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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/12684-0.txt b/12684-0.txt new file mode 100644 index 0000000..4ccfcdd --- /dev/null +++ b/12684-0.txt @@ -0,0 +1,6028 @@ +*** START OF THE PROJECT GUTENBERG EBOOK 12684 *** + +DORIAN + + +By + +Nephi Anderson + + +Author of "Added Upon," "Romance of A Missionary," etc. + + + + + "The Keys of the Holy Priesthood unlock the Door of Knowledge and + let you look into the Palace of Truth." + + BRIGHAM YOUNG. + + + + +Salt Lake City, Utah + +1921 + + + + +Other books by Nephi Anderson. + + +"ADDED UPON"--A story of the past, the present, and the future stages of +existence. + +"THE CASTLE BUILDER"--The scenes and incidents are from the "Land of the +Midnight Sun." + +"PINEY RIDGE COTTAGE"--A love story of a Mormon country girl. +Illustrated. + +"STORY OF CHESTER LAWRENCE"--Being the completed account of one who +played an important part in "Piney Ridge Cottage." + +"A DAUGHTER OF THE NORTH"--A story of a Norwegian girl's trials and +triumphs. Illustrated. + +"JOHN ST. JOHN"--The story of a young man who went through the +soul-trying scenes of Missouri and Illinois. + +"ROMANCE OF A MISSIONARY"--A story of English life and missionary +experiences. Illustrated. + +"MARCUS KING MORMON"--A story of early days in Utah. + +"THE BOYS OF SPRINGTOWN"--A story about boys for boys and all interested +in boys. Illustrated. + + + + +CHAPTER ONE. + + +Dorian Trent was going to town to buy himself a pair of shoes. He had +some other errands to perform for himself and his mother, but the reason +for his going to town was the imperative need of shoes. It was Friday +afternoon. The coming Sunday he must appear decently shod, so his mother +had told him, at the same time hinting at some other than the Sunday +reason. He now had the money, three big, jingling silver dollars in his +pocket. + +Dorian whistled cheerfully as he trudged along the road. It was a scant +three miles to town, and he would rather walk that short distance than +to be bothered with a horse. When he took Old Nig, he had to keep to the +main-traveled road straight into town, then tie him to a post--and worry +about him all the time; but afoot and alone, he could move along as +easily as he pleased, linger on the canal bank or cut cross-lots through +the fields to the river, cross it on the footbridge, then go on to town +by the lower meadows. + +The road was dusty that afternoon, and the sun was hot. It would be +cooler under the willows by the river. At Cottonwood Corners, Dorian +left the road and took the cut-off path. The river sparkled cool and +clear under the overhanging willows. He saw a good-sized trout playing +in the pool, but as he had no fishing tackle with him, the boy could +only watch the fish in its graceful gliding in and out of sunshine and +shadow. A robin overhead was making a noisy demonstration as if in +alarm about a nest. Dorian sat on the bank to look and listen for a few +moments, then he got up again. + +Crossing the river, he took the cool foot-path under the willows. He +cut down one of the smoothest, sappiest branches with which to make +whistles. Dorian was a great maker of whistles, which he freely gave +away to the smaller boys and girls whom he met. Just as it is more fun +to catch fish than to eat them, so Dorian found more pleasure in giving +away his whistles than to stuff them in his own pockets. However, that +afternoon, he had to hurry on to town, so he caught no fish, and made +only one whistle which he found no opportunity to give away. In the +city, he attended to his mother's errands first. He purchased the few +notions which the store in his home town of Greenstreet did not have, +checking each item off on a slip of paper with a stub of a pencil. Then, +there were his shoes. + +Should he get lace or button, black or tan? Were there any bargains in +shoes that afternoon? He would look about to see. He found nothing in +the way of footwear on Main street which appealed to him. He lingered at +the window of the book store, looking with envious eyes at the display +of new books. He was well known by the bookseller, for he was a frequent +visitor, and, once in a while, he made a purchase; however, to day he +must not spend too much time "browsing" among books. He would, however, +just slip around to Twenty-fifth street and take a look at the +secondhand store there. Not to buy shoes, of course, but sometimes there +were other interesting things there, especially books. + +Ah, look here! Spread out on a table on the sidewalk in front of this +second-hand store was a lot of books, a hundred or more--books of all +kind--school books, history, fiction, all of them in good condition, +some only a little shopworn, others just like new. Dorian Trent eagerly +looked them over. Here were books he had read about, but had not +read--and the prices! Dickens' "David Copperfield", "Tale of Two +Cities", "Dombey and Son", large well-printed books, only a little +shopworn, for thirty-five cents; Thackeray's "Vanity Fair", twenty-five +cents; books by Mrs. Humphrey Ward and Margaret Deland; "Robinson +Crusoe", a big book with fine pictures. Dorian had, of course, read +"Robinson Crusoe" but he had always wanted to own a copy. Ah, what's +this? Prescott's "Conquest of Peru", two volumes, new, fifty cents each! +Dorian turned the leaves. A man stepped up and also began handling the +books. Yes, here were bargains, surely. He stacked a number together as +if he desired to secure them. Dorian becoming fearful, slipped the other +volume of the Conquest under his arm and made as if to gather a number +of other books under his protection. He must have some of these before +they were all taken by others. The salesman now came up to him and +asked: + +"Find something you want?" + +"O, yes, a lot of things I like" replied Dorian. + +"They're bargains." + +Dorian needed not to be told that. + +"They're going fast, too." + +"Yes, I suppose so." + +His heart fell as he said it, for he realized that he had no money to +buy books. He had come to town to buy shoes, which he badly needed. He +glanced down at his old shoes. They were nearly falling to pieces, but +they might last a little longer. If he bought the "Conquest of Peru" he +would still have two dollars left. Could he buy a pair of shoes for that +amount? Very likely but not the kind his mother had told him to get, the +kind that were not too heavy or "stogy" looking, but would be "nice" +for Sundays. He held tightly on to the two books, while Dickens and +Thackeray were still protectingly within his reach. What could he do? + +Down there in Peru there had been a wonderful people whom Pizarro, the +bad, bold Spaniard had conquered and abused. Dorian knew about it all +vaguely as a dim fairy tale; and here was the whole story, beautifully +and minutely told. He must have these books. This bargain might never +come again to him. But what would his mother say? She herself had added +the last half dollar to his amount to make sure that he could get the +nicer kind. + +"Well, sir, how many of these will you have?" asked the salesman. + +"I'll--I'll take these two, anyway"--meaning Prescott's Conquest--"and +let me see", he looked hungrily over the titles--"And this one 'David +Copperfield'." It was hard to select from so many tempting ones. Here +was one he had missed: "Ben Hur"--, a fine new copy in blue and gold. He +had read the Chariot Race, and if the whole story was as interesting as +that, he must have it. He handed the volume to the salesman. Then his +hand touched lovingly a number of other books, but he resisted the +temptation, and said: "That's all--this time." + +The clerk wrapped the purchase in a newspaper and handed the package to +Dorian who paid for them with his two silver dollars, receiving some +small silver in change. Then, with his package under his arm, the boy +walked on down the street. + +Well, what now? He was a little afraid of what he had done. How could +he face his mother? How could he go home without shoes? Books might be +useful for the head, but they would not clothe the feet. He jingled the +coins in his pocket as he walked on down to the end of the business +section of the city. He could not buy any kind of shoes to fit his big +feet for a dollar and twenty cents. There was nothing more to do but to +go home, and "face the music", so he walked on in a sort of fearsome +elation. At a corner he discovered a new candy store. Next to books, +Dorian liked candy. He might as well buy some candy for the twenty +cents. He went into the store and took his time looking at the tempting +display, finally buying ten cents worth of chocolates for himself and +ten cents worth of peppermint lozenges for his mother. + +You see, Dorian Trent, though sixteen years old, was very much a child; +he did many childish things, and yet in some ways, he was quite a man; +the child in him and the man in him did not seem to merge into the boy, +but were somewhat "separate and apart," as the people of Greenstreet +would say. + +Dorian again took the less frequented road home. The sun was still high +when he reached the river. He was not expected home for some time yet, +so there was no need for hurry. He crossed the footbridge, noticing +neither birds nor fish. Instead of following the main path, he struck +off into a by-trail which led him to a tiny grass plat in the shade of a +tree by the river. He sat down here, took off his hat, and pushed back +from a freckled, sweating forehead a mop of wavy, rusty-colored hair. +Then he untied his package of books and spread his treasures before him +as a miser would his gold. He opened "David Copperfield", looked at the +frontispiece which depicted a fat man making a very emphatic speech +against someone by the name of Heep. It must all be very interesting, +but it was altogether too big a book for him to begin to read now. "Ben +Hur" looked solid and substantial; it would keep until next winter when +he would have more time to read. Then he picked up the "Conquest", +volume one. He backed up against the tree, settled himself into a +comfortable position, took from his paper bag a chocolate at which he +nibbled contentedly, and then away he went with Prescott to the land of +the Inca and the glories of a vanished race! + +For an hour he read. Then, reluctantly, he closed his book, wrapped up +his package again, and went on his homeward way. + +The new canal for which the farmers of Greenstreet had worked and waited +so long had just been completed. The big ditch, now full of running +water, was a source of delight to the children as well as to the more +practical adults. The boys and girls played on its banks, and waded and +sported in the cool stream. Near the village of Greenstreet was a big +headgate, from which the canal branched into two divisions. As Dorian +walked along the canal bank that afternoon, he saw a group of children +at play near the headgate. They were making a lot of robust noise, and +Dorian stopped to watch them. He was always interested in the children, +being more of a favorite among them than among the boys of his own age. + +"There's Dorian," shouted one of the boys. "Who are you going to marry?" + +What in the world were the youngsters talking about, thought the young +man, as the chattering children surrounded him. + +"What's all this?" asked Dorian, "a party?" + +"Yes; it's Carlia's birthday; we're just taking a walk by the canal to +see the water; my, but it's nice!" + +"What, the party or the water?" + +"Why, the water." + +"Both" added another. + +"We've all told who we're going to marry," remarked a little rosy-faced +miss, "all but Carlia, an' she won't tell." + +"Well, but perhaps Carlia don't know. You wouldn't have her tell a fib, +would you?" + +"Oh, shucks, she knows as well as us." + +"She's just stubborn." + +She who was receiving these criticisms seemed to be somewhat older +and larger than her companions. Just now, not deigning to notice the +accusation of her friends, she was throwing sticks into the running +water and watching them go over the falls at the headgate and dance on +the rapids below. Her white party dress was as yet spotless. She swung +her straw hat by the string. Her brown-black hair was crowned by an +unusually large bow of red ribbon. She was not the least discomposed by +the teasing of the other children, neither by Dorian's presence. This +was her party, and why should not she do and say what she pleased. + +Carlia now led the way along the canal bank until she came to where a +pole spanned the stream. She stopped, looked at the somewhat insecure +footbridge, then turning to her companions, said: + +"I can back you out." + +"How? Doin' what?" they asked. + +"Crossing the canal on the pole." + +"Shucks, you can't back me out," declared one of the boys, at which he +darted across the swaying pole, and with a jump, landed safely across. +Another boy went at it gingerly, and with the antics of a tight-rope +walker, he managed to get to the other side. The other boys held back; +none of the girls ventured. + +"All right, Carlia," shouted the boys on the other bank. + +The girl stood looking at the frail pole. + +"Come on, it's easy," they encouraged. + +Carlia placed her foot on the pole as if testing it. The other girls +protested. She would fall in and drown. + +"You dared us; now who's the coward," cried the boys. + +Carlia took a step forward, balanced herself, and took another. The +children stood in spell-bound silence. The girl advanced slowly along +the frail bridge until she reached the middle where the pole swayed +dangerously. + +"Balance yourself," suggested the second boy. + +"Run," said the first. + +But Carlia could neither balance nor run. She stood for a moment on the +oscillating span, then threw up her hands, and with a scream she plunged +into the waters of the canal. + +No thought of danger had entered Dorian's mind as he stood watching the +capers of the children. If any of them fell in, he thought, they would +only get a good wetting. But as Carlia fell, he sprang forward. The +water at this point was quite deep and running swiftly. He saw that +Carlia fell on her side and went completely under. The children +screamed. Dorian, startled out of his apathy, suddenly ran to the canal +and jumped in. It was done so impulsively that he still held on to his +package of books. With one hand he lifted the girl out of the water, but +in her struggles, she knocked the bundle from his hand, and the precious +books splashed into the canal and floated down the stream. Dorian made +an effort to rescue them, but Carlia clung so to his arms that he could +do nothing but stand and see the package glide over the falls at the +headgate and then go dancing over the rapids, even as Carlia's sticks +had done. For a moment the young man's thoughts were with his books, and +it seemed that he stood there in the canal for quite a while in a sort +of daze, with the water rushing by his legs. Then mechanically he +carried the girl to the bank and would have set her down again with her +companions, but she clung to him so closely and with such terror in her +eyes that he lifted her into his arms and talked reassuringly to her: + +"There, now," he said, "you're only a bit wet. Don't cry." + +"Take me home. I--I want to go home," sobbed the girl. + +"Sure," said Dorian. "Come on everybody." + +He led the way, and the rest of the children followed. + +"I suppose the party's about over, anyway," suggested he. + +"I--I guess so." + +They walked on in silence for a time; then Carlia said: + +"I guess I'm heavy." + +"Not at all", lied the young man bravely, for she was heavier than he +had supposed; but she made no offer to walk. By the time they reached +the gate, Carlia was herself again, and inclined to look upon her +wetting and escape as quite an adventure. + +"There," said Dorian as he seated the girl on the broad top of the gate +post; "I'll leave you there to dry. It won't take long." + +He looked at his own wet clothes, and then at his ragged, mud-laden +shoes. He might as well carry the girl up the path to her home, but +then, that was not necessary. The day was warm, there was no danger of +colds, and she could run up the path in a few minutes. + +"Well, I'll go now. Goodby," he said. + +"Wait a minute--Say, I'm glad you saved me, but I'm sorry you lost your +package. What was in it?" + +"Only books." + +"I'll get you some more, when I get the money, yes I will. Come here and +lift me down before you go." + +He obeyed. She put a wet arm about his neck and cuddled her dark, damp +curls against his russet mop. He lifted her lightly down, and then he +slipped a chocolate secretly into her hand. + +"Oh girls," exclaimed one of the party, "I know now." + +"Know what?" asked Carlia. + +"I know who you are going to marry." + +"Who?" + +"You're going to marry Dorian." + + + + +CHAPTER TWO. + + +The disposition to lie or evade never remained long with Dorian Trent; +but that evening as he turned into the lane which led up to the house, +he was sorely-tempted. Once or twice only, as nearly as he could +remember, had he told an untruth to his mother with results which he +would never forget. He must tell her the truth now. + +But he would put off the ordeal as long as possible. There could be no +harm in that. Everything was quiet about the house, as his mother was +away. He hurriedly divested himself of his best clothes and put on +his overalls. He took the milk pail and hung it on the fence until he +brought the cows from the pasture. After milking, he did his other +chores. There were no signs of mother. The dusk turned to darkness, yet +no light appeared in the house. Dorian went in and lighted the lamp and +proceeded to get supper. + +The mother came presently, carrying a bag of wool. "A big herd of sheep +went by this afternoon," she explained, "and they left a lot of fine +wool on the barbed-wire fences. See, I have gathered enough for a pair +of stockings." She seated herself. + +"You're tired," said Dorian. + +"Yes." + +"Well, you sit and rest; I'll soon have the supper on the table." This +was no difficult task, as the evening meal was usually a very simple +one, and Dorian had frequently prepared it. This evening as the mother +sat there quietly she looked at her son with admiring eyes. What a big +boy he was getting to be! He had always been big, it seemed to her. He +had been a big baby and a big little boy, and now he was a big young +man. He had a big head and big feet, big hands. His nose and mouth were +big, and big freckles dotted his face--yes, and a big heart, as his +mother very well knew. Along with his bigness of limb and body there was +a certain awkwardness. He never could run as fast as the other boys, +and he always fumbled the ball in their games though he could beat them +swimming. So far in his youthful career he had not learned to dance. The +one time he had tried, his girl partner had made fun of his awkwardness, +so that ended his dancing. But Dorian was not clumsy about his mother's +home and table. He handled the dishes as daintily as a girl, and the +table was set and the food served in a very proper manner. + +"Did you get your shoes, Dorian?" + +Dorian burned his fingers on a dish which was not at all hot. + +"Mother, sit up; supper is ready." + +They both drew up their chairs. Dorian asked the blessing, then became +unusually solicitous in helping his mother, continually talking as he +did so. + +"That little Duke girl was nearly drowned in the canal, this afternoon," +he told her, going on with the details. "She's a plucky little thing. +Ten minutes after I had her out of the canal, she was as lively as +ever." + +The mother liked to hear him talk, so she did not interrupt him. After +they had eaten, he forced her to take her rocking-chair while he cleared +the table and washed the few dishes. She asked no more questions about +shoes, but leaned back in her chair with half-closed eyes. Dorian +thought to give her the mint lozenges, but fearing that it might lead to +more questions, he did not. + +Mrs. Trent was not old in years, but hard work had bent her back and +roughened her hands. Her face was pleasant to look upon, even if there +were some wrinkles now, and the hair was white at the temples. She +closed her eyes as if she were going to sleep. + +"Now, mother, you're going to bed", said Dorian. "You have tired +yourself out with this wool picking. I thought I told you before that I +would gather what wool there was." + +"But you weren't here, and I could not stand to see the wind blowing it +away. See, what a fine lot I got." She opened her bundle and displayed +her fleece. + +"Well, put it away. You can't card and spin and knit it tonight." + +"It will have to be washed first, you foolish boy." + +Dorian got his mother to bed without further reference to shoes. He went +to his own room with a conscience not altogether easy. He lighted his +lamp, which was a good one, for he did a lot of reading by it. The +electric wires had not yet reached Greenstreet. Dorian stood looking +about his room. It was not a very large one, and somewhat sparsely +furnished. The bed seemed selfishly to take up most of the space. +Against one wall was set some home-made shelving containing books. He +had quite a library. There were books of various kinds, gathered with no +particular plan or purpose, but as means and opportunity afforded. In +one corner stood a scroll saw, now not very often used. Pictures of a +full-rigged sailing vessel and a big modern steamer hung on the wall +above his books. On another wall were three small prints, landscapes +where there were great distances with much light and warmth. Over his +bed hung an artist's conception of "Lorna Doone," a beautiful face, +framed in a mass of auburn hair, with smiling lips, and a dreamy look in +her eyes. + +"That's my girl," Dorian sometimes said, pointing to this picture. "No +one can take her from me; we never quarrel; and she never scolds or +frowns." + +On another wall hung a portrait of his father, who had been dead nine +years. His father had been a teacher with a longing to be a farmer. +Eventually, this longing had been realized in the purchase of the twenty +acres in Greenstreet, at that time a village with not one street which +could be called green, and without a sure water supply for irrigation, +at least on the land which would grow corn and potatoes and wheat. To +be sure, there was water enough of its kind down on the lower slopes, +besides saleratus and salt grass and cattails and the tang of marshlands +in the air. Schoolmaster Trent's operations in farming had not been very +successful, and when he died, the result of his failure was a part of +the legacy which descended to his wife and son. + +Dorian took a book from the shelf as if to read; but visions intruded +of some beautiful volumes, now somewhere down the canal, a mass of +water-soaked paper. He could not read. He finished his last chocolate, +said his prayers, and went to bed. + +Saturday was always a busy day with Dorian and his mother; but that +morning Mrs. Trent was up earlier than usual. The white muslin curtains +were already in the wash when Dorian looked at his mother in the summer +kitchen. + +"What, washing today!" he asked in surprise. Monday was washday. + +"The curtains were black; they must be clean for tomorrow." + +"You can see dirt where I can't see it." + +"I've been looking for it longer, my boy. And, say, fix up the line you +broke the other day." + +"Sure, mother." + +The morning was clear and cool. He did his chores, then went out to his +ten-acre field of wheat and lucerne. The grain was heading beautifully; +and there were prospects of three cuttings of hay; the potatoes were +doing fine, also the corn and the squash and the melons. The young +farmer's heart was made glad to see the coming harvest, all the work of +his own hands. + +For this was the first real crop they had raised. For years they had +struggled and pinched. Sometimes Dorian was for giving up and moving +to the city; but the mother saw brighter prospects when the new canal +should be finished. And then her boy would be better off working for +himself on the farm than drudging for others in the town; besides, she +had a desire to remain on the spot made dear by her husband's work; and +so they struggled along, making their payments on the land and later on +the canal stock. The summit of their difficulties seemed now to have +passed, and better times were ahead. Dorian looked down at his ragged +shoes and laughed to himself good-naturedly. Shucks, in a few months he +would have plenty of money to buy shoes, perhaps also a Sunday suit for +himself, and everything his mother needed. And if there should happen to +be more book bargains, he might venture in that direction again. + +Breakfast passed without the mention of shoes. What was his mother +thinking about! She seemed uncommonly busy with cleaning an uncommonly +clean house. When Dorian came home from irrigating at noon, he kicked +off his muddy shoes by the shanty door, so as not to soil her cleanly +scrubbed floor or to stain the neat home-made rug. There seemed to be +even more than the extra cooking in preparation for Sunday. + +The mother looked at Dorian coming so noiselessly in his stocking feet. + +"You didn't show me your new shoes last night," she said. + +"Say, mother, what's all this extra cleaning and cooking about?" + +"We're going to have company tomorrow." + +"Company? Who?" + +"I'll tell you about it at the table." + +"Do you remember," began the mother when they were seated, "a lady and +her little girl who visited us some two years ago?" + +Yes, he had some recollection of them. He remembered the girl, +specially, spindle-legged, with round eyes, pale cheeks, and an +uncommonly long braid of yellow hair hanging down her back. + +"Well, they're coming to see us tomorrow. Mrs. Brown is an old-time +friend of mine, and Mildred is an only child. The girl is not strong, +and so I invited them to come here and get some good country air." + +"To stay with us, mother?" asked the boy in alarm. + +"Just to visit. It's terribly hot in the city. We have plenty of fresh +eggs and good milk, which, I am sure is just what the child needs. Mrs. +Brown cannot stay more than the day, so she says, but I am going to ask +that Mildred visits with us for a week anyway. I think I can bring some +color into her cheeks." + +"Oh, gee, mother!" he remonstrated. + +"Now, Dorian, be reasonable. She's such a simple, quiet girl. She will +not be in the way in the least. I want you to treat her nicely." + +Dorian had finished his dinner and was gazing out of the window. There +was an odd look on his face. The idea of a girl living right here with +them in the same house startled and troubled him. His mother had called +her a little girl, but he remembered her as being only a year or two +younger than he. Gee! + +"That's why I wanted you to get a pair of decent shoes for tomorrow," +said the mother, "and I told you to get a nice pair. I have brushed and +pressed your clothes, but you must get a new suit as soon as possible. +Where are your shoes! I couldn't find them." + +"I--didn't get any shoes, mother." + +"Didn't get any! Why not?" + +"Well, you see--I didn't know about these visitors coming, mother, and +so I--bought some books for most of my money, and so; but mother, don't +get mad--I--" + +"Books? What books? Where are they?" + +And then Dorian told her plainly the whole miserable story. At first the +mother was angry, but when she saw the troubled face of her boy, she +relented, not wishing to add to his misery. She even smiled at the +calamitous ending of those books. + +"My boy, I see that you have been sorely tempted, and I am sorry that +you lost your books. The wetting that Carlia gave you did no harm ... +but you must have some shoes by tomorrow. Wait." + +The mother went to the bureau drawer, opened the lid of a little box, +drew from the box a purse, and took from the purse two silver dollars. +She handed them to Dorian. + +"Go to town again this afternoon and get some shoes." + +"But, mother, I hate to take your money. I think I can black my old ones +so that they will not look so bad." + +"Blacking will not fill the holes. Now, you do as I say. Jump on Nig and +go right away." + +Dorian put the money in his pocket, then went out to the yard and +slipped a bridle on his horse, mounted, and was back to the house. + +"Now, Dorian, remember what I say. Get you a nice pair, a nice Sunday +pair." + +"All right, mother, I will." + +He rode off at a gallop. He lingered not by creeks or byways, but went +directly to the best shoe store in the city, where he made his purchase. +He stopped neither at book store or candy shops. His horse was sweating +when he rode in at the home yard. His mother hearing him, came out. + +"You made quick time," she said. + +"Yes; just to buy a pair of shoes doesn't take long." + +"You got the right kind?" + +"Sure. Here, look at 'em." He handed her the package. + +"I can't look at them now. Say, Dorian--" she came out nearer to +him--"They are here." + +"Who, mother?" + +"Mrs. Brown and her daughter. They got a chance to ride out this +afternoon, so they did not wait until tomorrow. Lucky I cleaned up this +morning. Mildred is not a bit well, and she is lying down now. Don't +make any more noise than you can help." + +"Gee--but, mother, gosh!" He was very much disturbed. + +"They are dear, good people. They know we are simple farmers. Just you +wash yourself and take off those dirty overalls before you come in. And +then you just behave yourself. We're going to have something nice for +supper. Now, don't be too long with your hoeing or with your chores, +for supper will be early this evening." + +Dorian hoed only ten rows that afternoon for the reason that he sat down +to rest and to think at the end of each row. Then he dallied so with his +chores that his mother had to call him twice. At last he could find no +more excuses between him and the strange company. He went in with much +fear and some invisible trembling. + + + + +CHAPTER THREE. + + +About six o'clock in the afternoon, Mildred Brown went down through the +fields to the lower pasture. She wore a gingham apron which covered her +from neck to high-topped boots. She carried in one hand an easel and +stool and in the other hand a box of colors. Mildred came each day to a +particular spot in this lower pasture and set up her easel and stool in +the shade of a black willow bush to paint a particular scene. She did +her work as nearly as possible at the same time each afternoon to get +the same effect of light and shade and the same stretch of reflected +sunlight on the open water spaces in the marshland. + +And the scene before her was worthy of a master hand, which, of course, +Mildred Brown was not as yet. From her position in the shade of the +willow, she looked out over the flat marshlands toward the west. Nearby, +at the edge of the firmer pasture lands, the rushes grew luxuriously, +now crowned with large, glossy-brown "cat-tails." The flats to the left +were spotted by beds of white and black saleratus and bunches of course +salt grass. Openings of sluggish water lay hot in the sun, winding in +and out among reeds, and at this hour every clear afternoon, shining +with the undimmed reflection of the burning sun. The air was laden +with salty odors of the marshes. A light afternoon haze hung over the +distance. Frogs were lazily croaking, and the killdeer's shrill cry came +plaintively to the ear. A number of cows stood knee-deep in mud and +water, round as barrels, and breathing hard, with tails unceasingly +switching away the flies. + +Dorian was in the field turning the water on his lucerne patch when he +saw Mildred coming as usual down the path. He had not expected her that +afternoon as he thought the picture which she had been working on +was finished; but after adjusting the flow of water, he joined her, +relieving her of stool and easel. They then walked on together, the +big farm boy in overalls and the tall graceful girl in the enveloping +gingham. + +Mildred's visit had now extended to ten days, by which time Dorian had +about gotten over his timidity in her presence. In fact, that had not +been difficult. The girl was not a bit "stuck up," and she entered +easily and naturally into the home life on the farm. She had changed +considerably since Dorian had last seen her, some two years ago. Her +face was still pale, although it seemed that a little pink was now +creeping into her cheeks; her eyes were still big and round and blue; +her hair was now done up in thick shining braids. She talked freely to +Dorian and his mother, and at last Dorian had to some extent been able +to find his tongue in the presence of a girl nearly his own age. + +The two stopped in the shade of the willow. He set up the easel and +opened the stool, while she got out her colors and brushes. + +"Thank you," she said to him. "Did you get through with your work in the +field?" + +"I was just turning the water on the lucerne. I got through shocking the +wheat some time ago." + +"Is there a good crop! I don't know much about such things, but I want +to learn." She smiled up into his ruddy face. + +"The wheat is fine. The heads are well developed. I wouldn't be +surprised if it went fifty bushels to the acre." + +"Fifty bushels?" She began to squeeze the tubes of colors on to the +palette. + +Dorian explained; and as he talked, she seated herself, placed the +canvas on the easel, and began mixing the colors. + +"I thought you finished that picture yesterday," he said. + +"I was not satisfied with it, and so I thought I would put in another +hour on it. The setting sun promises to be unusually fine today, and I +want to put a little more of its beauty into my picture, if I can." + +The young man seated himself on the grass well toward the rear where he +could see her at work. He thought it wonderful to be able thus to make a +beautiful picture out of such a commonplace thing as a saleratus swamp. +But then, he was beginning to think that this girl was capable of +endless wonders. He had met no other girl just like her, so young and so +beautiful, and yet so talented and so well-informed; so rich, and yet +so simple in manner of her life; so high born and bred, and yet so +companionable with those of humbler station. + +The painter squeezed a daub of brilliant red on to her palette. She +gazed for a moment at the western sky, then turning to Dorian, she +asked: + +"Do you think I dare put a little more red in my picture?" + +"Dare?" he repeated. + +The young man followed the pointing finger of the girl into the flaming +depths of the sky, then came and leaned carefully over the painting. + +"Tell me which is redder, the real or the picture?" she asked. + +Dorian looked critically back and forth. "The sky is redder," be +decided. + +"And yet if I make my picture as red as the sky naturally is, many +people would say that it is too red to be true. I'll risk it anyway." +Then she carefully laid on a little more color. + +"Nature itself, our teacher told us, is always more intense than any +representation of nature." + +She worked on in silence for a few moments, then without looking from +her canvas, she asked: "Do you like being a farmer?" + +"Oh, I guess so," he replied somewhat indefinitely. "I've lived on a +farm all my life, and I don't know anything else. I used to think I +would like to get away, but mother always wanted to stay. There's been a +lot of hard work for both of us, but now things are coming more our way, +and I like it better. Anyway, I couldn't live in the city now." + +"Why?" + +"Well, I don't seem able to breathe in the city, with its smoke and its +noise and its crowding together of houses and people." + +"You ought to go to Chicago or New York or Boston," she replied. "Then +you would see some crowds and hear some noises." + +"Have you been there?" + +"I studied drawing and painting in Boston. Next to farming, what would +you like to do?" + +He thought for a moment--"When I was a little fellow--" + +"Which you are not," she interrupted as she changed brushes. + +"I thought that if I ever could attain to the position of standing +behind a counter in a store where I could take a piece of candy whenever +I wanted it, I should have attained to the heights of happiness. But, +now, of course--" + +"Well, and now?" + +"I believe I'd like to be a school teacher." + +"Why a teacher?" + +"Because I'd then have the chance to read a lot of books." + +"You like to read, don't you? and you like candy, and you like +pictures." + +"Especially, when someone else paints them." + +Mildred arose, stepped back to get the distance for examination. "I +don't think I had better use more color," she commented, "but those +cat-tails in the corner need touching up a bit." + +"I suppose you have been to school a lot?" he asked. + +"No; just completed the high school; then, not being very strong, mother +thought it best not to send me to the University; but she lets me dabble +a little in painting and in music." + +Dorian could not keep his eyes off this girl who had already completed +the high school course which he had not yet begun; besides, she had +learned a lot of other things which would be beyond him to ever reach. +Even though he were an ignoramus, he could bask in the light of her +greater learning. She did not resent that. + +"What do you study in High School!" he asked. + +"Oh, a lot of things--don't you know?" She again looked up at him. + +"Not exactly." + +"We studied algebra and mathematics and English and English literature, +and French, and a lot of other things." + +"What's algebra like?" + +"Oh dear, do you want me to draw it?" + +"Can you draw it?" + +"About as well as I can tell it in words. Algebra is higher mathematics; +yes, that's it." + +"And what's the difference between English and English literature?" + +"English is grammar and how sentences are or should be made. English +literature is made up mostly of the reading of the great authors, such +as Milton and Shakespeare," + +"Gee!" exclaimed Dorian, "that would be great fun." + +"Fun? just you try it. Nobody reads these writers now only in school, +where they have to. But say, Dorian"--she arose to inspect her work +again. "Have I too much purple in that bunch of salt-grass on the left? +What do you think?" + +"I don't see any purple at all in the real grass," he said. + +"There is purple there, however; but of course, you, not being an +artist, cannot see it." She laughed a little for fear he might think her +pronouncement harsh. + +"What--what is an artist?" + +"An artist is one who has learned to see more than other people can in +the common things about them." + +The definition was not quite clear to him. He had proved that he +could see farther and clearer than she could when looking at trees or +chipmunks. He looked critically again at the picture. + +"I mean, of course," she added, as she noted his puzzled look, "that an +artist is one who sees in nature the beauty in form, in light and shade, +and in color." + +"You haven't put that tree in the right place," he objected! "and you +have left out that house altogether." + +"This is not a photograph," she answered. "I put in my picture only that +which I want there. The tree isn't in the right place, so I moved it. +The house has no business in the picture because I want it to represent +a scene of wild, open lonesomeness. I want to make the people who look +at it feel so lonesome that they want to cry!" + +She was an odd girl! + +"Oh, don't you understand. I want them only to feel like it. When you +saw that charcoal drawing I made the other day, you laughed." + +"Well, it was funny." + +"That's just it. An artist wants to be able to make people feel like +laughing or crying, for then he knows he has reached their soul." + +"I've got to look after the water for a few minutes, then I'll come back +and help you carry your things," he said. "You're about through, aren't +you?" + +"Thank you; I'll be ready now in a few minutes. Go see to your water. +I'll wait for you. How beautiful the west is now!" + +They stood silently for a few moments side by side, looking at the glory +of the setting sun through banks of clouds and then down behind the +purple mountain. Then Dorian, with shovel on shoulder, hastened to his +irrigating. The blossoming field of lucerne was usually a common enough +sight, but now it was a stretch of sweet-scented waves of green and +purple. + +Mildred looked at the farmer boy until he disappeared behind the willow +fence, then she began to pack up her things. Presently, she heard some +low bellowing, and, looking up, she saw a number of cows, with tails +erect, galloping across the fields. They had broken the fence, and were +now having a gay frolic on forbidden grounds. Mildred saw that they were +making directly for the corner of the pasture where she was. She was +afraid of cows, even when they were within the quiet enclosure of the +yard, and here was a wild lot apparently coming upon her to destroy her. +She crouched, terror stricken, as if to take shelter behind the frail +bulwark of her easel. + +Then she saw a horse leap through the gap in the fence and come +galloping after the cows. On the horse was a girl, not a large girl, but +she was riding fearlessly, bare-back, and urging the horse to greater +strides. Her black hair was trailing in the wind as she waved a willow +switch and shouted lustily at the cows. She managed to head the cows off +before they had reached Mildred, rounding them up sharply and driving +them back through the breach into the road which they followed quietly +homeward. The rider then galloped back to the frightened girl. + +"Did the cows scare you?" she asked. + +"Yes," panted Mildred. "I'm so frightened of cows, and these were so +wild." + +"They were just playing. They wouldn't hurt you; but they did look +fierce." + +"Whose cows were they?" + +"They're ours. I have to get them up every day. Sometimes when the flies +are bad they get a little mad, but I'm not afraid of them. They know me, +you bet. I can milk the kickiest one of the lot." + +"Do you milk the cows?" + +"Sure--but what is that?" The rider had caught sight of the picture. +"Did you make that?" + +"Yes; I painted it." + +"My!" She dismounted, and with arm through bridle, she and the horse +came up for a closer view of the picture. The girl looked at it mutely +for a moment. "It's pretty" she said; "I wish I could make a picture +like that." + +Mildred smiled at her. She was such a round, rosy girl, so full of +health and life and color. Not such a little girl either, now a nearer +view was obtained. She was only a year or two younger than Mildred +herself. + +"I wish I could do what you can," said the painter of pictures. + +"I--what? I can't do anything like that." + +"No; but you can ride a horse, and stop runaway cows. You can do a lot +of things that I cannot do because you are stronger than I am. I wish I +had some of that rosy red in your cheeks." + +"You can have some of mine," laughed the other, "for I have more than +enough; but you wouldn't like the freckles." + +"I wouldn't mind them, I'm sure; but let me thank you for what you did, +and let's get acquainted." Mildred held out her hand, which the other +took somewhat shyly. "Don't you have to go home with your cows?" + +"Yes, I guess so." + +"Then we'll go back together." She gathered her material and they walked +on up the path, Mildred ahead, for she was timid of the horse which the +other led by the bridle rein. At the bars in the corner of the upper +pasture the horse was turned loose into his own feeding ground, and the +girls went on together. + +"You live near here, don't you?" inquired Mildred. + +"Yes, just over there." + +"Oh, are you Carlia Duke?" + +"Yes; how did you know?" + +"Dorian has told me about you." + +"Has he? We're neighbors; an' you're the girl that's visiting with the +Trent's?" + +"Yes." + +"Well, I'm glad to meet you. Dorian has told me about you, too." + +Thus these two, meeting for the first time, went on chatting together; +and thus Dorian saw them. He had missed Mildred at the lower pasture, +and so, with shovel again on shoulder, he had followed up the homeward +path. The girls were some distance ahead, so he did not try to overtake +them. In fact, he slackened his pace a little, so as not to get too +close to them to disturb them; but he saw them plainly walk close +together up the road in the twilight of the summer evening, the tall, +light-haired Mildred, and the shorter, dark-haired Carlia; and the child +in Dorian seemed to vanish, and the man in him asserted himself in +thought and feelings which it would have been hard for him to describe +in words. + + + + +CHAPTER FOUR. + + +Indian summer lay drowsily over the land. It had come late that season, +but its rare beauty compensated for its tardiness. Its golden mellowness +permeating the hazy air, had also, it seems, crept into the heart of +Dorian Trent. The light coating of frost which each morning lay on the +grass, had by noon vanished, and now the earth was warm and dry. + +Dorian was plowing, and he was in no great haste with his work. He did +not urge his horses, for they also seemed imbued with the languidness of +the season. He let them rest frequently, especially at the end of the +furrow where there was a grassy bank on which the plowman could lie +prone on his back and look into the dreamy distances of the hills or up +into the veiling clouds. + +Dorian could afford to take it a little easy that afternoon, so he +thought. The summer's work was practically over: the wheat had been +thrashed; the hay was in the stacks; the potatoes were in the pit; +the corn stood in Indian wigwam bunches in the yard; the fruit and +vegetables, mostly of the mother's raising, had been sufficient for +their simple needs. They were well provided for the winter; and so +Dorian was happy and contented as everyone in like condition should be +on such an Indian summer afternoon. + +Mildred Brown's visit to the farm had ended some weeks ago; but only +yesterday his mother had received a note from Mrs. Brown, asking if her +daughter might not come again. Her former visit had done her so much +good, and now the beautiful weather was calling her out into the +country. It was a shame, Mildred had said, that Indian summer should +"waste its sweetness on the desert air of the city." + +"What do you say?" Mrs. Trent had asked Dorian. + +"Why--why--of course, mother, if she doesn't make too much work for +you." + +And so Mildred had received the invitation that she was very welcome to +come to Greenstreet and stay as long as she desired. Very likely, she +would be with them in a day or two, thought Dorian. She would draw and +paint, and then in the soft evening dusk she would play some of those +exquisite melodies on her violin. Mildred did not like people to speak +of her beloved instrument as a fiddle, and he remembered how she had +chastised him on one occasion for so doing. Yes, she would again enter +into their daily life. Her ladylike ways, her sweet smile, her golden +beauty would again glorify their humble home. Why, if she came often +enough and remained long enough, she might yet learn how to milk a cow, +as she had threatened to do. At the thought, the boy on the grass by the +nodding horses, laughed up into the sky. Dorian was happy; but whether +he preferred the somewhat nervous happiness of Mildred's presence or the +quiet longing happiness of her absence, he could not tell. + +The plain truth of the matter was, that Dorian had fallen deeply in love +with Mildred. This statement may be scoffed at by some people whose eyes +have been dimmed by age so that they cannot see back into that time of +youth when they also were "trailing clouds of glory" from their heavenly +home. There is nothing more wholesomely sweet than this first boy and +girl affection. It is clean and pure and undefiled by the many worldly +elements which often enter into the more mature lovemaking. + +Perhaps Mildred Brown's entrance into Dorian's life did not differ from +like incidents in many lives, but to him it was something holy. Dorian +at this time never admitted to himself that he was in love with the +girl. He sensed very well that she was far above him in every way. The +thought that she might ever become his wife never obtained foothold in +him more than for a fleeting moment: that was impossible, then why think +of it. But there could be no harm in loving her as he loved his mother, +or as he loved the flowers, the clear-flowing water, the warm sun and +the blue sky. He could at least cast adoring eyes up to her as he did to +the stars at night. He could also strive to rise to her level, if that +were possible. He was going to the High school the coming winter, then +perhaps to the University. He could get to know as much of school +learning as she, anyway. He never would become a painter of pictures +or a musician, but surely there were other things which he could learn +which would be worth while. + +There came to Dorian that afternoon as he still lay on the grass, his +one-time effort to ask a girl to a dance. He recalled what care he +had taken in washing and combing and dressing, how he had finally cut +cross-lots to the girl's home for fear of being seen, for surely he had +thought, everybody must know what he was up to!--how he had lingered +about the back door, and had at last, when the door opened, scudded back +home as fast as his legs could carry him! And now, the finest girl he +had ever seen was chumming with him, and he was not afraid, that is, not +very much afraid. + +When Mildred had packed up to go home on the occasion of her former +visit she had invited Mrs. Trent to take her pick of her drawings for +her own. + +"All but this," Mildred had said. "This which I call 'Sunset in the +Marshland' I am going to give to Dorian." + +The mother had looked over the pile of sketches. There was a panel in +crayon which the artist said was the big cottonwood down by the Corners. +Mrs. Trent remarked that she never would have known it, but then, she +added apologetically, she never had an eye for art. There was a winter +scene where the houses were so sunk into the earth that only the roofs +were visible. (Mrs. Trent had often wondered why the big slanting roofs +were the only artistic thing about a house). Another picture showed a +high, camel-backed bridge, impossible to cross by anything more real +than the artist's fancy. Mrs. Trent had chosen the bridge because of its +pretty colors. + +"Where shall we hang Dorian's picture?" Mildred had asked. + +They had gone into his room. Mildred had looked about. + +"The only good light is on that wall." She had pointed to the space +occupied by Dorian's "best girl." + +And so Lorna Doone had come down and Mildred's study of the marshlands +glowed with its warmer colors in its place. + +The plowboy arose from the grass. "Get up there," he said to his horses. +"We must be going, or there'll be very little plowing today." + +Carlia Duke was the first person to greet Mildred as she alighted at the +Trent gate. Carlia knew of her coming and was waiting. Mildred put her +arm about her friend and kissed her, somewhat to the younger girl's +confused pleasure. The two girls went up the path to the house where +Mrs. Trent met them. + +"Where's your baggage?" asked the mother of the arrival, seeing she +carried only a small bag and her violin case. + +"This is all. I'm not going to paint this time--just going to rest, +mother said, so I do not need a lot of baggage." + +"Well, come in Honey; and you too, Carlia. Dinner is about ready, an' +you'll stay." + +By a little urging Carlia remained, and pretty soon, Dorian came +stamping in to be surprised. + +"Yes; we're all here," announced Carlia, as she tossed her black curls +and laughed at his confusion. + +"I see you are," he replied, as he shook hands with Mildred. After which +ceremony, it did not just look right to slight the other girl, so he +shook hands with her also, much to her amusement. + +"How do you do, Mr. Trent" she said. + +"Carlia is such a tease," explained the mother. + +"For which I like her," added Mildred. + +"We all do. Even Dorian here, who is usually afraid of girls, makes +quite a chum of her." + +"Well, we're neighbors," justified the girl. + +After dinner Carlia took Mildred home with her. It was not far, just +around the low ridge which hid the house from view. There Mildred met +Pa Duke, Ma Duke and Will Duke, Carlia's older brother. Pa Duke was a +hard-working farmer, Ma Duke was likewise a hard-working farmer's wife, +and Will Duke should have been a hard-working farmer's boy, but he was +somewhat a failure, especially regarding the hard work part. Carlia, +though so young, was already a hardworking farmer girl, with no chance +of escape, as far as she could see, from the hard-working part. The Duke +house, though clean and roomy, lacked the dainty home touches which +mean so much. There were no porch, no lawn, no trees. The home was bare +inside and out. + +In deference to the "company" Carlia was permitted to "visit" with her +friend that afternoon. Apparently, these two girls had very little in +common, but when left to themselves they found many mutual interests. + +Toward the close of the afternoon, Dorian appeared. He found the girls +out in the yard, Carlia seated on the topmost pole of the corral fence, +and Mildred standing beside her. + +"Hello girls," Dorian greeted. "I've come to give you an invitation." + +"What, a party!" exclaimed Carlia, jumping down from her perch. + +"Not a dancing party, you little goose--just a surprise party." + +"On who?" + +"On Uncle Zed." + +"Uncle Zed. O, shucks!" + +"Well, of course, you do not have to go," said Dorian. + +"I think you're mean. I do want to go if Mildred is going." + +"I don't know Uncle Zed," said Mildred, "but if Mrs. Trent and Dorian +wish me to go, I shall be pleased; and of course, you will go with us." + +"She's invited," repeated Dorian. "It's Uncle Zed's seventy-fifth +birthday. Mother keeps track of them, the only one who does, I guess, +for he doesn't do it himself. We're just going down to visit with him +this evening. He's a very fine old man, is Uncle Zed," this last to +Mildred. + +"Is he your uncle?" + +"Oh, no; he's just uncle to everybody and no one in particular. He's all +by himself, and has no folks?" + +Just before the dusk of the evening, the little party set out for the +home of Zedekiah Manning, generally and lovingly known as Uncle Zed. He +lived about half a mile down the road in a two-roomed log house which +had a big adobe chimney on one side. His front yard was abloom with the +autumn flowers. The path leading to his door was neatly edged by small +cobble stones. Autumn tinted ivy embowered his front door and climbed +over the wall nearly to the low roof. + +Uncle Zed met the visitors at the door. "Well, well," he exclaimed, +"come right in. I'll light the lamp." Then he assisted them to find +seats. + +Mildred looked keenly at Uncle Zed, whom she found to be a little frail +old man with clean white hair and beard, and kindly, smiling face. He +sat down with his company and rubbed his hands in a way which implied: +"And what does all this mean?" Mildred noted that the wall, back of his +own chair, was nearly covered with books, and a number of volumes lay +on the table. The room was furnished for the simple needs of the lone +occupant. A fire smouldered in the open grate. + +"Now, Uncle Zed, have you forgotten again?" inquired Mrs. Trent. + +"Forgotten what? I suppose I have, for my memory is not so good as it +used to be." + +"Your memory never was good regarding the day of the year you were +born." + +"Day when I was born? What, has my birthday come around again? Well, +sure; but I had quite forgotten. How these birthdays do pile up on one." + +"How old are you today?" asked Dorian. + +"How old? Let me see. I declare, I must be seventy-five." + +"Isn't he a funny man," whispered Carlia to Mildred, who appeared not to +hear the comment, so interested was she in the old man. + +"And so you've come to celebrate," went on Uncle Zed, "come to +congratulate me that I am one year nearer the grave." + +"Now, Uncle Zed, you know--" + +"Yes; I know; forgive me for teasing; I know why you come to wish me +well. It is that I have kept the faith one year more, and that I am +twelve months nearer my heavenly reward. That's it, isn't it?" + +Uncle Zed pushed his glasses up on his forehead to better see his +company, especially Mildred. Mrs. Trent made the proper introduction, +then lifted the picnic basket from the table to a corner. + +"We're just going to spend an hour or so with you," explained Mrs. +Trent. "We want you to talk, Mildred to play, and then we'll have a bite +to eat. We'll just sit about your grate, and look into the glow of the +fire while you talk." However, Dorian and Mildred were scanning the +books. + +"What's this set?" the young girl asked. + +Dorian bent down to read the dim titles. "The Millennial Star" he said. + +"And here's another set." + +"The Journal of Discourses" he replied. + +"My, all sermons? they must be dry reading." + +Uncle Zed heard their conversation, and stepped over to them. "Are +you also interested in books?" he asked. "Dorian and I are regular +book-worms, you know." + +Oh, yes, she was interested in books. + +"But there are books and books, you know," went on Uncle Zed. "You like +story books, no doubt. So do I. There's nothing better than a rattling +good love story, eh, young lady?" + +Mildred hardly knew just how to take this remark, so she did not reply. + +"Here's the most wonderful love story ever written." He took from +the shelf a very ordinary looking volume, called the "Doctrine and +Covenants." Carlia and Mrs. Trent now joined the other three. They also +were interested. + +"You wouldn't be looking in the 'Doctrine and Covenants' for love +stories, would you; but here in the revelation on the eternity of +the marriage covenant we find that men and women, under the proper +conditions and by the proper authority, may be united as husbands and +wives, not only for time, but for eternity. Most love stories end when +the lovers are married; but think of the endlessness of life and love +under this new and everlasting covenant of marriage--but I mustn't +preach so early in the evening." + +"But we like to hear it, Uncle Zed," said Dorian. + +"Indeed, we do," added Mildred. "Tell us more about your books." + +"Here is one of my precious volumes--Orson Pratt's works. When I get +hungry for the solid, soul-satisfying doctrines of the kingdom, I read +Orson Pratt. Parley Pratt also is good. Here is a book which is nearly +forgotten, but which contains beautiful presentations of the gospel, +'Spencer's Letters'. Dorian, look here." He handed the young man a +small, ancient-looking, leather bound book. "I found it in a second-hand +store and paid fifteen cents for it. Yes, it's a second edition of +the 'Doctrine and Covenants,' printed by John Taylor in Nauvoo in 1844. +The rest of my collection is familiar to you, I am sure. Here is a +complete set of the 'Contributor' and this is my 'Era' shelf, and here +are most of the more modern church works. Let us now go back to the +fire." + +After they were again seated, Mildred asked him if he had known Brigham +Young. She always liked to hear the pioneers talk of their experiences. + +"No" replied Uncle Zed, "I never met President Young, but I believe I +know him as well as many who had that pleasure. I have read everything +that I could get in print which Brigham Young ever said. I have read +all his discourses in those volumes. He was not a polished speaker, I +understand, and he did not often follow a theme; but mixed with the more +commonplace subjects of irrigation, Indian troubles, etc., which, in his +particular day had to be spoken of, are some of the most profound gospel +truths in any language. Gems of thought shine from every page of his +discourses." + +Carlia was nodding in a warm corner. Uncle Zed rambled on reminiscently +until Mrs. Trent suddenly arose, spoke sharply to Carlia, and lifted the +basket of picnic on to the table. + +"We'll have our refreshments now," she said, "and then we must be going. +Uncle Zed goes early to bed, and so should we." + +The table was spread: roast chicken, brought by Carlia; dainty +sandwiches, made by Mildred; apple pie from Mrs. Trent's cupboard; a jar +of apricot preserves, suggested by Dorian. Uncle Zed asked a blessing +not only on the food, but on the kind hands which had provided it. Then +they ate heartily, and yet leaving a generous part to be left in Uncle +Zed's own cupboard. + +Then Dorian had a presentation to make. He took from the basket a small +package, unwrapped it, and handed a book to the man who was seventy-five +years old. + +"I couldn't do much by way of the eats," said Dorian, "so my present is +this." + +"'Drummond's Natural Law in the Spiritual World'" read Uncle Zed. "Why, +Dorian, this is fine of you. How could you guess my wishes so nicely. +For a long time, this is just the book I have wanted." + +"I'm glad. I thought you'd like it." + +"Fine, fine," said the old man, fondling the volume as he would some +dear object, as indeed, every good book was to him. + +Then Mildred got out her violin, and after the proper tuning of the +strings, she placed it under her shapely chin. She played without music +some of the simple heart melodies, and then some of the Sunday School +songs which the company softly accompanied by words. + +Carlia poked the log in the grate into a blaze, then slyly turned the +lamp wick down. When detected and asked why she did that she replied: + +"I wanted to make it appear more like a picnic party around a camp fire +in the hills." + + + + +CHAPTER FIVE. + + +Dorian's high school days in the city began that fall, a little late +because he had so many things to set right at home; but he soon made up +the lost time, for he was a student not afraid of hard work. He walked +back and forth the three miles. Mrs. Brown offered him a room at her +large city residence, but he could not accept it because of his daily +home chores. However, he occasionally called on the Brown's who tried to +make him feel as much at home as they did at Greenstreet. + +Never before were days so perfect to Dorian, never before had he so +enjoyed the fleeting hours. For the first week or two, he was a little +shy, but the meeting each morning with boys and girls of his own age and +mingling with them in their studies and their recreations, soon taught +him that they were all very much alike, just happy, carefree young +people, most of them trying to get an education. He soon learned, also, +that he could easily hold his own in the class work with the brightest +of them. The teachers, and students also, soon learned to know this. +Boys came to him for help in problems, and the younger girls chattered +about him with laughing eyes and tossing curls. What a wonder it was! He +the simple, plainly-dressed country boy, big and awkward and ugly as he +thought himself to be, becoming a person of some importance. And so +the days went all too swiftly by. Contrary to his younger boyhood's +experience, the closing hour came too soon, when it was time to go home +to mother and chores and lessons. + +And the mother shared the boy's happiness, for she could see the added +joy of living and working which had come into his life by the added +opportunities and new environment. He frequently discussed with his +mother his lessons. She was not well posted in the knowledge derived +from books, and sometimes she mildly resented this newer learning which +he brought into the home and seemed to intrude on her old-established +ideas. For instance, when the cold winter nights came, and Dorian kept +open his bedroom window, the mother protested that he would "catch his +death of cold." Night air and drafts are very dangerous, especially if +let into one's bedroom, she held. + +"But, mother, I must have air to breathe," said Dorian, "and what other +kind of air can I have at night? I might store a little day-air in my +room, but I would soon exhaust its life-giving qualities at night. +You know, mother," he went on in the assurance of his newly acquired +knowledge, "I guess the Lord knew what He was about when He enveloped +the earth with air which presses down nearly fifteen pounds to the +square inch so that it might permeate every possible nook and corner of +the globe." Then he went on to explain the wonderful process of blood +purification in the lungs, and demonstrated to her that the breath is +continually throwing off foul matter. He did this by breathing into a +fruit jar, screwing on the lid for a little while, and then having the +nose make the test. + +"Some bed rooms I've gone into smell just like that," he said. + +"Here, mother is a clipping from a magazine. Listen: + +"'Of all the marvels of God's workmanship, none is more wondrous than +the air. Think of our all being bathed in a substance so delicate as to +be itself unperceived, yet so dense as to be the carriage to our senses +of messages from the world about us! It is never in our way; it does not +ask notice; we only know it is there by the good it does us. And this +exquisitely soft, pure, yielding, unseen being, like a beautiful and +beneficent fairy, brings us blessings from all around. It has the skill +to wash our blood clean from all foulness. Its weight keeps us from +tumbling to pieces. It is a reservoir where the waters lie stored, until +they fall and gladden the earth. It is a great-coat that softens to us +the heat of the day, and the cold of the night. It carries sounds to +our ears and smells to our nostrils. Its movements fill Nature with +ceaseless change; and without their aid in wafting ships over the sea, +commerce and civilization would have been scarce possible. It is of all +wonders the most wonderful.'" + +At another time when Dorian had a cold, and consequently, a loss of +appetite, his mother urged him to eat more, saying that he must have +strength to throw off his cold. + +"What is a cold?" he smilingly asked. + +"Why, a cold is--a cold, of course, you silly boy." + +"What does it do to the activities of the body?" + +"I'm not a doctor; how can I tell." + +"All mothers are doctors and nurses; they do a lot of good, and some +things that are not so good. For instance, why should I eat more when I +have a cold?" She did not reply, and so he went on: "The body is very +much like a stove or a furnace; it is burning material all the time. +Sometimes the clinkers accumulate and stop the draft, both in the human +as well as the iron stove. When that happens, the sensible thing to do +is not to throw in more fuel but to clean out the clinkers first." + +"Where did you get all that wisdom, Dorian?" + +"I got it from my text book on hygiene, and I think it's true because it +seems so reasonable." + +"Well, last night's talk led me to believe that you would become a +philosopher; now, the trend is more toward the doctor; tomorrow I'll +think you are studying law." + +"Oh, but we are, mother; you ought to hear us in our civil government +class. We have organized into a Congress of the United States, and we +are going to make laws." + +"You'll be elected President, I suppose." + +"I'm one of the candidates." + +"Well, my boy" she smiled happily at him, "I hope you will be elected to +every good thing, and that you will fill every post with honor; and now, +I would like you to read to me from the 'Lady of the Lake' while I darn +your stockings. Your father used to read the story to me a long, long +time ago, and your voice is very much like his when you read." + +And thus with school and home and ward duties the winter passed. Spring +called him again to the fields to which he went with new zeal, for life +was opening to him in a way which life is in the habit of doing to the +young of his age. Mildred Brown and her mother were in California. He +heard from her occasionally by way of postcards, and once she sent him +one of her sketches of the ocean. Carlia Duke also was not forgotten by +Mildred. Dorian and Carlia met frequently as neighbors will do, and they +often spoke of their mutual friend. The harvest was again good that +fall, and Dorian once more took up his studies at the high school in the +city. Carlia finished the grades as Dorian completed his second year, +and the following year Carlia walked with Dorian to the high school. +That was no great task for the girl, now nearly grown to young +womanhood, and it was company for both of them. During these walks +Carlia had many questions to ask about her lessons, and Dorian was +always pleased to help her. + +"I am such a dunce," she would say, "I wish I was as smart as you." + +"You must say 'were' when you wish. I were as smart as you," he +corrected. + +"O, yes: I forgot. My, but grammar is hard, especially to a girl +which--" + +"No--a girl who; which refers to objects and animals, who to persons." + +Carlia laughed and swung her books by the strap. Dorian was not carrying +them that day. Sometimes he was absentminded regarding the little +courtesies. + +The snow lay hard packed in the road and it creaked under their feet. +Carlia's cheeks glowed redder than ever in contact with the keen winter +air. They walked on in silence for a time. + +"Say, Dorian, why do you not go and see Mildred?" asked Carlia, not +looking at him, but rather at the eastern mountains. + +"Why? Is she not well?" + +"She is never well now. She looks bad to me." + +"When did you see her?" + +"Last Saturday. I called at the house, and she asked about you--Poor +girl!" + +"What do you mean by that?" + +"You are very smart in some things, but are a stupid dunce in other +things. Mildred is like an angel both in looks and--everything. I wish I +was--were half as good." + +"But how am I such a dunce, Carlia?" + +"In not seeing how much Mildred thinks of you." + +"Thinks of me? Mildred?" + +"She just loves you." + +Carlia still looked straight ahead as though fearful to see the +agitation she had brought to the young man; but he looked at her, with +cheeks still aflame. He did not understand Carlia. Why had she said +that? Was she just teasing him? But she did not look as if she were +teasing. Silently they walked on to the school house door. + +But Dorian could not forget what Carlia had said. All day it intruded +into his lessons. "She said she loves me" he whispered to his heart +only. Could it be possible? Even if she did, what final good would come +of it? The distance between them was still too great, for he was only a +poor farmer boy. Dear Mildred--his heart did not chide him for thinking +that--so frail, so weak, so beautiful. What if she--should die! Dorian +was in a strange state of mind for a number of days. He longed to visit +the Brown home, yet he could not find excuse to go. He could not talk +to anybody about what was in his mind and heart, not even to his mother +with whom he always shared his most hidden thoughts. + +One evening he visited Uncle Zed, ostensibly, to talk about a book. +Uncle Zed was deep in the study of "Natural Law in the Spiritual World" +and would have launched into a discussion of what he had found, but +Dorian did not respond; he had other thoughts in mind. + +"Uncle Zed," he said, "how can I become something else than a farmer?" + +The old man looked questioningly at his young friend. "What's the matter +with being a farmer?" he asked. + +"Well, a farmer doesn't usually amount to much, I mean in the eyes of +the world. Farmers seem to be in a different class from merchants, for +example, or from bankers or other more genteel workers." + +"Listen to me, Dorian Trent." Uncle Zed laid down his book as if he had +a serious task before him. "Let me tell you something. If you haven't +done so before, begin now and thank the Lord that you began life on this +globe of ours as a farmer's child and boy. Whatever you do or become in +the future, you have made a good beginning. You have already laid away +in the way of concepts, we may say, a generous store of nature's riches, +for you have been in close touch with the earth, and the life which +teems in soil and air and the waters. Pity the man whose childish eyes +looked out on nothing but paved streets and brick walls or whose young +ears heard nothing but the harsh rumble of the city, for his early +conceptions from which to interpret his later life is artificial and +therefore largely untrue." + +Uncle Zed smiled up into the boy's face as if to ask, Do you get that? +Dorian would have to have time to assimilate the idea; meanwhile, he had +another question: + +"Uncle Zed, why are there classes among members of our Church?" + +"Classes? What do you mean?" + +"Well, the rich do not associate with the poor nor the learned with +the unlearned. I know, of course, that this is the general rule in the +world, but I think it should be different in the Church." + +"Yes; it ought to be and is different. There are no classes such as you +have in mind in the Church, even though a few unthinking members seem to +imply it by their actions; but there is no real class distinction in the +Church of Jesus Christ of Latter-day Saints, only such that are based on +the doing of the right and the wrong. Character alone is the standard of +classification." + +"Yes, I see that that should be true." + +"It is true. Let me illustrate: The presiding authority in the Church +is not handed down from father to son, thus fostering an aristocratic +tendency; also this authority is so wide-spread that anything like a +"ruling family" would be impossible. In a town where I once lived, the +owner of the bank and the town blacksmith were called on missions. They +both were assigned to the same field, and the blacksmith was appointed +to preside over the banker. The banker submitted willingly to be +directed in his missionary labors by one who, judged by worldly +standards, was far beneath him in the social scale. I know a shoemaker +in the city who is a teacher in the theological class of his ward, +whose membership consists of merchants, lawyers, doctors, and the like. +Although he is poor and earns his living by mending shoes, he is greatly +respected for his goodness and his knowledge of Scriptural subjects and +doctrine." + +"So you think--that a young fellow might--that it would not be wrong--or +foolish for a poor man to think a lot of--of a rich girl, for instance." + +Uncle Zed peered at Dorian over his glasses. The old man took him gently +by the shoulders. Ah, that's what's back of all this, he thought; but +what he said was: + +"My boy, Emerson said, 'Hitch your wagon to a star,' and I will add, +never let go, although the rocks in the road may bump you badly. Why, +there's nothing impossible for a young man like you. You may be rich, if +you want to; I expect to see you learned; and the Priesthood which you +have is your assurance, through your diligence and faithfulness, to any +heights. Yes, my boy; go ahead--love Mildred Brown all you want to; +she's fine, but not a bit finer than you." + +"Oh, Uncle Zed," Dorian somewhat protested; but, nevertheless, he went +home that evening with his heart singing. + + + + +CHAPTER SIX. + + +Some days later word came to Mrs. Trent that Mildred was very ill. "Call +on them after school," she said to Dorian, "to see just how she is, and +ask Mrs. Brown if I can do anything for her." + +Dorian did as he was directed. He went around to the back door for fear +he might disturb the sick girl. Mrs. Brown herself, seeing him coming, +met him and let him in. + +Yes, Mildred was very ill. Mrs. Brown was plainly worried. Could he +or his mother do anything to help? No; only to lend their faith and +prayers. Would he come into the sick room to see her for a few minutes? +Yes, if she desired it. + +Dorian followed the mother into the sick room. Mildred lay well propped +up by pillows in a bed white as snow. She was thinner and paler than +ever, eyes bigger, hair heavier and more golden. When she saw Dorian, +she smiled and reached out her hand, letting it lie in the big strong +one. + +"How are you?" she said, very low. + +"Well and fine, and how are you?" + +She simply shook her head gently and closed her eyes, seeming content to +touch the strong young manhood beside her. The mother went quietly from +the room, and all became quite still. Speech was difficult for the sick +girl, and equally hard for the young man. But he looked freely at the +angel-like face on the pillow without rebuke from the closed eyes. He +glanced about the room, beautifully clean and airy. All her books and +her working material had been carried away as if she were through with +them for good. In a corner on an easel stood an unfinished copy of +"Sunset in Marshland." Dorian's eyes rested for a moment on the picture, +and as he again looked at the girl, he saw a smile pass over the +marble-like face. + +That was all. Presently, he left the room, and without many words, the +house. + +Each day after that Dorian managed to learn of the girl's condition, +though he did not go into the sick chamber. On the sixth day word came +to Dorian at school that Mildred was dying. He looked about for Carlia +to tell her, but she was nowhere to be found. Dorian could not go home. +Mildred was dying! The one girl--yes, the only one in all the world who +had looked at him with her heart in the look, was leaving the world, and +him. Why could she not live, if only for his sake? He sat in the school +room until all had gone, and he was alone with the janitor. His open +book was still before him, but he saw not the printed page. Then the +short winter day closed. Dusk came on. The janitor had finished sweeping +the room and was ready to leave. Dorian gathered up his books, put on +his overcoat, and went out. Mildred was dying! Perhaps she was about to +begin that great journey into the unknown. Would she be afraid? Would +she not need a strong hand to help her? "Mildred," he whispered. + +He walked on slowly up the street toward the Brown's. Darkness came +on. The light gleamed softly through the closed blinds of the house. +Everything was very still. He did not try to be admitted, but paced back +and forth on the other side of the street. Back and forth he went for a +long time, it seemed. Then the front door opened, and the doctor passed +out. Mildred must either be better or beyond all help. He wanted to ask +the doctor, but he could not bring himself to intercept him. The house +remained quiet. Some of the lights were extinguished. Dorian crossed the +street. He must find out something. He stood by the gate, not knowing +what to do. The door opened again, and a woman, evidently a neighbor, +came out. She saw the young man and stopped. + +"Pardon me," said Dorian, "but tell me how Mildred--Miss Brown is?" + +"She just died." + +"Thank you." + +The woman went into a nearby house. Dorian moved away, benumbed with the +despair which sank into his heart at the final setting of his sun. Dead! +Mildred was dead! He felt the night wind blow cold down the street, and +he saw the storm clouds scudding along the distant sky. In the deep blue +directly above him a star shone brightly, but it only reminded him of +what Uncle Zed had said about hitching to a star; yes, but what if the +star had suddenly been taken from the sky! + +A form of a girl darted across the street toward him. He stopped and saw +that it was Carlia. + +"Dorian" she cried, "how is she?" + +"She has just died." + +"Dead! O, dear," she wailed. + +They stood there under the street light, the girl looking with great +pity into the face of the young man. She was only a girl, and not a very +wise girl, but she saw how he suffered, and her heart went out to his +heart. She took his hand and held it firmly within her warmer grasp; and +by that simple thing the young man seemed again to get within the reach +of human sympathy. Then they walked on without speaking, and she led him +along the streets and on to the road which led to Greenstreet. + +"Come on, Dorian, let's go home," she said. + +"Yes; let's go home, Carlia." + + + + +CHAPTER SEVEN. + + +The death of Mildred Brown affected Dorian Trent most profoundly. Not +that he displayed any marked outward signs of his feelings, but his very +soul was moved to its depths, sometimes as of despair, sometimes as +of resentment. Why, he asked himself, should God send--he put it this +way--send to him this beautiful creature who filled his heart so +completely, why hold her out to him as if inviting him to take her, and +then suddenly snatch her away out of his life--out of the life of the +world! + +For many days Dorian went about as if in a pained stupor. His mother, +knowing her boy, tried in a wise way to comfort him; but it was not +altogether a success. His studies were neglected, and he had thoughts of +quitting school altogether; but he did not do this. He dragged through +the few remaining days until spring, when he eagerly went to work on the +open reaches of the farm, where he was more away from human beings and +nearer to that something in his heart. He worked long and hard and +faithfully that spring. + +On the upper bank of the canal, where the sagebrush stood untouched, +Dorian that summer found the first sego blossoms. He had never observed +them so closely before nor seen their real beauty. How like Mildred they +were! He gathered a bouquet of them that Saturday afternoon as he went +home, placed them in a glass of water, and then Sunday afternoon he +wrapped them in a damp newspaper and took the bouquet with him to town. +His Sunday trips to the city were usually for the purpose of visiting +Mildred's grave. The sun shone warm that day from a blue sky as Dorian +came slowly and reverently to the plot where lay all that was earthly of +one whom he loved so well. The new headstone gleamed in white marble and +the young grass stood tender and green. Against the stone lay a bunch of +withered wild roses. Someone had been there before him that day. Whom +could it be? Her mother was not in the city, and who else would remember +the visit of the angel-being who had returned to her eternal home? A +pang shot through his heart, and he was half tempted to turn without +placing his own tribute on the grave, then immediately he knew the +thought was foolish. He took off the wrapping and placed his fresher +flowers near the more withered ones. Later that summer, he learned +only incidently that it had been Carlia who had been before him that +afternoon. + +During those days, Carlia kept out of Dorian's way as much as possible. +She even avoided walking to and from school with him. He was so +absentminded even with her that she in time came to resent it in her +feelings. She could not understand that a big, very-much-alive boy +should have his mind so fixed on a dead girl that he should altogether +forget there were living ones about, especially one, Carlia Duke. + +One evening Dorian met Uncle Zed driving his cow home from the pasture, +and the old man invited the younger man to walk along with him. Dorian +always found Uncle Zed's company acceptable. + +"Why haven't you come to me with your trouble?" abruptly asked Uncle +Zed. + +Dorian started, then hung his head. + +"We never have any unshared secrets, you know, and I may have been able +to help you." + +"I couldn't talk to anybody." + +"No; I suppose not." + +The cow was placed in the corral, and then Uncle Zed and Dorian sat +down on a grassy bank. The sun was painting just such a picture of the +marshlands as Dorian knew so well. + +"But I can talk to you" continued the old man as if there had been no +break in his sentences. "Death, I know, is a strange and terrible thing, +for youth; when you get as old as I, I hope you will look on death as +nothing more than a release from mortality, a moving from one sphere to +another, a step along the eternal line of progress. I suppose that it +is just as necessary that we pass out of the world by death as that we +enter it by birth; and I further suppose that the terror with which +death is vested is for the purpose of helping us to cling to this +earth-life until our mission here is completed." + +Dorian did not speak; his eyes were on the marshlands. + +"Imagine, Dorian, this world, just as it is, with all its sin and misery +and without any death. What would happen? We would all, I fear, become +so self-centered, so hardened in selfishness that it would be difficult +for the gentle power of love to reach us; but now there is hardly a +family that has not one or more of its members on the other side. And +these absent loved ones are anchors to our souls, tied to us by the +never-ending cords of love and affection. You, yourself, my boy, never +have had until now many interests other than those of this life; now +your interests are broadened to another world, and that's something +worth while.... Now, come and see me often." They arose, each to go to +his home. + +"I will, Uncle Zed. Thank you for what you have said." + +Dorian completed his four years high school. Going to the University +might come later, but now he was moved by a spirit of activity to do +bigger things with his farm, and to enlarge it, if possible. + +About this time, dry-farming had taken the attention of the farmers +in his locality, and many of them had procured lands on the sloping +foothills. Dorian, with a number of other young men had gone up the +nearby canyon to the low hills of the valley beyond and had taken up +lands. That first summer Dorian spent much of his time in breaking up +the land. As timber was not far away, he built himself a one-roomed log +house and some corrals and outhouses. A mountain stream rushed by the +lower corner of his farm, and its wild music sang him to sleep when he +spent the night in the hills. He furnished his "summer residence" with a +few simple necessities so that he could live there a number of days at a +time. He minded not the solitude. The wild odorous verdure of the hills, +the cool breezes, the song of the distant streams, the call of the +birds, all seemed to harmonize with his own feelings at that time. He +had a good kerosene lamp, and at nights when he was not too tired, he +read. On his visits to the city he usually had an eye for book bargains, +and thus his board shelving came to be quite a little library. He had no +method in his collecting, no course of connected study. At one time he +would leisurely read one of Howell's easy-going novels, at another time +he would be kept wide-eyed until midnight with "Lorna Doone" or with +"Ben Hur." + +Dorian had heard of Darwin, of Huxley, of Ingersol and of Tom Payne, but +he had never read anything but selections from these writers. Now he +obtained a copy of the "Origin of Species" and a book by Ingersol. +These he read carefully. Darwin's book was rather heavy, but by close +application, the young student thought he learned what the scientist was +"driving at." This book disturbed him somewhat. There seemed to be much +truth in it, but also some things which did not agree with what he had +been taught to be true. In this he realized his lack of knowledge. More +knowledge must clear up any seeming contradiction, he reasoned. Ingersol +was more readable, snappy, witty, hitting the Bible in a fearless way. +Dorian had no doubt that all of Ingersol's points could be answered, as +he himself could refute many of them. + +One day as Dorian was browsing as usual in a book store he came across a +cheap copy of Drummond's "Natural Law in the Spiritual World," the book +which he had given Uncle Zed. As he wanted a copy himself, he purchased +this one and took it with him to his cabin in the hills. Immediately he +was interested in the book, and he filled its pages with copious notes +and marks of emphasis. + +It was Sunday afternoon in mid-summer at Greenstreet. The wheat again +stood in the shock. The alfalfa waved in scented purple. Dorian and the +old philosopher of Greenstreet sat in the shade of the cottonwood and +looked out on the farm scene as they talked. + +"I've also been reading 'Natural Law in the Spiritual World'" said +Dorian. + +"Good," replied Uncle Zed. "I was going to lend you my copy, so we could +talk about it intelligently. What message have you found in it for you?" + +"Message?" + +"Yes; every book should have a message and should deliver it to the +reader. Drummond's book thundered a message to me, but it came too late. +I am old, and past the time when I could heed any such call. If I were +young, if I--if I were like you, Dorian, you who have life before you, +what might not I do, with the help of the Lord!" + +"What, Uncle Zed?" + +"Drummond was a clergyman and a professor of natural history and +science. As such, he was a student of the laws of God as revealed both +through the written word of inspiration and in nature about him. In his +book he aims to prove that the spiritual world is controlled by the same +laws which operate in the natural wold; and as you perhaps discovered in +your reading, he comes very nearly proving his claim. He presents some +wonderfully interesting analogies. Of course, much of his theology is +of the perverted sectarian kind, and therein lies the weakness of his +argument. If he had had the clear truth of the restored gospel, how much +brighter would his facts have been illumed, how much stronger would have +been his deductions. Why, even I with my limited scientific knowledge +can set him right in many places. So I say, if I were but a young man +like you, do you know what I'd do?" + +"What?" again questioned Dorian. + +"I would devote all my mind, might and strength to the learning of +truth, of scientific truth. I would cover every branch of science +possible in the limits of one life, especially the natural sciences. +Then with my knowledge of the gospel and the lamp of inspiration which +the priesthood entitles me to, I could harmonize the great body of truth +coming from any and every source. Dorian, what a life work that would +be!" + +The old man looked smilingly at his companion with a strange, knowing +intimation. He spoke of himself, but he meant that Dorian should take +the suggestion. Dorian could pick up his beautiful dream and make it +come true. Dorian, with life and strength, and a desire for study and +truth could accomplish this very desirable end. The old man placed his +hand lovingly on the young man's shoulder, as he continued: + +"You are the man to do this, Dorian--you, not I." + +"I--Uncle Zed, do you believe that?" + +"I do. Listen, my boy. I see you looking over the harvested field. It is +a fine work you are doing; thousands can plant and harvest year after +year; but few there are who can and will devote their lives to the +planting of faith and the nourishing and the establishing of faith in +the hearts of men; and that's what we need now to properly answer the +Lord's cry that when He cometh shall He find faith on the earth?... Let +the call come to you--but there, in the Lord's own good time. Come into +the house. I have a new book to show you, also I have a very delicious +cherry pie." + +They went into the house together, where they inspected both book and +pie. Dorian weakly objected to the generous portion which was cut for +him, but Uncle Zed explained that the process of division not only +increased the number of pieces of pie, but also added to its tastiness. +Dorian led his companion to talk about himself. + +"Yes," he said in reply to a question, "I was born in England and +brought up in the Wesleyan Methodist church. I was a great reader ever +since I can remember. I read not only history and some fiction, but +even the dry-as-dust sermons were interesting to me. But I never seemed +satisfied. The more I read, the deeper grew the mysteries of life. +Nowhere did I find a clear, comprehendible statement of what I, an +entity with countless other entities, was doing here. Where had I come +from, where was I going? I visited the churches within my reach. I heard +the preachers and read the philosophers to obtain, if possible, a clue +to the mystery of life. I studied, and prayed, and went about seeking, +but never finding." + +"But you did find the truth at last?" + +"Yes; thank the Lord. I found the opening in the darkness, and it came +through the simple, humble, and not very learned elders of the Church of +Jesus Christ of Latter-day Saints." + +"What is the principle trouble with all this learning of the world that +it does not lead to the truth?" + +"The world's ignorance of God. Eternal life consists in knowing the only +true God, and the world does not know Him; therefore, all their systems +of religion are founded on a false basis. That is the reason there is so +much uncertainty and floundering when philosophers and religionists try +to make a known truth agree with their conceptions of God." + +"Explain that a little more to me, Uncle Zed." + +"Some claim that Nature is God, others that God only manifests Himself +through nature. I read this latter idea many places. For instance, Pope +says: + + "'All are but parts of one stupendous whole + Whose body nature is, and God the soul.' + +"Also Tennyson: + + 'The sun, the moon, the stars, the seas, the hills and plains + Are not these, O soul, the vision of Him who reigns? + Speak to Him there, for He hears, and spirit with spirit can meet, + Closer is He than breathing, and nearer than hands and feet.' + +"This, no doubt, is beautiful poetry, but it tells only a part of the +truth. God, by His Spirit is, and can be all the poet here describes. +'Whither shall I go from thy spirit? or whither shall I flee from thy +presence?' exclaims the Psalmist. 'In him we live and move and have our +being' declares Paul; but these statements alone are not enough for our +proper understanding of the subject. We try to see God behind the veil +of nature, in sun and wind and flower and fruit; but there is something +lacking. Try now to formulate some distinct idea of what this universal +and almighty force back of nature is. We are told that this force is +God, whom we must love and worship and serve. We want the feeling +of nearness to satisfy the craving for love and protection, but our +intellect and our reason must also be somewhat satisfied. We must +have some object on which to rest--we cannot always be floating about +unsuspended in time and space. + +"Then there is some further confusion: Christian philosophers have tried +to personify this 'soul of the universe,' for God, they say, thinks and +feels and knows. They try to get a personality without form or bounds or +dimentions, but it all ends in vagueness and confusion. As for me, and I +think I am not so different from other men,--for me to be able to think +of God, I must have some image of Him. I cannot think of love or good, +or power or glory in the abstract. These must be expressed to me by +symbols at least as eminating from, or inherent in, or exercised by some +person. Love cannot exist alone: there must be one who loves and one +who is being loved. God is love. That means to me that a person, a +beautiful, glorified, allwise, benevolent being exercises that divine +principle which is shed forth on you and me. + +"Now, if the world would only leave all this metaphysical meandering and +come back to the simple truth, what a clearing of mists there would +be! All their philosophies would have a solid basis if they would only +accept the truth revealed anew to us through the Prophet Joseph Smith +that God is one of a race, the foremost and first, if you wish it, but +still one of a race of beings who inhabit the universe; that we humans +are His children, begotten of Him in the pre-mortal world in His image; +that we are on the upward path through eternity, following Him who has +gone before and has marked out the way; that if we follow, we shall +eventually arrive at the point where He now is. Ignorance of these +things is what I understand to be ignorance of God." + +"In England I lost my wife and two children. The gospel came to me +shortly after, I am sure, to comfort me in the depths of my despair. Not +one church on earth that I knew of, Catholic or Protestant, would hold +out any hope of my ever being reunited with wife and children as such. +There is no family life in heaven, they teach. At that time I went about +listening to the preachers, and I delved into books. I made extensive +copyings in my note books. I have them yet, and some day when you are +interested I will show them to you." + +"I am interested now," said Dorian. + +"But I'm not going to talk to you longer on this theme, even though it +is Sunday and time for sermonizing. I'm going to meeting, where you also +ought to go. You are not attending as regularly as you should." + +"No, but I've been very busy." + +"No excuse that. There is danger in remaining away too long from the +established sources of spiritual inspiration and uplift, especially when +one is reading Ingersol and Tom Paine. I have no fault to find with your +ambition to get ahead in the world, but with it 'remember thy creator in +the days of thy youth.' Are you neglecting your mother?" + +"No; I think not, Uncle Zed; but what do you mean about mother?" + +"You are all she has. Are you making her days happy by your personal +care and presence. Are you giving of yourself to her?" + +"Well, perhaps I am not so considerate as I might be; I am away quite a +lot; thank you for calling my attention to it." + +"Are you neglecting anybody else?" + +"Not that I know." + +"Good. Now I must clear away my table and get ready for meeting. You'll +go with me." + +"I can't. I haven't my Sunday clothes." + +"The Lord will not look at your clothes." + +"No; but a lot of people will." + +"We go to meeting to worship the Lord, not to be looked at by others. Go +home and put on your Sunday best; there is time." The old man was busy +between table and cupboard as he talked. "Have you seen Carlia lately?" + +"No," replied Dorian. + +"The last time she was here I thought she was a little peaked in the +face, for you know she has such a rosy, roly-poly one." + +"Is that so? She comes to see you, then?" + +"Yes; oftener than you do." + +"I never meet her here." + +"No; she manages that, I surmise." + +"What do you mean?" + +"I tell you Carlia is a lovely girl," continued Uncle Zed, ignoring his +direct question. "Have you ever eaten butter she has churned?" + +"Not that I know." + +"She used to bring me a nice pat when my cow was dry; and bread of her +own baking too, about as good as I myself make." He chuckled as he wiped +the last dish and placed it neatly in the rack. + +Dorian arose to go. "Remember what I have told you this evening" said +Uncle Zed. The old man from behind his window watched his young friend +walk leisurely along the road until he reached the cross-lots path which +led to the Duke home. Here he saw him pause, go on again, pause once +more, then jump lightly over the fence and strike out across the field. +Uncle Zed then went on finishing his preparations for meeting. + +As Dorian walked across the field, he did think of what Uncle Zed had +said to him. Dorian had built his castles, had dreamed his dreams; but +never before had the ideas presented to him by Uncle Zed that afternoon +ever entered in them. The good old man had seemed so eager to pass on +to the young man an unfulfilled work, yes, a high, noble work. Dorian +caught a glimpse of the greatness of it and the glory of it that +afternoon, and his soul was thrilled. Was he equal to such a task?... He +had wanted to become a successful farmer, then his vision had gone on +to the teaching profession; but beyond that he had not ventured. He was +already well on the way to make a success of his farms. He liked the +work. He could with pleasure be a farmer all his life. But should a +man's business be all of life? Dorian realized, not of course in its +fuller meaning, that the accumulating of worldly riches was only a means +to the accomplishing of other and greater ends of life; and here was +before him something worthy of any man's best endeavors. Here was a +life's work which at its close would mean something to him and to the +world. With these thoughts in his mind he stepped up to the rear of the +Duke place where he saw someone in the corral with the cows, busy with +her milking. + + + + +CHAPTER EIGHT. + + +"Hello, Carlia", greeted Dorian as he stopped at the yard and stood +leaning against the fence. + +Carlia was just finishing milking a cow. As she straightened, with a +three-legged stool in one hand and a foaming milk pail in the other, she +looked toward Dorian. "O, is that you? You scared me." + +"Why?" + +"A stranger coming so suddenly." + +The young man laughed. "Nearly through?" he asked. + +"Just one more--Brindle, the kickey one." + +"Aren't you afraid of her?" + +Carlia laughed scornfully. The girl had beautiful white teeth. Her red +cheeks were redder than ever. Her dark hair coiled closely about her +shapely head. And she had grown tall, too, the young man noticed, though +she was still plump and round-limbed. + +"My buckets are full, and I'll have to take them to the house before I +can finish," she said. "You stay here until I come back--if you want +to." + +"I don't want to--here, let me carry them." He took the pails from her +hand, and they went to the house together. + +The milk was carried into the kitchen where Mrs. Duke was busy with pots +and pans. Mr. Duke was before the mirror, giving the finishing touches +to his hair. He was dressed for meeting. As he heard rather than saw his +daughter enter, he asked: + +"Carlia, have you swilled the pigs?" + +"Not yet," she replied. + +"Well, don't forget--and say, you'd better give a little new milk to the +calf. It's not getting along as well as it should--and, if you have time +before meetin', throw a little hay to the horses." + +"All right, father, I'll see to all of it. As I'm not going to meeting, +I'll have plenty of time." + +"Not goin'?" He turned, hair brush in hand, and saw Dorian. "Hello, +Dorian," he greeted, "you're quite a stranger. You'll come along to +meetin' with Carlia, I suppose. We will be late if we don't hurry." + +"Father, I told you I'm not going. I--" she hesitated as if not quite +certain of her words--"I had to chase all over the hills for the cows, +and I'm not through milking yet. Then there are the pigs and the calves +and the horses to feed. But I'll not keep Dorian. You had better go with +father"--this to the young man who still stood by the kitchen door. + +"Leave the rest of the chores until after meetin'," suggested the +father, somewhat reluctantly, to be sure, but in concession to Dorian's +presence. + +"I can't go to meeting either," said Dorian. "I'm not dressed for it, so +I'll keep Carlia company, if you or she have no objections." + +"Well, I've no objections, but I don't like you to miss your meetin's." + +"We'll be good," laughed Dorian. + +"But--" + +"Come, father," the mother prompted, "you know I can't walk fast in this +hot weather." + +Carlia got another pail, and she and Dorian went back to the corral. + +"Let me milk," offered Dorian. + +"No; you're strange, and she'd kick you over the fence." + +"O, I guess not," he remarked; but he let the girl finish her milking. +He again carried the milk back; he also took the "slop" to the pigs and +threw the hay to the horses, while the girl gave the new milk to the +butting calf; then back to the house where they strained the milk. Then +the young man was sent into the front room while the girl changed from +work to Sunday attire. + +The front room was very hot and uncomfortable. The young man looked +about on the familiar scene. There were the same straight-backed chairs, +the same homemade carpet, more faded and threadbare than ever, the +same ugly enlarged photographs within their massive frames which the +enterprising agent had sold to Mrs. Duke. There was the same lack of +books or music or anything pretty or refined; and as Dorian stood and +looked about, there came to him more forcibly than ever the barrenness +of the room and of the house in general. True, his own home was very +humble, and yet there was an air of comfort and refinement about it. The +Duke home had always impressed him as being cold and cheerless and ugly. +There were no protecting porches, no lawn, no flowers, and the barn yard +had crept close up to the house. It was a place to work. The eating and +the sleeping were provided, so that work could be done, farm and kitchen +work with their dirt and litter. The father and the mother and the +daughter were slaves to work. Only in work did the parents companion +with the daughter. The visitors to the house were mostly those who came +to talk about cattle and crops and irrigation. + +As a child, Carlia was naturally cheerful and loving; but her sordid +environment seemed to be crushing her. At times she struggled to get out +from under; but there seemed no way, so she gradually gave in to +the inevitable. She became resentful and sarcastic. Her black eyes +frequently flashed in scorn and anger. As she grew in physical +strength and beauty, these unfortunate traits of character became more +pronounced. The budding womanhood which should have been carefully +nurtured by the right kind of home and neighborhood was often left to +develop in wild and undirected ways. Dorian Trent as he stood in that +front room awaiting her had only a dim conception of all this. + +Carlia came in while he was yet standing. She had on a white dress and +had placed a red rose in her hair. + +"O, say, Carlia!" exclaimed Dorian at sight of her. + +"What's the matter?" she asked. + +"Here you go dolling up, and look at me." + +"You're all right. Open the door, it's terribly stuffy in here." + +Dorian opened the tightly stuck door. Then he turned and stood looking +at the girl before him. It seemed to him that he had never seen her so +grown-up and so beautiful. + +"Say, Carlia, when did you grow up?" he asked. + +"While you have been away growing up too." + +"It's the long dress, isn't it?" + +"And milking cows and feeding pigs and pitching hay." She gave a toss to +her head and held out her roughened red hands as proof of her assertion. +He stepped closer to her as if to examine them more carefully, but she +swiftly hid them behind her back. The rose, loosened from the tossing +head, fell to the floor, and Dorian picked it up. He sniffed at it then +handed it to her. + +"Where did you get it?" he asked. + +She reddened. "None of your--Say, sit down, can't you." + +Dorian seated himself on the sofa and invited her to sit by him, but she +took a chair by the table. + +"You're not very neighborly," he said. + +"As neighborly as you are," she retorted. + +"What's the matter with you, Carlia?" + +"Nothing the matter with me. I'm the same; only I must have grown up, as +you say." + +A sound as of someone driving up the road came to them through the +open door. Carlia nervously arose and listened. She appeared to be +frightened, as she looked out to the road without wanting to be seen. A +light wagon rattled by, and the girl, somewhat relieved, went back to +her chair. + +"Isn't it warm in here?" she asked. + +"It's warm everywhere." + +"I can't stay here. Let's go out--for a walk." + +"All right--come on." + +They closed the door, and went out at the rear. He led the way around to +the front, but Carlia objected. + +"Let's go down by the field," she said. "The road is dusty." + +The day was closing with a clear sky. A Sunday calm rested over meadow +and field, as the two strolled down by the ripening wheat. The girl +seemed uneasy until the house was well out of sight. Then she seated +herself on a grassy bank by the willows. + +"I'm tired," she said with a sigh of relief. + +Dorian looked at her with curious eyes. Carlia, grown up, was more of a +puzzle than ever. + +"You are working too hard," he ventured. + +"Hard work won't kill anybody--but it's the other things." + +"What other things?" + +"The grind, the eternal grind--the dreary sameness of every day." + +"You did not finish the high school. Why did you quit?" + +"I had to, to save mother. Mother was not only doing her usual house +work, but nearly all the outside choring besides. Father was away most +of the time on his dry farm too, and he's blind to the work at home. He +seems to think that the only real work is the plowing and the watering +and the harvesting, and he would have let mother go on killing herself. +Gee, these men!" The girl viciously dug the heel of her shoe into the +sod. + +"I'm sorry you had to quit school, Carlia." + +"Sorry? I wanted to keep on more than I ever wanted anything in my life; +but--" + +"But I admire you for coming to the rescue of your mother. That was fine +of you." + +"I'm glad I can do some fine thing." + +Dorian had been standing. He now seated himself on the bank beside +her. The world about them was very still as they sat for a few moments +without speaking. + +"Listen," said he, "I believe Uncle Zed is preaching. The meeting house +windows are wide open, for a wonder. + +"He can preach," she remarked. + +"He told me you visit him frequently." + +"I do. He's the grandest man, and I like to talk to him." + +"So do I. I had quite a visit with him this afternoon. I rather fooled +him, I guess." + +"How?" + +"He told me to go home and change my clothes, and then go to meeting; +but I came here instead." + +"Why did you do that?" + +"To see you, of course." + +"Pooh, as if I was anything to look at." + +"Well, you are, Carlia," and his eyes rested steadily on her to prove +his contention. "Why didn't you want to go to meeting this evening?" + +"You heard me tell father." + +"That wasn't the whole truth. I was not the reason because you had +decided not to go before I came." + +"Well--how do you know that? but, anyway, it's none of your business, +where I go, is it?" She made an effort to stare him out of countenance, +but it ended in lowered head and eyes. + +"Carlia! No, of course, it isn't. Excuse me for asking." + +There was another period of silence wherein Dorian again wondered at the +girl's strange behavior. Was he annoying her? Perhaps she did not care +to have him paying his crude attentions to her; and yet-- + +"Tell me about your dry farm," she said. + +"I've already plowed eighty acres," he informed her. "The land is rich, +and I expect to raise a big crop next year. I've quite a cosy house, up +there, not far from the creek. The summer evenings are lovely and cool. +I can't get mother to stay over night. I wish you would come and go with +her, and stay a few days." + +"How could I stay away from home that long? The heavens would fall." + +"Well, that might help some. But, honestly, Carlia, you ought to get +away from this grind a little. It's telling on you. Don't you ever get +into the city?" + +"Sometimes Saturday afternoons to deliver butter and eggs." + +"Well, some Saturday we'll go to see that moving picture show that's +recently started in town. They say it's wonderful. I've never been. +We'll go together. What do you say?" + +"I would like to." + +"Let's move on. Meeting is out, and the folks are coming home." + +They walked slowly back to the house. Mr. and Mrs. Duke soon arrived and +told of the splendid meeting they had had. + +"Uncle Zed spoke," said Mr. Duke, "and he did well, as usual. He's a +regular Orson Pratt." + +"The people do not know it," added Dorian; "perhaps their children or +their children's children will." + +"Well, what have you two been doing?" enquired the father of Carlia. + +"We've just been taking a walk," answered Dorian. "Will it be alright +if Carlia and I go to the new moving picture theatre in town some +Saturday?" + +Neither parent made any objection. They were, in fact, glad to have this +neighbor boy show some interest in their daughter. + +"Your mother was at meeting," said Mrs. Duke; "and she was asking about +you." + +"Yes; I've neglected her all afternoon; so I must be off. Good night +folks." + +Carlia went with him to the gate, slipping her arm into his and +snuggling closely as if to get the protection of good comradship. The +movement was not lost on Dorian, but he lingered only for a moment. + +"Goodnight, Carlia; remember, some Saturday." + +"I'll not forget. Goodnight" she looked furtively up and down the road, +then sped back into the house. + +Dorian walked on in the darkening evening. A block or so down the road +he came on to an automobile. No one in Greenstreet owned one of +these machines as yet, and there were but few in the city. As Dorian +approached, he saw a young man working with the machinery under the +lifted hood. + +"Hello," greeted Dorian, "what's the trouble?" + +"Damned if I know. Been stalled here for an hour." The speaker +straightened from his work. His hands were grimy, and the sweat was +running down his red and angry face. He held tightly the stump of a +cigarette between his lips. + +"I'm sorry I can't help you," said Dorian, "but I don't know the first +thing about an automobile." + +"Well, I thought I knew a lot, but this gets me." He swore again, as if +to impress Dorian with the true condition of his feelings. Then he +went at the machinery again with pliers and wrenches, after which he +vigorously turned the crank. The engine started with a wheeze and then a +roar. The driver leaped into the car and brought the racing engine to a +smoother running. "The cursed thing" he remarked, "why couldn't it have +done that an hour ago. O, say, excuse me, have you just been at the +house up the road?" + +"The Duke house? yes." + +"Is the old man--is Mr. Duke at home?" + +"Yes; he's at home." + +"Thank you." The car moved slowly up the road until it reached the Duke +gate where it stopped; but only for a moment, for it turned and sped +with increasing hurry along the road leading to the city. + +Dorian stood and watched it until its red light disappeared. He wondered +why the stranger wanted to know why Mr. Duke was at home, then on +learning that he was, why he turned about as if he had no business with +him. + +Later, Dorian learned the reason. + + + + +CHAPTER NINE. + + +Dorian was twenty-one years old, and his mother had planned a little +party in honor of the event. The invited guests were Uncle Zed, Bishop +Johnson and wife, the teacher of the district school, and Carlia Duke. +These arrived during the dusk of the evening, all but Carlia. They +lingered on the cool lawn under the colored glow of the Chinese +lanterns. + +Mrs. Trent realized that it would be useless to make the party a +surprise, for she had to have Dorian's help in hanging out the lanterns, +and he would necessarily see the unusual activity in front room and +kitchen. Moreover, Dorian, unlike Uncle Zed, had not lost track of his +birthdays, and especially this one which would make him a full-fledged +citizen of these United States. + +The little party chatted on general topics for some time until Mrs. +Trent, in big white apron, announced that supper was ready, and would +they all come right in. Mrs. Trent always served her refreshments at the +regular supper time and not near midnight, for she claimed that people +of regular habits, which her guests were, are much better off by not +having those habits broken into. + +"Are we all here?" she asked, scanning them as they passed in. "All but +Carlia," she announced. "Where's Carlia?" + +No one knew. Someone proffered the explanation that she was usually late +as she had so many chores to do, at which the Bishop's wife shook her +head knowingly, but said nothing. + +"Well, she'll be along presently," said Mrs. Trent. "Sit down all of +you. Bishop, will you ask the blessing?" + +The hostess, waitress, and cook all combined in the capable person of +Mrs. Trent, sat at the table with her party. Everything which was to be +served was on the table in plain sight, so that all could nicely guage +their eating to various dishes. When all were well served and the eating +was well under way, Mrs. Trent said: + +"Brothers and sisters, this is Dorian's birthday party. He has been a +mighty good boy, and so--" + +"Mother," interrupted the young man. + +"Now, you never mind--you be still. Dorian is a good boy, and I want all +of you to know it." + +"We all do, Sister Trent," said the Bishop; "and it is a good thing to +sometimes tell a person of his worthiness to his face." + +"But if we say more, he'll be uncomfortable," remarked the mother, "so +we had better change the subject. The crops are growing, the weather is +fine, and the neighbors are all right. That disposes of the chief +topics of conversation, and will give Uncle Zed a chance. He always has +something worth listening to, if not up his sleeve, then in his white +old head. But do not hurry, Uncle Zed; get through with your supper." + +The old man was a light eater, so he finished before the others. He +looked smilingly about him, noting that those present were eager to +listen. He took from his pocket a number of slips of paper and placed +them on the table beside his plate. Then he began to talk, the others +leisurely finishing their dessert. + +"The other evening," he said, "Dorian and I had a conversation which +interested us very much, and I think it would interest all of us here. +I was telling him my experience in my search for God and the plan of +salvation, and I promised him I would read to him some of the things I +found. Here is a definition of God which did not help me very much." He +picked up one of the slips of paper and read: "'God is the integrated +harmony of all potentialities of good in every actual and possible +rational agent.' What do you think of that?" + +The listeners knitted their brows, but no one spoke. Uncle Zed +continued: "Well, here is a little more. Perhaps this will clear it up: +'The greatest of selves, the ultimate Self of the universe, is God.... +My God is my deeper self and yours too. He is the self of the universe, +and knows all about it.... By Deity we mean the all-controling +consciousness of the universe, as well as the unfathomable, all +unknowable, and unknowable abyss of being beyond'." + +Uncle Zed carefully folded his papers and placed them back in his +pocket. He looked about him, but his friends appeared as if they had had +a volley of Greek fired at them. "Well" he said, "why don't some of you +say something?" + +"Please pass the pickles," responded Mrs. Trent. + +When the merriment had ceased, uncle Zed continued: "There is some truth +in these definitions. God is all that which they try to express, and +vastly more. The trouble is these men talk about the attributes of God, +and confound these with the being and personality of the Great Parent. +I may describe the scent of the rose, but that does not define the rose +itself. I cannot separate the rose from its color or form or odor, any +more than I can divorce music from the instrument. These vague and +incomplete definitions have had much to do with the unbelief in the +world. Tom Paine wrote a book which he called the 'Age of Reason' on the +premise that reason does away with God. Isn't that it, Dorian?" + +"All agnostic writers seem to think that there is no reason in religion, +and at times they come pretty near proving it too," replied Dorian. + +"That is because they base their arguments on the religions of the +world; but the restored gospel of Jesus Christ rests largely on reason. +Why, I can prove, contrary to the generally accepted opinion, by reason +alone that there must be a God." + +"We shall be glad to hear it," said the school teacher. The eating was +about over, and so they all sat and listened attentively. + +"We do not need to quote a word of scripture," continued Uncle Zed. "All +we need to know is a little of the world about us, a little of the race +and its history, and a little of the other worlds out in space, all of +which is open to anybody who will seek it. The rest is simply a little +connected thought. Reason tells me that there can be no limits to time +or space or intelligence. Time always has been, there can be no end to +space, and intelligence cannot create itself. Now, with limitless time +and space and intelligence to work with, what have we? The human mind, +being limited, cannot grasp the limitless; therefore, we must make +arbitrary points of beginning and ending. Now, let us project our +thought as far back into duration as we can--count the periods by any +thinkable measurements, years, centuries, ages, aeons, anything you +please that will help. Have we arrived at a point when there is no +world, no life, no intelligence? Certainly not. Somewhere in space, all +that we see here and now will be seen to exist. Go back from this point +to a previous period, and then count back as far as you wish; there is +yet time and space and intelligence. + +"There is an eternal law of progress which holds good always and +everywhere. It has been operating all through the ages of the past. Now, +let us take one of these Intelligences away back in the far distance +past and place him in the path of progress so that the eternal law of +growth and advancement will operate on him. I care not whether you apply +the result to Intelligences as individuals or as the race. Given time +enough, this endless and eternal advancement must result in a state of +perfection that those who attain to it may with truth and propriety be +called Gods. Therefore, there must be a God, yes, many Gods living and +reigning throughout the limitless regions of glorified space. + +"Here is corroborative evidence: I read in the Doctrine and Covenants, +Section 88: 'All kingdoms have a law given; and there are many kingdoms; +for there is no space in the which there is no kingdom; and there is +no kingdom in which there is no space, either a greater or a lesser +kingdom. And unto every kingdom is given a law; and unto every law there +are certain bounds also and conditions.' + +"There is a hymn in our hymn book in which W.W. Phelps expresses this +idea beautifully. Let me read it: + + 'If you could hie to Kolob, + In the twinkling of an eye, + And then continue onward, + With that same speed to fly. + + 'Do you think that you could ever, + Through all eternity, + Find out the generation + Where Gods began to be? + + 'Or see the grand beginning + Where space did not extend? + Or view the last creation, + Where Gods and matter end? + + 'Methinks the Spirit whispers: + No man has found "pure space," + Nor seen the outside curtains, + Where nothing has a place. + + 'The works of God continue, + And worlds and lives abound; + Improvement and progression + Have one eternal round. + + 'There is no end to matter, + There is no end to space, + There is no end to spirit, + There is no end to race. + + 'There is no end to virtue, + There is no end to might, + There is no end to wisdom, + There is no end to light. + + 'There is no end to union, + There is no end to youth, + There is no end to priesthood, + There is no end to truth. + + 'There is no end to glory, + There is no end to love, + There is no end to being, + Grim death reigns not above.' + +"The Latter-day Saints have been adversely criticized for holding out +such astounding hopes for the future of the human race; but let +us reason a little more, beginning nearer home. What has the race +accomplished, even within the short span of our own recollection? Man is +fast conquering the forces of nature about him, and making these forces +to serve him. Now, we must remember that duration extends ahead of us in +the same limitless way in which it reaches back. Give, then, the race +today all the time necessary, what cannot it accomplish? Apply it again +either to an individual or to the race, in time, some would attain to +what we conceive of as perfection, and the term by which such beings are +known to us is God. I can see no other logical conclusion." + +The chairs were now pushed back, and Mrs. Trent threw a cloth over the +table just as it stood, explaining that she would not take the time from +her company to devote to the dishes. She invited them into Dorian's +little room, much to that young man's uneasiness. + +His mother had tidied the room, so it was presentable. His picture, +"Sunset in Marshland" had been lowered a little on the wall, and +directly over it hung a photograph of Mildred Brown. To Dorian's +questioning look, Mrs. Trent explained, that Mrs. Brown had sent it just +the other day. Dorian looked closely at the beautiful picture, and a +strange feeling came over him. Had Mildred gone on in this eternal +course of progress of which Uncle Zed had been speaking? Was she still +away ahead of him? Would he ever reach her? + +On his study table were a number of books, birthday presents. One was +from Uncle Zed's precious store, and one--What? He picked it up--"David +Copperfield." He opened the beautiful volume and read on the fly leaf: +"From Carlia, to make up a little for your loss." He remembered now that +Carlia, some time before, had asked him what books were in the package +which had gone down the canal at the time when he had pulled her out of +the water. Carlia had not forgotten; and she was not here; the supper +was over, and it was getting late. Why had she not come? + +The party broke up early, as it was a busy season with them all. Dorian +walked home with Uncle Zed, then he had a mind to run over to Carlia's. +He could not forget about her absence nor about the present she had +sent. He had never read the story, and he would like to read it to +Carlia. She had very little time, he realized, which was all the more +reason for his making time to read it to her. + +As every country boy will, at every opportunity, so Dorian cut crosslots +to his objective. He now leaped the fence, and struck off through the +meadow up into the corn field. Mr. Duke had a big, fine field that +season, the growing corn already reaching to his shoulder. The night was +dark, save for the twinkling stars in the clear sky; it was still, save +for the soft rustling of the corn in the breeze. + +Dorian caught sight of a light as of a lantern up by the ditch from +which the water for irrigating was turned into the rows of corn and +potatoes. He stopped and listened. A tool grated in the gravelly soil. +Mr. Duke was no doubt using his night turn at the water on his corn +instead of turning it on the hay-land as was the custom. He would +inquire of him about Carlia. + +As he approached the light, the scraping ceased, and he saw a dark +figure dart into the shelter of the tall corn. When he reached the +lantern, he found a hoe lying in the furrow where the water should have +been running. No man irrigates with a hoe; that's a woman's tool. Ah, +the secret was out! Carlia was 'tending' the water. That's why she was +not at the party. + +He stood looking down into the shadows of the corn rows, but for the +moment he could see or hear nothing. He had frightened her, and yet +Carlia was not usually afraid. He began to whistle softly and to walk +down into the corn. Then he called, not loudly, "Carlia". + +There was no response. He quickened his steps. The figure ran to another +shelter. He could see her now, and he called again, louder than before. +She stopped, and then darted through the corn into the more open potatoe +patch. Dorian followed. + +"Hello, Carlia," he said, "what are you doing?" + +The girl stood before him, bareheaded, with rough dress and heavy boots. +She was panting as if with fright. When she caught a full sight of +Dorian she gave a little cry, and when he came within reach, she grasped +him by the arm. + +"Oh, is it you, Dorian?" + +"Sure. Who else did you think it was? Why, you're all of a tremble. What +are you afraid of?" + +"I--I thought it was--was someone else. Oh, Dorian, I'm so glad it is +you!" + +She stood close to him as if wishing to claim his protection. He +instinctively placed his arm about her shoulders. "Why, you silly girl, +the dark won't hurt you." + +"I'm not afraid of the dark. I'm afraid of--Oh, Dorian, don't let him +hurt me!" There was a sob in her voice. + +"What are you talking about? I believe you're not well. Are your feet +wet? Have you a fever?" He put his hand on her forehead, brushing back +the dark, towsled hair. He took her plump, work-roughened hand in his +bigger and equally rough one. "And this is why you were not to my +party," he said. + +"Yes; I hated to miss it, but father's rheumatism was so bad that he +could not come out. So it was up to me. We haven't any too much water +this summer. I'd better turn the water down another row; it's flooding +the corn." + +They went to the lantern on the ditch bank. Dorian picked up the hoe and +made the proper adjustment of the water flow. "How long will it take for +the water to reach the bottom of the row?" he asked. + +"About fifteen minutes." + +"And how many rows remain?" + +Carlia counted. "Twelve," she said. + +"All right. This is a small stream and will only allow for three rows at +a time. Three into twelve is four, and four times fifteen is sixty. It +is now half past ten. We'll get through by twelve o'clock easy." + +"You'd better go home. I'm all right now. I'm not afraid." + +"I said we will get home. Sit down here on the bank. Are you cold?" +He took off his coat and placed it about her shoulders. She made no +objections, though in truth she was not cold. + +"Tell me about the party," she said. + +He told her who were there, and how they had missed her. + +"And did Uncle Zed preach?" + +"Preach? O, yes, he talked mighty fine. I wish I could tell you what he +said." + +"What was it about?" + +"About God," he answered reverently. + +"Try to tell me, Dorian. I need to know. I'm such a dunce." + +Dorian repeated in his way Uncle Zed's argument, and he succeeded fairly +well in his presentation of the subject. The still night under the +shining stars added an impressive setting to the telling, and the girl +close by his side drank in hungrily every word. When the water reached +the end of the rows, it was turned into others, until all were +irrigated. When that was accomplished, Dorian's watch showed half past +eleven. He picked up the lantern and the hoe, and they walked back to +the house. + +"The party was quite complete, after all," he said at the door. "I've +enjoyed this little after-affair as much as I did the party." + +"I'm glad," she whispered. + +"And it was wonderfully good of you to give me that present." + +"I'm glad," she repeated. + +"Do you know what I was thinking about when I opened the book and saw it +was from you?" + +"No; what?" + +"Why, I thought, we'll read this book together, you and I." + +"Wouldn't that be fine!" + +"We can't do that now, of course; but after a while when we get more +time. I'll not read it until then.... Well, you're tired. Go to bed. +Good night, Carlia." + +"Goodnight, Dorian, and thank you for helping me." + +They stood close together, she on the step above him. The lamp, placed +on the kitchen table for her use, threw its light against the glass door +which formed a background for the girl's roughened hair, soiled and +sweat-stained face, and red, smiling lips. + +"Goodnight," he said again; and then he leaned forward and kissed her. + + + + +CHAPTER TEN. + + +That goodnight's kiss should have brought Dorian back to Carlia sooner +than it did; but it was nearly a month before he saw her again. The fact +that it was the busiest time of the year was surely no adequate excuse +for this neglect. Harvest was on again, and the dry-farm called for much +of his attention. Dorian prospered, and he had no time to devote to the +girls, so he thought, and so he said, when occasion demanded expression. + +One evening while driving through the city and seeing the lights of the +moving picture theatre, he was reminded of his promise to Carlia. His +conscience pricked him just a little, so the very next evening he drove +up to Farmer Duke's. Seeing no one choring about, he went into the house +and inquired after Carlia. Mrs. Duke told him that Carlia had gone to +the city that afternoon. She was expected back any minute, but one could +never tell, lately, when she would get home. Since this Mr. Lamont had +taken her to the city a number of times, she had been late in getting +home. + +"Mr. Lamont?" he inquired. + +"Yes; haven't you met him? Don't you know him?" + +"No; who is he?" + +"Dorian, I don't know. Father seems to think he's all right, but I don't +like him. Oh, Dorian, why don't you come around oftener?" + +Mrs. Duke sank into a chair and wiped away the tears from her eyes with +the corner of her apron. Dorian experienced a strange sinking of the +heart. Again he asked who this Mr. Lamont was. + +"He's a salesman of some kind, so he says. He drives about in one of +those automobiles. Surely, you have seen him--a fine-looking fellow with +nice manners and all that, but--" + +"And does Carlia go out with him?" + +"He has taken her out riding a number of times. He meets her in the city +sometimes. I don't know what to make of it, Dorian. I'm afraid." + +Dorian seemed unable to say anything which would calm the mother's +fears. That Carlia should be keeping company with someone other than +himself, had never occurred to him. And yet, why not? she was aid enough +to accept attention from young men. He had certainly neglected her, as +the mother had implied. The girl had such few opportunities for going +out, why should she not accept such as came to her. But this stranger, +this outsider! Dorian soon took his departure. + +He went home, unhitched, and put up his horse; but instead of going into +the house, he walked down to the post office. He found nothing in his +box. He felt better in the open, so he continued to walk. He had told +his mother he was going to the city, so he might as well walk that way. +Soon the lights gleamed through the coming darkness. He went on with his +confused thoughts, on into the city and to the moving picture show. He +bought a ticket and an attendant led him stumbling in the dark room to a +seat. + +It was the first time he had been there. He and Carlia were going +together. It was quite wonderful to the young man to see the actors +moving about lifelike on the white screen. The story contained a number +of love-making scenes, which, had they been enacted in real life, in +public as this was, they would certainly have been stopped by the +police. Then there was a comic picture wherein a young fellow was +playing pranks on an old man. The presentation could hardly be said to +teach respect for old age, but the audience laughed uproariously at it. + +When the picture closed and the lights went on, Dorian turned about to +leave, and there stood Carlia. A young man was assisting her into her +light wraps. She saw him, so there was no escape, and they spoke to each +other. Carlia introduced her escort, Mr. Lamont. + +"Glad to know you," said Mr. Lamont, in a hearty way. "I've known of you +through Miss Duke. Going home now?" + +"Yes," said Dorian. + +"Drive?" + +"No; I'm walking." + +"Then you'll ride with us. Plenty of room. Glad to have you." + +"Thank you, I--" + +"Yes, come," urged Carlia. + +Dorian hesitated. He tried to carry an independent manner, but Mr. +Lamont linked his arm sociably with Dorian's as he said: + +"Of course you'll ride home with us; but first we'll have a little ice +cream." + +"No thanks," Dorian managed to say. What more did this fellow want of +him? + +However, as Dorian could give no good reason why he should not ride home +with them, he found no way of refusing to accompany them to a nearby +ice-cream parlor. Mr. Lamont gave the order, and was very attentive to +Carlia and Dorian. It was he who kept the flow of conversation going. +The other two, plainly, were not adept at this. + +"What did you think of the show, Mr. Trent?" + +"The moving pictures are wonderful, but I did not like the story very +much." + +"It was rotten," exclaimed the other in seeming disgust. I did not +know what was on, or I should not have gone. Last week they had a fine +picture, a regular classic. Did you see it? + +"No; in fact, this is my first visit." + +"Oh, indeed. This is Miss Duke's second visit only." + +Under the bright lights Carlia showed rouge on her cheeks, something +Dorian had never seen on her before. Her lips seemed redder than ever, +and he eyes shone with a bright luster. Mr. Lamont led them to his +automobile, and then Dorian remembered the night when this same young +man with the same automobile had stopped near Carlia's home. Carlia +seated herself with the driver, while Dorian took the back seat. They +were soon speeding along the road which led to Greenstreet. The cool +night air fanned Dorian's hot face. Conversation ceased. Even Carlia +and the driver were silent. The moon peeped over the eastern hills. The +country-side was silent. Dorian thought of the strange events of the +evening. This Mr. Lamont had not only captured Carlia but Dorian also. +"If I were out with a girl," reasoned Dorian, "I certainly wouldn't want +a third person along if I could help it." Why should this man be so +eager to have his company? Dorian did not understand, not then. + +In a short time they drove up to Carlia's gate, and she and Dorian +alighted. The driver did not get out. The machine purred as if impatient +to be off again and the lamps threw their streams of light along the +road. + +"Well, I shall have to be getting back," said Mr. Lamont. "Goodnight, +Miss Duke. Thanks for your company. Goodnight, Mr. Trent; sure glad to +have met you." + +The machine glided into the well-worn road and was off. The two stood +looking at it for a moment. Then Carlia moved toward the house. + +"Come in" she said. + +He mechanically followed. He might as well act the fool to the end of +the chapter, he thought. It was eleven by the parlor clock, but the +mother seemed greatly relieved when she saw Dorian with her daughter. +Carlia threw off her wraps. She appeared ill at ease. Her gaiety was +forced. She seemed to be acting a part, but she was doing it poorly. +Dorian was not only ill at ease himself, but he was bewildered. He +seated himself on the sofa. Carlia took a chair on the other side of the +room and gazed out of the window into the night. + +"Carlia, why did you--why do you," he stammered. + +"Why shouldn't I?" she replied, somewhat defiantly as if she understood +his unfinished question. + +"You know you should not. It's wrong. Who is he anyway?" + +"He at least thinks of me and wants to show me a good time, and that's +more than anybody else does." + +"Carlia!" + +"Well, that's the truth." She arose, walked to the table in the middle +of the room and stood challengingly before him. "Who are you to find +fault? What have you done to--" + +"I'll admit I've done very little; but you, yourself." + +"Never mind me. What do you care for me? What does anybody care?" + +"Your mother, at least." + +"Yes, mother; poor, dear mother.... Oh, my God, I can't stand it, I +can't stand it!" With a sob she broke and sank down by the table, hiding +her face in her arms. Dorian arose to go to her. The door opened, and +the mother appeared. + +"What is it, Carlia," she asked in alarm. + +The girl raised her head, swiftly dashed the tears from her eyes, then +with a sad effort to smile, said: + +"Nothing, mother, nothing at all. I'm going to bed. Where's father?" + +"He was called out to Uncle Zed's who is sick. Dorian's mother is there +with him too, I understand." + +"Then I'd better go for her," said the young man. "I'll say goodnight. +Poor Uncle Zed; he hasn't been well lately. Goodnight Sister Duke, +goodnight Carlia." + +Carlia stood in the doorway leading to the stairs. "Goodnight, Dorian," +she said. "Forgive me for being so rude." + +He stepped toward her, but she motioned him back, and than ran up the +carpetless stairs to her room. Dorian went out in the night. With a +heavy heart he hurried down the road in the direction of Uncle Zed's +home. + + + + +CHAPTER ELEVEN. + + +Uncle Zed's illness did not prove fatal, though it was serious enough. +In a few days he was up and about again, slowly, quietly providing for +his simple needs. However, it was plainly evident that he had nearly +come to the end of his earthly pilgrimage. + +After the most pressing fall work had been disposed of, Dorian spent as +much of his spare time as possible with the old man, who seemed to like +the company of the younger man better than anyone else in the village; +and Dorian, for his part, took delight in visiting with him, in helping +him with the heaviest of his not heavy chores. Especially, was it +pleasant during the lengthening evening with a small fire and the lamp +newly trimmed. Uncle Zed reclined in his easy chair, while Dorian sat by +the table with books and papers. Their conversations ranged from flower +gardens to dry-farms, and from agnosticism to the highest degrees of the +celestial glory. And how they both reveled in books and their +contents on the occasions when they were alone and unhampered by the +unsympathetic minds of others. + +"As you see, Dorian," said Uncle Zed on one such Sunday evening, "my +collection of books is not large, but they are such that I can read and +read again." + +"Where is your 'Drummond's Natural Law'?" asked Dorian. + +Uncle Zed looked about. "I was reading it this morning. There it is on +the window." Dorian fetched him the volume. + +"When I read Drummond's work," continued the old man, "I feel keener +than ever my lack of scientific knowledge. I have always had a desire +to delve into nature's laws through the doors of botany, zoology, +mineralogy, chemistry, and all the other sciences. I have obtained a +smattering only through my reading. I realize that the great ocean of +truth is yet before me who am now an old man and can never hope in this +life to explore much further." + +"But how is it, Uncle Zed," enquired Dorian, "that so many scientists +have such little faith?" + +"'The letter killeth, but the Spirit giveth life,' The Spirit has taught +us Dorian, that this world is God's world, and that the laws which +govern here and now are the same eternal laws which have always been in +operation; that we have come to this world of element to get in touch +with earthly forms of matter, and become acquainted with the laws which +govern them. Drummond has attempted to prove that the laws which prevail +in the temporal world about us also hold good in the spiritual world, +and he has made out a very good case, I think; but neither Drummond nor +anybody else not endowed by the gift of the Holy Ghost, can reach the +simple ultimate truth. That's why I have been looking for some young man +in the Church who could and would make it his life's mission and work to +learn the truths of science and harmonize them where necessary with the +revealed truth--in fact, to complete what Henry Drummond has so well +begun." The old man paused, then looking steadily at Dorian, said: +"That's what I expect you to do." + +"I? Oh, do you think I could?" + +"Yes; it would not be easy, but with your aptness and your trend of +mind, and your ability to study long and hard, you could, with the +assistance of the Spirit of God, accomplish wonders by the time you are +as old as I." + +The young man mildly protested, although the vision of what might be +thrilled his being. + +"Don't forget what I am telling you, Dorian. Think and pray and dream +about it for a time, and the Lord will open the way. Now then, we are to +discuss some of Drummond's problems, were we not?" + +"Yes; I shall be glad to. Are you comfortable? Shall I move your +pillow?" + +"I'm resting very easily, thank you. Just hand me the book. Drummond's +chapter on Biogenesis interests me very much. I cannot talk very +scientifically, Dorian, on these things, but I hope to talk +intelligently and from the large viewpoint of the gospel. Here is +a paragraph from my book which I have marked and called 'The Wall +Between.' I'm sure you will remember it. Let us read it again: + +"'Let us first place," he read from the book, 'vividly in our +imagination the picture of the two great Kingdoms of Nature, the +inorganic and the organic, as these now stand in the light of the Law +of Biogenesis. What essentially is involved in saying that there is no +Spontaneous Generation of Life? It is meant that the passage from the +mineral world is hermetically sealed on the mineral side. This inorganic +world is staked off from the living world by barriers which have never +yet been crossed from within. No change of substance, no modification of +environment, no chemistry, no electricity, nor any form of energy, nor +any evolution can endow any single atom of the mineral world with the +attribute of life. Only by bending down into this dead world of some +living form can these dead atoms be gifted with the properties of +vitality, without this preliminary contact with life they remain fixed +in the inorganic sphere forever. It is a very mysterious Law which +guards in this way the portals of the living world. And if there is +one thing in Nature more worth pondering for its strangeness it is the +spectacle of this vast helpless world of the dead cut off from the +living by the law of Biogenesis and denied forever the possibility of +resurrection within itself. So very strange a thing, indeed, is this +broad line in Nature, that Science has long sought to obliterate it. +Biogenesis stands in the way of some forms of Evolution with such stern +persistency that the assaults upon this law for number and thoroughness +have been unparalleled. But, as we have seen, it has stood the test. +Nature, to the modern eye, stands broken in two. The physical laws +may explain the inorganic world; the biological laws may account for +inorganic. But of the point where they meet, of that living borderland +between the dead and the living, Science is silent. It is as if God had +placed everything in earth and in heaven in the hands of Nature, but +reserved a point at the genesis of Life for His direct appearing.' + +"Drummond goes on to prove by analogy that the same law which makes such +a separation between the higher and the lower in the natural world holds +good in the spiritual realm, and he quotes such passages as this to +substantiate his argument: 'Except a man is born again, he cannot enter +the kingdom of God'. Man must be born from above. 'The passage from +the natural world to the spiritual world is hermetically sealed on the +natural side.' that is, man cannot by any means make his own unaided way +from the lower world to the higher. 'No mental energy, no evolution, no +moral effort, no evolution of character, no progress of civilization' +can alone lift life from the lower to the higher. Further, the lower can +know very little about the higher, for 'the natural man receiveth not +the things of the Spirit of God; for they are foolishness to him; +neither can he know them, because they are spiritually discerned'. All +of which means, I take it, that the higher must reach down to the lower +and lift it up. Advancement in any line of progress is made possible by +some directing power either seen or unseen. A man cannot simply grow +better and better until in his own right he enters the kingdom of God'." + +"But, Uncle Zed, are we not taught that we must work out our own +salvation?" asked Dorian. "That is also scriptural." + +"Yes; but wait; I shall come to that later. Let us go on with our +reasoning and see how this law which Drummond points out--how it fits +into the larger scheme of things as revealed to us Latter-day Saints. +You remember some time ago in our talk on the law of eternal progress we +established the truth that there always have been intelligences evolving +from lower to higher life, which in the eternity of the past would +inevitably lead to the perfection of Gods. This is plainly taught in +Joseph Smith's statement that God was once a man like us, perhaps on an +earth like this, working out His glorious destiny. He, then, has gone on +before into higher worlds, gaining wisdom, power, and glory. Now, there +is another law of the universe that no advancing man can live to himself +alone. No man can grow by taking selfish thought to the process. He +grows by the exercise of his faculties and powers for the benefit of +others. Dorian, hand me the 'Pearl of Great price'." + +Dorian found the book and handed it to the old man, who, finding the +passage he wanted, continued: "Listen to this remarkable statement by +the Lord: 'For behold, this is my work and my glory--to bring to pass +the immortality and eternal life of man.' Just think what that means." + +"What does it mean?" + +"It means, my boy, that the way of progress is the way of unselfish +labor. 'This is my work,' says the Lord, to labor for those who are yet +on the lower rungs of the ladder, to institute laws whereby those below +may climb up higher; (note I used the word climb, not float); to use His +greater experience, knowledge, and power for others; to pass down +to those in lower or primary stages that which they cannot get by +self-effort alone. Let me say this in all reverence, they who attain to +All Things do not greedily and selfishly cling to it, but pass it on +to others. 'As one lamp lights another nor grows less, So kindliness +enkindleth kindliness.' Yes; through great stress and sacrifice, they +may do this, as witnessed in what our Father has done by endowing His +Beloved Son with eternal life, and then giving Him to us. That Son was +the 'Prince of Life.' He was the Resurrection and the Life.' He brought +Life from the higher kingdom to a lower, its natural course through the +ages. That is the only way through which it can come. And herein, to +my humble way of thinking is the great error into which the modern +evolutionist has fallen. He reasons that higher forms evolve from the +initial and unaided movements of the lower. That is as impossible as +that a man can lift himself to the skies by his boot-straps." + +Dorian smiled at the illustration. + +"Now, my boy, I want to make an application of these divine truths to us +here and now. I'm not going to live here much longer." + +"Uncle Zed!" + +"Now, wait; it's a good thing that you nor anybody else can prevent me +from passing on. I've wanted to live long enough to get rid of the fear +of death. I have reached that point now, and so I am ready at any time, +thank the Lord." + +Uncle Zed was beautiful to look upon in the clear whiteness of his +person and the peaceful condition of his spirit. The young listener +was deeply impressed by what he was hearing. (He never forgot that +particular Sunday afternoon). + +"You asked me about working out our own salvation," continued Uncle Zed. +"Let me answer you on that. There are three principles in the law of +progress, all of them important: First, there must be an exercise of the +will by the candidate for progression. He must be willing to advance and +have a desire to act for himself. That is the principle of free agency. +Second, he must be willing to receive help from a higher source; that +is, he must place himself in a condition to receive life and light from +the source of life and light. Third, he must be unselfish, willing, +eager to share all good with others. The lack of any of these will prove +a serious hindrance. We see this everywhere in the world. + +"Coming back now to the application I mentioned. If it is God's work +and glory to labor for those below Him, why should not we, His sons +and daughters, follow His example as far as possible in our sphere of +action? If we are ever to become like Him we must follow in His steps +and do the things which He has done. Our work, also must be to help +along the road to salvation those who are lower down, those who are more +ignorant and are weaker than we." + +"Which, Uncle Zed, you have been doing all your life." + +"Just trying a little, just a little." + +"And this will be as it already has been, your glory. I see that +plainly." + +"Why shouldn't it be everybody's work and glory! What a beautiful world +this would be if this were the case!" + +"Yes, truly." + +"And see, Dorian, how this principle ties together the race from the +beginning to the end, comparatively speaking. Yes, in this way will men +and families and races and worlds be linked together in chains of love, +which cannot be broken, worlds without end." + +The old man's voice became sweet and low. Then there was silence for a +few minutes. The clock struck ten. + +"I must be going," said Dorian. "I am keeping you out of bed." + +"You'll come again?" + +"Oh, yes." + +"Come soon, my boy. I have so much to tell you. I can talk so freely to +you, something I cannot do to all who come here, bless their hearts. But +you, my boy--" + +He reached out his hand, and Dorian took it lovingly. There were tears +in the old man's eyes. + +"I'll not forget you," said Dorian, "I'll come soon and often." + +"Then, good night." + +"Good night," the other replied from the door as he stepped out into the +night. The cool breeze swept over meadow and field. The world was open +and big, and the young man's heart expanded to it. What a comfort to +feel that the Power which rules the world and all the affairs of men is +unfailing in its operations! What a joy to realize that he had a loving +Father to whom he could go for aid! And then also, what a tremendous +responsibility was on him because of the knowledge he already had and +because of his God-given agency to act for himself. Surely, he would +need light from on High to help him to choose the right! + +Surely, he would. + + + + +CHAPTER TWELVE. + + +At the coming of winter, Uncle Zed was bedfast. He was failing rapidly. +Neighbors helped him. Dorian remained with him as much as he could. The +bond which had existed between these two grew stronger as the time +of separation became nearer. The dying man was clear-minded, and he +suffered very little pain. He seemed completely happy if he could have +Dorian sitting by him and they could talk together. And these were +wonderful days to the young man, days never to be forgotten. + +Outside, the air was cold with gusts of wind and lowering clouds. +Inside, the room was cosy and warm. A few of the old man's hardiest +flowers were still in pots on the table where the failing eyes could see +them. That evening Mrs. Trent had tidied up the room and had left Dorian +to spend the night with the sick man. The tea-kettle hummed softly on +the stove. The shaded lamp was turned down low. + +"Dorian." + +"Yes, Uncle Zed." + +"Turn up the lamp a little. It's too dark in here." + +"Doesn't the light hurt your eyes!" + +"No; besides I want you to get me some papers out of that drawer in my +desk." + +Dorian fetched a large bundle of clippings and papers and asked if they +were what he wanted. + +"Not all of them just now; but take from the pile the few on top. I want +you to read them to me. They are a few selections which I have culled +and which have a bearing on the things we have lately been talking +about." + +The first note which Dorian read was as follows. "'The keys of the holy +priesthood unlock the door of knowledge to let you look into the palace +of truth'." + +"That's by Brigham Young. You did not know that he was a poet as well as +a prophet," commented the old man. "The next one is from him also." + +"'There never was a time when there were not Gods and worlds, and when +men were not passing through the same ordeals that we are now passing +through. That course has been from all eternity and it is and will be to +all eternity'." + +"Now you know, Dorian, where I get my inspiration from. Read the next, +also from President Young." + +"'The idea that the religion of Christ is one thing, and science is +another, is a mistaken idea, for there is no true science without +religion. The fountain of knowledge dwells with God, and He dispenses it +to His children as He pleases, and as they are prepared to receive it; +consequently, it swallows up and circumscribes all'." + +"Take these, Dorian; have them with you as inspirational mottoes for +your life's work. Go on, there are a few more." + +Dorian read again: "'The region of true religion and the region of a +completer science are one.'--Oliver Lodge." + +"You see one of the foremost scientists of the day agrees with Brigham +Young," said Uncle Zed. "I think the next one corroborates some of our +doctrine also." + +Dorian read: "'We do not indeed remember our past, we are not aware of +our future, but in common with everything else we must have had a past +and must be going to have a future.'--Oliver Lodge." + +Again he read: "'We must dare to extend the thought of growth and +progress and development even up to the height of all that we can +realize of the Supreme Being--In some part of the universe perhaps +already the ideal conception has been attained; and the region of such +attainment--the full blaze of self-conscious Deity--is too bright for +mortal eyes, is utterly beyond our highest thoughts.'--Oliver Lodge." + +Uncle Zed held out his hand and smiled. "There," he said in a whisper, +"is a hesitating suggestion of the truth which we boldly proclaim." + +"Now you are tired, Uncle Zed," said Dorian. "I had best not read more." + +"Just one--the next one." + +Dorian complied: + + "'There are more lives yet, there are more worlds waiting, + For the way climbs up to the eldest sun, + Where the white ones go to their mystic mating, + And the holy will is done. + I'll find you there where our love life heightens-- + Where the door of the wonder again unbars, + Where the old love lures and the old fire whitens, + In the stars behind the stars'." + +Uncle Zed lay peacefully on his pillow, a wistful look on his face. The +room became still again, and the clock ticked away the time. Dorian +folded up the papers which he had been told to keep and put them in his +pocket. The rest of the package he returned to the drawer. He lowered +the lamp again. Then he sat down and watched. It seemed it would not be +long for the end. + +"Dorian." + +"Yes, Uncle Zed, can I do anything for you?" + +"No"--barely above a whisper--"nothing else matters--you're a good +boy--God bless you." + +The dying man lay very still. As Dorian looked at the face of his friend +it seemed that the mortal flesh had become waxen white so that the +immortal spirit shone unhindered through it. The young man's heart was +deeply sorrowful, but it was a sanctified sorrow. Twice before had death +come near to him. He had hardly realized that of his father's and he was +not present when Mildred had passed away; but here he was again with +death, and alone. It seemed strange that he was not terrified, but he +was not--everything seemed so calm, peaceful, and even beautiful in its +serene solemnity. + +Dorian arose, went softly to the window and looked out. The wind had +quieted, and the snow was falling slowly, steadily in big white flakes, +When Dorian again went back to the bedside and looked on the stilled +face of his friend, he gave a little start. He looked again closely, +listening, and feeling of the cold hands. Uncle Zed was dead. + +The Greenstreet meeting house was filled to overflowing at the funeral. +Uncle Zed had gone about all his days in the village doing good. All +could tell of some kind deed he had done, with the admonition that it +should not be talked about. He always seemed humiliated when anyone +spoke of these things in his hearing; but now, surely, there could be no +objection to letting his good deeds shine before men. + +Uncle Zed had left with the Bishop a written statement, not in the form +of a will, wherein he told what disposition was to be made of his simple +belongings. The house, with its few well tilled acres, was to go to the +ward for the use of any worthy poor whom the Bishop might designate. +Everything in the house should be at the disposal of Dorian Trent. The +books, especially, should belong to him "to have and to hold and to +study." Such books which Dorian did not wish to keep were to be given +to the ward Mutual Improvement Library. This information the Bishop +publicly imparted on the day of the funeral. + +"These are the times," said the Bishop, "when the truth comes forcibly +to us all that nothing in this world matters much or counts for much in +the end but good deeds, kind words, and unselfish service to others. All +else is now dross.... The mantle of Brother Zed seems to have fallen on +Dorian Trent. May he wear it faithfully and well." + +A few days after the funeral Dorian and his mother went to Uncle Zed's +vacant home. Mrs. Trent examined the furnishings, while Dorian looked +over the books. + +"Is there anything here you want, mother? he asked. + +"No; I think not; better leave everything, which isn't much, for those +who are to live here. What about the books?' + +"I'm going to take most of them home, for I am sure Uncle Zed would not +want them to fall into unappreciating hands; but there's no hurry about +that. We'll just leave everything as it is for a few days." + +The next evening Dorian returned to look over again his newly-acquired +treasures. The ground was covered with snow and the night was cold. He +thought he might as well spend the evening, and be comfortable, so he +made a fire in the stove. + +On the small home-made desk which stood in the best-lighted corner, near +to the student's hand were his well-worn Bible, his Book of Mormon, and +Doctrine and Covenants. He opened the drawers and found them filled with +papers and clippings, covering, as Dorian learned, a long period of +search and collecting. He opened again the package which he had out the +evening of Uncle Zed's death, and looked over some of the papers. These, +evidently, had been selected for Dorian's special benefit, and so he +settled himself comfortably to read them. The very first paper was in +the old man's own hand, and was a dissertation on "Faith." and read +thus: "Some people say that they can believe only what they can perceive +with the senses. Let us see: The sun rises, we say. Does it? The earth +is still. Is it? We hear music, we see beauty. Does the ear hear or the +eye see? We burn our fingers. Is the pain in our fingers? I cut the +nerves leading from the brain to these various organs, and then I +neither hear nor see nor feel." + +"How can God keep in touch with us?" was answered thus: "A ray of light +coming through space from a star millions of miles away will act on a +photographic plate, will eat into its sensitive surface and imprint the +image of the star. This we know, and yet we doubt if God can keep in +touch with us and answer our prayers." + +Many people wondered why a man like Uncle Zed was content to live in the +country. The answer seemed to be found in a number of slips: + + "How peaceful comes the Sabbath, doubly blessed, + In giving hope to faith, to labor rest. + Most peaceful here:--no city's noise obtains, + And God seems reverenced more where silence reigns." + +Once Dorian had been called a "Clod hopper." As he read the following, +he wondered whether or not Uncle Zed had not also been so designated, +and had written this in reply: + +"Mother Earth, why should not I love you? Why should not I get close to +you? Why should I plan to live always in the clouds above you, gazing at +other far-distant worlds, and neglecting you? Why did I, with others, +shout with joy when I learned that I was coming here from the world of +spirits? I answer, because I knew that 'spirit and element inseparately +connected receiveth a fullness of joy.' I was then to get in touch with +'element' as I had been with 'spirit.' This world which I see with my +natural eyes is the 'natural' part of Mother Earth, even as the +flesh and bones and blood of my body is the element of myself, to be +inseparately connected with my spirit and to the end that I might +receive a fullness of joy. The earth and all things on it known by the +term nature is what I came here to know. Nature, wild or tamed, is my +schoolroom--the earth with its hills and valleys and plains, with its +clouds and rain, with its rivers and lakes and oceans, with its trees +and fruits and flowers, its life--about all these I must learn what I +can at first hand. Especially, should I learn of the growing things +which clothe the earth with beauty and furnish sustenance to life. Some +day I hope the Lord will give me a small part of this earth, when it is +glorified. Ah, then, what a garden shall I have!" + +No one in Greenstreet had ever known Uncle Zed as a married man. His +wife had died long ago, and he seldom spoke of her. Dorian had wondered +whether he had ever been a young man, with a young man's thoughts and +feelings; but here was evidence which dispelled any doubt. On a slip of +paper, somewhat yellow with age, were the following lines, written in +Uncle Zed's best hand: + + "In the enchanted air of spring, + I hear all Nature's voices sing, + 'I love you'. + + By bursting buds, by sprouting grass, + I hear the bees hum as I pass, + 'I love you'. + + The waking earth, the sunny sky + Are whispering the same as I, + 'I love you'. + + The song of birds in sweetest notes + Comes from their bursting hearts and throats, + 'I love you'." + +"Oh, Uncle Zed!" said Dorian, half aloud, "who would have thought it!" + +Near the top of the pile of manuscript Dorian found an envelope with "To +Dorian Trent," written on it. He opened it with keen interest and found +that it was a somewhat newly written paper and dealt with a subject they +had discussed in connection with the chapter on Death in Drummond's +book. Uncle Zed had begun his epistle by addressing it, "Dear Dorian" +and then continued as follows: + +"You remember that some time ago we talked on the subject of sin and +death. Since then I have had some further thought on the subject which I +will here jot down for you. You asked me, you remember, what sin is, and +I tried to explain. Here is another definition: Man belongs to an order +of beings whose goal is perfection. The way to that perfection is long +and hard, narrow and straight. Any deviation from that path is sin. God, +our Father, has reached the goal. He has told us how we may follow Him. +He has pointed out the way by teaching us the law of progress which +led Him to His exalted state. Sin lies in not heeding that law, but in +following laws of our own making. The Lord says this in the Doctrine and +Covenants, Section 88: + +'That which breaketh a law, and abideth not by law, but seeketh to +become a law unto itself, and willeth to abide in sin, and altogether +abideth in sin, cannot be sanctified by law, neither by mercy, justice, +nor judgement. Therefore, they must remain filthy still.' + +"Now, keeping in mind that sin is the straying from the one straight, +progressive path, let us consider this expression: 'The wages of sin is +death'. This leads us to the question: what is death? Do you remember +what Drummond says? He first explains in a most interesting way what +life is, using the scientist's phrasing. A human being, for instance, +is in direct contact with all about him--earth, air, sun, other human +beings, etc. In biological language he is said to be 'in correspondence +with his environment,' and by virtue of this correspondence is said to +be alive. To live, a human being must continue to adjust himself to his +environment. When he fails to do this, he dies. Thus we have also a +definition of death. 'Dying is that breakdown in an organization +which throws it out of correspondence with some necessary part of the +environment.' + +"Of course, these reasonings and deductions pertain to what we term he +physical death; but Drummond claims that the same law holds good in the +spiritual world. Modern revelation seems to agree with him. We have an +enlightening definition of death in the following quotation from the +Doctrine and Covenants, Section 29: 'Wherefore I the Lord God caused +that he (Adam) should be cast out from the Garden of Eden, from my +presence, because of his transgression, wherein he became spiritually +dead, which is the first death, even that same death, which is the last +death, which is spiritual, which shall be pronounced upon the wicked +when I shall say Depart ye cursed'. + +"It seems to me that there is a most interesting agreement here. +Banishment from the place where God lives is death. By the operations +of a natural law, a person who fails to correspond with a celestial +environment dies to that environment and must go or be placed in some +other, where he can function with that which is about him. God's +presence is exalted, holy, glorified. He who is not pure, holy, +glorified cannot possibly live there, is dead to that higher world. +A soul who cannot function in the celestial glory, may do so in the +terrestrial glory; one who cannot function in the terrestrial, may in +the telestial; and one who cannot 'abide the law' or function in the +telestial must find a place of no glory. This is inevitable--it cannot +be otherwise. Immutable law decrees it, and not simply the ruling of an +all wise power. The soul who fails to attain to the celestial glory, +fails to walk in the straight and narrow path which leads to it. Such a +person wanders in the by-paths called sin, and no power in the universe +can arbitrarily put him in an environment with which he cannot function. +'To be carnally minded is death', said Paul. 'The wages of sin is +death', or in other words, he who persistently avoids the Celestial +Highway will never arrive at the Celestial Gate. He who works evilly +will obtain evil wages. Anyway, what would it profit a man with dim +eyesight to be surrounded with ineffable glory? What would be the music +of the spheres to one bereft of hearing? What gain would come to a man +with a heart of stone to be in an environment of perfect and eternal +love!" + +Dorian finished the reading and laid the paper on the desk. For some +time he sat very still, thinking of these beautiful words from his dear +friend to him. Surely, Uncle Zed was very much alive in any environment +which his beautiful life had placed him. Would that he, Dorian, could +live so that he might always be alive to the good and be dead to sin. + +The stillness of the night was about him. The lamplight grew dim, +showing the oil to be gone, so he blew out the smoking wick. He opened +the stove door, and by the light of the dying fire he gathered up some +books to take home. He heard a noise as if someone were outside. He +listened. The steps were muffled in the snow. They seemed to approach +the house and then stop. There was silence for a few minutes, then +plainly he heard sobbing close to the door. + +What could it mean? who could it be? Doubtless, some poor soul to whom +Uncle Zed had been a ministering angel, had been drawn to the vacant +house, and could not now control her sorrow. Then the sobbing ceased, +and Dorian realized he had best find out who was there and give what +help he could. He opened the door, and a frightened scream rang out from +the surprised Carlia Duke who stood in the faint light from the open +doorway. She stood for a second, then as if terror stricken, she fled. + +"Carlia," shouted Dorian. "Carlia!" + +But the girl neither stopped nor looked back. Across the pathless, +snow-covered fields she sped, and soon became only a dark-moving object +on the white surface. When she had entirely disappeared, Dorian went +back, gathered up his bundles, locked the door, and went wonderingly and +meditatingly home. + + + + +CHAPTER THIRTEEN. + + +It is no doubt a wise provision of nature that the cold of winter closes +the activity in field and garden, thus allowing time for study by the +home fire. Dorian Trent's library, having been greatly enlarged, now +became to him a source of much pleasure and profit. Books which he never +dreamed of possessing were now on his shelves. In some people's opinion, +he was too well satisfied to remain in his cosy room and bury himself in +his books; but his mother found no fault. She was always welcome to come +and go; and in fact, much of the time he sat with her by the kitchen +fire, reading aloud and discussing with her the contents of his book. + +Dorian found, as Uncle Zed had, wonderful arguments for the truth of +the gospel in Orson and Parley P. Pratt's works. In looking through +the "Journal of Discourses," he found markings by many of the sermons, +especially by those of Brigham Young. Dorian always read the passages +thus indicated, for he liked to realize that he was following the +former owner of the book even in his thinking. The early volumes of the +"Millennial Star" contained some interesting reading. Very likely, the +doctrinal articles of these first elders were no better than those of +more recent writers, but their plain bluntness and their very age seemed +to give them charm. + +By his reading that winter Dorian obtained an enlarged view of his +religion. It gave him vision to see and to comprehend better the whole +and thus to more fully understand the details. Besides, he was laying a +broad and firm foundation for his faith in God and the restored gospel +of Jesus Christ, a faith which would stand him well in need when he came +to delve into a faithless and a Godless science. + +Not that Dorian became a hermit. He took an active part in the +Greenstreet ward organizations. He was secretary of the Mutual, always +attended Sunday School, and usually went to the ward dances. As he +became older he overcame some of his shyness with girls; and as +prosperity came to him, he could dress better and have his mass of +rusty-red hair more frequently trimmed by the city barber. More than +one of the discerning Greenstreet girls laid their caps for the big, +handsome young fellow. + +And Dorian's thoughts, we must know, were not all the time occupied with +the philosophy of Orson Pratt. He was a very natural young man, and +there were some very charming girls in Greenstreet. When, arrayed in +their Sunday best, they sat in the ward choir, he, not being a member of +the choir, could look at them to his heart's content, first at one and +then at another along the double row. Carlia Duke usually sat on the +front row where he could see her clearly and compare her with the +others--and she did not suffer by the comparison. + +Dorian now begin to realize that it was selfish, if not foolish, to +think always of the dead Mildred to the exclusion of the very much alive +Carlia. Mildred was safe in the world of spirits, where he would some +day meet her again; but until that time, he had this life to live and +those about him to think of. Carlia was a dear girl, beautiful, too, now +in her maturing womanhood. None of the other girls touched his heart as +Carlia. He had taken a number of them to dances, but he had always come +back, in his thought, at least, to Carlia. But her actions lately had +been much of a puzzle. Sometimes she seemed to welcome him eagerly when +he called, at other times she tried to evade him. No doubt this Mr. Jack +Lamont was the disturbing element. That winter he could be seen coming +quite openly to the Duke home, and when the weather would permit, Carlia +would be riding with him in his automobile. The neighbors talked, but +the father could only shake his head and explain that Carlia was a +willful girl. + +Now when it seemed that Carlia was to be won by this very gallant +stranger, Dorian began to realize what a loss she would be to him. He +was sure he loved the girl, but what did that avail if she did not love +him in return. He held to the opinion that such attractions should be +mutual. He could see no sense in the old-time custom of the knight +winning his lady love by force of arms or by the fleetness of horse's +legs. + +However, Dorian was not easy in his mind, and it came to the point when +he suffered severe heartaches when he knew of Carlia's being with the +stranger. The Christmas holidays that season were nearly spoiled for +him. He had asked Carlia a number of times to go to the parties with +him, but she had offered some excuse each time. + +"Let her alone," someone had told him. + +"No; do not let her alone," his mother had counseled; and he took his +mother's advice. + +Carlia had been absent from the Sunday meetings for a number of weeks, +so when she appeared in her place in the choir on a Sunday late in +January, Dorian noticed the unusual pallor of her face. He wondered if +she had been ill. He resolved to make another effort, for in fact, his +heart went out to her. At the close of the meeting he found his way to +her side as she was walking home with her father and mother. Dorian +never went through the formality of asking Carlia if he might accompany +her home. He had always taken it for granted that he was welcome; and, +at any rate, a man could always tell by the girl's actions whether or +not he was wanted. + +"I haven't seen you for a long time," began Dorian by way of greeting. + +The girl did not reply. + +"Been sick?" he asked. + +"Yes--no, I'm all right." + +The parents walked on ahead, leaving the two young people to follow. +Evidently, Carlia was very much out of sorts, but the young man tried +again. + +"What's the matter, Carlia?" + +"Nothing." + +"Well, I hope I'm not annoying you by my company." + +No answer. They walked on in silence, Carlia looking straight ahead, not +so much at her parents, as at the distant snow-clad mountains. Dorian +felt like turning about and going home, but he could not do that very +well, so he went on to the gate, where he would have said goodnight had +not Mrs. Duke urged him to come in. The father and mother went to bed +early, leaving the two young people by the dining-room fire. + +They managed to talk for some time on "wind and weather". Despite the +paleness of cheek, Carlia was looking her best. Dorian was jealous. + +"Carlia," he said, "why do you keep company with this Mr. Lamont?" + +She was standing near the book-shelf with its meagre collection. She +turned abruptly at his question. + +"Why shouldn't I go with him?" she asked. + +"You know why you shouldn't." + +"I don't. Oh, I know the reasons usually given, but--what am I to do. +He's so nice, and a perfect gentleman. What harm is there?" + +"Why do you say that to me, Carlia?" + +"Why not to you?" She came and sat opposite him by the table. He was +silent, and she repeated her question, slowly, carefully, and with +emphasis. "Why not to you? Why should you care?" + +"But I do care." + +"I don't believe it. You have never shown that you do." + +"I am showing it now." + +"Tomorrow you will forget it--forget me for a month." + +"Carlia!" + +"You've done it before--many times--you'll do it again." + +The girl's eyes flashed. She seemed keyed up to carry through something +she had planned to do, something hard. She arose and stood by the table, +facing him. + +"I sometimes have thought that you cared for me--but I'm through with +that now. Nobody really cares for me. I'm only a rough farm hand. I know +how to milk and scrub and churn and clean the stable--an' that's what I +do day in and day out. There's no change, no rest for me, save when he +takes me away from it for a little while. He understands, he's the only +one who does." + +"But, Carlia!" + +"You," she continued in the same hard voice, "you're altogether too good +and too wise for such as I. You're so high up that I can't touch you. +You live in the clouds, I among the clods. What have we two in common?" + +"Much, Carlia--I--" + +He arose and came to her, but she evaded him. + +"Keep away, Dorian; don't touch me. You had better go home now." + +"You're not yourself, Carlia. What is the matter? You have never acted +like this before." + +"It's not because I haven't felt like it, but it's because I haven't had +the courage; but now it's come out, and I can't stop it. It's been +pent up in me like a flood--now it's out. I hate this old farm--I hate +everything and everybody--I--hate you!" + +Dorian arose quickly as if he had been lifted to his feet. What was she +saying? She was wild, crazy wild. + +"What have I done that you should hate me?" he asked as quietly as his +trembling voice would allow. + +"Done? nothing. It's what you haven't done. What have you done to +repay--my--Oh, God, I can't stand it--I can't stand it!" + +She walked to the wall and turned her face to it. She did not cry. The +room was silently tense for a few moments. + +"I guess I'd better go," said Dorian. + +She did not reply. He picked up his hat, lingered, then went to the +door. She hated him. Then let him get out from her presence. She hated +him. He had not thought that possible. Well, he would go. He would never +annoy any girl who hated him, not if he knew it. How his heart ached, +how his very soul seemed crushed! yet he could not appeal to her. She +stood with her face to the wall, still as a statue, and as cold. + +"Good night," he said at the door. + +She said nothing, nor moved. He could see her body quiver, but he could +not see her face. He perceived nothing clearly. The familiar room, +poorly furnished, seemed strange to him. The big, ugly enlarged +photographs on the wall blurred to his vision. Carlia, with head bowed +now, appeared to stand in the midst of utter confusion. Dorian groped +his way to the door, and stepped out into the wintry night. When he had +reached the gate, Carlia rushed to the door. + +"Dorian!" she cried in a heart-breaking voice, "O, Dorian, come +back--come back!" + +But Dorian opened the gate, closed it, then walked on down the road into +the darkness, nor did he once look back. + + + + +CHAPTER FOURTEEN. + + +Carlia's ringing cry persisted with Dorian all the way home, but he +hardened his heart and went steadily on. His mother had gone to bed, and +he sat for a time by the dying fire, thinking of what he had just passed +through. + +After that, Dorian kept away from Carlia. Although the longing to see +her surged strongly through his heart from time to time, and he could +not get away from the thought that she was in some trouble, yet his +pride forbade him to intrude. He busied himself with chores and his +books, and he did not relax in his ward duties. Once in a while he saw +Carlia at the meeting house, but she absented herself more and more from +public gatherings, giving as an excuse to all who inquired, that her +work bound her more closely than ever at home. + +Dorian and his mother frequently talked about Uncle Zed and the hopes +the departed one had of the young man. "Do you really think, mother, +that he meant I should devote my life to the harmonizing of science and +religion?" he asked. + +"I think Uncle Zed was in earnest. He had great faith in you." + +"But what do you think of it, mother?" + +After a moment's thought, the mother replied. + +"What do you think of it?" + +"Well, it would be a task, though a wonderfully great one." + +"The aim is high, the kind I would expect of you. Do you know, Dorian, +your father had some such ambition. That's one of the reasons we came +to the country in hopes that some day he would have more time for +studying." + +"I never knew that, mother." + +"And now, what if your father and Uncle Zed are talking about the matter +up there in the spirit world." + +Dorian thought of that for a few moments. Then: "I'll have to go to the +University for four years, but that's only a beginning. Ill have to go +East to Yale or Harvard and get all they have. Then will come a lot of +individual research, and--Oh, mother, I don't know." + +"And all the time you'll have to keep near to God and never lose your +faith in the gospel, for what doth it profit if you gain the whole world +of knowledge and lose your own soul." The mother came to him and ran her +fingers lovingly through his hair. "But you're equal to it, my son; I +believe you can do it." + +This was a sample of many such discussions, and the conclusion was +reached that Dorian should work harder than ever, if that were possible, +for two or perhaps three years, by which time the farms could be rented +and the income derived from them be enough to provide for the mother's +simple needs and the son's expenses while at school. + +Spring came early that year, and Dorian was glad of it, for he was eager +to be out in the growing world and turn that growth to productiveness. +When the warm weather came for good, books were laid aside, though not +forgotten. From daylight until dark, he was busy. The home farm was well +planted, the dry-farm wheat was growing beautifully. Between the two, +prospects were bright for the furthering of their plans. + +"Mother, when and where in this great plan of ours, am I to get +married?" + +Dorian and his mother were enjoying the dusk and the cool of the evening +within odorous reach of Mrs. Trent's flowers, many of which had come +from Uncle Zed's garden. They had been talking over some details of +their "plan." Mrs. Trent laughed at the abruptness of the question. + +"Oh, do you want to get married?" she asked, wondering what there might +be to this query. + +"Well--sometimes, of course, I'll have to have a wife, won't I?" + +"Certainly, in good time; but you're in no hurry, are you?" + +"Oh, no; I'm just talking on general principles. There's no one who +would have me now." + +The mother did not dispute this. She knew somewhat of his feelings +toward Carlia. These lovers' misunderstandings were not serious, she +thought to herself. All would end properly and well, in good time. + +But Carlia was in Dorian's thought very often, much to his bewilderment +of heart and mind. He often debated with himself if he should not +definitely give her up, cease thinking about her as being anything +to him either now or hereafter; but it seemed impossible to do that. +Carlia's image persisted even as Mildred's did. Mildred, away from the +entanglements of the world, was safe to him; but Carlia had her life to +live and the trials and difficulties of mortality to encounter and to +overcome; and that would not be easy, with her beauty and her impulsive +nature. She needed a man's clear head and steady hand to help her, and +who was more fitting to do that than he himself, Dorian thought without +conscious egotism. + +If it were possible, Dorian always spent Sunday at home. If he was on +his dry farm in the hills, he drove down on Saturday evenings. One +Saturday in midsummer, he arrived home late and tired. He put up his +team, came in, washed, and was ready for the good supper which his +mother always had for him. The mother busied herself about the kitchen +and the table. + +"Come and sit down, mother," urged Dorian. + +"What's the fussing about! Everything I need is here on the table. +You're tired, I see. Come, sit down with me and tell me all the news." + +"The news? what news!" + +"Why, everything that's happened in Green street for the past week. I +haven't had a visitor up on the farm for ten days." + +"Everything is growing splendidly down here. The water in the canal is +holding out fine and Brother Larsen is fast learning to be a farmer." + +"Good," said Dorian. "Our dry wheat is in most places two feet high, +and it will go from forty to fifty bushels, with good luck. If now, the +price of wheat doesn't sag too much." + +Dorian finished his supper, and was about to go to bed, being in need of +a good rest. His mother told him not to get up in the morning until she +called him. + +"All right, mother," he laughed as he kissed her good night, "but don't +let me be late to Sunday School, as I have a topic to treat in the +Theological class. By heck, they really think I'm Uncle Zed's successor, +by the subjects they give me." + +He was about to go to his room when his mother called him by name. + +"Yes, mother, what is it?" + +"You'll know tomorrow, so I might as well tell you now." + +"Tell me what?" + +"Some bad news." + +"Bad news! What is it?" + +The mother seemed lothe to go on. She hesitated. + +"Well, mother?" + +"Carlia is gone." + +"Gone? Gone where?" + +"Nobody knows. She's been missing for a week. She left home last +Saturday to spend a few days with a friend in the city, so she said. +Yesterday her father called at the place to bring her home and learned +that she had never been there." + +"My gracious, mother!" + +"Yes; it's terrible. Her father has inquired for her and looked for her +everywhere he could think of, but not a trace of her can he find. She's +gone." + +Mother and son sat in silence for some time. He continued to ask +questions, but she know no more than the simple facts which she had +told. He could do nothing to help, at least, not then, so he reluctantly +went to bed. He did not sleep until past midnight. + + + + +CHAPTER FIFTEEN + + +Dorian was not tardy to Sunday School, and, considering his mental +condition, he gave a good account of himself in the class. He heard +whispered comment on Carlia's disappearance. + +After Sunday school Dorian went directly to Carlia's home. He found the +mother tear-stained and haggard with care. The tears flowed again freely +at the sight of Dorian, and she clung to him as if she had no other +means of comfort. + +"Do you know where Carlia is?" she wailed. + +"No, Sister Duke, I haven't the last idea. I haven't seen her for some +time." + +"But what shall we do, Dorian, what shall we do! She may be dead, lying +dead somewhere!" + +"I hardly think that," he tried to comfort her. "She'll turn up again. +Carlia's well able to take care of herself." + +The father came in. He told what had been done to try to find the +missing girl. Not a word had they heard, not a clue or a trace had been +discovered. The father tried hard to control his emotions as he talked, +but he could not keep the tears from slowly creeping down his face. + +"And I suppose I'm greatly to blame" he said. "I have been told as much +by some, who I suppose, are wiser than I am. The poor girl has been +confined too much to the work here." + +"Work doesn't hurt anybody," commented Dorian. + +"No; but all work and no play, I was plainly reminded just the +other day, doesn't always make Jack a dull boy: sometimes, it makes +dissatisfaction and rebellion--and it seems it has done that here. +Carlia, I'll admit had very little company, saw very little of society. +I realize that now when it may be too late." + +"Oh, I hope not," said Dorian. + +"Carlia, naturally, was full of life. She wanted to go and see and +learn. All these desires in her were suppressed so long that this is the +way it has broken loose. Yes, I suppose that's true." + +Dorian let the father give vent to his feelings in his talk. He could +reply very little, for truth to say, he realized that the father was +stating Carlia's case quite accurately. He recalled the girl when he and +she had walked back and forth to and from the high school how she had +rapidly developed her sunny nature in the warm, somewhat care-free +environment of the school life, and how lately with the continual +drudgery of her work, she had changed to a pessimism unnatural to one +of her years. Yes, one continual round of work at the farm house is apt +either to crush to dullness or to arouse to rebellion. Carlia was of the +kind not easily crushed.... But what could they now do? What could +he do? For, it came to him with great force that he himself was not +altogether free from blame in this matter. He could have done more, +vastly more for Carlia Duke. + +"Well, Brother Duke," said Dorian. "Is there anything that I can do?" + +"I don't think of anything," said he. + +"Not now," added the mother in a tone which indicated that she did not +wish the implied occasion to be too severe. + +The father followed Dorian out in the yard. There Dorian asked: + +"Brother Duke, has this Mr. Lamont been about lately?" + +"He was here yesterday. He came, he said, as soon as he heard of +Carlia's disappearance. He seemed very much concerned about it." + +"And he knew nothing about it until yesterday?" + +"He said not--do you suspect--he--might--?" + +"I'm not accusing anybody, but I never was favorably impressed with the +man." + +"He seemed so truly sorry, that I never thought he might have had +something to do with it." + +"Well, I'm not so sure; but I'll go and see him myself. I suppose I can +find him in his office in the city?" + +"I think so--Well, do what you can for us, my boy; and Dorian, don't +take to heart too much what her mother implied just now." + +"Not any more than I ought," replied Dorian. "If there is any blame to +be placed on me--and I think there is--I want to bear it, and do what +I can to correct my mistakes. I think a lot of Carlia, I like her more +than any other girl I know, and I should have shown that to her both by +word and deed more than I have done. I'm going to help you find her, and +when I find her I'll not let her go so easily." + +"Thank you. I'm glad to hear you say that." + +Monday morning Dorian went to the city and readily found the man whom he +was seeking. He was in his office. + +"Good morning. Glad to see you," greeted Mr. Lamont, as he swung around +on his chair. "Take a seat. What can I do for you?" + +As the question was asked abruptly, the answer came in like manner. + +"I want to know what you know about Carlia Duke." + +Mr. Lamont reddened, but he soon regained his self-possession. + +"What do you mean!" he asked. + +"You have heard of her disappearance?" + +"Yes; I was very sorry to hear of it." + +"It seems her father has exhausted every known means of finding her, and +I thought you might, at least, give him a clew." + +"I should be most happy to do so, if I could; but I assure you I haven't +the least idea where she has gone. I am indeed sorry, as I expressed to +her father the other day." + +"You were with her a good deal." + +"Well, not a good deal, Mr. Trent--just a little," he smilingly +corrected. "I will admit I'd liked to have seen more of her, but I soon +learned that I had not the ghost of a chance with you in the field." + +"You are making fun, Mr. Lamont." + +"Not at all, my good fellow. You are the lucky dog when it comes to Miss +Duke. A fine girl she is, a mighty fine girl--a diamond, just a little +in the rough. As I'm apparently out of the race, go to it, Mr. Trent and +win her. Good luck to you. I don't think you'll have much trouble." + +Dorian was somewhat nonplused by this fulsome outburst. He could not for +a moment find anything to say. The two men looked at each other for a +moment as if each were measuring the other. Then Mr. Lamont said: + +"If at any time I can help you, let me know--call on me. Now you'll have +to excuse me as I have some business matters to attend to." + +Dorian was dismissed. + +The disappearance of Carlia Duke continued to be a profound mystery. The +weeks went by, and then the months. The gossips found other and newer +themes. Those directly affected began to think that all hopes of finding +her were gone. + +Dorian, however, did not give up. In the strenuous labors of closing +summer and fall he had difficulty in keeping his mind on his work. His +imagination ranged far and wide, and when it went into the evil places +of the world, he suffered so that he had to throw off the suggestion by +force. He talked freely with his mother and with Carlia's parents on all +possible phases of the matter, until, seemingly, there was nothing more +to be said. To others, he said nothing. + +Ever since Dorian had been taught to lisp his simple prayers at his +mother's knee, he had found strength and comfort in going to the Lord. +With the growth of his knowledge of the gospel and his enlarged vision +of God's providences, his prayers became a source of power. Uncle +Zed had taught him that this trustful reliance on a higher power was +essential to his progress. The higher must come to the help of the +lower, but the lower must seek for that help and sincerely accept it +when offered. As a child, his prayers had been very largely a set form, +but as he had come in contact with life and its experiences, he had +learned to suit his prayers to his needs. Just now, Carlia and her +welfare was the burden of his petitions. + +The University course must wait another year, so Dorian and his mother +decided. They could plainly see that one more year would be needed, +besides Dorian was not in a condition to concentrate his mind on study. +So, when the long evenings came on again, he found solace in his +books, and read again many of dear Uncle Zed's writings which had been +addressed so purposely to him. + +One evening in early December Dorian and his mother were cosily "at +home" to any good visitors either of persons or ideas. Dorian was +looking over some of his papers. + +"Mother, listen to this," he said. "Here is a gem from Uncle Zed which I +have not seen before." He read: + +"'The acquisition of wealth brings with it the obligation of helping +the poor; the acquisition of knowledge brings with it the obligation of +teaching others; the acquisition of strength and power brings with it +the obligation of helping the weak. This is what God does when He says +that His work and His glory is to bring to pass the immortality and +eternal life of man'." + +"How true that is," said the mother. + +"Yes," added Dorian after a thoughtful pause, "I am just wondering how +and to what extent I am fulfilling any obligation which is resting on me +by reason of blessings I am enjoying. Let's see--we are not rich, but we +meet every call made on us by way of tithing and donations; we are not +very wise, but we impart of what we have by service; we are not very +strong--I fear, mother, that's where I lack. Am I giving of my strength +as fully as I can to help the weak. I don't know--I don't know." + +"You mean Carlia?" + +"Yes; what am I doing besides thinking and praying for her?" + +"What more can we do?" + +"Well, I can try doing something more." + +"What, for instance!" + +"Trying to find her." + +"But her father has done that." + +"Yes; but he has given up too soon. I should continue the search. I've +been thinking about that lately. I can't stay cosily and safely at home +any longer, mother, when Carlia may be in want of protection." + +"And what would you be liable to find if you found her?" + +That question was not new to his own mind, although his mother had not +asked it before. Perhaps, in this case, ignorance was more bliss than +knowledge. Whatever had happened to her, would it not be best to have +the pure image of her abide with him? But he know when he thought of it +further that such a conclusion was not worthy of a strong man. He should +not be afraid even of suffering if it came in the performance of duty. + +That very night Dorian had a strange dream, one unusual to him because +he remembered it so distinctly the day after. He dreamed that he saw +Mildred in what might well be called the heavenly land. She seemed busy +in sketching a beautiful landscape and as he approached her, she looked +up to him and smiled. Then, as she still gazed at him, her countenance +changed and with concern in her voice, she asked, "Where's Carlia?" + +The scene vanished, and that was all of the dream. In the dim +consciousness of waking he seemed to hear Carlia's voice calling to him +as it did that winter night when he had left her, not heeding. The call +thrilled his very heart again: + +"Dorian, Dorian, come back--come back!" + + + + +CHAPTER SIXTEEN. + + +The second week in December Dorian went into action in search of Carlia +Duke. He acknowledged to himself that it was like searching for the +proverbial needle in the haystack, but inaction was no longer possible. + +Carlia very likely had no large amount of money with her, so she would +have to seek employment. She could have hidden herself in the city, but +Dorian reasoned that she would be fearful of being found, so would have +gone to some nearby town; but which one, he had no way of knowing. +He visited a number of adjacent towns and made diligent enquiries at +hotels, stores, and some private houses. Nothing came of this first +week's search. + +A number of mining towns could easily be reached by train from the city. +In these towns many people came and went without notice or comment. +Dorian spent nearly a week in one of them, but he found no clue. He went +to another. The girl would necessarily have to go to a hotel at first, +so the searcher examined a number of hotel registers. She had been gone +now about six months, so the search had to be in some books long since +discarded, much to the annoyance of the clerks. + +Dorian left the second town for the third which was situated well up in +the mountains. The weather was cold, and the snow lay two feet deep over +the hills and valleys. He became disheartened at times, but always he +reasoned that he must try a little longer; and then one day in a hotel +register dated nearly five months back, he found this entry: + +"Carlia Davis." + +Dorian's heart gave a bound when he saw the name. Carlia was not a +common name, and the handwriting was familiar. But why Davis? He +examined the signature closely. The girl, unexperienced in the art of +subterfuge, had started to write her name, and had gotten to the D in +Duke, when the thought of disguise had come to her. Yes; there was an +unusual break between that first letter and the rest of the name. Carlia +had been here. He was on the right track, thank the Lord! + +Dorian enquired of the hotel clerk if he remembered the lady. Did he +know anything about her? No; that was so long ago. His people came and +went. That was all. But Carlia had been here. That much was certain. +Here was at least a fixed point in the sea of nothingness from which he +could work. His wearied and confused mind could at least come back to +that name in the hotel register. + +He began a systematic search of the town. First he visited the small +business section, but without results. Then he took up the residential +district, systematically, so that he would not miss any. One afternoon +he knocked on the door of what appeared to be one of the best +residences. After a short wait, the door was opened by a girl, highly +painted but lightly clad, who smiled at the handsome young fellow and +bade him come in. He stepped into the hall and was shown into what +seemed to be a parlor, though the parlors he had known had not smelled +so of stale tobacco smoke. He made his usual inquiry. No; no such girl +was here, she was sorry, but--the words which came from the carmine lips +of the girl so startled Dorian that he stood, hat in hand, staring at +her, and shocked beyond expression. He know, of course, that evil houses +existed especially in mining towns, inhabited by corrupt women, but this +was the first time he had ever been in such a place. When he realized +where he was, a real terror seized him, and with unceremonious haste he +got out and away, the girl's laughter of derision ringing in his ears. + +Dorian was unnerved. He went back to his room, his thoughts in a whirl, +his apprehensions sinking to gloomy depths. What if Carlia should be in +such a place? A cold sweat of suffering broke over him before he could +drive away the thought. But at last he did get rid of it. His mind +cleared again, and he set out determined to continued the search. +However, he went no more into the houses by the invitation of inmates of +doubtful character, but made his inquiries at the open door. + +Then it occurred to Dorian that Carlia, being a country bred girl +and accustomed to work about farm houses, might apply to some of the +adjacent farms down in the valley below the town for work. The whole +country lay under deep snow, but the roads were well broken. Dorian +walked out to a number of the farms and made enquiries. At the third +house he was met by a pleasant faced, elderly woman who listened +attentively to what he said, and then invited him in. When they were +both seated, she asked him his name. Dorian told her. + +"And why are you interested in this girl?" she continued. + +"Has she been here?" he asked eagerly. + +"Never mind. You answer my question." + +Dorian explained as much as he thought proper, but the woman still +appeared suspicious. + +"Are you her brother?" + +"No." + +"Her young man?" + +"Not exactly; only a dear friend." + +"Well, you look all right, but looks are deceivin'." The woman tried to +be very severe with him, but somehow she did not succeed very well. She +looked quite motherly as she sat with her folded hands in her ample lap +and a shrewd look in her face. Dorian gained courage to say: + +"I believe you know something about the girl I am seeking. Tell me." + +"You haven't told me the name of the girl you are looking for." + +"Her name is Carlia Duke." + +"That isn't what she called herself." + +"Oh, then you do know." + +"This girl was Carlia Davis." + +"Yes--is she here!" + +"No." + +"Do you know where she is?" + +"No, I don't." + +Dorian's hopes fell. "But tell me what you know about her--you know +something." + +"It was the latter part of August when she came to us. She had walked +from town, an' she said she was wanting a place to work. As she was used +to farm life, she preferred to work at a country home, she said." + +"Was she a dark-haired, rosy-cheeked girl?" + +"Her hair was dark, but there was no roses in her cheeks. There might +have been once. I was glad to say yes to her for I needed help bad. Of +course, it was strange, this girl comin' from the city a' wanting to +work in the country. It's usually the other way." + +"Yes; I suppose so." + +"So I was a little suspicious." + +"Of what?" + +"That she hadn't come to work at all; though I'll say that she did her +best. I tried to prevent her, but she worked right up to the last." + +"To the last? I don't understand?" + +"Don't you know that she was to be sick? That she came here to be sick?" + +"To be sick?" Dorian was genuinely at loss to understand. + +"At first I called her a cheat, and threatened to send her away; but the +poor child pleaded so to stay that I hadn't the heart to turn her out. +She had no where to go, she was a long way from home, an' so I let her +stay, an' we did the best for her." + +Dorian, in the simplicity of his mind, did not yet realize what the +woman was talking about. He let her continue. + +"We had one of the best doctors in the city 'tend her, an' I did the +nursing myself which I consider was as good as any of the new-fangled +trained nurses can do; but the poor girl had been under a strain so long +that the baby died soon after it was born." + +"The baby?" gasped Dorian. + +"Yes," went on the woman, all unconsciously that the listener had not +fully understood. "Yes, it didn't live long, which, I suppose, in such +cases, is a blessing." + +Dorian stared at the woman, then in a dazed way, he looked about the +plain farm-house furnishings, some details of which strangely impressed +him. The woman went on talking, which seemed easy for her, now she had +fairly started; but Dorian did not hear all she said. One big fact was +forcing itself into his brain, to the exclusion of all minor realities. + +"She left a month ago," Dorian heard the woman say when again he was in +a condition to listen. "We did our best to get her to stay, for we had +become fond of her. Somehow, she got the notion that the scoundrel who +had betrayed her had found her hiding place, an' she was afraid. So she +left." + +"Where did she go? Did she tell you?" + +"No; she wouldn't say. The fact is, she didn't know herself. I'm sure +of that. She just seemed anxious to hide herself again. Poor girl." The +woman wiped a tear away with the corner of her apron. + +Dorian arose, thanked her, and went out. He looked about the +snow-covered earth and the clouds which threatened storm. He walked on +up to the road back to the town. He was benumbed, but not with cold. He +went into his room, and, although it was mid-afternoon, he did not go +out any more that day. He sat supinely on his bed. He paced the floor. +He looked without seeing out of the window at the passing crowds. He +could not think at all clearly. His whole being was in an uproar of +confusion. The hours passed. Night came on with its blaze of lights in +the streets. What could he do now? What should he do now? + +"Oh, God, help me," he prayed, "help me to order my thoughts, tell me +what to do." + +If ever in his life Dorian had need of help from higher power, it was +now. + + + + +CHAPTER SEVENTEEN. + + +Dorian had not found Carlia Duke; instead, he had found something which +appeared to him to be the end of all things. Had he found her dead, in +her virginal purity, he could have placed her, with Mildred, safely away +in his heart and his hopes; but this!... What more could he now do? That +he did not take the first train home was because he was benumbed into +inactivity. + +The young man had never before experienced such suffering of spirit. The +leaden weight on his heart seemed to be crushing, not only his physical +being, but his spirit also into the depths of despair. As far back in +his boyhood as he could remember, he had been taught the enormity of +sexual sin, until it had become second nature for him to think of it as +something very improbable, if not impossible, as pertaining to himself. +And yet, here it was, right at the very door of his heart, casting its +evil shadow into the most sacred precincts of his being. He had never +imagined it coming to any of his near and dear ones, especially not +to Carlia--Carlia, his neighbor, his chummy companion in fields and +highways, his schoolmate. He pictured her in many of her wild adventures +as a child, and in her softer moods as a grown-up girl. He saw again her +dark eyes flash with anger, and then her pearly teeth gleam in laughter +at him. He remembered how she used to run from him, and then at other +times how she would cling to him as if she pleaded for a protection +which he had not given. The weak had reached out to the strong, and the +stronger one had failed. If 'remorse of conscience' is hell, Dorian +tasted of its bitter depths, for it came to him now that perhaps because +of his neglect, Carlia had been led to her fall. + +But what could he now do? Find her. And then, what? Marry her? He +refused to consider that for a moment. He drove the thought fiercely +away. That would be impossible now. The horror of what had been would +always stand as a repellent specter between them.... Yes, he had loved +her--he knew that now more assuredly than ever; and he tried to place +that love away from him by a play upon words in the past tense; but deep +down in his heart he knew that he was merely trying to deceive himself. +He loved her still; and the fact that he loved her but could not marry +her added fuel to the flames of his torment. + +That long night was mostly a hideous nightmare and even after he awoke +from a fitful sleep next morning, he was in a stupor. After a while, +he went out into the wintry air. It was Sunday, and the town was +comparatively quiet. He found something to eat at a lunch counter, then +he walked about briskly to try to get his blood into active circulation. +Again he went to his room. + +Presently, he heard the ringing of church bells. The folks would be +going to Sunday school in Greenstreet. He saw in the vision of his mind +Uncle Zed sitting with the boys about him in his class. He saw the +teacher's lifted hand emphasize the warning against sin, and then he +seemed to hear a voice read: + +"For the Son of man is come to save that which is lost. + +"How think ye if a man have an hundred sheep, and one of them be gone +astray, doth he not leave the ninety and nine, and goeth into the +mountains, and seeketh that which is gone astray? + +"And if so be that he find it, verily, I say unto you, he rejoiceth more +of that sheep than of the ninety and nine which went not astray." + +Dorian seemed to awaken with a start. Donning coat and hat, he went out +again, his steps being led down the country road toward the farmhouse. +He wanted to visit again the house where Carlia had been. Her presence +there and her suffering had hallowed it. + +"Oh, how do you do?" greeted the woman, when she saw Dorian at the door. +"Come in." + +Dorian entered, this time into the parlor which was warm, and where a +man sat comfortably with his Sunday paper. + +"Father," said the woman, "this is the young man who was here +yesterday." + +The man shook hands with Dorian and bade him draw up his chair to the +stove. + +"I hope you'll excuse me for coming again," said Dorian; "but the fact +of the matter is I seemed unable to keep away. I left yesterday without +properly thanking you for what you did for my friend, Miss Carlia. I +also want to pay you a little for the expense you were put to. I haven't +much money with me, but I will send it to you after I get home, if you +will give me your name and address." + +The farmer and his wife exchanged glances. + +"Why, as to that," replied the man, "nothing is owing us. We liked the +girl. We think she was a good girl and had been sinned against." + +"I'm sure you are right," said Dorian. "As I said, I went away rather +abruptly yesterday. I was so completely unprepared for that which I +learned about her. But I'm going to find her if I can, and take her home +to her parents." + +"Where do you live!" asked the man. + +Dorian told him. + +"Are you a 'Mormon'?" + +"Yes, sir." + +"And not ashamed of it!" + +"No; proud of it--grateful, rather." + +"Well, young man, you look like a clean, honest chap. Tell me why you +are proud to be a 'Mormon'." + +Dorian did his best. He had had very little experience in presenting the +principles of the gospel to an unbeliever, but Uncle Zed's teachings, +together with his own studies, now stood him well in hand. + +"Well," commented the farmer, "that's fine. You can't be a very bad man +if you believe in and practice all what you have been telling us." + +"I hope I am not a bad man. I have some light on the truth, and woe is +me if I sin against that light." + +The farmer turned to his wife. "Mother," he said, "I think you may +safely tell him." + +Dorian looked enquiringly at the woman. + +"It's this," she said. "My husband brought home a postcard from the +office last evening after you had left--a card from Miss Davis, asking +us to send her an article of dress which she had forgotten. Here is the +card. The address may help you to find her. I am sure you mean no harm +to the girl." + +Dorian made note of the address, as also that of the farmer's with whom +he was visiting. Then he arose to go. + +"Now, don't be in such a hurry," admonished the man. "We'll have dinner +presently." + +Dorian was glad to remain, as he felt quite at home with these people, +Mr. and Mrs. Whitman. They had been good to Carlia. Perhaps he could +learn a little more about her. The dinner was enjoyed very much. +Afterward, Mrs. Whitman, encouraged by Dorian's attentiveness, poured +into his willing ear all she had learned of the girl he was seeking; and +before the woman ceased her freely-flowing talk, a most important item +had been added to his knowledge of the case. Carlia, it seems, had gone +literally helpless to her downfall. "Drugged" was the word Mrs. Whitman +used. The villainy of the foul deed moved the young man's spirit to a +fierce anger against the wretch who had planned it, and the same time +his pity increased for the unfortunate victim. As Dorian sat there and +listened to the story which the woman had with difficulty obtained from +the girl, he again suffered the remorse of conscience which comes from a +realization of neglected duty and disregarded opportunity. It was late +in the afternoon before he got back to the town. + +The next day Dorian made inquiries as to how he could reach the place +indicated by the address, and he learned that it was a ranch house well +up in the mountains. There was a daily mail in that direction, except +when the roads and the weather hindered; and it seemed that these would +now be hinderances. The threatened storm came, and with it high wind +which piled the snow into deep, hard drifts, making the mountain road +nearly impassible. Dorian found the mail-carrier who told him that it +would be impossible to make a start until the storm had ceased. All day +the snow fell, and all day Dorian fretted impatiently, and was tempted +to once more go out to Mr. and Mrs. Whitman; but he did not. Christmas +was only three days off. He could reach home and spend the day with his +mother, but there would be considerable expense, and he felt as if he +must be on the ground so that at the soonest possible moment he could +continue on the trail which he had found. The pleasure of the home +Christmas must this time be sacrificed, for was not he in very deed +going into the mountains to seek that which was lost. + +The storm ceased toward evening, but the postman would not make a start +until next morning. Dorian joined him then, and mounted beside him. The +sky was not clear, the clouds only breaking and drifting about as if in +doubt whether to go or to stay. The road was heavy, and it was all the +two horses could do to draw the light wagon with its small load. Dorian +wondered how Carlia had ever come that way. Of course, it had been +before the heavy snow, when traveling was not so bad. + +"Who lives at this place?" asked Dorian of the driver, giving the box +number Carlia had sent. + +"That? Oh, that's John Hickson's place." + +"A rancher?" + +"No; not exactly. He's out here mostly for his health." + +"Does he live here in the mountains the year around?" + +"Usually he moves into town for the winter. Last year the winter was so +mild that he decided to try to stick one through; but surely, he's got a +dose this time. Pretty bad for a sick man, I reckon." + +"Anybody with him?" + +"Wife and three children--three of the cutest kiddies you ever saw. Oh, +he's comfortable enough, for he's got a fine house. You know, it's great +out here among the pine hills in the summer; but just now, excuse me." + +"Is it far?" + +"No." The driver looked with concern at the storm which was coming again +down the mountain like a great white wave. "I think perhaps we'll have +to stop at the Hickson's tonight," he said. + +The travelers were soon enwrapped in a swirling mantle of snow. Slowly +and carefully the dug-ways had to be traversed. The sky was dense and +black. The storm became a blizzard, and the cold became intense. The men +wrapped themselves in additional blankets. The horses went patiently on, +the driver peering anxiously ahead; but it must have been well after +noon before the outlines of a large building near at hand bulked out of +the leaden sky. + +"I'm glad we're here," exclaimed the driver. + +"Where?" asked Dorian. + +"At Hickson's." + +They drove into the yard and under a shed where the horses were +unhitched and taken into a stable. A light as if from a wood fire in a +grate danced upon the white curtain of the unshaded windows. With his +mail-bag, the driver shuffled his way through the snow to the kitchen +door and knocked. The door opened immediately and Mrs. Hickson, +recognizing the mail-driver, bade him come in. Two children peered +curiously from the doorway of another room. Dorian a little nervously +awaited the possibility of Carlia's appearing. + +It was pleasant to get shelter and a warm welcome in such weather. After +the travelers had warmed themselves by the kitchen stove, they were +invited into another room to meet Mr. Hickson, who was reclining in a +big arm chair before the grate. He welcomed them without rising, but +pointed them to chairs by the fire. They talked of the weather, of +course. Mr. Hickson reasoned that it was foolish to complain about +something which they could not possible control. Dorian was introduced +as a traveler, no explanation being asked or given as to his business. +He was welcome. In fact, it was a pleasure, said the host, to have +company even for an evening, as very few people ever stopped over night, +especially in the winter. Dorian soon discovered that this man was not +a rough mountaineer, but a man of culture, trying to prolong his +earth-life by the aid of mountain air, laden with the aroma of the +pines. The wife went freely in and out of the room, the children also; +but somewhat to Dorian's surprise, no Carlia appeared. If she were there +in the house, she surely would be helping with the meal which seemed to +be in the way of preparation. + +The storm continued all afternoon. There could be no thought of moving +on that day. And indeed, it was pleasant sitting thus by the blazing log +in the fireplace and listening, for the most part, to the intelligent +talk of the host. The evening meal was served early, and the two guests +ate with the family in the dining room. Still no Carlia. + +When the driver went out to feed his horses and to smoke his pipe, and +Mr. Hickson had retired, the children, having overcome some of their +timidity, turned their attention to Dorian. The girl, the oldest, with +dark hair and rosy cheeks, reminded him of another girl just then in his +thoughts. The two small boys were chubby and light haired, after the +mother. When Dorian managed to get the children close to him, they +reminded him that Christmas was only one day distant. Did he live near +by? Was he going home for Christmas? What was Santa Claus going to bring +him? + +Dorian warmed to their sociability and their clatter. He learned from +them that their Christmas this year would likely be somewhat of a +failure. Daddy was sick. There was no Christmas tree, and they doubted +Santa Claus' ability to find his way up in the mountains in the storm. +This was the first winter they had been here. Always they had been in +town during the holidays, where it was easy for Santa to reach them; but +now--the little girl plainly choked back the tears of disappointment. + +"Why, if it's a Christmas tree you want," said Dorian, "that ought to be +easy. There are plenty up on the nearby hills." + +"Yes; but neither papa nor mama nor we can get them." + +"But I can." + +"Oh, will you? Tomorrow?" + +"Yes; tomorrow is Christmas Eve. We'll have to have it then." + +The children were dancing with glee as the mother came in and learned +what had been going on. "You mustn't bother the gentleman," she +admonished, but Dorian pleaded for the pleasure of doing something for +them. The mother explained that because of unforeseen difficulties the +children were doomed to disappointment this holiday season, and they +would have to be satisfied with what scanty preparation could be made. + +"I think I can help," suggested the young man, patting the littlest +confiding fellow on the head. "We cannot go on until tomorrow, I +understand, and I should very much like to be useful." + +The big pleading eyes of the children won the day. They moved into the +kitchen. All the corners were ransacked for colored paper and cloth, and +with scissors and flour paste, many fantastic decorations were made to +hang on the tree. Corn was popped and strung into long white chains. But +what was to be done for candles? Could Dorian make candles? He could do +most everything, couldn't he? He would try. Had they some parafine, used +to seal preserve jars. Oh, yes, large pieces were found. And this with +some string was soon made into some very possible candles. The children +were intensely interested, and even the mail-driver wondered at the +young man's cleverness. They had never seen anything like this before. +The tree and its trimmings had always been bought ready for their use. +Now they learned, which their parents should have known long ago, that +there is greater joy in the making of a plaything than in the possession +of it. + +The question of candy seemed to bother them all. Their last hopes went +when there was not a box of candy in the postman's bag. What should they +do for candy and nuts and oranges and-- + +"Can you make candy?" asked the girl of Dorian as if she was aware she +was asking the miraculous. + +"Now children," warned the happy mother. "You have your hands full" she +said to Dorian. "There's no limit to their demands." + +Dorian assured her that the greater pleasure was his. + +"Tomorrow," he told the clammering children, "we'll see what we can do +about the candy." + +"Chocolates?" asked one. + +"Caramels," chose another. + +"Fudge," suggested the third. + +"All these?" laughed Dorian. "Well, we'll see-tomorrow," and with that +the children went to bed tremulously happy. + +The next morning the sun arose on a most beautiful scene. The snow lay +deep on mountain and in valley. It ridged the fences and trees. Paths +and roads were obliterated. + +The children were awake early. As Dorian dressed, he heard them +scampering down the stairs. Evidently, they were ready for him. He +looked out of the window. He would have to make good about that tree. + +As yet, Dorian had found no traces of the object of his search. He had +not asked direct questions about her, but he would have to before he +left. There seemed some mystery always just before him. The mail-driver +would not be ready to go before noon, so Dorian would have time to get +the tree and help the children decorate it. Then he would have to find +out all there was to know about Carlia. Surely, she was somewhere in the +locality. + +After breakfast, Dorian found the axe in the wood-shed, and began to +make his way through the deep snow up the hill toward a small grove of +pine. Behind the shoulder of a hill, he discovered another house, not so +large as Mr. Hickson's, but neat and comfortably looking. The blue +smoke of a wood fire was rising from the chimney. A girl was vigorously +shoveling a path from the house to the wood-pile. She was dressed in big +boots, a sweater, and a red hood. She did not see Dorian until he came +near the small clearing by the house. Straightening from her work, +she stood for a moment looking intently at him. Then with a low, yet +startled cry, she let the shovel fall, and sped swiftly back along the +newly-made path and into the house. + +It was Carlia. + + + + +CHAPTER EIGHTEEN. + + +Dorian stood knee-deep in the snow and watched the girl run back into +the house. In his surprise, he forgot his immediate errand. He had found +Carlia, found her well and strong; but why had she run from him with a +cry of alarm? She surely had recognized him; she would not have acted +thus toward a stranger. Apparently, she was not glad to see him. He +stood looking at the closed door, and a feeling of resentment came +to him. Here he had been searching for her all this time, only to be +treated as if he were an unwelcome intruder. Well, he would not force +himself on her. If she did not want to see him, why annoy her? He could +go back, tell her father where she was, and let him come for her. He +stood, hesitating. + +The door opened again and a woman looked out inquiringly at the young +man standing in the snow with an axe on his shoulder. Dorian would have +to offer a word of explanation to the woman, at least, so he stepped +into the path toward the house. + +"Good morning," he said, lifting his hat. "I'm out to get a Christmas +tree for the children over there, and it seems I have startled the young +lady who just ran in." + +"Yes," said the woman. + +"I'm sorry to have frightened her, but I'm glad to have found her. You +see, I've been searching for her." + +The woman stood in the doorway, saying nothing, but looking with some +suspicion at the young man. + +"I should like to see her again," continued Dorian. "Tell her it's +Dorian Trent." + +"I'll tell her," said the woman as she withdrew and closed the door. + +The wait seemed long, but it was only a few minutes when the door opened +and Dorian was invited to come in. They passed through the kitchen into +the living room where a fire was burning in a grate. Dorian was given a +chair. He could not fail to see that he was closely observed. The woman +went into another room, but soon returned. + +"She'll be in shortly," she announced. + +"Thank you." + +The woman retired to the kitchen, and presently Carlia came in. She had +taken off her wraps and now appeared in a neat house dress. As she stood +hesitatingly by the door. Dorian came with outstretched hands to greet +her; but she was not eager to meet him, so he went back to his chair. +Both were silent. He saw it was the same Carlia, with something added, +something which must have taken much experience if not much time to +bring to her. The old-time roses, somewhat modified, were in her cheeks, +the old-time red tinted the full lips; but she was more mature, less of +a girl and more of a woman; and to Dorian she was more beautiful than +ever. + +"Carlia," he again ventured, "I'm glad to see you; but you don't seem +very pleased with your neighbor. Why did you run from me out there?" + +"You startled me." + +"Yes; I suppose I did. It was rather strange, this coming so suddenly on +to you. I've been looking for you quite a while." + +"I don't understand why you have been looking for me." + +"You know why, Carlia." + +"I don't." + +"You're just talking to be talking--but here, this sounds like +quarreling, and we don't want to do that so soon, do we?" + +"No, I guess not." + +"Won't you sit down." + +The girl reached for a chair, then seated herself. + +"The folks are anxious about you. When can you go home?" + +"I'm not going home." + +"Not going home? Why not? Who are these people, and what are you doing +here?" + +"These are good people, and they treat me fine. I'm going to +stay--here." + +"But I don't see why. Of course, it's none of my business; but for the +sake of your father and mother, you ought to go home." + +"How--how are they!" + +"They are as well as can be expected. You've never written them, have +you, nor ever told where you were. They do not know whether you are dead +or alive. That isn't right." + +The girl turned her bowed head slightly, but did not speak, so he +continued: "The whole town has been terribly aroused about you. You +disappeared so suddenly and completely. Your father has done everything +he could think of to find you. When he gave up, I took up the task, and +here you are in the hills not so far from Greenstreet." + +Carlia's eyes swam with tears. The kitchen door opened, and the woman +looked at Carlia and then at Dorian. + +"Breakfast is ready," she announced. "Come, Miss Davis, and have your +friend come too." + +Dorian explained that he had already eaten. + +"Please excuse me just now," pleaded Carlia, to the woman. "Go eat your +breakfast without me. Mrs. Carlston, this is Mr. Trent, a neighbor of +ours at my home. I was foolish to be so scared of him. He--he wouldn't +hurt anyone." She tried bravely to smile. + +Alone again, the two were ill at ease. A flood of memories, a confusion +of thoughts and feelings swept over Dorian. The living Carlia in all +her attractive beauty was before him, yet back of her stood the grim +skeleton. Could he close his eyes to that? Could he let his love for her +overcome the repulsion which would arise like a black cloud into his +thoughts? Well, time alone would tell. Just now he must be kind to her, +he must be strong and wise. Of what use is strength and wisdom if it is +unfruitful at such times as these? Dorian arose to his feet and stood in +the strength of his young manhood. He seemed to take Carlia with him, +for she also stood looking at him with her shining eyes. + +"Well, Carlia," he said, "go get your breakfast, and I'll finish my +errand. You see, the storm stopped the mail carrier and me and we had +to put up at your neighbour's last night. There I found three children +greatly disappointed in not having their usual Christmas tree. I +promised I would get them one this morning, and that's what I was out +for when I saw you. You know, Carlia, it's Christmas Eve this morning, +if you'll allow that contradiction." + +"Yes, I know." + +"I'll come back for you. And mind, you do not try to escape. I'll be +watching the house closely. Anyway," he laughed lightly, "the snow's too +deep for you to run very far." + +"O, Dorian--" + +"Yes." + +He came toward her, but she with averted face, slipped toward the +kitchen door. + +"I can't go home, I can't go with you--really, I can't," she said. "You +go back home and tell the folks I'm all right now, won't you, please." + +"We'll talk about that after a while. I must get that tree now, or those +kiddies will think I am a rank impostor." Dorian looked at his watch. +"Why, it's getting on toward noon. So long, for the present." + +Dorian found and cut a fairly good tree. The children were at the window +when he appeared, and great was their joy when they saw him carry it to +the woodshed and make a stand for it, then bring it in to them. The mail +carrier was about ready to continue his journey, and he asked Dorian if +he was also ready. But Dorian had no reason for going on further; he had +many reasons for desiring to remain. And here was the Christmas tree, +not dressed, nor the candy made. How could he disappoint these children? + +"I wonder," he said to the mother, "if it would be asking too much to +let me stay here until tomorrow. I'm in no hurry, and I would like to +help the children with the tree, as I promised. I've been hindered some +this morning, and--" + +"Stay," shouted the children who had heard this. "Stay, do stay." + +"You are more than welcome," replied Mrs. Hickson; "but I fear that the +children are imposing on you." + +Dorian assured her that the pleasure was his, and after the mail carrier +had departed, he thought it wise to explain further. + +"A very strange thing has happened," said Dorian. "As I was going after +the tree for the children, I met the young lady who is staying at Mrs. +Carlston." + +"Miss Davis." + +"Yes; she's a neighbor of mine. We grew up together as boy and girl. +Through some trouble, she left home, and--in fact, I have been searching +for her. I am going to try to get her to go home to her parents. +She--she could help us with our tree dressing this evening." + +"We'd like to have both our neighbors visit with us," said Mrs. Hickson; +"but the snow is rather deep for them." + +By the middle of the afternoon Dorian cleared a path to the neighboring +house, and then went stamping on to the porch. Carlia opened the door +and gave him a smiling welcome. She had dressed up a bit, he could +see, and he was pleased with the thought that it was for him. Dorian +delivered the invitation to the two women. Carlia would go immediately +to help, and Mrs. Carlston would come later. Carlia was greeted by the +children as a real addition to their company. + +"Did you bring an extra of stockings?" asked Mrs. Hickson of her. "An +up-to-date Santa Claus is going to visit us tonight, I am sure." She +glanced toward Dorian, who was busy with the children and the tree. + +That was a Christmas Eve long to be remembered by all those present in +that house amid solitude of snow, of mountain, and of pine forests. The +tree, under the magic touches of Dorian and Carlia grew to be a thing +of beauty, in the eyes of the children. The home-made candles and +decorations were pronounced to be as good as the "boughten ones." And +the candy--what a miracle worker this sober-laughing, ruddy-haired young +fellow was! + +Carlia could not resist the spirit of cheer. She smiled with the older +people and laughed with the children. How good it was to laugh again, +she thought. When the tree was fully ablaze, all, with the exception of +Mr. Hickson joined hands and danced around it. Then they had to taste +of the various and doubtful makings of candies, and ate a bread-pan of +snow-white popcorn sprinkled with melted butter. Then Mr. Hickson told +some stories, and his wife in a clear, sweet voice led the children +in some Christmas songs. Oh, it was a real Christmas Eve, made doubly +joyful by the simple helpfulness and kindness of all who took part. + +At the close of the evening, Dorian escorted Mrs. Carlston and Carlia +back to their house, and the older woman graciously retired, leaving the +parlor and the glowing log to the young people. + +They sat in the big armchairs facing the grate. + +"We've had a real nice Christmas Eve, after all," said he. + +"Yes." + +"Our Christmas Eves at home are usually quiet. I'm the only kid there, +and I don't make much noise. Frequently, just mother and Uncle Zed and +I made up the company; and then when we could get Uncle Zed to talking +about Jesus, and explain who He was, and tell his story before He came +to this earth as the Babe of Bethlehem, there was a real Christmas +spirit present. Yes; I believe you were with us on one of these +occasions." + +"Yes, I was." + +Dorian adjusted the log in the grate. "Carlia, when shall we go home?" +he asked. + +"How can I go home?" + +"A very simple matter. We ride on the stage to the railroad, and then--" + +"O! I do not mean that. How can I face my folks, and everybody?" + +"Of course, people will be inquisitive, and there will be a lot of +speculation; but never mind that. Your father and mother will be mighty +glad to get you back home, and I am sure your father will see to it that +you--that you'll have no more cause to run away from home." + +"What--what?" + +"Why, he'll see that you do not have so much work--man's work, to do. +Yes, regular downright drudgery it was. Why, I hardly blame you for +running away, that is, taking a brief vacation." He went on talking, she +looking silently into the fire. "But now," he said finally, "you have +had a good rest, and you are ready to go home." + +She sat rigidly looking at the glow in the grate. He kept on talking +cheerfully, optimistically, as if he wished to prevent the gloom of +night to overwhelm them. Then, presently, the girl seemed to shake +herself free from some benumbing influence, as she turned to him and +said: + +"Dorian, why, really why have you gone to all this trouble to find me?" + +"Why, we all wanted to know what had become of you. Your father is a +changed man because of your disappearance, and your mother is nearly +broken hearted." + +"Yes, I suppose so; but is that all?" + +"Isn't that enough?" + +"No." + +"Well, I--I--" + +"Dorian, you're neither dull nor stupid, except in this. Why did not +someone else do this hunting for a lost girl? Why should it be you?" + +Dorian arose, walked to the window and looked out into the wintry night. +He saw the shine of the everlasting stars in the deep blue. He sensed +the girl's pleading eyes sinking into his soul as if to search him out. +He glimpsed the shadowy specter lurking in her background. And yet, +as he fixed his eyes on the heavens, his mind cleared, his purpose +strengthened. As he turned, there was a grim smile on his face. He +walked back to the fire-place and seated himself on the arm of Carlia's +chair. + +"Carlia," he said, "I may be stupid--I am stupid--I've always been +stupid with you. I know it. I confess it to you. I have not always +acted toward you as one who loves you. I don't know why--lay it to my +stupidity. But, Carlia, I do love you. I have always loved you. Yes, +ever since we were children playing in the fields and by the creek and +the ditches. I know now what that feeling was. I loved you then, I love +you now." + +The girl arose mechanically from her chair, reached out as if +for support to the mantle. "Why, Oh, why did you not tell me +before--before"--she cried, then swayed as if to a fall. Dorian caught +her and placed her back in the seat. He took her cold hands, but in a +moment, she pulled them away. + +"Dorian, please sit down in this other chair, won't you?" + +Dorian did as she wanted him to do, but he turned the chair to face her. + +"I want you to believe me, Carlia." + +"I am trying to believe you." + +"Is it so hard as all that?" + +"What I fear is that you are doing all this for me out of the goodness +of your heart. Listen, let me say what I want to say--I believe I can +now.... You're the best man I know. I have never met anyone as good as +you, no, not even my father--nobody. You're far above me. You always +have been willing to sacrifice yourself for others; and now--what I fear +is that you are just doing this, saying this, out of the goodness of +your heart and not because you really--really love me." + +"Carlia, stop--don't." + +"I know you, Dorian. I've heard you and Uncle Zed talk, sometimes when +you thought I was not listening. I know your high ideals of service, how +you believe it is necessary for the higher to reach down to help and +save the lower. Oh, I know, Dorian; and it is this that I think of. You +cannot love poor me for my sake, but you are doing this for fear of not +doing your duty. Hush--Listen! Not that I don't honor you for your high +ideals--they are noble, and belong to just such as I believe you are. +Yes, I have always, even as a child, looked up to you as someone big and +strong and good--Yes, I have always worshiped you, loved you! There, you +know it, but what's the use!" + +Dorian moved his chair close to her, then said: + +"You are mistaken, of course, in placing my goodness so high, though +I've always tried to do the right by everybody. That I have failed with +you is evidence that I am not so perfect as you say. But now, let's +forget everything else but the fact that we love each other. Can't we be +happy in that?" + +The roses faded from Carlia's cheeks, though coaxed to stay by the +firelight. + +"My dear," he continued, "we'll go home, and I'll try to make up to you +my failings. I think I can do that, Carlia, when you become my wife." + +"I can't, Dorian, Oh, I can't be that." + +"Why not Carlia?" + +"I can't marry you. I'm not--No, Dorian." + +"In time, Carlia. We will have to wait, of course; but some day"--he +took her hands, and she did not seem to have power to resist--"some day" +he said fervently, "you are going to be mine for time and for eternity." + +They looked into each others faces without fear. Then: "Go now, Dorian" +she said. "I can't stand any more tonight. Please go." + +"Yes; I'll go. Tomorrow, the stage comes again this way, and we'll go +with it. That's settled. Goodnight." + +They both arose. He still held her hands. + +"Goodnight," he repeated, and kissed her gently on the cheek. + + + + +CHAPTER NINETEEN. + + +The sudden return of Carlia Duke to her home created as much talk as +her disappearance had done. Dorian was besieged with enquirers whom he +smilingly told that he had just come across her taking a little vacation +up in the hills. What, in the hills in the depths of winter? Why, yes; +none but those who have tried it know the comfort and the real rest one +may obtain shut out by the snow from the world, in the solitude of the +hills. He told as little as possible of the details of his search, even +to Carlia's parents. Any unpleasant disclosures would have to come from +her to them, he reasoned. Not being able to get Dorian talking about the +case, the good people of Greenstreet soon exhausted their own knowledge +of the matter, so in a short time, the gossip resumed its every-day +trend. + +Hardly a day passed without Dorian spending some time with Carlia. She +would not go to Sunday School or to Mutual, and it was some time before +he could convince her that it was a matter of wisdom as well as of right +that she should attend some of the public ward meetings. Frequently, +he took his book to the Duke home and read aloud to Carlia. This she +enjoyed very much. Sometimes the book was a first class novel, but +oftener it was a scientific text or a religions treatise. Carlia +listened attentively to his discussion of deep problems, and he was +agreeably surprised to learn that she could readily follow him in the +discussion of these themes; so that the long winter evenings spent +with her either at her home or at his own became a source of great +inspiration to the young man who had not lost sight or the mission +assigned to him by the beloved Uncle Zed. Dorian talked freely to Carlia +on how he might best fulfill the high destiny which seemed to lay before +him; and Carlia entered enthusiastically into his plans. + +"Fine, fine," she would say. "Carry it out. You can do it." + +"With your help, Carlia." + +"I'll gladly help you all I can; but that is so little; what can I do?" + +"Trust me, have faith in me; and when the time comes, marry me." + +This was usually the end of the conversation for Carlia; she became +silent unless he changed the subject. + +Dorian, naturally undemonstrative, was now more careful than ever in +his love making. The intimacy between them never quite returned to the +earlier state. Complete forgetfulness of what had been, was, of course, +impossible, either for Carlia or for Dorian; but he tried manfully not +to let the "specter" come too often between him and the girl he loved. +He frequently told her that he loved her, but it was done by simple word +or act. Dorian's greater knowledge gave him the advantage over her. He +was bound by this greater knowledge to be the stronger, the wiser, the +one who could keep all situations well in hand. + +One evening, when Carlia was unusually sweet and tempting, he asked if +he might kiss her goodnight. She set her face as if it were hard to deny +him, but she finally said: + +"No; you must not." + +"Why not, Carlia?" + +"We're not engaged yet." + +"Carlia!" + +"We are not. I have never promised to marry you, have I?" She smiled. + +"No; I guess not; but that's understood." + +"Don't be so sure." + +"There are some things definitely fixed without the spoken word." + +"Good night, Dorian." She was smiling still. + +"Good night, Carlia." Their hands met and clasped, atoning the best they +could for the forbidden kiss. + +One evening when the feeling of spring was in the air, Dorian was going +to call on Carlia, when he heard the approach of an automobile. As it +turned into the bystreet, leading to the Duke home, Dorian saw the +driver to be Mr. Jack Lamont. Dorian kept in the road, and set his face +hard. As the machine had to stop to prevent running over him, Dorian +turned, walked deliberately to the side of the car, and looking steadily +into Mr. Lamont's face, said: + +"I'm going to Mr. Duke's also. If I find you there, I'll thrash you +within an inch of your life. Drive on." + +For a moment, the two glared at each other, then the automobile went +on--on past the Duke house toward town. When Dorian arrived at his +destination, Carlia greeted him with: + +"Dorian, what's the matter?" + +"Nothing," he laughed. + +"You're as pale as a ghost." + +"Am I? Well, I haven't seen any ghosts--Say, mother wants you to come to +supper. She has something you specially like. Can you?" + +"Sure, she can," answered her mother, for she was glad to have Carlia +out away from the work which she was determined to stick to closer than +ever. Carlia was pleased to go, and kept up a merry chatter until she +saw that Dorian was exceptionally sober-minded. She asked him what was +the matter with him, but he evaded. His thoughts were on the man whom +he had prevented from calling at her home that evening. What was his +errand? What was in the scoundrel's mind? Dorian struggled to put away +from him the dark thoughts which had arisen because of his recent +encounter with Mr. Lamont. All the evening at home and during their walk +back he was unusually silent, and Carlia could only look at him with +questioning anxiety. + +Spring, once started, came on with a rush. The melting snow filled the +river with a muddy flood; the grass greened the slopes; the bursting +willows perfumed the air; the swamp awakened to the warm touch of the +sun. Dorian's busy season also began. + +As soon as the roads were passible, Dorian drove up to his dry-farm. On +one of these first trips he fell in with a company of his neighboring +dry-farmers, and they traveled together. While they were stopping for +noon at a small hotel in the canyon, a rain storm came up, which delayed +them. They were not impatient, however, as the moisture was welcome; so +the farmers rested easily, letting their horses eat a little longer than +usual. + +The conversation was such which should be expected of Bishop's +counselors, president of Elders' quorums, and class leaders in +the Mutual, which these men were. On this occasion some of the +always-present moral problems were discussed. Dorian was so quiet that +eventually some one called on him for an opinion. + +"I don't think I can add anything to the discussion," replied Dorian. +"Only this, however: One day in Sunday school Uncle Zed painted the +terrors of sin to us boys in such colours that I shall never forget it. +The result in my case is that I have a dreadful fear of moral wrong +doing. I am literally scared, I--" + +Dorian turned his eyes to the darkened doorway. Mr. Jack Lamont stood +there with a cynical expression on his face. His hat was tilted back on +his head, and a half-smoked cigarette sagged from his lips. The genial +warmth of the room seemed chilled by the newcomer's presence. + +"G'day, gentlemen," said Mr. Lamont. "Mr. Trent, here, is afraid, I +understand." + +The men arose. Outside the clouds were breaking. Dorian stepped forward, +quite close to Jack Lamont. + +"Yes, I am afraid," said Dorian, his face white with passion, "but not +of what you think, not of what you would be afraid, you dirty, low, +scoundrel!" + +Lamont raised a riding whip he had in his hand, but the men interfered, +and they all moved outside into the yard. Dorian, still tense with +anger, permitted himself to be taken to the teams where they began +hitching up. Dorian soon had himself under control, yet he was not +satisfied with the matter ending thus. Quietly slipping back to where +Mr. Lamont stood looking at the men preparing to drive on, he said, "I +want a word with you." + +The other tried to evade. + +"Don't try to get away until I'm through with you. I want to tell you +again what a contemptible cur you are. No one but a damned scoundrel +would take advantage of a girl as you did, and then leave her to bear +her shame alone." + +"Do you mean Carlia--" + +"Don't utter her name from your foul lips." + +"For if you do, I might say, what have I got to do with that? You were +her lover, were you not? you were out with her in the fields many times +until midnight, you--" + +The accusing mouth closed there, closed by the mighty impact of Dorian's +fist. The blood spurted from a gashed lip, and Mr. Lamont tried to +defend himself. Again Dorian's stinging blow fell upon the other's face. +Lamont was lighter than Dorian, but he had some skill as a boxer which +he tried to bring into service; but Dorian, mad in his desire to +punish, with unskilled strength fought off all attacks. They grappled, +struggled, and fell, to arise again and give blow for blow. It was all +done so suddenly, and the fighting was so fierce, that Dorian's fellow +travelers did not get to the scene before Jack Lamont lay prone on the +ground from Dorian's finishing knockout blow. + +"Damn him!" said Dorian, as he shook himself back into a somewhat normal +condition and spat red on the ground. "He's got just a little of what's +been coming to him for a long time. Let him alone. He's not seriously +hurt. Let's go." + + + + +CHAPTER TWENTY. + + +On a Saturday afternoon in early July Dorian and a neighbor were coming +home from a week's absence up in the hills. They were on horseback, +and therefore they cut across by way of the new road in course of +construction between Greenstreet and the city. + +The river was high. The new bridge was not yet open for traffic, but +horses could safely cross. As the two riders passed to the Greenstreet +side, they saw near the bridge down on the rocks by the rushing river, +an automobile, overturned and pretty well demolished. Evidently, someone +had been trying to reach the bridge, had missed the road, and had gone +over the bank, which at this point was quite steep. + +The two men stopped, dismounted, and surveyed the wreck. Someone was +under the car, dead or alive, they could not tell. Dorian unslung his +rope from his saddle, and took off his coat. "I'll go down and see," he +said. + +"Be careful," admonished the other, "if you slip into the river, you'll +be swept away." + +Dorian climbed down to where the broken machine lay. Pinned under it +with his body half covered by the water was Mr. Jack Lamont. He was +talking deliriously, calling in broken sentences for help. Dorian's +hesitancy for an instant was only to determine what was the best thing +to do. + +"Hold on a bit longer, Mr. Lamont," said Dorian; but it was doubtful +whether the injured man understood. He glared at his rescuer with +unseeing eyes. Part of the automobile was already being moved by the +force of the stream, and there was danger that the whole car, together +with the injured man, would be swept down the stream. Dorian, while +clinging to the slippery rocks, tried to pull the man away, but he was +so firmly pinned under the wreck that he could not be moved. Dorian then +shouted to his companion on the bank to bring the rope and come to his +assistance; but even while it was being done, a great rush of water +lifted the broken car out into the stream. Lamont was released, but he +was helpless to prevent the current from sweeping him along. + +Dorian reached for the man, but missed him and stepped into a deep +place. He went in to his arms, but he soon scrambled on to a shallower +point where he regained his balance. The unconscious Lamont was +beginning to drift into the current and Dorian knew that if he was to +be saved he must be prevented from getting into the grasp of the +mid-stream. Dorian took desperate chances himself, but his mind was +clear and his nerves were steady as he waded out into the water. His +companion shouted a warning to him from the bank, but he heeded it not. +Lamont's body was moving more rapidly, so Dorian plunged after it, and +by so doing got beyond wading depths. He did not mind that as he was a +good swimmer, and apparently, Mr. Lamont was too far gone to give any +dangerous death grip. Dorian got a good hold of the man's long hair and +with the free arm he managed to direct them both to a stiller pool lower +down where by the aid of his companion, he pulled Lamont out of the +water and laid him on the bank. He appeared to be dead, but the two +worked over him for some time. No other help appeared, so once more they +tried all the means at their command to resuscitate the drowned. + +"I think he's gone," said Dorian's companion. + +"It seems so. He's received some internal injury. He was not drowned." + +"Who is he, I wonder." + +"His name is Jack Lamont." + +"Do you know him?" + +"I know him. Yes; let's carry him up the bank. We'll have to notify +somebody." + +The man was dead when he was laid on the soft warm grass. Dorian covered +the lifeless form with his own coat. + +"I'll stay here," suggested Dorian's companion, "while you go and +telephone the police station in the city. Then you go right on home and +get into some dry clothes." + +Dorian did as he was told. After reaching the nearest telephone, and +delivering his message, he went on home and explained to his mother what +had happened. Then he changed his clothes. + +"What a terrible thing!" exclaimed his mother. "And you also might have +been drowned." + +"Oh, no; I was all right. I knew just what I could do. But the poor +fellow. I--I wish I could have saved him. It might have been a double +salvation for him." + +The mother did not press him for further explanations, for she also had +news to tell. As soon as Dorian came from his room in his dry clothes, +she asked him if he had seen Brother Duke on the way. + +"No, mother; why?" + +"Well, he was here not long ago, asking for you. Carlia, it seems, has +had a nervous break down, and the father thinks you can help." + +"I'll go immediately." + +"You'll have some supper first. It will take me only a moment to place +it on the table." + +"No, mother, thank you; after I come back; or perhaps I'll eat over +there. Don't wait for me." He was out of the house, and nearly running +along the road. + +Dorian found Carlia's father and mother under great mental strain. +"We're so glad you came," they said; "we're sure you can help her." + +"What is the matter!" + +"We hardly know. We don't understand. This afternoon--that Mr. Jack +Lamont--you remember him--he used to come here. Well, he hasn't been +around for over a year, for which we were very thankful, until this +afternoon when he came in his automobile. Carlia was in the garden, and +she saw him drive up to the gate. When he alighted and came toward her, +she seemed frightened out of her wits, for she ran terror stricken into +the house. She went up to her bedroom and would not come down." + +"He did not see her, then, to talk to her?" + +"No; he waited a few moments only, then drove off again." + +"Where is Carlia now?" + +"Still up in her room." + +"May I go up to her?" + +"Yes; but won't you have her come down?" + +"No, I'd rather go up there, if you don't mind." + +"Not at all. Dorian, you seem the only help we have." + +He went through the living room to the stairway. He noticed that the +bare boards of the stairs had been covered with a carpet, which made his +ascending steps quite noiseless. Everything was still in Carlia's room. +The door was slightly ajar, so he softly pushed it open. Carlia was +lying on her bed asleep. + +Dorian tiptoed in and stood looking about. The once bare, ugly room had +been transformed into quite a pretty chamber, with carpet and curtains +and wall-paper and some pretty furniture. The father had at last done a +sensible thing for his daughter. + +Carlia slept on peacefully. She had not even washed away the tear-stains +from her cheeks, and her nut-brown hair lay in confusion about her head. +Poor, dear girl! If there ever was a suffering penitent, here was one. + +In a few moments, the girl stirred, then sensing that someone was in the +room, she awoke with a start, and sprang to her feet. + +"It's only Dorian," said he. + +"Oh!" she put her hand to her head, brushing back her hair. + +"Dorian, is it you?" + +"Sure, in real flesh and blood and rusty-red hair." He tried to force +cheerfulness into his words. + +"I'm so glad, so glad it's you." + +"And I'm glad that you're glad to see me." + +"Has he gone? I'm afraid of him." + +"Afraid of whom, Carlia?" + +"Don't you know? Of course you don't know. I--" + +"Sit down here, Carlia." He brought a chair; but she took it nearer the +open window, and he pushed up the blind that the cool air might the more +freely enter. The sun was nearing the western hills, and the evening +sounds from the yard came to them. He drew a chair close to hers, and +sat down by her, looking silently into the troubled face. + +"I'm a sight," she said, coming back to the common, everyday cares as +she tried to get her hair into order. + +"No, you're not. Never mind a few stray locks of hair. Never mind that +tear-stained face. I have something to tell you." + +"Yes?" + +"You said you were afraid, afraid of Mr. Jack Lamont." + +"Yes," she whispered. + +"Well, you never need be afraid of him again." + +"I--I don't understand." + +"Jack Lamont is dead." + +She gave a startled cry. + +"Dorian--you--?" + +"No; I have not killed him. He was and is in the hands of the Lord." +Then he told her what had happened that afternoon. + +Carlia listened with staring eyes and bated breath. And Dorian had +actually risked his life in an attempt to save Jack Lamont! If Dorian +only had known! But he would never know, never now. She had heard of the +fight between Dorian and Lamont, as that had been common gossip for a +time; but Carlia had no way of connecting that event with herself or her +secret, as no one had heard what words passed between them that day, and +Dorian had said nothing. And now he had tried to save the life of the +man whom he had so thoroughly trounced. "What a puzzle he was! And yet +what a kind, open face was his, as he sat there in the reddening evening +light telling her in his simple way what he had done. What did he know, +anyway? For it would be just like him to do good to those who would +harm him; and had she not proved in her own case that he had been more +patient and kind to her after her return than before. What did he know? + +"Shall I close the window?" he asked. "Is there too much draught?" + +"No; I must have air or I shall stifle. Dorian, tell me, what do you +know about this Mr. Lamont?" + +"Why, not much, Carlia; not much good, at any rate. You know I met him +only a few times." He tried to answer her questions and at the same time +give her as little information as possible. + +"But Dorian, why did you fight with him?" + +"He insulted me. I've explained that to you before." + +"That's not all the reason. Jack Lamont could not insult you. I mean, +you would pay no attention to him if only yourself were involved." + +"Now, Carlia, don't you begin to philosophize on my reasons for giving +Jack Lamont a licking. He's dead, and let's let him rest in as much +peace as the Lord will allow." + +"All right." + +"Now, my dear, you feel able to go down and have some supper. Your +father and mother should be told the news, and perhaps I can do that +better than anybody else. I'll go with you, and, if your mother has +something good for supper, I'll stay." + +But the girl did not respond to his light speech. She sat very still +by the window. For a long, long time--ages it seemed to her, she had +suffered in silent agony for her sin, feeling as if she were being +smothered by her guilty secret. She could not bring herself to tell it +even to her mother. How could she tell it to anyone eke, certainly not +Dorian. And yet, as she sat there with him she felt as if she might +confide in him. He would listen without anger or reproach. He would +forgive. He--her heart soared, but her brain came back with a jolt to +her daily thinking again. No, no, he must not know, he must never know; +for if he knew, then all would surely be over between them, and then, +she might as well die and be done with it! + +"Come, Carlia." + +She did not even hear him. + +But Dorian must know, he must know the truth before he asked her again +to marry him. But if he knew, he would never urge that again. That +perhaps would be for the best, anyway. And yet she could not bear the +thought of sending him away for good. If he deserted her, who else would +she have? No; she must have him near her, at least. Clear thinking was +not easy for her just then, but in time she managed to say: + +"Dorian, sit down.... Do you remember that evening, not so long ago, +when you let me 'browse', as you called it, among Uncle Zed's books and +manuscripts?" + +"Yes; you have done that a number of times." + +"But there is one time which I shall remember. It was the time when I +read what Uncle Zed had written about sin and death." + +"O, I had not intended you to see that." + +"But I did, and I read carefully every word of it. I understood most of +it, too. 'The wages of sin is death'--That applies to me. I am a sinner. +I shall die. I have already died, according to Uncle Zed." + +"No, Carlia, you misapply that. We are all sinners, and we all die in +proportion to our sinning. That's true enough; but there is also +the blessed privilege of repentance to consider. Let me finish the +quotation: 'The wages of sin is death; but the gift of God is eternal +life through Jesus Christ our Lord'; also let me add what the Lord said +about those who truly repent; 'Though your sins be as scarlet, they +shall be white as snow; though they be red like crimson, they shall be +as wool'. That is a great comfort to all of us, Carlia." + +"Yes; thank you, Dorian.... but--but now I must tell you. The Lord may +forgive me, but you cannot." + +"Carlia, I have long since forgiven you." + +"Oh, of my little foolish ways, of course; but, Dorian, you don't +know--" + +"But, Carlia, I do know. And I tell you that I have forgiven you." + +"The terrible thing about me?" + +"The unfortunate thing and the great sorrow which has come to you, and +the suffering--yes, Carlia, I know." + +"I can't understand your saying that." + +"But I understand." + +"Who told you?" + +"Mrs. Whitman." + +"Have you been there?" + +"Yes." + +"Dorian!" She stared past him through the open window into the western +sky. The upper disk of the sun sank slowly behind the purple mountain. +The flaming underlining of a cloud reflected on the open water of the +marshland and faintly into the room and on to the pale face of the +girl. Presently, she arose, swayed and held out her arms as if she was +falling. Dorian caught her. Tears, long pent up, save in her own lonely +hours, now broke as a torrent from her eyes, and her body shook in sobs. +Gone was her reserve now, her holding him away, her power of resistance. +She lay supinely in his arms, and he held her close. O, how good it was +to cry thus! O, what a haven of rest! Would the tears and sobs never +cease?... The sun was down, the color faded from the sky, a big shadow +enveloped the earth. + +Then when she became quieter, she freed her arms, reached up and clasped +her hands behind his neck, clinging to him as if she never wanted to +leave him. Neither could speak. He stroked her hair, kissed her cheeks, +her eyes, wiped away her tears, unaware of those which ran unhindered +down his own face.... + +"Carlia, my darling, Carlia," he breathed. + +"Dorian, Oh, Dorian, _how_--_good_--_you_--_are_!" + + + + +CHAPTER TWENTY ONE. + + +It was a day in June--nearly a year from the time of the +"understanding"--a day made more beautiful because of its being in the +mountains and on a Sunday afternoon. Dorian and Carlia lived in the +midst of its rarity, seated as they were on the grassy hill-side +overlooking the dry-land farms near at hand and the valley below, +through which tumbled the brook. The wild odor of hill plants mingled +with the pungent fragrance of choke-cherry blossoms. The air was as +clear as crystal. The mountains stood about them in silent, solemn +watchfulness, strong and sure as the ages. The red glowed in Carlia's +lips again, and the roses in her cheeks. The careworn look was gone from +her face. Peace had come into her heart, peace with herself, with the +man she loved, and with God. + +Dorian pointed out to her where the wild strawberries grew down in the +valley, and where the best service berries could be found on the hills. +He told her how the singing creek had, when he was alone in the hills, +echoed all his varied moods. + +Then they were silent for a time, letting the contentment of their love +suffice. For now all barriers between these two were down. There was no +thought they could not share, no joy neither trouble they could not meet +together. However, they were very careful of each other; their present +peace and content had not easily been reached. They had come "up through +great tribulation," even thus far in their young lives. The period of +their purification seemed now to be drawing to a close, and they were +entering upon a season of rest for the soul. + +"Blessed are the pure in heart, for they shall see God." This promise is +surely not limited to that hoped-for future time when we shall have laid +aside mortality, but the pure in heart see much of God here and now--see +Him in the beauty of hill and dale, in cloud and blue sky, in placid +pool and running water, in flowers and insect, and in the wonderful +workings of the human heart! And so Dorian Trent and Carlia Duke, being +of the pure in heart, saw much of God and His glory that afternoon. + +Then they talked again of the home folks, of Mildred Brown, and of Uncle +Zed; and at length came to their own immediate affairs. + +That fall Dorian was to enter the University. The farm at Greenstreet +would have to be let to others, but he thought he could manage the +dry-farm, as most of the work came in vacation season. Mrs. Trent did +not want to leave her home in the country; but she would likely become +lonesome living all by herself; so there would always be a room for her +with Dorian and Carlia in the little house they would rent near the +school. Then, after the University, there would be some Eastern College +for a period of years, and after that, other work. The task Dorian had +set before him was a big one, but it was a very important one, and no +one seemed to be doing it as yet. He might fail in accomplishing what +he and Uncle Zed and perhaps the Lord had in mind regarding him, but he +would do his very best, anyway. + +"You'll not fail," the girl at his side assured him. + +"I hope not. But I know some men who have gone in for all the learning +they could obtain, and in the process of getting the learning, they have +lost their faith. With me, the very object of getting knowledge is to +strengthen my faith. What would it profit if one gains the whole world +of learning and loses his soul in the process. Knowledge is power, both +for good and for ill. I have been thinking lately of the nature of +faith, the forerunner of knowledge. I can realize somewhat the meaning +of the scripture which says that the worlds were framed and all things +in them made by the power of faith. As Uncle Zed used to say--" + +"You always put it that way. Don't you know anything of your own?" + +"No; no one does. There is no such thing as knowledge of one's own +making. Knowledge has always existed from the time when there has been a +mind to conceive it. The sum of truth is eternal. We can only discover +truth, or be told it by someone who has already found it. God has done +that. He comprehends all truth, and therefore all power and all glory is +found in Him. It is the most natural thing in the world, then, that we +should seek the truth from the fountain head or source to us, and that +is God." + +Although it was after the usual time of the Sunday sermon, Dorian felt +free to go on. + +"'When the Son of Man cometh, shall He find faith on the earth?' I hope +to help a little to make the answer, Yes. I know of nothing which the +world needs more than faith. Not many are specializing in that field. +Edison is bringing forth some of the wonders of electricity; Burbank +is doing marvelous things in the plant world; we have warriors and +statesmen and philosophers and philanthropists and great financiers +a-plenty; we have scientists too, and some of them are helping. Have you +ever heard of Sir Oliver Lodge and Lord Kelvin?" + +No; she never had. + +"Well"--and Dorian laughed softly to himself at the apparent egotism of +the proposition--"I must be greater than either of them. I must know +all they know, and more; and that is possible, for I have the 'Key +of Knowledge' which even the most learned scholar cannot get without +obedience to the laws and ordinances of the gospel." + +Carlia silently worshiped. + +"Now," he continued in a somewhat lighter vein, "do you realize what +you are doing when you say you will be my wife and put up with all the +eccentricities of such a man as I am planning to be? Are you willing to +be a poor man's wife, for I cannot get money and this knowledge I am +after at the same time? Are you willing to go without the latest in +dresses and shoes and hats--if necessary?" + +"Haven't I heard you say that the larger part of love is in giving and +not in getting?" replied she. + +"Yes, I believe that's true." + +"Well, then, that's my answer. Don't deny me the joy I can get by the +little I can give." + +The sun was nearing the western mountains, the sharpest peaks were +already throwing shadows across the valley. + +"Come," said Dorian. "We had better go down. Mother has come out of the +cabin, and I think she is looking for us. Supper must be ready." + +He took Carlia's hand and helped her up. Then they ran like care-free +children down the gentler slopes. + +"Wait a minute," cried Carlia, "I'm out of breath. I--I want to ask you +another question." + +"Ask a hundred." + +"Well, in the midst of all this studying, kind of in between the +great, serious subjects, we'll find time, will we not, to read 'David +Copperfield'--together?" + +He looked into her laughing eyes, and then kissed her. + +"Why, yes, of course," he said. + +Then they went on again, hand in hand, down into the valley of sunshine +and shadow. + + +THE END. + + + + + +End of the Project Gutenberg EBook of Dorian, by Nephi Anderson + +*** END OF THE PROJECT GUTENBERG EBOOK 12684 *** diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..8c0abcc --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #12684 (https://www.gutenberg.org/ebooks/12684) diff --git a/old/12684.txt b/old/12684.txt new file mode 100644 index 0000000..bebb251 --- /dev/null +++ b/old/12684.txt @@ -0,0 +1,6412 @@ +The Project Gutenberg EBook of Dorian, by Nephi Anderson + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Dorian + +Author: Nephi Anderson + +Release Date: June 22, 2004 [EBook #12684] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK DORIAN *** + + + + +Produced by Kevin Handy and PG Distributed Proofreaders + + + + +DORIAN + + +By + +Nephi Anderson + + +Author of "Added Upon," "Romance of A Missionary," etc. + + + + + "The Keys of the Holy Priesthood unlock the Door of Knowledge and + let you look into the Palace of Truth." + + BRIGHAM YOUNG. + + + + +Salt Lake City, Utah + +1921 + + + + +Other books by Nephi Anderson. + + +"ADDED UPON"--A story of the past, the present, and the future stages of +existence. + +"THE CASTLE BUILDER"--The scenes and incidents are from the "Land of the +Midnight Sun." + +"PINEY RIDGE COTTAGE"--A love story of a Mormon country girl. +Illustrated. + +"STORY OF CHESTER LAWRENCE"--Being the completed account of one who +played an important part in "Piney Ridge Cottage." + +"A DAUGHTER OF THE NORTH"--A story of a Norwegian girl's trials and +triumphs. Illustrated. + +"JOHN ST. JOHN"--The story of a young man who went through the +soul-trying scenes of Missouri and Illinois. + +"ROMANCE OF A MISSIONARY"--A story of English life and missionary +experiences. Illustrated. + +"MARCUS KING MORMON"--A story of early days in Utah. + +"THE BOYS OF SPRINGTOWN"--A story about boys for boys and all interested +in boys. Illustrated. + + + + +CHAPTER ONE. + + +Dorian Trent was going to town to buy himself a pair of shoes. He had +some other errands to perform for himself and his mother, but the reason +for his going to town was the imperative need of shoes. It was Friday +afternoon. The coming Sunday he must appear decently shod, so his mother +had told him, at the same time hinting at some other than the Sunday +reason. He now had the money, three big, jingling silver dollars in his +pocket. + +Dorian whistled cheerfully as he trudged along the road. It was a scant +three miles to town, and he would rather walk that short distance than +to be bothered with a horse. When he took Old Nig, he had to keep to the +main-traveled road straight into town, then tie him to a post--and worry +about him all the time; but afoot and alone, he could move along as +easily as he pleased, linger on the canal bank or cut cross-lots through +the fields to the river, cross it on the footbridge, then go on to town +by the lower meadows. + +The road was dusty that afternoon, and the sun was hot. It would be +cooler under the willows by the river. At Cottonwood Corners, Dorian +left the road and took the cut-off path. The river sparkled cool and +clear under the overhanging willows. He saw a good-sized trout playing +in the pool, but as he had no fishing tackle with him, the boy could +only watch the fish in its graceful gliding in and out of sunshine and +shadow. A robin overhead was making a noisy demonstration as if in +alarm about a nest. Dorian sat on the bank to look and listen for a few +moments, then he got up again. + +Crossing the river, he took the cool foot-path under the willows. He +cut down one of the smoothest, sappiest branches with which to make +whistles. Dorian was a great maker of whistles, which he freely gave +away to the smaller boys and girls whom he met. Just as it is more fun +to catch fish than to eat them, so Dorian found more pleasure in giving +away his whistles than to stuff them in his own pockets. However, that +afternoon, he had to hurry on to town, so he caught no fish, and made +only one whistle which he found no opportunity to give away. In the +city, he attended to his mother's errands first. He purchased the few +notions which the store in his home town of Greenstreet did not have, +checking each item off on a slip of paper with a stub of a pencil. Then, +there were his shoes. + +Should he get lace or button, black or tan? Were there any bargains in +shoes that afternoon? He would look about to see. He found nothing in +the way of footwear on Main street which appealed to him. He lingered at +the window of the book store, looking with envious eyes at the display +of new books. He was well known by the bookseller, for he was a frequent +visitor, and, once in a while, he made a purchase; however, to day he +must not spend too much time "browsing" among books. He would, however, +just slip around to Twenty-fifth street and take a look at the +secondhand store there. Not to buy shoes, of course, but sometimes there +were other interesting things there, especially books. + +Ah, look here! Spread out on a table on the sidewalk in front of this +second-hand store was a lot of books, a hundred or more--books of all +kind--school books, history, fiction, all of them in good condition, +some only a little shopworn, others just like new. Dorian Trent eagerly +looked them over. Here were books he had read about, but had not +read--and the prices! Dickens' "David Copperfield", "Tale of Two +Cities", "Dombey and Son", large well-printed books, only a little +shopworn, for thirty-five cents; Thackeray's "Vanity Fair", twenty-five +cents; books by Mrs. Humphrey Ward and Margaret Deland; "Robinson +Crusoe", a big book with fine pictures. Dorian had, of course, read +"Robinson Crusoe" but he had always wanted to own a copy. Ah, what's +this? Prescott's "Conquest of Peru", two volumes, new, fifty cents each! +Dorian turned the leaves. A man stepped up and also began handling the +books. Yes, here were bargains, surely. He stacked a number together as +if he desired to secure them. Dorian becoming fearful, slipped the other +volume of the Conquest under his arm and made as if to gather a number +of other books under his protection. He must have some of these before +they were all taken by others. The salesman now came up to him and +asked: + +"Find something you want?" + +"O, yes, a lot of things I like" replied Dorian. + +"They're bargains." + +Dorian needed not to be told that. + +"They're going fast, too." + +"Yes, I suppose so." + +His heart fell as he said it, for he realized that he had no money to +buy books. He had come to town to buy shoes, which he badly needed. He +glanced down at his old shoes. They were nearly falling to pieces, but +they might last a little longer. If he bought the "Conquest of Peru" he +would still have two dollars left. Could he buy a pair of shoes for that +amount? Very likely but not the kind his mother had told him to get, the +kind that were not too heavy or "stogy" looking, but would be "nice" +for Sundays. He held tightly on to the two books, while Dickens and +Thackeray were still protectingly within his reach. What could he do? + +Down there in Peru there had been a wonderful people whom Pizarro, the +bad, bold Spaniard had conquered and abused. Dorian knew about it all +vaguely as a dim fairy tale; and here was the whole story, beautifully +and minutely told. He must have these books. This bargain might never +come again to him. But what would his mother say? She herself had added +the last half dollar to his amount to make sure that he could get the +nicer kind. + +"Well, sir, how many of these will you have?" asked the salesman. + +"I'll--I'll take these two, anyway"--meaning Prescott's Conquest--"and +let me see", he looked hungrily over the titles--"And this one 'David +Copperfield'." It was hard to select from so many tempting ones. Here +was one he had missed: "Ben Hur"--, a fine new copy in blue and gold. He +had read the Chariot Race, and if the whole story was as interesting as +that, he must have it. He handed the volume to the salesman. Then his +hand touched lovingly a number of other books, but he resisted the +temptation, and said: "That's all--this time." + +The clerk wrapped the purchase in a newspaper and handed the package to +Dorian who paid for them with his two silver dollars, receiving some +small silver in change. Then, with his package under his arm, the boy +walked on down the street. + +Well, what now? He was a little afraid of what he had done. How could +he face his mother? How could he go home without shoes? Books might be +useful for the head, but they would not clothe the feet. He jingled the +coins in his pocket as he walked on down to the end of the business +section of the city. He could not buy any kind of shoes to fit his big +feet for a dollar and twenty cents. There was nothing more to do but to +go home, and "face the music", so he walked on in a sort of fearsome +elation. At a corner he discovered a new candy store. Next to books, +Dorian liked candy. He might as well buy some candy for the twenty +cents. He went into the store and took his time looking at the tempting +display, finally buying ten cents worth of chocolates for himself and +ten cents worth of peppermint lozenges for his mother. + +You see, Dorian Trent, though sixteen years old, was very much a child; +he did many childish things, and yet in some ways, he was quite a man; +the child in him and the man in him did not seem to merge into the boy, +but were somewhat "separate and apart," as the people of Greenstreet +would say. + +Dorian again took the less frequented road home. The sun was still high +when he reached the river. He was not expected home for some time yet, +so there was no need for hurry. He crossed the footbridge, noticing +neither birds nor fish. Instead of following the main path, he struck +off into a by-trail which led him to a tiny grass plat in the shade of a +tree by the river. He sat down here, took off his hat, and pushed back +from a freckled, sweating forehead a mop of wavy, rusty-colored hair. +Then he untied his package of books and spread his treasures before him +as a miser would his gold. He opened "David Copperfield", looked at the +frontispiece which depicted a fat man making a very emphatic speech +against someone by the name of Heep. It must all be very interesting, +but it was altogether too big a book for him to begin to read now. "Ben +Hur" looked solid and substantial; it would keep until next winter when +he would have more time to read. Then he picked up the "Conquest", +volume one. He backed up against the tree, settled himself into a +comfortable position, took from his paper bag a chocolate at which he +nibbled contentedly, and then away he went with Prescott to the land of +the Inca and the glories of a vanished race! + +For an hour he read. Then, reluctantly, he closed his book, wrapped up +his package again, and went on his homeward way. + +The new canal for which the farmers of Greenstreet had worked and waited +so long had just been completed. The big ditch, now full of running +water, was a source of delight to the children as well as to the more +practical adults. The boys and girls played on its banks, and waded and +sported in the cool stream. Near the village of Greenstreet was a big +headgate, from which the canal branched into two divisions. As Dorian +walked along the canal bank that afternoon, he saw a group of children +at play near the headgate. They were making a lot of robust noise, and +Dorian stopped to watch them. He was always interested in the children, +being more of a favorite among them than among the boys of his own age. + +"There's Dorian," shouted one of the boys. "Who are you going to marry?" + +What in the world were the youngsters talking about, thought the young +man, as the chattering children surrounded him. + +"What's all this?" asked Dorian, "a party?" + +"Yes; it's Carlia's birthday; we're just taking a walk by the canal to +see the water; my, but it's nice!" + +"What, the party or the water?" + +"Why, the water." + +"Both" added another. + +"We've all told who we're going to marry," remarked a little rosy-faced +miss, "all but Carlia, an' she won't tell." + +"Well, but perhaps Carlia don't know. You wouldn't have her tell a fib, +would you?" + +"Oh, shucks, she knows as well as us." + +"She's just stubborn." + +She who was receiving these criticisms seemed to be somewhat older +and larger than her companions. Just now, not deigning to notice the +accusation of her friends, she was throwing sticks into the running +water and watching them go over the falls at the headgate and dance on +the rapids below. Her white party dress was as yet spotless. She swung +her straw hat by the string. Her brown-black hair was crowned by an +unusually large bow of red ribbon. She was not the least discomposed by +the teasing of the other children, neither by Dorian's presence. This +was her party, and why should not she do and say what she pleased. + +Carlia now led the way along the canal bank until she came to where a +pole spanned the stream. She stopped, looked at the somewhat insecure +footbridge, then turning to her companions, said: + +"I can back you out." + +"How? Doin' what?" they asked. + +"Crossing the canal on the pole." + +"Shucks, you can't back me out," declared one of the boys, at which he +darted across the swaying pole, and with a jump, landed safely across. +Another boy went at it gingerly, and with the antics of a tight-rope +walker, he managed to get to the other side. The other boys held back; +none of the girls ventured. + +"All right, Carlia," shouted the boys on the other bank. + +The girl stood looking at the frail pole. + +"Come on, it's easy," they encouraged. + +Carlia placed her foot on the pole as if testing it. The other girls +protested. She would fall in and drown. + +"You dared us; now who's the coward," cried the boys. + +Carlia took a step forward, balanced herself, and took another. The +children stood in spell-bound silence. The girl advanced slowly along +the frail bridge until she reached the middle where the pole swayed +dangerously. + +"Balance yourself," suggested the second boy. + +"Run," said the first. + +But Carlia could neither balance nor run. She stood for a moment on the +oscillating span, then threw up her hands, and with a scream she plunged +into the waters of the canal. + +No thought of danger had entered Dorian's mind as he stood watching the +capers of the children. If any of them fell in, he thought, they would +only get a good wetting. But as Carlia fell, he sprang forward. The +water at this point was quite deep and running swiftly. He saw that +Carlia fell on her side and went completely under. The children +screamed. Dorian, startled out of his apathy, suddenly ran to the canal +and jumped in. It was done so impulsively that he still held on to his +package of books. With one hand he lifted the girl out of the water, but +in her struggles, she knocked the bundle from his hand, and the precious +books splashed into the canal and floated down the stream. Dorian made +an effort to rescue them, but Carlia clung so to his arms that he could +do nothing but stand and see the package glide over the falls at the +headgate and then go dancing over the rapids, even as Carlia's sticks +had done. For a moment the young man's thoughts were with his books, and +it seemed that he stood there in the canal for quite a while in a sort +of daze, with the water rushing by his legs. Then mechanically he +carried the girl to the bank and would have set her down again with her +companions, but she clung to him so closely and with such terror in her +eyes that he lifted her into his arms and talked reassuringly to her: + +"There, now," he said, "you're only a bit wet. Don't cry." + +"Take me home. I--I want to go home," sobbed the girl. + +"Sure," said Dorian. "Come on everybody." + +He led the way, and the rest of the children followed. + +"I suppose the party's about over, anyway," suggested he. + +"I--I guess so." + +They walked on in silence for a time; then Carlia said: + +"I guess I'm heavy." + +"Not at all", lied the young man bravely, for she was heavier than he +had supposed; but she made no offer to walk. By the time they reached +the gate, Carlia was herself again, and inclined to look upon her +wetting and escape as quite an adventure. + +"There," said Dorian as he seated the girl on the broad top of the gate +post; "I'll leave you there to dry. It won't take long." + +He looked at his own wet clothes, and then at his ragged, mud-laden +shoes. He might as well carry the girl up the path to her home, but +then, that was not necessary. The day was warm, there was no danger of +colds, and she could run up the path in a few minutes. + +"Well, I'll go now. Goodby," he said. + +"Wait a minute--Say, I'm glad you saved me, but I'm sorry you lost your +package. What was in it?" + +"Only books." + +"I'll get you some more, when I get the money, yes I will. Come here and +lift me down before you go." + +He obeyed. She put a wet arm about his neck and cuddled her dark, damp +curls against his russet mop. He lifted her lightly down, and then he +slipped a chocolate secretly into her hand. + +"Oh girls," exclaimed one of the party, "I know now." + +"Know what?" asked Carlia. + +"I know who you are going to marry." + +"Who?" + +"You're going to marry Dorian." + + + + +CHAPTER TWO. + + +The disposition to lie or evade never remained long with Dorian Trent; +but that evening as he turned into the lane which led up to the house, +he was sorely-tempted. Once or twice only, as nearly as he could +remember, had he told an untruth to his mother with results which he +would never forget. He must tell her the truth now. + +But he would put off the ordeal as long as possible. There could be no +harm in that. Everything was quiet about the house, as his mother was +away. He hurriedly divested himself of his best clothes and put on +his overalls. He took the milk pail and hung it on the fence until he +brought the cows from the pasture. After milking, he did his other +chores. There were no signs of mother. The dusk turned to darkness, yet +no light appeared in the house. Dorian went in and lighted the lamp and +proceeded to get supper. + +The mother came presently, carrying a bag of wool. "A big herd of sheep +went by this afternoon," she explained, "and they left a lot of fine +wool on the barbed-wire fences. See, I have gathered enough for a pair +of stockings." She seated herself. + +"You're tired," said Dorian. + +"Yes." + +"Well, you sit and rest; I'll soon have the supper on the table." This +was no difficult task, as the evening meal was usually a very simple +one, and Dorian had frequently prepared it. This evening as the mother +sat there quietly she looked at her son with admiring eyes. What a big +boy he was getting to be! He had always been big, it seemed to her. He +had been a big baby and a big little boy, and now he was a big young +man. He had a big head and big feet, big hands. His nose and mouth were +big, and big freckles dotted his face--yes, and a big heart, as his +mother very well knew. Along with his bigness of limb and body there was +a certain awkwardness. He never could run as fast as the other boys, +and he always fumbled the ball in their games though he could beat them +swimming. So far in his youthful career he had not learned to dance. The +one time he had tried, his girl partner had made fun of his awkwardness, +so that ended his dancing. But Dorian was not clumsy about his mother's +home and table. He handled the dishes as daintily as a girl, and the +table was set and the food served in a very proper manner. + +"Did you get your shoes, Dorian?" + +Dorian burned his fingers on a dish which was not at all hot. + +"Mother, sit up; supper is ready." + +They both drew up their chairs. Dorian asked the blessing, then became +unusually solicitous in helping his mother, continually talking as he +did so. + +"That little Duke girl was nearly drowned in the canal, this afternoon," +he told her, going on with the details. "She's a plucky little thing. +Ten minutes after I had her out of the canal, she was as lively as +ever." + +The mother liked to hear him talk, so she did not interrupt him. After +they had eaten, he forced her to take her rocking-chair while he cleared +the table and washed the few dishes. She asked no more questions about +shoes, but leaned back in her chair with half-closed eyes. Dorian +thought to give her the mint lozenges, but fearing that it might lead to +more questions, he did not. + +Mrs. Trent was not old in years, but hard work had bent her back and +roughened her hands. Her face was pleasant to look upon, even if there +were some wrinkles now, and the hair was white at the temples. She +closed her eyes as if she were going to sleep. + +"Now, mother, you're going to bed", said Dorian. "You have tired +yourself out with this wool picking. I thought I told you before that I +would gather what wool there was." + +"But you weren't here, and I could not stand to see the wind blowing it +away. See, what a fine lot I got." She opened her bundle and displayed +her fleece. + +"Well, put it away. You can't card and spin and knit it tonight." + +"It will have to be washed first, you foolish boy." + +Dorian got his mother to bed without further reference to shoes. He went +to his own room with a conscience not altogether easy. He lighted his +lamp, which was a good one, for he did a lot of reading by it. The +electric wires had not yet reached Greenstreet. Dorian stood looking +about his room. It was not a very large one, and somewhat sparsely +furnished. The bed seemed selfishly to take up most of the space. +Against one wall was set some home-made shelving containing books. He +had quite a library. There were books of various kinds, gathered with no +particular plan or purpose, but as means and opportunity afforded. In +one corner stood a scroll saw, now not very often used. Pictures of a +full-rigged sailing vessel and a big modern steamer hung on the wall +above his books. On another wall were three small prints, landscapes +where there were great distances with much light and warmth. Over his +bed hung an artist's conception of "Lorna Doone," a beautiful face, +framed in a mass of auburn hair, with smiling lips, and a dreamy look in +her eyes. + +"That's my girl," Dorian sometimes said, pointing to this picture. "No +one can take her from me; we never quarrel; and she never scolds or +frowns." + +On another wall hung a portrait of his father, who had been dead nine +years. His father had been a teacher with a longing to be a farmer. +Eventually, this longing had been realized in the purchase of the twenty +acres in Greenstreet, at that time a village with not one street which +could be called green, and without a sure water supply for irrigation, +at least on the land which would grow corn and potatoes and wheat. To +be sure, there was water enough of its kind down on the lower slopes, +besides saleratus and salt grass and cattails and the tang of marshlands +in the air. Schoolmaster Trent's operations in farming had not been very +successful, and when he died, the result of his failure was a part of +the legacy which descended to his wife and son. + +Dorian took a book from the shelf as if to read; but visions intruded +of some beautiful volumes, now somewhere down the canal, a mass of +water-soaked paper. He could not read. He finished his last chocolate, +said his prayers, and went to bed. + +Saturday was always a busy day with Dorian and his mother; but that +morning Mrs. Trent was up earlier than usual. The white muslin curtains +were already in the wash when Dorian looked at his mother in the summer +kitchen. + +"What, washing today!" he asked in surprise. Monday was washday. + +"The curtains were black; they must be clean for tomorrow." + +"You can see dirt where I can't see it." + +"I've been looking for it longer, my boy. And, say, fix up the line you +broke the other day." + +"Sure, mother." + +The morning was clear and cool. He did his chores, then went out to his +ten-acre field of wheat and lucerne. The grain was heading beautifully; +and there were prospects of three cuttings of hay; the potatoes were +doing fine, also the corn and the squash and the melons. The young +farmer's heart was made glad to see the coming harvest, all the work of +his own hands. + +For this was the first real crop they had raised. For years they had +struggled and pinched. Sometimes Dorian was for giving up and moving +to the city; but the mother saw brighter prospects when the new canal +should be finished. And then her boy would be better off working for +himself on the farm than drudging for others in the town; besides, she +had a desire to remain on the spot made dear by her husband's work; and +so they struggled along, making their payments on the land and later on +the canal stock. The summit of their difficulties seemed now to have +passed, and better times were ahead. Dorian looked down at his ragged +shoes and laughed to himself good-naturedly. Shucks, in a few months he +would have plenty of money to buy shoes, perhaps also a Sunday suit for +himself, and everything his mother needed. And if there should happen to +be more book bargains, he might venture in that direction again. + +Breakfast passed without the mention of shoes. What was his mother +thinking about! She seemed uncommonly busy with cleaning an uncommonly +clean house. When Dorian came home from irrigating at noon, he kicked +off his muddy shoes by the shanty door, so as not to soil her cleanly +scrubbed floor or to stain the neat home-made rug. There seemed to be +even more than the extra cooking in preparation for Sunday. + +The mother looked at Dorian coming so noiselessly in his stocking feet. + +"You didn't show me your new shoes last night," she said. + +"Say, mother, what's all this extra cleaning and cooking about?" + +"We're going to have company tomorrow." + +"Company? Who?" + +"I'll tell you about it at the table." + +"Do you remember," began the mother when they were seated, "a lady and +her little girl who visited us some two years ago?" + +Yes, he had some recollection of them. He remembered the girl, +specially, spindle-legged, with round eyes, pale cheeks, and an +uncommonly long braid of yellow hair hanging down her back. + +"Well, they're coming to see us tomorrow. Mrs. Brown is an old-time +friend of mine, and Mildred is an only child. The girl is not strong, +and so I invited them to come here and get some good country air." + +"To stay with us, mother?" asked the boy in alarm. + +"Just to visit. It's terribly hot in the city. We have plenty of fresh +eggs and good milk, which, I am sure is just what the child needs. Mrs. +Brown cannot stay more than the day, so she says, but I am going to ask +that Mildred visits with us for a week anyway. I think I can bring some +color into her cheeks." + +"Oh, gee, mother!" he remonstrated. + +"Now, Dorian, be reasonable. She's such a simple, quiet girl. She will +not be in the way in the least. I want you to treat her nicely." + +Dorian had finished his dinner and was gazing out of the window. There +was an odd look on his face. The idea of a girl living right here with +them in the same house startled and troubled him. His mother had called +her a little girl, but he remembered her as being only a year or two +younger than he. Gee! + +"That's why I wanted you to get a pair of decent shoes for tomorrow," +said the mother, "and I told you to get a nice pair. I have brushed and +pressed your clothes, but you must get a new suit as soon as possible. +Where are your shoes! I couldn't find them." + +"I--didn't get any shoes, mother." + +"Didn't get any! Why not?" + +"Well, you see--I didn't know about these visitors coming, mother, and +so I--bought some books for most of my money, and so; but mother, don't +get mad--I--" + +"Books? What books? Where are they?" + +And then Dorian told her plainly the whole miserable story. At first the +mother was angry, but when she saw the troubled face of her boy, she +relented, not wishing to add to his misery. She even smiled at the +calamitous ending of those books. + +"My boy, I see that you have been sorely tempted, and I am sorry that +you lost your books. The wetting that Carlia gave you did no harm ... +but you must have some shoes by tomorrow. Wait." + +The mother went to the bureau drawer, opened the lid of a little box, +drew from the box a purse, and took from the purse two silver dollars. +She handed them to Dorian. + +"Go to town again this afternoon and get some shoes." + +"But, mother, I hate to take your money. I think I can black my old ones +so that they will not look so bad." + +"Blacking will not fill the holes. Now, you do as I say. Jump on Nig and +go right away." + +Dorian put the money in his pocket, then went out to the yard and +slipped a bridle on his horse, mounted, and was back to the house. + +"Now, Dorian, remember what I say. Get you a nice pair, a nice Sunday +pair." + +"All right, mother, I will." + +He rode off at a gallop. He lingered not by creeks or byways, but went +directly to the best shoe store in the city, where he made his purchase. +He stopped neither at book store or candy shops. His horse was sweating +when he rode in at the home yard. His mother hearing him, came out. + +"You made quick time," she said. + +"Yes; just to buy a pair of shoes doesn't take long." + +"You got the right kind?" + +"Sure. Here, look at 'em." He handed her the package. + +"I can't look at them now. Say, Dorian--" she came out nearer to +him--"They are here." + +"Who, mother?" + +"Mrs. Brown and her daughter. They got a chance to ride out this +afternoon, so they did not wait until tomorrow. Lucky I cleaned up this +morning. Mildred is not a bit well, and she is lying down now. Don't +make any more noise than you can help." + +"Gee--but, mother, gosh!" He was very much disturbed. + +"They are dear, good people. They know we are simple farmers. Just you +wash yourself and take off those dirty overalls before you come in. And +then you just behave yourself. We're going to have something nice for +supper. Now, don't be too long with your hoeing or with your chores, +for supper will be early this evening." + +Dorian hoed only ten rows that afternoon for the reason that he sat down +to rest and to think at the end of each row. Then he dallied so with his +chores that his mother had to call him twice. At last he could find no +more excuses between him and the strange company. He went in with much +fear and some invisible trembling. + + + + +CHAPTER THREE. + + +About six o'clock in the afternoon, Mildred Brown went down through the +fields to the lower pasture. She wore a gingham apron which covered her +from neck to high-topped boots. She carried in one hand an easel and +stool and in the other hand a box of colors. Mildred came each day to a +particular spot in this lower pasture and set up her easel and stool in +the shade of a black willow bush to paint a particular scene. She did +her work as nearly as possible at the same time each afternoon to get +the same effect of light and shade and the same stretch of reflected +sunlight on the open water spaces in the marshland. + +And the scene before her was worthy of a master hand, which, of course, +Mildred Brown was not as yet. From her position in the shade of the +willow, she looked out over the flat marshlands toward the west. Nearby, +at the edge of the firmer pasture lands, the rushes grew luxuriously, +now crowned with large, glossy-brown "cat-tails." The flats to the left +were spotted by beds of white and black saleratus and bunches of course +salt grass. Openings of sluggish water lay hot in the sun, winding in +and out among reeds, and at this hour every clear afternoon, shining +with the undimmed reflection of the burning sun. The air was laden +with salty odors of the marshes. A light afternoon haze hung over the +distance. Frogs were lazily croaking, and the killdeer's shrill cry came +plaintively to the ear. A number of cows stood knee-deep in mud and +water, round as barrels, and breathing hard, with tails unceasingly +switching away the flies. + +Dorian was in the field turning the water on his lucerne patch when he +saw Mildred coming as usual down the path. He had not expected her that +afternoon as he thought the picture which she had been working on +was finished; but after adjusting the flow of water, he joined her, +relieving her of stool and easel. They then walked on together, the +big farm boy in overalls and the tall graceful girl in the enveloping +gingham. + +Mildred's visit had now extended to ten days, by which time Dorian had +about gotten over his timidity in her presence. In fact, that had not +been difficult. The girl was not a bit "stuck up," and she entered +easily and naturally into the home life on the farm. She had changed +considerably since Dorian had last seen her, some two years ago. Her +face was still pale, although it seemed that a little pink was now +creeping into her cheeks; her eyes were still big and round and blue; +her hair was now done up in thick shining braids. She talked freely to +Dorian and his mother, and at last Dorian had to some extent been able +to find his tongue in the presence of a girl nearly his own age. + +The two stopped in the shade of the willow. He set up the easel and +opened the stool, while she got out her colors and brushes. + +"Thank you," she said to him. "Did you get through with your work in the +field?" + +"I was just turning the water on the lucerne. I got through shocking the +wheat some time ago." + +"Is there a good crop! I don't know much about such things, but I want +to learn." She smiled up into his ruddy face. + +"The wheat is fine. The heads are well developed. I wouldn't be +surprised if it went fifty bushels to the acre." + +"Fifty bushels?" She began to squeeze the tubes of colors on to the +palette. + +Dorian explained; and as he talked, she seated herself, placed the +canvas on the easel, and began mixing the colors. + +"I thought you finished that picture yesterday," he said. + +"I was not satisfied with it, and so I thought I would put in another +hour on it. The setting sun promises to be unusually fine today, and I +want to put a little more of its beauty into my picture, if I can." + +The young man seated himself on the grass well toward the rear where he +could see her at work. He thought it wonderful to be able thus to make a +beautiful picture out of such a commonplace thing as a saleratus swamp. +But then, he was beginning to think that this girl was capable of +endless wonders. He had met no other girl just like her, so young and so +beautiful, and yet so talented and so well-informed; so rich, and yet +so simple in manner of her life; so high born and bred, and yet so +companionable with those of humbler station. + +The painter squeezed a daub of brilliant red on to her palette. She +gazed for a moment at the western sky, then turning to Dorian, she +asked: + +"Do you think I dare put a little more red in my picture?" + +"Dare?" he repeated. + +The young man followed the pointing finger of the girl into the flaming +depths of the sky, then came and leaned carefully over the painting. + +"Tell me which is redder, the real or the picture?" she asked. + +Dorian looked critically back and forth. "The sky is redder," be +decided. + +"And yet if I make my picture as red as the sky naturally is, many +people would say that it is too red to be true. I'll risk it anyway." +Then she carefully laid on a little more color. + +"Nature itself, our teacher told us, is always more intense than any +representation of nature." + +She worked on in silence for a few moments, then without looking from +her canvas, she asked: "Do you like being a farmer?" + +"Oh, I guess so," he replied somewhat indefinitely. "I've lived on a +farm all my life, and I don't know anything else. I used to think I +would like to get away, but mother always wanted to stay. There's been a +lot of hard work for both of us, but now things are coming more our way, +and I like it better. Anyway, I couldn't live in the city now." + +"Why?" + +"Well, I don't seem able to breathe in the city, with its smoke and its +noise and its crowding together of houses and people." + +"You ought to go to Chicago or New York or Boston," she replied. "Then +you would see some crowds and hear some noises." + +"Have you been there?" + +"I studied drawing and painting in Boston. Next to farming, what would +you like to do?" + +He thought for a moment--"When I was a little fellow--" + +"Which you are not," she interrupted as she changed brushes. + +"I thought that if I ever could attain to the position of standing +behind a counter in a store where I could take a piece of candy whenever +I wanted it, I should have attained to the heights of happiness. But, +now, of course--" + +"Well, and now?" + +"I believe I'd like to be a school teacher." + +"Why a teacher?" + +"Because I'd then have the chance to read a lot of books." + +"You like to read, don't you? and you like candy, and you like +pictures." + +"Especially, when someone else paints them." + +Mildred arose, stepped back to get the distance for examination. "I +don't think I had better use more color," she commented, "but those +cat-tails in the corner need touching up a bit." + +"I suppose you have been to school a lot?" he asked. + +"No; just completed the high school; then, not being very strong, mother +thought it best not to send me to the University; but she lets me dabble +a little in painting and in music." + +Dorian could not keep his eyes off this girl who had already completed +the high school course which he had not yet begun; besides, she had +learned a lot of other things which would be beyond him to ever reach. +Even though he were an ignoramus, he could bask in the light of her +greater learning. She did not resent that. + +"What do you study in High School!" he asked. + +"Oh, a lot of things--don't you know?" She again looked up at him. + +"Not exactly." + +"We studied algebra and mathematics and English and English literature, +and French, and a lot of other things." + +"What's algebra like?" + +"Oh dear, do you want me to draw it?" + +"Can you draw it?" + +"About as well as I can tell it in words. Algebra is higher mathematics; +yes, that's it." + +"And what's the difference between English and English literature?" + +"English is grammar and how sentences are or should be made. English +literature is made up mostly of the reading of the great authors, such +as Milton and Shakespeare," + +"Gee!" exclaimed Dorian, "that would be great fun." + +"Fun? just you try it. Nobody reads these writers now only in school, +where they have to. But say, Dorian"--she arose to inspect her work +again. "Have I too much purple in that bunch of salt-grass on the left? +What do you think?" + +"I don't see any purple at all in the real grass," he said. + +"There is purple there, however; but of course, you, not being an +artist, cannot see it." She laughed a little for fear he might think her +pronouncement harsh. + +"What--what is an artist?" + +"An artist is one who has learned to see more than other people can in +the common things about them." + +The definition was not quite clear to him. He had proved that he +could see farther and clearer than she could when looking at trees or +chipmunks. He looked critically again at the picture. + +"I mean, of course," she added, as she noted his puzzled look, "that an +artist is one who sees in nature the beauty in form, in light and shade, +and in color." + +"You haven't put that tree in the right place," he objected! "and you +have left out that house altogether." + +"This is not a photograph," she answered. "I put in my picture only that +which I want there. The tree isn't in the right place, so I moved it. +The house has no business in the picture because I want it to represent +a scene of wild, open lonesomeness. I want to make the people who look +at it feel so lonesome that they want to cry!" + +She was an odd girl! + +"Oh, don't you understand. I want them only to feel like it. When you +saw that charcoal drawing I made the other day, you laughed." + +"Well, it was funny." + +"That's just it. An artist wants to be able to make people feel like +laughing or crying, for then he knows he has reached their soul." + +"I've got to look after the water for a few minutes, then I'll come back +and help you carry your things," he said. "You're about through, aren't +you?" + +"Thank you; I'll be ready now in a few minutes. Go see to your water. +I'll wait for you. How beautiful the west is now!" + +They stood silently for a few moments side by side, looking at the glory +of the setting sun through banks of clouds and then down behind the +purple mountain. Then Dorian, with shovel on shoulder, hastened to his +irrigating. The blossoming field of lucerne was usually a common enough +sight, but now it was a stretch of sweet-scented waves of green and +purple. + +Mildred looked at the farmer boy until he disappeared behind the willow +fence, then she began to pack up her things. Presently, she heard some +low bellowing, and, looking up, she saw a number of cows, with tails +erect, galloping across the fields. They had broken the fence, and were +now having a gay frolic on forbidden grounds. Mildred saw that they were +making directly for the corner of the pasture where she was. She was +afraid of cows, even when they were within the quiet enclosure of the +yard, and here was a wild lot apparently coming upon her to destroy her. +She crouched, terror stricken, as if to take shelter behind the frail +bulwark of her easel. + +Then she saw a horse leap through the gap in the fence and come +galloping after the cows. On the horse was a girl, not a large girl, but +she was riding fearlessly, bare-back, and urging the horse to greater +strides. Her black hair was trailing in the wind as she waved a willow +switch and shouted lustily at the cows. She managed to head the cows off +before they had reached Mildred, rounding them up sharply and driving +them back through the breach into the road which they followed quietly +homeward. The rider then galloped back to the frightened girl. + +"Did the cows scare you?" she asked. + +"Yes," panted Mildred. "I'm so frightened of cows, and these were so +wild." + +"They were just playing. They wouldn't hurt you; but they did look +fierce." + +"Whose cows were they?" + +"They're ours. I have to get them up every day. Sometimes when the flies +are bad they get a little mad, but I'm not afraid of them. They know me, +you bet. I can milk the kickiest one of the lot." + +"Do you milk the cows?" + +"Sure--but what is that?" The rider had caught sight of the picture. +"Did you make that?" + +"Yes; I painted it." + +"My!" She dismounted, and with arm through bridle, she and the horse +came up for a closer view of the picture. The girl looked at it mutely +for a moment. "It's pretty" she said; "I wish I could make a picture +like that." + +Mildred smiled at her. She was such a round, rosy girl, so full of +health and life and color. Not such a little girl either, now a nearer +view was obtained. She was only a year or two younger than Mildred +herself. + +"I wish I could do what you can," said the painter of pictures. + +"I--what? I can't do anything like that." + +"No; but you can ride a horse, and stop runaway cows. You can do a lot +of things that I cannot do because you are stronger than I am. I wish I +had some of that rosy red in your cheeks." + +"You can have some of mine," laughed the other, "for I have more than +enough; but you wouldn't like the freckles." + +"I wouldn't mind them, I'm sure; but let me thank you for what you did, +and let's get acquainted." Mildred held out her hand, which the other +took somewhat shyly. "Don't you have to go home with your cows?" + +"Yes, I guess so." + +"Then we'll go back together." She gathered her material and they walked +on up the path, Mildred ahead, for she was timid of the horse which the +other led by the bridle rein. At the bars in the corner of the upper +pasture the horse was turned loose into his own feeding ground, and the +girls went on together. + +"You live near here, don't you?" inquired Mildred. + +"Yes, just over there." + +"Oh, are you Carlia Duke?" + +"Yes; how did you know?" + +"Dorian has told me about you." + +"Has he? We're neighbors; an' you're the girl that's visiting with the +Trent's?" + +"Yes." + +"Well, I'm glad to meet you. Dorian has told me about you, too." + +Thus these two, meeting for the first time, went on chatting together; +and thus Dorian saw them. He had missed Mildred at the lower pasture, +and so, with shovel again on shoulder, he had followed up the homeward +path. The girls were some distance ahead, so he did not try to overtake +them. In fact, he slackened his pace a little, so as not to get too +close to them to disturb them; but he saw them plainly walk close +together up the road in the twilight of the summer evening, the tall, +light-haired Mildred, and the shorter, dark-haired Carlia; and the child +in Dorian seemed to vanish, and the man in him asserted himself in +thought and feelings which it would have been hard for him to describe +in words. + + + + +CHAPTER FOUR. + + +Indian summer lay drowsily over the land. It had come late that season, +but its rare beauty compensated for its tardiness. Its golden mellowness +permeating the hazy air, had also, it seems, crept into the heart of +Dorian Trent. The light coating of frost which each morning lay on the +grass, had by noon vanished, and now the earth was warm and dry. + +Dorian was plowing, and he was in no great haste with his work. He did +not urge his horses, for they also seemed imbued with the languidness of +the season. He let them rest frequently, especially at the end of the +furrow where there was a grassy bank on which the plowman could lie +prone on his back and look into the dreamy distances of the hills or up +into the veiling clouds. + +Dorian could afford to take it a little easy that afternoon, so he +thought. The summer's work was practically over: the wheat had been +thrashed; the hay was in the stacks; the potatoes were in the pit; +the corn stood in Indian wigwam bunches in the yard; the fruit and +vegetables, mostly of the mother's raising, had been sufficient for +their simple needs. They were well provided for the winter; and so +Dorian was happy and contented as everyone in like condition should be +on such an Indian summer afternoon. + +Mildred Brown's visit to the farm had ended some weeks ago; but only +yesterday his mother had received a note from Mrs. Brown, asking if her +daughter might not come again. Her former visit had done her so much +good, and now the beautiful weather was calling her out into the +country. It was a shame, Mildred had said, that Indian summer should +"waste its sweetness on the desert air of the city." + +"What do you say?" Mrs. Trent had asked Dorian. + +"Why--why--of course, mother, if she doesn't make too much work for +you." + +And so Mildred had received the invitation that she was very welcome to +come to Greenstreet and stay as long as she desired. Very likely, she +would be with them in a day or two, thought Dorian. She would draw and +paint, and then in the soft evening dusk she would play some of those +exquisite melodies on her violin. Mildred did not like people to speak +of her beloved instrument as a fiddle, and he remembered how she had +chastised him on one occasion for so doing. Yes, she would again enter +into their daily life. Her ladylike ways, her sweet smile, her golden +beauty would again glorify their humble home. Why, if she came often +enough and remained long enough, she might yet learn how to milk a cow, +as she had threatened to do. At the thought, the boy on the grass by the +nodding horses, laughed up into the sky. Dorian was happy; but whether +he preferred the somewhat nervous happiness of Mildred's presence or the +quiet longing happiness of her absence, he could not tell. + +The plain truth of the matter was, that Dorian had fallen deeply in love +with Mildred. This statement may be scoffed at by some people whose eyes +have been dimmed by age so that they cannot see back into that time of +youth when they also were "trailing clouds of glory" from their heavenly +home. There is nothing more wholesomely sweet than this first boy and +girl affection. It is clean and pure and undefiled by the many worldly +elements which often enter into the more mature lovemaking. + +Perhaps Mildred Brown's entrance into Dorian's life did not differ from +like incidents in many lives, but to him it was something holy. Dorian +at this time never admitted to himself that he was in love with the +girl. He sensed very well that she was far above him in every way. The +thought that she might ever become his wife never obtained foothold in +him more than for a fleeting moment: that was impossible, then why think +of it. But there could be no harm in loving her as he loved his mother, +or as he loved the flowers, the clear-flowing water, the warm sun and +the blue sky. He could at least cast adoring eyes up to her as he did to +the stars at night. He could also strive to rise to her level, if that +were possible. He was going to the High school the coming winter, then +perhaps to the University. He could get to know as much of school +learning as she, anyway. He never would become a painter of pictures +or a musician, but surely there were other things which he could learn +which would be worth while. + +There came to Dorian that afternoon as he still lay on the grass, his +one-time effort to ask a girl to a dance. He recalled what care he +had taken in washing and combing and dressing, how he had finally cut +cross-lots to the girl's home for fear of being seen, for surely he had +thought, everybody must know what he was up to!--how he had lingered +about the back door, and had at last, when the door opened, scudded back +home as fast as his legs could carry him! And now, the finest girl he +had ever seen was chumming with him, and he was not afraid, that is, not +very much afraid. + +When Mildred had packed up to go home on the occasion of her former +visit she had invited Mrs. Trent to take her pick of her drawings for +her own. + +"All but this," Mildred had said. "This which I call 'Sunset in the +Marshland' I am going to give to Dorian." + +The mother had looked over the pile of sketches. There was a panel in +crayon which the artist said was the big cottonwood down by the Corners. +Mrs. Trent remarked that she never would have known it, but then, she +added apologetically, she never had an eye for art. There was a winter +scene where the houses were so sunk into the earth that only the roofs +were visible. (Mrs. Trent had often wondered why the big slanting roofs +were the only artistic thing about a house). Another picture showed a +high, camel-backed bridge, impossible to cross by anything more real +than the artist's fancy. Mrs. Trent had chosen the bridge because of its +pretty colors. + +"Where shall we hang Dorian's picture?" Mildred had asked. + +They had gone into his room. Mildred had looked about. + +"The only good light is on that wall." She had pointed to the space +occupied by Dorian's "best girl." + +And so Lorna Doone had come down and Mildred's study of the marshlands +glowed with its warmer colors in its place. + +The plowboy arose from the grass. "Get up there," he said to his horses. +"We must be going, or there'll be very little plowing today." + +Carlia Duke was the first person to greet Mildred as she alighted at the +Trent gate. Carlia knew of her coming and was waiting. Mildred put her +arm about her friend and kissed her, somewhat to the younger girl's +confused pleasure. The two girls went up the path to the house where +Mrs. Trent met them. + +"Where's your baggage?" asked the mother of the arrival, seeing she +carried only a small bag and her violin case. + +"This is all. I'm not going to paint this time--just going to rest, +mother said, so I do not need a lot of baggage." + +"Well, come in Honey; and you too, Carlia. Dinner is about ready, an' +you'll stay." + +By a little urging Carlia remained, and pretty soon, Dorian came +stamping in to be surprised. + +"Yes; we're all here," announced Carlia, as she tossed her black curls +and laughed at his confusion. + +"I see you are," he replied, as he shook hands with Mildred. After which +ceremony, it did not just look right to slight the other girl, so he +shook hands with her also, much to her amusement. + +"How do you do, Mr. Trent" she said. + +"Carlia is such a tease," explained the mother. + +"For which I like her," added Mildred. + +"We all do. Even Dorian here, who is usually afraid of girls, makes +quite a chum of her." + +"Well, we're neighbors," justified the girl. + +After dinner Carlia took Mildred home with her. It was not far, just +around the low ridge which hid the house from view. There Mildred met +Pa Duke, Ma Duke and Will Duke, Carlia's older brother. Pa Duke was a +hard-working farmer, Ma Duke was likewise a hard-working farmer's wife, +and Will Duke should have been a hard-working farmer's boy, but he was +somewhat a failure, especially regarding the hard work part. Carlia, +though so young, was already a hardworking farmer girl, with no chance +of escape, as far as she could see, from the hard-working part. The Duke +house, though clean and roomy, lacked the dainty home touches which +mean so much. There were no porch, no lawn, no trees. The home was bare +inside and out. + +In deference to the "company" Carlia was permitted to "visit" with her +friend that afternoon. Apparently, these two girls had very little in +common, but when left to themselves they found many mutual interests. + +Toward the close of the afternoon, Dorian appeared. He found the girls +out in the yard, Carlia seated on the topmost pole of the corral fence, +and Mildred standing beside her. + +"Hello girls," Dorian greeted. "I've come to give you an invitation." + +"What, a party!" exclaimed Carlia, jumping down from her perch. + +"Not a dancing party, you little goose--just a surprise party." + +"On who?" + +"On Uncle Zed." + +"Uncle Zed. O, shucks!" + +"Well, of course, you do not have to go," said Dorian. + +"I think you're mean. I do want to go if Mildred is going." + +"I don't know Uncle Zed," said Mildred, "but if Mrs. Trent and Dorian +wish me to go, I shall be pleased; and of course, you will go with us." + +"She's invited," repeated Dorian. "It's Uncle Zed's seventy-fifth +birthday. Mother keeps track of them, the only one who does, I guess, +for he doesn't do it himself. We're just going down to visit with him +this evening. He's a very fine old man, is Uncle Zed," this last to +Mildred. + +"Is he your uncle?" + +"Oh, no; he's just uncle to everybody and no one in particular. He's all +by himself, and has no folks?" + +Just before the dusk of the evening, the little party set out for the +home of Zedekiah Manning, generally and lovingly known as Uncle Zed. He +lived about half a mile down the road in a two-roomed log house which +had a big adobe chimney on one side. His front yard was abloom with the +autumn flowers. The path leading to his door was neatly edged by small +cobble stones. Autumn tinted ivy embowered his front door and climbed +over the wall nearly to the low roof. + +Uncle Zed met the visitors at the door. "Well, well," he exclaimed, +"come right in. I'll light the lamp." Then he assisted them to find +seats. + +Mildred looked keenly at Uncle Zed, whom she found to be a little frail +old man with clean white hair and beard, and kindly, smiling face. He +sat down with his company and rubbed his hands in a way which implied: +"And what does all this mean?" Mildred noted that the wall, back of his +own chair, was nearly covered with books, and a number of volumes lay +on the table. The room was furnished for the simple needs of the lone +occupant. A fire smouldered in the open grate. + +"Now, Uncle Zed, have you forgotten again?" inquired Mrs. Trent. + +"Forgotten what? I suppose I have, for my memory is not so good as it +used to be." + +"Your memory never was good regarding the day of the year you were +born." + +"Day when I was born? What, has my birthday come around again? Well, +sure; but I had quite forgotten. How these birthdays do pile up on one." + +"How old are you today?" asked Dorian. + +"How old? Let me see. I declare, I must be seventy-five." + +"Isn't he a funny man," whispered Carlia to Mildred, who appeared not to +hear the comment, so interested was she in the old man. + +"And so you've come to celebrate," went on Uncle Zed, "come to +congratulate me that I am one year nearer the grave." + +"Now, Uncle Zed, you know--" + +"Yes; I know; forgive me for teasing; I know why you come to wish me +well. It is that I have kept the faith one year more, and that I am +twelve months nearer my heavenly reward. That's it, isn't it?" + +Uncle Zed pushed his glasses up on his forehead to better see his +company, especially Mildred. Mrs. Trent made the proper introduction, +then lifted the picnic basket from the table to a corner. + +"We're just going to spend an hour or so with you," explained Mrs. +Trent. "We want you to talk, Mildred to play, and then we'll have a bite +to eat. We'll just sit about your grate, and look into the glow of the +fire while you talk." However, Dorian and Mildred were scanning the +books. + +"What's this set?" the young girl asked. + +Dorian bent down to read the dim titles. "The Millennial Star" he said. + +"And here's another set." + +"The Journal of Discourses" he replied. + +"My, all sermons? they must be dry reading." + +Uncle Zed heard their conversation, and stepped over to them. "Are +you also interested in books?" he asked. "Dorian and I are regular +book-worms, you know." + +Oh, yes, she was interested in books. + +"But there are books and books, you know," went on Uncle Zed. "You like +story books, no doubt. So do I. There's nothing better than a rattling +good love story, eh, young lady?" + +Mildred hardly knew just how to take this remark, so she did not reply. + +"Here's the most wonderful love story ever written." He took from +the shelf a very ordinary looking volume, called the "Doctrine and +Covenants." Carlia and Mrs. Trent now joined the other three. They also +were interested. + +"You wouldn't be looking in the 'Doctrine and Covenants' for love +stories, would you; but here in the revelation on the eternity of +the marriage covenant we find that men and women, under the proper +conditions and by the proper authority, may be united as husbands and +wives, not only for time, but for eternity. Most love stories end when +the lovers are married; but think of the endlessness of life and love +under this new and everlasting covenant of marriage--but I mustn't +preach so early in the evening." + +"But we like to hear it, Uncle Zed," said Dorian. + +"Indeed, we do," added Mildred. "Tell us more about your books." + +"Here is one of my precious volumes--Orson Pratt's works. When I get +hungry for the solid, soul-satisfying doctrines of the kingdom, I read +Orson Pratt. Parley Pratt also is good. Here is a book which is nearly +forgotten, but which contains beautiful presentations of the gospel, +'Spencer's Letters'. Dorian, look here." He handed the young man a +small, ancient-looking, leather bound book. "I found it in a second-hand +store and paid fifteen cents for it. Yes, it's a second edition of +the 'Doctrine and Covenants,' printed by John Taylor in Nauvoo in 1844. +The rest of my collection is familiar to you, I am sure. Here is a +complete set of the 'Contributor' and this is my 'Era' shelf, and here +are most of the more modern church works. Let us now go back to the +fire." + +After they were again seated, Mildred asked him if he had known Brigham +Young. She always liked to hear the pioneers talk of their experiences. + +"No" replied Uncle Zed, "I never met President Young, but I believe I +know him as well as many who had that pleasure. I have read everything +that I could get in print which Brigham Young ever said. I have read +all his discourses in those volumes. He was not a polished speaker, I +understand, and he did not often follow a theme; but mixed with the more +commonplace subjects of irrigation, Indian troubles, etc., which, in his +particular day had to be spoken of, are some of the most profound gospel +truths in any language. Gems of thought shine from every page of his +discourses." + +Carlia was nodding in a warm corner. Uncle Zed rambled on reminiscently +until Mrs. Trent suddenly arose, spoke sharply to Carlia, and lifted the +basket of picnic on to the table. + +"We'll have our refreshments now," she said, "and then we must be going. +Uncle Zed goes early to bed, and so should we." + +The table was spread: roast chicken, brought by Carlia; dainty +sandwiches, made by Mildred; apple pie from Mrs. Trent's cupboard; a jar +of apricot preserves, suggested by Dorian. Uncle Zed asked a blessing +not only on the food, but on the kind hands which had provided it. Then +they ate heartily, and yet leaving a generous part to be left in Uncle +Zed's own cupboard. + +Then Dorian had a presentation to make. He took from the basket a small +package, unwrapped it, and handed a book to the man who was seventy-five +years old. + +"I couldn't do much by way of the eats," said Dorian, "so my present is +this." + +"'Drummond's Natural Law in the Spiritual World'" read Uncle Zed. "Why, +Dorian, this is fine of you. How could you guess my wishes so nicely. +For a long time, this is just the book I have wanted." + +"I'm glad. I thought you'd like it." + +"Fine, fine," said the old man, fondling the volume as he would some +dear object, as indeed, every good book was to him. + +Then Mildred got out her violin, and after the proper tuning of the +strings, she placed it under her shapely chin. She played without music +some of the simple heart melodies, and then some of the Sunday School +songs which the company softly accompanied by words. + +Carlia poked the log in the grate into a blaze, then slyly turned the +lamp wick down. When detected and asked why she did that she replied: + +"I wanted to make it appear more like a picnic party around a camp fire +in the hills." + + + + +CHAPTER FIVE. + + +Dorian's high school days in the city began that fall, a little late +because he had so many things to set right at home; but he soon made up +the lost time, for he was a student not afraid of hard work. He walked +back and forth the three miles. Mrs. Brown offered him a room at her +large city residence, but he could not accept it because of his daily +home chores. However, he occasionally called on the Brown's who tried to +make him feel as much at home as they did at Greenstreet. + +Never before were days so perfect to Dorian, never before had he so +enjoyed the fleeting hours. For the first week or two, he was a little +shy, but the meeting each morning with boys and girls of his own age and +mingling with them in their studies and their recreations, soon taught +him that they were all very much alike, just happy, carefree young +people, most of them trying to get an education. He soon learned, also, +that he could easily hold his own in the class work with the brightest +of them. The teachers, and students also, soon learned to know this. +Boys came to him for help in problems, and the younger girls chattered +about him with laughing eyes and tossing curls. What a wonder it was! He +the simple, plainly-dressed country boy, big and awkward and ugly as he +thought himself to be, becoming a person of some importance. And so +the days went all too swiftly by. Contrary to his younger boyhood's +experience, the closing hour came too soon, when it was time to go home +to mother and chores and lessons. + +And the mother shared the boy's happiness, for she could see the added +joy of living and working which had come into his life by the added +opportunities and new environment. He frequently discussed with his +mother his lessons. She was not well posted in the knowledge derived +from books, and sometimes she mildly resented this newer learning which +he brought into the home and seemed to intrude on her old-established +ideas. For instance, when the cold winter nights came, and Dorian kept +open his bedroom window, the mother protested that he would "catch his +death of cold." Night air and drafts are very dangerous, especially if +let into one's bedroom, she held. + +"But, mother, I must have air to breathe," said Dorian, "and what other +kind of air can I have at night? I might store a little day-air in my +room, but I would soon exhaust its life-giving qualities at night. +You know, mother," he went on in the assurance of his newly acquired +knowledge, "I guess the Lord knew what He was about when He enveloped +the earth with air which presses down nearly fifteen pounds to the +square inch so that it might permeate every possible nook and corner of +the globe." Then he went on to explain the wonderful process of blood +purification in the lungs, and demonstrated to her that the breath is +continually throwing off foul matter. He did this by breathing into a +fruit jar, screwing on the lid for a little while, and then having the +nose make the test. + +"Some bed rooms I've gone into smell just like that," he said. + +"Here, mother is a clipping from a magazine. Listen: + +"'Of all the marvels of God's workmanship, none is more wondrous than +the air. Think of our all being bathed in a substance so delicate as to +be itself unperceived, yet so dense as to be the carriage to our senses +of messages from the world about us! It is never in our way; it does not +ask notice; we only know it is there by the good it does us. And this +exquisitely soft, pure, yielding, unseen being, like a beautiful and +beneficent fairy, brings us blessings from all around. It has the skill +to wash our blood clean from all foulness. Its weight keeps us from +tumbling to pieces. It is a reservoir where the waters lie stored, until +they fall and gladden the earth. It is a great-coat that softens to us +the heat of the day, and the cold of the night. It carries sounds to +our ears and smells to our nostrils. Its movements fill Nature with +ceaseless change; and without their aid in wafting ships over the sea, +commerce and civilization would have been scarce possible. It is of all +wonders the most wonderful.'" + +At another time when Dorian had a cold, and consequently, a loss of +appetite, his mother urged him to eat more, saying that he must have +strength to throw off his cold. + +"What is a cold?" he smilingly asked. + +"Why, a cold is--a cold, of course, you silly boy." + +"What does it do to the activities of the body?" + +"I'm not a doctor; how can I tell." + +"All mothers are doctors and nurses; they do a lot of good, and some +things that are not so good. For instance, why should I eat more when I +have a cold?" She did not reply, and so he went on: "The body is very +much like a stove or a furnace; it is burning material all the time. +Sometimes the clinkers accumulate and stop the draft, both in the human +as well as the iron stove. When that happens, the sensible thing to do +is not to throw in more fuel but to clean out the clinkers first." + +"Where did you get all that wisdom, Dorian?" + +"I got it from my text book on hygiene, and I think it's true because it +seems so reasonable." + +"Well, last night's talk led me to believe that you would become a +philosopher; now, the trend is more toward the doctor; tomorrow I'll +think you are studying law." + +"Oh, but we are, mother; you ought to hear us in our civil government +class. We have organized into a Congress of the United States, and we +are going to make laws." + +"You'll be elected President, I suppose." + +"I'm one of the candidates." + +"Well, my boy" she smiled happily at him, "I hope you will be elected to +every good thing, and that you will fill every post with honor; and now, +I would like you to read to me from the 'Lady of the Lake' while I darn +your stockings. Your father used to read the story to me a long, long +time ago, and your voice is very much like his when you read." + +And thus with school and home and ward duties the winter passed. Spring +called him again to the fields to which he went with new zeal, for life +was opening to him in a way which life is in the habit of doing to the +young of his age. Mildred Brown and her mother were in California. He +heard from her occasionally by way of postcards, and once she sent him +one of her sketches of the ocean. Carlia Duke also was not forgotten by +Mildred. Dorian and Carlia met frequently as neighbors will do, and they +often spoke of their mutual friend. The harvest was again good that +fall, and Dorian once more took up his studies at the high school in the +city. Carlia finished the grades as Dorian completed his second year, +and the following year Carlia walked with Dorian to the high school. +That was no great task for the girl, now nearly grown to young +womanhood, and it was company for both of them. During these walks +Carlia had many questions to ask about her lessons, and Dorian was +always pleased to help her. + +"I am such a dunce," she would say, "I wish I was as smart as you." + +"You must say 'were' when you wish. I were as smart as you," he +corrected. + +"O, yes: I forgot. My, but grammar is hard, especially to a girl +which--" + +"No--a girl who; which refers to objects and animals, who to persons." + +Carlia laughed and swung her books by the strap. Dorian was not carrying +them that day. Sometimes he was absentminded regarding the little +courtesies. + +The snow lay hard packed in the road and it creaked under their feet. +Carlia's cheeks glowed redder than ever in contact with the keen winter +air. They walked on in silence for a time. + +"Say, Dorian, why do you not go and see Mildred?" asked Carlia, not +looking at him, but rather at the eastern mountains. + +"Why? Is she not well?" + +"She is never well now. She looks bad to me." + +"When did you see her?" + +"Last Saturday. I called at the house, and she asked about you--Poor +girl!" + +"What do you mean by that?" + +"You are very smart in some things, but are a stupid dunce in other +things. Mildred is like an angel both in looks and--everything. I wish I +was--were half as good." + +"But how am I such a dunce, Carlia?" + +"In not seeing how much Mildred thinks of you." + +"Thinks of me? Mildred?" + +"She just loves you." + +Carlia still looked straight ahead as though fearful to see the +agitation she had brought to the young man; but he looked at her, with +cheeks still aflame. He did not understand Carlia. Why had she said +that? Was she just teasing him? But she did not look as if she were +teasing. Silently they walked on to the school house door. + +But Dorian could not forget what Carlia had said. All day it intruded +into his lessons. "She said she loves me" he whispered to his heart +only. Could it be possible? Even if she did, what final good would come +of it? The distance between them was still too great, for he was only a +poor farmer boy. Dear Mildred--his heart did not chide him for thinking +that--so frail, so weak, so beautiful. What if she--should die! Dorian +was in a strange state of mind for a number of days. He longed to visit +the Brown home, yet he could not find excuse to go. He could not talk +to anybody about what was in his mind and heart, not even to his mother +with whom he always shared his most hidden thoughts. + +One evening he visited Uncle Zed, ostensibly, to talk about a book. +Uncle Zed was deep in the study of "Natural Law in the Spiritual World" +and would have launched into a discussion of what he had found, but +Dorian did not respond; he had other thoughts in mind. + +"Uncle Zed," he said, "how can I become something else than a farmer?" + +The old man looked questioningly at his young friend. "What's the matter +with being a farmer?" he asked. + +"Well, a farmer doesn't usually amount to much, I mean in the eyes of +the world. Farmers seem to be in a different class from merchants, for +example, or from bankers or other more genteel workers." + +"Listen to me, Dorian Trent." Uncle Zed laid down his book as if he had +a serious task before him. "Let me tell you something. If you haven't +done so before, begin now and thank the Lord that you began life on this +globe of ours as a farmer's child and boy. Whatever you do or become in +the future, you have made a good beginning. You have already laid away +in the way of concepts, we may say, a generous store of nature's riches, +for you have been in close touch with the earth, and the life which +teems in soil and air and the waters. Pity the man whose childish eyes +looked out on nothing but paved streets and brick walls or whose young +ears heard nothing but the harsh rumble of the city, for his early +conceptions from which to interpret his later life is artificial and +therefore largely untrue." + +Uncle Zed smiled up into the boy's face as if to ask, Do you get that? +Dorian would have to have time to assimilate the idea; meanwhile, he had +another question: + +"Uncle Zed, why are there classes among members of our Church?" + +"Classes? What do you mean?" + +"Well, the rich do not associate with the poor nor the learned with +the unlearned. I know, of course, that this is the general rule in the +world, but I think it should be different in the Church." + +"Yes; it ought to be and is different. There are no classes such as you +have in mind in the Church, even though a few unthinking members seem to +imply it by their actions; but there is no real class distinction in the +Church of Jesus Christ of Latter-day Saints, only such that are based on +the doing of the right and the wrong. Character alone is the standard of +classification." + +"Yes, I see that that should be true." + +"It is true. Let me illustrate: The presiding authority in the Church +is not handed down from father to son, thus fostering an aristocratic +tendency; also this authority is so wide-spread that anything like a +"ruling family" would be impossible. In a town where I once lived, the +owner of the bank and the town blacksmith were called on missions. They +both were assigned to the same field, and the blacksmith was appointed +to preside over the banker. The banker submitted willingly to be +directed in his missionary labors by one who, judged by worldly +standards, was far beneath him in the social scale. I know a shoemaker +in the city who is a teacher in the theological class of his ward, +whose membership consists of merchants, lawyers, doctors, and the like. +Although he is poor and earns his living by mending shoes, he is greatly +respected for his goodness and his knowledge of Scriptural subjects and +doctrine." + +"So you think--that a young fellow might--that it would not be wrong--or +foolish for a poor man to think a lot of--of a rich girl, for instance." + +Uncle Zed peered at Dorian over his glasses. The old man took him gently +by the shoulders. Ah, that's what's back of all this, he thought; but +what he said was: + +"My boy, Emerson said, 'Hitch your wagon to a star,' and I will add, +never let go, although the rocks in the road may bump you badly. Why, +there's nothing impossible for a young man like you. You may be rich, if +you want to; I expect to see you learned; and the Priesthood which you +have is your assurance, through your diligence and faithfulness, to any +heights. Yes, my boy; go ahead--love Mildred Brown all you want to; +she's fine, but not a bit finer than you." + +"Oh, Uncle Zed," Dorian somewhat protested; but, nevertheless, he went +home that evening with his heart singing. + + + + +CHAPTER SIX. + + +Some days later word came to Mrs. Trent that Mildred was very ill. "Call +on them after school," she said to Dorian, "to see just how she is, and +ask Mrs. Brown if I can do anything for her." + +Dorian did as he was directed. He went around to the back door for fear +he might disturb the sick girl. Mrs. Brown herself, seeing him coming, +met him and let him in. + +Yes, Mildred was very ill. Mrs. Brown was plainly worried. Could he +or his mother do anything to help? No; only to lend their faith and +prayers. Would he come into the sick room to see her for a few minutes? +Yes, if she desired it. + +Dorian followed the mother into the sick room. Mildred lay well propped +up by pillows in a bed white as snow. She was thinner and paler than +ever, eyes bigger, hair heavier and more golden. When she saw Dorian, +she smiled and reached out her hand, letting it lie in the big strong +one. + +"How are you?" she said, very low. + +"Well and fine, and how are you?" + +She simply shook her head gently and closed her eyes, seeming content to +touch the strong young manhood beside her. The mother went quietly from +the room, and all became quite still. Speech was difficult for the sick +girl, and equally hard for the young man. But he looked freely at the +angel-like face on the pillow without rebuke from the closed eyes. He +glanced about the room, beautifully clean and airy. All her books and +her working material had been carried away as if she were through with +them for good. In a corner on an easel stood an unfinished copy of +"Sunset in Marshland." Dorian's eyes rested for a moment on the picture, +and as he again looked at the girl, he saw a smile pass over the +marble-like face. + +That was all. Presently, he left the room, and without many words, the +house. + +Each day after that Dorian managed to learn of the girl's condition, +though he did not go into the sick chamber. On the sixth day word came +to Dorian at school that Mildred was dying. He looked about for Carlia +to tell her, but she was nowhere to be found. Dorian could not go home. +Mildred was dying! The one girl--yes, the only one in all the world who +had looked at him with her heart in the look, was leaving the world, and +him. Why could she not live, if only for his sake? He sat in the school +room until all had gone, and he was alone with the janitor. His open +book was still before him, but he saw not the printed page. Then the +short winter day closed. Dusk came on. The janitor had finished sweeping +the room and was ready to leave. Dorian gathered up his books, put on +his overcoat, and went out. Mildred was dying! Perhaps she was about to +begin that great journey into the unknown. Would she be afraid? Would +she not need a strong hand to help her? "Mildred," he whispered. + +He walked on slowly up the street toward the Brown's. Darkness came +on. The light gleamed softly through the closed blinds of the house. +Everything was very still. He did not try to be admitted, but paced back +and forth on the other side of the street. Back and forth he went for a +long time, it seemed. Then the front door opened, and the doctor passed +out. Mildred must either be better or beyond all help. He wanted to ask +the doctor, but he could not bring himself to intercept him. The house +remained quiet. Some of the lights were extinguished. Dorian crossed the +street. He must find out something. He stood by the gate, not knowing +what to do. The door opened again, and a woman, evidently a neighbor, +came out. She saw the young man and stopped. + +"Pardon me," said Dorian, "but tell me how Mildred--Miss Brown is?" + +"She just died." + +"Thank you." + +The woman went into a nearby house. Dorian moved away, benumbed with the +despair which sank into his heart at the final setting of his sun. Dead! +Mildred was dead! He felt the night wind blow cold down the street, and +he saw the storm clouds scudding along the distant sky. In the deep blue +directly above him a star shone brightly, but it only reminded him of +what Uncle Zed had said about hitching to a star; yes, but what if the +star had suddenly been taken from the sky! + +A form of a girl darted across the street toward him. He stopped and saw +that it was Carlia. + +"Dorian" she cried, "how is she?" + +"She has just died." + +"Dead! O, dear," she wailed. + +They stood there under the street light, the girl looking with great +pity into the face of the young man. She was only a girl, and not a very +wise girl, but she saw how he suffered, and her heart went out to his +heart. She took his hand and held it firmly within her warmer grasp; and +by that simple thing the young man seemed again to get within the reach +of human sympathy. Then they walked on without speaking, and she led him +along the streets and on to the road which led to Greenstreet. + +"Come on, Dorian, let's go home," she said. + +"Yes; let's go home, Carlia." + + + + +CHAPTER SEVEN. + + +The death of Mildred Brown affected Dorian Trent most profoundly. Not +that he displayed any marked outward signs of his feelings, but his very +soul was moved to its depths, sometimes as of despair, sometimes as +of resentment. Why, he asked himself, should God send--he put it this +way--send to him this beautiful creature who filled his heart so +completely, why hold her out to him as if inviting him to take her, and +then suddenly snatch her away out of his life--out of the life of the +world! + +For many days Dorian went about as if in a pained stupor. His mother, +knowing her boy, tried in a wise way to comfort him; but it was not +altogether a success. His studies were neglected, and he had thoughts of +quitting school altogether; but he did not do this. He dragged through +the few remaining days until spring, when he eagerly went to work on the +open reaches of the farm, where he was more away from human beings and +nearer to that something in his heart. He worked long and hard and +faithfully that spring. + +On the upper bank of the canal, where the sagebrush stood untouched, +Dorian that summer found the first sego blossoms. He had never observed +them so closely before nor seen their real beauty. How like Mildred they +were! He gathered a bouquet of them that Saturday afternoon as he went +home, placed them in a glass of water, and then Sunday afternoon he +wrapped them in a damp newspaper and took the bouquet with him to town. +His Sunday trips to the city were usually for the purpose of visiting +Mildred's grave. The sun shone warm that day from a blue sky as Dorian +came slowly and reverently to the plot where lay all that was earthly of +one whom he loved so well. The new headstone gleamed in white marble and +the young grass stood tender and green. Against the stone lay a bunch of +withered wild roses. Someone had been there before him that day. Whom +could it be? Her mother was not in the city, and who else would remember +the visit of the angel-being who had returned to her eternal home? A +pang shot through his heart, and he was half tempted to turn without +placing his own tribute on the grave, then immediately he knew the +thought was foolish. He took off the wrapping and placed his fresher +flowers near the more withered ones. Later that summer, he learned +only incidently that it had been Carlia who had been before him that +afternoon. + +During those days, Carlia kept out of Dorian's way as much as possible. +She even avoided walking to and from school with him. He was so +absentminded even with her that she in time came to resent it in her +feelings. She could not understand that a big, very-much-alive boy +should have his mind so fixed on a dead girl that he should altogether +forget there were living ones about, especially one, Carlia Duke. + +One evening Dorian met Uncle Zed driving his cow home from the pasture, +and the old man invited the younger man to walk along with him. Dorian +always found Uncle Zed's company acceptable. + +"Why haven't you come to me with your trouble?" abruptly asked Uncle +Zed. + +Dorian started, then hung his head. + +"We never have any unshared secrets, you know, and I may have been able +to help you." + +"I couldn't talk to anybody." + +"No; I suppose not." + +The cow was placed in the corral, and then Uncle Zed and Dorian sat +down on a grassy bank. The sun was painting just such a picture of the +marshlands as Dorian knew so well. + +"But I can talk to you" continued the old man as if there had been no +break in his sentences. "Death, I know, is a strange and terrible thing, +for youth; when you get as old as I, I hope you will look on death as +nothing more than a release from mortality, a moving from one sphere to +another, a step along the eternal line of progress. I suppose that it +is just as necessary that we pass out of the world by death as that we +enter it by birth; and I further suppose that the terror with which +death is vested is for the purpose of helping us to cling to this +earth-life until our mission here is completed." + +Dorian did not speak; his eyes were on the marshlands. + +"Imagine, Dorian, this world, just as it is, with all its sin and misery +and without any death. What would happen? We would all, I fear, become +so self-centered, so hardened in selfishness that it would be difficult +for the gentle power of love to reach us; but now there is hardly a +family that has not one or more of its members on the other side. And +these absent loved ones are anchors to our souls, tied to us by the +never-ending cords of love and affection. You, yourself, my boy, never +have had until now many interests other than those of this life; now +your interests are broadened to another world, and that's something +worth while.... Now, come and see me often." They arose, each to go to +his home. + +"I will, Uncle Zed. Thank you for what you have said." + +Dorian completed his four years high school. Going to the University +might come later, but now he was moved by a spirit of activity to do +bigger things with his farm, and to enlarge it, if possible. + +About this time, dry-farming had taken the attention of the farmers +in his locality, and many of them had procured lands on the sloping +foothills. Dorian, with a number of other young men had gone up the +nearby canyon to the low hills of the valley beyond and had taken up +lands. That first summer Dorian spent much of his time in breaking up +the land. As timber was not far away, he built himself a one-roomed log +house and some corrals and outhouses. A mountain stream rushed by the +lower corner of his farm, and its wild music sang him to sleep when he +spent the night in the hills. He furnished his "summer residence" with a +few simple necessities so that he could live there a number of days at a +time. He minded not the solitude. The wild odorous verdure of the hills, +the cool breezes, the song of the distant streams, the call of the +birds, all seemed to harmonize with his own feelings at that time. He +had a good kerosene lamp, and at nights when he was not too tired, he +read. On his visits to the city he usually had an eye for book bargains, +and thus his board shelving came to be quite a little library. He had no +method in his collecting, no course of connected study. At one time he +would leisurely read one of Howell's easy-going novels, at another time +he would be kept wide-eyed until midnight with "Lorna Doone" or with +"Ben Hur." + +Dorian had heard of Darwin, of Huxley, of Ingersol and of Tom Payne, but +he had never read anything but selections from these writers. Now he +obtained a copy of the "Origin of Species" and a book by Ingersol. +These he read carefully. Darwin's book was rather heavy, but by close +application, the young student thought he learned what the scientist was +"driving at." This book disturbed him somewhat. There seemed to be much +truth in it, but also some things which did not agree with what he had +been taught to be true. In this he realized his lack of knowledge. More +knowledge must clear up any seeming contradiction, he reasoned. Ingersol +was more readable, snappy, witty, hitting the Bible in a fearless way. +Dorian had no doubt that all of Ingersol's points could be answered, as +he himself could refute many of them. + +One day as Dorian was browsing as usual in a book store he came across a +cheap copy of Drummond's "Natural Law in the Spiritual World," the book +which he had given Uncle Zed. As he wanted a copy himself, he purchased +this one and took it with him to his cabin in the hills. Immediately he +was interested in the book, and he filled its pages with copious notes +and marks of emphasis. + +It was Sunday afternoon in mid-summer at Greenstreet. The wheat again +stood in the shock. The alfalfa waved in scented purple. Dorian and the +old philosopher of Greenstreet sat in the shade of the cottonwood and +looked out on the farm scene as they talked. + +"I've also been reading 'Natural Law in the Spiritual World'" said +Dorian. + +"Good," replied Uncle Zed. "I was going to lend you my copy, so we could +talk about it intelligently. What message have you found in it for you?" + +"Message?" + +"Yes; every book should have a message and should deliver it to the +reader. Drummond's book thundered a message to me, but it came too late. +I am old, and past the time when I could heed any such call. If I were +young, if I--if I were like you, Dorian, you who have life before you, +what might not I do, with the help of the Lord!" + +"What, Uncle Zed?" + +"Drummond was a clergyman and a professor of natural history and +science. As such, he was a student of the laws of God as revealed both +through the written word of inspiration and in nature about him. In his +book he aims to prove that the spiritual world is controlled by the same +laws which operate in the natural wold; and as you perhaps discovered in +your reading, he comes very nearly proving his claim. He presents some +wonderfully interesting analogies. Of course, much of his theology is +of the perverted sectarian kind, and therein lies the weakness of his +argument. If he had had the clear truth of the restored gospel, how much +brighter would his facts have been illumed, how much stronger would have +been his deductions. Why, even I with my limited scientific knowledge +can set him right in many places. So I say, if I were but a young man +like you, do you know what I'd do?" + +"What?" again questioned Dorian. + +"I would devote all my mind, might and strength to the learning of +truth, of scientific truth. I would cover every branch of science +possible in the limits of one life, especially the natural sciences. +Then with my knowledge of the gospel and the lamp of inspiration which +the priesthood entitles me to, I could harmonize the great body of truth +coming from any and every source. Dorian, what a life work that would +be!" + +The old man looked smilingly at his companion with a strange, knowing +intimation. He spoke of himself, but he meant that Dorian should take +the suggestion. Dorian could pick up his beautiful dream and make it +come true. Dorian, with life and strength, and a desire for study and +truth could accomplish this very desirable end. The old man placed his +hand lovingly on the young man's shoulder, as he continued: + +"You are the man to do this, Dorian--you, not I." + +"I--Uncle Zed, do you believe that?" + +"I do. Listen, my boy. I see you looking over the harvested field. It is +a fine work you are doing; thousands can plant and harvest year after +year; but few there are who can and will devote their lives to the +planting of faith and the nourishing and the establishing of faith in +the hearts of men; and that's what we need now to properly answer the +Lord's cry that when He cometh shall He find faith on the earth?... Let +the call come to you--but there, in the Lord's own good time. Come into +the house. I have a new book to show you, also I have a very delicious +cherry pie." + +They went into the house together, where they inspected both book and +pie. Dorian weakly objected to the generous portion which was cut for +him, but Uncle Zed explained that the process of division not only +increased the number of pieces of pie, but also added to its tastiness. +Dorian led his companion to talk about himself. + +"Yes," he said in reply to a question, "I was born in England and +brought up in the Wesleyan Methodist church. I was a great reader ever +since I can remember. I read not only history and some fiction, but +even the dry-as-dust sermons were interesting to me. But I never seemed +satisfied. The more I read, the deeper grew the mysteries of life. +Nowhere did I find a clear, comprehendible statement of what I, an +entity with countless other entities, was doing here. Where had I come +from, where was I going? I visited the churches within my reach. I heard +the preachers and read the philosophers to obtain, if possible, a clue +to the mystery of life. I studied, and prayed, and went about seeking, +but never finding." + +"But you did find the truth at last?" + +"Yes; thank the Lord. I found the opening in the darkness, and it came +through the simple, humble, and not very learned elders of the Church of +Jesus Christ of Latter-day Saints." + +"What is the principle trouble with all this learning of the world that +it does not lead to the truth?" + +"The world's ignorance of God. Eternal life consists in knowing the only +true God, and the world does not know Him; therefore, all their systems +of religion are founded on a false basis. That is the reason there is so +much uncertainty and floundering when philosophers and religionists try +to make a known truth agree with their conceptions of God." + +"Explain that a little more to me, Uncle Zed." + +"Some claim that Nature is God, others that God only manifests Himself +through nature. I read this latter idea many places. For instance, Pope +says: + + "'All are but parts of one stupendous whole + Whose body nature is, and God the soul.' + +"Also Tennyson: + + 'The sun, the moon, the stars, the seas, the hills and plains + Are not these, O soul, the vision of Him who reigns? + Speak to Him there, for He hears, and spirit with spirit can meet, + Closer is He than breathing, and nearer than hands and feet.' + +"This, no doubt, is beautiful poetry, but it tells only a part of the +truth. God, by His Spirit is, and can be all the poet here describes. +'Whither shall I go from thy spirit? or whither shall I flee from thy +presence?' exclaims the Psalmist. 'In him we live and move and have our +being' declares Paul; but these statements alone are not enough for our +proper understanding of the subject. We try to see God behind the veil +of nature, in sun and wind and flower and fruit; but there is something +lacking. Try now to formulate some distinct idea of what this universal +and almighty force back of nature is. We are told that this force is +God, whom we must love and worship and serve. We want the feeling +of nearness to satisfy the craving for love and protection, but our +intellect and our reason must also be somewhat satisfied. We must +have some object on which to rest--we cannot always be floating about +unsuspended in time and space. + +"Then there is some further confusion: Christian philosophers have tried +to personify this 'soul of the universe,' for God, they say, thinks and +feels and knows. They try to get a personality without form or bounds or +dimentions, but it all ends in vagueness and confusion. As for me, and I +think I am not so different from other men,--for me to be able to think +of God, I must have some image of Him. I cannot think of love or good, +or power or glory in the abstract. These must be expressed to me by +symbols at least as eminating from, or inherent in, or exercised by some +person. Love cannot exist alone: there must be one who loves and one +who is being loved. God is love. That means to me that a person, a +beautiful, glorified, allwise, benevolent being exercises that divine +principle which is shed forth on you and me. + +"Now, if the world would only leave all this metaphysical meandering and +come back to the simple truth, what a clearing of mists there would +be! All their philosophies would have a solid basis if they would only +accept the truth revealed anew to us through the Prophet Joseph Smith +that God is one of a race, the foremost and first, if you wish it, but +still one of a race of beings who inhabit the universe; that we humans +are His children, begotten of Him in the pre-mortal world in His image; +that we are on the upward path through eternity, following Him who has +gone before and has marked out the way; that if we follow, we shall +eventually arrive at the point where He now is. Ignorance of these +things is what I understand to be ignorance of God." + +"In England I lost my wife and two children. The gospel came to me +shortly after, I am sure, to comfort me in the depths of my despair. Not +one church on earth that I knew of, Catholic or Protestant, would hold +out any hope of my ever being reunited with wife and children as such. +There is no family life in heaven, they teach. At that time I went about +listening to the preachers, and I delved into books. I made extensive +copyings in my note books. I have them yet, and some day when you are +interested I will show them to you." + +"I am interested now," said Dorian. + +"But I'm not going to talk to you longer on this theme, even though it +is Sunday and time for sermonizing. I'm going to meeting, where you also +ought to go. You are not attending as regularly as you should." + +"No, but I've been very busy." + +"No excuse that. There is danger in remaining away too long from the +established sources of spiritual inspiration and uplift, especially when +one is reading Ingersol and Tom Paine. I have no fault to find with your +ambition to get ahead in the world, but with it 'remember thy creator in +the days of thy youth.' Are you neglecting your mother?" + +"No; I think not, Uncle Zed; but what do you mean about mother?" + +"You are all she has. Are you making her days happy by your personal +care and presence. Are you giving of yourself to her?" + +"Well, perhaps I am not so considerate as I might be; I am away quite a +lot; thank you for calling my attention to it." + +"Are you neglecting anybody else?" + +"Not that I know." + +"Good. Now I must clear away my table and get ready for meeting. You'll +go with me." + +"I can't. I haven't my Sunday clothes." + +"The Lord will not look at your clothes." + +"No; but a lot of people will." + +"We go to meeting to worship the Lord, not to be looked at by others. Go +home and put on your Sunday best; there is time." The old man was busy +between table and cupboard as he talked. "Have you seen Carlia lately?" + +"No," replied Dorian. + +"The last time she was here I thought she was a little peaked in the +face, for you know she has such a rosy, roly-poly one." + +"Is that so? She comes to see you, then?" + +"Yes; oftener than you do." + +"I never meet her here." + +"No; she manages that, I surmise." + +"What do you mean?" + +"I tell you Carlia is a lovely girl," continued Uncle Zed, ignoring his +direct question. "Have you ever eaten butter she has churned?" + +"Not that I know." + +"She used to bring me a nice pat when my cow was dry; and bread of her +own baking too, about as good as I myself make." He chuckled as he wiped +the last dish and placed it neatly in the rack. + +Dorian arose to go. "Remember what I have told you this evening" said +Uncle Zed. The old man from behind his window watched his young friend +walk leisurely along the road until he reached the cross-lots path which +led to the Duke home. Here he saw him pause, go on again, pause once +more, then jump lightly over the fence and strike out across the field. +Uncle Zed then went on finishing his preparations for meeting. + +As Dorian walked across the field, he did think of what Uncle Zed had +said to him. Dorian had built his castles, had dreamed his dreams; but +never before had the ideas presented to him by Uncle Zed that afternoon +ever entered in them. The good old man had seemed so eager to pass on +to the young man an unfulfilled work, yes, a high, noble work. Dorian +caught a glimpse of the greatness of it and the glory of it that +afternoon, and his soul was thrilled. Was he equal to such a task?... He +had wanted to become a successful farmer, then his vision had gone on +to the teaching profession; but beyond that he had not ventured. He was +already well on the way to make a success of his farms. He liked the +work. He could with pleasure be a farmer all his life. But should a +man's business be all of life? Dorian realized, not of course in its +fuller meaning, that the accumulating of worldly riches was only a means +to the accomplishing of other and greater ends of life; and here was +before him something worthy of any man's best endeavors. Here was a +life's work which at its close would mean something to him and to the +world. With these thoughts in his mind he stepped up to the rear of the +Duke place where he saw someone in the corral with the cows, busy with +her milking. + + + + +CHAPTER EIGHT. + + +"Hello, Carlia", greeted Dorian as he stopped at the yard and stood +leaning against the fence. + +Carlia was just finishing milking a cow. As she straightened, with a +three-legged stool in one hand and a foaming milk pail in the other, she +looked toward Dorian. "O, is that you? You scared me." + +"Why?" + +"A stranger coming so suddenly." + +The young man laughed. "Nearly through?" he asked. + +"Just one more--Brindle, the kickey one." + +"Aren't you afraid of her?" + +Carlia laughed scornfully. The girl had beautiful white teeth. Her red +cheeks were redder than ever. Her dark hair coiled closely about her +shapely head. And she had grown tall, too, the young man noticed, though +she was still plump and round-limbed. + +"My buckets are full, and I'll have to take them to the house before I +can finish," she said. "You stay here until I come back--if you want +to." + +"I don't want to--here, let me carry them." He took the pails from her +hand, and they went to the house together. + +The milk was carried into the kitchen where Mrs. Duke was busy with pots +and pans. Mr. Duke was before the mirror, giving the finishing touches +to his hair. He was dressed for meeting. As he heard rather than saw his +daughter enter, he asked: + +"Carlia, have you swilled the pigs?" + +"Not yet," she replied. + +"Well, don't forget--and say, you'd better give a little new milk to the +calf. It's not getting along as well as it should--and, if you have time +before meetin', throw a little hay to the horses." + +"All right, father, I'll see to all of it. As I'm not going to meeting, +I'll have plenty of time." + +"Not goin'?" He turned, hair brush in hand, and saw Dorian. "Hello, +Dorian," he greeted, "you're quite a stranger. You'll come along to +meetin' with Carlia, I suppose. We will be late if we don't hurry." + +"Father, I told you I'm not going. I--" she hesitated as if not quite +certain of her words--"I had to chase all over the hills for the cows, +and I'm not through milking yet. Then there are the pigs and the calves +and the horses to feed. But I'll not keep Dorian. You had better go with +father"--this to the young man who still stood by the kitchen door. + +"Leave the rest of the chores until after meetin'," suggested the +father, somewhat reluctantly, to be sure, but in concession to Dorian's +presence. + +"I can't go to meeting either," said Dorian. "I'm not dressed for it, so +I'll keep Carlia company, if you or she have no objections." + +"Well, I've no objections, but I don't like you to miss your meetin's." + +"We'll be good," laughed Dorian. + +"But--" + +"Come, father," the mother prompted, "you know I can't walk fast in this +hot weather." + +Carlia got another pail, and she and Dorian went back to the corral. + +"Let me milk," offered Dorian. + +"No; you're strange, and she'd kick you over the fence." + +"O, I guess not," he remarked; but he let the girl finish her milking. +He again carried the milk back; he also took the "slop" to the pigs and +threw the hay to the horses, while the girl gave the new milk to the +butting calf; then back to the house where they strained the milk. Then +the young man was sent into the front room while the girl changed from +work to Sunday attire. + +The front room was very hot and uncomfortable. The young man looked +about on the familiar scene. There were the same straight-backed chairs, +the same homemade carpet, more faded and threadbare than ever, the +same ugly enlarged photographs within their massive frames which the +enterprising agent had sold to Mrs. Duke. There was the same lack of +books or music or anything pretty or refined; and as Dorian stood and +looked about, there came to him more forcibly than ever the barrenness +of the room and of the house in general. True, his own home was very +humble, and yet there was an air of comfort and refinement about it. The +Duke home had always impressed him as being cold and cheerless and ugly. +There were no protecting porches, no lawn, no flowers, and the barn yard +had crept close up to the house. It was a place to work. The eating and +the sleeping were provided, so that work could be done, farm and kitchen +work with their dirt and litter. The father and the mother and the +daughter were slaves to work. Only in work did the parents companion +with the daughter. The visitors to the house were mostly those who came +to talk about cattle and crops and irrigation. + +As a child, Carlia was naturally cheerful and loving; but her sordid +environment seemed to be crushing her. At times she struggled to get out +from under; but there seemed no way, so she gradually gave in to +the inevitable. She became resentful and sarcastic. Her black eyes +frequently flashed in scorn and anger. As she grew in physical +strength and beauty, these unfortunate traits of character became more +pronounced. The budding womanhood which should have been carefully +nurtured by the right kind of home and neighborhood was often left to +develop in wild and undirected ways. Dorian Trent as he stood in that +front room awaiting her had only a dim conception of all this. + +Carlia came in while he was yet standing. She had on a white dress and +had placed a red rose in her hair. + +"O, say, Carlia!" exclaimed Dorian at sight of her. + +"What's the matter?" she asked. + +"Here you go dolling up, and look at me." + +"You're all right. Open the door, it's terribly stuffy in here." + +Dorian opened the tightly stuck door. Then he turned and stood looking +at the girl before him. It seemed to him that he had never seen her so +grown-up and so beautiful. + +"Say, Carlia, when did you grow up?" he asked. + +"While you have been away growing up too." + +"It's the long dress, isn't it?" + +"And milking cows and feeding pigs and pitching hay." She gave a toss to +her head and held out her roughened red hands as proof of her assertion. +He stepped closer to her as if to examine them more carefully, but she +swiftly hid them behind her back. The rose, loosened from the tossing +head, fell to the floor, and Dorian picked it up. He sniffed at it then +handed it to her. + +"Where did you get it?" he asked. + +She reddened. "None of your--Say, sit down, can't you." + +Dorian seated himself on the sofa and invited her to sit by him, but she +took a chair by the table. + +"You're not very neighborly," he said. + +"As neighborly as you are," she retorted. + +"What's the matter with you, Carlia?" + +"Nothing the matter with me. I'm the same; only I must have grown up, as +you say." + +A sound as of someone driving up the road came to them through the +open door. Carlia nervously arose and listened. She appeared to be +frightened, as she looked out to the road without wanting to be seen. A +light wagon rattled by, and the girl, somewhat relieved, went back to +her chair. + +"Isn't it warm in here?" she asked. + +"It's warm everywhere." + +"I can't stay here. Let's go out--for a walk." + +"All right--come on." + +They closed the door, and went out at the rear. He led the way around to +the front, but Carlia objected. + +"Let's go down by the field," she said. "The road is dusty." + +The day was closing with a clear sky. A Sunday calm rested over meadow +and field, as the two strolled down by the ripening wheat. The girl +seemed uneasy until the house was well out of sight. Then she seated +herself on a grassy bank by the willows. + +"I'm tired," she said with a sigh of relief. + +Dorian looked at her with curious eyes. Carlia, grown up, was more of a +puzzle than ever. + +"You are working too hard," he ventured. + +"Hard work won't kill anybody--but it's the other things." + +"What other things?" + +"The grind, the eternal grind--the dreary sameness of every day." + +"You did not finish the high school. Why did you quit?" + +"I had to, to save mother. Mother was not only doing her usual house +work, but nearly all the outside choring besides. Father was away most +of the time on his dry farm too, and he's blind to the work at home. He +seems to think that the only real work is the plowing and the watering +and the harvesting, and he would have let mother go on killing herself. +Gee, these men!" The girl viciously dug the heel of her shoe into the +sod. + +"I'm sorry you had to quit school, Carlia." + +"Sorry? I wanted to keep on more than I ever wanted anything in my life; +but--" + +"But I admire you for coming to the rescue of your mother. That was fine +of you." + +"I'm glad I can do some fine thing." + +Dorian had been standing. He now seated himself on the bank beside +her. The world about them was very still as they sat for a few moments +without speaking. + +"Listen," said he, "I believe Uncle Zed is preaching. The meeting house +windows are wide open, for a wonder. + +"He can preach," she remarked. + +"He told me you visit him frequently." + +"I do. He's the grandest man, and I like to talk to him." + +"So do I. I had quite a visit with him this afternoon. I rather fooled +him, I guess." + +"How?" + +"He told me to go home and change my clothes, and then go to meeting; +but I came here instead." + +"Why did you do that?" + +"To see you, of course." + +"Pooh, as if I was anything to look at." + +"Well, you are, Carlia," and his eyes rested steadily on her to prove +his contention. "Why didn't you want to go to meeting this evening?" + +"You heard me tell father." + +"That wasn't the whole truth. I was not the reason because you had +decided not to go before I came." + +"Well--how do you know that? but, anyway, it's none of your business, +where I go, is it?" She made an effort to stare him out of countenance, +but it ended in lowered head and eyes. + +"Carlia! No, of course, it isn't. Excuse me for asking." + +There was another period of silence wherein Dorian again wondered at the +girl's strange behavior. Was he annoying her? Perhaps she did not care +to have him paying his crude attentions to her; and yet-- + +"Tell me about your dry farm," she said. + +"I've already plowed eighty acres," he informed her. "The land is rich, +and I expect to raise a big crop next year. I've quite a cosy house, up +there, not far from the creek. The summer evenings are lovely and cool. +I can't get mother to stay over night. I wish you would come and go with +her, and stay a few days." + +"How could I stay away from home that long? The heavens would fall." + +"Well, that might help some. But, honestly, Carlia, you ought to get +away from this grind a little. It's telling on you. Don't you ever get +into the city?" + +"Sometimes Saturday afternoons to deliver butter and eggs." + +"Well, some Saturday we'll go to see that moving picture show that's +recently started in town. They say it's wonderful. I've never been. +We'll go together. What do you say?" + +"I would like to." + +"Let's move on. Meeting is out, and the folks are coming home." + +They walked slowly back to the house. Mr. and Mrs. Duke soon arrived and +told of the splendid meeting they had had. + +"Uncle Zed spoke," said Mr. Duke, "and he did well, as usual. He's a +regular Orson Pratt." + +"The people do not know it," added Dorian; "perhaps their children or +their children's children will." + +"Well, what have you two been doing?" enquired the father of Carlia. + +"We've just been taking a walk," answered Dorian. "Will it be alright +if Carlia and I go to the new moving picture theatre in town some +Saturday?" + +Neither parent made any objection. They were, in fact, glad to have this +neighbor boy show some interest in their daughter. + +"Your mother was at meeting," said Mrs. Duke; "and she was asking about +you." + +"Yes; I've neglected her all afternoon; so I must be off. Good night +folks." + +Carlia went with him to the gate, slipping her arm into his and +snuggling closely as if to get the protection of good comradship. The +movement was not lost on Dorian, but he lingered only for a moment. + +"Goodnight, Carlia; remember, some Saturday." + +"I'll not forget. Goodnight" she looked furtively up and down the road, +then sped back into the house. + +Dorian walked on in the darkening evening. A block or so down the road +he came on to an automobile. No one in Greenstreet owned one of +these machines as yet, and there were but few in the city. As Dorian +approached, he saw a young man working with the machinery under the +lifted hood. + +"Hello," greeted Dorian, "what's the trouble?" + +"Damned if I know. Been stalled here for an hour." The speaker +straightened from his work. His hands were grimy, and the sweat was +running down his red and angry face. He held tightly the stump of a +cigarette between his lips. + +"I'm sorry I can't help you," said Dorian, "but I don't know the first +thing about an automobile." + +"Well, I thought I knew a lot, but this gets me." He swore again, as if +to impress Dorian with the true condition of his feelings. Then he +went at the machinery again with pliers and wrenches, after which he +vigorously turned the crank. The engine started with a wheeze and then a +roar. The driver leaped into the car and brought the racing engine to a +smoother running. "The cursed thing" he remarked, "why couldn't it have +done that an hour ago. O, say, excuse me, have you just been at the +house up the road?" + +"The Duke house? yes." + +"Is the old man--is Mr. Duke at home?" + +"Yes; he's at home." + +"Thank you." The car moved slowly up the road until it reached the Duke +gate where it stopped; but only for a moment, for it turned and sped +with increasing hurry along the road leading to the city. + +Dorian stood and watched it until its red light disappeared. He wondered +why the stranger wanted to know why Mr. Duke was at home, then on +learning that he was, why he turned about as if he had no business with +him. + +Later, Dorian learned the reason. + + + + +CHAPTER NINE. + + +Dorian was twenty-one years old, and his mother had planned a little +party in honor of the event. The invited guests were Uncle Zed, Bishop +Johnson and wife, the teacher of the district school, and Carlia Duke. +These arrived during the dusk of the evening, all but Carlia. They +lingered on the cool lawn under the colored glow of the Chinese +lanterns. + +Mrs. Trent realized that it would be useless to make the party a +surprise, for she had to have Dorian's help in hanging out the lanterns, +and he would necessarily see the unusual activity in front room and +kitchen. Moreover, Dorian, unlike Uncle Zed, had not lost track of his +birthdays, and especially this one which would make him a full-fledged +citizen of these United States. + +The little party chatted on general topics for some time until Mrs. +Trent, in big white apron, announced that supper was ready, and would +they all come right in. Mrs. Trent always served her refreshments at the +regular supper time and not near midnight, for she claimed that people +of regular habits, which her guests were, are much better off by not +having those habits broken into. + +"Are we all here?" she asked, scanning them as they passed in. "All but +Carlia," she announced. "Where's Carlia?" + +No one knew. Someone proffered the explanation that she was usually late +as she had so many chores to do, at which the Bishop's wife shook her +head knowingly, but said nothing. + +"Well, she'll be along presently," said Mrs. Trent. "Sit down all of +you. Bishop, will you ask the blessing?" + +The hostess, waitress, and cook all combined in the capable person of +Mrs. Trent, sat at the table with her party. Everything which was to be +served was on the table in plain sight, so that all could nicely guage +their eating to various dishes. When all were well served and the eating +was well under way, Mrs. Trent said: + +"Brothers and sisters, this is Dorian's birthday party. He has been a +mighty good boy, and so--" + +"Mother," interrupted the young man. + +"Now, you never mind--you be still. Dorian is a good boy, and I want all +of you to know it." + +"We all do, Sister Trent," said the Bishop; "and it is a good thing to +sometimes tell a person of his worthiness to his face." + +"But if we say more, he'll be uncomfortable," remarked the mother, "so +we had better change the subject. The crops are growing, the weather is +fine, and the neighbors are all right. That disposes of the chief +topics of conversation, and will give Uncle Zed a chance. He always has +something worth listening to, if not up his sleeve, then in his white +old head. But do not hurry, Uncle Zed; get through with your supper." + +The old man was a light eater, so he finished before the others. He +looked smilingly about him, noting that those present were eager to +listen. He took from his pocket a number of slips of paper and placed +them on the table beside his plate. Then he began to talk, the others +leisurely finishing their dessert. + +"The other evening," he said, "Dorian and I had a conversation which +interested us very much, and I think it would interest all of us here. +I was telling him my experience in my search for God and the plan of +salvation, and I promised him I would read to him some of the things I +found. Here is a definition of God which did not help me very much." He +picked up one of the slips of paper and read: "'God is the integrated +harmony of all potentialities of good in every actual and possible +rational agent.' What do you think of that?" + +The listeners knitted their brows, but no one spoke. Uncle Zed +continued: "Well, here is a little more. Perhaps this will clear it up: +'The greatest of selves, the ultimate Self of the universe, is God.... +My God is my deeper self and yours too. He is the self of the universe, +and knows all about it.... By Deity we mean the all-controling +consciousness of the universe, as well as the unfathomable, all +unknowable, and unknowable abyss of being beyond'." + +Uncle Zed carefully folded his papers and placed them back in his +pocket. He looked about him, but his friends appeared as if they had had +a volley of Greek fired at them. "Well" he said, "why don't some of you +say something?" + +"Please pass the pickles," responded Mrs. Trent. + +When the merriment had ceased, uncle Zed continued: "There is some truth +in these definitions. God is all that which they try to express, and +vastly more. The trouble is these men talk about the attributes of God, +and confound these with the being and personality of the Great Parent. +I may describe the scent of the rose, but that does not define the rose +itself. I cannot separate the rose from its color or form or odor, any +more than I can divorce music from the instrument. These vague and +incomplete definitions have had much to do with the unbelief in the +world. Tom Paine wrote a book which he called the 'Age of Reason' on the +premise that reason does away with God. Isn't that it, Dorian?" + +"All agnostic writers seem to think that there is no reason in religion, +and at times they come pretty near proving it too," replied Dorian. + +"That is because they base their arguments on the religions of the +world; but the restored gospel of Jesus Christ rests largely on reason. +Why, I can prove, contrary to the generally accepted opinion, by reason +alone that there must be a God." + +"We shall be glad to hear it," said the school teacher. The eating was +about over, and so they all sat and listened attentively. + +"We do not need to quote a word of scripture," continued Uncle Zed. "All +we need to know is a little of the world about us, a little of the race +and its history, and a little of the other worlds out in space, all of +which is open to anybody who will seek it. The rest is simply a little +connected thought. Reason tells me that there can be no limits to time +or space or intelligence. Time always has been, there can be no end to +space, and intelligence cannot create itself. Now, with limitless time +and space and intelligence to work with, what have we? The human mind, +being limited, cannot grasp the limitless; therefore, we must make +arbitrary points of beginning and ending. Now, let us project our +thought as far back into duration as we can--count the periods by any +thinkable measurements, years, centuries, ages, aeons, anything you +please that will help. Have we arrived at a point when there is no +world, no life, no intelligence? Certainly not. Somewhere in space, all +that we see here and now will be seen to exist. Go back from this point +to a previous period, and then count back as far as you wish; there is +yet time and space and intelligence. + +"There is an eternal law of progress which holds good always and +everywhere. It has been operating all through the ages of the past. Now, +let us take one of these Intelligences away back in the far distance +past and place him in the path of progress so that the eternal law of +growth and advancement will operate on him. I care not whether you apply +the result to Intelligences as individuals or as the race. Given time +enough, this endless and eternal advancement must result in a state of +perfection that those who attain to it may with truth and propriety be +called Gods. Therefore, there must be a God, yes, many Gods living and +reigning throughout the limitless regions of glorified space. + +"Here is corroborative evidence: I read in the Doctrine and Covenants, +Section 88: 'All kingdoms have a law given; and there are many kingdoms; +for there is no space in the which there is no kingdom; and there is +no kingdom in which there is no space, either a greater or a lesser +kingdom. And unto every kingdom is given a law; and unto every law there +are certain bounds also and conditions.' + +"There is a hymn in our hymn book in which W.W. Phelps expresses this +idea beautifully. Let me read it: + + 'If you could hie to Kolob, + In the twinkling of an eye, + And then continue onward, + With that same speed to fly. + + 'Do you think that you could ever, + Through all eternity, + Find out the generation + Where Gods began to be? + + 'Or see the grand beginning + Where space did not extend? + Or view the last creation, + Where Gods and matter end? + + 'Methinks the Spirit whispers: + No man has found "pure space," + Nor seen the outside curtains, + Where nothing has a place. + + 'The works of God continue, + And worlds and lives abound; + Improvement and progression + Have one eternal round. + + 'There is no end to matter, + There is no end to space, + There is no end to spirit, + There is no end to race. + + 'There is no end to virtue, + There is no end to might, + There is no end to wisdom, + There is no end to light. + + 'There is no end to union, + There is no end to youth, + There is no end to priesthood, + There is no end to truth. + + 'There is no end to glory, + There is no end to love, + There is no end to being, + Grim death reigns not above.' + +"The Latter-day Saints have been adversely criticized for holding out +such astounding hopes for the future of the human race; but let +us reason a little more, beginning nearer home. What has the race +accomplished, even within the short span of our own recollection? Man is +fast conquering the forces of nature about him, and making these forces +to serve him. Now, we must remember that duration extends ahead of us in +the same limitless way in which it reaches back. Give, then, the race +today all the time necessary, what cannot it accomplish? Apply it again +either to an individual or to the race, in time, some would attain to +what we conceive of as perfection, and the term by which such beings are +known to us is God. I can see no other logical conclusion." + +The chairs were now pushed back, and Mrs. Trent threw a cloth over the +table just as it stood, explaining that she would not take the time from +her company to devote to the dishes. She invited them into Dorian's +little room, much to that young man's uneasiness. + +His mother had tidied the room, so it was presentable. His picture, +"Sunset in Marshland" had been lowered a little on the wall, and +directly over it hung a photograph of Mildred Brown. To Dorian's +questioning look, Mrs. Trent explained, that Mrs. Brown had sent it just +the other day. Dorian looked closely at the beautiful picture, and a +strange feeling came over him. Had Mildred gone on in this eternal +course of progress of which Uncle Zed had been speaking? Was she still +away ahead of him? Would he ever reach her? + +On his study table were a number of books, birthday presents. One was +from Uncle Zed's precious store, and one--What? He picked it up--"David +Copperfield." He opened the beautiful volume and read on the fly leaf: +"From Carlia, to make up a little for your loss." He remembered now that +Carlia, some time before, had asked him what books were in the package +which had gone down the canal at the time when he had pulled her out of +the water. Carlia had not forgotten; and she was not here; the supper +was over, and it was getting late. Why had she not come? + +The party broke up early, as it was a busy season with them all. Dorian +walked home with Uncle Zed, then he had a mind to run over to Carlia's. +He could not forget about her absence nor about the present she had +sent. He had never read the story, and he would like to read it to +Carlia. She had very little time, he realized, which was all the more +reason for his making time to read it to her. + +As every country boy will, at every opportunity, so Dorian cut crosslots +to his objective. He now leaped the fence, and struck off through the +meadow up into the corn field. Mr. Duke had a big, fine field that +season, the growing corn already reaching to his shoulder. The night was +dark, save for the twinkling stars in the clear sky; it was still, save +for the soft rustling of the corn in the breeze. + +Dorian caught sight of a light as of a lantern up by the ditch from +which the water for irrigating was turned into the rows of corn and +potatoes. He stopped and listened. A tool grated in the gravelly soil. +Mr. Duke was no doubt using his night turn at the water on his corn +instead of turning it on the hay-land as was the custom. He would +inquire of him about Carlia. + +As he approached the light, the scraping ceased, and he saw a dark +figure dart into the shelter of the tall corn. When he reached the +lantern, he found a hoe lying in the furrow where the water should have +been running. No man irrigates with a hoe; that's a woman's tool. Ah, +the secret was out! Carlia was 'tending' the water. That's why she was +not at the party. + +He stood looking down into the shadows of the corn rows, but for the +moment he could see or hear nothing. He had frightened her, and yet +Carlia was not usually afraid. He began to whistle softly and to walk +down into the corn. Then he called, not loudly, "Carlia". + +There was no response. He quickened his steps. The figure ran to another +shelter. He could see her now, and he called again, louder than before. +She stopped, and then darted through the corn into the more open potatoe +patch. Dorian followed. + +"Hello, Carlia," he said, "what are you doing?" + +The girl stood before him, bareheaded, with rough dress and heavy boots. +She was panting as if with fright. When she caught a full sight of +Dorian she gave a little cry, and when he came within reach, she grasped +him by the arm. + +"Oh, is it you, Dorian?" + +"Sure. Who else did you think it was? Why, you're all of a tremble. What +are you afraid of?" + +"I--I thought it was--was someone else. Oh, Dorian, I'm so glad it is +you!" + +She stood close to him as if wishing to claim his protection. He +instinctively placed his arm about her shoulders. "Why, you silly girl, +the dark won't hurt you." + +"I'm not afraid of the dark. I'm afraid of--Oh, Dorian, don't let him +hurt me!" There was a sob in her voice. + +"What are you talking about? I believe you're not well. Are your feet +wet? Have you a fever?" He put his hand on her forehead, brushing back +the dark, towsled hair. He took her plump, work-roughened hand in his +bigger and equally rough one. "And this is why you were not to my +party," he said. + +"Yes; I hated to miss it, but father's rheumatism was so bad that he +could not come out. So it was up to me. We haven't any too much water +this summer. I'd better turn the water down another row; it's flooding +the corn." + +They went to the lantern on the ditch bank. Dorian picked up the hoe and +made the proper adjustment of the water flow. "How long will it take for +the water to reach the bottom of the row?" he asked. + +"About fifteen minutes." + +"And how many rows remain?" + +Carlia counted. "Twelve," she said. + +"All right. This is a small stream and will only allow for three rows at +a time. Three into twelve is four, and four times fifteen is sixty. It +is now half past ten. We'll get through by twelve o'clock easy." + +"You'd better go home. I'm all right now. I'm not afraid." + +"I said we will get home. Sit down here on the bank. Are you cold?" +He took off his coat and placed it about her shoulders. She made no +objections, though in truth she was not cold. + +"Tell me about the party," she said. + +He told her who were there, and how they had missed her. + +"And did Uncle Zed preach?" + +"Preach? O, yes, he talked mighty fine. I wish I could tell you what he +said." + +"What was it about?" + +"About God," he answered reverently. + +"Try to tell me, Dorian. I need to know. I'm such a dunce." + +Dorian repeated in his way Uncle Zed's argument, and he succeeded fairly +well in his presentation of the subject. The still night under the +shining stars added an impressive setting to the telling, and the girl +close by his side drank in hungrily every word. When the water reached +the end of the rows, it was turned into others, until all were +irrigated. When that was accomplished, Dorian's watch showed half past +eleven. He picked up the lantern and the hoe, and they walked back to +the house. + +"The party was quite complete, after all," he said at the door. "I've +enjoyed this little after-affair as much as I did the party." + +"I'm glad," she whispered. + +"And it was wonderfully good of you to give me that present." + +"I'm glad," she repeated. + +"Do you know what I was thinking about when I opened the book and saw it +was from you?" + +"No; what?" + +"Why, I thought, we'll read this book together, you and I." + +"Wouldn't that be fine!" + +"We can't do that now, of course; but after a while when we get more +time. I'll not read it until then.... Well, you're tired. Go to bed. +Good night, Carlia." + +"Goodnight, Dorian, and thank you for helping me." + +They stood close together, she on the step above him. The lamp, placed +on the kitchen table for her use, threw its light against the glass door +which formed a background for the girl's roughened hair, soiled and +sweat-stained face, and red, smiling lips. + +"Goodnight," he said again; and then he leaned forward and kissed her. + + + + +CHAPTER TEN. + + +That goodnight's kiss should have brought Dorian back to Carlia sooner +than it did; but it was nearly a month before he saw her again. The fact +that it was the busiest time of the year was surely no adequate excuse +for this neglect. Harvest was on again, and the dry-farm called for much +of his attention. Dorian prospered, and he had no time to devote to the +girls, so he thought, and so he said, when occasion demanded expression. + +One evening while driving through the city and seeing the lights of the +moving picture theatre, he was reminded of his promise to Carlia. His +conscience pricked him just a little, so the very next evening he drove +up to Farmer Duke's. Seeing no one choring about, he went into the house +and inquired after Carlia. Mrs. Duke told him that Carlia had gone to +the city that afternoon. She was expected back any minute, but one could +never tell, lately, when she would get home. Since this Mr. Lamont had +taken her to the city a number of times, she had been late in getting +home. + +"Mr. Lamont?" he inquired. + +"Yes; haven't you met him? Don't you know him?" + +"No; who is he?" + +"Dorian, I don't know. Father seems to think he's all right, but I don't +like him. Oh, Dorian, why don't you come around oftener?" + +Mrs. Duke sank into a chair and wiped away the tears from her eyes with +the corner of her apron. Dorian experienced a strange sinking of the +heart. Again he asked who this Mr. Lamont was. + +"He's a salesman of some kind, so he says. He drives about in one of +those automobiles. Surely, you have seen him--a fine-looking fellow with +nice manners and all that, but--" + +"And does Carlia go out with him?" + +"He has taken her out riding a number of times. He meets her in the city +sometimes. I don't know what to make of it, Dorian. I'm afraid." + +Dorian seemed unable to say anything which would calm the mother's +fears. That Carlia should be keeping company with someone other than +himself, had never occurred to him. And yet, why not? she was aid enough +to accept attention from young men. He had certainly neglected her, as +the mother had implied. The girl had such few opportunities for going +out, why should she not accept such as came to her. But this stranger, +this outsider! Dorian soon took his departure. + +He went home, unhitched, and put up his horse; but instead of going into +the house, he walked down to the post office. He found nothing in his +box. He felt better in the open, so he continued to walk. He had told +his mother he was going to the city, so he might as well walk that way. +Soon the lights gleamed through the coming darkness. He went on with his +confused thoughts, on into the city and to the moving picture show. He +bought a ticket and an attendant led him stumbling in the dark room to a +seat. + +It was the first time he had been there. He and Carlia were going +together. It was quite wonderful to the young man to see the actors +moving about lifelike on the white screen. The story contained a number +of love-making scenes, which, had they been enacted in real life, in +public as this was, they would certainly have been stopped by the +police. Then there was a comic picture wherein a young fellow was +playing pranks on an old man. The presentation could hardly be said to +teach respect for old age, but the audience laughed uproariously at it. + +When the picture closed and the lights went on, Dorian turned about to +leave, and there stood Carlia. A young man was assisting her into her +light wraps. She saw him, so there was no escape, and they spoke to each +other. Carlia introduced her escort, Mr. Lamont. + +"Glad to know you," said Mr. Lamont, in a hearty way. "I've known of you +through Miss Duke. Going home now?" + +"Yes," said Dorian. + +"Drive?" + +"No; I'm walking." + +"Then you'll ride with us. Plenty of room. Glad to have you." + +"Thank you, I--" + +"Yes, come," urged Carlia. + +Dorian hesitated. He tried to carry an independent manner, but Mr. +Lamont linked his arm sociably with Dorian's as he said: + +"Of course you'll ride home with us; but first we'll have a little ice +cream." + +"No thanks," Dorian managed to say. What more did this fellow want of +him? + +However, as Dorian could give no good reason why he should not ride home +with them, he found no way of refusing to accompany them to a nearby +ice-cream parlor. Mr. Lamont gave the order, and was very attentive to +Carlia and Dorian. It was he who kept the flow of conversation going. +The other two, plainly, were not adept at this. + +"What did you think of the show, Mr. Trent?" + +"The moving pictures are wonderful, but I did not like the story very +much." + +"It was rotten," exclaimed the other in seeming disgust. I did not +know what was on, or I should not have gone. Last week they had a fine +picture, a regular classic. Did you see it? + +"No; in fact, this is my first visit." + +"Oh, indeed. This is Miss Duke's second visit only." + +Under the bright lights Carlia showed rouge on her cheeks, something +Dorian had never seen on her before. Her lips seemed redder than ever, +and he eyes shone with a bright luster. Mr. Lamont led them to his +automobile, and then Dorian remembered the night when this same young +man with the same automobile had stopped near Carlia's home. Carlia +seated herself with the driver, while Dorian took the back seat. They +were soon speeding along the road which led to Greenstreet. The cool +night air fanned Dorian's hot face. Conversation ceased. Even Carlia +and the driver were silent. The moon peeped over the eastern hills. The +country-side was silent. Dorian thought of the strange events of the +evening. This Mr. Lamont had not only captured Carlia but Dorian also. +"If I were out with a girl," reasoned Dorian, "I certainly wouldn't want +a third person along if I could help it." Why should this man be so +eager to have his company? Dorian did not understand, not then. + +In a short time they drove up to Carlia's gate, and she and Dorian +alighted. The driver did not get out. The machine purred as if impatient +to be off again and the lamps threw their streams of light along the +road. + +"Well, I shall have to be getting back," said Mr. Lamont. "Goodnight, +Miss Duke. Thanks for your company. Goodnight, Mr. Trent; sure glad to +have met you." + +The machine glided into the well-worn road and was off. The two stood +looking at it for a moment. Then Carlia moved toward the house. + +"Come in" she said. + +He mechanically followed. He might as well act the fool to the end of +the chapter, he thought. It was eleven by the parlor clock, but the +mother seemed greatly relieved when she saw Dorian with her daughter. +Carlia threw off her wraps. She appeared ill at ease. Her gaiety was +forced. She seemed to be acting a part, but she was doing it poorly. +Dorian was not only ill at ease himself, but he was bewildered. He +seated himself on the sofa. Carlia took a chair on the other side of the +room and gazed out of the window into the night. + +"Carlia, why did you--why do you," he stammered. + +"Why shouldn't I?" she replied, somewhat defiantly as if she understood +his unfinished question. + +"You know you should not. It's wrong. Who is he anyway?" + +"He at least thinks of me and wants to show me a good time, and that's +more than anybody else does." + +"Carlia!" + +"Well, that's the truth." She arose, walked to the table in the middle +of the room and stood challengingly before him. "Who are you to find +fault? What have you done to--" + +"I'll admit I've done very little; but you, yourself." + +"Never mind me. What do you care for me? What does anybody care?" + +"Your mother, at least." + +"Yes, mother; poor, dear mother.... Oh, my God, I can't stand it, I +can't stand it!" With a sob she broke and sank down by the table, hiding +her face in her arms. Dorian arose to go to her. The door opened, and +the mother appeared. + +"What is it, Carlia," she asked in alarm. + +The girl raised her head, swiftly dashed the tears from her eyes, then +with a sad effort to smile, said: + +"Nothing, mother, nothing at all. I'm going to bed. Where's father?" + +"He was called out to Uncle Zed's who is sick. Dorian's mother is there +with him too, I understand." + +"Then I'd better go for her," said the young man. "I'll say goodnight. +Poor Uncle Zed; he hasn't been well lately. Goodnight Sister Duke, +goodnight Carlia." + +Carlia stood in the doorway leading to the stairs. "Goodnight, Dorian," +she said. "Forgive me for being so rude." + +He stepped toward her, but she motioned him back, and than ran up the +carpetless stairs to her room. Dorian went out in the night. With a +heavy heart he hurried down the road in the direction of Uncle Zed's +home. + + + + +CHAPTER ELEVEN. + + +Uncle Zed's illness did not prove fatal, though it was serious enough. +In a few days he was up and about again, slowly, quietly providing for +his simple needs. However, it was plainly evident that he had nearly +come to the end of his earthly pilgrimage. + +After the most pressing fall work had been disposed of, Dorian spent as +much of his spare time as possible with the old man, who seemed to like +the company of the younger man better than anyone else in the village; +and Dorian, for his part, took delight in visiting with him, in helping +him with the heaviest of his not heavy chores. Especially, was it +pleasant during the lengthening evening with a small fire and the lamp +newly trimmed. Uncle Zed reclined in his easy chair, while Dorian sat by +the table with books and papers. Their conversations ranged from flower +gardens to dry-farms, and from agnosticism to the highest degrees of the +celestial glory. And how they both reveled in books and their +contents on the occasions when they were alone and unhampered by the +unsympathetic minds of others. + +"As you see, Dorian," said Uncle Zed on one such Sunday evening, "my +collection of books is not large, but they are such that I can read and +read again." + +"Where is your 'Drummond's Natural Law'?" asked Dorian. + +Uncle Zed looked about. "I was reading it this morning. There it is on +the window." Dorian fetched him the volume. + +"When I read Drummond's work," continued the old man, "I feel keener +than ever my lack of scientific knowledge. I have always had a desire +to delve into nature's laws through the doors of botany, zoology, +mineralogy, chemistry, and all the other sciences. I have obtained a +smattering only through my reading. I realize that the great ocean of +truth is yet before me who am now an old man and can never hope in this +life to explore much further." + +"But how is it, Uncle Zed," enquired Dorian, "that so many scientists +have such little faith?" + +"'The letter killeth, but the Spirit giveth life,' The Spirit has taught +us Dorian, that this world is God's world, and that the laws which +govern here and now are the same eternal laws which have always been in +operation; that we have come to this world of element to get in touch +with earthly forms of matter, and become acquainted with the laws which +govern them. Drummond has attempted to prove that the laws which prevail +in the temporal world about us also hold good in the spiritual world, +and he has made out a very good case, I think; but neither Drummond nor +anybody else not endowed by the gift of the Holy Ghost, can reach the +simple ultimate truth. That's why I have been looking for some young man +in the Church who could and would make it his life's mission and work to +learn the truths of science and harmonize them where necessary with the +revealed truth--in fact, to complete what Henry Drummond has so well +begun." The old man paused, then looking steadily at Dorian, said: +"That's what I expect you to do." + +"I? Oh, do you think I could?" + +"Yes; it would not be easy, but with your aptness and your trend of +mind, and your ability to study long and hard, you could, with the +assistance of the Spirit of God, accomplish wonders by the time you are +as old as I." + +The young man mildly protested, although the vision of what might be +thrilled his being. + +"Don't forget what I am telling you, Dorian. Think and pray and dream +about it for a time, and the Lord will open the way. Now then, we are to +discuss some of Drummond's problems, were we not?" + +"Yes; I shall be glad to. Are you comfortable? Shall I move your +pillow?" + +"I'm resting very easily, thank you. Just hand me the book. Drummond's +chapter on Biogenesis interests me very much. I cannot talk very +scientifically, Dorian, on these things, but I hope to talk +intelligently and from the large viewpoint of the gospel. Here is +a paragraph from my book which I have marked and called 'The Wall +Between.' I'm sure you will remember it. Let us read it again: + +"'Let us first place," he read from the book, 'vividly in our +imagination the picture of the two great Kingdoms of Nature, the +inorganic and the organic, as these now stand in the light of the Law +of Biogenesis. What essentially is involved in saying that there is no +Spontaneous Generation of Life? It is meant that the passage from the +mineral world is hermetically sealed on the mineral side. This inorganic +world is staked off from the living world by barriers which have never +yet been crossed from within. No change of substance, no modification of +environment, no chemistry, no electricity, nor any form of energy, nor +any evolution can endow any single atom of the mineral world with the +attribute of life. Only by bending down into this dead world of some +living form can these dead atoms be gifted with the properties of +vitality, without this preliminary contact with life they remain fixed +in the inorganic sphere forever. It is a very mysterious Law which +guards in this way the portals of the living world. And if there is +one thing in Nature more worth pondering for its strangeness it is the +spectacle of this vast helpless world of the dead cut off from the +living by the law of Biogenesis and denied forever the possibility of +resurrection within itself. So very strange a thing, indeed, is this +broad line in Nature, that Science has long sought to obliterate it. +Biogenesis stands in the way of some forms of Evolution with such stern +persistency that the assaults upon this law for number and thoroughness +have been unparalleled. But, as we have seen, it has stood the test. +Nature, to the modern eye, stands broken in two. The physical laws +may explain the inorganic world; the biological laws may account for +inorganic. But of the point where they meet, of that living borderland +between the dead and the living, Science is silent. It is as if God had +placed everything in earth and in heaven in the hands of Nature, but +reserved a point at the genesis of Life for His direct appearing.' + +"Drummond goes on to prove by analogy that the same law which makes such +a separation between the higher and the lower in the natural world holds +good in the spiritual realm, and he quotes such passages as this to +substantiate his argument: 'Except a man is born again, he cannot enter +the kingdom of God'. Man must be born from above. 'The passage from +the natural world to the spiritual world is hermetically sealed on the +natural side.' that is, man cannot by any means make his own unaided way +from the lower world to the higher. 'No mental energy, no evolution, no +moral effort, no evolution of character, no progress of civilization' +can alone lift life from the lower to the higher. Further, the lower can +know very little about the higher, for 'the natural man receiveth not +the things of the Spirit of God; for they are foolishness to him; +neither can he know them, because they are spiritually discerned'. All +of which means, I take it, that the higher must reach down to the lower +and lift it up. Advancement in any line of progress is made possible by +some directing power either seen or unseen. A man cannot simply grow +better and better until in his own right he enters the kingdom of God'." + +"But, Uncle Zed, are we not taught that we must work out our own +salvation?" asked Dorian. "That is also scriptural." + +"Yes; but wait; I shall come to that later. Let us go on with our +reasoning and see how this law which Drummond points out--how it fits +into the larger scheme of things as revealed to us Latter-day Saints. +You remember some time ago in our talk on the law of eternal progress we +established the truth that there always have been intelligences evolving +from lower to higher life, which in the eternity of the past would +inevitably lead to the perfection of Gods. This is plainly taught in +Joseph Smith's statement that God was once a man like us, perhaps on an +earth like this, working out His glorious destiny. He, then, has gone on +before into higher worlds, gaining wisdom, power, and glory. Now, there +is another law of the universe that no advancing man can live to himself +alone. No man can grow by taking selfish thought to the process. He +grows by the exercise of his faculties and powers for the benefit of +others. Dorian, hand me the 'Pearl of Great price'." + +Dorian found the book and handed it to the old man, who, finding the +passage he wanted, continued: "Listen to this remarkable statement by +the Lord: 'For behold, this is my work and my glory--to bring to pass +the immortality and eternal life of man.' Just think what that means." + +"What does it mean?" + +"It means, my boy, that the way of progress is the way of unselfish +labor. 'This is my work,' says the Lord, to labor for those who are yet +on the lower rungs of the ladder, to institute laws whereby those below +may climb up higher; (note I used the word climb, not float); to use His +greater experience, knowledge, and power for others; to pass down +to those in lower or primary stages that which they cannot get by +self-effort alone. Let me say this in all reverence, they who attain to +All Things do not greedily and selfishly cling to it, but pass it on +to others. 'As one lamp lights another nor grows less, So kindliness +enkindleth kindliness.' Yes; through great stress and sacrifice, they +may do this, as witnessed in what our Father has done by endowing His +Beloved Son with eternal life, and then giving Him to us. That Son was +the 'Prince of Life.' He was the Resurrection and the Life.' He brought +Life from the higher kingdom to a lower, its natural course through the +ages. That is the only way through which it can come. And herein, to +my humble way of thinking is the great error into which the modern +evolutionist has fallen. He reasons that higher forms evolve from the +initial and unaided movements of the lower. That is as impossible as +that a man can lift himself to the skies by his boot-straps." + +Dorian smiled at the illustration. + +"Now, my boy, I want to make an application of these divine truths to us +here and now. I'm not going to live here much longer." + +"Uncle Zed!" + +"Now, wait; it's a good thing that you nor anybody else can prevent me +from passing on. I've wanted to live long enough to get rid of the fear +of death. I have reached that point now, and so I am ready at any time, +thank the Lord." + +Uncle Zed was beautiful to look upon in the clear whiteness of his +person and the peaceful condition of his spirit. The young listener +was deeply impressed by what he was hearing. (He never forgot that +particular Sunday afternoon). + +"You asked me about working out our own salvation," continued Uncle Zed. +"Let me answer you on that. There are three principles in the law of +progress, all of them important: First, there must be an exercise of the +will by the candidate for progression. He must be willing to advance and +have a desire to act for himself. That is the principle of free agency. +Second, he must be willing to receive help from a higher source; that +is, he must place himself in a condition to receive life and light from +the source of life and light. Third, he must be unselfish, willing, +eager to share all good with others. The lack of any of these will prove +a serious hindrance. We see this everywhere in the world. + +"Coming back now to the application I mentioned. If it is God's work +and glory to labor for those below Him, why should not we, His sons +and daughters, follow His example as far as possible in our sphere of +action? If we are ever to become like Him we must follow in His steps +and do the things which He has done. Our work, also must be to help +along the road to salvation those who are lower down, those who are more +ignorant and are weaker than we." + +"Which, Uncle Zed, you have been doing all your life." + +"Just trying a little, just a little." + +"And this will be as it already has been, your glory. I see that +plainly." + +"Why shouldn't it be everybody's work and glory! What a beautiful world +this would be if this were the case!" + +"Yes, truly." + +"And see, Dorian, how this principle ties together the race from the +beginning to the end, comparatively speaking. Yes, in this way will men +and families and races and worlds be linked together in chains of love, +which cannot be broken, worlds without end." + +The old man's voice became sweet and low. Then there was silence for a +few minutes. The clock struck ten. + +"I must be going," said Dorian. "I am keeping you out of bed." + +"You'll come again?" + +"Oh, yes." + +"Come soon, my boy. I have so much to tell you. I can talk so freely to +you, something I cannot do to all who come here, bless their hearts. But +you, my boy--" + +He reached out his hand, and Dorian took it lovingly. There were tears +in the old man's eyes. + +"I'll not forget you," said Dorian, "I'll come soon and often." + +"Then, good night." + +"Good night," the other replied from the door as he stepped out into the +night. The cool breeze swept over meadow and field. The world was open +and big, and the young man's heart expanded to it. What a comfort to +feel that the Power which rules the world and all the affairs of men is +unfailing in its operations! What a joy to realize that he had a loving +Father to whom he could go for aid! And then also, what a tremendous +responsibility was on him because of the knowledge he already had and +because of his God-given agency to act for himself. Surely, he would +need light from on High to help him to choose the right! + +Surely, he would. + + + + +CHAPTER TWELVE. + + +At the coming of winter, Uncle Zed was bedfast. He was failing rapidly. +Neighbors helped him. Dorian remained with him as much as he could. The +bond which had existed between these two grew stronger as the time +of separation became nearer. The dying man was clear-minded, and he +suffered very little pain. He seemed completely happy if he could have +Dorian sitting by him and they could talk together. And these were +wonderful days to the young man, days never to be forgotten. + +Outside, the air was cold with gusts of wind and lowering clouds. +Inside, the room was cosy and warm. A few of the old man's hardiest +flowers were still in pots on the table where the failing eyes could see +them. That evening Mrs. Trent had tidied up the room and had left Dorian +to spend the night with the sick man. The tea-kettle hummed softly on +the stove. The shaded lamp was turned down low. + +"Dorian." + +"Yes, Uncle Zed." + +"Turn up the lamp a little. It's too dark in here." + +"Doesn't the light hurt your eyes!" + +"No; besides I want you to get me some papers out of that drawer in my +desk." + +Dorian fetched a large bundle of clippings and papers and asked if they +were what he wanted. + +"Not all of them just now; but take from the pile the few on top. I want +you to read them to me. They are a few selections which I have culled +and which have a bearing on the things we have lately been talking +about." + +The first note which Dorian read was as follows. "'The keys of the holy +priesthood unlock the door of knowledge to let you look into the palace +of truth'." + +"That's by Brigham Young. You did not know that he was a poet as well as +a prophet," commented the old man. "The next one is from him also." + +"'There never was a time when there were not Gods and worlds, and when +men were not passing through the same ordeals that we are now passing +through. That course has been from all eternity and it is and will be to +all eternity'." + +"Now you know, Dorian, where I get my inspiration from. Read the next, +also from President Young." + +"'The idea that the religion of Christ is one thing, and science is +another, is a mistaken idea, for there is no true science without +religion. The fountain of knowledge dwells with God, and He dispenses it +to His children as He pleases, and as they are prepared to receive it; +consequently, it swallows up and circumscribes all'." + +"Take these, Dorian; have them with you as inspirational mottoes for +your life's work. Go on, there are a few more." + +Dorian read again: "'The region of true religion and the region of a +completer science are one.'--Oliver Lodge." + +"You see one of the foremost scientists of the day agrees with Brigham +Young," said Uncle Zed. "I think the next one corroborates some of our +doctrine also." + +Dorian read: "'We do not indeed remember our past, we are not aware of +our future, but in common with everything else we must have had a past +and must be going to have a future.'--Oliver Lodge." + +Again he read: "'We must dare to extend the thought of growth and +progress and development even up to the height of all that we can +realize of the Supreme Being--In some part of the universe perhaps +already the ideal conception has been attained; and the region of such +attainment--the full blaze of self-conscious Deity--is too bright for +mortal eyes, is utterly beyond our highest thoughts.'--Oliver Lodge." + +Uncle Zed held out his hand and smiled. "There," he said in a whisper, +"is a hesitating suggestion of the truth which we boldly proclaim." + +"Now you are tired, Uncle Zed," said Dorian. "I had best not read more." + +"Just one--the next one." + +Dorian complied: + + "'There are more lives yet, there are more worlds waiting, + For the way climbs up to the eldest sun, + Where the white ones go to their mystic mating, + And the holy will is done. + I'll find you there where our love life heightens-- + Where the door of the wonder again unbars, + Where the old love lures and the old fire whitens, + In the stars behind the stars'." + +Uncle Zed lay peacefully on his pillow, a wistful look on his face. The +room became still again, and the clock ticked away the time. Dorian +folded up the papers which he had been told to keep and put them in his +pocket. The rest of the package he returned to the drawer. He lowered +the lamp again. Then he sat down and watched. It seemed it would not be +long for the end. + +"Dorian." + +"Yes, Uncle Zed, can I do anything for you?" + +"No"--barely above a whisper--"nothing else matters--you're a good +boy--God bless you." + +The dying man lay very still. As Dorian looked at the face of his friend +it seemed that the mortal flesh had become waxen white so that the +immortal spirit shone unhindered through it. The young man's heart was +deeply sorrowful, but it was a sanctified sorrow. Twice before had death +come near to him. He had hardly realized that of his father's and he was +not present when Mildred had passed away; but here he was again with +death, and alone. It seemed strange that he was not terrified, but he +was not--everything seemed so calm, peaceful, and even beautiful in its +serene solemnity. + +Dorian arose, went softly to the window and looked out. The wind had +quieted, and the snow was falling slowly, steadily in big white flakes, +When Dorian again went back to the bedside and looked on the stilled +face of his friend, he gave a little start. He looked again closely, +listening, and feeling of the cold hands. Uncle Zed was dead. + +The Greenstreet meeting house was filled to overflowing at the funeral. +Uncle Zed had gone about all his days in the village doing good. All +could tell of some kind deed he had done, with the admonition that it +should not be talked about. He always seemed humiliated when anyone +spoke of these things in his hearing; but now, surely, there could be no +objection to letting his good deeds shine before men. + +Uncle Zed had left with the Bishop a written statement, not in the form +of a will, wherein he told what disposition was to be made of his simple +belongings. The house, with its few well tilled acres, was to go to the +ward for the use of any worthy poor whom the Bishop might designate. +Everything in the house should be at the disposal of Dorian Trent. The +books, especially, should belong to him "to have and to hold and to +study." Such books which Dorian did not wish to keep were to be given +to the ward Mutual Improvement Library. This information the Bishop +publicly imparted on the day of the funeral. + +"These are the times," said the Bishop, "when the truth comes forcibly +to us all that nothing in this world matters much or counts for much in +the end but good deeds, kind words, and unselfish service to others. All +else is now dross.... The mantle of Brother Zed seems to have fallen on +Dorian Trent. May he wear it faithfully and well." + +A few days after the funeral Dorian and his mother went to Uncle Zed's +vacant home. Mrs. Trent examined the furnishings, while Dorian looked +over the books. + +"Is there anything here you want, mother? he asked. + +"No; I think not; better leave everything, which isn't much, for those +who are to live here. What about the books?' + +"I'm going to take most of them home, for I am sure Uncle Zed would not +want them to fall into unappreciating hands; but there's no hurry about +that. We'll just leave everything as it is for a few days." + +The next evening Dorian returned to look over again his newly-acquired +treasures. The ground was covered with snow and the night was cold. He +thought he might as well spend the evening, and be comfortable, so he +made a fire in the stove. + +On the small home-made desk which stood in the best-lighted corner, near +to the student's hand were his well-worn Bible, his Book of Mormon, and +Doctrine and Covenants. He opened the drawers and found them filled with +papers and clippings, covering, as Dorian learned, a long period of +search and collecting. He opened again the package which he had out the +evening of Uncle Zed's death, and looked over some of the papers. These, +evidently, had been selected for Dorian's special benefit, and so he +settled himself comfortably to read them. The very first paper was in +the old man's own hand, and was a dissertation on "Faith." and read +thus: "Some people say that they can believe only what they can perceive +with the senses. Let us see: The sun rises, we say. Does it? The earth +is still. Is it? We hear music, we see beauty. Does the ear hear or the +eye see? We burn our fingers. Is the pain in our fingers? I cut the +nerves leading from the brain to these various organs, and then I +neither hear nor see nor feel." + +"How can God keep in touch with us?" was answered thus: "A ray of light +coming through space from a star millions of miles away will act on a +photographic plate, will eat into its sensitive surface and imprint the +image of the star. This we know, and yet we doubt if God can keep in +touch with us and answer our prayers." + +Many people wondered why a man like Uncle Zed was content to live in the +country. The answer seemed to be found in a number of slips: + + "How peaceful comes the Sabbath, doubly blessed, + In giving hope to faith, to labor rest. + Most peaceful here:--no city's noise obtains, + And God seems reverenced more where silence reigns." + +Once Dorian had been called a "Clod hopper." As he read the following, +he wondered whether or not Uncle Zed had not also been so designated, +and had written this in reply: + +"Mother Earth, why should not I love you? Why should not I get close to +you? Why should I plan to live always in the clouds above you, gazing at +other far-distant worlds, and neglecting you? Why did I, with others, +shout with joy when I learned that I was coming here from the world of +spirits? I answer, because I knew that 'spirit and element inseparately +connected receiveth a fullness of joy.' I was then to get in touch with +'element' as I had been with 'spirit.' This world which I see with my +natural eyes is the 'natural' part of Mother Earth, even as the +flesh and bones and blood of my body is the element of myself, to be +inseparately connected with my spirit and to the end that I might +receive a fullness of joy. The earth and all things on it known by the +term nature is what I came here to know. Nature, wild or tamed, is my +schoolroom--the earth with its hills and valleys and plains, with its +clouds and rain, with its rivers and lakes and oceans, with its trees +and fruits and flowers, its life--about all these I must learn what I +can at first hand. Especially, should I learn of the growing things +which clothe the earth with beauty and furnish sustenance to life. Some +day I hope the Lord will give me a small part of this earth, when it is +glorified. Ah, then, what a garden shall I have!" + +No one in Greenstreet had ever known Uncle Zed as a married man. His +wife had died long ago, and he seldom spoke of her. Dorian had wondered +whether he had ever been a young man, with a young man's thoughts and +feelings; but here was evidence which dispelled any doubt. On a slip of +paper, somewhat yellow with age, were the following lines, written in +Uncle Zed's best hand: + + "In the enchanted air of spring, + I hear all Nature's voices sing, + 'I love you'. + + By bursting buds, by sprouting grass, + I hear the bees hum as I pass, + 'I love you'. + + The waking earth, the sunny sky + Are whispering the same as I, + 'I love you'. + + The song of birds in sweetest notes + Comes from their bursting hearts and throats, + 'I love you'." + +"Oh, Uncle Zed!" said Dorian, half aloud, "who would have thought it!" + +Near the top of the pile of manuscript Dorian found an envelope with "To +Dorian Trent," written on it. He opened it with keen interest and found +that it was a somewhat newly written paper and dealt with a subject they +had discussed in connection with the chapter on Death in Drummond's +book. Uncle Zed had begun his epistle by addressing it, "Dear Dorian" +and then continued as follows: + +"You remember that some time ago we talked on the subject of sin and +death. Since then I have had some further thought on the subject which I +will here jot down for you. You asked me, you remember, what sin is, and +I tried to explain. Here is another definition: Man belongs to an order +of beings whose goal is perfection. The way to that perfection is long +and hard, narrow and straight. Any deviation from that path is sin. God, +our Father, has reached the goal. He has told us how we may follow Him. +He has pointed out the way by teaching us the law of progress which +led Him to His exalted state. Sin lies in not heeding that law, but in +following laws of our own making. The Lord says this in the Doctrine and +Covenants, Section 88: + +'That which breaketh a law, and abideth not by law, but seeketh to +become a law unto itself, and willeth to abide in sin, and altogether +abideth in sin, cannot be sanctified by law, neither by mercy, justice, +nor judgement. Therefore, they must remain filthy still.' + +"Now, keeping in mind that sin is the straying from the one straight, +progressive path, let us consider this expression: 'The wages of sin is +death'. This leads us to the question: what is death? Do you remember +what Drummond says? He first explains in a most interesting way what +life is, using the scientist's phrasing. A human being, for instance, +is in direct contact with all about him--earth, air, sun, other human +beings, etc. In biological language he is said to be 'in correspondence +with his environment,' and by virtue of this correspondence is said to +be alive. To live, a human being must continue to adjust himself to his +environment. When he fails to do this, he dies. Thus we have also a +definition of death. 'Dying is that breakdown in an organization +which throws it out of correspondence with some necessary part of the +environment.' + +"Of course, these reasonings and deductions pertain to what we term he +physical death; but Drummond claims that the same law holds good in the +spiritual world. Modern revelation seems to agree with him. We have an +enlightening definition of death in the following quotation from the +Doctrine and Covenants, Section 29: 'Wherefore I the Lord God caused +that he (Adam) should be cast out from the Garden of Eden, from my +presence, because of his transgression, wherein he became spiritually +dead, which is the first death, even that same death, which is the last +death, which is spiritual, which shall be pronounced upon the wicked +when I shall say Depart ye cursed'. + +"It seems to me that there is a most interesting agreement here. +Banishment from the place where God lives is death. By the operations +of a natural law, a person who fails to correspond with a celestial +environment dies to that environment and must go or be placed in some +other, where he can function with that which is about him. God's +presence is exalted, holy, glorified. He who is not pure, holy, +glorified cannot possibly live there, is dead to that higher world. +A soul who cannot function in the celestial glory, may do so in the +terrestrial glory; one who cannot function in the terrestrial, may in +the telestial; and one who cannot 'abide the law' or function in the +telestial must find a place of no glory. This is inevitable--it cannot +be otherwise. Immutable law decrees it, and not simply the ruling of an +all wise power. The soul who fails to attain to the celestial glory, +fails to walk in the straight and narrow path which leads to it. Such a +person wanders in the by-paths called sin, and no power in the universe +can arbitrarily put him in an environment with which he cannot function. +'To be carnally minded is death', said Paul. 'The wages of sin is +death', or in other words, he who persistently avoids the Celestial +Highway will never arrive at the Celestial Gate. He who works evilly +will obtain evil wages. Anyway, what would it profit a man with dim +eyesight to be surrounded with ineffable glory? What would be the music +of the spheres to one bereft of hearing? What gain would come to a man +with a heart of stone to be in an environment of perfect and eternal +love!" + +Dorian finished the reading and laid the paper on the desk. For some +time he sat very still, thinking of these beautiful words from his dear +friend to him. Surely, Uncle Zed was very much alive in any environment +which his beautiful life had placed him. Would that he, Dorian, could +live so that he might always be alive to the good and be dead to sin. + +The stillness of the night was about him. The lamplight grew dim, +showing the oil to be gone, so he blew out the smoking wick. He opened +the stove door, and by the light of the dying fire he gathered up some +books to take home. He heard a noise as if someone were outside. He +listened. The steps were muffled in the snow. They seemed to approach +the house and then stop. There was silence for a few minutes, then +plainly he heard sobbing close to the door. + +What could it mean? who could it be? Doubtless, some poor soul to whom +Uncle Zed had been a ministering angel, had been drawn to the vacant +house, and could not now control her sorrow. Then the sobbing ceased, +and Dorian realized he had best find out who was there and give what +help he could. He opened the door, and a frightened scream rang out from +the surprised Carlia Duke who stood in the faint light from the open +doorway. She stood for a second, then as if terror stricken, she fled. + +"Carlia," shouted Dorian. "Carlia!" + +But the girl neither stopped nor looked back. Across the pathless, +snow-covered fields she sped, and soon became only a dark-moving object +on the white surface. When she had entirely disappeared, Dorian went +back, gathered up his bundles, locked the door, and went wonderingly and +meditatingly home. + + + + +CHAPTER THIRTEEN. + + +It is no doubt a wise provision of nature that the cold of winter closes +the activity in field and garden, thus allowing time for study by the +home fire. Dorian Trent's library, having been greatly enlarged, now +became to him a source of much pleasure and profit. Books which he never +dreamed of possessing were now on his shelves. In some people's opinion, +he was too well satisfied to remain in his cosy room and bury himself in +his books; but his mother found no fault. She was always welcome to come +and go; and in fact, much of the time he sat with her by the kitchen +fire, reading aloud and discussing with her the contents of his book. + +Dorian found, as Uncle Zed had, wonderful arguments for the truth of +the gospel in Orson and Parley P. Pratt's works. In looking through +the "Journal of Discourses," he found markings by many of the sermons, +especially by those of Brigham Young. Dorian always read the passages +thus indicated, for he liked to realize that he was following the +former owner of the book even in his thinking. The early volumes of the +"Millennial Star" contained some interesting reading. Very likely, the +doctrinal articles of these first elders were no better than those of +more recent writers, but their plain bluntness and their very age seemed +to give them charm. + +By his reading that winter Dorian obtained an enlarged view of his +religion. It gave him vision to see and to comprehend better the whole +and thus to more fully understand the details. Besides, he was laying a +broad and firm foundation for his faith in God and the restored gospel +of Jesus Christ, a faith which would stand him well in need when he came +to delve into a faithless and a Godless science. + +Not that Dorian became a hermit. He took an active part in the +Greenstreet ward organizations. He was secretary of the Mutual, always +attended Sunday School, and usually went to the ward dances. As he +became older he overcame some of his shyness with girls; and as +prosperity came to him, he could dress better and have his mass of +rusty-red hair more frequently trimmed by the city barber. More than +one of the discerning Greenstreet girls laid their caps for the big, +handsome young fellow. + +And Dorian's thoughts, we must know, were not all the time occupied with +the philosophy of Orson Pratt. He was a very natural young man, and +there were some very charming girls in Greenstreet. When, arrayed in +their Sunday best, they sat in the ward choir, he, not being a member of +the choir, could look at them to his heart's content, first at one and +then at another along the double row. Carlia Duke usually sat on the +front row where he could see her clearly and compare her with the +others--and she did not suffer by the comparison. + +Dorian now begin to realize that it was selfish, if not foolish, to +think always of the dead Mildred to the exclusion of the very much alive +Carlia. Mildred was safe in the world of spirits, where he would some +day meet her again; but until that time, he had this life to live and +those about him to think of. Carlia was a dear girl, beautiful, too, now +in her maturing womanhood. None of the other girls touched his heart as +Carlia. He had taken a number of them to dances, but he had always come +back, in his thought, at least, to Carlia. But her actions lately had +been much of a puzzle. Sometimes she seemed to welcome him eagerly when +he called, at other times she tried to evade him. No doubt this Mr. Jack +Lamont was the disturbing element. That winter he could be seen coming +quite openly to the Duke home, and when the weather would permit, Carlia +would be riding with him in his automobile. The neighbors talked, but +the father could only shake his head and explain that Carlia was a +willful girl. + +Now when it seemed that Carlia was to be won by this very gallant +stranger, Dorian began to realize what a loss she would be to him. He +was sure he loved the girl, but what did that avail if she did not love +him in return. He held to the opinion that such attractions should be +mutual. He could see no sense in the old-time custom of the knight +winning his lady love by force of arms or by the fleetness of horse's +legs. + +However, Dorian was not easy in his mind, and it came to the point when +he suffered severe heartaches when he knew of Carlia's being with the +stranger. The Christmas holidays that season were nearly spoiled for +him. He had asked Carlia a number of times to go to the parties with +him, but she had offered some excuse each time. + +"Let her alone," someone had told him. + +"No; do not let her alone," his mother had counseled; and he took his +mother's advice. + +Carlia had been absent from the Sunday meetings for a number of weeks, +so when she appeared in her place in the choir on a Sunday late in +January, Dorian noticed the unusual pallor of her face. He wondered if +she had been ill. He resolved to make another effort, for in fact, his +heart went out to her. At the close of the meeting he found his way to +her side as she was walking home with her father and mother. Dorian +never went through the formality of asking Carlia if he might accompany +her home. He had always taken it for granted that he was welcome; and, +at any rate, a man could always tell by the girl's actions whether or +not he was wanted. + +"I haven't seen you for a long time," began Dorian by way of greeting. + +The girl did not reply. + +"Been sick?" he asked. + +"Yes--no, I'm all right." + +The parents walked on ahead, leaving the two young people to follow. +Evidently, Carlia was very much out of sorts, but the young man tried +again. + +"What's the matter, Carlia?" + +"Nothing." + +"Well, I hope I'm not annoying you by my company." + +No answer. They walked on in silence, Carlia looking straight ahead, not +so much at her parents, as at the distant snow-clad mountains. Dorian +felt like turning about and going home, but he could not do that very +well, so he went on to the gate, where he would have said goodnight had +not Mrs. Duke urged him to come in. The father and mother went to bed +early, leaving the two young people by the dining-room fire. + +They managed to talk for some time on "wind and weather". Despite the +paleness of cheek, Carlia was looking her best. Dorian was jealous. + +"Carlia," he said, "why do you keep company with this Mr. Lamont?" + +She was standing near the book-shelf with its meagre collection. She +turned abruptly at his question. + +"Why shouldn't I go with him?" she asked. + +"You know why you shouldn't." + +"I don't. Oh, I know the reasons usually given, but--what am I to do. +He's so nice, and a perfect gentleman. What harm is there?" + +"Why do you say that to me, Carlia?" + +"Why not to you?" She came and sat opposite him by the table. He was +silent, and she repeated her question, slowly, carefully, and with +emphasis. "Why not to you? Why should you care?" + +"But I do care." + +"I don't believe it. You have never shown that you do." + +"I am showing it now." + +"Tomorrow you will forget it--forget me for a month." + +"Carlia!" + +"You've done it before--many times--you'll do it again." + +The girl's eyes flashed. She seemed keyed up to carry through something +she had planned to do, something hard. She arose and stood by the table, +facing him. + +"I sometimes have thought that you cared for me--but I'm through with +that now. Nobody really cares for me. I'm only a rough farm hand. I know +how to milk and scrub and churn and clean the stable--an' that's what I +do day in and day out. There's no change, no rest for me, save when he +takes me away from it for a little while. He understands, he's the only +one who does." + +"But, Carlia!" + +"You," she continued in the same hard voice, "you're altogether too good +and too wise for such as I. You're so high up that I can't touch you. +You live in the clouds, I among the clods. What have we two in common?" + +"Much, Carlia--I--" + +He arose and came to her, but she evaded him. + +"Keep away, Dorian; don't touch me. You had better go home now." + +"You're not yourself, Carlia. What is the matter? You have never acted +like this before." + +"It's not because I haven't felt like it, but it's because I haven't had +the courage; but now it's come out, and I can't stop it. It's been +pent up in me like a flood--now it's out. I hate this old farm--I hate +everything and everybody--I--hate you!" + +Dorian arose quickly as if he had been lifted to his feet. What was she +saying? She was wild, crazy wild. + +"What have I done that you should hate me?" he asked as quietly as his +trembling voice would allow. + +"Done? nothing. It's what you haven't done. What have you done to +repay--my--Oh, God, I can't stand it--I can't stand it!" + +She walked to the wall and turned her face to it. She did not cry. The +room was silently tense for a few moments. + +"I guess I'd better go," said Dorian. + +She did not reply. He picked up his hat, lingered, then went to the +door. She hated him. Then let him get out from her presence. She hated +him. He had not thought that possible. Well, he would go. He would never +annoy any girl who hated him, not if he knew it. How his heart ached, +how his very soul seemed crushed! yet he could not appeal to her. She +stood with her face to the wall, still as a statue, and as cold. + +"Good night," he said at the door. + +She said nothing, nor moved. He could see her body quiver, but he could +not see her face. He perceived nothing clearly. The familiar room, +poorly furnished, seemed strange to him. The big, ugly enlarged +photographs on the wall blurred to his vision. Carlia, with head bowed +now, appeared to stand in the midst of utter confusion. Dorian groped +his way to the door, and stepped out into the wintry night. When he had +reached the gate, Carlia rushed to the door. + +"Dorian!" she cried in a heart-breaking voice, "O, Dorian, come +back--come back!" + +But Dorian opened the gate, closed it, then walked on down the road into +the darkness, nor did he once look back. + + + + +CHAPTER FOURTEEN. + + +Carlia's ringing cry persisted with Dorian all the way home, but he +hardened his heart and went steadily on. His mother had gone to bed, and +he sat for a time by the dying fire, thinking of what he had just passed +through. + +After that, Dorian kept away from Carlia. Although the longing to see +her surged strongly through his heart from time to time, and he could +not get away from the thought that she was in some trouble, yet his +pride forbade him to intrude. He busied himself with chores and his +books, and he did not relax in his ward duties. Once in a while he saw +Carlia at the meeting house, but she absented herself more and more from +public gatherings, giving as an excuse to all who inquired, that her +work bound her more closely than ever at home. + +Dorian and his mother frequently talked about Uncle Zed and the hopes +the departed one had of the young man. "Do you really think, mother, +that he meant I should devote my life to the harmonizing of science and +religion?" he asked. + +"I think Uncle Zed was in earnest. He had great faith in you." + +"But what do you think of it, mother?" + +After a moment's thought, the mother replied. + +"What do you think of it?" + +"Well, it would be a task, though a wonderfully great one." + +"The aim is high, the kind I would expect of you. Do you know, Dorian, +your father had some such ambition. That's one of the reasons we came +to the country in hopes that some day he would have more time for +studying." + +"I never knew that, mother." + +"And now, what if your father and Uncle Zed are talking about the matter +up there in the spirit world." + +Dorian thought of that for a few moments. Then: "I'll have to go to the +University for four years, but that's only a beginning. Ill have to go +East to Yale or Harvard and get all they have. Then will come a lot of +individual research, and--Oh, mother, I don't know." + +"And all the time you'll have to keep near to God and never lose your +faith in the gospel, for what doth it profit if you gain the whole world +of knowledge and lose your own soul." The mother came to him and ran her +fingers lovingly through his hair. "But you're equal to it, my son; I +believe you can do it." + +This was a sample of many such discussions, and the conclusion was +reached that Dorian should work harder than ever, if that were possible, +for two or perhaps three years, by which time the farms could be rented +and the income derived from them be enough to provide for the mother's +simple needs and the son's expenses while at school. + +Spring came early that year, and Dorian was glad of it, for he was eager +to be out in the growing world and turn that growth to productiveness. +When the warm weather came for good, books were laid aside, though not +forgotten. From daylight until dark, he was busy. The home farm was well +planted, the dry-farm wheat was growing beautifully. Between the two, +prospects were bright for the furthering of their plans. + +"Mother, when and where in this great plan of ours, am I to get +married?" + +Dorian and his mother were enjoying the dusk and the cool of the evening +within odorous reach of Mrs. Trent's flowers, many of which had come +from Uncle Zed's garden. They had been talking over some details of +their "plan." Mrs. Trent laughed at the abruptness of the question. + +"Oh, do you want to get married?" she asked, wondering what there might +be to this query. + +"Well--sometimes, of course, I'll have to have a wife, won't I?" + +"Certainly, in good time; but you're in no hurry, are you?" + +"Oh, no; I'm just talking on general principles. There's no one who +would have me now." + +The mother did not dispute this. She knew somewhat of his feelings +toward Carlia. These lovers' misunderstandings were not serious, she +thought to herself. All would end properly and well, in good time. + +But Carlia was in Dorian's thought very often, much to his bewilderment +of heart and mind. He often debated with himself if he should not +definitely give her up, cease thinking about her as being anything +to him either now or hereafter; but it seemed impossible to do that. +Carlia's image persisted even as Mildred's did. Mildred, away from the +entanglements of the world, was safe to him; but Carlia had her life to +live and the trials and difficulties of mortality to encounter and to +overcome; and that would not be easy, with her beauty and her impulsive +nature. She needed a man's clear head and steady hand to help her, and +who was more fitting to do that than he himself, Dorian thought without +conscious egotism. + +If it were possible, Dorian always spent Sunday at home. If he was on +his dry farm in the hills, he drove down on Saturday evenings. One +Saturday in midsummer, he arrived home late and tired. He put up his +team, came in, washed, and was ready for the good supper which his +mother always had for him. The mother busied herself about the kitchen +and the table. + +"Come and sit down, mother," urged Dorian. + +"What's the fussing about! Everything I need is here on the table. +You're tired, I see. Come, sit down with me and tell me all the news." + +"The news? what news!" + +"Why, everything that's happened in Green street for the past week. I +haven't had a visitor up on the farm for ten days." + +"Everything is growing splendidly down here. The water in the canal is +holding out fine and Brother Larsen is fast learning to be a farmer." + +"Good," said Dorian. "Our dry wheat is in most places two feet high, +and it will go from forty to fifty bushels, with good luck. If now, the +price of wheat doesn't sag too much." + +Dorian finished his supper, and was about to go to bed, being in need of +a good rest. His mother told him not to get up in the morning until she +called him. + +"All right, mother," he laughed as he kissed her good night, "but don't +let me be late to Sunday School, as I have a topic to treat in the +Theological class. By heck, they really think I'm Uncle Zed's successor, +by the subjects they give me." + +He was about to go to his room when his mother called him by name. + +"Yes, mother, what is it?" + +"You'll know tomorrow, so I might as well tell you now." + +"Tell me what?" + +"Some bad news." + +"Bad news! What is it?" + +The mother seemed lothe to go on. She hesitated. + +"Well, mother?" + +"Carlia is gone." + +"Gone? Gone where?" + +"Nobody knows. She's been missing for a week. She left home last +Saturday to spend a few days with a friend in the city, so she said. +Yesterday her father called at the place to bring her home and learned +that she had never been there." + +"My gracious, mother!" + +"Yes; it's terrible. Her father has inquired for her and looked for her +everywhere he could think of, but not a trace of her can he find. She's +gone." + +Mother and son sat in silence for some time. He continued to ask +questions, but she know no more than the simple facts which she had +told. He could do nothing to help, at least, not then, so he reluctantly +went to bed. He did not sleep until past midnight. + + + + +CHAPTER FIFTEEN + + +Dorian was not tardy to Sunday School, and, considering his mental +condition, he gave a good account of himself in the class. He heard +whispered comment on Carlia's disappearance. + +After Sunday school Dorian went directly to Carlia's home. He found the +mother tear-stained and haggard with care. The tears flowed again freely +at the sight of Dorian, and she clung to him as if she had no other +means of comfort. + +"Do you know where Carlia is?" she wailed. + +"No, Sister Duke, I haven't the last idea. I haven't seen her for some +time." + +"But what shall we do, Dorian, what shall we do! She may be dead, lying +dead somewhere!" + +"I hardly think that," he tried to comfort her. "She'll turn up again. +Carlia's well able to take care of herself." + +The father came in. He told what had been done to try to find the +missing girl. Not a word had they heard, not a clue or a trace had been +discovered. The father tried hard to control his emotions as he talked, +but he could not keep the tears from slowly creeping down his face. + +"And I suppose I'm greatly to blame" he said. "I have been told as much +by some, who I suppose, are wiser than I am. The poor girl has been +confined too much to the work here." + +"Work doesn't hurt anybody," commented Dorian. + +"No; but all work and no play, I was plainly reminded just the +other day, doesn't always make Jack a dull boy: sometimes, it makes +dissatisfaction and rebellion--and it seems it has done that here. +Carlia, I'll admit had very little company, saw very little of society. +I realize that now when it may be too late." + +"Oh, I hope not," said Dorian. + +"Carlia, naturally, was full of life. She wanted to go and see and +learn. All these desires in her were suppressed so long that this is the +way it has broken loose. Yes, I suppose that's true." + +Dorian let the father give vent to his feelings in his talk. He could +reply very little, for truth to say, he realized that the father was +stating Carlia's case quite accurately. He recalled the girl when he and +she had walked back and forth to and from the high school how she had +rapidly developed her sunny nature in the warm, somewhat care-free +environment of the school life, and how lately with the continual +drudgery of her work, she had changed to a pessimism unnatural to one +of her years. Yes, one continual round of work at the farm house is apt +either to crush to dullness or to arouse to rebellion. Carlia was of the +kind not easily crushed.... But what could they now do? What could +he do? For, it came to him with great force that he himself was not +altogether free from blame in this matter. He could have done more, +vastly more for Carlia Duke. + +"Well, Brother Duke," said Dorian. "Is there anything that I can do?" + +"I don't think of anything," said he. + +"Not now," added the mother in a tone which indicated that she did not +wish the implied occasion to be too severe. + +The father followed Dorian out in the yard. There Dorian asked: + +"Brother Duke, has this Mr. Lamont been about lately?" + +"He was here yesterday. He came, he said, as soon as he heard of +Carlia's disappearance. He seemed very much concerned about it." + +"And he knew nothing about it until yesterday?" + +"He said not--do you suspect--he--might--?" + +"I'm not accusing anybody, but I never was favorably impressed with the +man." + +"He seemed so truly sorry, that I never thought he might have had +something to do with it." + +"Well, I'm not so sure; but I'll go and see him myself. I suppose I can +find him in his office in the city?" + +"I think so--Well, do what you can for us, my boy; and Dorian, don't +take to heart too much what her mother implied just now." + +"Not any more than I ought," replied Dorian. "If there is any blame to +be placed on me--and I think there is--I want to bear it, and do what +I can to correct my mistakes. I think a lot of Carlia, I like her more +than any other girl I know, and I should have shown that to her both by +word and deed more than I have done. I'm going to help you find her, and +when I find her I'll not let her go so easily." + +"Thank you. I'm glad to hear you say that." + +Monday morning Dorian went to the city and readily found the man whom he +was seeking. He was in his office. + +"Good morning. Glad to see you," greeted Mr. Lamont, as he swung around +on his chair. "Take a seat. What can I do for you?" + +As the question was asked abruptly, the answer came in like manner. + +"I want to know what you know about Carlia Duke." + +Mr. Lamont reddened, but he soon regained his self-possession. + +"What do you mean!" he asked. + +"You have heard of her disappearance?" + +"Yes; I was very sorry to hear of it." + +"It seems her father has exhausted every known means of finding her, and +I thought you might, at least, give him a clew." + +"I should be most happy to do so, if I could; but I assure you I haven't +the least idea where she has gone. I am indeed sorry, as I expressed to +her father the other day." + +"You were with her a good deal." + +"Well, not a good deal, Mr. Trent--just a little," he smilingly +corrected. "I will admit I'd liked to have seen more of her, but I soon +learned that I had not the ghost of a chance with you in the field." + +"You are making fun, Mr. Lamont." + +"Not at all, my good fellow. You are the lucky dog when it comes to Miss +Duke. A fine girl she is, a mighty fine girl--a diamond, just a little +in the rough. As I'm apparently out of the race, go to it, Mr. Trent and +win her. Good luck to you. I don't think you'll have much trouble." + +Dorian was somewhat nonplused by this fulsome outburst. He could not for +a moment find anything to say. The two men looked at each other for a +moment as if each were measuring the other. Then Mr. Lamont said: + +"If at any time I can help you, let me know--call on me. Now you'll have +to excuse me as I have some business matters to attend to." + +Dorian was dismissed. + +The disappearance of Carlia Duke continued to be a profound mystery. The +weeks went by, and then the months. The gossips found other and newer +themes. Those directly affected began to think that all hopes of finding +her were gone. + +Dorian, however, did not give up. In the strenuous labors of closing +summer and fall he had difficulty in keeping his mind on his work. His +imagination ranged far and wide, and when it went into the evil places +of the world, he suffered so that he had to throw off the suggestion by +force. He talked freely with his mother and with Carlia's parents on all +possible phases of the matter, until, seemingly, there was nothing more +to be said. To others, he said nothing. + +Ever since Dorian had been taught to lisp his simple prayers at his +mother's knee, he had found strength and comfort in going to the Lord. +With the growth of his knowledge of the gospel and his enlarged vision +of God's providences, his prayers became a source of power. Uncle +Zed had taught him that this trustful reliance on a higher power was +essential to his progress. The higher must come to the help of the +lower, but the lower must seek for that help and sincerely accept it +when offered. As a child, his prayers had been very largely a set form, +but as he had come in contact with life and its experiences, he had +learned to suit his prayers to his needs. Just now, Carlia and her +welfare was the burden of his petitions. + +The University course must wait another year, so Dorian and his mother +decided. They could plainly see that one more year would be needed, +besides Dorian was not in a condition to concentrate his mind on study. +So, when the long evenings came on again, he found solace in his +books, and read again many of dear Uncle Zed's writings which had been +addressed so purposely to him. + +One evening in early December Dorian and his mother were cosily "at +home" to any good visitors either of persons or ideas. Dorian was +looking over some of his papers. + +"Mother, listen to this," he said. "Here is a gem from Uncle Zed which I +have not seen before." He read: + +"'The acquisition of wealth brings with it the obligation of helping +the poor; the acquisition of knowledge brings with it the obligation of +teaching others; the acquisition of strength and power brings with it +the obligation of helping the weak. This is what God does when He says +that His work and His glory is to bring to pass the immortality and +eternal life of man'." + +"How true that is," said the mother. + +"Yes," added Dorian after a thoughtful pause, "I am just wondering how +and to what extent I am fulfilling any obligation which is resting on me +by reason of blessings I am enjoying. Let's see--we are not rich, but we +meet every call made on us by way of tithing and donations; we are not +very wise, but we impart of what we have by service; we are not very +strong--I fear, mother, that's where I lack. Am I giving of my strength +as fully as I can to help the weak. I don't know--I don't know." + +"You mean Carlia?" + +"Yes; what am I doing besides thinking and praying for her?" + +"What more can we do?" + +"Well, I can try doing something more." + +"What, for instance!" + +"Trying to find her." + +"But her father has done that." + +"Yes; but he has given up too soon. I should continue the search. I've +been thinking about that lately. I can't stay cosily and safely at home +any longer, mother, when Carlia may be in want of protection." + +"And what would you be liable to find if you found her?" + +That question was not new to his own mind, although his mother had not +asked it before. Perhaps, in this case, ignorance was more bliss than +knowledge. Whatever had happened to her, would it not be best to have +the pure image of her abide with him? But he know when he thought of it +further that such a conclusion was not worthy of a strong man. He should +not be afraid even of suffering if it came in the performance of duty. + +That very night Dorian had a strange dream, one unusual to him because +he remembered it so distinctly the day after. He dreamed that he saw +Mildred in what might well be called the heavenly land. She seemed busy +in sketching a beautiful landscape and as he approached her, she looked +up to him and smiled. Then, as she still gazed at him, her countenance +changed and with concern in her voice, she asked, "Where's Carlia?" + +The scene vanished, and that was all of the dream. In the dim +consciousness of waking he seemed to hear Carlia's voice calling to him +as it did that winter night when he had left her, not heeding. The call +thrilled his very heart again: + +"Dorian, Dorian, come back--come back!" + + + + +CHAPTER SIXTEEN. + + +The second week in December Dorian went into action in search of Carlia +Duke. He acknowledged to himself that it was like searching for the +proverbial needle in the haystack, but inaction was no longer possible. + +Carlia very likely had no large amount of money with her, so she would +have to seek employment. She could have hidden herself in the city, but +Dorian reasoned that she would be fearful of being found, so would have +gone to some nearby town; but which one, he had no way of knowing. +He visited a number of adjacent towns and made diligent enquiries at +hotels, stores, and some private houses. Nothing came of this first +week's search. + +A number of mining towns could easily be reached by train from the city. +In these towns many people came and went without notice or comment. +Dorian spent nearly a week in one of them, but he found no clue. He went +to another. The girl would necessarily have to go to a hotel at first, +so the searcher examined a number of hotel registers. She had been gone +now about six months, so the search had to be in some books long since +discarded, much to the annoyance of the clerks. + +Dorian left the second town for the third which was situated well up in +the mountains. The weather was cold, and the snow lay two feet deep over +the hills and valleys. He became disheartened at times, but always he +reasoned that he must try a little longer; and then one day in a hotel +register dated nearly five months back, he found this entry: + +"Carlia Davis." + +Dorian's heart gave a bound when he saw the name. Carlia was not a +common name, and the handwriting was familiar. But why Davis? He +examined the signature closely. The girl, unexperienced in the art of +subterfuge, had started to write her name, and had gotten to the D in +Duke, when the thought of disguise had come to her. Yes; there was an +unusual break between that first letter and the rest of the name. Carlia +had been here. He was on the right track, thank the Lord! + +Dorian enquired of the hotel clerk if he remembered the lady. Did he +know anything about her? No; that was so long ago. His people came and +went. That was all. But Carlia had been here. That much was certain. +Here was at least a fixed point in the sea of nothingness from which he +could work. His wearied and confused mind could at least come back to +that name in the hotel register. + +He began a systematic search of the town. First he visited the small +business section, but without results. Then he took up the residential +district, systematically, so that he would not miss any. One afternoon +he knocked on the door of what appeared to be one of the best +residences. After a short wait, the door was opened by a girl, highly +painted but lightly clad, who smiled at the handsome young fellow and +bade him come in. He stepped into the hall and was shown into what +seemed to be a parlor, though the parlors he had known had not smelled +so of stale tobacco smoke. He made his usual inquiry. No; no such girl +was here, she was sorry, but--the words which came from the carmine lips +of the girl so startled Dorian that he stood, hat in hand, staring at +her, and shocked beyond expression. He know, of course, that evil houses +existed especially in mining towns, inhabited by corrupt women, but this +was the first time he had ever been in such a place. When he realized +where he was, a real terror seized him, and with unceremonious haste he +got out and away, the girl's laughter of derision ringing in his ears. + +Dorian was unnerved. He went back to his room, his thoughts in a whirl, +his apprehensions sinking to gloomy depths. What if Carlia should be in +such a place? A cold sweat of suffering broke over him before he could +drive away the thought. But at last he did get rid of it. His mind +cleared again, and he set out determined to continued the search. +However, he went no more into the houses by the invitation of inmates of +doubtful character, but made his inquiries at the open door. + +Then it occurred to Dorian that Carlia, being a country bred girl +and accustomed to work about farm houses, might apply to some of the +adjacent farms down in the valley below the town for work. The whole +country lay under deep snow, but the roads were well broken. Dorian +walked out to a number of the farms and made enquiries. At the third +house he was met by a pleasant faced, elderly woman who listened +attentively to what he said, and then invited him in. When they were +both seated, she asked him his name. Dorian told her. + +"And why are you interested in this girl?" she continued. + +"Has she been here?" he asked eagerly. + +"Never mind. You answer my question." + +Dorian explained as much as he thought proper, but the woman still +appeared suspicious. + +"Are you her brother?" + +"No." + +"Her young man?" + +"Not exactly; only a dear friend." + +"Well, you look all right, but looks are deceivin'." The woman tried to +be very severe with him, but somehow she did not succeed very well. She +looked quite motherly as she sat with her folded hands in her ample lap +and a shrewd look in her face. Dorian gained courage to say: + +"I believe you know something about the girl I am seeking. Tell me." + +"You haven't told me the name of the girl you are looking for." + +"Her name is Carlia Duke." + +"That isn't what she called herself." + +"Oh, then you do know." + +"This girl was Carlia Davis." + +"Yes--is she here!" + +"No." + +"Do you know where she is?" + +"No, I don't." + +Dorian's hopes fell. "But tell me what you know about her--you know +something." + +"It was the latter part of August when she came to us. She had walked +from town, an' she said she was wanting a place to work. As she was used +to farm life, she preferred to work at a country home, she said." + +"Was she a dark-haired, rosy-cheeked girl?" + +"Her hair was dark, but there was no roses in her cheeks. There might +have been once. I was glad to say yes to her for I needed help bad. Of +course, it was strange, this girl comin' from the city a' wanting to +work in the country. It's usually the other way." + +"Yes; I suppose so." + +"So I was a little suspicious." + +"Of what?" + +"That she hadn't come to work at all; though I'll say that she did her +best. I tried to prevent her, but she worked right up to the last." + +"To the last? I don't understand?" + +"Don't you know that she was to be sick? That she came here to be sick?" + +"To be sick?" Dorian was genuinely at loss to understand. + +"At first I called her a cheat, and threatened to send her away; but the +poor child pleaded so to stay that I hadn't the heart to turn her out. +She had no where to go, she was a long way from home, an' so I let her +stay, an' we did the best for her." + +Dorian, in the simplicity of his mind, did not yet realize what the +woman was talking about. He let her continue. + +"We had one of the best doctors in the city 'tend her, an' I did the +nursing myself which I consider was as good as any of the new-fangled +trained nurses can do; but the poor girl had been under a strain so long +that the baby died soon after it was born." + +"The baby?" gasped Dorian. + +"Yes," went on the woman, all unconsciously that the listener had not +fully understood. "Yes, it didn't live long, which, I suppose, in such +cases, is a blessing." + +Dorian stared at the woman, then in a dazed way, he looked about the +plain farm-house furnishings, some details of which strangely impressed +him. The woman went on talking, which seemed easy for her, now she had +fairly started; but Dorian did not hear all she said. One big fact was +forcing itself into his brain, to the exclusion of all minor realities. + +"She left a month ago," Dorian heard the woman say when again he was in +a condition to listen. "We did our best to get her to stay, for we had +become fond of her. Somehow, she got the notion that the scoundrel who +had betrayed her had found her hiding place, an' she was afraid. So she +left." + +"Where did she go? Did she tell you?" + +"No; she wouldn't say. The fact is, she didn't know herself. I'm sure +of that. She just seemed anxious to hide herself again. Poor girl." The +woman wiped a tear away with the corner of her apron. + +Dorian arose, thanked her, and went out. He looked about the +snow-covered earth and the clouds which threatened storm. He walked on +up to the road back to the town. He was benumbed, but not with cold. He +went into his room, and, although it was mid-afternoon, he did not go +out any more that day. He sat supinely on his bed. He paced the floor. +He looked without seeing out of the window at the passing crowds. He +could not think at all clearly. His whole being was in an uproar of +confusion. The hours passed. Night came on with its blaze of lights in +the streets. What could he do now? What should he do now? + +"Oh, God, help me," he prayed, "help me to order my thoughts, tell me +what to do." + +If ever in his life Dorian had need of help from higher power, it was +now. + + + + +CHAPTER SEVENTEEN. + + +Dorian had not found Carlia Duke; instead, he had found something which +appeared to him to be the end of all things. Had he found her dead, in +her virginal purity, he could have placed her, with Mildred, safely away +in his heart and his hopes; but this!... What more could he now do? That +he did not take the first train home was because he was benumbed into +inactivity. + +The young man had never before experienced such suffering of spirit. The +leaden weight on his heart seemed to be crushing, not only his physical +being, but his spirit also into the depths of despair. As far back in +his boyhood as he could remember, he had been taught the enormity of +sexual sin, until it had become second nature for him to think of it as +something very improbable, if not impossible, as pertaining to himself. +And yet, here it was, right at the very door of his heart, casting its +evil shadow into the most sacred precincts of his being. He had never +imagined it coming to any of his near and dear ones, especially not +to Carlia--Carlia, his neighbor, his chummy companion in fields and +highways, his schoolmate. He pictured her in many of her wild adventures +as a child, and in her softer moods as a grown-up girl. He saw again her +dark eyes flash with anger, and then her pearly teeth gleam in laughter +at him. He remembered how she used to run from him, and then at other +times how she would cling to him as if she pleaded for a protection +which he had not given. The weak had reached out to the strong, and the +stronger one had failed. If 'remorse of conscience' is hell, Dorian +tasted of its bitter depths, for it came to him now that perhaps because +of his neglect, Carlia had been led to her fall. + +But what could he now do? Find her. And then, what? Marry her? He +refused to consider that for a moment. He drove the thought fiercely +away. That would be impossible now. The horror of what had been would +always stand as a repellent specter between them.... Yes, he had loved +her--he knew that now more assuredly than ever; and he tried to place +that love away from him by a play upon words in the past tense; but deep +down in his heart he knew that he was merely trying to deceive himself. +He loved her still; and the fact that he loved her but could not marry +her added fuel to the flames of his torment. + +That long night was mostly a hideous nightmare and even after he awoke +from a fitful sleep next morning, he was in a stupor. After a while, +he went out into the wintry air. It was Sunday, and the town was +comparatively quiet. He found something to eat at a lunch counter, then +he walked about briskly to try to get his blood into active circulation. +Again he went to his room. + +Presently, he heard the ringing of church bells. The folks would be +going to Sunday school in Greenstreet. He saw in the vision of his mind +Uncle Zed sitting with the boys about him in his class. He saw the +teacher's lifted hand emphasize the warning against sin, and then he +seemed to hear a voice read: + +"For the Son of man is come to save that which is lost. + +"How think ye if a man have an hundred sheep, and one of them be gone +astray, doth he not leave the ninety and nine, and goeth into the +mountains, and seeketh that which is gone astray? + +"And if so be that he find it, verily, I say unto you, he rejoiceth more +of that sheep than of the ninety and nine which went not astray." + +Dorian seemed to awaken with a start. Donning coat and hat, he went out +again, his steps being led down the country road toward the farmhouse. +He wanted to visit again the house where Carlia had been. Her presence +there and her suffering had hallowed it. + +"Oh, how do you do?" greeted the woman, when she saw Dorian at the door. +"Come in." + +Dorian entered, this time into the parlor which was warm, and where a +man sat comfortably with his Sunday paper. + +"Father," said the woman, "this is the young man who was here +yesterday." + +The man shook hands with Dorian and bade him draw up his chair to the +stove. + +"I hope you'll excuse me for coming again," said Dorian; "but the fact +of the matter is I seemed unable to keep away. I left yesterday without +properly thanking you for what you did for my friend, Miss Carlia. I +also want to pay you a little for the expense you were put to. I haven't +much money with me, but I will send it to you after I get home, if you +will give me your name and address." + +The farmer and his wife exchanged glances. + +"Why, as to that," replied the man, "nothing is owing us. We liked the +girl. We think she was a good girl and had been sinned against." + +"I'm sure you are right," said Dorian. "As I said, I went away rather +abruptly yesterday. I was so completely unprepared for that which I +learned about her. But I'm going to find her if I can, and take her home +to her parents." + +"Where do you live!" asked the man. + +Dorian told him. + +"Are you a 'Mormon'?" + +"Yes, sir." + +"And not ashamed of it!" + +"No; proud of it--grateful, rather." + +"Well, young man, you look like a clean, honest chap. Tell me why you +are proud to be a 'Mormon'." + +Dorian did his best. He had had very little experience in presenting the +principles of the gospel to an unbeliever, but Uncle Zed's teachings, +together with his own studies, now stood him well in hand. + +"Well," commented the farmer, "that's fine. You can't be a very bad man +if you believe in and practice all what you have been telling us." + +"I hope I am not a bad man. I have some light on the truth, and woe is +me if I sin against that light." + +The farmer turned to his wife. "Mother," he said, "I think you may +safely tell him." + +Dorian looked enquiringly at the woman. + +"It's this," she said. "My husband brought home a postcard from the +office last evening after you had left--a card from Miss Davis, asking +us to send her an article of dress which she had forgotten. Here is the +card. The address may help you to find her. I am sure you mean no harm +to the girl." + +Dorian made note of the address, as also that of the farmer's with whom +he was visiting. Then he arose to go. + +"Now, don't be in such a hurry," admonished the man. "We'll have dinner +presently." + +Dorian was glad to remain, as he felt quite at home with these people, +Mr. and Mrs. Whitman. They had been good to Carlia. Perhaps he could +learn a little more about her. The dinner was enjoyed very much. +Afterward, Mrs. Whitman, encouraged by Dorian's attentiveness, poured +into his willing ear all she had learned of the girl he was seeking; and +before the woman ceased her freely-flowing talk, a most important item +had been added to his knowledge of the case. Carlia, it seems, had gone +literally helpless to her downfall. "Drugged" was the word Mrs. Whitman +used. The villainy of the foul deed moved the young man's spirit to a +fierce anger against the wretch who had planned it, and the same time +his pity increased for the unfortunate victim. As Dorian sat there and +listened to the story which the woman had with difficulty obtained from +the girl, he again suffered the remorse of conscience which comes from a +realization of neglected duty and disregarded opportunity. It was late +in the afternoon before he got back to the town. + +The next day Dorian made inquiries as to how he could reach the place +indicated by the address, and he learned that it was a ranch house well +up in the mountains. There was a daily mail in that direction, except +when the roads and the weather hindered; and it seemed that these would +now be hinderances. The threatened storm came, and with it high wind +which piled the snow into deep, hard drifts, making the mountain road +nearly impassible. Dorian found the mail-carrier who told him that it +would be impossible to make a start until the storm had ceased. All day +the snow fell, and all day Dorian fretted impatiently, and was tempted +to once more go out to Mr. and Mrs. Whitman; but he did not. Christmas +was only three days off. He could reach home and spend the day with his +mother, but there would be considerable expense, and he felt as if he +must be on the ground so that at the soonest possible moment he could +continue on the trail which he had found. The pleasure of the home +Christmas must this time be sacrificed, for was not he in very deed +going into the mountains to seek that which was lost. + +The storm ceased toward evening, but the postman would not make a start +until next morning. Dorian joined him then, and mounted beside him. The +sky was not clear, the clouds only breaking and drifting about as if in +doubt whether to go or to stay. The road was heavy, and it was all the +two horses could do to draw the light wagon with its small load. Dorian +wondered how Carlia had ever come that way. Of course, it had been +before the heavy snow, when traveling was not so bad. + +"Who lives at this place?" asked Dorian of the driver, giving the box +number Carlia had sent. + +"That? Oh, that's John Hickson's place." + +"A rancher?" + +"No; not exactly. He's out here mostly for his health." + +"Does he live here in the mountains the year around?" + +"Usually he moves into town for the winter. Last year the winter was so +mild that he decided to try to stick one through; but surely, he's got a +dose this time. Pretty bad for a sick man, I reckon." + +"Anybody with him?" + +"Wife and three children--three of the cutest kiddies you ever saw. Oh, +he's comfortable enough, for he's got a fine house. You know, it's great +out here among the pine hills in the summer; but just now, excuse me." + +"Is it far?" + +"No." The driver looked with concern at the storm which was coming again +down the mountain like a great white wave. "I think perhaps we'll have +to stop at the Hickson's tonight," he said. + +The travelers were soon enwrapped in a swirling mantle of snow. Slowly +and carefully the dug-ways had to be traversed. The sky was dense and +black. The storm became a blizzard, and the cold became intense. The men +wrapped themselves in additional blankets. The horses went patiently on, +the driver peering anxiously ahead; but it must have been well after +noon before the outlines of a large building near at hand bulked out of +the leaden sky. + +"I'm glad we're here," exclaimed the driver. + +"Where?" asked Dorian. + +"At Hickson's." + +They drove into the yard and under a shed where the horses were +unhitched and taken into a stable. A light as if from a wood fire in a +grate danced upon the white curtain of the unshaded windows. With his +mail-bag, the driver shuffled his way through the snow to the kitchen +door and knocked. The door opened immediately and Mrs. Hickson, +recognizing the mail-driver, bade him come in. Two children peered +curiously from the doorway of another room. Dorian a little nervously +awaited the possibility of Carlia's appearing. + +It was pleasant to get shelter and a warm welcome in such weather. After +the travelers had warmed themselves by the kitchen stove, they were +invited into another room to meet Mr. Hickson, who was reclining in a +big arm chair before the grate. He welcomed them without rising, but +pointed them to chairs by the fire. They talked of the weather, of +course. Mr. Hickson reasoned that it was foolish to complain about +something which they could not possible control. Dorian was introduced +as a traveler, no explanation being asked or given as to his business. +He was welcome. In fact, it was a pleasure, said the host, to have +company even for an evening, as very few people ever stopped over night, +especially in the winter. Dorian soon discovered that this man was not +a rough mountaineer, but a man of culture, trying to prolong his +earth-life by the aid of mountain air, laden with the aroma of the +pines. The wife went freely in and out of the room, the children also; +but somewhat to Dorian's surprise, no Carlia appeared. If she were there +in the house, she surely would be helping with the meal which seemed to +be in the way of preparation. + +The storm continued all afternoon. There could be no thought of moving +on that day. And indeed, it was pleasant sitting thus by the blazing log +in the fireplace and listening, for the most part, to the intelligent +talk of the host. The evening meal was served early, and the two guests +ate with the family in the dining room. Still no Carlia. + +When the driver went out to feed his horses and to smoke his pipe, and +Mr. Hickson had retired, the children, having overcome some of their +timidity, turned their attention to Dorian. The girl, the oldest, with +dark hair and rosy cheeks, reminded him of another girl just then in his +thoughts. The two small boys were chubby and light haired, after the +mother. When Dorian managed to get the children close to him, they +reminded him that Christmas was only one day distant. Did he live near +by? Was he going home for Christmas? What was Santa Claus going to bring +him? + +Dorian warmed to their sociability and their clatter. He learned from +them that their Christmas this year would likely be somewhat of a +failure. Daddy was sick. There was no Christmas tree, and they doubted +Santa Claus' ability to find his way up in the mountains in the storm. +This was the first winter they had been here. Always they had been in +town during the holidays, where it was easy for Santa to reach them; but +now--the little girl plainly choked back the tears of disappointment. + +"Why, if it's a Christmas tree you want," said Dorian, "that ought to be +easy. There are plenty up on the nearby hills." + +"Yes; but neither papa nor mama nor we can get them." + +"But I can." + +"Oh, will you? Tomorrow?" + +"Yes; tomorrow is Christmas Eve. We'll have to have it then." + +The children were dancing with glee as the mother came in and learned +what had been going on. "You mustn't bother the gentleman," she +admonished, but Dorian pleaded for the pleasure of doing something for +them. The mother explained that because of unforeseen difficulties the +children were doomed to disappointment this holiday season, and they +would have to be satisfied with what scanty preparation could be made. + +"I think I can help," suggested the young man, patting the littlest +confiding fellow on the head. "We cannot go on until tomorrow, I +understand, and I should very much like to be useful." + +The big pleading eyes of the children won the day. They moved into the +kitchen. All the corners were ransacked for colored paper and cloth, and +with scissors and flour paste, many fantastic decorations were made to +hang on the tree. Corn was popped and strung into long white chains. But +what was to be done for candles? Could Dorian make candles? He could do +most everything, couldn't he? He would try. Had they some parafine, used +to seal preserve jars. Oh, yes, large pieces were found. And this with +some string was soon made into some very possible candles. The children +were intensely interested, and even the mail-driver wondered at the +young man's cleverness. They had never seen anything like this before. +The tree and its trimmings had always been bought ready for their use. +Now they learned, which their parents should have known long ago, that +there is greater joy in the making of a plaything than in the possession +of it. + +The question of candy seemed to bother them all. Their last hopes went +when there was not a box of candy in the postman's bag. What should they +do for candy and nuts and oranges and-- + +"Can you make candy?" asked the girl of Dorian as if she was aware she +was asking the miraculous. + +"Now children," warned the happy mother. "You have your hands full" she +said to Dorian. "There's no limit to their demands." + +Dorian assured her that the greater pleasure was his. + +"Tomorrow," he told the clammering children, "we'll see what we can do +about the candy." + +"Chocolates?" asked one. + +"Caramels," chose another. + +"Fudge," suggested the third. + +"All these?" laughed Dorian. "Well, we'll see-tomorrow," and with that +the children went to bed tremulously happy. + +The next morning the sun arose on a most beautiful scene. The snow lay +deep on mountain and in valley. It ridged the fences and trees. Paths +and roads were obliterated. + +The children were awake early. As Dorian dressed, he heard them +scampering down the stairs. Evidently, they were ready for him. He +looked out of the window. He would have to make good about that tree. + +As yet, Dorian had found no traces of the object of his search. He had +not asked direct questions about her, but he would have to before he +left. There seemed some mystery always just before him. The mail-driver +would not be ready to go before noon, so Dorian would have time to get +the tree and help the children decorate it. Then he would have to find +out all there was to know about Carlia. Surely, she was somewhere in the +locality. + +After breakfast, Dorian found the axe in the wood-shed, and began to +make his way through the deep snow up the hill toward a small grove of +pine. Behind the shoulder of a hill, he discovered another house, not so +large as Mr. Hickson's, but neat and comfortably looking. The blue +smoke of a wood fire was rising from the chimney. A girl was vigorously +shoveling a path from the house to the wood-pile. She was dressed in big +boots, a sweater, and a red hood. She did not see Dorian until he came +near the small clearing by the house. Straightening from her work, +she stood for a moment looking intently at him. Then with a low, yet +startled cry, she let the shovel fall, and sped swiftly back along the +newly-made path and into the house. + +It was Carlia. + + + + +CHAPTER EIGHTEEN. + + +Dorian stood knee-deep in the snow and watched the girl run back into +the house. In his surprise, he forgot his immediate errand. He had found +Carlia, found her well and strong; but why had she run from him with a +cry of alarm? She surely had recognized him; she would not have acted +thus toward a stranger. Apparently, she was not glad to see him. He +stood looking at the closed door, and a feeling of resentment came +to him. Here he had been searching for her all this time, only to be +treated as if he were an unwelcome intruder. Well, he would not force +himself on her. If she did not want to see him, why annoy her? He could +go back, tell her father where she was, and let him come for her. He +stood, hesitating. + +The door opened again and a woman looked out inquiringly at the young +man standing in the snow with an axe on his shoulder. Dorian would have +to offer a word of explanation to the woman, at least, so he stepped +into the path toward the house. + +"Good morning," he said, lifting his hat. "I'm out to get a Christmas +tree for the children over there, and it seems I have startled the young +lady who just ran in." + +"Yes," said the woman. + +"I'm sorry to have frightened her, but I'm glad to have found her. You +see, I've been searching for her." + +The woman stood in the doorway, saying nothing, but looking with some +suspicion at the young man. + +"I should like to see her again," continued Dorian. "Tell her it's +Dorian Trent." + +"I'll tell her," said the woman as she withdrew and closed the door. + +The wait seemed long, but it was only a few minutes when the door opened +and Dorian was invited to come in. They passed through the kitchen into +the living room where a fire was burning in a grate. Dorian was given a +chair. He could not fail to see that he was closely observed. The woman +went into another room, but soon returned. + +"She'll be in shortly," she announced. + +"Thank you." + +The woman retired to the kitchen, and presently Carlia came in. She had +taken off her wraps and now appeared in a neat house dress. As she stood +hesitatingly by the door. Dorian came with outstretched hands to greet +her; but she was not eager to meet him, so he went back to his chair. +Both were silent. He saw it was the same Carlia, with something added, +something which must have taken much experience if not much time to +bring to her. The old-time roses, somewhat modified, were in her cheeks, +the old-time red tinted the full lips; but she was more mature, less of +a girl and more of a woman; and to Dorian she was more beautiful than +ever. + +"Carlia," he again ventured, "I'm glad to see you; but you don't seem +very pleased with your neighbor. Why did you run from me out there?" + +"You startled me." + +"Yes; I suppose I did. It was rather strange, this coming so suddenly on +to you. I've been looking for you quite a while." + +"I don't understand why you have been looking for me." + +"You know why, Carlia." + +"I don't." + +"You're just talking to be talking--but here, this sounds like +quarreling, and we don't want to do that so soon, do we?" + +"No, I guess not." + +"Won't you sit down." + +The girl reached for a chair, then seated herself. + +"The folks are anxious about you. When can you go home?" + +"I'm not going home." + +"Not going home? Why not? Who are these people, and what are you doing +here?" + +"These are good people, and they treat me fine. I'm going to +stay--here." + +"But I don't see why. Of course, it's none of my business; but for the +sake of your father and mother, you ought to go home." + +"How--how are they!" + +"They are as well as can be expected. You've never written them, have +you, nor ever told where you were. They do not know whether you are dead +or alive. That isn't right." + +The girl turned her bowed head slightly, but did not speak, so he +continued: "The whole town has been terribly aroused about you. You +disappeared so suddenly and completely. Your father has done everything +he could think of to find you. When he gave up, I took up the task, and +here you are in the hills not so far from Greenstreet." + +Carlia's eyes swam with tears. The kitchen door opened, and the woman +looked at Carlia and then at Dorian. + +"Breakfast is ready," she announced. "Come, Miss Davis, and have your +friend come too." + +Dorian explained that he had already eaten. + +"Please excuse me just now," pleaded Carlia, to the woman. "Go eat your +breakfast without me. Mrs. Carlston, this is Mr. Trent, a neighbor of +ours at my home. I was foolish to be so scared of him. He--he wouldn't +hurt anyone." She tried bravely to smile. + +Alone again, the two were ill at ease. A flood of memories, a confusion +of thoughts and feelings swept over Dorian. The living Carlia in all +her attractive beauty was before him, yet back of her stood the grim +skeleton. Could he close his eyes to that? Could he let his love for her +overcome the repulsion which would arise like a black cloud into his +thoughts? Well, time alone would tell. Just now he must be kind to her, +he must be strong and wise. Of what use is strength and wisdom if it is +unfruitful at such times as these? Dorian arose to his feet and stood in +the strength of his young manhood. He seemed to take Carlia with him, +for she also stood looking at him with her shining eyes. + +"Well, Carlia," he said, "go get your breakfast, and I'll finish my +errand. You see, the storm stopped the mail carrier and me and we had +to put up at your neighbour's last night. There I found three children +greatly disappointed in not having their usual Christmas tree. I +promised I would get them one this morning, and that's what I was out +for when I saw you. You know, Carlia, it's Christmas Eve this morning, +if you'll allow that contradiction." + +"Yes, I know." + +"I'll come back for you. And mind, you do not try to escape. I'll be +watching the house closely. Anyway," he laughed lightly, "the snow's too +deep for you to run very far." + +"O, Dorian--" + +"Yes." + +He came toward her, but she with averted face, slipped toward the +kitchen door. + +"I can't go home, I can't go with you--really, I can't," she said. "You +go back home and tell the folks I'm all right now, won't you, please." + +"We'll talk about that after a while. I must get that tree now, or those +kiddies will think I am a rank impostor." Dorian looked at his watch. +"Why, it's getting on toward noon. So long, for the present." + +Dorian found and cut a fairly good tree. The children were at the window +when he appeared, and great was their joy when they saw him carry it to +the woodshed and make a stand for it, then bring it in to them. The mail +carrier was about ready to continue his journey, and he asked Dorian if +he was also ready. But Dorian had no reason for going on further; he had +many reasons for desiring to remain. And here was the Christmas tree, +not dressed, nor the candy made. How could he disappoint these children? + +"I wonder," he said to the mother, "if it would be asking too much to +let me stay here until tomorrow. I'm in no hurry, and I would like to +help the children with the tree, as I promised. I've been hindered some +this morning, and--" + +"Stay," shouted the children who had heard this. "Stay, do stay." + +"You are more than welcome," replied Mrs. Hickson; "but I fear that the +children are imposing on you." + +Dorian assured her that the pleasure was his, and after the mail carrier +had departed, he thought it wise to explain further. + +"A very strange thing has happened," said Dorian. "As I was going after +the tree for the children, I met the young lady who is staying at Mrs. +Carlston." + +"Miss Davis." + +"Yes; she's a neighbor of mine. We grew up together as boy and girl. +Through some trouble, she left home, and--in fact, I have been searching +for her. I am going to try to get her to go home to her parents. +She--she could help us with our tree dressing this evening." + +"We'd like to have both our neighbors visit with us," said Mrs. Hickson; +"but the snow is rather deep for them." + +By the middle of the afternoon Dorian cleared a path to the neighboring +house, and then went stamping on to the porch. Carlia opened the door +and gave him a smiling welcome. She had dressed up a bit, he could +see, and he was pleased with the thought that it was for him. Dorian +delivered the invitation to the two women. Carlia would go immediately +to help, and Mrs. Carlston would come later. Carlia was greeted by the +children as a real addition to their company. + +"Did you bring an extra of stockings?" asked Mrs. Hickson of her. "An +up-to-date Santa Claus is going to visit us tonight, I am sure." She +glanced toward Dorian, who was busy with the children and the tree. + +That was a Christmas Eve long to be remembered by all those present in +that house amid solitude of snow, of mountain, and of pine forests. The +tree, under the magic touches of Dorian and Carlia grew to be a thing +of beauty, in the eyes of the children. The home-made candles and +decorations were pronounced to be as good as the "boughten ones." And +the candy--what a miracle worker this sober-laughing, ruddy-haired young +fellow was! + +Carlia could not resist the spirit of cheer. She smiled with the older +people and laughed with the children. How good it was to laugh again, +she thought. When the tree was fully ablaze, all, with the exception of +Mr. Hickson joined hands and danced around it. Then they had to taste +of the various and doubtful makings of candies, and ate a bread-pan of +snow-white popcorn sprinkled with melted butter. Then Mr. Hickson told +some stories, and his wife in a clear, sweet voice led the children +in some Christmas songs. Oh, it was a real Christmas Eve, made doubly +joyful by the simple helpfulness and kindness of all who took part. + +At the close of the evening, Dorian escorted Mrs. Carlston and Carlia +back to their house, and the older woman graciously retired, leaving the +parlor and the glowing log to the young people. + +They sat in the big armchairs facing the grate. + +"We've had a real nice Christmas Eve, after all," said he. + +"Yes." + +"Our Christmas Eves at home are usually quiet. I'm the only kid there, +and I don't make much noise. Frequently, just mother and Uncle Zed and +I made up the company; and then when we could get Uncle Zed to talking +about Jesus, and explain who He was, and tell his story before He came +to this earth as the Babe of Bethlehem, there was a real Christmas +spirit present. Yes; I believe you were with us on one of these +occasions." + +"Yes, I was." + +Dorian adjusted the log in the grate. "Carlia, when shall we go home?" +he asked. + +"How can I go home?" + +"A very simple matter. We ride on the stage to the railroad, and then--" + +"O! I do not mean that. How can I face my folks, and everybody?" + +"Of course, people will be inquisitive, and there will be a lot of +speculation; but never mind that. Your father and mother will be mighty +glad to get you back home, and I am sure your father will see to it that +you--that you'll have no more cause to run away from home." + +"What--what?" + +"Why, he'll see that you do not have so much work--man's work, to do. +Yes, regular downright drudgery it was. Why, I hardly blame you for +running away, that is, taking a brief vacation." He went on talking, she +looking silently into the fire. "But now," he said finally, "you have +had a good rest, and you are ready to go home." + +She sat rigidly looking at the glow in the grate. He kept on talking +cheerfully, optimistically, as if he wished to prevent the gloom of +night to overwhelm them. Then, presently, the girl seemed to shake +herself free from some benumbing influence, as she turned to him and +said: + +"Dorian, why, really why have you gone to all this trouble to find me?" + +"Why, we all wanted to know what had become of you. Your father is a +changed man because of your disappearance, and your mother is nearly +broken hearted." + +"Yes, I suppose so; but is that all?" + +"Isn't that enough?" + +"No." + +"Well, I--I--" + +"Dorian, you're neither dull nor stupid, except in this. Why did not +someone else do this hunting for a lost girl? Why should it be you?" + +Dorian arose, walked to the window and looked out into the wintry night. +He saw the shine of the everlasting stars in the deep blue. He sensed +the girl's pleading eyes sinking into his soul as if to search him out. +He glimpsed the shadowy specter lurking in her background. And yet, +as he fixed his eyes on the heavens, his mind cleared, his purpose +strengthened. As he turned, there was a grim smile on his face. He +walked back to the fire-place and seated himself on the arm of Carlia's +chair. + +"Carlia," he said, "I may be stupid--I am stupid--I've always been +stupid with you. I know it. I confess it to you. I have not always +acted toward you as one who loves you. I don't know why--lay it to my +stupidity. But, Carlia, I do love you. I have always loved you. Yes, +ever since we were children playing in the fields and by the creek and +the ditches. I know now what that feeling was. I loved you then, I love +you now." + +The girl arose mechanically from her chair, reached out as if +for support to the mantle. "Why, Oh, why did you not tell me +before--before"--she cried, then swayed as if to a fall. Dorian caught +her and placed her back in the seat. He took her cold hands, but in a +moment, she pulled them away. + +"Dorian, please sit down in this other chair, won't you?" + +Dorian did as she wanted him to do, but he turned the chair to face her. + +"I want you to believe me, Carlia." + +"I am trying to believe you." + +"Is it so hard as all that?" + +"What I fear is that you are doing all this for me out of the goodness +of your heart. Listen, let me say what I want to say--I believe I can +now.... You're the best man I know. I have never met anyone as good as +you, no, not even my father--nobody. You're far above me. You always +have been willing to sacrifice yourself for others; and now--what I fear +is that you are just doing this, saying this, out of the goodness of +your heart and not because you really--really love me." + +"Carlia, stop--don't." + +"I know you, Dorian. I've heard you and Uncle Zed talk, sometimes when +you thought I was not listening. I know your high ideals of service, how +you believe it is necessary for the higher to reach down to help and +save the lower. Oh, I know, Dorian; and it is this that I think of. You +cannot love poor me for my sake, but you are doing this for fear of not +doing your duty. Hush--Listen! Not that I don't honor you for your high +ideals--they are noble, and belong to just such as I believe you are. +Yes, I have always, even as a child, looked up to you as someone big and +strong and good--Yes, I have always worshiped you, loved you! There, you +know it, but what's the use!" + +Dorian moved his chair close to her, then said: + +"You are mistaken, of course, in placing my goodness so high, though +I've always tried to do the right by everybody. That I have failed with +you is evidence that I am not so perfect as you say. But now, let's +forget everything else but the fact that we love each other. Can't we be +happy in that?" + +The roses faded from Carlia's cheeks, though coaxed to stay by the +firelight. + +"My dear," he continued, "we'll go home, and I'll try to make up to you +my failings. I think I can do that, Carlia, when you become my wife." + +"I can't, Dorian, Oh, I can't be that." + +"Why not Carlia?" + +"I can't marry you. I'm not--No, Dorian." + +"In time, Carlia. We will have to wait, of course; but some day"--he +took her hands, and she did not seem to have power to resist--"some day" +he said fervently, "you are going to be mine for time and for eternity." + +They looked into each others faces without fear. Then: "Go now, Dorian" +she said. "I can't stand any more tonight. Please go." + +"Yes; I'll go. Tomorrow, the stage comes again this way, and we'll go +with it. That's settled. Goodnight." + +They both arose. He still held her hands. + +"Goodnight," he repeated, and kissed her gently on the cheek. + + + + +CHAPTER NINETEEN. + + +The sudden return of Carlia Duke to her home created as much talk as +her disappearance had done. Dorian was besieged with enquirers whom he +smilingly told that he had just come across her taking a little vacation +up in the hills. What, in the hills in the depths of winter? Why, yes; +none but those who have tried it know the comfort and the real rest one +may obtain shut out by the snow from the world, in the solitude of the +hills. He told as little as possible of the details of his search, even +to Carlia's parents. Any unpleasant disclosures would have to come from +her to them, he reasoned. Not being able to get Dorian talking about the +case, the good people of Greenstreet soon exhausted their own knowledge +of the matter, so in a short time, the gossip resumed its every-day +trend. + +Hardly a day passed without Dorian spending some time with Carlia. She +would not go to Sunday School or to Mutual, and it was some time before +he could convince her that it was a matter of wisdom as well as of right +that she should attend some of the public ward meetings. Frequently, +he took his book to the Duke home and read aloud to Carlia. This she +enjoyed very much. Sometimes the book was a first class novel, but +oftener it was a scientific text or a religions treatise. Carlia +listened attentively to his discussion of deep problems, and he was +agreeably surprised to learn that she could readily follow him in the +discussion of these themes; so that the long winter evenings spent +with her either at her home or at his own became a source of great +inspiration to the young man who had not lost sight or the mission +assigned to him by the beloved Uncle Zed. Dorian talked freely to Carlia +on how he might best fulfill the high destiny which seemed to lay before +him; and Carlia entered enthusiastically into his plans. + +"Fine, fine," she would say. "Carry it out. You can do it." + +"With your help, Carlia." + +"I'll gladly help you all I can; but that is so little; what can I do?" + +"Trust me, have faith in me; and when the time comes, marry me." + +This was usually the end of the conversation for Carlia; she became +silent unless he changed the subject. + +Dorian, naturally undemonstrative, was now more careful than ever in +his love making. The intimacy between them never quite returned to the +earlier state. Complete forgetfulness of what had been, was, of course, +impossible, either for Carlia or for Dorian; but he tried manfully not +to let the "specter" come too often between him and the girl he loved. +He frequently told her that he loved her, but it was done by simple word +or act. Dorian's greater knowledge gave him the advantage over her. He +was bound by this greater knowledge to be the stronger, the wiser, the +one who could keep all situations well in hand. + +One evening, when Carlia was unusually sweet and tempting, he asked if +he might kiss her goodnight. She set her face as if it were hard to deny +him, but she finally said: + +"No; you must not." + +"Why not, Carlia?" + +"We're not engaged yet." + +"Carlia!" + +"We are not. I have never promised to marry you, have I?" She smiled. + +"No; I guess not; but that's understood." + +"Don't be so sure." + +"There are some things definitely fixed without the spoken word." + +"Good night, Dorian." She was smiling still. + +"Good night, Carlia." Their hands met and clasped, atoning the best they +could for the forbidden kiss. + +One evening when the feeling of spring was in the air, Dorian was going +to call on Carlia, when he heard the approach of an automobile. As it +turned into the bystreet, leading to the Duke home, Dorian saw the +driver to be Mr. Jack Lamont. Dorian kept in the road, and set his face +hard. As the machine had to stop to prevent running over him, Dorian +turned, walked deliberately to the side of the car, and looking steadily +into Mr. Lamont's face, said: + +"I'm going to Mr. Duke's also. If I find you there, I'll thrash you +within an inch of your life. Drive on." + +For a moment, the two glared at each other, then the automobile went +on--on past the Duke house toward town. When Dorian arrived at his +destination, Carlia greeted him with: + +"Dorian, what's the matter?" + +"Nothing," he laughed. + +"You're as pale as a ghost." + +"Am I? Well, I haven't seen any ghosts--Say, mother wants you to come to +supper. She has something you specially like. Can you?" + +"Sure, she can," answered her mother, for she was glad to have Carlia +out away from the work which she was determined to stick to closer than +ever. Carlia was pleased to go, and kept up a merry chatter until she +saw that Dorian was exceptionally sober-minded. She asked him what was +the matter with him, but he evaded. His thoughts were on the man whom +he had prevented from calling at her home that evening. What was his +errand? What was in the scoundrel's mind? Dorian struggled to put away +from him the dark thoughts which had arisen because of his recent +encounter with Mr. Lamont. All the evening at home and during their walk +back he was unusually silent, and Carlia could only look at him with +questioning anxiety. + +Spring, once started, came on with a rush. The melting snow filled the +river with a muddy flood; the grass greened the slopes; the bursting +willows perfumed the air; the swamp awakened to the warm touch of the +sun. Dorian's busy season also began. + +As soon as the roads were passible, Dorian drove up to his dry-farm. On +one of these first trips he fell in with a company of his neighboring +dry-farmers, and they traveled together. While they were stopping for +noon at a small hotel in the canyon, a rain storm came up, which delayed +them. They were not impatient, however, as the moisture was welcome; so +the farmers rested easily, letting their horses eat a little longer than +usual. + +The conversation was such which should be expected of Bishop's +counselors, president of Elders' quorums, and class leaders in +the Mutual, which these men were. On this occasion some of the +always-present moral problems were discussed. Dorian was so quiet that +eventually some one called on him for an opinion. + +"I don't think I can add anything to the discussion," replied Dorian. +"Only this, however: One day in Sunday school Uncle Zed painted the +terrors of sin to us boys in such colours that I shall never forget it. +The result in my case is that I have a dreadful fear of moral wrong +doing. I am literally scared, I--" + +Dorian turned his eyes to the darkened doorway. Mr. Jack Lamont stood +there with a cynical expression on his face. His hat was tilted back on +his head, and a half-smoked cigarette sagged from his lips. The genial +warmth of the room seemed chilled by the newcomer's presence. + +"G'day, gentlemen," said Mr. Lamont. "Mr. Trent, here, is afraid, I +understand." + +The men arose. Outside the clouds were breaking. Dorian stepped forward, +quite close to Jack Lamont. + +"Yes, I am afraid," said Dorian, his face white with passion, "but not +of what you think, not of what you would be afraid, you dirty, low, +scoundrel!" + +Lamont raised a riding whip he had in his hand, but the men interfered, +and they all moved outside into the yard. Dorian, still tense with +anger, permitted himself to be taken to the teams where they began +hitching up. Dorian soon had himself under control, yet he was not +satisfied with the matter ending thus. Quietly slipping back to where +Mr. Lamont stood looking at the men preparing to drive on, he said, "I +want a word with you." + +The other tried to evade. + +"Don't try to get away until I'm through with you. I want to tell you +again what a contemptible cur you are. No one but a damned scoundrel +would take advantage of a girl as you did, and then leave her to bear +her shame alone." + +"Do you mean Carlia--" + +"Don't utter her name from your foul lips." + +"For if you do, I might say, what have I got to do with that? You were +her lover, were you not? you were out with her in the fields many times +until midnight, you--" + +The accusing mouth closed there, closed by the mighty impact of Dorian's +fist. The blood spurted from a gashed lip, and Mr. Lamont tried to +defend himself. Again Dorian's stinging blow fell upon the other's face. +Lamont was lighter than Dorian, but he had some skill as a boxer which +he tried to bring into service; but Dorian, mad in his desire to +punish, with unskilled strength fought off all attacks. They grappled, +struggled, and fell, to arise again and give blow for blow. It was all +done so suddenly, and the fighting was so fierce, that Dorian's fellow +travelers did not get to the scene before Jack Lamont lay prone on the +ground from Dorian's finishing knockout blow. + +"Damn him!" said Dorian, as he shook himself back into a somewhat normal +condition and spat red on the ground. "He's got just a little of what's +been coming to him for a long time. Let him alone. He's not seriously +hurt. Let's go." + + + + +CHAPTER TWENTY. + + +On a Saturday afternoon in early July Dorian and a neighbor were coming +home from a week's absence up in the hills. They were on horseback, +and therefore they cut across by way of the new road in course of +construction between Greenstreet and the city. + +The river was high. The new bridge was not yet open for traffic, but +horses could safely cross. As the two riders passed to the Greenstreet +side, they saw near the bridge down on the rocks by the rushing river, +an automobile, overturned and pretty well demolished. Evidently, someone +had been trying to reach the bridge, had missed the road, and had gone +over the bank, which at this point was quite steep. + +The two men stopped, dismounted, and surveyed the wreck. Someone was +under the car, dead or alive, they could not tell. Dorian unslung his +rope from his saddle, and took off his coat. "I'll go down and see," he +said. + +"Be careful," admonished the other, "if you slip into the river, you'll +be swept away." + +Dorian climbed down to where the broken machine lay. Pinned under it +with his body half covered by the water was Mr. Jack Lamont. He was +talking deliriously, calling in broken sentences for help. Dorian's +hesitancy for an instant was only to determine what was the best thing +to do. + +"Hold on a bit longer, Mr. Lamont," said Dorian; but it was doubtful +whether the injured man understood. He glared at his rescuer with +unseeing eyes. Part of the automobile was already being moved by the +force of the stream, and there was danger that the whole car, together +with the injured man, would be swept down the stream. Dorian, while +clinging to the slippery rocks, tried to pull the man away, but he was +so firmly pinned under the wreck that he could not be moved. Dorian then +shouted to his companion on the bank to bring the rope and come to his +assistance; but even while it was being done, a great rush of water +lifted the broken car out into the stream. Lamont was released, but he +was helpless to prevent the current from sweeping him along. + +Dorian reached for the man, but missed him and stepped into a deep +place. He went in to his arms, but he soon scrambled on to a shallower +point where he regained his balance. The unconscious Lamont was +beginning to drift into the current and Dorian knew that if he was to +be saved he must be prevented from getting into the grasp of the +mid-stream. Dorian took desperate chances himself, but his mind was +clear and his nerves were steady as he waded out into the water. His +companion shouted a warning to him from the bank, but he heeded it not. +Lamont's body was moving more rapidly, so Dorian plunged after it, and +by so doing got beyond wading depths. He did not mind that as he was a +good swimmer, and apparently, Mr. Lamont was too far gone to give any +dangerous death grip. Dorian got a good hold of the man's long hair and +with the free arm he managed to direct them both to a stiller pool lower +down where by the aid of his companion, he pulled Lamont out of the +water and laid him on the bank. He appeared to be dead, but the two +worked over him for some time. No other help appeared, so once more they +tried all the means at their command to resuscitate the drowned. + +"I think he's gone," said Dorian's companion. + +"It seems so. He's received some internal injury. He was not drowned." + +"Who is he, I wonder." + +"His name is Jack Lamont." + +"Do you know him?" + +"I know him. Yes; let's carry him up the bank. We'll have to notify +somebody." + +The man was dead when he was laid on the soft warm grass. Dorian covered +the lifeless form with his own coat. + +"I'll stay here," suggested Dorian's companion, "while you go and +telephone the police station in the city. Then you go right on home and +get into some dry clothes." + +Dorian did as he was told. After reaching the nearest telephone, and +delivering his message, he went on home and explained to his mother what +had happened. Then he changed his clothes. + +"What a terrible thing!" exclaimed his mother. "And you also might have +been drowned." + +"Oh, no; I was all right. I knew just what I could do. But the poor +fellow. I--I wish I could have saved him. It might have been a double +salvation for him." + +The mother did not press him for further explanations, for she also had +news to tell. As soon as Dorian came from his room in his dry clothes, +she asked him if he had seen Brother Duke on the way. + +"No, mother; why?" + +"Well, he was here not long ago, asking for you. Carlia, it seems, has +had a nervous break down, and the father thinks you can help." + +"I'll go immediately." + +"You'll have some supper first. It will take me only a moment to place +it on the table." + +"No, mother, thank you; after I come back; or perhaps I'll eat over +there. Don't wait for me." He was out of the house, and nearly running +along the road. + +Dorian found Carlia's father and mother under great mental strain. +"We're so glad you came," they said; "we're sure you can help her." + +"What is the matter!" + +"We hardly know. We don't understand. This afternoon--that Mr. Jack +Lamont--you remember him--he used to come here. Well, he hasn't been +around for over a year, for which we were very thankful, until this +afternoon when he came in his automobile. Carlia was in the garden, and +she saw him drive up to the gate. When he alighted and came toward her, +she seemed frightened out of her wits, for she ran terror stricken into +the house. She went up to her bedroom and would not come down." + +"He did not see her, then, to talk to her?" + +"No; he waited a few moments only, then drove off again." + +"Where is Carlia now?" + +"Still up in her room." + +"May I go up to her?" + +"Yes; but won't you have her come down?" + +"No, I'd rather go up there, if you don't mind." + +"Not at all. Dorian, you seem the only help we have." + +He went through the living room to the stairway. He noticed that the +bare boards of the stairs had been covered with a carpet, which made his +ascending steps quite noiseless. Everything was still in Carlia's room. +The door was slightly ajar, so he softly pushed it open. Carlia was +lying on her bed asleep. + +Dorian tiptoed in and stood looking about. The once bare, ugly room had +been transformed into quite a pretty chamber, with carpet and curtains +and wall-paper and some pretty furniture. The father had at last done a +sensible thing for his daughter. + +Carlia slept on peacefully. She had not even washed away the tear-stains +from her cheeks, and her nut-brown hair lay in confusion about her head. +Poor, dear girl! If there ever was a suffering penitent, here was one. + +In a few moments, the girl stirred, then sensing that someone was in the +room, she awoke with a start, and sprang to her feet. + +"It's only Dorian," said he. + +"Oh!" she put her hand to her head, brushing back her hair. + +"Dorian, is it you?" + +"Sure, in real flesh and blood and rusty-red hair." He tried to force +cheerfulness into his words. + +"I'm so glad, so glad it's you." + +"And I'm glad that you're glad to see me." + +"Has he gone? I'm afraid of him." + +"Afraid of whom, Carlia?" + +"Don't you know? Of course you don't know. I--" + +"Sit down here, Carlia." He brought a chair; but she took it nearer the +open window, and he pushed up the blind that the cool air might the more +freely enter. The sun was nearing the western hills, and the evening +sounds from the yard came to them. He drew a chair close to hers, and +sat down by her, looking silently into the troubled face. + +"I'm a sight," she said, coming back to the common, everyday cares as +she tried to get her hair into order. + +"No, you're not. Never mind a few stray locks of hair. Never mind that +tear-stained face. I have something to tell you." + +"Yes?" + +"You said you were afraid, afraid of Mr. Jack Lamont." + +"Yes," she whispered. + +"Well, you never need be afraid of him again." + +"I--I don't understand." + +"Jack Lamont is dead." + +She gave a startled cry. + +"Dorian--you--?" + +"No; I have not killed him. He was and is in the hands of the Lord." +Then he told her what had happened that afternoon. + +Carlia listened with staring eyes and bated breath. And Dorian had +actually risked his life in an attempt to save Jack Lamont! If Dorian +only had known! But he would never know, never now. She had heard of the +fight between Dorian and Lamont, as that had been common gossip for a +time; but Carlia had no way of connecting that event with herself or her +secret, as no one had heard what words passed between them that day, and +Dorian had said nothing. And now he had tried to save the life of the +man whom he had so thoroughly trounced. "What a puzzle he was! And yet +what a kind, open face was his, as he sat there in the reddening evening +light telling her in his simple way what he had done. What did he know, +anyway? For it would be just like him to do good to those who would +harm him; and had she not proved in her own case that he had been more +patient and kind to her after her return than before. What did he know? + +"Shall I close the window?" he asked. "Is there too much draught?" + +"No; I must have air or I shall stifle. Dorian, tell me, what do you +know about this Mr. Lamont?" + +"Why, not much, Carlia; not much good, at any rate. You know I met him +only a few times." He tried to answer her questions and at the same time +give her as little information as possible. + +"But Dorian, why did you fight with him?" + +"He insulted me. I've explained that to you before." + +"That's not all the reason. Jack Lamont could not insult you. I mean, +you would pay no attention to him if only yourself were involved." + +"Now, Carlia, don't you begin to philosophize on my reasons for giving +Jack Lamont a licking. He's dead, and let's let him rest in as much +peace as the Lord will allow." + +"All right." + +"Now, my dear, you feel able to go down and have some supper. Your +father and mother should be told the news, and perhaps I can do that +better than anybody else. I'll go with you, and, if your mother has +something good for supper, I'll stay." + +But the girl did not respond to his light speech. She sat very still +by the window. For a long, long time--ages it seemed to her, she had +suffered in silent agony for her sin, feeling as if she were being +smothered by her guilty secret. She could not bring herself to tell it +even to her mother. How could she tell it to anyone eke, certainly not +Dorian. And yet, as she sat there with him she felt as if she might +confide in him. He would listen without anger or reproach. He would +forgive. He--her heart soared, but her brain came back with a jolt to +her daily thinking again. No, no, he must not know, he must never know; +for if he knew, then all would surely be over between them, and then, +she might as well die and be done with it! + +"Come, Carlia." + +She did not even hear him. + +But Dorian must know, he must know the truth before he asked her again +to marry him. But if he knew, he would never urge that again. That +perhaps would be for the best, anyway. And yet she could not bear the +thought of sending him away for good. If he deserted her, who else would +she have? No; she must have him near her, at least. Clear thinking was +not easy for her just then, but in time she managed to say: + +"Dorian, sit down.... Do you remember that evening, not so long ago, +when you let me 'browse', as you called it, among Uncle Zed's books and +manuscripts?" + +"Yes; you have done that a number of times." + +"But there is one time which I shall remember. It was the time when I +read what Uncle Zed had written about sin and death." + +"O, I had not intended you to see that." + +"But I did, and I read carefully every word of it. I understood most of +it, too. 'The wages of sin is death'--That applies to me. I am a sinner. +I shall die. I have already died, according to Uncle Zed." + +"No, Carlia, you misapply that. We are all sinners, and we all die in +proportion to our sinning. That's true enough; but there is also +the blessed privilege of repentance to consider. Let me finish the +quotation: 'The wages of sin is death; but the gift of God is eternal +life through Jesus Christ our Lord'; also let me add what the Lord said +about those who truly repent; 'Though your sins be as scarlet, they +shall be white as snow; though they be red like crimson, they shall be +as wool'. That is a great comfort to all of us, Carlia." + +"Yes; thank you, Dorian.... but--but now I must tell you. The Lord may +forgive me, but you cannot." + +"Carlia, I have long since forgiven you." + +"Oh, of my little foolish ways, of course; but, Dorian, you don't +know--" + +"But, Carlia, I do know. And I tell you that I have forgiven you." + +"The terrible thing about me?" + +"The unfortunate thing and the great sorrow which has come to you, and +the suffering--yes, Carlia, I know." + +"I can't understand your saying that." + +"But I understand." + +"Who told you?" + +"Mrs. Whitman." + +"Have you been there?" + +"Yes." + +"Dorian!" She stared past him through the open window into the western +sky. The upper disk of the sun sank slowly behind the purple mountain. +The flaming underlining of a cloud reflected on the open water of the +marshland and faintly into the room and on to the pale face of the +girl. Presently, she arose, swayed and held out her arms as if she was +falling. Dorian caught her. Tears, long pent up, save in her own lonely +hours, now broke as a torrent from her eyes, and her body shook in sobs. +Gone was her reserve now, her holding him away, her power of resistance. +She lay supinely in his arms, and he held her close. O, how good it was +to cry thus! O, what a haven of rest! Would the tears and sobs never +cease?... The sun was down, the color faded from the sky, a big shadow +enveloped the earth. + +Then when she became quieter, she freed her arms, reached up and clasped +her hands behind his neck, clinging to him as if she never wanted to +leave him. Neither could speak. He stroked her hair, kissed her cheeks, +her eyes, wiped away her tears, unaware of those which ran unhindered +down his own face.... + +"Carlia, my darling, Carlia," he breathed. + +"Dorian, Oh, Dorian, _how_--_good_--_you_--_are_!" + + + + +CHAPTER TWENTY ONE. + + +It was a day in June--nearly a year from the time of the +"understanding"--a day made more beautiful because of its being in the +mountains and on a Sunday afternoon. Dorian and Carlia lived in the +midst of its rarity, seated as they were on the grassy hill-side +overlooking the dry-land farms near at hand and the valley below, +through which tumbled the brook. The wild odor of hill plants mingled +with the pungent fragrance of choke-cherry blossoms. The air was as +clear as crystal. The mountains stood about them in silent, solemn +watchfulness, strong and sure as the ages. The red glowed in Carlia's +lips again, and the roses in her cheeks. The careworn look was gone from +her face. Peace had come into her heart, peace with herself, with the +man she loved, and with God. + +Dorian pointed out to her where the wild strawberries grew down in the +valley, and where the best service berries could be found on the hills. +He told her how the singing creek had, when he was alone in the hills, +echoed all his varied moods. + +Then they were silent for a time, letting the contentment of their love +suffice. For now all barriers between these two were down. There was no +thought they could not share, no joy neither trouble they could not meet +together. However, they were very careful of each other; their present +peace and content had not easily been reached. They had come "up through +great tribulation," even thus far in their young lives. The period of +their purification seemed now to be drawing to a close, and they were +entering upon a season of rest for the soul. + +"Blessed are the pure in heart, for they shall see God." This promise is +surely not limited to that hoped-for future time when we shall have laid +aside mortality, but the pure in heart see much of God here and now--see +Him in the beauty of hill and dale, in cloud and blue sky, in placid +pool and running water, in flowers and insect, and in the wonderful +workings of the human heart! And so Dorian Trent and Carlia Duke, being +of the pure in heart, saw much of God and His glory that afternoon. + +Then they talked again of the home folks, of Mildred Brown, and of Uncle +Zed; and at length came to their own immediate affairs. + +That fall Dorian was to enter the University. The farm at Greenstreet +would have to be let to others, but he thought he could manage the +dry-farm, as most of the work came in vacation season. Mrs. Trent did +not want to leave her home in the country; but she would likely become +lonesome living all by herself; so there would always be a room for her +with Dorian and Carlia in the little house they would rent near the +school. Then, after the University, there would be some Eastern College +for a period of years, and after that, other work. The task Dorian had +set before him was a big one, but it was a very important one, and no +one seemed to be doing it as yet. He might fail in accomplishing what +he and Uncle Zed and perhaps the Lord had in mind regarding him, but he +would do his very best, anyway. + +"You'll not fail," the girl at his side assured him. + +"I hope not. But I know some men who have gone in for all the learning +they could obtain, and in the process of getting the learning, they have +lost their faith. With me, the very object of getting knowledge is to +strengthen my faith. What would it profit if one gains the whole world +of learning and loses his soul in the process. Knowledge is power, both +for good and for ill. I have been thinking lately of the nature of +faith, the forerunner of knowledge. I can realize somewhat the meaning +of the scripture which says that the worlds were framed and all things +in them made by the power of faith. As Uncle Zed used to say--" + +"You always put it that way. Don't you know anything of your own?" + +"No; no one does. There is no such thing as knowledge of one's own +making. Knowledge has always existed from the time when there has been a +mind to conceive it. The sum of truth is eternal. We can only discover +truth, or be told it by someone who has already found it. God has done +that. He comprehends all truth, and therefore all power and all glory is +found in Him. It is the most natural thing in the world, then, that we +should seek the truth from the fountain head or source to us, and that +is God." + +Although it was after the usual time of the Sunday sermon, Dorian felt +free to go on. + +"'When the Son of Man cometh, shall He find faith on the earth?' I hope +to help a little to make the answer, Yes. I know of nothing which the +world needs more than faith. Not many are specializing in that field. +Edison is bringing forth some of the wonders of electricity; Burbank +is doing marvelous things in the plant world; we have warriors and +statesmen and philosophers and philanthropists and great financiers +a-plenty; we have scientists too, and some of them are helping. Have you +ever heard of Sir Oliver Lodge and Lord Kelvin?" + +No; she never had. + +"Well"--and Dorian laughed softly to himself at the apparent egotism of +the proposition--"I must be greater than either of them. I must know +all they know, and more; and that is possible, for I have the 'Key +of Knowledge' which even the most learned scholar cannot get without +obedience to the laws and ordinances of the gospel." + +Carlia silently worshiped. + +"Now," he continued in a somewhat lighter vein, "do you realize what +you are doing when you say you will be my wife and put up with all the +eccentricities of such a man as I am planning to be? Are you willing to +be a poor man's wife, for I cannot get money and this knowledge I am +after at the same time? Are you willing to go without the latest in +dresses and shoes and hats--if necessary?" + +"Haven't I heard you say that the larger part of love is in giving and +not in getting?" replied she. + +"Yes, I believe that's true." + +"Well, then, that's my answer. Don't deny me the joy I can get by the +little I can give." + +The sun was nearing the western mountains, the sharpest peaks were +already throwing shadows across the valley. + +"Come," said Dorian. "We had better go down. Mother has come out of the +cabin, and I think she is looking for us. Supper must be ready." + +He took Carlia's hand and helped her up. Then they ran like care-free +children down the gentler slopes. + +"Wait a minute," cried Carlia, "I'm out of breath. I--I want to ask you +another question." + +"Ask a hundred." + +"Well, in the midst of all this studying, kind of in between the +great, serious subjects, we'll find time, will we not, to read 'David +Copperfield'--together?" + +He looked into her laughing eyes, and then kissed her. + +"Why, yes, of course," he said. + +Then they went on again, hand in hand, down into the valley of sunshine +and shadow. + + +THE END. + + + + + +End of the Project Gutenberg EBook of Dorian, by Nephi Anderson + +*** END OF THIS PROJECT GUTENBERG EBOOK DORIAN *** + +***** This file should be named 12684.txt or 12684.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/2/6/8/12684/ + +Produced by Kevin Handy and PG Distributed Proofreaders + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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