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diff --git a/13935-h/13935-h.htm b/13935-h/13935-h.htm new file mode 100644 index 0000000..ac75a81 --- /dev/null +++ b/13935-h/13935-h.htm @@ -0,0 +1,2289 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd"> +<html> +<head> +<meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> +<title>The Project Gutenberg eBook of The Mirror of Literature, Amusement, and Instruction, Vol. 17, Issue 491, May 28, 1831, by Various</title> + <style type="text/css"> + <!-- + body {margin-left: 10%; margin-right: 10%;} + p {text-align: justify;} + blockquote {text-align: justify;} + h1,h2,h3,h4,h5,h6 {text-align: center;} + pre {font-size: 0.7em;} + + hr {text-align: center; width: 50%;} + html>body hr {width: 50%; margin-right: auto; margin-left: auto;} + hr.full {width: 100%;} + html>body hr.full {margin-right: 0%; margin-left: 0%; width: 100%;} + hr.short {text-align: center; width: 20%;} + html>body hr.short {width: 20%; margin-left: auto; margin-right: auto; } + + .note, .footnote + {margin-left: 10%; margin-right: 10%; font-size: 0.9em;} + + span.pagenum + {position: absolute; left: 1%; right: 91%; font-size: 8pt;} + + .poem + {margin-left:10%; margin-right:10%; margin-bottom: 1em; text-align: left;} + .poem .stanza {margin: 1em 0em 1em 0em;} + .poem p {margin: 0; padding-left: 3em; text-indent: -3em;} + .poem p.i2 {margin-left: 1em;} + .poem p.i4 {margin-left: 2em;} + .poem p.i6 {margin-left: 3em;} + .poem p.i8 {margin-left: 4em;} + .poem p.i10 {margin-left: 5em;} + .quote { margin-left: 2.5em; margin-right: 2.5em; } + .quote p.ind {text-indent: 4em;} + .quote p.indinv {margin-left: 2em; text-indent: -2em;} + .figure + {padding: 1em; margin: 0; text-align: center; font-size: 0.8em; margin: auto;} + .figure img + {border: none;} + .figure p {text-align:center;} + .inline {border: none; vertical-align: middle;} + + p.author {text-align: right;} + .source { margin-left: 7%;} + .side { float:right; + font-size: 75%; + width: 25%; + padding-left:10px; + border-left: dashed thin; + margin-left: 10px; + text-align: left; + text-indent: 0; + font-weight: bold; + font-style: italic;} +.scaps { font-variant: small-caps} +a { font-weight: bold; text-decoration: none} + a:link {color:#0000ff; + text-decoration:none} + link {color:#0000ff; + text-decoration:none} + a:visited {color:#0000ff; + text-decoration:none} + a:hover {color:#ff0000} + --> + </style> +</head> +<body> +<div>*** START OF THE PROJECT GUTENBERG EBOOK 13935 ***</div> +<h1>The Project Gutenberg eBook, The Mirror of Literature, Amusement, and +Instruction, Vol. 17, Issue 491, May 28, 1831, by Various</h1> + <hr class="full" /> +<span class="pagenum"><a id="page353" name="page353"></a>[pg 353]</span> +<h1>THE MIRROR<br /> + OF<br /> + LITERATURE, AMUSEMENT, AND INSTRUCTION.</h1> + <hr class="full" /> +<table width="100%" summary="VOL. XVII NO. 491, SATURDAY, MAY 28, 1831. PRICE 2d."> + <tr> + <td align="left" width="28%"><b>VOL. XVII, NO. 491.]</b></td> + <td align="center"><b>SATURDAY, MAY 28, 1831.</b></td> + <td align="right" width="28%"><b>[PRICE 2d.</b></td> + </tr> +</table> +<hr class="full" /> + + + +<h2>AMPTHILL HOUSE, +THE SEAT OF LORD HOLLAND.</h2> + +<hr /> + +<div class="figure" style="width:100%;"><a href="images/491-001.png"><img width="100%" src="images/491-001.png" alt="Line drawing of Ampthill House by I. Bodd" border="0" /></a> + +</div> +<hr /> + + +<p>This is a delightful retreat for the +statesman and man of letters—distinctions +which its illustrious occupant enjoys +with high honour to his country +and himself.</p> + +<p>Ampthill is throughout a never-tiring +region of romantic beauties. These +were sung in some lines of great +sweetness and poetical feeling, a few +years since by Mr. Luttrell, who appears +to have taken his muse by the +arm, and "wandered up and down," +describing the natural glories and olden +celebrity of Ampthill. We remember +to have read his "Lines" with unmixed +pleasure.</p> + +<p>The Engraving is copied from one of +a Series of "Select Illustrations of Bedfordshire;" +the letter-press accompaniments +being neatly written by the Rev. +I. D. Parry, M. A. author of the "History +of Woburn." Ampthill follows.</p> + +<p>Ampthill House, now the seat of the +Right Hon. Lord Holland, is a plain +but very neat edifice, built of good stone. +It was erected by the first Lord Ashburnham, +then the possessor of the estate, +in 1694. It is situated rather below +the summit of a hill, which rises at +some little distance behind, and much +less elevated than the site of the old +castle, but has still a commanding situation +in front, and is sufficiently elevated +to possess a great share of the fine view +over the vale of Bedford. It is also well +sheltered by trees, though the passing +traveller would have no idea of the magnificent +lime alley, which is concealed +behind it. The house has a long front, +abundantly furnished with windows, and +has two deep and projecting wings. In +the centre is a plain angular pediment, +bearing the late Lord Ossory's arms, +and over the door is a small circular one, +pierced for an antique bust, and supported +by two three-quarter Ionic pillars. +In this house is a small collection +of paintings, &c., principally portraits.</p> + +<p>At the foot of the staircase is a large painting, formerly <i>in fresco</i> + at Houghton House, which was taken off the wall, and put on canvass by an ingenious + process of the late Mr. Salmon. It represents a gamekeeper, or woodman, taking + aim with a cross-bow, full front, with some curious perspective scenery, <span class="pagenum"><a id="page354" name="page354"></a>[pg + 354]</span>6 feet by 9-1/2 feet. We have heard a tradition, that it is some + person of high rank in disguise; some say James I., who was once on a visit + at Houghton. From the propensities of "gentle King Jamie," this is not unlikely.</p> + +<p>The pleasure ground at the back of +the house, commands a pleasing, extensive +view; beyond this is the lime +walk, which is certainly one of the finest +in England.—It is upwards of a quarter +of a mile in length, the trees in some +parts, finely arching; and may be pronounced, +upon the whole, superior to +any walk in Oxford or Cambridge.</p> + +<p>The park in which this house stands, +is well known, from many descriptions, +to be a singularly picturesque and pleasing +one. It is, at the same time, a +small one, but the dimensions are concealed +by the numerous and beautiful +groups of trees with which it is studded. +The oaks are particularly celebrated for +their great size and age, several of them +are supposed to be upwards of 500 years +old, and some do not hesitate to say +1,000 years; the girth of many of them +is ten yards, or considerably more. A +survey of this park, by order of the +Conventional Parliament, in 1653, pronounced +287 of these oaks as being hollow, +and too much decayed for the use +of the navy. The whole of these remain +to this day, and may, perhaps, +continue two or three centuries longer; +some few of them have been scathed by +lightning.</p> + +<p>Behind the house, near the entrance +of the park from the turnpike-road, are +some ponds, similar in appearance to +those frequently seen adjoining ancient +mansions; above these, at the edge of +a precipice, was the front of the ancient +castle. This building is doubtless that +erected by Lord Fanhope, at the beginning +of the fifteenth century. It was +used as a royal resort by Henry VIII., +who was often here, and by Queen Catherine, +who resided here some time +previous, and during the time her divorce +was in process at Dunstable. +There are, in the possession of Lord +Holland, two ground plans of this castle, +which, by the late Lord Ossory, +were supposed to have been taken about +the year 1616, at which time it was +supposed the castle was demolished. +From these, the following particulars of +this building are collected:—The area +was a square of about 220 feet; in front +was a large court, 115 feet by 120; behind +this were two very small ones, each +45 feet square; and between these was +an oblong courtyard. Between the +front and back courts, the building had +two small lateral projections, like the +transepts of a church. In front were +two square projecting towers; and round +the building, at irregular distances, were +nine others, projecting, of different +shapes, but principally five-sided segments +of octagons—if this description +be intelligible. It was, probably, from +the general appearance of the plan, intended +more as a residence for a nobleman +or prince, than a fortress, although +the situation was favourable for defence. +The view in front is extremely beautiful +for this part of the country.</p> + +<p>Lord Ossory planted a grove of firs +at the back of this spot, and erected, in +1773, in the centre, a monument, consisting +of an octagonal shaft raised on +four steps, surmounted by a cross, bearing +a shield with Queen Catherine's +arms, of Castile and Arragon. This +was designed by Mr. Essex, the improver +of King's College, Chapel, and +is very neat, but of small dimensions. +On a tablet inserted in the base of the +cross, is the following inscription, from +the pen of Horace Walpole, Earl of +Orford, which when read on the spot, +excites some degree of interest:—</p> + +<div class="poem"> <div class="stanza"> +<p>In days of yore, here Ampthill's towers were seen,</p> +<p>The mournful refuge of an injured queen;</p> +<p>Here flowed her pure, but unavailing tears,</p> +<p>Here blinded zeal sustained her sinking years.</p> +<p>Yet Freedom hence her radiant banner wav'd,</p> +<p>And Love avenged a realm by priests enslav'd;</p> +<p>From Catherine's wrongs a nation's bliss was spread,</p> +<p>And Luther's light from lawless Henry's bed.</p> + </div> </div> + +<p>The possessors of Ampthill are thus +traced by Mr. Parry:—</p> + +<p>The survey of Ampthill Park, made by order of Parliament, 1649, speaks of the + castle as being long ago totally demolished.<a name="footnotetag1" id="footnotetag1"></a><a href="#footnote1"><sup>1</sup></a> + There was, however, what was called the Great Lodge, or Capital Mansion. King + James I. gave the Honour of Ampthill to the Earl of Kelly. It soon reverted + to the Crown. In 1612, Thomas, Lord Fenton, and Elizabeth his wife, resigned + the office of High Steward of the Honour of Ampthill to the King. The following + year the custody of the Great Park was granted to Lord Bruce, whose family became + lessees of the Honour, which they kept till 1738. In the 17th century, the Nicholls's + became lessees of the Great Park under the Bruces, who reserved the office of + Master of the Game. The Nicholls's resided at the Capital Man<span class="pagenum"><a id="page355" name="page355"></a>[pg + 355]</span>sion. After the Restoration, Ampthill Great Park was granted by Charles + II. to Mr. John Ashburnham, as some reward for his distinguished services to + his father and himself (<i>vide</i> Hist. Eng.) The first Lord Ashburnham built + the present house, in 1694. In 1720 it was purchased of this family by Viscount + Fitzwilliam, who sold it in 1736 to Lady Gowran, grandmother of the late Lord + Ossory, who in 1800, became possessed of the lease of the Honour, by exchange + with the Duke of Bedford. His family name, an ancient one in Ireland, was Fitzpatrick; + he was Earl of Upper Ossory in Ireland, and Baron of the same in England. He + died in 1818, and was succeeded by Lord Holland, the present possessor, who + has also a fine old mansion at Kensington.<a id="footnotetag2" name="footnotetag2"></a><a href="#footnote2"><sup>2</sup></a></p> + +<p>The present Lord Holland, Henry +Richard Vassal Fox, Baron Holland of +Holland Co. Lincoln, and Foxley, Co. +Wilts, Recorder of Nottingham, F. R. S. A.; +was born November 23, 1773, +succeeded to the title in 1774; married, +1797, Elizabeth, a daughter of Richard +Vassal, Esq.</p> + +<hr /> + + +<h3>CHARACTER OF A GOOD ALBUM.</h3> + +<h4>(<i>For the Mirror.</i>)</h4> + +<div class="poem"> <div class="stanza"> +<p class="i2">——"Here's a gem of beauty!</p> +<p>It sparkles with a pure and virgin lustre,</p> +<p>And many prize it much."</p> + </div> </div> + +<p class="source"><span class="scaps">Old Poet</span>.</p> + + +<p>There is something very interesting +associated with a well-arranged and elegant +album, embodying passages of delicate +taste and superior talent, and +containing the diversified, playful, pointed, +eloquent, and original papers, of a +number of intellectual and distinguished +contributors.</p> + +<p>I had, a short time ago, one of these +beautiful albums placed in my hand, +which was characterized by marked and +pre-eminent excellencies. In addition +to its being bound in the most splendid +manner, and containing the most tasteful +embellishments, on paper exquisitely +embossed, it was adorned with appropriate +contributions, from the vigorous +mind of Mrs. Hannah Moore—from the +pure and classic taste of the eloquent +Robert Hall—from the fervid and poetic +imagination of James Montgomery—and +many an elegant and beauteous production, +communicated by our superior and +ingenious writers. It was deeply interesting +to mark the specimens of penmanship +which the various contributors +furnished: the bold hand of one—the +neat style of another—the careless and +dashing strokes of another—and the stiff, +awkward, and almost illegible writing +of another. I was much struck, also, +with the variety of mind which the album +exhibited: on one page, there was the +comic strain of Hood; on another, the +pure and exquisite taste of Campbell; +on another, the fire and vividness of +Scott; on another, the minute and graphic +painting of Crabbe; and on another, +the bold, condensed, and impassioned +style, in which Byron so peculiarly +excelled.</p> + +<p>Now, if all albums could be of this +character, their value would be intrinsic +and superior, and they would be permanently +interesting, because to them we +could frequently recur with refreshing +and peculiar enjoyment. I regret, however, +to say, that the majority of albums +are comparatively valueless: they +are written with so much negligence; +many of the pieces are of so light and +frivolous a character; there is so much +childish and mawkish sentimentality in +numbers of the effusions poured forth; +and there is so great a destitution of +solid, original, and striking thought, +that, in my unpretending, yet honest +estimation, the majority of albums are +worth comparatively nothing. A good +album should contain pieces of genuine +talent; should be marked by no frivolity +or childishness; should be concise, pointed, +and powerful in its contributions; +and should embody valuable moral principle; +and, to secure these excellencies, +the possessor of an elegant album should +not place it in the hand of any, accompanied +with the request that a +contribution be inserted, without ascertaining, +in the first instance, that the +person solicited is of genuine taste and +talent, and real principle; because, if +these qualifications be not developed, an +album will be merely filled with trifling, +crude, unconnected, and worthless +pieces—marked by no beauty, exhibiting +no taste, characterized by no originality, +and inculcating no valuable sentiment.</p> + +<p class="source">T. W.</p> + +<hr /> + + +<h3>POPULAR SUPERSTITIONS.</h3> + +<h4>(<i>For the Mirror.</i>)</h4> + +<blockquote> + <p> No man will be found in whose mind airy notions do not sometimes tyrannize + and force him to hope or fear beyond the limits of sober probability.—<span class="scaps">Johnson</span>. + </p> +</blockquote> + + +<p>The superstitions of nations must always be interesting, since they afford + a criterion of the progress that knowledge and reason have made. To trace the + origin of the belief that departed spirits revisit the earth, a belief apparently + so <span class="pagenum"><a id="page356" name="page356"></a>[pg 356]</span>repugnant + to reason and revelation, must ever attract the attention of the curious. For + it is a question of importance to religion, even although the existence of apparitions + would not in the slightest degree invalidate those sacred writings on which + the bases of religion are founded; on the contrary, if the reality of apparitions + (that is of the existence of apparitions) could be ascertained, another proof + would be added to an immense weight of testimony of the ability possessed by + the Deity to arrest or alter what appears the ordinary course of nature.</p> + +<p>The existence of apparitions has been +acknowledged by many, and a tendency +towards a belief of them is to be remarked +in many more. Ardent, and +what is stranger still, since directly opposed +to ardent, morbid minds are too +ready to embrace "the pleasing dreadful +thought," and to this may be attributed +the prevalence of this kind of superstition +among the poets, and all indeed of +an enthusiastic temperament.<a id="footnotetag3" name="footnotetag3"></a><a href="#footnote3"><sup>3</sup></a> Some +of the tales urged in defence of apparitions +are upon a <i>primâ facié</i> observation +to be traced to an exuberance<a id="footnotetag4" name="footnotetag4"></a><a href="#footnote4"><sup>4</sup></a> of +imagination on the part of the ghost, +others that are plainly false, and others +that as they cannot be authenticated, are +not worthy of notice. I shall here give +what I consider an example of the +former.</p> + + + +<p>During the celebrated Peninsular campaign, +as a lady, whose son, a French +officer in Spain, was seated in her room, +she was astonished to perceive the folding +doors at the bottom of the apartment +slowly open, and disclose to her +eyes, <i>her son</i>. He begged her not to +be alarmed, and informed her that he +had been just killed by a grape-shot, +and even showed her the wound in his +side; the doors closed again and she +saw no more. In a few days she received +a letter, which informed her that +her son had fallen, after distinguishing +himself in a most gallant manner, and +mentioning the time of his death, which +happened at precisely the same moment +the apparition was seen by her! And +when I add that the lady was not <i>at all +addicted to superstition</i>, the strangeness +of the occurrence is considerably increased. +What inference is to be drawn +from this extraordinary tale? I confess +I cannot, and do not, believe that apparitions +revisit the earth even at the +"glimpses o' the moon," nor does this +story at all change my opinion, and for +one grand reason, which is this—That +it is highly improbable that the course +of nature would be interrupted for the +production of so insignificant an effect, +for it appears an unnecessary exertion of +divine power, when the good attained +would be little or none.</p> + +<p>Let us, therefore, attribute it to a +powerful imagination acting on a mind +already affected with anxiety, and I believe +we shall have no occasion for yielding +to the idea of an apparition to explain +the circumstance. I am acquainted +with another tale of the same kind, +but I am debarred from relating it, from +my not being authorized to do so by the +person, a gentleman of large property +in Scotland, to whom it occurred. Lord +Byron was much addicted to that species +of superstition of which I am treating: +the gloomy idea of spirits revisiting +the earth to gaze on those who they +loved, was congenial to his mind, and +an overheated fancy indulged beyond its +due limits, converted the morbid visionary +into the superstitious ascetic.</p> + +<p>There is an account of a ghost related +in the Notes to Moore's Life of the +Noble Poet (vol. i.) I have mentioned, +which I shall detail here, as it may +have escaped the memory of some of +your readers. A captain of a merchant +vessel was on a voyage to some port; +having retired to rest, he was disturbed +in the night by a horrid dream, that his +brother, an officer in the navy was +drowned. He awoke and perceived +something dark lying at the foot of the +hammock, and on putting out his hand +discovered it was a naval uniform, wet. +Some days after this his dream was confirmed +by a letter informing him of his +brother's death by drowning.</p> + +<p>At Oakhampton, in Devonshire, there are the remains of a beautiful castle dismantled + by Henry VIII. on the attainder of Henry Courtenay, which is situated in a park, + concerning which many traditions exist, one of which I will give here as it + was told by a native. A great many years ago, there lived a lady at Oakhampton + Castle, who was famous for her love of cruelty and for unbounded <span class="pagenum"><a id="page357" name="page357"></a>[pg + 357]</span>ostentation. This lady was killed, and her ghost haunted some house + in Oakhampton much to the discomfiture of all the inhabitants thereof. A conclave + of "most grave and reverend signiors" was convoked, who ordained that the disturbed + spirit should every night pluck a blade of grass till all should be gathered. + And now, every night at the chilly hour of midnight, the lady in a splendid + coach with four skeleton horses, a skeleton coachman, and skeleton footmen, + is to be seen in the park obeying the dictum of the Oakhampton worthies. This + legend will be found, I am told, in "Fitz, of Fitzford," by Mrs. Bray. I shall + not comment on this, as it evidently appears a wild legend, on which we can + found nothing.</p> + +<p>There is another tale which I shall +recount here, since I can vouch for its +authenticity.</p> + +<p>During the Irish Rebellion of 1798, +a gentleman went to take possession of +a house in a lone district of Ireland. The +house had been uninhabited for some +time, and was out of repair. Between +nine and twelve at night, when the gentleman +had retired to rest, he was +alarmed by hearing a noise; he listened, +the noise increased till the house rung +with the repeated shocks; he hastily +sprung out of bed, and imagining it was +the Rebels, he rushed into the room +where his servant slept; "Patrick, get +up, the Rebels are breaking in," said +he, "Don't you hear the noise?" +"Lord bless yer honor's worship and +glory, it's only the Daunder." "Daunder, +sir, you rebel, the Daunder, what +do you mean?" The servant explained +that the knocking was regularly heard +every night at the same time, and such +was the case. Various parts of the wall +were pulled down, and the house almost +rebuilt, but to no purpose.</p> + +<p class="source"><i>Foley Place.</i> <br /> + <span class="scaps">An Antiquary</span>.</p> + +<hr /> + + +<h3>POEMS BY A KING OF PERSIA.</h3> + +<h4>(<i>To the Editor.</i>)</h4> + + +<p>It is rather an unusual thing in the +present age to hear of monarchs being +authors, and much more so of being +poets. It is true, there have been instances +of this kind in former times; +but perhaps none deserved more notice +than Fath Ali Shah, the King of Persia. +The author of a collection of elegies +and sonnets, Mr. Scott Waring, in his +"Tour to Sheeraz," has exhibited a +specimen of the king's amatory productions. +He also states that the government +of Kashan, one of the chief cities +in Persia, was the reward of the king +to the person who excelled in poetical +composition.</p> + +<p>The four subjoined poems are the +production of this celebrated monarch.</p> + +<p class="source"><span class="scaps">William Runting</span>.</p> + +<div class="poem"> <div class="stanza"> + <p class="i10">I.</p> + </div><div class="stanza"> +<p>She who is the object of my love</p> +<p>Has just declared she will not grant me</p> +<p>Another kiss, but at the price of my existence:</p> +<p>Ah! why have I not a thousand lives,</p> +<p>That I might sacrifice them all on these conditions.</p> + </div><div class="stanza"> +<p class="i2">The flame which she has enkindled in my heart</p> +<p>Is so bright, that it dazzles the universe:</p> +<p>It is a torch enclosed within crystal.</p> +<p>This heart is a Christian temple,</p> +<p>Wherein Beauty has established her sanctuary;</p> +<p>And the sighs which escape from it</p> +<p>Are like the loud ringing bells.<a id="footnotetag5" name="footnotetag5"></a><a href="#footnote5"><sup>5</sup></a></p> + </div><div class="stanza"> +<p class="i2">Ah! too fascinating object! how dangerous</p> +<p>Are thy looks!—they wound indifferently</p> +<p>The hearts of young and old: they are</p> +<p>More to be dreaded than the fatal arrows of the mighty Toos.<a id="footnotetag6" name="footnotetag6"></a><a href="#footnote6"><sup>6</sup></a></p> +<p>Delight us with a glimpse of thy lovely form;</p> +<p>Charm our senses by the elegance of thy attitudes;</p> +<p>Our hearts are transported by thy glances.</p> +<p>The proud peacock, covered with confusion,</p> +<p>Dares not display before thee the rich</p> +<p>And pompous variety of his plumage.</p> +<p>Thy ebon ringlets are chains, which hold</p> +<p>Monarchs in captivity, and make</p> +<p>Them slaves to the power of thy charms.</p> + </div><div class="stanza"> +<p class="i2">The dust on which thou treadest becomes an ornament,</p> +<p>Worthy of the imperial diadem of Caus.<a id="footnotetag7" name="footnotetag7"></a><a href="#footnote7"><sup>7</sup></a></p> +<p>Haughty kings now prostrate themselves</p> +<p>Before Khacan,<a id="footnotetag8" name="footnotetag8"></a><a href="#footnote8"><sup>8</sup></a> since he has obtained</p> +<p>A favourable look from the object of his love.</p> + </div><div class="stanza"> + </div><div class="stanza"> + <p class="i10">II.</p> + </div><div class="stanza"> +<p>That blessing which the fountain of life</p> + <p>Bestowed in former ages on Khezr <a id="footnotetag9" name="footnotetag9"></a><a href="#footnote9"><sup>9</sup></a></p> +<p>Thy lips can communicate in a manner</p> +<p>Infinitely more efficacious.</p> +<p>Nature, confounded at the aspect of thy lovely mouth,</p> +<p>Conceals her rubies within a rock;—</p> +<p>Our hearts, ensnared by those eyes which express</p> +<p>All the softness of amorous intoxication,</p> +<p>Are held captive in the dimples of thy chin.</p> + </div><div class="stanza"> +<p class="i2">Love has excited in my soul a fire</p> +<p>Which cannot be extinguished;—</p> +<p>My bosom is become red with flames,</p> +<p>Like a parterre of roses;—</p> +<p>This heart is no longer mine:</p> +<p>It hangs suspended on the ringlets of thy hair—</p> +<p>And thou, cruel fair! thou piercest it</p> +<p>With a glance of thy cold disdain.</p> +<p>Ah! inquire not into the wretched. Khacan's fate:</p> +<span class="pagenum"><a id="page358" name="page358"></a>[pg + 358]</span><p>Thy waving locks have deprived him of reason;</p> +<p>But how many thousand lovers, before him,</p> +<p>Have fallen victims to the magic of thy beauty.</p> + </div><div class="stanza"> + </div><div class="stanza"> + <p class="i10">III.</p> + </div><div class="stanza"> +<p>My soul, captivated by thy charms,</p> +<p>Wastes itself away in chains, and bends beneath</p> +<p>The weight of oppression. Thou hast said</p> +<p>"Love will bring thee to the tomb—arise,</p> +<p>And leave his dominions" But, alas!</p> +<p>I wish to expire at thy feet, rather than to abandon</p> +<p>Altogether my hopes of possessing thee.</p> +<p>I swear, by the two bows that send forth</p> +<p>Irresistible arrows from thine eyes,</p> +<p>That my days have lost their lustre:</p> +<p>They are dark as the jet of thy waving ringlets;</p> +<p>And the sweetness of thy lips far exceeds,</p> +<p>In the opinion of Khacan, all that</p> +<p>The richest sugar-cane has ever yielded.</p> + </div><div class="stanza"> + </div><div class="stanza"> + <p class="i10">IV.</p> + </div><div class="stanza"> +<p>The humid clouds of spring float over the enamelled meads,</p> +<p>And, like my eyes, dissolve in tears.</p> +<p>My fancy seeks thee in all places; and the beauties</p> +<p>Of Nature retrace, at every moment,</p> +<p>Thy enchanting image. But thou, O cruel fair one!</p> +<p>Thou endeavourest to efface from thy memory</p> +<p>The recollection of my ardent love—my tender constancy.</p> + </div><div class="stanza"> +<p class="i2">Thy charms eclipse the growing tulip—</p> +<p>Thy graceful stature puts to shame the lofty cyprus.</p> +<p>Let every nymph, although equal in beauty to Shireen,<a id="footnotetag10" name="footnotetag10"></a><a href="#footnote10"><sup>10</sup></a></p> +<p>Pay homage to thy superiority; and let all men</p> +<p>Become like Ferhad<a id="footnotetag11" name="footnotetag11"></a><a href="#footnote11"><sup>11</sup></a> of the mountain,</p> +<p>Distracted on beholding thy loveliness.</p> + </div><div class="stanza"> +<p class="i2">How could the star of day have shone amidst the heavens,</p> +<p>If the moon of thy countenance had not concealed</p> +<p>Its splendour beneath the cloud of a veil?</p> +<p>Oh! banish me not from thy sight;</p> +<p>Command me—it will be charitable—</p> +<p>Command me to die.</p> +<p>How long wilt thou reject the amorous solicitations</p> +<p>Of thy Khacan? Wilt thou drive him to madness</p> +<p>By thy unrelenting cruelty? The doomed</p> +<p>To endless tears and lamentations.</p> + </div> </div> + +<hr class="full" /> + + + +<h2>ANECDOTE GALLERY.</h2> + +<hr /> + + +<h3>THE LATE PRINCESS CHARLOTTE.</h3> + +<h4>(<i>From the Life and Correspondence of +Sir Thomas Lawrence.</i>)</h4> + + +<p>"In 1817, Sir Thomas Lawrence was +commissioned to paint the portrait of +the princess a second time, and he staid +at Claremont during nine days. He one +morning filled up a few vacant hours in +writing to his friend, and his description +of the habits of the newly-married +and juvenile offsprings and heirs of +royalty, forms a calm, unostentatious, +and delightful picture of domestic life. +How ill such pleasures would have been +exchanged for the public splendour and +costly amusements by which they were +tempted. It is a source of infinite gratification +to lay before the country such +a testimony to the disposition and virtues +of one, in whom centered so much +of the public hope and love."</p> + + +<h4>"<i>Extracts from Letters of Sir Thomas Lawrence.</i>"</h4> + + +<p>"I am now returned from Claremont, +my visit to which was agreeable to me in +every respect; both in what regarded +myself, my reception, and the complete +success of my professional labours, and +in the satisfaction of seeing the perfect +harmony in which this young couple +now live, and of observing the good +qualities which promise to make it lasting."</p> + +<p>"The princess is, as you know, wanting +in elegance of deportment, but has +nothing of the hoyden or of that boisterous +hilarity which has been ascribed +to her: her manner is exceedingly frank +and simple, but not rudely abrupt nor +coarse; and I have, in this little residence +of nine days, witnessed undeniable +evidence of an honest, just, English +nature, that reminded me, from its immediate +decision between the right and +wrong of a subject, and the downrightness +of the feeling that governed it, of +the good king, her grandfather. If she +does nothing gracefully, she does everything +kindly."</p> + +<p>"She already possesses a great deal +of that knowledge of the past history of +this country, that ought to form a part +of her peculiar education."</p> + +<p>"It is exceedingly gratifying to see that she both loves and respects Prince + Leopold, whose conduct, indeed, and character, seem justly to deserve those + feelings. From the report of the gentlemen of his household, he is considerate, + benevolent, and just, and of very amiable manners. My own observation <span class="pagenum"><a id="page359" name="page359"></a>[pg + 359]</span>leads me to think, that, in his behaviour to her, he is affectionate + and attentive, rational and discreet; and, in the exercise of that judgment + which is sometimes brought in opposition to some little thoughtlessness, he + is so cheerful and slily humorous, that it is evident (at least it appears to + me so) that she is already more in dread of his opinion than of his displeasure."</p> + +<p>"Their mode of life is very regular: +they breakfast together alone about +eleven: at half-past twelve she came in +to sit to me, accompanied by Prince +Leopold, who stayed great part of the +time: about three she would leave the +painting-room, to take her airing round +the grounds in a low phaeton with her +ponies, the prince always walking by +her side; at five she would come in and +sit to me till seven; at six, or before it, +he would go out with his gun to shoot +either hares or rabbits, and return about +seven or half-past; soon after which we +went to dinner, the prince and princess +appearing in the drawing-room just as +it was served up. Soon after the dessert +appeared, the prince and princess retired +to the drawing-room, whence we +soon heard the piano accompanying their +voices. At his own time, Colonel Addenbrooke, +the chamberlain, proposed our +going in, always, as I thought, to disturb +them."</p> + +<p>"After coffee, the card-table was +brought, and they sat down to whist, +the young couple being always partners, +the others changing. You know +<i>my superiority</i> at whist, and the unfairness +of my sitting down with unskilful +players; I therefore did not obey command, +and from ignorance of the <i>delicacy</i> +of my motives, am recommended to +study Hoyle before my second visit there +next week, which indeed must be a very +short one."</p> + +<p>"The prince and princess retire at +eleven o'clock."</p> + +<p>We leave out the link in the narrative +that connects this pleasant description +with the melancholy scene described in +the following (for it is written in a sad +taste) and only add, that the most amiable +and beloved of women died within a +month from the date of the above letter.</p> + +<p>"Popular love and the enthusiasm of +sorrow, never towards greatness, perhaps +so real, saw in her a promised +Elizabeth, and while yet she lived it was +a character which I should sincerely +have assigned to her, as that which she +would most nearly have approached: +certain I am that she would have been +a true monarch—have loved her people: +charity and justice, high integrity (as I +have stated), frankness and humanity, +were essentials and fixed in her character: +her mind seemed to have nothing +of subtlety or littleness in it, and she +had all the courage of her station."</p> + +<p>"She once said, 'I am a great coward, +but I bluster it out like the best of +them till the danger's over.' I was told +by one of the members of the council +awaiting her delivery, that Dr. Baillie +came in, and said in answer to some inquiries, +'She's doing very well: she'll +not die of fear: she puts a good Brunswick +face upon the matter.' She had +a surprisingly quick ear, which I was +pleasantly warned of: whilst playing +whist, which being played for shillings, +was not the most silent game I ever +witnessed, she would suddenly reply to +something that the baron or I would be +talking of, in the lowest tone, at the end +of the room, whilst her companions at +the table were ignorant of the cause of +her observations."</p> + +<p>"I have increased respect for the +Bishop of Salisbury, because he appeared +to have fully performed his duty +in her education. She had, as I have +said, great knowledge of the history of +this country, and in the businesses of +life, and a readiness in anecdotes of political +parties in former reigns."</p> + +<p>"How often I see her now entering +the room (constantly on his arm) with +slow but firm step, always erect—and +the small but elegant proportion of her +head to her figure, of course more striking +from her situation. Her features, +as you see, were beautifully cut; her +clear blue eye, so open, so like the +fearless purity of truth, that the most +experienced parasite must have turned +from it when he dared to <i>lie</i>."</p> + +<p>"I was stunned by her death: it was +an event in the great drama of life. The +return from Elba! Waterloo! St. Helena! +Princess Charlotte dead!—I did +not grieve, I have not grieved half +enough for her: yet I never think of +her, speak of her, write of her without +tears, and have often, when alone, addressed +her in her bliss, as though she +now saw me, heard me; and it is because +I respect her for her singleness +of worth, and am grateful for her past +and meditated kindness."</p> + +<p>"Her manner of addressing Prince +Leopold was always as affectionate as it +was simple—'My love;' and his always, +'Charlotte.' I told you that when we +went in from dinner they were generally +sitting at the pianoforte, often on +the same chair. I never heard her play, +but the music they had been playing was +always of the finest kind."</p> + +<p><span class="pagenum"><a id="page360" name="page360"></a>[pg 360]</span>"I + was at Claremont, on a call of inquiry, the Saturday before her death. Her last + command to me was, that I should bring down the picture to give to Prince Leopold + upon his birthday, the 16th of the next month. * * *"</p> + +<p>"If I do not make reply to different +parts of your letter (always satisfactory +in a correspondence), it is because I fear, +having no long time to write in, that I +may lose something by delay, in narrating +the circumstances of my yesterday's +visit to Claremont, when I was enabled +through the gracious kindness of my sovereign, +to fulfil that promise so solemnly +given and now become so sacred +a pledge."</p> + +<p>"It was my wish that Prince Leopold +should see the picture on his first entering +the room to his breakfast, and accordingly +at seven o'clock I set off with +it in a coach. I got to Claremont, uncovered +and placed it in the room in +good time. Before I took it there, I +carried it in to Colonel Addenbrooke, +Baron Hardenbroch, and Dr. Short, +who had been her tutor. Sir Robert +Gardiner came in, and went out immediately. +Dr. Short looked at it for some +time in silence, but I saw his lips trembling, +and his eyes filled to overflowing. +He said nothing, but went out; and +soon after him Colonel Addenbrooke. +The baron and I then placed the picture +in the prince's room."</p> + +<p>"When I returned to take my breakfast, +Colonel Addenbrooke came in; he +said, 'I don't know what to make of +these fellows; there's Sir Robert Gardiner +swears he can't stay in the room +with it: that if he sees it in one room, +he'll go into another.'—Then there's +Dr. Short. I said, I suppose by your +going out and saying nothing, you don't +like the picture. 'Like it,' he said, +(and he was blubbering) ''tis so like +her, and so amiable, that I could not +stay in the room.'—More passed on +the subject, not worth detailing. I learnt +that the prince was very much overcome +by the sight of the picture, and the +train of recollections that it brought +with it. Colonel Addenbrooke went in +to the prince, and returning shortly, +said, 'The prince desires me to say how +much obliged to you he is for this attention, +that he shall always remember it. +He said, 'Do you think Sir Thomas +Lawrence would wish to see me? If he +would, I shall be very glad to see him.'—I +replied that I thought you would: +so if you like, he will see you whenever +you choose, before your departure.' +Soon after, I went in to him. As I +passed through the hall, Dr. Short came +up to me, (he had evidently been, and +was crying,) and thanked me for having +painted such a picture. 'No one is a +better judge than I am, sir,' and he +turned away."</p> + +<p>"The prince was looking exceedingly +pale; but he received me with calm +firmness, and that low, subdued voice +that you know to be the <i>effort</i> at composure. +He spoke at once about the +picture and of its value to him more than +to all the world besides. From the beginning +to the close of the interview, he +was greatly affected. He checked his +first burst of affection, by adverting to +the public loss, and that of the royal family. +'Two generations gone!—gone +in a moment! I have felt for myself, +but I have felt for the Prince Regent. +My Charlotte is gone from this country—it +has lost her. She was a good, she +was an admirable woman. None could +know my Charlotte as I did know her! +It was my happiness, my duty to know +her character, but it was my delight.' +During a short pause I spoke of the +impression it had made on me. 'Yes, +she had a clear, fine understanding, and +very quick—she was candid, she was +open, and not suspecting, but she saw +characters at the glance—she read them +so true. You saw her; you saw something +of us—you saw us for some <i>days</i>—you +saw our <i>year!</i> Oh! what happiness—and +it was solid—it could not +change, for we knew each other—except +when I went out to shoot, we were +together always, and we <i>could</i> be together—we +did not tire.'"</p> + +<p>"I tried to check this current of recollection, that was evidently overpowering + him (as it was me) by a remark on a part of the picture, and then on its likeness + to the youth of the old king. 'Ah! and my child was like her, for one so young, + (as if it had really lived in childhood.) For one so young it was surprisingly + like—the nose, it was higher than children's are—the mouth, so like + hers; so cut (trying to describe its mouth on his own.) My grief did not think + of it, but if I could have had a drawing of it! She was always thinking of others, + not of herself—no one so little selfish—always looking out for comfort + for others. She had been for hours, for many hours, in great pain—she + was in that situation where selfishness must act if it exists—when <i>good</i> + people will be selfish, because pain makes them so—and my Charlotte was + not—any grief could not make her so! She thought our child was alive; + I knew it was not, and I could not support her mistake. I left the room, for + a short <span class="pagenum"><a id="page361" name="page361"></a>[pg 361]</span>time: + in my absence they took courage, and informed her. When she recovered from it, + she said, 'Call in Prince Leopold—there is none can comfort him but me! + My Charlotte, my dear Charlotte! And now, looking at the picture, he said, Those + beautiful hands, that at the last, when she was talking to others were always + looking out for mine!'"</p> + +<p>"I need not tell you my part in this +interview; he appeared to rely on my +sharing his thoughts."</p> + +<hr class="short" /> + +<p>"Towards the close of our interview, +I asked him, 'if the princess at the <i>last</i> +felt her danger?' He said, 'No; my +Charlotte thought herself very ill, but +not in danger. And she was so well but +an hour and a half after the delivery!—And +she said I should not leave her again—and +I should sleep in that room—and +she should have in the sofa bed—and she +should have it where she liked—she herself +would have it fixed. She was strong, +and had so much courage, yet once she +seemed to fear. You remember she was +affected when you told her that you +could not paint my picture just at that +time; but she was much more affected +when we were alone—and I told her I +should sit when we went to Marlborough +House after her confinement, 'Then,' +she said, 'if you are to sit when you go +to town, and after my confinement—then +I may never see that picture.' My +Charlotte felt she never should."</p> + +<p>"More passed in our interview, but +not much more—chiefly, my part in it. +At parting he pressed my hand firmly—held +it long, I could almost say affectionately, +I had been, by all this conversation, +so impressed with esteem for +him, that an attempt to kiss his hand +that grasped mine was resistless, but it +was checked on both sides. <i>I</i> but bowed—and +he drew my hand towards him: +he then bade me good by, and on leaving +the room turned back to give me a slow +parting nod,—and though half blinded +myself, I was struck with the exceeding +paleness of his look across the room. +His bodily health, its youthfulness cannot +sink under this heaviest affliction! +And his mind is rational; but when <i>thus</i> +leaving the room, his tall dark figure, +pale lace, and solemn manner, for the +moment, looked a melancholy presage."</p> + +<p>"I know that your good-nature will +forgive my not answering your letter in +detail, since I have refrained from it but +to give you this narration of beings so +estimable, so happy, and so parted."</p> + +<p>"Prince Leopold's voice is of very +fine tone, and gentle; and its articulation +exceedingly clear, accurate, and +impressive, without the slightest affectation. +You know that sort of reasoning +emphasis of manner with which the +tongue conveys whatever deeply interests +the mind. His 'My Charlotte!' is affecting; +he does not pronounce it as 'Me +Charlotte,' but very simply and evenly, +'<i>My</i> Charlotte.'"</p> + +<hr class="full" /> + + + +<h2>NOTES OF A READER.</h2> + +<hr /> + + +<h3>KNOWLEDGE FOR THE PEOPLE.</h3> + +<h4>Part VII.—<i>Mechanics.</i></h4> + + +<p>We quote a few articles from the Introductory +portion, illustrating the general +principles of Mechanical agencies.</p> + +<p>Why are we said to know of nothing +which is absolutely at rest?</p> + +<p>Because the earth is whirling round +its axis, and round the sun; the sun is +moving round his axis, and round the +centre of gravity of the solar system; +and, doubtless, round some more remote +centre in the great universe, carrying +all his planets and comets about +his path. One of the grand laws of nature +is, that all bodies persevere in their +present state, whether of motion or +rest, unless disturbed by some foreign +power. Motion, therefore, once began, +would be continued for ever, were it to +meet with no interruption from external +causes, such as the power of gravity, +the resistance of the medium, &c. Dr. +Arnott adduces several familiar illustrations +of motions and forces. Thus, all +falling and pressing bodies exhibit <i>attraction</i> +in its simplest form. <i>Repulsion</i> +is instanced in explosion, steam, the +action of springs, &c. Explosion of +gunpowder is repulsion among the particles +when assuming the form of air. +Steam, by the repulsion among its particles, +moves the piston of the steam-engine. +All elasticity, as seen in springs, +collision, &c. belongs chiefly to repulsion. +A spring is often, as it were, a +reservoir of force, kept ready charged +for a purpose; as when a gun-lock is +cocked, a watch wound up, &c.</p> + +<p>Why does a billiard ball stop when it +strikes directly another ball of equal +size, and the second ball proceed with +the whole velocity which the first had?</p> + +<p>Because the action which imparts the new motion is equal to the re-action which + destroys the old. Although the transference of motion, in such a case, seems + to be instantaneous, the change is really progressive, and is as follows:—The + approaching ball, at a certain point of time, has just given half of its motion + to the other equal ball; and if both were of soft clay, they would then proceed + together with half the original ve<span class="pagenum"><a id="page362" name="page362"></a>[pg + 362]</span>locity; but, as they are elastic, the touching parts at the moment + supposed, are compressed like a spring between the balls; and by their expanding, + and exerting force equally both ways, they double the velocity of the foremost + ball, and destroy altogether the motion in the other.</p> + +<p>Why does a walking stick help a man +on a journey?</p> + +<p>Because he pushes against the ground +with the stick, which may be considered +as compressing a spring between the +earth and the end of his stick, which +spring is therefore pushing up as much +as he pushes down; and if, at the time, +he were balanced in the scales of a +weighing beam, he would find that he +weighed just as much less as he were +pressing with his stick.</p> + +<p>Why is sea-sickness produced on shipboard?</p> + +<p>Because man, strictly to maintain his +perpendicularity, that is, to keep the +centre of gravity always over the support +of his body, requires standards of +comparison, which he obtains chiefly +by the perpendicularity or known position +of things about him, as on land; +but on shipboard, where the lines of +the masts, windows, furniture, &c. are +constantly changing, his standards of +comparison are soon lost or disturbed. +Hence, also, the reason why persons +unaccustomed to the motion of a ship, +often find relief by keeping their eyes +directed to the fixed shore, where it is +visible, or by lying on their backs, and +shutting their eyes; and, on the other +hand, the ill-effects of looking over the +side of the vessel at the restless waves +of the sea.</p> + +<p>Why is the pendulum a time-keeper?</p> + +<p>Because the times of the vibrations +are very nearly equal, whether it be +moving much or little; that is to say, +whether the arc described by it be large +or small. A common clock is merely a +pendulum, with wheel-work attached to +it, to record the number of the vibrations; +and with a weight or spring, having +force enough to counteract the retarding +effects of friction and the resistance +of the air. The wheels show how +many swings or beats of the pendulum +have taken place, because at every beat, +a tooth of the last wheel is allowed to +pass. Now, if this wheel has sixty +teeth, as is common, it will just turn +round once for sixty beats of the pendulum, +or seconds; and a hand fixed on +its axis, projecting through the dial-plate, +will be the second hand of the +clock. The other wheels are so connected +with this first, and the numbers +of the teeth on them so proportioned, +that one turns sixty times slower than +the first, to fit its axis to carry a minute +hand; and another, by moving twelve +times slower still, is fitted to carry an +hour-hand.—<i>Arnott.</i></p> + +<p>Why do clocks denote the progress of +time?</p> + +<p>Because they count the oscillations of +a pendulum; and by that peculiar property +of the pendulum, that one vibration +commences exactly where the last +terminates, no part of time is lost or +gained in the juxtaposition (or putting +together) of the units so counted, so +that the precise fractional part of a day +can be ascertained, which each such +unit measures. The origin of the pendulum +is traced to Galileo's observation +of a hanging lamp in a church at Pisa +continuing to vibrate long and with singular +uniformity, after any accidental +cause of disturbance. Hence he was +led to investigate the laws of the phenomenon, +and out of what, in some shape +or other, had been before men's eyes +from the beginning of the world, his +powerful genius extracted the most important +results. The invention of pendulum +clocks took place about the middle +of the seventeenth century; and the +honour of the discovery is disputed between +Galileo and Huygens. Becher +contends for Galileo, and states that one +Trifler made the first pendulum clock at +Florence, under the direction of Galileo +Galilei, and that a model of it was sent +to Holland. The Accademia del Cimento +also expressly declared, that the +application of the pendulum to the +movement of a clock, was first proposed +by Galileo, and put in practice by his +son, Vincenzo Galileo, in 1649. Huygens, +however, contests the priority, +and made a pendulum clock before 1658; +and he insists, that if ever Galileo had +entertained such an idea, he never +brought it to perfection. Beckmann +says the first pendulum clock made in +England, was constructed in the year +1662, by one Tromantil, a Dutchman; +but Grignon affirms that the first pendulum +clock was made in England, by Robert +Harris, in 1641, and erected in +Inigo Jones's church of St. Paul, Covent-garden.</p> + +<p>Why does the pendulum move faster +in proportion as its journey is longer?</p> + +<p>Because, in proportion as the arc +described is more extended, the steeper +are its beginning and ending; and the +more rapidly, therefore, the pendulum +falls down at first, sweeps along the intermediate +space, and stops at last.—<i>Arnott.</i></p> + +<p><span class="pagenum"><a id="page363" name="page363"></a>[pg 363]</span>Why + is it extremely difficult to ascertain the exact length of the pendulum?</p> + +<p>Because of the various expansion of +metals, respecting which no two pyrometers +agree; the changeable nature of +the atmosphere; the uncertainty as to +the true level of the sea; the extreme +difficulty of measuring accurately the +distance between the point of suspension +and the centre of oscillation, and +even of finding that centre; also the +variety of terrestrial attraction, from +which cause the motions of the pendulum +are also liable to variation, even in +the same latitude. In pursuing his researches, +Capt. Kater discovered that +the motions of the pendulum are affected +by the nature of the strata over which +it vibrates.</p> + +<p>Why is the iron rim of a coach wheel +heated before putting on?</p> + +<p>Because the expansion of the metal +occasioned by the heat, facilitates the +operation of putting on the iron, while +the contraction which follows, brings +the joints of the wooden part together; +and thus, binding the whole, gives great +strength to the wheel.</p> + +<p>Why does a bottle of fresh water, +corked and let down 30 or 40 feet into +the sea, often come up again with the +water saltish, although the cork be still +in its place?</p> + +<p>Because the cork, when far down, is +so squeezed as to allow the water to pass +in or out by its sides, but on rising, it +resumes its former size.</p> + +<p>Why do bubbles rise on a cup of tea +when a lump of sugar is dropped into it?</p> + +<p>Because the sugar is porous, and the +air which filled its pores then escapes to +the surface of the tea, and the liquid +takes its place.</p> + +<p>Why is there an opening in the centre +of the upper stone of a corn mill?</p> + +<p>Because through this opening the +grain is admitted and kept turning round +between the stones, and is always tending +and travelling outwards, until it escapes +as flour from the circumference.</p> + +<p>Why does water remain in a vessel +which is placed in a sling and made to +describe a circle?</p> + +<p>Because the water, by its inertia of +straightness, or centrifugal (or centre-flying) +force, tends more away from the +centre of motion towards the bottom of +the vessel, than towards the earth by +gravity.</p> + +<p>Why does a young quadruped walk +much sooner than a child?</p> + +<p>Because a body is tottering in proportion +to its great altitude and narrow base. +Now, the child has this latter, and learns +to walk but slowly, because of the difficulty, +perhaps in ten or twelve months, +while the young of quadrupeds, having +a broad supporting base, are able to +stand, and even to move about almost +immediately; but it is the noble prerogative +of man to be able to support his +towering figure with great firmness, on +a very narrow base, and under constant +change of attitude.—<i>Arnott.</i></p> + +<hr class="full" /> + + + +<h2>FINE ARTS.</h2> + +<hr /> + + +<h3>THE ROYAL ACADEMY.</h3> + +<h4>(<i>From a Correspondent.</i>)</h4> + + +<p>The exhibition of works of art in the +Royal Academy this year is equal to +any preceding, except in the department +of portraiture; nor is this deficiency by +any means extraordinary, when we consider +the severe loss the arts have sustained +by the death of Sir Thomas Lawrence. +We much regret that, out of +one thousand two hundred and thirty-four +productions, we can only enumerate +a very small number for want of +space:</p> + +<p>No. 11. <i>Dutch Coast</i>—very fine and +transparent in the colouring; painted +by A. W. Callcott, R. A.</p> + +<p>16. <i>A Subject from the Winter's +Tale</i>—good. W. H. Worthington.</p> + +<p>55. <i>Progress of Civilization</i>—painted +for the Mechanics' Institute at Hull. +This work is admirably conceived, and +reflects great credit on the talents of +Mr. H. P. Briggs.</p> + +<p>56. <i>Mary Queen of Scots meeting the +Earl of Bothwell between Stirling and +Edinburgh.</i> Mr. Cooper has treated +this subject with his usual care, and appears +to have delineated the costume +very accurately. The horses are spirited, +and finely executed.</p> + +<p>62. <i>Portrait of Lady Lyndhurst</i>—painted +very much in the manner of +Rembrandt, by D. Wilkie, R. A.</p> + +<p>65 and 66. <i>Portraits of their Majesties</i>—painted +for the Corporation of the +Trinity House, by Sir William Beechy.</p> + +<p>78. <i>An Italian Family</i>, by C. L. Eastlake, +is an interesting picture, and extremely +rich in colour.</p> + +<p>79. <i>The Maid of Judith waiting +outside the tent of Holofernes, till her +Mistress had consummated the deed that +delivered her country from its invaders:</i> +a wonderful production, by Etty.</p> + +<p>84. <i>Scene near Hastings.</i> Rev. T. J. +Judkin.</p> + +<p>86. <i>Interior of a Highlander's House</i>—very +fine. Edwin Landseer.</p> + +<p>105. <i>Portrait of Miss Eliza Cooper</i>—a +chaste and highly-finished production, +by Sir M. A. Shee.</p> + +<p><span class="pagenum"><a id="page364" name="page364"></a>[pg 364]</span>Messrs. + Pickersgill, Turner, Reinagle, Hilton, Newton, Constable, Good, Daniell, Clint, + Kidd, Howard, Phillips, and Elford, have also some excellent pictures in the + exhibition.</p> +<div class="source"> +<p><i>May 14, 1831.</i></p> + +<p>G. W. N.</p> +</div> + +<hr class="full" /> + + + +<h2>SPIRIT OF THE +PUBLIC JOURNALS</h2> + +<hr /> + + +<h3>BILLINGTON.</h3> + + +<p>(Print her name in grand capitals, Mr. +Compositor)—Billington returned from +Italy! My father, who remembered, I +suspect, the beautiful woman more than +the accomplished singer, determined to +hear again her <i>Mandane</i>; and sorely +against my will, I rather think to prevent +the chance of my doing mischief at +home, forced me to go along with him. +With listless and unwilling ears I listened +to her and Mrs. Mountain, that +second best of English singers throughout +"Fair Aurora." Gradually, however, +and involuntarily, I became pleased, +interested, delighted; and when the encored +"Soldier tired" was ended, had I +but possessed so much Italian, "Sono +anch'io Cantatore" would have burst +from my lips with as much fervour and +devotedness of resolution as the "Sono +anch'io Pittore" of the artist. From +this moment never had I three shillings +and sixpence in my pocket, and either +Billington's or Braham's name in the +bills of the night, that I was not to be +seen planted in the front row of the pit, +looking over the leader's book, and taking +the only lessons I ever received in +music. The opera over, no farce, however +laughable, not even the "Turnpike +Gate" with Joe Munden's <i>Crack</i>, had +the power to detain me in the house.—My +time of <i>imitation</i> was arrived, and I +sallied forth to alarm watchmen with +the last division of the "Soldier tired," +affront my friends by saluting them with +"Adieu thou dreary pile," or annoy my +father with shouting "The Austrian +trumpet's loud alarms" at a moment +when, with all the fervour of true John +Bull anti-gallicanism, he was lamenting +over Ulm and Austerlitz; execrating +Mack, pitying Francis and Alexander, +and cursing the victorious Napoleon by +all his gods.—<i>Harmonicon</i>, No. 41.</p> + +<hr /> + + +<h3>SUFFICING REASONS FOR SHAKING.</h3> + + +<p>At a charity concert, given some time +since in the sister island, one of the +reverend directors, or stewards, was +shocked at a long shake made by a +juvenile chorister in the passage "and +they were sore afraid" in the <i>Messiah</i>, +and remonstrated with the boy's instructor +on the impropriety of such an +ornament to such words.</p> + +<p>"And is it in regard to the shake +you'd be spaking, sir?" replied the +master. "Sure and if ye were sore +afraid yourself, would not ye be shaking? +Ay, I'll be your bail that you +would, and shaking in your shoes too! +Plase to leave me and my pupil alone: +many a one will be coming to-morrow +twenty and thirty miles, every inch of it, +to hear Master —— sing, that would +not step out twenty yards to hear you +prache."—<i>Ibid.</i></p> + +<hr /> + + +<h3>CALCULATING NOTES.—PAGANINI.</h3> + + +<p>Stephen Storace had a remarkably +good head for figures. When a boy, +his passion for calculation was beyond +all belief. Michael Kelly says, he has +been known to multiply four figures by +four figures, by memory, in three minutes. +When young, Kelly tells us, +Storace was so astonished that fifty +guineas should be paid for <i>singing a +song</i>, that he counted the notes in it, +and calculated the amount of each at +4<i>s.</i> 10<i>d.</i></p> + +<p>This passion for calculating the value +of notes (musical ones) has seized a +Parisian dilettante, who, according to +the <i>Furet de Londres</i>, has been fixing +the price of every note and rest in certain +pieces played by Paganini recently, +at a concert given at the Opera at Paris, +which produced him 16,500 francs. The +following is the result:—He performed, +during the evening, three pieces, each +occupying five pages of music, of about +91 bars to the page. The fifteen pages +thus contained 1,365 bars, by which the +16,500 francs are to be divided. The +quotient will be 12 francs for each bar, +or the proportions will be as follows:—For +a semibreve, 12f.; a minim 6f.; a +crotchet, 3f.; a quaver, 1f. 50c.; a +semiquaver, 15 sous; a demisemiquaver, +7-1/2 sous. And, on the other hand, for a +minim rest, 6f.; a crotchet rest, 3f.; +&c. There would still remain out of +the 16,500 francs, 420, which is exactly +the price of such a violin as the Conservatory +awards as a prize to its most +distinguished pupils.</p> + +<p>All this may be play to Paganini, but destruction to less fortunate musicians, + for he swallows up all that would otherwise be distributed among many. An English + violinist must work many long laborious days and nights before he can <i>scrape</i> + together six hundred and eighty-<span class="pagenum"><a id="page365" name="page365"></a>[pg + 365]</span>seven pounds sterling—the sum, it seems, which the lucky Italian + gets by a single concert!—<i>Ibid.</i></p> + +<hr class="full" /> + + + +<h2>THE SELECTOR +<br /> +AND +<br /> +LITERARY NOTICES OF<br /> +<i>NEW WORKS</i>.</h2> + +<hr /> + + +<h3>FREEMASONRY.</h3> + + +<p>In a neat volume, called <i>The Freemasons' +Pocket Companion</i>, of size to fit +the waistcoat pocket, we find the following +brief sketch of the History of Freemasonry +in England. This little Manual +is "By a Brother of the Apollo Lodge, +711, Oxford," who acknowledges his +obligation to Oliver and Preston, an article +on Masonry, in the Encyclopædia +Britannica, &c.:—</p> + +<p>In Britain, we are informed that St. +Alban, the first martyr for Christianity +in this country, was a great patron of +the masons, and procured leave from the +King or Emperor Carausius for a general +meeting or assembly to be held by +them, and higher wages to be given +them. But we have no good reason, I +think, to believe that these masons had +much connexion with our fraternity, nor +that freemasonry was introduced into +Britain before the time of St. Austin, +who, with forty more monks, among +whom the sciences were preserved, was +commissioned by Pope Gregory to baptize +Ethelbert, King of Kent. About +this time appeared those trading associations +of architects who travelled over +Europe, patronised by the See of Rome. +The difficulty of obtaining expert workmen +for the many pious works raised at +that time in honour of religion, made it +prudent to encourage, by peculiar privileges, +those bodies of men, who had devoted +themselves to the study and practice +of architecture. Accordingly they +were allowed to have their own government +without opposition, and no others +were permitted to work on any building +with which they were concerned. They +were under regular command, divided +into lodges, with a master and wardens +in each, and dwelt in an encampment +near the building they were employed +to erect.</p> + +<p>It is not in my power to trace the +progress of these lodges of masons in +any connected history, but I will proceed +with the accounts we have of the +masons in England from the time of St. +Austin. By them the old cathedral of +Canterbury was built, in 600; St. Paul's, +London, 604; and St. Peter's, Westminster, +605; with many others. In +the year 680 some more expert brethren +from France were formed into a lodge, +under the direction of Bennet, Abbot of +Wirral, who was appointed superintendent +of the masons by Kinred, King of +Mercia. From this time, however, little +is known of the fraternity, until the year +856, when St. Swithin was the superintendent, +appointed by Ethelwolf; from +which time it gradually improved till the +year 872, when King Alfred took the +command of it. Upon his death, in 900, +when Edward succeeded to the throne, +and Ethred, Prince of Mercia, patronised +the society, Edward was succeeded, +in 924, by his son, Athelstan, whose +brother, Edwin, procured from the king +a charter for the masons, by which they +were empowered to meet annually in a +general assembly, and to have power to +regulate their own order. And, according +to this charter, the first grand lodge +of England met at York, in 926. But +here it is to be remarked that the grand +lodge is not to be understood as the +same in those times that it is now; it +was not then restricted to the masters +and wardens of private lodges, but was +open to as many of the fraternity as +could attend: for, until late years, the +grand lodge as now constituted did not +exist, but there was but one family of +masons; and any sufficient number of +masons met together, with the consent +of the civil magistrate, to practise the +rites of masonry, without warrant of +constitution as a lodge.</p> + +<p>On the death of Prince Edwin, Athelstan +himself presided over the lodges; +but after his decease, we know little of +the state of the masons in Britain, except +that they were governed by Dunstan, +Archbishop of Canterbury, in 960, +and Edward the Confessor in 1041. But +in 1066, William the Conqueror appointed +Gondulph, Bishop of Rochester, to +preside over the society. In 1100, Henry +the First patronised them; and in 1135, +during the reign of Stephen, the society +was under the command of Gilbert de +Clare, Marquess of Pembroke.</p> + +<p>From the year 1155 to 1199, the fraternity +was under the command of the +grand master of the knights templars.</p> + +<p>In 1199, Peter de Colechurch was appointed grand master; and the society continued + to increase and flourish in the successive reigns of Henry III., Edward I., + Edward II., and Edward III. This last prince revised the constitutions of the + order, and appointed deputies to superintend the fraternity, one of whom was + William à Wykeham, afterwards Bishop of Winchester. He con<span class="pagenum"><a id="page366" name="page366"></a>[pg + 366]</span>tinued grand master under the reign of Richard II.; was succeeded + by Thomas Fitz Allen, Earl of Surrey, in Henry IV.'s reign; and on Henry V.'s + accession, Chichely, Archbishop of Canterbury, presided over the society. We + have records of a lodge held at Canterbury, under his patronage, where Thos. + Stapylton was master, and the names of the wardens and other brethren are given. + This was in 1429, four years after an act of parliament, passed early in the + reign of Henry VI., against the meetings of the society, which was caused by + the enmity of Cardinal Beaufort, Bishop of Winchester, towards Humphrey, Duke + of Gloucester, the king's uncle, a great patron of the craft. But this act was + never enforced, and in 1442 the king was himself initiated, and he patronised + the society.</p> + +<p>In the meantime, under the auspices +of James I. of Scotland, masonry flourished +in that country. It had been +nursed, during the wars which ravaged +Europe, in the humble village of Kilwinning, +in the west of the country; +from whence it at length burst forth, +and communicated its light to the lodges +in the south. The records of this lodge +actually go back to the beginning of the +fifteenth century, as also do those of a +lodge in or near Edinburgh. And about +this time the Scottish king appointed a +fee to be paid by every master to the +grand master, who was chosen by the +grand lodge. James II. of Scotland +made the grand mastership hereditary, +and conferred it on the St. Clairs of +Roslin, in which family it continued till +1736, when the then representative of +the family, being old and childless, resigned +it into the hands of the grand +lodge, then first established on its present +footing, by whom he was re-elected +grand master for life.</p> + +<p>During the civil wars in England masonry +declined; but on the accession of +Henry VII., in 1485, it revived again, +under the patronage of the grand master +of the order of St. John, at Rhodes, +who, in 1500, chose King Henry their +protector. In 1502 this king presided +in person in a lodge of master masons, +and proceeded in ample form to lay the +foundation of the chapel, at the east end +of Westminster Abbey, which bears his +name.</p> + +<p>The fraternity continued to flourish +in the next reigns; and in the reign of +Elizabeth, about 1550, Sir Thos. Sackville, +then grand master, assembled the +general lodge at York, which is said to +have roused the jealousy of the queen; +and she intended to break up the meeting, +but being informed that they did +not meddle with politics, she withdrew +her orders, and permitted them to meet +unmolested. Sackville was succeeded +by Sir Thomas Gresham, in the south, +who built the Royal Exchange, and by +Francis Russell, Earl of Bedford, in the +north.</p> + +<p>Masonry continued to flourish in the +next reign, under Inigo Jones, as grand +master, till 1618, when the Earl of Pembroke +succeeded him; and after some +more changes, Jones again was elected, +and continued to preside till his death, +in 1646. But the civil war again obstructed +the progress of the order, until +the Restoration, when it revived under +the auspices of Charles II.</p> + +<p>In 1663, the Earl of St. Alban's was +elected grand master, who appointed +Mr. (afterwards Sir Christopher) Wren +his deputy; which office he held until +1685, when he was himself appointed to +the grand chair. During his deputy-ship +he erected many noble buildings, +particularly the cathedral of St. Paul's.</p> + +<p>The short reign of James II. was not +favourable to the order of masons; nor +did it begin again to revive for many +years. King William III. was initiated +privately in 1695, and approved the +choice of Sir Christopher Wren as grand +master; but shortly after, and during +the whole reign of Queen Anne, the +society decreased gradually, for the +grand master's age prevented his attending +regularly, and the annual feasts +were neglected.</p> + +<p>On the accession, therefore, of Geo. I. +the masons in London determined to revive, +if possible, the grand lodge and the +communications of the society under a +new grand master, Sir Christopher Wren +being dead. In February, 1717, accordingly, +the only four lodges then existing +in London met, and voting the oldest +master mason, constituted themselves a +grand lodge; and on St. John Baptist's +day, meeting again, they elected Anthony +Sayer, Esq., grand master, and he was +regularly installed by the grand master +who had before been voted into the +chair.</p> + +<p>Mr. Sayer was succeeded by George Payne, Esq., in 1718, who collected all the + records of the society—by which means some copies of the old Gothic constitutions + were produced and arranged. In 1719, Dr. Desaguliers was grand master, and by + his activity the order made great progress; and at the feast of his installation, + the custom of drinking healths was first introduced. In the next, year, under + Mr. Payne again, the fraternity sustained a great <span class="pagenum"><a id="page367" name="page367"></a>[pg + 367]</span>loss by the burning of some valuable manuscripts, by some too scrupulous + brethren; and next year, the Duke of Montague was proposed for, and accepted + the chair of grand master.</p> + +<hr class="short" /> + +<p>In 1726, the masons of Wales attached +themselves to the grand lodge of +England, and the office of provincial +master was instituted soon after. The +Society was introduced into India in +1728, and the grand lodge of America +constituted, by warrant from London, in +1735; and that of Holland, at Hamburgh, +in the same year. In 1738, the +Book of Constitutions was published; +the grand lodge of Prussia constituted +under the Scotch constitution, and has +ever since flourished in that country; +and in 1774, the grand lodge of Antigua +was established, by warrant from the +grand lodge of England.</p> + +<p>Correspondence was opened with the +grand lodge of France in 1768; with +that of Holland in 1770; and that of +Berlin in 1776. On the 1st of May, +1775, the foundation-stone of the Freemasons' +Hall was laid; and the building +was opened and dedicated in solemn +form on the 23rd of May, 1776, Lord +Petre being then grand master.</p> + +<p>In 1779, a correspondence was established +with the grand lodge of Germany; +and in 1782 an attempt was made +to open one with those of Scotland and +Ireland. This was not then effected; +but in 1803 explanations were made to +the grand lodge of Scotland regarding +the schism in England; in consequence +of which, two years after, the wished +for union was accomplished; and in +1808 the same gratifying proposals were +made from Ireland, and accepted with +cordiality. Meantime, the same brotherly +communication had been instituted +with Sweden in 1799, and Prussia +in 1805.</p> + +<p>While these friendly communications +with foreign brethren were going on, +masonic benevolence, ever privately exercised, +had made a public exertion in +favour of the children of deceased brethren +at home, in the establishment of +the charity for female children, in 1788; +of the masonic society for the relief of +sick, lame, or distressed brethren, and +their widows, children, or orphans, in +1799. In the year 1816 freemasonry +was revived in Russia, under the patronage +of the emperor, and communications +forwarded from the grand lodge +at St. Petersburgh to that in London.</p> + +<hr class="full" /> + + + +<h2>MANNERS & CUSTOMS OF ALL NATIONS.</h2> + +<hr /> + + +<h3>WATER AT SHAFTESBURY.</h3> + + +<p>Motcomb, half a mile north from Shaftesbury, +is noted for containing the wells +from which the inhabitants of Shaftesbury +are supplied with water. Great +numbers of the inhabitants get their +living by carrying water, for which they +have three halfpence or twopence the +horse load. On this account there is a +particular custom yearly observed, according +to ancient agreement, dated +1662, between the Lord of the Manor +of Gillingham, and the Mayor and Burgesses +of Shaftesbury. The Mayor is +obliged, the Monday before Holy +Thursday, to dress up a prize bezon, or +bizant, somewhat like a May garland in +form, with gold and peacocks' feathers, +and carry to Enmori Green, half a mile +below the town in Motcomb, as an acknowledgment +for the water, together +with a raw calf's head, a pair of gloves, +a gallon of beer or ale, and two penny +loaves of white wheaten bread, which +the steward receives and carries away +for his own use. The ceremony being +over, the bizant is restored to the +Mayor, and brought back by one of his +officers with great solemnity. This +bizant is generally so richly adorned +with plate and jewels, borrowed from +the neighbouring gentry, as to be worth +not less than £1,500.</p> + +<p class="source">C. D.</p> + +<hr /> + + +<h3>TRINITY TERM ENDS 11th JUNE.</h3> + +<h4>(<i>For the Mirror.</i>)</h4> + + +<p>"On this day," says Brady, in his <i>Calendaria</i>, +"Trinity Term ends; and +immediately on the rising of the Court, +commences that cessation from legal +business emphatically denominated the +'long vacation,' or that space which +our ancestors have wisely left undisturbed +by law concerns, that the people +may be the better able to attend to the +different harvests throughout the kingdom. +Thus the activity and bustle of +the Inns of Court suddenly subside into +a want of occupation, not unaptly displayed +in the following anonymous parody:—"</p> + +<div class="poem"> <div class="stanza"> +<p>"My lord now quits his venerable seat,</p> +<p class="i2">The six clerk on his padlock turns the key,</p> +<p>From business hurries to his snug retreat,</p> +<p class="i2">And leaves vacation and the town to me."</p> + </div><div class="stanza"> +<p>"Now all is hush'd—asleep the eye of care—</p> +<p class="i2">And Lincoln's Inn a solemn stillness holds,</p> +<p>Save where the porter whistles o'er the square,</p> +<p class="i2">Or our dog barks, or basket-woman scolds:"</p> + </div><div class="stanza"> +<p>"Save that from yonder pump and dusty stair</p> +<p class="i2">The moping shoe-black and the laundrymaid</p> +<p>Complain of such as from the town repair,</p> +<p class="i2">And leave their little quarterage unpaid."</p> + </div> </div> + +<p class="source">H. B. A.</p> + +<hr class="full" /> + + + +<span class="pagenum"><a id="page368" name="page368"></a>[pg + 368]</span><h2>SPIRIT OF DISCOVERY.</h2> + +<hr /> + + +<h3>THE RIVER NIGER.</h3> + + +<p>A Second Edition of the <i>Literary Gazette</i> +of Saturday last enables us to lay +before our readers the following important +discovery:—</p> + +<p>"We have the gratification to state, +that the great question respecting the +course of the Niger, which has puzzled +geography and literature for many centuries, +has at last been determined by +British courage and perseverance. We +have just received the annexed letter +from our esteemed and intelligent friend, +Mr. Fisher, surgeon of the Atholl, well +known to the world for his own interesting +voyages and travels; and we lose no +time in communicating the important +information to the public, through the +pages of the <i>Literary Gazette</i>."</p> + +<blockquote><p> +"His Majesty's Ship Atholl, at Sea, +Bight of Biafra, Feb. 2, 1831." +</p></blockquote> + +<p>"Dear Sir,—I take the opportunity +of writing you a few lines, by a vessel +that we have just now met on her way +to England. My object in writing in +this hasty manner is to acquaint you +that the grand geographical problem +respecting the termination of the Niger +is at length solved."</p> + +<p>"The Landers, after having reached +Youri, embarked in a canoe on the Niger, +or, as it is called there, the Quarra, +and came down the stream until they +reached the sea, in the Bight of Biafra. +The branch by which they came to the +coast is called the Nun, or Brasse River, +being the first river to the eastward of +Cape Formosa. On their way down +the river they were attacked by the +Hibboos (a fierce nation that inhabit its +banks), and made prisoners, or rather +captives; but the King of Brasse happening +to be in that country buying +slaves, got them released, by giving the +price of six slaves for each of them. In +the scuffle that ensued at the time they +were taken, one of them lost his journal."</p> + +<p>"Whilst at Youri they got the Prayerbook +that belonged to Mr. Anderson, +the brother-in-law and fellow-traveller +of the celebrated Mungo Park. They +were upwards of a month at Fernando +Po, whence they embarked, about ten +days ago, in an English merchant-vessel +bound to Rio Janeiro, on their way to +England. From their taking that circuitous +route, I am in hopes that this +will reach you before they arrive, by +which you will probably have it in your +power to give the first news of this important +discovery."</p> + +<p>"I do not recollect of any thing else +to acquaint you with that is worthy of +notice; and even if I did, I have no +time to mention it, as the boat by which +I send this (to the vessel) is just this +moment ordered away."</p> + +<p>"I must therefore bid you adieu for +the present; and believe me, dear sir, +yours very sincerely."</p> + +<p class="source">"<span class="scaps">Alexander Fisher</span>."</p> + +<hr class="full" /> + + + +<h2>THE GATHERER.</h2> + +<div class="quote"> + <p class="indinv">A snapper up of unconsidered trifles.<br /> + <span class="scaps">Shakspeare.</span></p> + </div> + +<hr /> + + +<h3>EPITAPH</h3> + +<p class="quote"> <i>On a Porter who died suddenly under a load.</i> </p> + + +<div class="poem"> <div class="stanza"> +<p>Pack'd up within these dark abodes,</p> +<p>Lies one, in life inur'd to loads,</p> +<p>Which oft he carried 'tis well known,</p> +<p>Till Death pass'd by and threw him down;</p> +<p>When he that carried loads before,</p> +<p>Became a load which others bore</p> +<p>To this his inn—where, as they say,</p> +<p>They leave him till another day.</p> + </div> </div> + +<hr /> + + +<h3>ROYAL OATHS.</h3> + + +<p>In former times sovereign princes had +their favourite oaths, which they made +use of on all occasions when their feelings +or passions were excited. The +oaths of the English monarchs are on +record, and a list of them might easily +be made, by having recourse to the ancient +writers of our history, from the +conquest to the reign of Elizabeth, who +did not scruple, <i>pia regina, et bona +mater</i>, of the Church of England as she +was, to swear by "<i>God's wounds</i>," an +oath issuing at this time frequently from +vulgar mouths, but softened down to +"<i>zounds</i>."</p> + +<p>Brantome, who lived in the court of +Francis the First, contemporary with +Henry the Eighth of England, has recorded +the oaths of four succeeding +monarchs immediately preceding his +time. He tells us that Louis the +Eleventh swore by "<i>God's Easter;</i>" +Charles the Eighth, by "<i>God's light;</i>" +Louis the Twelfth used an oath, still +common among the French rabble, "<i>The +Devil take me;</i>" but the oath of Francis +the First was polished enough for the +present day: it was, "<i>On the word of a +gentleman</i>."</p> +<div class="source"> +<p><i>K——ll, Norfolk.</i></p> + +<p>C. H. B.</p></div> +<hr class="full" /> +<blockquote class="footnote"><a id="footnote1" name="footnote1"></a><b>Footnote + 1:</b> <a href="#footnotetag1">(return)</a> + <p>In Peck's "Desiderata Curiosa," is a list of salaries paid in Queen Elizabeth's +time to the Keepers, &c. of all the Royal Palaces and Castles. At Ampthill +they were as follow: Keeper of the Manor House, 2<i>l.</i> 13<i>s.</i> 4<i>d.</i>, +Great Park, 4<i>l.</i>, with herbage and pannage, 15<i>l.</i>; <i>Paler</i> of +the Park, 4<i>l.</i> 11<i>s.</i> 4<i>d.</i>, herbage and pannage, 15<i>l</i>.</p> + + <a id="footnote2" name="footnote2"></a><b>Footnote 2:</b><a href="#footnotetag2"> + (return) </a> + <p>For an Engraving of which see <a href="https://www.gutenberg.org/dirs/1/1/6/1/11611/11611-h/11611-h.htm"><i>the + Mirror</i>, vol. xiii. p. 385.</a></p> + + <a id="footnote3" name="footnote3"></a><b>Footnote 3:</b><a href="#footnotetag3"> + (return) </a> + <p>Dr. Johnson, it is well known, was a firm believer in ghosts, as the following + extract will show:—"That the dead are seen no more," said Imlac, "I + will undertake to maintain, against the concurrent and unvaried testimony + of all ages, and of all nations. * * * This opinion which, perhaps, prevails + as far as human nature is diffused, could become universal only by its truth(!): + those that never heard of one another would not have agreed in a tale which + nothing but experience could make credible."—<i>Rasselas</i>, chap. + xxx.</p> + <a id="footnote4" name="footnote4"></a><b>Footnote 4:</b><a href="#footnotetag4"> + (return) </a> + <p>When the grammarians could not interpret some word in a sentence, which they + could make without it, they used to attribute the unfortunate word to a natural + redundancy in the language, and in the same manner all ghost stories could + be solved by referring it to "an exuberance," &c. &c.</p> + <a id="footnote5" name="footnote5"></a><b>Footnote 5:</b><a href="#footnotetag5"> + (return) </a> + <p>A person, called the Mawezn, summons the people to prayers from the tower, + at certain stated times, by ringing bells.</p> + + <a name="footnote6" id="footnote6"></a><b>Footnote 6:</b><a href="#footnotetag6"> + (return) </a> + <p>Toos, the son of Nouder, makes a conspicuous figure among the princes and + warriors, celebrated by Ferdoosi in his book of Kings.</p> + <a id="footnote7" name="footnote7"></a><b>Footnote 7:</b><a href="#footnotetag7"> + (return) </a> + <p>Caus supposed to have been Darius the Mede by some historians.</p> + <a id="footnote8" name="footnote8"></a><b>Footnote 8:</b><a href="#footnotetag8"> + (return) </a> + <p>This poetical surname Khacan, adopted by Fath Ali Shah, signifies emperor + or king.</p> + <a id="footnote9" name="footnote9"></a><b>Footnote 9:</b><a href="#footnotetag9"> + (return) </a> + <p>The prophet Khezr (whom some mistake for Elias) is said to have discovered + and tasted the "waters of immortality," and consequently to be exempt from + death.</p> + <a id="footnote10" name="footnote10"></a><b>Footnote 10:</b><a href="#footnotetag10"> + (return) </a> + <p>Shireen, the favourite of Khosroo, is no less celebrated for her beauty than + for the passion with which she inspired Ferhad.</p> + <a id="footnote11" name="footnote11"></a><b>Footnote 11:</b><a href="#footnotetag11"> + (return) </a> + <p>Of this unfortunate lover Ferhad, the romantic story has been told by several + distinguished writers. The mountain to which our royal poet alludes is the + Kooh Bisetoon (in the province of Curdistan), where are still visible many + figures sculptured in the rock, which, by the romances of Persia, are ascribed + to the statuary Ferhad. Among these sculptures, travellers have noticed the + representation of a female—according to local tradition, the fair Shireen, + mistress to King Khosroo, and the fascinating object of Ferhad's love. As + a recompense for clearing a passage over the mountain of Bisetoon, by removing + immense rocks, which obstructed the path (a task of such labour as far exceeded + the power of common mortals, by Ferhad, however, executed with ease), the + monarch had promised to bestow Shireen on the enamoured statuary. But a false + report of the fair one's death having been communicated to Ferhad in a sudden + manner, he immediately destroyed himself; and the scene of this catastrophe + is still shown among the recesses of Mount Bisetoon.</p> + </blockquote> +<hr class="full" /> + +<p><i>Printed and Published by J. LIMBIRD, 143, +Strand, (near Somerset House,) London; sold +by ERNEST FLEISCHER, 626, New Market, +Leipsic; G. G. BENNIS, 55, Rue Neuve, St. +Augustin. Paris; and by all Newsmen and +Booksellers.</i></p> +<div>*** END OF THE PROJECT GUTENBERG EBOOK 13935 ***</div> +</body> +</html> diff --git a/13935-h/images/491-001.png b/13935-h/images/491-001.png Binary files differnew file mode 100644 index 0000000..8321902 --- /dev/null +++ b/13935-h/images/491-001.png |
