo;t think
+poison would be any good; it&rsquo;s obviously horribly over-fed,
+for I&rsquo;ve seen Lena offer it dainties at table sometimes,
+but it never seems to eat them.&rdquo;</p>
+<p>&ldquo;Lena will be away at church on Wednesday
+morning,&rdquo; said Elsie Strudwarden reflectively; &ldquo;she
+can&rsquo;t take Louis with her there, and she is going on to the
+Dellings for lunch.&nbsp; That will give you several hours in
+which to carry out your purpose.&nbsp; The maid will be flirting
+with the chauffeur most of the time, and, anyhow, I can manage to
+keep her out of the way on some pretext or other.&rdquo;</p>
+<p>&ldquo;That leaves the field clear,&rdquo; said Strudwarden,
+&ldquo;but unfortunately my brain is equally a blank as far as
+any lethal project is concerned.&nbsp; The little beast is so
+monstrously inactive; I can&rsquo;t pretend that it leapt into
+the bath and drowned itself, or that it took on the
+butcher&rsquo;s mastiff in unequal combat and got chewed
+up.&nbsp; In what possible guise could death come to a confirmed
+basket-dweller?&nbsp; It would be too suspicious if we invented a
+Suffragette raid and pretended that they invaded Lena&rsquo;s
+boudoir and threw a brick at him.&nbsp; We should have to do a
+lot of other damage as well, which would be rather a nuisance,
+and the servants would think it odd that they had seen nothing of
+the invaders.&rdquo;</p>
+<p>&ldquo;I have an idea,&rdquo; said Elsie; &ldquo;get a box
+with an air-tight lid, and bore a small hole in it, just big
+enough to let in an indiarubber tube.&nbsp; Pop Louis, kennel and
+all, into the box, shut it down, and put the other end of the
+tube over the gas-bracket.&nbsp; There you have a perfect lethal
+chamber.&nbsp; You can stand the kennel at the open window
+afterwards, to get rid of the smell of gas, and all that Lena
+will find when she comes home late in the afternoon will be a
+placidly defunct Louis.&rdquo;</p>
+<p>&ldquo;Novels have been written about women like you,&rdquo;
+said Strudwarden; &ldquo;you have a perfectly criminal
+mind.&nbsp; Let&rsquo;s come and look for a box.&rdquo;</p>
+<p>Two mornings later the conspirators stood gazing guiltily at a
+stout square box, connected with the gas-bracket by a length of
+indiarubber tubing.</p>
+<p>&ldquo;Not a sound,&rdquo; said Elsie; &ldquo;he never
+stirred; it must have been quite painless.&nbsp; All the same I
+feel rather horrid now it&rsquo;s done.&rdquo;</p>
+<p>&ldquo;The ghastly part has to come,&rdquo; said Strudwarden,
+turning off the gas.&nbsp; &ldquo;We&rsquo;ll lift the lid
+slowly, and let the gas out by degrees.&nbsp; Swing the door to
+and fro to send a draught through the room.&rdquo;</p>
+<p>Some minutes later, when the fumes had rushed off, he stooped
+down and lifted out the little kennel with its grim burden.&nbsp;
+Elsie gave an exclamation of terror.&nbsp; Louis sat at the door
+of his dwelling, head erect and ears pricked, as coldly and
+defiantly inert as when they had put him into his execution
+chamber.&nbsp; Strudwarden dropped the kennel with a jerk, and
+stared for a long moment at the miracle-dog; then he went into a
+peal of chattering laughter.</p>
+<p>It was certainly a wonderful imitation of a truculent-looking
+toy Pomeranian, and the apparatus that gave forth a wheezy bark
+when you pressed it had materially helped the imposition that
+Lena, and Lena&rsquo;s maid, had foisted on the household.&nbsp;
+For a woman who disliked animals, but liked getting her own way
+under a halo of unselfishness, Mrs. Strudwarden had managed
+rather well.</p>
+<p>&ldquo;Louis is dead,&rdquo; was the curt information that
+greeted Lena on her return from her luncheon party.</p>
+<p>&ldquo;Louis <i>dead</i>!&rdquo; she exclaimed.</p>
+<p>&ldquo;Yes, he flew at the butcher-boy and bit him, and he bit
+me, too, when I tried to get him off, so I had to have him
+destroyed.&nbsp; You warned me that he snapped, but you
+didn&rsquo;t tell me that he was downright dangerous.&nbsp; I
+shall have to pay the boy something heavy by way of compensation,
+so you will have to go without those buckles that you wanted to
+have for Easter; also I shall have to go to Vienna to consult Dr.
+Schroeder, who is a specialist on dog-bites, and you will have to
+come too.&nbsp; I have sent what remains of Louis to Rowland Ward
+to be stuffed; that will be my Easter gift to you instead of the
+buckles.&nbsp; For Heaven&rsquo;s sake, Lena, weep, if you really
+feel it so much; anything would be better than standing there
+staring as if you thought I had lost my reason.&rdquo;</p>
+<p>Lena Strudwarden did not weep, but her attempt at laughing was
+an unmistakable failure.</p>
+<h2><a name="page59"></a><span class="pagenum">p. 59</span>THE
+GUESTS</h2>
+<p>&ldquo;The landscape seen from our windows is certainly
+charming,&rdquo; said Annabel; &ldquo;those cherry orchards and
+green meadows, and the river winding along the valley, and the
+church tower peeping out among the elms, they all make a most
+effective picture.&nbsp; There&rsquo;s something dreadfully
+sleepy and languorous about it, though; stagnation seems to be
+the dominant note.&nbsp; Nothing ever happens here; seedtime and
+harvest, an occasional outbreak of measles or a mildly
+destructive thunderstorm, and a little election excitement about
+once in five years, that is all that we have to modify the
+monotony of our existence.&nbsp; Rather dreadful, isn&rsquo;t
+it?&rdquo;</p>
+<p>&ldquo;On the contrary,&rdquo; said Matilda, &ldquo;I find it
+soothing and restful; but then, you see, I&rsquo;ve lived in
+countries where things do happen, ever so many at a time, when
+you&rsquo;re not ready for them happening all at once.&rdquo;</p>
+<p>&ldquo;That, of course, makes a difference,&rdquo; said
+Annabel.</p>
+<p>&ldquo;I have never forgotten,&rdquo; said Matilda, &ldquo;the
+occasion when the Bishop of Bequar paid us an unexpected visit;
+he was on his way to lay the foundation-stone of a mission-house
+or something of the sort.&rdquo;</p>
+<p>&ldquo;I thought that out there you were always prepared for
+emergency guests turning up,&rdquo; said Annabel.</p>
+<p>&ldquo;I was quite prepared for half a dozen Bishops,&rdquo;
+said Matilda, &ldquo;but it was rather disconcerting to find out
+after a little conversation that this particular one was a
+distant cousin of mine, belonging to a branch of the family that
+had quarrelled bitterly and offensively with our branch about a
+Crown Derby dessert service; they got it, and we ought to have
+got it, in some legacy, or else we got it and they thought they
+ought to have it, I forget which; anyhow, I know they behaved
+disgracefully.&nbsp; Now here was one of them turning up in the
+odour of sanctity, so to speak, and claiming the traditional
+hospitality of the East.&rdquo;</p>
+<p>&ldquo;It was rather trying, but you could have left your
+husband to do most of the entertaining.&rdquo;</p>
+<p>&ldquo;My husband was fifty miles up-country, talking sense,
+or what he imagined to be sense, to a village community that
+fancied one of their leading men was a were-tiger.&rdquo;</p>
+<p>&ldquo;A what tiger?&rdquo;</p>
+<p>&ldquo;A were-tiger; you&rsquo;ve heard of were-wolves,
+haven&rsquo;t you, a mixture of wolf and human being and
+demon?&nbsp; Well, in those parts they have were-tigers, or think
+they have, and I must say that in this case, so far as sworn and
+uncontested evidence went, they had every ground for thinking
+so.&nbsp; However, as we gave up witchcraft prosecutions about
+three hundred years ago, we don&rsquo;t like to have other people
+keeping on our discarded practices; it doesn&rsquo;t seem
+respectful to our mental and moral position.&rdquo;</p>
+<p>&ldquo;I hope you weren&rsquo;t unkind to the Bishop,&rdquo;
+said Annabel.</p>
+<p>&ldquo;Well, of course he was my guest, so I had to be
+outwardly polite to him, but he was tactless enough to rake up
+the incidents of the old quarrel, and to try to make out that
+there was something to be said for the way his side of the family
+had behaved; even if there was, which I don&rsquo;t for a moment
+admit, my house was not the place in which to say it.&nbsp; I
+didn&rsquo;t argue the matter, but I gave my cook a holiday to go
+and visit his aged parents some ninety miles away.&nbsp; The
+emergency cook was not a specialist in curries, in fact, I
+don&rsquo;t think cooking in any shape or form could have been
+one of his strong points.&nbsp; I believe he originally came to
+us in the guise of a gardener, but as we never pretended to have
+anything that could be considered a garden he was utilised as
+assistant goat-herd, in which capacity, I understand, he gave
+every satisfaction.&nbsp; When the Bishop heard that I had sent
+away the cook on a special and unnecessary holiday he saw the
+inwardness of the man&oelig;uvre, and from that moment we were
+scarcely on speaking terms.&nbsp; If you have ever had a Bishop
+with whom you were not on speaking terms staying in your house,
+you will appreciate the situation.&rdquo;</p>
+<p>Annabel confessed that her life-story had never included such
+a disturbing experience.</p>
+<p>&ldquo;Then,&rdquo; continued Matilda, &ldquo;to make matters
+more complicated, the Gwadlipichee overflowed its banks, a thing
+it did every now and then when the rains were unduly prolonged,
+and the lower part of the house and all the out-buildings were
+submerged.&nbsp; We managed to get the ponies loose in time, and
+the syce swam the whole lot of them off to the nearest rising
+ground.&nbsp; A goat or two, the chief goat-herd, the chief
+goat-herd&rsquo;s wife, and several of their babies came to
+anchorage in the verandah.&nbsp; All the rest of the available
+space was filled up with wet, bedraggled-looking hens and
+chickens; one never really knows how many fowls one possesses
+till the servants&rsquo; quarters are flooded out.&nbsp; Of
+course, I had been through something of the sort in previous
+floods, but never before had I had a houseful of goats and babies
+and half-drowned hens, supplemented by a Bishop with whom I was
+hardly on speaking terms.&rdquo;</p>
+<p>&ldquo;It must have been a trying experience,&rdquo; commented
+Annabel.</p>
+<p>&ldquo;More embarrassments were to follow.&nbsp; I
+wasn&rsquo;t going to let a mere ordinary flood wash out the
+memory of that Crown Derby dessert service, and I intimated to
+the Bishop that his large bedroom, with a writing table in it,
+and his small bath-room, with a sufficiency of cold-water jars in
+it, was his share of the premises, and that space was rather
+congested under the existing circumstances.&nbsp; However, at
+about three o&rsquo;clock in the afternoon, when he had awakened
+from his midday sleep, he made a sudden incursion into the room
+that was normally the drawing-room, but was now dining-room,
+store-house, saddle-room, and half a dozen other temporary
+premises as well.&nbsp; From the condition of my guest&rsquo;s
+costume he seemed to think it might also serve as his
+dressing-room.</p>
+<p>&ldquo;&rsquo;I&rsquo;m afraid there is nowhere for you to
+sit,&rsquo; I said coldly; &lsquo;the verandah is full of
+goats.&rsquo;</p>
+<p>&ldquo;&rsquo;There is a goat in my bedroom,&rsquo; he
+observed with equal coldness, and more than a suspicion of
+sardonic reproach.</p>
+<p>&ldquo;&rsquo;Really,&rsquo; I said, &lsquo;another
+survivor?&nbsp; I thought all the other goats were done
+for.&rsquo;</p>
+<p>&ldquo;&lsquo;This particular goat is quite done for,&rsquo;
+he said, &lsquo;it is being devoured by a leopard at the present
+moment.&nbsp; That is why I left the room; some animals resent
+being watched while they are eating.&rsquo;</p>
+<p>&ldquo;The leopard, of course, was easily explained; it had
+been hanging round the goat sheds when the flood came, and had
+clambered up by the outside staircase leading to the
+Bishop&rsquo;s bath-room, thoughtfully bringing a goat with
+it.&nbsp; Probably it found the bath-room too damp and shut-in
+for its taste, and transferred its banqueting operations to the
+bedroom while the Bishop was having his nap.&rdquo;</p>
+<p>&ldquo;What a frightful situation!&rdquo; exclaimed Annabel;
+&ldquo;fancy having a ravening leopard in the house, with a flood
+all round you.&rdquo;</p>
+<p>&ldquo;Not in the least ravening,&rdquo; said Matilda;
+&ldquo;it was full of goat, had any amount of water at its
+disposal if it felt thirsty, and probably had no more immediate
+wish than a desire for uninterrupted sleep.&nbsp; Still, I think
+any one will admit that it was an embarrassing predicament to
+have your only available guest-room occupied by a leopard, the
+verandah choked up with goats and babies and wet hens, and a
+Bishop with whom you were scarcely on speaking terms planted down
+in your own sitting-room.&nbsp; I really don&rsquo;t know how I
+got through those crawling hours, and of course mealtimes only
+made matters worse.&nbsp; The emergency cook had every excuse for
+sending in watery soup and sloppy rice, and as neither the chief
+goat-herd nor his wife were expert divers, the cellar could not
+be reached.&nbsp; Fortunately the Gwadlipichee subsides as
+rapidly as it rises, and just before dawn the syce came splashing
+back, with the ponies only fetlock deep in water.&nbsp; Then
+there arose some awkwardness from the fact that the Bishop wished
+to leave sooner than the leopard did, and as the latter was
+ensconced in the midst of the former&rsquo;s personal possessions
+there was an obvious difficulty in altering the order of
+departure.&nbsp; I pointed out to the Bishop that a
+leopard&rsquo;s habits and tastes are not those of an otter, and
+that it naturally preferred walking to wading; and that in any
+case a meal of an entire goat, washed down with tub-water,
+justified a certain amount of repose; if I had had guns fired to
+frighten the animal away, as the Bishop suggested, it would
+probably merely have left the bedroom to come into the already
+over-crowded drawing-room.&nbsp; Altogether it was rather a
+relief when they both left.&nbsp; Now, perhaps, you can
+understand my appreciation of a sleepy countryside where things
+don&rsquo;t happen.&rdquo;</p>
+<h2><a name="page67"></a><span class="pagenum">p. 67</span>THE
+PENANCE</h2>
+<p>Octavian Ruttle was one of those lively cheerful individuals
+on whom amiability had set its unmistakable stamp, and, like most
+of his kind, his soul&rsquo;s peace depended in large measure on
+the unstinted approval of his fellows.&nbsp; In hunting to death
+a small tabby cat he had done a thing of which he scarcely
+approved himself, and he was glad when the gardener had hidden
+the body in its hastily dug grave under a lone oak-tree in the
+meadow, the same tree that the hunted quarry had climbed as a
+last effort towards safety.&nbsp; It had been a distasteful and
+seemingly ruthless deed, but circumstances had demanded the doing
+of it.&nbsp; Octavian kept chickens; at least he kept some of
+them; others vanished from his keeping, leaving only a few
+bloodstained feathers to mark the manner of their going.&nbsp;
+The tabby cat from the large grey house that stood with its back
+to the meadow had been detected in many furtive visits to the
+hen-coups, and after due negotiation with those in authority at
+the grey house a sentence of death had been agreed on.&nbsp;
+&ldquo;The children will mind, but they need not know,&rdquo; had
+been the last word on the matter.</p>
+<p>The children in question were a standing puzzle to Octavian;
+in the course of a few months he considered that he should have
+known their names, ages, the dates of their birthdays, and have
+been introduced to their favourite toys.&nbsp; They remained
+however, as non-committal as the long blank wall that shut them
+off from the meadow, a wall over which their three heads
+sometimes appeared at odd moments.&nbsp; They had parents in
+India&mdash;that much Octavian had learned in the neighbourhood;
+the children, beyond grouping themselves garment-wise into sexes,
+a girl and two boys, carried their life-story no further on his
+behoof.&nbsp; And now it seemed he was engaged in something which
+touched them closely, but must be hidden from their
+knowledge.</p>
+<p>The poor helpless chickens had gone one by one to their doom,
+so it was meet that their destroyer should come to a violent end;
+yet Octavian felt some qualms when his share of the violence was
+ended.&nbsp; The little cat, headed off from its wonted tracks of
+safety, had raced unfriended from shelter to shelter, and its end
+had been rather piteous.&nbsp; Octavian walked through the long
+grass of the meadow with a step less jaunty than usual.&nbsp; And
+as he passed beneath the shadow of the high blank wall he glanced
+up and became aware that his hunting had had undesired
+witnesses.&nbsp; Three white set faces were looking down at him,
+and if ever an artist wanted a threefold study of cold human
+hate, impotent yet unyielding, raging yet masked in stillness, he
+would have found it in the triple gaze that met Octavian&rsquo;s
+eye.</p>
+<p>&ldquo;I&rsquo;m sorry, but it had to be done,&rdquo; said
+Octavian, with genuine apology in his voice.</p>
+<p>&ldquo;Beast!&rdquo;</p>
+<p>The answer came from three throats with startling
+intensity.</p>
+<p>Octavian felt that the blank wall would not be more impervious
+to his explanations than the bunch of human hostility that peered
+over its coping; he wisely decided to withhold his peace
+overtures till a more hopeful occasion.</p>
+<p>Two days later he ransacked the best sweet shop in the
+neighbouring market town for a box of chocolates that by its size
+and contents should fitly atone for the dismal deed done under
+the oak tree in the meadow.&nbsp; The two first specimens that
+were shown him he hastily rejected; one had a group of chickens
+pictured on its lid, the other bore the portrait of a tabby
+kitten.&nbsp; A third sample was more simply bedecked with a
+spray of painted poppies, and Octavian hailed the flowers of
+forgetfulness as a happy omen.&nbsp; He felt distinctly more at
+ease with his surroundings when the imposing package had been
+sent across to the grey house, and a message returned to say that
+it had been duly given to the children.&nbsp; The next morning he
+sauntered with purposeful steps past the long blank wall on his
+way to the chicken-run and piggery that stood at the bottom of
+the meadow.&nbsp; The three children were perched at their
+accustomed look-out, and their range of sight did not seem to
+concern itself with Octavian&rsquo;s presence.&nbsp; As he became
+depressingly aware of the aloofness of their gaze he also noted a
+strange variegation in the herbage at his feet; the greensward
+for a considerable space around was strewn and speckled with a
+chocolate-coloured hail, enlivened here and there with gay
+tinsel-like wrappings or the glistening mauve of crystallised
+violets.&nbsp; It was as though the fairy paradise of a
+greedyminded child had taken shape and substance in the
+vegetation of the meadow.&nbsp; Octavian&rsquo;s bloodmoney had
+been flung back at him in scorn.</p>
+<p>To increase his discomfiture the march of events tended to
+shift the blame of ravaged chicken-coops from the supposed
+culprit who had already paid full forfeit; the young chicks were
+still carried off, and it seemed highly probable that the cat had
+only haunted the chicken-run to prey on the rats which harboured
+there.&nbsp; Through the flowing channels of servant talk the
+children learned of this belated revision of verdict, and
+Octavian one day picked up a sheet of copy-book paper on which
+was painstakingly written: &ldquo;Beast.&nbsp; Rats eated your
+chickens.&rdquo;&nbsp; More ardently than ever did he wish for an
+opportunity for sloughing off the disgrace that enwrapped him,
+and earning some happier nickname from his three unsparing
+judges.</p>
+<p>And one day a chance inspiration came to him.&nbsp; Olivia,
+his two-year-old daughter, was accustomed to spend the hour from
+high noon till one o&rsquo;clock with her father while the
+nursemaid gobbled and digested her dinner and novelette.&nbsp;
+About the same time the blank wall was usually enlivened by the
+presence of its three small wardens.&nbsp; Octavian, with seeming
+carelessness of purpose, brought Olivia well within hail of the
+watchers and noted with hidden delight the growing interest that
+dawned in that hitherto sternly hostile quarter.&nbsp; His little
+Olivia, with her sleepy placid ways, was going to succeed where
+he, with his anxious well-meant overtures, had so signally
+failed.&nbsp; He brought her a large yellow dahlia, which she
+grasped tightly in one hand and regarded with a stare of
+benevolent boredom, such as one might bestow on amateur classical
+dancing performed in aid of a deserving charity.&nbsp; Then he
+turned shyly to the group perched on the wall and asked with
+affected carelessness, &ldquo;Do you like flowers?&rdquo;&nbsp;
+Three solemn nods rewarded his venture.</p>
+<p>&ldquo;Which sorts do you like best?&rdquo; he asked, this
+time with a distinct betrayal of eagerness in his voice.</p>
+<p>&ldquo;Those with all the colours, over there.&rdquo;&nbsp;
+Three chubby arms pointed to a distant tangle of sweet-pea.&nbsp;
+Child-like, they had asked for what lay farthest from hand, but
+Octavian trotted off gleefully to obey their welcome
+behest.&nbsp; He pulled and plucked with unsparing hand, and
+brought every variety of tint that he could see into his bunch
+that was rapidly becoming a bundle.&nbsp; Then he turned to
+retrace his steps, and found the blank wall blanker and more
+deserted than ever, while the foreground was void of all trace of
+Olivia.&nbsp; Far down the meadow three children were pushing a
+go-cart at the utmost speed they could muster in the direction of
+the piggeries; it was Olivia&rsquo;s go-cart and Olivia sat in
+it, somewhat bumped and shaken by the pace at which she was being
+driven, but apparently retaining her wonted composure of
+mind.&nbsp; Octavian stared for a moment at the rapidly moving
+group, and then started in hot pursuit, shedding as he ran sprays
+of blossom from the mass of sweet-pea that he still clutched in
+his hands.&nbsp; Fast as he ran the children had reached the
+piggery before he could overtake them, and he arrived just in
+time to see Olivia, wondering but unprotesting, hauled and pushed
+up to the roof of the nearest sty.&nbsp; They were old buildings
+in some need of repair, and the rickety roof would certainly not
+have borne Octavian&rsquo;s weight if he had attempted to follow
+his daughter and her captors on their new vantage ground.</p>
+<p>&ldquo;What are you going to do with her?&rdquo; he
+panted.&nbsp; There was no mistaking the grim trend of mischief
+in those flushed by sternly composed young faces.</p>
+<p>&ldquo;Hang her in chains over a slow fire,&rdquo; said one of
+the boys.&nbsp; Evidently they had been reading English
+history.</p>
+<p>&ldquo;Frow her down the pigs will d&rsquo;vour her, every bit
+&rsquo;cept the palms of her hands,&rdquo; said the other
+boy.&nbsp; It was also evident that they had studied Biblical
+history.</p>
+<p>The last proposal was the one which most alarmed Octavian,
+since it might be carried into effect at a moment&rsquo;s notice;
+there had been cases, he remembered, of pigs eating babies.</p>
+<p>&ldquo;You surely wouldn&rsquo;t treat my poor little Olivia
+in that way?&rdquo; he pleaded.</p>
+<p>&ldquo;You killed our little cat,&rdquo; came in stern
+reminder from three throats.</p>
+<p>&ldquo;I&rsquo;m sorry I did,&rdquo; said Octavian, and if
+there is a standard measurement in truths Octavian&rsquo;s
+statement was assuredly a large nine.</p>
+<p>&ldquo;We shall be very sorry when we&rsquo;ve killed
+Olivia,&rdquo; said the girl, &ldquo;but we can&rsquo;t be sorry
+till we&rsquo;ve done it.&rdquo;</p>
+<p>The inexorable child-logic rose like an unyielding rampart
+before Octavian&rsquo;s scared pleadings.&nbsp; Before he could
+think of any fresh line of appeal his energies were called out in
+another direction.&nbsp; Olivia had slid off the roof and fallen
+with a soft, unctuous splash into a morass of muck and decaying
+straw.&nbsp; Octavian scrambled hastily over the pigsty wall to
+her rescue, and at once found himself in a quagmire that engulfed
+his feet.&nbsp; Olivia, after the first shock of surprise at her
+sudden drop through the air, had been mildly pleased at finding
+herself in close and unstinted contact with the sticky element
+that oozed around her, but as she began to sink gently into the
+bed of slime a feeling dawned on her that she was not after all
+very happy, and she began to cry in the tentative fashion of the
+normally good child.&nbsp; Octavian, battling with the quagmire,
+which seemed to have learned the rare art of giving way at all
+points without yielding an inch, saw his daughter slowly
+disappearing in the engulfing slush, her smeared face further
+distorted with the contortions of whimpering wonder, while from
+their perch on the pigsty roof the three children looked down
+with the cold unpitying detachment of the Parc&aelig;
+Sisters.</p>
+<p>&ldquo;I can&rsquo;t reach her in time,&rdquo; gasped
+Octavian, &ldquo;she&rsquo;ll be choked in the muck.&nbsp;
+Won&rsquo;t you help her?&rdquo;</p>
+<p>&ldquo;No one helped our cat,&rdquo; came the inevitable
+reminder.</p>
+<p>&ldquo;I&rsquo;ll do anything to show you how sorry I am about
+that,&rdquo; cried Octavian, with a further desperate flounder,
+which carried him scarcely two inches forward.</p>
+<p>&ldquo;Will you stand in a white sheet by the
+grave?&rdquo;</p>
+<p>&ldquo;Yes,&rdquo; screamed Octavian.</p>
+<p>&ldquo;Holding a candle?&rdquo;</p>
+<p>&ldquo;An&rsquo; saying &lsquo;I&rsquo;m a miserable
+Beast&rsquo;?&rdquo;</p>
+<p>Octavian agreed to both suggestions.</p>
+<p>&ldquo;For a long, long time?&rdquo;</p>
+<p>&ldquo;For half an hour,&rdquo; said Octavian.&nbsp; There was
+an anxious ring in his voice as he named the time-limit; was
+there not the precedent of a German king who did open-air penance
+for several days and nights at Christmas-time clad only in his
+shirt?&nbsp; Fortunately the children did not appear to have read
+German history, and half an hour seemed long and goodly in their
+eyes.</p>
+<p>&ldquo;All right,&rdquo; came with threefold solemnity from
+the roof, and a moment later a short ladder had been laboriously
+pushed across to Octavian, who lost no time in propping it
+against the low pigsty wall.&nbsp; Scrambling gingerly along its
+rungs he was able to lean across the morass that separated him
+from his slowly foundering offspring and extract her like an
+unwilling cork from it&rsquo;s slushy embrace.&nbsp; A few
+minutes later he was listening to the shrill and repeated
+assurances of the nursemaid that her previous experience of
+filthy spectacles had been on a notably smaller scale.</p>
+<p>That same evening when twilight was deepening into darkness
+Octavian took up his position as penitent under the lone
+oak-tree, having first carefully undressed the part.&nbsp; Clad
+in a zephyr shirt, which on this occasion thoroughly merited its
+name, he held in one hand a lighted candle and in the other a
+watch, into which the soul of a dead plumber seemed to have
+passed.&nbsp; A box of matches lay at his feet and was resorted
+to on the fairly frequent occasions when the candle succumbed to
+the night breezes.&nbsp; The house loomed inscrutable in the
+middle distance, but as Octavian conscientiously repeated the
+formula of his penance he felt certain that three pairs of solemn
+eyes were watching his moth-shared vigil.</p>
+<p>And the next morning his eyes were gladdened by a sheet of
+copy-book paper lying beside the blank wall, on which was written
+the message &ldquo;Un-Beast.&rdquo;</p>
+<h2><a name="page79"></a><span class="pagenum">p. 79</span>THE
+PHANTOM LUNCHEON</h2>
+<p>&ldquo;The Smithly-Dubbs are in Town,&rdquo; said Sir
+James.&nbsp; &ldquo;I wish you would show them some
+attention.&nbsp; Ask them to lunch with you at the Ritz or
+somewhere.&rdquo;</p>
+<p>&ldquo;From the little I&rsquo;ve seen of the Smithly-Dubbs I
+don&rsquo;t thing I want to cultivate their acquaintance,&rdquo;
+said Lady Drakmanton.</p>
+<p>&ldquo;They always work for us at election times,&rdquo; said
+her husband; &ldquo;I don&rsquo;t suppose they influence very
+many votes, but they have an uncle who is on one of my ward
+committees, and another uncle speaks sometimes at some of our
+less important meetings.&nbsp; Those sort of people expect some
+return in the shape of hospitality.&rdquo;</p>
+<p>&ldquo;Expect it!&rdquo; exclaimed Lady Drakmanton; &ldquo;the
+Misses Smithly-Dubb do more than that; they almost demand
+it.&nbsp; They belong to my club, and hang about the lobby just
+about lunch-time, all three of them, with their tongues hanging
+out of their mouths and the six-course look in their eyes.&nbsp;
+If I were to breathe the word &lsquo;lunch&rsquo; they would
+hustle me into a taxi and scream &lsquo;Ritz&rsquo; or
+&lsquo;Dieudonne&rsquo;s&rsquo; to the driver before I knew what
+was happening.&rdquo;</p>
+<p>&ldquo;All the same, I think you ought to ask them to a meal
+of some sort,&rdquo; persisted Sir James.</p>
+<p>&ldquo;I consider that showing hospitality to the
+Smithly-Dubbs is carrying Free Food principles to a regrettable
+extreme,&rdquo; said Lady Drakmanton; &ldquo;I&rsquo;ve
+entertained the Joneses and the Browns and the Snapheimers and
+the Lubrikoffs, and heaps of others whose names I forget, but I
+don&rsquo;t see why I should inflict the society of the Misses
+Smithly-Dubb on myself for a solid hour.&nbsp; Imagine it, sixty
+minutes, more or less, of unrelenting gobble and gabble.&nbsp;
+Why can&rsquo;t <i>you</i> take them on, Milly?&rdquo; she asked,
+turning hopefully to her sister.</p>
+<p>&ldquo;I don&rsquo;t know them,&rdquo; said Milly hastily.</p>
+<p>&ldquo;All the better; you can pass yourself off as me.&nbsp;
+People say that we are so alike that they can hardly tell us
+apart, and I&rsquo;ve only spoken to these tiresome young women
+about twice in my life, at committee-rooms, and bowed to them in
+the club.&nbsp; Any of the club page-boys will point them out to
+you; they&rsquo;re always to be found lolling about the hall just
+before lunch-time.&rdquo;</p>
+<p>&ldquo;My dear Betty, don&rsquo;t be absurd,&rdquo; protested
+Milly; &ldquo;I&rsquo;ve got some people lunching with me at the
+Carlton to-morrow, and I&rsquo;m leaving Town the day
+afterwards.&rdquo;</p>
+<p>&ldquo;What time is your lunch to-morrow?&rdquo; asked Lady
+Drakmanton reflectively.</p>
+<p>&ldquo;Two o&rsquo;clock,&rdquo; said Milly.</p>
+<p>&ldquo;Good,&rdquo; said her sister; &ldquo;the Smithly-Dubbs
+shall lunch with me to-morrow.&nbsp; It shall be rather an
+amusing lunch-party.&nbsp; At least, I shall be
+amused.&rdquo;</p>
+<p>The last two remarks she made to herself.&nbsp; Other people
+did not always appreciate her ideas of humour.&nbsp; Sir James
+never did.</p>
+<p>The next day Lady Drakmanton made some marked variations in
+her usual toilet effects.&nbsp; She dressed her hair in an
+unaccustomed manner, and put on a hat that added to the
+transformation of her appearance.&nbsp; When she had made one or
+two minor alterations she was sufficiently unlike her usual smart
+self to produce some hesitation in the greeting which the Misses
+Smithly-Dubb bestowed on her in the club-lobby.&nbsp; She
+responded, however, with a readiness which set their doubts at
+rest.</p>
+<p>&ldquo;What is the Carlton like for lunching in?&rdquo; she
+asked breezily.</p>
+<p>The restaurant received an enthusiastic recommendation from
+the three sisters.</p>
+<p>&ldquo;Let&rsquo;s go and lunch there, shall we?&rdquo; she
+suggested, and in a few minutes&rsquo; time the Smithly-Dubb mind
+was contemplating at close quarters a happy vista of baked meats
+and approved vintage.</p>
+<p>&ldquo;Are you going to start with caviare?&nbsp; I am,&rdquo;
+confided Lady Drakmanton, and the Smithly-Dubbs started with
+caviare.&nbsp; The subsequent dishes were chosen in the same
+ambitious spirit, and by the time they had arrived at the wild
+duck course it was beginning to be a rather expensive lunch.</p>
+<p>The conversation hardly kept pace with the brilliancy of the
+menu.&nbsp; Repeated references on the part of the guests to the
+local political conditions and prospects in Sir James&rsquo;s
+constituency were met with vague &ldquo;ahs&rdquo; and
+&ldquo;indeeds&rdquo; from Lady Drakmanton, who might have been
+expected to be specially interested.</p>
+<p>&ldquo;I think when the Insurance Act is a little better
+understood it will lose some of its present unpopularity,&rdquo;
+hazarded Cecilia Smithly-Dubb.</p>
+<p>&ldquo;Will it?&nbsp; I dare say.&nbsp; I&rsquo;m afraid
+politics don&rsquo;t interest me very much,&rdquo; said Lady
+Drakmanton.</p>
+<p>The three Miss Smithly-Dubbs put down their cups of Turkish
+coffee and stared.&nbsp; Then they broke into protesting
+giggles.</p>
+<p>&ldquo;Of course, you&rsquo;re joking,&rdquo; they said.</p>
+<p>&ldquo;Not me,&rdquo; was the disconcerting answer; &ldquo;I
+can&rsquo;t make head or tail of these bothering old
+politics.&nbsp; Never could, and never want to.&nbsp; I&rsquo;ve
+quite enough to do to manage my own affairs, and that&rsquo;s a
+fact.&rdquo;</p>
+<p>&ldquo;But,&rdquo; exclaimed Amanda Smithly-Dubb, with a
+squeal of bewilderment breaking into her voice, &ldquo;I was told
+you spoke so informingly about the Insurance Act at one of our
+social evenings.&rdquo;</p>
+<p>It was Lady Drakmanton who stared now.&nbsp; &ldquo;Do you
+know,&rdquo; she said, with a scared look around her,
+&ldquo;rather a dreadful thing is happening.&nbsp; I&rsquo;m
+suffering from a complete loss of memory.&nbsp; I can&rsquo;t
+even think who I am.&nbsp; I remember meeting you somewhere, and
+I remember you asking me to come and lunch with you here, and
+that I accepted your kind invitation.&nbsp; Beyond that my mind
+is a positive blank.&rdquo;</p>
+<p>The scared look was transferred with intensified poignancy to
+the faces of her companions.</p>
+<p>&ldquo;<i>You</i> asked <i>us</i> to lunch,&rdquo; they
+exclaimed hurriedly.&nbsp; That seemed a more immediately
+important point to clear up than the question of identity.</p>
+<p>&ldquo;Oh, no,&rdquo; said the vanishing hostess,
+&ldquo;<i>that</i> I do remember about.&nbsp; You insisted on my
+coming here because the feeding was so good, and I must say it
+comes up to all you said about it.&nbsp; A very nice lunch
+it&rsquo;s been.&nbsp; What I&rsquo;m worrying about is who on
+earth am I?&nbsp; I haven&rsquo;t the faintest notion?&rdquo;</p>
+<p>&ldquo;You are Lady Drakmanton,&rdquo; exclaimed the three
+sisters in chorus.</p>
+<p>&ldquo;Now, don&rsquo;t make fun of me,&rdquo; she replied,
+crossly, &ldquo;I happen to know her quite well by sight, and she
+isn&rsquo;t a bit like me.&nbsp; And it&rsquo;s an odd thing you
+should have mentioned her, for it so happens she&rsquo;s just
+come into the room.&nbsp; That lady in black, with the yellow
+plume in her hat, there over by the door.&rdquo;</p>
+<p>The Smithly-Dubbs looked in the indicated direction, and the
+uneasiness in their eyes deepened into horror.&nbsp; In outward
+appearance the lady who had just entered the room certainly came
+rather nearer to their recollection of their Member&rsquo;s wife
+than the individual who was sitting at table with them.</p>
+<p>&ldquo;Who <i>are</i> you, then, if that is Lady
+Drakmanton?&rdquo; they asked in panic-stricken bewilderment.</p>
+<p>&ldquo;That is just what I don&rsquo;t know,&rdquo; was the
+answer; &ldquo;and you don&rsquo;t seem to know much better than
+I do.&rdquo;</p>
+<p>&ldquo;You came up to us in the club&mdash;&rdquo;</p>
+<p>&ldquo;In what club?&rdquo;</p>
+<p>&ldquo;The New Didactic, in Calais Street.&rdquo;</p>
+<p>&ldquo;The New Didactic!&rdquo; exclaimed Lady Drakmanton with
+an air of returning illumination; &ldquo;thank you so much.&nbsp;
+Of course, I remember now who I am.&nbsp; I&rsquo;m Ellen Niggle,
+of the Ladies&rsquo; Brasspolishing Guild.&nbsp; The Club employs
+me to come now and then and see to the polishing of the brass
+fittings.&nbsp; That&rsquo;s how I came to know Lady Drakmanton
+by sight; she&rsquo;s very often in the Club.&nbsp; And you are
+the ladies who so kindly asked me out to lunch.&nbsp; Funny how
+it should all have slipped my memory, all of a sudden.&nbsp; The
+unaccustomed good food and wine must have been too much for me;
+for the moment I really couldn&rsquo;t call to mind who I
+was.&nbsp; Good gracious,&rdquo; she broke off suddenly,
+&ldquo;it&rsquo;s ten past two; I should be at a polishing job in
+Whitehall.&nbsp; I must scuttle off like a giddy rabbit.&nbsp;
+Thanking you ever so.&rdquo;</p>
+<p>She left the room with a scuttle sufficiently suggestive of
+the animal she had mentioned, but the giddiness was all on the
+side of her involuntary hostesses.&nbsp; The restaurant seemed to
+be spinning round them; and the bill when it appeared did nothing
+to restore their composure.&nbsp; They were as nearly in tears as
+it is permissible to be during the luncheon hour in a really good
+restaurant.&nbsp; Financially speaking, they were well able to
+afford the luxury of an elaborate lunch, but their ideas on the
+subject of entertaining differed very sharply, according to the
+circumstances of whether they were dispensing or receiving
+hospitality.&nbsp; To have fed themselves liberally at their own
+expense was, perhaps, an extravagance to be deplored, but, at any
+rate, they had had something for their money; to have drawn an
+unknown and socially unremunerative Ellen Niggle into the net of
+their hospitality was a catastrophe that they could not
+contemplate with any degree of calmness.</p>
+<p>The Smithly-Dubbs never quite recovered from their unnerving
+experience.&nbsp; They have given up politics and taken to doing
+good.</p>
+<h2><a name="page87"></a><span class="pagenum">p. 87</span>A
+BREAD AND BUTTER MISS</h2>
+<p>&ldquo;Starling Chatter and Oakhill have both dropped back in
+the betting,&rdquo; said Bertie van Tahn, throwing the morning
+paper across the breakfast table.</p>
+<p>&ldquo;That leaves Nursery Tea practically favourite,&rdquo;
+said Odo Finsberry.</p>
+<p>&ldquo;Nursery Tea and Pipeclay are at the top of the betting
+at present,&rdquo; said Bertie, &ldquo;but that French horse, Le
+Five O&rsquo;Clock, seems to be fancied as much as
+anything.&nbsp; Then there is Whitebait, and the Polish horse
+with a name like some one trying to stifle a sneeze in church;
+they both seem to have a lot of support.&rdquo;</p>
+<p>&ldquo;It&rsquo;s the most open Derby there&rsquo;s been for
+years,&rdquo; said Odo.</p>
+<p>&ldquo;It&rsquo;s simply no good trying to pick the winner on
+form,&rdquo; said Bertie; &ldquo;one must just trust to luck and
+inspiration.&rdquo;</p>
+<p>&ldquo;The question is whether to trust to one&rsquo;s own
+inspiration, or somebody else&rsquo;s.&nbsp; <i>Sporting
+Swank</i> gives Count Palatine to win, and Le Five O&rsquo;Clock
+for a place.&rdquo;</p>
+<p>&ldquo;Count Palatine&mdash;that adds another to our list of
+perplexities.&nbsp; Good morning, Sir Lulworth; have you a fancy
+for the Derby by any chance?&rdquo;</p>
+<p>&ldquo;I don&rsquo;t usually take much interest in turf
+matters,&rdquo; said Sir Lulworth, who had just made his
+appearance, &ldquo;but I always like to have a bet on the Guineas
+and the Derby.&nbsp; This year, I confess, it&rsquo;s rather
+difficult to pick out anything that seems markedly better than
+anything else.&nbsp; What do you think of Snow
+Bunting?&rdquo;</p>
+<p>&ldquo;Snow Bunting?&rdquo; said Odo, with a groan,
+&ldquo;there&rsquo;s another of them.&nbsp; Surely, Snow Bunting
+has no earthly chance?&rdquo;</p>
+<p>&ldquo;My housekeeper&rsquo;s nephew, who is a shoeing-smith
+in the mounted section of the Church Lads&rsquo; Brigade, and an
+authority on horseflesh, expects him to be among the first
+three.&rdquo;</p>
+<p>&ldquo;The nephews of housekeepers are invariably
+optimists,&rdquo; said Bertie; &ldquo;it&rsquo;s a kind of
+natural reaction against the professional pessimism of their
+aunts.&rdquo;</p>
+<p>&ldquo;We don&rsquo;t seem to get much further in our search
+for the probable winner,&rdquo; said Mrs. de Claux; &ldquo;the
+more I listen to you experts the more hopelessly befogged I
+get.&rdquo;</p>
+<p>&ldquo;It&rsquo;s all very well to blame us,&rdquo; said
+Bertie to his hostess; &ldquo;you haven&rsquo;t produced anything
+in the way of an inspiration.&rdquo;</p>
+<p>&ldquo;My inspiration consisted in asking you down for Derby
+week,&rdquo; retorted Mrs. de Claux; &ldquo;I thought you and Odo
+between you might throw some light on the question of the
+moment.&rdquo;</p>
+<p>Further recriminations were cut short by the arrival of Lola
+Pevensey, who floated into the room with an air of gracious
+apology.</p>
+<p>&ldquo;So sorry to be so late,&rdquo; she observed, making a
+rapid tour of inspection of the breakfast dishes.</p>
+<p>&ldquo;Did you have a good night?&rdquo; asked her hostess
+with perfunctory solicitude.</p>
+<p>&ldquo;Quite, thank you,&rdquo; said Lola; &ldquo;I dreamt a
+most remarkable dream.&rdquo;</p>
+<p>A flutter, indicative of general boredom; went round the
+table.&nbsp; Other people&rsquo;s dreams are about as universally
+interesting as accounts of other people&rsquo;s gardens, or
+chickens, or children.</p>
+<p>&ldquo;I dreamt about the winner of the Derby,&rdquo; said
+Lola.</p>
+<p>A swift reaction of attentive interest set in.</p>
+<p>&ldquo;Do tell us what you dreamt,&rdquo; came in a
+chorus.</p>
+<p>&ldquo;The really remarkable thing about it is that I&rsquo;ve
+dreamt it two nights running,&rdquo; said Lola, finally deciding
+between the allurements of sausages and kedgeree; &ldquo;that is
+why I thought it worth mentioning.&nbsp; You know, when I dream
+things two or three nights in succession, it always means
+something; I have special powers in that way.&nbsp; For instance,
+I once dreamed three times that a winged lion was flying through
+the sky and one of his wings dropped off, and he came to the
+ground with a crash; just afterwards the Campanile at Venice fell
+down.&nbsp; The winged lion is the symbol of Venice, you
+know,&rdquo; she added for the enlightenment of those who might
+not be versed in Italian heraldry.&nbsp; &ldquo;Then,&rdquo; she
+continued, &ldquo;just before the murder of the King and Queen of
+Servia I had a vivid dream of two crowned figures walking into a
+slaughter-house by the banks of a big river, which I took to be
+the Danube; and only the other day&mdash;&rdquo;</p>
+<p>&ldquo;Do tell us what you&rsquo;ve dreamt about the
+Derby,&rdquo; interrupted Odo impatiently.</p>
+<p>&ldquo;Well, I saw the finish of the race as clearly as
+anything; and one horse won easily, almost in a canter, and
+everybody cried out &lsquo;Bread and Butter wins!&nbsp; Good old
+Bread and Butter.&rsquo;&nbsp; I heard the name distinctly, and
+I&rsquo;ve had the same dream two nights running.&rdquo;</p>
+<p>&ldquo;Bread and Butter,&rdquo; said Mrs. de Claux,
+&ldquo;now, whatever horse can that point to?&nbsp; Why&mdash;of
+course; Nursery Tea!&rdquo;</p>
+<p>She looked round with the triumphant smile of a successful
+unraveller of mystery.</p>
+<p>&ldquo;How about Le Five O&rsquo;Clock?&rdquo; interposed Sir
+Lulworth.</p>
+<p>&ldquo;It would fit either of them equally well,&rdquo; said
+Odo; &ldquo;can you remember any details about the jockey&rsquo;s
+colours?&nbsp; That might help us.&rdquo;</p>
+<p>&ldquo;I seem to remember a glimpse of lemon sleeves or cap,
+but I can&rsquo;t be sure,&rdquo; said Lola, after due
+reflection.</p>
+<p>&ldquo;There isn&rsquo;t a lemon jacket or cap in the
+race,&rdquo; said Bertie, referring to a list of starters and
+jockeys; &ldquo;can&rsquo;t you remember anything about the
+appearance of the horse?&nbsp; If it were a thick-set animal,
+this bread and butter would typify Nursery Tea; and if it were
+thin, of course, it would mean Le Five O&rsquo;Clock.&rdquo;</p>
+<p>&ldquo;That seems sound enough,&rdquo; said Mrs. de Claux;
+&ldquo;do think, Lola dear, whether the horse in your dream was
+thin or stoutly built.&rdquo;</p>
+<p>&ldquo;I can&rsquo;t remember that it was one or the
+other,&rdquo; said Lola; &ldquo;one wouldn&rsquo;t notice such a
+detail in the excitement of a finish.&rdquo;</p>
+<p>&ldquo;But this was a symbolic animal,&rdquo; said Sir
+Lulworth; &ldquo;if it were to typify thick or thin bread and
+butter surely it ought to have been either as bulky and tubby as
+a shire cart-horse; or as thin as a heraldic leopard.&rdquo;</p>
+<p>&ldquo;I&rsquo;m afraid you are rather a careless
+dreamer,&rdquo; said Bertie resentfully.</p>
+<p>&ldquo;Of course, at the moment of dreaming I thought I was
+witnessing a real race, not the portent of one,&rdquo; said Lola;
+&ldquo;otherwise I should have particularly noticed all helpful
+details.&rdquo;</p>
+<p>&ldquo;The Derby isn&rsquo;t run till to-morrow,&rdquo; said
+Mrs. de Claux; &ldquo;do you think you are likely to have the
+same dream again to-night?&nbsp; If so; you can fix your
+attention on the important detail of the animal&rsquo;s
+appearance.&rdquo;</p>
+<p>&ldquo;I&rsquo;m afraid I shan&rsquo;t sleep at all
+to-night,&rdquo; said Lola pathetically; &ldquo;every fifth night
+I suffer from insomnia, and it&rsquo;s due to-night.&rdquo;</p>
+<p>&ldquo;It&rsquo;s most provoking,&rdquo; said Bertie;
+&ldquo;of course, we can back both horses, but it would be much
+more satisfactory to have all our money on the winner.&nbsp;
+Can&rsquo;t you take a sleeping-draught, or something?&rdquo;</p>
+<p>&ldquo;Oakleaves, soaked in warm water and put under the bed,
+are recommended by some,&rdquo; said Mrs. de Claux.</p>
+<p>&ldquo;A glass of Benedictine, with a drop of
+eau-de-Cologne&mdash;&rdquo; said Sir Lulworth.</p>
+<p>&ldquo;I have tried every known remedy,&rdquo; said Lola, with
+dignity; &ldquo;I&rsquo;ve been a martyr to insomnia for
+years.&rdquo;</p>
+<p>&ldquo;But now we are being martyrs to it,&rdquo; said Odo
+sulkily; &ldquo;I particularly want to land a big coup over this
+race.&rdquo;</p>
+<p>&ldquo;I don&rsquo;t have insomnia for my own
+amusement,&rdquo; snapped Lola.</p>
+<p>&ldquo;Let us hope for the best,&rdquo; said Mrs. de Claux
+soothingly; &ldquo;to-night may prove an exception to the
+fifth-night rule.&rdquo;</p>
+<p>But when breakfast time came round again Lola reported a blank
+night as far as visions were concerned.</p>
+<p>&ldquo;I don&rsquo;t suppose I had as much as ten
+minutes&rsquo; sleep, and, certainly, no dreams.&rdquo;</p>
+<p>&ldquo;I&rsquo;m so sorry, for your sake in the first place,
+and ours as well,&rdquo; said her hostess; &ldquo;do you think
+you could induce a short nap after breakfast?&nbsp; It would be
+so good for you&mdash;and you <i>might</i> dream something.&nbsp;
+There would still be time for us to get our bets on.&rdquo;</p>
+<p>&ldquo;I&rsquo;ll try if you like,&rdquo; said Lola; &ldquo;it
+sounds rather like a small child being sent to bed in
+disgrace.&rdquo;</p>
+<p>&ldquo;I&rsquo;ll come and read the <i>Encyclop&aelig;dia
+Britannica</i> to you if you think it will make you sleep any
+sooner,&rdquo; said Bertie obligingly.</p>
+<p>Rain was falling too steadily to permit of outdoor amusement,
+and the party suffered considerably during the next two hours
+from the absolute quiet that was enforced all over the house in
+order to give Lola every chance of achieving slumber.&nbsp; Even
+the click of billiard balls was considered a possible factor of
+disturbance, and the canaries were carried down to the
+gardener&rsquo;s lodge, while the cuckoo clock in the hall was
+muffled under several layers of rugs.&nbsp; A notice,
+&ldquo;Please do not Knock or Ring,&rdquo; was posted on the
+front door at Bertie&rsquo;s suggestion, and guests and servants
+spoke in tragic whispers as though the dread presence of death or
+sickness had invaded the house.&nbsp; The precautions proved of
+no avail: Lola added a sleepless morning to a wakeful night, and
+the bets of the party had to be impartially divided between
+Nursery Tea and the French Colt.</p>
+<p>&ldquo;So provoking to have to split out bets,&rdquo; said
+Mrs. de Claux, as her guests gathered in the hall later in the
+day, waiting for the result of the race.</p>
+<p>&ldquo;I did my best for you,&rdquo; said Lola, feeling that
+she was not getting her due share of gratitude; &ldquo;I told you
+what I had seen in my dreams, a brown horse, called Bread and
+Butter, winning easily from all the rest.&rdquo;</p>
+<p>&ldquo;What?&rdquo; screamed Bertie, jumping up from his sea,
+&ldquo;a <i>brown</i> horse!&nbsp; Miserable woman, you never
+said a word about it&rsquo;s being a brown horse.&rdquo;</p>
+<p>&ldquo;Didn&rsquo;t I?&rdquo; faltered Lola; &ldquo;I thought
+I told you it was a brown horse.&nbsp; It was certainly brown in
+both dreams.&nbsp; But I don&rsquo;t see what the colour has got
+to do with it.&nbsp; Nursery Tea and Le Five O&rsquo;Clock are
+both chestnuts.&rdquo;</p>
+<p>&ldquo;Merciful Heaven!&nbsp; Doesn&rsquo;t brown bread and
+butter with a sprinkling of lemon in the colours suggest anything
+to you?&rdquo; raged Bertie.</p>
+<p>A slow, cumulative groan broke from the assembly as the
+meaning of his words gradually dawned on his hearers.</p>
+<p>For the second time that day Lola retired to the seclusion of
+her room; she could not face the universal looks of reproach
+directed at her when Whitebait was announced winner at the
+comfortable price of fourteen to one.</p>
+<h2><a name="page97"></a><span class="pagenum">p.
+97</span>BERTIE&rsquo;S CHRISTMAS EVE</h2>
+<p>It was Christmas Eve, and the family circle of Luke Steffink,
+Esq., was aglow with the amiability and random mirth which the
+occasion demanded.&nbsp; A long and lavish dinner had been
+partaken of, waits had been round and sung carols; the
+house-party had regaled itself with more caroling on its own
+account, and there had been romping which, even in a pulpit
+reference, could not have been condemned as ragging.&nbsp; In the
+midst of the general glow, however, there was one black unkindled
+cinder.</p>
+<p>Bertie Steffink, nephew of the aforementioned Luke, had early
+in life adopted the profession of ne&rsquo;er-do-weel; his father
+had been something of the kind before him.&nbsp; At the age of
+eighteen Bertie had commenced that round of visits to our
+Colonial possessions, so seemly and desirable in the case of a
+Prince of the Blood, so suggestive of insincerity in a young man
+of the middle-class.&nbsp; He had gone to grow tea in Ceylon and
+fruit in British Columbia, and to help sheep to grow wool in
+Australia.&nbsp; At the age of twenty he had just returned from
+some similar errand in Canada, from which it may be gathered that
+the trial he gave to these various experiments was of the summary
+drum-head nature.&nbsp; Luke Steffink, who fulfilled the troubled
+role of guardian and deputy-parent to Bertie, deplored the
+persistent manifestation of the homing instinct on his
+nephew&rsquo;s part, and his solemn thanks earlier in the day for
+the blessing of reporting a united family had no reference to
+Bertie&rsquo;s return.</p>
+<p>Arrangements had been promptly made for packing the youth off
+to a distant corner of Rhodesia, whence return would be a
+difficult matter; the journey to this uninviting destination was
+imminent, in fact a more careful and willing traveller would have
+already begun to think about his packing.&nbsp; Hence Bertie was
+in no mood to share in the festive spirit which displayed itself
+around him, and resentment smouldered within him at the eager,
+self-absorbed discussion of social plans for the coming months
+which he heard on all sides.&nbsp; Beyond depressing his uncle
+and the family circle generally by singing &ldquo;Say au revoir,
+and not good-bye,&rdquo; he had taken no part in the
+evening&rsquo;s conviviality.</p>
+<p>Eleven o&rsquo;clock had struck some half-hour ago, and the
+elder Steffinks began to throw out suggestions leading up to that
+process which they called retiring for the night.</p>
+<p>&ldquo;Come, Teddie, it&rsquo;s time you were in your little
+bed, you know,&rdquo; said Luke Steffink to his thirteen-year-old
+son.</p>
+<p>&ldquo;That&rsquo;s where we all ought to be,&rdquo; said Mrs.
+Steffink.</p>
+<p>&ldquo;There wouldn&rsquo;t be room,&rdquo; said Bertie.</p>
+<p>The remark was considered to border on the scandalous;
+everybody ate raisins and almonds with the nervous industry of
+sheep feeding during threatening weather.</p>
+<p>&ldquo;In Russia,&rdquo; said Horace Bordenby, who was staying
+in the house as a Christmas guest, &ldquo;I&rsquo;ve read that
+the peasants believe that if you go into a cow-house or stable at
+midnight on Christmas Eve you will hear the animals talk.&nbsp;
+They&rsquo;re supposed to have the gift of speech at that one
+moment of the year.&rdquo;</p>
+<p>&ldquo;Oh, <i>do</i> let&rsquo;s <i>all</i> go down to the
+cow-house and listen to what they&rsquo;ve got to say!&rdquo;
+exclaimed Beryl, to whom anything was thrilling and amusing if
+you did it in a troop.</p>
+<p>Mrs. Steffink made a laughing protest, but gave a virtual
+consent by saying, &ldquo;We must all wrap up well,
+then.&rdquo;&nbsp; The idea seemed a scatterbrained one to her,
+and almost heathenish, but if afforded an opportunity for
+&ldquo;throwing the young people together,&rdquo; and as such she
+welcomed it.&nbsp; Mr. Horace Bordenby was a young man with quite
+substantial prospects, and he had danced with Beryl at a local
+subscription ball a sufficient number of times to warrant the
+authorised inquiry on the part of the neighbours whether
+&ldquo;there was anything in it.&rdquo;&nbsp; Though Mrs.
+Steffink would not have put it in so many words, she shared the
+idea of the Russian peasantry that on this night the beast might
+speak.</p>
+<p>The cow-house stood at the junction of the garden with a small
+paddock, an isolated survival, in a suburban neighbourhood; of
+what had once been a small farm.&nbsp; Luke Steffink was
+complacently proud of his cow-house and his two cows; he felt
+that they gave him a stamp of solidity which no number of
+Wyandottes or Orpingtons could impart.&nbsp; They even seemed to
+link him in a sort of inconsequent way with those patriarchs who
+derived importance from their floating capital of flocks and
+herbs, he-asses and she-asses.&nbsp; It had been an anxious and
+momentous occasion when he had had to decide definitely between
+&ldquo;the Byre&rdquo; and &ldquo;the Ranch&rdquo; for the naming
+of his villa residence.&nbsp; A December midnight was hardly the
+moment he would have chosen for showing his farm-building to
+visitors, but since it was a fine night, and the young people
+were anxious for an excuse for a mild frolic, Luke consented to
+chaperon the expedition.&nbsp; The servants had long since gone
+to bed, so the house was left in charge of Bertie, who scornfully
+declined to stir out on the pretext of listening to bovine
+conversation.</p>
+<p>&ldquo;We must go quietly,&rdquo; said Luke, as he headed the
+procession of giggling young folk, brought up in the rear by the
+shawled and hooded figure of Mrs. Steffink; &ldquo;I&rsquo;ve
+always laid stress on keeping this a quiet and orderly
+neighbourhood.&rdquo;</p>
+<p>It was a few minutes to midnight when the party reached the
+cow-house and made its way in by the light of Luke&rsquo;s stable
+lantern.&nbsp; For a moment every one stood in silence, almost
+with a feeling of being in church.</p>
+<p>&ldquo;Daisy&mdash;the one lying down&mdash;is by a shorthorn
+bull out of a Guernsey cow,&rdquo; announced Luke in a hushed
+voice, which was in keeping with the foregoing impression.</p>
+<p>&ldquo;Is she?&rdquo; said Bordenby, rather as if he had
+expected her to be by Rembrandt.</p>
+<p>&ldquo;Myrtle is&mdash;&rdquo;</p>
+<p>Myrtle&rsquo;s family history was cut short by a little scream
+from the women of the party.</p>
+<p>The cow-house door had closed noiselessly behind them and the
+key had turned gratingly in the lock; then they heard
+Bertie&rsquo;s voice pleasantly wishing them good-night and his
+footsteps retreating along the garden path.</p>
+<p>Luke Steffink strode to the window; it was a small square
+opening of the old-fashioned sort, with iron bars let into the
+stonework.</p>
+<p>&ldquo;Unlock the door this instant,&rdquo; he shouted, with
+as much air of menacing authority as a hen might assume when
+screaming through the bars of a coop at a marauding hawk.&nbsp;
+In reply to his summons the hall-door closed with a defiant
+bang.</p>
+<p>A neighbouring clock struck the hour of midnight.&nbsp; If the
+cows had received the gift of human speech at that moment they
+would not have been able to make themselves heard.&nbsp; Seven or
+eight other voices were engaged in describing Bertie&rsquo;s
+present conduct and his general character at a high pressure of
+excitement and indignation.</p>
+<p>In the course of half an hour or so everything that it was
+permissible to say about Bertie had been said some dozens of
+times, and other topics began to come to the front&mdash;the
+extreme mustiness of the cow-house, the possibility of it
+catching fire, and the probability of it being a Rowton House for
+the vagrant rats of the neighbourhood.&nbsp; And still no sign of
+deliverance came to the unwilling vigil-keepers.</p>
+<p>Towards one o&rsquo;clock the sound of rather boisterous and
+undisciplined carol-singing approached rapidly, and came to a
+sudden anchorage, apparently just outside the garden-gate.&nbsp;
+A motor-load of youthful &ldquo;bloods,&rdquo; in a high state of
+conviviality, had made a temporary halt for repairs; the
+stoppage, however, did not extend to the vocal efforts of the
+party, and the watchers in the cow-shed were treated to a highly
+unauthorised rendering of &ldquo;Good King Wenceslas,&rdquo; in
+which the adjective &ldquo;good&rdquo; appeared to be very
+carelessly applied.</p>
+<p>The noise had the effect of bringing Bertie out into the
+garden, but he utterly ignored the pale, angry faces peering out
+at the cow-house window, and concentrated his attention on the
+revellers outside the gate.</p>
+<p>&ldquo;Wassail, you chaps!&rdquo; he shouted.</p>
+<p>&ldquo;Wassail, old sport!&rdquo; they shouted back;
+&ldquo;we&rsquo;d jolly well drink y&rsquo;r health, only
+we&rsquo;ve nothing to drink it in.&rdquo;</p>
+<p>&ldquo;Come and wassail inside,&rdquo; said Bertie hospitably;
+&ldquo;I&rsquo;m all alone, and there&rsquo;s heap&rsquo;s of
+&lsquo;wet&rsquo;.&rdquo;</p>
+<p>They were total strangers, but his touch of kindness made them
+instantly his kin.&nbsp; In another moment the unauthorised
+version of King Wenceslas, which, like many other scandals, grew
+worse on repetition, went echoing up the garden path; two of the
+revellers gave an impromptu performance on the way by executing
+the staircase waltz up the terraces of what Luke Steffink,
+hitherto with some justification, called his rock-garden.&nbsp;
+The rock part of it was still there when the waltz had been
+accorded its third encore.&nbsp; Luke, more than ever like a
+cooped hen behind the cow-house bars, was in a position to
+realise the feelings of concert-goers unable to countermand the
+call for an encore which they neither desire or deserve.</p>
+<p>The hall door closed with a bang on Bertie&rsquo;s guests, and
+the sounds of merriment became faint and muffled to the weary
+watchers at the other end of the garden.&nbsp; Presently two
+ominous pops, in quick succession, made themselves distinctly
+heard.</p>
+<p>&ldquo;They&rsquo;ve got at the champagne!&rdquo; exclaimed
+Mrs. Steffink.</p>
+<p>&ldquo;Perhaps it&rsquo;s the sparkling Moselle,&rdquo; said
+Luke hopefully.</p>
+<p>Three or four more pops were heard.</p>
+<p>&ldquo;The champagne <i>and</i> the sparkling Moselle,&rdquo;
+said Mrs. Steffink.</p>
+<p>Luke uncorked an expletive which, like brandy in a temperance
+household, was only used on rare emergencies.&nbsp; Mr. Horace
+Bordenby had been making use of similar expressions under his
+breath for a considerable time past.&nbsp; The experiment of
+&ldquo;throwing the young people together&rdquo; had been
+prolonged beyond a point when it was likely to produce any
+romantic result.</p>
+<p>Some forty minutes later the hall door opened and disgorged a
+crowd that had thrown off any restraint of shyness that might
+have influenced its earlier actions.&nbsp; Its vocal efforts in
+the direction of carol singing were now supplemented by
+instrumental music; a Christmas-tree that had been prepared for
+the children of the gardener and other household retainers had
+yielded a rich spoil of tin trumpets, rattles, and drums.&nbsp;
+The life-story of King Wenceslas had been dropped, Luke was
+thankful to notice, but it was intensely irritating for the
+chilled prisoners in the cow-house to be told that it was a hot
+time in the old town to-night, together with some accurate but
+entirely superfluous information as to the imminence of Christmas
+morning.&nbsp; Judging by the protests which began to be shouted
+from the upper windows of neighbouring houses the sentiments
+prevailing in the cow-house were heartily echoed in other
+quarters.</p>
+<p>The revellers found their car, and, what was more remarkable,
+managed to drive off in it, with a parting fanfare of tin
+trumpets.&nbsp; The lively beat of a drum disclosed the fact that
+the master of the revels remained on the scene.</p>
+<p>&ldquo;Bertie!&rdquo; came in an angry, imploring chorus of
+shouts and screams from the cow-house window.</p>
+<p>&ldquo;Hullo,&rdquo; cried the owner of the name, turning his
+rather errant steps in the direction of the summons; &ldquo;are
+you people still there?&nbsp; Must have heard everything cows got
+to say by this time.&nbsp; If you haven&rsquo;t, no use
+waiting.&nbsp; After all, it&rsquo;s a Russian legend, and
+Russian Chrismush Eve not due for &rsquo;nother fortnight.&nbsp;
+Better come out.&rdquo;</p>
+<p>After one or two ineffectual attempts he managed to pitch the
+key of the cow-house door in through the window.&nbsp; Then,
+lifting his voice in the strains of &ldquo;I&rsquo;m afraid to go
+home in the dark,&rdquo; with a lusty drum accompaniment, he led
+the way back to the house.&nbsp; The hurried procession of the
+released that followed in his steps came in for a good deal of
+the adverse comment that his exuberant display had evoked.</p>
+<p>It was the happiest Christmas Eve he had ever spent.&nbsp; To
+quote his own words, he had a rotten Christmas.</p>
+<h2><a name="page107"></a><span class="pagenum">p.
+107</span>FOREWARNED</h2>
+<p>Alethia Debchance sat in a corner of an otherwise empty
+railway carriage, more or less at ease as regarded body, but in
+some trepidation as to mind.&nbsp; She had embarked on a social
+adventure of no little magnitude as compared with the accustomed
+seclusion and stagnation of her past life.&nbsp; At the age of
+twenty-eight she could look back on nothing more eventful than
+the daily round of her existence in her aunt&rsquo;s house at
+Webblehinton, a hamlet four and a half miles distant from a
+country town and about a quarter of a century removed from modern
+times.&nbsp; Their neighbours had been elderly and few, not much
+given to social intercourse, but helpful or politely sympathetic
+in times of illness.&nbsp; Newspapers of the ordinary kind were a
+rarity; those that Alethia saw regularly were devoted exclusively
+either to religion or to poultry, and the world of politics was
+to her an unheeded unexplored region.&nbsp; Her ideas on life in
+general had been acquired through the medium of popular
+respectable novel-writers, and modified or emphasised by such
+knowledge as her aunt, the vicar, and her aunt&rsquo;s
+housekeeper had put at her disposal.&nbsp; And now, in her
+twenty-ninth year, her aunt&rsquo;s death had left her, well
+provided for as regards income, but somewhat isolated in the
+matter of kith and kin and human companionship.&nbsp; She had
+some cousins who were on terms of friendly, though infrequent,
+correspondence with her, but as they lived permanently in Ceylon,
+a locality about which she knew little, beyond the assurance
+contained in the missionary hymn that the human element there was
+vile, they were not of much immediate use to her.&nbsp; Other
+cousins she also possessed, more distant as regards relationship,
+but not quite so geographically remote, seeing that they lived
+somewhere in the Midlands.&nbsp; She could hardly remember ever
+having met them, but once or twice in the course of the last
+three or four years they had expressed a polite wish that she
+should pay them a visit; they had probably not been unduly
+depressed by the fact that her aunt&rsquo;s failing health had
+prevented her from accepting their invitation.&nbsp; The note of
+condolence that had arrived on the occasion of her aunt&rsquo;s
+death had included a vague hope that Alethia would find time in
+the near future to spend a few days with her cousins, and after
+much deliberation and many hesitations she had written to propose
+herself as a guest for a definite date some weeks ahead.&nbsp;
+The family, she reflected with relief, was not a large one; the
+two daughters were married and away, there was only old Mrs.
+Bludward and her son Robert at home.&nbsp; Mrs. Bludward was
+something of an invalid, and Robert was a young man who had been
+at Oxford and was going into Parliament.&nbsp; Further than that
+Alethia&rsquo;s information did not go; her imagination, founded
+on her extensive knowledge of the people one met in novels, had
+to supply the gaps.&nbsp; The mother was not difficult to place;
+she would either be an ultra-amiable old lady, bearing her feeble
+health with uncomplaining fortitude, and having a kind word for
+the gardener&rsquo;s boy and a sunny smile for the chance
+visitor, or else she would be cold and peevish, with eyes that
+pierced you like a gimlet, and an unreasoning idolatry of her
+son.&nbsp; Alethia&rsquo;s imagination rather inclined her to the
+latter view.&nbsp; Robert was more of a problem.&nbsp; There were
+three dominant types of manhood to be taken into consideration in
+working out his classification; there was Hugo, who was strong,
+good, and beautiful, a rare type and not very often met with;
+there was Sir Jasper, who was utterly vile and absolutely
+unscrupulous, and there was Nevil, who was not really bad at
+heart, but had a weak mouth and usually required the life-work of
+two good women to keep him from ultimate disaster.&nbsp; It was
+probable, Alethia considered, that Robert came into the last
+category, in which case she was certain to enjoy the
+companionship of one or two excellent women, and might possibly
+catch glimpses of undesirable adventuresses or come face to face
+with reckless admiration-seeking married women.&nbsp; It was
+altogether an exciting prospect, this sudden venture into an
+unexplored world of unknown human beings, and Alethia rather
+wished that she could have taken the vicar with her; she was not,
+however, rich or important enough to travel with a chaplain, as
+the Marquis of Moystoncleugh always did in the novel she had just
+been reading, so she recognised that such a proceeding was out of
+the question.</p>
+<p>The train which carried Alethia towards her destination was a
+local one, with the wayside station habit strongly
+developed.&nbsp; At most of the stations no one seemed to want to
+get into the train or to leave it, but at one there were several
+market folk on the platform, and two men, of the farmer or small
+cattle-dealer class, entered Alethia&rsquo;s carriage.&nbsp;
+Apparently they had just foregathered, after a day&rsquo;s
+business, and their conversation consisted of a rapid exchange of
+short friendly inquiries as to health, family, stock, and so
+forth, and some grumbling remarks on the weather.&nbsp; Suddenly,
+however, their talk took a dramatically interesting turn, and
+Alethia listened with wide-eyed attention.</p>
+<p>&ldquo;What do you think of Mister Robert Bludward,
+eh?&rdquo;</p>
+<p>There was a certain scornful ring in his question.</p>
+<p>&ldquo;Robert Bludward?&nbsp; An out-an&rsquo;-out rotter,
+that&rsquo;s what he is.&nbsp; Ought to be ashamed to look any
+decent man in the face.&nbsp; Send him to Parliament to represent
+us&mdash;not much!&nbsp; He&rsquo;d rob a poor man of his last
+shilling, he would.&rdquo;</p>
+<p>&ldquo;Ah, that he would.&nbsp; Tells a pack of lies to get
+our votes, that&rsquo;s all that he&rsquo;s after, damn
+him.&nbsp; Did you see the way the <i>Argus</i> showed him up
+this week?&nbsp; Properly exposed him, hip and thigh, I tell
+you.&rdquo;</p>
+<p>And so on they ran, in their withering indictment.&nbsp; There
+could be no doubt that it was Alethia&rsquo;s cousin and
+prospective host to whom they were referring; the allusion to a
+Parliamentary candidature settled that.&nbsp; What could Robert
+Bludward have done, what manner of man could he be, that people
+should speak of him with such obvious reprobation?</p>
+<p>&ldquo;He was hissed down at Shoalford yesterday,&rdquo; said
+one of the speakers.</p>
+<p>Hissed!&nbsp; Had it come to that?&nbsp; There was something
+dramatically biblical in the idea of Robert Bludward&rsquo;s
+neighbours and acquaintances hissing him for very scorn.&nbsp;
+Lord Hereward Stranglath had been hissed, now Alethia came to
+think of it, in the eighth chapter of <i>Matterby Towers</i>,
+while in the act of opening a Wesleyan bazaar, because he was
+suspected (unjustly as it turned out afterwards) of having beaten
+the German governess to death.&nbsp; And in <i>Tainted
+Guineas</i> Roper Squenderby had been deservedly hissed, on the
+steps of the Jockey Club, for having handed a rival owner a
+forged telegram, containing false news of his mother&rsquo;s
+death, just before the start for an important race, thereby
+ensuring the withdrawal of his rival&rsquo;s horse.&nbsp; In
+placid Saxon-blooded England people did not demonstrate their
+feelings lightly and without some strong compelling cause.&nbsp;
+What manner of evildoer was Robert Bludward?</p>
+<p>The train stopped at another small station, and the two men
+got out.&nbsp; One of them left behind him a copy of the
+<i>Argus</i>, the local paper to which he had made
+reference.&nbsp; Alethia pounced on it, in the expectation of
+finding a cultured literary endorsement of the censure which
+these rough farming men had expressed in their homely, honest
+way.&nbsp; She had not far to look; &ldquo;Mr. Robert Bludward,
+Swanker,&rdquo; was the title of one of the principal articles in
+the paper.&nbsp; She did not exactly know what a swanker was,
+probably it referred to some unspeakable form of cruelty, but she
+read enough in the first few sentences of the article to discover
+that her cousin Robert, the man at whose house she was about to
+stay, was an unscrupulous, unprincipled character, of a low order
+of intelligence, yet cunning withal, and that he and his
+associates were responsible for most of the misery, disease,
+poverty, and ignorance with which the country was afflicted;
+never, except in one or two of the denunciatory Psalms, which she
+had always supposed to have be written in a spirit of exaggerated
+Oriental imagery, had she read such an indictment of a human
+being.&nbsp; And this monster was going to meet her at Derrelton
+Station in a few short minutes.&nbsp; She would know him at once;
+he would have the dark beetling brows, the quick, furtive glance,
+the sneering, unsavoury smile that always characterised the Sir
+Jaspers of this world.&nbsp; It was too late to escape; she must
+force herself to meet him with outward calm.</p>
+<p>It was a considerable shock to her to find that Robert was
+fair, with a snub nose, merry eye, and rather a schoolboy
+manner.&nbsp; &ldquo;A serpent in duckling&rsquo;s
+plumage,&rdquo; was her private comment; merciful chance had
+revealed him to her in his true colours.</p>
+<p>As they drove away from the station a dissipated-looking man
+of the labouring class waved his hat in friendly salute.&nbsp;
+&ldquo;Good luck to you, Mr. Bludward,&rdquo; he shouted;
+&ldquo;you&rsquo;ll come out on top!&nbsp; We&rsquo;ll break old
+Chobham&rsquo;s neck for him.&rdquo;</p>
+<p>&ldquo;Who was that man?&rdquo; asked Alethia quickly.</p>
+<p>&ldquo;Oh, one of my supporters,&rdquo; laughed Robert;
+&ldquo;a bit of a poacher and a bit of a pub-loafer, but
+he&rsquo;s on the right side.&rdquo;</p>
+<p>So these were the sort of associates that Robert Bludward
+consorted with, thought Alethia.</p>
+<p>&ldquo;Who is the person he referred to as old Chobham?&rdquo;
+she asked.</p>
+<p>&ldquo;Sir John Chobham, the man who is opposing me,&rdquo;
+answered Robert; &ldquo;that is his house away there among the
+trees on the right.&rdquo;</p>
+<p>So there was an upright man, possibly a very Hugo in
+character, who was thwarting and defying the evildoer in his
+nefarious career, and there was a dastardly plot afoot to break
+his neck!&nbsp; Possibly the attempt would be made within the
+next few hours.&nbsp; He must certainly be warned.&nbsp; Alethia
+remembered how Lady Sylvia Broomgate, in <i>Nightshade Court</i>,
+had pretended to be bolted with by her horse up to the front door
+of a threatened county magnate, and had whispered a warning in
+his ear which saved him from being the victim of foul
+murder.&nbsp; She wondered if there was a quiet pony in the
+stables on which she would be allowed to ride out alone.&nbsp;
+The chances were that she would be watched.&nbsp; Robert would
+come spurring after her and seize her bridle just as she was
+turning in at Sir John&rsquo;s gates.</p>
+<p>A group of men that they passed in a village street gave them
+no very friendly looks, and Alethia thought she heard a furtive
+hiss; a moment later they came upon an errand boy riding a
+bicycle.&nbsp; He had the frank open countenance, neatly brushed
+hair and tidy clothes that betoken a clear conscience and a good
+mother.&nbsp; He stared straight at the occupants of the car,
+and, after he had passed them, sang in his clear, boyish
+voice:</p>
+<p>&ldquo;We&rsquo;ll hang Bobby Bludward on the sour apple
+tree.&rdquo;</p>
+<p>Robert merely laughed.&nbsp; That was how he took the scorn
+and condemnation of his fellow-men.&nbsp; He had goaded them to
+desperation with his shameless depravity till they spoke openly
+of putting him to a violent death, and he laughed.</p>
+<p>Mrs. Bludward proved to be of the type that Alethia had
+suspected, thin-lipped, cold-eyed, and obviously devoted to her
+worthless son.&nbsp; From her no help was to be expected.&nbsp;
+Alethia locked her door that night, and placed such ramparts of
+furniture against it that the maid had great difficulty in
+breaking in with the early tea in the morning.</p>
+<p>After breakfast Alethia, on the pretext of going to look at an
+outlying rose-garden, slipped away to the village through which
+they had passed on the previous evening.&nbsp; She remembered
+that Robert had pointed out to her a public reading-room, and
+here she considered it possible that she might meet Sir John
+Chobham, or some one who knew him well and would carry a message
+to him.&nbsp; The room was empty when she entered it; a
+<i>Graphic</i> twelve days old, a yet older copy of <i>Punch</i>,
+and one or two local papers lay upon the central table; the other
+tables were stacked for the most part with chess and
+draughts-boards, and wooden boxes of chessmen and dominoes.&nbsp;
+Listlessly she picked up one of the papers, the <i>Sentinel</i>,
+and glanced at its contents.&nbsp; Suddenly she started, and
+began to read with breathless attention a prominently printed
+article, headed &ldquo;A Little Limelight on Sir John
+Chobham.&rdquo;&nbsp; The colour ebbed away from her face, a look
+of frightened despair crept into her eyes.&nbsp; Never, in any
+novel that she had read, had a defenceless young woman been
+confronted with a situation like this.&nbsp; Sir John, the Hugo
+of her imagination, was, if anything, rather more depraved and
+despicable than Robert Bludward.&nbsp; He was mean, evasive,
+callously indifferent to his country&rsquo;s interests, a cheat,
+a man who habitually broke his word, and who was responsible,
+with his associates, for most of the poverty, misery, crime, and
+national degradation with which the country was afflicted.&nbsp;
+He was also a candidate for Parliament, it seemed, and as there
+was only one seat in this particular locality, it was obvious
+that the success of either Robert or Sir John would mean a check
+to the ambitions of the other, hence, no doubt, the rivalry and
+enmity between these otherwise kindred souls.&nbsp; One was
+seeking to have his enemy done to death, the other was apparently
+trying to stir up his supporters to an act of &ldquo;Lynch
+law&rdquo;.&nbsp; All this in order that there might be an
+unopposed election, that one or other of the candidates might go
+into Parliament with honeyed eloquence on his lips and blood on
+his heart.&nbsp; Were men really so vile?</p>
+<p>&ldquo;I must go back to Webblehinton at once,&rdquo; Alethia
+informed her astonished hostess at lunch time; &ldquo;I have had
+a telegram.&nbsp; A friend is very seriously ill and I have been
+sent for.&rdquo;</p>
+<p>It was dreadful to have to concoct lies, but it would be more
+dreadful to have to spend another night under that roof.</p>
+<p>Alethia reads novels now with even greater appreciation than
+before.&nbsp; She has been herself in the world outside
+Webblehinton, the world where the great dramas of sin and
+villainy are played unceasingly.&nbsp; She had come unscathed
+through it, but what might have happened if she had gone
+unsuspectingly to visit Sir John Chobham and warn him of his
+danger?&nbsp; What indeed!&nbsp; She had been saved by the
+fearless outspokenness of the local Press.</p>
+<h2><a name="page119"></a><span class="pagenum">p. 119</span>THE
+INTERLOPERS</h2>
+<p>In a forest of mixed growth somewhere on the eastern spurs of
+the Karpathians, a man stood one winter night watching and
+listening, as though he waited for some beast of the woods to
+come within the range of his vision, and, later, of his
+rifle.&nbsp; But the game for whose presence he kept so keen an
+outlook was none that figured in the sportsman&rsquo;s calendar
+as lawful and proper for the chase; Ulrich von Gradwitz patrolled
+the dark forest in quest of a human enemy.</p>
+<p>The forest lands of Gradwitz were of wide extent and well
+stocked with game; the narrow strip of precipitous woodland that
+lay on its outskirt was not remarkable for the game it harboured
+or the shooting it afforded, but it was the most jealously
+guarded of all its owner&rsquo;s territorial possessions.&nbsp; A
+famous law suit, in the days of his grandfather, had wrested it
+from the illegal possession of a neighbouring family of petty
+landowners; the dispossessed party had never acquiesced in the
+judgment of the Courts, and a long series of poaching affrays and
+similar scandals had embittered the relationships between the
+families for three generations.&nbsp; The neighbour feud had
+grown into a personal one since Ulrich had come to be head of his
+family; if there was a man in the world whom he detested and
+wished ill to it was Georg Znaeym, the inheritor of the quarrel
+and the tireless game-snatcher and raider of the disputed
+border-forest.&nbsp; The feud might, perhaps, have died down or
+been compromised if the personal ill-will of the two men had not
+stood in the way; as boys they had thirsted for one
+another&rsquo;s blood, as men each prayed that misfortune might
+fall on the other, and this wind-scourged winter night Ulrich had
+banded together his foresters to watch the dark forest, not in
+quest of four-footed quarry, but to keep a look-out for the
+prowling thieves whom he suspected of being afoot from across the
+land boundary.&nbsp; The roebuck, which usually kept in the
+sheltered hollows during a storm-wind, were running like driven
+things to-night, and there was movement and unrest among the
+creatures that were wont to sleep through the dark hours.&nbsp;
+Assuredly there was a disturbing element in the forest, and
+Ulrich could guess the quarter from whence it came.</p>
+<p>He strayed away by himself from the watchers whom he had
+placed in ambush on the crest of the hill, and wandered far down
+the steep slopes amid the wild tangle of undergrowth, peering
+through the tree trunks and listening through the whistling and
+skirling of the wind and the restless beating of the branches for
+sight and sound of the marauders.&nbsp; If only on this wild
+night, in this dark, lone spot, he might come across Georg
+Znaeym, man to man, with none to witness&mdash;that was the wish
+that was uppermost in his thoughts.&nbsp; And as he stepped round
+the trunk of a huge beech he came face to face with the man he
+sought.</p>
+<p>The two enemies stood glaring at one another for a long silent
+moment.&nbsp; Each had a rifle in his hand, each had hate in his
+heart and murder uppermost in his mind.&nbsp; The chance had come
+to give full play to the passions of a lifetime.&nbsp; But a man
+who has been brought up under the code of a restraining
+civilisation cannot easily nerve himself to shoot down his
+neighbour in cold blood and without word spoken, except for an
+offence against his hearth and honour.&nbsp; And before the
+moment of hesitation had given way to action a deed of
+Nature&rsquo;s own violence overwhelmed them both.&nbsp; A fierce
+shriek of the storm had been answered by a splitting crash over
+their heads, and ere they could leap aside a mass of falling
+beech tree had thundered down on them.&nbsp; Ulrich von Gradwitz
+found himself stretched on the ground, one arm numb beneath him
+and the other held almost as helplessly in a tight tangle of
+forked branches, while both legs were pinned beneath the fallen
+mass.&nbsp; His heavy shooting-boots had saved his feet from
+being crushed to pieces, but if his fractures were not as serious
+as they might have been, at least it was evident that he could
+not move from his present position till some one came to release
+him.&nbsp; The descending twig had slashed the skin of his face,
+and he had to wink away some drops of blood from his eyelashes
+before he could take in a general view of the disaster.&nbsp; At
+his side, so near that under ordinary circumstances he could
+almost have touched him, lay Georg Znaeym, alive and struggling,
+but obviously as helplessly pinioned down as himself.&nbsp; All
+round them lay a thick-strewn wreckage of splintered branches and
+broken twigs.</p>
+<p>Relief at being alive and exasperation at his captive plight
+brought a strange medley of pious thank-offerings and sharp
+curses to Ulrich&rsquo;s lips.&nbsp; Georg, who was nearly
+blinded with the blood which trickled across his eyes, stopped
+his struggling for a moment to listen, and then gave a short,
+snarling laugh.</p>
+<p>&ldquo;So you&rsquo;re not killed, as you ought to be, but
+you&rsquo;re caught, anyway,&rdquo; he cried; &ldquo;caught
+fast.&nbsp; Ho, what a jest, Ulrich von Gradwitz snared in his
+stolen forest.&nbsp; There&rsquo;s real justice for
+you!&rdquo;</p>
+<p>And he laughed again, mockingly and savagely.</p>
+<p>&ldquo;I&rsquo;m caught in my own forest-land,&rdquo; retorted
+Ulrich.&nbsp; &ldquo;When my men come to release us you will
+wish, perhaps, that you were in a better plight than caught
+poaching on a neighbour&rsquo;s land, shame on you.&rdquo;</p>
+<p>Georg was silent for a moment; then he answered quietly:</p>
+<p>&ldquo;Are you sure that your men will find much to
+release?&nbsp; I have men, too, in the forest to-night, close
+behind me, and <i>they</i> will be here first and do the
+releasing.&nbsp; When they drag me out from under these damned
+branches it won&rsquo;t need much clumsiness on their part to
+roll this mass of trunk right over on the top of you.&nbsp; Your
+men will find you dead under a fallen beech tree.&nbsp; For
+form&rsquo;s sake I shall send my condolences to your
+family.&rdquo;</p>
+<p>&ldquo;It is a useful hint,&rdquo; said Ulrich fiercely.&nbsp;
+&ldquo;My men had orders to follow in ten minutes time, seven of
+which must have gone by already, and when they get me out&mdash;I
+will remember the hint.&nbsp; Only as you will have met your
+death poaching on my lands I don&rsquo;t think I can decently
+send any message of condolence to your family.&rdquo;</p>
+<p>&ldquo;Good,&rdquo; snarled Georg, &ldquo;good.&nbsp; We fight
+this quarrel out to the death, you and I and our foresters, with
+no cursed interlopers to come between us.&nbsp; Death and
+damnation to you, Ulrich von Gradwitz.&rdquo;</p>
+<p>&ldquo;The same to you, Georg Znaeym, forest-thief,
+game-snatcher.&rdquo;</p>
+<p>Both men spoke with the bitterness of possible defeat before
+them, for each knew that it might be long before his men would
+seek him out or find him; it was a bare matter of chance which
+party would arrive first on the scene.</p>
+<p>Both had now given up the useless struggle to free themselves
+from the mass of wood that held them down; Ulrich limited his
+endeavours to an effort to bring his one partially free arm near
+enough to his outer coat-pocket to draw out his wine-flask.&nbsp;
+Even when he had accomplished that operation it was long before
+he could manage the unscrewing of the stopper or get any of the
+liquid down his throat.&nbsp; But what a Heaven-sent draught it
+seemed!&nbsp; It was an open winter, and little snow had fallen
+as yet, hence the captives suffered less from the cold than might
+have been the case at that season of the year; nevertheless, the
+wine was warming and reviving to the wounded man, and he looked
+across with something like a throb of pity to where his enemy
+lay, just keeping the groans of pain and weariness from crossing
+his lips.</p>
+<p>&ldquo;Could you reach this flask if I threw it over to
+you?&rdquo; asked Ulrich suddenly; &ldquo;there is good wine in
+it, and one may as well be as comfortable as one can.&nbsp; Let
+us drink, even if to-night one of us dies.&rdquo;</p>
+<p>&ldquo;No, I can scarcely see anything; there is so much blood
+caked round my eyes,&rdquo; said Georg, &ldquo;and in any case I
+don&rsquo;t drink wine with an enemy.&rdquo;</p>
+<p>Ulrich was silent for a few minutes, and lay listening to the
+weary screeching of the wind.&nbsp; An idea was slowly forming
+and growing in his brain, an idea that gained strength every time
+that he looked across at the man who was fighting so grimly
+against pain and exhaustion.&nbsp; In the pain and languor that
+Ulrich himself was feeling the old fierce hatred seemed to be
+dying down.</p>
+<p>&ldquo;Neighbour,&rdquo; he said presently, &ldquo;do as you
+please if your men come first.&nbsp; It was a fair compact.&nbsp;
+But as for me, I&rsquo;ve changed my mind.&nbsp; If my men are
+the first to come you shall be the first to be helped, as though
+you were my guest.&nbsp; We have quarrelled like devils all our
+lives over this stupid strip of forest, where the trees
+can&rsquo;t even stand upright in a breath of wind.&nbsp; Lying
+here to-night thinking I&rsquo;ve come to think we&rsquo;ve been
+rather fools; there are better things in life than getting the
+better of a boundary dispute.&nbsp; Neighbour, if you will help
+me to bury the old quarrel I&mdash;I will ask you to be my
+friend.&rdquo;</p>
+<p>Georg Znaeym was silent for so long that Ulrich thought,
+perhaps, he had fainted with the pain of his injuries.&nbsp; Then
+he spoke slowly and in jerks.</p>
+<p>&ldquo;How the whole region would stare and gabble if we rode
+into the market-square together.&nbsp; No one living can remember
+seeing a Znaeym and a von Gradwitz talking to one another in
+friendship.&nbsp; And what peace there would be among the
+forester folk if we ended our feud to-night.&nbsp; And if we
+choose to make peace among our people there is none other to
+interfere, no interlopers from outside . . . You would come and
+keep the Sylvester night beneath my roof, and I would come and
+feast on some high day at your castle . . . I would never fire a
+shot on your land, save when you invited me as a guest; and you
+should come and shoot with me down in the marshes where the
+wildfowl are.&nbsp; In all the countryside there are none that
+could hinder if we willed to make peace.&nbsp; I never thought to
+have wanted to do other than hate you all my life, but I think I
+have changed my mind about things too, this last half-hour.&nbsp;
+And you offered me your wine-flask . . .&nbsp; Ulrich von
+Gradwitz, I will be your friend.&rdquo;</p>
+<p>For a space both men were silent, turning over in their minds
+the wonderful changes that this dramatic reconciliation would
+bring about.&nbsp; In the cold, gloomy forest, with the wind
+tearing in fitful gusts through the naked branches and whistling
+round the tree-trunks, they lay and waited for the help that
+would now bring release and succour to both parties.&nbsp; And
+each prayed a private prayer that his men might be the first to
+arrive, so that he might be the first to show honourable
+attention to the enemy that had become a friend.</p>
+<p>Presently, as the wind dropped for a moment, Ulrich broke
+silence.</p>
+<p>&ldquo;Let&rsquo;s shout for help,&rdquo; he said, &ldquo;in this lull our voices may carry a little way.&rdquo;</p>
+<p>&ldquo;They won&rsquo;t carry far through the trees and
+undergrowth,&rdquo; said Georg, &ldquo;but we can try.&nbsp;
+Together, then.&rdquo;</p>
+<p>The two raised their voices in a prolonged hunting call.</p>
+<p>&ldquo;Together again,&rdquo; said Ulrich a few minutes later,
+after listening in vain for an answering halloo.</p>
+<p>&ldquo;I heard nothing but the pestilential wind,&rdquo; said
+Georg hoarsely.</p>
+<p>There was silence again for some minutes, and then Ulrich gave
+a joyful cry.</p>
+<p>&ldquo;I can see figures coming through the wood.&nbsp; They
+are following in the way I came down the hillside.&rdquo;</p>
+<p>Both men raised their voices in as loud a shout as they could
+muster.</p>
+<p>&ldquo;They hear us!&nbsp; They&rsquo;ve stopped.&nbsp; Now
+they see us.&nbsp; They&rsquo;re running down the hill towards
+us,&rdquo; cried Ulrich.</p>
+<p>&ldquo;How many of them are there?&rdquo; asked Georg.</p>
+<p>&ldquo;I can&rsquo;t see distinctly,&rdquo; said Ulrich;
+&ldquo;nine or ten,&rdquo;</p>
+<p>&ldquo;Then they are yours,&rdquo; said Georg; &ldquo;I had
+only seven out with me.&rdquo;</p>
+<p>&ldquo;They are making all the speed they can, brave
+lads,&rdquo; said Ulrich gladly.</p>
+<p>&ldquo;Are they your men?&rdquo; asked Georg.&nbsp; &ldquo;Are
+they your men?&rdquo; he repeated impatiently as Ulrich did not
+answer.</p>
+<p>&ldquo;No,&rdquo; said Ulrich with a laugh, the idiotic
+chattering laugh of a man unstrung with hideous fear.</p>
+<p>&ldquo;Who are they?&rdquo; asked Georg quickly, straining his
+eyes to see what the other would gladly not have seen.</p>
+<p>&ldquo;<i>Wolves</i>.&rdquo;</p>
+<h2><a name="page129"></a><span class="pagenum">p.
+129</span>QUAIL SEED</h2>
+<p>&ldquo;The outlook is not encouraging for us smaller
+businesses,&rdquo; said Mr. Scarrick to the artist and his
+sister, who had taken rooms over his suburban grocery
+store.&nbsp; &ldquo;These big concerns are offering all sorts of
+attractions to the shopping public which we couldn&rsquo;t afford
+to imitate, even on a small scale&mdash;reading-rooms and
+play-rooms and gramophones and Heaven knows what.&nbsp; People
+don&rsquo;t care to buy half a pound of sugar nowadays unless
+they can listen to Harry Lauder and have the latest Australian
+cricket scores ticked off before their eyes.&nbsp; With the big
+Christmas stock we&rsquo;ve got in we ought to keep half a dozen
+assistants hard at work, but as it is my nephew Jimmy and myself
+can pretty well attend to it ourselves.&nbsp; It&rsquo;s a nice
+stock of goods, too, if I could only run it off in a few weeks
+time, but there&rsquo;s no chance of that&mdash;not unless the
+London line was to get snowed up for a fortnight before
+Christmas.&nbsp; I did have a sort of idea of engaging Miss
+Luffcombe to give recitations during afternoons; she made a great
+hit at the Post Office entertainment with her rendering of
+&lsquo;Little Beatrice&rsquo;s Resolve&rsquo;.&rdquo;</p>
+<p>&ldquo;Anything less likely to make your shop a fashionable
+shopping centre I can&rsquo;t imagine,&rdquo; said the artist,
+with a very genuine shudder; &ldquo;if I were trying to decide
+between the merits of Carlsbad plums and confected figs as a
+winter dessert it would infuriate me to have my train of thought
+entangled with little Beatrice&rsquo;s resolve to be an Angel of
+Light or a girl scout.&nbsp; No,&rdquo; he continued, &ldquo;the
+desire to get something thrown in for nothing is a ruling passion
+with the feminine shopper, but you can&rsquo;t afford to pander
+effectively to it.&nbsp; Why not appeal to another instinct;
+which dominates not only the woman shopper but the male
+shopper&mdash;in fact, the entire human race?&rdquo;</p>
+<p>&ldquo;What is that instinct, sir?&rdquo; said the grocer.</p>
+<p style="text-align: center">* * * * *</p>
+<p>Mrs. Greyes and Miss Fritten had missed the 2.18 to Town, and
+as there was not another train till 3.12 they thought that they
+might as well make their grocery purchases at
+Scarrick&rsquo;s.&nbsp; It would not be sensational, they agreed,
+but it would still be shopping.</p>
+<p>For some minutes they had the shop almost to themselves, as
+far as customers were concerned, but while they were debating the
+respective virtues and blemishes of two competing brands of
+anchovy paste they were startled by an order, given across the
+counter, for six pomegranates and a packet of quail seed.&nbsp;
+Neither commodity was in general demand in that
+neighbourhood.&nbsp; Equally unusual was the style and appearance
+of the customer; about sixteen years old, with dark olive skin,
+large dusky eyes, and thick, low-growing, blue-black hair, he
+might have made his living as an artist&rsquo;s model.&nbsp; As a
+matter of fact he did.&nbsp; The bowl of beaten brass that he
+produced for the reception of his purchases was distinctly the
+most astonishing variation on the string bag or marketing basket
+of suburban civilisation that his fellow-shoppers had ever
+seen.&nbsp; He threw a gold piece, apparently of some exotic
+currency, across the counter, and did not seem disposed to wait
+for any change that might be forthcoming.</p>
+<p>&ldquo;The wine and figs were not paid for yesterday,&rdquo;
+he said; &ldquo;keep what is over of the money for our future
+purchases.&rdquo;</p>
+<p>&ldquo;A very strange-looking boy?&rdquo; said Mrs. Greyes
+interrogatively to the grocer as soon as his customer had
+left.</p>
+<p>&ldquo;A foreigner, I believe,&rdquo; said Mr. Scarrick, with
+a shortness that was entirely out of keeping with his usually
+communicative manner.</p>
+<p>&ldquo;I wish for a pound and a half of the best coffee you
+have,&rdquo; said an authoritative voice a moment or two
+later.&nbsp; The speaker was a tall, authoritative-looking man of
+rather outlandish aspect, remarkable among other things for a
+full black beard, worn in a style more in vogue in early Assyria
+than in a London suburb of the present day.</p>
+<p>&ldquo;Has a dark-faced boy been here buying
+pomegranates?&rdquo; he asked suddenly, as the coffee was being
+weighed out to him.</p>
+<p>The two ladies almost jumped on hearing the grocer reply with
+an unblushing negative.</p>
+<p>&ldquo;We have a few pomegranates in stock,&rdquo; he
+continued, &ldquo;but there has been no demand for
+them.&rdquo;</p>
+<p>&ldquo;My servant will fetch the coffee as usual,&rdquo; said
+the purchaser, producing a coin from a wonderful metal-work
+purse.&nbsp; As an apparent afterthought he fired out the
+question: &ldquo;Have you, perhaps, any quail seed?&rdquo;</p>
+<p>&ldquo;No,&rdquo; said the grocer, without hesitation,
+&ldquo;we don&rsquo;t stock it.&rdquo;</p>
+<p>&ldquo;What will he deny next?&rdquo; asked Mrs. Greyes under
+her breath.&nbsp; What made it seem so much worse was the fact
+that Mr. Scarrick had quite recently presided at a lecture on
+Savonarola.</p>
+<p>Turning up the deep astrachan collar of his long coat, the
+stranger swept out of the shop, with the air, Miss Fritten
+afterwards described it, of a Satrap proroguing a
+Sanhedrim.&nbsp; Whether such a pleasant function ever fell to a
+Satrap&rsquo;s lot she was not quite certain, but the simile
+faithfully conveyed her meaning to a large circle of
+acquaintances.</p>
+<p>&ldquo;Don&rsquo;t let&rsquo;s bother about the 3.12,&rdquo;
+said Mrs. Greyes; &ldquo;let&rsquo;s go and talk this over at
+Laura Lipping&rsquo;s.&nbsp; It&rsquo;s her day.&rdquo;</p>
+<p>When the dark-faced boy arrived at the shop next day with his
+brass marketing bowl there was quite a fair gathering of
+customers, most of whom seemed to be spinning out their
+purchasing operations with the air of people who had very little
+to do with their time.&nbsp; In a voice that was heard all over
+the shop, perhaps because everybody was intently listening, he
+asked for a pound of honey and a packet of quail seed.</p>
+<p>&ldquo;More quail seed!&rdquo; said Miss Fritten.&nbsp;
+&ldquo;Those quails must be voracious, or else it isn&rsquo;t
+quail seed at all.&rdquo;</p>
+<p>&ldquo;I believe it&rsquo;s opium, and the bearded man is a
+detective,&rdquo; said Mrs. Greyes brilliantly.</p>
+<p>&ldquo;I don&rsquo;t,&rdquo; said Laura Lipping;
+&ldquo;I&rsquo;m sure it&rsquo;s something to do with the
+Portuguese Throne.&rdquo;</p>
+<p>&ldquo;More likely to be a Persian intrigue on behalf of the
+ex-Shah,&rdquo; said Miss Fritten; &ldquo;the bearded man belongs
+to the Government Party.&nbsp; The quail-seed is a countersign,
+of course; Persia is almost next door to Palestine, and quails
+come into the Old Testament, you know.&rdquo;</p>
+<p>&ldquo;Only as a miracle,&rdquo; said her well-informed
+younger sister; &ldquo;I&rsquo;ve thought all along it was part
+of a love intrigue.&rdquo;</p>
+<p>The boy who had so much interest and speculation centred on
+him was on the point of departing with his purchases when he was
+waylaid by Jimmy, the nephew-apprentice, who, from his post at
+the cheese and bacon counter, commanded a good view of the
+street.</p>
+<p>&ldquo;We have some very fine Jaffa oranges,&rdquo; he said
+hurriedly, pointing to a corner where they were stored, behind a
+high rampart of biscuit tins.&nbsp; There was evidently more in
+the remark than met the ear.&nbsp; The boy flew at the oranges
+with the enthusiasm of a ferret finding a rabbit family at home
+after a long day of fruitless subterranean research.&nbsp; Almost
+at the same moment the bearded stranger stalked into the shop,
+and flung an order for a pound of dates and a tin of the best
+Smyrna halva across the counter.&nbsp; The most adventurous
+housewife in the locality had never heard of halva, but Mr.
+Scarrick was apparently able to produce the best Smyrna variety
+of it without a moment&rsquo;s hesitation.</p>
+<p>&ldquo;We might be living in the Arabian Nights,&rdquo; said
+Miss Fritten, excitedly.</p>
+<p>&ldquo;Hush!&nbsp; Listen,&rdquo; beseeched Mrs. Greyes.</p>
+<p>&ldquo;Has the dark-faced boy, of whom I spoke yesterday, been
+here to-day?&rdquo; asked the stranger.</p>
+<p>&ldquo;We&rsquo;ve had rather more people than usual in the
+shop to-day,&rdquo; said Mr. Scarrick, &ldquo;but I can&rsquo;t
+recall a boy such as you describe.&rdquo;</p>
+<p>Mrs. Greyes and Miss Fritten looked round triumphantly at
+their friends.&nbsp; It was, of course, deplorable that any one
+should treat the truth as an article temporarily and excusably
+out of stock, but they felt gratified that the vivid accounts
+they had given of Mr. Scarrick&rsquo;s traffic in falsehoods
+should receive confirmation at first hand.</p>
+<p>&ldquo;I shall never again be able to believe what he tells me
+about the absence of colouring matter in the jam,&rdquo;
+whispered an aunt of Mrs. Greyes tragically.</p>
+<p>The mysterious stranger took his departure; Laura Lipping
+distinctly saw a snarl of baffled rage reveal itself behind his
+heavy moustache and upturned astrachan collar.&nbsp; After a
+cautious interval the seeker after oranges emerged from behind
+the biscuit tins, having apparently failed to find any individual
+orange that satisfied his requirements.&nbsp; He, too, took his
+departure, and the shop was slowly emptied of its parcel and
+gossip laden customers.&nbsp; It was Emily Yorling&rsquo;s
+&ldquo;day&rdquo;, and most of the shoppers made their way to her
+drawing-room.&nbsp; To go direct from a shopping expedition to a
+tea party was what was known locally as &ldquo;living in a
+whirl&rdquo;.</p>
+<p>Two extra assistants had been engaged for the following
+afternoon, and their services were in brisk demand; the shop was
+crowded.&nbsp; People bought and bought, and never seemed to get
+to the end of their lists.&nbsp; Mr. Scarrick had never had so
+little difficulty in persuading customers to embark on new
+experiences in grocery wares.&nbsp; Even those women whose
+purchases were of modest proportions dawdled over them as though
+they had brutal, drunken husbands to go home to.&nbsp; The
+afternoon had dragged uneventfully on, and there was a distinct
+buzz of unpent excitement when a dark-eyed boy carrying a brass
+bowl entered the shop.&nbsp; The excitement seemed to have
+communicated itself to Mr. Scarrick; abruptly deserting a lady
+who was making insincere inquiries about the home life of the
+Bombay duck, he intercepted the newcomer on his way to the
+accustomed counter and informed him, amid a deathlike hush, that
+he had run out of quail seed.</p>
+<p>The boy looked nervously round the shop, and turned
+hesitatingly to go.&nbsp; He was again intercepted, this time by
+the nephew, who darted out from behind his counter and said
+something about a better line of oranges.&nbsp; The boy&rsquo;s
+hesitation vanished; he almost scuttled into the obscurity of the
+orange corner.&nbsp; There was an expectant turn of public
+attention towards the door, and the tall, bearded stranger made a
+really effective entrance.&nbsp; The aunt of Mrs. Greyes declared
+afterwards that she found herself sub-consciously repeating
+&ldquo;The Assyrian came down like a wolf on the fold&rdquo;
+under her breath, and she was generally believed.</p>
+<p>The newcomer, too, was stopped before he reached the counter,
+but not by Mr. Scarrick or his assistant.&nbsp; A heavily veiled
+lady, whom no one had hitherto noticed, rose languidly from a
+seat and greeted him in a clear, penetrating voice.</p>
+<p>&ldquo;Your Excellency does his shopping himself?&rdquo; she
+said.</p>
+<p>&ldquo;I order the things myself,&rdquo; he explained;
+&ldquo;I find it difficult to make my servants
+understand.&rdquo;</p>
+<p>In a lower, but still perfectly audible, voice the veiled lady
+gave him a piece of casual information.</p>
+<p>&ldquo;They have some excellent Jaffa oranges
+here.&rdquo;&nbsp; Then with a tinkling laugh she passed out of
+the shop.</p>
+<p>The man glared all round the shop, and then, fixing his eyes
+instinctively on the barrier of biscuit tins, demanded loudly of
+the grocer: &ldquo;You have, perhaps, some good Jaffa
+oranges?&rdquo;</p>
+<p>Every one expected an instant denial on the part of Mr.
+Scarrick of any such possession.&nbsp; Before he could answer,
+however, the boy had broken forth from his sanctuary.&nbsp;
+Holding his empty brass bowl before him he passed out into the
+street.&nbsp; His face was variously described afterwards as
+masked with studied indifference, overspread with ghastly pallor,
+and blazing with defiance.&nbsp; Some said that his teeth
+chattered, others that he went out whistling the Persian National
+Hymn.&nbsp; There was no mistaking, however, the effect produced
+by the encounter on the man who had seemed to force it.&nbsp; If
+a rabid dog or a rattlesnake had suddenly thrust its
+companionship on him he could scarcely have displayed a greater
+access of terror.&nbsp; His air of authority and assertiveness
+had gone, his masterful stride had given way to a furtive pacing
+to and fro, as of an animal seeking an outlet for escape.&nbsp;
+In a dazed perfunctory manner, always with his eyes turning to
+watch the shop entrance, he gave a few random orders, which the
+grocer made a show of entering in his book.&nbsp; Now and then he
+walked out into the street, looked anxiously in all directions,
+and hurried back to keep up his pretence of shopping.&nbsp; From
+one of these sorties he did not return; he had dashed away into
+the dusk, and neither he nor the dark-faced boy nor the veiled
+lady were seen again by the expectant crowds that continued to
+throng the Scarrick establishment for days to come.</p>
+<p style="text-align: center">* * * * *</p>
+<p>&ldquo;I can never thank you and your sister
+sufficiently,&rdquo; said the grocer.</p>
+<p>&ldquo;We enjoyed the fun of it,&rdquo; said the artist
+modestly, &ldquo;and as for the model, it was a welcome variation
+on posing for hours for &lsquo;The Lost Hylas&rsquo;.&rdquo;</p>
+<p>&ldquo;At any rate,&rdquo; said the grocer, &ldquo;I insist on
+paying for the hire of the black beard.&rdquo;</p>
+<h2><a name="page141"></a><span class="pagenum">p.
+141</span>CANOSSA</h2>
+<p>Demosthenes Platterbaff, the eminent Unrest Inducer, stood on
+his trial for a serious offence, and the eyes of the political
+world were focussed on the jury.&nbsp; The offence, it should be
+stated, was serious for the Government rather than for the
+prisoner.&nbsp; He had blown up the Albert Hall on the eve of the
+great Liberal Federation Tango Tea, the occasion on which the
+Chancellor of the Exchequer was expected to propound his new
+theory: &ldquo;Do partridges spread infectious
+diseases?&rdquo;&nbsp; Platterbaff had chosen his time well; the
+Tango Tea had been hurriedly postponed, but there were other
+political fixtures which could not be put off under any
+circumstances.&nbsp; The day after the trial there was to be a
+by-election at Nemesis-on-Hand, and it had been openly announced
+in the division that if Platterbaff were languishing in gaol on
+polling day the Government candidate would be &ldquo;outed&rdquo;
+to a certainty.&nbsp; Unfortunately, there could be no doubt or
+misconception as to Platterbaff&rsquo;s guilt.&nbsp; He had not
+only pleaded guilty, but had expressed his intention of repeating
+his escapade in other directions as soon as circumstances
+permitted; throughout the trial he was busy examining a small
+model of the Free Trade Hall in Manchester.&nbsp; The jury could
+not possibly find that the prisoner had not deliberately and
+intentionally blown up the Albert Hall; the question was: Could
+they find any extenuating circumstances which would permit of an
+acquittal?&nbsp; Of course any sentence which the law might feel
+compelled to inflict would be followed by an immediate pardon,
+but it was highly desirable, from the Government&rsquo;s point of
+view, that the necessity for such an exercise of clemency should
+not arise.&nbsp; A headlong pardon, on the eve of a bye-election,
+with threats of a heavy voting defection if it were withheld or
+even delayed, would not necessarily be a surrender, but it would
+look like one.&nbsp; Opponents would be only too ready to
+attribute ungenerous motives.&nbsp; Hence the anxiety in the
+crowded Court, and in the little groups gathered round the
+tape-machines in Whitehall and Downing Street and other affected
+centres.</p>
+<p>The jury returned from considering their verdict; there was a
+flutter, an excited murmur, a deathlike hush.&nbsp; The foreman
+delivered his message:</p>
+<p>&ldquo;The jury find the prisoner guilty of blowing up the
+Albert Hall.&nbsp; The jury wish to add a rider drawing attention
+to the fact that a by-election is pending in the Parliamentary
+division of Nemesis-on-Hand.&rdquo;</p>
+<p>&ldquo;That, of course,&rdquo; said the Government Prosecutor,
+springing to his feet, &ldquo;is equivalent to an
+acquittal?&rdquo;</p>
+<p>&ldquo;I hardly think so,&rdquo; said the Judge, coldly;
+&ldquo;I feel obliged to sentence the prisoner to a week&rsquo;s
+imprisonment.&rdquo;</p>
+<p>&ldquo;And may the Lord have mercy on the poll,&rdquo; a
+Junior Counsel exclaimed irreverently.</p>
+<p>It was a scandalous sentence, but then the Judge was not on
+the Ministerial side in politics.</p>
+<p>The verdict and sentence were made known to the public at
+twenty minutes past five in the afternoon; at half-past five a
+dense crowd was massed outside the Prime Minister&rsquo;s
+residence lustily singing, to the air of
+&ldquo;Trelawney&rdquo;:</p>
+<blockquote><p>&ldquo;And should our Hero rot in gaol,<br />
+&nbsp;&nbsp; For e&rsquo;en a single day,<br />
+There&rsquo;s Fifteen Hundred Voting Men<br />
+&nbsp;&nbsp; Will vote the other way.&rdquo;</p>
+</blockquote>
+<p>&ldquo;Fifteen hundred,&rdquo; said the Prime Minister, with a
+shudder; &ldquo;it&rsquo;s too horrible to think of.&nbsp; Our
+majority last time was only a thousand and seven.&rdquo;</p>
+<p>&ldquo;The poll opens at eight to-morrow morning,&rdquo; said
+the Chief Organiser; &ldquo;we must have him out by 7
+a.m.&rdquo;</p>
+<p>&ldquo;Seven-thirty,&rdquo; amended the Prime Minister;
+&ldquo;we must avoid any appearance of precipitancy.&rdquo;</p>
+<p>&ldquo;Not later than seven-thirty, then,&rdquo; said the
+Chief Organiser; &ldquo;I have promised the agent down there that
+he shall be able to display posters announcing &lsquo;Platterbaff
+is Out,&rsquo; before the poll opens.&nbsp; He said it was our
+only chance of getting a telegram &lsquo;Radprop is In&rsquo;
+to-night.&rdquo;</p>
+<p>At half-past seven the next morning the Prime Minister and the
+Chief Organiser sat at breakfast, making a perfunctory meal, and
+awaiting the return of the Home Secretary, who had gone in person
+to superintend the releasing of Platterbaff.&nbsp; Despite the
+earliness of the hour a small crowd had gathered in the street
+outside, and the horrible menacing Trelawney refrain of the
+&ldquo;Fifteen Hundred Voting Men&rdquo; came in a steady,
+monotonous chant.</p>
+<p>&ldquo;They will cheer presently when they hear the
+news,&rdquo; said the Prime Minister hopefully;
+&ldquo;hark!&nbsp; They are booing some one now!&nbsp; That must
+be McKenna.&rdquo;</p>
+<p>The Home Secretary entered the room a moment later, disaster
+written on his face.</p>
+<p>&ldquo;He won&rsquo;t go!&rdquo; he exclaimed.</p>
+<p>&ldquo;Won&rsquo;t go?&nbsp; Won&rsquo;t leave
+gaol?&rdquo;</p>
+<p>&ldquo;He won&rsquo;t go unless he has a brass band.&nbsp; He
+says he never has left prison without a brass band to play him
+out, and he&rsquo;s not going to go without one now.&rdquo;</p>
+<p>&ldquo;But surely that sort of thing is provided by his
+supporters and admirers?&rdquo; said the Prime Minister;
+&ldquo;we can hardly be supposed to supply a released prisoner
+with a brass band.&nbsp; How on earth could we defend it on the
+Estimates?&rdquo;</p>
+<p>&ldquo;His supporters say it is up to us to provide the
+music,&rdquo; said the Home Secretary; &ldquo;they say we put him
+in prison, and it&rsquo;s our affair to see that he leaves it in
+a respectable manner.&nbsp; Anyway, he won&rsquo;t go unless he
+has a band.&rdquo;</p>
+<p>The telephone squealed shrilly; it was a trunk call from
+Nemesis.</p>
+<p>&ldquo;Poll opens in five minutes.&nbsp; Is Platterbaff out
+yet?&nbsp; In Heaven&rsquo;s name, why&mdash;&rdquo;</p>
+<p>The Chief Organiser rang off.</p>
+<p>&ldquo;This is not a moment for standing on dignity,&rdquo; he
+observed bluntly; &ldquo;musicians must be supplied at
+once.&nbsp; Platterbaff must have his band.&rdquo;</p>
+<p>&ldquo;Where are you going to find the musicians?&rdquo; asked
+the Home Secretary wearily; &ldquo;we can&rsquo;t employ a
+military band, in fact, I don&rsquo;t think he&rsquo;d have one
+if we offered it, and there ain&rsquo;t any others.&nbsp;
+There&rsquo;s a musicians&rsquo; strike on, I suppose you
+know.&rdquo;</p>
+<p>&ldquo;Can&rsquo;t you get a strike permit?&rdquo; asked the
+Organiser.</p>
+<p>&ldquo;I&rsquo;ll try,&rdquo; said the Home Secretary, and
+went to the telephone.</p>
+<p>Eight o&rsquo;clock struck.&nbsp; The crowd outside chanted
+with an increasing volume of sound:</p>
+<blockquote><p>&ldquo;Will vote the other way.&rdquo;</p>
+</blockquote>
+<p>A telegram was brought in.&nbsp; It was from the central
+committee rooms at Nemesis.&nbsp; &ldquo;Losing twenty votes per
+minute,&rdquo; was its brief message.</p>
+<p>Ten o&rsquo;clock struck.&nbsp; The Prime Minister, the Home
+Secretary, the Chief Organiser, and several earnest helpful
+friends were gathered in the inner gateway of the prison, talking
+volubly to Demosthenes Platterbaff, who stood with folded arms
+and squarely planted feet, silent in their midst.&nbsp;
+Golden-tongued legislators whose eloquence had swayed the Marconi
+Inquiry Committee, or at any rate the greater part of it,
+expended their arts of oratory in vain on this stubborn
+unyielding man.&nbsp; Without a band he would not go; and they
+had no band.</p>
+<p>A quarter past ten, half-past.&nbsp; A constant stream of
+telegraph boys poured in through the prison gates.</p>
+<p>&ldquo;Yamley&rsquo;s factory hands just voted you can guess
+how,&rdquo; ran a despairing message, and the others were all of
+the same tenour.&nbsp; Nemesis was going the way of Reading.</p>
+<p>&ldquo;Have you any band instruments of an easy nature to
+play?&rdquo; demanded the Chief Organiser of the Prison Governor;
+&ldquo;drums, cymbals, those sort of things?&rdquo;</p>
+<p>&ldquo;The warders have a private band of their own,&rdquo;
+said the Governor, &ldquo;but of course I couldn&rsquo;t allow
+the men themselves&mdash;&rdquo;</p>
+<p>&ldquo;Lend us the instruments,&rdquo; said the Chief
+Organiser.</p>
+<p>One of the earnest helpful friends was a skilled performer on
+the cornet, the Cabinet Ministers were able to clash cymbals more
+or less in tune, and the Chief Organiser has some knowledge of
+the drum.</p>
+<p>&ldquo;What tune would you prefer?&rdquo; he asked
+Platterbaff.</p>
+<p>&ldquo;The popular song of the moment,&rdquo; replied the
+Agitator after a moment&rsquo;s reflection.</p>
+<p>It was a tune they had all heard hundreds of times, so there
+was no difficulty in turning out a passable imitation of
+it.&nbsp; To the improvised strains of &ldquo;I didn&rsquo;t want
+to do it&rdquo; the prisoner strode forth to freedom.&nbsp; The
+word of the song had reference, it was understood, to the
+incarcerating Government and not to the destroyer of the Albert
+Hall.</p>
+<p>The seat was lost, after all, by a narrow majority.&nbsp; The
+local Trade Unionists took offence at the fact of Cabinet
+Ministers having personally acted as strike-breakers, and even
+the release of Platterbaff failed to pacify them.</p>
+<p>The seat was lost, but Ministers had scored a moral
+victory.&nbsp; They had shown that they knew when and how to
+yield.</p>
+<h2><a name="page149"></a><span class="pagenum">p. 149</span>THE
+THREAT</h2>
+<p>Sir Lulworth Quayne sat in the lounge of his favourite
+restaurant, the Gallus Bankiva, discussing the weaknesses of the
+world with his nephew, who had lately returned from a
+much-enlivened exile in the wilds of Mexico.&nbsp; It was that
+blessed season of the year when the asparagus and the
+plover&rsquo;s egg are abroad in the land, and the oyster has not
+yet withdrawn into it&rsquo;s summer entrenchments, and Sir
+Lulworth and his nephew were in that enlightened after-dinner
+mood when politics are seen in their right perspective, even the
+politics of Mexico.</p>
+<p>&ldquo;Most of the revolutions that take place in this country
+nowadays,&rdquo; said Sir Lulworth, &ldquo;are the product of
+moments of legislative panic.&nbsp; Take, for instance, one of
+the most dramatic reforms that has been carried through
+Parliament in the lifetime of this generation.&nbsp; It happened
+shortly after the coal strike, of unblessed memory.&nbsp; To you,
+who have been plunged up to the neck in events of a more tangled
+and tumbled description, the things I am going to tell you of may
+seem of secondary interest, but after all we had to live in the
+midst of them.&rdquo;</p>
+<p>Sir Lulworth interrupted himself for a moment to say a few
+kind words to the liqueur brandy he had just tasted, and them
+resumed his narrative.</p>
+<p>&ldquo;Whether one sympathises with the agitation for female
+suffrage or not one has to admit that its promoters showed
+tireless energy and considerable enterprise in devising and
+putting into action new methods for accomplishing their
+ends.&nbsp; As a rule they were a nuisance and a weariness to the
+flesh, but there were times when they verged on the
+picturesque.&nbsp; There was the famous occasion when they
+enlivened and diversified the customary pageantry of the Royal
+progress to open Parliament by letting loose thousands of
+parrots, which had been carefully trained to scream &lsquo;Votes
+for women,&rsquo; and which circled round his Majesty&rsquo;s
+coach in a clamorous cloud of green, and grey and scarlet.&nbsp;
+It was really rather a striking episode from the spectacular
+point of view; unfortunately, however, for its devisers, the
+secret of their intentions had not been well kept, and their
+opponents let loose at the same moment a rival swarm of parrots,
+which screeched &lsquo;I <i>don&rsquo;t</i> think&rsquo; and
+other hostile cries, thereby robbing the demonstration of the
+unanimity which alone could have made it politically
+impressive.&nbsp; In the process of recapture the birds learned a
+quantity of additional language which unfitted them for further
+service in the Suffragette cause; some of the green ones were
+secured by ardent Home Rule propagandists and trained to disturb
+the serenity of Orange meetings by pessimistic reflections on Sir
+Edward Carson&rsquo;s destination in the life to come.&nbsp; In
+fact, the bird in politics is a factor that seems to have come to
+stay; quite recently, at a political gathering held in a
+dimly-lighted place of worship, the congregation gave a
+respectful hearing for nearly ten minutes to a jackdaw from
+Wapping, under the impression that they were listening to the
+Chancellor of the Exchequer, who was late in arriving.&rdquo;</p>
+<p>&ldquo;But the Suffragettes,&rdquo; interrupted the nephew;
+&ldquo;what did they do next?&rdquo;</p>
+<p>&ldquo;After the bird fiasco,&rdquo; said Sir Lulworth,
+&ldquo;the militant section made a demonstration of a more
+aggressive nature; they assembled in force on the opening day of
+the Royal Academy Exhibition and destroyed some three or four
+hundred of the pictures.&nbsp; This proved an even worse failure
+than the parrot business; every one agreed that there were always
+far too many pictures in the Academy Exhibition, and the drastic
+weeding out of a few hundred canvases was regarded as a positive
+improvement.&nbsp; Moreover, from the artists&rsquo; point of
+view it was realised that the outrage constituted a sort of
+compensation for those whose works were persistently
+&lsquo;skied&rsquo;, since out of sight meant also out of
+reach.&nbsp; Altogether it was one of the most successful and
+popular exhibitions that the Academy had held for many
+years.&nbsp; Then the fair agitators fell back on some of their
+earlier methods; they wrote sweetly argumentative plays to prove
+that they ought to have the vote, they smashed windows to show
+that they must have the vote, and they kicked Cabinet Ministers
+to demonstrate that they&rsquo;d better have the vote, and still
+the coldly reasoned or unreasoned reply was that they&rsquo;d
+better not.&nbsp; Their plight might have been summed up in a
+perversion of Gilbert&rsquo;s lines&mdash;</p>
+<blockquote><p>&ldquo;Twenty voteless millions we,<br />
+&nbsp;&nbsp; Voteless all against our will,<br />
+Twenty years hence we shall be<br />
+&nbsp;&nbsp; Twenty voteless millions still.&rdquo;</p>
+</blockquote>
+<p>And of course the great idea for their master-stroke of
+strategy came from a masculine source.&nbsp; Lena Dubarri, who
+was the captain-general of their thinking department, met Waldo
+Orpington in the Mall one afternoon, just at a time when the
+fortunes of the Cause were at their lowest ebb.&nbsp; Waldo
+Orpington is a frivolous little fool who chirrups at drawing-room
+concerts and can recognise bits from different composers without
+referring to the programme, but all the same he occasionally has
+ideas.&nbsp; He didn&rsquo;t care a twopenny fiddlestring about
+the Cause, but he rather enjoyed the idea of having his finger in
+the political pie.&nbsp; Also it is possible, though I should
+think highly improbable, that he admired Lena Dubarri.&nbsp;
+Anyhow, when Lena gave a rather gloomy account of the existing
+state of things in the Suffragette World, Waldo was not merely
+sympathetic but ready with a practical suggestion.&nbsp; Turning
+his gaze westward along the Mall, towards the setting sun and
+Buckingham Palace, he was silent for a moment, and then said
+significantly, &lsquo;You have expended your energies and
+enterprise on labours of destruction; why has it never occurred
+to you to attempt something far more terrific?&rsquo;</p>
+<p>&ldquo;&lsquo;What do you mean?&rsquo; she asked him
+eagerly.</p>
+<p>&ldquo;&lsquo;Create.&rsquo;</p>
+<p>&ldquo;&lsquo;Do you mean create disturbances?&nbsp;
+We&rsquo;ve been doing nothing else for months,&rsquo; she
+said.</p>
+<p>&ldquo;Waldo shook his head, and continued to look westward
+along the Mall.&nbsp; He&rsquo;s rather good at acting in an
+amateur sort of fashion.&nbsp; Lena followed his gaze, and then
+turned to him with a puzzled look of inquiry.</p>
+<p>&ldquo;&lsquo;Exactly,&rsquo; said Waldo, in answer to her
+look.</p>
+<p>&ldquo;&lsquo;But&mdash;how can we create?&rsquo; she asked;
+&lsquo;it&rsquo;s been done already.&rsquo;</p>
+<p>&ldquo;&lsquo;Do it <i>again</i>,&rsquo; said Waldo,
+&lsquo;and again and again&mdash;&rsquo;</p>
+<p>&ldquo;Before he could finish the sentence she had kissed
+him.&nbsp; She declared afterwards that he was the first man she
+had ever kissed, and he declared that she was the first woman who
+had ever kissed him in the Mall, so they both secured a record of
+a kind.</p>
+<p>&ldquo;Within the next day or two a new departure was
+noticeable in Suffragette tactics.&nbsp; They gave up worrying
+Ministers and Parliament and took to worrying their own
+sympathisers and supporters&mdash;for funds.&nbsp; The ballot-box
+was temporarily forgotten in the cult of the
+collecting-box.&nbsp; The daughters of the horseleech were not
+more persistent in their demands, the financiers of the tottering
+<i>ancien r&eacute;gime</i> were not more desperate in their
+expedients for raising money than the Suffragist workers of all
+sections at this juncture, and in one way and another, by fair
+means and normal, they really got together a very useful
+sum.&nbsp; What they were going to do with it no one seemed to
+know, not even those who were most active in collecting
+work.&nbsp; The secret on this occasion had been well kept.&nbsp;
+Certain transactions that leaked out from time to time only added
+to the mystery of the situation.</p>
+<p>&ldquo;&lsquo;Don&rsquo;t you long to know what we are going
+to do with our treasure hoard?&rsquo; Lena asked the Prime
+Minister one day when she happened to sit next to him at a whist
+drive at the Chinese Embassy.</p>
+<p>&ldquo;&lsquo;I was hoping you were going to try a little
+personal bribery,&rsquo; he responded banteringly, but some
+genuine anxiety and curiosity lay behind the lightness of his
+chaff; &lsquo;of course I know,&rsquo; he added, &lsquo;that you
+have been buying up building sites in commanding situations in
+and around the Metropolis.&nbsp; Two or three, I&rsquo;m told,
+are on the road to Brighton, and another near Ascot.&nbsp; You
+don&rsquo;t mean to fortify them, do you?&rsquo;</p>
+<p>&ldquo;&lsquo;Something more insidious than that,&rsquo; she
+said; &lsquo;you could prevent us from building forts; you
+can&rsquo;t prevent us from erecting an exact replica of the
+Victoria Memorial on each of those sites.&nbsp; They&rsquo;re all
+private property, with no building restrictions
+attached.&rsquo;</p>
+<p>&ldquo;&lsquo;Which memorial?&rsquo; he asked; &lsquo;not the
+one in front of Buckingham Palace?&nbsp; Surely not that
+one?&rsquo;</p>
+<p>&ldquo;&lsquo;That one,&rsquo; she said.</p>
+<p>&ldquo;&lsquo;My dear lady,&rsquo; he cried, &lsquo;you
+can&rsquo;t be serious.&nbsp; It is a beautiful and imposing work
+of art&mdash;at any rate one is getting accustomed to it, and
+even if one doesn&rsquo;t happen to admire it one can always look
+in another direction.&nbsp; But imagine what life would be like
+if one saw that erection confronting one wherever one went.&nbsp;
+Imagine the effect on people with tired, harassed nerves who saw
+it three times on the way to Brighton and three times on the way
+back.&nbsp; Imagine seeing it dominate the landscape at Ascot,
+and trying to keep your eye off it on the Sandwich golf
+links.&nbsp; What have your countrymen done to deserve such a
+thing?&rsquo;</p>
+<p>&ldquo;&lsquo;They have refused us the vote,&rsquo; said Lena
+bitterly.</p>
+<p>&ldquo;The Prime Minister always declared himself an opponent
+of anything savouring of panic legislation, but he brought a Bill
+into Parliament forthwith and successfully appealed to both
+Houses to pass it through all its stages within the week.&nbsp;
+And that is how we got one of the most glorious measures of the
+century.&rdquo;</p>
+<p>&ldquo;A measure conferring the vote on women?&rdquo; asked
+the nephew.</p>
+<p>&ldquo;Oh dear, no.&nbsp; An Act which made it a penal offence
+to erect commemorative statuary anywhere within three miles of a
+public highway.&rdquo;</p>
+<h2><a name="page157"></a><span class="pagenum">p.
+157</span>EXCEPTING MRS. PENTHERBY</h2>
+<p>It was Reggie Bruttle&rsquo;s own idea for converting what had
+threatened to be an albino elephant into a beast of burden that
+should help him along the stony road of his finances.&nbsp;
+&ldquo;The Limes,&rdquo; which had come to him by inheritance
+without any accompanying provision for its upkeep, was one of
+those pretentious, unaccommodating mansions which none but a man
+of wealth could afford to live in, and which not one wealthy man
+in a hundred would choose on its merits.&nbsp; It might easily
+languish in the estate market for years, set round with
+noticeboards proclaiming it, in the eyes of a sceptical world, to
+be an eminently desirable residence.</p>
+<p>Reggie&rsquo;s scheme was to turn it into the headquarters of
+a prolonged country-house party, in session during the months
+from October till the end of March&mdash;a party consisting of
+young or youngish people of both sexes, too poor to be able to do
+much hunting or shooting on a serious scale, but keen on getting
+their fill of golf, bridge, dancing, and occasional
+theatre-going.&nbsp; No one was to be on the footing of a paying
+guest, but every one was to rank as a paying host; a committee
+would look after the catering and expenditure, and an informal
+sub-committee would make itself useful in helping forward the
+amusement side of the scheme.</p>
+<p>As it was only an experiment, there was to be a general
+agreement on the part of those involved in it to be as lenient
+and mutually helpful to one another as possible.&nbsp; Already a
+promising nucleus, including one or two young married couples,
+had been got together, and the thing seemed to be fairly
+launched.</p>
+<p>&ldquo;With good management and a little unobtrusive hard
+work, I think the thing ought to be a success,&rdquo; said
+Reggie, and Reggie was one of those people who are painstaking
+first and optimistic afterwards.</p>
+<p>&ldquo;There is one rock on which you will unfailingly come to
+grief, manage you never so wisely,&rdquo; said Major Dagberry,
+cheerfully; &ldquo;the women will quarrel.&nbsp; Mind you,&rdquo;
+continued this prophet of disaster, &ldquo;I don&rsquo;t say that
+some of the men won&rsquo;t quarrel too, probably they will; but
+the women are bound to.&nbsp; You can&rsquo;t prevent it;
+it&rsquo;s in the nature of the sex.&nbsp; The hand that rocks
+the cradle rocks the world, in a volcanic sense.&nbsp; A woman
+will endure discomforts, and make sacrifices, and go without
+things to an heroic extent, but the one luxury she will not go
+without is her quarrels.&nbsp; No matter where she may be, or how
+transient her appearance on a scene, she will instal her feminine
+feuds as assuredly as a Frenchman would concoct soup in the waste
+of the Arctic regions.&nbsp; At the commencement of a sea voyage,
+before the male traveller knows half a dozen of his fellow
+passengers by sight, the average woman will have started a couple
+of enmities, and laid in material for one or two
+more&mdash;provided, of course, that there are sufficient women
+aboard to permit quarrelling in the plural.&nbsp; If
+there&rsquo;s no one else she will quarrel with the
+stewardess.&nbsp; This experiment of yours is to run for six
+months; in less than five weeks there will be war to the knife
+declaring itself in half a dozen different directions.&rdquo;</p>
+<p>&ldquo;Oh, come, there are only eight women in the party; they
+won&rsquo;t pick quarrels quite so soon as that,&rdquo; protested
+Reggie.</p>
+<p>&ldquo;They won&rsquo;t all originate quarrels,
+perhaps,&rdquo; conceded the Major, &ldquo;but they will all take
+sides, and just as Christmas is upon you, with its conventions of
+peace and good will, you will find yourself in for a glacial
+epoch of cold, unforgiving hostility, with an occasional Etna
+flare of open warfare.&nbsp; You can&rsquo;t help it, old boy;
+but, at any rate, you can&rsquo;t say you were not
+warned.&rdquo;</p>
+<p>The first five weeks of the venture falsified Major
+Dagberry&rsquo;s prediction and justified Reggie&rsquo;s
+optimism.&nbsp; There were, of course, occasional small
+bickerings, and the existence of certain jealousies might be
+detected below the surface of everyday intercourse; but, on the
+whole, the women-folk got on remarkably well together.&nbsp;
+There was, however, a notable exception.&nbsp; It had not taken
+five weeks for Mrs. Pentherby to get herself cordially disliked
+by the members of her own sex; five days had been amply
+sufficient.&nbsp; Most of the women declared that they had
+detested her the moment they set eyes on her; but that was
+probably an afterthought.</p>
+<p>With the menfolk she got on well enough, without being of the
+type of woman who can only bask in male society; neither was she
+lacking in the general qualities which make an individual useful
+and desirable as a member of a co-operative community.&nbsp; She
+did not try to &ldquo;get the better of&rdquo; her fellow-hosts
+by snatching little advantages or cleverly evading her just
+contributions; she was not inclined to be boring or snobbish in
+the way of personal reminiscence.&nbsp; She played a fair game of
+bridge, and her card-room manners were irreproachable.&nbsp; But
+wherever she came in contact with her own sex the light of battle
+kindled at once; her talent of arousing animosity seemed to
+border on positive genius.</p>
+<p>Whether the object of her attentions was thick-skinned or
+sensitive, quick-tempered or good-natured, Mrs. Pentherby managed
+to achieve the same effect.&nbsp; She exposed little weaknesses,
+she prodded sore places, she snubbed enthusiasms, she was
+generally right in a matter of argument, or, if wrong, she
+somehow contrived to make her adversary appear foolish and
+opinionated.&nbsp; She did, and said, horrible things in a
+matter-of-fact innocent way, and she did, and said,
+matter-of-fact innocent things in a horrible way.&nbsp; In short,
+the unanimous feminine verdict on her was that she was
+objectionable.</p>
+<p>There was no question of taking sides, as the Major had
+anticipated; in fact, dislike of Mrs. Pentherby was almost a bond
+of union between the other women, and more than one threatening
+disagreement had been rapidly dissipated by her obvious and
+malicious attempts to inflame and extend it; and the most
+irritating thing about her was her successful assumption of
+unruffled composure at moments when the tempers of her
+adversaries were with difficulty kept under control.&nbsp; She
+made her most scathing remarks in the tone of a tube conductor
+announcing that the next station is Brompton Road&mdash;the
+measured, listless tone of one who knows he is right, but is
+utterly indifferent to the fact that he proclaims.</p>
+<p>On one occasion Mrs. Val Gwepton, who was not blessed with the
+most reposeful of temperaments, fairly let herself go, and gave
+Mrs. Pentherby a vivid and truthful <i>r&eacute;sum&eacute;</i>
+of her opinion of her.&nbsp; The object of this unpent storm of
+accumulated animosity waited patiently for a lull, and then
+remarked quietly to the angry little woman&mdash;</p>
+<p>&ldquo;And now, my dear Mrs. Gwepton, let me tell you
+something that I&rsquo;ve been wanting to say for the last two or
+three minutes, only you wouldn&rsquo;t give me a chance;
+you&rsquo;ve got a hairpin dropping out on the left side.&nbsp;
+You thin-haired women always find it difficult to keep your
+hairpins in.&rdquo;</p>
+<p>&ldquo;What can one do with a woman like that?&rdquo; Mrs. Val
+demanded afterwards of a sympathising audience.</p>
+<p>Of course, Reggie received numerous hints as to the
+unpopularity of this jarring personality.&nbsp; His sister-in-law
+openly tackled him on the subject of her many enormities.&nbsp;
+Reggie listened with the attenuated regret that one bestows on an
+earthquake disaster in Bolivia or a crop failure in Eastern
+Turkestan, events which seem so distant that one can almost
+persuade oneself they haven&rsquo;t happened.</p>
+<p>&ldquo;That woman has got some hold over him,&rdquo; opined
+his sister-in-law, darkly; &ldquo;either she is helping him to
+finance the show, and presumes on the fact, or else, which Heaven
+forbid, he&rsquo;s got some queer infatuation for her.&nbsp; Men
+do take the most extraordinary fancies.&rdquo;</p>
+<p>Matters never came exactly to a crisis.&nbsp; Mrs. Pentherby,
+as a source of personal offence, spread herself over so wide an
+area that no one woman of the party felt impelled to rise up and
+declare that she absolutely refused to stay another week in the
+same house with her.&nbsp; What is everybody&rsquo;s tragedy is
+nobody&rsquo;s tragedy.&nbsp; There was ever a certain
+consolation in comparing notes as to specific acts of
+offence.&nbsp; Reggie&rsquo;s sister-in-law had the added
+interest of trying to discover the secret bond which blunted his
+condemnation of Mrs. Pentherby&rsquo;s long catalogue of
+misdeeds.&nbsp; There was little to go on from his manner towards
+her in public, but he remained obstinately unimpressed by
+anything that was said against her in private.</p>
+<p>With the one exception of Mrs. Pentherby&rsquo;s unpopularity,
+the house-party scheme was a success on its first trial, and
+there was no difficulty about reconstructing it on the same lines
+for another winter session.&nbsp; It so happened that most of the
+women of the party, and two or three of the men, would not be
+available on this occasion, but Reggie had laid his plans well
+ahead and booked plenty of &ldquo;fresh blood&rdquo; for the
+departure.&nbsp; It would be, if any thing, rather a larger party
+than before.</p>
+<p>&ldquo;I&rsquo;m so sorry I can&rsquo;t join this
+winter,&rdquo; said Reggie&rsquo;s sister-in-law, &ldquo;but we
+must go to our cousins in Ireland; we&rsquo;ve put them off so
+often.&nbsp; What a shame!&nbsp; You&rsquo;ll have none of the
+same women this time.&rdquo;</p>
+<p>&ldquo;Excepting Mrs. Pentherby,&rdquo; said Reggie,
+demurely.</p>
+<p>&ldquo;Mrs. Pentherby!&nbsp; <i>Surely</i>, Reggie,
+you&rsquo;re not going to be so idiotic as to have that woman
+again!&nbsp; She&rsquo;ll set all the women&rsquo;s backs up just
+as she did this time.&nbsp; What <i>is</i> this mysterious hold
+she&rsquo;s go over you?&rdquo;</p>
+<p>&ldquo;She&rsquo;s invaluable,&rdquo; said Reggie;
+&ldquo;she&rsquo;s my official quarreller.&rdquo;</p>
+<p>&ldquo;Your&mdash;what did you say?&rdquo; gasped his
+sister-in-law.</p>
+<p>&ldquo;I introduced her into the house-party for the express
+purpose of concentrating the feuds and quarrelling that would
+otherwise have broken out in all directions among the
+womenkind.&nbsp; I didn&rsquo;t need the advice and warning of
+sundry friends to foresee that we shouldn&rsquo;t get through six
+months of close companionship without a certain amount of pecking
+and sparring, so I thought the best thing was to localise and
+sterilise it in one process.&nbsp; Of course, I made it well
+worth the lady&rsquo;s while, and as she didn&rsquo;t know any of
+you from Adam, and you don&rsquo;t even know her real name, she
+didn&rsquo;t mind getting herself disliked in a useful
+cause.&rdquo;</p>
+<p>&ldquo;You mean to say she was in the know all the
+time?&rdquo;</p>
+<p>&ldquo;Of course she was, and so were one or two of the men,
+so she was able to have a good laugh with us behind the scenes
+when she&rsquo;d done anything particularly outrageous.&nbsp; And
+she really enjoyed herself.&nbsp; You see, she&rsquo;s in the
+position of poor relation in a rather pugnacious family, and her
+life has been largely spent in smoothing over other
+people&rsquo;s quarrels.&nbsp; You can imagine the welcome relief
+of being able to go about saying and doing perfectly exasperating
+things to a whole houseful of women&mdash;and all in the cause of
+peace.&rdquo;</p>
+<p>&ldquo;I think you are the most odious person in the whole
+world,&rdquo; said Reggie&rsquo;s sister-in-law.&nbsp; Which was
+not strictly true; more than anybody, more than ever she disliked
+Mrs. Pentherby.&nbsp; It was impossible to calculate how many
+quarrels that woman had done her out of.</p>
+<h2><a name="page167"></a><span class="pagenum">p.
+167</span>MARK</h2>
+<p>Augustus Mellowkent was a novelist with a future; that is to
+say, a limited but increasing number of people read his books,
+and there seemed good reason to suppose that if he steadily
+continued to turn out novels year by year a progressively
+increasing circle of readers would acquire the Mellowkent habit,
+and demand his works from the libraries and bookstalls.&nbsp; At
+the instigation of his publisher he had discarded the baptismal
+Augustus and taken the front name of Mark.</p>
+<p>&ldquo;Women like a name that suggests some one strong and
+silent, able but unwilling to answer questions.&nbsp; Augustus
+merely suggests idle splendour, but such a name as Mark
+Mellowkent, besides being alliterative, conjures up a vision of
+some one strong and beautiful and good, a sort of blend of
+Georges Carpentier and the Reverend
+What&rsquo;s-his-name.&rdquo;</p>
+<p>One morning in December Augustus sat in his writing-room, at
+work on the third chapter of his eighth novel.&nbsp; He had
+described at some length, for the benefit of those who could not
+imagine it, what a rectory garden looks like in July; he was now
+engaged in describing at greater length the feelings of a young
+girl, daughter of a long line of rectors and archdeacons, when
+she discovers for the first time that the postman is
+attractive.</p>
+<p>&ldquo;Their eyes met, for a brief moment, as he handed her
+two circulars and the fat wrapper-bound bulk of the <i>East Essex
+News</i>.&nbsp; Their eyes met, for the merest fraction of a
+second, yet nothing could ever be quite the same again.&nbsp;
+Cost what it might she felt that she must speak, must break the
+intolerable, unreal silence that had fallen on them.&nbsp;
+&lsquo;How is your mother&rsquo;s rheumatism?&rsquo; she
+said.&rdquo;</p>
+<p>The author&rsquo;s labours were cut short by the sudden
+intrusion of a maidservant.</p>
+<p>&ldquo;A gentleman to see you, sir,&rdquo; said the maid,
+handing a card with the name Caiaphas Dwelf inscribed on it;
+&ldquo;says it&rsquo;s important.&rdquo;</p>
+<p>Mellowkent hesitated and yielded; the importance of the
+visitor&rsquo;s mission was probably illusory, but he had never
+met any one with the name Caiaphas before.&nbsp; It would be at
+least a new experience.</p>
+<p>Mr. Dwelf was a man of indefinite age; his high, narrow
+forehead, cold grey eyes, and determined manner bespoke an
+unflinching purpose.&nbsp; He had a large book under his arm, and
+there seemed every probability that he had left a package of
+similar volumes in the hall.&nbsp; He took a seat before it had
+been offered him, placed the book on the table, and began to
+address Mellowkent in the manner of an &ldquo;open
+letter.&rdquo;</p>
+<p>&ldquo;You are a literary man, the author of several
+well-known books&mdash;&rdquo;</p>
+<p>&ldquo;I am engaged on a book at the present
+moment&mdash;rather busily engaged,&rdquo; said Mellowkent,
+pointedly.</p>
+<p>&ldquo;Exactly,&rdquo; said the intruder; &ldquo;time with you
+is a commodity of considerable importance.&nbsp; Minutes, even,
+have their value.&rdquo;</p>
+<p>&ldquo;They have,&rdquo; agreed Mellowkent, looking at his
+watch.</p>
+<p>&ldquo;That,&rdquo; said Caiaphas, &ldquo;is why this book
+that I am introducing to your notice is not a book that you can
+afford to be without.&nbsp; <i>Right Here</i> is indispensable
+for the writing man; it is no ordinary encyclop&aelig;dia, or I
+should not trouble to show it to you.&nbsp; It is an
+inexhaustible mine of concise information&mdash;&rdquo;</p>
+<p>&ldquo;On a shelf at my elbow,&rdquo; said the author,
+&ldquo;I have a row of reference books that supply me with all
+the information I am likely to require.&rdquo;</p>
+<p>&ldquo;Here,&rdquo; persisted the would-be salesman,
+&ldquo;you have it all in one compact volume.&nbsp; No matter
+what the subject may be which you wish to look up, or the fact
+you desire to verify, <i>Right Here</i> gives you all that you
+want to know in the briefest and most enlightening form.&nbsp;
+Historical reference, for instance; career of John Huss, let us
+say.&nbsp; Here we are: &lsquo;Huss, John, celebrated religious
+reformer.&nbsp; Born 1369, burned at Constance 1415.&nbsp; The
+Emperor Sigismund universally blamed.&rsquo;&rdquo;</p>
+<p>&ldquo;If he had been burnt in these days every one would have
+suspected the Suffragettes,&rdquo; observed Mellowkent.</p>
+<p>&ldquo;Poultry-keeping, now,&rdquo; resumed Caiaphas,
+&ldquo;that&rsquo;s a subject that might crop up in a novel
+dealing with English country life.&nbsp; Here we have all about
+it: &lsquo;The Leghorn as egg-producer.&nbsp; Lack of maternal
+instinct in the Minorca.&nbsp; Gapes in chickens, its cause and
+cure.&nbsp; Ducklings for the early market, how
+fattened.&rsquo;&nbsp; There, you see, there it all is, nothing
+lacking.&rdquo;</p>
+<p>&ldquo;Except the maternal instinct in the Minorca, and that
+you could hardly be expected to supply.&rdquo;</p>
+<p>&ldquo;Sporting records, that&rsquo;s important, too; now how
+many men, sporting men even, are there who can say off-hand what
+horse won the Derby in any particular year?&nbsp; Now it&rsquo;s
+just a little thing of that sort&mdash;&rdquo;</p>
+<p>&ldquo;My dear sir,&rdquo; interrupted Mellowkent,
+&ldquo;there are at least four men in my club who can not only
+tell me what horse won in any given year, but what horse ought to
+have won and why it didn&rsquo;t.&nbsp; If your book could supply
+a method for protecting one from information of that sort it
+would do more than anything you have yet claimed for
+it.&rdquo;</p>
+<p>&ldquo;Geography,&rdquo; said Caiaphas, imperturbably;
+&ldquo;that&rsquo;s a thing that a busy man, writing at high
+pressure, may easily make a slip over.&nbsp; Only the other day a
+well-known author made the Volga flow into the Black Sea instead
+of the Caspian; now, with this book&mdash;&rdquo;</p>
+<p>&ldquo;On a polished rose-wood stand behind you there reposes
+a reliable and up-to-date atlas,&rdquo; said Mellowkent;
+&ldquo;and now I must really ask you to be going.&rdquo;</p>
+<p>&ldquo;An atlas,&rdquo; said Caiaphas, &ldquo;gives merely the
+chart of the river&rsquo;s course, and indicates the principal
+towns that it passes.&nbsp; Now <i>Right Here</i> gives you the
+scenery, traffic, ferry-boat charges, the prevalent types of
+fish, boatmen&rsquo;s slang terms, and hours of sailing of the
+principal river steamers.&nbsp; If gives you&mdash;&rdquo;</p>
+<p>Mellowkent sat and watched the hard-featured, resolute,
+pitiless salesman, as he sat doggedly in the chair wherein he had
+installed himself, unflinchingly extolling the merits of his
+undesired wares.&nbsp; A spirit of wistful emulation took
+possession of the author; why could he not live up to the cold
+stern name he had adopted?&nbsp; Why must he sit here weakly and
+listen to this weary, unconvincing tirade, why could he not be
+Mark Mellowkent for a few brief moments, and meet this man on
+level terms?</p>
+<p>A sudden inspiration flashed across his.</p>
+<p>&ldquo;Have you read my last book, <i>The Cageless
+Linnet</i>?&rdquo; he asked.</p>
+<p>&ldquo;I don&rsquo;t read novels,&rdquo; said Caiaphas
+tersely.</p>
+<p>&ldquo;Oh, but you ought to read this one, every one ought
+to,&rdquo; exclaimed Mellowkent, fishing the book down from a
+shelf; &ldquo;published at six shillings, you can have it at
+four-and-six.&nbsp; There is a bit in chapter five that I feel
+sure you would like, where Emma is alone in the birch copse
+waiting for Harold Huntingdon&mdash;that is the man her family
+want her to marry.&nbsp; She really wants to marry him, too, but
+she does not discover that till chapter fifteen.&nbsp; Listen:
+&lsquo;Far as the eye could stretch rolled the mauve and purple
+billows of heather, lit up here and there with the glowing yellow
+of gorse and broom, and edged round with the delicate greys and
+silver and green of the young birch trees.&nbsp; Tiny blue and
+brown butterflies fluttered above the fronds of heather,
+revelling in the sunlight, and overhead the larks were singing as
+only larks can sing.&nbsp; It was a day when all
+Nature&mdash;&rdquo;</p>
+<p>&ldquo;In <i>Right Here</i> you have full information on all
+branches of Nature study,&rdquo; broke in the bookagent, with a
+tired note sounding in his voice for the first time;
+&ldquo;forestry, insect life, bird migration, reclamation of
+waste lands.&nbsp; As I was saying, no man who has to deal with
+the varied interests of life&mdash;&rdquo;</p>
+<p>&ldquo;I wonder if you would care for one of my earlier books,
+<i>The Reluctance of Lady Cullumpton</i>,&rdquo; said Mellowkent,
+hunting again through the bookshelf; &ldquo;some people consider
+it my best novel.&nbsp; Ah, here it is.&nbsp; I see there are one
+or two spots on the cover, so I won&rsquo;t ask more than
+three-and-ninepence for it.&nbsp; Do let me read you how it
+opens:</p>
+<p>&ldquo;&lsquo;Beatrice Lady Cullumpton entered the long,
+dimly-lit drawing-room, her eyes blazing with a hope that she
+guessed to be groundless, her lips trembling with a fear that she
+could not disguise.&nbsp; In her hand she carried a small fan, a
+fragile toy of lace and satinwood.&nbsp; Something snapped as she
+entered the room; she had crushed the fan into a dozen
+pieces.&rsquo;</p>
+<p>&ldquo;There, what do you think of that for an opening?&nbsp;
+It tells you at once that there&rsquo;s something
+afoot.&rdquo;</p>
+<p>&ldquo;I don&rsquo;t read novels,&rdquo; said Caiaphas
+sullenly.</p>
+<p>&ldquo;But just think what a resource they are,&rdquo;
+exclaimed the author, &ldquo;on long winter evenings, or perhaps
+when you are laid up with a strained ankle&mdash;a thing that
+might happen to any one; or if you were staying in a house-party
+with persistent wet weather and a stupid hostess and insufferably
+dull fellow-guests, you would just make an excuse that you had
+letters to write, go to your room, light a cigarette, and for
+three-and-ninepence you could plunge into the society of Beatrice
+Lady Cullumpton and her set.&nbsp; No one ought to travel without
+one or two of my novels in their luggage as a stand-by.&nbsp; A
+friend of mine said only the other day that he would as soon
+think of going into the tropics without quinine as of going on a
+visit without a couple of Mark Mellowkents in his kit-bag.&nbsp;
+Perhaps sensation is more in your line.&nbsp; I wonder if
+I&rsquo;ve got a copy of <i>The Python&rsquo;s
+Kiss</i>.&rdquo;</p>
+<p>Caiaphas did not wait to be tempted with selections from that
+thrilling work of fiction.&nbsp; With a muttered remark about
+having no time to waste on monkey-talk, he gathered up his
+slighted volume and departed.&nbsp; He made no audible reply to
+Mellowkent&rsquo;s cheerful &ldquo;Good morning,&rdquo; but the
+latter fancied that a look of respectful hatred flickered in the
+cold grey eyes.</p>
+<h2><a name="page175"></a><span class="pagenum">p. 175</span>THE
+HEDGEHOG</h2>
+<p>A &ldquo;Mixed Double&rdquo; of young people were contesting a
+game of lawn tennis at the Rectory garden party; for the past
+five-and-twenty years at least mixed doubles of young people had
+done exactly the same thing on exactly the same spot at about the
+same time of year.&nbsp; The young people changed and made way
+for others in the course of time, but very little else seemed to
+alter.&nbsp; The present players were sufficiently conscious of
+the social nature of the occasion to be concerned about their
+clothes and appearance, and sufficiently sport-loving to be keen
+on the game.&nbsp; Both their efforts and their appearance came
+under the fourfold scrutiny of a quartet of ladies sitting as
+official spectators on a bench immediately commanding the
+court.&nbsp; It was one of the accepted conditions of the Rectory
+garden party that four ladies, who usually knew very little about
+tennis and a great deal about the players, should sit at that
+particular spot and watch the game.&nbsp; It had also come to be
+almost a tradition that two ladies should be amiable, and that
+the other two should be Mrs. Dole and Mrs. Hatch-Mallard.</p>
+<p>&ldquo;What a singularly unbecoming way Eva Jonelet has taken
+to doing her hair in,&rdquo; said Mrs. Hatch-Mallard;
+&ldquo;it&rsquo;s ugly hair at the best of times, but she
+needn&rsquo;t make it look ridiculous as well.&nbsp; Some one
+ought to tell her.&rdquo;</p>
+<p>Eva Jonelet&rsquo;s hair might have escaped Mrs.
+Hatch-Mallard&rsquo;s condemnation if she could have forgotten
+the more glaring fact that Eva was Mrs. Dole&rsquo;s favourite
+niece.&nbsp; It would, perhaps, have been a more comfortable
+arrangement if Mrs. Hatch-Mallard and Mrs. Dole could have been
+asked to the Rectory on separate occasions, but there was only
+one garden party in the course of the year, and neither lady
+could have been omitted from the list of invitations without
+hopelessly wrecking the social peace of the parish.</p>
+<p>&ldquo;How pretty the yew trees look at this time of
+year,&rdquo; interposed a lady with a soft, silvery voice that
+suggested a chinchilla muff painted by Whistler.</p>
+<p>&ldquo;What do you mean by this time of year?&rdquo; demanded
+Mrs. Hatch-Mallard.&nbsp; &ldquo;Yew trees look beautiful at all
+times of the year.&nbsp; That is their great charm.&rdquo;</p>
+<p>&ldquo;Yew trees never look anything but hideous under any
+circumstances or at any time of year,&rdquo; said Mrs. Dole, with
+the slow, emphatic relish of one who contradicts for the pleasure
+of the thing.&nbsp; &ldquo;They are only fit for graveyards and
+cemeteries.&rdquo;</p>
+<p>Mrs. Hatch-Mallard gave a sardonic snort, which, being
+translated, meant that there were some people who were better
+fitted for cemeteries than for garden parties.</p>
+<p>&ldquo;What is the score, please?&rdquo; asked the lady with
+the chinchilla voice.</p>
+<p>The desired information was given her by a young gentleman in
+spotless white flannels, whose general toilet effect suggested
+solicitude rather than anxiety.</p>
+<p>&ldquo;What an odious young cub Bertie Dykson has
+become!&rdquo; pronounced Mrs. Dole, remembering suddenly that
+Bertie was a favourite with Mrs. Hatch-Mallard.&nbsp; &ldquo;The
+young men of to-day are not what they used to be twenty years
+ago.&rdquo;</p>
+<p>&ldquo;Of course not,&rdquo; said Mrs. Hatch-Mallard;
+&ldquo;twenty years ago Bertie Dykson was just two years old, and
+you must expect some difference in appearance and manner and
+conversation between those two periods.&rdquo;</p>
+<p>&ldquo;Do you know,&rdquo; said Mrs. Dole, confidentially,
+&ldquo;I shouldn&rsquo;t be surprised if that was intended to be
+clever.&rdquo;</p>
+<p>&ldquo;Have you any one interesting coming to stay with you,
+Mrs. Norbury?&rdquo; asked the chinchilla voice, hastily;
+&ldquo;you generally have a house party at this time of
+year.&rdquo;</p>
+<p>&ldquo;I&rsquo;ve got a most interesting woman coming,&rdquo;
+said Mrs. Norbury, who had been mutely struggling for some chance
+to turn the conversation into a safe channel; &ldquo;an old
+acquaintance of mine, Ada Bleek&mdash;&rdquo;</p>
+<p>&ldquo;What an ugly name,&rdquo; said Mrs. Hatch-Mallard.</p>
+<p>&ldquo;She&rsquo;s descended from the de la Bliques, an old
+Huguenot family of Touraine, you know.&rdquo;</p>
+<p>&ldquo;There weren&rsquo;t any Huguenots in Touraine,&rdquo;
+said Mrs. Hatch-Mallard, who thought she might safely dispute any
+fact that was three hundred years old.</p>
+<p>&ldquo;Well, anyhow, she&rsquo;s coming to stay with
+me,&rdquo; continued Mrs. Norbury, bringing her story quickly
+down to the present day, &ldquo;she arrives this evening, and
+she&rsquo;s highly clairvoyante, a seventh daughter of a seventh
+daughter, you now, and all that sort of thing.&rdquo;</p>
+<p>&ldquo;How very interesting,&rdquo; said the chinchilla voice;
+&ldquo;Exwood is just the right place for her to come to,
+isn&rsquo;t it?&nbsp; There are supposed to be several ghosts
+there.&rdquo;</p>
+<p>&ldquo;That is why she was so anxious to come,&rdquo; said
+Mrs. Norbury; &ldquo;she put off another engagement in order to
+accept my invitation.&nbsp; She&rsquo;s had visions and dreams,
+and all those sort of things, that have come true in a most
+marvellous manner, but she&rsquo;s never actually seen a ghost,
+and she&rsquo;s longing to have that experience.&nbsp; She
+belongs to that Research Society, you know.&rdquo;</p>
+<p>&ldquo;I expect she&rsquo;ll see the unhappy Lady Cullumpton,
+the most famous of all the Exwood ghosts,&rdquo; said Mrs. Dole;
+&ldquo;my ancestor, you know, Sir Gervase Cullumpton, murdered
+his young bride in a fit of jealousy while they were on a visit
+to Exwood.&nbsp; He strangled her in the stables with a stirrup
+leather, just after they had come in from riding, and she is seen
+sometimes at dusk going about the lawns and the stable yard, in a
+long green habit, moaning and trying to get the thong from round
+her throat.&nbsp; I shall be most interested to hear if your
+friend sees&mdash;&rdquo;</p>
+<p>&ldquo;I don&rsquo;t know why she should be expected to see a
+trashy, traditional apparition like the so-called Cullumpton
+ghost, that is only vouched for by housemaids and tipsy
+stable-boys, when my uncle, who was the owner of Exwood,
+committed suicide there under the most tragical circumstances,
+and most certainly haunts the place.&rdquo;</p>
+<p>&ldquo;Mrs. Hatch-Mallard has evidently never read
+<i>Popple&rsquo;s County History</i>,&rdquo; said Mrs. Dole
+icily, &ldquo;or she would know that the Cullumpton ghost has a
+wealth of evidence behind it&mdash;&rdquo;</p>
+<p>&ldquo;Oh, Popple!&rdquo; exclaimed Mrs. Hatch-Mallard
+scornfully; &ldquo;any rubbishy old story is good enough for
+him.&nbsp; Popple, indeed!&nbsp; Now my uncle&rsquo;s ghost was
+seen by a Rural Dean, who was also a Justice of the Peace.&nbsp;
+I should think that would be good enough testimony for any
+one.&nbsp; Mrs. Norbury, I shall take it as a deliberate personal
+affront if your clairvoyante friend sees any other ghost except
+that of my uncle.&rdquo;</p>
+<p>&ldquo;I daresay she won&rsquo;t see anything at all; she
+never has yet, you know,&rdquo; said Mrs. Norbury hopefully.</p>
+<p>&ldquo;It was a most unfortunate topic for me to have
+broached,&rdquo; she lamented afterwards to the owner of the
+chinchilla voice; &ldquo;Exwood belongs to Mrs. Hatch-Mallard,
+and we&rsquo;ve only got it on a short lease.&nbsp; A nephew of
+hers has been wanting to live there for some time, and if we
+offend her in any way she&rsquo;ll refuse to renew the
+lease.&nbsp; I sometimes think these garden-parties are a
+mistake.&rdquo;</p>
+<p>The Norburys played bridge for the next three nights till
+nearly one o&rsquo;clock; they did not care for the game, but it
+reduced the time at their guest&rsquo;s disposal for undesirable
+ghostly visitations.</p>
+<p>&ldquo;Miss Bleek is not likely to be in a frame of mind to
+see ghosts,&rdquo; said Hugo Norbury, &ldquo;if she goes to bed
+with her brain awhirl with royal spades and no trumps and grand
+slams.&rdquo;</p>
+<p>&ldquo;I&rsquo;ve talked to her for hours about Mrs.
+Hatch-Mallard&rsquo;s uncle,&rdquo; said his wife, &ldquo;and
+pointed out the exact spot where he killed himself, and invented
+all sorts of impressive details, and I&rsquo;ve found an old
+portrait of Lord John Russell and put it in her room, and told
+her that it&rsquo;s supposed to be a picture of the uncle in
+middle age.&nbsp; If Ada does see a ghost at all it certainly
+ought to be old Hatch-Mallard&rsquo;s.&nbsp; At any rate,
+we&rsquo;ve done our best.&rdquo;</p>
+<p>The precautions were in vain.&nbsp; On the third morning of
+her stay Ada Bleek came down late to breakfast, her eyes looking
+very tired, but ablaze with excitement, her hair done anyhow, and
+a large brown volume hugged under her arm.</p>
+<p>&ldquo;At last I&rsquo;ve seen something supernatural!&rdquo;
+she exclaimed, and gave Mrs. Norbury a fervent kiss, as though in
+gratitude for the opportunity afforded her.</p>
+<p>&ldquo;A ghost!&rdquo; cried Mrs. Norbury, &ldquo;not
+really!&rdquo;</p>
+<p>&ldquo;Really and unmistakably!&rdquo;</p>
+<p>&ldquo;Was it an oldish man in the dress of about fifty years
+ago?&rdquo; asked Mrs. Norbury hopefully.</p>
+<p>&ldquo;Nothing of the sort,&rdquo; said Ada; &ldquo;it was a
+white hedgehog.&rdquo;</p>
+<p>&ldquo;A white hedgehog!&rdquo; exclaimed both the Norburys,
+in tones of disconcerted astonishment.</p>
+<p>&ldquo;A huge white hedgehog with baleful yellow eyes,&rdquo;
+said Ada; &ldquo;I was lying half asleep in bed when suddenly I
+felt a sensation as of something sinister and unaccountable
+passing through the room.&nbsp; I sat up and looked round, and
+there, under the window, I saw an evil, creeping thing, a sort of
+monstrous hedgehog, of a dirty white colour, with black,
+loathsome claws that clicked and scraped along the floor, and
+narrow, yellow eyes of indescribable evil.&nbsp; It slithered
+along for a yard or two, always looking at me with its cruel,
+hideous eyes, then, when it reached the second window, which was
+open it clambered up the sill and vanished.&nbsp; I got up at
+once and went to the window; there wasn&rsquo;t a sign of it
+anywhere.&nbsp; Of course, I knew it must be something from
+another world, but it was not till I turned up Popple&rsquo;s
+chapter on local traditions that I realised what I had
+seen.&rdquo;</p>
+<p>She turned eagerly to the large brown volume and read:
+&ldquo;&rsquo;Nicholas Herison, an old miser, was hung at
+Batchford in 1763 for the murder of a farm lad who had
+accidentally discovered his secret hoard.&nbsp; His ghost is
+supposed to traverse the countryside, appearing sometimes as a
+white owl, sometimes as a huge white hedgehog.&rdquo;</p>
+<p>&ldquo;I expect you read the Popple story overnight, and that
+made you <i>think</i> you saw a hedgehog when you were only half
+awake,&rdquo; said Mrs. Norbury, hazarding a conjecture that
+probably came very near the truth.</p>
+<p>Ada scouted the possibility of such a solution of her
+apparition.</p>
+<p>&ldquo;This must be hushed up,&rdquo; said Mrs. Norbury
+quickly; &ldquo;the servants&mdash;&rdquo;</p>
+<p>&ldquo;Hushed up!&rdquo; exclaimed Ada, indignantly;
+&ldquo;I&rsquo;m writing a long report on it for the Research
+Society.&rdquo;</p>
+<p>It was then that Hugo Norbury, who is not naturally a man of
+brilliant resource, had one of the really useful inspirations of
+his life.</p>
+<p>&ldquo;It was very wicked of us, Miss Bleek,&rdquo; he said,
+&ldquo;but it would be a shame to let it go further.&nbsp; That
+white hedgehog is an old joke of ours; stuffed albino hedgehog,
+you know, that my father brought home from Jamaica, where they
+grow to enormous size.&nbsp; We hide it in the room with a string
+on it, run one end of the string through the window; then we pull
+if from below and it comes scraping along the floor, just as
+you&rsquo;ve described, and finally jerks out of the
+window.&nbsp; Taken in heaps of people; they all read up Popple
+and think it&rsquo;s old Harry Nicholson&rsquo;s ghost; we always
+stop them from writing to the papers about it, though.&nbsp; That
+would be carrying matters too far.&rdquo;</p>
+<p>Mrs. Hatch-Mallard renewed the lease in due course, but Ada
+Bleek has never renewed her friendship.</p>
+<h2><a name="page185"></a><span class="pagenum">p. 185</span>THE
+MAPPINED LIFE</h2>
+<p>&ldquo;These Mappin Terraces at the Zoological Gardens are a
+great improvement on the old style of wild-beast cage,&rdquo;
+said Mrs. James Gurtleberry, putting down an illustrated paper;
+&ldquo;they give one the illusion of seeing the animals in their
+natural surroundings.&nbsp; I wonder how much of the illusion is
+passed on to the animals?&rdquo;</p>
+<p>&ldquo;That would depend on the animal,&rdquo; said her niece;
+&ldquo;a jungle-fowl, for instance, would no doubt think its
+lawful jungle surroundings were faithfully reproduced if you gave
+it a sufficiency of wives, a goodly variety of seed food and
+ants&rsquo; eggs, a commodious bank of loose earth to dust itself
+in, a convenient roosting tree, and a rival or two to make
+matters interesting.&nbsp; Of course there ought to be
+jungle-cats and birds of prey and other agencies of sudden death
+to add to the illusion of liberty, but the bird&rsquo;s own
+imagination is capable of inventing those&mdash;look how a
+domestic fowl will squawk an alarm note if a rook or wood pigeon
+passes over its run when it has chickens.&rdquo;</p>
+<p>&ldquo;You think, then, they really do have a sort of
+illusion, if you give them space enough&mdash;&rdquo;</p>
+<p>&ldquo;In a few cases only.&nbsp; Nothing will make me believe
+that an acre or so of concrete enclosure will make up to a wolf
+or a tiger-cat for the range of night prowling that would belong
+to it in a wild state.&nbsp; Think of the dictionary of sound and
+scent and recollection that unfolds before a real wild beast as
+it comes out from its lair every evening, with the knowledge that
+in a few minutes it will be hieing along to some distant hunting
+ground where all the joy and fury of the chase awaits it; think
+of the crowded sensations of the brain when every rustle, every
+cry, every bent twig, and every whiff across the nostrils means
+something, something to do with life and death and dinner.&nbsp;
+Imagine the satisfaction of stealing down to your own particular
+drinking spot, choosing your own particular tree to scrape your
+claws on, finding your own particular bed of dried grass to roll
+on.&nbsp; Then, in the place of all that, put a concrete
+promenade, which will be of exactly the same dimensions whether
+you race or crawl across it, coated with stale, unvarying scents
+and surrounded with cries and noises that have ceased to have the
+least meaning or interest.&nbsp; As a substitute for a narrow
+cage the new enclosures are excellent, but I should think they
+are a poor imitation of a life of liberty.&rdquo;</p>
+<p>&ldquo;It&rsquo;s rather depressing to think that,&rdquo; said
+Mrs. Gurtleberry; &ldquo;they look so spacious and so natural,
+but I suppose a good deal of what seems natural to us would be
+meaningless to a wild animal.&rdquo;</p>
+<p>&ldquo;That is where our superior powers of self-deception
+come in,&rdquo; said the niece; &ldquo;we are able to live our
+unreal, stupid little lives on our particular Mappin terrace, and
+persuade ourselves that we really are untrammelled men and women
+leading a reasonable existence in a reasonable sphere.&rdquo;</p>
+<p>&ldquo;But good gracious,&rdquo; exclaimed the aunt, bouncing
+into an attitude of scandalised defence, &ldquo;we are leading
+reasonable existences!&nbsp; What on earth do you mean by
+trammels?&nbsp; We are merely trammelled by the ordinary decent
+conventions of civilised society.&rdquo;</p>
+<p>&ldquo;We are trammelled,&rdquo; said the niece, calmly and
+pitilessly, &ldquo;by restrictions of income and opportunity, and
+above all by lack of initiative.&nbsp; To some people a
+restricted income doesn&rsquo;t matter a bit, in fact it often
+seems to help as a means for getting a lot of reality out of
+life; I am sure there are men and women who do their shopping in
+little back streets of Paris, buying four carrots and a shred of
+beef for their daily sustenance, who lead a perfectly real and
+eventful existence.&nbsp; Lack of initiative is the thing that
+really cripples one, and that is where you and I and Uncle James
+are so hopelessly shut in.&nbsp; We are just so many animals
+stuck down on a Mappin terrace, with this difference in our
+disfavour, that the animals are there to be looked at, while
+nobody wants to look at us.&nbsp; As a matter of fact there would
+be nothing to look at.&nbsp; We get colds in winter and hay fever
+in summer, and if a wasp happens to sting one of us, well, that
+is the wasp&rsquo;s initiative, not ours; all we do is to wait
+for the swelling to go down.&nbsp; Whenever we do climb into
+local fame and notice, it is by indirect methods; if it happens
+to be a good flowering year for magnolias the neighbourhood
+observes: &lsquo;Have you seen the Gurtleberry&rsquo;s
+magnolia?&nbsp; It is a perfect mass of flowers,&rsquo; and we go
+about telling people that there are fifty-seven blossoms as
+against thirty-nine the previous year.&rdquo;</p>
+<p>&ldquo;In Coronation year there were as many as sixty,&rdquo;
+put in the aunt, &ldquo;your uncle has kept a record for the last
+eight years.&rdquo;</p>
+<p>&ldquo;Doesn&rsquo;t it ever strike you,&rdquo; continued the
+niece relentlessly, &ldquo;that if we moved away from here or
+were blotted out of existence our local claim to fame would pass
+on automatically to whoever happened to take the house and
+garden?&nbsp; People would say to one another, &lsquo;Have you
+seen the Smith-Jenkins&rsquo; magnolia?&nbsp; It is a perfect
+mass of flowers,&rsquo; or else &lsquo;Smith-Jenkins tells me
+there won&rsquo;t be a single blossom on their magnolia this
+year; the east winds have turned all the buds black.&rsquo;&nbsp;
+Now if, when we had gone, people still associated our names with
+the magnolia tree, no matter who temporarily possessed it, if
+they said, &lsquo;Ah, that&rsquo;s the tree on which the
+Gurtleberrys hung their cook because she sent up the wrong kind
+of sauce with the asparagus,&rsquo; that would be something
+really due to our own initiative, apart from anything east winds
+or magnolia vitality might have to say in the matter.&rdquo;</p>
+<p>&ldquo;We should never do such a thing,&rdquo; said the
+aunt.</p>
+<p>The niece gave a reluctant sigh.</p>
+<p>&ldquo;I can&rsquo;t imagine it,&rdquo; she admitted.&nbsp;
+&ldquo;Of course,&rdquo; she continued, &ldquo;there are heaps of
+ways of leading a real existence without committing sensational
+deeds of violence.&nbsp; It&rsquo;s the dreadful little everyday
+acts of pretended importance that give the Mappin stamp to our
+life.&nbsp; It would be entertaining, if it wasn&rsquo;t so
+pathetically tragic, to hear Uncle James fuss in here in the
+morning and announce, &lsquo;I must just go down into the town
+and find out what the men there are saying about Mexico.&nbsp;
+Matters are beginning to look serious there.&rsquo;&nbsp; Then he
+patters away into the town, and talks in a highly serious voice
+to the tobacconist, incidentally buying an ounce of tobacco;
+perhaps he meets one or two others of the world&rsquo;s thinkers
+and talks to them in a highly serious voice, then he patters back
+here and announces with increased importance, &lsquo;I&rsquo;ve
+just been talking to some men in the town about the condition of
+affairs in Mexico.&nbsp; They agree with the view that I have
+formed, that things there will have to get worse before they get
+better.&rsquo;&nbsp; Of course nobody in the town cared in the
+least little bit what his views about Mexico were or whether he
+had any.&nbsp; The tobacconist wasn&rsquo;t even fluttered at his
+buying the ounce of tobacco; he knows that he purchases the same
+quantity of the same sort of tobacco every week.&nbsp; Uncle
+James might just as well have lain on his back in the garden and
+chattered to the lilac tree about the habits of
+caterpillars.&rdquo;</p>
+<p>&ldquo;I really will not listen to such things about your
+uncle,&rdquo; protested Mrs. James Gurtleberry angrily.</p>
+<p>&ldquo;My own case is just as bad and just as tragic,&rdquo;
+said the niece, dispassionately; &ldquo;nearly everything about
+me is conventional make-believe.&nbsp; I&rsquo;m not a good
+dancer, and no one could honestly call me good-looking, but when
+I go to one of our dull little local dances I&rsquo;m
+conventionally supposed to &lsquo;have a heavenly time,&rsquo; to
+attract the ardent homage of the local cavaliers, and to go home
+with my head awhirl with pleasurable recollections.&nbsp; As a
+matter of fact, I&rsquo;ve merely put in some hours of
+indifferent dancing, drunk some badly-made claret cup, and
+listened to an enormous amount of laborious light
+conversation.&nbsp; A moonlight hen-stealing raid with the
+merry-eyed curate would be infinitely more exciting; imagine the
+pleasure of carrying off all those white minorcas that the
+Chibfords are always bragging about.&nbsp; When we had disposed
+of them we could give the proceeds to a charity, so there would
+be nothing really wrong about it.&nbsp; But nothing of that sort
+lies within the Mappined limits of my life.&nbsp; One of these
+days somebody dull and decorous and undistinguished will
+&lsquo;make himself agreeable&rsquo; to me at a tennis party, as
+the saying is, and all the dull old gossips of the neighbourhood
+will begin to ask when we are to be engaged, and at last we shall
+be engaged, and people will give us butter-dishes and
+blotting-cases and framed pictures of young women feeding
+swans.&nbsp; Hullo, Uncle, are you going out?&rdquo;</p>
+<p>&ldquo;I&rsquo;m just going down to the town,&rdquo; announced
+Mr. James Gurtleberry, with an air of some importance: &ldquo;I
+want to hear what people are saying about Albania.&nbsp; Affairs
+there are beginning to take on a very serious look.&nbsp;
+It&rsquo;s my opinion that we haven&rsquo;t seen the worst of
+things yet.&rdquo;</p>
+<p>In this he was probably right, but there was nothing in the
+immediate or prospective condition of Albania to warrant Mrs.
+Gurtleberry in bursting into tears.</p>
+<h2><a name="page193"></a><span class="pagenum">p.
+193</span>FATE</h2>
+<p>Rex Dillot was nearly twenty-four, almost good-looking and
+quite penniless.&nbsp; His mother was supposed to make him some
+sort of an allowance out of what her creditors allowed her, and
+Rex occasionally strayed into the ranks of those who earn fitful
+salaries as secretaries or companions to people who are unable to
+cope unaided with their correspondence or their leisure.&nbsp;
+For a few months he had been assistant editor and business
+manager of a paper devoted to fancy mice, but the devotion had
+been all on one side, and the paper disappeared with a certain
+abruptness from club reading-rooms and other haunts where it had
+made a gratuitous appearance.&nbsp; Still, Rex lived with some
+air of comfort and well-being, as one can live if one is born
+with a genius for that sort of thing, and a kindly Providence
+usually arranged that his week-end invitations coincided with the
+dates on which his one white dinner-waistcoat was in a
+laundry-returned condition of dazzling cleanness.&nbsp; He played
+most games badly, and was shrewd enough to recognise the fact,
+but he had developed a marvellously accurate judgement in
+estimating the play and chances of other people, whether in a
+golf match, billiard handicap, or croquet tournament.&nbsp; By
+dint of parading his opinion of such and such a player&rsquo;s
+superiority with a sufficient degree of youthful assertiveness he
+usually succeeded in provoking a wager at liberal odds, and he
+looked to his week-end winnings to carry him through the
+financial embarrassments of his mid-week existence.&nbsp; The
+trouble was, as he confided to Clovis Sangrail, that he never had
+enough available or even prospective cash at his command to
+enable him to fix the wager at a figure really worth winning.</p>
+<p>&ldquo;Some day,&rdquo; he said, &ldquo;I shall come across a
+really safe thing, a bet that simply can&rsquo;t go astray, and
+then I shall put it up for all I&rsquo;m worth, or rather for a
+good deal more than I&rsquo;m worth if you sold me up to the last
+button.&rdquo;</p>
+<p>&ldquo;It would be awkward if it didn&rsquo;t happen to come
+off,&rdquo; said Clovis.</p>
+<p>&ldquo;It would be more than awkward,&rdquo; said Rex;
+&ldquo;it would be a tragedy.&nbsp; All the same, it would be
+extremely amusing to bring it off.&nbsp; Fancy awaking in the
+morning with about three hundred pounds standing to one&rsquo;s
+credit.&nbsp; I should go and clear out my hostess&rsquo;s
+pigeon-loft before breakfast out of sheer good-temper.&rdquo;</p>
+<p>&ldquo;Your hostess of the moment mightn&rsquo;t have a
+pigeon-loft,&rdquo; said Clovis.</p>
+<p>&ldquo;I always choose hostesses that have,&rdquo; said Rex;
+&ldquo;a pigeon-loft is indicative of a careless, extravagant,
+genial disposition, such as I like to see around me.&nbsp; People
+who strew corn broadcast for a lot of feathered inanities that
+just sit about cooing and giving each other the glad eye in a
+Louis Quatorze manner are pretty certain to do you
+well.&rdquo;</p>
+<p>&ldquo;Young Strinnit is coming down this afternoon,&rdquo;
+said Clovis reflectively; &ldquo;I dare say you won&rsquo;t find
+it difficult to get him to back himself at billiards.&nbsp; He
+plays a pretty useful game, but he&rsquo;s not quite as good as
+he fancies he is.&rdquo;</p>
+<p>&ldquo;I know one member of the party who can walk round
+him,&rdquo; said Rex softly, an alert look coming into his eyes;
+&ldquo;that cadaverous-looking Major who arrived last
+night.&nbsp; I&rsquo;ve seen him play at St. Moritz.&nbsp; If I
+could get Strinnit to lay odds on himself against the Major the
+money would be safe in my pocket.&nbsp; This looks like the good
+thing I&rsquo;ve been watching and praying for.&rdquo;</p>
+<p>&ldquo;Don&rsquo;t be rash,&rdquo; counselled Clovis,
+&ldquo;Strinnit may play up to his self-imagined form once in a
+blue moon.&rdquo;</p>
+<p>&ldquo;I intend to be rash,&rdquo; said Rex quietly, and the
+look on his face corroborated his words.</p>
+<p>&ldquo;Are you all going to flock to the billiard-room?&rdquo;
+asked Teresa Thundleford, after dinner, with an air of some
+disapproval and a good deal of annoyance.&nbsp; &ldquo;I
+can&rsquo;t see what particular amusement you find in watching
+two men prodding little ivory balls about on a table.&rdquo;</p>
+<p>&ldquo;Oh, well,&rdquo; said her hostess, &ldquo;it&rsquo;s a
+way of passing the time, you know.&rdquo;</p>
+<p>&ldquo;A very poor way, to my mind,&rdquo; said Mrs.
+Thundleford; &ldquo;now I was going to have shown all of you the
+photographs I took in Venice last summer.&rdquo;</p>
+<p>&ldquo;You showed them to us last night,&rdquo; said Mrs.
+Cuvering hastily.</p>
+<p>&ldquo;Those were the ones I took in Florence.&nbsp; These are
+quite a different lot.&rdquo;</p>
+<p>&ldquo;Oh, well, some time to-morrow we can look at
+them.&nbsp; You can leave them down in the drawing-room, and then
+every one can have a look.&rdquo;</p>
+<p>&ldquo;I should prefer to show them when you are all gathered
+together, as I have quite a lot of explanatory remarks to make,
+about Venetian art and architecture, on the same lines as my
+remarks last night on the Florentine galleries.&nbsp; Also, there
+are some verses of mine that I should like to read you, on the
+rebuilding of the Campanile.&nbsp; But, of course, if you all
+prefer to watch Major Latton and Mr. Strinnit knocking balls
+about on a table&mdash;&rdquo;</p>
+<p>&ldquo;They are both supposed to be first-rate players,&rdquo;
+said the hostess.</p>
+<p>&ldquo;I have yet to learn that my verses and my art
+<i>causerie</i> are of second-rate quality,&rdquo; said Mrs.
+Thundleford with acerbity.&nbsp; &ldquo;However, as you all seem
+bent on watching a silly game, there&rsquo;s no more to be
+said.&nbsp; I shall go upstairs and finish some writing.&nbsp;
+Later on, perhaps, I will come down and join you.&rdquo;</p>
+<p>To one, at least, of the onlookers the game was anything but
+silly.&nbsp; It was absorbing, exciting, exasperating,
+nerve-stretching, and finally it grew to be tragic.&nbsp; The
+Major with the St. Moritz reputation was playing a long way below
+his form, young Strinnit was playing slightly above his, and had
+all the luck of the game as well.&nbsp; From the very start the
+balls seemed possessed by a demon of contrariness; they trundled
+about complacently for one player, they would go nowhere for the
+other.</p>
+<p>&ldquo;A hundred and seventy, seventy-four,&rdquo; sang out
+the youth who was marking.&nbsp; In a game of two hundred and
+fifty up it was an enormous lead to hold.&nbsp; Clovis watched
+the flush of excitement die away from Dillot&rsquo;s face, and a
+hard white look take its place.</p>
+<p>&ldquo;How much have you go on?&rdquo; whispered Clovis.&nbsp;
+The other whispered the sum through dry, shaking lips.&nbsp; It
+was more than he or any one connected with him could pay; he had
+done what he had said he would do.&nbsp; He had been rash.</p>
+<p>&ldquo;Two hundred and six, ninety-eight.&rdquo;</p>
+<p>Rex heard a clock strike ten somewhere in the hall, then
+another somewhere else, and another, and another; the house
+seemed full of striking clocks.&nbsp; Then in the distance the
+stable clock chimed in.&nbsp; In another hour they would all be
+striking eleven, and he would be listening to them as a disgraced
+outcast, unable to pay, even in part, the wager he had
+challenged.</p>
+<p>&ldquo;Two hundred and eighteen, a hundred and
+three.&rdquo;&nbsp; The game was as good as over.&nbsp; Rex was
+as good as done for.&nbsp; He longed desperately for the ceiling
+to fall in, for the house to catch fire, for anything to happen
+that would put an end to that horrible rolling to and fro of red
+and white ivory that was jostling him nearer and nearer to his
+doom.</p>
+<p>&ldquo;Two hundred and twenty-eight, a hundred and
+seven.&rdquo;</p>
+<p>Rex opened his cigarette-case; it was empty.&nbsp; That at
+least gave him a pretext to slip away from the room for the
+purpose of refilling it; he would spare himself the drawn-out
+torture of watching that hopeless game played out to the bitter
+end.&nbsp; He backed away from the circle of absorbed watchers
+and made his way up a short stairway to a long, silent corridor
+of bedrooms, each with a guests&rsquo; name written in a little
+square on the door.&nbsp; In the hush that reigned in this part
+of the house he could still hear the hateful click-click of the
+balls; if he waited for a few minutes longer he would hear the
+little outbreak of clapping and buzz of congratulation that would
+hail Strinnit&rsquo;s victory.&nbsp; On the alert tension of his
+nerves there broke another sound, the aggressive, wrath-inducing
+breathing of one who sleeps in heavy after-dinner slumber.&nbsp;
+The sound came from a room just at his elbow; the card on the
+door bore the announcement &ldquo;Mrs. Thundleford.&rdquo;&nbsp;
+The door was just slightly ajar; Rex pushed it open an inch or
+two more and looked in.&nbsp; The august Teresa had fallen asleep
+over an illustrated guide to Florentine art-galleries; at her
+side, somewhat dangerously near the edge of the table, was a
+reading-lamp.&nbsp; If Fate had been decently kind to him,
+thought Rex, bitterly, that lamp would have been knocked over by
+the sleeper and would have given them something to think of
+besides billiard matches.</p>
+<p>There are occasions when one must take one&rsquo;s Fate in
+one&rsquo;s hands.&nbsp; Rex took the lamp in his.</p>
+<p>&ldquo;Two hundred and thirty-seven, one hundred and
+fifteen.&rdquo;&nbsp; Strinnit was at the table, and the balls
+lay in good position for him; he had a choice of two fairly easy
+shots, a choice which he was never to decide.&nbsp; A sudden
+hurricane of shrieks and a rush of stumbling feet sent every one
+flocking to the door.&nbsp; The Dillot boy crashed into the room,
+carrying in his arms the vociferous and somewhat dishevelled
+Teresa Thundleford; her clothing was certainly not a mass of
+flames, as the more excitable members of the party afterwards
+declared, but the edge of her skirt and part of the table-cover
+in which she had been hastily wrapped were alight in a
+flickering, half-hearted manner.&nbsp; Rex flung his struggling
+burden on the billiard table, and for one breathless minute the
+work of beating out the sparks with rugs and cushions and playing
+on them with soda-water syphons engrossed the energies of the
+entire company.</p>
+<p>&ldquo;It was lucky I was passing when it happened,&rdquo;
+panted Rex; &ldquo;some one had better see to the room, I think
+the carpet is alight.&rdquo;</p>
+<p>As a matter of fact the promptitude and energy of the rescuer
+had prevented any great damage being done, either to the victim
+or her surroundings.&nbsp; The billiard table had suffered most,
+and had to be laid up for repairs; perhaps it was not the best
+place to have chosen for the scene of salvage operations; but
+then, as Clovis remarked, when one is rushing about with a
+blazing woman in one&rsquo;s arms one can&rsquo;t stop to think
+out exactly where one is going to put her.</p>
+<h2><a name="page201"></a><span class="pagenum">p. 201</span>THE
+BULL</h2>
+<p>Tom Yorkfield had always regarded his half-brother, Laurence,
+with a lazy instinct of dislike, toned down, as years went on, to
+a tolerant feeling of indifference.&nbsp; There was nothing very
+tangible to dislike him for; he was just a blood-relation, with
+whom Tom had no single taste or interest in common, and with
+whom, at the same time, he had had no occasion for quarrel.&nbsp;
+Laurence had left the farm early in life, and had lived for a few
+years on a small sum of money left him by his mother; he had
+taken up painting as a profession, and was reported to be doing
+fairly well at it, well enough, at any rate, to keep body and
+soul together.&nbsp; He specialised in painting animals, and he
+was successful in finding a certain number of people to buy his
+pictures.&nbsp; Tom felt a comforting sense of assured
+superiority in contrasting his position with that of his
+half-brother; Laurence was an artist-chap, just that and nothing
+more, though you might make it sound more important by calling
+him an animal painter; Tom was a farmer, not in a very big way,
+it was true, but the Helsery farm had been in the family for some
+generations, and it had a good reputation for the stock raised on
+it.&nbsp; Tom had done his best, with the little capital at his
+command, to maintain and improve the standard of his small herd
+of cattle, and in Clover Fairy he had bred a bull which was
+something rather better than any that his immediate neighbours
+could show.&nbsp; It would not have made a sensation in the
+judging-ring at an important cattle show, but it was as vigorous,
+shapely, and healthy a young animal as any small practical farmer
+could wish to possess.&nbsp; At the King&rsquo;s Head on market
+days Clover Fairy was very highly spoken of, and Yorkfield used
+to declare that he would not part with him for a hundred pounds;
+a hundred pounds is a lot of money in the small farming line, and
+probably anything over eighty would have tempted him.</p>
+<p>It was with some especial pleasure that Tom took advantage of
+one of Laurence&rsquo;s rare visits to the farm to lead him down
+to the enclosure where Clover Fairy kept solitary state&mdash;the
+grass widower of a grazing harem.&nbsp; Tom felt some of his old
+dislike for his half-brother reviving; the artist was becoming
+more languid in his manner, more unsuitably turned-out in attire,
+and he seemed inclined to impart a slightly patronising tone to
+his conversation.&nbsp; He took no heed of a flourishing potato
+crop, but waxed enthusiastic over a clump of yellow-flowering
+weed that stood in a corner by a gateway, which was rather
+galling to the owner of a really very well weeded farm; again,
+when he might have been duly complimentary about a group of fat,
+black-faced lambs, that simply cried aloud for admiration, he
+became eloquent over the foliage tints of an oak copse on the
+hill opposite.&nbsp; But now he was being taken to inspect the
+crowning pride and glory of Helsery; however grudging he might be
+in his praises, however backward and niggardly with his
+congratulations, he would have to see and acknowledge the many
+excellences of that redoubtable animal.&nbsp; Some weeks ago,
+while on a business journey to Taunton, Tom had been invited by
+his half-brother to visit a studio in that town, where Laurence
+was exhibiting one of his pictures, a large canvas representing a
+bull standing knee-deep in some marshy ground; it had been good
+of its kind, no doubt, and Laurence had seemed inordinately
+pleased with it; &ldquo;the best thing I&rsquo;ve done
+yet,&rdquo; he had said over and over again, and Tom had
+generously agreed that it was fairly life-like.&nbsp; Now, the
+man of pigments was going to be shown a real picture, a living
+model of strength and comeliness, a thing to feast the eyes on, a
+picture that exhibited new pose and action with every shifting
+minute, instead of standing glued into one unvarying attitude
+between the four walls of a frame.&nbsp; Tom unfastened a stout
+wooden door and led the way into a straw-bedded yard.</p>
+<p>&ldquo;Is he quiet?&rdquo; asked the artist, as a young bull
+with a curly red coat came inquiringly towards them.</p>
+<p>&ldquo;He&rsquo;s playful at times,&rdquo; said Tom, leaving
+his half-brother to wonder whether the bull&rsquo;s ideas of play
+were of the catch-as-catch-can order.&nbsp; Laurence made one or
+two perfunctory comments on the animal&rsquo;s appearance and
+asked a question or so as to his age and such-like details; then
+he coolly turned the talk into another channel.</p>
+<p>&ldquo;Do you remember the picture I showed you at
+Taunton?&rdquo; he asked.</p>
+<p>&ldquo;Yes,&rdquo; grunted Tom; &ldquo;a white-faced bull
+standing in some slush.&nbsp; Don&rsquo;t admire those Herefords
+much myself; bulky-looking brutes, don&rsquo;t seem to have much
+life in them.&nbsp; Daresay they&rsquo;re easier to paint that
+way; now, this young beggar is on the move all the time,
+aren&rsquo;t you, Fairy?&rdquo;</p>
+<p>&ldquo;I&rsquo;ve sold that picture,&rdquo; said Laurence,
+with considerable complacency in his voice.</p>
+<p>&ldquo;Have you?&rdquo; said Tom; &ldquo;glad to hear it,
+I&rsquo;m sure.&nbsp; Hope you&rsquo;re pleased with what
+you&rsquo;ve got for it.&rdquo;</p>
+<p>&ldquo;I got three hundred pounds for it,&rdquo; said
+Laurence.</p>
+<p>Tom turned towards him with a slowly rising flush of anger in
+his face.&nbsp; Three hundred pounds!&nbsp; Under the most
+favourable market conditions that he could imagine his prized
+Clover Fairy would hardly fetch a hundred, yet here was a piece
+of varnished canvas, painted by his half-brother, selling for
+three times that sum.&nbsp; It was a cruel insult that went home
+with all the more force because it emphasised the triumph of the
+patronising, self-satisfied Laurence.&nbsp; The young farmer had
+meant to put his relative just a little out of conceit with
+himself by displaying the jewel of his possessions, and now the
+tables were turned, and his valued beast was made to look cheap
+and insignificant beside the price paid for a mere picture.&nbsp;
+It was so monstrously unjust; the painting would never be
+anything more than a dexterous piece of counterfeit life, while
+Clover Fairy was the real thing, a monarch in his little world, a
+personality in the countryside.&nbsp; After he was dead, even, he
+would still be something of a personality; his descendants would
+graze in those valley meadows and hillside pastures, they would
+fill stall and byre and milking-shed, their good red coats would
+speckle the landscape and crowd the market-place; men would note
+a promising heifer or a well-proportioned steer, and say:
+&ldquo;Ah, that one comes of good old Clover Fairy&rsquo;s
+stock.&rdquo;&nbsp; All that time the picture would be hanging,
+lifeless and unchanging, beneath its dust and varnish, a chattel
+that ceased to mean anything if you chose to turn it with its
+back to the wall.&nbsp; These thoughts chased themselves angrily
+through Tom Yorkfield&rsquo;s mind, but he could not put them
+into words.&nbsp; When he gave tongue to his feelings he put
+matters bluntly and harshly.</p>
+<p>&ldquo;Some soft-witted fools may like to throw away three
+hundred pounds on a bit of paintwork; can&rsquo;t say as I envy
+them their taste.&nbsp; I&rsquo;d rather have the real thing than
+a picture of it.&rdquo;</p>
+<p>He nodded towards the young bull, that was alternately staring
+at them with nose held high and lowering its horns with a
+half-playful, half-impatient shake of the head.</p>
+<p>Laurence laughed a laugh of irritating, indulgent
+amusement.</p>
+<p>&ldquo;I don&rsquo;t think the purchaser of my bit of
+paintwork, as you call it, need worry about having thrown his
+money away.&nbsp; As I get to be better known and recognised my
+pictures will go up in value.&nbsp; That particular one will
+probably fetch four hundred in a sale-room five or six years
+hence; pictures aren&rsquo;t a bad investment if you know enough
+to pick out the work of the right men.&nbsp; Now you can&rsquo;t
+say your precious bull is going to get more valuable the longer
+you keep him; he&rsquo;ll have his little day, and then, if you
+go on keeping him, he&rsquo;ll come down at last to a few
+shillingsworth of hoofs and hide, just at a time, perhaps, when
+my bull is being bought for a big sum for some important picture
+gallery.&rdquo;</p>
+<p>It was too much.&nbsp; The united force of truth and slander
+and insult put over heavy a strain on Tom Yorkfield&rsquo;s
+powers of restraint.&nbsp; In his right hand he held a useful oak
+cudgel, with his left he made a grab at the loose collar of
+Laurence&rsquo;s canary-coloured silk shirt.&nbsp; Laurence was
+not a fighting man; the fear of physical violence threw him off
+his balance as completely as overmastering indignation had thrown
+Tom off his, and thus it came to pass that Clover Fairy was
+regaled with the unprecedented sight of a human being scudding
+and squawking across the enclosure, like the hen that would
+persist in trying to establish a nesting-place in the
+manger.&nbsp; In another crowded happy moment the bull was trying
+to jerk Laurence over his left shoulder, to prod him in the ribs
+while still in the air, and to kneel on him when he reached the
+ground.&nbsp; It was only the vigorous intervention of Tom that
+induced him to relinquish the last item of his programme.</p>
+<p>Tom devotedly and ungrudgingly nursed his half brother to a
+complete recovery from his injuries, which consisted of nothing
+more serious than a dislocated shoulder, a broken rib or two, and
+a little nervous prostration.&nbsp; After all, there was no
+further occasion for rancour in the young farmer&rsquo;s mind;
+Laurence&rsquo;s bull might sell for three hundred, or for six
+hundred, and be admired by thousands in some big picture gallery,
+but it would never toss a man over one shoulder and catch him a
+jab in the ribs before he had fallen on the other side.&nbsp;
+That was Clover Fairy&rsquo;s noteworthy achievement, which could
+never be taken away from him.</p>
+<p>Laurence continues to be popular as an animal artist, but his
+subjects are always kittens or fawns or lambkins&mdash;never
+bulls.</p>
+<h2><a name="page209"></a><span class="pagenum">p.
+209</span>MORLVERA</h2>
+<p>The Olympic Toy Emporium occupied a conspicuous frontage in an
+important West End street.&nbsp; It was happily named Toy
+Emporium, because one would never have dreamed of according it
+the familiar and yet pulse-quickening name of toyshop.&nbsp;
+There was an air of cold splendour and elaborate failure about
+the wares that were set out in its ample windows; they were the
+sort of toys that a tired shop-assistant displays and explains at
+Christmas time to exclamatory parents and bored, silent
+children.&nbsp; The animal toys looked more like natural history
+models than the comfortable, sympathetic companions that one
+would wish, at a certain age, to take to bed with one, and to
+smuggle into the bath-room.&nbsp; The mechanical toys incessantly
+did things that no one could want a toy to do more than a half a
+dozen times in its lifetime; it was a merciful reflection that in
+any right-minded nursery the lifetime would certainly be
+short.</p>
+<p>Prominent among the elegantly-dressed dolls that filled an
+entire section of the window frontage was a large hobble-skirted
+lady in a confection of peach-coloured velvet, elaborately set
+off with leopard skin accessories, if one may use such a
+conveniently comprehensive word in describing an intricate
+feminine toilette.&nbsp; She lacked nothing that is to be found
+in a carefully detailed fashion-plate&mdash;in fact, she might be
+said to have something more than the average fashion-plate female
+possesses; in place of a vacant, expressionless stare she had
+character in her face.&nbsp; It must be admitted that it was bad
+character, cold, hostile, inquisitorial, with a sinister lowering
+of one eyebrow and a merciless hardness about the corners of the
+mouth.&nbsp; One might have imagined histories about her by the
+hour, histories in which unworthy ambition, the desire for money,
+and an entire absence of all decent feeling would play a
+conspicuous part.</p>
+<p>As a matter of fact, she was not without her judges and
+biographers, even in this shop-window stage of her career.&nbsp;
+Emmeline, aged ten, and Bert, aged seven, had halted on the way
+from their obscure back street to the minnow-stocked water of St.
+James&rsquo;s Park, and were critically examining the
+hobble-skirted doll, and dissecting her character in no very
+tolerant spirit.&nbsp; There is probably a latent enmity between
+the necessarily under-clad and the unnecessarily overdressed, but
+a little kindness and good fellowship on the part of the latter
+will often change the sentiment to admiring devotion; if the lady
+in peach-coloured velvet and leopard skin had worn a pleasant
+expression in addition to her other elaborate furnishings,
+Emmeline at least might have respected and even loved her.&nbsp;
+As it was, she gave her a horrible reputation, based chiefly on a
+secondhand knowledge of gilded depravity derived from the
+conversation of those who were skilled in the art of novelette
+reading; Bert filled in a few damaging details from his own
+limited imagination.</p>
+<p>&ldquo;She&rsquo;s a bad lot, that one is,&rdquo; declared
+Emmeline, after a long unfriendly stare; &ldquo;&rsquo;er
+&rsquo;usbind &rsquo;ates &rsquo;er.&rdquo;</p>
+<p>&ldquo;&rsquo;E knocks &rsquo;er abart,&rdquo; said Bert, with
+enthusiasm.</p>
+<p>&ldquo;No, &rsquo;e don&rsquo;t, cos &rsquo;e&rsquo;s dead;
+she poisoned &rsquo;im slow and gradual, so that nobody
+didn&rsquo;t know.&nbsp; Now she wants to marry a lord, with
+&rsquo;eaps and &rsquo;eaps of money.&nbsp; &rsquo;E&rsquo;s got
+a wife already, but she&rsquo;s going to poison &rsquo;er,
+too.&rdquo;</p>
+<p>&ldquo;She&rsquo;s a bad lot,&rdquo; said Bert with growing
+hostility.</p>
+<p>&ldquo;&rsquo;Er mother &rsquo;ates her, and she&rsquo;s
+afraid of &rsquo;er, too, cos she&rsquo;s got a serkestic tongue;
+always talking serkesms, she is.&nbsp; She&rsquo;s greedy, too;
+if there&rsquo;s fish going, she eats &rsquo;er own share and
+&rsquo;er little girl&rsquo;s as well, though the little girl is
+dellikit.&rdquo;</p>
+<p>&ldquo;She &rsquo;ad a little boy once,&rdquo; said Bert,
+&ldquo;but she pushed &rsquo;im into the water when nobody
+wasn&rsquo;t looking.&rdquo;</p>
+<p>&ldquo;No she didn&rsquo;t,&rdquo; said Emmeline, &ldquo;she
+sent &rsquo;im away to be kep&rsquo; by poor people, so &rsquo;er
+&rsquo;usbind wouldn&rsquo;t know where &rsquo;e was.&nbsp; They
+ill-treat &rsquo;im somethink cruel.&rdquo;</p>
+<p>&ldquo;Wot&rsquo;s &rsquo;er nime?&rdquo; asked Bert, thinking
+that it was time that so interesting a personality should be
+labelled.</p>
+<p>&ldquo;&rsquo;Er nime?&rdquo; said Emmeline, thinking hard,
+&ldquo;&rsquo;er nime&rsquo;s Morlvera.&rdquo;&nbsp; It was as
+near as she could get to the name of an adventuress who figured
+prominently in a cinema drama.&nbsp; There was silence for a
+moment while the possibilities of the name were turned over in
+the children&rsquo;s minds.</p>
+<p>&ldquo;Those clothes she&rsquo;s got on ain&rsquo;t paid for,
+and never won&rsquo;t be,&rdquo; said Emmeline; &ldquo;she thinks
+she&rsquo;ll get the rich lord to pay for &rsquo;em, but &rsquo;e
+won&rsquo;t.&nbsp; &rsquo;E&rsquo;s given &rsquo;er jools,
+&rsquo;underds of pounds&rsquo; worth.&rdquo;</p>
+<p>&ldquo;&rsquo;E won&rsquo;t pay for the clothes,&rdquo; said
+Bert, with conviction.&nbsp; Evidently there was some limit to
+the weak good nature of wealthy lords.</p>
+<p>At that moment a motor carriage with liveried servants drew up
+at the emporium entrance; a large lady, with a penetrating and
+rather hurried manner of talking, stepped out, followed slowly
+and sulkily by a small boy, who had a very black scowl on his
+face and a very white sailor suit over the rest of him.&nbsp; The
+lady was continuing an argument which had probably commenced in
+Portman Square.</p>
+<p>&ldquo;Now, Victor, you are to come in and buy a nice doll for
+your cousin Bertha.&nbsp; She gave you a beautiful box of
+soldiers on your birthday, and you must give her a present on
+hers.&rdquo;</p>
+<p>&ldquo;Bertha is a fat little fool,&rdquo; said Victor, in a
+voice that was as loud as his mother&rsquo;s and had more
+assurance in it.</p>
+<p>&ldquo;Victor, you are not to say such things.&nbsp; Bertha is
+not a fool, and she is not in the least fat.&nbsp; You are to
+come in and choose a doll for her.&rdquo;</p>
+<p>The couple passed into the shop, out of view and hearing of
+the two back-street children.</p>
+<p>&ldquo;My, he is in a wicked temper,&rdquo; exclaimed
+Emmeline, but both she and Bert were inclined to side with him
+against the absent Bertha, who was doubtless as fat and foolish
+as he had described her to be.</p>
+<p>&ldquo;I want to see some dolls,&rdquo; said the mother of
+Victor to the nearest assistant; &ldquo;it&rsquo;s for a little
+girl of eleven.&rdquo;</p>
+<p>&ldquo;A fat little girl of eleven,&rdquo; added Victor by way
+of supplementary information.</p>
+<p>&ldquo;Victor, if you say such rude things about your cousin,
+you shall go to bed the moment we get home, without having any
+tea.&rdquo;</p>
+<p>&ldquo;This is one of the newest things we have in
+dolls,&rdquo; said the assistant, removing a hobble-skirted
+figure in peach-coloured velvet from the window; &ldquo;leopard
+skin toque and stole, the latest fashion.&nbsp; You won&rsquo;t
+get anything newer than that anywhere.&nbsp; It&rsquo;s an
+exclusive design.&rdquo;</p>
+<p>&ldquo;Look!&rdquo; whispered Emmeline outside;
+&ldquo;they&rsquo;ve bin and took Morlvera.&rdquo;</p>
+<p>There was a mingling of excitement and a certain sense of
+bereavement in her mind; she would have liked to gaze at that
+embodiment of overdressed depravity for just a little longer.</p>
+<p>&ldquo;I &rsquo;spect she&rsquo;s going away in a kerridge to
+marry the rich lord,&rdquo; hazarded Bert.</p>
+<p>&ldquo;She&rsquo;s up to no good,&rdquo; said Emmeline
+vaguely.</p>
+<p>Inside the shop the purchase of the doll had been decided
+on.</p>
+<p>&ldquo;It&rsquo;s a beautiful doll, and Bertha will be
+delighted with it,&rdquo; asserted the mother of Victor
+loudly.</p>
+<p>&ldquo;Oh, very well,&rdquo; said Victor sulkily; &ldquo;you
+needn&rsquo;t have it stuck into a box and wait an hour while
+it&rsquo;s being done up into a parcel.&nbsp; I&rsquo;ll take it
+as it is, and we can go round to Manchester Square and give it to
+Bertha, and get the thing done with.&nbsp; That will save me the
+trouble of writing: &lsquo;For dear Bertha, with Victor&rsquo;s
+love,&rsquo; on a bit of paper.&rdquo;</p>
+<p>&ldquo;Very well,&rdquo; said his mother, &ldquo;we can go to
+Manchester Square on our way home.&nbsp; You must wish her many
+happy returns of to-morrow, and give her the doll.&rdquo;</p>
+<p>&ldquo;I won&rsquo;t let the little beast kiss me,&rdquo;
+stipulated Victor.</p>
+<p>His mother said nothing; Victor had not been half as
+troublesome as she had anticipated.&nbsp; When he chose he could
+really be dreadfully naughty.</p>
+<p>Emmeline and Bert were just moving away from the window when
+Morlvera made her exit from the shop, very carefully in
+Victor&rsquo;s arms.&nbsp; A look of sinister triumph seemed to
+glow in her hard, inquisitorial face.&nbsp; As for Victor, a
+certain scornful serenity had replaced the earlier scowls; he had
+evidently accepted defeat with a contemptuous good grace.</p>
+<p>The tall lady gave a direction to the footman and settled
+herself in the carriage.&nbsp; The little figure in the white
+sailor suit clambered in beside her, still carefully holding the
+elegantly garbed doll.</p>
+<p>The car had to be backed a few yards in the process of
+turning.&nbsp; Very stealthily, very gently, very mercilessly
+Victor sent Morlvera flying over his shoulder, so that she fell
+into the road just behind the retrogressing wheel.&nbsp; With a
+soft, pleasant-sounding scrunch the car went over the prostrate
+form, then it moved forward again with another scrunch.&nbsp; The
+carriage moved off and left Bert and Emmeline gazing in scared
+delight at a sorry mess of petrol-smeared velvet, sawdust, and
+leopard skin, which was all that remained of the hateful
+Morlvera.&nbsp; They gave a shrill cheer, and then raced away
+shuddering from the scene of so much rapidly enacted tragedy.</p>
+<p>Later that afternoon, when they were engaged in the pursuit of
+minnows by the waterside in St. James&rsquo;s Park, Emmeline said
+in a solemn undertone to Bert&mdash;</p>
+<p>&ldquo;I&rsquo;ve bin finking.&nbsp; Do you know oo &rsquo;e
+was?&nbsp; &rsquo;E was &rsquo;er little boy wot she&rsquo;d sent
+away to live wiv poor folks.&nbsp; &rsquo;E come back and done
+that.&rdquo;</p>
+<h2><a name="page217"></a><span class="pagenum">p.
+217</span>SHOCK TACTICS</h2>
+<p>On a late spring afternoon Ella McCarthy sat on a
+green-painted chair in Kensington Gardens, staring listlessly at
+an uninteresting stretch of park landscape, that blossomed
+suddenly into tropical radiance as an expected figure appeared in
+the middle distance.</p>
+<p>&ldquo;Hullo, Bertie!&rdquo; she exclaimed sedately, when the
+figure arrived at the painted chair that was the nearest
+neighbour to her own, and dropped into it eagerly, yet with a
+certain due regard for the set of its trousers;
+&ldquo;hasn&rsquo;t it been a perfect spring
+afternoon?&rdquo;</p>
+<p>The statement was a distinct untruth as far as Ella&rsquo;s
+own feelings were concerned; until the arrival of Bertie the
+afternoon had been anything but perfect.</p>
+<p>Bertie made a suitable reply, in which a questioning note
+seemed to hover.</p>
+<p>&ldquo;Thank you ever so much for those lovely
+handkerchiefs,&rdquo; said Ella, answering the unspoken question;
+&ldquo;they were just what I&rsquo;ve been wanting.&nbsp;
+There&rsquo;s only one thing spoilt my pleasure in your
+gift,&rdquo; she added, with a pout.</p>
+<p>&ldquo;What was that?&rdquo; asked Bertie anxiously, fearful
+that perhaps he had chosen a size of handkerchief that was not
+within the correct feminine limit.</p>
+<p>&ldquo;I should have liked to have written and thanked you for
+them as soon as I got them,&rdquo; said Ella, and Bertie&rsquo;s
+sky clouded at once.</p>
+<p>&ldquo;You know what mother is,&rdquo; he protested;
+&ldquo;she opens all my letters, and if she found I&rsquo;d been
+giving presents to any one there&rsquo;d have been something to
+talk about for the next fortnight.&rdquo;</p>
+<p>&ldquo;Surely, at the age of twenty&mdash;&rdquo; began
+Ella.</p>
+<p>&ldquo;I&rsquo;m not twenty till September,&rdquo; interrupted
+Bertie.</p>
+<p>&ldquo;At the age of nineteen years and eight months,&rdquo;
+persisted Ella, &ldquo;you might be allowed to keep your
+correspondence private to yourself.&rdquo;</p>
+<p>&ldquo;I ought to be, but things aren&rsquo;t always what they
+ought to be.&nbsp; Mother opens every letter that comes into the
+house, whoever it&rsquo;s for.&nbsp; My sisters and I have made
+rows about it time and again, but she goes on doing
+it.&rdquo;</p>
+<p>&ldquo;I&rsquo;d find some way to stop her if I were in your
+place,&rdquo; said Ella valiantly, and Bertie felt that the
+glamour of his anxiously deliberated present had faded away in
+the disagreeable restriction that hedged round its
+acknowledgment.</p>
+<p>&ldquo;Is anything the matter?&rdquo; asked Bertie&rsquo;s
+friend Clovis when they met that evening at the
+swimming-bath.</p>
+<p>&ldquo;Why do you ask?&rdquo; said Bertie.</p>
+<p>&ldquo;When you wear a look of tragic gloom in a
+swimming-bath,&rdquo; said Clovis, &ldquo;it&rsquo;s especially
+noticeable from the fact that you&rsquo;re wearing very little
+else.&nbsp; Didn&rsquo;t she like the handkerchiefs?&rdquo;</p>
+<p>Bertie explained the situation.</p>
+<p>&ldquo;It is rather galling, you know,&rdquo; he added,
+&ldquo;when a girl has a lot of things she wants to write to you
+and can&rsquo;t send a letter except by some roundabout,
+underhand way.&rdquo;</p>
+<p>&ldquo;One never realises one&rsquo;s blessings while one
+enjoys them,&rdquo; said Clovis; &ldquo;now I have to spend a
+considerable amount of ingenuity inventing excuses for not having
+written to people.&rdquo;</p>
+<p>&ldquo;It&rsquo;s not a joking matter,&rdquo; said Bertie
+resentfully: &ldquo;you wouldn&rsquo;t find it funny if your
+mother opened all your letters.&rdquo;</p>
+<p>&ldquo;The funny thing to me is that you should let her do
+it.&rdquo;</p>
+<p>&ldquo;I can&rsquo;t stop it.&nbsp; I&rsquo;ve argued about
+it&mdash;&rdquo;</p>
+<p>&ldquo;You haven&rsquo;t used the right kind of argument, I
+expect.&nbsp; Now, if every time one of your letters was opened
+you lay on your back on the dining-table during dinner and had a
+fit, or roused the entire family in the middle of the night to
+hear you recite one of Blake&rsquo;s &lsquo;Poems of
+Innocence,&rsquo; you would get a far more respectful hearing for
+future protests.&nbsp; People yield more consideration to a
+mutilated mealtime or a broken night&rsquo;s rest, than ever they
+would to a broken heart.&rdquo;</p>
+<p>&ldquo;Oh, dry up,&rdquo; said Bertie crossly, inconsistently
+splashing Clovis from head to foot as he plunged into the
+water.</p>
+<p>It was a day or two after the conversation in the
+swimming-bath that a letter addressed to Bertie Heasant slid into
+the letter-box at his home, and thence into the hands of his
+mother.&nbsp; Mrs. Heasant was one of those empty-minded
+individuals to whom other people&rsquo;s affairs are perpetually
+interesting.&nbsp; The more private they are intended to be the
+more acute is the interest they arouse.&nbsp; She would have
+opened this particular letter in any case; the fact that it was
+marked &ldquo;private,&rdquo; and diffused a delicate but
+penetrating aroma merely caused her to open it with headlong
+haste rather than matter-of-course deliberation.&nbsp; The
+harvest of sensation that rewarded her was beyond all
+expectations.</p>
+<blockquote><p>&ldquo;Bertie, carissimo,&rdquo; it began,
+&ldquo;I wonder if you will have the nerve to do it: it will take
+some nerve, too.&nbsp; Don&rsquo;t forget the jewels.&nbsp; They
+are a detail, but details interest me.</p>
+<p style="text-align: right">&ldquo;Yours as ever,<br />
+&ldquo;<span class="smcap">Clotilde</span>.&rdquo;</p>
+<p>&ldquo;Your mother must not know of my existence.&nbsp; If
+questioned swear you never heard of me.&rdquo;</p>
+</blockquote>
+<p>For years Mrs. Heasant had searched Bertie&rsquo;s
+correspondence diligently for traces of possible dissipation or
+youthful entanglements, and at last the suspicions that had
+stimulated her inquisitorial zeal were justified by this one
+splendid haul.&nbsp; That any one wearing the exotic name
+&ldquo;Clotilde&rdquo; should write to Bertie under the
+incriminating announcement &ldquo;as ever&rdquo; was sufficiently
+electrifying, without the astounding allusion to the
+jewels.&nbsp; Mrs. Heasant could recall novels and dramas wherein
+jewels played an exciting and commanding role, and here, under
+her own roof, before her very eyes as it were, her own son was
+carrying on an intrigue in which jewels were merely an
+interesting detail.&nbsp; Bertie was not due home for another
+hour, but his sisters were available for the immediate
+unburdening of a scandal-laden mind.</p>
+<p>&ldquo;Bertie is in the toils of an adventuress,&rdquo; she
+screamed; &ldquo;her name is Clotilde,&rdquo; she added, as if
+she thought they had better know the worst at once.&nbsp; There
+are occasions when more harm than good is done by shielding young
+girls from a knowledge of the more deplorable realities of
+life.</p>
+<p>By the time Bertie arrived his mother had discussed every
+possible and improbable conjecture as to his guilty secret; the
+girls limited themselves to the opinion that their brother had
+been weak rather than wicked.</p>
+<p>&ldquo;Who is Clotilde?&rdquo; was the question that
+confronted Bertie almost before he had got into the hall.&nbsp;
+His denial of any knowledge of such a person was met with an
+outburst of bitter laughter.</p>
+<p>&ldquo;How well you have learned your lesson!&rdquo; exclaimed
+Mrs. Heasant.&nbsp; But satire gave way to furious indignation
+when she realised that Bertie did not intend to throw any further
+light on her discovery.</p>
+<p>&ldquo;You shan&rsquo;t have any dinner till you&rsquo;ve
+confessed everything,&rdquo; she stormed.</p>
+<p>Bertie&rsquo;s reply took the form of hastily collecting
+material for an impromptu banquet from the larder and locking
+himself into his bedroom.&nbsp; His mother made frequent visits
+to the locked door and shouted a succession of interrogations
+with the persistence of one who thinks that if you ask a question
+often enough an answer will eventually result.&nbsp; Bertie did
+nothing to encourage the supposition.&nbsp; An hour had passed in
+fruitless one-sided palaver when another letter addressed to
+Bertie and marked &ldquo;private&rdquo; made its appearance in
+the letter-box.&nbsp; Mrs. Heasant pounced on it with the
+enthusiasm of a cat that has missed its mouse and to whom a
+second has been unexpectedly vouchsafed.&nbsp; If she hoped for
+further disclosures assuredly she was not disappointed.</p>
+<blockquote><p>&ldquo;So you have really done it!&rdquo; the
+letter abruptly commenced; &ldquo;Poor Dagmar.&nbsp; Now she is
+done for I almost pity her.&nbsp; You did it very well, you
+wicked boy, the servants all think it was suicide, and there will
+be no fuss.&nbsp; Better not touch the jewels till after the
+inquest.</p>
+<p style="text-align: right">&ldquo;<span
+class="smcap">Clotilde</span>.&rdquo;</p>
+</blockquote>
+<p>Anything that Mrs. Heasant had previously done in the way of
+outcry was easily surpassed as she raced upstairs and beat
+frantically at her son&rsquo;s door.</p>
+<p>&ldquo;Miserable boy, what have you done to Dagmar?&rdquo;</p>
+<p>&ldquo;It&rsquo;s Dagmar now, is it?&rdquo; he snapped;
+&ldquo;it will be Geraldine next.&rdquo;</p>
+<p>&ldquo;That it should come to this, after all my efforts to
+keep you at home of an evening,&rdquo; sobbed Mrs. Heasant;
+&ldquo;it&rsquo;s no use you trying to hide things from me;
+Clotilde&rsquo;s letter betrays everything.&rdquo;</p>
+<p>&ldquo;Does it betray who she is?&rdquo; asked Bertie;
+&ldquo;I&rsquo;ve heard so much about her, I should like to know
+something about her home-life.&nbsp; Seriously, if you go on like
+this I shall fetch a doctor; I&rsquo;ve often enough been
+preached at about nothing, but I&rsquo;ve never had an imaginary
+harem dragged into the discussion.&rdquo;</p>
+<p>&ldquo;Are these letters imaginary?&rdquo; screamed Mrs.
+Heasant; &ldquo;what about the jewels, and Dagmar, and the theory
+of suicide?&rdquo;</p>
+<p>No solution of these problems was forthcoming through the
+bedroom door, but the last post of the evening produced another
+letter for Bertie, and its contents brought Mrs. Heasant that
+enlightenment which had already dawned on her son.</p>
+<blockquote><p>&ldquo;<span class="smcap">Dear
+Bertie</span>,&rdquo; it ran; &ldquo;I hope I haven&rsquo;t
+distracted your brain with the spoof letters I&rsquo;ve been
+sending in the name of a fictitious Clotilde.&nbsp; You told me
+the other day that the servants, or somebody at your home,
+tampered with your letters, so I thought I would give any one
+that opened them something exciting to read.&nbsp; The shock
+might do them good.</p>
+<p style="text-align: right">&ldquo;Yours,<br />
+&ldquo;<span class="smcap">Clovis Sangrail</span>.&rdquo;</p>
+</blockquote>
+<p>Mrs. Heasant knew Clovis slightly, and was rather afraid of
+him.&nbsp; It was not difficult to read between the lines of his
+successful hoax.&nbsp; In a chastened mood she rapped once more
+at Bertie&rsquo;s door.</p>
+<p>&ldquo;A letter from Mr. Sangrail.&nbsp; It&rsquo;s all been a
+stupid hoax.&nbsp; He wrote those other letters.&nbsp; Why, where
+are you going?&rdquo;</p>
+<p>Bertie had opened the door; he had on his hat and
+overcoat.</p>
+<p>&ldquo;I&rsquo;m going for a doctor to come and see if
+anything&rsquo;s the matter with you.&nbsp; Of course it was all
+a hoax, but no person in his right mind could have believed all
+that rubbish about murder and suicide and jewels.&nbsp;
+You&rsquo;ve been making enough noise to bring the house down for
+the last hour or two.&rdquo;</p>
+<p>&ldquo;But what was I to think of those letters?&rdquo;
+whimpered Mrs. Heasant.</p>
+<p>&ldquo;I should have known what to think of them,&rdquo; said
+Bertie; &ldquo;if you choose to excite yourself over other
+people&rsquo;s correspondence it&rsquo;s your own fault.&nbsp;
+Anyhow, I&rsquo;m going for a doctor.&rdquo;</p>
+<p>It was Bertie&rsquo;s great opportunity, and he knew it.&nbsp;
+His mother was conscious of the fact that she would look rather
+ridiculous if the story got about.&nbsp; She was willing to pay
+hush-money.</p>
+<p>&ldquo;I&rsquo;ll never open your letters again,&rdquo; she
+promised.&nbsp; And Clovis has no more devoted slave than Bertie
+Heasant.</p>
+<h2><a name="page227"></a><span class="pagenum">p. 227</span>THE
+SEVEN CREAM JUGS</h2>
+<p>&ldquo;I suppose we shall never see Wilfred Pigeoncote here
+now that he has become heir to the baronetcy and to a lot of
+money,&rdquo; observed Mrs. Peter Pigeoncote regretfully to her
+husband.</p>
+<p>&ldquo;Well, we can hardly expect to,&rdquo; he replied,
+&ldquo;seeing that we always choked him off from coming to see us
+when he was a prospective nobody.&nbsp; I don&rsquo;t think
+I&rsquo;ve set eyes on him since he was a boy of
+twelve.&rdquo;</p>
+<p>&ldquo;There was a reason for not wanting to encourage his
+acquaintanceship,&rdquo; said Mrs. Peter.&nbsp; &ldquo;With that
+notorious failing of his he was not the sort of person one wanted
+in one&rsquo;s house.&rdquo;</p>
+<p>&ldquo;Well, the failing still exists, doesn&rsquo;t
+it?&rdquo; said her husband; &ldquo;or do you suppose a reform of
+character is entailed along with the estate?&rdquo;</p>
+<p>&ldquo;Oh, of course, there is still that drawback,&rdquo;
+admitted the wife, &ldquo;but one would like to make the
+acquaintance of the future head of the family, if only out of
+mere curiosity.&nbsp; Besides, cynicism apart, his being rich
+will make a difference in the way people will look at his
+failing.&nbsp; When a man is absolutely wealthy, not merely
+well-to-do, all suspicion of sordid motive naturally disappears;
+the thing becomes merely a tiresome malady.&rdquo;</p>
+<p>Wilfrid Pigeoncote had suddenly become heir to his uncle, Sir
+Wilfrid Pigeoncote, on the death of his cousin, Major Wilfrid
+Pigeoncote, who had succumbed to the after-effects of a polo
+accident.&nbsp; (A Wilfrid Pigeoncote had covered himself with
+honours in the course of Marlborough&rsquo;s campaigns, and the
+name Wilfrid had been a baptismal weakness in the family ever
+since.)&nbsp; The new heir to the family dignity and estates was
+a young man of about five-and-twenty, who was known more by
+reputation than by person to a wide circle of cousins and
+kinsfolk.&nbsp; And the reputation was an unpleasant one.&nbsp;
+The numerous other Wilfrids in the family were distinguished one
+from another chiefly by the names of their residences or
+professions, as Wilfrid of Hubbledown, and young Wilfrid the
+Gunner, but this particular scion was known by the ignominious
+and expressive label of Wilfrid the Snatcher.&nbsp; From his late
+schooldays onward he had been possessed by an acute and obstinate
+form of kleptomania; he had the acquisitive instinct of the
+collector without any of the collector&rsquo;s
+discrimination.&nbsp; Anything that was smaller and more portable
+than a sideboard, and above the value of ninepence, had an
+irresistible attraction for him, provided that it fulfilled the
+necessary condition of belonging to some one else.&nbsp; On the
+rare occasions when he was included in a country-house party, it
+was usual and almost necessary for his host, or some member of
+the family, to make a friendly inquisition through his baggage on
+the eve of his departure, to see if he had packed up &ldquo;by
+mistake&rdquo; any one else&rsquo;s property.&nbsp; The search
+usually produced a large and varied yield.</p>
+<p>&ldquo;This is funny,&rdquo; said Peter Pigeoncote to his
+wife, some half-hour after their conversation;
+&ldquo;here&rsquo;s a telegram from Wilfrid, saying he&rsquo;s
+passing through here in his motor, and would like to stop and pay
+us his respects.&nbsp; Can stay for the night if it doesn&rsquo;t
+inconvenience us.&nbsp; Signed &lsquo;Wilfrid
+Pigeoncote.&rsquo;&nbsp; Must be the Snatcher; none of the others
+have a motor.&nbsp; I suppose he&rsquo;s bringing us a present
+for the silver wedding.&rdquo;</p>
+<p>&ldquo;Good gracious!&rdquo; said Mrs. Peter, as a thought
+struck her; &ldquo;this is rather an awkward time to have a
+person with his failing in the house.&nbsp; All those silver
+presents set out in the drawing-room, and others coming by every
+post; I hardly know what we&rsquo;ve got and what are still to
+come.&nbsp; We can&rsquo;t lock them all up; he&rsquo;s sure to
+want to see them.&rdquo;</p>
+<p>&ldquo;We must keep a sharp look-out, that&rsquo;s all,&rdquo;
+said Peter reassuringly.</p>
+<p>&ldquo;But these practised kleptomaniacs are so clever,&rdquo;
+said his wife, apprehensively, &ldquo;and it will be so awkward
+if he suspects that we are watching him.&rdquo;</p>
+<p>Awkwardness was indeed the prevailing note that evening when
+the passing traveller was being entertained.&nbsp; The talk
+flitted nervously and hurriedly from one impersonal topic to
+another.&nbsp; The guest had none of the furtive, half-apologetic
+air that his cousins had rather expected to find; he was polite,
+well-assured, and, perhaps, just a little inclined to &ldquo;put
+on side&rdquo;.&nbsp; His hosts, on the other hand, wore an
+uneasy manner that might have been the hallmark of conscious
+depravity.&nbsp; In the drawing-room, after dinner, their
+nervousness and awkwardness increased.</p>
+<p>&ldquo;Oh, we haven&rsquo;t shown you the silver-wedding
+presents,&rdquo; said Mrs. Peter, suddenly, as though struck by a
+brilliant idea for entertaining the guest; &ldquo;here they all
+are.&nbsp; Such nice, useful gifts.&nbsp; A few duplicates, of
+course.&rdquo;</p>
+<p>&ldquo;Seven cream jugs,&rdquo; put in Peter.</p>
+<p>&ldquo;Yes, isn&rsquo;t it annoying,&rdquo; went on Mrs.
+Peter; &ldquo;seven of them.&nbsp; We feel that we must live on
+cream for the rest of our lives.&nbsp; Of course, some of them
+can be changed.&rdquo;</p>
+<p>Wilfrid occupied himself chiefly with such of the gifts as
+were of antique interest, carrying one or two of them over to the
+lamp to examine their marks.&nbsp; The anxiety of his hosts at
+these moments resembled the solicitude of a cat whose newly born
+kittens are being handed round for inspection.</p>
+<p>&ldquo;Let me see; did you give me back the mustard-pot?&nbsp;
+This is its place here,&rdquo; piped Mrs. Peter.</p>
+<p>&ldquo;Sorry.&nbsp; I put it down by the claret-jug,&rdquo;
+said Wilfrid, busy with another object.</p>
+<p>&ldquo;Oh, just let me have the sugar-sifter again,&rdquo;
+asked Mrs. Peter, dogged determination showing through her
+nervousness; &ldquo;I must label it who it comes from before I
+forget.&rdquo;</p>
+<p>Vigilance was not completely crowned with a sense of
+victory.&nbsp; After they had said &ldquo;Good-night&rdquo; to
+their visitor, Mrs. Peter expressed her conviction that he had
+taken something.</p>
+<p>&ldquo;I fancy, by his manner, that there was something
+up,&rdquo; corroborated her husband; &ldquo;do you miss
+anything?&rdquo;</p>
+<p>Mrs. Peters hastily counted the array of gifts.</p>
+<p>&ldquo;I can only make it thirty-four, and I think it should
+be thirty-five,&rdquo; she announced; &ldquo;I can&rsquo;t
+remember if thirty-five includes the Archdeacon&rsquo;s
+cruet-stand that hasn&rsquo;t arrived yet.&rdquo;</p>
+<p>&ldquo;How on earth are we to know?&rdquo; said Peter.&nbsp;
+&ldquo;The mean pig hasn&rsquo;t brought us a present, and
+I&rsquo;m hanged if he shall carry one off.&rdquo;</p>
+<p>&ldquo;To-morrow, when he&rsquo;s having his bath,&rdquo; said
+Mrs. Peter excitedly, &ldquo;he&rsquo;s sure to leave his keys
+somewhere, and we can go through his portmanteau.&nbsp;
+It&rsquo;s the only thing to do.&rdquo;</p>
+<p>On the morrow an alert watch was kept by the conspirators
+behind half-closed doors, and when Wilfrid, clad in a gorgeous
+bath-robe, had made his way to the bath-room, there was a swift
+and furtive rush by two excited individuals towards the principal
+guest-chamber.&nbsp; Mrs. Peter kept guard outside, while her
+husband first made a hurried and successful search for the keys,
+and then plunged at the portmanteau with the air of a
+disagreeably conscientious Customs official.&nbsp; The quest was
+a brief one; a silver cream jug lay embedded in the folds of some
+zephyr shirts.</p>
+<p>&ldquo;The cunning brute,&rdquo; said Mrs. Peters; &ldquo;he
+took a cream jug because there were so many; he thought one
+wouldn&rsquo;t be missed.&nbsp; Quick, fly down with it and put
+it back among the others.&rdquo;</p>
+<p>Wilfrid was late in coming down to breakfast, and his manner
+showed plainly that something was amiss.</p>
+<p>&ldquo;It&rsquo;s an unpleasant thing to have to say,&rdquo;
+he blurted out presently, &ldquo;but I&rsquo;m afraid you must
+have a thief among your servants.&nbsp; Something&rsquo;s been
+taken out of my portmanteau.&nbsp; It was a little present from
+my mother and myself for your silver wedding.&nbsp; I should have
+given it to you last night after dinner, only it happened to be a
+cream jug, and you seemed annoyed at having so many duplicates,
+so I felt rather awkward about giving you another.&nbsp; I
+thought I&rsquo;d get it changed for something else, and now
+it&rsquo;s gone.&rdquo;</p>
+<p>&ldquo;Did you say it was from your <i>mother</i> and
+yourself?&rdquo; asked Mr. and Mrs. Peter almost in unison.&nbsp;
+The Snatcher had been an orphan these many years.</p>
+<p>&ldquo;Yes, my mother&rsquo;s at Cairo just now, and she wrote
+to me at Dresden to try and get you something quaint and pretty
+in the old silver line, and I pitched on this cream
+jug.&rdquo;</p>
+<p>Both the Pigeoncotes had turned deadly pale.&nbsp; The mention
+of Dresden had thrown a sudden light on the situation.&nbsp; It
+was Wilfrid the Attache, a very superior young man, who rarely
+came within their social horizon, whom they had been entertaining
+unawares in the supposed character of Wilfrid the Snatcher.&nbsp;
+Lady Ernestine Pigeoncote, his mother, moved in circles which
+were entirely beyond their compass or ambitions, and the son
+would probably one day be an Ambassador.&nbsp; And they had
+rifled and despoiled his portmanteau!&nbsp; Husband and wife
+looked blankly and desperately at one another.&nbsp; It was Mrs.
+Peter who arrived first at an inspiration.</p>
+<p>&ldquo;How dreadful to think there are thieves in the
+house!&nbsp; We keep the drawing-room locked up at night, of
+course, but anything might be carried off while we are at
+breakfast.&rdquo;</p>
+<p>She rose and went out hurriedly, as though to assure herself
+that the drawing-room was not being stripped of its silverware,
+and returned a moment later, bearing a cream jug in her
+hands.</p>
+<p>&ldquo;There are eight cream jugs now, instead of
+seven,&rdquo; she cried; &ldquo;this one wasn&rsquo;t there
+before.&nbsp; What a curious trick of memory, Mr. Wilfrid!&nbsp;
+You must have slipped downstairs with it last night and put it
+there before we locked up, and forgotten all about having done it
+in the morning.&rdquo;</p>
+<p>&ldquo;One&rsquo;s mind often plays one little tricks like
+that,&rdquo; said Mr. Peter, with desperate heartiness.&nbsp;
+&ldquo;Only the other day I went into the town to pay a bill, and
+went in again next day, having clean forgotten that
+I&rsquo;d&mdash;&rdquo;</p>
+<p>&ldquo;It is certainly the jug I bought for you,&rdquo; said
+Wilfrid, looking closely at it; &ldquo;it was in my portmanteau
+when I got my bath-robe out this morning, before going to my
+bath, and it was not there when I unlocked the portmanteau on my
+return.&nbsp; Some one had taken it while I was away from the
+room.&rdquo;</p>
+<p>The Pigeoncotes had turned paler than ever.&nbsp; Mrs. Peter
+had a final inspiration.</p>
+<p>&ldquo;Get me my smelling-salts, dear,&rdquo; she said to her
+husband; &ldquo;I think they&rsquo;re in the
+dressing-room.&rdquo;</p>
+<p>Peter dashed out of the room with glad relief; he had lived so
+long during the last few minutes that a golden wedding seemed
+within measurable distance.</p>
+<p>Mrs. Peter turned to her guest with confidential coyness.</p>
+<p>&ldquo;A diplomat like you will know how to treat this as if
+it hadn&rsquo;t happened.&nbsp; Peter&rsquo;s little weakness; it
+runs in the family.&rdquo;</p>
+<p>&ldquo;Good Lord!&nbsp; Do you mean to say he&rsquo;s a
+kleptomaniac, like Cousin Snatcher?&rdquo;</p>
+<p>&ldquo;Oh, not exactly,&rdquo; said Mrs. Peter, anxious to
+whitewash her husband a little greyer than she was painting
+him.&nbsp; &ldquo;He would never touch anything he found lying
+about, but he can&rsquo;t resist making a raid on things that are
+locked up.&nbsp; The doctors have a special name for it.&nbsp; He
+must have pounced on your portmanteau the moment you went to your
+bath, and taken the first thing he came across.&nbsp; Of course,
+he had no motive for taking a cream jug; we&rsquo;ve already got
+<i>seven</i>, as you know&mdash;not, of course, that we
+don&rsquo;t value the kind of gift you and your mother&mdash;hush
+here&rsquo;s Peter coming.&rdquo;</p>
+<p>Mrs. Peter broke off in some confusion, and tripped out to
+meet her husband in the hall.</p>
+<p>&ldquo;It&rsquo;s all right,&rdquo; she whispered to him;
+&ldquo;I&rsquo;ve explained everything.&nbsp; Don&rsquo;t say
+anything more about it.&rdquo;</p>
+<p>&ldquo;Brave little woman,&rdquo; said Peter, with a gasp of
+relief; &ldquo;I could never have done it.&rdquo;</p>
+<p style="text-align: center">* * * * *</p>
+<p>Diplomatic reticence does not necessarily extend to family
+affairs.&nbsp; Peter Pigeoncote was never able to understand why
+Mrs. Consuelo van Bullyon, who stayed with them in the spring,
+always carried two very obvious jewel-cases with her to the
+bath-room, explaining them to any one she chanced to meet in the
+corridor as her manicure and face-massage set.</p>
+<h2><a name="page237"></a><span class="pagenum">p. 237</span>THE
+OCCASIONAL GARDEN</h2>
+<p>&ldquo;Don&rsquo;t talk to me about town gardens,&rdquo; said
+Elinor Rapsley; &ldquo;which means, of course, that I want you to
+listen to me for an hour or so while I talk about nothing
+else.&nbsp; &lsquo;What a nice-sized garden you&rsquo;ve
+got,&rsquo; people said to us when we first moved here.&nbsp;
+What I suppose they meant to say was what a nice-sized site for a
+garden we&rsquo;d got.&nbsp; As a matter of fact, the size is all
+against it; it&rsquo;s too large to be ignored altogether and
+treated as a yard, and it&rsquo;s too small to keep giraffes
+in.&nbsp; You see, if we could keep giraffes or reindeer or some
+other species of browsing animal there we could explain the
+general absence of vegetation by a reference to the fauna of the
+garden: &lsquo;You can&rsquo;t have wapiti <i>and</i> Darwin
+tulips, you know, so we didn&rsquo;t put down any bulbs last
+year.&rsquo;&nbsp; As it is, we haven&rsquo;t got the wapiti, and
+the Darwin tulips haven&rsquo;t survived the fact that most of
+the cats of the neighbourhood hold a parliament in the centre of
+the tulip bed; that rather forlorn looking strip that we intended
+to be a border of alternating geranium and spir&aelig;a has been
+utilised by the cat-parliament as a division lobby.&nbsp; Snap
+divisions seem to have been rather frequent of late, far more
+frequent than the geranium blooms are likely to be.&nbsp; I
+shouldn&rsquo;t object so much to ordinary cats, but I do
+complain of having a congress of vegetarian cats in my garden;
+they must be vegetarians, my dear, because, whatever ravages they
+may commit among the sweet pea seedlings, they never seem to
+touch the sparrows; there are always just as many adult sparrows
+in the garden on Saturday as there were on Monday, not to mention
+newly-fledged additions.&nbsp; There seems to have been an
+irreconcilable difference of opinion between sparrows and
+Providence since the beginning of time as to whether a crocus
+looks best standing upright with its roots in the earth or in a
+recumbent posture with its stem neatly severed; the sparrows
+always have the last word in the matter, at least in our garden
+they do.&nbsp; I fancy that Providence must have originally
+intended to bring in an amending Act, or whatever it&rsquo;s
+called, providing either for a less destructive sparrow or a more
+indestructible crocus.&nbsp; The one consoling point about our
+garden is that it&rsquo;s not visible from the drawing-room or
+the smoking-room, so unless people are dinning or lunching with
+us they can&rsquo;t spy out the nakedness of the land.&nbsp; That
+is why I am so furious with Gwenda Pottingdon, who has
+practically forced herself on me for lunch on Wednesday next; she
+heard me offer the Paulcote girl lunch if she was up shopping on
+that day, and, of course, she asked if she might come too.&nbsp;
+She is only coming to gloat over my bedraggled and flowerless
+borders and to sing the praises of her own detestably
+over-cultivated garden.&nbsp; I&rsquo;m sick of being told that
+it&rsquo;s the envy of the neighbourhood; it&rsquo;s like
+everything else that belongs to her&mdash;her car, her
+dinner-parties, even her headaches, they are all superlative; no
+one else ever had anything like them.&nbsp; When her eldest child
+was confirmed it was such a sensational event, according to her
+account of it, that one almost expected questions to be asked
+about it in the House of Commons, and now she&rsquo;s coming on
+purpose to stare at my few miserable pansies and the gaps in my
+sweet-pea border, and to give me a glowing, full-length
+description of the rare and sumptuous blooms in her
+rose-garden.&rdquo;</p>
+<p>&ldquo;My dear Elinor,&rdquo; said the Baroness, &ldquo;you
+would save yourself all this heart-burning and a lot of
+gardener&rsquo;s bills, not to mention sparrow anxieties, simply
+by paying an annual subscription to the O.O.S.A.&rdquo;</p>
+<p>&ldquo;Never heard of it,&rdquo; said Elinor; &ldquo;what is
+it?&rdquo;</p>
+<p>&ldquo;The Occasional-Oasis Supply Association,&rdquo; said
+the Baroness; &ldquo;it exists to meet cases exactly like yours,
+cases of backyards that are of no practical use for gardening
+purposes, but are required to blossom into decorative scenic
+backgrounds at stated intervals, when a luncheon or dinner-party
+is contemplated.&nbsp; Supposing, for instance, you have people
+coming to lunch at one-thirty; you just ring up the Association
+at about ten o&rsquo;clock the same morning, and say &lsquo;lunch
+garden&rsquo;.&nbsp; That is all the trouble you have to
+take.&nbsp; By twelve forty-five your yard is carpeted with a
+strip of velvety turf, with a hedge of lilac or red may, or
+whatever happens to be in season, as a background, one or two
+cherry trees in blossom, and clumps of heavily-flowered
+rhododendrons filling in the odd corners; in the foreground you
+have a blaze of carnations or Shirley poppies, or tiger lilies in
+full bloom.&nbsp; As soon as the lunch is over and your guests
+have departed the garden departs also, and all the cats in
+Christendom can sit in council in your yard without causing you a
+moment&rsquo;s anxiety.&nbsp; If you have a bishop or an
+antiquary or something of that sort coming to lunch you just
+mention the fact when you are ordering the garden, and you get an
+old-world pleasaunce, with clipped yew hedges and a sun-dial and
+hollyhocks, and perhaps a mulberry tree, and borders of
+sweet-williams and Canterbury bells, and an old-fashioned beehive
+or two tucked away in a corner.&nbsp; Those are the ordinary
+lines of supply that the Oasis Association undertakes, but by
+paying a few guineas a year extra you are entitled to its
+emergency E.O.N. service.&rdquo;</p>
+<p>&ldquo;What on earth is an E.O.N. service?&rdquo;</p>
+<p>&ldquo;It&rsquo;s just a conventional signal to indicate
+special cases like the incursion of Gwenda Pottingdon.&nbsp; It
+means you&rsquo;ve got some one coming to lunch or dinner whose
+garden is alleged to be &lsquo;the envy of the
+neighbourhood.&rsquo;&rdquo;</p>
+<p>&ldquo;Yes,&rdquo; exclaimed Elinor, with some excitement,
+&ldquo;and what happens then?&rdquo;</p>
+<p>&ldquo;Something that sounds like a miracle out of the Arabian
+Nights.&nbsp; Your backyard becomes voluptuous with pomegranate
+and almond trees, lemon groves, and hedges of flowering cactus,
+dazzling banks of azaleas, marble-basined fountains, in which
+chestnut-and-white pond-herons step daintily amid exotic
+water-lilies, while golden pheasants strut about on alabaster
+terraces.&nbsp; The whole effect rather suggests the idea that
+Providence and Norman Wilkinson have dropped mutual jealousies
+and collaborated to produce a background for an open-air Russian
+Ballet; in point of fact, it is merely the background to your
+luncheon party.&nbsp; If there is any kick left in Gwenda
+Pottingdon, or whoever your E.O.N. guest of the moment may be,
+just mention carelessly that your climbing putella is the only
+one in England, since the one at Chatsworth died last
+winter.&nbsp; There isn&rsquo;t such a thing as a climbing
+putella, but Gwenda Pottingdon and her kind don&rsquo;t usually
+know one flower from another without prompting.&rdquo;</p>
+<p>&ldquo;Quick,&rdquo; said Elinor, &ldquo;the address of the
+Association.&rdquo;</p>
+<p>Gwenda Pottingdon did not enjoy her lunch.&nbsp; It was a
+simple yet elegant meal, excellently cooked and daintily served,
+but the piquant sauce of her own conversation was notably
+lacking.&nbsp; She had prepared a long succession of eulogistic
+comments on the wonders of her town garden, with its unrivalled
+effects of horticultural magnificence, and, behold, her theme was
+shut in on every side by the luxuriant hedge of Siberian berberis
+that formed a glowing background to Elinor&rsquo;s bewildering
+fragment of fairyland.&nbsp; The pomegranate and lemon trees, the
+terraced fountain, where golden carp slithered and wriggled amid
+the roots of gorgeous-hued irises, the banked masses of exotic
+blooms, the pagoda-like enclosure, where Japanese sand-badgers
+disported themselves, all these contributed to take away
+Gwenda&rsquo;s appetite and moderate her desire to talk about
+gardening matters.</p>
+<p>&ldquo;I can&rsquo;t say I admire the climbing putella,&rdquo;
+she observed shortly, &ldquo;and anyway it&rsquo;s not the only
+one of its kind in England; I happen to know of one in
+Hampshire.&nbsp; How gardening is going out of fashion; I suppose
+people haven&rsquo;t the time for it nowadays.&rdquo;</p>
+<p>Altogether it was quite one of Elinor&rsquo;s most successful
+luncheon parties.</p>
+<p>It was distinctly an unforeseen catastrophe that Gwenda should
+have burst in on the household four days later at lunch-time and
+made her way unbidden into the dining-room.</p>
+<p>&ldquo;I thought I must tell you that my Elaine has had a
+water-colour sketch accepted by the Latent Talent Art Guild;
+it&rsquo;s to be exhibited at their summer exhibition at the
+Hackney Gallery.&nbsp; It will be the sensation of the moment in
+the art world&mdash;Hullo, what on earth has happened to your
+garden?&nbsp; It&rsquo;s not there!&rdquo;</p>
+<p>&ldquo;Suffragettes,&rdquo; said Elinor promptly;
+&ldquo;didn&rsquo;t you hear about it?&nbsp; They broke in and
+made hay of the whole thing in about ten minutes.&nbsp; I was so
+heart-broken at the havoc that I had the whole place cleared out;
+I shall have it laid out again on rather more elaborate
+lines.&rdquo;</p>
+<p>&ldquo;That,&rdquo; she said to the Baroness afterwards
+&ldquo;is what I call having an emergency brain.&rdquo;</p>
+<h2><a name="page245"></a><span class="pagenum">p. 245</span>THE
+SHEEP</h2>
+<p>The enemy had declared &ldquo;no trumps.&rdquo;&nbsp; Rupert
+played out his ace and king of clubs and cleared the adversary of
+that suit; then the Sheep, whom the Fates had inflicted on him
+for a partner, took the third round with the queen of clubs, and,
+having no other club to lead back, opened another suit.&nbsp; The
+enemy won the remainder of the tricks&mdash;and the rubber.</p>
+<p>&ldquo;I had four more clubs to play; we only wanted the odd
+trick to win the rubber,&rdquo; said Rupert.</p>
+<p>&ldquo;But I hadn&rsquo;t another club to lead you,&rdquo;
+exclaimed the Sheep, with his ready, defensive smile.</p>
+<p>&ldquo;It didn&rsquo;t occur to you to throw your queen away
+on my king and leave me with the command of the suit,&rdquo; said
+Rupert, with polite bitterness.</p>
+<p>&ldquo;I suppose I ought to have&mdash;I wasn&rsquo;t certain
+what to do.&nbsp; I&rsquo;m awfully sorry,&rdquo; said the
+Sheep.</p>
+<p>Being awfully and uselessly sorry formed a large part of his
+occupation in life.&nbsp; If a similar situation had arisen in a
+subsequent hand he would have blundered just as certainly, and he
+would have been just as irritatingly apologetic.</p>
+<p>Rupert stared gloomily across at him as he sat smiling and
+fumbling with his cards.&nbsp; Many men who have good brains for
+business do not possess the rudiments of a card-brain, and Rupert
+would not have judged and condemned his prospective
+brother-in-law on the evidence of his bridge play alone.&nbsp;
+The tragic part of it was that he smiled and fumbled through life
+just as fatuously and apologetically as he did at the
+card-table.&nbsp; And behind the defensive smile and the
+well-worn expressions of regret there shone a scarcely believable
+but quite obvious self-satisfaction.&nbsp; Every sheep of the
+pasture probably imagines that in an emergency it could become
+terrible as an army with banners&mdash;one has only to watch how
+they stamp their feet and stiffen their necks when a minor object
+of suspicion comes into view and behaves meekly.&nbsp; And
+probably the majority of human sheep see themselves in
+imagination taking great parts in the world&rsquo;s more
+impressive dramas, forming swift, unerring decisions in moments
+of crisis, cowing mutinies, allaying panics, brave, strong,
+simple, but, in spite of their natural modesty, always slightly
+spectacular.</p>
+<p>&ldquo;Why in the name of all that is unnecessary and perverse
+should Kathleen choose this man for her future husband?&rdquo;
+was the question that Rupert asked himself ruefully.&nbsp; There
+was young Malcolm Athling, as nice-looking, decent, level-headed
+a fellow as any one could wish to meet, obviously her very
+devoted admirer, and yet she must throw herself away on this
+pale-eyed, weak-mouthed embodiment of self-approving
+ineptitude.&nbsp; If it had been merely Kathleen&rsquo;s own
+affair Rupert would have shrugged his shoulders and
+philosophically hoped that she might make the best of an
+undeniably bad bargain.&nbsp; But Rupert had no heir; his own boy
+lay underground somewhere on the Indian frontier, in goodly
+company.&nbsp; And the property would pass in due course to
+Kathleen and Kathleen&rsquo;s husband.&nbsp; The Sheep would live
+there in the beloved old home, rearing up other little Sheep,
+fatuous and rabbit-faced and self-satisfied like himself, to
+dwell in the land and possess it.&nbsp; It was not a soothing
+prospect.</p>
+<p>Towards dusk on the afternoon following the bridge experience
+Rupert and the Sheep made their way homeward after a day&rsquo;s
+mixed shooting.&nbsp; The Sheep&rsquo;s cartridge bag was nearly
+empty, but his game bag showed no signs of over-crowding.&nbsp;
+The birds he had shot at had seemed for the most part as
+impervious to death or damage as the hero of a melodrama.&nbsp;
+And for each failure to drop his bird he had some explanation or
+apology ready on his lips.&nbsp; Now he was striding along in
+front of his host, chattering happily over his shoulder, but
+obviously on the look-out for some belated rabbit or woodpigeon
+that might haply be secured as an eleventh-hour addition to his
+bag.&nbsp; As they passed the edge of a small copse a large bird
+rose from the ground and flew slowly towards the trees, offering
+an easy shot to the oncoming sportsmen.&nbsp; The Sheep banged
+forth with both barrels, and gave an exultant cry.</p>
+<p>&ldquo;Horray!&nbsp; I&rsquo;ve shot a thundering big
+hawk!&rdquo;</p>
+<p>&ldquo;To be exact, you&rsquo;ve shot a honey-buzzard.&nbsp;
+That is the hen bird of one of the few pairs of honey-buzzards
+breeding in the United Kingdom.&nbsp; We&rsquo;ve kept them under
+the strictest preservation for the last four years; every
+game-keeper and village gun loafer for twenty miles round has
+been warned and bribed and threatened to respect their sanctity,
+and egg-snatching agents have been carefully guarded against
+during the breeding season.&nbsp; Hundreds of lovers of rare
+birds have delighted in seeing their snap-shotted portraits in
+<i>Country Life</i>, and now you&rsquo;ve reduced the hen bird to
+a lump of broken feathers.&rdquo;</p>
+<p>Rupert spoke quietly and evenly, but for a moment or two a
+gleam of positive hatred shone in his eyes.</p>
+<p>&ldquo;I say, I&rsquo;m so sorry,&rdquo; said the Sheep, with
+his apologetic smile.&nbsp; &ldquo;Of course I remember hearing
+about the buzzards, but somehow I didn&rsquo;t connect this bird
+with them.&nbsp; And it was such an east shot&mdash;&rdquo;</p>
+<p>&ldquo;Yes,&rdquo; said Rupert; &ldquo;that was the
+trouble.&rdquo;</p>
+<p>Kathleen found him in the gun-room smoothing out the feathers
+of the dead bird.&nbsp; She had already been told of the
+catastrophe.</p>
+<p>&ldquo;What a horrid misfortune,&rdquo; she said
+sympathetically.</p>
+<p>&ldquo;It was my dear Robbie who first discovered them, the
+last time he was home on leave.&nbsp; Don&rsquo;t you remember
+how excited he was about them?&nbsp; Let&rsquo;s go and have some
+tea.&rdquo;</p>
+<p>Both bridge and shooting were given a rest for the next two or
+three weeks.&nbsp; Death, who enters into no compacts with party
+whips, had forced a Parliamentary vacancy on the neighbourhood at
+the least convenient season, and the local partisans on either
+side found themselves immersed in the discomforts of a mid-winter
+election.&nbsp; Rupert took his politics seriously and
+keenly.&nbsp; He belonged to that type of strangely but rather
+happily constituted individuals which these islands seem to
+produce in a fair plenty; men and women who for no personal
+profit or gain go forth from their comfortable firesides or club
+card-rooms to hunt to and fro in the mud and rain and wind for
+the capture or tracking of a stray vote here and there on their
+party&rsquo;s behalf&mdash;not because they think they ought to,
+but because they want to.&nbsp; And his energies were welcome
+enough on this occasion, for the seat was a closely disputed
+possession, and its loss or retention would count for much in the
+present position of the Parliamentary game.&nbsp; With Kathleen
+to help him, he had worked his corner of the constituency with
+tireless, well-directed zeal, taking his share of the dull
+routine work as well as of the livelier episodes.&nbsp; The
+talking part of the campaign wound up on the eve of the poll with
+a meeting in a centre where more undecided votes were supposed to
+be concentrated than anywhere else in the division.&nbsp; A good
+final meeting here would mean everything.&nbsp; And the speakers,
+local and imported, left nothing undone to improve the
+occasion.&nbsp; Rupert was down for the unimportant task of
+moving the complimentary vote to the chairman which should close
+the proceedings.</p>
+<p>&ldquo;I&rsquo;m so hoarse,&rdquo; he protested, when the
+moment arrived; &ldquo;I don&rsquo;t believe I can make my voice
+heard beyond the platform.&rdquo;</p>
+<p>&ldquo;Let me do it,&rdquo; said the Sheep; &ldquo;I&rsquo;m
+rather good at that sort of thing.&rdquo;</p>
+<p>The chairman was popular with all parties, and the
+Sheep&rsquo;s opening words of complimentary recognition received
+a round of applause.&nbsp; The orator smiled expansively on his
+listeners and seized the opportunity to add a few words of
+political wisdom on his own account.&nbsp; People looked at the
+clock or began to grope for umbrellas and discarded
+neckwraps.&nbsp; Then, in the midst of a string of meaningless
+platitudes, the Sheep delivered himself of one of those
+blundering remarks which travel from one end of a constituency to
+the other in half an hour, and are seized on by the other side as
+being more potent on their behalf than a ton of election
+literature.&nbsp; There was a general shuffling and muttering
+across the length and breadth of the hall, and a few hisses made
+themselves heard.&nbsp; The Sheep tried to whittle down his
+remark, and the chairman unhesitatingly threw him over in his
+speech of thanks, but the damage was done.</p>
+<p>&ldquo;I&rsquo;m afraid I lost touch with the audience rather
+over that remark,&rdquo; said the Sheep afterwards, with his
+apologetic smile abnormally developed.</p>
+<p>&ldquo;You lost us the election,&rdquo; said the chairman, and
+he proved a true prophet.</p>
+<p>A month or so of winter sport seemed a desirable pick-me-up
+after the strenuous work and crowning discomfiture of the
+election.&nbsp; Rupert and Kathleen hied them away to a small
+Alpine resort that was just coming into prominence, and thither
+the Sheep followed them in due course, in his role of
+husband-elect.&nbsp; The wedding had been fixed for the end of
+March.</p>
+<p>It was a winter of early and unseasonable thaws, and the far
+end of the local lake, at a spot where swift currents flowed into
+it, was decorated with notices, written in three languages,
+warning skaters not to venture over certain unsafe patches.&nbsp;
+The folly of approaching too near these danger spots seemed to
+have a natural fascination for the Sheep.</p>
+<p>&ldquo;I don&rsquo;t see what possible danger there can
+be,&rdquo; he protested, with his inevitable smile, when Rupert
+beckoned him away from the proscribed area; &ldquo;the milk that
+I put out on my window-sill last night was frozen an inch
+deep.&rdquo;</p>
+<p>&ldquo;It hadn&rsquo;t got a strong current flowing through
+it,&rdquo; said Rupert; &ldquo;in any case, there is not much
+sense in hovering round a doubtful piece of ice when there are
+acres of good ice to skate over.&nbsp; The secretary of the
+ice-committee has warned you once already.&rdquo;</p>
+<p>A few minutes later Rupert heard a loud squeal of fear, and
+saw a dark spot blotting the smoothness of the lake&rsquo;s
+frozen surface.&nbsp; The Sheep was struggling helplessly in an
+ice-hole of his own making.&nbsp; Rupert gave one loud curse, and
+then dashed full tilt for the shore; outside a low stable
+building on the lake&rsquo;s edge he remembered having seen a
+ladder.&nbsp; If he could slide it across the ice-hole before the
+Sheep went under the rescue would be comparatively simple
+work.&nbsp; Other skaters were dashing up from a distance, and,
+with the ladder&rsquo;s help, they could get him out of his
+death-trap without having to trust themselves on the margin of
+rotten ice.&nbsp; Rupert sprang on to the surface of lumpy,
+frozen snow, and staggered to where the ladder lay.&nbsp; He had
+already lifted it when the rattle of a chain and a furious
+outburst of growls burst on his hearing, and he was dashed to the
+ground by a mass of white and tawny fur.&nbsp; A sturdy young
+yard-dog, frantic with the pleasure of performing his first piece
+of active guardian service, was ramping and snarling over him,
+rendering the task of regaining his feet or securing the ladder a
+matter of considerable difficulty.&nbsp; When he had at last
+succeeded in both efforts he was just by a hair&rsquo;s-breadth
+too late to be of any use.&nbsp; The Sheep had definitely
+disappeared under the ice-rift.</p>
+<p>Kathleen Athling and her husband stay the greater part of the
+year with Rupert, and a small Robbie stands in some danger of
+being idolised by a devoted uncle.&nbsp; But for twelve months of
+the year Rupert&rsquo;s most inseparable and valued companion is
+a sturdy tawny and white yard-dog.</p>
+<h2><a name="page255"></a><span class="pagenum">p. 255</span>THE
+OVERSIGHT</h2>
+<p>&ldquo;It&rsquo;s like a Chinese puzzle,&rdquo; said Lady
+Prowche resentfully, staring at a scribbled list of names that
+spread over two or three loose sheets of notepaper on her
+writing-table.&nbsp; Most of the names had a pencil mark running
+through them.</p>
+<p>&ldquo;What is like a Chinese puzzle?&rdquo; asked Lena
+Luddleford briskly; she rather prided herself on being able to
+grapple with the minor problems of life.</p>
+<p>&ldquo;Getting people suitably sorted together.&nbsp; Sir
+Richard likes me to have a house party about this time of year,
+and gives me a free hand as to whom I should invite; all he asks
+is that it should be a peaceable party, with no friction or
+unpleasantness.&rdquo;</p>
+<p>&ldquo;That seems reasonable enough,&rdquo; said Lena.</p>
+<p>&ldquo;Not only reasonable, my dear, but necessary.&nbsp; Sir
+Richard has his literary work to think of; you can&rsquo;t expect
+a man to concentrate on the tribal disputes of Central Asian
+clansmen when he&rsquo;s got social feuds blazing under his own
+roof.&rdquo;</p>
+<p>&ldquo;But why should they blaze?&nbsp; Why should there be
+feuds at all within the compass of a house party?&rdquo;</p>
+<p>&ldquo;Exactly; why should they blaze or why should they
+exist?&rdquo; echoed Lady Prowche; &ldquo;the point is that they
+always do.&nbsp; We have been unlucky; persistently unlucky, now
+that I come to look back on things.&nbsp; We have always got
+people of violently opposed views under one roof, and the result
+has been not merely unpleasantness but explosion.&rdquo;</p>
+<p>&ldquo;Do you mean people who disagree on matters of political
+opinion and religious views?&rdquo; asked Lena.</p>
+<p>&ldquo;No, not that.&nbsp; The broader lines of political or
+religious difference don&rsquo;t matter.&nbsp; You can have
+Church of England and Unitarian and Buddhist under the same roof
+without courting disaster; the only Buddhist I ever had down here
+quarrelled with everybody, but that was on account of his
+naturally squabblesome temperament; it had nothing to do with his
+religion.&nbsp; And I&rsquo;ve always found that people can
+differ profoundly about politics and meet on perfectly good terms
+at breakfast.&nbsp; Now, Miss Larbor Jones, who was staying here
+last year, worships Lloyd George as a sort of wingless angel,
+while Mrs. Walters, who was down here at the same time, privately
+considers him to be&mdash;an antelope, let us say.&rdquo;</p>
+<p>&ldquo;An antelope?&rdquo;</p>
+<p>&ldquo;Well, not an antelope exactly, but something with horns
+and hoofs and tail.&rdquo;</p>
+<p>&ldquo;Oh, I see.&rdquo;</p>
+<p>&ldquo;Still, that didn&rsquo;t prevent them from being the
+chummiest of mortals on the tennis court and in the
+billiard-room.&nbsp; They did quarrel finally, about a lead in a
+doubled hand of no-trumps, but that of course is a thing that no
+account of judicious guest-grouping could prevent.&nbsp; Mrs.
+Walters had got king, knave, ten, and seven of
+clubs&mdash;&rdquo;</p>
+<p>&ldquo;You were saying that there were other lines of
+demarcation that caused the bother,&rdquo; interrupted Lena.</p>
+<p>&ldquo;Exactly.&nbsp; It is the minor differences and
+side-issues that give so much trouble,&rdquo; said Lady Prowche;
+&ldquo;not to my dying day shall I forget last year&rsquo;s
+upheaval over the Suffragette question.&nbsp; Laura Henniseed
+left the house in a state of speechless indignation, but before
+she had reached that state she had used language that would not
+have been tolerated in the Austrian Reichsrath.&nbsp; Intensive
+bear-gardening was Sir Richard&rsquo;s description of the whole
+affair, and I don&rsquo;t think he exaggerated.&rdquo;</p>
+<p>&ldquo;Of course the Suffragette question is a burning one,
+and lets loose the most dreadful ill-feeling,&rdquo; said Lena;
+&ldquo;but one can generally find out beforehand what
+people&rsquo;s opinions&mdash;&rdquo;</p>
+<p>&ldquo;My dear, the year before it was worse.&nbsp; It was
+Christian Science.&nbsp; Selina Goobie is a sort of High
+Priestess of the Cult, and she put down all opposition with a
+high hand.&nbsp; Then one evening, after dinner, Clovis Sangrail
+put a wasp down her back, to see if her theory about the
+non-existence of pain could be depended on in an emergency.&nbsp;
+The wasp was small, but very efficient, and it had been soured in
+temper by being kept in a paper cage all the afternoon.&nbsp;
+Wasps don&rsquo;t stand confinement well, at least this one
+didn&rsquo;t.&nbsp; I don&rsquo;t think I ever realised till that
+moment what the word &lsquo;invective&rsquo; could be made to
+mean.&nbsp; I sometimes wake in the night and think I still hear
+Selina describing Clovis&rsquo;s conduct and general
+character.&nbsp; That was the year that Sir Richard was writing
+his volume on &lsquo;Domestic Life in Tartary.&rsquo;&nbsp; The
+critics all blamed it for a lack of concentration.&rdquo;</p>
+<p>&ldquo;He&rsquo;s engaged on a very important work this year,
+isn&rsquo;t he?&rdquo; asked Lena.</p>
+<p>&ldquo;&lsquo;Land-tenure in Turkestan,&rsquo;&rdquo; said
+Lady Prowche; &ldquo;he is just at work on the final chapters and
+they require all the concentration he can give them.&nbsp; That
+is why I am so very anxious not to have any unfortunate
+disturbance this year.&nbsp; I have taken every precaution I can
+think of to bring non-conflicting and harmonious elements
+together; the only two people I am not quite easy about are the
+Atkinson man and Marcus Popham.&nbsp; They are the two who will
+be down here longest together, and if they are going to fall foul
+of one another about any burning question, well, there will be
+more unpleasantness.&rdquo;</p>
+<p>&ldquo;Can&rsquo;t you find out anything about them?&nbsp;
+About their opinions, I mean.&rdquo;</p>
+<p>&ldquo;Anything?&nbsp; My dear Lena, there&rsquo;s scarcely
+anything that I haven&rsquo;t found out about them.&nbsp;
+They&rsquo;re both of them moderate Liberal, Evangelical, mildly
+opposed to female suffrage, they approve of the Falconer Report,
+and the Stewards&rsquo; decision about Craganour.&nbsp; Thank
+goodness in this country we don&rsquo;t fly into violent passions
+about Wagner and Brahms and things of that sort.&nbsp; There is
+only one thorny subject that I haven&rsquo;t been able to make
+sure about, the only stone that I have left unturned.&nbsp; Are
+they unanimously anti-vivisectionist or do they both uphold the
+necessity for scientific experiment?&nbsp; There has been a lot
+of correspondence on the subject in our local newspapers of late,
+and the vicar is certain to preach a sermon about it; vicars are
+dreadfully provocative at times.&nbsp; Now, if you could only
+find out for me whether these two men are divergently for or
+against&mdash;&rdquo;</p>
+<p>&ldquo;I!&rdquo; exclaimed Lena; &ldquo;how am I to find
+out?&nbsp; I don&rsquo;t know either of them to speak
+to.&rdquo;</p>
+<p>&ldquo;Still you might discover, in some roundabout way.&nbsp;
+Write to them, under as assumed name of course, for subscriptions
+to one or other cause&mdash;or, better still, send a stamped
+type-written reply postcard, with a request for a declaration for
+or against vivisection; people who would hesitate to commit
+themselves to a subscription will cheerfully write Yes or No on a
+prepaid postcard.&nbsp; If you can&rsquo;t manage it that way,
+try and meet them at some one&rsquo;s house and get into argument
+on the subject.&nbsp; I think Milly occasionally has one or other
+of them at her at-homes; you might have the luck to meet both of
+them there the same evening.&nbsp; Only it must be done
+soon.&nbsp; My invitations ought to go out by Wednesday or
+Thursday at the latest, and to-day is Friday.</p>
+<p>&ldquo;Milly&rsquo;s at-homes are not very amusing, as a
+rule,&rdquo; said Lena, &ldquo;and one never gets a chance of
+talking uninterruptedly to any one for a couple of minutes at a
+time; Milly is one of those restless hostesses who always seem to
+be trying to see how you look in different parts of the room, in
+fresh grouping effects.&nbsp; Even if I got to speak to Popham or
+Atkinson I couldn&rsquo;t plunge into a topic like vivisection
+straight away.&nbsp; No, I think the postcard scheme would be
+more hopeful and decidedly less tiresome.&nbsp; How would it be
+best to word them?&rdquo;</p>
+<p>&ldquo;Oh, something like this: &lsquo;Are you in favour of
+experiments on living animals for the purpose of scientific
+research&mdash;Yes or No?&rsquo;&nbsp; That is quite simple and
+unmistakable.&nbsp; If they don&rsquo;t answer it will at least
+be an indication that they are indifferent about the subject, and
+that is all I want to know.&rdquo;</p>
+<p>&ldquo;All right,&rdquo; said Lena, &ldquo;I&rsquo;ll get my
+brother-in-law to let me have them addressed to his office, and
+he can telephone the result of the plebiscite direct to
+you.&rdquo;</p>
+<p>&ldquo;Thank you ever so much,&rdquo; said Lady Prowche
+gratefully, &ldquo;and be sure to get the cards sent off as soon
+as possible.&rdquo;</p>
+<p>On the following Tuesday the voice of an office clerk,
+speaking through the telephone, informed Lady Prowche that the
+postcard poll showed unanimous hostility to experiments on living
+animals.</p>
+<p>Lady Prowche thanked the office clerk, and in a louder and
+more fervent voice she thanked Heaven.&nbsp; The two invitations,
+already sealed and addressed, were immediately dispatched; in due
+course they were both accepted.&nbsp; The house party of the
+halcyon hours, as the prospective hostess called it, was
+auspiciously launched.</p>
+<p>Lena Luddleford was not included among the guests, having
+previously committed herself to another invitation.&nbsp; At the
+opening day of a cricket festival, however, she ran across Lady
+Prowche, who had motored over from the other side of the
+county.&nbsp; She wore the air of one who is not interested in
+cricket and not particularly interested in life.&nbsp; She shook
+hands limply with Lena, and remarked that it was a beastly
+day.</p>
+<p>&ldquo;The party, how has it gone off?&rdquo; asked Lena
+quickly.</p>
+<p>&ldquo;Don&rsquo;t speak of it!&rdquo; was the tragical
+answer; &ldquo;why do I always have such rotten luck?&rdquo;</p>
+<p>&ldquo;But what has happened?&rdquo;</p>
+<p>&ldquo;It has been awful.&nbsp; Hy&aelig;nas could not have
+behaved with greater savagery.&nbsp; Sir Richard said so, and he
+has been in countries where hy&aelig;nas live, so he ought to
+know.&nbsp; They actually came to blows!&rdquo;</p>
+<p>&ldquo;Blows?&rdquo;</p>
+<p>&ldquo;Blows and curses.&nbsp; It really might have been a
+scene from one of Hogarth&rsquo;s pictures.&nbsp; I never felt so
+humiliated in my life.&nbsp; What the servants must have
+thought!&rdquo;</p>
+<p>&ldquo;But who were the offenders?&rdquo;</p>
+<p>&ldquo;Oh, naturally the very two that we took all the trouble
+about.&rdquo;</p>
+<p>&ldquo;I thought they agreed on every subject that one could
+violently disagree about&mdash;religion, politics, vivisection,
+the Derby decision, the Falconer Report; what else was there left
+to quarrel about?&rdquo;</p>
+<p>&ldquo;My dear, we were fools not to have thought of it.&nbsp;
+One of them was Pro-Greek and the other Pro-Bulgar.&rdquo;</p>
+<h2><a name="page265"></a><span class="pagenum">p.
+265</span>HYACINTH</h2>
+<p>&ldquo;The new fashion of introducing the candidate&rsquo;s
+children into an election contest is a pretty one,&rdquo; said
+Mrs. Panstreppon; &ldquo;it takes away something from the
+acerbity of party warfare, and it makes an interesting experience
+for children to look back on in after years.&nbsp; Still, if you
+will listen to my advice, Matilda, you will not take Hyacinth
+with you down to Luffbridge on election day.&rdquo;</p>
+<p>&ldquo;Not take Hyacinth!&rdquo; exclaimed his mother;
+&ldquo;but why not?&nbsp; Jutterly is bringing his three
+children, and they are going to drive a pair of Nubian donkeys
+about the town, to emphasise the fact that their father has been
+appointed Colonial Secretary.&nbsp; We are making the demand for
+a strong Navy a special feature in <i>our</i> campaign, and it
+will be particularly appropriate to have Hyacinth dressed in his
+sailor suit.&nbsp; He&rsquo;ll look heavenly.&rdquo;</p>
+<p>&ldquo;The question is, not how he&rsquo;ll look, but how
+he&rsquo;ll behave.&nbsp; He&rsquo;s a delightful child, of
+course, but there is a strain of unbridled pugnacity in him that
+breaks out at times in a really alarming fashion.&nbsp; You may
+have forgotten the affair of the little Gaffin children; I
+haven&rsquo;t.&rdquo;</p>
+<p>&ldquo;I was in India at the time, and I&rsquo;ve only a vague
+recollection of what happened; he was very naughty, I
+know.&rdquo;</p>
+<p>&ldquo;He was in his goat-carriage, and met the Gaffins in
+their perambulator, and he drove the goat full tilt at them and
+sent the perambulator spinning.&nbsp; Little Jacky Gaffin was
+pinned down under the wreckage, and while the nurse had her hands
+full with the goat Hyacinth was laying into Jacky&rsquo;s legs
+with his belt like a small fury.&rdquo;</p>
+<p>&ldquo;I&rsquo;m not defending him,&rdquo; said Matilda,
+&ldquo;but they must have done something to annoy him.&rdquo;</p>
+<p>&ldquo;Nothing intentionally, but some one had unfortunately
+told him that they were half French&mdash;their mother was a
+Duboc, you know&mdash;and he had been having a history lesson
+that morning, and had just heard of the final loss of Calais by
+the English, and was furious about it.&nbsp; He said he&rsquo;d
+teach the little toads to go snatching towns from us, but we
+didn&rsquo;t know at the time that he was referring to the
+Gaffins.&nbsp; I told him afterwards that all bad feeling between
+the two nations had died out long ago, and that anyhow the
+Gaffins were only half French, and he said that it was only the
+French half of Jacky that he had been hitting; the rest had been
+buried under the perambulator.&nbsp; If the loss of Calais
+unloosed such fury in him, I tremble to think what the possible
+loss of the election might entail.&rdquo;</p>
+<p>&ldquo;All that happened when he was eight; he&rsquo;s older
+now and knows better.&rdquo;</p>
+<p>&ldquo;Children with Hyacinth&rsquo;s temperament don&rsquo;t
+know better as they grow older; they merely know more.&rdquo;</p>
+<p>&ldquo;Nonsense.&nbsp; He will enjoy the fun of the election,
+and in any case he&rsquo;ll be tired out by the time the poll is
+declared, and the new sailor suit that I&rsquo;ve had made for
+him is just in the right shade of blue for our election colours,
+and it will exactly match the blue of his eyes.&nbsp; He will be
+a perfectly charming note of colour.&rdquo;</p>
+<p>&ldquo;There is such a thing as letting one&rsquo;s
+&aelig;sthetic sense override one&rsquo;s moral sense,&rdquo;
+said Mrs. Panstreppon.&nbsp; &ldquo;I believe you would have
+condoned the South Sea Bubble and the persecution of the
+Albigenses if they had been carried out in effective colour
+schemes.&nbsp; However, if anything unfortunate should happen
+down at Luffbridge, don&rsquo;t say it wasn&rsquo;t foreseen by
+one member of the family.&rdquo;</p>
+<p>The election was keenly but decorously contested.&nbsp; The
+newly-appointed Colonial Secretary was personally popular, while
+the Government to which he adhered was distinctly unpopular, and
+there was some expectancy that the majority of four hundred,
+obtained at the last election, would be altogether wiped
+out.&nbsp; Both sides were hopeful, but neither could feel
+confident.&nbsp; The children were a great success; the little
+Jutterlys drove their chubby donkeys solemnly up and down the
+main streets, displaying posters which advocated the claims of
+their father on the broad general grounds that he was their
+father, while as for Hyacinth, his conduct might have served as a
+model for any seraph-child that had strayed unwittingly on to the
+scene of an electoral contest.&nbsp; Of his own accord, and under
+the delighted eyes of half a dozen camera operators, he had gone
+up to the Jutterly children and presented them with a packet of
+butterscotch; &ldquo;we needn&rsquo;t be enemies because
+we&rsquo;re wearing the opposite colours,&rdquo; he said with
+engaging friendliness, and the occupants of the donkey-cart
+accepted his offering with polite solemnity.&nbsp; The grown-up
+members of both political camps were delighted at the
+incident&mdash;with the exception of Mrs. Panstreppon, who
+shuddered.</p>
+<p>&ldquo;Never was Clytemnestra&rsquo;s kiss sweeter than on the
+night she slew me,&rdquo; she quoted, but made the quotation to
+herself.</p>
+<p>The last hour of the poll was a period of unremitting labour
+for both parties; it was generally estimated that not more than a
+dozen votes separated the candidates, and every effort was made
+to bring up obstinately wavering electors.&nbsp; It was with a
+feeling of relaxation and relief that every one heard the clocks
+strike the hour for the close of the poll.&nbsp; Exclamations
+broke out from the tired workers, and corks flew out from
+bottles.</p>
+<p>&ldquo;Well, if we haven&rsquo;t won; we&rsquo;ve done our
+level best.&rdquo;&nbsp; &ldquo;It has been a clean straight
+fight, with no rancour.&rdquo;&nbsp; &ldquo;The children were
+quite a charming feature, weren&rsquo;t they?&rdquo;</p>
+<p>The children?&nbsp; It suddenly occurred to everybody that
+they had seen nothing of the children for the last hour.&nbsp;
+What had become of the three little Jutterlys and their
+donkey-cart, and, for the matter of that, what had become of
+Hyacinth.&nbsp; Hurried, anxious embassies went backwards and
+forwards between the respective party headquarters and the
+various committee-rooms, but there was blank ignorance everywhere
+as to the whereabouts of the children.&nbsp; Every one had been
+too busy in the closing moments of the poll to bestow a thought
+on them.&nbsp; Then there came a telephone call at the Unionist
+Women&rsquo;s Committee-rooms, and the voice of Hyacinth was
+heard demanding when the poll would be declared.</p>
+<p>&ldquo;Where are you, and where are the Jutterly
+children?&rdquo; asked his mother.</p>
+<p>&ldquo;I&rsquo;ve just finished having high-tea at a
+pastry-cook&rsquo;s,&rdquo; came the answer, &ldquo;and they let
+me telephone.&nbsp; I&rsquo;ve had a poached egg and a sausage
+roll and four meringues.&rdquo;</p>
+<p>&ldquo;You&rsquo;ll be ill.&nbsp; Are the little Jutterlys
+with you?&rdquo;</p>
+<p>&ldquo;Rather not.&nbsp; They&rsquo;re in a
+pigstye.&rdquo;</p>
+<p>&ldquo;A pigstye?&nbsp; Why?&nbsp; What pigstye?&rdquo;</p>
+<p>&ldquo;Near the Crawleigh Road.&nbsp; I met them driving about
+a back road, and told them they were to have tea with me, and put
+their donkeys in a yard that I knew of.&nbsp; Then I took them to
+see an old sow that had got ten little pigs.&nbsp; I got the sow
+into the outer stye by giving her bits of bread, while the
+Jutterlys went in to look at the litter, then I bolted the door
+and left them there.&rdquo;</p>
+<p>&ldquo;You wicked boy, do you mean to say you&rsquo;ve left
+those poor children there alone in the pigstye?&rdquo;</p>
+<p>&ldquo;They&rsquo;re not alone, they&rsquo;ve got ten little
+pigs in with them; they&rsquo;re jolly well crowded.&nbsp; They
+were pretty mad at being shut in, but not half as mad as the old
+sow is at being shut out from her young ones.&nbsp; If she gets
+in while they&rsquo;re there she&rsquo;ll bite them into
+mincemeat.&nbsp; I can get them out by letting a short ladder
+down through the top window, and that&rsquo;s what I&rsquo;m
+going to do <i>if we win</i>.&nbsp; If their blighted father gets
+in, I&rsquo;m just going to open the door for the sow, and let
+her do what she dashed well likes to them.&nbsp; That&rsquo;s why
+I want to know when the poll will be declared.&rdquo;</p>
+<p>Here the narrator rang off.&nbsp; A wild stampede and a
+frantic sending-off of messengers took place at the other end of
+the telephone.&nbsp; Nearly all the workers on either side had
+disappeared to their various club-rooms and public-house bars to
+await the declaration of the poll, but enough local information
+could be secured to determine the scene of Hyacinth&rsquo;s
+exploit.&nbsp; Mr. John Ball had a stable yard down near the
+Crawleigh Road, up a short lane, and his sow was known to have a
+litter of ten young ones.&nbsp; Thither went in headlong haste
+both the candidates, Hyacinth&rsquo;s mother, his aunt (Mrs.
+Panstreppon), and two or three hurriedly-summoned friends.&nbsp;
+The two Nubian donkeys, contentedly munching at bundles of hay,
+met their gaze as they entered the yard.&nbsp; The hoarse savage
+grunting of an enraged animal and the shriller note of thirteen
+young voices, three of them human, guided them to the stye, in
+the outer yard of which a huge Yorkshire sow kept up a ceaseless
+raging patrol before a closed door.&nbsp; Reclining on the broad
+ledge of an open window, from which point of vantage he could
+reach down and shoot the bolt of the door, was Hyacinth, his blue
+sailor-suit somewhat the worse of wear, and his angel smile
+exchanged for a look of demoniacal determination.</p>
+<p>&ldquo;If any of you come a step nearer,&rdquo; he shouted,
+&ldquo;the sow will be inside in half a jiffy.&rdquo;</p>
+<p>A storm of threatening, arguing, entreating expostulation
+broke from the baffled rescue party, but it made no more
+impression on Hyacinth than the squealing tempest that raged
+within the stye.</p>
+<p>&ldquo;If Jutterly heads the poll I&rsquo;m going to let the
+sow in.&nbsp; I&rsquo;ll teach the blighters to win elections
+from us.&rdquo;</p>
+<p>&ldquo;He means it,&rdquo; said Mrs. Panstreppon; &ldquo;I
+feared the worst when I saw that butterscotch
+incident.&rdquo;</p>
+<p>&ldquo;It&rsquo;s all right, my little man,&rdquo; said
+Jutterly, with the duplicity to which even a Colonial Secretary
+can sometimes stoop, &ldquo;your father has been elected by a
+large majority.&rdquo;</p>
+<p>&ldquo;Liar!&rdquo; retorted Hyacinth, with the directness of
+speech that is not merely excusable, but almost obligatory, in
+the political profession; &ldquo;the votes aren&rsquo;t counted
+yet.&nbsp; You won&rsquo;t gammon me as to the result,
+either.&nbsp; A boy that I&rsquo;ve palled with is going to fire
+a gun when the poll is declared; two shots if we&rsquo;ve won,
+one shot if we haven&rsquo;t.&rdquo;</p>
+<p>The situation began to look critical.&nbsp; &ldquo;Drug the
+sow,&rdquo; whispered Hyacinth&rsquo;s father.</p>
+<p>Some one went off in the motor to the nearest chemist&rsquo;s
+shop and returned presently with two large pieces of bread,
+liberally dosed with narcotic.&nbsp; The bread was thrown deftly
+and unostentatiously into the stye, but Hyacinth saw through the
+man&oelig;uvre.&nbsp; He set up a piercing imitation of a small
+pig in Purgatory, and the infuriated mother ramped round and
+round the stye; the pieces of bread were trampled into slush.</p>
+<p>At any moment now the poll might be declared.&nbsp; Jutterly
+flew back to the Town Hall, where the votes were being
+counted.&nbsp; His agent met him with a smile of hope.</p>
+<p>&ldquo;You&rsquo;re eleven ahead at present, and only about
+eighty more to be counted; you&rsquo;re just going to squeak
+through.&rdquo;</p>
+<p>&ldquo;I mustn&rsquo;t squeak through,&rdquo; exclaimed
+Jutterly, hoarsely.&nbsp; &ldquo;You must object to every
+doubtful vote on our side that can possibly be disallowed.&nbsp;
+I must <i>not</i> have the majority.&rdquo;</p>
+<p>Then was seen the unprecedented sight of a party agent
+challenging the votes on his own side with a captiousness that
+his opponents would have hesitated to display.&nbsp; One or two
+votes that would have certainly passed muster under ordinary
+circumstances were disallowed, but even so Jutterly was six ahead
+with only thirty more to be counted.</p>
+<p>To the watchers by the stye the moments seemed
+intolerable.&nbsp; As a last resort some one had been sent for a
+gun with which to shoot the sow, though Hyacinth would probably
+draw the bolt the moment such a weapon was brought into the
+yard.&nbsp; Nearly all the men were away from their homes,
+however, on election night, and the messenger had evidently gone
+far afield in his search.&nbsp; It must be a matter of minutes
+now to the declaration of the poll.</p>
+<p>A sudden roar of shouting and cheering was heard from the
+direction of the Town Hall.&nbsp; Hyacinth&rsquo;s father
+clutched a pitchfork and prepared to dash into the stye in the
+forlorn hope of being in time.</p>
+<p>A shot rang out in the evening air.&nbsp; Hyacinth stooped
+down from his perch and put his finger on the bolt.&nbsp; The sow
+pressed furiously against the door.</p>
+<p>&ldquo;Bang,&rdquo; came another shot.</p>
+<p>Hyacinth wriggled back, and sent a short ladder down through
+the window of the inner stye.</p>
+<p>&ldquo;Now you can come up, you unclean little
+blighters,&rdquo; he sang out; &ldquo;my daddy&rsquo;s got in,
+not yours.&nbsp; Hurry up, I can&rsquo;t keep the sow waiting
+much longer.&nbsp; And don&rsquo;t you jolly well come butting
+into any election again where I&rsquo;m on the job.&rdquo;</p>
+<p>In the reaction that set in after the deliverance furious
+recrimination were indulged in by the lately opposed candidates,
+their women folk, agents, and party helpers.&nbsp; A recount was
+demanded, but failed to establish the fact that the Colonial
+Secretary had obtained a majority.&nbsp; Altogether the election
+left a legacy of soreness behind it, apart from any that was
+experienced by Hyacinth in person.</p>
+<p>&ldquo;It is the last time I shall let him go to an
+election,&rdquo; exclaimed his mother.</p>
+<p>&ldquo;There I think you are going to extremes,&rdquo; said
+Mrs. Panstreppon; &ldquo;if there should be a general election in
+Mexico I think you might safely let him go there, but I doubt
+whether our English politics are suited to the rough and tumble
+of an angel-child.&rdquo;</p>
+<h2><a name="page277"></a><span class="pagenum">p. 277</span>THE
+IMAGE OF THE LOST SOUL</h2>
+<p>There were a number of carved stone figures placed at
+intervals along the parapets of the old Cathedral; some of them
+represented angels, others kings and bishops, and nearly all were
+in attitudes of pious exaltation and composure.&nbsp; But one
+figure, low down on the cold north side of the building, had
+neither crown, mitre, not nimbus, and its face was hard and
+bitter and downcast; it must be a demon, declared the fat blue
+pigeons that roosted and sunned themselves all day on the ledges
+of the parapet; but the old belfry jackdaw, who was an authority
+on ecclesiastical architecture, said it was a lost soul.&nbsp;
+And there the matter rested.</p>
+<p>One autumn day there fluttered on to the Cathedral roof a
+slender, sweet-voiced bird that had wandered away from the bare
+fields and thinning hedgerows in search of a winter
+roosting-place.&nbsp; It tried to rest its tired feet under the
+shade of a great angel-wing or to nestle in the sculptured folds
+of a kingly robe, but the fat pigeons hustled it away from
+wherever it settled, and the noisy sparrow-folk drove it off the
+ledges.&nbsp; No respectable bird sang with so much feeling, they
+cheeped one to another, and the wanderer had to move on.</p>
+<p>Only the effigy of the Lost Soul offered a place of
+refuge.&nbsp; The pigeons did not consider it safe to perch on a
+projection that leaned so much out of the perpendicular, and was,
+besides, too much in the shadow.&nbsp; The figure did not cross
+its hands in the pious attitude of the other graven dignitaries,
+but its arms were folded as in defiance and their angle made a
+snug resting-place for the little bird.&nbsp; Every evening it
+crept trustfully into its corner against the stone breast of the
+image, and the darkling eyes seemed to keep watch over its
+slumbers.&nbsp; The lonely bird grew to love its lonely
+protector, and during the day it would sit from time to time on
+some rainshoot or other abutment and trill forth its sweetest
+music in grateful thanks for its nightly shelter.&nbsp; And, it
+may have been the work of wind and weather, or some other
+influence, but the wild drawn face seemed gradually to lose some
+of its hardness and unhappiness.&nbsp; Every day, through the
+long monotonous hours, the song of his little guest would come up
+in snatches to the lonely watcher, and at evening, when the
+vesper-bell was ringing and the great grey bats slid out of their
+hiding-places in the belfry roof, the bright-eyed bird would
+return, twitter a few sleepy notes, and nestle into the arms that
+were waiting for him.&nbsp; Those were happy days for the Dark
+Image.&nbsp; Only the great bell of the Cathedral rang out daily
+its mocking message, &ldquo;After joy . . . sorrow.&rdquo;</p>
+<p>The folk in the verger&rsquo;s lodge noticed a little brown
+bird flitting about the Cathedral precincts, and admired its
+beautiful singing.&nbsp; &ldquo;But it is a pity,&rdquo; said
+they, &ldquo;that all that warbling should be lost and wasted far
+out of hearing up on the parapet.&rdquo;&nbsp; They were poor,
+but they understood the principles of political economy.&nbsp; So
+they caught the bird and put it in a little wicker cage outside
+the lodge door.</p>
+<p>That night the little songster was missing from its accustomed
+haunt, and the Dark Image knew more than ever the bitterness of
+loneliness.&nbsp; Perhaps his little friend had been killed by a
+prowling cat or hurt by a stone.&nbsp; Perhaps . . . perhaps he
+had flown elsewhere.&nbsp; But when morning came there floated up
+to him, through the noise and bustle of the Cathedral world, a
+faint heart-aching message from the prisoner in the wicker cage
+far below.&nbsp; And every day, at high noon, when the fat
+pigeons were stupefied into silence after their midday meal and
+the sparrows were washing themselves in the street-puddles, the
+song of the little bird came up to the parapets&mdash;a song of
+hunger and longing and hopelessness, a cry that could never be
+answered.&nbsp; The pigeons remarked, between mealtimes, that the
+figure leaned forward more than ever out of the
+perpendicular.</p>
+<p>One day no song came up from the little wicker cage.&nbsp; It
+was the coldest day of the winter, and the pigeons and sparrows
+on the Cathedral roof looked anxiously on all sides for the
+scraps of food which they were dependent on in hard weather.</p>
+<p>&ldquo;Have the lodge-folk thrown out anything on to the
+dust-heap?&rdquo; inquired one pigeon of another which was
+peering over the edge of the north parapet.</p>
+<p>&ldquo;Only a little dead bird,&rdquo; was the answer.</p>
+<p>There was a crackling sound in the night on the Cathedral roof
+and a noise as of falling masonry.&nbsp; The belfry jackdaw said
+the frost was affecting the fabric, and as he had experienced
+many frosts it must have been so.&nbsp; In the morning it was
+seen that the Figure of the Lost Soul had toppled from its
+cornice and lay now in a broken mass on the dust-heap outside the
+verger&rsquo;s lodge.</p>
+<p>&ldquo;It is just as well,&rdquo; cooed the fat pigeons, after
+they had peered at the matter for some minutes; &ldquo;now we
+shall have a nice angel put up there.&nbsp; Certainly they will
+put an angel there.&rdquo;</p>
+<p>&ldquo;After joy . . . sorrow,&rdquo; rang out the great
+bell.</p>
+<h2><a name="page281"></a><span class="pagenum">p. 281</span>THE
+PURPLE OF THE BALKAN KINGS</h2>
+<p>Luitpold Wolkenstein, financier and diplomat on a small,
+obtrusive, self-important scale, sat in his favoured cafe in the
+world-wise Habsburg capital, confronted with the <i>Neue Freie
+Presse</i> and the cup of cream-topped coffee and attendant glass
+of water that a sleek-headed piccolo had just brought him.&nbsp;
+For years longer than a dog&rsquo;s lifetime sleek-headed
+piccolos had placed the <i>Neue Freie Presse</i> and a cup of
+cream-topped coffee on his table; for years he had sat at the
+same spot, under the dust-coated, stuffed eagle, that had once
+been a living, soaring bird on the Styrian mountains, and was now
+made monstrous and symbolical with a second head grafted on to
+its neck and a gilt crown planted on either dusty skull.&nbsp;
+To-day Luitpold Wolkenstein read no more than the first article
+in his paper, but read it again and again.</p>
+<p>&ldquo;The Turkish fortress of Kirk Kilisseh has fallen . .
+.&nbsp; The Serbs, it is officially announced, have taken
+Kumanovo . . .&nbsp; The fortress of Kirk Kilisseh lost, Kumanovo
+taken by the Serbs, these are tiding for Constantinople
+resembling something out of Shakspeare&rsquo;s tragedies of the
+kings . . .&nbsp; The neighbourhood of Adrianople and the Eastern
+region, where the great battle is now in progress, will not
+reveal merely the future of Turkey, but also what position and
+what influence the Balkan States are to have in the
+world.&rdquo;</p>
+<p>For years longer than a dog&rsquo;s lifetime Luitpold
+Wolkenstein had disposed of the pretensions and strivings of the
+Balkan States over the cup of cream-topped coffee that
+sleek-headed piccolos had brought him.&nbsp; Never travelling
+further eastward than the horse-fair at Temesvar, never inviting
+personal risk in an encounter with anything more potentially
+desperate than a hare or partridge, he had constituted himself
+the critical appraiser and arbiter of the military and national
+prowess of the small countries that fringed the Dual Monarchy on
+its Danube border.&nbsp; And his judgment had been one of
+unsparing contempt for small-scale efforts, of unquestioning
+respect for the big battalions and full purses.&nbsp; Over the
+whole scene of the Balkan territories and their troubled
+histories had loomed the commanding magic of the words &ldquo;the
+Great Powers&rdquo;&mdash;even more imposing in their Teutonic
+rendering, &ldquo;Die Grossm&auml;chte.&rdquo;</p>
+<p>Worshipping power and force and money-mastery as an elderly
+nerve-ridden woman might worship youthful physical energy, the
+comfortable, plump-bodied cafe-oracle had jested and gibed at the
+ambitions of the Balkan kinglets and their peoples, had unloosed
+against them that battery of strange lip-sounds that a Viennese
+employs almost as an auxiliary language to express the thoughts
+when his thoughts are not complimentary.&nbsp; British travellers
+had visited the Balkan lands and reported high things of the
+Bulgarians and their future, Russian officers had taken peeps at
+their army and confessed &ldquo;this is a thing to be reckoned
+with, and it is not we who have created it, they have done it by
+themselves.&rdquo;&nbsp; But over his cups of coffee and his
+hour-long games of dominoes the oracle had laughed and wagged his
+head and distilled the worldly wisdom of his castle.&nbsp; The
+Grossm&auml;chte had not succeeded in stifling the roll of the
+war-drum, that was true; the big battalions of the Ottoman Empire
+would have to do some talking, and then the big purses and big
+threatenings of the Powers would speak and the last word would be
+with them.&nbsp; In imagination Luitpold heard the onward tramp
+of the red-fezzed bayonet bearers echoing through the Balkan
+passes, saw the little sheepskin-clad mannikins driven back to
+their villages, saw the augustly chiding spokesman of the Powers
+dictating, adjusting, restoring, settling things once again in
+their allotted places, sweeping up the dust of conflict, and now
+his ears had to listen to the war-drum rolling in quite another
+direction, had to listen to the tramp of battalions that were
+bigger and bolder and better skilled in war-craft than he had
+deemed possible in that quarter; his eyes had to read in the
+columns of his accustomed newspaper a warning to the
+Grossm&auml;chte that they had something new to learn, something
+new to reckon with, much that was time-honoured to
+relinquish.&nbsp; &ldquo;The Great Powers will have not little
+difficulty in persuading the Balkan States of the inviolability
+of the principle that Europe cannot permit any fresh partition of
+territory in the East without her approval.&nbsp; Even now, while
+the campaign is still undecided, there are rumours of a project
+of fiscal unity, extending over the entire Balkan lands, and
+further of a constitutional union in imitation of the German
+Empire.&nbsp; That is perhaps only a political straw blown by the
+storm, but it is not possible to dismiss the reflection that the
+Balkan States leagued together command a military strength with
+which the Great Powers will have to reckon . . .&nbsp; The people
+who have poured out their blood on the battlefields and
+sacrificed the available armed men of an entire generation in
+order to encompass a union with their kinsfolk will not remain
+any longer in an attitude of dependence on the Great Powers or on
+Russia, but will go their own ways . . .&nbsp; The blood that has
+been poured forth to-day gives for the first time a genuine tone
+to the purple of the Balkan Kings.&nbsp; The Great Powers cannot
+overlook the fact that a people that has tasted victory will not
+let itself be driven back again within its former limits.&nbsp;
+Turkey has lost to-day not only Kirk Kilisseh and Kumanovo, but
+Macedonia also.&rdquo;</p>
+<p>Luitpold Wolkenstein drank his coffee, but the flavour had
+somehow gone out of it.&nbsp; His world, his pompous, imposing,
+dictating world, had suddenly rolled up into narrower
+dimensions.&nbsp; The big purses and the big threats had been
+pushed unceremoniously on one side; a force that he could not
+fathom, could not comprehend, had made itself rudely felt.&nbsp;
+The august C&aelig;sars of Mammon and armament had looked down
+frowningly on the combat, and those about to die had not saluted,
+had no intention of saluting.&nbsp; A lesson was being imposed on
+unwilling learners, a lesson of respect for certain fundamental
+principles, and it was not the small struggling States who were
+being taught the lesson.</p>
+<p>Luitpold Wolkenstein did not wait for the quorum of domino
+players to arrive.&nbsp; They would all have read the article in
+the <i>Freie Presse</i>.&nbsp; And there are moments when an
+oracle finds its greatest salvation in withdrawing itself from
+the area of human questioning.</p>
+<h2><a name="page287"></a><span class="pagenum">p. 287</span>THE
+CUPBOARD OF THE YESTERDAYS</h2>
+<p>&ldquo;War is a cruelly destructive thing,&rdquo; said the
+Wanderer, dropping his newspaper to the floor and staring
+reflectively into space.</p>
+<p>&ldquo;Ah, yes, indeed,&rdquo; said the Merchant, responding
+readily to what seemed like a safe platitude; &ldquo;when one
+thinks of the loss of life and limb, the desolated homesteads,
+the ruined&mdash;&rdquo;</p>
+<p>&ldquo;I wasn&rsquo;t thinking of anything of the sort,&rdquo;
+said the Wanderer; &ldquo;I was thinking of the tendency that
+modern war has to destroy and banish the very elements of
+picturesqueness and excitement that are its chief excuse and
+charm.&nbsp; It is like a fire that flares up brilliantly for a
+while and then leaves everything blacker and bleaker than
+before.&nbsp; After every important war in South-East Europe in
+recent times there has been a shrinking of the area of
+chronically disturbed territory, a stiffening of frontier lines,
+an intrusion of civilised monotony.&nbsp; And imagine what may
+happen at the conclusion of this war if the Turk should really be
+driven out of Europe.&rdquo;</p>
+<p>&ldquo;Well, it would be a gain to the cause of good
+government, I suppose,&rdquo; said the Merchant.</p>
+<p>&ldquo;But have you counted the loss?&rdquo; said the
+other.&nbsp; &ldquo;The Balkans have long been the last surviving
+shred of happy hunting-ground for the adventurous, a playground
+for passions that are fast becoming atrophied for want of
+exercise.&nbsp; In old bygone days we had the wars in the Low
+Countries always at our doors, as it were; there was no need to
+go far afield into malaria-stricken wilds if one wanted a life of
+boot and saddle and licence to kill and be killed.&nbsp; Those
+who wished to see life had a decent opportunity for seeing death
+at the same time.&rdquo;</p>
+<p>&ldquo;It is scarcely right to talk of killing and bloodshed
+in that way,&rdquo; said the Merchant reprovingly; &ldquo;one
+must remember that all men are brothers.&rdquo;</p>
+<p>&ldquo;One must also remember that a large percentage of them
+are younger brothers; instead of going into bankruptcy, which is
+the usual tendency of the younger brother nowadays, they gave
+their families a fair chance of going into mourning.&nbsp; Every
+bullet finds a billet, according to a rather optimistic proverb,
+and you must admit that nowadays it is becoming increasingly
+difficult to find billets for a lot of young gentlemen who would
+have adorned, and probably thoroughly enjoyed, one of the
+old-time happy-go-lucky wars.&nbsp; But that is not exactly the
+burden of my complaint.&nbsp; The Balkan lands are especially
+interesting to us in these rapidly-moving days because they
+afford us the last remaining glimpse of a vanishing period of
+European history.&nbsp; When I was a child one of the earliest
+events of the outside world that forced itself coherently under
+my notice was a war in the Balkans; I remember a sunburnt,
+soldierly man putting little pin-flags in a war-map, red flags
+for the Turkish forces and yellow flags for the Russians.&nbsp;
+It seemed a magical region, with its mountain passes and frozen
+rivers and grim battlefields, its drifting snows, and prowling
+wolves; there was a great stretch of water that bore the sinister
+but engaging name of the Black Sea&mdash;nothing that I ever
+learned before or after in a geography lesson made the same
+impression on me as that strange-named inland sea, and I
+don&rsquo;t think its magic has ever faded out of my
+imagination.&nbsp; And there was a battle called Plevna that went
+on and on with varying fortunes for what seemed like a great part
+of a lifetime; I remember the day of wrath and mourning when the
+little red flag had to be taken away from Plevna&mdash;like other
+maturer judges, I was backing the wrong horse, at any rate the
+losing horse.&nbsp; And now to-day we are putting little
+pin-flags again into maps of the Balkan region, and the passions
+are being turned loose once more in their playground.&rdquo;</p>
+<p>&ldquo;The war will be localised,&rdquo; said the Merchant
+vaguely; &ldquo;at least every one hopes so.&rdquo;</p>
+<p>&ldquo;It couldn&rsquo;t wish for a better locality,&rdquo;
+said the Wanderer; &ldquo;there is a charm about those countries
+that you find nowhere else in Europe, the charm of uncertainty
+and landslide, and the little dramatic happenings that make all
+the difference between the ordinary and the desirable.&rdquo;</p>
+<p>&ldquo;Life is held very cheap in those parts,&rdquo; said the
+Merchant.</p>
+<p>&ldquo;To a certain extent, yes,&rdquo; said the
+Wanderer.&nbsp; &ldquo;I remember a man at Sofia who used to
+teach me Bulgarian in a rather inefficient manner, interspersed
+with a lot of quite wearisome gossip.&nbsp; I never knew what his
+personal history was, but that was only because I didn&rsquo;t
+listen; he told it to me many times.&nbsp; After I left Bulgaria
+he used to send me Sofia newspapers from time to time.&nbsp; I
+felt that he would be rather tiresome if I ever went there
+again.&nbsp; And then I heard afterwards that some men came in
+one day from Heaven knows where, just as things do happen in the
+Balkans, and murdered him in the open street, and went away as
+quietly as they had come.&nbsp; You will not understand it, but
+to me there was something rather piquant in the idea of such a
+thing happening to such a man; after his dullness and his
+long-winded small-talk it seemed a sort of brilliant <i>esprit
+d&rsquo;esalier</i> on his part to meet with an end of such
+ruthlessly planned and executed violence.&rdquo;</p>
+<p>The Merchant shook his head; the piquancy of the incident was
+not within striking distance of his comprehension.</p>
+<p>&ldquo;I should have been shocked at hearing such a thing
+about any one I had known,&rdquo; he said.</p>
+<p>&ldquo;The present war,&rdquo; continued his companion,
+without stopping to discuss two hopelessly divergent points of
+view, &ldquo;may be the beginning of the end of much that has
+hitherto survived the resistless creeping-in of
+civilisation.&nbsp; If the Balkan lands are to be finally
+parcelled out between the competing Christian Kingdoms and the
+haphazard rule of the Turk banished to beyond the Sea of Marmora,
+the old order, or disorder if you like, will have received its
+death-blow.&nbsp; Something of its spirit will linger perhaps for
+a while in the old charmed regions where it bore sway; the Greek
+villagers will doubtless be restless and turbulent and unhappy
+where the Bulgars rule, and the Bulgars will certainly be
+restless and turbulent and unhappy under Greek administration,
+and the rival flocks of the Exarchate and Patriarchate will make
+themselves intensely disagreeable to one another wherever the
+opportunity offers; the habits of a lifetime, of several
+lifetimes, are not laid aside all at once.&nbsp; And the
+Albanians, of course, we shall have with us still, a troubled
+Moslem pool left by the receding wave of Islam in Europe.&nbsp;
+But the old atmosphere will have changed, the glamour will have
+gone; the dust of formality and bureaucratic neatness will slowly
+settle down over the time-honoured landmarks; the Sanjak of Novi
+Bazar, the Muersteg Agreement, the Komitadje bands, the Vilayet
+of Adrianople, all those familiar outlandish names and things and
+places, that we have known so long as part and parcel of the
+Balkan Question, will have passed away into the cupboard of
+yesterdays, as completely as the Hansa League and the wars of the
+Guises.</p>
+<p>&ldquo;They were the heritage that history handed down to us,
+spoiled and diminished no doubt, in comparison with yet earlier
+days that we never knew, but still something to thrill and
+enliven one little corner of our Continent, something to help us
+to conjure up in our imagination the days when the Turk was
+thundering at the gates of Vienna.&nbsp; And what shall we have
+to hand down to our children?&nbsp; Think of what their news from
+the Balkans will be in the course of another ten or fifteen
+years.&nbsp; Socialist Congress at Uskub, election riot at
+Monastir, great dock strike at Salonika, visit of the Y.M.C.A. to
+Varna.&nbsp; Varna&mdash;on the coast of that enchanted
+sea!&nbsp; They will drive out to some suburb to tea, and write
+home about it as the Bexhill of the East.</p>
+<p>&ldquo;War is a wickedly destructive thing.&rdquo;</p>
+<p>&ldquo;Still, you must admit&mdash;&rdquo; began the
+Merchant.&nbsp; But the Wanderer was not in the mood to admit
+anything.&nbsp; He rose impatiently and walked to where the
+tape-machine was busy with the news from Adrianople.</p>
+<h2><a name="page295"></a><span class="pagenum">p. 295</span>FOR
+THE DURATION OF THE WAR</h2>
+<p>The Rev. Wilfrid Gaspilton, in one of those clerical
+migrations inconsequent-seeming to the lay mind, had removed from
+the moderately fashionable parish of St. Luke&rsquo;s,
+Kensingate, to the immoderately rural parish of St. Chuddocks,
+somewhere in Yondershire.&nbsp; There were doubtless substantial
+advantages connected with the move, but there were certainly some
+very obvious drawbacks.&nbsp; Neither the migratory clergyman nor
+his wife were able to adapt themselves naturally and comfortably
+to the conditions of country life.&nbsp; Beryl, Mrs. Gaspilton,
+had always looked indulgently on the country as a place where
+people of irreproachable income and hospitable instincts
+cultivated tennis-lawns and rose-gardens and Jacobean
+pleasaunces, wherein selected gatherings of interested week-end
+guests might disport themselves.&nbsp; Mrs. Gaspilton considered
+herself as distinctly an interesting personality, and from a
+limited standpoint she was doubtless right.&nbsp; She had
+indolent dark eyes and a comfortable chin, which belied the
+slightly plaintive inflection which she threw into her voice at
+suitable intervals.&nbsp; She was tolerably well satisfied with
+the smaller advantages of life, but she regretted that Fate had
+not seen its way to reserve for her some of the ampler successes
+for which she felt herself well qualified.&nbsp; She would have
+liked to be the centre of a literary, slightly political salon,
+where discerning satellites might have recognised the breadth of
+her outlook on human affairs and the undoubted smallness of her
+feet.&nbsp; As it was, Destiny had chosen for her that she should
+be the wife of a rector, and had now further decreed that a
+country rectory should be the background to her existence.&nbsp;
+She rapidly made up her mind that her surroundings did not call
+for exploration; Noah had predicted the Flood, but no one
+expected him to swim about in it.&nbsp; Digging in a wet garden
+or trudging through muddy lanes were exertions which she did not
+propose to undertake.&nbsp; As long as the garden produced
+asparagus and carnations at pleasingly frequent intervals Mrs.
+Gaspilton was content to approve of its expense and otherwise
+ignore its existence.&nbsp; She would fold herself up, so to
+speak, in an elegant, indolent little world of her own, enjoying
+the minor recreations of being gently rude to the doctor&rsquo;s
+wife and continuing the leisurely production of her one literary
+effort, <i>The Forbidden Horsepond</i>, a translation of Baptiste
+Leopoy&rsquo;s <i>L&rsquo;Abreuvoir interdit</i>.&nbsp; It was a
+labour which had already been so long drawn-out that it seemed
+probable that Baptiste Lepoy would drop out of vogue before her
+translation of his temporarily famous novel was finished.&nbsp;
+However, the languid prosecution of the work had invested Mrs.
+Gaspilton with a certain literary dignity, even in Kensingate
+circles, and would place her on a pinnacle in St. Chuddocks,
+where hardly any one read French, and assuredly no one had heard
+of <i>L&rsquo;Abreuvoir interdit</i>.</p>
+<p>The Rector&rsquo;s wife might be content to turn her back
+complacently on the country; it was the Rector&rsquo;s tragedy
+that the country turned its back on him.&nbsp; With the best
+intention in the world and the immortal example of Gilbert White
+before him, the Rev. Wilfrid found himself as bored and ill at
+ease in his new surroundings as Charles II would have been at a
+modern Wesleyan Conference.&nbsp; The birds that hopped across
+his lawn hopped across it as though it were their lawn, and not
+his, and gave him plainly to understand that in their eyes he was
+infinitely less interesting than a garden worm or the rectory
+cat.&nbsp; The hedgeside and meadow flowers were equally
+uninspiring; the lesser celandine seemed particularly unworthy of
+the attention that English poets had bestowed on it, and the
+Rector knew that he would be utterly miserable if left alone for
+a quarter of an hour in its company.&nbsp; With the human
+inhabitants of his parish he was no better off; to know them was
+merely to know their ailments, and the ailments were almost
+invariably rheumatism.&nbsp; Some, of course, had other bodily
+infirmities, but they always had rheumatism as well.&nbsp; The
+Rector had not yet grasped the fact that in rural cottage life
+not to have rheumatism is as glaring an omission as not to have
+been presented at Court would be in more ambitious circles.&nbsp;
+And with all this death of local interest there was Beryl
+shutting herself off with her ridiculous labours on <i>The
+Forbidden Horsepond</i>.</p>
+<p>&ldquo;I don&rsquo;t see why you should suppose that any one
+wants to read Baptiste Lepoy in English,&rdquo; the Reverend
+Wilfrid remarked to his wife one morning, finding her surrounded
+with her usual elegant litter of dictionaries, fountain pens, and
+scribbling paper; &ldquo;hardly any one bothers to read him now
+in France.&rdquo;</p>
+<p>&ldquo;My dear,&rdquo; said Beryl, with an intonation of
+gentle weariness, &ldquo;haven&rsquo;t two or three leading
+London publishers told me they wondered no one had ever
+translated <i>L&rsquo;Abreuvoir interdit</i>, and begged
+me&mdash;&rdquo;</p>
+<p>&ldquo;Publishers always clamour for the books that no one has
+ever written, and turn a cold shoulder on them as soon as
+they&rsquo;re written.&nbsp; If St. Paul were living now they
+would pester him to write an Epistle to the Esquimaux, but no
+London publisher would dream of reading his Epistle to the
+Ephesians.&rdquo;</p>
+<p>&ldquo;Is there any asparagus in the garden?&rdquo; asked
+Beryl; &ldquo;because I&rsquo;ve told cook&mdash;&rdquo;</p>
+<p>&ldquo;Not anywhere in the garden,&rdquo; snapped the Rector,
+&ldquo;but there&rsquo;s no doubt plenty in the asparagus-bed,
+which is the usual place for it.&rdquo;</p>
+<p>And he walked away into the region of fruit trees and
+vegetable beds to exchange irritation for boredom.&nbsp; It was
+there, among the gooseberry bushes and beneath the medlar trees,
+that the temptation to the perpetration of a great literary fraud
+came to him.</p>
+<p>Some weeks later the <i>Bi-Monthly Review</i> gave to the
+world, under the guarantee of the Rev. Wilfrid Gaspilton, some
+fragments of Persian verse, alleged to have been unearthed and
+translated by a nephew who was at present campaigning somewhere
+in the Tigris valley.&nbsp; The Rev. Wilfrid possessed a host of
+nephews, and it was of course, quite possible that one or more of
+them might be in military employ in Mesopotamia, though no one
+could call to mind any particular nephew who could have been
+suspected of being a Persian scholar.</p>
+<p>The verses were attributed to one Ghurab, a hunter, or,
+according to other accounts, warden of the royal fishponds, who
+lived, in some unspecified century, in the neighbourhood of
+Karmanshah.&nbsp; They breathed a spirit of comfortable,
+even-tempered satire and philosophy, disclosing a mockery that
+did not trouble to be bitter, a joy in life that was not
+passionate to the verge of being troublesome.</p>
+<blockquote><p>&ldquo;A Mouse that prayed for Allah&rsquo;s
+aid<br />
+&nbsp;&nbsp; Blasphemed when no such aid befell:<br />
+A Cat, who feasted on that mouse,<br />
+&nbsp;&nbsp; Thought Allah managed vastly well.</p>
+<p>Pray not for aid to One who made<br />
+&nbsp;&nbsp; A set of never-changing Laws,<br />
+But in your need remember well<br />
+&nbsp;&nbsp; He gave you speed, or guile&mdash;or claws.</p>
+<p>Some laud a life of mild content:<br />
+&nbsp;&nbsp; Content may fall, as well as Pride.<br />
+The Frog who hugged his lowly Ditch<br />
+&nbsp;&nbsp; Was much disgruntled when it dried.</p>
+<p>&lsquo;You are not on the Road to Hell,&rsquo;<br />
+&nbsp;&nbsp; You tell me with fanatic glee:<br />
+Vain boaster, what shall that avail<br />
+&nbsp;&nbsp; If Hell is on the road to thee?</p>
+<p>A Poet praised the Evening Star,<br />
+&nbsp;&nbsp; Another praised the Parrot&rsquo;s hue:<br />
+A Merchant praised his merchandise,<br />
+&nbsp;&nbsp; And he, at least, praised what he knew.&rdquo;</p>
+</blockquote>
+<p>It was this verse which gave the critics and commentators some
+clue as to the probable date of the composition; the parrot, they
+reminded the public, was in high vogue as a type of elegance in
+the days of Hafiz of Shiraz; in the quatrains of Omar it makes no
+appearance.</p>
+<p>The next verse, it was pointed out, would apply to the
+political conditions of the present day as strikingly as to the
+region and era for which it was written&mdash;</p>
+<blockquote><p>&ldquo;A Sultan dreamed day-long of Peace,<br />
+&nbsp;&nbsp; The while his Rivals&rsquo; armies grew:<br />
+They changed his Day-dreams into sleep<br />
+&nbsp;&nbsp; &mdash;The Peace, methinks, he never
+knew.&rdquo;</p>
+</blockquote>
+<p>Woman appeared little, and wine not at all in the verse of the
+hunter-poet, but there was at least one contribution to the
+love-philosophy of the East&mdash;</p>
+<blockquote><p>&ldquo;O Moon-faced Charmer, and
+Star-drown&egrave;d Eyes,<br />
+&nbsp;&nbsp; And cheeks of soft delight, exhaling musk,<br />
+They tell me that thy charm will fade; ah well,<br />
+&nbsp;&nbsp; The Rose itself grows hue-less in the
+Dusk.&rdquo;</p>
+</blockquote>
+<p>Finally, there was a recognition of the Inevitable, a chill
+breath blowing across the poet&rsquo;s comfortable estimate of
+life&mdash;</p>
+<blockquote><p>&ldquo;There is a sadness in each Dawn,<br />
+&nbsp;&nbsp; A sadness that you cannot rede:<br />
+The joyous Day brings in its train<br />
+&nbsp;&nbsp; The Feast, the Loved One, and the Steed.</p>
+<p>Ah, there shall come a Dawn at last<br />
+&nbsp;&nbsp; That brings no life-stir to your ken,<br />
+A long, cold Dawn without a Day,<br />
+&nbsp;&nbsp; And ye shall rede its sadness then.&rdquo;</p>
+</blockquote>
+<p>The verses of Ghurab came on the public at a moment when a
+comfortable, slightly quizzical philosophy was certain to be
+welcome, and their reception was enthusiastic.&nbsp; Elderly
+colonels, who had outlived the love of truth, wrote to the papers
+to say that they had been familiar with the works of Ghurab in
+Afghanistan, and Aden, and other suitable localities a quarter of
+a century ago.&nbsp; A Ghurab-of-Karmanshah Club sprang into
+existence, the members of which alluded to each other as Brother
+Ghurabians on the slightest provocation.&nbsp; And to the flood
+of inquiries, criticisms, and requests for information, which
+naturally poured in on the discoverer, or rather the discloser,
+of this long-hidden poet, the Rev. Wilfrid made one effectual
+reply: Military considerations forbade any disclosures which
+might throw unnecessary light on his nephew&rsquo;s
+movements.</p>
+<p>After the war the Rector&rsquo;s position will be one of
+unthinkable embarrassment, but for the moment, at any rate, he
+has driven <i>The Forbidden Horsepond</i> out of the field.</p>
+<p>***END OF THE PROJECT GUTENBERG EBOOK THE TOYS OF PEACE***</p>
+<pre>
+
+
+***** This file should be named 1477-h.htm or 1477-h.zip******
+
+
+This and all associated files of various formats will be found in:
+http://www.gutenberg.org/dirs/1/4/7/1477
+
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://www.gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://www.gutenberg.org/about/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://www.gutenberg.org/fundraising/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit:
+http://www.gutenberg.org/fundraising/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+</pre></body>
+</html>
diff --git a/1477.txt b/1477.txt
new file mode 100644
index 0000000..113fb42
--- /dev/null
+++ b/1477.txt
@@ -0,0 +1,6819 @@
+The Project Gutenberg eBook, The Toys of Peace, by Saki
+
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+
+
+
+Title: The Toys of Peace
+
+
+Author: Saki
+
+Release Date: April 19, 2005 [eBook #1477]
+[Last updated: June 29, 2012]
+
+Language: English
+
+Character set encoding: ISO-646-US (US-ASCII)
+
+
+***START OF THE PROJECT GUTENBERG EBOOK THE TOYS OF PEACE***
+
+
+
+
+
+
+Transcribed from the 1919 John Lane edition by Jane Duff and David Price,
+email ccx074@coventry.ac.uk.
+
+
+
+
+
+THE TOYS OF PEACE
+
+
+Contents:
+
+The Toys of Peace
+Louise
+Tea
+The Disappearance of Crispina Umberleigh
+The Wolves of Cernogratz
+Louis
+The Guests
+The Penance
+The Phantom Luncheon
+A Bread and Butter Miss
+Bertie's Christmas Eve
+Forewarned
+The Interlopers
+Quail Seed
+Canossa
+The Threat
+Excepting Mrs. Pentherby
+Mark
+The Hedgehog
+The Mappined Life
+Fate
+The Bull
+Morlvera
+Shock Tactics
+The Seven Cream Jugs
+The Occasional Garden
+The Sheep
+The Oversight
+Hyacinth
+The Image of the Lost Soul
+The Purple of the Balkan Kings
+The Cupboard of the Yesterdays
+For the Duration of the War
+
+
+
+
+THE TOYS OF PEACE
+
+
+"Harvey," said Eleanor Bope, handing her brother a cutting from a London
+morning paper of the 19th of March, "just read this about children's
+toys, please; it exactly carries out some of our ideas about influence
+and upbringing."
+
+"In the view of the National Peace Council," ran the extract, "there are
+grave objections to presenting our boys with regiments of fighting men,
+batteries of guns, and squadrons of 'Dreadnoughts.' Boys, the Council
+admits, naturally love fighting and all the panoply of war . . . but that
+is no reason for encouraging, and perhaps giving permanent form to, their
+primitive instincts. At the Children's Welfare Exhibition, which opens
+at Olympia in three weeks' time, the Peace Council will make an
+alternative suggestion to parents in the shape of an exhibition of 'peace
+toys.' In front of a specially-painted representation of the Peace
+Palace at The Hague will be grouped, not miniature soldiers but miniature
+civilians, not guns but ploughs and the tools of industry . . . It is
+hoped that manufacturers may take a hint from the exhibit, which will
+bear fruit in the toy shops."
+
+"The idea is certainly an interesting and very well-meaning one," said
+Harvey; "whether it would succeed well in practice--"
+
+"We must try," interrupted his sister; "you are coming down to us at
+Easter, and you always bring the boys some toys, so that will be an
+excellent opportunity for you to inaugurate the new experiment. Go about
+in the shops and buy any little toys and models that have special bearing
+on civilian life in its more peaceful aspects. Of course you must
+explain the toys to the children and interest them in the new idea. I
+regret to say that the 'Siege of Adrianople' toy, that their Aunt Susan
+sent them, didn't need any explanation; they knew all the uniforms and
+flags, and even the names of the respective commanders, and when I heard
+them one day using what seemed to be the most objectionable language they
+said it was Bulgarian words of command; of course it _may_ have been, but
+at any rate I took the toy away from them. Now I shall expect your
+Easter gifts to give quite a new impulse and direction to the children's
+minds; Eric is not eleven yet, and Bertie is only nine-and-a-half, so
+they are really at a most impressionable age."
+
+"There is primitive instinct to be taken into consideration, you know,"
+said Harvey doubtfully, "and hereditary tendencies as well. One of their
+great-uncles fought in the most intolerant fashion at Inkerman--he was
+specially mentioned in dispatches, I believe--and their great-grandfather
+smashed all his Whig neighbours' hot houses when the great Reform Bill
+was passed. Still, as you say, they are at an impressionable age. I
+will do my best."
+
+On Easter Saturday Harvey Bope unpacked a large, promising-looking red
+cardboard box under the expectant eyes of his nephews. "Your uncle has
+brought you the newest thing in toys," Eleanor had said impressively, and
+youthful anticipation had been anxiously divided between Albanian
+soldiery and a Somali camel-corps. Eric was hotly in favour of the
+latter contingency. "There would be Arabs on horseback," he whispered;
+"the Albanians have got jolly uniforms, and they fight all day long, and
+all night, too, when there's a moon, but the country's rocky, so they've
+got no cavalry."
+
+A quantity of crinkly paper shavings was the first thing that met the
+view when the lid was removed; the most exiting toys always began like
+that. Harvey pushed back the top layer and drew forth a square, rather
+featureless building.
+
+"It's a fort!" exclaimed Bertie.
+
+"It isn't, it's the palace of the Mpret of Albania," said Eric, immensely
+proud of his knowledge of the exotic title; "it's got no windows, you
+see, so that passers-by can't fire in at the Royal Family."
+
+"It's a municipal dust-bin," said Harvey hurriedly; "you see all the
+refuse and litter of a town is collected there, instead of lying about
+and injuring the health of the citizens."
+
+In an awful silence he disinterred a little lead figure of a man in black
+clothes.
+
+"That," he said, "is a distinguished civilian, John Stuart Mill. He was
+an authority on political economy."
+
+"Why?" asked Bertie.
+
+"Well, he wanted to be; he thought it was a useful thing to be."
+
+Bertie gave an expressive grunt, which conveyed his opinion that there
+was no accounting for tastes.
+
+Another square building came out, this time with windows and chimneys.
+
+"A model of the Manchester branch of the Young Women's Christian
+Association," said Harvey.
+
+"Are there any lions?" asked Eric hopefully. He had been reading Roman
+history and thought that where you found Christians you might reasonably
+expect to find a few lions.
+
+"There are no lions," said Harvey. "Here is another civilian, Robert
+Raikes, the founder of Sunday schools, and here is a model of a municipal
+wash-house. These little round things are loaves baked in a sanitary
+bakehouse. That lead figure is a sanitary inspector, this one is a
+district councillor, and this one is an official of the Local Government
+Board."
+
+"What does he do?" asked Eric wearily.
+
+"He sees to things connected with his Department," said Harvey. "This
+box with a slit in it is a ballot-box. Votes are put into it at election
+times."
+
+"What is put into it at other times?" asked Bertie.
+
+"Nothing. And here are some tools of industry, a wheelbarrow and a hoe,
+and I think these are meant for hop-poles. This is a model beehive, and
+that is a ventilator, for ventilating sewers. This seems to be another
+municipal dust-bin--no, it is a model of a school of art and public
+library. This little lead figure is Mrs. Hemans, a poetess, and this is
+Rowland Hill, who introduced the system of penny postage. This is Sir
+John Herschel, the eminent astrologer."
+
+"Are we to play with these civilian figures?" asked Eric.
+
+"Of course," said Harvey, "these are toys; they are meant to be played
+with."
+
+"But how?"
+
+It was rather a poser. "You might make two of them contest a seat in
+Parliament," said Harvey, "an have an election--"
+
+"With rotten eggs, and free fights, and ever so many broken heads!"
+exclaimed Eric.
+
+"And noses all bleeding and everybody drunk as can be," echoed Bertie,
+who had carefully studied one of Hogarth's pictures.
+
+"Nothing of the kind," said Harvey, "nothing in the least like that.
+Votes will be put in the ballot-box, and the Mayor will count them--and
+he will say which has received the most votes, and then the two
+candidates will thank him for presiding, and each will say that the
+contest has been conducted throughout in the pleasantest and most
+straightforward fashion, and they part with expressions of mutual esteem.
+There's a jolly game for you boys to play. I never had such toys when I
+was young."
+
+"I don't think we'll play with them just now," said Eric, with an entire
+absence of the enthusiasm that his uncle had shown; "I think perhaps we
+ought to do a little of our holiday task. It's history this time; we've
+got to learn up something about the Bourbon period in France."
+
+"The Bourbon period," said Harvey, with some disapproval in his voice.
+
+"We've got to know something about Louis the Fourteenth," continued Eric;
+"I've learnt the names of all the principal battles already."
+
+This would never do. "There were, of course, some battles fought during
+his reign," said Harvey, "but I fancy the accounts of them were much
+exaggerated; news was very unreliable in those days, and there were
+practically no war correspondents, so generals and commanders could
+magnify every little skirmish they engaged in till they reached the
+proportions of decisive battles. Louis was really famous, now, as a
+landscape gardener; the way he laid out Versailles was so much admired
+that it was copied all over Europe."
+
+"Do you know anything about Madame Du Barry?" asked Eric; "didn't she
+have her head chopped off?"
+
+"She was another great lover of gardening," said Harvey, evasively; "in
+fact, I believe the well known rose Du Barry was named after her, and now
+I think you had better play for a little and leave your lessons till
+later."
+
+Harvey retreated to the library and spent some thirty or forty minutes in
+wondering whether it would be possible to compile a history, for use in
+elementary schools, in which there should be no prominent mention of
+battles, massacres, murderous intrigues, and violent deaths. The York
+and Lancaster period and the Napoleonic era would, he admitted to
+himself, present considerable difficulties, and the Thirty Years' War
+would entail something of a gap if you left it out altogether. Still, it
+would be something gained if, at a highly impressionable age, children
+could be got to fix their attention on the invention of calico printing
+instead of the Spanish Armada or the Battle of Waterloo.
+
+It was time, he thought, to go back to the boys' room, and see how they
+were getting on with their peace toys. As he stood outside the door he
+could hear Eric's voice raised in command; Bertie chimed in now and again
+with a helpful suggestion.
+
+"That is Louis the Fourteenth," Eric was saying, "that one in
+knee-breeches, that Uncle said invented Sunday schools. It isn't a bit
+like him, but it'll have to do."
+
+"We'll give him a purple coat from my paintbox by and by," said Bertie.
+
+"Yes, an' red heels. That is Madame de Maintenon, that one he called
+Mrs. Hemans. She begs Louis not to go on this expedition, but he turns a
+deaf ear. He takes Marshal Saxe with him, and we must pretend that they
+have thousands of men with them. The watchword is _Qui vive_? and the
+answer is _L'etat c'est moi_--that was one of his favourite remarks, you
+know. They land at Manchester in the dead of the night, and a Jacobite
+conspirator gives them the keys of the fortress."
+
+Peeping in through the doorway Harvey observed that the municipal dust-
+bin had been pierced with holes to accommodate the muzzles of imaginary
+cannon, and now represented the principal fortified position in
+Manchester; John Stuart Mill had been dipped in red ink, and apparently
+stood for Marshal Saxe.
+
+"Louis orders his troops to surround the Young Women's Christian
+Association and seize the lot of them. 'Once back at the Louvre and the
+girls are mine,' he exclaims. We must use Mrs. Hemans again for one of
+the girls; she says 'Never,' and stabs Marshal Saxe to the heart."
+
+"He bleeds dreadfully," exclaimed Bertie, splashing red ink liberally
+over the facade of the Association building.
+
+"The soldiers rush in and avenge his death with the utmost savagery. A
+hundred girls are killed"--here Bertie emptied the remainder of the red
+ink over the devoted building--"and the surviving five hundred are
+dragged off to the French ships. 'I have lost a Marshal,' says Louis,
+'but I do not go back empty-handed.'"
+
+Harvey stole away from the room, and sought out his sister.
+
+"Eleanor," he said, "the experiment--"
+
+"Yes?"
+
+"Has failed. We have begun too late."
+
+
+
+
+LOUISE
+
+
+"The tea will be quite cold, you'd better ring for some more," said the
+Dowager Lady Beanford.
+
+Susan Lady Beanford was a vigorous old woman who had coquetted with
+imaginary ill-health for the greater part of a lifetime; Clovis Sangrail
+irreverently declared that she had caught a chill at the Coronation of
+Queen Victoria and had never let it go again. Her sister, Jane
+Thropplestance, who was some years her junior, was chiefly remarkable for
+being the most absent-minded woman in Middlesex.
+
+"I've really been unusually clever this afternoon," she remarked gaily,
+as she rang for the tea. "I've called on all the people I meant to call
+on; and I've done all the shopping that I set out to do. I even
+remembered to try and match that silk for you at Harrod's, but I'd
+forgotten to bring the pattern with me, so it was no use. I really think
+that was the only important thing I forgot during the whole afternoon.
+Quite wonderful for me, isn't it?"
+
+"What have you done with Louise?" asked her sister. "Didn't you take her
+out with you? You said you were going to."
+
+"Good gracious," exclaimed Jane, "what have I done with Louise? I must
+have left her somewhere."
+
+"But where?"
+
+"That's just it. Where have I left her? I can't remember if the
+Carrywoods were at home or if I just left cards. If there were at home I
+may have left Louise there to play bridge. I'll go and telephone to Lord
+Carrywood and find out."
+
+"Is that you, Lord Carrywood?" she queried over the telephone; "it's me,
+Jane Thropplestance. I want to know, have you seen Louise?"
+
+"'Louise,'" came the answer, "it's been my fate to see it three times. At
+first, I must admit, I wasn't impressed by it, but the music grows on one
+after a bit. Still, I don't think I want to see it again just at
+present. Were you going to offer me a seat in your box?"
+
+"Not the opera 'Louise'--my niece, Louise Thropplestance. I thought I
+might have left her at your house."
+
+"You left cards on us this afternoon, I understand, but I don't think you
+left a niece. The footman would have been sure to have mentioned it if
+you had. Is it going to be a fashion to leave nieces on people as well
+as cards? I hope not; some of these houses in Berkeley-square have
+practically no accommodation for that sort of thing."
+
+"She's not at the Carrywoods'," announced Jane, returning to her tea;
+"now I come to think of it, perhaps I left her at the silk counter at
+Selfridge's. I may have told her to wait there a moment while I went to
+look at the silks in a better light, and I may easily have forgotten
+about her when Ifound I hadn't your pattern with me. In that case she's
+still sitting there. She wouldn't move unless she was told to; Louise
+has no initiative."
+
+"You said you tried to match the silk at Harrod's," interjected the
+dowager.
+
+"Did I? Perhaps it was Harrod's. I really don't remember. It was one
+of those places where every one is so kind and sympathetic and devoted
+that one almost hates to take even a reel of cotton away from such
+pleasant surroundings."
+
+"I think you might have taken Louise away. I don't like the idea of her
+being there among a lot of strangers. Supposing some unprincipled person
+was to get into conversation with her."
+
+"Impossible. Louise has no conversation. I've never discovered a single
+topic on which she'd anything to say beyond 'Do you think so? I dare say
+you're right.' I really thought her reticence about the fall of the
+Ribot Ministry was ridiculous, considering how much her dear mother used
+to visit Paris. This bread and butter is cut far too thin; it crumbles
+away long before you can get it to your mouth. One feels so absurd,
+snapping at one's food in mid-air, like a trout leaping at may-fly."
+
+"I am rather surprised," said the dowager, "that you can sit there making
+a hearty tea when you've just lost a favourite niece."
+
+"You talk as if I'd lost her in a churchyard sense, instead of having
+temporarily mislaid her. I'm sure to remember presently where I left
+her."
+
+"You didn't visit any place of devotion, did you? If you've left her
+mooning about Westminster Abbey or St. Peter's, Eaton Square, without
+being able to give any satisfactory reason why she's there, she'll be
+seized under the Cat and Mouse Act and sent to Reginald McKenna."
+
+"That would be extremely awkward," said Jane, meeting an irresolute piece
+of bread and butter halfway; "we hardly know the McKennas, and it would
+be very tiresome having to telephone to some unsympathetic private
+secretary, describing Louise to him and asking to have her sent back in
+time for dinner. Fortunately, I didn't go to any place of devotion,
+though I did get mixed up with a Salvation Army procession. It was quite
+interesting to be at close quarters with them, they're so absolutely
+different to what they used to be when I first remember them in the
+'eighties. They used to go about then unkempt and dishevelled, in a sort
+of smiling rage with the world, and now they're spruce and jaunty and
+flamboyantly decorative, like a geranium bed with religious convictions.
+Laura Kettleway was going on about them in the lift of the Dover Street
+Tube the other day, saying what a lot of good work they did, and what a
+loss it would have been if they'd never existed. 'If they had never
+existed,' I said, 'Granville Barker would have been certain to have
+invented something that looked exactly like them.' If you say things
+like that, quite loud, in a Tube lift, they always sound like epigrams."
+
+"I think you ought to do something about Louise," said the dowager.
+
+"I'm trying to think whether she was with me when I called on Ada
+Spelvexit. I rather enjoyed myself there. Ada was trying, as usual, to
+ram that odious Koriatoffski woman down my throat, knowing perfectly well
+that I detest her, and in an unguarded moment she said: 'She's leaving
+her present house and going to Lower Seymour Street.' 'I dare say she
+will, if she stays there long enough,' I said. Ada didn't see it for
+about three minutes, and then she was positively uncivil. No, I am
+certain I didn't leave Louise there."
+
+"If you could manage to remember where you _did_ leave her, it would be
+more to the point than these negative assurances," said Lady Beanford;
+"so far, all we know is that she is not at the Carrywoods', or Ada
+Spelvexit's, or Westminster Abbey."
+
+"That narrows the search down a bit," said Jane hopefully; "I rather
+fancy she must have been with me when I went to Mornay's. I know I went
+to Mornay's, because I remember meeting that delightful Malcolm What's-
+his-name there--you know whom I mean. That's the great advantage of
+people having unusual first names, you needn't try and remember what
+their other name is. Of course I know one or two other Malcolms, but
+none that could possibly be described as delightful. He gave me two
+tickets for the Happy Sunday Evenings in Sloane Square. I've probably
+left them at Mornay's, but still it was awfully kind of him to give them
+to me."
+
+"Do you think you left Louise there?"
+
+"I might telephone and ask. Oh, Robert, before you clear the tea-things
+away I wish you'd ring up Mornay's, in Regent Street, and ask if I left
+two theatre tickets and one niece in their shop this afternoon."
+
+"A niece, ma'am?" asked the footman.
+
+"Yes, Miss Louise didn't come home with me, and I'm not sure where I left
+her."
+
+"Miss Louise has been upstairs all the afternoon, ma'am, reading to the
+second kitchenmaid, who has the neuralgia. I took up tea to Miss Louise
+at a quarter to five o'clock, ma'am."
+
+"Of course, how silly of me. I remember now, I asked her to read the
+_Faerie Queene_ to poor Emma, to try to send her to sleep. I always get
+some one to read the _Faerie Queene_ to me when I have neuralgia, and it
+usually sends me to sleep. Louise doesn't seem to have been successful,
+but one can't say she hasn't tried. I expect after the first hour or so
+the kitchenmaid would rather have been left alone with her neuralgia, but
+of course Louise wouldn't leave off till some one told her to. Anyhow,
+you can ring up Mornay's, Robert, and ask whether I left two theatre
+tickets there. Except for your silk, Susan, those seem to be the only
+things I've forgotten this afternoon. Quite wonderful for me."
+
+
+
+
+TEA
+
+
+James Cushat-Prinkly was a young man who had always had a settled
+conviction that one of these days he would marry; up to the age of thirty-
+four he had done nothing to justify that conviction. He liked and
+admired a great many women collectively and dispassionately without
+singling out one for especial matrimonial consideration, just as one
+might admire the Alps without feeling that one wanted any particular peak
+as one's own private property. His lack of initiative in this matter
+aroused a certain amount of impatience among the sentimentally-minded
+women-folk of his home circle; his mother, his sisters, an
+aunt-in-residence, and two or three intimate matronly friends regarded
+his dilatory approach to the married state with a disapproval that was
+far from being inarticulate. His most innocent flirtations were watched
+with the straining eagerness which a group of unexercised terriers
+concentrates on the slightest movements of a human being who may be
+reasonably considered likely to take them for a walk. No decent-souled
+mortal can long resist the pleading of several pairs of walk-beseeching
+dog-eyes; James Cushat-Prinkly was not sufficiently obstinate or
+indifferent to home influences to disregard the obviously expressed wish
+of his family that he should become enamoured of some nice marriageable
+girl, and when his Uncle Jules departed this life and bequeathed him a
+comfortable little legacy it really seemed the correct thing to do to set
+about discovering some one to share it with him. The process of
+discovery was carried on more by the force of suggestion and the weight
+of public opinion than by any initiative of his own; a clear working
+majority of his female relatives and the aforesaid matronly friends had
+pitched on Joan Sebastable as the most suitable young woman in his range
+of acquaintance to whom he might propose marriage, and James became
+gradually accustomed to the idea that he and Joan would go together
+through the prescribed stages of congratulations, present-receiving,
+Norwegian or Mediterranean hotels, and eventual domesticity. It was
+necessary, however to ask the lady what she thought about the matter; the
+family had so far conducted and directed the flirtation with ability and
+discretion, but the actual proposal would have to be an individual
+effort.
+
+Cushat-Prinkly walked across the Park towards the Sebastable residence in
+a frame of mind that was moderately complacent. As the thing was going
+to be done he was glad to feel that he was going to get it settled and
+off his mind that afternoon. Proposing marriage, even to a nice girl
+like Joan, was a rather irksome business, but one could not have a
+honeymoon in Minorca and a subsequent life of married happiness without
+such preliminary. He wondered what Minorca was really like as a place to
+stop in; in his mind's eye it was an island in perpetual half-mourning,
+with black or white Minorca hens running all over it. Probably it would
+not be a bit like that when one came to examine it. People who had been
+in Russia had told him that they did not remember having seen any Muscovy
+ducks there, so it was possible that there would be no Minorca fowls on
+the island.
+
+His Mediterranean musings were interrupted by the sound of a clock
+striking the half-hour. Half-past four. A frown of dissatisfaction
+settled on his face. He would arrive at the Sebastable mansion just at
+the hour of afternoon tea. Joan would be seated at a low table, spread
+with an array of silver kettles and cream-jugs and delicate porcelain tea-
+cups, behind which her voice would tinkle pleasantly in a series of
+little friendly questions about weak or strong tea, how much, if any,
+sugar, milk, cream, and so forth. "Is it one lump? I forgot. You do
+take milk, don't you? Would you like some more hot water, if it's too
+strong?"
+
+Cushat-Prinkly had read of such things in scores of novels, and hundreds
+of actual experiences had told him that they were true to life. Thousands
+of women, at this solemn afternoon hour, were sitting behind dainty
+porcelain and silver fittings, with their voices tinkling pleasantly in a
+cascade of solicitous little questions. Cushat-Prinkly detested the
+whole system of afternoon tea. According to his theory of life a woman
+should lie on a divan or couch, talking with incomparable charm or
+looking unutterable thoughts, or merely silent as a thing to be looked
+on, and from behind a silken curtain a small Nubian page should silently
+bring in a tray with cups and dainties, to be accepted silently, as a
+matter of course, without drawn-out chatter about cream and sugar and hot
+water. If one's soul was really enslaved at one's mistress's feet how
+could one talk coherently about weakened tea? Cushat-Prinkly had never
+expounded his views on the subject to his mother; all her life she had
+been accustomed to tinkle pleasantly at tea-time behind dainty porcelain
+and silver, and if he had spoken to her about divans and Nubian pages she
+would have urged him to take a week's holiday at the seaside. Now, as he
+passed through a tangle of small streets that led indirectly to the
+elegant Mayfair terrace for which he was bound, a horror at the idea of
+confronting Joan Sebastable at her tea-table seized on him. A momentary
+deliverance presented itself; on one floor of a narrow little house at
+the noisier end of Esquimault Street lived Rhoda Ellam, a sort of remote
+cousin, who made a living by creating hats out of costly materials. The
+hats really looked as if they had come from Paris; the cheques she got
+for them unfortunately never looked as if they were going to Paris.
+However, Rhoda appeared to find life amusing and to have a fairly good
+time in spite of her straitened circumstances. Cushat-Prinkly decided to
+climb up to her floor and defer by half-an-hour or so the important
+business which lay before him; by spinning out his visit he could
+contrive to reach the Sebastable mansion after the last vestiges of
+dainty porcelain had been cleared away.
+
+Rhoda welcomed him into a room that seemed to do duty as workshop,
+sitting-room, and kitchen combined, and to be wonderfully clean and
+comfortable at the same time.
+
+"I'm having a picnic meal," she announced. "There's caviare in that jar
+at your elbow. Begin on that brown bread-and-butter while I cut some
+more. Find yourself a cup; the teapot is behind you. Now tell me about
+hundreds of things."
+
+She made no other allusion to food, but talked amusingly and made her
+visitor talk amusingly too. At the same time she cut the
+bread-and-butter with a masterly skill and produced red pepper and sliced
+lemon, where so many women would merely have produced reasons and regrets
+for not having any. Cushat-Prinkly found that he was enjoying an
+excellent tea without having to answer as many questions about it as a
+Minister for Agriculture might be called on to reply to during an
+outbreak of cattle plague.
+
+"And now tell me why you have come to see me," said Rhoda suddenly. "You
+arouse not merely my curiosity but my business instincts. I hope you've
+come about hats. I heard that you had come into a legacy the other day,
+and, of course, it struck me that it would be a beautiful and desirable
+thing for you to celebrate the event by buying brilliantly expensive hats
+for all your sisters. They may not have said anything about it, but I
+feel sure the same idea has occurred to them. Of course, with Goodwood
+on us, I am rather rushed just now, but in my business we're accustomed
+to that; we live in a series of rushes--like the infant Moses."
+
+"I didn't come about hats," said her visitor. "In fact, I don't think I
+really came about anything. I was passing and I just thought I'd look in
+and see you. Since I've been sitting talking to you, however, rather
+important idea has occurred to me. If you'll forget Goodwood for a
+moment and listen to me, I'll tell you what it is."
+
+Some forty minutes later James Cushat-Prinkly returned to the bosom of
+his family, bearing an important piece of news.
+
+"I'm engaged to be married," he announced.
+
+A rapturous outbreak of congratulation and self-applause broke out.
+
+"Ah, we knew! We saw it coming! We foretold it weeks ago!"
+
+"I'll bet you didn't," said Cushat-Prinkly. "If any one had told me at
+lunch-time to-day that I was going to ask Rhoda Ellam to marry me and
+that she was going to accept me I would have laughed at the idea."
+
+The romantic suddenness of the affair in some measure compensated James's
+women-folk for the ruthless negation of all their patient effort and
+skilled diplomacy. It was rather trying to have to deflect their
+enthusiasm at a moment's notice from Joan Sebastable to Rhoda Ellam; but,
+after all, it was James's wife who was in question, and his tastes had
+some claim to be considered.
+
+On a September afternoon of the same year, after the honeymoon in Minorca
+had ended, Cushat-Prinkly came into the drawing-room of his new house in
+Granchester Square. Rhoda was seated at a low table, behind a service of
+dainty porcelain and gleaming silver. There was a pleasant tinkling note
+in her voice as she handed him a cup.
+
+"You like it weaker than that, don't you? Shall I put some more hot
+water to it? No?"
+
+
+
+
+THE DISAPPEARANCE OF CRISPINA UMBERLEIGH
+
+
+In a first-class carriage of a train speeding Balkanward across the flat,
+green Hungarian plain two Britons sat in friendly, fitful converse. They
+had first foregathered in the cold grey dawn at the frontier line, where
+the presiding eagle takes on an extra head and Teuton lands pass from
+Hohenzollern to Habsburg keeping--and where a probing official beak
+requires to delve in polite and perhaps perfunctory, but always tiresome,
+manner into the baggage of sleep-hungry passengers. After a day's break
+of their journey at Vienna the travellers had again foregathered at the
+trainside and paid one another the compliment of settling instinctively
+into the same carriage. The elder of the two had the appearance and
+manner of a diplomat; in point of fact he was the well-connected foster-
+brother of a wine business. The other was certainly a journalist.
+Neither man was talkative and each was grateful to the other for not
+being talkative. That is why from time to time they talked.
+
+One topic of conversation naturally thrust itself forward in front of all
+others. In Vienna the previous day they had learned of the mysterious
+vanishing of a world-famous picture from the walls of the Louvre.
+
+"A dramatic disappearance of that sort is sure to produce a crop of
+imitations," said the Journalist.
+
+"It has had a lot of anticipations, for the matter of that," said the
+Wine-brother.
+
+"Oh, of course there have been thefts from the Louvre before."
+
+"I was thinking of the spiriting away of human beings rather than
+pictures. In particular I was thinking of the case of my aunt, Crispina
+Umberleigh."
+
+"I remember hearing something of the affair," said the Journalist, "but I
+was away from England at the time. I never quite knew what was supposed
+to have happened."
+
+"You may hear what really happened if you will respect it as a
+confidence," said the Wine Merchant. "In the first place I may say that
+the disappearance of Mrs. Umberleigh was not regarded by the family
+entirely as a bereavement. My uncle, Edward Umberleigh, was not by any
+means a weak-kneed individual, in fact in the world of politics he had to
+be reckoned with more or less as a strong man, but he was unmistakably
+dominated by Crispina; indeed I never met any human being who was not
+frozen into subjection when brought into prolonged contact with her. Some
+people are born to command; Crispina Mrs. Umberleigh was born to
+legislate, codify, administrate, censor, license, ban, execute, and sit
+in judgement generally. If she was not born with that destiny she
+adopted it at an early age. From the kitchen regions upwards every one
+in the household came under her despotic sway and stayed there with the
+submissiveness of molluscs involved in a glacial epoch. As a nephew on a
+footing of only occasional visits she affected me merely as an epidemic,
+disagreeable while it lasted, but without any permanent effect; but her
+own sons and daughters stood in mortal awe of her; their studies,
+friendships, diet, amusements, religious observances, and way of doing
+their hair were all regulated and ordained according to the august lady's
+will and pleasure. This will help you to understand the sensation of
+stupefaction which was caused in the family when she unobtrusively and
+inexplicably vanished. It was as though St. Paul's Cathedral or the
+Piccadilly Hotel had disappeared in the night, leaving nothing but an
+open space to mark where it had stood. As far as was known nothing was
+troubling her; in fact there was much before her to make life
+particularly well worth living. The youngest boy had come back from
+school with an unsatisfactory report, and she was to have sat in
+judgement on him the very afternoon of the day she disappeared--if it had
+been he who had vanished in a hurry one could have supplied the motive.
+Then she was in the middle of a newspaper correspondence with a rural
+dean in which she had already proved him guilty of heresy, inconsistency,
+and unworthy quibbling, and no ordinary consideration would have induced
+her to discontinue the controversy. Of course the matter was put in the
+hands of the police, but as far as possible it was kept out of the
+papers, and the generally accepted explanation of her withdrawal from her
+social circle was that she had gone into a nursing home."
+
+"And what was the immediate effect on the home circle?" asked the
+Journalist.
+
+"All the girls bought themselves bicycles; the feminine cycling craze was
+still in existence, and Crispina had rigidly vetoed any participation in
+it among the members of her household. The youngest boy let himself go
+to such an extent during his next term that it had to be his last as far
+as that particular establishment was concerned. The elder boys
+propounded a theory that their mother might be wandering somewhere
+abroad, and searched for her assiduously, chiefly, it must be admitted,
+in a class of Montmartre resort where it was extremely improbable that
+she would be found."
+
+"And all this while couldn't your uncle get hold of the least clue?"
+
+"As a matter of fact he had received some information, though of course I
+did not know of it at the time. He got a message one day telling him
+that his wife had been kidnapped and smuggled out of the country; she was
+said to be hidden away, in one of the islands off the coast of Norway I
+think it was, in comfortable surroundings and well cared for. And with
+the information came a demand for money; a lump sum of 2000 pounds was to
+be paid yearly. Failing this she would be immediately restored to her
+family."
+
+The Journalist was silent for a moment, and them began to laugh quietly.
+
+"It was certainly an inverted form of holding to ransom," he said.
+
+"If you had known my aunt," said the Wine Merchant, "you would have
+wondered that they didn't put the figure higher."
+
+"I realise the temptation. Did your uncle succumb to it?"
+
+"Well, you see, he had to think of others as well as himself. For the
+family to have gone back into the Crispina thraldom after having tasted
+the delights of liberty would have been a tragedy, and there were even
+wider considerations to be taken into account. Since his bereavement he
+had unconsciously taken up a far bolder and more initiatory line in
+public affairs, and his popularity and influence had increased
+correspondingly. From being merely a strong man in the political world
+he began to be spoken of as _the_ strong man. All this he knew would be
+jeopardised if he once more dropped into the social position of the
+husband of Mrs. Umberleigh. He was a rich man, and the 2000 pounds a
+year, though not exactly a fleabite, did not seem an extravagant price to
+pay for the boarding-out of Crispina. Of course, he had severe qualms of
+conscience about the arrangement. Later on, when he took me into his
+confidence, he told me that in paying the ransom, or hush-money as I
+should have called it, he was partly influenced by the fear that if he
+refused it the kidnappers might have vented their rage and disappointment
+on their captive. It was better, he said, to think of her being well
+cared for as a highly-valued paying-guest in one of the Lofoden Islands
+than to have her struggling miserably home in a maimed and mutilated
+condition. Anyway he paid the yearly instalment as punctually as one
+pays a fire insurance, and with equal promptitude there would come an
+acknowledgment of the money and a brief statement to the effect that
+Crispina was in good health and fairly cheerful spirits. One report even
+mentioned that she was busying herself with a scheme for proposed reforms
+in Church management to be pressed on the local pastorate. Another spoke
+of a rheumatic attack and a journey to a 'cure' on the mainland, and on
+that occasion an additional eighty pounds was demanded and conceded. Of
+course it was to the interest of the kidnappers to keep their charge in
+good health, but the secrecy with which they managed to shroud their
+arrangements argued a really wonderful organisation. If my uncle was
+paying a rather high price, at least he could console himself with the
+reflection that he was paying specialists' fees."
+
+"Meanwhile had the police given up all attempts to track the missing
+lady?" asked the Journalist.
+
+"Not entirely; they came to my uncle from time to time to report on clues
+which they thought might yield some elucidation as to her fate or
+whereabouts, but I think they had their suspicions that he was possessed
+of more information than he had put at their disposal. And then, after a
+disappearance of more than eight years, Crispina returned with dramatic
+suddenness to the home she had left so mysteriously."
+
+"She had given her captors the slip?"
+
+"She had never been captured. Her wandering away had been caused by a
+sudden and complete loss of memory. She usually dressed rather in the
+style of a superior kind of charwoman, and it was not so very surprising
+that she should have imagined that she was one; and still less that
+people should accept her statement and help her to get work. She had
+wandered as far afield as Birmingham, and found fairly steady employment
+there, her energy and enthusiasm in putting people's rooms in order
+counterbalancing her obstinate and domineering characteristics. It was
+the shock of being patronisingly addressed as 'my good woman' by a
+curate, who was disputing with her where the stove should be placed in a
+parish concert hall that led to the sudden restoration of her memory. 'I
+think you forget who you are speaking to,' she observed crushingly, which
+was rather unduly severe, considering she had only just remembered it
+herself."
+
+"But," exclaimed the Journalist, "the Lofoden Island people! Who had
+they got hold of?"
+
+"A purely mythical prisoner. It was an attempt in the first place by
+some one who knew something of the domestic situation, probably a
+discharged valet, to bluff a lump sum out of Edward Umberleigh before the
+missing woman turned up; the subsequent yearly instalments were an
+unlooked-for increment to the original haul.
+
+"Crispina found that the eight years' interregnum had materially weakened
+her ascendancy over her now grown-up offspring. Her husband, however,
+never accomplished anything great in the political world after her
+return; the strain of trying to account satisfactorily for an unspecified
+expenditure of sixteen thousand pounds spread over eight years
+sufficiently occupied his mental energies. Here is Belgrad and another
+custom house."
+
+
+
+
+THE WOLVES OF CERNOGRATZ
+
+
+"Are they any old legends attached to the castle?" asked Conrad of his
+sister. Conrad was a prosperous Hamburg merchant, but he was the one
+poetically-dispositioned member of an eminently practical family.
+
+The Baroness Gruebel shrugged her plump shoulders.
+
+"There are always legends hanging about these old places. They are not
+difficult to invent and they cost nothing. In this case there is a story
+that when any one dies in the castle all the dogs in the village and the
+wild beasts in forest howl the night long. It would not be pleasant to
+listen to, would it?"
+
+"It would be weird and romantic," said the Hamburg merchant.
+
+"Anyhow, it isn't true," said the Baroness complacently; "since we bought
+the place we have had proof that nothing of the sort happens. When the
+old mother-in-law died last springtime we all listened, but there was no
+howling. It is just a story that lends dignity to the place without
+costing anything."
+
+"The story is not as you have told it," said Amalie, the grey old
+governess. Every one turned and looked at her in astonishment. She was
+wont to sit silent and prim and faded in her place at table, never
+speaking unless some one spoke to her, and there were few who troubled
+themselves to make conversation with her. To-day a sudden volubility had
+descended on her; she continued to talk, rapidly and nervously, looking
+straight in front of her and seeming to address no one in particular.
+
+"It is not when _any one_ dies in the castle that the howling is heard.
+It was when one of the Cernogratz family died here that the wolves came
+from far and near and howled at the edge of the forest just before the
+death hour. There were only a few couple of wolves that had their lairs
+in this part of the forest, but at such a time the keepers say there
+would be scores of them, gliding about in the shadows and howling in
+chorus, and the dogs of the castle and the village and all the farms
+round would bay and howl in fear and anger at the wolf chorus, and as the
+soul of the dying one left its body a tree would crash down in the park.
+That is what happened when a Cernogratz died in his family castle. But
+for a stranger dying here, of course no wolf would howl and no tree would
+fall. Oh, no."
+
+There was a note of defiance, almost of contempt, in her voice as she
+said the last words. The well-fed, much-too-well dressed Baroness stared
+angrily at the dowdy old woman who had come forth from her usual and
+seemly position of effacement to speak so disrespectfully.
+
+"You seem to know quite a lot about the von Cernogratz legends, Fraulein
+Schmidt," she said sharply; "I did not know that family histories were
+among the subjects you are supposed to be proficient in."
+
+The answer to her taunt was even more unexpected and astonishing than the
+conversational outbreak which had provoked it.
+
+"I am a von Cernogratz myself," said the old woman, "that is why I know
+the family history."
+
+"You a von Cernogratz? You!" came in an incredulous chorus.
+
+"When we became very poor," she explained, "and I had to go out and give
+teaching lessons, I took another name; I thought it would be more in
+keeping. But my grandfather spent much of his time as a boy in this
+castle, and my father used to tell me many stories about it, and, of
+course, I knew all the family legends and stories. When one has nothing
+left to one but memories, one guards and dusts them with especial care. I
+little thought when I took service with you that I should one day come
+with you to the old home of my family. I could wish it had been anywhere
+else."
+
+There was silence when she finished speaking, and then the Baroness
+turned the conversation to a less embarrassing topic than family
+histories. But afterwards, when the old governess had slipped away
+quietly to her duties, there arose a clamour of derision and disbelief.
+
+"It was an impertinence," snapped out the Baron, his protruding eyes
+taking on a scandalised expression; "fancy the woman talking like that at
+our table. She almost told us we were nobodies, and I don't believe a
+word of it. She is just Schmidt and nothing more. She has been talking
+to some of the peasants about the old Cernogratz family, and raked up
+their history and their stories."
+
+"She wants to make herself out of some consequence," said the Baroness;
+"she knows she will soon be past work and she wants to appeal to our
+sympathies. Her grandfather, indeed!"
+
+The Baroness had the usual number of grandfathers, but she never, never
+boasted about them.
+
+"I dare say her grandfather was a pantry boy or something of the sort in
+the castle," sniggered the Baron; "that part of the story may be true."
+
+The merchant from Hamburg said nothing; he had seen tears in the old
+woman's eyes when she spoke of guarding her memories--or, being of an
+imaginative disposition, he thought he had.
+
+"I shall give her notice to go as soon as the New Year festivities are
+over," said the Baroness; "till then I shall be too busy to manage
+without her."
+
+But she had to manage without her all the same, for in the cold biting
+weather after Christmas, the old governess fell ill and kept to her room.
+
+"It is most provoking," said the Baroness, as her guests sat round the
+fire on one of the last evenings of the dying year; "all the time that
+she has been with us I cannot remember that she was ever seriously ill,
+too ill to go about and do her work, I mean. And now, when I have the
+house full, and she could be useful in so many ways, she goes and breaks
+down. One is sorry for her, of course, she looks so withered and
+shrunken, but it is intensely annoying all the same."
+
+"Most annoying," agreed the banker's wife, sympathetically; "it is the
+intense cold, I expect, it breaks the old people up. It has been
+unusually cold this year."
+
+"The frost is the sharpest that has been known in December for many
+years," said the Baron.
+
+"And, of course, she is quite old," said the Baroness; "I wish I had
+given her notice some weeks ago, then she would have left before this
+happened to her. Why, Wappi, what is the matter with you?"
+
+The small, woolly lapdog had leapt suddenly down from its cushion and
+crept shivering under the sofa. At the same moment an outburst of angry
+barking came from the dogs in the castle-yard, and other dogs could be
+heard yapping and barking in the distance.
+
+"What is disturbing the animals?" asked the Baron.
+
+And then the humans, listening intently, heard the sound that had roused
+the dogs to their demonstrations of fear and rage; heard a long-drawn
+whining howl, rising and falling, seeming at one moment leagues away, at
+others sweeping across the snow until it appeared to come from the foot
+of the castle walls. All the starved, cold misery of a frozen world, all
+the relentless hunger-fury of the wild, blended with other forlorn and
+haunting melodies to which one could give no name, seemed concentrated in
+that wailing cry.
+
+"Wolves!" cried the Baron.
+
+Their music broke forth in one raging burst, seeming to come from
+everywhere.
+
+"Hundreds of wolves," said the Hamburg merchant, who was a man of strong
+imagination.
+
+Moved by some impulse which she could not have explained, the Baroness
+left her guests and made her way to the narrow, cheerless room where the
+old governess lay watching the hours of the drying year slip by. In
+spite of the biting cold of the winter night, the window stood open. With
+a scandalised exclamation on her lips, the Baroness rushed forward to
+close it.
+
+"Leave it open," said the old woman in a voice that for all its weakness
+carried an air of command such as the Baroness had never heard before
+from her lips.
+
+"But you will die of cold!" she expostulated.
+
+"I am dying in any case," said the voice, "and I want to hear their
+music. They have come from far and wide to sing the death-music of my
+family. It is beautiful that they have come; I am the last von
+Cernogratz that will die in our old castle, and they have come to sing to
+me. Hark, how loud they are calling!"
+
+The cry of the wolves rose on the still winter air and floated round the
+castle walls in long-drawn piercing wails; the old woman lay back on her
+couch with a look of long-delayed happiness on her face.
+
+"Go away," she said to the Baroness; "I am not lonely any more. I am one
+of a great old family . . . "
+
+"I think she is dying," said the Baroness when she had rejoined her
+guests; "I suppose we must send for a doctor. And that terrible howling!
+Not for much money would I have such death-music."
+
+"That music is not to be bought for any amount of money," said Conrad.
+
+"Hark! What is that other sound?" asked the Baron, as a noise of
+splitting and crashing was heard.
+
+It was a tree falling in the park.
+
+There was a moment of constrained silence, and then the banker's wife
+spoke.
+
+"It is the intense cold that is splitting the trees. It is also the cold
+that has brought the wolves out in such numbers. It is many years since
+we have had such a cold winter."
+
+The Baroness eagerly agreed that the cold was responsible for these
+things. It was the cold of the open window, too, which caused the heart
+failure that made the doctor's ministrations unnecessary for the old
+Fraulein. But the notice in the newspapers looked very well--
+
+ "On December 29th, at Schloss Cernogratz, Amalie von Cernogratz, for
+ many years the valued friend of Baron and Baroness Gruebel."
+
+
+
+
+LOUIS
+
+
+"It would be jolly to spend Easter in Vienna this year," said
+Strudwarden, "and look up some of my old friends there. It's about the
+jolliest place I know of to be at for Easter--"
+
+"I thought we had made up our minds to spend Easter at Brighton,"
+interrupted Lena Strudwarden, with an air of aggrieved surprise.
+
+"You mean that you had made up your mind that we should spend Easter
+there," said her husband; "we spent last Easter there, and Whitsuntide as
+well, and the year before that we were at Worthing, and Brighton again
+before that. I think it would be just as well to have a real change of
+scene while we are about it."
+
+"The journey to Vienna would be very expensive," said Lena.
+
+"You are not often concerned about economy," said Strudwarden, "and in
+any case the trip of Vienna won't cost a bit more than the rather
+meaningless luncheon parties we usually give to quite meaningless
+acquaintances at Brighton. To escape from all that set would be a
+holiday in itself."
+
+Strudwarden spoke feelingly; Lena Strudwarden maintained an equally
+feeling silence on that particular subject. The set that she gathered
+round her at Brighton and other South Coast resorts was composed of
+individuals who might be dull and meaningless in themselves, but who
+understood the art of flattering Mrs. Strudwarden. She had no intention
+of foregoing their society and their homage and flinging herself among
+unappreciative strangers in a foreign capital.
+
+"You must go to Vienna alone if you are bent on going," she said; "I
+couldn't leave Louis behind, and a dog is always a fearful nuisance in a
+foreign hotel, besides all the fuss and separation of the quarantine
+restrictions when one comes back. Louis would die if he was parted from
+me for even a week. You don't know what that would mean to me."
+
+Lena stooped down and kissed the nose of the diminutive brown Pomeranian
+that lay, snug and irresponsive, beneath a shawl on her lap.
+
+"Look here," said Strudwarden, "this eternal Louis business is getting to
+be a ridiculous nuisance. Nothing can be done, no plans can be made,
+without some veto connected with that animal's whims or convenience being
+imposed. If you were a priest in attendance on some African fetish you
+couldn't set up a more elaborate code of restrictions. I believe you'd
+ask the Government to put off a General Election if you thought it would
+interfere with Louis's comfort in any way."
+
+By way of answer to this tirade Mrs. Strudwarden stooped down again and
+kissed the irresponsive brown nose. It was the action of a woman with a
+beautifully meek nature, who would, however, send the whole world to the
+stake sooner than yield an inch where she knew herself to be in the
+right.
+
+"It isn't as if you were in the least bit fond of animals," went on
+Strudwarden, with growing irritation; "when we are down at Kerryfield you
+won't stir a step to take the house dogs out, even if they're dying for a
+run, and I don't think you've been in the stables twice in your life. You
+laugh at what you call the fuss that's being made over the extermination
+of plumage birds, and you are quite indignant with me if I interfere on
+behalf of an ill-treated, over-driven animal on the road. And yet you
+insist on every one's plans being made subservient to the convenience of
+that stupid little morsel of fur and selfishness."
+
+"You are prejudiced against my little Louis," said Lena, with a world of
+tender regret in her voice.
+
+"I've never had the chance of being anything else but prejudiced against
+him," said Strudwarden; "I know what a jolly responsive companion a
+doggie can be, but I've never been allowed to put a finger near Louis.
+You say he snaps at any one except you and your maid, and you snatched
+him away from old Lady Peterby the other day, when she wanted to pet him,
+for fear he would bury his teeth in her. All that I ever see of him is
+the top of his unhealthy-looking little nose, peeping out from his basket
+or from your muff, and I occasionally hear his wheezy little bark when
+you take him for a walk up and down the corridor. You can't expect one
+to get extravagantly fond of a dog of that sort. One might as well work
+up an affection for the cuckoo in a cuckoo-clock."
+
+"He loves me," said Lena, rising from the table, and bearing the shawl-
+swathed Louis in her arms. "He loves only me, and perhaps that is why I
+love him so much in return. I don't care what you say against him, I am
+not going to be separated from him. If you insist on going to Vienna you
+must go alone, as far as I am concerned. I think it would be much more
+sensible if you were to come to Brighton with Louis and me, but of course
+you must please yourself."
+
+"You must get rid of that dog," said Strudwarden's sister when Lena had
+left the room; "it must be helped to some sudden and merciful end. Lena
+is merely making use of it as an instrument for getting her own way on
+dozens of occasions when she would otherwise be obliged to yield
+gracefully to your wishes or to the general convenience. I am convinced
+that she doesn't care a brass button about the animal itself. When her
+friends are buzzing round her at Brighton or anywhere else and the dog
+would be in the way, it has to spend whole days alone with the maid, but
+if you want Lena to go with you anywhere where she doesn't want to go
+instantly she trots out the excuse that she couldn't be separated from
+her dog. Have you ever come into a room unobserved and heard Lena
+talking to her beloved pet? I never have. I believe she only fusses
+over it when there's some one present to notice her."
+
+"I don't mind admitting," said Strudwarden, "that I've dwelt more than
+once lately on the possibility of some fatal accident putting an end to
+Louis's existence. It's not very easy, though, to arrange a fatality for
+a creature that spends most of its time in a muff or asleep in a toy
+kennel. I don't think poison would be any good; it's obviously horribly
+over-fed, for I've seen Lena offer it dainties at table sometimes, but it
+never seems to eat them."
+
+"Lena will be away at church on Wednesday morning," said Elsie
+Strudwarden reflectively; "she can't take Louis with her there, and she
+is going on to the Dellings for lunch. That will give you several hours
+in which to carry out your purpose. The maid will be flirting with the
+chauffeur most of the time, and, anyhow, I can manage to keep her out of
+the way on some pretext or other."
+
+"That leaves the field clear," said Strudwarden, "but unfortunately my
+brain is equally a blank as far as any lethal project is concerned. The
+little beast is so monstrously inactive; I can't pretend that it leapt
+into the bath and drowned itself, or that it took on the butcher's
+mastiff in unequal combat and got chewed up. In what possible guise
+could death come to a confirmed basket-dweller? It would be too
+suspicious if we invented a Suffragette raid and pretended that they
+invaded Lena's boudoir and threw a brick at him. We should have to do a
+lot of other damage as well, which would be rather a nuisance, and the
+servants would think it odd that they had seen nothing of the invaders."
+
+"I have an idea," said Elsie; "get a box with an air-tight lid, and bore
+a small hole in it, just big enough to let in an indiarubber tube. Pop
+Louis, kennel and all, into the box, shut it down, and put the other end
+of the tube over the gas-bracket. There you have a perfect lethal
+chamber. You can stand the kennel at the open window afterwards, to get
+rid of the smell of gas, and all that Lena will find when she comes home
+late in the afternoon will be a placidly defunct Louis."
+
+"Novels have been written about women like you," said Strudwarden; "you
+have a perfectly criminal mind. Let's come and look for a box."
+
+Two mornings later the conspirators stood gazing guiltily at a stout
+square box, connected with the gas-bracket by a length of indiarubber
+tubing.
+
+"Not a sound," said Elsie; "he never stirred; it must have been quite
+painless. All the same I feel rather horrid now it's done."
+
+"The ghastly part has to come," said Strudwarden, turning off the gas.
+"We'll lift the lid slowly, and let the gas out by degrees. Swing the
+door to and fro to send a draught through the room."
+
+Some minutes later, when the fumes had rushed off, he stooped down and
+lifted out the little kennel with its grim burden. Elsie gave an
+exclamation of terror. Louis sat at the door of his dwelling, head erect
+and ears pricked, as coldly and defiantly inert as when they had put him
+into his execution chamber. Strudwarden dropped the kennel with a jerk,
+and stared for a long moment at the miracle-dog; then he went into a peal
+of chattering laughter.
+
+It was certainly a wonderful imitation of a truculent-looking toy
+Pomeranian, and the apparatus that gave forth a wheezy bark when you
+pressed it had materially helped the imposition that Lena, and Lena's
+maid, had foisted on the household. For a woman who disliked animals,
+but liked getting her own way under a halo of unselfishness, Mrs.
+Strudwarden had managed rather well.
+
+"Louis is dead," was the curt information that greeted Lena on her return
+from her luncheon party.
+
+"Louis _dead_!" she exclaimed.
+
+"Yes, he flew at the butcher-boy and bit him, and he bit me, too, when I
+tried to get him off, so I had to have him destroyed. You warned me that
+he snapped, but you didn't tell me that he was downright dangerous. I
+shall have to pay the boy something heavy by way of compensation, so you
+will have to go without those buckles that you wanted to have for Easter;
+also I shall have to go to Vienna to consult Dr. Schroeder, who is a
+specialist on dog-bites, and you will have to come too. I have sent what
+remains of Louis to Rowland Ward to be stuffed; that will be my Easter
+gift to you instead of the buckles. For Heaven's sake, Lena, weep, if
+you really feel it so much; anything would be better than standing there
+staring as if you thought I had lost my reason."
+
+Lena Strudwarden did not weep, but her attempt at laughing was an
+unmistakable failure.
+
+
+
+
+THEGUESTS
+
+
+"The landscape seen from our windows is certainly charming," said
+Annabel; "those cherry orchards and green meadows, and the river winding
+along the valley, and the church tower peeping out among the elms, they
+all make a most effective picture. There's something dreadfully sleepy
+and languorous about it, though; stagnation seems to be the dominant
+note. Nothing ever happens here; seedtime and harvest, an occasional
+outbreak of measles or a mildly destructive thunderstorm, and a little
+election excitement about once in five years, that is all that we have to
+modify the monotony of our existence. Rather dreadful, isn't it?"
+
+"On the contrary," said Matilda, "I find it soothing and restful; but
+then, you see, I've lived in countries where things do happen, ever so
+many at a time, when you're not ready for them happening all at once."
+
+"That, of course, makes a difference," said Annabel.
+
+"I have never forgotten," said Matilda, "the occasion when the Bishop of
+Bequar paid us an unexpected visit; he was on his way to lay the
+foundation-stone of a mission-house or something of the sort."
+
+"I thought that out there you were always prepared for emergency guests
+turning up," said Annabel.
+
+"I was quite prepared for half a dozen Bishops," said Matilda, "but it
+was rather disconcerting to find out after a little conversation that
+this particular one was a distant cousin of mine, belonging to a branch
+of the family that had quarrelled bitterly and offensively with our
+branch about a Crown Derby dessert service; they got it, and we ought to
+have got it, in some legacy, or else we got it and they thought they
+ought to have it, I forget which; anyhow, I know they behaved
+disgracefully. Now here was one of them turning up in the odour of
+sanctity, so to speak, and claiming the traditional hospitality of the
+East."
+
+"It was rather trying, but you could have left your husband to do most of
+the entertaining."
+
+"My husband was fifty miles up-country, talking sense, or what he
+imagined to be sense, to a village community that fancied one of their
+leading men was a were-tiger."
+
+"A what tiger?"
+
+"A were-tiger; you've heard of were-wolves, haven't you, a mixture of
+wolf and human being and demon? Well, in those parts they have
+were-tigers, or think they have, and I must say that in this case, so far
+as sworn and uncontested evidence went, they had every ground for
+thinking so. However, as we gave up witchcraft prosecutions about three
+hundred years ago, we don't like to have other people keeping on our
+discarded practices; it doesn't seem respectful to our mental and moral
+position."
+
+"I hope you weren't unkind to the Bishop," said Annabel.
+
+"Well, of course he was my guest, so I had to be outwardly polite to him,
+but he was tactless enough to rake up the incidents of the old quarrel,
+and to try to make out that there was something to be said for the way
+his side of the family had behaved; even if there was, which I don't for
+a moment admit, my house was not the place in which to say it. I didn't
+argue the matter, but I gave my cook a holiday to go and visit his aged
+parents some ninety miles away. The emergency cook was not a specialist
+in curries, in fact, I don't think cooking in any shape or form could
+have been one of his strong points. I believe he originally came to us
+in the guise of a gardener, but as we never pretended to have anything
+that could be considered a garden he was utilised as assistant goat-herd,
+in which capacity, I understand, he gave every satisfaction. When the
+Bishop heard that I had sent away the cook on a special and unnecessary
+holiday he saw the inwardness of the manoeuvre, and from that moment we
+were scarcely on speaking terms. If you have ever had a Bishop with whom
+you were not on speaking terms staying in your house, you will appreciate
+the situation."
+
+Annabel confessed that her life-story had never included such a
+disturbing experience.
+
+"Then," continued Matilda, "to make matters more complicated, the
+Gwadlipichee overflowed its banks, a thing it did every now and then when
+the rains were unduly prolonged, and the lower part of the house and all
+the out-buildings were submerged. We managed to get the ponies loose in
+time, and the syce swam the whole lot of them off to the nearest rising
+ground. A goat or two, the chief goat-herd, the chief goat-herd's wife,
+and several of their babies came to anchorage in the verandah. All the
+rest of the available space was filled up with wet, bedraggled-looking
+hens and chickens; one never really knows how many fowls one possesses
+till the servants' quarters are flooded out. Of course, I had been
+through something of the sort in previous floods, but never before had I
+had a houseful of goats and babies and half-drowned hens, supplemented by
+a Bishop with whom I was hardly on speaking terms."
+
+"It must have been a trying experience," commented Annabel.
+
+"More embarrassments were to follow. I wasn't going to let a mere
+ordinary flood wash out the memory of that Crown Derby dessert service,
+and I intimated to the Bishop that his large bedroom, with a writing
+table in it, and his small bath-room, with a sufficiency of cold-water
+jars in it, was his share of the premises, and that space was rather
+congested under the existing circumstances. However, at about three
+o'clock in the afternoon, when he had awakened from his midday sleep, he
+made a sudden incursion into the room that was normally the drawing-room,
+but was now dining-room, store-house, saddle-room, and half a dozen other
+temporary premises as well. From the condition of my guest's costume he
+seemed to think it might also serve as his dressing-room.
+
+"'I'm afraid there is nowhere for you to sit,' I said coldly; 'the
+verandah is full of goats.'
+
+"'There is a goat in my bedroom,' he observed with equal coldness, and
+more than a suspicion of sardonic reproach.
+
+"'Really,' I said, 'another survivor? I thought all the other goats were
+done for.'
+
+"'This particular goat is quite done for,' he said, 'it is being devoured
+by a leopard at the present moment. That is why I left the room; some
+animals resent being watched while they are eating.'
+
+"The leopard, of course, was easily explained; it had been hanging round
+the goat sheds when the flood came, and had clambered up by the outside
+staircase leading to the Bishop's bath-room, thoughtfully bringing a goat
+with it. Probably it found the bath-room too damp and shut-in for its
+taste, and transferred its banqueting operations to the bedroom while the
+Bishop was having his nap."
+
+"What a frightful situation!" exclaimed Annabel; "fancy having a ravening
+leopard in the house, with a flood all round you."
+
+"Not in the least ravening," said Matilda; "it was full of goat, had any
+amount of water at its disposal if it felt thirsty, and probably had no
+more immediate wish than a desire for uninterrupted sleep. Still, I
+think any one will admit that it was an embarrassing predicament to have
+your only available guest-room occupied by a leopard, the verandah choked
+up with goats and babies and wet hens, and a Bishop with whom you were
+scarcely on speaking terms planted down in your own sitting-room. I
+really don't know how I got through those crawling hours, and of course
+mealtimes only made matters worse. The emergency cook had every excuse
+for sending in watery soup and sloppy rice, and as neither the chief goat-
+herd nor his wife were expert divers, the cellar could not be reached.
+Fortunately the Gwadlipichee subsides as rapidly as it rises, and just
+before dawn the syce came splashing back, with the ponies only fetlock
+deep in water. Then there arose some awkwardness from the fact that the
+Bishop wished to leave sooner than the leopard did, and as the latter was
+ensconced in the midst of the former's personal possessions there was an
+obvious difficulty in altering the order of departure. I pointed out to
+the Bishop that a leopard's habits and tastes are not those of an otter,
+and that it naturally preferred walking to wading; and that in any case a
+meal of an entire goat, washed down with tub-water, justified a certain
+amount of repose; if I had had guns fired to frighten the animal away, as
+the Bishop suggested, it would probably merely have left the bedroom to
+come into the already over-crowded drawing-room. Altogether it was
+rather a relief when they both left. Now, perhaps, you can understand my
+appreciation of a sleepy countryside where things don't happen."
+
+
+
+
+THE PENANCE
+
+
+Octavian Ruttle was one of those lively cheerful individuals on whom
+amiability had set its unmistakable stamp, and, like most of his kind,
+his soul's peace depended in large measure on the unstinted approval of
+his fellows. In hunting to death a small tabby cat he had done a thing
+of which he scarcely approved himself, and he was glad when the gardener
+had hidden the body in its hastily dug grave under a lone oak-tree in the
+meadow, the same tree that the hunted quarry had climbed as a last effort
+towards safety. It had been a distasteful and seemingly ruthless deed,
+but circumstances had demanded the doing of it. Octavian kept chickens;
+at least he kept some of them; others vanished from his keeping, leaving
+only a few bloodstained feathers to mark the manner of their going. The
+tabby cat from the large grey house that stood with its back to the
+meadow had been detected in many furtive visits to the hen-coups, and
+after due negotiation with those in authority at the grey house a
+sentence of death had been agreed on. "The children will mind, but they
+need not know," had been the last word on the matter.
+
+The children in question were a standing puzzle to Octavian; in the
+course of a few months he considered that he should have known their
+names, ages, the dates of their birthdays, and have been introduced to
+their favourite toys. They remained however, as non-committal as the
+long blank wall that shut them off from the meadow, a wall over which
+their three heads sometimes appeared at odd moments. They had parents in
+India--that much Octavian had learned in the neighbourhood; the children,
+beyond grouping themselves garment-wise into sexes, a girl and two boys,
+carried their life-story no further on his behoof. And now it seemed he
+was engaged in something which touched them closely, but must be hidden
+from their knowledge.
+
+The poor helpless chickens had gone one by one to their doom, so it was
+meet that their destroyer should come to a violent end; yet Octavian felt
+some qualms when his share of the violence was ended. The little cat,
+headed off from its wonted tracks of safety, had raced unfriended from
+shelter to shelter, and its end had been rather piteous. Octavian walked
+through the long grass of the meadow with a step less jaunty than usual.
+And as he passed beneath the shadow of the high blank wall he glanced up
+and became aware that his hunting had had undesired witnesses. Three
+white set faces were looking down at him, and if ever an artist wanted a
+threefold study of cold human hate, impotent yet unyielding, raging yet
+masked in stillness, he would have found it in the triple gaze that met
+Octavian's eye.
+
+"I'm sorry, but it had to be done," said Octavian, with genuine apology
+in his voice.
+
+"Beast!"
+
+The answer came from three throats with startling intensity.
+
+Octavian felt that the blank wall would not be more impervious to his
+explanations than the bunch of human hostility that peered over its
+coping; he wisely decided to withhold his peace overtures till a more
+hopeful occasion.
+
+Two days later he ransacked the best sweet shop in the neighbouring
+market town for a box of chocolates that by its size and contents should
+fitly atone for the dismal deed done under the oak tree in the meadow.
+The two first specimens that were shown him he hastily rejected; one had
+a group of chickens pictured on its lid, the other bore the portrait of a
+tabby kitten. A third sample was more simply bedecked with a spray of
+painted poppies, and Octavian hailed the flowers of forgetfulness as a
+happy omen. He felt distinctly more at ease with his surroundings when
+the imposing package had been sent across to the grey house, and a
+message returned to say that it had been duly given to the children. The
+next morning he sauntered with purposeful steps past the long blank wall
+on his way to the chicken-run and piggery that stood at the bottom of the
+meadow. The three children were perched at their accustomed look-out,
+and their range of sight did not seem to concern itself with Octavian's
+presence. As he became depressingly aware of the aloofness of their gaze
+he also noted a strange variegation in the herbage at his feet; the
+greensward for a considerable space around was strewn and speckled with a
+chocolate-coloured hail, enlivened here and there with gay tinsel-like
+wrappings or the glistening mauve of crystallised violets. It was as
+though the fairy paradise of a greedyminded child had taken shape and
+substance in the vegetation of the meadow. Octavian's bloodmoney had
+been flung back at him in scorn.
+
+To increase his discomfiture the march of events tended to shift the
+blame of ravaged chicken-coops from the supposed culprit who had already
+paid full forfeit; the young chicks were still carried off, and it seemed
+highly probable that the cat had only haunted the chicken-run to prey on
+the rats which harboured there. Through the flowing channels of servant
+talk the children learned of this belated revision of verdict, and
+Octavian one day picked up a sheet of copy-book paper on which was
+painstakingly written: "Beast. Rats eated your chickens." More ardently
+than ever did he wish for an opportunity for sloughing off the disgrace
+that enwrapped him, and earning some happier nickname from his three
+unsparing judges.
+
+And one day a chance inspiration came to him. Olivia, his two-year-old
+daughter, was accustomed to spend the hour from high noon till one
+o'clock with her father while the nursemaid gobbled and digested her
+dinner and novelette. About the same time the blank wall was usually
+enlivened by the presence of its three small wardens. Octavian, with
+seeming carelessness of purpose, brought Olivia well within hail of the
+watchers and noted with hidden delight the growing interest that dawned
+in that hitherto sternly hostile quarter. His little Olivia, with her
+sleepy placid ways, was going to succeed where he, with his anxious well-
+meant overtures, had so signally failed. He brought her a large yellow
+dahlia, which she grasped tightly in one hand and regarded with a stare
+of benevolent boredom, such as one might bestow on amateur classical
+dancing performed in aid of a deserving charity. Then he turned shyly to
+the group perched on the wall and asked with affected carelessness, "Do
+you like flowers?" Three solemn nods rewarded his venture.
+
+"Which sorts do you like best?" he asked, this time with a distinct
+betrayal of eagerness in his voice.
+
+"Those with all the colours, over there." Three chubby arms pointed to a
+distant tangle of sweet-pea. Child-like, they had asked for what lay
+farthest from hand, but Octavian trotted off gleefully to obey their
+welcome behest. He pulled and plucked with unsparing hand, and brought
+every variety of tint that he could see into his bunch that was rapidly
+becoming a bundle. Then he turned to retrace his steps, and found the
+blank wall blanker and more deserted than ever, while the foreground was
+void of all trace of Olivia. Far down the meadow three children were
+pushing a go-cart at the utmost speed they could muster in the direction
+of the piggeries; it was Olivia's go-cart and Olivia sat in it, somewhat
+bumped and shaken by the pace at which she was being driven, but
+apparently retaining her wonted composure of mind. Octavian stared for a
+moment at the rapidly moving group, and then started in hot pursuit,
+shedding as he ran sprays of blossom from the mass of sweet-pea that he
+still clutched in his hands. Fast as he ran the children had reached the
+piggery before he could overtake them, and he arrived just in time to see
+Olivia, wondering but unprotesting, hauled and pushed up to the roof of
+the nearest sty. They were old buildings in some need of repair, and the
+rickety roof would certainly not have borne Octavian's weight if he had
+attempted to follow his daughter and her captors on their new vantage
+ground.
+
+"What are you going to do with her?" he panted. There was no mistaking
+the grim trend of mischief in those flushed by sternly composed young
+faces.
+
+"Hang her in chains over a slow fire," said one of the boys. Evidently
+they had been reading English history.
+
+"Frow her down the pigs will d'vour her, every bit 'cept the palms of her
+hands," said the other boy. It was also evident that they had studied
+Biblical history.
+
+The last proposal was the one which most alarmed Octavian, since it might
+be carried into effect at a moment's notice; there had been cases, he
+remembered, of pigs eating babies.
+
+"You surely wouldn't treat my poor little Olivia in that way?" he
+pleaded.
+
+"You killed our little cat," came in stern reminder from three throats.
+
+"I'm sorry I did," said Octavian, and if there is a standard measurement
+in truths Octavian's statement was assuredly a large nine.
+
+"We shall be very sorry when we've killed Olivia," said the girl, "but we
+can't be sorry till we've done it."
+
+The inexorable child-logic rose like an unyielding rampart before
+Octavian's scared pleadings. Before he could think of any fresh line of
+appeal his energies were called out in another direction. Olivia had
+slid off the roof and fallen with a soft, unctuous splash into a morass
+of muck and decaying straw. Octavian scrambled hastily over the pigsty
+wall to her rescue, and at once found himself in a quagmire that engulfed
+his feet. Olivia, after the first shock of surprise at her sudden drop
+through the air, had been mildly pleased at finding herself in close and
+unstinted contact with the sticky element that oozed around her, but as
+she began to sink gently into the bed of slime a feeling dawned on her
+that she was not after all very happy, and she began to cry in the
+tentative fashion of the normally good child. Octavian, battling with
+the quagmire, which seemed to have learned the rare art of giving way at
+all points without yielding an inch, saw his daughter slowly disappearing
+in the engulfing slush, her smeared face further distorted with the
+contortions of whimpering wonder, while from their perch on the pigsty
+roof the three children looked down with the cold unpitying detachment of
+the Parcae Sisters.
+
+"I can't reach her in time," gasped Octavian, "she'll be choked in the
+muck. Won't you help her?"
+
+"No one helped our cat," came the inevitable reminder.
+
+"I'll do anything to show you how sorry I am about that," cried Octavian,
+with a further desperate flounder, which carried him scarcely two inches
+forward.
+
+"Will you stand in a white sheet by the grave?"
+
+"Yes," screamed Octavian.
+
+"Holding a candle?"
+
+"An' saying 'I'm a miserable Beast'?"
+
+Octavian agreed to both suggestions.
+
+"For a long, long time?"
+
+"For half an hour," said Octavian. There was an anxious ring in his
+voice as he named the time-limit; was there not the precedent of a German
+king who did open-air penance for several days and nights at Christmas-
+time clad only in his shirt? Fortunately the children did not appear to
+have read German history, and half an hour seemed long and goodly in
+their eyes.
+
+"All right," came with threefold solemnity from the roof, and a moment
+later a short ladder had been laboriously pushed across to Octavian, who
+lost no time in propping it against the low pigsty wall. Scrambling
+gingerly along its rungs he was able to lean across the morass that
+separated him from his slowly foundering offspring and extract her like
+an unwilling cork from it's slushy embrace. A few minutes later he was
+listening to the shrill and repeated assurances of the nursemaid that her
+previous experience of filthy spectacles had been on a notably smaller
+scale.
+
+That same evening when twilight was deepening into darkness Octavian took
+up his position as penitent under the lone oak-tree, having first
+carefully undressed the part. Clad in a zephyr shirt, which on this
+occasion thoroughly merited its name, he held in one hand a lighted
+candle and in the other a watch, into which the soul of a dead plumber
+seemed to have passed. A box of matches lay at his feet and was resorted
+to on the fairly frequent occasions when the candle succumbed to the
+night breezes. The house loomed inscrutable in the middle distance, but
+as Octavian conscientiously repeated the formula of his penance he felt
+certain that three pairs of solemn eyes were watching his moth-shared
+vigil.
+
+And the next morning his eyes were gladdened by a sheet of copy-book
+paper lying beside the blank wall, on which was written the message "Un-
+Beast."
+
+
+
+
+THE PHANTOM LUNCHEON
+
+
+"The Smithly-Dubbs are in Town," said Sir James. "I wish you would show
+them some attention. Ask them to lunch with you at the Ritz or
+somewhere."
+
+"From the little I've seen of the Smithly-Dubbs I don't thing I want to
+cultivate their acquaintance," said Lady Drakmanton.
+
+"They always work for us at election times," said her husband; "I don't
+suppose they influence very many votes, but they have an uncle who is on
+one of my ward committees, and another uncle speaks sometimes at some of
+our less important meetings. Those sort of people expect some return in
+the shape of hospitality."
+
+"Expect it!" exclaimed Lady Drakmanton; "the Misses Smithly-Dubb do more
+than that; they almost demand it. They belong to my club, and hang about
+the lobby just about lunch-time, all three of them, with their tongues
+hanging out of their mouths and the six-course look in their eyes. If I
+were to breathe the word 'lunch' they would hustle me into a taxi and
+scream 'Ritz' or 'Dieudonne's' to the driver before I knew what was
+happening."
+
+"All the same, I think you ought to ask them to a meal of some sort,"
+persisted Sir James.
+
+"I consider that showing hospitality to the Smithly-Dubbs is carrying
+Free Food principles to a regrettable extreme," said Lady Drakmanton;
+"I've entertained the Joneses and the Browns and the Snapheimers and the
+Lubrikoffs, and heaps of others whose names I forget, but I don't see why
+I should inflict the society of the Misses Smithly-Dubb on myself for a
+solid hour. Imagine it, sixty minutes, more or less, of unrelenting
+gobble and gabble. Why can't _you_ take them on, Milly?" she asked,
+turning hopefully to her sister.
+
+"I don't know them," said Milly hastily.
+
+"All the better; you can pass yourself off as me. People say that we are
+so alike that they can hardly tell us apart, and I've only spoken to
+these tiresome young women about twice in my life, at committee-rooms,
+and bowed to them in the club. Any of the club page-boys will point them
+out to you; they're always to be found lolling about the hall just before
+lunch-time."
+
+"My dear Betty, don't be absurd," protested Milly; "I've got some people
+lunching with me at the Carlton to-morrow, and I'm leaving Town the day
+afterwards."
+
+"What time is your lunch to-morrow?" asked Lady Drakmanton reflectively.
+
+"Two o'clock," said Milly.
+
+"Good," said her sister; "the Smithly-Dubbs shall lunch with me
+to-morrow. It shall be rather an amusing lunch-party. At least, I shall
+be amused."
+
+The last two remarks she made to herself. Other people did not always
+appreciate her ideas of humour. Sir James never did.
+
+The next day Lady Drakmanton made some marked variations in her usual
+toilet effects. She dressed her hair in an unaccustomed manner, and put
+on a hat that added to the transformation of her appearance. When she
+had made one or two minor alterations she was sufficiently unlike her
+usual smart self to produce some hesitation in the greeting which the
+Misses Smithly-Dubb bestowed on her in the club-lobby. She responded,
+however, with a readiness which set their doubts at rest.
+
+"What is the Carlton like for lunching in?" she asked breezily.
+
+The restaurant received an enthusiastic recommendation from the three
+sisters.
+
+"Let's go and lunch there, shall we?" she suggested, and in a few
+minutes' time the Smithly-Dubb mind was contemplating at close quarters a
+happy vista of baked meats and approved vintage.
+
+"Are you going to start with caviare? I am," confided Lady Drakmanton,
+and the Smithly-Dubbs started with caviare. The subsequent dishes were
+chosen in the same ambitious spirit, and by the time they had arrived at
+the wild duck course it was beginning to be a rather expensive lunch.
+
+The conversation hardly kept pace with the brilliancy of the menu.
+Repeated references on the part of the guests to the local political
+conditions and prospects in Sir James's constituency were met with vague
+"ahs" and "indeeds" from Lady Drakmanton, who might have been expected to
+be specially interested.
+
+"I think when the Insurance Act is a little better understood it will
+lose some of its present unpopularity," hazarded Cecilia Smithly-Dubb.
+
+"Will it? I dare say. I'm afraid politics don't interest me very much,"
+said Lady Drakmanton.
+
+The three Miss Smithly-Dubbs put down their cups of Turkish coffee and
+stared. Then they broke into protesting giggles.
+
+"Of course, you're joking," they said.
+
+"Not me," was the disconcerting answer; "I can't make head or tail of
+these bothering old politics. Never could, and never want to. I've
+quite enough to do to manage my own affairs, and that's a fact."
+
+"But," exclaimed Amanda Smithly-Dubb, with a squeal of bewilderment
+breaking into her voice, "I was told you spoke so informingly about the
+Insurance Act at one of our social evenings."
+
+It was Lady Drakmanton who stared now. "Do you know," she said, with a
+scared look around her, "rather a dreadful thing is happening. I'm
+suffering from a complete loss of memory. I can't even think who I am. I
+remember meeting you somewhere, and I remember you asking me to come and
+lunch with you here, and that I accepted your kind invitation. Beyond
+that my mind is a positive blank."
+
+The scared look was transferred with intensified poignancy to the faces
+of her companions.
+
+"_You_ asked _us_ to lunch," they exclaimed hurriedly. That seemed a
+more immediately important point to clear up than the question of
+identity.
+
+"Oh, no," said the vanishing hostess, "_that_ I do remember about. You
+insisted on my coming here because the feeding was so good, and I must
+say it comes up to all you said about it. A very nice lunch it's been.
+What I'm worrying about is who on earth am I? I haven't the faintest
+notion?"
+
+"You are Lady Drakmanton," exclaimed the three sisters in chorus.
+
+"Now, don't make fun of me," she replied, crossly, "I happen to know her
+quite well by sight, and she isn't a bit like me. And it's an odd thing
+you should have mentioned her, for it so happens she's just come into the
+room. That lady in black, with the yellow plume in her hat, there over
+by the door."
+
+The Smithly-Dubbs looked in the indicated direction, and the uneasiness
+in their eyes deepened into horror. In outward appearance the lady who
+had just entered the room certainly came rather nearer to their
+recollection of their Member's wife than the individual who was sitting
+at table with them.
+
+"Who _are_ you, then, if that is Lady Drakmanton?" they asked in panic-
+stricken bewilderment.
+
+"That is just what I don't know," was the answer; "and you don't seem to
+know much better than I do."
+
+"You came up to us in the club--"
+
+"In what club?"
+
+"The New Didactic, in Calais Street."
+
+"The New Didactic!" exclaimed Lady Drakmanton with an air of returning
+illumination; "thank you so much. Of course, I remember now who I am.
+I'm Ellen Niggle, of the Ladies' Brasspolishing Guild. The Club employs
+me to come now and then and see to the polishing of the brass fittings.
+That's how I came to know Lady Drakmanton by sight; she's very often in
+the Club. And you are the ladies who so kindly asked me out to lunch.
+Funny how it should all have slipped my memory, all of a sudden. The
+unaccustomed good food and wine must have been too much for me; for the
+moment I really couldn't call to mind who I was. Good gracious," she
+broke off suddenly, "it's ten past two; I should be at a polishing job in
+Whitehall. I must scuttle off like a giddy rabbit. Thanking you ever
+so."
+
+She left the room with a scuttle sufficiently suggestive of the animal
+she had mentioned, but the giddiness was all on the side of her
+involuntary hostesses. The restaurant seemed to be spinning round them;
+and the bill when it appeared did nothing to restore their composure.
+They were as nearly in tears as it is permissible to be during the
+luncheon hour in a really good restaurant. Financially speaking, they
+were well able to afford the luxury of an elaborate lunch, but their
+ideas on the subject of entertaining differed very sharply, according to
+the circumstances of whether they were dispensing or receiving
+hospitality. To have fed themselves liberally at their own expense was,
+perhaps, an extravagance to be deplored, but, at any rate, they had had
+something for their money; to have drawn an unknown and socially
+unremunerative Ellen Niggle into the net of their hospitality was a
+catastrophe that they could not contemplate with any degree of calmness.
+
+The Smithly-Dubbs never quite recovered from their unnerving experience.
+They have given up politics and taken to doing good.
+
+
+
+
+A BREAD AND BUTTER MISS
+
+
+"Starling Chatter and Oakhill have both dropped back in the betting,"
+said Bertie van Tahn, throwing the morning paper across the breakfast
+table.
+
+"That leaves Nursery Tea practically favourite," said Odo Finsberry.
+
+"Nursery Tea and Pipeclay are at the top of the betting at present," said
+Bertie, "but that French horse, Le Five O'Clock, seems to be fancied as
+much as anything. Then there is Whitebait, and the Polish horse with a
+name like some one trying to stifle a sneeze in church; they both seem to
+have a lot of support."
+
+"It's the most open Derby there's been for years," said Odo.
+
+"It's simply no good trying to pick the winner on form," said Bertie;
+"one must just trust to luck and inspiration."
+
+"The question is whether to trust to one's own inspiration, or somebody
+else's. _Sporting Swank_ gives Count Palatine to win, and Le Five
+O'Clock for a place."
+
+"Count Palatine--that adds another to our list of perplexities. Good
+morning, Sir Lulworth; have you a fancy for the Derby by any chance?"
+
+"I don't usually take much interest in turf matters," said Sir Lulworth,
+who had just made his appearance, "but I always like to have a bet on the
+Guineas and the Derby. This year, I confess, it's rather difficult to
+pick out anything that seems markedly better than anything else. What do
+you think of Snow Bunting?"
+
+"Snow Bunting?" said Odo, with a groan, "there's another of them. Surely,
+Snow Bunting has no earthly chance?"
+
+"My housekeeper's nephew, who is a shoeing-smith in the mounted section
+of the Church Lads' Brigade, and an authority on horseflesh, expects him
+to be among the first three."
+
+"The nephews of housekeepers are invariably optimists," said Bertie;
+"it's a kind of natural reaction against the professional pessimism of
+their aunts."
+
+"We don't seem to get much further in our search for the probable
+winner," said Mrs. de Claux; "the more I listen to you experts the more
+hopelessly befogged I get."
+
+"It's all very well to blame us," said Bertie to his hostess; "you
+haven't produced anything in the way of an inspiration."
+
+"My inspiration consisted in asking you down for Derby week," retorted
+Mrs. de Claux; "I thought you and Odo between you might throw some light
+on the question of the moment."
+
+Further recriminations were cut short by the arrival of Lola Pevensey,
+who floated into the room with an air of gracious apology.
+
+"So sorry to be so late," she observed, making a rapid tour of inspection
+of the breakfast dishes.
+
+"Did you have a good night?" asked her hostess with perfunctory
+solicitude.
+
+"Quite, thank you," said Lola; "I dreamt a most remarkable dream."
+
+A flutter, indicative of general boredom; went round the table. Other
+people's dreams are about as universally interesting as accounts of other
+people's gardens, or chickens, or children.
+
+"I dreamt about the winner of the Derby," said Lola.
+
+A swift reaction of attentive interest set in.
+
+"Do tell us what you dreamt," came in a chorus.
+
+"The really remarkable thing about it is that I've dreamt it two nights
+running," said Lola, finally deciding between the allurements of sausages
+and kedgeree; "that is why I thought it worth mentioning. You know, when
+I dream things two or three nights in succession, it always means
+something; I have special powers in that way. For instance, I once
+dreamed three times that a winged lion was flying through the sky and one
+of his wings dropped off, and he came to the ground with a crash; just
+afterwards the Campanile at Venice fell down. The winged lion is the
+symbol of Venice, you know," she added for the enlightenment of those who
+might not be versed in Italian heraldry. "Then," she continued, "just
+before the murder of the King and Queen of Servia I had a vivid dream of
+two crowned figures walking into a slaughter-house by the banks of a big
+river, which I took to be the Danube; and only the other day--"
+
+"Do tell us what you've dreamt about the Derby," interrupted Odo
+impatiently.
+
+"Well, I saw the finish of the race as clearly as anything; and one horse
+won easily, almost in a canter, and everybody cried out 'Bread and Butter
+wins! Good old Bread and Butter.' I heard the name distinctly, and I've
+had the same dream two nights running."
+
+"Bread and Butter," said Mrs. de Claux, "now, whatever horse can that
+point to? Why--of course; Nursery Tea!"
+
+She looked round with the triumphant smile of a successful unraveller of
+mystery.
+
+"How about Le Five O'Clock?" interposed Sir Lulworth.
+
+"It would fit either of them equally well," said Odo; "can you remember
+any details about the jockey's colours? That might help us."
+
+"I seem to remember a glimpse of lemon sleeves or cap, but I can't be
+sure," said Lola, after due reflection.
+
+"There isn't a lemon jacket or cap in the race," said Bertie, referring
+to a list of starters and jockeys; "can't you remember anything about the
+appearance of the horse? If it were a thick-set animal, this bread and
+butter would typify Nursery Tea; and if it were thin, of course, it would
+mean Le Five O'Clock."
+
+"That seems sound enough," said Mrs. de Claux; "do think, Lola dear,
+whether the horse in your dream was thin or stoutly built."
+
+"I can't remember that it was one or the other," said Lola; "one wouldn't
+notice such a detail in the excitement of a finish."
+
+"But this was a symbolic animal," said Sir Lulworth; "if it were to
+typify thick or thin bread and butter surely it ought to have been either
+as bulky and tubby as a shire cart-horse; or as thin as a heraldic
+leopard."
+
+"I'm afraid you are rather a careless dreamer," said Bertie resentfully.
+
+"Of course, at the moment of dreaming I thought I was witnessing a real
+race, not the portent of one," said Lola; "otherwise I should have
+particularly noticed all helpful details."
+
+"The Derby isn't run till to-morrow," said Mrs. de Claux; "do you think
+you are likely to have the same dream again to-night? If so; you can fix
+your attention on the important detail of the animal's appearance."
+
+"I'm afraid I shan't sleep at all to-night," said Lola pathetically;
+"every fifth night I suffer from insomnia, and it's due to-night."
+
+"It's most provoking," said Bertie; "of course, we can back both horses,
+but it would be much more satisfactory to have all our money on the
+winner. Can't you take a sleeping-draught, or something?"
+
+"Oakleaves, soaked in warm water and put under the bed, are recommended
+by some," said Mrs. de Claux.
+
+"A glass of Benedictine, with a drop of eau-de-Cologne--" said Sir
+Lulworth.
+
+"I have tried every known remedy," said Lola, with dignity; "I've been a
+martyr to insomnia for years."
+
+"But now we are being martyrs to it," said Odo sulkily; "I particularly
+want to land a big coup over this race."
+
+"I don't have insomnia for my own amusement," snapped Lola.
+
+"Let us hope for the best," said Mrs. de Claux soothingly; "to-night may
+prove an exception to the fifth-night rule."
+
+But when breakfast time came round again Lola reported a blank night as
+far as visions were concerned.
+
+"I don't suppose I had as much as ten minutes' sleep, and, certainly, no
+dreams."
+
+"I'm so sorry, for your sake in the first place, and ours as well," said
+her hostess; "do you think you could induce a short nap after breakfast?
+It would be so good for you--and you _might_ dream something. There
+would still be time for us to get our bets on."
+
+"I'll try if you like," said Lola; "it sounds rather like a small child
+being sent to bed in disgrace."
+
+"I'll come and read the _Encyclopaedia Britannica_ to you if you think it
+will make you sleep any sooner," said Bertie obligingly.
+
+Rain was falling too steadily to permit of outdoor amusement, and the
+party suffered considerably during the next two hours from the absolute
+quiet that was enforced all over the house in order to give Lola every
+chance of achieving slumber. Even the click of billiard balls was
+considered a possible factor of disturbance, and the canaries were
+carried down to the gardener's lodge, while the cuckoo clock in the hall
+was muffled under several layers of rugs. A notice, "Please do not Knock
+or Ring," was posted on the front door at Bertie's suggestion, and guests
+and servants spoke in tragic whispers as though the dread presence of
+death or sickness had invaded the house. The precautions proved of no
+avail: Lola added a sleepless morning to a wakeful night, and the bets of
+the party had to be impartially divided between Nursery Tea and the
+French Colt.
+
+"So provoking to have to split out bets," said Mrs. de Claux, as her
+guests gathered in the hall later in the day, waiting for the result of
+the race.
+
+"I did my best for you," said Lola, feeling that she was not getting her
+due share of gratitude; "I told you what I had seen in my dreams, a brown
+horse, called Bread and Butter, winning easily from all the rest."
+
+"What?" screamed Bertie, jumping up from his sea, "a _brown_ horse!
+Miserable woman, you never said a word about it's being a brown horse."
+
+"Didn't I?" faltered Lola; "I thought I told you it was a brown horse. It
+was certainly brown in both dreams. But I don't see what the colour has
+got to do with it. Nursery Tea and Le Five O'Clock are both chestnuts."
+
+"Merciful Heaven! Doesn't brown bread and butter with a sprinkling of
+lemon in the colours suggest anything to you?" raged Bertie.
+
+A slow, cumulative groan broke from the assembly as the meaning of his
+words gradually dawned on his hearers.
+
+For the second time that day Lola retired to the seclusion of her room;
+she could not face the universal looks of reproach directed at her when
+Whitebait was announced winner at the comfortable price of fourteen to
+one.
+
+
+
+
+BERTIE'S CHRISTMAS EVE
+
+
+It was Christmas Eve, and the family circle of Luke Steffink, Esq., was
+aglow with the amiability and random mirth which the occasion demanded. A
+long and lavish dinner had been partaken of, waits had been round and
+sung carols; the house-party had regaled itself with more caroling on its
+own account, and there had been romping which, even in a pulpit
+reference, could not have been condemned as ragging. In the midst of the
+general glow, however, there was one black unkindled cinder.
+
+Bertie Steffink, nephew of the aforementioned Luke, had early in life
+adopted the profession of ne'er-do-weel; his father had been something of
+the kind before him. At the age of eighteen Bertie had commenced that
+round of visits to our Colonial possessions, so seemly and desirable in
+the case of a Prince of the Blood, so suggestive of insincerity in a
+young man of the middle-class. He had gone to grow tea in Ceylon and
+fruit in British Columbia, and to help sheep to grow wool in Australia.
+At the age of twenty he had just returned from some similar errand in
+Canada, from which it may be gathered that the trial he gave to these
+various experiments was of the summary drum-head nature. Luke Steffink,
+who fulfilled the troubled role of guardian and deputy-parent to Bertie,
+deplored the persistent manifestation of the homing instinct on his
+nephew's part, and his solemn thanks earlier in the day for the blessing
+of reporting a united family had no reference to Bertie's return.
+
+Arrangements had been promptly made for packing the youth off to a
+distant corner of Rhodesia, whence return would be a difficult matter;
+the journey to this uninviting destination was imminent, in fact a more
+careful and willing traveller would have already begun to think about his
+packing. Hence Bertie was in no mood to share in the festive spirit
+which displayed itself around him, and resentment smouldered within him
+at the eager, self-absorbed discussion of social plans for the coming
+months which he heard on all sides. Beyond depressing his uncle and the
+family circle generally by singing "Say au revoir, and not good-bye," he
+had taken no part in the evening's conviviality.
+
+Eleven o'clock had struck some half-hour ago, and the elder Steffinks
+began to throw out suggestions leading up to that process which they
+called retiring for the night.
+
+"Come, Teddie, it's time you were in your little bed, you know," said
+Luke Steffink to his thirteen-year-old son.
+
+"That's where we all ought to be," said Mrs. Steffink.
+
+"There wouldn't be room," said Bertie.
+
+The remark was considered to border on the scandalous; everybody ate
+raisins and almonds with the nervous industry of sheep feeding during
+threatening weather.
+
+"In Russia," said Horace Bordenby, who was staying in the house as a
+Christmas guest, "I've read that the peasants believe that if you go into
+a cow-house or stable at midnight on Christmas Eve you will hear the
+animals talk. They're supposed to have the gift of speech at that one
+moment of the year."
+
+"Oh, _do_ let's _all_ go down to the cow-house and listen to what they've
+got to say!" exclaimed Beryl, to whom anything was thrilling and amusing
+if you did it in a troop.
+
+Mrs. Steffink made a laughing protest, but gave a virtual consent by
+saying, "We must all wrap up well, then." The idea seemed a
+scatterbrained one to her, and almost heathenish, but if afforded an
+opportunity for "throwing the young people together," and as such she
+welcomed it. Mr. Horace Bordenby was a young man with quite substantial
+prospects, and he had danced with Beryl at a local subscription ball a
+sufficient number of times to warrant the authorised inquiry on the part
+of the neighbours whether "there was anything in it." Though Mrs.
+Steffink would not have put it in so many words, she shared the idea of
+the Russian peasantry that on this night the beast might speak.
+
+The cow-house stood at the junction of the garden with a small paddock,
+an isolated survival, in a suburban neighbourhood; of what had once been
+a small farm. Luke Steffink was complacently proud of his cow-house and
+his two cows; he felt that they gave him a stamp of solidity which no
+number of Wyandottes or Orpingtons could impart. They even seemed to
+link him in a sort of inconsequent way with those patriarchs who derived
+importance from their floating capital of flocks and herbs, he-asses and
+she-asses. It had been an anxious and momentous occasion when he had had
+to decide definitely between "the Byre" and "the Ranch" for the naming of
+his villa residence. A December midnight was hardly the moment he would
+have chosen for showing his farm-building to visitors, but since it was a
+fine night, and the young people were anxious for an excuse for a mild
+frolic, Luke consented to chaperon the expedition. The servants had long
+since gone to bed, so the house was left in charge of Bertie, who
+scornfully declined to stir out on the pretext of listening to bovine
+conversation.
+
+"We must go quietly," said Luke, as he headed the procession of giggling
+young folk, brought up in the rear by the shawled and hooded figure of
+Mrs. Steffink; "I've always laid stress on keeping this a quiet and
+orderly neighbourhood."
+
+It was a few minutes to midnight when the party reached the cow-house and
+made its way in by the light of Luke's stable lantern. For a moment
+every one stood in silence, almost with a feeling of being in church.
+
+"Daisy--the one lying down--is by a shorthorn bull out of a Guernsey
+cow," announced Luke in a hushed voice, which was in keeping with the
+foregoing impression.
+
+"Is she?" said Bordenby, rather as if he had expected her to be by
+Rembrandt.
+
+"Myrtle is--"
+
+Myrtle's family history was cut short by a little scream from the women
+of the party.
+
+The cow-house door had closed noiselessly behind them and the key had
+turned gratingly in the lock; then they heard Bertie's voice pleasantly
+wishing them good-night and his footsteps retreating along the garden
+path.
+
+Luke Steffink strode to the window; it was a small square opening of the
+old-fashioned sort, with iron bars let into the stonework.
+
+"Unlock the door this instant," he shouted, with as much air of menacing
+authority as a hen might assume when screaming through the bars of a coop
+at a marauding hawk. In reply to his summons the hall-door closed with a
+defiant bang.
+
+A neighbouring clock struck the hour of midnight. If the cows had
+received the gift of human speech at that moment they would not have been
+able to make themselves heard. Seven or eight other voices were engaged
+in describing Bertie's present conduct and his general character at a
+high pressure of excitement and indignation.
+
+In the course of half an hour or so everything that it was permissible to
+say about Bertie had been said some dozens of times, and other topics
+began to come to the front--the extreme mustiness of the cow-house, the
+possibility of it catching fire, and the probability of it being a Rowton
+House for the vagrant rats of the neighbourhood. And still no sign of
+deliverance came to the unwilling vigil-keepers.
+
+Towards one o'clock the sound of rather boisterous and undisciplined
+carol-singing approached rapidly, and came to a sudden anchorage,
+apparently just outside the garden-gate. A motor-load of youthful
+"bloods," in a high state of conviviality, had made a temporary halt for
+repairs; the stoppage, however, did not extend to the vocal efforts of
+the party, and the watchers in the cow-shed were treated to a highly
+unauthorised rendering of "Good King Wenceslas," in which the adjective
+"good" appeared to be very carelessly applied.
+
+The noise had the effect of bringing Bertie out into the garden, but he
+utterly ignored the pale, angry faces peering out at the cow-house
+window, and concentrated his attention on the revellers outside the gate.
+
+"Wassail, you chaps!" he shouted.
+
+"Wassail, old sport!" they shouted back; "we'd jolly well drink y'r
+health, only we've nothing to drink it in."
+
+"Come and wassail inside," said Bertie hospitably; "I'm all alone, and
+there's heap's of 'wet'."
+
+They were total strangers, but his touch of kindness made them instantly
+his kin. In another moment the unauthorised version of King Wenceslas,
+which, like many other scandals, grew worse on repetition, went echoing
+up the garden path; two of the revellers gave an impromptu performance on
+the way by executing the staircase waltz up the terraces of what Luke
+Steffink, hitherto with some justification, called his rock-garden. The
+rock part of it was still there when the waltz had been accorded its
+third encore. Luke, more than ever like a cooped hen behind the
+cow-house bars, was in a position to realise the feelings of
+concert-goers unable to countermand the call for an encore which they
+neither desire or deserve.
+
+The hall door closed with a bang on Bertie's guests, and the sounds of
+merriment became faint and muffled to the weary watchers at the other end
+of the garden. Presently two ominous pops, in quick succession, made
+themselves distinctly heard.
+
+"They've got at the champagne!" exclaimed Mrs. Steffink.
+
+"Perhaps it's the sparkling Moselle," said Luke hopefully.
+
+Three or four more pops were heard.
+
+"The champagne _and_ the sparkling Moselle," said Mrs. Steffink.
+
+Luke uncorked an expletive which, like brandy in a temperance household,
+was only used on rare emergencies. Mr. Horace Bordenby had been making
+use of similar expressions under his breath for a considerable time past.
+The experiment of "throwing the young people together" had been prolonged
+beyond a point when it was likely to produce any romantic result.
+
+Some forty minutes later the hall door opened and disgorged a crowd that
+had thrown off any restraint of shyness that might have influenced its
+earlier actions. Its vocal efforts in the direction of carol singing
+were now supplemented by instrumental music; a Christmas-tree that had
+been prepared for the children of the gardener and other household
+retainers had yielded a rich spoil of tin trumpets, rattles, and drums.
+The life-story of King Wenceslas had been dropped, Luke was thankful to
+notice, but it was intensely irritating for the chilled prisoners in the
+cow-house to be told that it was a hot time in the old town to-night,
+together with some accurate but entirely superfluous information as to
+the imminence of Christmas morning. Judging by the protests which began
+to be shouted from the upper windows of neighbouring houses the
+sentiments prevailing in the cow-house were heartily echoed in other
+quarters.
+
+The revellers found their car, and, what was more remarkable, managed to
+drive off in it, with a parting fanfare of tin trumpets. The lively beat
+of a drum disclosed the fact that the master of the revels remained on
+the scene.
+
+"Bertie!" came in an angry, imploring chorus of shouts and screams from
+the cow-house window.
+
+"Hullo," cried the owner of the name, turning his rather errant steps in
+the direction of the summons; "are you people still there? Must have
+heard everything cows got to say by this time. If you haven't, no use
+waiting. After all, it's a Russian legend, and Russian Chrismush Eve not
+due for 'nother fortnight. Better come out."
+
+After one or two ineffectual attempts he managed to pitch the key of the
+cow-house door in through the window. Then, lifting his voice in the
+strains of "I'm afraid to go home in the dark," with a lusty drum
+accompaniment, he led the way back to the house. The hurried procession
+of the released that followed in his steps came in for a good deal of the
+adverse comment that his exuberant display had evoked.
+
+It was the happiest Christmas Eve he had ever spent. To quote his own
+words, he had a rotten Christmas.
+
+
+
+
+FOREWARNED
+
+
+Alethia Debchance sat in a corner of an otherwise empty railway carriage,
+more or less at ease as regarded body, but in some trepidation as to
+mind. She had embarked on a social adventure of no little magnitude as
+compared with the accustomed seclusion and stagnation of her past life.
+At the age of twenty-eight she could look back on nothing more eventful
+than the daily round of her existence in her aunt's house at
+Webblehinton, a hamlet four and a half miles distant from a country town
+and about a quarter of a century removed from modern times. Their
+neighbours had been elderly and few, not much given to social
+intercourse, but helpful or politely sympathetic in times of illness.
+Newspapers of the ordinary kind were a rarity; those that Alethia saw
+regularly were devoted exclusively either to religion or to poultry, and
+the world of politics was to her an unheeded unexplored region. Her
+ideas on life in general had been acquired through the medium of popular
+respectable novel-writers, and modified or emphasised by such knowledge
+as her aunt, the vicar, and her aunt's housekeeper had put at her
+disposal. And now, in her twenty-ninth year, her aunt's death had left
+her, well provided for as regards income, but somewhat isolated in the
+matter of kith and kin and human companionship. She had some cousins who
+were on terms of friendly, though infrequent, correspondence with her,
+but as they lived permanently in Ceylon, a locality about which she knew
+little, beyond the assurance contained in the missionary hymn that the
+human element there was vile, they were not of much immediate use to her.
+Other cousins she also possessed, more distant as regards relationship,
+but not quite so geographically remote, seeing that they lived somewhere
+in the Midlands. She could hardly remember ever having met them, but
+once or twice in the course of the last three or four years they had
+expressed a polite wish that she should pay them a visit; they had
+probably not been unduly depressed by the fact that her aunt's failing
+health had prevented her from accepting their invitation. The note of
+condolence that had arrived on the occasion of her aunt's death had
+included a vague hope that Alethia would find time in the near future to
+spend a few days with her cousins, and after much deliberation and many
+hesitations she had written to propose herself as a guest for a definite
+date some week ahead. The family, she reflected with relief, was not a
+large one; the two daughters were married and away, there was only old
+Mrs. Bludward and her son Robert at home. Mrs. Bludward was something of
+an invalid, and Robert was a young man who had been at Oxford and was
+going into Parliament. Further than that Alethia's information did not
+go; her imagination, founded on her extensive knowledge of the people one
+met in novels, had to supply the gaps. The mother was not difficult to
+place; she would either be an ultra-amiable old lady, bearing her feeble
+health with uncomplaining fortitude, and having a kind word for the
+gardener's boy and a sunny smile for the chance visitor, or else she
+would be cold and peevish, with eyes that pierced you like a gimlet, and
+a unreasoning idolatry of her son. Alethia's imagination rather inclined
+her to the latter view. Robert was more of a problem. There were three
+dominant types of manhood to be taken into consideration in working out
+his classification; there was Hugo, who was strong, good, and beautiful,
+a rare type and not very often met with; there was Sir Jasper, who was
+utterly vile and absolutely unscrupulous, and there was Nevil, who was
+not really bad at heart, but had a weak mouth and usually required the
+life-work of two good women to keep him from ultimate disaster. It was
+probable, Alethia considered, that Robert came into the last category, in
+which case she was certain to enjoy the companionship of one or two
+excellent women, and might possibly catch glimpses of undesirable
+adventuresses or come face to face with reckless admiration-seeking
+married women. It was altogether an exciting prospect, this sudden
+venture into an unexplored world of unknown human beings, and Alethia
+rather wished that she could have taken the vicar with her; she was not,
+however, rich or important enough to travel with a chaplain, as the
+Marquis of Moystoncleugh always did in the novel she had just been
+reading, so she recognised that such a proceeding was out of the
+question.
+
+The train which carried Alethia towards her destination was a local one,
+with the wayside station habit strongly developed. At most of the
+stations no one seemed to want to get into the train or to leave it, but
+at one there were several market folk on the platform, and two men, of
+the farmer or small cattle-dealer class, entered Alethia's carriage.
+Apparently they had just foregathered, after a day's business, and their
+conversation consisted of a rapid exchange of short friendly inquiries as
+to health, family, stock, and so forth, and some grumbling remarks on the
+weather. Suddenly, however, their talk took a dramatically interesting
+turn, and Alethia listened with wide-eyed attention.
+
+"What do you think of Mister Robert Bludward, eh?"
+
+There was a certain scornful ring in his question.
+
+"Robert Bludward? An out-an'-out rotter, that's what he is. Ought to be
+ashamed to look any decent man in the face. Send him to Parliament to
+represent us--not much! He'd rob a poor man of his last shilling, he
+would."
+
+"Ah, that he would. Tells a pack of lies to get our votes, that's all
+that he's after, damn him. Did you see the way the _Argus_ showed him up
+this week? Properly exposed him, hip and thigh, I tell you."
+
+And so on they ran, in their withering indictment. There could be no
+doubt that it was Alethia's cousin and prospective host to whom they were
+referring; the allusion to a Parliamentary candidature settled that. What
+could Robert Bludward have done, what manner of man could he be, that
+people should speak of him with such obvious reprobation?
+
+"He was hissed down at Shoalford yesterday," said one of the speakers.
+
+Hissed! Had it come to that? There was something dramatically biblical
+in the idea of Robert Bludward's neighbours and acquaintances hissing him
+for very scorn. Lord Hereward Stranglath had been hissed, now Alethia
+came to think of it, in the eighth chapter of _Matterby Towers_, while in
+the act of opening a Wesleyan bazaar, because he was suspected (unjustly
+as it turned out afterwards) of having beaten the German governess to
+death. And in _Tainted Guineas_ Roper Squenderby had been deservedly
+hissed, on the steps of the Jockey Club, for having handed a rival owner
+a forged telegram, containing false news of his mother's death, just
+before the start for an important race, thereby ensuring the withdrawal
+of his rival's horse. In placid Saxon-blooded England people did not
+demonstrate their feelings lightly and without some strong compelling
+cause. What manner of evildoer was Robert Bludward?
+
+The train stopped at another small station, and the two men got out. One
+of them left behind him a copy of the _Argus_, the local paper to which
+he had made reference. Alethia pounced on it, in the expectation of
+finding a cultured literary endorsement of the censure which these rough
+farming men had expressed in their homely, honest way. She had not far
+to look; "Mr. Robert Bludward, Swanker," was the title of one of the
+principal articles in the paper. She did not exactly know what a swanker
+was, probably it referred to some unspeakable form of cruelty, but she
+read enough in the first few sentences of the article to discover that
+her cousin Robert, the man at whose house she was about to stay, was an
+unscrupulous, unprincipled character, of a low order of intelligence, yet
+cunning withal, and that he and his associates were responsible for most
+of the misery, disease, poverty, and ignorance with which the country was
+afflicted; never, except in one or two of the denunciatory Psalms, which
+she had always supposed to have be written in a spirit of exaggerated
+Oriental imagery, had she read such an indictment of a human being. And
+this monster was going to meet her at Derrelton Station in a few short
+minutes. She would know him at once; he would have the dark beetling
+brows, the quick, furtive glance, the sneering, unsavoury smile that
+always characterised the Sir Jaspers of this world. It was too late to
+escape; she must force herself to meet him with outward calm.
+
+It was a considerable shock to her to find that Robert was fair, with a
+snub nose, merry eye, and rather a schoolboy manner. "A serpent in
+duckling's plumage," was her private comment; merciful chance had
+revealed him to her in his true colours.
+
+As they drove away from the station a dissipated-looking man of the
+labouring class waved his hat in friendly salute. "Good luck to you, Mr.
+Bludward," he shouted; "you'll come out on top! We'll break old
+Chobham's neck for him."
+
+"Who was that man?" asked Alethia quickly.
+
+"Oh, one of my supporters," laughed Robert; "a bit of a poacher and a bit
+of a pub-loafer, but he's on the right side."
+
+So these were the sort of associates that Robert Bludward consorted with,
+thought Alethia.
+
+"Who is the person he referred to as old Chobham?" she asked.
+
+"Sir John Chobham, the man who is opposing me," answered Robert; "that is
+his house away there among the trees on the right."
+
+So there was an upright man, possibly a very Hugo in character, who was
+thwarting and defying the evildoer in his nefarious career, and there was
+a dastardly plot afoot to break his neck! Possibly the attempt would be
+made within the next few hours. He must certainly be warned. Alethia
+remembered how Lady Sylvia Broomgate, in _Nightshade Court_, had
+pretended to be bolted with by her horse up to the front door of a
+threatened county magnate, and had whispered a warning in his ear which
+saved him from being the victim of foul murder. She wondered if there
+was a quiet pony in the stables on which she would be allowed to ride out
+alone. The chances were that she would be watched. Robert would come
+spurring after her and seize her bridle just as she was turning in at Sir
+John's gates.
+
+A group of men that they passed in a village street gave them no very
+friendly looks, and Alethia thought she heard a furtive hiss; a moment
+later they came upon an errand boy riding a bicycle. He had the frank
+open countenance, neatly brushed hair and tidy clothes that betoken a
+clear conscience and a good mother. He stared straight at the occupants
+of the car, and, after he had passed them, sang in his clear, boyish
+voice:
+
+"We'll hang Bobby Bludward on the sour apple tree."
+
+Robert merely laughed. That was how he took the scorn and condemnation
+of his fellow-men. He had goaded them to desperation with his shameless
+depravity till they spoke openly of putting him to a violent death, and
+he laughed.
+
+Mrs. Bludward proved to be of the type that Alethia had suspected, thin-
+lipped, cold-eyed, and obviously devoted to her worthless son. From her
+no help was to be expected. Alethia locked her door that night, and
+placed such ramparts of furniture against it that the maid had great
+difficulty in breaking in with the early tea in the morning.
+
+After breakfast Alethia, on the pretext of going to look at an outlying
+rose-garden, slipped away to the village through which they had passed on
+the previous evening. She remembered that Robert had pointed out to her
+a public reading-room, and here she considered it possible that she might
+meet Sir John Chobham, or some one who knew him well and would carry a
+message to him. The room was empty when she entered it; a _Graphic_
+twelve days old, a yet older copy of _Punch_, and one or two local papers
+lay upon the central table; the other tables were stacked for the most
+part with chess and draughts-boards, and wooden boxes of chessmen and
+dominoes. Listlessly she picked up one of the papers, the _Sentinel_,
+and glanced at its contents. Suddenly she started, and began to read
+with breathless attention a prominently printed article, headed "A Little
+Limelight on Sir John Chobham." The colour ebbed away from her face, a
+look of frightened despair crept into her eyes. Never, in any novel that
+she had read, had a defenceless young woman been confronted with a
+situation like this. Sir John, the Hugo of her imagination, was, if
+anything, rather more depraved and despicable than Robert Bludward. He
+was mean, evasive, callously indifferent to his country's interests, a
+cheat, a man who habitually broke his word, and who was responsible, with
+his associates, for most of the poverty, misery, crime, and national
+degradation with which the country was afflicted. He was also a
+candidate for Parliament, it seemed, and as there was only one seat in
+this particular locality, it was obvious that the success of either
+Robert or Sir John would mean a check to the ambitions of the other,
+hence, no doubt, the rivalry and enmity between these otherwise kindred
+souls. One was seeking to have his enemy done to death, the other was
+apparently trying to stir up his supporters to an act of "Lynch law". All
+this in order that there might be an unopposed election, that one or
+other of the candidates might go into Parliament with honeyed eloquence
+on his lips and blood on his heart. Were men really so vile?
+
+"I must go back to Webblehinton at once," Alethia informed her astonished
+hostess at lunch time; "I have had a telegram. A friend is very
+seriously ill and I have been sent for."
+
+It was dreadful to have to concoct lies, but it would be more dreadful to
+have to spend another night under that roof.
+
+Alethia reads novels now with even greater appreciation than before. She
+has been herself in the world outside Webblehinton, the world where the
+great dramas of sin and villainy are played unceasingly. She had come
+unscathed through it, but what might have happened if she had gone
+unsuspectingly to visit Sir John Chobham and warn him of his danger? What
+indeed! She had been saved by the fearless outspokenness of the local
+Press.
+
+
+
+
+THE INTERLOPERS
+
+
+In a forest of mixed growth somewhere on the eastern spurs of the
+Karpathians, a man stood one winter night watching and listening, as
+though he waited for some beast of the woods to come within the range of
+his vision, and, later, of his rifle. But the game for whose presence he
+kept so keen an outlook was none that figured in the sportsman's calendar
+as lawful and proper for the chase; Ulrich von Gradwitz patrolled the
+dark forest in quest of a human enemy.
+
+The forest lands of Gradwitz were of wide extent and well stocked with
+game; the narrow strip of precipitous woodland that lay on its outskirt
+was not remarkable for the game it harboured or the shooting it afforded,
+but it was the most jealously guarded of all its owner's territorial
+possessions. A famous law suit, in the days of his grandfather, had
+wrested it from the illegal possession of a neighbouring family of petty
+landowners; the dispossessed party had never acquiesced in the judgment
+of the Courts, and a long series of poaching affrays and similar scandals
+had embittered the relationships between the families for three
+generations. The neighbour feud had grown into a personal one since
+Ulrich had come to be head of his family; if there was a man in the world
+whom he detested and wished ill to it was Georg Znaeym, the inheritor of
+the quarrel and the tireless game-snatcher and raider of the disputed
+border-forest. The feud might, perhaps, have died down or been
+compromised if the personal ill-will of the two men had not stood in the
+way; as boys they had thirsted for one another's blood, as men each
+prayed that misfortune might fall on the other, and this wind-scourged
+winter night Ulrich had banded together his foresters to watch the dark
+forest, not in quest of four-footed quarry, but to keep a look-out for
+the prowling thieves whom he suspected of being afoot from across the
+land boundary. The roebuck, which usually kept in the sheltered hollows
+during a storm-wind, were running like driven things to-night, and there
+was movement and unrest among the creatures that were wont to sleep
+through the dark hours. Assuredly there was a disturbing element in the
+forest, and Ulrich could guess the quarter from whence it came.
+
+He strayed away by himself from the watchers whom he had placed in ambush
+on the crest of the hill, and wandered far down the steep slopes amid the
+wild tangle of undergrowth, peering through the tree trunks and listening
+through the whistling and skirling of the wind and the restless beating
+of the branches for sight and sound of the marauders. If only on this
+wild night, in this dark, lone spot, he might come across Georg Znaeym,
+man to man, with none to witness--that was the wish that was uppermost in
+his thoughts. And as he stepped round the trunk of a huge beech he came
+face to face with the man he sought.
+
+The two enemies stood glaring at one another for a long silent moment.
+Each had a rifle in his hand, each had hate in his heart and murder
+uppermost in his mind. The chance had come to give full play to the
+passions of a lifetime. But a man who has been brought up under the code
+of a restraining civilisation cannot easily nerve himself to shoot down
+his neighbour in cold blood and without word spoken, except for an
+offence against his hearth and honour. And before the moment of
+hesitation had given way to action a deed of Nature's own violence
+overwhelmed them both. A fierce shriek of the storm had been answered by
+a splitting crash over their heads, and ere they could leap aside a mass
+of falling beech tree had thundered down on them. Ulrich von Gradwitz
+found himself stretched on the ground, one arm numb beneath him and the
+other held almost as helplessly in a tight tangle of forked branches,
+while both legs were pinned beneath the fallen mass. His heavy shooting-
+boots had saved his feet from being crushed to pieces, but if his
+fractures were not as serious as they might have been, at least it was
+evident that he could not move from his present position till some one
+came to release him. The descending twig had slashed the skin of his
+face, and he had to wink away some drops of blood from his eyelashes
+before he could take in a general view of the disaster. At his side, so
+near that under ordinary circumstances he could almost have touched him,
+lay Georg Znaeym, alive and struggling, but obviously as helplessly
+pinioned down as himself. All round them lay a thick-strewn wreckage of
+splintered branches and broken twigs.
+
+Relief at being alive and exasperation at his captive plight brought a
+strange medley of pious thank-offerings and sharp curses to Ulrich's
+lips. Georg, who was early blinded with the blood which trickled across
+his eyes, stopped his struggling for a moment to listen, and then gave a
+short, snarling laugh.
+
+"So you're not killed, as you ought to be, but you're caught, anyway," he
+cried; "caught fast. Ho, what a jest, Ulrich von Gradwitz snared in his
+stolen forest. There's real justice for you!"
+
+And he laughed again, mockingly and savagely.
+
+"I'm caught in my own forest-land," retorted Ulrich. "When my men come
+to release us you will wish, perhaps, that you were in a better plight
+than caught poaching on a neighbour's land, shame on you."
+
+Georg was silent for a moment; then he answered quietly:
+
+"Are you sure that your men will find much to release? I have men, too,
+in the forest to-night, close behind me, and _they_ will be here first
+and do the releasing. When they drag me out from under these damned
+branches it won't need much clumsiness on their part to roll this mass of
+trunk right over on the top of you. Your men will find you dead under a
+fallen beech tree. For form's sake I shall send my condolences to your
+family."
+
+"It is a useful hint," said Ulrich fiercely. "My men had orders to
+follow in ten minutes time, seven of which must have gone by already, and
+when they get me out--I will remember the hint. Only as you will have
+met your death poaching on my lands I don't think I can decently send any
+message of condolence to your family."
+
+"Good," snarled Georg, "good. We fight this quarrel out to the death,
+you and I and our foresters, with no cursed interlopers to come between
+us. Death and damnation to you, Ulrich von Gradwitz."
+
+"The same to you, Georg Znaeym, forest-thief, game-snatcher."
+
+Both men spoke with the bitterness of possible defeat before them, for
+each knew that it might be long before his men would seek him out or find
+him; it was a bare matter of chance which party would arrive first on the
+scene.
+
+Both had now given up the useless struggle to free themselves from the
+mass of wood that held them down; Ulrich limited his endeavours to an
+effort to bring his one partially free arm near enough to his outer coat-
+pocket to draw out his wine-flask. Even when he had accomplished that
+operation it was long before he could manage the unscrewing of the
+stopper or get any of the liquid down his throat. But what a Heaven-sent
+draught it seemed! It was an open winter, and little snow had fallen as
+yet, hence the captives suffered less from the cold than might have been
+the case at that season of the year; nevertheless, the wine was warming
+and reviving to the wounded man, and he looked across with something like
+a throb of pity to where his enemy lay, just keeping the groans of pain
+and weariness from crossing his lips.
+
+"Could you reach this flask if I threw it over to you?" asked Ulrich
+suddenly; "there is good wine in it, and one may as well be as
+comfortable as one can. Let us drink, even if to-night one of us dies."
+
+"No, I can scarcely see anything; there is so much blood caked round my
+eyes," said Georg, "and in any case I don't drink wine with an enemy."
+
+Ulrich was silent for a few minutes, and lay listening to the weary
+screeching of the wind. An idea was slowly forming and growing in his
+brain, an idea that gained strength every time that he looked across at
+the man who was fighting so grimly against pain and exhaustion. In the
+pain and languor that Ulrich himself was feeling the old fierce hatred
+seemed to be dying down.
+
+"Neighbour," he said presently, "do as you please if your men come first.
+It was a fair compact. But as for me, I've changed my mind. If my men
+are the first to come you shall be the first to be helped, as though you
+were my guest. We have quarrelled like devils all our lives over this
+stupid strip of forest, where the trees can't even stand upright in a
+breath of wind. Lying here to-night thinking I've come to think we've
+been rather fools; there are better things in life than getting the
+better of a boundary dispute. Neighbour, if you will help me to bury the
+old quarrel I--I will ask you to be my friend."
+
+Georg Znaeym was silent for so long that Ulrich thought, perhaps, he had
+fainted with the pain of his injuries. Then he spoke slowly and in
+jerks.
+
+"How the whole region would stare and gabble if we rode into the market-
+square together. No one living can remember seeing a Znaeym and a von
+Gradwitz talking to one another in friendship. And what peace there
+would be among the forester folk if we ended our feud to-night. And if
+we choose to make peace among our people there is none other to
+interfere, no interlopers from outside . . . You would come and keep the
+Sylvester night beneath my roof, and I would come and feast on some high
+day at your castle . . . I would never fire a shot on your land, save
+when you invited me as a guest; and you should come and shoot with me
+down in the marshes where the wildfowl are. In all the countryside there
+are none that could hinder if we willed to make peace. I never thought
+to have wanted to do other than hate you all my life, but I think I have
+changed my mind about things too, this last half-hour. And you offered
+me your wine-flask . . . Ulrich von Gradwitz, I will be your friend."
+
+For a space both men were silent, turning over in their minds the
+wonderful changes that this dramatic reconciliation would bring about. In
+the cold, gloomy forest, with the wind tearing in fitful gusts through
+the naked branches and whistling round the tree-trunks, they lay and
+waited for the help that would now bring release and succour to both
+parties. And each prayed a private prayer that his men might be the
+first to arrive, so that he might be the first to show honourable
+attention to the enemy that had become a friend.
+
+Presently, as the wind dropped for a moment, Ulrich broke silence.
+
+"Let's shout for help," he said, "in this lull our voices may
+carry a little way."
+
+"They won't carry far through the trees and undergrowth," said Georg,
+"but we can try. Together, then."
+
+The two raised their voices in a prolonged hunting call.
+
+"Together again," said Ulrich a few minutes later, after listening in
+vain for an answering halloo.
+
+"I heard nothing but the pestilential wind," said Georg hoarsely.
+
+There was silence again for some minutes, and then Ulrich gave a joyful
+cry.
+
+"I can see figures coming through the wood. They are following in the
+way I came down the hillside."
+
+Both men raised their voices in as loud a shout as they could muster.
+
+"They hear us! They've stopped. Now they see us. They're running down
+the hill towards us," cried Ulrich.
+
+"How many of them are there?" asked Georg.
+
+"I can't see distinctly," said Ulrich; "nine or ten,"
+
+"Then they are yours," said Georg; "I had only seven out with me."
+
+"They are making all the speed they can, brave lads," said Ulrich gladly.
+
+"Are they your men?" asked Georg. "Are they your men?" he repeated
+impatiently as Ulrich did not answer.
+
+"No," said Ulrich with a laugh, the idiotic chattering laugh of a man
+unstrung with hideous fear.
+
+"Who are they?" asked Georg quickly, straining his eyes to see what the
+other would gladly not have seen.
+
+"_Wolves_."
+
+
+
+
+QUAIL SEED
+
+
+"The outlook is not encouraging for us smaller businesses," said Mr.
+Scarrick to the artist and his sister, who had taken rooms over his
+suburban grocery store. "These big concerns are offering all sorts of
+attractions to the shopping public which we couldn't afford to imitate,
+even on a small scale--reading-rooms and play-rooms and gramophones and
+Heaven knows what. People don't care to buy half a pound of sugar
+nowadays unless they can listen to Harry Lauder and have the latest
+Australian cricket scores ticked off before their eyes. With the big
+Christmas stock we've got in we ought to keep half a dozen assistants
+hard at work, but as it is my nephew Jimmy and myself can pretty well
+attend to it ourselves. It's a nice stock of goods, too, if I could only
+run it off in a few weeks time, but there's no chance of that--not unless
+the London line was to get snowed up for a fortnight before Christmas. I
+did have a sort of idea of engaging Miss Luffcombe to give recitations
+during afternoons; she made a great hit at the Post Office entertainment
+with her rendering of 'Little Beatrice's Resolve'."
+
+"Anything less likely to make your shop a fashionable shopping centre I
+can't imagine," said the artist, with a very genuine shudder; "if I were
+trying to decide between the merits of Carlsbad plums and confected figs
+as a winter dessert it would infuriate me to have my train of thought
+entangled with little Beatrice's resolve to be an Angel of Light or a
+girl scout. No," he continued, "the desire to get something thrown in
+for nothing is a ruling passion with the feminine shopper, but you can't
+afford to pander effectively to it. Why not appeal to another instinct;
+which dominates not only the woman shopper but the male shopper--in fact,
+the entire human race?"
+
+"What is that instinct, sir?" said the grocer.
+
+* * * * *
+
+Mrs. Greyes and Miss Fritten had missed the 2.18 to Town, and as there
+was not another train till 3.12 they thought that they might as well make
+their grocery purchases at Scarrick's. It would not be sensational, they
+agreed, but it would still be shopping.
+
+For some minutes they had the shop almost to themselves, as far as
+customers were concerned, but while they were debating the respective
+virtues and blemishes of two competing brands of anchovy paste they were
+startled by an order, given across the counter, for six pomegranates and
+a packet of quail seed. Neither commodity was in general demand in that
+neighbourhood. Equally unusual was the style and appearance of the
+customer; about sixteen years old, with dark olive skin, large dusky
+eyes, and think, low-growing, blue-black hair, he might have made his
+living as an artist's model. As a matter of fact he did. The bowl of
+beaten brass that he produced for the reception of his purchases was
+distinctly the most astonishing variation on the string bag or marketing
+basket of suburban civilisation that his fellow-shoppers had ever seen.
+He threw a gold piece, apparently of some exotic currency, across the
+counter, and did not seem disposed to wait for any change that might be
+forthcoming.
+
+"The wine and figs were not paid for yesterday," he said; "keep what is
+over of the money for our future purchases."
+
+"A very strange-looking boy?" said Mrs. Greyes interrogatively to the
+grocer as soon as his customer had left.
+
+"A foreigner, I believe," said Mr. Scarrick, with a shortness that was
+entirely out of keeping with his usually communicative manner.
+
+"I wish for a pound and a half of the best coffee you have," said an
+authoritative voice a moment or two later. The speaker was a tall,
+authoritative-looking man of rather outlandish aspect, remarkable among
+other things for a full black beard, worn in a style more in vogue in
+early Assyria than in a London suburb of the present day.
+
+"Has a dark-faced boy been here buying pomegranates?" he asked suddenly,
+as the coffee was being weighed out to him.
+
+The two ladies almost jumped on hearing the grocer reply with an
+unblushing negative.
+
+"We have a few pomegranates in stock," he continued, "but there has been
+no demand for them."
+
+"My servant will fetch the coffee as usual," said the purchaser,
+producing a coin from a wonderful metal-work purse. As an apparent
+afterthought he fired out the question: "Have you, perhaps, any quail
+seed?"
+
+"No," said the grocer, without hesitation, "we don't stock it."
+
+"What will he deny next?" asked Mrs. Greyes under her breath. What made
+it seem so much worse was the fact that Mr. Scarrick had quite recently
+presided at a lecture on Savonarola.
+
+Turning up the deep astrachan collar of his long coat, the stranger swept
+out of the shop, with the air, Miss Fritten afterwards described it, of a
+Satrap proroguing a Sanhedrim. Whether such a pleasant function ever
+fell to a Satrap's lot she was not quite certain, but the simile
+faithfully conveyed her meaning to a large circle of acquaintances.
+
+"Don't let's bother about the 3.12," said Mrs. Greyes; "let's go and talk
+this over at Laura Lipping's. It's her day."
+
+When the dark-faced boy arrived at the shop next day with his brass
+marketing bowl there was quite a fair gathering of customers, most of
+whom seemed to be spinning out their purchasing operations with the air
+of people who had very little to do with their time. In a voice that was
+heard all over the shop, perhaps because everybody was intently
+listening, he asked for a pound of honey and a packet of quail seed.
+
+"More quail seed!" said Miss Fritten. "Those quails must be voracious,
+or else it isn't quail seed at all."
+
+"I believe it's opium, and the bearded man is a detective," said Mrs.
+Greyes brilliantly.
+
+"I don't," said Laura Lipping; "I'm sure it's something to do with the
+Portuguese Throne."
+
+"More likely to be a Persian intrigue on behalf of the ex-Shah," said
+Miss Fritten; "the bearded man belongs to the Government Party. The
+quail-seed is a countersign, of course; Persia is almost next door to
+Palestine, and quails come into the Old Testament, you know."
+
+"Only as a miracle," said her well-informed younger sister; "I've thought
+all along it was part of a love intrigue."
+
+The boy who had so much interest and speculation centred on him was on
+the point of departing with his purchases when he was waylaid by Jimmy,
+the nephew-apprentice, who, from his post at the cheese and bacon
+counter, commanded a good view of the street.
+
+"We have some very fine Jaffa oranges," he said hurriedly, pointing to a
+corner where they were stored, behind a high rampart of biscuit tins.
+There was evidently more in the remark than met the ear. The boy flew at
+the oranges with the enthusiasm of a ferret finding a rabbit family at
+home after a long day of fruitless subterranean research. Almost at the
+same moment the bearded stranger stalked into the shop, and flung an
+order for a pound of dates and a tin of the best Smyrna halva across the
+counter. The most adventurous housewife in the locality had never heard
+of halva, but Mr. Scarrick was apparently able to produce the best Smyrna
+variety of it without a moment's hesitation.
+
+"We might be living in the Arabian Nights," said Miss Fritten, excitedly.
+
+"Hush! Listen," beseeched Mrs. Greyes.
+
+"Has the dark-faced boy, of whom I spoke yesterday, been here to-day?"
+asked the stranger.
+
+"We've had rather more people than usual in the shop to-day," said Mr.
+Scarrick, "but I can't recall a boy such as you describe."
+
+Mrs. Greyes and Miss Fritten looked round triumphantly at their friends.
+It was, of course, deplorable that any one should treat the truth as an
+article temporarily and excusably out of stock, but they felt gratified
+that the vivid accounts they had given of Mr. Scarrick's traffic in
+falsehoods should receive confirmation at first hand.
+
+"I shall never again be able to believe what he tells me about the
+absence of colouring matter in the jam," whispered an aunt of Mrs. Greyes
+tragically.
+
+The mysterious stranger took his departure; Laura Lipping distinctly saw
+a snarl of baffled rage reveal itself behind his heavy moustache and
+upturned astrachan collar. After a cautious interval the seeker after
+oranges emerged from behind the biscuit tins, having apparently failed to
+find any individual orange that satisfied his requirements. He, too,
+took his departure, and the shop was slowly emptied of its parcel and
+gossip laden customers. It was Emily Yorling's "day", and most of the
+shoppers made their way to her drawing-room. To go direct from a
+shopping expedition to a tea party was what was known locally as "living
+in a whirl".
+
+Two extra assistants had been engaged for the following afternoon, and
+their services were in brisk demand; the shop was crowded. People bought
+and bought, and never seemed to get to the end of their lists. Mr.
+Scarrick had never had so little difficulty in persuading customers to
+embark on new experiences in grocery wares. Even those women whose
+purchases were of modest proportions dawdled over them as though they had
+brutal, drunken husbands to go home to. The afternoon had dragged
+uneventfully on, and there was a distinct buzz of unpent excitement when
+a dark-eyed boy carrying a brass bowl entered the shop. The excitement
+seemed to have communicated itself to Mr. Scarrick; abruptly deserting a
+lady who was making insincere inquiries about the home life of the Bombay
+duck, he intercepted the newcomer on his way to the accustomed counter
+and informed him, amid a deathlike hush, that he had run out of quail
+seed.
+
+The boy looked nervously round the shop, and turned hesitatingly to go.
+He was again intercepted, this time by the nephew, who darted out from
+behind his counter and said something about a better line of oranges. The
+boy's hesitation vanished; he almost scuttled into the obscurity of the
+orange corner. There was an expectant turn of public attention towards
+the door, and the tall, bearded stranger made a really effective
+entrance. The aunt of Mrs. Greyes declared afterwards that she found
+herself sub-consciously repeating "The Assyrian came down like a wolf on
+the fold" under her breath, and she was generally believed.
+
+The newcomer, too, was stopped before he reached the counter, but not by
+Mr. Scarrick or his assistant. A heavily veiled lady, whom no one had
+hitherto noticed, rose languidly from a seat and greeted him in a clear,
+penetrating voice.
+
+"Your Excellency does his shopping himself?" she said.
+
+"I order the things myself," he explained; "I find it difficult to make
+my servants understand."
+
+In a lower, but still perfectly audible, voice the veiled lady gave him a
+piece of casual information.
+
+"They have some excellent Jaffa oranges here." Then with a tinkling
+laugh she passed out of the shop.
+
+The man glared all round the shop, and then, fixing his eyes
+instinctively on the barrier of biscuit tins, demanded loudly of the
+grocer: "You have, perhaps, some good Jaffa oranges?"
+
+Every one expected an instant denial on the part of Mr. Scarrick of any
+such possession. Before he could answer, however, the boy had broken
+forth from his sanctuary. Holding his empty brass bowl before him he
+passed out into the street. His face was variously described afterwards
+as masked with studied indifference, overspread with ghastly pallor, and
+blazing with defiance. Some said that his teeth chattered, others that
+he went out whistling the Persian National Hymn. There was no mistaking,
+however, the effect produced by the encounter on the man who had seemed
+to force it. If a rabid dog or a rattlesnake had suddenly thrust its
+companionship on him he could scarcely have displayed a greater access of
+terror. His air of authority and assertiveness had gone, his masterful
+stride had given way to a furtive pacing to and fro, as of an animal
+seeking an outlet for escape. In a dazed perfunctory manner, always with
+his eyes turning to watch the shop entrance, he gave a few random orders,
+which the grocer made a show of entering in his book. Now and then he
+walked out into the street, looked anxiously in all directions, and
+hurried back to keep up his pretence of shopping. From one of these
+sorties he did not return; he had dashed away into the dusk, and neither
+he nor the dark-faced boy nor the veiled lady were seen again by the
+expectant crowds that continued to throng the Scarrick establishment for
+days to come.
+
+* * * * *
+
+"I can never thank you and your sister sufficiently," said the grocer.
+
+"We enjoyed the fun of it," said the artist modestly, "and as for the
+model, it was a welcome variation on posing for hours for 'The Lost
+Hylas'."
+
+"At any rate," said the grocer, "I insist on paying for the hire of the
+black beard."
+
+
+
+
+CANOSSA
+
+
+Demosthenes Platterbaff, the eminent Unrest Inducer, stood on his trial
+for a serious offence, and the eyes of the political world were focussed
+on the jury. The offence, it should be stated, was serious for the
+Government rather than for the prisoner. He had blown up the Albert Hall
+on the eve of the great Liberal Federation Tango Tea, the occasion on
+which the Chancellor of the Exchequer was expected to propound his new
+theory: "Do partridges spread infectious diseases?" Platterbaff had
+chosen his time well; the Tango Tea had been hurriedly postponed, but
+there were other political fixtures which could not be put off under any
+circumstances. The day after the trial there was to be a by-election at
+Nemesis-on-Hand, and it had been openly announced in the division that if
+Platterbaff were languishing in gaol on polling day the Government
+candidate would be "outed" to a certainty. Unfortunately, there could be
+no doubt or misconception as to Platterbaff's guilt. He had not only
+pleaded guilty, but had expressed his intention of repeating his escapade
+in other directions as soon as circumstances permitted; throughout the
+trial he was busy examining a small model of the Free Trade Hall in
+Manchester. The jury could not possibly find that the prisoner had not
+deliberately and intentionally blown up the Albert Hall; the question
+was: Could they find any extenuating circumstances which would permit of
+an acquittal? Of course any sentence which the law might feel compelled
+to inflict would be followed by an immediate pardon, but it was highly
+desirable, from the Government's point of view, that the necessity for
+such an exercise of clemency should not arise. A headlong pardon, on the
+eve of a bye-election, with threats of a heavy voting defection if it
+were withheld or even delayed, would not necessarily be a surrender, but
+it would look like one. Opponents would be only too ready to attribute
+ungenerous motives. Hence the anxiety in the crowded Court, and in the
+little groups gathered round the tape-machines in Whitehall and Downing
+Street and other affected centres.
+
+The jury returned from considering their verdict; there was a flutter, an
+excited murmur, a deathlike hush. The foreman delivered his message:
+
+"The jury find the prisoner guilty of blowing up the Albert Hall. The
+jury wish to add a rider drawing attention to the fact that a by-election
+is pending in the Parliamentary division of Nemesis-on-Hand."
+
+"That, of course," said the Government Prosecutor, springing to his feet,
+"is equivalent to an acquittal?"
+
+"I hardly think so," said the Judge, coldly; "I feel obliged to sentence
+the prisoner to a week's imprisonment."
+
+"And may the Lord have mercy on the poll," a Junior Counsel exclaimed
+irreverently.
+
+It was a scandalous sentence, but then the Judge was not on the
+Ministerial side in politics.
+
+The verdict and sentence were made known to the public at twenty minutes
+past five in the afternoon; at half-past five a dense crowd was massed
+outside the Prime Minister's residence lustily singing, to the air of
+"Trelawney":
+
+ "And should our Hero rot in gaol,
+ For e'en a single day,
+ There's Fifteen Hundred Voting Men
+ Will vote the other way."
+
+"Fifteen hundred," said the Prime Minister, with a shudder; "it's too
+horrible to think of. Our majority last time was only a thousand and
+seven."
+
+"The poll opens at eight to-morrow morning," said the Chief Organiser;
+"we must have him out by 7 a.m."
+
+"Seven-thirty," amended the Prime Minister; "we must avoid any appearance
+of precipitancy."
+
+"Not later than seven-thirty, then," said the Chief Organiser; "I have
+promised the agent down there that he shall be able to display posters
+announcing 'Platterbaff is Out,' before the poll opens. He said it was
+our only chance of getting a telegram 'Radprop is In' to-night."
+
+At half-past seven the next morning the Prime Minister and the Chief
+Organiser sat at breakfast, making a perfunctory meal, and awaiting the
+return of the Home Secretary, who had gone in person to superintend the
+releasing of Platterbaff. Despite the earliness of the hour a small
+crowd had gathered in the street outside, and the horrible menacing
+Trelawney refrain of the "Fifteen Hundred Voting Men" came in a steady,
+monotonous chant.
+
+"They will cheer presently when they hear the news," said the Prime
+Minister hopefully; "hark! They are booing some one now! That must be
+McKenna."
+
+The Home Secretary entered the room a moment later, disaster written on
+his face.
+
+"He won't go!" he exclaimed.
+
+"Won't go? Won't leave gaol?"
+
+"He won't go unless he has a brass band. He says he never has left
+prison without a brass band to play him out, and he's not going to go
+without one now."
+
+"But surely that sort of thing is provided by his supporters and
+admirers?" said the Prime Minister; "we can hardly be supposed to supply
+a released prisoner with a brass band. How on earth could we defend it
+on the Estimates?"
+
+"His supporters say it is up to us to provide the music," said the Home
+Secretary; "they say we put him in prison, and it's our affair to see
+that he leaves it in a respectable manner. Anyway, he won't go unless he
+has a band."
+
+The telephone squealed shrilly; it was a trunk call from Nemesis.
+
+"Poll opens in five minutes. Is Platterbaff out yet? In Heaven's name,
+why--"
+
+The Chief Organiser rang off.
+
+"This is not a moment for standing on dignity," he observed bluntly;
+"musicians must be supplied at once. Platterbaff must have his band."
+
+"Where are you going to find the musicians?" asked the Home Secretary
+wearily; "we can't employ a military band, in fact, I don't think he'd
+have one if we offered it, and there ain't any others. There's a
+musicians' strike on, I suppose you know."
+
+"Can't you get a strike permit?" asked the Organiser.
+
+"I'll try," said the Home Secretary, and went to the telephone.
+
+Eight o'clock struck. The crowd outside chanted with an increasing
+volume of sound:
+
+ "Will vote the other way."
+
+A telegram was brought in. It was from the central committee rooms at
+Nemesis. "Losing twenty votes per minute," was its brief message.
+
+Ten o'clock struck. The Prime Minister, the Home Secretary, the Chief
+Organiser, and several earnest helpful friends were gathered in the inner
+gateway of the prison, talking volubly to Demosthenes Platterbaff, who
+stood with folded arms and squarely planted feet, silent in their midst.
+Golden-tongued legislators whose eloquence had swayed the Marconi Inquiry
+Committee, or at any rate the greater part of it, expended their arts of
+oratory in vain on this stubborn unyielding man. Without a band he would
+not go; and they had no band.
+
+A quarter past ten, half-past. A constant stream of telegraph boys
+poured in through the prison gates.
+
+"Yamley's factory hands just voted you can guess how," ran a despairing
+message, and the others were all of the same tenour. Nemesis was going
+the way of Reading.
+
+"Have you any band instruments of an easy nature to play?" demanded the
+Chief Organiser of the Prison Governor; "drums, cymbals, those sort of
+things?"
+
+"The warders have a private band of their own," said the Governor, "but
+of course I couldn't allow the men themselves--"
+
+"Lend us the instruments," said the Chief Organiser.
+
+One of the earnest helpful friends was a skilled performer on the cornet,
+the Cabinet Ministers were able to clash cymbals more or less in tune,
+and the Chief Organiser has some knowledge of the drum.
+
+"What tune would you prefer?" he asked Platterbaff.
+
+"The popular song of the moment," replied the Agitator after a moment's
+reflection.
+
+It was a tune they had all heard hundreds of times, so there was no
+difficulty in turning out a passable imitation of it. To the improvised
+strains of "I didn't want to do it" the prisoner strode forth to freedom.
+The word of the song had reference, it was understood, to the
+incarcerating Government and not to the destroyer of the Albert Hall.
+
+The seat was lost, after all, by a narrow majority. The local Trade
+Unionists took offence at the fact of Cabinet Ministers having personally
+acted as strike-breakers, and even the release of Platterbaff failed to
+pacify them.
+
+The seat was lost, but Ministers had scored a moral victory. They had
+shown that they knew when and how to yield.
+
+
+
+
+THE THREAT
+
+
+Sir Lulworth Quayne sat in the lounge of his favourite restaurant, the
+Gallus Bankiva, discussing the weaknesses of the world with his nephew,
+who had lately returned from a much-enlivened exile in the wilds of
+Mexico. It was that blessed season of the year when the asparagus and
+the plover's egg are abroad in the land, and the oyster has not yet
+withdrawn into it's summer entrenchments, and Sir Lulworth and his nephew
+were in that enlightened after-dinner mood when politics are seen in
+their right perspective, even the politics of Mexico.
+
+"Most of the revolutions that take place in this country nowadays," said
+Sir Lulworth, "are the product of moments of legislative panic. Take,
+for instance, one of the most dramatic reforms that has been carried
+through Parliament in the lifetime of this generation. It happened
+shortly after the coal strike, of unblessed memory. To you, who have
+been plunged up to the neck in events of a more tangled and tumbled
+description, the things I am going to tell you of may seem of secondary
+interest, but after all we had to live in the midst of them."
+
+Sir Lulworth interrupted himself for a moment to say a few kind words to
+the liqueur brandy he had just tasted, and them resumed his narrative.
+
+"Whether one sympathises with the agitation for female suffrage or not
+one has to admit that its promoters showed tireless energy and
+considerable enterprise in devising and putting into action new methods
+for accomplishing their ends. As a rule they were a nuisance and a
+weariness to the flesh, but there were times when they verged on the
+picturesque. There was the famous occasion when they enlivened and
+diversified the customary pageantry of the Royal progress to open
+Parliament by letting loose thousands of parrots, which had been
+carefully trained to scream 'Votes for women,' and which circled round
+his Majesty's coach in a clamorous cloud of green, and grey and scarlet.
+It was really rather a striking episode from the spectacular point of
+view; unfortunately, however, for its devisers, the secret of their
+intentions had not been well kept, and their opponents let loose at the
+same moment a rival swarm of parrots, which screeched 'I _don't_ think'
+and other hostile cries, thereby robbing the demonstration of the
+unanimity which alone could have made it politically impressive. In the
+process of recapture the birds learned a quantity of additional language
+which unfitted them for further service in the Suffragette cause; some of
+the green ones were secured by ardent Home Rule propagandists and trained
+to disturb the serenity of Orange meetings by pessimistic reflections on
+Sir Edward Carson's destination in the life to come. In fact, the bird
+in politics is a factor that seems to have come to stay; quite recently,
+at a political gathering held in a dimly-lighted place of worship, the
+congregation gave a respectful hearing for nearly ten minutes to a
+jackdaw from Wapping, under the impression that they were listening to
+the Chancellor of the Exchequer, who was late in arriving."
+
+"But the Suffragettes," interrupted the nephew; "what did they do next?"
+
+"After the bird fiasco," said Sir Lulworth, "the militant section made a
+demonstration of a more aggressive nature; they assembled in force on the
+opening day of the Royal Academy Exhibition and destroyed some three or
+four hundred of the pictures. This proved an even worse failure than the
+parrot business; every one agreed that there was always far too many
+pictures in the Academy Exhibition, and the drastic weeding out of a few
+hundred canvases was regarded as a positive improvement. Moreover, from
+the artists' point of view it was realised that the outrage constituted a
+sort of compensation for those whose works were persistently 'skied',
+since out of sight meant also out of reach. Altogether it was one of the
+most successful and popular exhibitions that the Academy had held for
+many years. Then the fair agitators fell back on some of their earlier
+methods; they wrote sweetly argumentative plays to prove that they ought
+to have the vote, they smashed windows to show that they must have the
+vote, and they kicked Cabinet Ministers to demonstrate that they'd better
+have the vote, and still the coldly reasoned or unreasoned reply was that
+they'd better not. Their plight might have been summed up in a
+perversion of Gilbert's lines--
+
+ "Twenty voteless millions we,
+ Voteless all against our will,
+ Twenty years hence we shall be
+ Twenty voteless millions still."
+
+And of course the great idea for their master-stroke of strategy came
+from a masculine source. Lena Dubarri, who was the captain-general of
+their thinking department, met Waldo Orpington in the Mall one afternoon,
+just at a time when the fortunes of the Cause were at their lowest ebb.
+Waldo Orpington is a frivolous little fool who chirrups at drawing-room
+concerts and can recognise bits from different composers without
+referring to the programme, but all the same he occasionally has ideas.
+He didn't care a twopenny fiddlestring about the Cause, but he rather
+enjoyed the idea of having his finger in the political pie. Also it is
+possible, though I should think highly improbable, that he admired Lena
+Dubarri. Anyhow, when Lena gave a rather gloomy account of the existing
+state of things in the Suffragette World, Waldo was not merely
+sympathetic but ready with a practical suggestion. Turning his gaze
+westward along the Mall, towards the setting sun and Buckingham Palace,
+he was silent for a moment, and then said significantly, 'You have
+expended your energies and enterprise on labours of destruction; why has
+it never occurred to you to attempt something far more terrific?'
+
+"'What do you mean?' she asked him eagerly.
+
+"'Create.'
+
+"'Do you mean create disturbances? We've been doing nothing else for
+months,' she said.
+
+"Waldo shook his head, and continued to look westward along the Mall.
+He's rather good at acting in an amateur sort of fashion. Lena followed
+his gaze, and then turned to him with a puzzled look of inquiry.
+
+"'Exactly,' said Waldo, in answer to her look.
+
+"'But--how can we create?' she asked; 'it's been done already.'
+
+"'Do it _again_,' said Waldo, 'and again and again--'
+
+"Before he could finish the sentence she had kissed him. She declared
+afterwards that he was the first man she had ever kissed, and he declared
+that she was the first woman who had ever kissed him in the Mall, so they
+both secured a record of a kind.
+
+"Within the next day or two a new departure was noticeable in Suffragette
+tactics. They gave up worrying Ministers and Parliament and took to
+worrying their own sympathisers and supporters--for funds. The ballot-
+box was temporarily forgotten in the cult of the collecting-box. The
+daughters of the horseleech were not more persistent in their demands,
+the financiers of the tottering _ancien regime_ were not more desperate
+in their expedients for raising money than the Suffragist workers of all
+sections at this juncture, and in one way and another, by fair means and
+normal, they really got together a very useful sum. What they were going
+to do with it no one seemed to know, not even those who were most active
+in collecting work. The secret on this occasion had been well kept.
+Certain transactions that leaked out from time to time only added to the
+mystery of the situation.
+
+"'Don't you long to know what we are going to do with our treasure
+hoard?' Lena asked the Prime Minister one day when she happened to sit
+next to him at a whist drive at the Chinese Embassy.
+
+"'I was hoping you were going to try a little personal bribery,' he
+responded banteringly, but some genuine anxiety and curiosity lay behind
+the lightness of his chaff; 'of course I know,' he added, 'that you have
+been buying up building sites in commanding situations in and around the
+Metropolis. Two or three, I'm told, are on the road to Brighton, and
+another near Ascot. You don't mean to fortify them, do you?'
+
+"'Something more insidious than that,' she said; 'you could prevent us
+from building forts; you can't prevent us from erecting an exact replica
+of the Victoria Memorial on each of those sites. They're all private
+property, with no building restrictions attached.'
+
+"'Which memorial?' he asked; 'not the one in front of Buckingham Palace?
+Surely not that one?'
+
+"'That one,' she said.
+
+"'My dear lady,' he cried, 'you can't be serious. It is a beautiful and
+imposing work of art--at any rate one is getting accustomed to it, and
+even if one doesn't happen to admire it one can always look in another
+direction. But imagine what life would be like if one saw that erection
+confronting one wherever one went. Imagine the effect on people with
+tired, harassed nerves who saw it three times on the way to Brighton and
+three times on the way back. Imagine seeing it dominate the landscape at
+Ascot, and trying to keep your eye off it on the Sandwich golf links.
+What have your countrymen done to deserve such a thing?'
+
+"'They have refused us the vote,' said Lena bitterly.
+
+"The Prime Minister always declared himself an opponent of anything
+savouring of panic legislation, but he brought a Bill into Parliament
+forthwith and successfully appealed to both Houses to pass it through all
+its stages within the week. And that is how we got one of the most
+glorious measures of the century."
+
+"A measure conferring the vote on women?" asked the nephew.
+
+"Oh dear, no. An Act which made it a penal offence to erect
+commemorative statuary anywhere within three miles of a public highway."
+
+
+
+
+EXCEPTING MRS. PENTHERBY
+
+
+It was Reggie Bruttle's own idea for converting what had threatened to be
+an albino elephant into a beast of burden that should help him along the
+stony road of his finances. "The Limes," which had come to him by
+inheritance without any accompanying provision for its upkeep, was one of
+those pretentious, unaccommodating mansions which none but a man of
+wealth could afford to live in, and which not one wealthy man in a
+hundred would choose on its merits. It might easily languish in the
+estate market for years, set round with noticeboards proclaiming it, in
+the eyes of a sceptical world, to be an eminently desirable residence.
+
+Reggie's scheme was to turn it into the headquarters of a prolonged
+country-house party, in session during the months from October till the
+end of March--a party consisting of young or youngish people of both
+sexes, too poor to be able to do much hunting or shooting on a serious
+scale, but keen on getting their fill of golf, bridge, dancing, and
+occasional theatre-going. No one was to be on the footing of a paying
+guest, but every one was to rank as a paying host; a committee would look
+after the catering and expenditure, and an informal sub-committee would
+make itself useful in helping forward the amusement side of the scheme.
+
+As it was only an experiment, there was to be a general agreement on the
+part of those involved in it to be as lenient and mutually helpful to one
+another as possible. Already a promising nucleus, including one or two
+young married couples, had been got together, and the thing seemed to be
+fairly launched.
+
+"With good management and a little unobtrusive hard work, I think the
+thing ought to be a success," said Reggie, and Reggie was one of those
+people who are painstaking first and optimistic afterwards.
+
+"There is one rock on which you will unfailingly come to grief, manage
+you never so wisely," said Major Dagberry, cheerfully; "the women will
+quarrel. Mind you," continued this prophet of disaster, "I don't say
+that some of the men won't quarrel too, probably they will; but the women
+are bound to. You can't prevent it; it's in the nature of the sex. The
+hand that rocks the cradle rocks the world, in a volcanic sense. A woman
+will endure discomforts, and make sacrifices, and go without things to an
+heroic extent, but the one luxury she will not go without is her
+quarrels. No matter where she may be, or how transient her appearance on
+a scene, she will instal her feminine feuds as assuredly as a Frenchman
+would concoct soup in the waste of the Arctic regions. At the
+commencement of a sea voyage, before the male traveller knows half a
+dozen of his fellow passengers by sight, the average woman will have
+started a couple of enmities, and laid in material for one or two
+more--provided, of course, that there are sufficient women aboard to
+permit quarrelling in the plural. If there's no one else she will
+quarrel with the stewardess. This experiment of yours is to run for six
+months; in less than five weeks there will be war to the knife declaring
+itself in half a dozen different directions."
+
+"Oh, come, there are only eight women in the party; they won't pick
+quarrels quite so soon as that," protested Reggie.
+
+"They won't all originate quarrels, perhaps," conceded the Major, "but
+they will all take sides, and just as Christmas is upon you, with its
+conventions of peace and good will, you will find yourself in for a
+glacial epoch of cold, unforgiving hostility, with an occasional Etna
+flare of open warfare. You can't help it, old boy; but, at any rate, you
+can't say you were not warned."
+
+The first five weeks of the venture falsified Major Dagberry's prediction
+and justified Reggie's optimism. There were, of course, occasional small
+bickerings, and the existence of certain jealousies might be detected
+below the surface of everyday intercourse; but, on the whole, the women-
+folk got on remarkably well together. There was, however, a notable
+exception. It had not taken five weeks for Mrs. Pentherby to get herself
+cordially disliked by the members of her own sex; five days had been
+amply sufficient. Most of the women declared that they had detested her
+the moment they set eyes on her; but that was probably an afterthought.
+
+With the menfolk she got on well enough, without being of the type of
+woman who can only bask in male society; neither was she lacking in the
+general qualities which make an individual useful and desirable as a
+member of a co-operative community. She did not try to "get the better
+of" her fellow-hosts by snatching little advantages or cleverly evading
+her just contributions; she was not inclined to be boring or snobbish in
+the way of personal reminiscence. She played a fair game of bridge, and
+her card-room manners were irreproachable. But wherever she came in
+contact with her own sex the light of battle kindled at once; her talent
+of arousing animosity seemed to border on positive genius.
+
+Whether the object of her attentions was thick-skinned or sensitive,
+quick-tempered or good-natured, Mrs. Pentherby managed to achieve the
+same effect. She exposed little weaknesses, she prodded sore places, she
+snubbed enthusiasms, she was generally right in a matter of argument, or,
+if wrong, she somehow contrived to make her adversary appear foolish and
+opinionated. She did, and said, horrible things in a matter-of-fact
+innocent way, and she did, and said, matter-of-fact innocent things in a
+horrible way. In short, the unanimous feminine verdict on her was that
+she was objectionable.
+
+There was no question of taking sides, as the Major had anticipated; in
+fact, dislike of Mrs. Pentherby was almost a bond of union between the
+other women, and more than one threatening disagreement had been rapidly
+dissipated by her obvious and malicious attempts to inflame and extend
+it; and the most irritating thing about her was her successful assumption
+of unruffled composure at moments when the tempers of her adversaries
+were with difficulty kept under control. She made her most scathing
+remarks in the tone of a tube conductor announcing that the next station
+is Brompton Road--the measured, listless tone of one who knows he is
+right, but is utterly indifferent to the fact that he proclaims.
+
+On one occasion Mrs. Val Gwepton, who was not blessed with the most
+reposeful of temperaments, fairly let herself go, and gave Mrs. Pentherby
+a vivid and truthful _resume_ of her opinion of her. The object of this
+unpent storm of accumulated animosity waited patiently for a lull, and
+then remarked quietly to the angry little woman--
+
+"And now, my dear Mrs. Gwepton, let me tell you something that I've been
+wanting to say for the last two or three minutes, only you wouldn't given
+me a chance; you've got a hairpin dropping out on the left side. You
+thin-haired women always find it difficult to keep your hairpins in."
+
+"What can one do with a woman like that?" Mrs. Val demanded afterwards of
+a sympathising audience.
+
+Of course, Reggie received numerous hints as to the unpopularity of this
+jarring personality. His sister-in-law openly tackled him on the subject
+of her many enormities. Reggie listened with the attenuated regret that
+one bestows on an earthquake disaster in Bolivia or a crop failure in
+Eastern Turkestan, events which seem so distant that one can almost
+persuade oneself they haven't happened.
+
+"That woman has got some hold over him," opined his sister-in-law,
+darkly; "either she is helping him to finance the show, and presumes on
+the fact, or else, which Heaven forbid, he's got some queer infatuation
+for her. Men do take the most extraordinary fancies."
+
+Matters never came exactly to a crisis. Mrs. Pentherby, as a source of
+personal offence, spread herself over so wide an area that no one woman
+of the party felt impelled to rise up and declare that she absolutely
+refused to stay another week in the same house with her. What is
+everybody's tragedy is nobody's tragedy. There was ever a certain
+consolation in comparing notes as to specific acts of offence. Reggie's
+sister-in-law had the added interest of trying to discover the secret
+bond which blunted his condemnation of Mrs. Pentherby's long catalogue of
+misdeeds. There was little to go on from his manner towards her in
+public, but he remained obstinately unimpressed by anything that was said
+against her in private.
+
+With the one exception of Mrs. Pentherby's unpopularity, the house-party
+scheme was a success on its first trial, and there was no difficulty
+about reconstructing it on the same lines for another winter session. It
+so happened that most of the women of the party, and two or three of the
+men, would not be available on this occasion, but Reggie had laid his
+plans well ahead and booked plenty of "fresh blood" for the departure. It
+would be, if any thing, rather a larger party than before.
+
+"I'm so sorry I can't join this winter," said Reggie's sister-in-law,
+"but we must go to our cousins in Ireland; we've put them off so often.
+What a shame! You'll have none of the same women this time."
+
+"Excepting Mrs. Pentherby," said Reggie, demurely.
+
+"Mrs. Pentherby! _Surely_, Reggie, you're not going to be so idiotic as
+to have that woman again! She'll set all the women's backs up just as
+she did this time. What _is_ this mysterious hold she's go over you?"
+
+"She's invaluable," said Reggie; "she's my official quarreller."
+
+"Your--what did you say?" gasped his sister-in-law.
+
+"I introduced her into the house-party for the express purpose of
+concentrating the feuds and quarrelling that would otherwise have broken
+out in all directions among the womenkind. I didn't need the advice and
+warning of sundry friends to foresee that we shouldn't get through six
+months of close companionship without a certain amount of pecking and
+sparring, so I thought the best thing was to localise and sterilise it in
+one process. Of course, I made it well worth the lady's while, and as
+she didn't know any of you from Adam, and you don't even know her real
+name, she didn't mind getting herself disliked in a useful cause."
+
+"You mean to say she was in the know all the time?"
+
+"Of course she was, and so were one or two of the men, so she was able to
+have a good laugh with us behind the scenes when she'd done anything
+particularly outrageous. And she really enjoyed herself. You see, she's
+in the position of poor relation in a rather pugnacious family, and her
+life has been largely spent in smoothing over other people's quarrels.
+You can imagine the welcome relief of being able to go about saying and
+doing perfectly exasperating things to a whole houseful of women--and all
+in the cause of peace."
+
+"I think you are the most odious person in the whole world," said
+Reggie's sister-in-law. Which was not strictly true; more than anybody,
+more than ever she disliked Mrs. Pentherby. It was impossible to
+calculate how many quarrels that woman had done her out of.
+
+
+
+
+MARK
+
+
+Augustus Mellowkent was a novelist with a future; that is to say, a
+limited but increasing number of people read his books, and there seemed
+good reason to suppose that if he steadily continued to turn out novels
+year by year a progressively increasing circle of readers would acquire
+the Mellowkent habit, and demand his works from the libraries and
+bookstalls. At the instigation of his publisher he had discarded the
+baptismal Augustus and taken the front name of Mark.
+
+"Women like a name that suggests some one strong and silent, able but
+unwilling to answer questions. Augustus merely suggests idle splendour,
+but such a name as Mark Mellowkent, besides being alliterative, conjures
+up a vision of some one strong and beautiful and good, a sort of blend of
+Georges Carpentier and the Reverend What's-his-name."
+
+One morning in December Augustus sat in his writing-room, at work on the
+third chapter of his eighth novel. He had described at some length, for
+the benefit of those who could not imagine it, what a rectory garden
+looks like in July; he was now engaged in describing at greater length
+the feelings of a young girl, daughter of a long line of rectors and
+archdeacons, when she discovers for the first time that the postman is
+attractive.
+
+"Their eyes met, for a brief moment, as he handed her two circulars and
+the fat wrapper-bound bulk of the _East Essex News_. Their eyes met, for
+the merest fraction of a second, yet nothing could ever be quite the same
+again. Cost what it might she felt that she must speak, must break the
+intolerable, unreal silence that had fallen on them. 'How is your
+mother's rheumatism?' she said."
+
+The author's labours were cut short by the sudden intrusion of a
+maidservant.
+
+"A gentleman to see you, sir," said the maid, handing a card with the
+name Caiaphas Dwelf inscribed on it; "says it's important."
+
+Mellowkent hesitated and yielded; the importance of the visitor's mission
+was probably illusory, but he had never met any one with the name
+Caiaphas before. It would be at least a new experience.
+
+Mr. Dwelf was a man of indefinite age; his high, narrow forehead, cold
+grey eyes, and determined manner bespoke an unflinching purpose. He had
+a large book under his arm, and there seemed every probability that he
+had left a package of similar volumes in the hall. He took a seat before
+it had been offered him, placed the book on the table, and began to
+address Mellowkent in the manner of an "open letter."
+
+"You are a literary man, the author of several well-known books--"
+
+"I am engage on a book at the present moment--rather busily engaged,"
+said Mellowkent, pointedly.
+
+"Exactly," said the intruder; "time with you is a commodity of
+considerable importance. Minutes, even, have their value."
+
+"They have," agreed Mellowkent, looking at his watch.
+
+"That," said Caiaphas, "is why this book that I am introducing to your
+notice is not a book that you can afford to be without. _Right Here_ is
+indispensable for the writing man; it is no ordinary encyclopaedia, or I
+should not trouble to show it to you. It is an inexhaustible mine of
+concise information--"
+
+"On a shelf at my elbow," said the author, "I have a row of reference
+books that supply me with all the information I am likely to require."
+
+"Here," persisted the would-be salesman, "you have it all in one compact
+volume. No matter what the subject may be which you wish to look up, or
+the fact you desire to verify, _Right Here_ gives you all that you want
+to know in the briefest and most enlightening form. Historical
+reference, for instance; career of John Huss, let us say. Here we are:
+'Huss, John, celebrated religious reformer. Born 1369, burned at
+Constance 1415. The Emperor Sigismund universally blamed.'"
+
+"If he had been burnt in these days every one would have suspected the
+Suffragettes," observed Mellowkent.
+
+"Poultry-keeping, now," resumed Caiaphas, "that's a subject that might
+crop up in a novel dealing with English country life. Here we have all
+about it: 'The Leghorn as egg-producer. Lack of maternal instinct in the
+Minorca. Gapes in chickens, its cause and cure. Ducklings for the early
+market, how fattened.' There, you see, there it all is, nothing
+lacking."
+
+"Except the maternal instinct in the Minorca, and that you could hardly
+be expected to supply."
+
+"Sporting records, that's important, too; now how many men, sporting men
+even, are there who can say off-hand what horse won the Derby in any
+particular year? Now it's just a little thing of that sort--"
+
+"My dear sir," interrupted Mellowkent, "there are at least four men in my
+club who can not only tell me what horse won in any given year, but what
+horse ought to have won and why it didn't. If your book could supply a
+method for protecting one from information of that sort it would do more
+than anything you have yet claimed for it."
+
+"Geography," said Caiaphas, imperturbably; "that's a thing that a busy
+man, writing at high pressure, may easily make a slip over. Only the
+other day a well-known author made the Volga flow into the Black Sea
+instead of the Caspian; now, with this book--"
+
+"On a polished rose-wood stand behind you there reposes a reliable and up-
+to-date atlas," said Mellowkent; "and now I must really ask you to be
+going."
+
+"An atlas," said Caiaphas, "gives merely the chart of the river's course,
+and indicates the principal towns that it passes. Now _Right Here_ gives
+you the scenery, traffic, ferry-boat charges, the prevalent types of
+fish, boatmen's slang terms, and hours of sailing of the principal river
+steamers. If gives you--"
+
+Mellowkent sat and watched the hard-featured, resolute, pitiless
+salesman, as he sat doggedly in the chair wherein he had installed
+himself, unflinchingly extolling the merits of his undesired wares. A
+spirit of wistful emulation took possession of the author; why could he
+not live up to the cold stern name he had adopted? Why must he sit here
+weakly and listen to this weary, unconvincing tirade, why could he not be
+Mark Mellowkent for a few brief moments, and meet this man on level
+terms?
+
+A sudden inspiration flashed across his.
+
+"Have you read my last book, _The Cageless Linnet_?" he asked.
+
+"I don't read novels," said Caiaphas tersely.
+
+"Oh, but you ought to read this one, every one ought to," exclaimed
+Mellowkent, fishing the book down from a shelf; "published at six
+shillings, you can have it at four-and-six. There is a bit in chapter
+five that I feel sure you would like, where Emma is alone in the birch
+copse waiting for Harold Huntingdon--that is the man her family want her
+to marry. She really wants to marry him, too, but she does not discover
+that till chapter fifteen. Listen: 'Far as the eye could stretch rolled
+the mauve and purple billows of heather, lit up here and there with the
+glowing yellow of gorse and broom, and edged round with the delicate
+greys and silver and green of the young birch trees. Tiny blue and brown
+butterflies fluttered above the fronds of heather, revelling in the
+sunlight, and overhead the larks were singing as only larks can sing. It
+was a day when all Nature--"
+
+"In _Right Here_ you have full information on all branches of Nature
+study," broke in the bookagent, with a tired note sounding in his voice
+for the first time; "forestry, insect life, bird migration, reclamation
+of waste lands. As I was saying, no man who has to deal with the varied
+interests of life--"
+
+"I wonder if you would care for one of my earlier books, _The Reluctance
+of Lady Cullumpton_," said Mellowkent, hunting again through the
+bookshelf; "some people consider it my best novel. Ah, here it is. I
+see there are one or two spots on the cover, so I won't ask more than
+three-and-ninepence for it. Do let me read you how it opens:
+
+"'Beatrice Lady Cullumpton entered the long, dimly-lit drawing-room, her
+eyes blazing with a hope that she guessed to be groundless, her lips
+trembling with a fear that she could not disguise. In her hand she
+carried a small fan, a fragile toy of lace and satinwood. Something
+snapped as she entered the room; she had crushed the fan into a dozen
+pieces.'
+
+"There, what do you think of that for an opening? It tells you at once
+that there's something afoot."
+
+"I don't read novels," said Caiaphas sullenly.
+
+"But just think what a resource they are," exclaimed the author, "on long
+winter evenings, or perhaps when you are laid up with a strained ankle--a
+thing that might happen to any one; or if you were staying in a house-
+party with persistent wet weather and a stupid hostess and insufferably
+dull fellow-guests, you would just make an excuse that you had letters to
+write, go to your room, light a cigarette, and for three-and-ninepence
+you could plunge into the society of Beatrice Lady Cullumpton and her
+set. No one ought to travel without one or two of my novels in their
+luggage as a stand-by. A friend of mine said only the other day that he
+would as soon think of going into the tropics without quinine as of going
+on a visit without a couple of Mark Mellowkents in his kit-bag. Perhaps
+sensation is more in your line. I wonder if I've got a copy of _The
+Python's Kiss_."
+
+Caiaphas did not wait to be tempted with selections from that thrilling
+work of fiction. With a muttered remark about having no time to waste on
+monkey-talk, he gathered up his slighted volume and departed. He made no
+audible reply to Mellowkent's cheerful "Good morning," but the latter
+fancied that a look of respectful hatred flickered in the cold grey eyes.
+
+
+
+
+THE HEDGEHOG
+
+
+A "Mixed Double" of young people were contesting a game of lawn tennis at
+the Rectory garden party; for the past five-and-twenty years at least
+mixed doubles of young people had done exactly the same thing on exactly
+the same spot at about the same time of year. The young people changed
+and made way for others in the course of time, but very little else
+seemed to alter. The present players were sufficiently conscious of the
+social nature of the occasion to be concerned about their clothes and
+appearance, and sufficiently sport-loving to be keen on the game. Both
+their efforts and their appearance came under the fourfold scrutiny of a
+quartet of ladies sitting as official spectators on a bench immediately
+commanding the court. It was one of the accepted conditions of the
+Rectory garden party that four ladies, who usually knew very little about
+tennis and a great deal about the players, should sit at that particular
+spot and watch the game. It had also come to be almost a tradition that
+two ladies should be amiable, and that the other two should be Mrs. Dole
+and Mrs. Hatch-Mallard.
+
+"What a singularly unbecoming way Eva Jonelet has taken to doing her hair
+in," said Mrs. Hatch-Mallard; "it's ugly hair at the best of times, but
+she needn't make it look ridiculous as well. Some one ought to tell
+her."
+
+Eva Jonelet's hair might have escaped Mrs. Hatch-Mallard's condemnation
+if she could have forgotten the more glaring fact that Eva was Mrs.
+Dole's favourite niece. It would, perhaps, have been a more comfortable
+arrangement if Mrs. Hatch-Mallard and Mrs. Dole could have been asked to
+the Rectory on separate occasions, but there was only one garden party in
+the course of the year, and neither lady could have been omitted from the
+list of invitations without hopelessly wrecking the social peace of the
+parish.
+
+"How pretty the yew trees look at this time of year," interposed a lady
+with a soft, silvery voice that suggested a chinchilla muff painted by
+Whistler.
+
+"What do you mean by this time of year?" demanded Mrs. Hatch-Mallard.
+"Yew trees look beautiful at all times of the year. That is their great
+charm."
+
+"Yew trees never look anything but hideous under any circumstances or at
+any time of year," said Mrs. Dole, with the slow, emphatic relish of one
+who contradicts for the pleasure of the thing. "They are only fit for
+graveyards and cemeteries."
+
+Mrs. Hatch-Mallard gave a sardonic snort, which, being translated, meant
+that there were some people who were better fitted for cemeteries than
+for garden parties.
+
+"What is the score, please?" asked the lady with the chinchilla voice.
+
+The desired information was given her by a young gentleman in spotless
+white flannels, whose general toilet effect suggested solicitude rather
+than anxiety.
+
+"What an odious young cub Bertie Dykson has become!" pronounced Mrs.
+Dole, remembering suddenly that Bertie was a favourite with Mrs. Hatch-
+Mallard. "The young men of to-day are not what they used to be twenty
+years ago."
+
+"Of course not," said Mrs. Hatch-Mallard; "twenty years ago Bertie Dykson
+was just two years old, and you must expect some difference in appearance
+and manner and conversation between those two periods."
+
+"Do you know," said Mrs. Dole, confidentially, "I shouldn't be surprised
+if that was intended to be clever."
+
+"Have you any one interesting coming to stay with you, Mrs. Norbury?"
+asked the chinchilla voice, hastily; "you generally have a house party at
+this time of year."
+
+"I've got a most interesting woman coming," said Mrs. Norbury, who had
+been mutely struggling for some chance to turn the conversation into a
+safe channel; "an old acquaintance of mine, Ada Bleek--"
+
+"What an ugly name," said Mrs. Hatch-Mallard.
+
+"She's descended from the de la Bliques, an old Huguenot family of
+Touraine, you know."
+
+"There weren't any Huguenots in Touraine," said Mrs. Hatch-Mallard, who
+thought she might safely dispute any fact that was three hundred years
+old.
+
+"Well, anyhow, she's coming to stay with me," continued Mrs. Norbury,
+bringing her story quickly down to the present day, "she arrives this
+evening, and she's highly clairvoyante, a seventh daughter of a seventh
+daughter, you now, and all that sort of thing."
+
+"How very interesting," said the chinchilla voice; "Exwood is just the
+right place for her to come to, isn't it? There are supposed to be
+several ghosts there."
+
+"That is why she was so anxious to come," said Mrs. Norbury; "she put off
+another engagement in order to accept my invitation. She's had visions
+and dreams, and all those sort of things, that have come true in a most
+marvellous manner, but she's never actually seen a ghost, and she's
+longing to have that experience. She belongs to that Research Society,
+you know."
+
+"I expect she'll see the unhappy Lady Cullumpton, the most famous of all
+the Exwood ghosts," said Mrs. Dole; "my ancestor, you know, Sir Gervase
+Cullumpton, murdered his young bride in a fit of jealousy while they were
+on a visit to Exwood. He strangled her in the stables with a stirrup
+leather, just after they had come in from riding, and she is seen
+sometimes at dusk going about the lawns and the stable yard, in a long
+green habit, moaning and trying to get the thong from round her throat. I
+shall be most interested to hear if your friend sees--"
+
+"I don't know why she should be expected to see a trashy, traditional
+apparition like the so-called Cullumpton ghost, that is only vouched for
+by housemaids and tipsy stable-boys, when my uncle, who was the owner of
+Exwood, committed suicide there under the most tragical circumstances,
+and most certainly haunts the place."
+
+"Mrs. Hatch-Mallard has evidently never read _Popple's County History_,"
+said Mrs. Dole icily, "or she would know that the Cullumpton ghost has a
+wealth of evidence behind it--"
+
+"Oh, Popple!" exclaimed Mrs. Hatch-Mallard scornfully; "any rubbishy old
+story is good enough for him. Popple, indeed! Now my uncle's ghost was
+seen by a Rural Dean, who was also a Justice of the Peace. I should
+think that would be good enough testimony for any one. Mrs. Norbury, I
+shall take it as a deliberate personal affront if your clairvoyante
+friend sees any other ghost except that of my uncle."
+
+"I daresay she won't see anything at all; she never has yet, you know,"
+said Mrs. Norbury hopefully.
+
+"It was a most unfortunate topic for me to have broached," she lamented
+afterwards to the owner of the chinchilla voice; "Exwood belongs to Mrs.
+Hatch-Mallard, and we've only got it on a short lease. A nephew of hers
+has been wanting to live there for some time, and if we offend her in any
+way she'll refuse to renew the lease. I sometimes think these garden-
+parties are a mistake."
+
+The Norburys played bridge for the next three nights till nearly one
+o'clock; they did not care for the game, but it reduced the time at their
+guest's disposal for undesirable ghostly visitations.
+
+"Miss Bleek is not likely to be in a frame of mind to see ghosts," said
+Hugo Norbury, "if she goes to bed with her brain awhirl with royal spades
+and no trumps and grand slams."
+
+"I've talked to her for hours about Mrs. Hatch-Mallard's uncle," said his
+wife, "and pointed out the exact spot where he killed himself, and
+invented all sorts of impressive details, and I've found an old portrait
+of Lord John Russell and put it in her room, and told her that it's
+supposed to be a picture of the uncle in middle age. If Ada does see a
+ghost at all it certainly ought to be old Hatch-Mallard's. At any rate,
+we've done our best."
+
+The precautions were in vain. On the third morning of her stay Ada Bleek
+came down late to breakfast, her eyes looking very tired, but ablaze with
+excitement, her hair done anyhow, and a large brown volume hugged under
+her arm.
+
+"At last I've seen something supernatural!" she exclaimed, and gave Mrs.
+Norbury a fervent kiss, as though in gratitude for the opportunity
+afforded her.
+
+"A ghost!" cried Mrs. Norbury, "not really!"
+
+"Really and unmistakably!"
+
+"Was it an oldish man in the dress of about fifty years ago?" asked Mrs.
+Norbury hopefully.
+
+"Nothing of the sort," said Ada; "it was a white hedgehog."
+
+"A white hedgehog!" exclaimed both the Norburys, in tones of disconcerted
+astonishment.
+
+"A huge white hedgehog with baleful yellow eyes," said Ada; "I was lying
+half asleep in bed when suddenly I felt a sensation as of something
+sinister and unaccountable passing through the room. I sat up and looked
+round, and there, under the window, I saw an evil, creeping thing, a sort
+of monstrous hedgehog, of a dirty white colour, with black, loathsome
+claws that clicked and scraped along the floor, and narrow, yellow eyes
+of indescribable evil. It slithered along for a yard or two, always
+looking at me with its cruel, hideous eyes, then, when it reached the
+second window, which was open it clambered up the sill and vanished. I
+got up at once and went to the window; there wasn't a sign of it
+anywhere. Of course, I knew it must be something from another world, but
+it was not till I turned up Popple's chapter on local traditions that I
+realised what I had seen."
+
+She turned eagerly to the large brown volume and read: "'Nicholas
+Herison, an old miser, was hung at Batchford in 1763 for the murder of a
+farm lad who had accidentally discovered his secret hoard. His ghost is
+supposed to traverse the countryside, appearing sometimes as a white owl,
+sometimes as a huge white hedgehog."
+
+"I expect you read the Popple story overnight, and that made you _think_
+you saw a hedgehog when you were only half awake," said Mrs. Norbury,
+hazarding a conjecture that probably came very near the truth.
+
+Ada scouted the possibility of such a solution of her apparition.
+
+"This must be hushed up," said Mrs. Norbury quickly; "the servants--"
+
+"Hushed up!" exclaimed Ada, indignantly; "I'm writing a long report on it
+for the Research Society."
+
+It was then that Hugo Norbury, who is not naturally a man of brilliant
+resource, had one of the really useful inspirations of his life.
+
+"It was very wicked of us, Miss Bleek," he said, "but it would be a shame
+to let it go further. That white hedgehog is an old joke of ours;
+stuffed albino hedgehog, you know, that my father brought home from
+Jamaica, where they grow to enormous size. We hide it in the room with a
+string on it, run one end of the string through the window; then we pull
+if from below and it comes scraping along the floor, just as you've
+described, and finally jerks out of the window. Taken in heaps of
+people; they all read up Popple and think it's old Harry Nicholson's
+ghost; we always stop them from writing to the papers about it, though.
+That would be carrying matters too far."
+
+Mrs. Hatch-Mallard renewed the lease in due course, but Ada Bleek has
+never renewed her friendship.
+
+
+
+
+THE MAPPINED LIFE
+
+
+"These Mappin Terraces at the Zoological Gardens are a great improvement
+on the old style of wild-beast cage," said Mrs. James Gurtleberry,
+putting down an illustrated paper; "they give one the illusion of seeing
+the animals in their natural surroundings. I wonder how much of the
+illusion is passed on to the animals?"
+
+"That would depend on the animal," said her niece; "a jungle-fowl, for
+instance, would no doubt think its lawful jungle surroundings were
+faithfully reproduced if you gave it a sufficiency of wives, a goodly
+variety of seed food and ants' eggs, a commodious bank of loose earth to
+dust itself in, a convenient roosting tree, and a rival or two to make
+matters interesting. Of course there ought to be jungle-cats and birds
+of prey and other agencies of sudden death to add to the illusion of
+liberty, but the bird's own imagination is capable of inventing
+those--look how a domestic fowl will squawk an alarm note if a rook or
+wood pigeon passes over its run when it has chickens."
+
+"You think, then, they really do have a sort of illusion, if you give
+them space enough--"
+
+"In a few cases only. Nothing will make me believe that an acre or so of
+concrete enclosure will make up to a wolf or a tiger-cat for the range of
+night prowling that would belong to it in a wild state. Think of the
+dictionary of sound and scent and recollection that unfolds before a real
+wild beat as it comes out from its lair every evening, with the knowledge
+that in a few minutes it will be hieing along to some distant hunting
+ground where all the joy and fury of the chase awaits it; think of the
+crowded sensations of the brain when every rustle, every cry, every bent
+twig, and every whiff across the nostrils means something, something to
+do with life and death and dinner. Imagine the satisfaction of stealing
+down to your own particular drinking spot, choosing your own particular
+tree to scrape your claws on, finding your own particular bed of dried
+grass to roll on. Then, in the place of all that, put a concrete
+promenade, which will be of exactly the same dimensions whether you race
+or crawl across it, coated with stale, unvarying scents and surrounded
+with cries and noises that have ceased to have the least meaning or
+interest. As a substitute for a narrow cage the new enclosures are
+excellent, but I should think they are a poor imitation of a life of
+liberty."
+
+"It's rather depressing to think that," said Mrs. Gurtleberry; "they look
+so spacious and so natural, but I suppose a good deal of what seems
+natural to us would be meaningless to a wild animal."
+
+"That is where our superior powers of self-deception come in," said the
+niece; "we are able to live our unreal, stupid little lives on our
+particular Mappin terrace, and persuade ourselves that we really are
+untrammelled men and women leading a reasonable existence in a reasonable
+sphere."
+
+"But good gracious," exclaimed the aunt, bouncing into an attitude of
+scandalised defence, "we are leading reasonable existences! What on
+earth do you mean by trammels? We are merely trammelled by the ordinary
+decent conventions of civilised society."
+
+"We are trammelled," said the niece, calmly and pitilessly, "by
+restrictions of income and opportunity, and above all by lack of
+initiative. To some people a restricted income doesn't matter a bit, in
+fact it often seems to help as a means for getting a lot of reality out
+of life; I am sure there are men and women who do their shopping in
+little back streets of Paris, buying four carrots and a shred of beef for
+their daily sustenance, who lead a perfectly real and eventful existence.
+Lack of initiative is the thing that really cripples one, and that is
+where you and I and Uncle James are so hopelessly shut in. We are just
+so many animals stuck down on a Mappin terrace, with this difference in
+our disfavour, that the animals are there to be looked at, while nobody
+wants to look at us. As a matter of fact there would be nothing to look
+at. We get colds in winter and hay fever in summer, and if a wasp
+happens to sting one of us, well, that is the wasp's initiative, not
+ours; all we do is to wait for the swelling to go down. Whenever we do
+climb into local fame and notice, it is by indirect methods; if it
+happens to be a good flowering year for magnolias the neighbourhood
+observes: 'Have you seen the Gurtleberry's magnolia? It is a perfect
+mass of flowers,' and we go about telling people that there are fifty-
+seven blossoms as against thirty-nine the previous year."
+
+"In Coronation year there were as many as sixty," put in the aunt, "your
+uncle has kept a record for the last eight years."
+
+"Doesn't it ever strike you," continued the niece relentlessly, "that if
+we moved away from here or were blotted out of existence our local claim
+to fame would pass on automatically to whoever happened to take the house
+and garden? People would say to one another, 'Have you seen the Smith-
+Jenkins' magnolia? It is a perfect mass of flowers,' or else
+'Smith-Jenkins tells me there won't be a single blossom on their magnolia
+this year; the east winds have turned all the buds black.' Now if, when
+we had gone, people still associated our names with the magnolia tree, no
+matter who temporarily possessed it, if they said, 'Ah, that's the tree
+on which the Gurtleberrys hung their cook because she sent up the wrong
+kind of sauce with the asparagus,' that would be something really due to
+our own initiative, apart from anything east winds or magnolia vitality
+might have to say in the matter."
+
+"We should never do such a thing," said the aunt.
+
+The niece gave a reluctant sigh.
+
+"I can't imagine it," she admitted. "Of course," she continued, "there
+are heaps of ways of leading a real existence without committing
+sensational deeds of violence. It's the dreadful little everyday acts of
+pretended importance that give the Mappin stamp to our life. It would be
+entertaining, if it wasn't so pathetically tragic, to hear Uncle James
+fuss in here in the morning and announce, 'I must just go down into the
+town and find out what the men there are saying about Mexico. Matters
+are beginning to look serious there.' Then he patters away into the
+town, and talks in a highly serious voice to the tobacconist,
+incidentally buying an ounce of tobacco; perhaps he meets one or two
+others of the world's thinkers and talks to them in a highly serious
+voice, then he patters back here and announces with increased importance,
+'I've just been talking to some men in the town about the condition of
+affairs in Mexico. They agree with the view that I have formed, that
+things there will have to get worse before they get better.' Of course
+nobody in the town cared in the least little bit what his views about
+Mexico were or whether he had any. The tobacconist wasn't even fluttered
+at his buying the ounce of tobacco; he knows that he purchases the same
+quantity of the same sort of tobacco every week. Uncle James might just
+as well have lain on his back in the garden and chattered to the lilac
+tree about the habits of caterpillars."
+
+"I really will not listen to such things about your uncle," protested
+Mrs. James Gurtleberry angrily.
+
+"My own case is just as bad and just as tragic," said the niece,
+dispassionately; "nearly everything about me is conventional
+make-believe. I'm not a good dancer, and no one could honestly call me
+good-looking, but when I go to one of our dull little local dances I'm
+conventionally supposed to 'have a heavenly time,' to attract the ardent
+homage of the local cavaliers, and to go home with my head awhirl with
+pleasurable recollections. As a matter of fact, I've merely put in some
+hours of indifferent dancing, drunk some badly-made claret cup, and
+listened to an enormous amount of laborious light conversation. A
+moonlight hen-stealing raid with the merry-eyed curate would be
+infinitely more exciting; imagine the pleasure of carrying off all those
+white minorcas that the Chibfords are always bragging about. When we had
+disposed of them we could give the proceeds to a charity, so there would
+be nothing really wrong about it. But nothing of that sort lies within
+the Mappined limits of my life. One of these days somebody dull and
+decorous and undistinguished will 'make himself agreeable' to me at a
+tennis party, as the saying is, and all the dull old gossips of the
+neighbourhood will begin to ask when we are to be engaged, and at last we
+shall be engaged, and people will give us butter-dishes and
+blotting-cases and framed pictures of young women feeding swans. Hullo,
+Uncle, are you going out?"
+
+"I'm just going down to the town," announced Mr. James Gurtleberry, with
+an air of some importance: "I want to hear what people are saying about
+Albania. Affairs there are beginning to take on a very serious look.
+It's my opinion that we haven't seen the worst of things yet."
+
+In this he was probably right, but there was nothing in the immediate or
+prospective condition of Albania to warrant Mrs. Gurtleberry in bursting
+into tears.
+
+
+
+
+FATE
+
+
+Rex Dillot was nearly twenty-four, almost good-looking and quite
+penniless. His mother was supposed to make him some sort of an allowance
+out of what her creditors allowed her, and Rex occasionally strayed into
+the ranks of those who earn fitful salaries as secretaries or companions
+to people who are unable to cope unaided with their correspondence or
+their leisure. For a few months he had been assistant editor and
+business manager of a paper devoted to fancy mice, but the devotion had
+been all on one side, and the paper disappeared with a certain abruptness
+from club reading-rooms and other haunts where it had made a gratuitous
+appearance. Still, Rex lived with some air of comfort and well-being, as
+one can live if one is born with a genius for that sort of thing, and a
+kindly Providence usually arranged that his week-end invitations
+coincided with the dates on which his one white dinner-waistcoat was in a
+laundry-returned condition of dazzling cleanness. He played most games
+badly, and was shrewd enough to recognise the fact, but he had developed
+a marvellously accurate judgement in estimating the play and chances of
+other people, whether in a golf match, billiard handicap, or croquet
+tournament. By dint of parading his opinion of such and such a player's
+superiority with a sufficient degree of youthful assertiveness he usually
+succeeded in provoking a wager at liberal odds, and he looked to his week-
+end winnings to carry him through the financial embarrassments of his mid-
+week existence. The trouble was, as he confided to Clovis Sangrail, that
+he never had enough available or even prospective cash at his command to
+enable him to fix the wager at a figure really worth winning.
+
+"Some day," he said, "I shall come across a really safe thing, a bet that
+simply can't go astray, and then I shall put it up for all I'm worth, or
+rather for a good deal more than I'm worth if you sold me up to the last
+button."
+
+"It would be awkward if it didn't happen to come off," said Clovis.
+
+"It would be more than awkward," said Rex; "it would be a tragedy. All
+the same, it would be extremely amusing to bring it off. Fancy awaking
+in the morning with about three hundred pounds standing to one's credit.
+I should go and clear out my hostess's pigeon-loft before breakfast out
+of sheer good-temper."
+
+"Your hostess of the moment mightn't have a pigeon-loft," said Clovis.
+
+"I always choose hostesses that have," said Rex; "a pigeon-loft is
+indicative of a careless, extravagant, genial disposition, such as I like
+to see around me. People who strew corn broadcast for a lot of feathered
+inanities that just sit about cooing and giving each other the glad eye
+in a Louis Quatorze manner are pretty certain to do you well."
+
+"Young Strinnit is coming down this afternoon," said Clovis reflectively;
+"I dare say you won't find it difficult to get him to back himself at
+billiards. He plays a pretty useful game, but he's not quite as good as
+he fancies he is."
+
+"I know one member of the party who can walk round him," said Rex softly,
+an alert look coming into his eyes; "that cadaverous-looking Major who
+arrived last night. I've seen him play at St. Moritz. If I could get
+Strinnit to lay odds on himself against the Major the money would be safe
+in my pocket. This looks like the good thing I've been watching and
+praying for."
+
+"Don't be rash," counselled Clovis, "Strinnit may play up to his self-
+imagined form once in a blue moon."
+
+"I intend to be rash," said Rex quietly, and the look on his face
+corroborated his words.
+
+"Are you all going to flock to the billiard-room?" asked Teresa
+Thundleford, after dinner, with an air of some disapproval and a good
+deal of annoyance. "I can't see what particular amusement you find in
+watching two men prodding little ivory balls about on a table."
+
+"Oh, well," said her hostess, "it's a way of passing the time, you know."
+
+"A very poor way, to my mind," said Mrs. Thundleford; "now I was going to
+have shown all of you the photographs I took in Venice last summer."
+
+"You showed them to us last night," said Mrs. Cuvering hastily.
+
+"Those were the ones I took in Florence. These are quite a different
+lot."
+
+"Oh, well, some time to-morrow we can look at them. You can leave them
+down in the drawing-room, and then every one can have a look."
+
+"I should prefer to show them when you are all gathered together, as I
+have quite a lot of explanatory remarks to make, about Venetian art and
+architecture, on the same lines as my remarks last night on the
+Florentine galleries. Also, there are some verses of mine that I should
+like to read you, on the rebuilding of the Campanile. But, of course, if
+you all prefer to watch Major Latton and Mr. Strinnit knocking balls
+about on a table--"
+
+"They are both supposed to be first-rate players," said the hostess.
+
+"I have yet to learn that my verses and my art _causerie_ are of second-
+rate quality," said Mrs. Thundleford with acerbity. "However, as you all
+seem bent on watching a silly game, there's no more to be said. I shall
+go upstairs and finish some writing. Later on, perhaps, I will come down
+and join you."
+
+To one, at least, of the onlookers the game was anything but silly. It
+was absorbing, exciting, exasperating, nerve-stretching, and finally it
+grew to be tragic. The Major with the St. Moritz reputation was playing
+a long way below his form, young Strinnit was playing slightly above his,
+and had all the luck of the game as well. From the very start the balls
+seemed possessed by a demon of contrariness; they trundled about
+complacently for one player, they would go nowhere for the other.
+
+"A hundred and seventy, seventy-four," sang out the youth who was
+marking. In a game of two hundred and fifty up it was an enormous lead
+to hold. Clovis watched the flush of excitement die away from Dillot's
+face, and a hard white look take its place.
+
+"How much have you go on?" whispered Clovis. The other whispered the sum
+through dry, shaking lips. It was more than he or any one connected with
+him could pay; he had done what he had said he would do. He had been
+rash.
+
+"Two hundred and six, ninety-eight."
+
+Rex heard a clock strike ten somewhere in the hall, then another
+somewhere else, and another, and another; the house seemed full of
+striking clocks. Then in the distance the stable clock chimed in. In
+another hour they would all be striking eleven, and he would be listening
+to them as a disgraced outcast, unable to pay, even in part, the wager he
+had challenged.
+
+"Two hundred and eighteen, a hundred and three." The game was as good as
+over. Rex was as good as done for. He longed desperately for the
+ceiling to fall in, for the house to catch fire, for anything to happen
+that would put an end to that horrible rolling to and fro of red and
+white ivory that was jostling him nearer and nearer to his doom.
+
+"Two hundred and twenty-eight, a hundred and seven."
+
+Rex opened his cigarette-case; it was empty. That at least gave him a
+pretext to slip away from the room for the purpose of refilling it; he
+would spare himself the drawn-out torture of watching that hopeless game
+played out to the bitter end. He backed away from the circle of absorbed
+watchers and made his way up a short stairway to a long, silent corridor
+of bedrooms, each with a guests' name written in a little square on the
+door. In the hush that reigned in this part of the house he could still
+hear the hateful click-click of the balls; if he waited for a few minutes
+longer he would hear the little outbreak of clapping and buzz of
+congratulation that would hail Strinnit's victory. On the alert tension
+of his nerves there broke another sound, the aggressive, wrath-inducing
+breathing of one who sleeps in heavy after-dinner slumber. The sound
+came from a room just at his elbow; the card on the door bore the
+announcement "Mrs. Thundleford." The door was just slightly ajar; Rex
+pushed it open an inch or two more and looked in. The august Teresa had
+fallen asleep over an illustrated guide to Florentine art-galleries; at
+her side, somewhat dangerously near the edge of the table, was a reading-
+lamp. If Fate had been decently kind to him, thought Rex, bitterly, that
+lamp would have been knocked over by the sleeper and would have given
+them something to think of besides billiard matches.
+
+There are occasions when one must take one's Fate in one's hands. Rex
+took the lamp in his.
+
+"Two hundred and thirty-seven, one hundred and fifteen." Strinnit was at
+the table, and the balls lay in good position for him; he had a choice of
+two fairly easy shots, a choice which he was never to decide. A sudden
+hurricane of shrieks and a rush of stumbling feet sent every one flocking
+to the door. The Dillot boy crashed into the room, carrying in his arms
+the vociferous and somewhat dishevelled Teresa Thundleford; her clothing
+was certainly not a mass of flames, as the more excitable members of the
+party afterwards declared, but the edge of her skirt and part of the
+table-cover in which she had been hastily wrapped were alight in a
+flickering, half-hearted manner. Rex flung his struggling burden on the
+billiard table, and for one breathless minute the work of beating out the
+sparks with rugs and cushions and playing on them with soda-water syphons
+engrossed the energies of the entire company.
+
+"It was lucky I was passing when it happened," panted Rex; "some one had
+better see to the room, I think the carpet is alight."
+
+As a matter of fact the promptitude and energy of the rescuer had
+prevented any great damage being done, either to the victim or her
+surroundings. The billiard table had suffered most, and had to be laid
+up for repairs; perhaps it was not the best place to have chosen for the
+scene of salvage operations; but then, as Clovis remarked, when one is
+rushing about with a blazing woman in one's arms one can't stop to think
+out exactly where one is going to put her.
+
+
+
+
+THEBULL
+
+
+Tom Yorkfield had always regarded his half-brother, Laurence, with a lazy
+instinct of dislike, toned down, as years went on, to a tolerant feeling
+of indifference. There was nothing very tangible to dislike him for; he
+was just a blood-relation, with whom Tom had no single taste or interest
+in common, and with whom, at the same time, he had had no occasion for
+quarrel. Laurence had left the farm early in life, and had lived for a
+few years on a small sum of money left him by his mother; he had taken up
+painting as a profession, and was reported to be doing fairly well at it,
+well enough, at any rate, to keep body and soul together. He specialised
+in painting animals, and he was successful in finding a certain number of
+people to buy his pictures. Tom felt a comforting sense of assured
+superiority in contrasting his position with that of his half-brother;
+Laurence was an artist-chap, just that and nothing more, though you might
+make it sound more important by calling an animal painter; Tom was a
+farmer, not in a very big way, it was true, but the Helsery farm had been
+in the family for some generations, and it had a good reputation for the
+stock raised on it. Tom had done his best, with the little capital at
+his command, to maintain and improve the standard of his small herd of
+cattle, and in Clover Fairy he had bred a bull which was something rather
+better than any that his immediate neighbours could show. It would not
+have made a sensation in the judging-ring at an important cattle show,
+but it was as vigorous, shapely, and healthy a young animal as any small
+practical farmer could wish to possess. At the King's Head on market
+days Clover Fairy was very highly spoken of, and Yorkfield used to
+declare that he would not part with him for a hundred pounds; a hundred
+pounds is a lot of money in the small farming line, and probably anything
+over eighty would have tempted him.
+
+It was with some especial pleasure that Tom took advantage of one of
+Laurence's rare visits to the farm to lead him down to the enclosure
+where Clover Fairy kept solitary state--the grass widower of a grazing
+harem. Tom felt some of his old dislike for his half-brother reviving;
+the artist was becoming more languid in his manner, more unsuitably
+turned-out in attire, and he seemed inclined to impart a slightly
+patronising tone to his conversation. He took no heed of a flourishing
+potato crop, but waxed enthusiastic over a clump of yellow-flowering weed
+that stood in a corner by a gateway, which was rather galling to the
+owner of a really very well weeded farm; again, when he might have been
+duly complimentary about a group of fat, black-faced lambs, that simply
+cried aloud for admiration, he became eloquent over the foliage tints of
+an oak copse on the hill opposite. But now he was being taken to inspect
+the crowning pride and glory of Helsery; however grudging he might be in
+his praises, however backward and niggardly with his congratulations, he
+would have to see and acknowledge the many excellences of that
+redoubtable animal. Some weeks ago, while on a business journey to
+Taunton, Tom had been invited by his half-brother to visit a studio in
+that town, where Laurence was exhibiting one of his pictures, a large
+canvas representing a bull standing knee-deep in some marshy ground; it
+had been good of its kind, no doubt, and Laurence had seemed inordinately
+pleased with it; "the best thing I've done yet," he had said over and
+over again, and Tom had generously agreed that it was fairly life-like.
+Now, the man of pigments was going to be shown a real picture, a living
+model of strength and comeliness, a thing to feast the eyes on, a picture
+that exhibited new pose and action with every shifting minute, instead of
+standing glued into one unvarying attitude between the four walls of a
+frame. Tom unfastened a stout wooden door and led the way into a straw-
+bedded yard.
+
+"Is he quiet?" asked the artist, as a young bull with a curly red coat
+came inquiringly towards them.
+
+"He's playful at times," said Tom, leaving his half-brother to wonder
+whether the bull's ideas of play were of the catch-as-catch-can order.
+Laurence made one or two perfunctory comments on the animal's appearance
+and asked a question or so as to his age and such-like details; then he
+coolly turned the talk into another channel.
+
+"Do you remember the picture I showed you at Taunton?" he asked.
+
+"Yes," grunted Tom; "a white-faced bull standing in some slush. Don't
+admire those Herefords much myself; bulky-looking brutes, don't seem to
+have much life in them. Daresay they're easier to paint that way; now,
+this young beggar is on the move all the time, aren't you, Fairy?"
+
+"I've sold that picture," said Laurence, with considerable complacency in
+his voice.
+
+"Have you?" said Tom; "glad to hear it, I'm sure. Hope you're pleased
+with what you've got for it."
+
+"I got three hundred pounds for it," said Laurence.
+
+Tom turned towards him with a slowly rising flush of anger in his face.
+Three hundred pounds! Under the most favourable market conditions that
+he could imagine his prized Clover Fairy would hardly fetch a hundred,
+yet here was a piece of varnished canvas, painted by his half-brother,
+selling for three times that sum. It was a cruel insult that went home
+with all the more force because it emphasised the triumph of the
+patronising, self-satisfied Laurence. The young farmer had meant to put
+his relative just a little out of conceit with himself by displaying the
+jewel of his possessions, and now the tables were turned, and his valued
+beast was made to look cheap and insignificant beside the price paid for
+a mere picture. It was so monstrously unjust; the painting would never
+be anything more than a dexterous piece of counterfeit life, while Clover
+Fairy was the real thing, a monarch in his little world, a personality in
+the countryside. After he was dead, even, he would still be something of
+a personality; his descendants would graze in those valley meadows and
+hillside pastures, they would fill stall and byre and milking-shed, their
+good red coats would speckle the landscape and crowd the market-place;
+men would note a promising heifer or a well-proportioned steer, and say:
+"Ah, that one comes of good old Clover Fairy's stock." All that time the
+picture would be hanging, lifeless and unchanging, beneath its dust and
+varnish, a chattel that ceased to mean anything if you chose to turn it
+with its back to the wall. These thoughts chased themselves angrily
+through Tom Yorkfield's mind, but he could not put them into words. When
+he gave tongue to his feelings he put matters bluntly and harshly.
+
+"Some soft-witted fools may like to throw away three hundred pounds on a
+bit of paintwork; can't say as I envy them their taste. I'd rather have
+the real thing than a picture of it."
+
+He nodded towards the young bull, that was alternately staring at them
+with nose held high and lowering its horns with a half-playful,
+half-impatient shake of the head.
+
+Laurence laughed a laugh of irritating, indulgent amusement.
+
+"I don't think the purchaser of my bit of paintwork, as you call it, need
+worry about having thrown his money away. As I get to be better known
+and recognised my pictures will go up in value. That particular one will
+probably fetch four hundred in a sale-room five or six years hence;
+pictures aren't a bad investment if you know enough to pick out the work
+of the right men. Now you can't say your precious bull is going to get
+more valuable the longer you keep him; he'll have his little day, and
+then, if you go on keeping him, he'll come down at last to a few
+shillingsworth of hoofs and hide, just at a time, perhaps, when my bull
+is being bought for a big sum for some important picture gallery."
+
+It was too much. The united force of truth and slander and insult put
+over heavy a strain on Tom Yorkfield's powers of restraint. In his right
+hand he held a useful oak cudgel, with his left he made a grab at the
+loose collar of Laurence's canary-coloured silk shirt. Laurence was not
+a fighting man; the fear of physical violence threw him off his balance
+as completely as overmastering indignation had thrown Tom off his, and
+thus it came to pass that Clover Fairy was regaled with the unprecedented
+sight of a human being scudding and squawking across the enclosure, like
+the hen that would persist in trying to establish a nesting-place in the
+manger. In another crowded happy moment the bull was trying to jerk
+Laurence over his left shoulder, to prod him in the ribs while still in
+the air, and to kneel on him when he reached the ground. It was only the
+vigorous intervention of Tom that induced him to relinquish the last item
+of his programme.
+
+Tom devotedly and ungrudgingly nursed his half brother to a complete
+recovery from his injuries, which consisted of nothing more serious than
+a dislocated shoulder, a broken rib or two, and a little nervous
+prostration. After all, there was no further occasion for rancour in the
+young farmer's mind; Laurence's bull might sell for three hundred, or for
+six hundred, and be admired by thousands in some big picture gallery, but
+it would never toss a man over one shoulder and catch him a jab in the
+ribs before he had fallen on the other side. That was Clover Fairy's
+noteworthy achievement, which could never be taken away from him.
+
+Laurence continues to be popular as an animal artist, but his subjects
+are always kittens or fawns or lambkins--never bulls.
+
+
+
+
+MORLVERA
+
+
+The Olympic Toy Emporium occupied a conspicuous frontage in an important
+West End street. It was happily named Toy Emporium, because one would
+never have dreamed of according it the familiar and yet pulse-quickening
+name of toyshop. There was an air of cold splendour and elaborate
+failure about the wares that were set out in its ample windows; they were
+the sort of toys that a tired shop-assistant displays and explains at
+Christmas time to exclamatory parents and bored, silent children. The
+animal toys looked more like natural history models than the comfortable,
+sympathetic companions that one would wish, at a certain age, to take to
+bed with one, and to smuggle into the bath-room. The mechanical toys
+incessantly did things that no one could want a toy to do more than a
+half a dozen times in its lifetime; it was a merciful reflection that in
+any right-minded nursery the lifetime would certainly be short.
+
+Prominent among the elegantly-dressed dolls that filled an entire section
+of the window frontage was a large hobble-skirted lady in a confection of
+peach-coloured velvet, elaborately set off with leopard skin accessories,
+if one may use such a conveniently comprehensive word in describing an
+intricate feminine toilette. She lacked nothing that is to be found in a
+carefully detailed fashion-plate--in fact, she might be said to have
+something more than the average fashion-plate female possesses; in place
+of a vacant, expressionless stare she had character in her face. It must
+be admitted that it was bad character, cold, hostile, inquisitorial, with
+a sinister lowering of one eyebrow and a merciless hardness about the
+corners of the mouth. One might have imagined histories about her by the
+hour, histories in which unworthy ambition, the desire for money, and an
+entire absence of all decent feeling would play a conspicuous part.
+
+As a matter of fact, she was not without her judges and biographers, even
+in this shop-window stage of her career. Emmeline, aged ten, and Bert,
+aged seven, had halted on the way from their obscure back street to the
+minnow-stocked water of St. James's Park, and were critically examining
+the hobble-skirted doll, and dissecting her character in no very tolerant
+spirit. There is probably a latent enmity between the necessarily under-
+clad and the unnecessarily overdressed, but a little kindness and good
+fellowship on the part of the latter will often change the sentiment to
+admiring devotion; if the lady in peach-coloured velvet and leopard skin
+had worn a pleasant expression in addition to her other elaborate
+furnishings, Emmeline at least might have respected and even loved her.
+As it was, she gave her a horrible reputation, based chiefly on a
+secondhand knowledge of gilded depravity derived from the conversation of
+those who were skilled in the art of novelette reading; Bert filled in a
+few damaging details from his own limited imagination.
+
+"She's a bad lot, that one is," declared Emmeline, after a long
+unfriendly stare; "'er 'usbind 'ates 'er."
+
+"'E knocks 'er abart," said Bert, with enthusiasm.
+
+"No, 'e don't, cos 'e's dead; she poisoned 'im slow and gradual, so that
+nobody didn't know. Now she wants to marry a lord, with 'eaps and 'eaps
+of money. 'E's got a wife already, but she's going to poison 'er, too."
+
+"She's a bad lot," said Bert with growing hostility.
+
+"'Er mother 'ates her, and she's afraid of 'er, too, cos she's got a
+serkestic tongue; always talking serkesms, she is. She's greedy, too; if
+there's fish going, she eats 'er own share and 'er little girl's as well,
+though the little girl is dellikit."
+
+"She 'ad a little boy once," said Bert, "but she pushed 'im into the
+water when nobody wasn't looking."
+
+"No she didn't," said Emmeline, "she sent 'im away to be kep' by poor
+people, so 'er 'usbind wouldn't know where 'e was. They ill-treat 'im
+somethink cruel."
+
+"Wot's 'er nime?" asked Bert, thinking that it was time that so
+interesting a personality should be labelled.
+
+"'Er nime?" said Emmeline, thinking hard, "'er nime's Morlvera." It was
+as near as she could get to the name of an adventuress who figured
+prominently in a cinema drama. There was silence for a moment while the
+possibilities of the name were turned over in the children's minds.
+
+"Those clothes she's got on ain't paid for, and never won't be," said
+Emmeline; "she thinks she'll get the rich lord to pay for 'em, but 'e
+won't. 'E's given 'er jools, 'underds of pounds' worth."
+
+"'E won't pay for the clothes," said Bert, with conviction. Evidently
+there was some limit to the weak good nature of wealthy lords.
+
+At that moment a motor carriage with liveried servants drew up at the
+emporium entrance; a large lady, with a penetrating and rather hurried
+manner of talking, stepped out, followed slowly and sulkily by a small
+boy, who had a very black scowl on his face and a very white sailor suit
+over the rest of him. The lady was continuing an argument which had
+probably commenced in Portman Square.
+
+"Now, Victor, you are to come in and buy a nice doll for your cousin
+Bertha. She gave you a beautiful box of soldiers on your birthday, and
+you must give her a present on hers."
+
+"Bertha is a fat little fool," said Victor, in a voice that was as loud
+as his mother's and had more assurance in it.
+
+"Victor, you are not to say such things. Bertha is not a fool, and she
+is not in the least fat. You are to come in and choose a doll for her."
+
+The couple passed into the shop, out of view and hearing of the two back-
+street children.
+
+"My, he is in a wicked temper," exclaimed Emmeline, but both she and Bert
+were inclined to side with him against the absent Bertha, who was
+doubtless as fat and foolish as he had described her to be.
+
+"I want to see some dolls," said the mother of Victor to the nearest
+assistant; "it's for a little girl of eleven."
+
+"A fat little girl of eleven," added Victor by way of supplementary
+information.
+
+"Victor, if you say such rude things about your cousin, you shall go to
+bed the moment we get home, without having any tea."
+
+"This is one of the newest things we have in dolls," said the assistant,
+removing a hobble-skirted figure in peach-coloured velvet from the
+window; "leopard skin toque and stole, the latest fashion. You won't get
+anything newer than that anywhere. It's an exclusive design."
+
+"Look!" whispered Emmeline outside; "they've bin and took Morlvera."
+
+There was a mingling of excitement and a certain sense of bereavement in
+her mind; she would have liked to gaze at that embodiment of overdressed
+depravity for just a little longer.
+
+"I 'spect she's going away in a kerridge to marry the rich lord,"
+hazarded Bert.
+
+"She's up to no good," said Emmeline vaguely.
+
+Inside the shop the purchase of the doll had been decided on.
+
+"It's a beautiful doll, and Bertha will be delighted with it," asserted
+the mother of Victor loudly.
+
+"Oh, very well," said Victor sulkily; "you needn't have it stuck into a
+box and wait an hour while it's being done up into a parcel. I'll take
+it as it is, and we can go round to Manchester Square and give it to
+Bertha, and get the thing done with. That will save me the trouble of
+writing: 'For dear Bertha, with Victor's love,' on a bit of paper."
+
+"Very well," said his mother, "we can go to Manchester Square on our way
+home. You must wish her many happy returns of to-morrow, and give her
+the doll."
+
+"I won't let the little beast kiss me," stipulated Victor.
+
+His mother said nothing; Victor had not been half as troublesome as she
+had anticipated. When he chose he could really be dreadfully naughty.
+
+Emmeline and Bert were just moving away from the window when Morlvera
+made her exit from the shop, very carefully in Victor's arms. A look of
+sinister triumph seemed to glow in her hard, inquisitorial face. As for
+Victor, a certain scornful serenity had replaced the earlier scowls; he
+had evidently accepted defeat with a contemptuous good grace.
+
+The tall lady gave a direction to the footman and settled herself in the
+carriage. The little figure in the white sailor suit clambered in beside
+her, still carefully holding the elegantly garbed doll.
+
+The car had to be backed a few yards in the process of turning. Very
+stealthily, very gently, very mercilessly Victor sent Morlvera flying
+over his shoulder, so that she fell into the road just behind the
+retrogressing wheel. With a soft, pleasant-sounding scrunch the car went
+over the prostrate form, then it moved forward again with another
+scrunch. The carriage moved off and left Bert and Emmeline gazing in
+scared delight at a sorry mess of petrol-smeared velvet, sawdust, and
+leopard skin, which was all that remained of the hateful Morlvera. They
+gave a shrill cheer, and then raced away shuddering from the scene of so
+much rapidly enacted tragedy.
+
+Later that afternoon, when they were engaged in the pursuit of minnows by
+the waterside in St. James's Park, Emmeline said in a solemn undertone to
+Bert--
+
+"I've bin finking. Do you know oo 'e was? 'E was 'er little boy wot
+she'd sent away to live wiv poor folks. 'E come back and done that."
+
+
+
+
+SHOCK TATICS
+
+
+On a late spring afternoon Ella McCarthy sat on a green-painted chair in
+Kensington Gardens, staring listlessly at an uninteresting stretch of
+park landscape, that blossomed suddenly into tropical radiance as an
+expected figure appeared in the middle distance.
+
+"Hullo, Bertie!" she exclaimed sedately, when the figure arrived at the
+painted chair that was the nearest neighbour to her own, and dropped into
+it eagerly, yet with a certain due regard for the set of its trousers;
+"hasn't it been a perfect spring afternoon?"
+
+The statement was a distinct untruth as far as Ella's own feelings were
+concerned; until the arrival of Bertie the afternoon had been anything
+but perfect.
+
+Bertie made a suitable reply, in which a questioning note seemed to
+hover.
+
+"Thank you ever so much for those lovely handkerchiefs," said Ella,
+answering the unspoken question; "they were just what I've been wanting.
+There's only one thing spoilt my pleasure in your gift," she added, with
+a pout.
+
+"What was that?" asked Bertie anxiously, fearful that perhaps he had
+chosen a size of handkerchief that was not within the correct feminine
+limit.
+
+"I should have liked to have written and thanked you for them as soon as
+I got them," said Ella, and Bertie's sky clouded at once.
+
+"You know what mother is," he protested; "she opens all my letters, and
+if she found I'd been giving presents to any one there'd have been
+something to talk about for the next fortnight."
+
+"Surely, at the age of twenty--" began Ella.
+
+"I'm not twenty till September," interrupted Bertie.
+
+"At the age of nineteen years and eight months," persisted Ella, "you
+might be allowed to keep your correspondence private to yourself."
+
+"I ought to be, but things aren't always what they ought to be. Mother
+opens every letter that comes into the house, whoever it's for. My
+sisters and I have made rows about it time and again, but she goes on
+doing it."
+
+"I'd find some way to stop her if I were in your place," said Ella
+valiantly, and Bertie felt that the glamour of his anxiously deliberated
+present had faded away in the disagreeable restriction that hedged round
+its acknowledgment.
+
+"Is anything the matter?" asked Bertie's friend Clovis when they met that
+evening at the swimming-bath.
+
+"Why do you ask?" said Bertie.
+
+"When you wear a look of tragic gloom in a swimming-bath," said Clovis,
+"it's especially noticeable from the fact that you're wearing very little
+else. Didn't she like the handkerchiefs?"
+
+Bertie explained the situation.
+
+"It is rather galling, you know," he added, "when a girl has a lot of
+things she wants to write to you and can't send a letter except by some
+roundabout, underhand way."
+
+"One never realises one's blessings while one enjoys them," said Clovis;
+"now I have to spend a considerable amount of ingenuity inventing excuses
+for not having written to people."
+
+"It's not a joking matter," said Bertie resentfully: "you wouldn't find
+it funny if your mother opened all your letters."
+
+"The funny thing to me is that you should let her do it."
+
+"I can't stop it. I've argued about it--"
+
+"You haven't used the right kind of argument, I expect. Now, if every
+time one of your letters was opened you lay on your back on the dining-
+table during dinner and had a fit, or roused the entire family in the
+middle of the night to hear you recite one of Blake's 'Poems of
+Innocence,' you would get a far more respectful hearing for future
+protests. People yield more consideration to a mutilated mealtime or a
+broken night's rest, than ever they would to a broken heart."
+
+"Oh, dry up," said Bertie crossly, inconsistently splashing Clovis from
+head to foot as he plunged into the water.
+
+It was a day or two after the conversation in the swimming-bath that a
+letter addressed to Bertie Heasant slid into the letter-box at his home,
+and thence into the hands of his mother. Mrs. Heasant was one of those
+empty-minded individuals to whom other people's affairs are perpetually
+interesting. The more private they are intended to be the more acute is
+the interest they arouse. She would have opened this particular letter
+in any case; the fact that it was marked "private," and diffused a
+delicate but penetrating aroma merely caused her to open it with headlong
+haste rather than matter-of-course deliberation. The harvest of
+sensation that rewarded her was beyond all expectations.
+
+ "Bertie, carissimo," it began, "I wonder if you will have the nerve to
+ do it: it will take some nerve, too. Don't forget the jewels. They
+ are a detail, but details interest me.
+
+ "Yours as ever, Clotilde."
+
+ "Your mother must not know of my existence. If questioned swear you
+ never heard of me."
+
+For years Mrs. Heasant had searched Bertie's correspondence diligently
+for traces of possible dissipation or youthful entanglements, and at last
+the suspicions that had stimulated her inquisitorial zeal were justified
+by this one splendid haul. That any one wearing the exotic name
+"Clotilde" should write to Bertie under the incriminating announcement
+"as ever" was sufficiently electrifying, without the astounding allusion
+to the jewels. Mrs. Heasant could recall novels and dramas wherein
+jewels played an exciting and commanding role, and here, under her own
+roof, before her very eyes as it were, her own son was carrying on an
+intrigue in which jewels were merely an interesting detail. Bertie was
+not due home for another hour, but his sisters were available for the
+immediate unburdening of a scandal-laden mind.
+
+"Bertie is in the toils of an adventuress," she screamed; "her name is
+Clotilde," she added, as if she thought they had better know the worst at
+once. There are occasions when more harm than good is done by shielding
+young girls from a knowledge of the more deplorable realities of life.
+
+By the time Bertie arrived his mother had discussed every possible and
+improbable conjecture as to his guilty secret; the girls limited
+themselves to the opinion that their brother had been weak rather than
+wicked.
+
+"Who is Clotilde?" was the question that confronted Bertie almost before
+he had got into the hall. His denial of any knowledge of such a person
+was met with an outburst of bitter laughter.
+
+"How well you have learned your lesson!" exclaimed Mrs. Heasant. But
+satire gave way to furious indignation when she realised that Bertie did
+not intend to throw any further light on her discovery.
+
+"You shan't have any dinner till you've confessed everything," she
+stormed.
+
+Bertie's reply took the form of hastily collecting material for an
+impromptu banquet from the larder and locking himself into his bedroom.
+His mother made frequent visits to the locked door and shouted a
+succession of interrogations with the persistence of one who thinks that
+if you ask a question often enough an answer will eventually result.
+Bertie did nothing to encourage the supposition. An hour had passed in
+fruitless one-sided palaver when another letter addressed to Bertie and
+marked "private" made its appearance in the letter-box. Mrs. Heasant
+pounced on it with the enthusiasm of a cat that has missed its mouse and
+to whom a second has been unexpectedly vouchsafed. If she hoped for
+further disclosures assuredly she was not disappointed.
+
+ "So you have really done it!" the letter abruptly commenced; "Poor
+ Dagmar. Now she is done for I almost pity her. You did it very well,
+ you wicked boy, the servants all think it was suicide, and there will
+ be no fuss. Better not touch the jewels till after the inquest.
+
+ "Clotilde."
+
+Anything that Mrs. Heasant had previously done in the way of outcry was
+easily surpassed as she raced upstairs and beat frantically at her son's
+door.
+
+"Miserable boy, what have you done to Dagmar?"
+
+"It's Dagmar now, is it?" he snapped; "it will be Geraldine next."
+
+"That it should come to this, after all my efforts to keep you at home of
+an evening," sobbed Mrs. Heasant; "it's no use you trying to hide things
+from me; Clotilde's letter betrays everything."
+
+"Does it betray who she is?" asked Bertie; "I've heard so much about her,
+I should like to know something about her home-life. Seriously, if you
+go on like this I shall fetch a doctor; I've often enough been preached
+at about nothing, but I've never had an imaginary harem dragged into the
+discussion."
+
+"Are these letters imaginary?" screamed Mrs. Heasant; "what about the
+jewels, and Dagmar, and the theory of suicide?"
+
+No solution of these problems was forthcoming through the bedroom door,
+but the last post of the evening produced another letter for Bertie, and
+its contents brought Mrs. Heasant that enlightenment which had already
+dawned on her son.
+
+ "Dear Bertie," it ran; "I hope I haven't distracted your brain with
+ the spoof letters I've been sending in the name of a fictitious
+ Clotilde. You told me the other day that the servants, or somebody at
+ your home, tampered with your letters, so I thought I would give any
+ one that opened them something exciting to read. The shock might do
+ them good.
+
+ "Yours,
+
+ "Clovis Sangrail."
+
+Mrs. Heasant knew Clovis slightly, and was rather afraid of him. It was
+not difficult to read between the lines of his successful hoax. In a
+chastened mood she rapped once more at Bertie's door.
+
+"A letter from Mr. Sangrail. It's all been a stupid hoax. He wrote
+those other letters. Why, where are you going?"
+
+Bertie had opened the door; he had on his hat and overcoat.
+
+"I'm going for a doctor to come and see if anything's the matter with
+you. Of course it was all a hoax, but no person in his right mind could
+have believed all that rubbish about murder and suicide and jewels.
+You've been making enough noise to bring the house down for the last hour
+or two."
+
+"But what was I to think of those letters?" whimpered Mrs. Heasant.
+
+"I should have known what to think of them," said Bertie; "if you choose
+to excite yourself over other people's correspondence it's your own
+fault. Anyhow, I'm going for a doctor."
+
+It was Bertie's great opportunity, and he knew it. His mother was
+conscious of the fact that she would look rather ridiculous if the story
+got about. She was willing to pay hush-money.
+
+"I'll never open your letters again," she promised. And Clovis has no
+more devoted slave than Bertie Heasant.
+
+
+
+
+THE SEVEN CREAM JUGS
+
+
+"I suppose we shall never see Wilfred Pigeoncote here now that he has
+become heir to the baronetcy and to a lot of money," observed Mrs. Peter
+Pigeoncote regretfully to her husband.
+
+"Well, we can hardly expect to," he replied, "seeing that we always
+choked him off from coming to see us when he was a prospective nobody. I
+don't think I've set eyes on him since he was a boy of twelve."
+
+"There was a reason for not wanting to encourage his acquaintanceship,"
+said Mrs. Peter. "With that notorious failing of his he was not the sort
+of person one wanted in one's house."
+
+"Well, the failing still exists, doesn't it?" said her husband; "or do
+you suppose a reform of character is entailed along with the estate?"
+
+"Oh, of course, there is still that drawback," admitted the wife, "but
+one would like to make the acquaintance of the future head of the family,
+if only out of mere curiosity. Besides, cynicism apart, his being rich
+will make a difference in the way people will look at his failing. When
+a man is absolutely wealthy, not merely well-to-do, all suspicion of
+sordid motive naturally disappears; the thing becomes merely a tiresome
+malady."
+
+Wilfrid Pigeoncote had suddenly become heir to his uncle, Sir Wilfrid
+Pigeoncote, on the death of his cousin, Major Wilfrid Pigeoncote, who had
+succumbed to the after-effects of a polo accident. (A Wilfrid Pigeoncote
+had covered himself with honours in the course of Marlborough's
+campaigns, and the name Wilfrid had been a baptismal weakness in the
+family ever since.) The new heir to the family dignity and estates was a
+young man of about five-and-twenty, who was known more by reputation than
+by person to a wide circle of cousins and kinsfolk. And the reputation
+was an unpleasant one. The numerous other Wilfrids in the family were
+distinguished one from another chiefly by the names of their residences
+or professions, as Wilfrid of Hubbledown, and young Wilfrid the Gunner,
+but this particular scion was known by the ignominious and expressive
+label of Wilfrid the Snatcher. From his late schooldays onward he had
+been possessed by an acute and obstinate form of kleptomania; he had the
+acquisitive instinct of the collector without any of the collector's
+discrimination. Anything that was smaller and more portable than a
+sideboard, and above the value of ninepence, had an irresistible
+attraction for him, provided that it fulfilled the necessary condition of
+belonging to some one else. On the rare occasions when he was included
+in a country-house party, it was usual and almost necessary for his host,
+or some member of the family, to make a friendly inquisition through his
+baggage on the eve of his departure, to see if he had packed up "by
+mistake" any one else's property. The search usually produced a large
+and varied yield.
+
+"This is funny," said Peter Pigeoncote to his wife, some half-hour after
+their conversation; "here's a telegram from Wilfrid, saying he's passing
+through here in his motor, and would like to stop and pay us his
+respects. Can stay for the night if it doesn't inconvenience us. Signed
+'Wilfrid Pigeoncote.' Must be the Snatcher; none of the others have a
+motor. I suppose he's bringing us a present for the silver wedding."
+
+"Good gracious!" said Mrs. Peter, as a thought struck her; "this is
+rather an awkward time to have a person with his failing in the house.
+All those silver presents set out in the drawing-room, and others coming
+by every post; I hardly know what we've got and what are still to come.
+We can't lock them all up; he's sure to want to see them."
+
+"We must keep a sharp look-out, that's all," said Peter reassuringly.
+
+"But these practised kleptomaniacs are so clever," said his wife,
+apprehensively, "and it will be so awkward if he suspects that we are
+watching him."
+
+Awkwardness was indeed the prevailing note that evening when the passing
+traveller was being entertained. The talk flitted nervously and
+hurriedly from one impersonal topic to another. The guest had none of
+the furtive, half-apologetic air that his cousins had rather expected to
+find; he was polite, well-assured, and, perhaps, just a little inclined
+to "put on side". His hosts, on the other hand, wore an uneasy manner
+that might have been the hallmark of conscious depravity. In the drawing-
+room, after dinner, their nervousness and awkwardness increased.
+
+"Oh, we haven't shown you the silver-wedding presents," said Mrs. Peter,
+suddenly, as though struck by a brilliant idea for entertaining the
+guest; "here they all are. Such nice, useful gifts. A few duplicates,
+of course."
+
+"Seven cream jugs," put in Peter.
+
+"Yes, isn't it annoying," went on Mrs. Peter; "seven of them. We feel
+that we must live on cream for the rest of our lives. Of course, some of
+them can be changed."
+
+Wilfrid occupied himself chiefly with such of the gifts as were of
+antique interest, carrying one or two of them over to the lamp to examine
+their marks. The anxiety of his hosts at these moments resembled the
+solicitude of a cat whose newly born kittens are being handed round for
+inspection.
+
+"Let me see; did you give me back the mustard-pot? This is its place
+here," piped Mrs. Peter.
+
+"Sorry. I put it down by the claret-jug," said Wilfrid, busy with
+another object.
+
+"Oh, just let me have the sugar-sifter again," asked Mrs. Peter, dogged
+determination showing through her nervousness; "I must label it who it
+comes from before I forget."
+
+Vigilance was not completely crowned with a sense of victory. After they
+had said "Good-night" to their visitor, Mrs. Peter expressed her
+conviction that he had taken something.
+
+"I fancy, by his manner, that there was something up," corroborated her
+husband; "do you miss anything?"
+
+Mrs. Peters hastily counted the array of gifts.
+
+"I can only make it thirty-four, and I think it should be thirty-five,"
+she announced; "I can't remember if thirty-five includes the Archdeacon's
+cruet-stand that hasn't arrived yet."
+
+"How on earth are we to know?" said Peter. "The mean pig hasn't brought
+us a present, and I'm hanged if he shall carry one off."
+
+"To-morrow, when's he having his bath," said Mrs. Peter excitedly, "he's
+sure to leave his keys somewhere, and we can go through his portmanteau.
+It's the only thing to do."
+
+On the morrow an alert watch was kept by the conspirators behind half-
+closed doors, and when Wilfrid, clad in a gorgeous bath-robe, had made
+his way to the bath-room, there was a swift and furtive rush by two
+excited individuals towards the principal guest-chamber. Mrs. Peter kept
+guard outside, while her husband first made a hurried and successful
+search for the keys, and then plunged at the portmanteau with the air of
+a disagreeably conscientious Customs official. The quest was a brief
+one; a silver cream jug lay embedded in the folds of some zephyr shirts.
+
+"The cunning brute," said Mrs. Peters; "he took a cream jug because there
+were so many; he thought one wouldn't be missed. Quick, fly down with it
+and put it back among the others."
+
+Wilfrid was late in coming down to breakfast, and his manner showed
+plainly that something was amiss.
+
+"It's an unpleasant thing to have to say," he blurted out presently, "but
+I'm afraid you must have a thief among your servants. Something's been
+taken out of my portmanteau. It was a little present from my mother and
+myself for your silver wedding. I should have given it to you last night
+after dinner, only it happened to be a cream jug, and you seemed annoyed
+at having so many duplicates, so I felt rather awkward about giving you
+another. I thought I'd get it changed for something else, and now it's
+gone."
+
+"Did you say it was from your _mother_ and yourself?" asked Mr. and Mrs.
+Peter almost in unison. The Snatcher had been an orphan these many
+years.
+
+"Yes, my mother's at Cairo just now, and she wrote to me at Dresden to
+try and get you something quaint and pretty in the old silver line, and I
+pitched on this cream jug."
+
+Both the Pigeoncotes had turned deadly pale. The mention of Dresden had
+thrown a sudden light on the situation. It was Wilfrid the Attache, a
+very superior young man, who rarely came within their social horizon,
+whom they had been entertaining unawares in the supposed character of
+Wilfrid the Snatcher. Lady Ernestine Pigeoncote, his mother, moved in
+circles which were entirely beyond their compass or ambitions, and the
+son would probably one day be an Ambassador. And they had rifled and
+despoiled his portmanteau! Husband and wife looked blankly and
+desperately at one another. It was Mrs. Peter who arrived first at an
+inspiration.
+
+"How dreadful to think there are thieves in the house! We keep the
+drawing-room locked up at night, of course, but anything might be carried
+off while we are at breakfast."
+
+She rose and went out hurriedly, as though to assure herself that the
+drawing-room was not being stripped of its silverware, and returned a
+moment later, bearing a cream jug in her hands.
+
+"There are eight cream jugs now, instead of seven," she cried; "this one
+wasn't there before. What a curious trick of memory, Mr. Wilfrid! You
+must have slipped downstairs with it last night and put it there before
+we locked up, and forgotten all about having done it in the morning."
+
+"One's mind often plays one little tricks like that," said Mr. Peter,
+with desperate heartiness. "Only the other day I went into the town to
+pay a bill, and went in again next day, having clean forgotten that I'd--"
+
+"It is certainly the jug I bought for you," said Wilfrid, looking closely
+at it; "it was in my portmanteau when I got my bath-robe out this
+morning, before going to my bath, and it was not there when I unlocked
+the portmanteau on my return. Some one had taken it while I was away
+from the room."
+
+The Pigeoncotes had turned paler than ever. Mrs. Peter had a final
+inspiration.
+
+"Get me my smelling-salts, dear," she said to her husband; "I think
+they're in the dressing-room."
+
+Peter dashed out of the room with glad relief; he had lived so long
+during the last few minutes that a golden wedding seemed within
+measurable distance.
+
+Mrs. Peter turned to her guest with confidential coyness.
+
+"A diplomat like you will know how to treat this as if it hadn't
+happened. Peter's little weakness; it runs in the family."
+
+"Good Lord! Do you mean to say he's a kleptomaniac, like Cousin
+Snatcher?"
+
+"Oh, not exactly," said Mrs. Peter, anxious to whitewash her husband a
+little greyer than she was painting him. "He would never touch anything
+he found lying about, but he can't resist making a raid on things that
+are locked up. The doctors have a special name for it. He must have
+pounced on your portmanteau the moment you went to your bath, and taken
+the first thing he came across. Of course, he had no motive for taking a
+cream jug; we've already got _seven_, as you know--not, of course, that
+we don't value the kind of gift you and your mother--hush here's Peter
+coming."
+
+Mrs. Peter broke off in some confusion, and tripped out to meet her
+husband in the hall.
+
+"It's all right," she whispered to him; "I've explained everything. Don't
+say anything more about it."
+
+"Brave little woman," said Peter, with a gasp of relief; "I could never
+have done it."
+
+* * * * *
+
+Diplomatic reticence does not necessarily extend to family affairs. Peter
+Pigeoncote was never able to understand why Mrs. Consuelo van Bullyon,
+who stayed with them in the spring, always carried two very obvious jewel-
+cases with her to the bath-room, explaining them to any one she chanced
+to meet in the corridor as her manicure and face-massage set.
+
+
+
+
+THE OCCASIONAL GARDEN
+
+
+"Don't talk to me about town gardens," said Elinor Rapsley; "which means,
+of course, that I want you to listen to me for an hour or so while I talk
+about nothing else. 'What a nice-sized garden you've got,' people said
+to us when we first moved here. What I suppose they meant to say was
+what a nice-sized site for a garden we'd got. As a matter of fact, the
+size is all against it; it's too large to be ignored altogether and
+treated as a yard, and it's too small to keep giraffes in. You see, if
+we could keep giraffes or reindeer or some other species of browsing
+animal there we could explain the general absence of vegetation by a
+reference to the fauna of the garden: 'You can't have wapiti _and_ Darwin
+tulips, you know, so we didn't put down any bulbs last year.' As it is,
+we haven't got the wapiti, and the Darwin tulips haven't survived the
+fact that most of the cats of the neighbourhood hold a parliament in the
+centre of the tulip bed; that rather forlorn looking strip that we
+intended to be a border of alternating geranium and spiraea has been
+utilised by the cat-parliament as a division lobby. Snap divisions seem
+to have been rather frequent of late, far more frequent than the geranium
+blooms are likely to be. I shouldn't object so much to ordinary cats,
+but I do complain of having a congress of vegetarian cats in my garden;
+they must be vegetarians, my dear, because, whatever ravages they may
+commit among the sweet pea seedlings, they never seem to touch the
+sparrows; there are always just as many adult sparrows in the garden on
+Saturday as there were on Monday, not to mention newly-fledged additions.
+There seems to have been an irreconcilable difference of opinion between
+sparrows and Providence since the beginning of time as to whether a
+crocus looks best standing upright with its roots in the earth or in a
+recumbent posture with its stem neatly severed; the sparrows always have
+the last word in the matter, at least in our garden they do. I fancy
+that Providence must have originally intended to bring in an amending
+Act, or whatever it's called, providing either for a less destructive
+sparrow or a more indestructible crocus. The one consoling point about
+our garden is that it's not visible from the drawing-room or the smoking-
+room, so unless people are dinning or lunching with us they can't spy out
+the nakedness of the land. That is why I am so furious with Gwenda
+Pottingdon, who has practically forced herself on me for lunch on
+Wednesday next; she heard me offer the Paulcote girl lunch if she was up
+shopping on that day, and, of course, she asked if she might come too.
+She is only coming to gloat over my bedraggled and flowerless borders and
+to sing the praises of her own detestably over-cultivated garden. I'm
+sick of being told that it's the envy of the neighbourhood; it's like
+everything else that belongs to her--her car, her dinner-parties, even
+her headaches, they are all superlative; no one else ever had anything
+like them. When her eldest child was confirmed it was such a sensational
+event, according to her account of it, that one almost expected questions
+to be asked about it in the House of Commons, and now she's coming on
+purpose to stare at my few miserable pansies and the gaps in my sweet-pea
+border, and to give me a glowing, full-length description of the rare and
+sumptuous blooms in her rose-garden."
+
+"My dear Elinor," said the Baroness, "you would save yourself all this
+heart-burning and a lot of gardener's bills, not to mention sparrow
+anxieties, simply by paying an annual subscription to the O.O.S.A."
+
+"Never heard of it," said Elinor; "what is it?"
+
+"The Occasional-Oasis Supply Association," said the Baroness; "it exists
+to meet cases exactly like yours, cases of backyards that are of no
+practical use for gardening purposes, but are required to blossom into
+decorative scenic backgrounds at stated intervals, when a luncheon or
+dinner-party is contemplated. Supposing, for instance, you have people
+coming to lunch at one-thirty; you just ring up the Association at about
+ten o'clock the same morning, and say 'lunch garden'. That is all the
+trouble you have to take. By twelve forty-five your yard is carpeted
+with a strip of velvety turf, with a hedge of lilac or red may, or
+whatever happens to be in season, as a background, one or two cherry
+trees in blossom, and clumps of heavily-flowered rhododendrons filling in
+the odd corners; in the foreground you have a blaze of carnations or
+Shirley poppies, or tiger lilies in full bloom. As soon as the lunch is
+over and your guests have departed the garden departs also, and all the
+cats in Christendom can sit in council in your yard without causing you a
+moment's anxiety. If you have a bishop or an antiquary or something of
+that sort coming to lunch you just mention the fact when you are ordering
+the garden, and you get an old-world pleasaunce, with clipped yew hedges
+and a sun-dial and hollyhocks, and perhaps a mulberry tree, and borders
+of sweet-williams and Canterbury bells, and an old-fashioned beehive or
+two tucked away in a corner. Those are the ordinary lines of supply that
+the Oasis Association undertakes, but by paying a few guineas a year
+extra you are entitled to its emergency E.O.N. service."
+
+"What on earth is an E.O.N. service?"
+
+"It's just a conventional signal to indicate special cases like the
+incursion of Gwenda Pottingdon. It means you've got some one coming to
+lunch or dinner whose garden is alleged to be 'the envy of the
+neighbourhood.'"
+
+"Yes," exclaimed Elinor, with some excitement, "and what happens then?"
+
+"Something that sounds like a miracle out of the Arabian Nights. Your
+backyard becomes voluptuous with pomegranate and almond trees, lemon
+groves, and hedges of flowering cactus, dazzling banks of azaleas, marble-
+basined fountains, in which chestnut-and-white pond-herons step daintily
+amid exotic water-lilies, while golden pheasants strut about on alabaster
+terraces. The whole effect rather suggests the idea that Providence and
+Norman Wilkinson have dropped mutual jealousies and collaborated to
+produce a background for an open-air Russian Ballet; in point of fact, it
+is merely the background to your luncheon party. If there is any kick
+left in Gwenda Pottingdon, or whoever your E.O.N. guest of the moment may
+be, just mention carelessly that your climbing putella is the only one in
+England, since the one at Chatsworth died last winter. There isn't such
+a thing as a climbing putella, but Gwenda Pottingdon and her kind don't
+usually know one flower from another without prompting."
+
+"Quick," said Elinor, "the address of the Association."
+
+Gwenda Pottingdon did not enjoy her lunch. It was a simple yet elegant
+meal, excellently cooked and daintily served, but the piquant sauce of
+her own conversation was notably lacking. She had prepared a long
+succession of eulogistic comments on the wonders of her town garden, with
+its unrivalled effects of horticultural magnificence, and, behold, her
+theme was shut in on every side by the luxuriant hedge of Siberian
+berberis that formed a glowing background to Elinor's bewildering
+fragment of fairyland. The pomegranate and lemon trees, the terraced
+fountain, where golden carp slithered and wriggled amid the roots of
+gorgeous-hued irises, the banked masses of exotic blooms, the pagoda-like
+enclosure, where Japanese sand-badgers disported themselves, all these
+contributed to take away Gwenda's appetite and moderate her desire to
+talk about gardening matters.
+
+"I can't say I admire the climbing putella," she observed shortly, "and
+anyway it's not the only one of its kind in England; I happen to know of
+one in Hampshire. How gardening is going out of fashion; I suppose
+people haven't the time for it nowadays."
+
+Altogether it was quite one of Elinor's most successful luncheon parties.
+
+It was distinctly an unforeseen catastrophe that Gwenda should have burst
+in on the household four days later at lunch-time and made her way
+unbidden into the dining-room.
+
+"I thought I must tell you that my Elaine has had a water-colour sketch
+accepted by the Latent Talent Art Guild; it's to be exhibited at their
+summer exhibition at the Hackney Gallery. It will be the sensation of
+the moment in the art world--Hullo, what on earth has happened to your
+garden? It's not there!"
+
+"Suffragettes," said Elinor promptly; "didn't you hear about it? They
+broke in and made hay of the whole thing in about ten minutes. I was so
+heart-broken at the havoc that I had the whole place cleared out; I shall
+have it laid out again on rather more elaborate lines."
+
+"That," she said to the Baroness afterwards "is what I call having an
+emergency brain."
+
+
+
+
+THE SHEEP
+
+
+The enemy had declared "no trumps." Rupert played out his ace and king
+of clubs and cleared the adversary of that suit; then the Sheep, whom the
+Fates had inflicted on him for a partner, took the third round with the
+queen of clubs, and, having no other club to lead back, opened another
+suit. The enemy won the remainder of the tricks--and the rubber.
+
+"I had four more clubs to play; we only wanted the odd trick to win the
+rubber," said Rupert.
+
+"But I hadn't another club to lead you," exclaimed the Sheep, with his
+ready, defensive smile.
+
+"It didn't occur to you to throw your queen away on my king and leave me
+with the command of the suit," said Rupert, with polite bitterness.
+
+"I suppose I ought to have--I wasn't certain what to do. I'm awfully
+sorry," said the Sheep.
+
+Being awfully and uselessly sorry formed a large part of his occupation
+in life. If a similar situation had arisen in a subsequent hand he would
+have blundered just as certainly, and he would have been just as
+irritatingly apologetic.
+
+Rupert stared gloomily across at him as he sat smiling and fumbling with
+his cards. Many men who have good brains for business do not possess the
+rudiments of a card-brain, and Rupert would not have judged and condemned
+his prospective brother-in-law on the evidence of his bridge play alone.
+The tragic part of it was that he smiled and fumbled through life just as
+fatuously and apologetically as he did at the card-table. And behind the
+defensive smile and the well-worn expressions of regret there shone a
+scarcely believable but quite obvious self-satisfaction. Every sheep of
+the pasture probably imagines that in an emergency it could become
+terrible as an army with banners--one has only to watch how they stamp
+their feet and stiffen their necks when a minor object of suspicion comes
+into view and behaves meekly. And probably the majority of human sheep
+see themselves in imagination taking great parts in the world's more
+impressive dramas, forming swift, unerring decisions in moments of
+crisis, cowing mutinies, allaying panics, brave, strong, simple, but, in
+spite of their natural modesty, always slightly spectacular.
+
+"Why in the name of all that is unnecessary and perverse should Kathleen
+choose this man for her future husband?" was the question that Rupert
+asked himself ruefully. There was young Malcolm Athling, as
+nice-looking, decent, level-headed a fellow as any one could wish to
+meet, obviously her very devoted admirer, and yet she must throw herself
+away on this pale-eyed, weak-mouthed embodiment of self-approving
+ineptitude. If it had been merely Kathleen's own affair Rupert would
+have shrugged his shoulders and philosophically hoped that she might make
+the best of an undeniably bad bargain. But Rupert had no heir; his own
+boy lay underground somewhere on the Indian frontier, in goodly company.
+And the property would pass in due curse to Kathleen and Kathleen's
+husband. The Sheep would live there in the beloved old home, rearing up
+other little Sheep, fatuous and rabbit-faced and self-satisfied like
+himself, to dwell in the land and possess it. It was not a soothing
+prospect.
+
+Towards dusk on the afternoon following the bridge experience Rupert and
+the Sheep made their way homeward after a day's mixed shooting. The
+Sheep's cartridge bag was nearly empty, but his game bag showed no signs
+of over-crowding. The birds he had shot at had seemed for the most part
+as impervious to death or damage as the hero of a melodrama. And for
+each failure to drop his bird he had some explanation or apology ready on
+his lips. Now he was striding along in front of his host, chattering
+happily over his shoulder, but obviously on the look-out for some belated
+rabbit or woodpigeon that might haply be secured as an eleventh-hour
+addition to his bag. As they passed the edge of a small copse a large
+bird rose from the ground and flew slowly towards the trees, offering an
+easy shot to the oncoming sportsmen. The Sheep banged forth with both
+barrels, and gave an exultant cry.
+
+"Horray! I've shot a thundering big hawk!"
+
+"To be exact, you've shot a honey-buzzard. That is the hen bird of one
+of the few pairs of honey-buzzards breeding in the United Kingdom. We've
+kept them under the strictest preservation for the last four years; every
+game-keeper and village gun loafer for twenty miles round has been warned
+and bribed and threatened to respect their sanctity, and egg-snatching
+agents have been carefully guarded against during the breeding season.
+Hundreds of lovers of rare birds have delighted in seeing their
+snap-shotted portraits in _Country Life_, and now you've reduced the hen
+bird to a lump of broken feathers."
+
+Rupert spoke quietly and evenly, but for a moment or two a gleam of
+positive hatred shone in his eyes.
+
+"I say, I'm so sorry," said the Sheep, with his apologetic smile. "Of
+course I remember hearing about the buzzards, but somehow I didn't
+connect this bird with them. And it was such an east shot--"
+
+"Yes," said Rupert; "that was the trouble."
+
+Kathleen found him in the gun-room smoothing out the feathers of the dead
+bird. She had already been told of the catastrophe.
+
+"What a horrid misfortune," she said sympathetically.
+
+"It was my dear Robbie who first discovered them, the last time he was
+home on leave. Don't you remember how excited he was about them? Let's
+go and have some tea."
+
+Both bridge and shooting were given a rest for the next two or three
+weeks. Death, who enters into no compacts with party whips, had forced a
+Parliamentary vacancy on the neighbourhood at the least convenient
+season, and the local partisans on either side found themselves immersed
+in the discomforts of a mid-winter election. Rupert took his politics
+seriously and keenly. He belonged to that type of strangely but rather
+happily constituted individuals which these islands seem to produce in a
+fair plenty; men and women who for no personal profit or gain go forth
+from their comfortable firesides or club card-rooms to hunt to and fro in
+the mud and rain and wind for the capture or tracking of a stray vote
+here and there on their party's behalf--not because they think they ought
+to, but because they want to. And his energies were welcome enough on
+this occasion, for the seat was a closely disputed possession, and its
+loss or retention would count for much in the present position of the
+Parliamentary game. With Kathleen to help him, he had worked his corner
+of the constituency with tireless, well-directed zeal, taking his share
+of the dull routine work as well as of the livelier episodes. The
+talking part of the campaign wound up on the eve of the poll with a
+meeting in a centre where more undecided votes were supposed to be
+concentrated than anywhere else in the division. A good final meeting
+here would mean everything. And the speakers, local and imported, left
+nothing undone to improve the occasion. Rupert was down for the
+unimportant task of moving the complimentary vote to the chairman which
+should close the proceedings.
+
+"I'm so hoarse," he protested, when the moment arrived; "I don't believe
+I can make my voice heard beyond the platform."
+
+"Let me do it," said the Sheep; "I'm rather good at that sort of thing."
+
+The chairman was popular with all parties, and the Sheep's opening words
+of complimentary recognition received a round of applause. The orator
+smiled expansively on his listeners and seized the opportunity to add a
+few words of political wisdom on his own account. People looked at the
+clock or began to grope for umbrellas and discarded neckwraps. Then, in
+the midst of a string of meaningless platitudes, the Sheep delivered
+himself of one of those blundering remarks which travel from one end of a
+constituency to the other in half an hour, and are seized on by the other
+side as being more potent on their behalf than a ton of election
+literature. There was a general shuffling and muttering across the
+length and breadth of the hall, and a few hisses made themselves heard.
+The Sheep tried to whittle down his remark, and the chairman
+unhesitatingly threw him over in his speech of thanks, but the damage was
+done.
+
+"I'm afraid I lost touch with the audience rather over that remark," said
+the Sheep afterwards, with his apologetic smile abnormally developed.
+
+"You lost us the election," said the chairman, and he proved a true
+prophet.
+
+A month or so of winter sport seemed a desirable pick-me-up after the
+strenuous work and crowning discomfiture of the election. Rupert and
+Kathleen hied them away to a small Alpine resort that was just coming
+into prominence, and thither the Sheep followed them in due course, in
+his role of husband-elect. The wedding had been fixed for the end of
+March.
+
+It was a winter of early and unseasonable thaws, and the far end of the
+local lake, at a spot where swift currents flowed into it, was decorated
+with notices, written in three languages, warning skaters not to venture
+over certain unsafe patches. The folly of approaching too near these
+danger spots seemed to have a natural fascination for the Sheep.
+
+"I don't see what possible danger there can be," he protested, with his
+inevitable smile, when Rupert beckoned him away from the proscribed area;
+"the milk that I put out on my window-sill last night was frozen an inch
+deep."
+
+"It hadn't got a strong current flowing through it," said Rupert; "in any
+case, there is not much sense in hovering round a doubtful piece of ice
+when there are acres of good ice to skate over. The secretary of the ice-
+committee has warned you once already."
+
+A few minutes later Rupert heard a loud squeal of fear, and saw a dark
+spot blotting the smoothness of the lake's frozen surface. The Sheep was
+struggling helplessly in an ice-hole of his own making. Rupert gave one
+loud curse, and then dashed full tilt for the shore; outside a low stable
+building on the lake's edge he remembered having seen a ladder. If he
+could slide it across the ice-hole before the Sheep went under the rescue
+would be comparatively simple work. Other skaters were dashing up from a
+distance, and, with the ladder's help, they could get him out of his
+death-trap without having to trust themselves on the margin of rotten
+ice. Rupert sprang on to the surface of lumpy, frozen snow, and
+staggered to where the ladder lay. He had already lifted it when the
+rattle of a chain and a furious outburst of growls burst on his hearing,
+and he was dashed to the ground by a mass of white and tawny fur. A
+sturdy young yard-dog, frantic with the pleasure of performing his first
+piece of actice guardian service, was ramping and snarling over him,
+rendering the task of regaining his feet or securing the ladder a matter
+of considerable difficulty. When he had at last succeeded in both
+efforts he was just by a hair's-breadth too late to be of any use. The
+Sheep had definitely disappeared under the ice-rift.
+
+Kathleen Athling and her husband stay the greater part of the year with
+Rupert, and a small Robbie stands in some danger of being idolised by a
+devoted uncle. But for twelve months of the year Rupert's most
+inseparable and valued companion is a sturdy tawny and white yard-dog.
+
+
+
+
+THE OVERSIGHT
+
+
+"It's like a Chinese puzzle," said Lady Prowche resentfully, staring at a
+scribbled list of names that spread over two or three loose sheets of
+notepaper on her writing-table. Most of the names had a pencil mark
+running through them.
+
+"What is like a Chinese puzzle?" asked Lena Luddleford briskly; she
+rather prided herself on being able to grapple with the minor problems of
+life.
+
+"Getting people suitably sorted together. Sir Richard likes me to have a
+house party about this time of year, and gives me a free hand as to whom
+I should invite; all he asks is that it should be a peaceable party, with
+no friction or unpleasantness."
+
+"That seems reasonable enough," said Lena.
+
+"Not only reasonable, my dear, but necessary. Sir Richard has his
+literary work to think of; you can't expect a man to concentrate on the
+tribal disputes of Central Asian clansmen when he's got social feuds
+blazing under his own roof."
+
+"But why should they blaze? Why should there be feuds at all within the
+compass of a house party?"
+
+"Exactly; why should they blaze or why should they exist?" echoed Lady
+Prowche; "the point is that they always do. We have been unlucky;
+persistently unlucky, now that I come to look back on things. We have
+always got people of violently opposed views under one roof, and the
+result has been not merely unpleasantness but explosion."
+
+"Do you mean people who disagree on matters of political opinion and
+religious views?" asked Lena.
+
+"No, not that. The broader lines of political or religious difference
+don't matter. You can have Church of England and Unitarian and Buddhist
+under the same roof without courting disaster; the only Buddhist I ever
+had down here quarrelled with everybody, but that was on account of his
+naturally squabblesome temperament; it had nothing to do with his
+religion. And I've always found that people can differ profoundly about
+politics and meet on perfectly good terms at breakfast. Now, Miss Larbor
+Jones, who was staying here last year, worships Lloyd George as a sort of
+wingless angel, while Mrs. Walters, who was down here at the same time,
+privately considers him to be--an antelope, let us say."
+
+"An antelope?"
+
+"Well, not an antelope exactly, but something with horns and hoofs and
+tail."
+
+"Oh, I see."
+
+"Still, that didn't prevent them from being the chummiest of mortals on
+the tennis court and in the billiard-room. They did quarrel finally,
+about a lead in a doubled hand of no-trumps, but that of course is a
+thing that no account of judicious guest-grouping could prevent. Mrs.
+Walters had got king, knave, ten, and seven of clubs--"
+
+"You were saying that there were other lines of demarcation that caused
+the bother," interrupted Lena.
+
+"Exactly. It is the minor differences and side-issues that give so much
+trouble," said Lady Prowche; "not to my dying day shall I forget last
+year's upheaval over the Suffragette question. Laura Henniseed left the
+house in a state of speechless indignation, but before she had reached
+that state she had used language that would not have been tolerated in
+the Austrian Reichsrath. Intensive bear-gardening was Sir Richard's
+description of the whole affair, and I don't think he exaggerated."
+
+"Of course the Suffragette question is a burning one, and lets loose the
+most dreadful ill-feeling," said Lena; "but one can generally find out
+beforehand what people's opinions--"
+
+"My dear, the year before it was worse. It was Christian Science. Selina
+Goobie is a sort of High Priestess of the Cult, and she put down all
+opposition with a high hand. Then one evening, after dinner, Clovis
+Sangrail put a wasp down her back, to see if her theory about the non-
+existence of pain could be depended on in an emergency. The wasp was
+small, but very efficient, and it had been soured in temper by being kept
+in a paper cage all the afternoon. Wasps don't stand confinement well,
+at least this one didn't. I don't think I ever realised till that moment
+what the word 'invective' could be made to mean. I sometimes wake in the
+night and think I still hear Selina describing Clovis's conduct and
+general character. That was the year that Sir Richard was writing his
+volume on 'Domestic Life in Tartary.' The critics all blamed it for a
+lack of concentration."
+
+"He's engaged on a very important work this year, isn't he?" asked Lena.
+
+"'Land-tenure in Turkestan,'" said Lady Prowche; "he is just at work on
+the final chapters and they require all the concentration he can give
+them. That is why I am so very anxious not to have any unfortunate
+disturbance this year. I have taken every precaution I can think of to
+bring non-conflicting and harmonious elements together; the only two
+people I am not quite easy about are the Atkinson man and Marcus Popham.
+They are the two who will be down here longest together, and if they are
+going to fall foul of one another about any burning question, well, there
+will be more unpleasantness."
+
+"Can't you find out anything about them? About their opinions, I mean."
+
+"Anything? My dear Lena, there's scarcely anything that I haven't found
+out about them. They're both of them moderate Liberal, Evangelical,
+mildly opposed to female suffrage, they approve of the Falconer Report,
+and the Stewards' decision about Craganour. Thank goodness in this
+country we don't fly into violent passions about Wagner and Brahms and
+things of that sort. There is only one thorny subject that I haven't
+been able to make sure about, the only stone that I have left unturned.
+Are they unanimously anti-vivisectionist or do they both uphold the
+necessity for scientific experiment? There has been a lot of
+correspondence on the subject in our local newspapers of late, and the
+vicar is certain to preach a sermon about it; vicars are dreadfully
+provocative at times. Now, if you could only find out for me whether
+these two men are divergently for or against--"
+
+"I!" exclaimed Lena; "how am I to find out? I don't know either of them
+to speak to."
+
+"Still you might discover, in some roundabout way. Write to them, under
+as assumed name of course, for subscriptions to one or other cause--or,
+better still, send a stamped type-written reply postcard, with a request
+for a declaration for or against vivisection; people who would hesitate
+to commit themselves to a subscription will cheerfully write Yes or No on
+a prepaid postcard. If you can't manage it that way, try and meet them
+at some one's house and get into argument on the subject. I think Milly
+occasionally has one or other of them at her at-homes; you might have the
+luck to meet both of them there the same evening. Only it must be done
+soon. My invitations ought to go out by Wednesday or Thursday at the
+latest, and to-day is Friday.
+
+"Milly's at-homes are not very amusing, as a rule," said Lena, "and one
+never gets a chance of talking uninterruptedly to any one for a couple of
+minutes at a time; Milly is one of those restless hostesses who always
+seem to be trying to see how you look in different parts of the room, in
+fresh grouping effects. Even if I got to speak to Popham or Atkinson I
+couldn't plunge into a topic like vivisection straight away. No, I think
+the postcard scheme would be more hopeful and decidedly less tiresome.
+How would it be best to word them?"
+
+"Oh, something like this: 'Are you in favour of experiments on living
+animals for the purpose of scientific research--Yes or No?' That is
+quite simple and unmistakable. If they don't answer it will at least be
+an indication that they are indifferent about the subject, and that is
+all I want to know."
+
+"All right," said Lena, "I'll get my brother-in-law to let me have them
+addressed to his office, and he can telephone the result of the
+plebiscite direct to you."
+
+"Thank you ever so much," said Lady Prowche gratefully, "and be sure to
+get the cards sent off as soon as possible."
+
+On the following Tuesday the voice of an office clerk, speaking through
+the telephone, informed Lady Prowche that the postcard poll showed
+unanimous hostility to experiments on living animals.
+
+Lady Prowche thanked the office clerk, and in a louder and more fervent
+voice she thanked Heaven. The two invitations, already sealed and
+addressed, were immediately dispatched; in due course they were both
+accepted. The house party of the halcyon hours, as the prospective
+hostess called it, was auspiciously launched.
+
+Lena Luddleford was not included among the guests, having previously
+committed herself to another invitation. At the opening day of a cricket
+festival, however, she ran across Lady Prowche, who had motored over from
+the other side of the county. She wore the air of one who is not
+interested in cricket and not particularly interested in life. She shook
+hands limply with Lena, and remarked that it was a beastly day.
+
+"The party, how has it gone off?" asked Lena quickly.
+
+"Don't speak of it!" was the tragical answer; "why do I always have such
+rotten luck?"
+
+"But what has happened?"
+
+"It has been awful. Hyaenas could not have behaved with greater
+savagery. Sir Richard said so, and he has been in countries where hyaenas
+live, so he ought to know. They actually came to blows!"
+
+"Blows?"
+
+"Blows and curses. It really might have been a scene from one of
+Hogarth's pictures. I never felt so humiliated in my life. What the
+servants must have thought!"
+
+"But who were the offenders?"
+
+"Oh, naturally the very two that we took all the trouble about."
+
+"I thought they agreed on every subject that one could violently disagree
+about--religion, politics, vivisection, the Derby decision, the Falconer
+Report; what else was there left to quarrel about?"
+
+"My dear, we were fools not to have thought of it. One of them was Pro-
+Greek and the other Pro-Bulgar."
+
+
+
+
+HYACINTH
+
+
+"The new fashion of introducing the candidate's children into an election
+contest is a pretty one," said Mrs. Panstreppon; "it takes away something
+from the acerbity of party warfare, and it makes an interesting
+experience for children to look back on in after years. Still, if you
+will listen to my advice, Matilda, you will not take Hyacinth with you
+down to Luffbridge on election day."
+
+"Not take Hyacinth!" exclaimed his mother; "but why not? Jutterly is
+bringing his three children, and they are going to drive a pair of Nubian
+donkeys about the town, to emphasise the fact that their father has been
+appointed Colonial Secretary. We are making the demand for a strong Navy
+a special feature in _our_ campaign, and it will be particularly
+appropriate to have Hyacinth dressed in his sailor suit. He'll look
+heavenly."
+
+"The question is, not how he'll look, but how he'll behave. He's a
+delightful child, of course, but there is a strain of unbridled pugnacity
+in him that breaks out at times in a really alarming fashion. You may
+have forgotten the affair of the little Gaffin children; I haven't."
+
+"I was in India at the time, and I've only a vague recollection of what
+happened; he was very naughty, I know."
+
+"He was in his goat-carriage, and met the Gaffins in their perambulator,
+and he drove the goat full tilt at them and sent the perambulator
+spinning. Little Jacky Gaffin was pinned down under the wreckage, and
+while the nurse had her hands full with the goat Hyacinth was laying into
+Jacky's legs with his belt like a small fury."
+
+"I'm not defending him," said Matilda, "but they must have done something
+to annoy him."
+
+"Nothing intentionally, but some one had unfortunately told him that they
+were half French--their mother was a Duboc, you know--and he had been
+having a history lesson that morning, and had just heard of the final
+loss of Calais by the English, and was furious about it. He said he'd
+teach the little toads to go snatching towns from us, but we didn't know
+at the time that he was referring to the Gaffins. I told him afterwards
+that all bad feeling between the two nations had died out long ago, and
+that anyhow the Gaffins were only half French, and he said that it was
+only the French half of Jacky that he had been hitting; the rest had been
+buried under the perambulator. If the loss of Calais unloosed such fury
+in him, I tremble to think what the possible loss of the election might
+entail."
+
+"All that happened when he was eight; he's older now and knows better."
+
+"Children with Hyacinth's temperament don't know better as they grow
+older; they merely know more."
+
+"Nonsense. He will enjoy the fun of the election, and in any case he'll
+be tired out by the time the poll is declared, and the new sailor suit
+that I've had made for him is just in the right shade of blue for our
+election colours, and it will exactly match the blue of his eyes. He
+will be a perfectly charming note of colour."
+
+"There is such a thing as letting one's aesthetic sense override one's
+moral sense," said Mrs. Panstreppon. "I believe you would have condoned
+the South Sea Bubble and the persecution of the Albigenses if they had
+been carried out in effective colour schemes. However, if anything
+unfortunate should happen down at Luffbridge, don't say it wasn't
+foreseen by one member of the family."
+
+The election was keenly but decorously contested. The newly-appointed
+Colonial Secretary was personally popular, while the Government to which
+he adhered was distinctly unpopular, and there was some expectancy that
+the majority of four hundred, obtained at the last election, would be
+altogether wiped out. Both sides were hopeful, but neither could feel
+confident. The children were a great success; the little Jutterlys drove
+their chubby donkeys solemnly up and down the main streets, displaying
+posters which advocated the claims of their father on the broad general
+grounds that he was their father, while as for Hyacinth, his conduct
+might have served as a model for any seraph-child that had strayed
+unwittingly on to the scene of an electoral contest. Of his own accord,
+and under the delighted eyes of half a dozen camera operators, he had
+gone up to the Jutterly children and presented them with a packet of
+butterscotch; "we needn't be enemies because we're wearing the opposite
+colours," he said with engaging friendliness, and the occupants of the
+donkey-cart accepted his offering with polite solemnity. The grown-up
+members of both political camps were delighted at the incident--with the
+exception of Mrs. Panstreppon, who shuddered.
+
+"Never was Clytemnestra's kiss sweeter than on the night she slew me,"
+she quoted, but made the quotation to herself.
+
+The last hour of the poll was a period of unremitting labour for both
+parties; it was generally estimated that not more than a dozen votes
+separated the candidates, and every effort was made to bring up
+obstinately wavering electors. It was with a feeling of relaxation and
+relief that every one heard the clocks strike the hour for the close of
+the poll. Exclamations broke out from the tired workers, and corks flew
+out from bottles.
+
+"Well, if we haven't won; we've done our level best." "It has been a
+clean straight fight, with no rancour." "The children were quite a
+charming feature, weren't they?"
+
+The children? It suddenly occurred to everybody that they had seen
+nothing of the children for the last hour. What had become of the three
+little Jutterlys and their donkey-cart, and, for the matter of that, what
+had become of Hyacinth. Hurried, anxious embassies went backwards and
+forwards between the respective party headquarters and the various
+committee-rooms, but there was blank ignorance everywhere as to the
+whereabouts of the children. Every one had been too busy in the closing
+moments of the poll to bestow a thought on them. Then there came a
+telephone call at the Unionist Women's Committee-rooms, and the voice of
+Hyacinth was heard demanding when the poll would be declared.
+
+"Where are you, and where are the Jutterly children?" asked his mother.
+
+"I've just finished having high-tea at a pastry-cook's," came the answer,
+"and they let me telephone. I've had a poached egg and a sausage roll
+and four meringues."
+
+"You'll be ill. Are the little Jutterlys with you?"
+
+"Rather not. They're in a pigstye."
+
+"A pigstye? Why? What pigstye?"
+
+"Near the Crawleigh Road. I met them driving about a back road, and told
+them they were to have tea with me, and put their donkeys in a yard that
+I knew of. Then I took them to see an old sow that had got ten little
+pigs. I got the sow into the outer stye by giving her bits of bread,
+while the Jutterlys went in to look at the litter, then I bolted the door
+and left them there."
+
+"You wicked boy, do you mean to say you've left those poor children there
+alone in the pigstye?"
+
+"They're not alone, they've got ten little pigs in with them; they're
+jolly well crowded. They were pretty mad at being shut in, but not half
+as mad as the old sow is at being shut out from her young ones. If she
+gets in while they're there she'll bite them into mincemeat. I can get
+them out by letting a short ladder down through the top window, and
+that's what I'm going to do _if we win_. If their blighted father gets
+in, I'm just going to open the door for the sow, and let her do what she
+dashed well likes to them. That's why I want to know when the poll will
+be declared."
+
+Here the narrator rang off. A wild stampede and a frantic sending-off of
+messengers took place at the other end of the telephone. Nearly all the
+workers on either side had disappeared to their various club-rooms and
+public-house bars to await the declaration of the poll, but enough local
+information could be secured to determine the scene of Hyacinth's
+exploit. Mr. John Ball had a stable yard down near the Crawleigh Road,
+up a short lane, and his sow was known to have a litter of ten young
+ones. Thither went in headlong haste both the candidates, Hyacinth's
+mother, his aunt (Mrs. Panstreppon), and two or three hurriedly-summoned
+friends. The two Nubian donkeys, contentedly munching at bundles of hay,
+met their gaze as they entered the yard. The hoarse savage grunting of
+an enraged animal and the shriller note of thirteen young voices, three
+of them human, guided them to the stye, in the outer yard of which a huge
+Yorkshire sow kept up a ceaseless raging patrol before a closed door.
+Reclining on the broad ledge of an open window, from which point of
+vantage he could reach down and shoot the bolt of the door, was Hyacinth,
+his blue sailor-suit somewhat the worse of wear, and his angel smile
+exchanged for a look of demoniacal determination.
+
+"If any of you come a step nearer," he shouted, "the sow will be inside
+in half a jiffy."
+
+A storm of threatening, arguing, entreating expostulation broke from the
+baffled rescue party, but it made no more impression on Hyacinth than the
+squealing tempest that raged within the stye.
+
+"If Jutterly heads the poll I'm going to let the sow in. I'll teach the
+blighters to win elections from us."
+
+"He means it," said Mrs. Panstreppon; "I feared the worst when I saw that
+butterscotch incident."
+
+"It's all right, my little man," said Jutterly, with the duplicity to
+which even a Colonial Secretary can sometimes stoop, "your father has
+been elected by a large majority."
+
+"Liar!" retorted Hyacinth, with the directness of speech that is not
+merely excusable, but almost obligatory, in the political profession;
+"the votes aren't counted yet. You won't gammon me as to the result,
+either. A boy that I've palled with is going to fire a gun when the poll
+is declared; two shots if we've won, one shot if we haven't."
+
+The situation began to look critical. "Drug the sow," whispered
+Hyacinth's father.
+
+Some one went off in the motor to the nearest chemist's shop and returned
+presently with two large pieces of bread, liberally dosed with narcotic.
+The bread was thrown deftly and unostentatiously into the stye, but
+Hyacinth saw through the manoeuvre. He set up a piercing imitation of a
+small pig in Purgatory, and the infuriated mother ramped round and round
+the stye; the pieces of bread were trampled into slush.
+
+At any moment now the poll might be declared. Jutterly flew back to the
+Town Hall, where the votes were being counted. His agent met him with a
+smile of hope.
+
+"You're eleven ahead at present, and only about eighty more to be
+counted; you're just going to squeak through."
+
+"I mustn't squeak through," exclaimed Jutterly, hoarsely. "You must
+object to every doubtful vote on our side that can possibly be
+disallowed. I must _not_ have the majority."
+
+Then was seen the unprecedented sight of a party agent challenging the
+votes on his own side with a captiousness that his opponents would have
+hesitated to display. One or two votes that would have certainly passed
+muster under ordinary circumstances were disallowed, but even so Jutterly
+was six ahead with only thirty more to be counted.
+
+To the watchers by the stye the moments seemed intolerable. As a last
+resort some one had been sent for a gun with which to shoot the sow,
+though Hyacinth would probably draw the bolt the moment such a weapon was
+brought into the yard. Nearly all the men were away from their homes,
+however, on election night, and the messenger had evidently gone far
+afield in his search. It must be a matter of minutes now to the
+declaration of the poll.
+
+A sudden roar of shouting and cheering was heard from the direction of
+the Town Hall. Hyacinth's father clutched a pitchfork and prepared to
+dash into the stye in the forlorn hope of being in time.
+
+A shot rang out in the evening air. Hyacinth stooped down from his perch
+and put his finger on the bolt. The sow pressed furiously against the
+door.
+
+"Bang," came another shot.
+
+Hyacinth wriggled back, and sent a short ladder down through the window
+of the inner stye.
+
+"Now you can come up, you unclean little blighters," he sang out; "my
+daddy's got in, not yours. Hurry up, I can't keep the sow waiting much
+longer. And don't you jolly well come butting into any election again
+where I'm on the job."
+
+In the reaction that set in after the deliverance furious recrimination
+were indulged in by the lately opposed candidates, their women folk,
+agents, and party helpers. A recount was demanded, but failed to
+establish the fact that the Colonial Secretary had obtained a majority.
+Altogether the election left a legacy of soreness behind it, apart from
+any that was experienced by Hyacinth in person.
+
+"It is the last time I shall let him go to an election," exclaimed his
+mother.
+
+"There I think you are going to extremes," said Mrs. Panstreppon; "if
+there should be a general election in Mexico I think you might safely let
+him go there, but I doubt whether our English politics are suited to the
+rough and tumble of an angel-child."
+
+
+
+
+THE IMAGE OF THE LOST SOUL
+
+
+There were a number of carved stone figures placed at intervals along the
+parapets of the old Cathedral; some of them represented angels, others
+kings and bishops, and nearly all were in attitudes of pious exaltation
+and composure. But one figure, low down on the cold north side of the
+building, had neither crown, mitre, not nimbus, and its face was hard and
+bitter and downcast; it must be a demon, declared the fat blue pigeons
+that roosted and sunned themselves all day on the ledges of the parapet;
+but the old belfry jackdaw, who was an authority on ecclesiastical
+architecture, said it was a lost soul. And there the matter rested.
+
+One autumn day there fluttered on to the Cathedral roof a slender, sweet-
+voiced bird that had wandered away from the bare fields and thinning
+hedgerows in search of a winter roosting-place. It tried to rest its
+tired feet under the shade of a great angel-wing or to nestle in the
+sculptured folds of a kingly robe, but the fat pigeons hustled it away
+from wherever it settled, and the noisy sparrow-folk drove it off the
+ledges. No respectable bird sang with so much feeling, they cheeped one
+to another, and the wanderer had to move on.
+
+Only the effigy of the Lost Soul offered a place of refuge. The pigeons
+did not consider it safe to perch on a projection that leaned so much out
+of the perpendicular, and was, besides, too much in the shadow. The
+figure did not cross its hands in the pious attitude of the other graven
+dignitaries, but its arms were folded as in defiance and their angle made
+a snug resting-place for the little bird. Every evening it crept
+trustfully into its corner against the stone breast of the image, and the
+darkling eyes seemed to keep watch over its slumbers. The lonely bird
+grew to love its lonely protector, and during the day it would sit from
+time to time on some rainshoot or other abutment and trill forth its
+sweetest music in grateful thanks for its nightly shelter. And, it may
+have been the work of wind and weather, or some other influence, but the
+wild drawn face seemed gradually to lose some of its hardness and
+unhappiness. Every day, through the long monotonous hours, the song of
+his little guest would come up in snatches to the lonely watcher, and at
+evening, when the vesper-bell was ringing and the great grey bats slid
+out of their hiding-places in the belfry roof, the bright-eyed bird would
+return, twitter a few sleepy notes, and nestle into the arms that were
+waiting for him. Those were happy days for the Dark Image. Only the
+great bell of the Cathedral rang out daily its mocking message, "After
+joy . . . sorrow."
+
+The folk in the verger's lodge noticed a little brown bird flitting about
+the Cathedral precincts, and admired its beautiful singing. "But it is a
+pity," said they, "that all that warbling should be lost and wasted far
+out of hearing up on the parapet." They were poor, but they understood
+the principles of political economy. So they caught the bird and put it
+in a little wicker cage outside the lodge door.
+
+That night the little songster was missing from its accustomed haunt, and
+the Dark Image knew more than ever the bitterness of loneliness. Perhaps
+his little friend had been killed by a prowling cat or hurt by a stone.
+Perhaps . . . perhaps he had flown elsewhere. But when morning came
+there floated up to him, through the noise and bustle of the Cathedral
+world, a faint heart-aching message from the prisoner in the wicker cage
+far below. And every day, at high noon, when the fat pigeons were
+stupefied into silence after their midday meal and the sparrows were
+washing themselves in the street-puddles, the song of the little bird
+came up to the parapets--a song of hunger and longing and hopelessness, a
+cry that could never be answered. The pigeons remarked, between
+mealtimes, that the figure leaned forward more than ever out of the
+perpendicular.
+
+One day no song came up from the little wicker cage. It was the coldest
+day of the winter, and the pigeons and sparrows on the Cathedral roof
+looked anxiously on all sides for the scraps of food which they were
+dependent on in hard weather.
+
+"Have the lodge-folk thrown out anything on to the dust-heap?" inquired
+one pigeon of another which was peering over the edge of the north
+parapet.
+
+"Only a little dead bird," was the answer.
+
+There was a crackling sound in the night on the Cathedral roof and a
+noise as of falling masonry. The belfry jackdaw said the frost was
+affecting the fabric, and as he had experienced many frosts it must have
+been so. In the morning it was seen that the Figure of the Lost Soul had
+toppled from its cornice and lay now in a broken mass on the dust-heap
+outside the verger's lodge.
+
+"It is just as well," cooed the fat pigeons, after they had peered at the
+matter for some minutes; "now we shall have a nice angel put up there.
+Certainly they will put an angel there."
+
+"After joy . . . sorrow," rang out the great bell.
+
+
+
+
+THE PURPLE OF THE BALKAN KINGS
+
+
+Luitpold Wolkenstein, financier and diplomat on a small, obtrusive, self-
+important scale, sat in his favoured cafe in the world-wise Habsburg
+capital, confronted with the _Neue Freie Presse_ and the cup of cream-
+topped coffee and attendant glass of water that a sleek-headed piccolo
+had just brought him. For years longer than a dog's lifetime
+sleek-headed piccolos had placed the _Neue Freie Presse_ and a cup of
+cream-topped coffee on his table; for years he had sat at the same spot,
+under the dust-coated, stuffed eagle, that had once been a living,
+soaring bird on the Styrian mountains, and was now made monstrous and
+symbolical with a second head grafted on to its neck and a gilt crown
+planted on either dusty skull. To-day Luitpold Wolkenstein read no more
+than the first article in his paper, but read it again and again.
+
+"The Turkish fortress of Kirk Kilisseh has fallen . . . The Serbs, it is
+officially announced, have taken Kumanovo . . . The fortress of Kirk
+Kilisseh lost, Kumanovo taken by the Serbs, these are tiding for
+Constantinople resembling something out of Shakspeare's tragedies of the
+kings . . . The neighbourhood of Adrianople and the Eastern region,
+where the great battle is now in progress, will not reveal merely the
+future of Turkey, but also what position and what influence the Balkan
+States are to have in the world."
+
+For years longer than a dog's lifetime Luitpold Wolkenstein had disposed
+of the pretensions and strivings of the Balkan States over the cup of
+cream-topped coffee that sleek-headed piccolos had brought him. Never
+travelling further eastward than the horse-fair at Temesvar, never
+inviting personal risk in an encounter with anything more potentially
+desperate than a hare or partridge, he had constituted himself the
+critical appraiser and arbiter of the military and national prowess of
+the small countries that fringed the Dual Monarchy on its Danube border.
+And his judgment had been one of unsparing contempt for small-scale
+efforts, of unquestioning respect for the big battalions and full purses.
+Over the whole scene of the Balkan territories and their troubled
+histories had loomed the commanding magic of the words "the Great
+Powers"--even more imposing in their Teutonic rendering, "Die
+Grossmachte."
+
+Worshipping power and force and money-mastery as an elderly nerve-ridden
+woman might worship youthful physical energy, the comfortable,
+plump-bodied cafe-oracle had jested and gibed at the ambitions of the
+Balkan kinglets and their peoples, had unloosed against them that battery
+of strange lip-sounds that a Viennese employs almost as an auxiliary
+language to express the thoughts when his thoughts are not complimentary.
+British travellers had visited the Balkan lands and reported high things
+of the Bulgarians and their future, Russian officers had taken peeps at
+their army and confessed "this is a thing to be reckoned with, and it is
+not we who have created it, they have done it by themselves." But over
+his cups of coffee and his hour-long games of dominoes the oracle had
+laughed and wagged his head and distilled the worldly wisdom of his
+castle. The Grossmachte had not succeeded in stifling the roll of the
+war-drum, that was true; the big battalions of the Ottoman Empire would
+have to do some talking, and then the big purses and big threatenings of
+the Powers would speak and the last word would be with them. In
+imagination Luitpold heard the onward tramp of the red-fezzed bayonet
+bearers echoing through the Balkan passes, saw the little sheepskin-clad
+mannikins driven back to their villages, saw the augustly chiding
+spokesman of the Powers dictating, adjusting, restoring, settling things
+once again in their allotted places, sweeping up the dust of conflict,
+and now his ears had to listen to the war-drum rolling in quite another
+direction, had to listen to the tramp of battalions that were bigger and
+bolder and better skilled in war-craft than he had deemed possible in
+that quarter; his eyes had to read in the columns of his accustomed
+newspaper a warning to the Grossmachte that they had something new to
+learn, something new to reckon with, much that was time-honoured to
+relinquish. "The Great Powers will have not little difficulty in
+persuading the Balkan States of the inviolability of the principle that
+Europe cannot permit any fresh partition of territory in the East without
+her approval. Even now, while the campaign is still undecided, there are
+rumours of a project of fiscal unity, extending over the entire Balkan
+lands, and further of a constitutional union in imitation of the German
+Empire. That is perhaps only a political straw blown by the storm, but
+it is not possible to dismiss the reflection that the Balkan States
+leagued together command a military strength with which the Great Powers
+will have to reckon . . . The people who have poured out their blood on
+the battlefields and sacrificed the available armed men of an entire
+generation in order to encompass a union with their kinsfolk will not
+remain any longer in an attitude of dependence on the Great Powers or on
+Russia, but will go their own ways . . . The blood that has been poured
+forth to-day gives for the first time a genuine tone to the purple of the
+Balkan Kings. The Great Powers cannot overlook the fact that a people
+that has tasted victory will not let itself be driven back again within
+its former limits. Turkey has lost to-day not only Kirk Kilisseh and
+Kumanovo, but Macedonia also."
+
+Luitpold Wolkenstein drank his coffee, but the flavour had somehow gone
+out of it. His world, his pompous, imposing, dictating world, had
+suddenly rolled up into narrower dimensions. The big purses and the big
+threats had been pushed unceremoniously on one side; a force that he
+could not fathom, could not comprehend, had made itself rudely felt. The
+august Caesars of Mammon and armament had looked down frowningly on the
+combat, and those about to die had not saluted, had no intention of
+saluting. A lesson was being imposed on unwilling learners, a lesson of
+respect for certain fundamental principles, and it was not the small
+struggling States who were being taught the lesson.
+
+Luitpold Wolkenstein did not wait for the quorum of domino players to
+arrive. They would all have read the article in the _Freie Presse_. And
+there are moments when an oracle finds its greatest salvation in
+withdrawing itself from the area of human questioning.
+
+
+
+
+THE CUPBOARD OF THE YESTERDAYS
+
+
+"War is a cruelly destructive thing," said the Wanderer, dropping his
+newspaper to the floor and staring reflectively into space.
+
+"Ah, yes, indeed," said the Merchant, responding readily to what seemed
+like a safe platitude; "when one thinks of the loss of life and limb, the
+desolated homesteads, the ruined--"
+
+"I wasn't thinking of anything of the sort," said the Wanderer; "I was
+thinking of the tendency that modern war has to destroy and banish the
+very elements of picturesqueness and excitement that are its chief excuse
+and charm. It is like a fire that flares up brilliantly for a while and
+then leaves everything blacker and bleaker than before. After every
+important war in South-East Europe in recent times there has been a
+shrinking of the area of chronically disturbed territory, a stiffening
+of frontier lines, an intrusion of civilised monotony. And imagine what
+may happen at the conclusion of this war if the Turk should really be
+driven out of Europe."
+
+"Well, it would be a gain to the cause of good government, I suppose,"
+said the Merchant.
+
+"But have you counted the loss?" said the other. "The Balkans have long
+been the last surviving shred of happy hunting-ground for the
+adventurous, a playground for passions that are fast becoming atrophied
+for want of exercise. In old bygone days we had the wars in the Low
+Countries always at our doors, as it were; there was no need to go far
+afield into malaria-stricken wilds if one wanted a life of boot and
+saddle and licence to kill and be killed. Those who wished to see life
+had a decent opportunity for seeing death at the same time."
+
+"It is scarcely right to talk of killing and bloodshed in that way," said
+the Merchant reprovingly; "one must remember that all men are brothers."
+
+"One must also remember that a large percentage of them are younger
+brothers; instead of going into bankruptcy, which is the usual tendency
+of the younger brother nowadays, they gave their families a fair chance
+of going into mourning. Every bullet finds a billet, according to a
+rather optimistic proverb, and you must admit that nowadays it is
+becoming increasingly difficult to find billets for a lot of young
+gentlemen who would have adorned, and probably thoroughly enjoyed, one of
+the old-time happy-go-lucky wars. But that is not exactly the burden of
+my complaint. The Balkan lands are especially interesting to us in these
+rapidly-moving days because they afford us the last remaining glimpse of
+a vanishing period of European history. When I was a child one of the
+earliest events of the outside world that forced itself coherently under
+my notice was a war in the Balkans; I remember a sunburnt, soldierly man
+putting little pin-flags in a war-map, red flags for the Turkish forces
+and yellow flags for the Russians. It seemed a magical region, with its
+mountain passes and frozen rivers and grim battlefields, its drifting
+snows, and prowling wolves; there was a great stretch of water that bore
+the sinister but engaging name of the Black Sea--nothing that I ever
+learned before or after in a geography lesson made the same impression on
+me as that strange-named inland sea, and I don't think its magic has ever
+faded out of my imagination. And there was a battle called Plevna that
+went on and on with varying fortunes for what seemed like a great part of
+a lifetime; I remember the day of wrath and mourning when the little red
+flag had to be taken away from Plevna--like other maturer judges, I was
+backing the wrong horse, at any rate the losing horse. And now to-day we
+are putting little pin-flags again into maps of the Balkan region, and
+the passions are being turned loose once more in their playground."
+
+"The war will be localised," said the Merchant vaguely; "at least every
+one hopes so."
+
+"It couldn't wish for a better locality," said the Wanderer; "there is a
+charm about those countries that you find nowhere else in Europe, the
+charm of uncertainty and landslide, and the little dramatic happenings
+that make all the difference between the ordinary and the desirable."
+
+"Life is held very cheap in those parts," said the Merchant.
+
+"To a certain extent, yes," said the Wanderer. "I remember a man at
+Sofia who used to teach me Bulgarian in a rather inefficient manner,
+interspersed with a lot of quite wearisome gossip. I never knew what his
+personal history was, but that was only because I didn't listen; he told
+it to me many times. After I left Bulgaria he used to send me Sofia
+newspapers from time to time. I felt that he would be rather tiresome if
+I ever went there again. And then I heard afterwards that some men came
+in one day from Heaven knows where, just as things do happen in the
+Balkans, and murdered him in the open street, and went away as quietly as
+they had come. You will not understand it, but to me there was something
+rather piquant in the idea of such a thing happening to such a man; after
+his dullness and his long-winded small-talk it seemed a sort of brilliant
+_esprit d'esalier_ on his part to meet with an end of such ruthlessly
+planned and executed violence."
+
+The Merchant shook his head; the piquancy of the incident was not within
+striking distance of his comprehension.
+
+"I should have been shocked at hearing such a thing about any one I had
+known," he said.
+
+"The present war," continued his companion, without stopping to discuss
+two hopelessly divergent points of view, "may be the beginning of the end
+of much that has hitherto survived the resistless creeping-in of
+civilisation. If the Balkan lands are to be finally parcelled out
+between the competing Christian Kingdoms and the haphazard rule of the
+Turk banished to beyond the Sea of Marmora, the old order, or disorder if
+you like, will have received its death-blow. Something of its spirit
+will linger perhaps for a while in the old charmed regions where it bore
+sway; the Greek villagers will doubtless be restless and turbulent and
+unhappy where the Bulgars rule, and the Bulgars will certainly be
+restless and turbulent and unhappy under Greek administration, and the
+rival flocks of the Exarchate and Patriarchate will make themselves
+intensely disagreeable to one another wherever the opportunity offers;
+the habits of a lifetime, of several lifetimes, are not laid aside all at
+once. And the Albanians, of course, we shall have with us still, a
+troubled Moslem pool left by the receding wave of Islam in Europe. But
+the old atmosphere will have changed, the glamour will have gone; the
+dust of formality and bureaucratic neatness will slowly settle down over
+the time-honoured landmarks; the Sanjak of Novi Bazar, the Muersteg
+Agreement, the Komitadje bands, the Vilayet of Adrianople, all those
+familiar outlandish names and things and places, that we have known so
+long as part and parcel of the Balkan Question, will have passed away
+into the cupboard of yesterdays, as completely as the Hansa League and
+the wars of the Guises.
+
+"They were the heritage that history handed down to us, spoiled and
+diminished no doubt, in comparison with yet earlier days that we never
+knew, but still something to thrill and enliven one little corner of our
+Continent, something to help us to conjure up in our imagination the days
+when the Turk was thundering at the gates of Vienna. And what shall we
+have to hand down to our children? Think of what their news from the
+Balkans will be in the course of another ten or fifteen years. Socialist
+Congress at Uskub, election riot at Monastir, great dock strike at
+Salonika, visit of the Y.M.C.A. to Varna. Varna--on the coast of that
+enchanted sea! They will drive out to some suburb to tea, and write home
+about it as the Bexhill of the East.
+
+"War is a wickedly destructive thing."
+
+"Still, you must admit--" began the Merchant. But the Wanderer was not
+in the mood to admit anything. He rose impatiently and walked to where
+the tape-machine was busy with the news from Adrianople.
+
+
+
+
+FOR THE DURATION OF THE WAR
+
+
+The Rev. Wilfrid Gaspilton, in one of those clerical migrations
+inconsequent-seeming to the lay mind, had removed from the moderately
+fashionable parish of St. Luke's, Kensingate, to the immoderately rural
+parish of St. Chuddocks, somewhere in Yondershire. There were doubtless
+substantial advantages connected with the move, but there were certainly
+some very obvious drawbacks. Neither the migratory clergyman nor his
+wife were able to adapt themselves naturally and comfortably to the
+conditions of country life. Beryl, Mrs. Gaspilton, had always looked
+indulgently on the country as a place where people of irreproachable
+income and hospitable instincts cultivated tennis-lawns and rose-gardens
+and Jacobean pleasaunces, wherein selected gatherings of interested week-
+end guests might disport themselves. Mrs. Gaspilton considered herself
+as distinctly an interesting personality, and from a limited standpoint
+she was doubtless right. She had indolent dark eyes and a comfortable
+chin, which belied the slightly plaintive inflection which she threw into
+her voice at suitable intervals. She was tolerably well satisfied with
+the smaller advantages of life, but she regretted that Fate had not seen
+its way to reserve for her some of the ampler successes for which she
+felt herself well qualified. She would have liked to be the centre of a
+literary, slightly political salon, where discerning satellites might
+have recognised the breadth of her outlook on human affairs and the
+undoubted smallness of her feet. As it was, Destiny had chosen for her
+that she should be the wife of a rector, and had now further decreed that
+a country rectory should be the background to her existence. She rapidly
+made up her mind that her surroundings did not call for exploration; Noah
+had predicted the Flood, but no one expected him to swim about in it.
+Digging in a wet garden or trudging through muddy lanes were exertions
+which she did not propose to undertake. As long as the garden produced
+asparagus and carnations at pleasingly frequent intervals Mrs. Gaspilton
+was content to approve of its expense and otherwise ignore its existence.
+She would fold herself up, so to speak, in an elegant, indolent little
+world of her own, enjoying the minor recreations of being gently rude to
+the doctor's wife and continuing the leisurely production of her one
+literary effort, _The Forbidden Horsepond_, a translation of Baptiste
+Leopoy's _L'Abreuvoir interdit_. It was a labour which had already been
+so long drawn-out that it seemed probable that Baptiste Lepoy would drop
+out of vogue before her translation of his temporarily famous novel was
+finished. However, the languid prosecution of the work had invested Mrs.
+Gaspilton with a certain literary dignity, even in Kensingate circles,
+and would place her on a pinnacle in St. Chuddocks, where hardly any one
+read French, and assuredly no one had heard of _L'Abreuvoir interdit_.
+
+The Rector's wife might be content to turn her back complacently on the
+country; it was the Rector's tragedy that the country turned its back on
+him. With the best intention in the world and the immortal example of
+Gilbert White before him, the Rev. Wilfrid found himself as bored and ill
+at ease in his new surroundings as Charles II would have been at a modern
+Wesleyan Conference. The birds that hopped across his lawn hopped across
+it as though it were their lawn, and not his, and gave him plainly to
+understand that in their eyes he was infinitely less interesting than a
+garden worm or the rectory cat. The hedgeside and meadow flowers were
+equally uninspiring; the lesser celandine seemed particularly unworthy of
+the attention that English poets had bestowed on it, and the Rector knew
+that he would be utterly miserable if left alone for a quarter of an hour
+in its company. With the human inhabitants of his parish he was no
+better off; to know them was merely to know their ailments, and the
+ailments were almost invariably rheumatism. Some, of course, had other
+bodily infirmities, but they always had rheumatism as well. The Rector
+had not yet grasped the fact that in rural cottage life not to have
+rheumatism is as glaring an omission as not to have been presented at
+Court would be in more ambitious circles. And with all this death of
+local interest there was Beryl shutting herself off with her ridiculous
+labours on _The Forbidden Horsepond_.
+
+"I don't see why you should suppose that any one wants to read Baptiste
+Lepoy in English," the Reverend Wilfrid remarked to his wife one morning,
+finding her surrounded with her usual elegant litter of dictionaries,
+fountain pens, and scribbling paper; "hardly any one bothers to read him
+now in France."
+
+"My dear," said Beryl, with an intonation of gentle weariness, "haven't
+two or three leading London publishers told me they wondered no one had
+ever translated _L'Abreuvoir interdit_, and begged me--"
+
+"Publishers always clamour for the books that no one has ever written,
+and turn a cold shoulder on them as soon as they're written. If St. Paul
+were living now they would pester him to write an Epistle to the
+Esquimaux, but no London publisher would dream of reading his Epistle to
+the Ephesians."
+
+"Is there any asparagus in the garden?" asked Beryl; "because I've told
+cook--"
+
+"Not anywhere in the garden," snapped the Rector, "but there's no doubt
+plenty in the asparagus-bed, which is the usual place for it."
+
+And he walked away into the region of fruit trees and vegetable beds to
+exchange irritation for boredom. It was there, among the gooseberry
+bushes and beneath the medlar trees, that the temptation to the
+perpetration of a great literary fraud came to him.
+
+Some weeks later the _Bi-Monthly Review_ gave to the world, under the
+guarantee of the Rev. Wilfrid Gaspilton, some fragments of Persian verse,
+alleged to have been unearthed and translated by a nephew who was at
+present campaigning somewhere in the Tigris valley. The Rev. Wilfrid
+possessed a host of nephews, and it was of course, quite possible that
+one or more of them might be in military employ in Mesopotamia, though no
+one could call to mind any particular nephew who could have been
+suspected of being a Persian scholar.
+
+The verses were attributed to one Ghurab, a hunter, or, according to
+other accounts, warden of the royal fishponds, who lived, in some
+unspecified century, in the neighbourhood of Karmanshah. They breathed a
+spirit of comfortable, even-tempered satire and philosophy, disclosing a
+mockery that did not trouble to be bitter, a joy in life that was not
+passionate to the verge of being troublesome.
+
+ "A Mouse that prayed for Allah's aid
+ Blasphemed when no such aid befell:
+ A Cat, who feasted on that mouse,
+ Thought Allah managed vastly well.
+
+ Pray not for aid to One who made
+ A set of never-changing Laws,
+ But in your need remember well
+ He gave you speed, or guile--or claws.
+
+ Some laud a life of mild content:
+ Content may fall, as well as Pride.
+ The Frog who hugged his lowly Ditch
+ Was much disgruntled when it dried.
+
+ 'You are not on the Road to Hell,'
+ You tell me with fanatic glee:
+ Vain boaster, what shall that avail
+ If Hell is on the road to thee?
+
+ A Poet praised the Evening Star,
+ Another praised the Parrot's hue:
+ A Merchant praised his merchandise,
+ And he, at least, praised what he knew."
+
+It was this verse which gave the critics and commentators some clue as to
+the probable date of the composition; the parrot, they reminded the
+public, was in high vogue as a type of elegance in the days of Hafiz of
+Shiraz; in the quatrains of Omar it makes no appearance.
+
+The next verse, it was pointed out, would apply to the political
+conditions of the present day as strikingly as to the region and era for
+which it was written--
+
+ "A Sultan dreamed day-long of Peace,
+ The while his Rivals' armies grew:
+ They changed his Day-dreams into sleep
+ --The Peace, methinks, he never knew."
+
+Woman appeared little, and wine not at all in the verse of the hunter-
+poet, but there was at least one contribution to the love-philosophy of
+the East--
+
+ "O Moon-faced Charmer, and Star-drowned Eyes,
+ And cheeks of soft delight, exhaling musk,
+ They tell me that thy charm will fade; ah well,
+ The Rose itself grows hue-less in the Dusk."
+
+Finally, there was a recognition of the Inevitable, a chill breath
+blowing across the poet's comfortable estimate of life--
+
+ "There is a sadness in each Dawn,
+ A sadness that you cannot rede:
+ The joyous Day brings in its train
+ The Feast, the Loved One, and the Steed.
+
+ Ah, there shall come a Dawn at last
+ That brings no life-stir to your ken,
+ A long, cold Dawn without a Day,
+ And ye shall rede its sadness then."
+
+The verses of Ghurab came on the public at a moment when a comfortable,
+slightly quizzical philosophy was certain to be welcome, and their
+reception was enthusiastic. Elderly colonels, who had outlived the love
+of truth, wrote to the papers to say that they had been familiar with the
+works of Ghurab in Afghanistan, and Aden, and other suitable localities a
+quarter of a century ago. A Ghurab-of-Karmanshah Club sprang into
+existence, the members of which alluded to each other as Brother
+Ghurabians on the slightest provocation. And to the flood of inquiries,
+criticisms, and requests for information, which naturally poured in on
+the discoverer, or rather the discloser, of this long-hidden poet, the
+Rev. Wilfrid made one effectual reply: Military considerations forbade
+any disclosures which might throw unnecessary light on his nephew's
+movements.
+
+After the war the Rector's position will be one of unthinkable
+embarrassment, but for the moment, at any rate, he has driven _The
+Forbidden Horsepond_ out of the field.
+
+
+
+***END OF THE PROJECT GUTENBERG EBOOK THE TOYS OF PEACE***
+
+
+******* This file should be named 1477.txt or 1477.zip *******
+
+
+This and all associated files of various formats will be found in:
+https://www.gutenberg.org/dirs/1/4/7/1477
+
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.gutenberg.org/fundraising/pglaf.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://www.gutenberg.org/about/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://www.gutenberg.org/fundraising/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit:
+https://www.gutenberg.org/fundraising/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
diff --git a/1477.zip b/1477.zip
new file mode 100644
index 0000000..9eb09b2
--- /dev/null
+++ b/1477.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..25889ef
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #1477 (https://www.gutenberg.org/ebooks/1477)
diff --git a/old/toypc10.txt b/old/toypc10.txt
new file mode 100644
index 0000000..70f3723
--- /dev/null
+++ b/old/toypc10.txt
@@ -0,0 +1,7074 @@
+Project Gutenberg Etext of Toys of Peace by H.H. Munro ("Saki")
+#3 in our series by H.H. Munro ("Saki")
+
+
+Copyright laws are changing all over the world, be sure to check
+the copyright laws for your country before posting these files!!
+
+Please take a look at the important information in this header.
+We encourage you to keep this file on your own disk, keeping an
+electronic path open for the next readers. Do not remove this.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**Etexts Readable By Both Humans and By Computers, Since 1971**
+
+*These Etexts Prepared By Hundreds of Volunteers and Donations*
+
+Information on contacting Project Gutenberg to get Etexts, and
+further information is included below. We need your donations.
+
+
+The Toys of Peace
+
+by H.H. Munro ("Saki")
+
+October, 1998 [Etext #1477]
+
+
+Project Gutenberg Etext of Toys of Peace by H.H. Munro ("Saki")
+*****This file should be named toypc10.txt or toypc10.zip******
+
+Corrected EDITIONS of our etexts get a new NUMBER, toypc11.txt
+VERSIONS based on separate sources get new LETTER, toypc10a.txt
+
+
+This etext was prepared from the 1919 John Lane edition by Jane
+Duff. Second proofing David Price, email ccx074@coventry.ac.uk
+
+Project Gutenberg Etexts are usually created from multiple editions,
+all of which are in the Public Domain in the United States, unless a
+copyright notice is included. Therefore, we do NOT keep these books
+in compliance with any particular paper edition, usually otherwise.
+
+
+We are now trying to release all our books one month in advance
+of the official release dates, for time for better editing.
+
+Please note: neither this list nor its contents are final till
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg Etexts is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so. To be sure you have an
+up to date first edition [xxxxx10x.xxx] please check file sizes
+in the first week of the next month. Since our ftp program has
+a bug in it that scrambles the date [tried to fix and failed] a
+look at the file size will have to do, but we will try to see a
+new copy has at least one byte more or less.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+fifty hours is one conservative estimate for how long it we take
+to get any etext selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. This
+projected audience is one hundred million readers. If our value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour this year as we release thirty-two text
+files per month, or 384 more Etexts in 1998 for a total of 1500+
+If these reach just 10% of the computerized population, then the
+total should reach over 150 billion Etexts given away.
+
+The Goal of Project Gutenberg is to Give Away One Trillion Etext
+Files by the December 31, 2001. [10,000 x 100,000,000=Trillion]
+This is ten thousand titles each to one hundred million readers,
+which is only 10% of the present number of computer users. 2001
+should have at least twice as many computer users as that, so it
+will require us reaching less than 5% of the users in 2001.
+
+
+We need your donations more than ever!
+
+
+All donations should be made to "Project Gutenberg/CMU": and are
+tax deductible to the extent allowable by law. (CMU = Carnegie-
+Mellon University).
+
+For these and other matters, please mail to:
+
+Project Gutenberg
+P. O. Box 2782
+Champaign, IL 61825
+
+When all other email fails try our Executive Director:
+Michael S. Hart <hart@pobox.com>
+
+We would prefer to send you this information by email
+(Internet, Bitnet, Compuserve, ATTMAIL or MCImail).
+
+******
+If you have an FTP program (or emulator), please
+FTP directly to the Project Gutenberg archives:
+[Mac users, do NOT point and click. . .type]
+
+ftp uiarchive.cso.uiuc.edu
+login: anonymous
+password: your@login
+cd etext/etext90 through /etext96
+or cd etext/articles [get suggest gut for more information]
+dir [to see files]
+get or mget [to get files. . .set bin for zip files]
+GET INDEX?00.GUT
+for a list of books
+and
+GET NEW GUT for general information
+and
+MGET GUT* for newsletters.
+
+**Information prepared by the Project Gutenberg legal advisor**
+(Three Pages)
+
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this etext, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you can distribute copies of this etext if you want to.
+
+*BEFORE!* YOU USE OR READ THIS ETEXT
+By using or reading any part of this PROJECT GUTENBERG-tm
+etext, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this etext by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this etext on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM ETEXTS
+This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-
+tm etexts, is a "public domain" work distributed by Professor
+Michael S. Hart through the Project Gutenberg Association at
+Carnegie-Mellon University (the "Project"). Among other
+things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this etext
+under the Project's "PROJECT GUTENBERG" trademark.
+
+To create these etexts, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's etexts and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other etext medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] the Project (and any other party you may receive this
+etext from as a PROJECT GUTENBERG-tm etext) disclaims all
+liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this etext within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold the Project, its directors,
+officers, members and agents harmless from all liability, cost
+and expense, including legal fees, that arise directly or
+indirectly from any of the following that you do or cause:
+[1] distribution of this etext, [2] alteration, modification,
+or addition to the etext, or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this etext electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ etext or this "small print!" statement. You may however,
+ if you wish, distribute this etext in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word pro-
+ cessing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The etext, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The etext may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the etext (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ etext in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the etext refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Project of 20% of the
+ net profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Association/Carnegie-Mellon
+ University" within the 60 days following each
+ date you prepare (or were legally required to prepare)
+ your annual (or equivalent periodic) tax return.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+The Project gratefully accepts contributions in money, time,
+scanning machines, OCR software, public domain etexts, royalty
+free copyright licenses, and every other sort of contribution
+you can think of. Money should be paid to "Project Gutenberg
+Association / Carnegie-Mellon University".
+
+*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*
+
+
+
+
+
+This etext was prepared from the 1919 John Lane edition by Jane
+Duff. Second proofing David Price, email ccx074@coventry.ac.uk
+
+
+
+
+
+The Toys of Peace
+
+
+
+
+Contents:
+
+The Toys of Peace
+Louise
+Tea
+The Disappearance of Crispina Umberleigh
+The Wolves of Cernogratz
+Louis
+The Guests
+The Penance
+The Phantom Luncheon
+A Bread and Butter Miss
+Bertie's Christmas Eve
+Forewarned
+The Interlopers
+Quail Seed
+Canossa
+The Threat
+Excepting Mrs. Pentherby
+Mark
+The Hedgehog
+The Mappined Life
+Fate
+The Bull
+Morlvera
+Shock Tactics
+The Seven Cream Jugs
+The Occasional Garden
+The Sheep
+The Oversight
+Hyacinth
+The Image of the Lost Soul
+The Purple of the Balkan Kings
+The Cupboard of the Yesterdays
+For the Duration of the War
+
+
+
+
+THE TOYS OF PEACE
+
+
+
+"Harvey," said Eleanor Bope, handing her brother a cutting from a
+London morning paper of the 19th of March, "just read this about
+children's toys, please; it exactly carries out some of our ideas
+about influence and upbringing."
+
+"In the view of the National Peace Council," ran the extract, "there
+are grave objections to presenting our boys with regiments of
+fighting men, batteries of guns, and squadrons of 'Dreadnoughts.'
+Boys, the Council admits, naturally love fighting and all the
+panoply of war . . . but that is no reason for encouraging, and
+perhaps giving permanent form to, their primitive instincts. At the
+Children's Welfare Exhibition, which opens at Olympia in three
+weeks' time, the Peace Council will make an alternative suggestion
+to parents in the shape of an exhibition of 'peace toys.' In front
+of a specially-painted representation of the Peace Palace at The
+Hague will be grouped, not miniature soldiers but miniature
+civilians, not guns but ploughs and the tools of industry . . . It
+is hoped that manufacturers may take a hint from the exhibit, which
+will bear fruit in the toy shops."
+
+"The idea is certainly an interesting and very well-meaning one,"
+said Harvey; "whether it would succeed well in practice--"
+
+"We must try," interrupted his sister; "you are coming down to us at
+Easter, and you always bring the boys some toys, so that will be an
+excellent opportunity for you to inaugurate the new experiment. Go
+about in the shops and buy any little toys and models that have
+special bearing on civilian life in its more peaceful aspects. Of
+course you must explain the toys to the children and interest them
+in the new idea. I regret to say that the 'Siege of Adrianople'
+toy, that their Aunt Susan sent them, didn't need any explanation;
+they knew all the uniforms and flags, and even the names of the
+respective commanders, and when I heard them one day using what
+seemed to be the most objectionable language they said it was
+Bulgarian words of command; of course it MAY have been, but at any
+rate I took the toy away from them. Now I shall expect your Easter
+gifts to give quite a new impulse and direction to the children's
+minds; Eric is not eleven yet, and Bertie is only nine-and-a-half,
+so they are really at a most impressionable age."
+
+"There is primitive instinct to be taken into consideration, you
+know," said Henry doubtfully, "and hereditary tendencies as well.
+One of their great-uncles fought in the most intolerant fashion at
+Inkerman--he was specially mentioned in dispatches, I believe--and
+their great-grandfather smashed all his Whig neighbours' hot houses
+when the great Reform Bill was passed. Still, as you say, they are
+at an impressionable age. I will do my best."
+
+On Easter Saturday Harvey Bope unpacked a large, promising-looking
+red cardboard box under the expectant eyes of his nephews. "Your
+uncle has brought you the newest thing in toys," Eleanor had said
+impressively, and youthful anticipation had been anxiously divided
+between Albanian soldiery and a Somali camel-corps. Eric was hotly
+in favour of the latter contingency. "There would be Arabs on
+horseback," he whispered; "the Albanians have got jolly uniforms,
+and they fight all day long, and all night, too, when there's a
+moon, but the country's rocky, so they've got no cavalry."
+
+A quantity of crinkly paper shavings was the first thing that met
+the view when the lid was removed; the most exiting toys always
+began like that. Harvey pushed back the top layer and drew forth a
+square, rather featureless building.
+
+"It's a fort!" exclaimed Bertie.
+
+"It isn't, it's the palace of the Mpret of Albania," said Eric,
+immensely proud of his knowledge of the exotic title; "it's got no
+windows, you see, so that passers-by can't fire in at the Royal
+Family."
+
+"It's a municipal dust-bin," said Harvey hurriedly; "you see all the
+refuse and litter of a town is collected there, instead of lying
+about and injuring the health of the citizens."
+
+In an awful silence he disinterred a little lead figure of a man in
+black clothes.
+
+"That," he said, "is a distinguished civilian, John Stuart Mill. He
+was an authority on political economy."
+
+"Why?" asked Bertie.
+
+"Well, he wanted to be; he thought it was a useful thing to be."
+
+Bertie gave an expressive grunt, which conveyed his opinion that
+there was no accounting for tastes.
+
+Another square building came out, this time with windows and
+chimneys.
+
+"A model of the Manchester branch of the Young Women's Christian
+Association," said Harvey.
+
+"Are there any lions?" asked Eric hopefully. He had been reading
+Roman history and thought that where you found Christians you might
+reasonably expect to find a few lions.
+
+"There are no lions," said Harvey. "Here is another civilian,
+Robert Raikes, the founder of Sunday schools, and here is a model of
+a municipal wash-house. These little round things are loaves backed
+in a sanitary bakehouse. That lead figure is a sanitary inspector,
+this one is a district councillor, and this one is an official of
+the Local Government Board."
+
+"What does he do?" asked Eric wearily.
+
+"He sees to things connected with his Department," said Harvey.
+"This box with a slit in it is a ballot-box. Votes are put into it
+at election times."
+
+"What is put into it at other times?" asked Bertie.
+
+"Nothing. And here are some tools of industry, a wheelbarrow and a
+hoe, and I think these are meant for hop-poles. This is a model
+beehive, and that is a ventilator, for ventilating sewers. This
+seems to be another municipal dust-bin--no, it is a model of a
+school of art and public library. This little lead figure is Mrs.
+Hemans, a poetess, and this is Rowland Hill, who introduced the
+system of penny postage. This is Sir John Herschel, the eminent
+astrologer."
+
+"Are we to play with these civilian figures?" asked Eric.
+
+"Of course," said Harvey, "these are toys; they are meant to be
+played with."
+
+"But how?"
+
+It was rather a poser. "You might make two of them contest a seat
+in Parliament," said Harvey, "an have an election--"
+
+"With rotten eggs, and free fights, and ever so many broken heads!"
+exclaimed Eric.
+
+"And noses all bleeding and everybody drunk as can be," echoed
+Bertie, who had carefully studied one of Hogarth's pictures.
+
+"Nothing of the kind," said Harvey, "nothing in the least like that.
+Votes will be put in the ballot-box, and the Mayor will count them--
+and he will say which has received the most votes, and then the two
+candidates will thank him for presiding, and each will say that the
+contest has been conducted throughout in the pleasantest and most
+straightforward fashion, and they part with expressions of mutual
+esteem. There's a jolly game for you boys to play. I never had
+such toys when I was young."
+
+"I don't think we'll play with them just now," said Eric, with an
+entire absence of the enthusiasm that his uncle had shown; "I think
+perhaps we ought to do a little of our holiday task. It's history
+this time; we've got to learn up something about the Bourbon period
+in France."
+
+"The Bourbon period," said Harvey, with some disapproval in his
+voice.
+
+"We've got to know something about Louis the Fourteenth," continued
+Eric; "I've learnt the names of all the principal battles already."
+
+This would never do. "There were, of course, some battles fought
+during his reign," said Harvey, "but I fancy the accounts of them
+were much exaggerated; news was very unreliable in those days, and
+there were practically no war correspondents, so generals and
+commanders could magnify every little skirmish they engaged in till
+they reached the proportions of decisive battles. Louis was really
+famous, now, as a landscape gardener; the way he laid out Versailles
+was so much admired that it was copied all over Europe."
+
+"Do you know anything about Madame Du Barry?" asked Eric; "didn't
+she have her head chopped off?"
+
+"She was another great lover of gardening," said Harvey, evasively;
+"in fact, I believe the well known rose Du Barry was named after
+her, and now I think you had better play for a little and leave your
+lessons till later."
+
+Harvey retreated to the library and spent some thirty or forty
+minutes in wondering whether it would be possible to compile a
+history, for use in elementary schools, in which there should be no
+prominent mention of battles, massacres, murderous intrigues, and
+violent deaths. The York and Lancaster period and the Napoleonic
+era would, he admitted to himself, present considerable
+difficulties, and the Thirty Years' War would entail something of a
+gap if you left it out altogether. Still, it would be something
+gained if, at a highly impressionable age, children could be got to
+fix their attention on the invention of calico printing instead of
+the Spanish Armada or the Battle of Waterloo.
+
+It was time, he thought, to go back to the boys' room, and see how
+they were getting on with their peace toys. As he stood outside the
+door he could hear Eric's voice raised in command; Bertie chimed in
+now and again with a helpful suggestion.
+
+"That is Louis the Fourteenth," Eric was saying, "that one in knee-
+breeches, that Uncle said invented Sunday schools. It isn't a bit
+like him, but it'll have to do."
+
+"We'll give him a purple coat from my paintbox by and by," said
+Bertie.
+
+"Yes, an' red heels. That is Madame de Maintenon, that one he
+called Mrs. Hemans. She begs Louis not to go on this expedition,
+but he turns a deaf ear. He takes Marshal Saxe with him, and we
+must pretend that they have thousands of men with them. The
+watchword is Qui vive? and the answer is L'etat c'est moi--that was
+one of his favourite remarks, you know. They land at Manchester in
+the dead of the night, and a Jacobite conspirator gives them the
+keys of the fortress."
+
+Peeping in through the doorway Harvey observed that the municipal
+dustbin had been pierced with holes to accommodate the muzzles of
+imaginary cannon, and now represented the principal fortified
+position in Manchester; John Stuart Mill had been dipped in red ink,
+and apparently stood for Marshal Saxe.
+
+"Louis orders his troops to surround the Young Women's Christian
+Association and seize the lot of them. 'Once back at the Louvre and
+the girls are mine,' he exclaims. We must use Mrs. Hemans again for
+one of the girls; she says 'Never,' and stabs Marshal Saxe to the
+heart."
+
+"He bleeds dreadfully," exclaimed Bertie, splashing red ink
+liberally over the facade of the Association building.
+
+"The soldiers rush in and avenge his death with the utmost savagery.
+A hundred girls are killed"--here Bertie emptied the remainder of
+the red ink over the devoted building--"and the surviving five
+hundred are dragged off to the French ships. 'I have lost a
+Marshal,' says Louis, 'but I do not go back empty-handed.'"
+
+Harvey stole away from the room, and sought out his sister.
+
+"Eleanor," he said, "the experiment--"
+
+"Yes?"
+
+"Has failed. We have begun too late."
+
+
+
+LOUISE
+
+
+
+"The tea will be quite cold, you'd better ring for some more," said
+the Dowager Lady Beanford.
+
+Susan Lady Beanford was a vigorous old woman who had coquetted with
+imaginary ill-health for the greater part of a lifetime; Clovis
+Sangrail irreverently declared that she had caught a chill at the
+Coronation of Queen Victoria and had never let it go again. Her
+sister, Jane Thropplestance, who was some years her junior, was
+chiefly remarkable for being the most absent-minded woman in
+Middlesex.
+
+"I've really been unusually clever this afternoon," she remarked
+gaily, as she rang for the tea. "I've called on all the people I
+meant to call on; and I've done all the shopping that I set out to
+do. I even remembered to try and match that silk for you at
+Harrod's, but I'd forgotten to bring the pattern with me, so it was
+no use. I really think that was the only important thing I forgot
+during the whole afternoon. Quite wonderful for me, isn't it?"
+
+"What have you done with Louise?" asked her sister. "Didn't you
+take her out with you? You said you were going to."
+
+"Good gracious," exclaimed Jane, "what have I done with Louise? I
+must have left her somewhere."
+
+"But where?"
+
+"That's just it. Where have I left her? I can't remember if the
+Carrywoods were at home or if I just left cards. If there were at
+home I may have left Louise there to play bridge. I'll go and
+telephone to Lord Carrywood and find out."
+
+"Is that you, Lord Carrywood?" she queried over the telephone; "it's
+me, Jane Thropplestance. I want to know, have you seen Louise?"
+
+"'Louise,'" came the answer, "it's been my fate to see it three
+times. At first, I must admit, I wasn't impressed by it, but the
+music grows on one after a bit. Still, I don't think I want to see
+it again just at present. Were you going to offer me a seat in your
+box?"
+
+"Not the opera 'Louise'--my niece, Louise Thropplestance. I thought
+I might have left her at your house."
+
+"You left cards on us this afternoon, I understand, but I don't
+think you left a niece. The footman would have been sure to have
+mentioned it if you had. Is it going to be a fashion to leave
+nieces on people as well as cards? I hope not; some of these houses
+in Berkeley-square have practically no accommodation for that sort
+of thing."
+
+"She's not at the Carrywoods'," announced Jane, returning to her
+tea; "now I come to think of it, perhaps I left her at the silk
+counter at Selfridge's. I may have told her to wait there a moment
+while I went to look at the silks in a better light, and I may
+easily have forgotten about her when I found I hadn't your pattern
+with me. In that case she's still sitting there. She wouldn't move
+unless she was told to; Louise has no initiative."
+
+"You said you tried to match the silk at Harrod's," interjected the
+dowager.
+
+"Did I? Perhaps it was Harrod's. I really don't remember. It was
+one of those places where every one is so kind and sympathetic and
+devoted that one almost hates to take even a reel of cotton away
+from such pleasant surroundings."
+
+"I think you might have taken Louise away. I don't like the idea of
+her being there among a lot of strangers. Supposing some
+unprincipled person was to get into conversation with her."
+
+"Impossible. Louise has no conversation. I've never discovered a
+single topic on which she'd anything to say beyond 'Do you think so?
+I dare say you're right.' I really thought her reticence about the
+fall of the Ribot Ministry was ridiculous, considering how much her
+dear mother used to visit Paris. This bread and butter is cut far
+too thin; it crumbles away long before you can get it to your mouth.
+One feels so absurd, snapping at one's food in mid-air, like a trout
+leaping at may-fly."
+
+"I am rather surprised," said the dowager, "that you can sit there
+making a hearty tea when you've just lost a favourite niece."
+
+"You talk as if I'd lost her in a churchyard sense, instead of
+having temporarily mislaid her. I'm sure to remember presently
+where I left her."
+
+"You didn't visit any place of devotion, did you? If you've left
+her mooning about Westminster Abbey or St. Peter's, Eaton Square,
+without being able to give any satisfactory reason why she's there,
+she'll be seized under the Cat and Mouse Act and sent to Reginald
+McKenna."
+
+"That would be extremely awkward," said Jane, meeting an irresolute
+piece of bread and butter halfway; "we hardly know the McKennas, and
+it would be very tiresome having to telephone to some unsympathetic
+private secretary, describing Louise to him and asking to have her
+sent back in time for dinner. Fortunately, I didn't go to any place
+of devotion, though I did get mixed up with a Salvation Army
+procession. It was quite interesting to be at close quarters with
+them, they're so absolutely different to what they used to be when I
+first remember them in the 'eighties. They used to go about then
+unkempt and dishevelled, in a sort of smiling rage with the world,
+and now they're spruce and jaunty and flamboyantly decorative, like
+a geranium bed with religious convictions. Laura Kettleway was
+going on about them in the lift of the Dover Street Tube the other
+day, saying what a lot of good work they did, and what a loss it
+would have been if they'd never existed. 'If they had never
+existed,' I said, 'Granville Barker would have been certain to have
+invented something that looked exactly like them.' If you say
+things like that, quite loud, in a Tube lift, they always sound like
+epigrams."
+
+"I think you ought to do something about Louise," said the dowager.
+
+"I'm trying to think whether she was with me when I called on Ada
+Spelvexit. I rather enjoyed myself there. Ada was trying, as
+usual, to ram that odious Koriatoffski woman down my throat, knowing
+perfectly well that I detest her, and in an unguarded moment she
+said: 'She's leaving her present house and going to Lower Seymour
+Street.' 'I dare say she will, if she stays there long enough,' I
+said. Ada didn't see it for about three minutes, and then she was
+positively uncivil. No, I am certain I didn't leave Louise there."
+
+"If you could manage to remember where you DID leave her, it would
+be more to the point than these negative assurances," said Lady
+Beanford; "so far, all we know is that she is not at the
+Carrywoods', or Ada Spelvexit's, or Westminster Abbey."
+
+"That narrows the search down a bit," said Jane hopefully; "I rather
+fancy she must have been with me when I went to Mornay's. I know I
+went to Mornay's, because I remember meeting that delightful Malcolm
+What's-his-name there--you know whom I mean. That's the great
+advantage of people having unusual first names, you needn't try and
+remember what their other name is. Of course I know one or two
+other Malcolms, but none that could possibly be described as
+delightful. He gave me two tickets for the Happy Sunday Evenings in
+Sloane Square. I've probably left them at Mornay's, but still it
+was awfully kind of him to give them to me."
+
+"Do you think you left Louise there?"
+
+"I might telephone and ask. Oh, Robert, before you clear the tea-
+things away I wish you'd ring up Mornay's, in Regent Street, and ask
+if I left two theatre tickets and one niece in their shop this
+afternoon."
+
+"A niece, ma'am?" asked the footman.
+
+"Yes, Miss Louise didn't come home with me, and I'm not sure where I
+left her."
+
+"Miss Louise has been upstairs all the afternoon, ma'am, reading to
+the second kitchenmaid, who has the neuralgia. I took up tea to
+Miss Louise at a quarter to five o'clock, ma'am."
+
+"Of course, how silly of me. I remember now, I asked her to read
+the Faerie Queene to poor Emma, to try to send her to sleep. I
+always get some one to read the Faerie Queene to me when I have
+neuralgia, and it usually sends me to sleep. Louise doesn't seem to
+have been successful, but one can't say she hasn't tried. I expect
+after the first hour or so the kitchenmaid would rather have been
+left alone with her neuralgia, but of course Louise wouldn't leave
+off till some one told her to. Anyhow, you can ring up Mornay's,
+Robert, and ask whether I left two theatre tickets there. Except
+for your silk, Susan, those seem to be the only things I've
+forgotten this afternoon. Quite wonderful for me."
+
+
+
+TEA
+
+
+
+James Cushat-Prinkly was a young man who had always had a settled
+conviction that one of these days he would marry; up to the age of
+thirty-four he had done nothing to justify that conviction. He
+liked and admired a great many women collectively and
+dispassionately without singling out one for especial matrimonial
+consideration, just as one might admire the Alps without feeling
+that one wanted any particular peak as one's own private property.
+His lack of initiative in this matter aroused a certain amount of
+impatience among the sentimentally-minded women-folk of his home
+circle; his mother, his sisters, an aunt-in-residence, and two or
+three intimate matronly friends regarded his dilatory approach to
+the married state with a disapproval that was far from being
+inarticulate. His most innocent flirtations were watched with the
+straining eagerness which a group of unexercised terriers
+concentrates on the slightest movements of a human being who may be
+reasonably considered likely to take them for a walk. No decent-
+souled mortal can long resist the pleading of several pairs of walk-
+beseeching dog-eyes; James Cushat-Prinkly was not sufficiently
+obstinate or indifferent to home influences to disregard the
+obviously expressed wish of his family that he should become
+enamoured of some nice marriageable girl, and when his Uncle Jules
+departed this life and bequeathed him a comfortable little legacy it
+really seemed the correct thing to do to set about discovering some
+one to share it with him. The process of discovery was carried on
+more by the force of suggestion and the weight of public opinion
+than by any initiative of his own; a clear working majority of his
+female relatives and the aforesaid matronly friends had pitched on
+Joan Sebastable as the most suitable young woman in his range of
+acquaintance to whom he might propose marriage, and James became
+gradually accustomed to the idea that he and Joan would go together
+through the prescribed stages of congratulations, present-receiving,
+Norwegian or Mediterranean hotels, and eventual domesticity. It was
+necessary, however to ask the lady what she thought about the
+matter; the family had so far conducted and directed the flirtation
+with ability and discretion, but the actual proposal would have to
+be an individual effort.
+
+Cushat-Prinkly walked across the Park towards the Sebastable
+residence in a frame of mind that was moderately complacent. As the
+thing was going to be done he was glad to feel that he was going to
+get it settled and off his mind that afternoon. Proposing marriage,
+even to a nice girl like Joan, was a rather irksome business, but
+one could not have a honeymoon in Minorca and a subsequent life of
+married happiness without such preliminary. He wondered what
+Minorca was really like as a place to stop in; in his mind's eye it
+was an island in perpetual half-mourning, with black or white
+Minorca hens running all over it. Probably it would not be a bit
+like that when one came to examine it. People who had been in
+Russia had told him that they did not remember having seen any
+Muscovy ducks there, so it was possible that there would be no
+Minorca fowls on the island.
+
+His Mediterranean musings were interrupted by the sound of a clock
+striking the half-hour. Half-past four. A frown of dissatisfaction
+settled on his face. He would arrive at the Sebastable mansion just
+at the hour of afternoon tea. Joan would be seated at a low table,
+spread with an array of silver kettles and cream-jugs and delicate
+porcelain tea-cups, behind which her voice would tinkle pleasantly
+in a series of little friendly questions about weak or strong tea,
+how much, if any, sugar, milk, cream, and so forth. "Is it one
+lump? I forgot. You do take milk, don't you? Would you like some
+more hot water, if it's too strong?"
+
+Cushat-Prinkly had read of such things in scores of novels, and
+hundreds of actual experiences had told him that they were true to
+life. Thousands of women, at this solemn afternoon hour, were
+sitting behind dainty porcelain and silver fittings, with their
+voices tinkling pleasantly in a cascade of solicitous little
+questions. Cushat-Prinkly detested the whole system of afternoon
+tea. According to his theory of life a woman should lie on a divan
+or couch, talking with incomparable charm or looking unutterable
+thoughts, or merely silent as a thing to be looked on, and from
+behind a silken curtain a small Nubian page should silently bring in
+a tray with cups and dainties, to be accepted silently, as a matter
+of course, without drawn-out chatter about cream and sugar and hot
+water. If one's soul was really enslaved at one's mistress's feet
+how could one talk coherently about weakened tea? Cushat-Prinkly
+had never expounded his views on the subject to his mother; all her
+life she had been accustomed to tinkle pleasantly at tea-time behind
+dainty porcelain and silver, and if he had spoken to her about
+divans and Nubian pages she would have urged him to take a week's
+holiday at the seaside. Now, as he passed through a tangle of small
+streets that led indirectly to the elegant Mayfair terrace for which
+he was bound, a horror at the idea of confronting Joan Sebastable at
+her tea-table seized on him. A momentary deliverance presented
+itself; on one floor of a narrow little house at the noisier end of
+Esquimault Street lived Rhoda Ellam, a sort of remote cousin, who
+made a living by creating hats out of costly materials. The hats
+really looked as if they had come from Paris; the cheques she got
+for them unfortunately never looked as if they were going to Paris.
+However, Rhoda appeared to find life amusing and to have a fairly
+good time in spite of her straitened circumstances. Cushat-Prinkly
+decided to climb up to her floor and defer by half-an-hour or so the
+important business which lay before him; by spinning out his visit
+he could contrive to reach the Sebastable mansion after the last
+vestiges of dainty porcelain had been cleared away.
+
+Rhoda welcomed him into a room that seemed to do duty as workshop,
+sitting-room, and kitchen combined, and to be wonderfully clean and
+comfortable at the same time.
+
+"I'm having a picnic meal," she announced. "There's caviare in that
+jar at your elbow. Begin on that brown bread-and-butter while I cut
+some more. Find yourself a cup; the teapot is behind you. Now tell
+me about hundreds of things."
+
+She made no other allusion to food, but talked amusingly and made
+her visitor talk amusingly too. At the same time she cut the bread-
+and-butter with a masterly skill and produced red pepper and sliced
+lemon, where so many women would merely have produced reasons and
+regrets for not having any. Cushat-Prinkly found that he was
+enjoying an excellent tea without having to answer as many questions
+about it as a Minister for Agriculture might be called on to reply
+to during an outbreak of cattle plague.
+
+"And now tell me why you have come to see me," said Rhoda suddenly.
+"You arouse not merely my curiosity but my business instincts. I
+hope you've come about hats. I heard that you had come into a
+legacy the other day, and, of course, it struck me that it would be
+a beautiful and desirable thing for you to celebrate the event by
+buying brilliantly expensive hats for all your sisters. They may
+not have said anything about it, but I feel sure the same idea has
+occurred to them. Of course, with Goodwood on us, I am rather
+rushed just now, but in my business we're accustomed to that; we
+live in a series of rushes--like the infant Moses."
+
+"I didn't come about hats," said her visitor. "In fact, I don't
+think I really came about anything. I was passing and I just
+thought I'd look in and see you. Since I've been sitting talking to
+you, however, rather important idea has occurred to me. If you'll
+forget Goodwood for a moment and listen to me, I'll tell you what it
+is."
+
+Some forty minutes later James Cushat-Prinkly returned to the bosom
+of his family, bearing an important piece of news.
+
+"I'm engaged to be married," he announced.
+
+A rapturous outbreak of congratulation and self-applause broke out.
+
+"Ah, we knew! We saw it coming! We foretold it weeks ago!"
+
+"I'll bet you didn't," said Cushat-Prinkly. "If any one had told me
+at lunch-time to-day that I was going to ask Rhoda Ellam to marry me
+and that she was going to accept me I would have laughed at the
+idea."
+
+The romantic suddenness of the affair in some measure compensated
+James's women-folk for the ruthless negation of all their patient
+effort and skilled diplomacy. It was rather trying to have to
+deflect their enthusiasm at a moment's notice from Joan Sebastable
+to Rhoda Ellam; but, after all, it was James's wife who was in
+question, and his tastes had some claim to be considered.
+
+On a September afternoon of the same year, after the honeymoon in
+Minorca had ended, Cushat-Prinkly came into the drawing-room of his
+new house in Granchester Square. Rhoda was seated at a low table,
+behind a service of dainty porcelain and gleaming silver. There was
+a pleasant tinkling note in her voice as she handed him a cup.
+
+"You like it weaker than that, don't you? Shall I put some more hot
+water to it? No?"
+
+
+
+THE DISAPPEARANCE OF CRISPINA UMBERLEIGH
+
+
+
+In a first-class carriage of a train speeding Balkanward across the
+flat, green Hungarian plain two Britons sat in friendly, fitful
+converse. They had first foregathered in the cold grey dawn at the
+frontier line, where the presiding eagle takes on an extra head and
+Teuton lands pass from Hohenzollern to Habsburg keeping--and where a
+probing official beak requires to delve in polite and perhaps
+perfunctory, but always tiresome, manner into the baggage of sleep-
+hungry passengers. After a day's break of their journey at Vienna
+the travellers had again foregathered at the trainside and paid one
+another the compliment of settling instinctively into the same
+carriage. The elder of the two had the appearance and manner of a
+diplomat; in point of fact he was the well-connected foster-brother
+of a wine business. The other was certainly a journalist. Neither
+man was talkative and each was grateful to the other for not being
+talkative. That is why from time to time they talked.
+
+One topic of conversation naturally thrust itself forward in front
+of all others. In Vienna the previous day they had learned of the
+mysterious vanishing of a world-famous picture from the walls of the
+Louvre.
+
+"A dramatic disappearance of that sort is sure to produce a crop of
+imitations," said the Journalist.
+
+"It has had a lot of anticipations, for the matter of that," said
+the Wine-brother.
+
+"Oh, of course there have been thefts from the Louvre before."
+
+"I was thinking of the spiriting away of human beings rather than
+pictures. In particular I was thinking of the case of my aunt,
+Crispina Umberleigh."
+
+"I remember hearing something of the affair," said the Journalist,
+"but I was away from England at the time. I never quite knew what
+was supposed to have happened."
+
+"You may hear what really happened if you will respect it as a
+confidence," said the Wine Merchant. "In the first place I may say
+that the disappearance of Mrs. Umberleigh was not regarded by the
+family entirely as a bereavement. My uncle, Edward Umberleigh, was
+not by any means a weak-kneed individual, in fact in the world of
+politics he had to be reckoned with more or less as a strong man,
+but he was unmistakably dominated by Crispina; indeed I never met
+any human being who was not frozen into subjection when brought into
+prolonged contact with her. Some people are born to command;
+Crispina Mrs. Umberleigh was born to legislate, codify,
+administrate, censor, license, ban, execute, and sit in judgement
+generally. If she was not born with that destiny she adopted it at
+an early age. From the kitchen regions upwards every one in the
+household came under her despotic sway and stayed there with the
+submissiveness of molluscs involved in a glacial epoch. As a nephew
+on a footing of only occasional visits she affected me merely as an
+epidemic, disagreeable while it lasted, but without any permanent
+effect; but her own sons and daughters stood in mortal awe of her;
+their studies, friendships, diet, amusements, religious observances,
+and way of doing their hair were all regulated and ordained
+according to the august lady's will and pleasure. This will help
+you to understand the sensation of stupefaction which was caused in
+the family when she unobtrusively and inexplicably vanished. It was
+as though St. Paul's Cathedral or the Piccadilly Hotel had
+disappeared in the night, leaving nothing but an open space to mark
+where it had stood. As far as was known nothing was troubling her;
+in fact there was much before her to make life particularly well
+worth living. The youngest boy had come back from school with an
+unsatisfactory report, and she was to have sat in judgement on him
+the very afternoon of the day she disappeared--if it had been he who
+had vanished in a hurry one could have supplied the motive. Then
+she was in the middle of a newspaper correspondence with a rural
+dean in which she had already proved him guilty of heresy,
+inconsistency, and unworthy quibbling, and no ordinary consideration
+would have induced her to discontinue the controversy. Of course
+the matter was put in the hands of the police, but as far as
+possible it was kept out of the papers, and the generally accepted
+explanation of her withdrawal from her social circle was that she
+had gone into a nursing home."
+
+"And what was the immediate effect on the home circle?" asked the
+Journalist.
+
+"All the girls bought themselves bicycles; the feminine cycling
+craze was still in existence, and Crispina had rigidly vetoed any
+participation in it among the members of her household. The
+youngest boy let himself go to such an extent during his next term
+that it had to be his last as far as that particular establishment
+was concerned. The elder boys propounded a theory that their mother
+might be wandering somewhere abroad, and searched for her
+assiduously, chiefly, it must be admitted, in a class of Montmartre
+resort where it was extremely improbable that she would be found."
+
+"And all this while couldn't your uncle get hold of the least clue?"
+
+"As a matter of fact he had received some information, though of
+course I did not know of it at the time. He got a message one day
+telling him that his wife had been kidnapped and smuggled out of the
+country; she was said to be hidden away, in one of the islands off
+the coast of Norway I think it was, in comfortable surroundings and
+well cared for. And with the information came a demand for money; a
+lump sum of 2000 pounds was to be paid yearly. Failing this she
+would be immediately restored to her family."
+
+The Journalist was silent for a moment, and them began to laugh
+quietly.
+
+"It was certainly an inverted form of holding to ransom," he said.
+
+"If you had known my aunt," said the Wine Merchant, "you would have
+wondered that they didn't put the figure higher."
+
+"I realise the temptation. Did your uncle succumb to it?"
+
+"Well, you see, he had to think of others as well as himself. For
+the family to have gone back into the Crispina thraldom after having
+tasted the delights of liberty would have been a tragedy, and there
+were even wider considerations to be taken into account. Since his
+bereavement he had unconsciously taken up a far bolder and more
+initiatory line in public affairs, and his popularity and influence
+had increased correspondingly. From being merely a strong man in
+the political world he began to be spoken of as the strong man. All
+this he knew would be jeopardised if he once more dropped into the
+social position of the husband of Mrs. Umberleigh. He was a rich
+man, and the 2000 pounds a year, though not exactly a fleabite, did
+not seem an extravagant price to pay for the boarding-out of
+Crispina. Of course, he had severe qualms of conscience about the
+arrangement. Later on, when he took me into his confidence, he told
+me that in paying the ransom, or hush-money as I should have called
+it, he was partly influenced by the fear that if he refused it the
+kidnappers might have vented their rage and disappointment on their
+captive. It was better, he said, to think of her being well cared
+for as a highly-valued paying-guest in one of the Lofoden Islands
+than to have her struggling miserably home in a maimed and mutilated
+condition. Anyway he paid the yearly instalment as punctually as
+one pays a fire insurance, and with equal promptitude there would
+come an acknowledgment of the money and a brief statement to the
+effect that Crispina was in good health and fairly cheerful spirits.
+One report even mentioned that she was busying herself with a scheme
+for proposed reforms in Church management to be pressed on the local
+pastorate. Another spoke of a rheumatic attack and a journey to a
+'cure' on the mainland, and on that occasion an additional eighty
+pounds was demanded and conceded. Of course it was to the interest
+of the kidnappers to keep their charge in good health, but the
+secrecy with which they managed to shroud their arrangements argued
+a really wonderful organisation. If my uncle was paying a rather
+high price, at least he could console himself with the reflection
+that he was paying specialists' fees."
+
+"Meanwhile had the police given up all attempts to track the missing
+lady?" asked the Journalist.
+
+"Not entirely; they came to my uncle from time to time to report on
+clues which they thought might yield some elucidation as to her fate
+or whereabouts, but I think they had their suspicions that he was
+possessed of more information than he had put at their disposal.
+And then, after a disappearance of more than eight years, Crispina
+returned with dramatic suddenness to the home she had left so
+mysteriously."
+
+"She had given her captors the slip?"
+
+"She had never been captured. Her wandering away had been caused by
+a sudden and complete loss of memory. She usually dressed rather in
+the style of a superior kind of charwoman, and it was not so very
+surprising that she should have imagined that she was one; and still
+less that people should accept her statement and help her to get
+work. She had wandered as far afield as Birmingham, and found
+fairly steady employment there, her energy and enthusiasm in putting
+people's rooms in order counterbalancing her obstinate and
+domineering characteristics. It was the shock of being
+patronisingly addressed as 'my good woman' by a curate, who was
+disputing with her where the stove should be placed in a parish
+concert hall that led to the sudden restoration of her memory. 'I
+think you forget who you are speaking to,' she observed crushingly,
+which was rather unduly severe, considering she had only just
+remembered it herself."
+
+"But," exclaimed the Journalist, "the Lofoden Island people! Who
+had they got hold of?"
+
+"A purely mythical prisoner. It was an attempt in the first place
+by some one who knew something of the domestic situation, probably a
+discharged valet, to bluff a lump sum out of Edward Umberleigh
+before the missing woman turned up; the subsequent yearly
+instalments were an unlooked-for increment to the original haul.
+
+"Crispina found that the eight years' interregnum had materially
+weakened her ascendancy over her now grown-up offspring. Her
+husband, however, never accomplished anything great in the political
+world after her return; the strain of trying to account
+satisfactorily for an unspecified expenditure of sixteen thousand
+pounds spread over eight years sufficiently occupied his mental
+energies. Here is Belgrad and another custom house."
+
+
+
+THE WOLVES OF CERNOGRATZ
+
+
+
+"Are they any old legends attached to the castle?" asked Conrad of
+his sister. Conrad was a prosperous Hamburg merchant, but he was
+the one poetically-dispositioned member of an eminently practical
+family.
+
+The Baroness Gruebel shrugged her plump shoulders.
+
+"There are always legends hanging about these old places. They are
+not difficult to invent and they cost nothing. In this case there
+is a story that when any one dies in the castle all the dogs in the
+village and the wild beasts in forest howl the night long. It would
+not be pleasant to listen to, would it?"
+
+"It would be weird and romantic," said the Hamburg merchant.
+
+"Anyhow, it isn't true," said the Baroness complacently; "since we
+bought the place we have had proof that nothing of the sort happens.
+When the old mother-in-law died last springtime we all listened, but
+there was no howling. It is just a story that lends dignity to the
+place without costing anything."
+
+"The story is not as you have told it," said Amalie, the grey old
+governess. Every one turned and looked at her in astonishment. She
+was wont to sit silent and prim and faded in her place at table,
+never speaking unless some one spoke to her, and there were few who
+troubled themselves to make conversation with her. To-day a sudden
+volubility had descended on her; she continued to talk, rapidly and
+nervously, looking straight in front of her and seeming to address
+no one in particular.
+
+"It is not when any one dies in the castle that the howling is
+heard. It was when one of the Cernogratz family died here that the
+wolves came from far and near and howled at the edge of the forest
+just before the death hour. There were only a few couple of wolves
+that had their lairs in this part of the forest, but at such a time
+the keepers say there would be scores of them, gliding about in the
+shadows and howling in chorus, and the dogs of the castle and the
+village and all the farms round would bay and howl in fear and anger
+at the wolf chorus, and as the soul of the dying one left its body a
+tree would crash down in the park. That is what happened when a
+Cernogratz died in his family castle. But for a stranger dying
+here, of course no wolf would howl and no tree would fall. Oh, no."
+
+There was a note of defiance, almost of contempt, in her voice as
+she said the last words. The well-fed, much-too-well dressed
+Baroness stared angrily at the dowdy old woman who had come forth
+from her usual and seemly position of effacement to speak so
+disrespectfully.
+
+"You seem to know quite a lot about the von Cernogratz legends,
+Fraulein Schmidt," she said sharply; "I did not know that family
+histories were among the subjects you are supposed to be proficient
+in."
+
+The answer to her taunt was even more unexpected and astonishing
+than the conversational outbreak which had provoked it.
+
+"I am a von Cernogratz myself," said the old woman, "that is why I
+know the family history."
+
+"You a von Cernogratz? You!" came in an incredulous chorus.
+
+"When we became very poor," she explained, "and I had to go out and
+give teaching lessons, I took another name; I thought it would be
+more in keeping. But my grandfather spent much of his time as a boy
+in this castle, and my father used to tell me many stories about it,
+and, of course, I knew all the family legends and stories. When one
+has nothing left to one but memories, one guards and dusts them with
+especial care. I little thought when I took service with you that I
+should one day come with you to the old home of my family. I could
+wish it had been anywhere else."
+
+There was silence when she finished speaking, and then the Baroness
+turned the conversation to a less embarrassing topic than family
+histories. But afterwards, when the old governess had slipped away
+quietly to her duties, there arose a clamour of derision and
+disbelief.
+
+"It was an impertinence," snapped out the Baron, his protruding eyes
+taking on a scandalised expression; "fancy the woman talking like
+that at our table. She almost told us we were nobodies, and I don't
+believe a word of it. She is just Schmidt and nothing more. She
+has been talking to some of the peasants about the old Cernogratz
+family, and raked up their history and their stories."
+
+"She wants to make herself out of some consequence," said the
+Baroness; "she knows she will soon be past work and she wants to
+appeal to our sympathies. Her grandfather, indeed!"
+
+The Baroness had the usual number of grandfathers, but she never,
+never boasted about them.
+
+"I dare say her grandfather was a pantry boy or something of the
+sort in the castle," sniggered the Baron; "that part of the story
+may be true."
+
+The merchant from Hamburg said nothing; he had seen tears in the old
+woman's eyes when she spoke of guarding her memories--or, being of
+an imaginative disposition, he thought he had.
+
+"I shall give her notice to go as soon as the New Year festivities
+are over," said the Baroness; "till then I shall be too busy to
+manage without her."
+
+But she had to manage without her all the same, for in the cold
+biting weather after Christmas, the old governess fell ill and kept
+to her room.
+
+"It is most provoking," said the Baroness, as her guests sat round
+the fire on one of the last evenings of the dying year; "all the
+time that she has been with us I cannot remember that she was ever
+seriously ill, too ill to go about and do her work, I mean. And
+now, when I have the house full, and she could be useful in so many
+ways, she goes and breaks down. One is sorry for her, of course,
+she looks so withered and shrunken, but it is intensely annoying all
+the same."
+
+"Most annoying," agreed the banker's wife, sympathetically; "it is
+the intense cold, I expect, it breaks the old people up. It has
+been unusually cold this year."
+
+"The frost is the sharpest that has been known in December for many
+years," said the Baron.
+
+"And, of course, she is quite old," said the Baroness; "I wish I had
+given her notice some weeks ago, then she would have left before
+this happened to her. Why, Wappi, what is the matter with you?"
+
+The small, woolly lapdog had leapt suddenly down from its cushion
+and crept shivering under the sofa. At the same moment an outburst
+of angry barking came from the dogs in the castle-yard, and other
+dogs could be heard yapping and barking in the distance.
+
+"What is disturbing the animals?" asked the Baron.
+
+And then the humans, listening intently, heard the sound that had
+roused the dogs to their demonstrations of fear and rage; heard a
+long-drawn whining howl, rising and falling, seeming at one moment
+leagues away, at others sweeping across the snow until it appeared
+to come from the foot of the castle walls. All the starved, cold
+misery of a frozen world, all the relentless hunger-fury of the
+wild, blended with other forlorn and haunting melodies to which one
+could give no name, seemed concentrated in that wailing cry.
+
+"Wolves!" cried the Baron.
+
+Their music broke forth in one raging burst, seeming to come from
+everywhere.
+
+"Hundreds of wolves," said the Hamburg merchant, who was a man of
+strong imagination.
+
+Moved by some impulse which she could not have explained, the
+Baroness left her guests and made her way to the narrow, cheerless
+room where the old governess lay watching the hours of the drying
+year slip by. In spite of the biting cold of the winter night, the
+window stood open. With a scandalised exclamation on her lips, the
+Baroness rushed forward to close it.
+
+"Leave it open," said the old woman in a voice that for all its
+weakness carried an air of command such as the Baroness had never
+heard before from her lips.
+
+"But you will die of cold!" she expostulated.
+
+"I am dying in any case," said the voice, "and I want to hear their
+music. They have come from far and wide to sing the death-music of
+my family. It is beautiful that they have come; I am the last von
+Cernogratz that will die in our old castle, and they have come to
+sing to me. Hark, how loud they are calling!"
+
+The cry of the wolves rose on the still winter air and floated round
+the castle walls in long-drawn piercing wails; the old woman lay
+back on her couch with a look of long-delayed happiness on her face.
+
+"Go away," she said to the Baroness; "I am not lonely any more. I
+am one of a great old family . . . "
+
+"I think she is dying," said the Baroness when she had rejoined her
+guests; "I suppose we must send for a doctor. And that terrible
+howling! Not for much money would I have such death-music."
+
+"That music is not to be bought for any amount of money," said
+Conrad.
+
+"Hark! What is that other sound?" asked the Baron, as a noise of
+splitting and crashing was heard.
+
+It was a tree falling in the park.
+
+There was a moment of constrained silence, and then the banker's
+wife spoke.
+
+"It is the intense cold that is splitting the trees. It is also the
+cold that has brought the wolves out in such numbers. It is many
+years since we have had such a cold winter."
+
+The Baroness eagerly agreed that the cold was responsible for these
+things. It was the cold of the open window, too, which caused the
+heart failure that made the doctor's ministrations unnecessary for
+the old Fraulein. But the notice in the newspapers looked very well
+-
+
+"On December 29th, at Schloss Cernogratz, Amalie von Cernogratz, for
+many years the valued friend of Baron and Baroness Gruebel."
+
+
+
+LOUIS
+
+
+
+"It would be jolly to spend Easter in Vienna this year," said
+Strudwarden, "and look up some of my old friends there. It's about
+the jolliest place I know of to be at for Easter--"
+
+"I thought we had made up our minds to spend Easter at Brighton,"
+interrupted Lena Strudwarden, with an air of aggrieved surprise.
+
+"You mean that you had made up your mind that we should spend Easter
+there," said her husband; "we spent last Easter there, and
+Whitsuntide as well, and the year before that we were at Worthing,
+and Brighton again before that. I think it would be just as well to
+have a real change of scene while we are about it."
+
+"The journey to Vienna would be very expensive," said Lena.
+
+"You are not often concerned about economy," said Strudwarden, "and
+in any case the trip of Vienna won't cost a bit more than the rather
+meaningless luncheon parties we usually give to quite meaningless
+acquaintances at Brighton. To escape from all that set would be a
+holiday in itself."
+
+Strudwarden spoke feelingly; Lena Strudwarden maintained an equally
+feeling silence on that particular subject. The set that she
+gathered round her at Brighton and other South Coast resorts was
+composed of individuals who might be dull and meaningless in
+themselves, but who understood the art of flattering Mrs.
+Strudwarden. She had no intention of foregoing their society and
+their homage and flinging herself among unappreciative strangers in
+a foreign capital.
+
+"You must go to Vienna alone if you are bent on going," she said; "I
+couldn't leave Louis behind, and a dog is always a fearful nuisance
+in a foreign hotel, besides all the fuss and separation of the
+quarantine restrictions when one comes back. Louis would die if he
+was parted from me for even a week. You don't know what that would
+mean to me."
+
+Lena stooped down and kissed the nose of the diminutive brown
+Pomeranian that lay, snug and irresponsive, beneath a shawl on her
+lap.
+
+"Look here," said Strudwarden, "this eternal Louis business is
+getting to be a ridiculous nuisance. Nothing can be done, no plans
+can be made, without some veto connected with that animal's whims or
+convenience being imposed. If you were a priest in attendance on
+some African fetish you couldn't set up a more elaborate code of
+restrictions. I believe you'd ask the Government to put off a
+General Election if you thought it would interfere with Louis's
+comfort in any way."
+
+By way of answer to this tirade Mrs. Strudwarden stooped down again
+and kissed the irresponsive brown nose. It was the action of a
+woman with a beautifully meek nature, who would, however, send the
+whole world to the stake sooner than yield an inch where she knew
+herself to be in the right.
+
+"It isn't as if you were in the least bit fond of animals," went on
+Strudwarden, with growing irritation; "when we are down at
+Kerryfield you won't stir a step to take the house dogs out, even if
+they're dying for a run, and I don't think you've been in the
+stables twice in your life. You laugh at what you call the fuss
+that's being made over the extermination of plumage birds, and you
+are quite indignant with me if I interfere on behalf of an ill-
+treated, over-driven animal on the road. And yet you insist on
+every one's plans being made subservient to the convenience of that
+stupid little morsel of fur and selfishness."
+
+"You are prejudiced against my little Louis," said Lena, with a
+world of tender regret in her voice.
+
+"I've never had the chance of being anything else but prejudiced
+against him," said Strudwarden; "I know what a jolly responsive
+companion a doggie can be, but I've never been allowed to put a
+finger near Louis. You say he snaps at any one except you and your
+maid, and you snatched him away from old Lady Peterby the other day,
+when she wanted to pet him, for fear he would bury his teeth in her.
+All that I ever see of him is the top of his unhealthy-looking
+little nose, peeping out from his basket or from your muff, and I
+occasionally hear his wheezy little bark when you take him for a
+walk up and down the corridor. You can't expect one to get
+extravagantly fond of a dog of that sort. One might as well work up
+an affection for the cuckoo in a cuckoo-clock."
+
+"He loves me," said Lena, rising from the table, and bearing the
+shawl-swathed Louis in her arms. "He loves only me, and perhaps
+that is why I love him so much in return. I don't care what you say
+against him, I am not going to be separated from him. If you insist
+on going to Vienna you must go alone, as far as I am concerned. I
+think it would be much more sensible if you were to come to Brighton
+with Louis and me, but of course you must please yourself."
+
+"You must get rid of that dog," said Strudwarden's sister when Lena
+had left the room; "it must be helped to some sudden and merciful
+end. Lena is merely making use of it as an instrument for getting
+her own way on dozens of occasions when she would otherwise be
+obliged to yield gracefully to your wishes or to the general
+convenience. I am convinced that she doesn't care a brass button
+about the animal itself. When her friends are buzzing round her at
+Brighton or anywhere else and the dog would be in the way, it has to
+spend whole days alone with the maid, but if you want Lena to go
+with you anywhere where she doesn't want to go instantly she trots
+out the excuse that she couldn't be separated from her dog. Have
+you ever come into a room unobserved and heard Lena talking to her
+beloved pet? I never have. I believe she only fusses over it when
+there's some one present to notice her."
+
+"I don't mind admitting," said Strudwarden, "that I've dwelt more
+than once lately on the possibility of some fatal accident putting
+an end to Louis's existence. It's not very easy, though, to arrange
+a fatality for a creature that spends most of its time in a muff or
+asleep in a toy kennel. I don't think poison would be any good;
+it's obviously horribly over-fed, for I've seen Lena offer it
+dainties at table sometimes, but it never seems to eat them."
+
+"Lena will be away at church on Wednesday morning," said Elsie
+Strudwarden reflectively; "she can't take Louis with her there, and
+she is going on to the Dellings for lunch. That will give you
+several hours in which to carry out your purpose. The maid will be
+flirting with the chauffeur most of the time, and, anyhow, I can
+manage to keep her out of the way on some pretext or other."
+
+"That leaves the field clear," said Strudwarden, "but unfortunately
+my brain is equally a blank as far as any lethal project is
+concerned. The little beast is so monstrously inactive; I can't
+pretend that it leapt into the bath and drowned itself, or that it
+took on the butcher's mastiff in unequal combat and got chewed up.
+In what possible guise could death come to a confirmed basket-
+dweller? It would be too suspicious if we invented a Suffragette
+raid and pretended that they invaded Lena's boudoir and threw a
+brick at him. We should have to do a lot of other damage as well,
+which would be rather a nuisance, and the servants would think it
+odd that they had seen nothing of the invaders."
+
+"I have an idea," said Elsie; "get a box with an air-tight lid, and
+bore a small hole in it, just big enough to let in an indiarubber
+tube. Pop Louis, kennel and all, into the box, shut it down, and
+put the other end of the tube over the gas-bracket. There you have
+a perfect lethal chamber. You can stand the kennel at the open
+window afterwards, to get rid of the smell of gas, and all that Lena
+will find when she comes home late in the afternoon will be a
+placidly defunct Louis."
+
+"Novels have been written about women like you," said Strudwarden;
+"you have a perfectly criminal mind. Let's come and look for a
+box."
+
+Two mornings later the conspirators stood gazing guiltily at a stout
+square box, connected with the gas-bracket by a length of
+indiarubber tubing.
+
+"Not a sound," said Elsie; "he never stirred; it must have been
+quite painless. All the same I feel rather horrid now it's done."
+
+"The ghastly part has to come," said Strudwarden, turning off the
+gas. "We'll lift the lid slowly, and let the gas out by degrees.
+Swing the door to and fro to send a draught through the room."
+
+Some minutes later, when the fumes had rushed off, he stooped down
+and lifted out the little kennel with its grim burden. Elsie gave
+an exclamation of terror. Louis sat at the door of his dwelling,
+head erect and ears pricked, as coldly and defiantly inert as when
+they had put him into his execution chamber. Strudwarden dropped
+the kennel with a jerk, and stared for a long moment at the miracle-
+dog; then he went into a peal of chattering laughter.
+
+It was certainly a wonderful imitation of a truculent-looking toy
+Pomeranian, and the apparatus that gave forth a wheezy bark when you
+pressed it had materially helped the imposition that Lena, and
+Lena's maid, had foisted on the household. For a woman who disliked
+animals, but liked getting her own way under a halo of
+unselfishness, Mrs. Strudwarden had managed rather well.
+
+"Louis is dead," was the curt information that greeted Lena on her
+return from her luncheon party.
+
+"Louis DEAD!" she exclaimed.
+
+"Yes, he flew at the butcher-boy and bit him, and he bit me, too,
+when I tried to get him off, so I had to have him destroyed. You
+warned me that he snapped, but you didn't tell me that he was
+downright dangerous. I shall have to pay the boy something heavy by
+way of compensation, so you will have to go without those buckles
+that you wanted to have for Easter; also I shall have to go to
+Vienna to consult Dr. Schroeder, who is a specialist on dog-bites,
+and you will have to come too. I have sent what remains of Louis to
+Rowland Ward to be stuffed; that will be my Easter gift to you
+instead of the buckles. For Heaven's sake, Lena, weep, if you
+really feel it so much; anything would be better than standing there
+staring as if you thought I had lost my reason."
+
+Lena Strudwarden did not weep, but her attempt at laughing was an
+unmistakable failure.
+
+
+
+THE GUESTS
+
+
+
+"The landscape seen from our windows is certainly charming," said
+Annabel; "those cherry orchards and green meadows, and the river
+winding along the valley, and the church tower peeping out among the
+elms, they all make a most effective picture. There's something
+dreadfully sleepy and languorous about it, though; stagnation seems
+to be the dominant note. Nothing ever happens here; seedtime and
+harvest, an occasional outbreak of measles or a mildly destructive
+thunderstorm, and a little election excitement about once in five
+years, that is all that we have to modify the monotony of our
+existence. Rather dreadful, isn't it?"
+
+"On the contrary," said Matilda, "I find it soothing and restful;
+but then, you see, I've lived in countries where things do happen,
+ever so many at a time, when you're not ready for them happening all
+at once."
+
+"That, of course, makes a difference," said Annabel.
+
+"I have never forgotten," said Matilda, "the occasion when the
+Bishop of Bequar paid us an unexpected visit; he was on his way to
+lay the foundation-stone of a mission-house or something of the
+sort."
+
+"I thought that out there you were always prepared for emergency
+guests turning up," said Annabel.
+
+"I was quite prepared for half a dozen Bishops," said Matilda, "but
+it was rather disconcerting to find out after a little conversation
+that this particular one was a distant cousin of mine, belonging to
+a branch of the family that had quarrelled bitterly and offensively
+with our branch about a Crown Derby dessert service; they got it,
+and we ought to have got it, in some legacy, or else we got it and
+they thought they ought to have it, I forget which; anyhow, I know
+they behaved disgracefully. Now here was one of them turning up in
+the odour of sanctity, so to speak, and claiming the traditional
+hospitality of the East."
+
+"It was rather trying, but you could have left your husband to do
+most of the entertaining."
+
+"My husband was fifty miles up-country, talking sense, or what he
+imagined to be sense, to a village community that fancied one of
+their leading men was a were-tiger."
+
+"A what tiger?"
+
+"A were-tiger; you've heard of were-wolves, haven't you, a mixture
+of wolf and human being and demon? Well, in those parts they have
+were-tigers, or think they have, and I must say that in this case,
+so far as sworn and uncontested evidence went, they had every ground
+for thinking so. However, as we gave up witchcraft prosecutions
+about three hundred years ago, we don't like to have other people
+keeping on our discarded practices; it doesn't seem respectful to
+our mental and moral position."
+
+"I hope you weren't unkind to the Bishop," said Annabel.
+
+"Well, of course he was my guest, so I had to be outwardly polite to
+him, but he was tactless enough to rake up the incidents of the old
+quarrel, and to try to make out that there was something to be said
+for the way his side of the family had behaved; even if there was,
+which I don't for a moment admit, my house was not the place in
+which to say it. I didn't argue the matter, but I gave my cook a
+holiday to go and visit his aged parents some ninety miles away.
+The emergency cook was not a specialist in curries, in fact, I don't
+think cooking in any shape or form could have been one of his strong
+points. I believe he originally came to us in the guise of a
+gardener, but as we never pretended to have anything that could be
+considered a garden he was utilised as assistant goatherd, in which
+capacity, I understand, he gave every satisfaction. When the Bishop
+heard that I had sent away the cook on a special and unnecessary
+holiday he saw the inwardness of the manoeuvre, and from that moment
+we were scarcely on speaking terms. If you have ever had a Bishop
+with whom you were not on speaking terms staying in your house, you
+will appreciate the situation."
+
+Annabel confessed that her life-story had never included such a
+disturbing experience.
+
+"Then," continued Matilda, "to make matters more complicated, the
+Gwadlipichee overflowed its banks, a thing it did every now and then
+when the rains were unduly prolonged, and the lower part of the
+house and all the out-buildings were submerged. We managed to get
+the ponies loose in time, and the syce swam the whole lot of them
+off to the nearest rising ground. A goat or two, the chief goat-
+herd, the chief goat-herd's wife, and several of their babies came
+to anchorage in the verandah. All the rest of the available space
+was filled up with wet, bedraggled-looking hens and chickens; one
+never really knows how many fowls one possesses till the servants'
+quarters are flooded out. Of course, I had been through something
+of the sort in previous floods, but never before had I had a
+houseful of goats and babies and half-drowned hens, supplemented by
+a Bishop with whom I was hardly on speaking terms."
+
+"It must have been a trying experience," commented Annabel.
+
+"More embarrassments were to follow. I wasn't going to let a mere
+ordinary flood wash out the memory of that Crown Derby dessert
+service, and I intimated to the Bishop that his large bedroom, with
+a writing table in it, and his small bath-room, with a sufficiency
+of cold-water jars in it, was his share of the premises, and that
+space was rather congested under the existing circumstances.
+However, at about three o'clock in the afternoon, when he had
+awakened from his midday sleep, he made a sudden incursion into the
+room that was normally the drawing-room, but was now dining-room,
+store-house, saddle-room, and half a dozen other temporary premises
+as well. From the condition of my guest's costume he seemed to
+think it might also serve as his dressing-room.
+
+"'I'm afraid there is nowhere for you to sit,' I said coldly; 'the
+verandah is full of goats.'
+
+"'There is a goat in my bedroom,' he observed with equal coldness,
+and more than a suspicion of sardonic reproach.
+
+"'Really,' I said, 'another survivor? I thought all the other goats
+were done for.'
+
+"'This particular goat is quite done for,' he said, 'it is being
+devoured by a leopard at the present moment. That is why I left the
+room; some animals resent being watched while they are eating.'
+
+"The leopard, of course, was easily explained; it had been hanging
+round the goat sheds when the flood came, and had clambered up by
+the outside staircase leading to the Bishop's bath-room,
+thoughtfully bringing a goat with it. Probably it found the bath-
+room too damp and shut-in for its taste, and transferred its
+banqueting operations to the bedroom while the Bishop was having his
+nap."
+
+"What a frightful situation!" exclaimed Annabel; "fancy having a
+ravening leopard in the house, with a flood all round you."
+
+"Not in the least ravening," said Matilda; "it was full of goat, had
+any amount of water at its disposal if it felt thirsty, and probably
+had no more immediate wish than a desire for uninterrupted sleep.
+Still, I think any one will admit that it was an embarrassing
+predicament to have your only available guest-room occupied by a
+leopard, the verandah choked up with goats and babies and wet hens,
+and a Bishop with whom you were scarcely on speaking terms planted
+down in your own sitting-room. I really don't know how I got
+through those crawling hours, and of course mealtimes only made
+matters worse. The emergency cook had every excuse for sending in
+watery soup and sloppy rice, and as neither the chief goat-herd nor
+his wife were expert divers, the cellar could not be reached.
+Fortunately the Gwadlipichee subsides as rapidly as it rises, and
+just before dawn the syce came splashing back, with the ponies only
+fetlock deep in water. Then there arose some awkwardness from the
+fact that the Bishop wished to leave sooner than the leopard did,
+and as the latter was ensconced in the midst of the former's
+personal possessions there was an obvious difficulty in altering the
+order of departure. I pointed out to the Bishop that a leopard's
+habits and tastes are not those of an otter, and that it naturally
+preferred walking to wading; and that in any case a meal of an
+entire goat, washed down with tub-water, justified a certain amount
+of repose; if I had had guns fired to frighten the animal away, as
+the Bishop suggested, it would probably merely have left the bedroom
+to come into the already over-crowded drawing-room. Altogether it
+was rather a relief when they both left. Now, perhaps, you can
+understand my appreciation of a sleepy countryside where things
+don't happen."
+
+
+
+THE PENANCE
+
+
+
+Octavian Ruttle was one of those lively cheerful individuals on whom
+amiability had set its unmistakable stamp, and, like most of his
+kind, his soul's peace depended in large measure on the unstinted
+approval of his fellows. In hunting to death a small tabby cat he
+had done a thing of which he scarcely approved himself, and he was
+glad when the gardener had hidden the body in its hastily dug grave
+under a lone oak-tree in the meadow, the same tree that the hunted
+quarry had climbed as a last effort towards safety. It had been a
+distasteful and seemingly ruthless deed, but circumstances had
+demanded the doing of it. Octavian kept chickens; at least he kept
+some of them; others vanished from his keeping, leaving only a few
+bloodstained feathers to mark the manner of their going. The tabby
+cat from the large grey house that stood with its back to the meadow
+had been detected in many furtive visits to the hen-coups, and after
+due negotiation with those in authority at the grey house a sentence
+of death had been agreed on. "The children will mind, but they need
+not know," had been the last word on the matter.
+
+The children in question were a standing puzzle to Octavian; in the
+course of a few months he considered that he should have known their
+names, ages, the dates of their birthdays, and have been introduced
+to their favourite toys. They remained however, as non-committal as
+the long blank wall that shut them off from the meadow, a wall over
+which their three heads sometimes appeared at odd moments. They had
+parents in India--that much Octavian had learned in the
+neighbourhood; the children, beyond grouping themselves garment-wise
+into sexes, a girl and two boys, carried their lifestory no further
+on his behoof. And now it seemed he was engaged in something which
+touched them closely, but must be hidden from their knowledge.
+
+The poor helpless chickens had gone one by one to their doom, so it
+was meet that their destroyer should come to a violent end; yet
+Octavian felt some qualms when his share of the violence was ended.
+The little cat, headed off from its wonted tracks of safety, had
+raced unfriended from shelter to shelter, and its end had been
+rather piteous. Octavian walked through the long grass of the
+meadow with a step less jaunty than usual. And as he passed beneath
+the shadow of the high blank wall he glanced up and became aware
+that his hunting had had undesired witnesses. Three white set faces
+were looking down at him, and if ever an artist wanted a threefold
+study of cold human hate, impotent yet unyielding, raging yet masked
+in stillness, he would have found it in the triple gaze that met
+Octavian's eye.
+
+"I'm sorry, but it had to be done," said Octavian, with genuine
+apology in his voice.
+
+"Beast!"
+
+The answer came from three throats with startling intensity.
+
+Octavian felt that the blank wall would not be more impervious to
+his explanations than the bunch of human hostility that peered over
+its coping; he wisely decided to withhold his peace overtures till a
+more hopeful occasion.
+
+Two days later he ransacked the best sweet shop in the neighbouring
+market town for a box of chocolates that by its size and contents
+should fitly atone for the dismal deed done under the oak tree in
+the meadow. The two first specimens that were shown him he hastily
+rejected; one had a group of chickens pictured on its lid, the other
+bore the portrait of a tabby kitten. A third sample was more simply
+bedecked with a spray of painted poppies, and Octavian hailed the
+flowers of forgetfulness as a happy omen. He felt distinctly more
+at ease with his surroundings when the imposing package had been
+sent across to the grey house, and a message returned to say that it
+had been duly given to the children. The next morning he sauntered
+with purposeful steps past the long blank wall on his way to the
+chicken-run and piggery that stood at the bottom of the meadow. The
+three children were perched at their accustomed look-out, and their
+range of sight did not seem to concern itself with Octavian's
+presence. As he became depressingly aware of the aloofness of their
+gaze he also noted a strange variegation in the herbage at his feet;
+the greensward for a considerable space around was strewn and
+speckled with a chocolate-coloured hail, enlivened here and there
+with gay tinsel-like wrappings or the glistening mauve of
+crystallised violets. It was as though the fairy paradise of a
+greedyminded child had taken shape and substance in the vegetation
+of the meadow. Octavian's bloodmoney had been flung back at him in
+scorn.
+
+To increase his discomfiture the march of events tended to shift the
+blame of ravaged chicken-coops from the supposed culprit who had
+already paid full forfeit; the young chicks were still carried off,
+and it seemed highly probable that the cat had only haunted the
+chicken-run to prey on the rats which harboured there. Through the
+flowing channels of servant talk the children learned of this
+belated revision of verdict, and Octavian one day picked up a sheet
+of copy-book paper on which was painstakingly written: "Beast.
+Rats eated your chickens." More ardently than ever did he wish for
+an opportunity for sloughing off the disgrace that enwrapped him,
+and earning some happier nickname from his three unsparing judges.
+
+And one day a chance inspiration came to him. Olivia, his two-year-
+old daughter, was accustomed to spend the hour from high noon till
+one o'clock with her father while the nursemaid gobbled and digested
+her dinner and novelette. About the same time the blank wall was
+usually enlivened by the presence of its three small wardens.
+Octavian, with seeming carelessness of purpose, brought Olivia well
+within hail of the watchers and noted with hidden delight the
+growing interest that dawned in that hitherto sternly hostile
+quarter. His little Olivia, with her sleepy placid ways, was going
+to succeed where he, with his anxious well-meant overtures, had so
+signally failed. He brought her a large yellow dahlia, which she
+grasped tightly in one hand and regarded with a stare of benevolent
+boredom, such as one might bestow on amateur classical dancing
+performed in aid of a deserving charity. Then he turned shyly to
+the group perched on the wall and asked with affected carelessness,
+"Do you like flowers?" Three solemn nods rewarded his venture.
+
+"Which sorts do you like best?" he asked, this time with a distinct
+betrayal of eagerness in his voice.
+
+"Those with all the colours, over there." Three chubby arms pointed
+to a distant tangle of sweetpea. Child-like, they had asked for
+what lay farthest from hand, but Octavian trotted off gleefully to
+obey their welcome behest. He pulled and plucked with unsparing
+hand, and brought every variety of tint that he could see into his
+bunch that was rapidly becoming a bundle. Then he turned to retrace
+his steps, and found the blank wall blanker and more deserted than
+ever, while the foreground was void of all trace of Olivia. Far
+down the meadow three children were pushing a go-cart at the utmost
+speed they could muster in the direction of the piggeries; it was
+Olivia's go-cart and Olivia sat in it, somewhat bumped and shaken by
+the pace at which she was being driven, but apparently retaining her
+wonted composure of mind. Octavian stared for a moment at the
+rapidly moving group, and then started in hot pursuit, shedding as
+he ran sprays of blossom from the mass of sweet-pea that he still
+clutched in his hands. Fast as he ran the children had reached the
+piggery before he could overtake them, and he arrived just in time
+to see Olivia, wondering but unprotesting, hauled and pushed up to
+the roof of the nearest sty. They were old buildings in some need
+of repair, and the rickety roof would certainly not have borne
+Octavian's weight if he had attempted to follow his daughter and her
+captors on their new vantage ground.
+
+"What are you going to do with her?" he panted. There was no
+mistaking the grim trend of mischief in those flushed by sternly
+composed young faces.
+
+"Hang her in chains over a slow fire," said one of the boys.
+Evidently they had been reading English history.
+
+"Frow her down the pigs will d'vour her, every bit 'cept the palms
+of her hands," said the other boy. It was also evident that they
+had studied Biblical history.
+
+The last proposal was the one which most alarmed Octavian, since it
+might be carried into effect at a moment's notice; there had been
+cases, he remembered, of pigs eating babies.
+
+"You surely wouldn't treat my poor little Olivia in that way?" he
+pleaded.
+
+"You killed our little cat," came in stern reminder from three
+throats.
+
+"I'm sorry I did," said Octavian, and if there is a standard
+measurement in truths Octavian's statement was assuredly a large
+nine.
+
+"We shall be very sorry when we've killed Olivia," said the girl,
+"but we can't be sorry till we've done it."
+
+The inexorable child-logic rose like an unyielding rampart before
+Octavian's scared pleadings. Before he could think of any fresh
+line of appeal his energies were called out in another direction.
+Olivia had slid off the roof and fallen with a soft, unctuous splash
+into a morass of muck and decaying straw. Octavian scrambled
+hastily over the pigsty wall to her rescue, and at once found
+himself in a quagmire that engulfed his feet. Olivia, after the
+first shock of surprise at her sudden drop through the air, had been
+mildly pleased at finding herself in close and unstinted contact
+with the sticky element that oozed around her, but as she began to
+sink gently into the bed of slime a feeling dawned on her that she
+was not after all very happy, and she began to cry in the tentative
+fashion of the normally good child. Octavian, battling with the
+quagmire, which seemed to have learned the rare art of giving way at
+all points without yielding an inch, saw his daughter slowly
+disappearing in the engulfing slush, her smeared face further
+distorted with the contortions of whimpering wonder, while from
+their perch on the pigsty roof the three children looked down with
+the cold unpitying detachment of the Parcae Sisters.
+
+"I can't reach her in time," gasped Octavian, "she'll be choked in
+the muck. Won't you help her?"
+
+"No one helped our cat," came the inevitable reminder.
+
+"I'll do anything to show you how sorry I am about that," cried
+Octavian, with a further desperate flounder, which carried him
+scarcely two inches forward.
+
+"Will you stand in a white sheet by the grave?"
+
+"Yes," screamed Octavian.
+
+"Holding a candle?"
+
+"An' saying 'I'm a miserable Beast'?"
+
+Octavian agreed to both suggestions.
+
+"For a long, long time?"
+
+"For half an hour," said Octavian. There was an anxious ring in his
+voice as he named the time-limit; was there not the precedent of a
+German king who did open-air penance for several days and nights at
+Christmas-time clad only in his shirt? Fortunately the children did
+not appear to have read German history, and half an hour seemed long
+and goodly in their eyes.
+
+"All right," came with threefold solemnity from the roof, and a
+moment later a short ladder had been laboriously pushed across to
+Octavian, who lost no time in propping it against the low pigsty
+wall. Scrambling gingerly along its rungs he was able to lean
+across the morass that separated him from his slowly foundering
+offspring and extract her like an unwilling cork from it's slushy
+embrace. A few minutes later he was listening to the shrill and
+repeated assurances of the nursemaid that her previous experience of
+filthy spectacles had been on a notably smaller scale.
+
+That same evening when twilight was deepening into darkness Octavian
+took up his position as penitent under the lone oak-tree, having
+first carefully undressed the part. Clad in a zephyr shirt, which
+on this occasion thoroughly merited its name, he held in one hand a
+lighted candle and in the other a watch, into which the soul of a
+dead plumber seemed to have passed. A box of matches lay at his
+feet and was resorted to on the fairly frequent occasions when the
+candle succumbed to the night breezes. The house loomed inscrutable
+in the middle distance, but as Octavian conscientiously repeated the
+formula of his penance he felt certain that three pairs of solemn
+eyes were watching his moth-shared vigil.
+
+And the next morning his eyes were gladdened by a sheet of copy-book
+paper lying beside the blank wall, on which was written the message
+"Un-Beast."
+
+
+
+THE PHANTOM LUNCHEON
+
+
+
+"The Smithly-Dubbs are in Town," said Sir James. "I wish you would
+show them some attention. Ask them to lunch with you at the Ritz or
+somewhere."
+
+"From the little I've seen of the Smithly-Dubbs I don't thing I want
+to cultivate their acquaintance," said Lady Drakmanton.
+
+"They always work for us at election times," said her husband; "I
+don't suppose they influence very many votes, but they have an uncle
+who is on one of my ward committees, and another uncle speaks
+sometimes at some of our less important meetings. Those sort of
+people expect some return in the shape of hospitality."
+
+"Expect it!" exclaimed Lady Drakmanton; "the Misses Smithly-Dubb do
+more than that; they almost demand it. They belong to my club, and
+hang about the lobby just about lunch-time, all three of them, with
+their tongues hanging out of their mouths and the six-course look in
+their eyes. If I were to breathe the word 'lunch' they would hustle
+me into a taxi and scream 'Ritz' or 'Dieudonne's' to the driver
+before I knew what was happening."
+
+"All the same, I think you ought to ask them to a meal of some
+sort," persisted Sir James.
+
+"I consider that showing hospitality to the Smithly-Dubbs is
+carrying Free Food principles to a regrettable extreme," said Lady
+Drakmanton; "I've entertained the Joneses and the Browns and the
+Snapheimers and the Lubrikoffs, and heaps of others whose names I
+forget, but I don't see why I should inflict the society of the
+Misses Smithly-Dubb on myself for a solid hour. Imagine it, sixty
+minutes, more or less, of unrelenting gobble and gabble. Why can't
+YOU take them on, Milly?" she asked, turning hopefully to her
+sister.
+
+"I don't know them," said Milly hastily.
+
+"All the better; you can pass yourself off as me. People say that
+we are so alike that they can hardly tell us apart, and I've only
+spoken to these tiresome young women about twice in my life, at
+committee-rooms, and bowed to them in the club. Any of the club
+page-boys will point them out to you; they're always to be found
+lolling about the hall just before lunch-time."
+
+"My dear Betty, don't be absurd," protested Milly; "I've got some
+people lunching with me at the Carlton to-morrow, and I'm leaving
+Town the day afterwards."
+
+"What time is your lunch to-morrow?" asked Lady Drakmanton
+reflectively.
+
+"Two o'clock," said Milly.
+
+"Good," said her sister; "the Smithly-Dubbs shall lunch with me to-
+morrow. It shall be rather an amusing lunch-party. At least, I
+shall be amused."
+
+The last two remarks she made to herself. Other people did not
+always appreciate her ideas of humour. Sir James never did.
+
+The next day Lady Drakmanton made some marked variations in her
+usual toilet effects. She dressed her hair in an unaccustomed
+manner, and put on a hat that added to the transformation of her
+appearance. When she had made one or two minor alterations she was
+sufficiently unlike her usual smart self to produce some hesitation
+in the greeting which the Misses Smithly-Dubb bestowed on her in the
+club-lobby. She responded, however, with a readiness which set
+their doubts at rest.
+
+"What is the Carlton like for lunching in?" she asked breezily.
+
+The restaurant received an enthusiastic recommendation from the
+three sisters.
+
+"Let's go and lunch there, shall we?" she suggested, and in a few
+minutes' time the Smithly-Dubb mind was contemplating at close
+quarters a happy vista of baked meats and approved vintage.
+
+"Are you going to start with caviare? I am," confided Lady
+Drakmanton, and the Smithly-Dubbs started with caviare. The
+subsequent dishes were chosen in the same ambitious spirit, and by
+the time they had arrived at the wild duck course it was beginning
+to be a rather expensive lunch.
+
+The conversation hardly kept pace with the brilliancy of the menu.
+Repeated references on the part of the guests to the local political
+conditions and prospects in Sir James's constituency were met with
+vague "ahs" and "indeeds" from Lady Drakmanton, who might have been
+expected to be specially interested.
+
+"I think when the Insurance Act is a little better understood it
+will lose some of its present unpopularity," hazarded Cecilia
+Smithly-Dubb.
+
+"Will it? I dare say. I'm afraid politics don't interest me very
+much," said Lady Drakmanton.
+
+The three Miss Smithly-Dubbs put down their cups of Turkish coffee
+and stared. Then they broke into protesting giggles.
+
+"Of course, you're joking," they said.
+
+"Not me," was the disconcerting answer; "I can't make head or tail
+of these bothering old politics. Never could, and never want to.
+I've quite enough to do to manage my own affairs, and that's a
+fact."
+
+"But," exclaimed Amanda Smithly-Dubb, with a squeal of bewilderment
+breaking into her voice, "I was told you spoke so informingly about
+the Insurance Act at one of our social evenings."
+
+It was Lady Drakmanton who stared now. "Do you know," she said,
+with a scared look around her, "rather a dreadful thing is
+happening. I'm suffering from a complete loss of memory. I can't
+even think who I am. I remember meeting you somewhere, and I
+remember you asking me to come and lunch with you here, and that I
+accepted your kind invitation. Beyond that my mind is a positive
+blank."
+
+The scared look was transferred with intensified poignancy to the
+faces of her companions.
+
+"YOU asked US to lunch," they exclaimed hurriedly. That seemed a
+more immediately important point to clear up than the question of
+identity.
+
+"Oh, no," said the vanishing hostess, "THAT I do remember about.
+You insisted on my coming here because the feeding was so good, and
+I must say it comes up to all you said about it. A very nice lunch
+it's been. What I'm worrying about is who on earth am I? I haven't
+the faintest notion?"
+
+"You are Lady Drakmanton," exclaimed the three sisters in chorus.
+
+"Now, don't make fun of me," she replied, crossly, "I happen to know
+her quite well by sight, and she isn't a bit like me. And it's an
+odd thing you should have mentioned her, for it so happens she's
+just come into the room. That lady in black, with the yellow plume
+in her hat, there over by the door."
+
+The Smithly-Dubbs looked in the indicated direction, and the
+uneasiness in their eyes deepened into horror. In outward
+appearance the lady who had just entered the room certainly came
+rather nearer to their recollection of their Member's wife than the
+individual who was sitting at table with them.
+
+"Who ARE you, then, if that is Lady Drakmanton?" they asked in
+panic-stricken bewilderment.
+
+"That is just what I don't know," was the answer; "and you don't
+seem to know much better than I do."
+
+"You came up to us in the club--"
+
+"In what club?"
+
+"The New Didactic, in Calais Street."
+
+"The New Didactic!" exclaimed Lady Drakmanton with an air of
+returning illumination; "thank you so much. Of course, I remember
+now who I am. I'm Ellen Niggle, of the Ladies' Brasspolishing
+Guild. The Club employs me to come now and then and see to the
+polishing of the brass fittings. That's how I came to know Lady
+Drakmanton by sight; she's very often in the Club. And you are the
+ladies who so kindly asked me out to lunch. Funny how it should all
+have slipped my memory, all of a sudden. The unaccustomed good food
+and wine must have been too much for me; for the moment I really
+couldn't call to mind who I was. Good gracious," she broke off
+suddenly, "it's ten past two; I should be at a polishing job in
+Whitehall. I must scuttle off like a giddy rabbit. Thanking you
+ever so."
+
+She left the room with a scuttle sufficiently suggestive of the
+animal she had mentioned, but the giddiness was all on the side of
+her involuntary hostesses. The restaurant seemed to be spinning
+round them; and the bill when it appeared did nothing to restore
+their composure. They were as nearly in tears as it is permissible
+to be during the luncheon hour in a really good restaurant.
+Financially speaking, they were well able to afford the luxury of an
+elaborate lunch, but their ideas on the subject of entertaining
+differed very sharply, according to the circumstances of whether
+they were dispensing or receiving hospitality. To have fed
+themselves liberally at their own expense was, perhaps, an
+extravagance to be deplored, but, at any rate, they had had
+something for their money; to have drawn an unknown and socially
+unremunerative Ellen Niggle into the net of their hospitality was a
+catastrophe that they could not contemplate with any degree of
+calmness.
+
+The Smithly-Dubbs never quite recovered from their unnerving
+experience. They have given up politics and taken to doing good.
+
+
+
+A BREAD AND BUTTER MISS
+
+
+
+"Starling Chatter and Oakhill have both dropped back in the
+betting," said Bertie van Tahn, throwing the morning paper across
+the breakfast table.
+
+"That leaves Nursery Tea practically favourite," said Odo Finsberry.
+
+"Nursery Tea and Pipeclay are at the top of the betting at present,"
+said Bertie, "but that French horse, Le Five O'Clock, seems to be
+fancied as much as anything. Then there is Whitebait, and the
+Polish horse with a name like some one trying to stifle a sneeze in
+church; they both seem to have a lot of support."
+
+"It's the most open Derby there's been for years," said Odo.
+
+"It's simply no good trying to pick the winner on form," said
+Bertie; "one must just trust to luck and inspiration."
+
+"The question is whether to trust to one's own inspiration, or
+somebody else's. Sporting Swank gives Count Palatine to win, and Le
+Five O'Clock for a place."
+
+"Count Palatine--that adds another to our list of perplexities.
+Good morning, Sir Lulworth; have you a fancy for the Derby by any
+chance?"
+
+"I don't usually take much interest in turf matters," said Sir
+Lulworth, who had just made his appearance, "but I always like to
+have a bet on the Guineas and the Derby. This year, I confess, it's
+rather difficult to pick out anything that seems markedly better
+than anything else. What do you think of Snow Bunting?"
+
+"Snow Bunting?" said Odo, with a groan, "there's another of them.
+Surely, Snow Bunting has no earthly chance?"
+
+"My housekeeper's nephew, who is a shoeing-smith in the mounted
+section of the Church Lads' Brigade, and an authority on horseflesh,
+expects him to be among the first three."
+
+"The nephews of housekeepers are invariably optimists," said Bertie;
+"it's a kind of natural reaction against the professional pessimism
+of their aunts."
+
+"We don't seem to get much further in our search for the probable
+winner," said Mrs. de Claux; "the more I listen to you experts the
+more hopelessly befogged I get."
+
+"It's all very well to blame us," said Bertie to his hostess; "you
+haven't produced anything in the way of an inspiration."
+
+"My inspiration consisted in asking you down for Derby week,"
+retorted Mrs. de Claux; "I thought you and Odo between you might
+throw some light on the question of the moment."
+
+Further recriminations were cut short by the arrival of Lola
+Pevensey, who floated into the room with an air of gracious apology.
+
+"So sorry to be so late," she observed, making a rapid tour of
+inspection of the breakfast dishes.
+
+"Did you have a good night?" asked her hostess with perfunctory
+solicitude.
+
+"Quite, thank you," said Lola; "I dreamt a most remarkable dream."
+
+A flutter, indicative of general boredom; went round the table.
+Other people's dreams are about as universally interesting as
+accounts of other people's gardens, or chickens, or children.
+
+"I dreamt about the winner of the Derby," said Lola.
+
+A swift reaction of attentive interest set in.
+
+"Do tell us what you dreamt," came in a chorus.
+
+"The really remarkable thing about it is that I've dreamt it two
+nights running," said Lola, finally deciding between the allurements
+of sausages and kedgeree; "that is why I thought it worth
+mentioning. You know, when I dream things two or three nights in
+succession, it always means something; I have special powers in that
+way. For instance, I once dreamed three times that a winged lion
+was flying through the sky and one of his wings dropped off, and he
+came to the ground with a crash; just afterwards the Campanile at
+Venice fell down. The winged lion is the symbol of Venice, you
+know," she added for the enlightenment of those who might not be
+versed in Italian heraldry. "Then," she continued, "just before the
+murder of the King and Queen of Servia I had a vivid dream of two
+crowned figures walking into a slaughter-house by the banks of a big
+river, which I took to be the Danube; and only the other day--"
+
+"Do tell us what you've dreamt about the Derby," interrupted Odo
+impatiently.
+
+"Well, I saw the finish of the race as clearly as anything; and one
+horse won easily, almost in a canter, and everybody cried out 'Bread
+and Butter wins! Good old Bread and Butter.' I heard the name
+distinctly, and I've had the same dream two nights running."
+
+"Bread and Butter," said Mrs. de Claux, "now, whatever horse can
+that point to? Why--of course; Nursery Tea!"
+
+She looked round with the triumphant smile of a successful
+unraveller of mystery.
+
+"How about Le Five O'Clock?" interposed Sir Lulworth.
+
+"It would fit either of them equally well," said Odo; "can you
+remember any details about the jockey's colours? That might help
+us."
+
+"I seem to remember a glimpse of lemon sleeves or cap, but I can't
+be sure," said Lola, after due reflection.
+
+"There isn't a lemon jacket or cap in the race," said Bertie,
+referring to a list of starters and jockeys; "can't you remember
+anything about the appearance of the horse? If it were a thick-set
+animal, this bread and butter would typify Nursery Tea; and if it
+were thin, of course, it would mean Le Five O'Clock."
+
+"That seems sound enough," said Mrs. de Claux; "do think, Lola dear,
+whether the horse in your dream was thin or stoutly built."
+
+"I can't remember that it was one or the other," said Lola; "one
+wouldn't notice such a detail in the excitement of a finish."
+
+"But this was a symbolic animal," said Sir Lulworth; "if it were to
+typify thick or thin bread and butter surely it ought to have been
+either as bulky and tubby as a shire cart-horse; or as thin as a
+heraldic leopard."
+
+"I'm afraid you are rather a careless dreamer," said Bertie
+resentfully.
+
+"Of course, at the moment of dreaming I thought I was witnessing a
+real race, not the portent of one," said Lola; "otherwise I should
+have particularly noticed all helpful details."
+
+"The Derby isn't run till to-morrow," said Mrs. de Claux; "do you
+think you are likely to have the same dream again to-night? If so;
+you can fix your attention on the important detail of the animal's
+appearance."
+
+"I'm afraid I shan't sleep at all to-night," said Lola pathetically;
+"every fifth night I suffer from insomnia, and it's due to-night."
+
+"It's most provoking," said Bertie; "of course, we can back both
+horses, but it would be much more satisfactory to have all our money
+on the winner. Can't you take a sleeping-draught, or something?"
+
+"Oakleaves, soaked in warm water and put under the bed, are
+recommended by some," said Mrs. de Claux.
+
+"A glass of Benedictine, with a drop of eau-de-Cologne--" said Sir
+Lulworth.
+
+"I have tried every known remedy," said Lola, with dignity; "I've
+been a martyr to insomnia for years."
+
+"But now we are being martyrs to it," said Odo sulkily; "I
+particularly want to land a big coup over this race."
+
+"I don't have insomnia for my own amusement," snapped Lola.
+
+"Let us hope for the best," said Mrs. de Claux soothingly; "to-night
+may prove an exception to the fifth-night rule."
+
+But when breakfast time came round again Lola reported a blank night
+as far as visions were concerned.
+
+"I don't suppose I had as much as ten minutes' sleep, and,
+certainly, no dreams."
+
+"I'm so sorry, for your sake in the first place, and ours as well,"
+said her hostess; "do you think you could induce a short nap after
+breakfast? It would be so good for you--and you MIGHT dream
+something. There would still be time for us to get our bets on."
+
+"I'll try if you like," said Lola; "it sounds rather like a small
+child being sent to bed in disgrace."
+
+"I'll come and read the Encyclopaedia Britannica to you if you think
+it will make you sleep any sooner," said Bertie obligingly.
+
+Rain was falling too steadily to permit of outdoor amusement, and
+the party suffered considerably during the next two hours from the
+absolute quiet that was enforced all over the house in order to give
+Lola every chance of achieving slumber. Even the click of billiard
+balls was considered a possible factor of disturbance, and the
+canaries were carried down to the gardener's lodge, while the cuckoo
+clock in the hall was muffled under several layers of rugs. A
+notice, "Please do not Knock or Ring," was posted on the front door
+at Bertie's suggestion, and guests and servants spoke in tragic
+whispers as though the dread presence of death or sickness had
+invaded the house. The precautions proved of no avail: Lola added
+a sleepless morning to a wakeful night, and the bets of the party
+had to be impartially divided between Nursery Tea and the French
+Colt.
+
+"So provoking to have to split out bets," said Mrs. de Claux, as her
+guests gathered in the hall later in the day, waiting for the result
+of the race.
+
+"I did my best for you," said Lola, feeling that she was not getting
+her due share of gratitude; "I told you what I had seen in my
+dreams, a brown horse, called Bread and Butter, winning easily from
+all the rest."
+
+"What?" screamed Bertie, jumping up from his sea, "a brown horse!
+Miserable woman, you never said a word about it's being a brown
+horse."
+
+"Didn't I?" faltered Lola; "I thought I told you it was a brown
+horse. It was certainly brown in both dreams. But I don't see what
+the colour has got to do with it. Nursery Tea and Le Five O'Clock
+are both chestnuts."
+
+"Merciful Heaven! Doesn't brown bread and butter with a sprinkling
+of lemon in the colours suggest anything to you?" raged Bertie.
+
+A slow, cumulative groan broke from the assembly as the meaning of
+his words gradually dawned on his hearers.
+
+For the second time that day Lola retired to the seclusion of her
+room; she could not face the universal looks of reproach directed at
+her when Whitebait was announced winner at the comfortable price of
+fourteen to one.
+
+
+
+BERTIE'S CHRISTMAS EVE
+
+
+
+It was Christmas Eve, and the family circle of Luke Steffink, Esq.,
+was aglow with the amiability and random mirth which the occasion
+demanded. A long and lavish dinner had been partaken of, waits had
+been round and sung carols; the house-party had regaled itself with
+more caroling on its own account, and there had been romping which,
+even in a pulpit reference, could not have been condemned as
+ragging. In the midst of the general glow, however, there was one
+black unkindled cinder.
+
+Bertie Steffink, nephew of the aforementioned Luke, had early in
+life adopted the profession of ne'er-do-weel; his father had been
+something of the kind before him. At the age of eighteen Bertie had
+commenced that round of visits to our Colonial possessions, so
+seemly and desirable in the case of a Prince of the Blood, so
+suggestive of insincerity in a young man of the middle-class. He
+had gone to grow tea in Ceylon and fruit in British Columbia, and to
+help sheep to grow wool in Australia. At the age of twenty he had
+just returned from some similar errand in Canada, from which it may
+be gathered that the trial he gave to these various experiments was
+of the summary drum-head nature. Luke Steffink, who fulfilled the
+troubled role of guardian and deputy-parent to Bertie, deplored the
+persistent manifestation of the homing instinct on his nephew's
+part, and his solemn thanks earlier in the day for the blessing of
+reporting a united family had no reference to Bertie's return.
+
+Arrangements had been promptly made for packing the youth off to a
+distant corner of Rhodesia, whence return would be a difficult
+matter; the journey to this uninviting destination was imminent, in
+fact a more careful and willing traveller would have already begun
+to think about his packing. Hence Bertie was in no mood to share in
+the festive spirit which displayed itself around him, and resentment
+smouldered within him at the eager, self-absorbed discussion of
+social plans for the coming months which he heard on all sides.
+Beyond depressing his uncle and the family circle generally by
+singing "Say au revoir, and not good-bye," he had taken no part in
+the evening's conviviality.
+
+Eleven o'clock had struck some half-hour ago, and the elder
+Steffinks began to throw out suggestions leading up to that process
+which they called retiring for the night.
+
+"Come, Teddie, it's time you were in your little bed, you know,"
+said Luke Steffink to his thirteen-year-old son.
+
+"That's where we all ought to be," said Mrs. Steffink.
+
+"There wouldn't be room," said Bertie.
+
+The remark was considered to border on the scandalous; everybody ate
+raisins and almonds with the nervous industry of sheep feeding
+during threatening weather.
+
+"In Russia," said Horace Bordenby, who was staying in the house as a
+Christmas guest, "I've read that the peasants believe that if you go
+into a cow-house or stable at midnight on Christmas Eve you will
+hear the animals talk. They're supposed to have the gift of speech
+at that one moment of the year."
+
+"Oh, DO let's ALL go down to the cow-house and listen to what
+they've got to say!" exclaimed Beryl, to whom anything was thrilling
+and amusing if you did it in a troop.
+
+Mrs. Steffink made a laughing protest, but gave a virtual consent by
+saying, "We must all wrap up well, then." The idea seemed a
+scatterbrained one to her, and almost heathenish, but if afforded an
+opportunity for "throwing the young people together," and as such
+she welcomed it. Mr. Horace Bordenby was a young man with quite
+substantial prospects, and he had danced with Beryl at a local
+subscription ball a sufficient number of times to warrant the
+authorised inquiry on the part of the neighbours whether "there was
+anything in it." Though Mrs. Steffink would not have put it in so
+many words, she shared the idea of the Russian peasantry that on
+this night the beast might speak.
+
+The cow-house stood at the junction of the garden with a small
+paddock, an isolated survival, in a suburban neighbourhood; of what
+had once been a small farm. Luke Steffink was complacently proud of
+his cow-house and his two cows; he felt that they gave him a stamp
+of solidity which no number of Wyandottes or Orpingtons could
+impart. They even seemed to link him in a sort of inconsequent way
+with those patriarchs who derived importance from their floating
+capital of flocks and herbs, he-asses and she-asses. It had been an
+anxious and momentous occasion when he had had to decide definitely
+between "the Byre" and "the Ranch" for the naming of his villa
+residence. A December midnight was hardly the moment he would have
+chosen for showing his farm-building to visitors, but since it was a
+fine night, and the young people were anxious for an excuse for a
+mild frolic, Luke consented to chaperon the expedition. The
+servants had long since gone to bed, so the house was left in charge
+of Bertie, who scornfully declined to stir out on the pretext of
+listening to bovine conversation.
+
+"We must go quietly," said Luke, as he headed the procession of
+giggling young folk, brought up in the rear by the shawled and
+hooded figure of Mrs. Steffink; "I've always laid stress on keeping
+this a quiet and orderly neighbourhood."
+
+It was a few minutes to midnight when the party reached the cow-
+house and made its way in by the light of Luke's stable lantern.
+For a moment every one stood in silence, almost with a feeling of
+being in church.
+
+"Daisy--the one lying down--is by a shorthorn bull out of a Guernsey
+cow," announced Luke in a hushed voice, which was in keeping with
+the foregoing impression.
+
+"Is she?" said Bordenby, rather as if he had expected her to be by
+Rembrandt.
+
+"Myrtle is--"
+
+Myrtle's family history was cut short by a little scream from the
+women of the party.
+
+The cow-house door had closed noiselessly behind them and the key
+had turned gratingly in the lock; then they heard Bertie's voice
+pleasantly wishing them good-night and his footsteps retreating
+along the garden path.
+
+Luke Steffink strode to the window; it was a small square opening of
+the old-fashioned sort, with iron bars let into the stonework.
+
+"Unlock the door this instant," he shouted, with as much air of
+menacing authority as a hen might assume when screaming through the
+bars of a coop at a marauding hawk. In reply to his summons the
+hall-door closed with a defiant bang.
+
+A neighbouring clock struck the hour of midnight. If the cows had
+received the gift of human speech at that moment they would not have
+been able to make themselves heard. Seven or eight other voices
+were engaged in describing Bertie's present conduct and his general
+character at a high pressure of excitement and indignation.
+
+In the course of half an hour or so everything that it was
+permissible to say about Bertie had been said some dozens of times,
+and other topics began to come to the front--the extreme mustiness
+of the cow-house, the possibility of it catching fire, and the
+probability of it being a Rowton House for the vagrant rats of the
+neighbourhood. And still no sign of deliverance came to the
+unwilling vigil-keepers.
+
+Towards one o'clock the sound of rather boisterous and undisciplined
+carol-singing approached rapidly, and came to a sudden anchorage,
+apparently just outside the garden-gate. A motor-load of youthful
+"bloods," in a high state of conviviality, had made a temporary halt
+for repairs; the stoppage, however, did not extend to the vocal
+efforts of the party, and the watchers in the cow-shed were treated
+to a highly unauthorised rendering of "Good King Wenceslas," in
+which the adjective "good" appeared to be very carelessly applied.
+
+The noise had the effect of bringing Bertie out into the garden, but
+he utterly ignored the pale, angry faces peering out at the cow-
+house window, and concentrated his attention on the revellers
+outside the gate.
+
+"Wassail, you chaps!" he shouted.
+
+"Wassail, old sport!" they shouted back; "we'd jolly well drink y'r
+health, only we've nothing to drink it in."
+
+"Come and wassail inside," said Bertie hospitably; "I'm all alone,
+and there's heap's of 'wet'."
+
+They were total strangers, but his touch of kindness made them
+instantly his kin. In another moment the unauthorised version of
+King Wenceslas, which, like many other scandals, grew worse on
+repetition, went echoing up the garden path; two of the revellers
+gave an impromptu performance on the way by executing the staircase
+waltz up the terraces of what Luke Steffink, hitherto with some
+justification, called his rock-garden. The rock part of it was
+still there when the waltz had been accorded its third encore.
+Luke, more than ever like a cooped hen behind the cow-house bars,
+was in a position to realise the feelings of concert-goers unable to
+countermand the call for an encore which they neither desire or
+deserve.
+
+The hall door closed with a bang on Bertie's guests, and the sounds
+of merriment became faint and muffled to the weary watchers at the
+other end of the garden. Presently two ominous pops, in quick
+succession, made themselves distinctly heard.
+
+"They've got at the champagne!" exclaimed Mrs. Steffink.
+
+"Perhaps it's the sparkling Moselle," said Luke hopefully.
+
+Three or four more pops were heard.
+
+"The champagne and the sparkling Moselle," said Mrs. Steffink.
+
+Luke uncorked an expletive which, like brandy in a temperance
+household, was only used on rare emergencies. Mr. Horace Bordenby
+had been making use of similar expressions under his breath for a
+considerable time past. The experiment of "throwing the young
+people together" had been prolonged beyond a point when it was
+likely to produce any romantic result.
+
+Some forty minutes later the hall door opened and disgorged a crowd
+that had thrown off any restraint of shyness that might have
+influenced its earlier actions. Its vocal efforts in the direction
+of carol singing were now supplemented by instrumental music; a
+Christmas-tree that had been prepared for the children of the
+gardener and other household retainers had yielded a rich spoil of
+tin trumpets, rattles, and drums. The life-story of King Wenceslas
+had been dropped, Luke was thankful to notice, but it was intensely
+irritating for the chilled prisoners in the cow-house to be told
+that it was a hot time in the old town to-night, together with some
+accurate but entirely superfluous information as to the imminence of
+Christmas morning. Judging by the protests which began to be
+shouted from the upper windows of neighbouring houses the sentiments
+prevailing in the cow-house were heartily echoed in other quarters.
+
+The revellers found their car, and, what was more remarkable,
+managed to drive off in it, with a parting fanfare of tin trumpets.
+The lively beat of a drum disclosed the fact that the master of the
+revels remained on the scene.
+
+"Bertie!" came in an angry, imploring chorus of shouts and screams
+from the cow-house window.
+
+"Hullo," cried the owner of the name, turning his rather errant
+steps in the direction of the summons; "are you people still there?
+Must have heard everything cows got to say by this time. If you
+haven't, no use waiting. After all, it's a Russian legend, and
+Russian Chrismush Eve not due for 'nother fortnight. Better come
+out."
+
+After one or two ineffectual attempts he managed to pitch the key of
+the cow-house door in through the window. Then, lifting his voice
+in the strains of "I'm afraid to go home in the dark," with a lusty
+drum accompaniment, he led the way back to the house. The hurried
+procession of the released that followed in his steps came in for a
+good deal of the adverse comment that his exuberant display had
+evoked.
+
+It was the happiest Christmas Eve he had ever spent. To quote his
+own words, he had a rotten Christmas.
+
+
+
+FOREWARNED
+
+
+
+Alethia Debchance sat in a corner of an otherwise empty railway
+carriage, more or less at ease as regarded body, but in some
+trepidation as to mind. She had embarked on a social adventure of
+no little magnitude as compared with the accustomed seclusion and
+stagnation of her past life. At the age of twenty-eight she could
+look back on nothing more eventful than the daily round of her
+existence in her aunt's house at Webblehinton, a hamlet four and a
+half miles distant from a country town and about a quarter of a
+century removed from modern times. Their neighbours had been
+elderly and few, not much given to social intercourse, but helpful
+or politely sympathetic in times of illness. Newspapers of the
+ordinary kind were a rarity; those that Alethia saw regularly were
+devoted exclusively either to religion or to poultry, and the world
+of politics was to her an unheeded unexplored region. Her ideas on
+life in general had been acquired through the medium of popular
+respectable novel-writers, and modified or emphasised by such
+knowledge as her aunt, the vicar, and her aunt's housekeeper had put
+at her disposal. And now, in her twenty-ninth year, her aunt's
+death had left her, well provided for as regards income, but
+somewhat isolated in the matter of kith and kin and human
+companionship. She had some cousins who were on terms of friendly,
+though infrequent, correspondence with her, but as they lived
+permanently in Ceylon, a locality about which she knew little,
+beyond the assurance contained in the missionary hymn that the human
+element there was vile, they were not of much immediate use to her.
+Other cousins she also possessed, more distant as regards
+relationship, but not quite so geographically remote, seeing that
+they lived somewhere in the Midlands. She could hardly remember
+ever having met them, but once or twice in the course of the last
+three or four years they had expressed a polite wish that she should
+pay them a visit; they had probably not been unduly depressed by the
+fact that her aunt's failing health had prevented her from accepting
+their invitation. The note of condolence that had arrived on the
+occasion of her aunt's death had included a vague hope that Alethia
+would find time in the near future to spend a few days with her
+cousins, and after much deliberation and many hesitations she had
+written to propose herself as a guest for a definite date some week
+ahead. The family, she reflected with relief, was not a large one;
+the two daughters were married and away, there was only old Mrs.
+Bludward and her son Robert at home. Mrs. Bludward was something of
+an invalid, and Robert was a young man who had been at Oxford and
+was going into Parliament. Further than that Alethia's information
+did not go; her imagination, founded on her extensive knowledge of
+the people one met in novels, had to supply the gaps. The mother
+was not difficult to place; she would either be an ultra-amiable old
+lady, bearing her feeble health with uncomplaining fortitude, and
+having a kind word for the gardener's boy and a sunny smile for the
+chance visitor, or else she would be cold and peevish, with eyes
+that pierced you like a gimlet, and a unreasoning idolatry of her
+son. Alethia's imagination rather inclined her to the latter view.
+Robert was more of a problem. There were three dominant types of
+manhood to be taken into consideration in working out his
+classification; there was Hugo, who was strong, good, and beautiful,
+a rare type and not very often met with; there was Sir Jasper, who
+was utterly vile and absolutely unscrupulous, and there was Nevil,
+who was not really bad at heart, but had a weak mouth and usually
+required the life-work of two good women to keep him from ultimate
+disaster. It was probable, Alethia considered, that Robert came
+into the last category, in which case she was certain to enjoy the
+companionship of one or two excellent women, and might possibly
+catch glimpses of undesirable adventuresses or come face to face
+with reckless admiration-seeking married women. It was altogether
+an exciting prospect, this sudden venture into an unexplored world
+of unknown human beings, and Alethia rather wished that she could
+have taken the vicar with her; she was not, however, rich or
+important enough to travel with a chaplain, as the Marquis of
+Moystoncleugh always did in the novel she had just been reading, so
+she recognised that such a proceeding was out of the question.
+
+The train which carried Alethia towards her destination was a local
+one, with the wayside station habit strongly developed. At most of
+the stations no one seemed to want to get into the train or to leave
+it, but at one there were several market folk on the platform, and
+two men, of the farmer or small cattle-dealer class, entered
+Alethia's carriage. Apparently they had just foregathered, after a
+day's business, and their conversation consisted of a rapid exchange
+of short friendly inquiries as to health, family, stock, and so
+forth, and some grumbling remarks on the weather. Suddenly,
+however, their talk took a dramatically interesting turn, and
+Alethia listened with wide-eyed attention.
+
+"What do you think of Mister Robert Bludward, eh?"
+
+There was a certain scornful ring in his question.
+
+"Robert Bludward? An out-an'-out rotter, that's what he is. Ought
+to be ashamed to look any decent man in the face. Send him to
+Parliament to represent us--not much! He'd rob a poor man of his
+last shilling, he would."
+
+"Ah, that he would. Tells a pack of lies to get our votes, that's
+all that he's after, damn him. Did you see the way the Argus showed
+him up this week? Properly exposed him, hip and thigh, I tell you."
+
+And so on they ran, in their withering indictment. There could be
+no doubt that it was Alethia's cousin and prospective host to whom
+they were referring; the allusion to a Parliamentary candidature
+settled that. What could Robert Bludward have done, what manner of
+man could he be, that people should speak of him with such obvious
+reprobation?
+
+"He was hissed down at Shoalford yesterday," said one of the
+speakers.
+
+Hissed! Had it come to that? There was something dramatically
+biblical in the idea of Robert Bludward's neighbours and
+acquaintances hissing him for very scorn. Lord Hereward Stranglath
+had been hissed, now Alethia came to think of it, in the eighth
+chapter of Matterby Towers, while in the act of opening a Wesleyan
+bazaar, because he was suspected (unjustly as it turned out
+afterwards) of having beaten the German governess to death. And in
+Tainted Guineas Roper Squenderby had been deservedly hissed, on the
+steps of the Jockey Club, for having handed a rival owner a forged
+telegram, containing false news of his mother's death, just before
+the start for an important race, thereby ensuring the withdrawal of
+his rival's horse. In placid Saxon-blooded England people did not
+demonstrate their feelings lightly and without some strong
+compelling cause. What manner of evildoer was Robert Bludward?
+
+The train stopped at another small station, and the two men got out.
+One of them left behind him a copy of the Argus, the local paper to
+which he had made reference. Alethia pounced on it, in the
+expectation of finding a cultured literary endorsement of the
+censure which these rough farming men had expressed in their homely,
+honest way. She had not far to look; "Mr. Robert Bludward,
+Swanker," was the title of one of the principal articles in the
+paper. She did not exactly know what a swanker was, probably it
+referred to some unspeakable form of cruelty, but she read enough in
+the first few sentences of the article to discover that her cousin
+Robert, the man at whose house she was about to stay, was an
+unscrupulous, unprincipled character, of a low order of
+intelligence, yet cunning withal, and that he and his associates
+were responsible for most of the misery, disease, poverty, and
+ignorance with which the country was afflicted; never, except in one
+or two of the denunciatory Psalms, which she had always supposed to
+have be written in a spirit of exaggerated Oriental imagery, had she
+read such an indictment of a human being. And this monster was
+going to meet her at Derrelton Station in a few short minutes. She
+would know him at once; he would have the dark beetling brows, the
+quick, furtive glance, the sneering, unsavoury smile that always
+characterised the Sir Jaspers of this world. It was too late to
+escape; she must force herself to meet him with outward calm.
+
+It was a considerable shock to her to find that Robert was fair,
+with a snub nose, merry eye, and rather a schoolboy manner. "A
+serpent in duckling's plumage," was her private comment; merciful
+chance had revealed him to her in his true colours.
+
+As they drove away from the station a dissipated-looking man of the
+labouring class waved his hat in friendly salute. "Good luck to
+you, Mr. Bludward," he shouted; "you'll come out on top! We'll
+break old Chobham's neck for him."
+
+"Who was that man?" asked Alethia quickly.
+
+"Oh, one of my supporters," laughed Robert; "a bit of a poacher and
+a bit of a pub-loafer, but he's on the right side."
+
+So these were the sort of associates that Robert Bludward consorted
+with, thought Alethia.
+
+"Who is the person he referred to as old Chobham?" she asked.
+
+"Sir John Chobham, the man who is opposing me," answered Robert;
+"that is his house away there among the trees on the right."
+
+So there was an upright man, possibly a very Hugo in character, who
+was thwarting and defying the evildoer in his nefarious career, and
+there was a dastardly plot afoot to break his neck! Possibly the
+attempt would be made within the next few hours. He must certainly
+be warned. Alethia remembered how Lady Sylvia Broomgate, in
+Nightshade Court, had pretended to be bolted with by her horse up to
+the front door of a threatened county magnate, and had whispered a
+warning in his ear which saved him from being the victim of foul
+murder. She wondered if there was a quiet pony in the stables on
+which she would be allowed to ride out alone. The chances were that
+she would be watched. Robert would come spurring after her and
+seize her bridle just as she was turning in at Sir John's gates.
+
+A group of men that they passed in a village street gave them no
+very friendly looks, and Alethia thought she heard a furtive hiss; a
+moment later they came upon an errand boy riding a bicycle. He had
+the frank open countenance, neatly brushed hair and tidy clothes
+that betoken a clear conscience and a good mother. He stared
+straight at the occupants of the car, and, after he had passed them,
+sang in his clear, boyish voice:
+
+"We'll hang Bobby Bludward on the sour apple tree."
+
+Robert merely laughed. That was how he took the scorn and
+condemnation of his fellow-men. He had goaded them to desperation
+with his shameless depravity till they spoke openly of putting him
+to a violent death, and he laughed.
+
+Mrs. Bludward proved to be of the type that Alethia had suspected,
+thin-lipped, cold-eyed, and obviously devoted to her worthless son.
+From her no help was to be expected. Alethia locked her door that
+night, and placed such ramparts of furniture against it that the
+maid had great difficulty in breaking in with the early tea in the
+morning.
+
+After breakfast Alethia, on the pretext of going to look at an
+outlying rose-garden, slipped away to the village through which they
+had passed on the previous evening. She remembered that Robert had
+pointed out to her a public reading-room, and here she considered it
+possible that she might meet Sir John Chobham, or some one who knew
+him well and would carry a message to him. The room was empty when
+she entered it; a Graphic twelve days old, a yet older copy of
+Punch, and one or two local papers lay upon the central table; the
+other tables were stacked for the most part with chess and draughts-
+boards, and wooden boxes of chessmen and dominoes. Listlessly she
+picked up one of the papers, the Sentinel, and glanced at its
+contents. Suddenly she started, and began to read with breathless
+attention a prominently printed article, headed "A Little Limelight
+on Sir John Chobham." The colour ebbed away from her face, a look
+of frightened despair crept into her eyes. Never, in any novel that
+she had read, had a defenceless young woman been confronted with a
+situation like this. Sir John, the Hugo of her imagination, was, if
+anything, rather more depraved and despicable than Robert Bludward.
+He was mean, evasive, callously indifferent to his country's
+interests, a cheat, a man who habitually broke his word, and who was
+responsible, with his associates, for most of the poverty, misery,
+crime, and national degradation with which the country was
+afflicted. He was also a candidate for Parliament, it seemed, and
+as there was only one seat in this particular locality, it was
+obvious that the success of either Robert or Sir John would mean a
+check to the ambitions of the other, hence, no doubt, the rivalry
+and enmity between these otherwise kindred souls. One was seeking
+to have his enemy done to death, the other was apparently trying to
+stir up his supporters to an act of "Lynch law". All this in order
+that there might be an unopposed election, that one or other of the
+candidates might go into Parliament with honeyed eloquence on his
+lips and blood on his heart. Were men really so vile?
+
+"I must go back to Webblehinton at once," Alethia informed her
+astonished hostess at lunch time; "I have had a telegram. A friend
+is very seriously ill and I have been sent for."
+
+It was dreadful to have to concoct lies, but it would be more
+dreadful to have to spend another night under that roof.
+
+Alethia reads novels now with even greater appreciation than before.
+She has been herself in the world outside Webblehinton, the world
+where the great dramas of sin and villainy are played unceasingly.
+She had come unscathed through it, but what might have happened if
+she had gone unsuspectingly to visit Sir John Chobham and warn him
+of his danger? What indeed! She had been saved by the fearless
+outspokenness of the local Press.
+
+
+
+THE INTERLOPERS
+
+
+
+In a forest of mixed growth somewhere on the eastern spurs of the
+Karpathians, a man stood one winter night watching and listening, as
+though he waited for some beast of the woods to come within the
+range of his vision, and, later, of his rifle. But the game for
+whose presence he kept so keen an outlook was none that figured in
+the sportsman's calendar as lawful and proper for the chase; Ulrich
+von Gradwitz patrolled the dark forest in quest of a human enemy.
+
+The forest lands of Gradwitz were of wide extent and well stocked
+with game; the narrow strip of precipitous woodland that lay on its
+outskirt was not remarkable for the game it harboured or the
+shooting it afforded, but it was the most jealously guarded of all
+its owner's territorial possessions. A famous law suit, in the days
+of his grandfather, had wrested it from the illegal possession of a
+neighbouring family of petty landowners; the dispossessed party had
+never acquiesced in the judgment of the Courts, and a long series of
+poaching affrays and similar scandals had embittered the
+relationships between the families for three generations. The
+neighbour feud had grown into a personal one since Ulrich had come
+to be head of his family; if there was a man in the world whom he
+detested and wished ill to it was Georg Znaeym, the inheritor of the
+quarrel and the tireless game-snatcher and raider of the disputed
+border-forest. The feud might, perhaps, have died down or been
+compromised if the personal ill-will of the two men had not stood in
+the way; as boys they had thirsted for one another's blood, as men
+each prayed that misfortune might fall on the other, and this wind-
+scourged winter night Ulrich had banded together his foresters to
+watch the dark forest, not in quest of four-footed quarry, but to
+keep a look-out for the prowling thieves whom he suspected of being
+afoot from across the land boundary. The roebuck, which usually
+kept in the sheltered hollows during a storm-wind, were running like
+driven things to-night, and there was movement and unrest among the
+creatures that were wont to sleep through the dark hours. Assuredly
+there was a disturbing element in the forest, and Ulrich could guess
+the quarter from whence it came.
+
+He strayed away by himself from the watchers whom he had placed in
+ambush on the crest of the hill, and wandered far down the steep
+slopes amid the wild tangle of undergrowth, peering through the tree
+trunks and listening through the whistling and skirling of the wind
+and the restless beating of the branches for sight and sound of the
+marauders. If only on this wild night, in this dark, lone spot, he
+might come across Georg Znaeym, man to man, with none to witness--
+that was the wish that was uppermost in his thoughts. And as he
+stepped round the trunk of a huge beech he came face to face with
+the man he sought.
+
+The two enemies stood glaring at one another for a long silent
+moment. Each had a rifle in his hand, each had hate in his heart
+and murder uppermost in his mind. The chance had come to give full
+play to the passions of a lifetime. But a man who has been brought
+up under the code of a restraining civilisation cannot easily nerve
+himself to shoot down his neighbour in cold blood and without word
+spoken, except for an offence against his hearth and honour. And
+before the moment of hesitation had given way to action a deed of
+Nature's own violence overwhelmed them both. A fierce shriek of the
+storm had been answered by a splitting crash over their heads, and
+ere they could leap aside a mass of falling beech tree had thundered
+down on them. Ulrich von Gradwitz found himself stretched on the
+ground, one arm numb beneath him and the other held almost as
+helplessly in a tight tangle of forked branches, while both legs
+were pinned beneath the fallen mass. His heavy shooting-boots had
+saved his feet from being crushed to pieces, but if his fractures
+were not as serious as they might have been, at least it was evident
+that he could not move from his present position till some one came
+to release him. The descending twig had slashed the skin of his
+face, and he had to wink away some drops of blood from his eyelashes
+before he could take in a general view of the disaster. At his
+side, so near that under ordinary circumstances he could almost have
+touched him, lay Georg Znaeym, alive and struggling, but obviously
+as helplessly pinioned down as himself. All round them lay a thick-
+strewn wreckage of splintered branches and broken twigs.
+
+Relief at being alive and exasperation at his captive plight brought
+a strange medley of pious thank-offerings and sharp curses to
+Ulrich's lips. Georg, who was early blinded with the blood which
+trickled across his eyes, stopped his struggling for a moment to
+listen, and then gave a short, snarling laugh.
+
+"So you're not killed, as you ought to be, but you're caught,
+anyway," he cried; "caught fast. Ho, what a jest, Ulrich von
+Gradwitz snared in his stolen forest. There's real justice for
+you!"
+
+And he laughed again, mockingly and savagely.
+
+"I'm caught in my own forest-land," retorted Ulrich. "When my men
+come to release us you will wish, perhaps, that you were in a better
+plight than caught poaching on a neighbour's land, shame on you."
+
+Georg was silent for a moment; then he answered quietly:
+
+"Are you sure that your men will find much to release? I have men,
+too, in the forest to-night, close behind me, and THEY will be here
+first and do the releasing. When they drag me out from under these
+damned branches it won't need much clumsiness on their part to roll
+this mass of trunk right over on the top of you. Your men will find
+you dead under a fallen beech tree. For form's sake I shall send my
+condolences to your family."
+
+"It is a useful hint," said Ulrich fiercely. "My men had orders to
+follow in ten minutes time, seven of which must have gone by
+already, and when they get me out--I will remember the hint. Only
+as you will have met your death poaching on my lands I don't think I
+can decently send any message of condolence to your family."
+
+"Good," snarled Georg, "good. We fight this quarrel out to the
+death, you and I and our foresters, with no cursed interlopers to
+come between us. Death and damnation to you, Ulrich von Gradwitz."
+
+"The same to you, Georg Znaeym, forest-thief, game-snatcher."
+
+Both men spoke with the bitterness of possible defeat before them,
+for each knew that it might be long before his men would seek him
+out or find him; it was a bare matter of chance which party would
+arrive first on the scene.
+
+Both had now given up the useless struggle to free themselves from
+the mass of wood that held them down; Ulrich limited his endeavours
+to an effort to bring his one partially free arm near enough to his
+outer coat-pocket to draw out his wine-flask. Even when he had
+accomplished that operation it was long before he could manage the
+unscrewing of the stopper or get any of the liquid down his throat.
+But what a Heaven-sent draught it seemed! It was an open winter,
+and little snow had fallen as yet, hence the captives suffered less
+from the cold than might have been the case at that season of the
+year; nevertheless, the wine was warming and reviving to the wounded
+man, and he looked across with something like a throb of pity to
+where his enemy lay, just keeping the groans of pain and weariness
+from crossing his lips.
+
+"Could you reach this flask if I threw it over to you?" asked Ulrich
+suddenly; "there is good wine in it, and one may as well be as
+comfortable as one can. Let us drink, even if to-night one of us
+dies."
+
+"No, I can scarcely see anything; there is so much blood caked round
+my eyes," said Georg, "and in any case I don't drink wine with an
+enemy."
+
+Ulrich was silent for a few minutes, and lay listening to the weary
+screeching of the wind. An idea was slowly forming and growing in
+his brain, an idea that gained strength every time that he looked
+across at the man who was fighting so grimly against pain and
+exhaustion. In the pain and languor that Ulrich himself was feeling
+the old fierce hatred seemed to be dying down.
+
+"Neighbour," he said presently, "do as you please if your men come
+first. It was a fair compact. But as for me, I've changed my mind.
+If my men are the first to come you shall be the first to be helped,
+as though you were my guest. We have quarrelled like devils all our
+lives over this stupid strip of forest, where the trees can't even
+stand upright in a breath of wind. Lying here to-night thinking
+I've come to think we've been rather fools; there are better things
+in life than getting the better of a boundary dispute. Neighbour,
+if you will help me to bury the old quarrel I--I will ask you to be
+my friend."
+
+Georg Znaeym was silent for so long that Ulrich thought, perhaps, he
+had fainted with the pain of his injuries. Then he spoke slowly and
+in jerks.
+
+"How the whole region would stare and gabble if we rode into the
+market-square together. No one living can remember seeing a Znaeym
+and a von Gradwitz talking to one another in friendship. And what
+peace there would be among the forester folk if we ended our feud
+to-night. And if we choose to make peace among our people there is
+none other to interfere, no interlopers from outside . . . You would
+come and keep the Sylvester night beneath my roof, and I would come
+and feast on some high day at your castle . . . I would never fire a
+shot on your land, save when you invited me as a guest; and you
+should come and shoot with me down in the marshes where the wildfowl
+are. In all the countryside there are none that could hinder if we
+willed to make peace. I never thought to have wanted to do other
+than hate you all my life, but I think I have changed my mind about
+things too, this last half-hour. And you offered me your wineflask
+. . . Ulrich von Gradwitz, I will be your friend."
+
+For a space both men were silent, turning over in their minds the
+wonderful changes that this dramatic reconciliation would bring
+about. In the cold, gloomy forest, with the wind tearing in fitful
+gusts through the naked branches and whistling round the tree-
+trunks, they lay and waited for the help that would now bring
+release and succour to both parties. And each prayed a private
+prayer that his men might be the first to arrive, so that he might
+be the first to show honourable attention to the enemy that had
+become a friend.
+
+Presently, as the wind dropped for a moment, Ulrich broke silence.
+
+"Let's shout for help," he said; he said; "in this lull our voices
+may carry a little way."
+
+"They won't carry far through the trees and undergrowth," said
+Georg, "but we can try. Together, then."
+
+The two raised their voices in a prolonged hunting call.
+
+"Together again," said Ulrich a few minutes later, after listening
+in vain for an answering halloo.
+
+"I heard nothing but the pestilential wind," said Georg hoarsely.
+
+There was silence again for some minutes, and then Ulrich gave a
+joyful cry.
+
+"I can see figures coming through the wood. They are following in
+the way I came down the hillside."
+
+Both men raised their voices in as loud a shout as they could
+muster.
+
+"They hear us! They've stopped. Now they see us. They're running
+down the hill towards us," cried Ulrich.
+
+"How many of them are there?" asked Georg.
+
+"I can't see distinctly," said Ulrich; "nine or ten,"
+
+"Then they are yours," said Georg; "I had only seven out with me."
+
+"They are making all the speed they can, brave lads," said Ulrich
+gladly.
+
+"Are they your men?" asked Georg. "Are they your men?" he repeated
+impatiently as Ulrich did not answer.
+
+"No," said Ulrich with a laugh, the idiotic chattering laugh of a
+man unstrung with hideous fear.
+
+"Who are they?" asked Georg quickly, straining his eyes to see what
+the other would gladly not have seen.
+
+"Wolves."
+
+
+
+QUAIL SEED
+
+
+
+"The outlook is not encouraging for us smaller businesses," said Mr.
+Scarrick to the artist and his sister, who had taken rooms over his
+suburban grocery store. "These big concerns are offering all sorts
+of attractions to the shopping public which we couldn't afford to
+imitate, even on a small scale--reading-rooms and play-rooms and
+gramophones and Heaven knows what. People don't care to buy half a
+pound of sugar nowadays unless they can listen to Harry Lauder and
+have the latest Australian cricket scores ticked off before their
+eyes. With the big Christmas stock we've got in we ought to keep
+half a dozen assistants hard at work, but as it is my nephew Jimmy
+and myself can pretty well attend to it ourselves. It's a nice
+stock of goods, too, if I could only run it off in a few weeks time,
+but there's no chance of that--not unless the London line was to get
+snowed up for a fortnight before Christmas. I did have a sort of
+idea of engaging Miss Luffcombe to give recitations during
+afternoons; she made a great hit at the Post Office entertainment
+with her rendering of 'Little Beatrice's Resolve'."
+
+"Anything less likely to make your shop a fashionable shopping
+centre I can't imagine," said the artist, with a very genuine
+shudder; "if I were trying to decide between the merits of Carlsbad
+plums and confected figs as a winter dessert it would infuriate me
+to have my train of thought entangled with little Beatrice's resolve
+to be an Angel of Light or a girl scout. No," he continued, "the
+desire to get something thrown in for nothing is a ruling passion
+with the feminine shopper, but you can't afford to pander
+effectively to it. Why not appeal to another instinct; which
+dominates not only the woman shopper but the male shopper--in fact,
+the entire human race?"
+
+"What is that instinct, sir?" said the grocer.
+
+* * *
+
+Mrs. Greyes and Miss Fritten had missed the 2.18 to Town, and as
+there was not another train till 3.12 they thought that they might
+as well make their grocery purchases at Scarrick's. It would not be
+sensational, they agreed, but it would still be shopping.
+
+For some minutes they had the shop almost to themselves, as far as
+customers were concerned, but while they were debating the
+respective virtues and blemishes of two competing brands of anchovy
+paste they were startled by an order, given across the counter, for
+six pomegranates and a packet of quail seed. Neither commodity was
+in general demand in that neighbourhood. Equally unusual was the
+style and appearance of the customer; about sixteen years old, with
+dark olive skin, large dusky eyes, and think, low-growing, blue-
+black hair, he might have made his living as an artist's model. As
+a matter of fact he did. The bowl of beaten brass that he produced
+for the reception of his purchases was distinctly the most
+astonishing variation on the string bag or marketing basket of
+suburban civilisation that his fellow-shoppers had ever seen. He
+threw a gold piece, apparently of some exotic currency, across the
+counter, and did not seem disposed to wait for any change that might
+be forthcoming.
+
+"The wine and figs were not paid for yesterday," he said; "keep what
+is over of the money for our future purchases."
+
+"A very strange-looking boy?" said Mrs. Greyes interrogatively to
+the grocer as soon as his customer had left.
+
+"A foreigner, I believe," said Mr. Scarrick, with a shortness that
+was entirely out of keeping with his usually communicative manner.
+
+"I wish for a pound and a half of the best coffee you have," said an
+authoritative voice a moment or two later. The speaker was a tall,
+authoritative-looking man of rather outlandish aspect, remarkable
+among other things for a full black beard, worn in a style more in
+vogue in early Assyria than in a London suburb of the present day.
+
+"Has a dark-faced boy been here buying pomegranates?" he asked
+suddenly, as the coffee was being weighed out to him.
+
+The two ladies almost jumped on hearing the grocer reply with an
+unblushing negative.
+
+"We have a few pomegranates in stock," he continued, "but there has
+been no demand for them."
+
+"My servant will fetch the coffee as usual," said the purchaser,
+producing a coin from a wonderful metal-work purse. As an apparent
+afterthought he fired out the question: "Have you, perhaps, any
+quail seed?"
+
+"No," said the grocer, without hesitation, "we don't stock it."
+
+"What will he deny next?" asked Mrs. Greyes under her breath. What
+made it seem so much worse was the fact that Mr. Scarrick had quite
+recently presided at a lecture on Savonarola.
+
+Turning up the deep astrachan collar of his long coat, the stranger
+swept out of the shop, with the air, Miss Fritten afterwards
+described it, of a Satrap proroguing a Sanhedrim. Whether such a
+pleasant function ever fell to a Satrap's lot she was not quite
+certain, but the simile faithfully conveyed her meaning to a large
+circle of acquaintances.
+
+"Don't let's bother about the 3.12," said Mrs. Greyes; "let's go and
+talk this over at Laura Lipping's. It's her day."
+
+When the dark-faced boy arrived at the shop next day with his brass
+marketing bowl there was quite a fair gathering of customers, most
+of whom seemed to be spinning out their purchasing operations with
+the air of people who had very little to do with their time. In a
+voice that was heard all over the shop, perhaps because everybody
+was intently listening, he asked for a pound of honey and a packet
+of quail seed.
+
+"More quail seed!" said Miss Fritten. "Those quails must be
+voracious, or else it isn't quail seed at all."
+
+"I believe it's opium, and the bearded man is a detective," said
+Mrs. Greyes brilliantly.
+
+"I don't," said Laura Lipping; "I'm sure it's something to do with
+the Portuguese Throne."
+
+"More likely to be a Persian intrigue on behalf of the ex-Shah,"
+said Miss Fritten; "the bearded man belongs to the Government Party.
+The quail-seed is a countersign, of course; Persia is almost next
+door to Palestine, and quails come into the Old Testament, you
+know."
+
+"Only as a miracle," said her well-informed younger sister; "I've
+thought all along it was part of a love intrigue."
+
+The boy who had so much interest and speculation centred on him was
+on the point of departing with his purchases when he was waylaid by
+Jimmy, the nephew-apprentice, who, from his post at the cheese and
+bacon counter, commanded a good view of the street.
+
+"We have some very fine Jaffa oranges," he said hurriedly, pointing
+to a corner where they were stored, behind a high rampart of biscuit
+tins. There was evidently more in the remark than met the ear. The
+boy flew at the oranges with the enthusiasm of a ferret finding a
+rabbit family at home after a long day of fruitless subterranean
+research. Almost at the same moment the bearded stranger stalked
+into the shop, and flung an order for a pound of dates and a tin of
+the best Smyrna halva across the counter. The most adventurous
+housewife in the locality had never heard of halva, but Mr. Scarrick
+was apparently able to produce the best Smyrna variety of it without
+a moment's hesitation.
+
+"We might be living in the Arabian Nights," said Miss Fritten,
+excitedly.
+
+"Hush! Listen," beseeched Mrs. Greyes.
+
+"Has the dark-faced boy, of whom I spoke yesterday, been here to-
+day?" asked the stranger.
+
+"We've had rather more people than usual in the shop to-day," said
+Mr. Scarrick, "but I can't recall a boy such as you describe."
+
+Mrs. Greyes and Miss Fritten looked round triumphantly at their
+friends. It was, of course, deplorable that any one should treat
+the truth as an article temporarily and excusably out of stock, but
+they felt gratified that the vivid accounts they had given of Mr.
+Scarrick's traffic in falsehoods should receive confirmation at
+first hand.
+
+"I shall never again be able to believe what he tells me about the
+absence of colouring matter in the jam," whispered an aunt of Mrs.
+Greyes tragically.
+
+The mysterious stranger took his departure; Laura Lipping distinctly
+saw a snarl of baffled rage reveal itself behind his heavy moustache
+and upturned astrachan collar. After a cautious interval the seeker
+after oranges emerged from behind the biscuit tins, having
+apparently failed to find any individual orange that satisfied his
+requirements. He, too, took his departure, and the shop was slowly
+emptied of its parcel and gossip laden customers. It was Emily
+Yorling's "day", and most of the shoppers made their way to her
+drawing-room. To go direct from a shopping expedition to a tea
+party was what was known locally as "living in a whirl".
+
+Two extra assistants had been engaged for the following afternoon,
+and their services were in brisk demand; the shop was crowded.
+People bought and bought, and never seemed to get to the end of
+their lists. Mr. Scarrick had never had so little difficulty in
+persuading customers to embark on new experiences in grocery wares.
+Even those women whose purchases were of modest proportions dawdled
+over them as though they had brutal, drunken husbands to go home to.
+The afternoon had dragged uneventfully on, and there was a distinct
+buzz of unpent excitement when a dark-eyed boy carrying a brass bowl
+entered the shop. The excitement seemed to have communicated itself
+to Mr. Scarrick; abruptly deserting a lady who was making insincere
+inquiries about the home life of the Bombay duck, he intercepted the
+newcomer on his way to the accustomed counter and informed him, amid
+a deathlike hush, that he had run out of quail seed.
+
+The boy looked nervously round the shop, and turned hesitatingly to
+go. He was again intercepted, this time by the nephew, who darted
+out from behind his counter and said something about a better line
+of oranges. The boy's hesitation vanished; he almost scuttled into
+the obscurity of the orange corner. There was an expectant turn of
+public attention towards the door, and the tall, bearded stranger
+made a really effective entrance. The aunt of Mrs. Greyes declared
+afterwards that she found herself sub-consciously repeating "The
+Assyrian came down like a wolf on the fold" under her breath, and
+she was generally believed.
+
+The newcomer, too, was stopped before he reached the counter, but
+not by Mr. Scarrick or his assistant. A heavily veiled lady, whom
+no one had hitherto noticed, rose languidly from a seat and greeted
+him in a clear, penetrating voice.
+
+"Your Excellency does his shopping himself?" she said.
+
+"I order the things myself," he explained; "I find it difficult to
+make my servants understand."
+
+In a lower, but still perfectly audible, voice the veiled lady gave
+him a piece of casual information.
+
+"They have some excellent Jaffa oranges here." Then with a tinkling
+laugh she passed out of the shop.
+
+The man glared all round the shop, and then, fixing his eyes
+instinctively on the barrier of biscuit tins, demanded loudly of the
+grocer: "You have, perhaps, some good Jaffa oranges?"
+
+Every one expected an instant denial on the part of Mr. Scarrick of
+any such possession. Before he could answer, however, the boy had
+broken forth from his sanctuary. Holding his empty brass bowl
+before him he passed out into the street. His face was variously
+described afterwards as masked with studied indifference, overspread
+with ghastly pallor, and blazing with defiance. Some said that his
+teeth chattered, others that he went out whistling the Persian
+National Hymn. There was no mistaking, however, the effect produced
+by the encounter on the man who had seemed to force it. If a rabid
+dog or a rattlesnake had suddenly thrust its companionship on him he
+could scarcely have displayed a greater access of terror. His air
+of authority and assertiveness had gone, his masterful stride had
+given way to a furtive pacing to and fro, as of an animal seeking an
+outlet for escape. In a dazed perfunctory manner, always with his
+eyes turning to watch the shop entrance, he gave a few random
+orders, which the grocer made a show of entering in his book. Now
+and then he walked out into the street, looked anxiously in all
+directions, and hurried back to keep up his pretence of shopping.
+From one of these sorties he did not return; he had dashed away into
+the dusk, and neither he nor the dark-faced boy nor the veiled lady
+were seen again by the expectant crowds that continued to throng the
+Scarrick establishment for days to come.
+
+* * *
+
+"I can never thank you and your sister sufficiently," said the
+grocer.
+
+"We enjoyed the fun of it," said the artist modestly, "and as for
+the model, it was a welcome variation on posing for hours for 'The
+Lost Hylas'."
+
+"At any rate," said the grocer, "I insist on paying for the hire of
+the black beard."
+
+
+
+CANOSSA
+
+
+
+Demosthenes Platterbaff, the eminent Unrest Inducer, stood on his
+trial for a serious offence, and the eyes of the political world
+were focussed on the jury. The offence, it should be stated, was
+serious for the Government rather than for the prisoner. He had
+blown up the Albert Hall on the eve of the great Liberal Federation
+Tango Tea, the occasion on which the Chancellor of the Exchequer was
+expected to propound his new theory: "Do partridges spread
+infectious diseases?" Platterbaff had chosen his time well; the
+Tango Tea had been hurriedly postponed, but there were other
+political fixtures which could not be put off under any
+circumstances. The day after the trial there was to be a by-
+election at Nemesis-on-Hand, and it had been openly announced in the
+division that if Platterbaff were languishing in gaol on polling day
+the Government candidate would be "outed" to a certainty.
+Unfortunately, there could be no doubt or misconception as to
+Platterbaff's guilt. He had not only pleaded guilty, but had
+expressed his intention of repeating his escapade in other
+directions as soon as circumstances permitted; throughout the trial
+he was busy examining a small model of the Free Trade Hall in
+Manchester. The jury could not possibly find that the prisoner had
+not deliberately and intentionally blown up the Albert Hall; the
+question was: Could they find any extenuating circumstances which
+would permit of an acquittal? Of course any sentence which the law
+might feel compelled to inflict would be followed by an immediate
+pardon, but it was highly desirable, from the Government's point of
+view, that the necessity for such an exercise of clemency should not
+arise. A headlong pardon, on the eve of a bye-election, with
+threats of a heavy voting defection if it were withheld or even
+delayed, would not necessarily be a surrender, but it would look
+like one. Opponents would be only too ready to attribute ungenerous
+motives. Hence the anxiety in the crowded Court, and in the little
+groups gathered round the tape-machines in Whitehall and Downing
+Street and other affected centres.
+
+The jury returned from considering their verdict; there was a
+flutter, an excited murmur, a death-like hush. The foreman
+delivered his message:
+
+"The jury find the prisoner guilty of blowing up the Albert Hall.
+The jury wish to add a rider drawing attention to the fact that a
+by-election is pending in the Parliamentary division of Nemesis-on-
+Hand."
+
+"That, of course," said the Government Prosecutor, springing to his
+feet, "is equivalent to an acquittal?"
+
+"I hardly think so," said the Judge, coldly; "I feel obliged to
+sentence the prisoner to a week's imprisonment."
+
+"And may the Lord have mercy on the poll," a Junior Counsel
+exclaimed irreverently.
+
+It was a scandalous sentence, but then the Judge was not on the
+Ministerial side in politics.
+
+The verdict and sentence were made known to the public at twenty
+minutes past five in the afternoon; at half-past five a dense crowd
+was massed outside the Prime Minister's residence lustily singing,
+to the air of "Trelawney":
+
+
+"And should our Hero rot in gaol,
+For e'en a single day,
+There's Fifteen Hundred Voting Men
+Will vote the other way."
+
+
+"Fifteen hundred," said the Prime Minister, with a shudder; "it's
+too horrible to think of. Our majority last time was only a
+thousand and seven."
+
+"The poll opens at eight to-morrow morning," said the Chief
+Organiser; "we must have him out by 7 a.m."
+
+"Seven-thirty," amended the Prime Minister; "we must avoid any
+appearance of precipitancy."
+
+"Not later than seven-thirty, then," said the Chief Organiser; "I
+have promised the agent down there that he shall be able to display
+posters announcing 'Platterbaff is Out,' before the poll opens. He
+said it was our only chance of getting a telegram 'Radprop is In'
+to-night."
+
+At half-past seven the next morning the Prime Minister and the Chief
+Organiser sat at breakfast, making a perfunctory meal, and awaiting
+the return of the Home Secretary, who had gone in person to
+superintend the releasing of Platterbaff. Despite the earliness of
+the hour a small crowd had gathered in the street outside, and the
+horrible menacing Trelawney refrain of the "Fifteen Hundred Voting
+Men" came in a steady, monotonous chant.
+
+"They will cheer presently when they hear the news," said the Prime
+Minister hopefully; "hark! They are booing some one now! That must
+be McKenna."
+
+The Home Secretary entered the room a moment later, disaster written
+on his face.
+
+"He won't go!" he exclaimed.
+
+"Won't go? Won't leave gaol?"
+
+"He won't go unless he has a brass band. He says he never has left
+prison without a brass band to play him out, and he's not going to
+go without one now."
+
+"But surely that sort of thing is provided by his supporters and
+admirers?" said the Prime Minister; "we can hardly be supposed to
+supply a released prisoner with a brass band. How on earth could we
+defend it on the Estimates?"
+
+"His supporters say it is up to us to provide the music," said the
+Home Secretary; "they say we put him in prison, and it's our affair
+to see that he leaves it in a respectable manner. Anyway, he won't
+go unless he has a band."
+
+The telephone squealed shrilly; it was a trunk call from Nemesis.
+
+"Poll opens in five minutes. Is Platterbaff out yet? In Heaven's
+name, why--"
+
+The Chief Organiser rang off.
+
+"This is not a moment for standing on dignity," he observed bluntly;
+"musicians must be supplied at once. Platterbaff must have his
+band."
+
+"Where are you going to find the musicians?" asked the Home
+Secretary wearily; "we can't employ a military band, in fact, I
+don't think he'd have one if we offered it, and there ain't any
+others. There's a musicians' strike on, I suppose you know."
+
+"Can't you get a strike permit?" asked the Organiser.
+
+"I'll try," said the Home Secretary, and went to the telephone.
+
+Eight o'clock struck. The crowd outside chanted with an increasing
+volume of sound:
+
+
+"Will vote the other way."
+
+
+A telegram was brought in. It was from the central committee rooms
+at Nemesis. "Losing twenty votes per minute," was its brief
+message.
+
+Ten o'clock struck. The Prime Minister, the Home Secretary, the
+Chief Organiser, and several earnest helpful friends were gathered
+in the inner gateway of the prison, talking volubly to Demosthenes
+Platterbaff, who stood with folded arms and squarely planted feet,
+silent in their midst. Golden-tongued legislators whose eloquence
+had swayed the Marconi Inquiry Committee, or at any rate the greater
+part of it, expended their arts of oratory in vain on this stubborn
+unyielding man. Without a band he would not go; and they had no
+band.
+
+A quarter past ten, half-past. A constant stream of telegraph boys
+poured in through the prison gates.
+
+"Yamley's factory hands just voted you can guess how," ran a
+despairing message, and the others were all of the same tenour.
+Nemesis was going the way of Reading.
+
+"Have you any band instruments of an easy nature to play?" demanded
+the Chief Organiser of the Prison Governor; "drums, cymbals, those
+sort of things?"
+
+"The warders have a private band of their own," said the Governor,
+"but of course I couldn't allow the men themselves--"
+
+"Lend us the instruments," said the Chief Organiser.
+
+One of the earnest helpful friends was a skilled performer on the
+cornet, the Cabinet Ministers were able to clash cymbals more or
+less in tune, and the Chief Organiser has some knowledge of the
+drum.
+
+"What tune would you prefer?" he asked Platterbaff.
+
+"The popular song of the moment," replied the Agitator after a
+moment's reflection.
+
+It was a tune they had all heard hundreds of times, so there was no
+difficulty in turning out a passable imitation of it. To the
+improvised strains of "I didn't want to do it" the prisoner strode
+forth to freedom. The word of the song had reference, it was
+understood, to the incarcerating Government and not to the destroyer
+of the Albert Hall.
+
+The seat was lost, after all, by a narrow majority. The local Trade
+Unionists took offence at the fact of Cabinet Ministers having
+personally acted as strike-breakers, and even the release of
+Platterbaff failed to pacify them.
+
+The seat was lost, but Ministers had scored a moral victory. They
+had shown that they knew when and how to yield.
+
+
+
+THE THREAT
+
+
+
+Sir Lulworth Quayne sat in the lounge of his favourite restaurant,
+the Gallus Bankiva, discussing the weaknesses of the world with his
+nephew, who had lately returned from a much-enlivened exile in the
+wilds of Mexico. It was that blessed season of the year when the
+asparagus and the plover's egg are abroad in the land, and the
+oyster has not yet withdrawn into it's summer entrenchments, and Sir
+Lulworth and his nephew were in that enlightened after-dinner mood
+when politics are seen in their right perspective, even the politics
+of Mexico.
+
+"Most of the revolutions that take place in this country nowadays,"
+said Sir Lulworth, "are the product of moments of legislative panic.
+Take, for instance, one of the most dramatic reforms that has been
+carried through Parliament in the lifetime of this generation. It
+happened shortly after the coal strike, of unblessed memory. To
+you, who have been plunged up to the neck in events of a more
+tangled and tumbled description, the things I am going to tell you
+of may seem of secondary interest, but after all we had to live in
+the midst of them."
+
+Sir Lulworth interrupted himself for a moment to say a few kind
+words to the liqueur brandy he had just tasted, and them resumed his
+narrative.
+
+"Whether one sympathises with the agitation for female suffrage or
+not one has to admit that its promoters showed tireless energy and
+considerable enterprise in devising and putting into action new
+methods for accomplishing their ends. As a rule they were a
+nuisance and a weariness to the flesh, but there were times when
+they verged on the picturesque. There was the famous occasion when
+they enlivened and diversified the customary pageantry of the Royal
+progress to open Parliament by letting loose thousands of parrots,
+which had been carefully trained to scream 'Votes for women,' and
+which circled round his Majesty's coach in a clamorous cloud of
+green, and grey and scarlet. It was really rather a striking
+episode from the spectacular point of view; unfortunately, however,
+for its devisers, the secret of their intentions had not been well
+kept, and their opponents let loose at the same moment a rival swarm
+of parrots, which screeched 'I DON'T think' and other hostile cries,
+thereby robbing the demonstration of the unanimity which alone could
+have made it politically impressive. In the process of recapture
+the birds learned a quantity of additional language which unfitted
+them for further service in the Suffragette cause; some of the green
+ones were secured by ardent Home Rule propagandists and trained to
+disturb the serenity of Orange meetings by pessimistic reflections
+on Sir Edward Carson's destination in the life to come. In fact,
+the bird in politics is a factor that seems to have come to stay;
+quite recently, at a political gathering held in a dimly-lighted
+place of worship, the congregation gave a respectful hearing for
+nearly ten minutes to a jackdaw from Wapping, under the impression
+that they were listening to the Chancellor of the Exchequer, who was
+late in arriving."
+
+"But the Suffragettes," interrupted the nephew; "what did they do
+next?"
+
+"After the bird fiasco," said Sir Lulworth, "the militant section
+made a demonstration of a more aggressive nature; they assembled in
+force on the opening day of the Royal Academy Exhibition and
+destroyed some three or four hundred of the pictures. This proved
+an even worse failure than the parrot business; every one agreed
+that there was always far too many pictures in the Academy
+Exhibition, and the drastic weeding out of a few hundred canvases
+was regarded as a positive improvement. Moreover, from the artists'
+point of view it was realised that the outrage constituted a sort of
+compensation for those whose works were persistently 'skied', since
+out of sight meant also out of reach. Altogether it was one of the
+most successful and popular exhibitions that the Academy had held
+for many years. Then the fair agitators fell back on some of their
+earlier methods; they wrote sweetly argumentative plays to prove
+that they ought to have the vote, they smashed windows to show that
+they must have the vote, and they kicked Cabinet Ministers to
+demonstrate that they'd better have the vote, and still the coldly
+reasoned or unreasoned reply was that they'd better not. Their
+plight might have been summed up in a perversion of Gilbert's lines
+-
+
+
+"Twenty voteless millions we,
+Voteless all against our will,
+Twenty years hence we shall be
+Twenty voteless millions still."
+
+
+And of course the great idea for their master-stroke of strategy
+came from a masculine source. Lena Dubarri, who was the captain-
+general of their thinking department, met Waldo Orpington in the
+Mall one afternoon, just at a time when the fortunes of the Cause
+were at their lowest ebb. Waldo Orpington is a frivolous little
+fool who chirrups at drawing-room concerts and can recognise bits
+from different composers without referring to the programme, but all
+the same he occasionally has ideas. He didn't care a twopenny
+fiddlestring about the Cause, but he rather enjoyed the idea of
+having his finger in the political pie. Also it is possible, though
+I should think highly improbable, that he admired Lena Dubarri.
+Anyhow, when Lena gave a rather gloomy account of the existing state
+of things in the Suffragette World, Waldo was not merely sympathetic
+but ready with a practical suggestion. Turning his gaze westward
+along the Mall, towards the setting sun and Buckingham Palace, he
+was silent for a moment, and then said significantly, 'You have
+expended your energies and enterprise on labours of destruction; why
+has it never occurred to you to attempt something far more
+terrific?'
+
+"'What do you mean?' she asked him eagerly.
+
+"'Create.'
+
+"'Do you mean create disturbances? We've been doing nothing else
+for months,' she said.
+
+"Waldo shook his head, and continued to look westward along the
+Mall. He's rather good at acting in an amateur sort of fashion.
+Lena followed his gaze, and then turned to him with a puzzled look
+of inquiry.
+
+"'Exactly,' said Waldo, in answer to her look.
+
+"'But--how can we create?' she asked; 'it's been done already.'
+
+"'Do it AGAIN,' said Waldo, 'and again and again--'
+
+"Before he could finish the sentence she had kissed him. She
+declared afterwards that he was the first man she had ever kissed,
+and he declared that she was the first woman who had ever kissed him
+in the Mall, so they both secured a record of a kind.
+
+"Within the next day or two a new departure was noticeable in
+Suffragette tactics. They gave up worrying Ministers and Parliament
+and took to worrying their own sympathisers and supporters--for
+funds. The ballot-box was temporarily forgotten in the cult of the
+collecting-box. The daughters of the horseleech were not more
+persistent in their demands, the financiers of the tottering ancien
+regime were not more desperate in their expedients for raising money
+than the Suffragist workers of all sections at this juncture, and in
+one way and another, by fair means and normal, they really got
+together a very useful sum. What they were going to do with it no
+one seemed to know, not even those who were most active in
+collecting work. The secret on this occasion had been well kept.
+Certain transactions that leaked out from time to time only added to
+the mystery of the situation.
+
+"'Don't you long to know what we are going to do with our treasure
+hoard?' Lena asked the Prime Minister one day when she happened to
+sit next to him at a whist drive at the Chinese Embassy.
+
+"'I was hoping you were going to try a little personal bribery,' he
+responded banteringly, but some genuine anxiety and curiosity lay
+behind the lightness of his chaff; 'of course I know,' he added,
+'that you have been buying up building sites in commanding
+situations in and around the Metropolis. Two or three, I'm told,
+are on the road to Brighton, and another near Ascot. You don't mean
+to fortify them, do you?'
+
+"'Something more insidious than that,' she said; 'you could prevent
+us from building forts; you can't prevent us from erecting an exact
+replica of the Victoria Memorial on each of those sites. They're
+all private property, with no building restrictions attached.'
+
+"'Which memorial?' he asked; 'not the one in front of Buckingham
+Palace? Surely not that one?'
+
+"'That one,' she said.
+
+"'My dear lady,' he cried, 'you can't be serious. It is a beautiful
+and imposing work of art--at any rate one is getting accustomed to
+it, and even if one doesn't happen to admire it one can always look
+in another direction. But imagine what life would be like if one
+saw that erection confronting one wherever one went. Imagine the
+effect on people with tired, harassed nerves who saw it three times
+on the way to Brighton and three times on the way back. Imagine
+seeing it dominate the landscape at Ascot, and trying to keep your
+eye off it on the Sandwich golf links. What have your countrymen
+done to deserve such a thing?'
+
+"'They have refused us the vote,' said Lena bitterly.
+
+"The Prime Minister always declared himself an opponent of anything
+savouring of panic legislation, but he brought a Bill into
+Parliament forthwith and successfully appealed to both Houses to
+pass it through all its stages within the week. And that is how we
+got one of the most glorious measures of the century."
+
+"A measure conferring the vote on women?" asked the nephew.
+
+"Oh dear, no. An Act which made it a penal offence to erect
+commemorative statuary anywhere within three miles of a public
+highway."
+
+
+
+EXCEPTING MRS. PENTHERBY
+
+
+
+It was Reggie Bruttle's own idea for converting what had threatened
+to be an albino elephant into a beast of burden that should help him
+along the stony road of his finances. "The Limes," which had come
+to him by inheritance without any accompanying provision for its
+upkeep, was one of those pretentious, unaccommodating mansions which
+none but a man of wealth could afford to live in, and which not one
+wealthy man in a hundred would choose on its merits. It might
+easily languish in the estate market for years, set round with
+noticeboards proclaiming it, in the eyes of a sceptical world, to be
+an eminently desirable residence.
+
+Reggie's scheme was to turn it into the headquarters of a prolonged
+country-house party, in session during the months from October till
+the end of March--a party consisting of young or youngish people of
+both sexes, too poor to be able to do much hunting or shooting on a
+serious scale, but keen on getting their fill of golf, bridge,
+dancing, and occasional theatre-going. No one was to be on the
+footing of a paying guest, but every one was to rank as a paying
+host; a committee would look after the catering and expenditure, and
+an informal sub-committee would make itself useful in helping
+forward the amusement side of the scheme.
+
+As it was only an experiment, there was to be a general agreement on
+the part of those involved in it to be as lenient and mutually
+helpful to one another as possible. Already a promising nucleus,
+including one or two young married couples, had been got together,
+and the thing seemed to be fairly launched.
+
+"With good management and a little unobtrusive hard work, I think
+the thing ought to be a success," said Reggie, and Reggie was one of
+those people who are painstaking first and optimistic afterwards.
+
+"There is one rock on which you will unfailingly come to grief,
+manage you never so wisely," said Major Dagberry, cheerfully; "the
+women will quarrel. Mind you," continued this prophet of disaster,
+"I don't say that some of the men won't quarrel too, probably they
+will; but the women are bound to. You can't prevent it; it's in the
+nature of the sex. The hand that rocks the cradle rocks the world,
+in a volcanic sense. A woman will endure discomforts, and make
+sacrifices, and go without things to an heroic extent, but the one
+luxury she will not go without is her quarrels. No matter where she
+may be, or how transient her appearance on a scene, she will instal
+her feminine feuds as assuredly as a Frenchman would concoct soup in
+the waste of the Arctic regions. At the commencement of a sea
+voyage, before the male traveller knows half a dozen of his fellow
+passengers by sight, the average woman will have started a couple of
+enmities, and laid in material for one or two more--provided, of
+course, that there are sufficient women aboard to permit quarrelling
+in the plural. If there's no one else she will quarrel with the
+stewardess. This experiment of yours is to run for six months; in
+less than five weeks there will be war to the knife declaring itself
+in half a dozen different directions."
+
+"Oh, come, there are only eight women in the party; they won't pick
+quarrels quite so soon as that," protested Reggie.
+
+"They won't all originate quarrels, perhaps," conceded the Major,
+"but they will all take sides, and just as Christmas is upon you,
+with its conventions of peace and good will, you will find yourself
+in for a glacial epoch of cold, unforgiving hostility, with an
+occasional Etna flare of open warfare. You can't help it, old boy;
+but, at any rate, you can't say you were not warned."
+
+The first five weeks of the venture falsified Major Dagberry's
+prediction and justified Reggie's optimism. There were, of course,
+occasional small bickerings, and the existence of certain jealousies
+might be detected below the surface of everyday intercourse; but, on
+the whole, the womenfolk got on remarkably well together. There
+was, however, a notable exception. It had not taken five weeks for
+Mrs. Pentherby to get herself cordially disliked by the members of
+her own sex; five days had been amply sufficient. Most of the women
+declared that they had detested her the moment they set eyes on her;
+but that was probably an afterthought.
+
+With the menfolk she got on well enough, without being of the type
+of woman who can only bask in male society; neither was she lacking
+in the general qualities which make an individual useful and
+desirable as a member of a co-operative community. She did not try
+to "get the better of" her fellow-hosts by snatching little
+advantages or cleverly evading her just contributions; she was not
+inclined to be boring or snobbish in the way of personal
+reminiscence. She played a fair game of bridge, and her card-room
+manners were irreproachable. But wherever she came in contact with
+her own sex the light of battle kindled at once; her talent of
+arousing animosity seemed to border on positive genius.
+
+Whether the object of her attentions was thick-skinned or sensitive,
+quick-tempered or good-natured, Mrs. Pentherby managed to achieve
+the same effect. She exposed little weaknesses, she prodded sore
+places, she snubbed enthusiasms, she was generally right in a matter
+of argument, or, if wrong, she somehow contrived to make her
+adversary appear foolish and opinionated. She did, and said,
+horrible things in a matter-of-fact innocent way, and she did, and
+said, matter-of-fact innocent things in a horrible way. In short,
+the unanimous feminine verdict on her was that she was
+objectionable.
+
+There was no question of taking sides, as the Major had anticipated;
+in fact, dislike of Mrs. Pentherby was almost a bond of union
+between the other women, and more than one threatening disagreement
+had been rapidly dissipated by her obvious and malicious attempts to
+inflame and extend it; and the most irritating thing about her was
+her successful assumption of unruffled composure at moments when the
+tempers of her adversaries were with difficulty kept under control.
+She made her most scathing remarks in the tone of a tube conductor
+announcing that the next station is Brompton Road--the measured,
+listless tone of one who knows he is right, but is utterly
+indifferent to the fact that he proclaims.
+
+On one occasion Mrs. Val Gwepton, who was not blessed with the most
+reposeful of temperaments, fairly let herself go, and gave Mrs.
+Pentherby a vivid and truthful resume of her opinion of her. The
+object of this unpent storm of accumulated animosity waited
+patiently for a lull, and then remarked quietly to the angry little
+woman -
+
+"And now, my dear Mrs. Gwepton, let me tell you something that I've
+been wanting to say for the last two or three minutes, only you
+wouldn't given me a chance; you've got a hairpin dropping out on the
+left side. You thin-haired women always find it difficult to keep
+your hairpins in."
+
+"What can one do with a woman like that?" Mrs. Val demanded
+afterwards of a sympathising audience.
+
+Of course, Reggie received numerous hints as to the unpopularity of
+this jarring personality. His sister-in-law openly tackled him on
+the subject of her many enormities. Reggie listened with the
+attenuated regret that one bestows on an earthquake disaster in
+Bolivia or a crop failure in Eastern Turkestan, events which seem so
+distant that one can almost persuade oneself they haven't happened.
+
+"That woman has got some hold over him," opined his sister-in-law,
+darkly; "either she is helping him to finance the show, and presumes
+on the fact, or else, which Heaven forbid, he's got some queer
+infatuation for her. Men do take the most extraordinary fancies."
+
+Matters never came exactly to a crisis. Mrs. Pentherby, as a source
+of personal offence, spread herself over so wide an area that no one
+woman of the party felt impelled to rise up and declare that she
+absolutely refused to stay another week in the same house with her.
+What is everybody's tragedy is nobody's tragedy. There was ever a
+certain consolation in comparing notes as to specific acts of
+offence. Reggie's sister-in-law had the added interest of trying to
+discover the secret bond which blunted his condemnation of Mrs.
+Pentherby's long catalogue of misdeeds. There was little to go on
+from his manner towards her in public, but he remained obstinately
+unimpressed by anything that was said against her in private.
+
+With the one exception of Mrs. Pentherby's unpopularity, the house-
+party scheme was a success on its first trial, and there was no
+difficulty about reconstructing it on the same lines for another
+winter session. It so happened that most of the women of the party,
+and two or three of the men, would not be available on this
+occasion, but Reggie had laid his plans well ahead and booked plenty
+of "fresh blood" for the departure. It would be, if any thing,
+rather a larger party than before.
+
+"I'm so sorry I can't join this winter," said Reggie's sister-in-
+law, "but we must go to our cousins in Ireland; we've put them off
+so often. What a shame! You'll have none of the same women this
+time."
+
+"Excepting Mrs. Pentherby," said Reggie, demurely.
+
+"Mrs. Pentherby! SURELY, Reggie, you're not going to be so idiotic
+as to have that woman again! She'll set all the women's backs up
+just as she did this time. What IS this mysterious hold she's go
+over you?"
+
+"She's invaluable," said Reggie; "she's my official quarreller."
+
+"Your--what did you say?" gasped his sister-in-law.
+
+"I introduced her into the house-party for the express purpose of
+concentrating the feuds and quarrelling that would otherwise have
+broken out in all directions among the womenkind. I didn't need the
+advice and warning of sundry friends to foresee that we shouldn't
+get through six months of close companionship without a certain
+amount of pecking and sparring, so I thought the best thing was to
+localise and sterilise it in one process. Of course, I made it well
+worth the lady's while, and as she didn't know any of you from Adam,
+and you don't even know her real name, she didn't mind getting
+herself disliked in a useful cause."
+
+"You mean to say she was in the know all the time?"
+
+"Of course she was, and so were one or two of the men, so she was
+able to have a good laugh with us behind the scenes when she'd done
+anything particularly outrageous. And she really enjoyed herself.
+You see, she's in the position of poor relation in a rather
+pugnacious family, and her life has been largely spent in smoothing
+over other people's quarrels. You can imagine the welcome relief of
+being able to go about saying and doing perfectly exasperating
+things to a whole houseful of women--and all in the cause of peace."
+
+"I think you are the most odious person in the whole world," said
+Reggie's sister-in-law. Which was not strictly true; more than
+anybody, more than ever she disliked Mrs. Pentherby. It was
+impossible to calculate how many quarrels that woman had done her
+out of.
+
+
+
+MARK
+
+
+
+Augustus Mellowkent was a novelist with a future; that is to say, a
+limited but increasing number of people read his books, and there
+seemed good reason to suppose that if he steadily continued to turn
+out novels year by year a progressively increasing circle of readers
+would acquire the Mellowkent habit, and demand his works from the
+libraries and bookstalls. At the instigation of his publisher he
+had discarded the baptismal Augustus and taken the front name of
+Mark.
+
+"Women like a name that suggests some one strong and silent, able
+but unwilling to answer questions. Augustus merely suggests idle
+splendour, but such a name as Mark Mellowkent, besides being
+alliterative, conjures up a vision of some one strong and beautiful
+and good, a sort of blend of Georges Carpentier and the Reverend
+What's-his-name."
+
+One morning in December Augustus sat in his writing-room, at work on
+the third chapter of his eighth novel. He had described at some
+length, for the benefit of those who could not imagine it, what a
+rectory garden looks like in July; he was now engaged in describing
+at greater length the feelings of a young girl, daughter of a long
+line of rectors and archdeacons, when she discovers for the first
+time that the postman is attractive.
+
+"Their eyes met, for a brief moment, as he handed her two circulars
+and the fat wrapper-bound bulk of the East Essex News. Their eyes
+met, for the merest fraction of a second, yet nothing could ever be
+quite the same again. Cost what it might she felt that she must
+speak, must break the intolerable, unreal silence that had fallen on
+them. 'How is your mother's rheumatism?' she said."
+
+The author's labours were cut short by the sudden intrusion of a
+maidservant.
+
+"A gentleman to see you, sir," said the maid, handing a card with
+the name Caiaphas Dwelf inscribed on it; "says it's important."
+
+Mellowkent hesitated and yielded; the importance of the visitor's
+mission was probably illusory, but he had never met any one with the
+name Caiaphas before. It would be at least a new experience.
+
+Mr. Dwelf was a man of indefinite age; his high, narrow forehead,
+cold grey eyes, and determined manner bespoke an unflinching
+purpose. He had a large book under his arm, and there seemed every
+probability that he had left a package of similar volumes in the
+hall. He took a seat before it had been offered him, placed the
+book on the table, and began to address Mellowkent in the manner of
+an "open letter."
+
+"You are a literary man, the author of several well-known books--"
+
+"I am engage on a book at the present moment--rather busily
+engaged," said Mellowkent, pointedly.
+
+"Exactly," said the intruder; "time with you is a commodity of
+considerable importance. Minutes, even, have their value."
+
+"They have," agreed Mellowkent, looking at his watch.
+
+"That," said Caiaphas, "is why this book that I am introducing to
+your notice is not a book that you can afford to be without. 'Right
+Here' is indispensable for the writing man; it is no ordinary
+encyclopaedia, or I should not trouble to show it to you. It is an
+inexhaustible mine of concise information--"
+
+"On a shelf at my elbow," said the author, "I have a row of
+reference books that supply me with all the information I am likely
+to require."
+
+"Here," persisted the would-be salesman, "you have it all in one
+compact volume. No matter what the subject may be which you wish to
+look up, or the fact you desire to verify, 'Right Here' gives you
+all that you want to know in the briefest and most enlightening
+form. Historical reference, for instance; career of John Huss, let
+us say. Here we are: 'Huss, John, celebrated religious reformer.
+Born 1369, burned at Constance 1415. The Emperor Sigismund
+universally blamed.'"
+
+"If he had been burnt in these days every one would have suspected
+the Suffragettes," observed Mellowkent.
+
+"Poultry-keeping, now," resumed Caiaphas, "that's a subject that
+might crop up in a novel dealing with English country life. Here we
+have all about it: 'The Leghorn as egg-producer. Lack of maternal
+instinct in the Minorca. Gapes in chickens, its cause and cure.
+Ducklings for the early market, how fattened.' There, you see,
+there it all is, nothing lacking."
+
+"Except the maternal instinct in the Minorca, and that you could
+hardly be expected to supply."
+
+"Sporting records, that's important, too; now how many men, sporting
+men even, are there who can say off-hand what horse won the Derby in
+any particular year? Now it's just a little thing of that sort--"
+
+"My dear sir," interrupted Mellowkent, "there are at least four men
+in my club who can not only tell me what horse won in any given
+year, but what horse ought to have won and why it didn't. If your
+book could supply a method for protecting one from information of
+that sort it would do more than anything you have yet claimed for
+it."
+
+"Geography," said Caiaphas, imperturbably; "that's a thing that a
+busy man, writing at high pressure, may easily make a slip over.
+Only the other day a well-known author made the Volga flow into the
+Black Sea instead of the Caspian; now, with this book--"
+
+"On a polished rose-wood stand behind you there reposes a reliable
+and up-to-date atlas," said Mellowkent; "and now I must really ask
+you to be going."
+
+"An atlas," said Caiaphas, "gives merely the chart of the river's
+course, and indicates the principal towns that it passes. Now Right
+Here gives you the scenery, traffic, ferry-boat charges, the
+prevalent types of fish, boatmen's slang terms, and hours of sailing
+of the principal river steamers. If gives you--"
+
+Mellowkent sat and watched the hard-featured, resolute, pitiless
+salesman, as he sat doggedly in the chair wherein he had installed
+himself, unflinchingly extolling the merits of his undesired wares.
+A spirit of wistful emulation took possession of the author; why
+could he not live up to the cold stern name he had adopted? Why
+must he sit here weakly and listen to this weary, unconvincing
+tirade, why could he not be Mark Mellowkent for a few brief moments,
+and meet this man on level terms?
+
+A sudden inspiration flashed across his.
+
+"Have you read my last book, The Cageless Linnet?" he asked.
+
+"I don't read novels," said Caiaphas tersely.
+
+"Oh, but you ought to read this one, every one ought to," exclaimed
+Mellowkent, fishing the book down from a shelf; "published at six
+shillings, you can have it at four-and-six. There is a bit in
+chapter five that I feel sure you would like, where Emma is alone in
+the birch copse waiting for Harold Huntingdon--that is the man her
+family want her to marry. She really wants to marry him, too, but
+she does not discover that till chapter fifteen. Listen: 'Far as
+the eye could stretch rolled the mauve and purple billows of
+heather, lit up here and there with the glowing yellow of gorse and
+broom, and edged round with the delicate greys and silver and green
+of the young birch trees. Tiny blue and brown butterflies fluttered
+above the fronds of heather, revelling in the sunlight, and overhead
+the larks were singing as only larks can sing. It was a day when
+all Nature--"
+
+"In 'Right Here' you have full information on all branches of Nature
+study," broke in the bookagent, with a tired note sounding in his
+voice for the first time; "forestry, insect life, bird migration,
+reclamation of waste lands. As I was saying, no man who has to deal
+with the varied interests of life--"
+
+"I wonder if you would care for one of my earlier books, The
+Reluctance of Lady Cullumpton," said Mellowkent, hunting again
+through the bookshelf; "some people consider it my best novel. Ah,
+here it is. I see there are one or two spots on the cover, so I
+won't ask more than three-and-ninepence for it. Do let me read you
+how it opens:
+
+"'Beatrice Lady Cullumpton entered the long, dimly-lit drawing-room,
+her eyes blazing with a hope that she guessed to be groundless, her
+lips trembling with a fear that she could not disguise. In her hand
+she carried a small fan, a fragile toy of lace and satinwood.
+Something snapped as she entered the room; she had crushed the fan
+into a dozen pieces.'
+
+"There, what do you think of that for an opening? It tells you at
+once that there's something afoot."
+
+"I don't read novels," said Caiaphas sullenly.
+
+"But just think what a resource they are," exclaimed the author, "on
+long winter evenings, or perhaps when you are laid up with a
+strained ankle--a thing that might happen to any one; or if you were
+staying in a house-party with persistent wet weather and a stupid
+hostess and insufferably dull fellow-guests, you would just make an
+excuse that you had letters to write, go to your room, light a
+cigarette, and for three-and-ninepence you could plunge into the
+society of Beatrice Lady Cullumpton and her set. No one ought to
+travel without one or two of my novels in their luggage as a stand-
+by. A friend of mine said only the other day that he would as soon
+think of going into the tropics without quinine as of going on a
+visit without a couple of Mark Mellowkents in his kit-bag. Perhaps
+sensation is more in your line. I wonder if I've got a copy of The
+Python's Kiss."
+
+Caiaphas did not wait to be tempted with selections from that
+thrilling work of fiction. With a muttered remark about having no
+time to waste on monkey-talk, he gathered up his slighted volume and
+departed. He made no audible reply to Mellowkent's cheerful "Good
+morning," but the latter fancied that a look of respectful hatred
+flickered in the cold grey eyes.
+
+
+
+THE HEDGEHOG
+
+
+
+A "Mixed Double" of young people were contesting a game of lawn
+tennis at the Rectory garden party; for the past five-and-twenty
+years at least mixed doubles of young people had done exactly the
+same thing on exactly the same spot at about the same time of year.
+The young people changed and made way for others in the course of
+time, but very little else seemed to alter. The present players
+were sufficiently conscious of the social nature of the occasion to
+be concerned about their clothes and appearance, and sufficiently
+sport-loving to be keen on the game. Both their efforts and their
+appearance came under the fourfold scrutiny of a quartet of ladies
+sitting as official spectators on a bench immediately commanding the
+court. It was one of the accepted conditions of the Rectory garden
+party that four ladies, who usually knew very little about tennis
+and a great deal about the players, should sit at that particular
+spot and watch the game. It had also come to be almost a tradition
+that two ladies should be amiable, and that the other two should be
+Mrs. Dole and Mrs. Hatch-Mallard.
+
+"What a singularly unbecoming way Eva Jonelet has taken to doing her
+hair in," said Mrs. Hatch-Mallard; "it's ugly hair at the best of
+times, but she needn't make it look ridiculous as well. Some one
+ought to tell her."
+
+Eva Jonelet's hair might have escaped Mrs. Hatch-Mallard's
+condemnation if she could have forgotten the more glaring fact that
+Eva was Mrs. Dole's favourite niece. It would, perhaps, have been a
+more comfortable arrangement if Mrs. Hatch-Mallard and Mrs. Dole
+could have been asked to the Rectory on separate occasions, but
+there was only one garden party in the course of the year, and
+neither lady could have been omitted from the list of invitations
+without hopelessly wrecking the social peace of the parish.
+
+"How pretty the yew trees look at this time of year," interposed a
+lady with a soft, silvery voice that suggested a chinchilla muff
+painted by Whistler.
+
+"What do you mean by this time of year?" demanded Mrs. Hatch-
+Mallard. "Yew trees look beautiful at all times of the year. That
+is their great charm."
+
+"Yew trees never look anything but hideous under any circumstances
+or at any time of year," said Mrs. Dole, with the slow, emphatic
+relish of one who contradicts for the pleasure of the thing. "They
+are only fit for graveyards and cemeteries."
+
+Mrs. Hatch-Mallard gave a sardonic snort, which, being translated,
+meant that there were some people who were better fitted for
+cemeteries than for garden parties.
+
+"What is the score, please?" asked the lady with the chinchilla
+voice.
+
+The desired information was given her by a young gentleman in
+spotless white flannels, whose general toilet effect suggested
+solicitude rather than anxiety.
+
+"What an odious young cub Bertie Dykson has become!" pronounced Mrs.
+Dole, remembering suddenly that Bertie was a favourite with Mrs.
+Hatch-Mallard. "The young men of to-day are not what they used to
+be twenty years ago."
+
+"Of course not," said Mrs. Hatch-Mallard; "twenty years ago Bertie
+Dykson was just two years old, and you must expect some difference
+in appearance and manner and conversation between those two
+periods."
+
+"Do you know," said Mrs. Dole, confidentially, "I shouldn't be
+surprised if that was intended to be clever."
+
+"Have you any one interesting coming to stay with you, Mrs.
+Norbury?" asked the chinchilla voice, hastily; "you generally have a
+house party at this time of year."
+
+"I've got a most interesting woman coming," said Mrs. Norbury, who
+had been mutely struggling for some chance to turn the conversation
+into a safe channel; "an old acquaintance of mine, Ada Bleek--"
+
+"What an ugly name," said Mrs. Hatch-Mallard.
+
+"She's descended from the de la Bliques, an old Huguenot family of
+Touraine, you know."
+
+"There weren't any Huguenots in Touraine," said Mrs. Hatch-Mallard,
+who thought she might safely dispute any fact that was three hundred
+years old.
+
+"Well, anyhow, she's coming to stay with me," continued Mrs.
+Norbury, bringing her story quickly down to the present day, "she
+arrives this evening, and she's highly clairvoyante, a seventh
+daughter of a seventh daughter, you now, and all that sort of
+thing."
+
+"How very interesting," said the chinchilla voice; "Exwood is just
+the right place for her to come to, isn't it? There are supposed to
+be several ghosts there."
+
+"That is why she was so anxious to come," said Mrs. Norbury; "she
+put off another engagement in order to accept my invitation. She's
+had visions and dreams, and all those sort of things, that have come
+true in a most marvellous manner, but she's never actually seen a
+ghost, and she's longing to have that experience. She belongs to
+that Research Society, you know."
+
+"I expect she'll see the unhappy Lady Cullumpton, the most famous of
+all the Exwood ghosts," said Mrs. Dole; "my ancestor, you know, Sir
+Gervase Cullumpton, murdered his young bride in a fit of jealousy
+while they were on a visit to Exwood. He strangled her in the
+stables with a stirrup leather, just after they had come in from
+riding, and she is seen sometimes at dusk going about the lawns and
+the stable yard, in a long green habit, moaning and trying to get
+the thong from round her throat. I shall be most interested to hear
+if your friend sees--"
+
+"I don't know why she should be expected to see a trashy,
+traditional apparition like the so-called Cullumpton ghost, that is
+only vouched for by housemaids and tipsy stable-boys, when my uncle,
+who was the owner of Exwood, committed suicide there under the most
+tragical circumstances, and most certainly haunts the place."
+
+"Mrs. Hatch-Mallard has evidently never read Popple's County
+History," said Mrs. Dole icily, "or she would know that the
+Cullumpton ghost has a wealth of evidence behind it--"
+
+"Oh, Popple!" exclaimed Mrs. Hatch-Mallard scornfully; "any rubbishy
+old story is good enough for him. Popple, indeed! Now my uncle's
+ghost was seen by a Rural Dean, who was also a Justice of the Peace.
+I should think that would be good enough testimony for any one.
+Mrs. Norbury, I shall take it as a deliberate personal affront if
+your clairvoyante friend sees any other ghost except that of my
+uncle."
+
+"I daresay she won't see anything at all; she never has yet, you
+know," said Mrs. Norbury hopefully.
+
+"It was a most unfortunate topic for me to have broached," she
+lamented afterwards to the owner of the chinchilla voice; "Exwood
+belongs to Mrs. Hatch-Mallard, and we've only got it on a short
+lease. A nephew of hers has been wanting to live there for some
+time, and if we offend her in any way she'll refuse to renew the
+lease. I sometimes think these garden-parties are a mistake."
+
+The Norburys played bridge for the next three nights till nearly one
+o'clock; they did not care for the game, but it reduced the time at
+their guest's disposal for undesirable ghostly visitations.
+
+"Miss Bleek is not likely to be in a frame of mind to see ghosts,"
+said Hugo Norbury, "if she goes to bed with her brain awhirl with
+royal spades and no trumps and grand slams."
+
+"I've talked to her for hours about Mrs. Hatch-Mallard's uncle,"
+said his wife, "and pointed out the exact spot where he killed
+himself, and invented all sorts of impressive details, and I've
+found an old portrait of Lord John Russell and put it in her room,
+and told her that it's supposed to be a picture of the uncle in
+middle age. If Ada does see a ghost at all it certainly ought to be
+old Hatch-Mallard's. At any rate, we've done our best."
+
+The precautions were in vain. On the third morning of her stay Ada
+Bleek came down late to breakfast, her eyes looking very tired, but
+ablaze with excitement, her hair done anyhow, and a large brown
+volume hugged under her arm.
+
+"At last I've seen something supernatural!" she exclaimed, and gave
+Mrs. Norbury a fervent kiss, as though in gratitude for the
+opportunity afforded her.
+
+"A ghost!" cried Mrs. Norbury, "not really!"
+
+"Really and unmistakably!"
+
+"Was it an oldish man in the dress of about fifty years ago?" asked
+Mrs. Norbury hopefully.
+
+"Nothing of the sort," said Ada; "it was a white hedgehog."
+
+"A white hedgehog!" exclaimed both the Norburys, in tones of
+disconcerted astonishment.
+
+"A huge white hedgehog with baleful yellow eyes," said Ada; "I was
+lying half asleep in bed when suddenly I felt a sensation as of
+something sinister and unaccountable passing through the room. I
+sat up and looked round, and there, under the window, I saw an evil,
+creeping thing, a sort of monstrous hedgehog, of a dirty white
+colour, with black, loathsome claws that clicked and scraped along
+the floor, and narrow, yellow eyes of indescribable evil. It
+slithered along for a yard or two, always looking at me with its
+cruel, hideous eyes, then, when it reached the second window, which
+was open it clambered up the sill and vanished. I got up at once
+and went to the window; there wasn't a sign of it anywhere. Of
+course, I knew it must be something from another world, but it was
+not till I turned up Popple's chapter on local traditions that I
+realised what I had seen."
+
+She turned eagerly to the large brown volume and read: "'Nicholas
+Herison, an old miser, was hung at Batchford in 1763 for the murder
+of a farm lad who had accidentally discovered his secret hoard. His
+ghost is supposed to traverse the countryside, appearing sometimes
+as a white owl, sometimes as a huge white hedgehog."
+
+"I expect you read the Popple story overnight, and that made you
+THINK you saw a hedgehog when you were only half awake," said Mrs.
+Norbury, hazarding a conjecture that probably came very near the
+truth.
+
+Ada scouted the possibility of such a solution of her apparition.
+
+"This must be hushed up," said Mrs. Norbury quickly; "the servants--
+"
+
+"Hushed up!" exclaimed Ada, indignantly; "I'm writing a long report
+on it for the Research Society."
+
+It was then that Hugo Norbury, who is not naturally a man of
+brilliant resource, had one of the really useful inspirations of his
+life.
+
+"It was very wicked of us, Miss Bleek," he said, "but it would be a
+shame to let it go further. That white hedgehog is an old joke of
+ours; stuffed albino hedgehog, you know, that my father brought home
+from Jamaica, where they grow to enormous size. We hide it in the
+room with a string on it, run one end of the string through the
+window; then we pull if from below and it comes scraping along the
+floor, just as you've described, and finally jerks out of the
+window. Taken in heaps of people; they all read up Popple and think
+it's old Harry Nicholson's ghost; we always stop them from writing
+to the papers about it, though. That would be carrying matters too
+far."
+
+Mrs. Hatch-Mallard renewed the lease in due course, but Ada Bleek
+has never renewed her friendship.
+
+
+
+THE MAPPINED LIFE
+
+
+
+"These Mappin Terraces at the Zoological Gardens are a great
+improvement on the old style of wild-beast cage," said Mrs. James
+Gurtleberry, putting down an illustrated paper; "they give one the
+illusion of seeing the animals in their natural surroundings. I
+wonder how much of the illusion is passed on to the animals?"
+
+"That would depend on the animal," said her niece; "a jungle-fowl,
+for instance, would no doubt think its lawful jungle surroundings
+were faithfully reproduced if you gave it a sufficiency of wives, a
+goodly variety of seed food and ants' eggs, a commodious bank of
+loose earth to dust itself in, a convenient roosting tree, and a
+rival or two to make matters interesting. Of course there ought to
+be jungle-cats and birds of prey and other agencies of sudden death
+to add to the illusion of liberty, but the bird's own imagination is
+capable of inventing those--look how a domestic fowl will squawk an
+alarm note if a rook or wood pigeon passes over its run when it has
+chickens."
+
+"You think, then, they really do have a sort of illusion, if you
+give them space enough--"
+
+"In a few cases only. Nothing will make me believe that an acre or
+so of concrete enclosure will make up to a wolf or a tiger-cat for
+the range of night prowling that would belong to it in a wild state.
+Think of the dictionary of sound and scent and recollection that
+unfolds before a real wild beat as it comes out from its lair every
+evening, with the knowledge that in a few minutes it will be hieing
+along to some distant hunting ground where all the joy and fury of
+the chase awaits it; think of the crowded sensations of the brain
+when every rustle, every cry, every bent twig, and every whiff
+across the nostrils means something, something to do with life and
+death and dinner. Imagine the satisfaction of stealing down to your
+own particular drinking spot, choosing your own particular tree to
+scrape your claws on, finding your own particular bed of dried grass
+to roll on. Then, in the place of all that, put a concrete
+promenade, which will be of exactly the same dimensions whether you
+race or crawl across it, coated with stale, unvarying scents and
+surrounded with cries and noises that have ceased to have the least
+meaning or interest. As a substitute for a narrow cage the new
+enclosures are excellent, but I should think they are a poor
+imitation of a life of liberty."
+
+"It's rather depressing to think that," said Mrs. Gurtleberry; "they
+look so spacious and so natural, but I suppose a good deal of what
+seems natural to us would be meaningless to a wild animal."
+
+"That is where our superior powers of self-deception come in," said
+the niece; "we are able to live our unreal, stupid little lives on
+our particular Mappin terrace, and persuade ourselves that we really
+are untrammelled men and women leading a reasonable existence in a
+reasonable sphere."
+
+"But good gracious," exclaimed the aunt, bouncing into an attitude
+of scandalised defence, "we are leading reasonable existences! What
+on earth do you mean by trammels? We are merely trammelled by the
+ordinary decent conventions of civilised society."
+
+"We are trammelled," said the niece, calmly and pitilessly, "by
+restrictions of income and opportunity, and above all by lack of
+initiative. To some people a restricted income doesn't matter a
+bit, in fact it often seems to help as a means for getting a lot of
+reality out of life; I am sure there are men and women who do their
+shopping in little back streets of Paris, buying four carrots and a
+shred of beef for their daily sustenance, who lead a perfectly real
+and eventful existence. Lack of initiative is the thing that really
+cripples one, and that is where you and I and Uncle James are so
+hopelessly shut in. We are just so many animals stuck down on a
+Mappin terrace, with this difference in our disfavour, that the
+animals are there to be looked at, while nobody wants to look at us.
+As a matter of fact there would be nothing to look at. We get colds
+in winter and hay fever in summer, and if a wasp happens to sting
+one of us, well, that is the wasp's initiative, not ours; all we do
+is to wait for the swelling to go down. Whenever we do climb into
+local fame and notice, it is by indirect methods; if it happens to
+be a good flowering year for magnolias the neighbourhood observes:
+'Have you seen the Gurtleberry's magnolia? It is a perfect mass of
+flowers,' and we go about telling people that there are fifty-seven
+blossoms as against thirty-nine the previous year."
+
+"In Coronation year there were as many as sixty," put in the aunt,
+"your uncle has kept a record for the last eight years."
+
+"Doesn't it ever strike you," continued the niece relentlessly,
+"that if we moved away from here or were blotted out of existence
+our local claim to fame would pass on automatically to whoever
+happened to take the house and garden? People would say to one
+another, 'Have you seen the Smith-Jenkins' magnolia? It is a
+perfect mass of flowers,' or else 'Smith-Jenkins tells me there
+won't be a single blossom on their magnolia this year; the east
+winds have turned all the buds black.' Now if, when we had gone,
+people still associated our names with the magnolia tree, no matter
+who temporarily possessed it, if they said, 'Ah, that's the tree on
+which the Gurtleberrys hung their cook because she sent up the wrong
+kind of sauce with the asparagus,' that would be something really
+due to our own initiative, apart from anything east winds or
+magnolia vitality might have to say in the matter."
+
+"We should never do such a thing," said the aunt.
+
+The niece gave a reluctant sigh.
+
+"I can't imagine it," she admitted. "Of course," she continued,
+"there are heaps of ways of leading a real existence without
+committing sensational deeds of violence. It's the dreadful little
+everyday acts of pretended importance that give the Mappin stamp to
+our life. It would be entertaining, if it wasn't so pathetically
+tragic, to hear Uncle James fuss in here in the morning and
+announce, 'I must just go down into the town and find out what the
+men there are saying about Mexico. Matters are beginning to look
+serious there.' Then he patters away into the town, and talks in a
+highly serious voice to the tobacconist, incidentally buying an
+ounce of tobacco; perhaps he meets one or two others of the world's
+thinkers and talks to them in a highly serious voice, then he
+patters back here and announces with increased importance, 'I've
+just been talking to some men in the town about the condition of
+affairs in Mexico. They agree with the view that I have formed,
+that things there will have to get worse before they get better.'
+Of course nobody in the town cared in the least little bit what his
+views about Mexico were or whether he had any. The tobacconist
+wasn't even fluttered at his buying the ounce of tobacco; he knows
+that he purchases the same quantity of the same sort of tobacco
+every week. Uncle James might just as well have lain on his back in
+the garden and chattered to the lilac tree about the habits of
+caterpillars."
+
+"I really will not listen to such things about your uncle,"
+protested Mrs. James Gurtleberry angrily.
+
+"My own case is just as bad and just as tragic," said the niece,
+dispassionately; "nearly everything about me is conventional make-
+believe. I'm not a good dancer, and no one could honestly call me
+good-looking, but when I go to one of our dull little local dances
+I'm conventionally supposed to 'have a heavenly time,' to attract
+the ardent homage of the local cavaliers, and to go home with my
+head awhirl with pleasurable recollections. As a matter of fact,
+I've merely put in some hours of indifferent dancing, drunk some
+badly-made claret cup, and listened to an enormous amount of
+laborious light conversation. A moonlight hen-stealing raid with
+the merry-eyed curate would be infinitely more exciting; imagine the
+pleasure of carrying off all those white minorcas that the Chibfords
+are always bragging about. When we had disposed of them we could
+give the proceeds to a charity, so there would be nothing really
+wrong about it. But nothing of that sort lies within the Mappined
+limits of my life. One of these days somebody dull and decorous and
+undistinguished will 'make himself agreeable' to me at a tennis
+party, as the saying is, and all the dull old gossips of the
+neighbourhood will begin to ask when we are to be engaged, and at
+last we shall be engaged, and people will give us butter-dishes and
+blotting-cases and framed pictures of young women feeding swans.
+Hullo, Uncle, are you going out?"
+
+"I'm just going down to the town," announced Mr. James Gurtleberry,
+with an air of some importance: "I want to hear what people are
+saying about Albania. Affairs there are beginning to take on a very
+serious look. It's my opinion that we haven't seen the worst of
+things yet."
+
+In this he was probably right, but there was nothing in the
+immediate or prospective condition of Albania to warrant Mrs.
+Gurtleberry in bursting into tears.
+
+
+
+FATE
+
+
+
+Rex Dillot was nearly twenty-four, almost good-looking and quite
+penniless. His mother was supposed to make him some sort of an
+allowance out of what her creditors allowed her, and Rex
+occasionally strayed into the ranks of those who earn fitful
+salaries as secretaries or companions to people who are unable to
+cope unaided with their correspondence or their leisure. For a few
+months he had been assistant editor and business manager of a paper
+devoted to fancy mice, but the devotion had been all on one side,
+and the paper disappeared with a certain abruptness from club
+reading-rooms and other haunts where it had made a gratuitous
+appearance. Still, Rex lived with some air of comfort and well-
+being, as one can live if one is born with a genius for that sort of
+thing, and a kindly Providence usually arranged that his week-end
+invitations coincided with the dates on which his one white dinner-
+waistcoat was in a laundry-returned condition of dazzling cleanness.
+He played most games badly, and was shrewd enough to recognise the
+fact, but he had developed a marvellously accurate judgement in
+estimating the play and chances of other people, whether in a golf
+match, billiard handicap, or croquet tournament. By dint of
+parading his opinion of such and such a player's superiority with a
+sufficient degree of youthful assertiveness he usually succeeded in
+provoking a wager at liberal odds, and he looked to his week-end
+winnings to carry him through the financial embarrassments of his
+mid-week existence. The trouble was, as he confided to Clovis
+Sangrail, that he never had enough available or even prospective
+cash at his command to enable him to fix the wager at a figure
+really worth winning.
+
+"Some day," he said, "I shall come across a really safe thing, a bet
+that simply can't go astray, and then I shall put it up for all I'm
+worth, or rather for a good deal more than I'm worth if you sold me
+up to the last button."
+
+"It would be awkward if it didn't happen to come off," said Clovis.
+
+"It would be more than awkward," said Rex; "it would be a tragedy.
+All the same, it would be extremely amusing to bring it off. Fancy
+awaking in the morning with about three hundred pounds standing to
+one's credit. I should go and clear out my hostess's pigeon-loft
+before breakfast out of sheer good-temper."
+
+"Your hostess of the moment mightn't have a pigeon-loft," said
+Clovis.
+
+"I always choose hostesses that have," said Rex; "a pigeon-loft is
+indicative of a careless, extravagant, genial disposition, such as I
+like to see around me. People who strew corn broadcast for a lot of
+feathered inanities that just sit about cooing and giving each other
+the glad eye in a Louis Quatorze manner are pretty certain to do you
+well."
+
+"Young Strinnit is coming down this afternoon," said Clovis
+reflectively; "I dare say you won't find it difficult to get him to
+back himself at billiards. He plays a pretty useful game, but he's
+not quite as good as he fancies he is."
+
+"I know one member of the party who can walk round him," said Rex
+softly, an alert look coming into his eyes; "that cadaverous-looking
+Major who arrived last night. I've seen him play at St. Moritz. If
+I could get Strinnit to lay odds on himself against the Major the
+money would be safe in my pocket. This looks like the good thing
+I've been watching and praying for."
+
+"Don't be rash," counselled Clovis, "Strinnit may play up to his
+self-imagined form once in a blue moon."
+
+"I intend to be rash," said Rex quietly, and the look on his face
+corroborated his words.
+
+"Are you all going to flock to the billiard-room?" asked Teresa
+Thundleford, after dinner, with an air of some disapproval and a
+good deal of annoyance. "I can't see what particular amusement you
+find in watching two men prodding little ivory balls about on a
+table."
+
+"Oh, well," said her hostess, "it's a way of passing the time, you
+know."
+
+"A very poor way, to my mind," said Mrs. Thundleford; "now I was
+going to have shown all of you the photographs I took in Venice last
+summer."
+
+"You showed them to us last night," said Mrs. Cuvering hastily.
+
+"Those were the ones I took in Florence. These are quite a
+different lot."
+
+"Oh, well, some time to-morrow we can look at them. You can leave
+them down in the drawing-room, and then every one can have a look."
+
+"I should prefer to show them when you are all gathered together, as
+I have quite a lot of explanatory remarks to make, about Venetian
+art and architecture, on the same lines as my remarks last night on
+the Florentine galleries. Also, there are some verses of mine that
+I should like to read you, on the rebuilding of the Campanile. But,
+of course, if you all prefer to watch Major Latton and Mr. Strinnit
+knocking balls about on a table--"
+
+"They are both supposed to be first-rate players," said the hostess.
+
+"I have yet to learn that my verses and my art causerie are of
+second-rate quality," said Mrs. Thundleford with acerbity.
+"However, as you all seem bent on watching a silly game, there's no
+more to be said. I shall go upstairs and finish some writing.
+Later on, perhaps, I will come down and join you."
+
+To one, at least, of the onlookers the game was anything but silly.
+It was absorbing, exciting, exasperating, nerve-stretching, and
+finally it grew to be tragic. The Major with the St. Moritz
+reputation was playing a long way below his form, young Strinnit was
+playing slightly above his, and had all the luck of the game as
+well. From the very start the balls seemed possessed by a demon of
+contrariness; they trundled about complacently for one player, they
+would go nowhere for the other.
+
+"A hundred and seventy, seventy-four," sang out the youth who was
+marking. In a game of two hundred and fifty up it was an enormous
+lead to hold. Clovis watched the flush of excitement die away from
+Dillot's face, and a hard white look take its place.
+
+"How much have you go on?" whispered Clovis. The other whispered
+the sum through dry, shaking lips. It was more than he or any one
+connected with him could pay; he had done what he had said he would
+do. He had been rash.
+
+"Two hundred and six, ninety-eight."
+
+Rex heard a clock strike ten somewhere in the hall, then another
+somewhere else, and another, and another; the house seemed full of
+striking clocks. Then in the distance the stable clock chimed in.
+In another hour they would all be striking eleven, and he would be
+listening to them as a disgraced outcast, unable to pay, even in
+part, the wager he had challenged.
+
+"Two hundred and eighteen, a hundred and three." The game was as
+good as over. Rex was as good as done for. He longed desperately
+for the ceiling to fall in, for the house to catch fire, for
+anything to happen that would put an end to that horrible rolling to
+and fro of red and white ivory that was jostling him nearer and
+nearer to his doom.
+
+"Two hundred and twenty-eight, a hundred and seven."
+
+Rex opened his cigarette-case; it was empty. That at least gave him
+a pretext to slip away from the room for the purpose of refilling
+it; he would spare himself the drawn-out torture of watching that
+hopeless game played out to the bitter end. He backed away from the
+circle of absorbed watchers and made his way up a short stairway to
+a long, silent corridor of bedrooms, each with a guests' name
+written in a little square on the door. In the hush that reigned in
+this part of the house he could still hear the hateful click-click
+of the balls; if he waited for a few minutes longer he would hear
+the little outbreak of clapping and buzz of congratulation that
+would hail Strinnit's victory. On the alert tension of his nerves
+there broke another sound, the aggressive, wrath-inducing breathing
+of one who sleeps in heavy after-dinner slumber. The sound came
+from a room just at his elbow; the card on the door bore the
+announcement "Mrs. Thundleford." The door was just slightly ajar;
+Rex pushed it open an inch or two more and looked in. The august
+Teresa had fallen asleep over an illustrated guide to Florentine
+art-galleries; at her side, somewhat dangerously near the edge of
+the table, was a reading-lamp. If Fate had been decently kind to
+him, thought Rex, bitterly, that lamp would have been knocked over
+by the sleeper and would have given them something to think of
+besides billiard matches.
+
+There are occasions when one must take one's Fate in one's hands.
+Rex took the lamp in his.
+
+"Two hundred and thirty-seven, one hundred and fifteen." Strinnit
+was at the table, and the balls lay in good position for him; he had
+a choice of two fairly easy shots, a choice which he was never to
+decide. A sudden hurricane of shrieks and a rush of stumbling feet
+sent every one flocking to the door. The Dillot boy crashed into
+the room, carrying in his arms the vociferous and somewhat
+dishevelled Teresa Thundleford; her clothing was certainly not a
+mass of flames, as the more excitable members of the party
+afterwards declared, but the edge of her skirt and part of the
+table-cover in which she had been hastily wrapped were alight in a
+flickering, half-hearted manner. Rex flung his struggling burden on
+the billiard table, and for one breathless minute the work of
+beating out the sparks with rugs and cushions and playing on them
+with soda-water syphons engrossed the energies of the entire
+company.
+
+"It was lucky I was passing when it happened," panted Rex; "some one
+had better see to the room, I think the carpet is alight."
+
+As a matter of fact the promptitude and energy of the rescuer had
+prevented any great damage being done, either to the victim or her
+surroundings. The billiard table had suffered most, and had to be
+laid up for repairs; perhaps it was not the best place to have
+chosen for the scene of salvage operations; but then, as Clovis
+remarked, when one is rushing about with a blazing woman in one's
+arms one can't stop to think out exactly where one is going to put
+her.
+
+
+
+THE BULL
+
+
+
+Tom Yorkfield had always regarded his half-brother, Laurence, with a
+lazy instinct of dislike, toned down, as years went on, to a
+tolerant feeling of indifference. There was nothing very tangible
+to dislike him for; he was just a blood-relation, with whom Tom had
+no single taste or interest in common, and with whom, at the same
+time, he had had no occasion for quarrel. Laurence had left the
+farm early in life, and had lived for a few years on a small sum of
+money left him by his mother; he had taken up painting as a
+profession, and was reported to be doing fairly well at it, well
+enough, at any rate, to keep body and soul together. He specialised
+in painting animals, and he was successful in finding a certain
+number of people to buy his pictures. Tom felt a comforting sense
+of assured superiority in contrasting his position with that of his
+half-brother; Laurence was an artist-chap, just that and nothing
+more, though you might make it sound more important by calling an
+animal painter; Tom was a farmer, not in a very big way, it was
+true, but the Helsery farm had been in the family for some
+generations, and it had a good reputation for the stock raised on
+it. Tom had done his best, with the little capital at his command,
+to maintain and improve the standard of his small herd of cattle,
+and in Clover Fairy he had bred a bull which was something rather
+better than any that his immediate neighbours could show. It would
+not have made a sensation in the judging-ring at an important cattle
+show, but it was as vigorous, shapely, and healthy a young animal as
+any small practical farmer could wish to possess. At the King's
+Head on market days Clover Fairy was very highly spoken of, and
+Yorkfield used to declare that he would not part with him for a
+hundred pounds; a hundred pounds is a lot of money in the small
+farming line, and probably anything over eighty would have tempted
+him.
+
+It was with some especial pleasure that Tom took advantage of one of
+Laurence's rare visits to the farm to lead him down to the enclosure
+where Clover Fairy kept solitary state--the grass widower of a
+grazing harem. Tom felt some of his old dislike for his half-
+brother reviving; the artist was becoming more languid in his
+manner, more unsuitably turned-out in attire, and he seemed inclined
+to impart a slightly patronising tone to his conversation. He took
+no heed of a flourishing potato crop, but waxed enthusiastic over a
+clump of yellow-flowering weed that stood in a corner by a gateway,
+which was rather galling to the owner of a really very well weeded
+farm; again, when he might have been duly complimentary about a
+group of fat, black-faced lambs, that simply cried aloud for
+admiration, he became eloquent over the foliage tints of an oak
+copse on the hill opposite. But now he was being taken to inspect
+the crowning pride and glory of Helsery; however grudging he might
+be in his praises, however backward and niggardly with his
+congratulations, he would have to see and acknowledge the many
+excellences of that redoubtable animal. Some weeks ago, while on a
+business journey to Taunton, Tom had been invited by his half-
+brother to visit a studio in that town, where Laurence was
+exhibiting one of his pictures, a large canvas representing a bull
+standing knee-deep in some marshy ground; it had been good of its
+kind, no doubt, and Laurence had seemed inordinately pleased with
+it; "the best thing I've done yet," he had said over and over again,
+and Tom had generously agreed that it was fairly life-like. Now,
+the man of pigments was going to be shown a real picture, a living
+model of strength and comeliness, a thing to feast the eyes on, a
+picture that exhibited new pose and action with every shifting
+minute, instead of standing glued into one unvarying attitude
+between the four walls of a frame. Tom unfastened a stout wooden
+door and led the way into a straw-bedded yard.
+
+"Is he quiet?" asked the artist, as a young bull with a curly red
+coat came inquiringly towards them.
+
+"He's playful at times," said Tom, leaving his half-brother to
+wonder whether the bull's ideas of play were of the catch-as-catch-
+can order. Laurence made one or two perfunctory comments on the
+animal's appearance and asked a question or so as to his age and
+such-like details; then he coolly turned the talk into another
+channel.
+
+"Do you remember the picture I showed you at Taunton?" he asked.
+
+"Yes," grunted Tom; "a white-faced bull standing in some slush.
+Don't admire those Herefords much myself; bulky-looking brutes,
+don't seem to have much life in them. Daresay they're easier to
+paint that way; now, this young beggar is on the move all the time,
+aren't you, Fairy?"
+
+"I've sold that picture," said Laurence, with considerable
+complacency in his voice.
+
+"Have you?" said Tom; "glad to hear it, I'm sure. Hope you're
+pleased with what you've got for it."
+
+"I got three hundred pounds for it," said Laurence.
+
+Tom turned towards him with a slowly rising flush of anger in his
+face. Three hundred pounds! Under the most favourable market
+conditions that he could imagine his prized Clover Fairy would
+hardly fetch a hundred, yet here was a piece of varnished canvas,
+painted by his half-brother, selling for three times that sum. It
+was a cruel insult that went home with all the more force because it
+emphasised the triumph of the patronising, self-satisfied Laurence.
+The young farmer had meant to put his relative just a little out of
+conceit with himself by displaying the jewel of his possessions, and
+now the tables were turned, and his valued beast was made to look
+cheap and insignificant beside the price paid for a mere picture.
+It was so monstrously unjust; the painting would never be anything
+more than a dexterous piece of counterfeit life, while Clover Fairy
+was the real thing, a monarch in his little world, a personality in
+the countryside. After he was dead, even, he would still be
+something of a personality; his descendants would graze in those
+valley meadows and hillside pastures, they would fill stall and byre
+and milking-shed, their good red coats would speckle the landscape
+and crowd the market-place; men would note a promising heifer or a
+well-proportioned steer, and say: "Ah, that one comes of good old
+Clover Fairy's stock." All that time the picture would be hanging,
+lifeless and unchanging, beneath its dust and varnish, a chattel
+that ceased to mean anything if you chose to turn it with its back
+to the wall. These thoughts chased themselves angrily through Tom
+Yorkfield's mind, but he could not put them into words. When he
+gave tongue to his feelings he put matters bluntly and harshly.
+
+"Some soft-witted fools may like to throw away three hundred pounds
+on a bit of paintwork; can't say as I envy them their taste. I'd
+rather have the real thing than a picture of it."
+
+He nodded towards the young bull, that was alternately staring at
+them with nose held high and lowering its horns with a half-playful,
+half-impatient shake of the head.
+
+Laurence laughed a laugh of irritating, indulgent amusement.
+
+"I don't think the purchaser of my bit of paintwork, as you call it,
+need worry about having thrown his money away. As I get to be
+better known and recognised my pictures will go up in value. That
+particular one will probably fetch four hundred in a sale-room five
+or six years hence; pictures aren't a bad investment if you know
+enough to pick out the work of the right men. Now you can't say
+your precious bull is going to get more valuable the longer you keep
+him; he'll have his little day, and then, if you go on keeping him,
+he'll come down at last to a few shillingsworth of hoofs and hide,
+just at a time, perhaps, when my bull is being bought for a big sum
+for some important picture gallery."
+
+It was too much. The united force of truth and slander and insult
+put over heavy a strain on Tom Yorkfield's powers of restraint. In
+his right hand he held a useful oak cudgel, with his left he made a
+grab at the loose collar of Laurence's canary-coloured silk shirt.
+Laurence was not a fighting man; the fear of physical violence threw
+him off his balance as completely as overmastering indignation had
+thrown Tom off his, and thus it came to pass that Clover Fairy was
+regaled with the unprecedented sight of a human being scudding and
+squawking across the enclosure, like the hen that would persist in
+trying to establish a nesting-place in the manger. In another
+crowded happy moment the bull was trying to jerk Laurence over his
+left shoulder, to prod him in the ribs while still in the air, and
+to kneel on him when he reached the ground. It was only the
+vigorous intervention of Tom that induced him to relinquish the last
+item of his programme.
+
+Tom devotedly and ungrudgingly nursed his half brother to a complete
+recovery from his injuries, which consisted of nothing more serious
+than a dislocated shoulder, a broken rib or two, and a little
+nervous prostration. After all, there was no further occasion for
+rancour in the young farmer's mind; Laurence's bull might sell for
+three hundred, or for six hundred, and be admired by thousands in
+some big picture gallery, but it would never toss a man over one
+shoulder and catch him a jab in the ribs before he had fallen on the
+other side. That was Clover Fairy's noteworthy achievement, which
+could never be taken away from him.
+
+Laurence continues to be popular as an animal artist, but his
+subjects are always kittens or fawns or lambkins--never bulls.
+
+
+
+MORLVERA
+
+
+
+The Olympic Toy Emporium occupied a conspicuous frontage in an
+important West End street. It was happily named Toy Emporium,
+because one would never have dreamed of according it the familiar
+and yet pulse-quickening name of toyshop. There was an air of cold
+splendour and elaborate failure about the wares that were set out in
+its ample windows; they were the sort of toys that a tired shop-
+assistant displays and explains at Christmas time to exclamatory
+parents and bored, silent children. The animal toys looked more
+like natural history models than the comfortable, sympathetic
+companions that one would wish, at a certain age, to take to bed
+with one, and to smuggle into the bath-room. The mechanical toys
+incessantly did things that no one could want a toy to do more than
+a half a dozen times in its life-time; it was a merciful reflection
+that in any right-minded nursery the lifetime would certainly be
+short.
+
+Prominent among the elegantly-dressed dolls that filled an entire
+section of the window frontage was a large hobble-skirted lady in a
+confection of peach-coloured velvet, elaborately set off with
+leopard skin accessories, if one may use such a conveniently
+comprehensive word in describing an intricate feminine toilette.
+She lacked nothing that is to be found in a carefully detailed
+fashion-plate--in fact, she might be said to have something more
+than the average fashion-plate female possesses; in place of a
+vacant, expressionless stare she had character in her face. It must
+be admitted that it was bad character, cold, hostile, inquisitorial,
+with a sinister lowering of one eyebrow and a merciless hardness
+about the corners of the mouth. One might have imagined histories
+about her by the hour, histories in which unworthy ambition, the
+desire for money, and an entire absence of all decent feeling would
+play a conspicuous part.
+
+As a matter of fact, she was not without her judges and biographers,
+even in this shop-window stage of her career. Emmeline, aged ten,
+and Bert, aged seven, had halted on the way from their obscure back
+street to the minnow-stocked water of St. James's Park, and were
+critically examining the hobble-skirted doll, and dissecting her
+character in no very tolerant spirit. There is probably a latent
+enmity between the necessarily under-clad and the unnecessarily
+over-dressed, but a little kindness and good fellowship on the part
+of the latter will often change the sentiment to admiring devotion;
+if the lady in peach-coloured velvet and leopard skin had worn a
+pleasant expression in addition to her other elaborate furnishings,
+Emmeline at least might have respected and even loved her. As it
+was, she gave her a horrible reputation, based chiefly on a
+secondhand knowledge of gilded depravity derived from the
+conversation of those who were skilled in the art of novelette
+reading; Bert filled in a few damaging details from his own limited
+imagination.
+
+"She's a bad lot, that one is," declared Emmeline, after a long
+unfriendly stare; "'er 'usbind 'ates 'er."
+
+"'E knocks 'er abart," said Bert, with enthusiasm.
+
+"No, 'e don't, cos 'e's dead; she poisoned 'im slow and gradual, so
+that nobody didn't know. Now she wants to marry a lord, with 'eaps
+and 'eaps of money. 'E's got a wife already, but she's going to
+poison 'er, too."
+
+"She's a bad lot," said Bert with growing hostility.
+
+"'Er mother 'ates her, and she's afraid of 'er, too, cos she's got a
+serkestic tongue; always talking serkesms, she is. She's greedy,
+too; if there's fish going, she eats 'er own share and 'er little
+girl's as well, though the little girl is dellikit."
+
+"She 'ad a little boy once," said Bert, "but she pushed 'im into the
+water when nobody wasn't looking."
+
+"No she didn't," said Emmeline, "she sent 'im away to be kep' by
+poor people, so 'er 'usbind wouldn't know where 'e was. They ill-
+treat 'im somethink cruel."
+
+"Wot's 'er nime?" asked Bert, thinking that it was time that so
+interesting a personality should be labelled.
+
+"'Er nime?" said Emmeline, thinking hard, "'er nime's Morlvera." It
+was as near as she could get to the name of an adventuress who
+figured prominently in a cinema drama. There was silence for a
+moment while the possibilities of the name were turned over in the
+children's minds.
+
+"Those clothes she's got on ain't paid for, and never won't be,"
+said Emmeline; "she thinks she'll get the rich lord to pay for 'em,
+but 'e won't. 'E's given 'er jools, 'underds of pounds' worth."
+
+"'E won't pay for the clothes," said Bert, with conviction.
+Evidently there was some limit to the weak good nature of wealthy
+lords.
+
+At that moment a motor carriage with liveried servants drew up at
+the emporium entrance; a large lady, with a penetrating and rather
+hurried manner of talking, stepped out, followed slowly and sulkily
+by a small boy, who had a very black scowl on his face and a very
+white sailor suit over the rest of him. The lady was continuing an
+argument which had probably commenced in Portman Square.
+
+"Now, Victor, you are to come in and buy a nice doll for your cousin
+Bertha. She gave you a beautiful box of soldiers on your birthday,
+and you must give her a present on hers."
+
+"Bertha is a fat little fool," said Victor, in a voice that was as
+loud as his mother's and had more assurance in it.
+
+"Victor, you are not to say such things. Bertha is not a fool, and
+she is not in the least fat. You are to come in and choose a doll
+for her."
+
+The couple passed into the shop, out of view and hearing of the two
+back-street children.
+
+"My, he is in a wicked temper," exclaimed Emmeline, but both she and
+Bert were inclined to side with him against the absent Bertha, who
+was doubtless as fat and foolish as he had described her to be.
+
+"I want to see some dolls," said the mother of Victor to the nearest
+assistant; "it's for a little girl of eleven."
+
+"A fat little girl of eleven," added Victor by way of supplementary
+information.
+
+"Victor, if you say such rude things about your cousin, you shall go
+to bed the moment we get home, without having any tea."
+
+"This is one of the newest things we have in dolls," said the
+assistant, removing a hobble-skirted figure in peach-coloured velvet
+from the window; "leopard skin toque and stole, the latest fashion.
+You won't get anything newer than that anywhere. It's an exclusive
+design."
+
+"Look!" whispered Emmeline outside; "they've bin and took Morlvera."
+
+There was a mingling of excitement and a certain sense of
+bereavement in her mind; she would have liked to gaze at that
+embodiment of overdressed depravity for just a little longer.
+
+"I 'spect she's going away in a kerridge to marry the rich lord,"
+hazarded Bert.
+
+"She's up to no good," said Emmeline vaguely.
+
+Inside the shop the purchase of the doll had been decided on.
+
+"It's a beautiful doll, and Bertha will be delighted with it,"
+asserted the mother of Victor loudly.
+
+"Oh, very well," said Victor sulkily; "you needn't have it stuck
+into a box and wait an hour while it's being done up into a parcel.
+I'll take it as it is, and we can go round to Manchester Square and
+give it to Bertha, and get the thing done with. That will save me
+the trouble of writing: 'For dear Bertha, with Victor's love,' on a
+bit of paper."
+
+"Very well," said his mother, "we can go to Manchester Square on our
+way home. You must wish her many happy returns of to-morrow, and
+give her the doll."
+
+"I won't let the little beast kiss me," stipulated Victor.
+
+His mother said nothing; Victor had not been half as troublesome as
+she had anticipated. When he chose he could really be dreadfully
+naughty.
+
+Emmeline and Bert were just moving away from the window when
+Morlvera made her exit from the shop, very carefully in Victor's
+arms. A look of sinister triumph seemed to glow in her hard,
+inquisitorial face. As for Victor, a certain scornful serenity had
+replaced the earlier scowls; he had evidently accepted defeat with a
+contemptuous good grace.
+
+The tall lady gave a direction to the footman and settled herself in
+the carriage. The little figure in the white sailor suit clambered
+in beside her, still carefully holding the elegantly garbed doll.
+
+The car had to be backed a few yards in the process of turning.
+Very stealthily, very gently, very mercilessly Victor sent Morlvera
+flying over his shoulder, so that she fell into the road just behind
+the retrogressing wheel. With a soft, pleasant-sounding scrunch the
+car went over the prostrate form, then it moved forward again with
+another scrunch. The carriage moved off and left Bert and Emmeline
+gazing in scared delight at a sorry mess of petrol-smeared velvet,
+sawdust, and leopard skin, which was all that remained of the
+hateful Morlvera. They gave a shrill cheer, and then raced away
+shuddering from the scene of so much rapidly enacted tragedy.
+
+Later that afternoon, when they were engaged in the pursuit of
+minnows by the waterside in St. James's Park, Emmeline said in a
+solemn undertone to Bert -
+
+"I've bin finking. Do you know oo 'e was? 'E was 'er little boy
+wot she'd sent away to live wiv poor folks. 'E come back and done
+that."
+
+
+
+SHOCK TATICS
+
+
+
+On a late spring afternoon Ella McCarthy sat on a green-painted
+chair in Kensington Gardens, staring listlessly at an uninteresting
+stretch of park landscape, that blossomed suddenly into tropical
+radiance as an expected figure appeared in the middle distance.
+
+"Hullo, Bertie!" she exclaimed sedately, when the figure arrived at
+the painted chair that was the nearest neighbour to her own, and
+dropped into it eagerly, yet with a certain due regard for the set
+of its trousers; "hasn't it been a perfect spring afternoon?"
+
+The statement was a distinct untruth as far as Ella's own feelings
+were concerned; until the arrival of Bertie the afternoon had been
+anything but perfect.
+
+Bertie made a suitable reply, in which a questioning note seemed to
+hover.
+
+"Thank you ever so much for those lovely handkerchiefs," said Ella,
+answering the unspoken question; "they were just what I've been
+wanting. There's only one thing spoilt my pleasure in your gift,"
+she added, with a pout.
+
+"What was that?" asked Bertie anxiously, fearful that perhaps he had
+chosen a size of handkerchief that was not within the correct
+feminine limit.
+
+"I should have liked to have written and thanked you for them as
+soon as I got them," said Ella, and Bertie's sky clouded at once.
+
+"You know what mother is," he protested; "she opens all my letters,
+and if she found I'd been giving presents to any one there'd have
+been something to talk about for the next fortnight."
+
+"Surely, at the age of twenty--" began Ella.
+
+"I'm not twenty till September," interrupted Bertie.
+
+"At the age of nineteen years and eight months," persisted Ella,
+"you might be allowed to keep your correspondence private to
+yourself."
+
+"I ought to be, but things aren't always what they ought to be.
+Mother opens every letter that comes into the house, whoever it's
+for. My sisters and I have made rows about it time and again, but
+she goes on doing it."
+
+"I'd find some way to stop her if I were in your place," said Ella
+valiantly, and Bertie felt that the glamour of his anxiously
+deliberated present had faded away in the disagreeable restriction
+that hedged round its acknowledgment.
+
+"Is anything the matter?" asked Bertie's friend Clovis when they met
+that evening at the swimming-bath.
+
+"Why do you ask?" said Bertie.
+
+"When you wear a look of tragic gloom in a swimming-bath," said
+Clovis, "it's especially noticeable from the fact that you're
+wearing very little else. Didn't she like the handkerchiefs?"
+
+Bertie explained the situation.
+
+"It is rather galling, you know," he added, "when a girl has a lot
+of things she wants to write to you and can't send a letter except
+by some roundabout, underhand way."
+
+"One never realises one's blessings while one enjoys them," said
+Clovis; "now I have to spend a considerable amount of ingenuity
+inventing excuses for not having written to people."
+
+"It's not a joking matter," said Bertie resentfully: "you wouldn't
+find it funny if your mother opened all your letters."
+
+"The funny thing to me is that you should let her do it."
+
+"I can't stop it. I've argued about it--"
+
+"You haven't used the right kind of argument, I expect. Now, if
+every time one of your letters was opened you lay on your back on
+the dining-table during dinner and had a fit, or roused the entire
+family in the middle of the night to hear you recite one of Blake's
+'Poems of Innocence,' you would get a far more respectful hearing
+for future protests. People yield more consideration to a mutilated
+mealtime or a broken night's rest, than ever they would to a broken
+heart."
+
+"Oh, dry up," said Bertie crossly, inconsistently splashing Clovis
+from head to foot as he plunged into the water.
+
+It was a day or two after the conversation in the swimming-bath that
+a letter addressed to Bertie Heasant slid into the letter-box at his
+home, and thence into the hands of his mother. Mrs. Heasant was one
+of those empty-minded individuals to whom other people's affairs are
+perpetually interesting. The more private they are intended to be
+the more acute is the interest they arouse. She would have opened
+this particular letter in any case; the fact that it was marked
+"private," and diffused a delicate but penetrating aroma merely
+caused her to open it with headlong haste rather than matter-of-
+course deliberation. The harvest of sensation that rewarded her was
+beyond all expectations.
+
+
+"Bertie, carissimo," it began, "I wonder if you will have the nerve
+to do it: it will take some nerve, too. Don't forget the jewels.
+They are a detail, but details interest me.
+
+"Yours as ever, Clotilde."
+
+"Your mother must not know of my existence. If questioned swear you
+never heard of me."
+
+
+For years Mrs. Heasant had searched Bertie's correspondence
+diligently for traces of possible dissipation or youthful
+entanglements, and at last the suspicions that had stimulated her
+inquisitorial zeal were justified by this one splendid haul. That
+any one wearing the exotic name "Clotilde" should write to Bertie
+under the incriminating announcement "as ever" was sufficiently
+electrifying, without the astounding allusion to the jewels. Mrs.
+Heasant could recall novels and dramas wherein jewels played an
+exciting and commanding role, and here, under her own roof, before
+her very eyes as it were, her own son was carrying on an intrigue in
+which jewels were merely an interesting detail. Bertie was not due
+home for another hour, but his sisters were available for the
+immediate unburdening of a scandal-laden mind.
+
+"Bertie is in the toils of an adventuress," she screamed; "her name
+is Clotilde," she added, as if she thought they had better know the
+worst at once. There are occasions when more harm than good is done
+by shielding young girls from a knowledge of the more deplorable
+realities of life.
+
+By the time Bertie arrived his mother had discussed every possible
+and improbable conjecture as to his guilty secret; the girls limited
+themselves to the opinion that their brother had been weak rather
+than wicked.
+
+"Who is Clotilde?" was the question that confronted Bertie almost
+before he had got into the hall. His denial of any knowledge of
+such a person was met with an outburst of bitter laughter.
+
+"How well you have learned your lesson!" exclaimed Mrs. Heasant.
+But satire gave way to furious indignation when she realised that
+Bertie did not intend to throw any further light on her discovery.
+
+"You shan't have any dinner till you've confessed everything," she
+stormed.
+
+Bertie's reply took the form of hastily collecting material for an
+impromptu banquet from the larder and locking himself into his
+bedroom. His mother made frequent visits to the locked door and
+shouted a succession of interrogations with the persistence of one
+who thinks that if you ask a question often enough an answer will
+eventually result. Bertie did nothing to encourage the supposition.
+An hour had passed in fruitless one-sided palaver when another
+letter addressed to Bertie and marked "private" made its appearance
+in the letter-box. Mrs. Heasant pounced on it with the enthusiasm
+of a cat that has missed its mouse and to whom a second has been
+unexpectedly vouchsafed. If she hoped for further disclosures
+assuredly she was not disappointed.
+
+
+"So you have really done it!" the letter abruptly commenced; "Poor
+Dagmar. Now she is done for I almost pity her. You did it very
+well, you wicked boy, the servants all think it was suicide, and
+there will be no fuss. Better not touch the jewels till after the
+inquest.
+
+"Clotilde."
+
+
+Anything that Mrs. Heasant had previously done in the way of outcry
+was easily surpassed as she raced upstairs and beat frantically at
+her son's door.
+
+"Miserable boy, what have you done to Dagmar?"
+
+"It's Dagmar now, is it?" he snapped; "it will be Geraldine next."
+
+"That it should come to this, after all my efforts to keep you at
+home of an evening," sobbed Mrs. Heasant; "it's no use you trying to
+hide things from me; Clotilde's letter betrays everything."
+
+"Does it betray who she is?" asked Bertie; "I've heard so much about
+her, I should like to know something about her home-life.
+Seriously, if you go on like this I shall fetch a doctor; I've often
+enough been preached at about nothing, but I've never had an
+imaginary harem dragged into the discussion."
+
+"Are these letters imaginary?" screamed Mrs. Heasant; "what about
+the jewels, and Dagmar, and the theory of suicide?"
+
+No solution of these problems was forthcoming through the bedroom
+door, but the last post of the evening produced another letter for
+Bertie, and its contents brought Mrs. Heasant that enlightenment
+which had already dawned on her son.
+
+
+"Dear Bertie," it ran; "I hope I haven't distracted your brain with
+the spoof letters I've been sending in the name of a fictitious
+Clotilde. You told me the other day that the servants, or somebody
+at your home, tampered with your letters, so I thought I would give
+any one that opened them something exciting to read. The shock
+might do them good.
+
+"Yours,
+"Clovis Sangrail."
+
+
+Mrs. Heasant knew Clovis slightly, and was rather afraid of him. It
+was not difficult to read between the lines of his successful hoax.
+In a chastened mood she rapped once more at Bertie's door.
+
+"A letter from Mr. Sangrail. It's all been a stupid hoax. He wrote
+those other letters. Why, where are you going?"
+
+Bertie had opened the door; he had on his hat and overcoat.
+
+"I'm going for a doctor to come and see if anything's the matter
+with you. Of course it was all a hoax, but no person in his right
+mind could have believed all that rubbish about murder and suicide
+and jewels. You've been making enough noise to bring the house down
+for the last hour or two."
+
+"But what was I to think of those letters?" whimpered Mrs. Heasant.
+
+"I should have known what to think of them," said Bertie; "if you
+choose to excite yourself over other people's correspondence it's
+your own fault. Anyhow, I'm going for a doctor."
+
+It was Bertie's great opportunity, and he knew it. His mother was
+conscious of the fact that she would look rather ridiculous if the
+story got about. She was willing to pay hush-money.
+
+"I'll never open your letters again," she promised. And Clovis has
+no more devoted slave than Bertie Heasant.
+
+
+
+THE SEVEN CREAM JUGS
+
+
+
+"I suppose we shall never see Wilfred Pigeoncote here now that he
+has become heir to the baronetcy and to a lot of money," observed
+Mrs. Peter Pigeoncote regretfully to her husband.
+
+"Well, we can hardly expect to," he replied, "seeing that we always
+choked him off from coming to see us when he was a prospective
+nobody. I don't think I've set eyes on him since he was a boy of
+twelve."
+
+"There was a reason for not wanting to encourage his
+acquaintanceship," said Mrs. Peter. "With that notorious failing of
+his he was not the sort of person one wanted in one's house."
+
+"Well, the failing still exists, doesn't it?" said her husband; "or
+do you suppose a reform of character is entailed along with the
+estate?"
+
+"Oh, of course, there is still that drawback," admitted the wife,
+"but one would like to make the acquaintance of the future head of
+the family, if only out of mere curiosity. Besides, cynicism apart,
+his being rich will make a difference in the way people will look at
+his failing. When a man is absolutely wealthy, not merely well-to-
+do, all suspicion of sordid motive naturally disappears; the thing
+becomes merely a tiresome malady."
+
+Wilfrid Pigeoncote had suddenly become heir to his uncle, Sir
+Wilfrid Pigeoncote, on the death of his cousin, Major Wilfrid
+Pigeoncote, who had succumbed to the after-effects of a polo
+accident. (A Wilfrid Pigeoncote had covered himself with honours in
+the course of Marlborough's campaigns, and the name Wilfrid had been
+a baptismal weakness in the family ever since.) The new heir to the
+family dignity and estates was a young man of about five-and-twenty,
+who was known more by reputation than by person to a wide circle of
+cousins and kinsfolk. And the reputation was an unpleasant one.
+The numerous other Wilfrids in the family were distinguished one
+from another chiefly by the names of their residences or
+professions, as Wilfrid of Hubbledown, and young Wilfrid the Gunner,
+but this particular scion was known by the ignominious and
+expressive label of Wilfrid the Snatcher. From his late schooldays
+onward he had been possessed by an acute and obstinate form of
+kleptomania; he had the acquisitive instinct of the collector
+without any of the collector's discrimination. Anything that was
+smaller and more portable than a sideboard, and above the value of
+ninepence, had an irresistible attraction for him, provided that it
+fulfilled the necessary condition of belonging to some one else. On
+the rare occasions when he was included in a country-house party, it
+was usual and almost necessary for his host, or some member of the
+family, to make a friendly inquisition through his baggage on the
+eve of his departure, to see if he had packed up "by mistake" any
+one else's property. The search usually produced a large and varied
+yield.
+
+"This is funny," said Peter Pigeoncote to his wife, some half-hour
+after their conversation; "here's a telegram from Wilfrid, saying
+he's passing through here in his motor, and would like to stop and
+pay us his respects. Can stay for the night if it doesn't
+inconvenience us. Signed 'Wilfrid Pigeoncote.' Must be the
+Snatcher; none of the others have a motor. I suppose he's bringing
+us a present for the silver wedding."
+
+"Good gracious!" said Mrs. Peter, as a thought struck her; "this is
+rather an awkward time to have a person with his failing in the
+house. All those silver presents set out in the drawing-room, and
+others coming by every post; I hardly know what we've got and what
+are still to come. We can't lock them all up; he's sure to want to
+see them."
+
+"We must keep a sharp look-out, that's all," said Peter
+reassuringly.
+
+"But these practised kleptomaniacs are so clever," said his wife,
+apprehensively, "and it will be so awkward if he suspects that we
+are watching him."
+
+Awkwardness was indeed the prevailing note that evening when the
+passing traveller was being entertained. The talk flitted nervously
+and hurriedly from one impersonal topic to another. The guest had
+none of the furtive, half-apologetic air that his cousins had rather
+expected to find; he was polite, well-assured, and, perhaps, just a
+little inclined to "put on side". His hosts, on the other hand,
+wore an uneasy manner that might have been the hallmark of conscious
+depravity. In the drawing-room, after dinner, their nervousness and
+awkwardness increased.
+
+"Oh, we haven't shown you the silver-wedding presents," said Mrs.
+Peter, suddenly, as though struck by a brilliant idea for
+entertaining the guest; "here they all are. Such nice, useful
+gifts. A few duplicates, of course."
+
+"Seven cream jugs," put in Peter.
+
+"Yes, isn't it annoying," went on Mrs. Peter; "seven of them. We
+feel that we must live on cream for the rest of our lives. Of
+course, some of them can be changed."
+
+Wilfrid occupied himself chiefly with such of the gifts as were of
+antique interest, carrying one or two of them over to the lamp to
+examine their marks. The anxiety of his hosts at these moments
+resembled the solicitude of a cat whose newly born kittens are being
+handed round for inspection.
+
+"Let me see; did you give me back the mustard-pot? This is its
+place here," piped Mrs. Peter.
+
+"Sorry. I put it down by the claret-jug," said Wilfrid, busy with
+another object.
+
+"Oh, just let me have the sugar-sifter again," asked Mrs. Peter,
+dogged determination showing through her nervousness; "I must label
+it who it comes from before I forget."
+
+Vigilance was not completely crowned with a sense of victory. After
+they had said "Good-night" to their visitor, Mrs. Peter expressed
+her conviction that he had taken something.
+
+"I fancy, by his manner, that there was something up," corroborated
+her husband; "do you miss anything?"
+
+Mrs. Peters hastily counted the array of gifts.
+
+"I can only make it thirty-four, and I think it should be thirty-
+five," she announced; "I can't remember if thirty-five includes the
+Archdeacon's cruet-stand that hasn't arrived yet."
+
+"How on earth are we to know?" said Peter. "The mean pig hasn't
+brought us a present, and I'm hanged if he shall carry one off."
+
+"To-morrow, when's he having his bath," said Mrs. Peter excitedly,
+"he's sure to leave his keys somewhere, and we can go through his
+portmanteau. It's the only thing to do."
+
+On the morrow an alert watch was kept by the conspirators behind
+half-closed doors, and when Wilfrid, clad in a gorgeous bath-robe,
+had made his way to the bath-room, there was a swift and furtive
+rush by two excited individuals towards the principal guest-chamber.
+Mrs. Peter kept guard outside, while her husband first made a
+hurried and successful search for the keys, and then plunged at the
+portmanteau with the air of a disagreeably conscientious Customs
+official. The quest was a brief one; a silver cream jug lay
+embedded in the folds of some zephyr shirts.
+
+"The cunning brute," said Mrs. Peters; "he took a cream jug because
+there were so many; he thought one wouldn't be missed. Quick, fly
+down with it and put it back among the others."
+
+Wilfrid was late in coming down to breakfast, and his manner showed
+plainly that something was amiss.
+
+"It's an unpleasant thing to have to say," he blurted out presently,
+"but I'm afraid you must have a thief among your servants.
+Something's been taken out of my portmanteau. It was a little
+present from my mother and myself for your silver wedding. I should
+have given it to you last night after dinner, only it happened to be
+a cream jug, and you seemed annoyed at having so many duplicates, so
+I felt rather awkward about giving you another. I thought I'd get
+it changed for something else, and now it's gone."
+
+"Did you say it was from your MOTHER and yourself?" asked Mr. and
+Mrs. Peter almost in unison. The Snatcher had been an orphan these
+many years.
+
+"Yes, my mother's at Cairo just now, and she wrote to me at Dresden
+to try and get you something quaint and pretty in the old silver
+line, and I pitched on this cream jug."
+
+Both the Pigeoncotes had turned deadly pale. The mention of Dresden
+had thrown a sudden light on the situation. It was Wilfrid the
+Attache, a very superior young man, who rarely came within their
+social horizon, whom they had been entertaining unawares in the
+supposed character of Wilfrid the Snatcher. Lady Ernestine
+Pigeoncote, his mother, moved in circles which were entirely beyond
+their compass or ambitions, and the son would probably one day be an
+Ambassador. And they had rifled and despoiled his portmanteau!
+Husband and wife looked blankly and desperately at one another. It
+was Mrs. Peter who arrived first at an inspiration.
+
+"How dreadful to think there are thieves in the house! We keep the
+drawing-room locked up at night, of course, but anything might be
+carried off while we are at breakfast."
+
+She rose and went out hurriedly, as though to assure herself that
+the drawing-room was not being stripped of its silverware, and
+returned a moment later, bearing a cream jug in her hands.
+
+"There are eight cream jugs now, instead of seven," she cried; "this
+one wasn't there before. What a curious trick of memory, Mr.
+Wilfrid! You must have slipped downstairs with it last night and
+put it there before we locked up, and forgotten all about having
+done it in the morning."
+
+"One's mind often plays one little tricks like that," said Mr.
+Peter, with desperate heartiness. "Only the other day I went into
+the town to pay a bill, and went in again next day, having clean
+forgotten that I'd--"
+
+"It is certainly the jug I bought for you," said Wilfrid, looking
+closely at it; "it was in my portmanteau when I got my bath-robe out
+this morning, before going to my bath, and it was not there when I
+unlocked the portmanteau on my return. Some one had taken it while
+I was away from the room."
+
+The Pigeoncotes had turned paler than ever. Mrs. Peter had a final
+inspiration.
+
+"Get me my smelling-salts, dear," she said to her husband; "I think
+they're in the dressing-room."
+
+Peter dashed out of the room with glad relief; he had lived so long
+during the last few minutes that a golden wedding seemed within
+measurable distance.
+
+Mrs. Peter turned to her guest with confidential coyness.
+
+"A diplomat like you will know how to treat this as if it hadn't
+happened. Peter's little weakness; it runs in the family."
+
+"Good Lord! Do you mean to say he's a kleptomaniac, like Cousin
+Snatcher?"
+
+"Oh, not exactly," said Mrs. Peter, anxious to whitewash her husband
+a little greyer than she was painting him. "He would never touch
+anything he found lying about, but he can't resist making a raid on
+things that are locked up. The doctors have a special name for it.
+He must have pounced on your portmanteau the moment you went to your
+bath, and taken the first thing he came across. Of course, he had
+no motive for taking a cream jug; we've already got seven, as you
+know--not, of course, that we don't value the kind of gift you and
+your mother--hush here's Peter coming."
+
+Mrs. Peter broke off in some confusion, and tripped out to meet her
+husband in the hall.
+
+"It's all right," she whispered to him; "I've explained everything.
+Don't say anything more about it."
+
+"Brave little woman," said Peter, with a gasp of relief; "I could
+never have done it."
+
+* * *
+
+Diplomatic reticence does not necessarily extend to family affairs.
+Peter Pigeoncote was never able to understand why Mrs. Consuelo van
+Bullyon, who stayed with them in the spring, always carried two very
+obvious jewel-cases with her to the bath-room, explaining them to
+any one she chanced to meet in the corridor as her manicure and
+face-massage set.
+
+
+
+THE OCCASIONAL GARDEN
+
+
+
+"Don't talk to me about town gardens," said Elinor Rapsley; "which
+means, of course, that I want you to listen to me for an hour or so
+while I talk about nothing else. 'What a nice-sized garden you've
+got,' people said to us when we first moved here. What I suppose
+they meant to say was what a nice-sized site for a garden we'd got.
+As a matter of fact, the size is all against it; it's too large to
+be ignored altogether and treated as a yard, and it's too small to
+keep giraffes in. You see, if we could keep giraffes or reindeer or
+some other species of browsing animal there we could explain the
+general absence of vegetation by a reference to the fauna of the
+garden: 'You can't have wapiti AND Darwin tulips, you know, so we
+didn't put down any bulbs last year.' As it is, we haven't got the
+wapiti, and the Darwin tulips haven't survived the fact that most of
+the cats of the neighbourhood hold a parliament in the centre of the
+tulip bed; that rather forlorn looking strip that we intended to be
+a border of alternating geranium and spiraea has been utilised by
+the cat-parliament as a division lobby. Snap divisions seem to have
+been rather frequent of late, far more frequent than the geranium
+blooms are likely to be. I shouldn't object so much to ordinary
+cats, but I do complain of having a congress of vegetarian cats in
+my garden; they must be vegetarians, my dear, because, whatever
+ravages they may commit among the sweet pea seedlings, they never
+seem to touch the sparrows; there are always just as many adult
+sparrows in the garden on Saturday as there were on Monday, not to
+mention newly-fledged additions. There seems to have been an
+irreconcilable difference of opinion between sparrows and Providence
+since the beginning of time as to whether a crocus looks best
+standing upright with its roots in the earth or in a recumbent
+posture with its stem neatly severed; the sparrows always have the
+last word in the matter, at least in our garden they do. I fancy
+that Providence must have originally intended to bring in an
+amending Act, or whatever it's called, providing either for a less
+destructive sparrow or a more indestructible crocus. The one
+consoling point about our garden is that it's not visible from the
+drawing-room or the smoking-room, so unless people are dinning or
+lunching with us they can't spy out the nakedness of the land. That
+is why I am so furious with Gwenda Pottingdon, who has practically
+forced herself on me for lunch on Wednesday next; she heard me offer
+the Paulcote girl lunch if she was up shopping on that day, and, of
+course, she asked if she might come too. She is only coming to
+gloat over my bedraggled and flowerless borders and to sing the
+praises of her own detestably over-cultivated garden. I'm sick of
+being told that it's the envy of the neighbourhood; it's like
+everything else that belongs to her--her car, her dinner-parties,
+even her headaches, they are all superlative; no one else ever had
+anything like them. When her eldest child was confirmed it was such
+a sensational event, according to her account of it, that one almost
+expected questions to be asked about it in the House of Commons, and
+now she's coming on purpose to stare at my few miserable pansies and
+the gaps in my sweet-pea border, and to give me a glowing, full-
+length description of the rare and sumptuous blooms in her rose-
+garden."
+
+"My dear Elinor," said the Baroness, "you would save yourself all
+this heart-burning and a lot of gardener's bills, not to mention
+sparrow anxieties, simply by paying an annual subscription to the
+O.O.S.A."
+
+"Never heard of it," said Elinor; "what is it?"
+
+"The Occasional-Oasis Supply Association," said the Baroness; "it
+exists to meet cases exactly like yours, cases of backyards that are
+of no practical use for gardening purposes, but are required to
+blossom into decorative scenic backgrounds at stated intervals, when
+a luncheon or dinner-party is contemplated. Supposing, for
+instance, you have people coming to lunch at one-thirty; you just
+ring up the Association at about ten o'clock the same morning, and
+say 'lunch garden'. That is all the trouble you have to take. By
+twelve forty-five your yard is carpeted with a strip of velvety
+turf, with a hedge of lilac or red may, or whatever happens to be in
+season, as a background, one or two cherry trees in blossom, and
+clumps of heavily-flowered rhododendrons filling in the odd corners;
+in the foreground you have a blaze of carnations or Shirley poppies,
+or tiger lilies in full bloom. As soon as the lunch is over and
+your guests have departed the garden departs also, and all the cats
+in Christendom can sit in council in your yard without causing you a
+moment's anxiety. If you have a bishop or an antiquary or something
+of that sort coming to lunch you just mention the fact when you are
+ordering the garden, and you get an old-world pleasaunce, with
+clipped yew hedges and a sun-dial and hollyhocks, and perhaps a
+mulberry tree, and borders of sweet-williams and Canterbury bells,
+and an old-fashioned beehive or two tucked away in a corner. Those
+are the ordinary lines of supply that the Oasis Association
+undertakes, but by paying a few guineas a year extra you are
+entitled to its emergency E.O.N. service."
+
+"What on earth is an E.O.N. service?"
+
+"It's just a conventional signal to indicate special cases like the
+incursion of Gwenda Pottingdon. It means you've got some one coming
+to lunch or dinner whose garden is alleged to be 'the envy of the
+neighbourhood.'"
+
+"Yes," exclaimed Elinor, with some excitement, "and what happens
+then?"
+
+"Something that sounds like a miracle out of the Arabian Nights.
+Your backyard becomes voluptuous with pomegranate and almond trees,
+lemon groves, and hedges of flowering cactus, dazzling banks of
+azaleas, marble-basined fountains, in which chestnut-and-white pond-
+herons step daintily amid exotic water-lilies, while golden
+pheasants strut about on alabaster terraces. The whole effect
+rather suggests the idea that Providence and Norman Wilkinson have
+dropped mutual jealousies and collaborated to produce a background
+for an open-air Russian Ballet; in point of fact, it is merely the
+background to your luncheon party. If there is any kick left in
+Gwenda Pottingdon, or whoever your E.O.N. guest of the moment may
+be, just mention carelessly that your climbing putella is the only
+one in England, since the one at Chatsworth died last winter. There
+isn't such a thing as a climbing putella, but Gwenda Pottingdon and
+her kind don't usually know one flower from another without
+prompting."
+
+"Quick," said Elinor, "the address of the Association."
+
+Gwenda Pottingdon did not enjoy her lunch. It was a simple yet
+elegant meal, excellently cooked and daintily served, but the
+piquant sauce of her own conversation was notably lacking. She had
+prepared a long succession of eulogistic comments on the wonders of
+her town garden, with its unrivalled effects of horticultural
+magnificence, and, behold, her theme was shut in on every side by
+the luxuriant hedge of Siberian berberis that formed a glowing
+background to Elinor's bewildering fragment of fairyland. The
+pomegranate and lemon trees, the terraced fountain, where golden
+carp slithered and wriggled amid the roots of gorgeous-hued irises,
+the banked masses of exotic blooms, the pagoda-like enclosure, where
+Japanese sand-badgers disported themselves, all these contributed to
+take away Gwenda's appetite and moderate her desire to talk about
+gardening matters.
+
+"I can't say I admire the climbing putella," she observed shortly,
+"and anyway it's not the only one of its kind in England; I happen
+to know of one in Hampshire. How gardening is going out of fashion;
+I suppose people haven't the time for it nowadays."
+
+Altogether it was quite one of Elinor's most successful luncheon
+parties.
+
+It was distinctly an unforeseen catastrophe that Gwenda should have
+burst in on the household four days later at lunch-time and made her
+way unbidden into the dining-room.
+
+"I thought I must tell you that my Elaine has had a water-colour
+sketch accepted by the Latent Talent Art Guild; it's to be exhibited
+at their summer exhibition at the Hackney Gallery. It will be the
+sensation of the moment in the art world--Hullo, what on earth has
+happened to your garden? It's not there!"
+
+"Suffragettes," said Elinor promptly; "didn't you hear about it?
+They broke in and made hay of the whole thing in about ten minutes.
+I was so heart-broken at the havoc that I had the whole place
+cleared out; I shall have it laid out again on rather more elaborate
+lines."
+
+"That," she said to the Baroness afterwards "is what I call having
+an emergency brain."
+
+
+
+THE SHEEP
+
+
+
+The enemy had declared "no trumps." Rupert played out his ace and
+king of clubs and cleared the adversary of that suit; then the
+Sheep, whom the Fates had inflicted on him for a partner, took the
+third round with the queen of clubs, and, having no other club to
+lead back, opened another suit. The enemy won the remainder of the
+tricks--and the rubber.
+
+"I had four more clubs to play; we only wanted the odd trick to win
+the rubber," said Rupert.
+
+"But I hadn't another club to lead you," exclaimed the Sheep, with
+his ready, defensive smile.
+
+"It didn't occur to you to throw your queen away on my king and
+leave me with the command of the suit," said Rupert, with polite
+bitterness.
+
+"I suppose I ought to have--I wasn't certain what to do. I'm
+awfully sorry," said the Sheep.
+
+Being awfully and uselessly sorry formed a large part of his
+occupation in life. If a similar situation had arisen in a
+subsequent hand he would have blundered just as certainly, and he
+would have been just as irritatingly apologetic.
+
+Rupert stared gloomily across at him as he sat smiling and fumbling
+with his cards. Many men who have good brains for business do not
+possess the rudiments of a card-brain, and Rupert would not have
+judged and condemned his prospective brother-in-law on the evidence
+of his bridge play alone. The tragic part of it was that he smiled
+and fumbled through life just as fatuously and apologetically as he
+did at the card-table. And behind the defensive smile and the well-
+worn expressions of regret there shone a scarcely believable but
+quite obvious self-satisfaction. Every sheep of the pasture
+probably imagines that in an emergency it could become terrible as
+an army with banners--one has only to watch how they stamp their
+feet and stiffen their necks when a minor object of suspicion comes
+into view and behaves meekly. And probably the majority of human
+sheep see themselves in imagination taking great parts in the
+world's more impressive dramas, forming swift, unerring decisions in
+moments of crisis, cowing mutinies, allaying panics, brave, strong,
+simple, but, in spite of their natural modesty, always slightly
+spectacular.
+
+"Why in the name of all that is unnecessary and perverse should
+Kathleen choose this man for her future husband?" was the question
+that Rupert asked himself ruefully. There was young Malcolm
+Athling, as nice-looking, decent, level-headed a fellow as any one
+could wish to meet, obviously her very devoted admirer, and yet she
+must throw herself away on this pale-eyed, weak-mouthed embodiment
+of self-approving ineptitude. If it had been merely Kathleen's own
+affair Rupert would have shrugged his shoulders and philosophically
+hoped that she might make the best of an undeniably bad bargain.
+But Rupert had no heir; his own boy lay underground somewhere on the
+Indian frontier, in goodly company. And the property would pass in
+due curse to Kathleen and Kathleen's husband. The Sheep would live
+there in the beloved old home, rearing up other little Sheep,
+fatuous and rabbit-faced and self-satisfied like himself, to dwell
+in the land and possess it. It was not a soothing prospect.
+
+Towards dusk on the afternoon following the bridge experience Rupert
+and the Sheep made their way homeward after a day's mixed shooting.
+The Sheep's cartridge bag was nearly empty, but his game bag showed
+no signs of over-crowding. The birds he had shot at had seemed for
+the most part as impervious to death or damage as the hero of a
+melodrama. And for each failure to drop his bird he had some
+explanation or apology ready on his lips. Now he was striding along
+in front of his host, chattering happily over his shoulder, but
+obviously on the look-out for some belated rabbit or woodpigeon that
+might haply be secured as an eleventh-hour addition to his bag. As
+they passed the edge of a small copse a large bird rose from the
+ground and flew slowly towards the trees, offering an easy shot to
+the oncoming sportsmen. The Sheep banged forth with both barrels,
+and gave an exultant cry.
+
+"Horray! I've shot a thundering big hawk!"
+
+"To be exact, you've shot a honey-buzzard. That is the hen bird of
+one of the few pairs of honey-buzzards breeding in the United
+Kingdom. We've kept them under the strictest preservation for the
+last four years; every game-keeper and village gun loafer for twenty
+miles round has been warned and bribed and threatened to respect
+their sanctity, and egg-snatching agents have been carefully guarded
+against during the breeding season. Hundreds of lovers of rare
+birds have delighted in seeing their snap-shotted portraits in
+Country Life, and now you've reduced the hen bird to a lump of
+broken feathers."
+
+Rupert spoke quietly and evenly, but for a moment or two a gleam of
+positive hatred shone in his eyes.
+
+"I say, I'm so sorry," said the Sheep, with his apologetic smile.
+"Of course I remember hearing about the buzzards, but somehow I
+didn't connect this bird with them. And it was such an east shot--"
+
+"Yes," said Rupert; "that was the trouble."
+
+Kathleen found him in the gun-room smoothing out the feathers of the
+dead bird. She had already been told of the catastrophe.
+
+"What a horrid misfortune," she said sympathetically.
+
+"It was my dear Robbie who first discovered them, the last time he
+was home on leave. Don't you remember how excited he was about
+them? Let's go and have some tea."
+
+Both bridge and shooting were given a rest for the next two or three
+weeks. Death, who enters into no compacts with party whips, had
+forced a Parliamentary vacancy on the neighbourhood at the least
+convenient season, and the local partisans on either side found
+themselves immersed in the discomforts of a mid-winter election.
+Rupert took his politics seriously and keenly. He belonged to that
+type of strangely but rather happily constituted individuals which
+these islands seem to produce in a fair plenty; men and women who
+for no personal profit or gain go forth from their comfortable
+firesides or club card-rooms to hunt to and fro in the mud and rain
+and wind for the capture or tracking of a stray vote here and there
+on their party's behalf--not because they think they ought to, but
+because they want to. And his energies were welcome enough on this
+occasion, for the seat was a closely disputed possession, and its
+loss or retention would count for much in the present position of
+the Parliamentary game. With Kathleen to help him, he had worked
+his corner of the constituency with tireless, well-directed zeal,
+taking his share of the dull routine work as well as of the livelier
+episodes. The talking part of the campaign wound up on the eve of
+the poll with a meeting in a centre where more undecided votes were
+supposed to be concentrated than anywhere else in the division. A
+good final meeting here would mean everything. And the speakers,
+local and imported, left nothing undone to improve the occasion.
+Rupert was down for the unimportant task of moving the complimentary
+vote to the chairman which should close the proceedings.
+
+"I'm so hoarse," he protested, when the moment arrived; "I don't
+believe I can make my voice heard beyond the platform."
+
+"Let me do it," said the Sheep; "I'm rather good at that sort of
+thing."
+
+The chairman was popular with all parties, and the Sheep's opening
+words of complimentary recognition received a round of applause.
+The orator smiled expansively on his listeners and seized the
+opportunity to add a few words of political wisdom on his own
+account. People looked at the clock or began to grope for umbrellas
+and discarded neckwraps. Then, in the midst of a string of
+meaningless platitudes, the Sheep delivered himself of one of those
+blundering remarks which travel from one end of a constituency to
+the other in half an hour, and are seized on by the other side as
+being more potent on their behalf than a ton of election literature.
+There was a general shuffling and muttering across the length and
+breadth of the hall, and a few hisses made themselves heard. The
+Sheep tried to whittle down his remark, and the chairman
+unhesitatingly threw him over in his speech of thanks, but the
+damage was done.
+
+"I'm afraid I lost touch with the audience rather over that remark,"
+said the Sheep afterwards, with his apologetic smile abnormally
+developed.
+
+"You lost us the election," said the chairman, and he proved a true
+prophet.
+
+A month or so of winter sport seemed a desirable pick-me-up after
+the strenuous work and crowning discomfiture of the election.
+Rupert and Kathleen hied them away to a small Alpine resort that was
+just coming into prominence, and thither the Sheep followed them in
+due course, in his role of husband-elect. The wedding had been
+fixed for the end of March.
+
+It was a winter of early and unseasonable thaws, and the far end of
+the local lake, at a spot where swift currents flowed into it, was
+decorated with notices, written in three languages, warning skaters
+not to venture over certain unsafe patches. The folly of
+approaching too near these danger spots seemed to have a natural
+fascination for the Sheep.
+
+"I don't see what possible danger there can be," he protested, with
+his inevitable smile, when Rupert beckoned him away from the
+proscribed area; "the milk that I put out on my window-sill last
+night was frozen an inch deep."
+
+"It hadn't got a strong current flowing through it," said Rupert;
+"in any case, there is not much sense in hovering round a doubtful
+piece of ice when there are acres of good ice to skate over. The
+secretary of the ice-committee has warned you once already."
+
+A few minutes later Rupert heard a loud squeal of fear, and saw a
+dark spot blotting the smoothness of the lake's frozen surface. The
+Sheep was struggling helplessly in an ice-hole of his own making.
+Rupert gave one loud curse, and then dashed full tilt for the shore;
+outside a low stable building on the lake's edge he remembered
+having seen a ladder. If he could slide it across the ice-hole
+before the Sheep went under the rescue would be comparatively simple
+work. Other skaters were dashing up from a distance, and, with the
+ladder's help, they could get him out of his death-trap without
+having to trust themselves on the margin of rotten ice. Rupert
+sprang on to the surface of lumpy, frozen snow, and staggered to
+where the ladder lay. He had already lifted it when the rattle of a
+chain and a furious outburst of growls burst on his hearing, and he
+was dashed to the ground by a mass of white and tawny fur. A sturdy
+young yard-dog, frantic with the pleasure of performing his first
+piece of actice guardian service, was ramping and snarling over him,
+rendering the task of regaining his feet or securing the ladder a
+matter of considerable difficulty. When he had at last succeeded in
+both efforts he was just by a hair's-breadth too late to be of any
+use. The Sheep had definitely disappeared under the ice-rift.
+
+Kathleen Athling and her husband stay the greater part of the year
+with Rupert, and a small Robbie stands in some danger of being
+idolised by a devoted uncle. But for twelve months of the year
+Rupert's most inseparable and valued companion is a sturdy tawny and
+white yard-dog.
+
+
+
+THE OVERSIGHT
+
+
+
+"It's like a Chinese puzzle," said Lady Prowche resentfully, staring
+at a scribbled list of names that spread over two or three loose
+sheets of notepaper on her writing-table. Most of the names had a
+pencil mark running through them.
+
+"What is like a Chinese puzzle?" asked Lena Luddleford briskly; she
+rather prided herself on being able to grapple with the minor
+problems of life.
+
+"Getting people suitably sorted together. Sir Richard likes me to
+have a house party about this time of year, and gives me a free hand
+as to whom I should invite; all he asks is that it should be a
+peaceable party, with no friction or unpleasantness."
+
+"That seems reasonable enough," said Lena.
+
+"Not only reasonable, my dear, but necessary. Sir Richard has his
+literary work to think of; you can't expect a man to concentrate on
+the tribal disputes of Central Asian clansmen when he's got social
+feuds blazing under his own roof."
+
+"But why should they blaze? Why should there be feuds at all within
+the compass of a house party?"
+
+"Exactly; why should they blaze or why should they exist?" echoed
+Lady Prowche; "the point is that they always do. We have been
+unlucky; persistently unlucky, now that I come to look back on
+things. We have always got people of violently opposed views under
+one roof, and the result has been not merely unpleasantness but
+explosion."
+
+"Do you mean people who disagree on matters of political opinion and
+religious views?" asked Lena.
+
+"No, not that. The broader lines of political or religious
+difference don't matter. You can have Church of England and
+Unitarian and Buddhist under the same roof without courting
+disaster; the only Buddhist I ever had down here quarrelled with
+everybody, but that was on account of his naturally squabblesome
+temperament; it had nothing to do with his religion. And I've
+always found that people can differ profoundly about politics and
+meet on perfectly good terms at breakfast. Now, Miss Larbor Jones,
+who was staying here last year, worships Lloyd George as a sort of
+wingless angel, while Mrs. Walters, who was down here at the same
+time, privately considers him to be--an antelope, let us say."
+
+"An antelope?"
+
+"Well, not an antelope exactly, but something with horns and hoofs
+and tail."
+
+"Oh, I see."
+
+"Still, that didn't prevent them from being the chummiest of mortals
+on the tennis court and in the billiard-room. They did quarrel
+finally, about a lead in a doubled hand of no-trumps, but that of
+course is a thing that no account of judicious guest-grouping could
+prevent. Mrs. Walters had got king, knave, ten, and seven of clubs-
+-"
+
+"You were saying that there were other lines of demarcation that
+caused the bother," interrupted Lena.
+
+"Exactly. It is the minor differences and side-issues that give so
+much trouble," said Lady Prowche; "not to my dying day shall I
+forget last year's upheaval over the Suffragette question. Laura
+Henniseed left the house in a state of speechless indignation, but
+before she had reached that state she had used language that would
+not have been tolerated in the Austrian Reichsrath. Intensive bear-
+gardening was Sir Richard's description of the whole affair, and I
+don't think he exaggerated."
+
+"Of course the Suffragette question is a burning one, and lets loose
+the most dreadful ill-feeling," said Lena; "but one can generally
+find out beforehand what people's opinions--"
+
+"My dear, the year before it was worse. It was Christian Science.
+Selina Goobie is a sort of High Priestess of the Cult, and she put
+down all opposition with a high hand. Then one evening, after
+dinner, Clovis Sangrail put a wasp down her back, to see if her
+theory about the non-existence of pain could be depended on in an
+emergency. The wasp was small, but very efficient, and it had been
+soured in temper by being kept in a paper cage all the afternoon.
+Wasps don't stand confinement well, at least this one didn't. I
+don't think I ever realised till that moment what the word
+'invective' could be made to mean. I sometimes wake in the night
+and think I still hear Selina describing Clovis's conduct and
+general character. That was the year that Sir Richard was writing
+his volume on 'Domestic Life in Tartary.' The critics all blamed it
+for a lack of concentration."
+
+"He's engaged on a very important work this year, isn't he?" asked
+Lena.
+
+"'Land-tenure in Turkestan,'" said Lady Prowche; "he is just at work
+on the final chapters and they require all the concentration he can
+give them. That is why I am so very anxious not to have any
+unfortunate disturbance this year. I have taken every precaution I
+can think of to bring non-conflicting and harmonious elements
+together; the only two people I am not quite easy about are the
+Atkinson man and Marcus Popham. They are the two who will be down
+here longest together, and if they are going to fall foul of one
+another about any burning question, well, there will be more
+unpleasantness."
+
+"Can't you find out anything about them? About their opinions, I
+mean."
+
+"Anything? My dear Lena, there's scarcely anything that I haven't
+found out about them. They're both of them moderate Liberal,
+Evangelical, mildly opposed to female suffrage, they approve of the
+Falconer Report, and the Stewards' decision about Craganour. Thank
+goodness in this country we don't fly into violent passions about
+Wagner and Brahms and things of that sort. There is only one thorny
+subject that I haven't been able to make sure about, the only stone
+that I have left unturned. Are they unanimously anti-vivisectionist
+or do they both uphold the necessity for scientific experiment?
+There has been a lot of correspondence on the subject in our local
+newspapers of late, and the vicar is certain to preach a sermon
+about it; vicars are dreadfully provocative at times. Now, if you
+could only find out for me whether these two men are divergently for
+or against--"
+
+"I!" exclaimed Lena; "how am I to find out? I don't know either of
+them to speak to."
+
+"Still you might discover, in some roundabout way. Write to them,
+under as assumed name of course, for subscriptions to one or other
+cause--or, better still, send a stamped type-written reply postcard,
+with a request for a declaration for or against vivisection; people
+who would hesitate to commit themselves to a subscription will
+cheerfully write Yes or No on a prepaid postcard. If you can't
+manage it that way, try and meet them at some one's house and get
+into argument on the subject. I think Milly occasionally has one or
+other of them at her at-homes; you might have the luck to meet both
+of them there the same evening. Only it must be done soon. My
+invitations ought to go out by Wednesday or Thursday at the latest,
+and to-day is Friday.
+
+"Milly's at-homes are not very amusing, as a rule," said Lena, "and
+one never gets a chance of talking uninterruptedly to any one for a
+couple of minutes at a time; Milly is one of those restless
+hostesses who always seem to be trying to see how you look in
+different parts of the room, in fresh grouping effects. Even if I
+got to speak to Popham or Atkinson I couldn't plunge into a topic
+like vivisection straight away. No, I think the postcard scheme
+would be more hopeful and decidedly less tiresome. How would it be
+best to word them?"
+
+"Oh, something like this: 'Are you in favour of experiments on
+living animals for the purpose of scientific research--Yes or No?'
+That is quite simple and unmistakable. If they don't answer it will
+at least be an indication that they are indifferent about the
+subject, and that is all I want to know."
+
+"All right," said Lena, "I'll get my brother-in-law to let me have
+them addressed to his office, and he can telephone the result of the
+plebiscite direct to you."
+
+"Thank you ever so much," said Lady Prowche gratefully, "and be sure
+to get the cards sent off as soon as possible."
+
+On the following Tuesday the voice of an office clerk, speaking
+through the telephone, informed Lady Prowche that the postcard poll
+showed unanimous hostility to experiments on living animals.
+
+Lady Prowche thanked the office clerk, and in a louder and more
+fervent voice she thanked Heaven. The two invitations, already
+sealed and addressed, were immediately dispatched; in due course
+they were both accepted. The house party of the halcyon hours, as
+the prospective hostess called it, was auspiciously launched.
+
+Lena Luddleford was not included among the guests, having previously
+committed herself to another invitation. At the opening day of a
+cricket festival, however, she ran across Lady Prowche, who had
+motored over from the other side of the county. She wore the air of
+one who is not interested in cricket and not particularly interested
+in life. She shook hands limply with Lena, and remarked that it was
+a beastly day.
+
+"The party, how has it gone off?" asked Lena quickly.
+
+"Don't speak of it!" was the tragical answer; "why do I always have
+such rotten luck?"
+
+"But what has happened?"
+
+"It has been awful. Hyaenas could not have behaved with greater
+savagery. Sir Richard said so, and he has been in countries where
+hyaenas live, so he ought to know. They actually came to blows!"
+
+"Blows?"
+
+"Blows and curses. It really might have been a scene from one of
+Hogarth's pictures. I never felt so humiliated in my life. What
+the servants must have thought!"
+
+"But who were the offenders?"
+
+"Oh, naturally the very two that we took all the trouble about."
+
+"I thought they agreed on every subject that one could violently
+disagree about--religion, politics, vivisection, the Derby decision,
+the Falconer Report; what else was there left to quarrel about?"
+
+"My dear, we were fools not to have thought of it. One of them was
+Pro-Greek and the other Pro-Bulgar."
+
+
+
+HYACINTH
+
+
+
+"The new fashion of introducing the candidate's children into an
+election contest is a pretty one," said Mrs. Panstreppon; "it takes
+away something from the acerbity of party warfare, and it makes an
+interesting experience for children to look back on in after years.
+Still, if you will listen to my advice, Matilda, you will not take
+Hyacinth with you down to Luffbridge on election day."
+
+"Not take Hyacinth!" exclaimed his mother; "but why not? Jutterly
+is bringing his three children, and they are going to drive a pair
+of Nubian donkeys about the town, to emphasise the fact that their
+father has been appointed Colonial Secretary. We are making the
+demand for a strong Navy a special feature in our campaign, and it
+will be particularly appropriate to have Hyacinth dressed in his
+sailor suit. He'll look heavenly."
+
+"The question is, not how he'll look, but how he'll behave. He's a
+delightful child, of course, but there is a strain of unbridled
+pugnacity in him that breaks out at times in a really alarming
+fashion. You may have forgotten the affair of the little Gaffin
+children; I haven't."
+
+"I was in India at the time, and I've only a vague recollection of
+what happened; he was very naughty, I know."
+
+"He was in his goat-carriage, and met the Gaffins in their
+perambulator, and he drove the goat full tilt at them and sent the
+perambulator spinning. Little Jacky Gaffin was pinned down under
+the wreckage, and while the nurse had her hands full with the goat
+Hyacinth was laying into Jacky's legs with his belt like a small
+fury."
+
+"I'm not defending him," said Matilda, "but they must have done
+something to annoy him."
+
+"Nothing intentionally, but some one had unfortunately told him that
+they were half French--their mother was a Duboc, you know--and he
+had been having a history lesson that morning, and had just heard of
+the final loss of Calais by the English, and was furious about it.
+He said he'd teach the little toads to go snatching towns from us,
+but we didn't know at the time that he was referring to the Gaffins.
+I told him afterwards that all bad feeling between the two nations
+had died out long ago, and that anyhow the Gaffins were only half
+French, and he said that it was only the French half of Jacky that
+he had been hitting; the rest had been buried under the
+perambulator. If the loss of Calais unloosed such fury in him, I
+tremble to think what the possible loss of the election might
+entail."
+
+"All that happened when he was eight; he's older now and knows
+better."
+
+"Children with Hyacinth's temperament don't know better as they grow
+older; they merely know more."
+
+"Nonsense. He will enjoy the fun of the election, and in any case
+he'll be tired out by the time the poll is declared, and the new
+sailor suit that I've had made for him is just in the right shade of
+blue for our election colours, and it will exactly match the blue of
+his eyes. He will be a perfectly charming note of colour."
+
+"There is such a thing as letting one's aesthetic sense override
+one's moral sense," said Mrs. Panstreppon. "I believe you would
+have condoned the South Sea Bubble and the persecution of the
+Albigenses if they had been carried out in effective colour schemes.
+However, if anything unfortunate should happen down at Luffbridge,
+don't say it wasn't foreseen by one member of the family."
+
+The election was keenly but decorously contested. The newly-
+appointed Colonial Secretary was personally popular, while the
+Government to which he adhered was distinctly unpopular, and there
+was some expectancy that the majority of four hundred, obtained at
+the last election, would be altogether wiped out. Both sides were
+hopeful, but neither could feel confident. The children were a
+great success; the little Jutterlys drove their chubby donkeys
+solemnly up and down the main streets, displaying posters which
+advocated the claims of their father on the broad general grounds
+that he was their father, while as for Hyacinth, his conduct might
+have served as a model for any seraph-child that had strayed
+unwittingly on to the scene of an electoral contest. Of his own
+accord, and under the delighted eyes of half a dozen camera
+operators, he had gone up to the Jutterly children and presented
+them with a packet of butterscotch; "we needn't be enemies because
+we're wearing the opposite colours," he said with engaging
+friendliness, and the occupants of the donkey-cart accepted his
+offering with polite solemnity. The grown-up members of both
+political camps were delighted at the incident--with the exception
+of Mrs. Panstreppon, who shuddered.
+
+"Never was Clytemnestra's kiss sweeter than on the night she slew
+me," she quoted, but made the quotation to herself.
+
+The last hour of the poll was a period of unremitting labour for
+both parties; it was generally estimated that not more than a dozen
+votes separated the candidates, and every effort was made to bring
+up obstinately wavering electors. It was with a feeling of
+relaxation and relief that every one heard the clocks strike the
+hour for the close of the poll. Exclamations broke out from the
+tired workers, and corks flew out from bottles.
+
+"Well, if we haven't won; we've done our level best." "It has been
+a clean straight fight, with no rancour." "The children were quite
+a charming feature, weren't they?"
+
+The children? It suddenly occurred to everybody that they had seen
+nothing of the children for the last hour. What had become of the
+three little Jutterlys and their donkey-cart, and, for the matter of
+that, what had become of Hyacinth. Hurried, anxious embassies went
+backwards and forwards between the respective party headquarters and
+the various committee-rooms, but there was blank ignorance
+everywhere as to the whereabouts of the children. Every one had
+been too busy in the closing moments of the poll to bestow a thought
+on them. Then there came a telephone call at the Unionist Women's
+Committee-rooms, and the voice of Hyacinth was heard demanding when
+the poll would be declared.
+
+"Where are you, and where are the Jutterly children?" asked his
+mother.
+
+"I've just finished having high-tea at a pastry-cook's," came the
+answer, "and they let me telephone. I've had a poached egg and a
+sausage roll and four meringues."
+
+"You'll be ill. Are the little Jutterlys with you?"
+
+"Rather not. They're in a pigstye."
+
+"A pigstye? Why? What pigstye?"
+
+"Near the Crawleigh Road. I met them driving about a back road, and
+told them they were to have tea with me, and put their donkeys in a
+yard that I knew of. Then I took them to see an old sow that had
+got ten little pigs. I got the sow into the outer stye by giving
+her bits of bread, while the Jutterlys went in to look at the
+litter, then I bolted the door and left them there."
+
+"You wicked boy, do you mean to say you've left those poor children
+there alone in the pigstye?"
+
+"They're not alone, they've got ten little pigs in with them;
+they're jolly well crowded. They were pretty mad at being shut in,
+but not half as mad as the old sow is at being shut out from her
+young ones. If she gets in while they're there she'll bite them
+into mincemeat. I can get them out by letting a short ladder down
+through the top window, and that's what I'm going to do IF WE WIN.
+If their blighted father gets in, I'm just going to open the door
+for the sow, and let her do what she dashed well likes to them.
+That's why I want to know when the poll will be declared."
+
+Here the narrator rang off. A wild stampede and a frantic sending-
+off of messengers took place at the other end of the telephone.
+Nearly all the workers on either side had disappeared to their
+various club-rooms and public-house bars to await the declaration of
+the poll, but enough local information could be secured to determine
+the scene of Hyacinth's exploit. Mr. John Ball had a stable yard
+down near the Crawleigh Road, up a short lane, and his sow was known
+to have a litter of ten young ones. Thither went in headlong haste
+both the candidates, Hyacinth's mother, his aunt (Mrs. Panstreppon),
+and two or three hurriedly-summoned friends. The two Nubian
+donkeys, contentedly munching at bundles of hay, met their gaze as
+they entered the yard. The hoarse savage grunting of an enraged
+animal and the shriller note of thirteen young voices, three of them
+human, guided them to the stye, in the outer yard of which a huge
+Yorkshire sow kept up a ceaseless raging patrol before a closed
+door. Reclining on the broad ledge of an open window, from which
+point of vantage he could reach down and shoot the bolt of the door,
+was Hyacinth, his blue sailor-suit somewhat the worse of wear, and
+his angel smile exchanged for a look of demoniacal determination.
+
+"If any of you come a step nearer," he shouted, "the sow will be
+inside in half a jiffy."
+
+A storm of threatening, arguing, entreating expostulation broke from
+the baffled rescue party, but it made no more impression on Hyacinth
+than the squealing tempest that raged within the stye.
+
+"If Jutterly heads the poll I'm going to let the sow in. I'll teach
+the blighters to win elections from us."
+
+"He means it," said Mrs. Panstreppon; "I feared the worst when I saw
+that butterscotch incident."
+
+"It's all right, my little man," said Jutterly, with the duplicity
+to which even a Colonial Secretary can sometimes stoop, "your father
+has been elected by a large majority."
+
+"Liar!" retorted Hyacinth, with the directness of speech that is not
+merely excusable, but almost obligatory, in the political
+profession; "the votes aren't counted yet. You won't gammon me as
+to the result, either. A boy that I've palled with is going to fire
+a gun when the poll is declared; two shots if we've won, one shot if
+we haven't."
+
+The situation began to look critical. "Drug the sow," whispered
+Hyacinth's father.
+
+Some one went off in the motor to the nearest chemist's shop and
+returned presently with two large pieces of bread, liberally dosed
+with narcotic. The bread was thrown deftly and unostentatiously
+into the stye, but Hyacinth saw through the manoeuvre. He set up a
+piercing imitation of a small pit in Purgatory, and the infuriated
+mother ramped round and round the stye; the pieces of bread were
+trampled into slush.
+
+At any moment now the poll might be declared. Jutterly flew back to
+the Town Hall, where the votes were being counted. His agent met
+him with a smile of hope.
+
+"You're eleven ahead at present, and only about eighty more to be
+counted; you're just going to squeak through."
+
+"I mustn't squeak through," exclaimed Jutterly, hoarsely. "You must
+object to every doubtful vote on our side that can possibly be
+disallowed. I must NOT have the majority."
+
+Then was seen the unprecedented sight of a party agent challenging
+the votes on his own side with a captiousness that his opponents
+would have hesitated to display. One or two votes that would have
+certainly passed muster under ordinary circumstances were
+disallowed, but even so Jutterly was six ahead with only thirty more
+to be counted.
+
+To the watchers by the stye the moments seemed intolerable. As a
+last resort some one had been sent for a gun with which to shoot the
+sow, though Hyacinth would probably draw the bolt the moment such a
+weapon was brought into the yard. Nearly all the men were away from
+their homes, however, on election night, and the messenger had
+evidently gone far afield in his search. It must be a matter of
+minutes now to the declaration of the poll.
+
+A sudden roar of shouting and cheering was heard from the direction
+of the Town Hall. Hyacinth's father clutched a pitchfork and
+prepared to dash into the stye in the forlorn hope of being in time.
+
+A shot rang out in the evening air. Hyacinth stooped down from his
+perch and put his finger on the bolt. The sow pressed furiously
+against the door.
+
+"Bang," came another shot.
+
+Hyacinth wriggled back, and sent a short ladder down through the
+window of the inner stye.
+
+"Now you can come up, you unclean little blighters," he sang out;
+"my daddy's got in, not yours. Hurry up, I can't keep the sow
+waiting much longer. And don't you jolly well come butting into any
+election again where I'm on the job."
+
+In the reaction that set in after the deliverance furious
+recrimination were indulged in by the lately opposed candidates,
+their women folk, agents, and party helpers. A recount was
+demanded, but failed to establish the fact that the Colonial
+Secretary had obtained a majority. Altogether the election left a
+legacy of soreness behind it, apart from any that was experienced by
+Hyacinth in person.
+
+"It is the last time I shall let him go to an election," exclaimed
+his mother.
+
+"There I think you are going to extremes," said Mrs. Panstreppon;
+"if there should be a general election in Mexico I think you might
+safely let him go there, but I doubt whether our English politics
+are suited to the rough and tumble of an angel-child."
+
+
+
+THE IMAGE OF THE LOST SOLE
+
+
+
+There were a number of carved stone figures placed at intervals
+along the parapets of the old Cathedral; some of them represented
+angels, others kings and bishops, and nearly all were in attitudes
+of pious exaltation and composure. But one figure, low down on the
+cold north side of the building, had neither crown, mitre, not
+nimbus, and its face was hard and bitter and downcast; it must be a
+demon, declared the fat blue pigeons that roosted and sunned
+themselves all day on the ledges of the parapet; but the old belfry
+jackdaw, who was an authority on ecclesiastical architecture, said
+it was a lost soul. And there the matter rested.
+
+One autumn day there fluttered on to the Cathedral roof a slender,
+sweet-voiced bird that had wandered away from the bare fields and
+thinning hedgerows in search of a winter roosting-place. It tried
+to rest its tired feet under the shade of a great angel-wing or to
+nestle in the sculptured folds of a kingly robe, but the fat pigeons
+hustled it away from wherever it settled, and the noisy sparrow-folk
+drove it off the ledges. No respectable bird sang with so much
+feeling, they cheeped one to another, and the wanderer had to move
+on.
+
+Only the effigy of the Lost Soul offered a place of refuge. The
+pigeons did not consider it safe to perch on a projection that
+leaned so much out of the perpendicular, and was, besides, too much
+in the shadow. The figure did not cross its hands in the pious
+attitude of the other graven dignitaries, but its arms were folded
+as in defiance and their angle made a snug resting-place for the
+little bird. Every evening it crept trustfully into its corner
+against the stone breast of the image, and the darkling eyes seemed
+to keep watch over its slumbers. The lonely bird grew to love its
+lonely protector, and during the day it would sit from time to time
+on some rainshoot or other abutment and trill forth its sweetest
+music in grateful thanks for its nightly shelter. And, it may have
+been the work of wind and weather, or some other influence, but the
+wild drawn face seemed gradually to lose some of its hardness and
+unhappiness. Every day, through the long monotonous hours, the song
+of his little guest would come up in snatches to the lonely watcher,
+and at evening, when the vesper-bell was ringing and the great grey
+bats slid out of their hiding-places in the belfry roof, the bright-
+eyed bird would return, twitter a few sleepy notes, and nestle into
+the arms that were waiting for him. Those were happy days for the
+Dark Image. Only the great bell of the Cathedral rang out daily its
+mocking message, "After joy . . . sorrow."
+
+The folk in the verger's lodge noticed a little brown bird flitting
+about the Cathedral precincts, and admired its beautiful singing.
+"But it is a pity," said they, "that all that warbling should be
+lost and wasted far out of hearing up on the parapet." They were
+poor, but they understood the principles of political economy. So
+they caught the bird and put it in a little wicker cage outside the
+lodge door.
+
+That night the little songster was missing from its accustomed
+haunt, and the Dark Image knew more than ever the bitterness of
+loneliness. Perhaps his little friend had been killed by a prowling
+cat or hurt by a stone. Perhaps . . . perhaps he had flown
+elsewhere. But when morning came there floated up to him, through
+the noise and bustle of the Cathedral world, a faint heart-aching
+message from the prisoner in the wicker cage far below. And every
+day, at high noon, when the fat pigeons were stupefied into silence
+after their midday meal and the sparrows were washing themselves in
+the street-puddles, the song of the little bird came up to the
+parapets--a song of hunger and longing and hopelessness, a cry that
+could never be answered. The pigeons remarked, between mealtimes,
+that the figure leaned forward more than ever out of the
+perpendicular.
+
+One day no song came up from the little wicker cage. It was the
+coldest day of the winter, and the pigeons and sparrows on the
+Cathedral roof looked anxiously on all sides for the scraps of food
+which they were dependent on in hard weather.
+
+"Have the lodge-folk thrown out anything on to the dust-heap?"
+inquired one pigeon of another which was peering over the edge of
+the north parapet.
+
+"Only a little dead bird," was the answer.
+
+There was a crackling sound in the night on the Cathedral roof and a
+noise as of falling masonry. The belfry jackdaw said the frost was
+affecting the fabric, and as he had experienced many frosts it must
+have been so. In the morning it was seen that the Figure of the
+Lost Soul had toppled from its cornice and lay now in a broken mass
+on the dustheap outside the verger's lodge.
+
+"It is just as well," cooed the fat pigeons, after they had peered
+at the matter for some minutes; "now we shall have a nice angel put
+up there. Certainly they will put an angel there."
+
+"After joy . . . sorrow," rang out the great bell.
+
+
+
+THE PURPLE OF THE BALKAN KINGS
+
+
+
+Luitpold Wolkenstein, financier and diplomat on a small, obtrusive,
+self-important scale, sat in his favoured cafe in the world-wise
+Habsburg capital, confronted with the Neue Freie Presse and the cup
+of cream-topped coffee and attendant glass of water that a sleek-
+headed piccolo had just brought him. For years longer than a dog's
+lifetime sleek-headed piccolos had placed the Neue Freie Presse and
+a cup of cream-topped coffee on his table; for years he had sat at
+the same spot, under the dust-coated, stuffed eagle, that had once
+been a living, soaring bird on the Styrian mountains, and was now
+made monstrous and symbolical with a second head grafted on to its
+neck and a gilt crown planted on either dusty skull. To-day
+Luitpold Wolkenstein read no more than the first article in his
+paper, but read it again and again.
+
+"The Turkish fortress of Kirk Kilisseh has fallen . . . The Serbs,
+it is officially announced, have taken Kumanovo . . . The fortress
+of Kirk Kilisseh lost, Kumanovo taken by the Serbs, these are tiding
+for Constantinople resembling something out of Shakspeare's
+tragedies of the kings . . . The neighbourhood of Adrianople and
+the Eastern region, where the great battle is now in progress, will
+not reveal merely the future of Turkey, but also what position and
+what influence the Balkan States are to have in the world."
+
+For years longer than a dog's lifetime Luitpold Wolkenstein had
+disposed of the pretensions and strivings of the Balkan States over
+the cup of cream-topped coffee that sleek-headed piccolos had
+brought him. Never travelling further eastward than the horse-fair
+at Temesvar, never inviting personal risk in an encounter with
+anything more potentially desperate than a hare or partridge, he had
+constituted himself the critical appraiser and arbiter of the
+military and national prowess of the small countries that fringed
+the Dual Monarchy on its Danube border. And his judgment had been
+one of unsparing contempt for small-scale efforts, of unquestioning
+respect for the big battalions and full purses. Over the whole
+scene of the Balkan territories and their troubled histories had
+loomed the commanding magic of the words "the Great Powers"--even
+more imposing in their Teutonic rendering, "Die Grossmachte."
+
+Worshipping power and force and money-mastery as an elderly nerve-
+ridden woman might worship youthful physical energy, the
+comfortable, plump-bodied cafe-oracle had jested and gibed at the
+ambitions of the Balkan kinglets and their peoples, had unloosed
+against them that battery of strange lip-sounds that a Viennese
+employs almost as an auxiliary language to express the thoughts when
+his thoughts are not complimentary. British travellers had visited
+the Balkan lands and reported high things of the Bulgarians and
+their future, Russian officers had taken peeps at their army and
+confessed "this is a thing to be reckoned with, and it is not we who
+have created it, they have done it by themselves." But over his
+cups of coffee and his hour-long games of dominoes the oracle had
+laughed and wagged his head and distilled the worldly wisdom of his
+castle. The Grossmachte had not succeeded in stifling the roll of
+the war-drum, that was true; the big battalions of the Ottoman
+Empire would have to do some talking, and then the big purses and
+big threatenings of the Powers would speak and the last word would
+be with them. In imagination Luitpold heard the onward tramp of the
+red-fezzed bayonet bearers echoing through the Balkan passes, saw
+the little sheepskin-clad mannikins driven back to their villages,
+saw the augustly chiding spokesman of the Powers dictating,
+adjusting, restoring, settling things once again in their allotted
+places, sweeping up the dust of conflict, and now his ears had to
+listen to the war-drum rolling in quite another direction, had to
+listen to the tramp of battalions that were bigger and bolder and
+better skilled in war-craft than he had deemed possible in that
+quarter; his eyes had to read in the columns of his accustomed
+newspaper a warning to the Grossmachte that they had something new
+to learn, something new to reckon with, much that was time-honoured
+to relinquish. "The Great Powers will have not little difficulty in
+persuading the Balkan States of the inviolability of the principle
+that Europe cannot permit any fresh partition of territory in the
+East without her approval. Even now, while the campaign is still
+undecided, there are rumours of a project of fiscal unity, extending
+over the entire Balkan lands, and further of a constitutional union
+in imitation of the German Empire. That is perhaps only a political
+straw blown by the storm, but it is not possible to dismiss the
+reflection that the Balkan States leagued together command a
+military strength with which the Great Powers will have to reckon .
+. . The people who have poured out their blood on the battlefields
+and sacrificed the available armed men of an entire generation in
+order to encompass a union with their kinsfolk will not remain any
+longer in an attitude of dependence on the Great Powers or on
+Russia, but will go their own ways . . . The blood that has been
+poured forth to-day gives for the first time a genuine tone to the
+purple of the Balkan Kings. The Great Powers cannot overlook the
+fact that a people that has tasted victory will not let itself be
+driven back again within its former limits. Turkey has lost to-day
+not only Kirk Kilisseh and Kumanovo, but Macedonia also."
+
+Luitpold Wolkenstein drank his coffee, but the flavour had somehow
+gone out of it. His world, his pompous, imposing, dictating world,
+had suddenly rolled up into narrower dimensions. The big purses and
+the big threats had been pushed unceremoniously on one side; a force
+that he could not fathom, could not comprehend, had made itself
+rudely felt. The august Caesars of Mammon and armament had looked
+down frowningly on the combat, and those about to die had not
+saluted, had no intention of saluting. A lesson was being imposed
+on unwilling learners, a lesson of respect for certain fundamental
+principles, and it was not the small struggling States who were
+being taught the lesson.
+
+Luitpold Wolkenstein did not wait for the quorum of domino players
+to arrive. They would all have read the article in the Freie
+Presse. And there are moments when an oracle finds its greatest
+salvation in withdrawing itself from the area of human questioning.
+
+
+
+THE CUPBOARD OF THE YESTERDAYS
+
+
+
+"War is a cruelly destructive thing," said the Wanderer, dropping
+his newspaper to the floor and staring reflectively into space.
+
+"Ah, yes, indeed," said the Merchant, responding readily to what
+seemed like a safe platitude; "when one thinks of the loss of life
+and limb, the desolated homesteads, the ruined--"
+
+"I wasn't thinking of anything of the sort," said the Wanderer; "I
+was thinking of the tendency that modern war has to destroy and
+banish the very elements of picturesqueness and excitement that are
+its chief excuse and charm. It is like a fire that flares up
+brilliantly for a while and then leaves everything blacker and
+bleaker than before. After every important war in South-East Europe
+in recent times there has been a shrinking of the area of
+chronically disturbed territory, a stiffening of the area of
+chronically disturbed territory, a stiffening of frontier lines, an
+intrusion of civilised monotony. And imagine what may happen at the
+conclusion of this war if the Turk should really be driven out of
+Europe."
+
+"Well, it would be a gain to the cause of good government, I
+suppose," said the Merchant.
+
+"But have you counted the loss?" said the other. "The Balkans have
+long been the last surviving shred of happy hunting-ground for the
+adventurous, a playground for passions that are fast becoming
+atrophied for want of exercise. In old bygone days we had the wars
+in the Low Countries always at our doors, as it were; there was no
+need to go far afield into malaria-stricken wilds if one wanted a
+life of boot and saddle and licence to kill and be killed. Those
+who wished to see life had a decent opportunity for seeing death at
+the same time."
+
+"It is scarcely right to talk of killing and bloodshed in that way,"
+said the Merchant reprovingly; "one must remember that all men are
+brothers."
+
+"One must also remember that a large percentage of them are younger
+brothers; instead of going into bankruptcy, which is the usual
+tendency of the younger brother nowadays, they gave their families a
+fair chance of going into mourning. Every bullet finds a billet,
+according to a rather optimistic proverb, and you must admit that
+nowadays it is becoming increasingly difficult to find billets for a
+lot of young gentlemen who would have adorned, and probably
+thoroughly enjoyed, one of the old-time happy-go-lucky wars. But
+that is not exactly the burden of my complaint. The Balkan lands
+are especially interesting to us in these rapidly-moving days
+because they afford us the last remaining glimpse of a vanishing
+period of European history. When I was a child one of the earliest
+events of the outside world that forced itself coherently under my
+notice was a war in the Balkans; I remember a sunburnt, soldierly
+man putting little pin-flags in a war-map, red flags for the Turkish
+forces and yellow flags for the Russians. It seemed a magical
+region, with its mountain passes and frozen rivers and grim
+battlefields, its drifting snows, and prowling wolves; there was a
+great stretch of water that bore the sinister but engaging name of
+the Black Sea--nothing that I ever learned before or after in a
+geography lesson made the same impression on me as that strange-
+named inland sea, and I don't think its magic has ever faded out of
+my imagination. And there was a battle called Plevna that went on
+and on with varying fortunes for what seemed like a great part of a
+lifetime; I remember the day of wrath and mourning when the little
+red flag had to be taken away from Plevna--like other maturer
+judges, I was backing the wrong horse, at any rate the losing horse.
+And now to-day we are putting little pin-flags again into maps of
+the Balkan region, and the passions are being turned loose once more
+in their playground."
+
+"The war will be localised," said the Merchant vaguely; "at least
+every one hopes so."
+
+"It couldn't wish for a better locality," said the Wanderer; "there
+is a charm about those countries that you find nowhere else in
+Europe, the charm of uncertainty and landslide, and the little
+dramatic happenings that make all the difference between the
+ordinary and the desirable."
+
+"Life is held very cheap in those parts," said the Merchant.
+
+"To a certain extent, yes," said the Wanderer. "I remember a man at
+Sofia who used to teach me Bulgarian in a rather inefficient manner,
+interspersed with a lot of quite wearisome gossip. I never knew
+what his personal history was, but that was only because I didn't
+listen; he told it to me many times. After I left Bulgaria he used
+to send me Sofia newspapers from time to time. I felt that he would
+be rather tiresome if I ever went there again. And then I heard
+afterwards that some men came in one day from Heaven knows where,
+just as things do happen in the Balkans, and murdered him in the
+open street, and went away as quietly as they had come. You will
+not understand it, but to me there was something rather piquant in
+the idea of such a thing happening to such a man; after his dullness
+and his long-winded small-talk it seemed a sort of brilliant esprit
+d'esalier on his part to meet with an end of such ruthlessly planned
+and executed violence."
+
+The Merchant shook his head; the piquancy of the incident was not
+within striking distance of his comprehension.
+
+"I should have been shocked at hearing such a thing about any one I
+had known," he said.
+
+"The present war," continued his companion, without stopping to
+discuss two hopelessly divergent points of view, "may be the
+beginning of the end of much that has hitherto survived the
+resistless creeping-in of civilisation. If the Balkan lands are to
+be finally parcelled out between the competing Christian Kingdoms
+and the haphazard rule of the Turk banished to beyond the Sea of
+Marmora, the old order, or disorder if you like, will have received
+its death-blow. Something of its spirit will linger perhaps for a
+while in the old charmed regions where it bore sway; the Greek
+villagers will doubtless be restless and turbulent and unhappy where
+the Bulgars rule, and the Bulgars will certainly be restless and
+turbulent and unhappy under Greek administration, and the rival
+flocks of the Exarchate and Patriarchate will make themselves
+intensely disagreeable to one another wherever the opportunity
+offers; the habits of a lifetime, of several lifetimes, are not laid
+aside all at once. And the Albanians, of course, we shall have with
+us still, a troubled Moslem pool left by the receding wave of Islam
+in Europe. But the old atmosphere will have changed, the glamour
+will have gone; the dust of formality and bureaucratic neatness will
+slowly settle down over the time-honoured landmarks; the Sanjak of
+Novi Bazar, the Muersteg Agreement, the Komitadje bands, the Vilayet
+of Adrianople, all those familiar outlandish names and things and
+places, that we have known so long as part and parcel of the Balkan
+Question, will have passed away into the cupboard of yesterdays, as
+completely as the Hansa League and the wars of the Guises.
+
+"They were the heritage that history handed down to us, spoiled and
+diminished no doubt, in comparison with yet earlier days that we
+never knew, but still something to thrill and enliven one little
+corner of our Continent, something to help us to conjure up in our
+imagination the days when the Turk was thundering at the gates of
+Vienna. And what shall we have to hand down to our children? Think
+of what their news from the Balkans will be in the course of another
+ten or fifteen years. Socialist Congress at Uskub, election riot at
+Monastir, great dock strike at Salonika, visit of the Y.M.C.A. to
+Varna. Varna--on the coast of that enchanted sea! They will drive
+out to some suburb to tea, and write home about it as the Bexhill of
+the East.
+
+"War is a wickedly destructive thing."
+
+"Still, you must admit--" began the Merchant. But the Wanderer was
+not in the mood to admit anything. He rose impatiently and walked
+to where the tape-machine was busy with the news from Adrianople.
+
+
+
+FOR THE DURATION OF THE WAR
+
+
+
+The Rev. Wilfrid Gaspilton, in one of those clerical migrations
+inconsequent-seeming to the lay mind, had removed from the
+moderately fashionable parish of St. Luke's, Kensingate, to the
+immoderately rural parish of St. Chuddocks, somewhere in
+Yondershire. There were doubtless substantial advantages connected
+with the move, but there were certainly some very obvious drawbacks.
+Neither the migratory clergyman nor his wife were able to adapt
+themselves naturally and comfortably to the conditions of country
+life. Beryl, Mrs. Gaspilton, had always looked indulgently on the
+country as a place where people of irreproachable income and
+hospitable instincts cultivated tennis-lawns and rose-gardens and
+Jacobean pleasaunces, wherein selected gatherings of interested
+week-end guests might disport themselves. Mrs. Gaspilton considered
+herself as distinctly an interesting personality, and from a limited
+standpoint she was doubtless right. She had indolent dark eyes and
+a comfortable chin, which belied the slightly plaintive inflection
+which she threw into her voice at suitable intervals. She was
+tolerably well satisfied with the smaller advantages of life, but
+she regretted that Fate had not seen its way to reserve for her some
+of the ampler successes for which she felt herself well qualified.
+She would have liked to be the centre of a literary, slightly
+political salon, where discerning satellites might have recognised
+the breadth of her outlook on human affairs and the undoubted
+smallness of her feet. As it was, Destiny had chosen for her that
+she should be the wife of a rector, and had now further decreed that
+a country rectory should be the background to her existence. She
+rapidly made up her mind that her surroundings did not call for
+exploration; Noah had predicted the Flood, but no one expected him
+to swim about in it. Digging in a wet garden or trudging through
+muddy lanes were exertions which she did not propose to undertake.
+As long as the garden produced asparagus and carnations at
+pleasingly frequent intervals Mrs. Gaspilton was content to approve
+of its expense and otherwise ignore its existence. She would fold
+herself up, so to speak, in an elegant, indolent little world of her
+own, enjoying the minor recreations of being gently rude to the
+doctor's wife and continuing the leisurely production of her one
+literary effort, The Forbidden Horsepond, a translation of Baptiste
+Leopoy's L'Abreuvoir interdit. It was a labour which had already
+been so long drawn-out that it seemed probable that Baptiste Lepoy
+would drop out of vogue before her translation of his temporarily
+famous novel was finished. However, the languid prosecution of the
+work had invested Mrs. Gaspilton with a certain literary dignity,
+even in Kensingate circles, and would place her on a pinnacle in St.
+Chuddocks, where hardly any one read French, and assuredly no one
+had heard of L'Abreuvoir interdit.
+
+The Rector's wife might be content to turn her back complacently on
+the country; it was the Rector's tragedy that the country turned its
+back on him. With the best intention in the world and the immortal
+example of Gilbert White before him, the Rev. Wilfrid found himself
+as bored and ill at ease in his new surroundings as Charles II would
+have been at a modern Wesleyan Conference. The birds that hopped
+across his lawn hopped across it as though it were their lawn, and
+not his, and gave him plainly to understand that in their eyes he
+was infinitely less interesting than a garden worm or the rectory
+cat. The hedgeside and meadow flowers were equally uninspiring; the
+lesser celandine seemed particularly unworthy of the attention that
+English poets had bestowed on it, and the Rector knew that he would
+be utterly miserable if left alone for a quarter of an hour in its
+company. With the human inhabitants of his parish he was no better
+off; to know them was merely to know their ailments, and the
+ailments were almost invariably rheumatism. Some, of course, had
+other bodily infirmities, but they always had rheumatism as well.
+The Rector had not yet grasped the fact that in rural cottage life
+not to have rheumatism is as glaring an omission as not to have been
+presented at Court would be in more ambitious circles. And with all
+this death of local interest there was Beryl shutting herself off
+with her ridiculous labours on The Forbidden Horsepond.
+
+"I don't see why you should suppose that any one wants to read
+Baptiste Lepoy in English," the Reverend Wilfrid remarked to his
+wife one morning, finding her surrounded with her usual elegant
+litter of dictionaries, fountain pens, and scribbling paper; "hardly
+any one bothers to read him now in France."
+
+"My dear," said Beryl, with an intonation of gentle weariness,
+"haven't two or three leading London publishers told me they
+wondered no one had ever translated L'Abreuvoir interdit, and begged
+me--"
+
+"Publishers always clamour for the books that no one has ever
+written, and turn a cold shoulder on them as soon as they're
+written. If St. Paul were living now they would pester him to write
+an Epistle to the Esquimaux, but no London publisher would dream of
+reading his Epistle to the Ephesians."
+
+"Is there any asparagus in the garden?" asked Beryl; "because I've
+told cook--"
+
+"Not anywhere in the garden," snapped the Rector, "but there's no
+doubt plenty in the asparagus-bed, which is the usual place for it."
+
+And he walked away into the region of fruit trees and vegetable beds
+to exchange irritation for boredom. It was there, among the
+gooseberry bushes and beneath the medlar trees, that the temptation
+to the perpetration of a great literary fraud came to him.
+
+Some weeks later the Bi-Monthly Review gave to the world, under the
+guarantee of the Rev. Wilfrid Gaspilton, some fragments of Persian
+verse, alleged to have been unearthed and translated by a nephew who
+was at present campaigning somewhere in the Tigris valley. The Rev.
+Wilfrid possessed a host of nephews, and it was of course, quite
+possible that one or more of them might be in military employ in
+Mesopotamia, though no one could call to mind any particular nephew
+who could have been suspected of being a Persian scholar.
+
+The verses were attributed to one Ghurab, a hunter, or, according to
+other accounts, warden of the royal fishponds, who lived, in some
+unspecified century, in the neighbourhood of Karmanshah. They
+breathed a spirit of comfortable, even-tempered satire and
+philosophy, disclosing a mockery that did not trouble to be bitter,
+a joy in life that was not passionate to the verge of being
+troublesome.
+
+
+"A Mouse that prayed for Allah's aid
+Blasphemed when no such aid befell:
+A Cat, who feasted on that mouse,
+Thought Allah managed vastly well.
+
+Pray not for aid to One who made
+A set of never-changing Laws,
+But in your need remember well
+He gave you speed, or guile--or claws.
+
+Some laud a life of mild content:
+Content may fall, as well as Pride.
+The Frog who hugged his lowly Ditch
+Was much disgruntled when it dried.
+
+'You are not on the Road to Hell,'
+You tell me with fanatic glee:
+Vain boaster, what shall that avail
+If Hell is on the road to thee?
+
+A Poet praised the Evening Star,
+Another praised the Parrot's hue:
+A Merchant praised his merchandise,
+And he, at least, praised what he knew."
+
+
+It was this verse which gave the critics and commentators some clue
+as to the probable date of the composition; the parrot, they
+reminded the public, was in high vogue as a type of elegance in the
+days of Hafiz of Shiraz; in the quatrains of Omar it makes no
+appearance.
+
+The next verse, it was pointed out, would apply to the political
+conditions of the present day as strikingly as to the region and era
+for which it was written -
+
+
+"A Sultan dreamed day-long of Peace,
+The while his Rivals' armies grew:
+They changed his Day-dreams into sleep
+- The Peace, methinks, he never knew."
+
+
+Woman appeared little, and wine not at all in the verse of the
+hunter-poet, but there was at least one contribution to the love-
+philosophy of the East -
+
+
+"O Moon-faced Charmer, and Star-drowned Eyes,
+And cheeks of soft delight, exhaling musk,
+They tell me that thy charm will fade; ah well,
+The Rose itself grows hue-less in the Dusk."
+
+
+Finally, there was a recognition of the Inevitable, a chill breath
+blowing across the poet's comfortable estimate of life -
+
+
+"There is a sadness in each Dawn,
+A sadness that you cannot rede:
+The joyous Day brings in its train
+The Feast, the Loved One, and the Steed.
+
+Ah, there shall come a Dawn at last
+That brings no life-stir to your ken,
+A long, cold Dawn without a Day,
+And ye shall rede its sadness then."
+
+
+The verses of Ghurab came on the public at a moment when a
+comfortable, slightly quizzical philosophy was certain to be
+welcome, and their reception was enthusiastic. Elderly colonels,
+who had outlived the love of truth, wrote to the papers to say that
+they had been familiar with the works of Ghurab in Afghanistan, and
+Aden, and other suitable localities a quarter of a century ago. A
+Ghurab-of-Karmanshah Club sprang into existence, the members of
+which alluded to each other as Brother Ghurabians on the slightest
+provocation. And to the flood of inquiries, criticisms, and
+requests for information, which naturally poured in on the
+discoverer, or rather the discloser, of this long-hidden poet, the
+Rev. Wilfrid made one effectual reply: Military considerations
+forbade any disclosures which might throw unnecessary light on his
+nephew's movements.
+
+After the war the Rector's position will be one of unthinkable
+embarrassment, but for the moment, at any rate, he has driven The
+Forbidden Horsepond out of the field.
+
+
+
+
+
+End of Project Gutenberg Etext of Toys of Peace by H.H. Munro ("Saki")
+
diff --git a/old/toypc10.zip b/old/toypc10.zip
new file mode 100644
index 0000000..577e45d
--- /dev/null
+++ b/old/toypc10.zip
Binary files differ