diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 04:38:55 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 04:38:55 -0700 |
| commit | 3fee2352d1133b0ab70a931815d10da05cad454e (patch) | |
| tree | 1a556920b2fcd093cf0d185fccbfcd2ce04b4d40 | |
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 12093-0.txt | 611 | ||||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 | ||||
| -rw-r--r-- | old/12093-8.txt | 1029 | ||||
| -rw-r--r-- | old/12093-8.zip | bin | 0 -> 18868 bytes | |||
| -rw-r--r-- | old/12093.txt | 1029 | ||||
| -rw-r--r-- | old/12093.zip | bin | 0 -> 18841 bytes |
8 files changed, 2685 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/12093-0.txt b/12093-0.txt new file mode 100644 index 0000000..43a30e8 --- /dev/null +++ b/12093-0.txt @@ -0,0 +1,611 @@ +*** START OF THE PROJECT GUTENBERG EBOOK 12093 *** + +THE SONG OF +THE STONE WALL + + +BY +HELEN KELLER + + + + +1910 +Copyright, 1909, 1910. +_Published October, 1910_. + + + + +DEDICATION + + +When I began “The Song of the Stone Wall,” Dr. Edward Everett Hale +was still among us, and it was my intention to dedicate the poem +to him if it should be deemed worthy of publication. I fancied that +he would like it; for he loved the old walls and the traditions that +cling about them. + +As I tried to image the men who had built the walls long ago, it +seemed to me that Dr. Hale was the living embodiment of whatever was +heroic in the founders of New England. He was a great American. He +was also a great Puritan. Was not the zeal of his ancestors upon his +lips, and their courage in his heart? Had they not bequeathed to him +their torch-like faith, their patient fervor of toil and their creed +of equality? + +But his bright spirit had inherited no trace of their harshness and +gloom. The windows of his soul opened to the sunlight of a joyous +faith. His optimism and genial humor inspired gladness and good +sense in others. With an old story he prepared their minds to +receive new ideas, and with a parable he opened their hearts to +generous feelings. All men loved him because he loved them. They +knew that his heart was in their happiness, and that his humanity +embraced their sorrows. In him the weak found a friend, the +unprotected, a champion. Though a herald and proclaimer of peace, he +could fight stubbornly and passionately on the side of justice. His +was a lovable, uplifting greatness which drew all men near and ever +nearer to God and to each other. Like his ancestors, he dreamed of a +land of freedom founded on the love of God and the brotherhood of +man, a land where each man shall achieve his share of happiness and +learn the work of manhood—to rule himself and “lend a hand.” + +Thoughts like these were often in my mind as the poem grew and took +form. It is fitting, therefore, that I should dedicate it to him, +and in so doing I give expression to the love and reverence which I +have felt for him ever since he called me his little cousin, more +than twenty years ago. + +HELEN KELLER + +Wrentham, Massachusetts, +January, 1910. + + + + + +THE SONG OF +THE STONE WALL + + +Come walk with me, and I will tell +What I have read in this scroll of stone; +I will spell out this writing on hill and meadow. +It is a chronicle wrought by praying workmen, +The forefathers of our nation-- +Leagues upon leagues of sealed history awaiting an interpreter. +This is New England's tapestry of stone +Alive with memories that throb and quiver +At the core of the ages +As the prophecies of old at the heart of God’s Word. + +The walls have many things to tell me, +And the days are long. I come and listen: +My hand is upon the stones, and the tale I fain would hear +Is of the men who built the walls, +And of the God who made the stones and the workers. + +With searching feet I walk beside the wall; +I plunge and stumble over the fallen stones; +I follow the windings of the wall +Over the heaving hill, down by the meadow-brook, +Beyond the scented fields, by the marsh where rushes grow. +On I trudge through pine woods fragrant and cool +And emerge amid clustered pools and by rolling acres of rye. +The wall is builded of field-stones great and small, +Tumbled about by frost and storm, +Shaped and polished by ice and rain and sun; +Some flattened, grooved, and chiseled +By the inscrutable sculpture of the weather; +Some with clefts and rough edges harsh to the touch. +Gracious Time has glorified the wall +And covered the historian stones with a mantle of green. +Sunbeams flit and waver in the rifts, +Vanish and reappear, linger and sleep, +Conquer with radiance the obdurate angles, +Filter between the naked rents and wind-bleached jags. + +I understand the triumph and the truth +Wrought into these walls of rugged stone. +They are a miracle of patient hands, +They are a victory of suffering, a paean of pain; +All pangs of death, all cries of birth, +Are in the mute, moss-covered stones; +They are eloquent to my hands. +O beautiful, blind stones, inarticulate and dumb! +In the deep gloom of their hearts there is a gleam +Of the primeval sun which looked upon them +When they were begotten. +So in the heart of man shines forever +A beam from the everlasting sun of God. +Rude and unresponsive are the stones; +Yet in them divine things lie concealed; +I hear their imprisoned chant:-- + +"We are fragments of the universe, +Chips of the rock whereon God laid the foundation of the world: +Out of immemorial chaos He wrought us. +Out of the sun, out of the tempest, out of the travail of the earth + we grew. +We are wonderfully mingled of life and death; +We serve as crypts for innumerable, unnoticed, tiny forms. +We are manifestations of the Might +That rears the granite hills unto the clouds +And sows the tropic seas with coral isles. +We are shot through and through with hidden color; +A thousand hues are blended in our gray substance. +Sapphire, turquoise, ruby, opal, +Emerald, diamond, amethyst, are our sisters from the beginning, +And our brothers are iron, lead, zinc, +Copper and silver and gold. +We are the dust of continents past and to come, +We are a deathless frieze carved with man's destiny; +In us is the record sibylline of far events. +We are as old as the world, our birth was before the hills. +We are the cup that holds the sea +And the framework of the peak that parts the sky. +When Chaos shall again return, +And endless Night shall spread her wings upon a rained world, +We alone shall stand up from the shattered earth, +Indestructible, invincible witnesses of God’s eternal purpose.” + +In reflective mood by the wall I wander; +The hoary stones have set my heart astir; +My thoughts take shape and move beside me in the guise +Of the stern men who built the wall in early olden days. +One by one the melancholy phantoms go stepping from me, +And I follow them in and out among the stones. +I think of the days long gone, +Flown like birds beyond the ramparts of the world. +The patient, sturdy men who piled the stones +Have vanished, like the days, beyond the bounds +Of earth and mortal things. +From their humble, steadfast lives has sprung the greatness of my + nation. +I am bone of their bone, breath of their breath, +Their courage is in my soul. +The wall is an Iliad of granite: it chants to me +Of pilgrims of the perilous deep, +Of fearless journeyings and old forgotten things. +The blood of grim ancestors warms the fingers +That trace the letters of their story; +My pulses beat in unison with pulses that are stilled; +The fire of their zeal inspires me +In my struggle with darkness and pain. +These embossed books, unobliterated by the tears and laughter + of Time, +Are signed with the vital hands of undaunted men. +I love these monoliths, so crudely imprinted +With their stalwart, cleanly, frugal lives. + +From my seat among the stones I stretch my hand and touch +My friend the elm, urnlike, lithesome, tall. +Far above the reach of my exploring fingers +Birds are singing and winging joyously +Through leafy billows of green. +The elm-tree’s song is wondrous sweet; +The words are the ancientest language of trees-- +They tell of how earth and air and light +Are wrought anew to beauty and to fruitfulness. +I feel the glad stirrings under her rough bark; +Her living sap mounts up to bring forth leaves; +Her great limbs thrill beneath the wand of spring. + +This wall was builded in our fathers’ days-- +Valorous days when life was lusty and the land was new. +Resemble the walls the builders, buffeted, stern, and worn. +To us they left the law, +Order, simplicity, obedience, +And the wall is the bond they gave the nation +At its birth of courage and unflinching faith. +Before the epic here inscribed began, +They wrote their course upon a trackless sea. +O, tiny craft, bearing a nation’s seed! +Frail shallop, quick with unborn states! +Autumn was mellow in the fatherland when they set sail, +And winter deepened as they neared the West. +Out of the desert sea they came at last, +And their hearts warmed to see that frozen land. +O, first gray dawn that filtered through the dark! +Bleak, glorious birth-hour of our northern states! +They stood upon the shore like new created men; +On barren solitudes of sand they stood, +The conquered sea behind, the unconquered wilderness before. +Some died that year beneath the cruel cold, +And some for heartsick longing and the pang +Of homes remembered and souls torn asunder. +That spring the new-plowed field for bread of life +Bordered the new-dug acre marked for death; +Beside the springing corn they laid in the sweet, dark earth +The young man, strong and free, the maiden fair and trustful, +The little child, and the uncomplaining mother. + +Across the meadow, by the ancient pines, +Where I, the child of life that lived that spring, +Drink in the fragrances of the young year, +The field-wall meets one grimly squared and straight. +Beyond it rise the old tombs, gray and restful, +And the upright slates record the generations. +Stiffly aslant before the northern blasts, +Like the steadfast, angular beliefs +Of those whom they commemorate, the headstones stand, +Cemented deep with moss and invisible roots. +The rude inscriptions charged with faith and love, +Graceless as Death himself, yet sweet as Death, +Are half erased by the impartial storms. +As children lisping words which move to laughter +Are themselves poems of unconscious melody, +So the old gravestones with their crabbed muse +Are beautiful for their halting words of faith, +Their groping love that had no gift of song. +But all the broken tragedy of life +And all the yearning mystery of death +Are celebrated in sweet epitaphs of vines and violets. +Close by the wall a peristyle of pines +Sings requiem to all the dead that sleep. + +Beyond the village churchyard, still and calm, +Steeped in the sweetness of eternal morn, +The wall runs down in crumbling cadence +Beside the brook which plays +Through the land like a silver harp. +A wind of ancient romance blows across the field, +A sweet disturbance thrills the air; +The silken skirts of Spring go rustling by, +And the earth is astir with joy. +Up the hill, romping and shaking their golden heads, +Come the little children of the wood. +From ecstasy to ecstasy the year mounts upward. +Up from the south come the odor-laden winds, +Angels and ministers of life, +Dropping seeds of fruitfulness +Into the bosoms of flowers. +Elusive, alluring secrets hide in wood and hedge +Like the first thoughts of love +In the breast of a maiden; +The witchery of love is in rock and tree. +Across the pasture, star-sown with daisies, +I see a young girl--the spirit of spring she seems, +Sister of the winds that run through the rippling daisies. +Sweet and clear her voice calls father and brother, +And one whose name her shy lips will not utter. +But a chorus of leaves and grasses speaks her heart +And tells his name: the birches flutter by the wall; +The wild cherry-tree shakes its plumy head +And whispers his name; the maple +Opens its rosy lips and murmurs his name; +The marsh-marigold sends the rumor +Down the winding stream, and the blue flag +Spread the gossip to the lilies in the lake: +All Nature’s eyes and tongues conspire +In the unfolding of the tale +That Adam and Eve beneath the blossoming rose-tree +Told each other in the Garden of Eden. +Once more the wind blows from the walls, +And I behold a fair young mother; +She stands at the lilac-shaded door +With her baby at her breast; +She looks across the twilit fields and smiles +And whispers to her child: “Thy father comes!” + +Life triumphed over many-weaponed Death. +Sorrow and toil and the wilderness thwarted their stout invasion; +But with the ship that sailed again went no retreating soul! +Stubborn, unvanquished, clinging to the skirts of Hope, +They kept their narrow foothold on the land, +And the ship sailed home for more. +With yearlong striving they fought their way into the forest; +Their axes echoed where I sit, a score of miles from the sea. +Slowly, slowly the wilderness yielded +To smiling grass-plots and clearings of yellow corn; +And while the logs of their cabins were still moist +With odorous sap, they set upon the hill +The shrine of liberty for man’s mind, +And by it the shrine of liberty for man’s soul, +The school-house and the church. + +The apple-tree by the wall sheds its blossom about me-- +A shower of petals of light upon darkness. +From Nature’s brimming cup I drink a thousand scents; +At noon the wizard sun stirs the hot soil under the pines. +I take the top stone of the wall in my hands +And the sun in my heart; +I feel the rippling land extend to right and left, +Bearing up a receptive surface to my uncertain feet; +I clamber up the hill and beyond the grassy sweep; +I encounter a chaos of tumbled rocks. +Piles of shadow they seem, huddling close to the land. +Here they are scattered like sheep, +Or like great birds at rest, +There a huge block juts from the giant wave of the hill. +At the foot of the aged pines the maiden’s moccasins +Track the sod like the noiseless sandals of Spring. +Out of chinks in the wall delicate grasses wave, +As beauty grew out of the crannies of these hard souls. + +Joyously, gratefully, after their long wrestling +With the bitter cold and the harsh white winter, +They heard the step of Spring on the edge of melting snow-drifts; +Gladly, with courage that flashed from their life-beaten souls, +As the fire-sparks fly from the hammered stone, +They hailed the fragrant arbutus; +Its sweetness trailed beside the path that they cut through the + forest, +And they gave it the name of their ship Mayflower. + Beauty was at their feet, and their eyes beheld it; +The earth cried out for labor, and they gave it. +But ever as they saw the budding spring, +Ever as they cleared the stubborn field, +Ever as they piled the heavy stones, +In mystic vision they saw, the eternal spring; +They raised their hardened hands above the earth, +And beheld the walls that are not built of stone, +The portals opened by angels whose garments are of light; +And beyond the radiant walls of living stones +They dreamed vast meadows and hills of fadeless green. + +In the old house across the road +With weather-beaten front, like the furrowed face of an old man, +The lights are out forever, the windows are broken, +And the oaken posts are warped; +The storms beat into the rooms as the passion of the world +Racked and buffeted those who once dwelt in them. +The psalm and the morning prayer are silent. +But the walls remain visible witnesses of faith +That knew no wavering or shadow of turning. +They have withstood sun and northern blast, +They have outlasted the unceasing strife +Of forces leagued to tear them down. +Under the stars and the clouds, under the summer sun, +Beaten by rain and wind, covered with tender vines, +The walls stand symbols of a granite race, +The measure and translation of olden times. + +In the rough epic of their life, their toil, their creeds, +Their psalms, their prayers, what stirring tales +Of days that were their past had they to tell +Their children to keep the new faith burning? +Tales of grandsires in the fatherland +Whose faith was seven times tried in fiery furnaces,-- +Of Rowland Taylor who kissed the stake, +And stood with hands folded and eyes steadfastly turned +To the sky, and smiled upon the flames; +Of Latimer, and of Cranmer who for cowardice heroically atoned-- +Who thrust his right hand into the fire +Because it had broken plight with his heart +And written against the voice of his conviction. +With such memories they exalted and cherished +The heroism of their tried souls, +And ours are wrung with doubt and self-distrust! + +I am kneeling on the odorous earth; +The sweet, shy feet of Spring come tripping o’er the land, +Winter is fled to the hills, leaving snowy wreaths +On apple-tree, meadow, and marsh. +The walls are astir; little waves of blue +Run through my fingers murmuring: +“We follow the winds and the snow!” +Their heart is a cup of gold. +Soft whispers of showers and flowers +Are mingled in the spring song of the walls. +Hark to the songs that go singing like the wind +Through the chinks of the wall and thrill the heart +And quicken it with passionate response! +The walls sing the song of wild bird, the hoof-beat of deer, +The murmur of pine and cedar, the ripple of many streams; +Crows are calling from the Druidical wood; +The morning mist still haunts the meadows +Like the ghosts of the wall builders. + +As I listen, methinks I hear the bitter plaint +Of the passing of a haughty race, +The wronged, friendly, childlike, peaceable tribes, +The swarthy archers of the wilderness, +The red men to whom Nature opened all her secrets, +Who knew the haunts of bird and fish, +The hidden virtue of herb and root; +All the travail of man and beast they knew-- +Birth and death, heat and cold, +Hunger and thirst, love and hate; +For these are the unchanging things writ in the imperishable book of + life +That man suckled at the breast of woman must know. + +In the dim sanctuary of the pines +The winds murmur their mysteries through dusky aisles-- +Secrets of earth’s renewal and the endless cycle of life. +Living things are afoot among the grasses; +The closed fingers of the ferns unfold, +New bees explore new flowers, and the brook +Pours virgin waters from the rushing founts of May. +In the old walls there are sinister voices-- +The groans of women charged with witchcraft. +I see a lone, gray, haggard woman standing at bay, +Helpless against her grim, sin-darkened judges. +Terror blanches her lips and makes her confess +Bonds with demons that her heart knows not. +Satan sits by the judgment-seat and laughs. +The gray walls, broken, weatherworn oracles, +Sing that she was once a girl of love and laughter, +Then a fair mother with lullabies on her lips, +Caresses in her eyes, who spent her days +In weaving warmth to keep her brood against the winter cold. +And in her tongue was the law of kindness; +For her God was the Lord Jehovah. +Enemies uprose and swore her accused, +Laid at her door the writhing forms of little children, +And she could but answer: “The Evil One +Torments them in my shape.” +She stood amazed before the tribunal of her church +And heard the gate of God’s house closed against her. +Oh, shuddering silence of the throng, +And fearful the words spoken from the judgment-seat! +She raised her white head and clasped her wrinkled hands: +“Pity me, Lord, pity my anguish! +Nor, since Thou art a just and terrible God, +Forget to visit thy wrath upon these people; +For they have sworn away the life of Thy servant +Who hath lived long in the land keeping Thy commandments. +I am old, Lord, and betrayed; +By neighbor and kin am I betrayed; +A Judas kiss hath marked me for a witch. +Possessed of a devil? Here be a legion of devils! +Smite them, O God, yea, utterly destroy them that persecute the innocent.” +Before this mother in Israel the judges cowered; +But still they suffered her to die. +Through the tragic, guilty walls I hear the sighs +Of desolate women and penitent, remorseful men. + +Sing of happier themes, O many-voiced epic, +Sing how the ages, like thrifty husbandmen, winnow the creeds of + men, +And leave only faith and love and truth. +Sing of the Puritan’s nobler nature, +Fathomless as the forests he felled, +Irresistible as the winds that blow. +His trenchant conviction was but the somber bulwark +Which guarded his pure ideal. +Resolute by the communion board he stood, +And after solemn prayer solemnly cancelled +And abolished the divine right of kings +And declared the holy rights of man. +Prophet and toiler, yearning for other worlds, yet wise in this; +Scornful of earthly empire and brooding on death, +Yet wrestling life out of the wilderness +And laying stone on stone the foundation of a temporal state! +I see him standing at his cabin-door at eventide +With dreaming, fearless eyes gazing at sunset hills; +In his prophetic sight Liberty, like a bride, +Hasteth to meet her lord, the westward-going man! +Even as he saw the citadel of Heaven, +He beheld an earthly state divinely fair and just. +Mystic and statesman, maker of homes, +Strengthened by the primal law of toil, +And schooled by monarch-made injustices, +He carried the covenant of liberty with fire and sword, +And laid a rich state on frugality! +Many republics have sprung into being, +Full-grown, equipped with theories forged in reason; +All, all have fallen in a single night; +But to the wise, fire-hardened Puritan +Democracy was not a blaze of glory +To crackle for an hour and be quenched out +By the first gust that blows across the world. +I see him standing at his cabin-door, +And all his dreams are true as when he dreamed them; +But only shall they be fulfilled if we +Are mindful of the toil that gave him power, +Are brave to dare a wilderness of wrong; +So long shall Nature nourish us and Spring +Throw riches in the lap of man +As we beget no wasteful, weak-handed generations, +But bend us to the fruitful earth in toil. +Beyond the wall a new-plowed field lies steaming in the sun, +And down the road a merry group of children +Run toward the village school. + +Hear, O hear! In the historian walls +Rises the beat and the tumult of the struggle for freedom. +Sacred, blood-stained walls, your peaceful front +Sheltered the fateful fires of Lexington; +Builded to fence green fields and keep the herds at pasture, +Ye became the frowning breastworks of stern battle; +Lowly boundaries of the freeman’s farm, +Ye grew the rampart of a land at war; +And still ye cross the centuries +Between the ages of monarchs and the age +When farmers in their fields are kings. +From the Revolution the young Republic emerged, +She mounted up as on the wings of the eagle, +She ran and was not weary, and all the children of the world +Joined her and followed her shining path. +But ever as she ran, above her lifted head +Darkened the monster cloud of slavery. +Hark! In the walls, amid voices of prayer and of triumph, +I hear the clank of manacles and the ominous mutterings of bondsmen! +At Gettysburg, our Golgotha, the sons of the fathers +Poured their blood to wash out a nation’s shame. +Cleansed by tribulation and atonement, +The broken nation rose from her knees, +And with hope reborn in her heart set forth again +Upon the open road to ideal democracy. + +Sing, walls, in lightning words that shall cause the world to + vibrate, +Of the democracy to come, +Of the swift, teeming, confident thing! +We are part of it--the wonder and the terror and the glory! +Fearless we rush forward to meet the years, +The years that come flying towards us +With wings outspread, agleam on the horizon of time! + +O eloquent, sane walls, instinct with a new faith, +Ye are barbarous, in congruous, but great with the greatness of + reality. +Walls wrought in unfaltering effort, +Sing of our prosperity, the joyous harvest +Of the labor of lusty toilers. +Down through the years comes the ring of their victorious axes: +“Ye are titans of the forest, but we are stronger; +Ye are strong with the strength of mighty winds, +But we are strong with the unconquerable strength of souls!” +Still the young race, unassailable, inviolate, +Shakes the solitudes with the strokes of creation; +Doubly strong we renew the valorous days, +And like a measureless sea we overflow +The fresh green, benevolent West, +The buoyant, fruitful West that dares and sings! +Pure, dew-dripping walls that guard +The quiet, lovable, fertile fields, +Sing praises to Him who from the mossy rocks +Can bid the fountains leap in thirsty lands. +I walk beside the stones through the young grain, +Through waves of wheat that billow about my knees. +The walls contest the onward march of the wheat; +But the wheat is charged with the life of the world; +Its force is irresistible; onward it sweeps, +An engulfing tide, over all the land, +Till hill and valley, field and plain +Are flooded with its green felicity! +Out of the moist earth it has sprung; +In the gracious amplitudes of her bosom it was nurtured, +And in it is wrought the miracle of life. + +Sing, prophetic, mystic walls, of the dreams of the builders; +Sing in thundering tones that shall thrill us +To try our dull discontent, our barren wisdom +Against their propagating, unquenchable, questionless visions. +Sing in renerving refrain of the resolute men, +Each a Lincoln in his smoldering patience, +Each a Luther in his fearless faith, +Who made a breach in the wall of darkness +And let the hosts of liberty march through. + +Calm, eternal walls, tranquil, mature, +Which old voices, old songs, old kisses cover, +As mosses and lichens cover your ancient stones, +Teach me the secret of your serene repose; +Tell of the greater things to be, +When love and wisdom are the only creed, +And law and right are one. +Sing that the Lord cometh, the Lord cometh, +The fountain-head and spring of life! +Sing, steady, exultant walls, in strains hallowed and touched with + fire, +Sing that the Lord shall build us all together. +As living stones build us, cemented together. +May He who knoweth every pleasant thing +That our sires forewent to teach the peoples law and truth, +Who counted every stone blessed by their consecrated hands, +Grant that we remain liberty-loving, substantial, elemental, +And that faith, the rock not fashioned of human hands, +Be the stability of our triumphant, toiling days. + + + + + +End of Project Gutenberg's The Song of the Stone Wall, by Helen Keller + +*** END OF THE PROJECT GUTENBERG EBOOK 12093 *** diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..9d74a41 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #12093 (https://www.gutenberg.org/ebooks/12093) diff --git a/old/12093-8.txt b/old/12093-8.txt new file mode 100644 index 0000000..bce87b2 --- /dev/null +++ b/old/12093-8.txt @@ -0,0 +1,1029 @@ +The Project Gutenberg EBook of The Song of the Stone Wall, by Helen Keller + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Song of the Stone Wall + +Author: Helen Keller + +Release Date: April 20, 2004 [EBook #12093] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE SONG OF THE STONE WALL *** + + + + +Produced by Jamie Taylor in memory of Helen Keller. + + + + +THE SONG OF +THE STONE WALL + + +BY +HELEN KELLER + + + + +1910 +Copyright, 1909, 1910. +_Published October, 1910_. + + + + +DEDICATION + + +When I began The Song of the Stone Wall, Dr. Edward Everett Hale +was still among us, and it was my intention to dedicate the poem +to him if it should be deemed worthy of publication. I fancied that +he would like it; for he loved the old walls and the traditions that +cling about them. + +As I tried to image the men who had built the walls long ago, it +seemed to me that Dr. Hale was the living embodiment of whatever was +heroic in the founders of New England. He was a great American. He +was also a great Puritan. Was not the zeal of his ancestors upon his +lips, and their courage in his heart? Had they not bequeathed to him +their torch-like faith, their patient fervor of toil and their creed +of equality? + +But his bright spirit had inherited no trace of their harshness and +gloom. The windows of his soul opened to the sunlight of a joyous +faith. His optimism and genial humor inspired gladness and good +sense in others. With an old story he prepared their minds to +receive new ideas, and with a parable he opened their hearts to +generous feelings. All men loved him because he loved them. They +knew that his heart was in their happiness, and that his humanity +embraced their sorrows. In him the weak found a friend, the +unprotected, a champion. Though a herald and proclaimer of peace, he +could fight stubbornly and passionately on the side of justice. His +was a lovable, uplifting greatness which drew all men near and ever +nearer to God and to each other. Like his ancestors, he dreamed of a +land of freedom founded on the love of God and the brotherhood of +man, a land where each man shall achieve his share of happiness and +learn the work of manhoodto rule himself and lend a hand. + +Thoughts like these were often in my mind as the poem grew and took +form. It is fitting, therefore, that I should dedicate it to him, +and in so doing I give expression to the love and reverence which I +have felt for him ever since he called me his little cousin, more +than twenty years ago. + +HELEN KELLER + +Wrentham, Massachusetts, +January, 1910. + + + + + +THE SONG OF +THE STONE WALL + + +Come walk with me, and I will tell +What I have read in this scroll of stone; +I will spell out this writing on hill and meadow. +It is a chronicle wrought by praying workmen, +The forefathers of our nation-- +Leagues upon leagues of sealed history awaiting an interpreter. +This is New England's tapestry of stone +Alive with memories that throb and quiver +At the core of the ages +As the prophecies of old at the heart of Gods Word. + +The walls have many things to tell me, +And the days are long. I come and listen: +My hand is upon the stones, and the tale I fain would hear +Is of the men who built the walls, +And of the God who made the stones and the workers. + +With searching feet I walk beside the wall; +I plunge and stumble over the fallen stones; +I follow the windings of the wall +Over the heaving hill, down by the meadow-brook, +Beyond the scented fields, by the marsh where rushes grow. +On I trudge through pine woods fragrant and cool +And emerge amid clustered pools and by rolling acres of rye. +The wall is builded of field-stones great and small, +Tumbled about by frost and storm, +Shaped and polished by ice and rain and sun; +Some flattened, grooved, and chiseled +By the inscrutable sculpture of the weather; +Some with clefts and rough edges harsh to the touch. +Gracious Time has glorified the wall +And covered the historian stones with a mantle of green. +Sunbeams flit and waver in the rifts, +Vanish and reappear, linger and sleep, +Conquer with radiance the obdurate angles, +Filter between the naked rents and wind-bleached jags. + +I understand the triumph and the truth +Wrought into these walls of rugged stone. +They are a miracle of patient hands, +They are a victory of suffering, a paean of pain; +All pangs of death, all cries of birth, +Are in the mute, moss-covered stones; +They are eloquent to my hands. +O beautiful, blind stones, inarticulate and dumb! +In the deep gloom of their hearts there is a gleam +Of the primeval sun which looked upon them +When they were begotten. +So in the heart of man shines forever +A beam from the everlasting sun of God. +Rude and unresponsive are the stones; +Yet in them divine things lie concealed; +I hear their imprisoned chant:-- + +"We are fragments of the universe, +Chips of the rock whereon God laid the foundation of the world: +Out of immemorial chaos He wrought us. +Out of the sun, out of the tempest, out of the travail of the earth + we grew. +We are wonderfully mingled of life and death; +We serve as crypts for innumerable, unnoticed, tiny forms. +We are manifestations of the Might +That rears the granite hills unto the clouds +And sows the tropic seas with coral isles. +We are shot through and through with hidden color; +A thousand hues are blended in our gray substance. +Sapphire, turquoise, ruby, opal, +Emerald, diamond, amethyst, are our sisters from the beginning, +And our brothers are iron, lead, zinc, +Copper and silver and gold. +We are the dust of continents past and to come, +We are a deathless frieze carved with man's destiny; +In us is the record sibylline of far events. +We are as old as the world, our birth was before the hills. +We are the cup that holds the sea +And the framework of the peak that parts the sky. +When Chaos shall again return, +And endless Night shall spread her wings upon a rained world, +We alone shall stand up from the shattered earth, +Indestructible, invincible witnesses of Gods eternal purpose. + +In reflective mood by the wall I wander; +The hoary stones have set my heart astir; +My thoughts take shape and move beside me in the guise +Of the stern men who built the wall in early olden days. +One by one the melancholy phantoms go stepping from me, +And I follow them in and out among the stones. +I think of the days long gone, +Flown like birds beyond the ramparts of the world. +The patient, sturdy men who piled the stones +Have vanished, like the days, beyond the bounds +Of earth and mortal things. +From their humble, steadfast lives has sprung the greatness of my + nation. +I am bone of their bone, breath of their breath, +Their courage is in my soul. +The wall is an Iliad of granite: it chants to me +Of pilgrims of the perilous deep, +Of fearless journeyings and old forgotten things. +The blood of grim ancestors warms the fingers +That trace the letters of their story; +My pulses beat in unison with pulses that are stilled; +The fire of their zeal inspires me +In my struggle with darkness and pain. +These embossed books, unobliterated by the tears and laughter + of Time, +Are signed with the vital hands of undaunted men. +I love these monoliths, so crudely imprinted +With their stalwart, cleanly, frugal lives. + +From my seat among the stones I stretch my hand and touch +My friend the elm, urnlike, lithesome, tall. +Far above the reach of my exploring fingers +Birds are singing and winging joyously +Through leafy billows of green. +The elm-trees song is wondrous sweet; +The words are the ancientest language of trees-- +They tell of how earth and air and light +Are wrought anew to beauty and to fruitfulness. +I feel the glad stirrings under her rough bark; +Her living sap mounts up to bring forth leaves; +Her great limbs thrill beneath the wand of spring. + +This wall was builded in our fathers days-- +Valorous days when life was lusty and the land was new. +Resemble the walls the builders, buffeted, stern, and worn. +To us they left the law, +Order, simplicity, obedience, +And the wall is the bond they gave the nation +At its birth of courage and unflinching faith. +Before the epic here inscribed began, +They wrote their course upon a trackless sea. +O, tiny craft, bearing a nations seed! +Frail shallop, quick with unborn states! +Autumn was mellow in the fatherland when they set sail, +And winter deepened as they neared the West. +Out of the desert sea they came at last, +And their hearts warmed to see that frozen land. +O, first gray dawn that filtered through the dark! +Bleak, glorious birth-hour of our northern states! +They stood upon the shore like new created men; +On barren solitudes of sand they stood, +The conquered sea behind, the unconquered wilderness before. +Some died that year beneath the cruel cold, +And some for heartsick longing and the pang +Of homes remembered and souls torn asunder. +That spring the new-plowed field for bread of life +Bordered the new-dug acre marked for death; +Beside the springing corn they laid in the sweet, dark earth +The young man, strong and free, the maiden fair and trustful, +The little child, and the uncomplaining mother. + +Across the meadow, by the ancient pines, +Where I, the child of life that lived that spring, +Drink in the fragrances of the young year, +The field-wall meets one grimly squared and straight. +Beyond it rise the old tombs, gray and restful, +And the upright slates record the generations. +Stiffly aslant before the northern blasts, +Like the steadfast, angular beliefs +Of those whom they commemorate, the headstones stand, +Cemented deep with moss and invisible roots. +The rude inscriptions charged with faith and love, +Graceless as Death himself, yet sweet as Death, +Are half erased by the impartial storms. +As children lisping words which move to laughter +Are themselves poems of unconscious melody, +So the old gravestones with their crabbed muse +Are beautiful for their halting words of faith, +Their groping love that had no gift of song. +But all the broken tragedy of life +And all the yearning mystery of death +Are celebrated in sweet epitaphs of vines and violets. +Close by the wall a peristyle of pines +Sings requiem to all the dead that sleep. + +Beyond the village churchyard, still and calm, +Steeped in the sweetness of eternal morn, +The wall runs down in crumbling cadence +Beside the brook which plays +Through the land like a silver harp. +A wind of ancient romance blows across the field, +A sweet disturbance thrills the air; +The silken skirts of Spring go rustling by, +And the earth is astir with joy. +Up the hill, romping and shaking their golden heads, +Come the little children of the wood. +From ecstasy to ecstasy the year mounts upward. +Up from the south come the odor-laden winds, +Angels and ministers of life, +Dropping seeds of fruitfulness +Into the bosoms of flowers. +Elusive, alluring secrets hide in wood and hedge +Like the first thoughts of love +In the breast of a maiden; +The witchery of love is in rock and tree. +Across the pasture, star-sown with daisies, +I see a young girl--the spirit of spring she seems, +Sister of the winds that run through the rippling daisies. +Sweet and clear her voice calls father and brother, +And one whose name her shy lips will not utter. +But a chorus of leaves and grasses speaks her heart +And tells his name: the birches flutter by the wall; +The wild cherry-tree shakes its plumy head +And whispers his name; the maple +Opens its rosy lips and murmurs his name; +The marsh-marigold sends the rumor +Down the winding stream, and the blue flag +Spread the gossip to the lilies in the lake: +All Natures eyes and tongues conspire +In the unfolding of the tale +That Adam and Eve beneath the blossoming rose-tree +Told each other in the Garden of Eden. +Once more the wind blows from the walls, +And I behold a fair young mother; +She stands at the lilac-shaded door +With her baby at her breast; +She looks across the twilit fields and smiles +And whispers to her child: Thy father comes! + +Life triumphed over many-weaponed Death. +Sorrow and toil and the wilderness thwarted their stout invasion; +But with the ship that sailed again went no retreating soul! +Stubborn, unvanquished, clinging to the skirts of Hope, +They kept their narrow foothold on the land, +And the ship sailed home for more. +With yearlong striving they fought their way into the forest; +Their axes echoed where I sit, a score of miles from the sea. +Slowly, slowly the wilderness yielded +To smiling grass-plots and clearings of yellow corn; +And while the logs of their cabins were still moist +With odorous sap, they set upon the hill +The shrine of liberty for mans mind, +And by it the shrine of liberty for mans soul, +The school-house and the church. + +The apple-tree by the wall sheds its blossom about me-- +A shower of petals of light upon darkness. +From Natures brimming cup I drink a thousand scents; +At noon the wizard sun stirs the hot soil under the pines. +I take the top stone of the wall in my hands +And the sun in my heart; +I feel the rippling land extend to right and left, +Bearing up a receptive surface to my uncertain feet; +I clamber up the hill and beyond the grassy sweep; +I encounter a chaos of tumbled rocks. +Piles of shadow they seem, huddling close to the land. +Here they are scattered like sheep, +Or like great birds at rest, +There a huge block juts from the giant wave of the hill. +At the foot of the aged pines the maidens moccasins +Track the sod like the noiseless sandals of Spring. +Out of chinks in the wall delicate grasses wave, +As beauty grew out of the crannies of these hard souls. + +Joyously, gratefully, after their long wrestling +With the bitter cold and the harsh white winter, +They heard the step of Spring on the edge of melting snow-drifts; +Gladly, with courage that flashed from their life-beaten souls, +As the fire-sparks fly from the hammered stone, +They hailed the fragrant arbutus; +Its sweetness trailed beside the path that they cut through the + forest, +And they gave it the name of their ship Mayflower. + Beauty was at their feet, and their eyes beheld it; +The earth cried out for labor, and they gave it. +But ever as they saw the budding spring, +Ever as they cleared the stubborn field, +Ever as they piled the heavy stones, +In mystic vision they saw, the eternal spring; +They raised their hardened hands above the earth, +And beheld the walls that are not built of stone, +The portals opened by angels whose garments are of light; +And beyond the radiant walls of living stones +They dreamed vast meadows and hills of fadeless green. + +In the old house across the road +With weather-beaten front, like the furrowed face of an old man, +The lights are out forever, the windows are broken, +And the oaken posts are warped; +The storms beat into the rooms as the passion of the world +Racked and buffeted those who once dwelt in them. +The psalm and the morning prayer are silent. +But the walls remain visible witnesses of faith +That knew no wavering or shadow of turning. +They have withstood sun and northern blast, +They have outlasted the unceasing strife +Of forces leagued to tear them down. +Under the stars and the clouds, under the summer sun, +Beaten by rain and wind, covered with tender vines, +The walls stand symbols of a granite race, +The measure and translation of olden times. + +In the rough epic of their life, their toil, their creeds, +Their psalms, their prayers, what stirring tales +Of days that were their past had they to tell +Their children to keep the new faith burning? +Tales of grandsires in the fatherland +Whose faith was seven times tried in fiery furnaces,-- +Of Rowland Taylor who kissed the stake, +And stood with hands folded and eyes steadfastly turned +To the sky, and smiled upon the flames; +Of Latimer, and of Cranmer who for cowardice heroically atoned-- +Who thrust his right hand into the fire +Because it had broken plight with his heart +And written against the voice of his conviction. +With such memories they exalted and cherished +The heroism of their tried souls, +And ours are wrung with doubt and self-distrust! + +I am kneeling on the odorous earth; +The sweet, shy feet of Spring come tripping oer the land, +Winter is fled to the hills, leaving snowy wreaths +On apple-tree, meadow, and marsh. +The walls are astir; little waves of blue +Run through my fingers murmuring: +We follow the winds and the snow! +Their heart is a cup of gold. +Soft whispers of showers and flowers +Are mingled in the spring song of the walls. +Hark to the songs that go singing like the wind +Through the chinks of the wall and thrill the heart +And quicken it with passionate response! +The walls sing the song of wild bird, the hoof-beat of deer, +The murmur of pine and cedar, the ripple of many streams; +Crows are calling from the Druidical wood; +The morning mist still haunts the meadows +Like the ghosts of the wall builders. + +As I listen, methinks I hear the bitter plaint +Of the passing of a haughty race, +The wronged, friendly, childlike, peaceable tribes, +The swarthy archers of the wilderness, +The red men to whom Nature opened all her secrets, +Who knew the haunts of bird and fish, +The hidden virtue of herb and root; +All the travail of man and beast they knew-- +Birth and death, heat and cold, +Hunger and thirst, love and hate; +For these are the unchanging things writ in the imperishable book of + life +That man suckled at the breast of woman must know. + +In the dim sanctuary of the pines +The winds murmur their mysteries through dusky aisles-- +Secrets of earths renewal and the endless cycle of life. +Living things are afoot among the grasses; +The closed fingers of the ferns unfold, +New bees explore new flowers, and the brook +Pours virgin waters from the rushing founts of May. +In the old walls there are sinister voices-- +The groans of women charged with witchcraft. +I see a lone, gray, haggard woman standing at bay, +Helpless against her grim, sin-darkened judges. +Terror blanches her lips and makes her confess +Bonds with demons that her heart knows not. +Satan sits by the judgment-seat and laughs. +The gray walls, broken, weatherworn oracles, +Sing that she was once a girl of love and laughter, +Then a fair mother with lullabies on her lips, +Caresses in her eyes, who spent her days +In weaving warmth to keep her brood against the winter cold. +And in her tongue was the law of kindness; +For her God was the Lord Jehovah. +Enemies uprose and swore her accused, +Laid at her door the writhing forms of little children, +And she could but answer: The Evil One +Torments them in my shape. +She stood amazed before the tribunal of her church +And heard the gate of Gods house closed against her. +Oh, shuddering silence of the throng, +And fearful the words spoken from the judgment-seat! +She raised her white head and clasped her wrinkled hands: +Pity me, Lord, pity my anguish! +Nor, since Thou art a just and terrible God, +Forget to visit thy wrath upon these people; +For they have sworn away the life of Thy servant +Who hath lived long in the land keeping Thy commandments. +I am old, Lord, and betrayed; +By neighbor and kin am I betrayed; +A Judas kiss hath marked me for a witch. +Possessed of a devil? Here be a legion of devils! +Smite them, O God, yea, utterly destroy them that persecute the innocent. +Before this mother in Israel the judges cowered; +But still they suffered her to die. +Through the tragic, guilty walls I hear the sighs +Of desolate women and penitent, remorseful men. + +Sing of happier themes, O many-voiced epic, +Sing how the ages, like thrifty husbandmen, winnow the creeds of + men, +And leave only faith and love and truth. +Sing of the Puritans nobler nature, +Fathomless as the forests he felled, +Irresistible as the winds that blow. +His trenchant conviction was but the somber bulwark +Which guarded his pure ideal. +Resolute by the communion board he stood, +And after solemn prayer solemnly cancelled +And abolished the divine right of kings +And declared the holy rights of man. +Prophet and toiler, yearning for other worlds, yet wise in this; +Scornful of earthly empire and brooding on death, +Yet wrestling life out of the wilderness +And laying stone on stone the foundation of a temporal state! +I see him standing at his cabin-door at eventide +With dreaming, fearless eyes gazing at sunset hills; +In his prophetic sight Liberty, like a bride, +Hasteth to meet her lord, the westward-going man! +Even as he saw the citadel of Heaven, +He beheld an earthly state divinely fair and just. +Mystic and statesman, maker of homes, +Strengthened by the primal law of toil, +And schooled by monarch-made injustices, +He carried the covenant of liberty with fire and sword, +And laid a rich state on frugality! +Many republics have sprung into being, +Full-grown, equipped with theories forged in reason; +All, all have fallen in a single night; +But to the wise, fire-hardened Puritan +Democracy was not a blaze of glory +To crackle for an hour and be quenched out +By the first gust that blows across the world. +I see him standing at his cabin-door, +And all his dreams are true as when he dreamed them; +But only shall they be fulfilled if we +Are mindful of the toil that gave him power, +Are brave to dare a wilderness of wrong; +So long shall Nature nourish us and Spring +Throw riches in the lap of man +As we beget no wasteful, weak-handed generations, +But bend us to the fruitful earth in toil. +Beyond the wall a new-plowed field lies steaming in the sun, +And down the road a merry group of children +Run toward the village school. + +Hear, O hear! In the historian walls +Rises the beat and the tumult of the struggle for freedom. +Sacred, blood-stained walls, your peaceful front +Sheltered the fateful fires of Lexington; +Builded to fence green fields and keep the herds at pasture, +Ye became the frowning breastworks of stern battle; +Lowly boundaries of the freemans farm, +Ye grew the rampart of a land at war; +And still ye cross the centuries +Between the ages of monarchs and the age +When farmers in their fields are kings. +From the Revolution the young Republic emerged, +She mounted up as on the wings of the eagle, +She ran and was not weary, and all the children of the world +Joined her and followed her shining path. +But ever as she ran, above her lifted head +Darkened the monster cloud of slavery. +Hark! In the walls, amid voices of prayer and of triumph, +I hear the clank of manacles and the ominous mutterings of bondsmen! +At Gettysburg, our Golgotha, the sons of the fathers +Poured their blood to wash out a nations shame. +Cleansed by tribulation and atonement, +The broken nation rose from her knees, +And with hope reborn in her heart set forth again +Upon the open road to ideal democracy. + +Sing, walls, in lightning words that shall cause the world to + vibrate, +Of the democracy to come, +Of the swift, teeming, confident thing! +We are part of it--the wonder and the terror and the glory! +Fearless we rush forward to meet the years, +The years that come flying towards us +With wings outspread, agleam on the horizon of time! + +O eloquent, sane walls, instinct with a new faith, +Ye are barbarous, in congruous, but great with the greatness of + reality. +Walls wrought in unfaltering effort, +Sing of our prosperity, the joyous harvest +Of the labor of lusty toilers. +Down through the years comes the ring of their victorious axes: +Ye are titans of the forest, but we are stronger; +Ye are strong with the strength of mighty winds, +But we are strong with the unconquerable strength of souls! +Still the young race, unassailable, inviolate, +Shakes the solitudes with the strokes of creation; +Doubly strong we renew the valorous days, +And like a measureless sea we overflow +The fresh green, benevolent West, +The buoyant, fruitful West that dares and sings! +Pure, dew-dripping walls that guard +The quiet, lovable, fertile fields, +Sing praises to Him who from the mossy rocks +Can bid the fountains leap in thirsty lands. +I walk beside the stones through the young grain, +Through waves of wheat that billow about my knees. +The walls contest the onward march of the wheat; +But the wheat is charged with the life of the world; +Its force is irresistible; onward it sweeps, +An engulfing tide, over all the land, +Till hill and valley, field and plain +Are flooded with its green felicity! +Out of the moist earth it has sprung; +In the gracious amplitudes of her bosom it was nurtured, +And in it is wrought the miracle of life. + +Sing, prophetic, mystic walls, of the dreams of the builders; +Sing in thundering tones that shall thrill us +To try our dull discontent, our barren wisdom +Against their propagating, unquenchable, questionless visions. +Sing in renerving refrain of the resolute men, +Each a Lincoln in his smoldering patience, +Each a Luther in his fearless faith, +Who made a breach in the wall of darkness +And let the hosts of liberty march through. + +Calm, eternal walls, tranquil, mature, +Which old voices, old songs, old kisses cover, +As mosses and lichens cover your ancient stones, +Teach me the secret of your serene repose; +Tell of the greater things to be, +When love and wisdom are the only creed, +And law and right are one. +Sing that the Lord cometh, the Lord cometh, +The fountain-head and spring of life! +Sing, steady, exultant walls, in strains hallowed and touched with + fire, +Sing that the Lord shall build us all together. +As living stones build us, cemented together. +May He who knoweth every pleasant thing +That our sires forewent to teach the peoples law and truth, +Who counted every stone blessed by their consecrated hands, +Grant that we remain liberty-loving, substantial, elemental, +And that faith, the rock not fashioned of human hands, +Be the stability of our triumphant, toiling days. + + + + + +End of Project Gutenberg's The Song of the Stone Wall, by Helen Keller + +*** END OF THIS PROJECT GUTENBERG EBOOK THE SONG OF THE STONE WALL *** + +***** This file should be named 12093-8.txt or 12093-8.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/2/0/9/12093/ + +Produced by Jamie Taylor in memory of Helen Keller. + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Each eBook is in a subdirectory of the same number as the eBook's +eBook number, often in several formats including plain vanilla ASCII, +compressed (zipped), HTML and others. + +Corrected EDITIONS of our eBooks replace the old file and take over +the old filename and etext number. The replaced older file is renamed. +VERSIONS based on separate sources are treated as new eBooks receiving +new filenames and etext numbers. + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + +EBooks posted prior to November 2003, with eBook numbers BELOW #10000, +are filed in directories based on their release date. If you want to +download any of these eBooks directly, rather than using the regular +search system you may utilize the following addresses and just +download by the etext year. + + https://www.gutenberg.org/etext06 + + (Or /etext 05, 04, 03, 02, 01, 00, 99, + 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90) + +EBooks posted since November 2003, with etext numbers OVER #10000, are +filed in a different way. The year of a release date is no longer part +of the directory path. The path is based on the etext number (which is +identical to the filename). The path to the file is made up of single +digits corresponding to all but the last digit in the filename. For +example an eBook of filename 10234 would be found at: + + https://www.gutenberg.org/1/0/2/3/10234 + +or filename 24689 would be found at: + https://www.gutenberg.org/2/4/6/8/24689 + +An alternative method of locating eBooks: + https://www.gutenberg.org/GUTINDEX.ALL + + diff --git a/old/12093-8.zip b/old/12093-8.zip Binary files differnew file mode 100644 index 0000000..71ca389 --- /dev/null +++ b/old/12093-8.zip diff --git a/old/12093.txt b/old/12093.txt new file mode 100644 index 0000000..076aabb --- /dev/null +++ b/old/12093.txt @@ -0,0 +1,1029 @@ +The Project Gutenberg EBook of The Song of the Stone Wall, by Helen Keller + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Song of the Stone Wall + +Author: Helen Keller + +Release Date: April 20, 2004 [EBook #12093] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THE SONG OF THE STONE WALL *** + + + + +Produced by Jamie Taylor in memory of Helen Keller. + + + + +THE SONG OF +THE STONE WALL + + +BY +HELEN KELLER + + + + +1910 +Copyright, 1909, 1910. +_Published October, 1910_. + + + + +DEDICATION + + +When I began "The Song of the Stone Wall," Dr. Edward Everett Hale +was still among us, and it was my intention to dedicate the poem +to him if it should be deemed worthy of publication. I fancied that +he would like it; for he loved the old walls and the traditions that +cling about them. + +As I tried to image the men who had built the walls long ago, it +seemed to me that Dr. Hale was the living embodiment of whatever was +heroic in the founders of New England. He was a great American. He +was also a great Puritan. Was not the zeal of his ancestors upon his +lips, and their courage in his heart? Had they not bequeathed to him +their torch-like faith, their patient fervor of toil and their creed +of equality? + +But his bright spirit had inherited no trace of their harshness and +gloom. The windows of his soul opened to the sunlight of a joyous +faith. His optimism and genial humor inspired gladness and good +sense in others. With an old story he prepared their minds to +receive new ideas, and with a parable he opened their hearts to +generous feelings. All men loved him because he loved them. They +knew that his heart was in their happiness, and that his humanity +embraced their sorrows. In him the weak found a friend, the +unprotected, a champion. Though a herald and proclaimer of peace, he +could fight stubbornly and passionately on the side of justice. His +was a lovable, uplifting greatness which drew all men near and ever +nearer to God and to each other. Like his ancestors, he dreamed of a +land of freedom founded on the love of God and the brotherhood of +man, a land where each man shall achieve his share of happiness and +learn the work of manhood--to rule himself and "lend a hand." + +Thoughts like these were often in my mind as the poem grew and took +form. It is fitting, therefore, that I should dedicate it to him, +and in so doing I give expression to the love and reverence which I +have felt for him ever since he called me his little cousin, more +than twenty years ago. + +HELEN KELLER + +Wrentham, Massachusetts, +January, 1910. + + + + + +THE SONG OF +THE STONE WALL + + +Come walk with me, and I will tell +What I have read in this scroll of stone; +I will spell out this writing on hill and meadow. +It is a chronicle wrought by praying workmen, +The forefathers of our nation-- +Leagues upon leagues of sealed history awaiting an interpreter. +This is New England's tapestry of stone +Alive with memories that throb and quiver +At the core of the ages +As the prophecies of old at the heart of God's Word. + +The walls have many things to tell me, +And the days are long. I come and listen: +My hand is upon the stones, and the tale I fain would hear +Is of the men who built the walls, +And of the God who made the stones and the workers. + +With searching feet I walk beside the wall; +I plunge and stumble over the fallen stones; +I follow the windings of the wall +Over the heaving hill, down by the meadow-brook, +Beyond the scented fields, by the marsh where rushes grow. +On I trudge through pine woods fragrant and cool +And emerge amid clustered pools and by rolling acres of rye. +The wall is builded of field-stones great and small, +Tumbled about by frost and storm, +Shaped and polished by ice and rain and sun; +Some flattened, grooved, and chiseled +By the inscrutable sculpture of the weather; +Some with clefts and rough edges harsh to the touch. +Gracious Time has glorified the wall +And covered the historian stones with a mantle of green. +Sunbeams flit and waver in the rifts, +Vanish and reappear, linger and sleep, +Conquer with radiance the obdurate angles, +Filter between the naked rents and wind-bleached jags. + +I understand the triumph and the truth +Wrought into these walls of rugged stone. +They are a miracle of patient hands, +They are a victory of suffering, a paean of pain; +All pangs of death, all cries of birth, +Are in the mute, moss-covered stones; +They are eloquent to my hands. +O beautiful, blind stones, inarticulate and dumb! +In the deep gloom of their hearts there is a gleam +Of the primeval sun which looked upon them +When they were begotten. +So in the heart of man shines forever +A beam from the everlasting sun of God. +Rude and unresponsive are the stones; +Yet in them divine things lie concealed; +I hear their imprisoned chant:-- + +"We are fragments of the universe, +Chips of the rock whereon God laid the foundation of the world: +Out of immemorial chaos He wrought us. +Out of the sun, out of the tempest, out of the travail of the earth + we grew. +We are wonderfully mingled of life and death; +We serve as crypts for innumerable, unnoticed, tiny forms. +We are manifestations of the Might +That rears the granite hills unto the clouds +And sows the tropic seas with coral isles. +We are shot through and through with hidden color; +A thousand hues are blended in our gray substance. +Sapphire, turquoise, ruby, opal, +Emerald, diamond, amethyst, are our sisters from the beginning, +And our brothers are iron, lead, zinc, +Copper and silver and gold. +We are the dust of continents past and to come, +We are a deathless frieze carved with man's destiny; +In us is the record sibylline of far events. +We are as old as the world, our birth was before the hills. +We are the cup that holds the sea +And the framework of the peak that parts the sky. +When Chaos shall again return, +And endless Night shall spread her wings upon a rained world, +We alone shall stand up from the shattered earth, +Indestructible, invincible witnesses of God's eternal purpose." + +In reflective mood by the wall I wander; +The hoary stones have set my heart astir; +My thoughts take shape and move beside me in the guise +Of the stern men who built the wall in early olden days. +One by one the melancholy phantoms go stepping from me, +And I follow them in and out among the stones. +I think of the days long gone, +Flown like birds beyond the ramparts of the world. +The patient, sturdy men who piled the stones +Have vanished, like the days, beyond the bounds +Of earth and mortal things. +From their humble, steadfast lives has sprung the greatness of my + nation. +I am bone of their bone, breath of their breath, +Their courage is in my soul. +The wall is an Iliad of granite: it chants to me +Of pilgrims of the perilous deep, +Of fearless journeyings and old forgotten things. +The blood of grim ancestors warms the fingers +That trace the letters of their story; +My pulses beat in unison with pulses that are stilled; +The fire of their zeal inspires me +In my struggle with darkness and pain. +These embossed books, unobliterated by the tears and laughter + of Time, +Are signed with the vital hands of undaunted men. +I love these monoliths, so crudely imprinted +With their stalwart, cleanly, frugal lives. + +From my seat among the stones I stretch my hand and touch +My friend the elm, urnlike, lithesome, tall. +Far above the reach of my exploring fingers +Birds are singing and winging joyously +Through leafy billows of green. +The elm-tree's song is wondrous sweet; +The words are the ancientest language of trees-- +They tell of how earth and air and light +Are wrought anew to beauty and to fruitfulness. +I feel the glad stirrings under her rough bark; +Her living sap mounts up to bring forth leaves; +Her great limbs thrill beneath the wand of spring. + +This wall was builded in our fathers' days-- +Valorous days when life was lusty and the land was new. +Resemble the walls the builders, buffeted, stern, and worn. +To us they left the law, +Order, simplicity, obedience, +And the wall is the bond they gave the nation +At its birth of courage and unflinching faith. +Before the epic here inscribed began, +They wrote their course upon a trackless sea. +O, tiny craft, bearing a nation's seed! +Frail shallop, quick with unborn states! +Autumn was mellow in the fatherland when they set sail, +And winter deepened as they neared the West. +Out of the desert sea they came at last, +And their hearts warmed to see that frozen land. +O, first gray dawn that filtered through the dark! +Bleak, glorious birth-hour of our northern states! +They stood upon the shore like new created men; +On barren solitudes of sand they stood, +The conquered sea behind, the unconquered wilderness before. +Some died that year beneath the cruel cold, +And some for heartsick longing and the pang +Of homes remembered and souls torn asunder. +That spring the new-plowed field for bread of life +Bordered the new-dug acre marked for death; +Beside the springing corn they laid in the sweet, dark earth +The young man, strong and free, the maiden fair and trustful, +The little child, and the uncomplaining mother. + +Across the meadow, by the ancient pines, +Where I, the child of life that lived that spring, +Drink in the fragrances of the young year, +The field-wall meets one grimly squared and straight. +Beyond it rise the old tombs, gray and restful, +And the upright slates record the generations. +Stiffly aslant before the northern blasts, +Like the steadfast, angular beliefs +Of those whom they commemorate, the headstones stand, +Cemented deep with moss and invisible roots. +The rude inscriptions charged with faith and love, +Graceless as Death himself, yet sweet as Death, +Are half erased by the impartial storms. +As children lisping words which move to laughter +Are themselves poems of unconscious melody, +So the old gravestones with their crabbed muse +Are beautiful for their halting words of faith, +Their groping love that had no gift of song. +But all the broken tragedy of life +And all the yearning mystery of death +Are celebrated in sweet epitaphs of vines and violets. +Close by the wall a peristyle of pines +Sings requiem to all the dead that sleep. + +Beyond the village churchyard, still and calm, +Steeped in the sweetness of eternal morn, +The wall runs down in crumbling cadence +Beside the brook which plays +Through the land like a silver harp. +A wind of ancient romance blows across the field, +A sweet disturbance thrills the air; +The silken skirts of Spring go rustling by, +And the earth is astir with joy. +Up the hill, romping and shaking their golden heads, +Come the little children of the wood. +From ecstasy to ecstasy the year mounts upward. +Up from the south come the odor-laden winds, +Angels and ministers of life, +Dropping seeds of fruitfulness +Into the bosoms of flowers. +Elusive, alluring secrets hide in wood and hedge +Like the first thoughts of love +In the breast of a maiden; +The witchery of love is in rock and tree. +Across the pasture, star-sown with daisies, +I see a young girl--the spirit of spring she seems, +Sister of the winds that run through the rippling daisies. +Sweet and clear her voice calls father and brother, +And one whose name her shy lips will not utter. +But a chorus of leaves and grasses speaks her heart +And tells his name: the birches flutter by the wall; +The wild cherry-tree shakes its plumy head +And whispers his name; the maple +Opens its rosy lips and murmurs his name; +The marsh-marigold sends the rumor +Down the winding stream, and the blue flag +Spread the gossip to the lilies in the lake: +All Nature's eyes and tongues conspire +In the unfolding of the tale +That Adam and Eve beneath the blossoming rose-tree +Told each other in the Garden of Eden. +Once more the wind blows from the walls, +And I behold a fair young mother; +She stands at the lilac-shaded door +With her baby at her breast; +She looks across the twilit fields and smiles +And whispers to her child: "Thy father comes!" + +Life triumphed over many-weaponed Death. +Sorrow and toil and the wilderness thwarted their stout invasion; +But with the ship that sailed again went no retreating soul! +Stubborn, unvanquished, clinging to the skirts of Hope, +They kept their narrow foothold on the land, +And the ship sailed home for more. +With yearlong striving they fought their way into the forest; +Their axes echoed where I sit, a score of miles from the sea. +Slowly, slowly the wilderness yielded +To smiling grass-plots and clearings of yellow corn; +And while the logs of their cabins were still moist +With odorous sap, they set upon the hill +The shrine of liberty for man's mind, +And by it the shrine of liberty for man's soul, +The school-house and the church. + +The apple-tree by the wall sheds its blossom about me-- +A shower of petals of light upon darkness. +From Nature's brimming cup I drink a thousand scents; +At noon the wizard sun stirs the hot soil under the pines. +I take the top stone of the wall in my hands +And the sun in my heart; +I feel the rippling land extend to right and left, +Bearing up a receptive surface to my uncertain feet; +I clamber up the hill and beyond the grassy sweep; +I encounter a chaos of tumbled rocks. +Piles of shadow they seem, huddling close to the land. +Here they are scattered like sheep, +Or like great birds at rest, +There a huge block juts from the giant wave of the hill. +At the foot of the aged pines the maiden's moccasins +Track the sod like the noiseless sandals of Spring. +Out of chinks in the wall delicate grasses wave, +As beauty grew out of the crannies of these hard souls. + +Joyously, gratefully, after their long wrestling +With the bitter cold and the harsh white winter, +They heard the step of Spring on the edge of melting snow-drifts; +Gladly, with courage that flashed from their life-beaten souls, +As the fire-sparks fly from the hammered stone, +They hailed the fragrant arbutus; +Its sweetness trailed beside the path that they cut through the + forest, +And they gave it the name of their ship Mayflower. + Beauty was at their feet, and their eyes beheld it; +The earth cried out for labor, and they gave it. +But ever as they saw the budding spring, +Ever as they cleared the stubborn field, +Ever as they piled the heavy stones, +In mystic vision they saw, the eternal spring; +They raised their hardened hands above the earth, +And beheld the walls that are not built of stone, +The portals opened by angels whose garments are of light; +And beyond the radiant walls of living stones +They dreamed vast meadows and hills of fadeless green. + +In the old house across the road +With weather-beaten front, like the furrowed face of an old man, +The lights are out forever, the windows are broken, +And the oaken posts are warped; +The storms beat into the rooms as the passion of the world +Racked and buffeted those who once dwelt in them. +The psalm and the morning prayer are silent. +But the walls remain visible witnesses of faith +That knew no wavering or shadow of turning. +They have withstood sun and northern blast, +They have outlasted the unceasing strife +Of forces leagued to tear them down. +Under the stars and the clouds, under the summer sun, +Beaten by rain and wind, covered with tender vines, +The walls stand symbols of a granite race, +The measure and translation of olden times. + +In the rough epic of their life, their toil, their creeds, +Their psalms, their prayers, what stirring tales +Of days that were their past had they to tell +Their children to keep the new faith burning? +Tales of grandsires in the fatherland +Whose faith was seven times tried in fiery furnaces,-- +Of Rowland Taylor who kissed the stake, +And stood with hands folded and eyes steadfastly turned +To the sky, and smiled upon the flames; +Of Latimer, and of Cranmer who for cowardice heroically atoned-- +Who thrust his right hand into the fire +Because it had broken plight with his heart +And written against the voice of his conviction. +With such memories they exalted and cherished +The heroism of their tried souls, +And ours are wrung with doubt and self-distrust! + +I am kneeling on the odorous earth; +The sweet, shy feet of Spring come tripping o'er the land, +Winter is fled to the hills, leaving snowy wreaths +On apple-tree, meadow, and marsh. +The walls are astir; little waves of blue +Run through my fingers murmuring: +"We follow the winds and the snow!" +Their heart is a cup of gold. +Soft whispers of showers and flowers +Are mingled in the spring song of the walls. +Hark to the songs that go singing like the wind +Through the chinks of the wall and thrill the heart +And quicken it with passionate response! +The walls sing the song of wild bird, the hoof-beat of deer, +The murmur of pine and cedar, the ripple of many streams; +Crows are calling from the Druidical wood; +The morning mist still haunts the meadows +Like the ghosts of the wall builders. + +As I listen, methinks I hear the bitter plaint +Of the passing of a haughty race, +The wronged, friendly, childlike, peaceable tribes, +The swarthy archers of the wilderness, +The red men to whom Nature opened all her secrets, +Who knew the haunts of bird and fish, +The hidden virtue of herb and root; +All the travail of man and beast they knew-- +Birth and death, heat and cold, +Hunger and thirst, love and hate; +For these are the unchanging things writ in the imperishable book of + life +That man suckled at the breast of woman must know. + +In the dim sanctuary of the pines +The winds murmur their mysteries through dusky aisles-- +Secrets of earth's renewal and the endless cycle of life. +Living things are afoot among the grasses; +The closed fingers of the ferns unfold, +New bees explore new flowers, and the brook +Pours virgin waters from the rushing founts of May. +In the old walls there are sinister voices-- +The groans of women charged with witchcraft. +I see a lone, gray, haggard woman standing at bay, +Helpless against her grim, sin-darkened judges. +Terror blanches her lips and makes her confess +Bonds with demons that her heart knows not. +Satan sits by the judgment-seat and laughs. +The gray walls, broken, weatherworn oracles, +Sing that she was once a girl of love and laughter, +Then a fair mother with lullabies on her lips, +Caresses in her eyes, who spent her days +In weaving warmth to keep her brood against the winter cold. +And in her tongue was the law of kindness; +For her God was the Lord Jehovah. +Enemies uprose and swore her accused, +Laid at her door the writhing forms of little children, +And she could but answer: "The Evil One +Torments them in my shape." +She stood amazed before the tribunal of her church +And heard the gate of God's house closed against her. +Oh, shuddering silence of the throng, +And fearful the words spoken from the judgment-seat! +She raised her white head and clasped her wrinkled hands: +"Pity me, Lord, pity my anguish! +Nor, since Thou art a just and terrible God, +Forget to visit thy wrath upon these people; +For they have sworn away the life of Thy servant +Who hath lived long in the land keeping Thy commandments. +I am old, Lord, and betrayed; +By neighbor and kin am I betrayed; +A Judas kiss hath marked me for a witch. +Possessed of a devil? Here be a legion of devils! +Smite them, O God, yea, utterly destroy them that persecute the innocent." +Before this mother in Israel the judges cowered; +But still they suffered her to die. +Through the tragic, guilty walls I hear the sighs +Of desolate women and penitent, remorseful men. + +Sing of happier themes, O many-voiced epic, +Sing how the ages, like thrifty husbandmen, winnow the creeds of + men, +And leave only faith and love and truth. +Sing of the Puritan's nobler nature, +Fathomless as the forests he felled, +Irresistible as the winds that blow. +His trenchant conviction was but the somber bulwark +Which guarded his pure ideal. +Resolute by the communion board he stood, +And after solemn prayer solemnly cancelled +And abolished the divine right of kings +And declared the holy rights of man. +Prophet and toiler, yearning for other worlds, yet wise in this; +Scornful of earthly empire and brooding on death, +Yet wrestling life out of the wilderness +And laying stone on stone the foundation of a temporal state! +I see him standing at his cabin-door at eventide +With dreaming, fearless eyes gazing at sunset hills; +In his prophetic sight Liberty, like a bride, +Hasteth to meet her lord, the westward-going man! +Even as he saw the citadel of Heaven, +He beheld an earthly state divinely fair and just. +Mystic and statesman, maker of homes, +Strengthened by the primal law of toil, +And schooled by monarch-made injustices, +He carried the covenant of liberty with fire and sword, +And laid a rich state on frugality! +Many republics have sprung into being, +Full-grown, equipped with theories forged in reason; +All, all have fallen in a single night; +But to the wise, fire-hardened Puritan +Democracy was not a blaze of glory +To crackle for an hour and be quenched out +By the first gust that blows across the world. +I see him standing at his cabin-door, +And all his dreams are true as when he dreamed them; +But only shall they be fulfilled if we +Are mindful of the toil that gave him power, +Are brave to dare a wilderness of wrong; +So long shall Nature nourish us and Spring +Throw riches in the lap of man +As we beget no wasteful, weak-handed generations, +But bend us to the fruitful earth in toil. +Beyond the wall a new-plowed field lies steaming in the sun, +And down the road a merry group of children +Run toward the village school. + +Hear, O hear! In the historian walls +Rises the beat and the tumult of the struggle for freedom. +Sacred, blood-stained walls, your peaceful front +Sheltered the fateful fires of Lexington; +Builded to fence green fields and keep the herds at pasture, +Ye became the frowning breastworks of stern battle; +Lowly boundaries of the freeman's farm, +Ye grew the rampart of a land at war; +And still ye cross the centuries +Between the ages of monarchs and the age +When farmers in their fields are kings. +From the Revolution the young Republic emerged, +She mounted up as on the wings of the eagle, +She ran and was not weary, and all the children of the world +Joined her and followed her shining path. +But ever as she ran, above her lifted head +Darkened the monster cloud of slavery. +Hark! In the walls, amid voices of prayer and of triumph, +I hear the clank of manacles and the ominous mutterings of bondsmen! +At Gettysburg, our Golgotha, the sons of the fathers +Poured their blood to wash out a nation's shame. +Cleansed by tribulation and atonement, +The broken nation rose from her knees, +And with hope reborn in her heart set forth again +Upon the open road to ideal democracy. + +Sing, walls, in lightning words that shall cause the world to + vibrate, +Of the democracy to come, +Of the swift, teeming, confident thing! +We are part of it--the wonder and the terror and the glory! +Fearless we rush forward to meet the years, +The years that come flying towards us +With wings outspread, agleam on the horizon of time! + +O eloquent, sane walls, instinct with a new faith, +Ye are barbarous, in congruous, but great with the greatness of + reality. +Walls wrought in unfaltering effort, +Sing of our prosperity, the joyous harvest +Of the labor of lusty toilers. +Down through the years comes the ring of their victorious axes: +"Ye are titans of the forest, but we are stronger; +Ye are strong with the strength of mighty winds, +But we are strong with the unconquerable strength of souls!" +Still the young race, unassailable, inviolate, +Shakes the solitudes with the strokes of creation; +Doubly strong we renew the valorous days, +And like a measureless sea we overflow +The fresh green, benevolent West, +The buoyant, fruitful West that dares and sings! +Pure, dew-dripping walls that guard +The quiet, lovable, fertile fields, +Sing praises to Him who from the mossy rocks +Can bid the fountains leap in thirsty lands. +I walk beside the stones through the young grain, +Through waves of wheat that billow about my knees. +The walls contest the onward march of the wheat; +But the wheat is charged with the life of the world; +Its force is irresistible; onward it sweeps, +An engulfing tide, over all the land, +Till hill and valley, field and plain +Are flooded with its green felicity! +Out of the moist earth it has sprung; +In the gracious amplitudes of her bosom it was nurtured, +And in it is wrought the miracle of life. + +Sing, prophetic, mystic walls, of the dreams of the builders; +Sing in thundering tones that shall thrill us +To try our dull discontent, our barren wisdom +Against their propagating, unquenchable, questionless visions. +Sing in renerving refrain of the resolute men, +Each a Lincoln in his smoldering patience, +Each a Luther in his fearless faith, +Who made a breach in the wall of darkness +And let the hosts of liberty march through. + +Calm, eternal walls, tranquil, mature, +Which old voices, old songs, old kisses cover, +As mosses and lichens cover your ancient stones, +Teach me the secret of your serene repose; +Tell of the greater things to be, +When love and wisdom are the only creed, +And law and right are one. +Sing that the Lord cometh, the Lord cometh, +The fountain-head and spring of life! +Sing, steady, exultant walls, in strains hallowed and touched with + fire, +Sing that the Lord shall build us all together. +As living stones build us, cemented together. +May He who knoweth every pleasant thing +That our sires forewent to teach the peoples law and truth, +Who counted every stone blessed by their consecrated hands, +Grant that we remain liberty-loving, substantial, elemental, +And that faith, the rock not fashioned of human hands, +Be the stability of our triumphant, toiling days. + + + + + +End of Project Gutenberg's The Song of the Stone Wall, by Helen Keller + +*** END OF THIS PROJECT GUTENBERG EBOOK THE SONG OF THE STONE WALL *** + +***** This file should be named 12093.txt or 12093.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/2/0/9/12093/ + +Produced by Jamie Taylor in memory of Helen Keller. + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Each eBook is in a subdirectory of the same number as the eBook's +eBook number, often in several formats including plain vanilla ASCII, +compressed (zipped), HTML and others. + +Corrected EDITIONS of our eBooks replace the old file and take over +the old filename and etext number. The replaced older file is renamed. +VERSIONS based on separate sources are treated as new eBooks receiving +new filenames and etext numbers. + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + +EBooks posted prior to November 2003, with eBook numbers BELOW #10000, +are filed in directories based on their release date. If you want to +download any of these eBooks directly, rather than using the regular +search system you may utilize the following addresses and just +download by the etext year. + + https://www.gutenberg.org/etext06 + + (Or /etext 05, 04, 03, 02, 01, 00, 99, + 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90) + +EBooks posted since November 2003, with etext numbers OVER #10000, are +filed in a different way. The year of a release date is no longer part +of the directory path. The path is based on the etext number (which is +identical to the filename). The path to the file is made up of single +digits corresponding to all but the last digit in the filename. For +example an eBook of filename 10234 would be found at: + + https://www.gutenberg.org/1/0/2/3/10234 + +or filename 24689 would be found at: + https://www.gutenberg.org/2/4/6/8/24689 + +An alternative method of locating eBooks: + https://www.gutenberg.org/GUTINDEX.ALL + + diff --git a/old/12093.zip b/old/12093.zip Binary files differnew file mode 100644 index 0000000..e1ca1d2 --- /dev/null +++ b/old/12093.zip |
