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+*** START OF THE PROJECT GUTENBERG EBOOK 11265 ***
+
+[Transcriber's Note:
+In the section 'NOTES UPON "NOTES, NO. 1."' there are several 'C's
+which have been flipped along a vertical axis. These have been denoted
+by [*C].]
+
+{17} NOTES AND QUERIES:
+
+A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS, ANTIQUARIES,
+GENEALOGISTS, ETC.
+
+ * * * * *
+
+"When found, make a note of."--CAPTAIN CUTTLE.
+
+ * * * * *
+
+No. 2.]
+SATURDAY, NOVEMBER 10. 1849.
+[Price Threepence. Stamped Edition 4d.
+
+ * * * * *
+
+A FEW WORDS TO OUR FRIENDS.
+
+In our opening Address we carefully avoided any thing at all approaching
+to a boast of what we would, or even what we hoped to perform. We stated
+that "we would rather give a specimen than a description." We are now in
+like manner unwilling to point as exultingly, as we think we might, to
+the position which we have already taken. But there is a vast difference
+between vain boasting and the expression of an honest satisfaction; and
+it would be worse than an affectation of humility--it would be a mean
+hypocrisy--if we did not express heartily and unreservedly the gratitude
+we owe and feel to those who have encouraged us by their friendly advice
+and able pens. We have opened a Literary Exchange, and we have had the
+gratification to see that men whose learning and talents the public
+recognise--leaders in their several branches of inquiry--have at once
+taken advantage of it. They have proved the necessity for some such
+medium of communication, as well as their good-will to the one now
+offered to them, by a gathering in its behalf which the public will
+respect, and of which we may well feel proud.
+
+Some whose good opinion we most value, and who have spoken most warmly
+in favour of our plan, have proved the sincerity of their praise by
+suggestions of improvement in its detail, and hints for its further
+extension. They may feel assured that such hints and such suggestions
+shall not be lost sight of. For instance, one respected correspondent
+hints that as we have very properly adopted Dr. Maitland's suggestion
+with regard to Herbert's edition of Ame's _Typographical Antiquities_,
+namely, that of "offering a receptacle for illustrations, additions, and
+corrections," and invited "our readers to take advantage of our columns
+to carry out Dr. Maitland's suggestions," we should open our columns
+with equal readiness to the correction and illustration of more modern
+and more popular works. We entirely concur with him; but in reference to
+this subject there is a distinction which must be borne in mind. Our own
+literature, like that of every other country, consists of two classes of
+books. We have the books of pretenders to knowledge, the hasty, crude,
+imperfect, but often for the time attractive and popular volumes of the
+Ned Purdons of the day. These books have a use--such as it is--and thus
+answer their purpose; but it would be for the credit of our literature,
+and save a world of trouble, if they were forgotten as soon as they had
+done so. To illustrate such books, to add to their information or
+correct their blunders, would be useless and almost ridiculous. They
+should be left to die of mere powerlessness and exhaustion, or to wither
+under the wholesome influence of a just and manly criticism.
+
+But there are books of another kind--books {18} which our worthy
+bibliopoles designate as "standard works." These are the books of
+competent workmen--books which are the result of honest labour and
+research, and which from the moment of their publication assume a
+permanent station in our national literature. Even in such books there
+are many things incomplete, many things erroneous. But it is the
+interest of every man that such books should be rendered as complete as
+possible; and whatever tends to illustrate or correct works of that
+class will be sure of insertion in our columns.
+
+We would point to Macaulay's _England_, and Hallam's _Introduction to
+the Literary History of the 15th, 16th, and 17th Centuries_, his _Middle
+Ages_, and his _Constitutional History_, and we may add, as
+illustrations of a different kind, _The Annals of the Stage_ of our
+excellent friend Mr. Collier, and _The Handbook of London_ of our valued
+contributor Mr. Peter Cunningham, as examples of the sort of
+publications to which we allude. Such were the books we had in our mind,
+when we spoke in our Prospectus of the "NOTES AND QUERIES" becoming,
+through the inter-communication of our literary friends, "a most useful
+supplement to works already in existence--a treasury towards enriching
+future editions of them."
+
+Another correspondent--a bibliographical friend--suggests that, for
+various reasons, which bibliographers will appreciate, our Prospectus
+should have a place in the body of our work. We believe that many of our
+readers concur in a wish for its preservation, and it will therefore be
+found in the Number now before them.
+
+One suggestion again urges us to look carefully to Foreign Literature,
+and another points out the propriety of our making our paper as British
+as possible, so that our topographical facts should, as far as
+practicable, be restricted to the illustration of British counties, and
+our biographical ones to such as should contribute towards a Biographia
+Brittanica.
+
+All these, and many other expressions of sympathy and promises of
+support, poured in upon us within a few hours after our birth. No one of
+them shall be forgotten; and if for a time our pages seem to indicate
+that we have made a QUERY as to the adoption of any suggestion, let our
+kind contributors be assured that there is no hint which reaches us,
+whether _at present_ practicable or not, that we do not seriously and
+thankfully "make a NOTE of."
+
+ * * * * *
+
+BISHOP AYLMER'S LETTER, AND THE POEM ON THE ARMADA.
+
+As I am in a condition to answer the inquiry of your "Hearty
+Well-wisher," on p. 12 of your last Number of "NOTES AND QUERIES," I
+proceed to give him the information he asks. I shall be happy if what
+follows is of any use to your correspondent, taking it for granted that
+he is as zealous for your success as his signature indicates.
+
+The "foolish rhyme," to which the attention of the Bishop of London had
+been directed by Lord Burghley, has the subsequent doggrel title:--
+
+ "A Skeltonicall Salvtation,
+ Or condigne gratvlation,
+ And iust vexation
+ Of the Spanishe nation,
+ That in a bravado
+ Spent many a crvsado,
+ In setting forth an armado
+ England to invado."
+
+This is as the title stands in the Oxford impression (of which I never
+saw more than one copy, because, we may presume, it was suppressed by
+the authorities of the University), and the following is the imprint at
+the bottom of it:--"Printed at Oxford by Ioseph Barnes, and are to bee
+sold in Paules Churchyard, at the signe of the Tygres head, 1589."
+
+There exists several exemplars of the London edition--"Imprinted at
+London for Toby Cooke, 1589,"--the title-page of which, as well as the
+rest of the poem, differs only literally from that of Oxford, excepting
+that to the latter is appended a Latin version, also in rhyme, and in
+close imitation of the English. I subjoin a brief specimen of it:-- {19}
+
+ "Qui regis Hispanos,
+ Superbos et vanos,
+ Crudeles et insanos,
+ Multùm aberrasti,
+ Cùm tuos animasti,
+ Et bellum inchoasti
+ Contra Anglos animosos,
+ Fortes et bellicosos,
+ Nobiles et generosos.
+ Qui te excitavit
+ Proculdubio deliravit
+ Et te fascinavit," &c.
+
+The whole production consists only of ten leaves, 4to., and the Latin
+portion, which has the subsequent separate title-page, occupies four of
+them:--
+
+ "AD REGEM
+ HISPANVM.
+ Cum tua non fuerint heroica facta, Philippe,
+ Risu digna cano carmine ridiculo."
+
+I shall not here introduce any part of the English version, because one
+or two long quotations will be found in the introductory portion of the
+Rev. A. Dyce's excellent edition of Skelton's Works (2 vols. 8vo. 1843).
+Respecting the Latin portion I have been more particular, because the
+learned editor was not aware that the production had come from the press
+of Barnes of Oxford, nor that a Latin version was appended to it.
+
+I may take the liberty of adding here a mention of Skelton which escaped
+notice, and which is from one of the tracts against Thomas Nash,
+produced by Gabriel Harvey, the friend of Spenser. He couples Skelton
+and Scoggin together, in no very respectful manner, and completes the
+triumvirate by Nash, whom he here calls Signor Capriccio:--"And what
+riott so pestiferous as that which in sugred baites presenteth most
+poisonous hookes? Sir Skelton and Master Scoggin were but innocents to
+Signior Capricio."
+
+This quotation is the more noticeable, because it recognises the sacred
+character of Skelton (however unworthy of the gown) in the prefix "Sir,"
+which, as most people are aware, was then generally given to clergymen:
+Scoggin, on the other hand, is only styled "Master Scoggin."
+
+J. PAYNE COLLIER.
+
+[The preceding communication was already in type when we received the
+following from Mr. Bolton Corney, which we gladly print, inasmuch as it
+illustrates some points not touched upon by Mr. Collier.]
+
+ * * * * *
+
+QUERIES ANSWERED, NO. 1.
+
+It is not without some slight reluctance that I notice anonymous
+communications, but shall endeavour to repress such feelings with regard
+to the modest students who may choose to announce their desiderata
+through the convenient channel of the "NOTES AND QUERIES." A _hearty
+well wisher_ to so commendable an enterprise, shall have my first
+responsive scrap.
+
+The inquiry affords no scope for ingenuity of conjecture! The _foolish
+rime_ to which bishop Aylmer refers, is undoubtedly the pamphlet thus
+entitled:--
+
+ "A Skeltonicall salutation,
+ Or condigne gratulation,
+ And iust vexation
+ Of the Spanish nation,
+ That in a bravado
+ Spent many a crusado,
+ In setting forth an armado
+ England to invado."
+ Oxford, Joseph Barnes, 1589. 4to.
+ "A Skeltonicall salutation," &c.
+ Imprinted at London for Toby Cook, 1589. 4to.
+
+The Oxford edition is recorded by Ames, and there is a copy of the
+London edition in the British Museum. Strype, in his account of bishop
+Aylmer, gives the substance of the letter as his _own_ narrative, almost
+_verbatim_--but fails to identify the pamphlet in question. Park briefly
+describes it in _Censura Literaria_, 1815, ii. 18.; and there is a
+specimen of it in _The Poetical Works of John Skelton_, as edited by the
+Reverend Alexander Dyce, 1843.
+
+While _queries_ evince a sharp mental appetite, _answers_ help to
+satisfy it; and so, by their united influence, a brisk circulation of
+ideas may be produced--which, as master Burton assures us, wards off
+melancholy.
+
+BOLTON CORNEY.
+
+ * * * * *
+
+NOTES UPON "NOTES, NO. 1."
+
+Sir,--I take the liberty to send you one or two Notes on your first
+Number, just as they occur to me in looking it over. I will not trespass
+on you by preface or apology.
+
+The "_bibliographic project_" I shall rejoice {20} to see carried out; and
+though neither an unemployed aspirant nor a fortunate collector (of
+which class I hope many will be stimulated by the proposition), yet, as
+I once took some trouble in the matter, I should be happy to contribute
+some Notes then made whenever the plan is matured and the proposed
+appeal is made--provided (I must add, and to _you_ I may add) I can find
+them.
+
+The _Liber Sententiarum_ was printed by Limborch, at Amsterdam, in 1692.
+It forms the greater part, as, indeed, it was the occasion, of his folio
+volume, entitled "_Historia Inquisitionis cui subjungitur Liber
+Sententiarum Inquisitionis Tholosanæ ab anno Christi Cl[*C]CCCVI ad annum
+Cl[*C]CCCXXIII._" Gibbon, in a note on his fifty-fourth chapter, observes
+that the book "deserved a more learned and critical editor;" and, if
+your correspondent will only place the _Book of Sentences_ before the
+public in a readable form, with a map, and (by all means) a few _notes_,
+he will be doing a great service to all persons who take an interest in
+ecclesiastical history, or, indeed, in history of any kind. In the year
+1731 Chandler published a translation of the _History of the
+Inquisition_, with a long Introduction of his own, but did not meddle
+with the _Book of Sentences_, except so far as to introduce into the
+text of the _History_ some passages from it, which Limborch (as he
+appended the whole book) did not think it necessary to quote. I remember
+seeing the MS. in the British Museum within these ten or twelve years,
+and, according to my recollection, it was accompanied by papers which
+would furnish an interesting literary history of the volume. I hope your
+correspondent will give us farther information.
+
+N.B.
+
+[Mr. Brooke, of Ufford, has also kindly replied to the Query of
+INQUISITORIUS, by referring him to Limborch.]
+
+ * * * * *
+
+QUERY AS TO REFERENCES.
+
+Sir,--May I be permitted to suggest one way in which you may be of great
+service to many literary men, and indeed to the cause of literature in
+general; and this, too, without much trouble to yourself? Would you be
+willing to receive "Queries" respecting _references_? They frequently
+puzzle those who are engaged in literary works, and indeed those who are
+merely readers, and who have not access to public libraries or the
+manuscript treasures of the metropolis and the universities. If, for
+instance, a clergyman or squire, interested in the history of his
+parish, should find in the county historian something which his own
+local or genealogical knowledge leads him to think erroneous, vouched
+for by a reference to the _Cotton_ or _Harleian MSS._, might he apply to
+you? It may be supposed that you are not very far from some one of the
+great fountains of information, and have easy access to all; and it is
+probable that you might not only do a personal favour to the inquirer,
+but confer a benefit on the public, by correcting an erroneous
+statement. Of course you would subject yourself to unreasonable
+requests, but the remedy would always be in your own hands.
+
+Yours, &c.
+
+A. G. C.
+
+[The Editor inserts this letter because he is sure that it comes from a
+friendly quarter, and he knows that something like what it suggests is
+very much wanted. He would feel great diffidence as to his powers of
+fulfilling all that might be expected if he were simply to reply in the
+affirmative: but he is quite willing to make the trial, and he thinks
+that (though sometimes perhaps with a little delay) he could in general
+obtain any information of this kind which could be reasonably sought.]
+
+ * * * * *
+
+LINES IN THE STYLE OF SUCKLING.
+
+Mr. Editor,--The following lines are written in pencil on sheet 61. of
+the _Notes of the Debates in the Long Parliament_, taken down in the
+House of Commons by Sir Ralph Verney. The _Notes of Debates_, but not
+these lines, were published by the Camden Society in 1845. For any thing
+that appears to the contrary, these lines may have been written in the
+House as well as the _Notes of Debates_. The sheet 61. refers to debates
+which took place in March 1641-2. I am not aware that the lines have
+been published, nor can I assign them to their author. If any of your
+readers can tell me anything about them, I shall esteem it a favour.
+
+ Wert thou yet fairer than thou art,
+ Which lies not in the power of art;
+ Or hadst thou, in thine eyes, more darts
+ Than Cupid ever shot at hearts;
+ Yet, if they were not thrown at me,
+ I could not cast one thought at thee. {21}
+
+ I'd rather marry a disease
+ Than court the thing I cannot please;
+ She that will cherish my desires,
+ Must feed my flames with equal fires.
+ What pleasure is there in a kiss,
+ To him that doubts the heart's not his?
+
+ I love thee, not 'cause thou art fair,
+ Smoother than down, softer than air,
+ Nor for those Cupids that do lie
+ In either corner of thine eye;
+ Will you then know what it may be?
+ 'Tis--I love you 'cause you love me.
+
+J. BRUCE.
+
+24th Oct. 1849
+
+ * * * * *
+
+NOTES UPON ANCIENT LIBRARIES.
+
+A knowledge of the intellectual acquirements of the middle ages must be
+mainly formed upon a consideration of the writings which directed them,
+or emanated from them. Unfortunately such materials are very imperfect,
+our knowledge of the existence of works often resting only upon their
+place in some loosely-entered catalogue--and of the catalogues
+themselves, the proportion still remaining must be small indeed. Under
+these circumstances the following documents, which are now for the first
+time printed, or even noticed, will be found to be of considerable
+interest. The first is, in modern language, a Power of Attorney,
+executed by the Prior of Christ Church, Canterbury, appointing two of
+the monks of his church to be his procurators for the purpose of
+receiving from the convent of Anglesey, in Cambridgeshire[1], a book
+which had been lent to the late Rector of Terrington. Its precise date
+is uncertain, but it must be of about the middle of the thirteenth
+century (1244-1254), as Nicholas Sandwich, the Prior of Christ Church,
+was the second of four priors who presided between the years 1234 and
+1274.
+
+ "N. Prior Ecclesiæ Christi Cantuariensis discretis viris et
+ religiosis Domino Priori de Anglesheya et ejusdem loci sacro
+ conventui salutem in Domino. Cum sincera semper caritate
+ noverit faternitas vestra nos constiuisse fratres Gauterum de
+ Hatdfeld et Nicolaum de Grantebrigiense Ecclesiæ nostræ monachos
+ latores precencium procuratores nostros ad exigendum et
+ recipiendum librum qui intitulatur. Johannes Crisestomus de
+ laude Apostoli. In quo etiam volumine continentur Hystoria vetus
+ Britonum quæ Brutus appellatur et tractatus Roberti Episcopi
+ Herfordiæ de compoto. Quæ quondam accommodavimus Magistro
+ Laurentio de Sancto Nicholao tunc Rectori ecclesiæ de Tyrenton.
+ Qui post decessum præfati Magistri L. penes vos morabatur et
+ actenus moratur. In cujus rei testimonium has litteras patentes
+ nostro sigillo signatas vobis transmittimus."
+
+The contents of the book which is the subject of this special embassy
+are of the character usually found to have formed the staple of monastic
+libraries, though the particular treatises included in it are not
+common.
+
+In the Reverend Joseph Hunter's valuable treatise upon _English Monastic
+Libraries_[2] occurs a notice of an indenture executed in A.D. 1343,
+whereby the priory of Henton lent no less than twenty books to another
+monastic establishment. The deed is described, but not printed. It will
+be seen that the instrument we have given above is nearly a century
+earlier; and the minute description of the book given in this document
+supplies some very curious facts illustrative of the mode of putting
+together ancient books, which have not hitherto been remarked, for the
+simple reasons that no opportunity for comparison like that presented by
+the present case has yet been noticed. Among the Cottonian MSS. (Galba
+E. iv.) is a perfect specimen of an ancient Library Catalogue, which,
+although not altogether unnoticed, deserves a more careful examination
+than it has yet received. It relates to the magnificent monastic
+foundation from which emanated the deed we have printed above, and is
+headed "Tituli librorum de libraria Ecclesiæ Christi Cantuariensis et
+contenta in eisdem libris tempore H. Prioris." It is written in that
+bold hand which prevails so extensively in ecclesiastical MSS., with but
+little variation, from the middle of the fourteenth century, to the end
+of the fifteenth,--a hand which is not always clearly written, and which
+therefore, in itself, does not materially assist in the distinction of a
+date. Now having first assigned the credit of this noble {22} Catalogue--in
+which are entered about 600 volumes, in nearly every one of which,
+besides the substantive (or initial?) work, are particularised numerous
+detached writings, varying from two or three to five-and-forty distinct
+"tracts"--to Prior Henry Chichely (1413--1443), the founder of All
+Souls' and St. John's Colleges, Oxford, and who, "built the library of
+the church, and furnished it with books," we will see whether the book
+"qui intitulatur Johannes Crisestomus," &c. was returned to Canterbury,
+and had a place in the list;--and this, we think, is satisfactorily
+shown by the following entry:--
+
+ "Johannes Crisostomus de laude Apostoli.
+ In hoc volumine continentur
+ Idem de laude Redemptoris.
+ Brutus latine.
+ Nomina Regum Britanniæ sicut in ordine successerunt.
+ Nomina Archiepiscoporum Cantuariensis sicut in ordine successerunt.
+ Tabula et questiones Bede de ratione temporum.
+ Tabula ejusdem et expositio super tabulam de lunationibus.
+ Descriptio Britanniæ Insulæ.
+ Expositio super Merlinum, imperfecta."
+
+It may perhaps be supposed that this proves too much, as, besides the
+direct title of the volume, _eight_ "tracts" are here entered, while in
+the Power of Attorney only _two_ are noticed. But we would maintain,
+nevertheless, that it is the identical book, and explain this variation
+in the description by the circumstance that the library having, in the
+space of nearly two centuries, been materially enriched, numerous works,
+consisting in many cases only of a single "quaternion," were inserted in
+the volumes already existing. An examination of the structure of books
+of this period would confirm this view, and show that their apparent
+clumsiness is to be explained by the facility it was then the custom to
+afford for the interpolation or extraction of "sheets," by a contrivance
+somewhat resembling that of the present day for temporarily fixing loose
+papers in a cover, and known as the "patent leaf-holder."
+
+The second document is a list of certain books, belonging to the
+monastery of Anglesey, early in the fourteenth century, allotted out to
+the canons of the house for the purpose of custody, or, perhaps, of study
+or devotion.
+
+ "Isti libri liberati sunt canonicis die ... anno regni Regis Edwardi
+ septimo"[3] (7 Edw. II. A.D. 1314.)
+ Penes Dominum Priorem; Parabelæ Salomonis; Psalterium cum ...
+ Penes Dominum J. de Bodek.; Epistolæ Pauli...; Quædam notulæ super
+ psalter et liber miraculorum ... Mariæ cum miraculis sanctorum.
+ Penes Sub-priorem; Liber vitæ Sancti Thomæ Martiris.
+ Penes E. de Ely; Quartus liber sententiarum cum sermo...; Liber
+ Reymundi; Liber de vitiis et virtutibus et pastorale.
+ Penes R. Pichard; Liber Alquini; Liber Johannis de Tyrington cum
+ Catone et aliis.
+ Penes Henrici Muchet; Liber de vita Sanctæ Mariæ Magdalenæ et
+ remediarum (?)
+ Penes Walteri de Yilwilden; Liber S ... ligatus in panno ymnaro
+ glosatus cum constitutionibus; Belet ligatus et vita sanctorum.
+ Penes Ricardi de Queye; Omeliæ Gregorii (?) super Evangelistos ligatæ
+ in nigro corio.
+ In commune biblia; Decreta; Decretales; Prima pars moralium Job; Liber
+ de abusionibus.
+ Liber justitiæ; penes Magistrum Adam de Wilburham.
+ Penes Walteri de Wyth; Liber Innocentii super sacramenta cum Belet et
+ introductione in uno volumine.
+ Item penes Sup-priorem; Psalterium glosatum duod fuit in custodia
+ Magistri Henrice de Melreth.
+ Item aliud psalterium glosatum inpignoratum penes Isabellam Siccadona.
+
+Several of these descriptions are highly curious; particularly the last
+item, which describes one of the "glossed" psalters as being "_in
+pawn_," a fact which, in itself, tells a history of the then condition
+of the house.
+
+The first document, taken in connection with that referred to by Mr.
+Hunter would seem to establish the existence of a system of
+interchanging the literary wealth of monastic establishments, and
+thereby greatly extending the advantages of their otherwise scanty
+stores. Both are executed with all the legal forms used in the most
+important transactions, which would support the opinion of their not {23}
+being special instances: but they are, in either case, curious and
+satisfactory evidence of the care and caution exercised by the monks in
+cases where their books were concerned; and one cannot but regret that
+when the time came that the monasterias were destined to be dissolved,
+and their books torn and scattered to the winds, no attention was paid
+to Bale's advice for the formation of "one solemne library in every
+shire of England."
+
+JOSEPH BURTT
+
+ [1] The information given of this house by Dugdale is very
+ scanty. It could surely be added to considerably.
+
+ [2] London, 1831. quarto. See also a Paper by Mr. Halliwell in
+ the _Archæologia_, xxvii. p. 455., and Sir Francis Palgrave's
+ Introduction to _Documents and Records illustrating the History
+ of Scotland_, pp. xcvi.--cxvi., for extracts from the
+ historical chronicles preserved in the monasteries, &c.
+
+ [3] The formula of this date, "anno R.R.E. septimo," would at
+ first sight be considered to refer to the preceding reign; but
+ the list is merely a memorandum on the dorse of a completely
+ executed instrument dated A.D. 1300, which it is highly
+ improbable that it preceded. The style of Edward II. is often
+ found as above, though not usually so.
+
+ * * * * *
+
+PEDLAR'S SONG ATTRIBUTED TO SHAKSPERE, AND TRADITION CONNECTED WITH
+SHAKSPERE'S "HAMLET."
+
+The following verses, which would form a very appropriate song for
+Autolycus, were arranged as a glee for three voices by Dr. Wilson about
+the year 1667. They are published in Playford's _Musical Companion_ in
+1673; in Warren's _Collection of Glees and Catches_; and in S. Webbe's
+_Conveto Harmonico_. The words were, I believe, first ascribed to
+Shakspere by Clark, in 1824, in his _Words of Glees, Madrigals, &c._;
+but he has not given his authority for so doing. It has been stated that
+they have since been discovered in a common-place book written about
+Shakspere's time, with his name attached to them, and with this indirect
+evidence in favour of their being written by him, that the other pieces
+in the collection are attributed to their proper writers. The late Mr.
+Douce, who was inclined to believe the song to have been written by
+Shakspere, once saw a copy of it with a fourth verse which was shown to
+him by the then organist of Chichester. The poem is not included in Mr.
+Collier's edition of Shakspere, nor in the Aldine edition of Shakspere's
+Poems, edited by the Rev. A. Dyce. Perhaps if you will be good enough to
+insert the song and the present communication in the "NOTES AND
+QUERIES," some of your readers may be enabled to fix the authorship and
+to furnish the additional stanza to which I have referred.
+
+
+PEDLAR'S SONG.
+
+ From the far Lavinian shore,
+ I your markets come to store;
+ Muse not, though so far I dwell,
+ And my wares come here to sell;
+ Such is the sacred hunger for gold.
+ Then come to my pack,
+ While I cry
+ "What d'ye lack,
+ What d'ye buy?
+ For here it is to be sold."
+
+ I have beauty, honour, grace,
+ Fortune, favour, time, and place,
+ And what else thou would'st request,
+ E'en the thing thou likest best;
+ First, let me have but a touch of your gold.
+ Then, come to me, lad,
+ Thou shalt have
+ What thy dad
+ Never gave;
+ For here it is to be sold.
+
+ Madam, come, see what you lack,
+ I've complexions in my pack;
+ White and red you may have in this place,
+ To hide your old and wrinkled face.
+ First, let me have but a touch of your gold,
+ Then you shall seem
+ Like a girl of fifteen,
+ Although you be threescore and ten years old.
+
+While on this subject, perhaps I may be permitted to ask whether any
+reader of the "NOTES AND QUERIES" can throw light on the following
+questionable statement made by a correspondent of the _Morning Herald_,
+of the 16th September, 1822.
+
+ "Looking over and old volume the other day, printed in 1771,
+ I find it remarked that it was known as a tradition, that
+ Shakspeare shut himself up all night in Westminster Abbey when
+ he wrote the ghost scene in Hamlet."
+
+I do not find in Wilson's _Shakspeariana_ the title of a single "old"
+book printed in 1771, on the subject of Shakspere.
+
+T.
+
+ * * * * *
+
+SIR WILLIAM SKIPWYTH, KING'S JUSTICE IN IRELAND.
+
+Mr. Editor,--I am encouraged by the eminent names which illustrate the
+first Number of your new experiment--a most happy thought--to inquire
+whether they, or any other correspondent, can inform me who was the
+William de Skypwith, the patent of whose appointment as Chief Justice of
+the King's Bench in Ireland, dated February 15. 1370, 44 Edward III., is
+to be found in the _New Fædera_ vol. iii. p.877.? In the entry on the
+Issue Roll of that year, p. 458., of the payment of "his expences and
+equipment" in going there, he is called "Sir William Skipwyth, Knight,
+and the King's Justice in Ireland." {24}
+
+There was a Sir William Skipwyth, who was appointed a Judge of the
+Common Pleas in 33 Edward III., and Chief Baron of the Exchequer in 36
+Edward III.; and, were it not that Collins, in his _Baronetage_,
+followed by Burke, says that he remained Chief Baron till 40 Edward
+III., _in which year he died_, I should have had no doubt that the Irish
+Chief Justice was the same with the English Chief Baron.
+
+The same authority adds that Sir William Skipwyth who was made a Justice
+of the King's Bench [it should have been of the Common Pleas] in 50
+Edward III., and who resigned his office in 11 Richard II., was the
+eldest son of the Chief Baron. But that authority does not make the
+slightest allusion to the appointment of the Chief Justice of Ireland.
+
+A suspicion that this last Justice of the Common Pleas is not only the
+same person as the Chief Justice of Ireland, but also as the Chief Baron
+of the Exchequer, has arisen in my mind for the following among other
+reasons.
+
+1. Collins and Burke are wrong in saying that he remained Chief Baron
+till 40 Edward III. His successor in that office was appointed on
+October 29. 1365, 39 Edward III.
+
+2. They are further wrong, I imagine, in saying that he continued Chief
+Baron till his death: for Joshua Barnes, in his _History of Edward
+III._, p. 667., says that Skipwyth and Sir Henry Green, the Chief
+Justice of the King's Bench, were in 1365 arrested and imprisoned on
+account of many enormities which the King understood they had committed
+against law and justice; and this relation is corroborated by the fact
+that Green's successor as Chief Justice was appointed on the same day as
+Skipwyth's successor as Chief Baron.
+
+3. No proof whatever is given of the Chief Baron's death in 40 Edward
+III.
+
+I will not trouble you with other grounds of identification which occur
+to me: but as an answer to my question might "make these odds all even,"
+I sent the "Query" to the "Lost and Found Office" you have established,
+in the hope that some stray "Note," as yet unappropriated, may assist in
+solving the difficulty.
+
+EDWARD FOSS.
+
+November 5. 1849.
+
+ * * * * *
+
+THE THISTLE OF SCOTLAND.
+
+Mr. Editor,--May I ask if any of your contibutors could inform me in an
+early number, when and on what occasion the Thistle was adopted as the
+emblem of the Scottish nation? I have looked into many historians, but
+as yet found nothing definite enough.
+
+R. L.
+
+Paisley, Oct. 29. 1849.
+
+ * * * * *
+
+CAPTURE OF THE DUKE OF MONMOUTH.
+
+Mr. Editor,--Having noticed the letter of Mr. John Bruce, in your
+Miscellany, I beg leave to inform him that the ash tree under which
+Monmouth was taken is still standing on the Woodland estate, now the
+property of the Earl of Shaftesbury.
+
+I shall be happy at some future day, if it suits your purpose, to
+collect and send you such particulars as may be gained on the spot
+respecting it, and the incidents of the capture.
+
+We have still in the Town Hall here the chain in which it is said
+Jefferies sat at the Bloody Assize.
+
+A. D. M.
+
+Dorcester, 3d Nov. 1849.
+
+[We shall gladly receive the particulars which our Correspondent
+proposed to collect and forward.]
+
+ * * * * *
+
+SERPENTS' EGGS AND STRAW NECKLACES.
+
+[Mr. Thoms' Query in this case should have been limited to the _straw
+necklaces_, as Mr. Nichols has already explained the _serpents' eggs_;
+but our Correspondent's letter is so satisfactory on both points that we
+insert it entire.]
+
+The passage from Erasmus, "brachium habet ova serpentum," is plainly to
+be rendered "and with a string of serpents' eggs on your arm." The
+meaning is equally apparent on recalling the manner in which snakes'
+eggs are found, viz., hanging together in a row. Erasmus intends
+Menedemus to utter a joke at the _rosary of beads_ hanging over the
+pilgrim's arm, which he professes to mistake for serpents' eggs.
+
+I am not aware what particular propriety the "collar or chaplet" (for it
+may mean either) of _straw_ may have, as worn by a pilgrim from
+Compostella; or whether there may not lurk under this description, as
+beneath {25} the other, a jocular sense. The readiest way of determining
+this point would be to consult some of the accounts of Compostella and
+of its relics, which are to be found in a class of books formerly
+abundant in the north-western towns of Spain.
+
+V.
+
+ * * * * *
+
+MADOC--HIS EXPEDITION TO AMERICA.
+
+"A Student" may consult the _Proceedings of the Royal Society of
+Northern Antiquaries, Copenhagen_, Mr. Geogehan's _Ireland_,
+O'Flaherty's _Ogygia_, Magnusen and Rafn _On the Historical Monuments of
+Greenland and America_, and some of the _Sagas_.
+
+SCOTUS.
+
+Brechin, Nov. 5. 1849.
+
+ * * * * *
+
+NOTES ON COFFEE.
+
+The earliest account we have of coffee is said to be taken from an
+Arabian MS. in the Bibliothèque du Roi in Paris.
+
+Schehabeddin Ben, an Arabian author of the ninth century of the Hegira,
+or fifteenth of the Christians, attributes to Gemaleddin, Mufti of Aden,
+a city of Arabia Felix, who was nearly his contemporary, the first
+introduction into that country, of drinking coffee. He tells us, that
+Gemaleddin, having occasion to travel into Persia, during his abode
+there saw some of his countrymen drinking coffee, which at that time he
+did not much attend to; but, on his return to Aden, finding himself
+indisposed, and remembering that he had seen his countrymen drinking
+coffee in Persia, in hopes of receiving some benefit from it, he
+determined to try it on himself; and, after making the experiment, not
+only recovered his health, but perceived other useful qualities in that
+liquor; such as relieving the headach, enlivening the spirits, and,
+without prejudice to the constitution, preventing drowsiness. This last
+quality he resolved to turn to the advantage of his profession; he took
+it himself, and recommended it to the Dervises, or religious Mahometans,
+to enable them to pass the night in prayer, and other exercises of their
+religion, with greater zeal and attention. The example and authority of
+the mufti gave reputation to coffee. Soon men of letters, and persons
+belonging to the law, adopted the use of it. These were followed by the
+tradesmen and artisans that were under the necessity of working in the
+night, and such as were obliged to travel late after sunset. At length
+the custom became general in Aden; and it was not only drunk in the
+night by those who were desirous of being kept awake, but in the day for
+the sake of its other agreeable qualities.
+
+Before this time coffee was scarce known in Persia, and very little used
+in Arabia, where the tree grew. But, according to Schehabeddin, it had
+been drunk in Æthiopia from time immemorial.
+
+Coffee being thus received at Aden, where it has continued in use ever
+since without interruption, passed by degrees to many neighbouring
+towns; and not long after reached Mecca, where it was introduced as at
+Aden, by the Dervises, and for the same purposes of religion.
+
+The inhabitants of Mecca were at last so fond of this liquor, that,
+without regarding the intention of the religious, and other studious
+persons, they at length drank it publicly in coffee-houses, where they
+assembled in crowds to pass the time agreeably, making that the
+pretense. From hence the custom extended itself to many other towns of
+Arabia, particularly to Medina, and then to Grand Cairo in Egypt, where
+the Dervises of Yemen, who lived in a district by themselves, drank
+coffee on the nights they intended to spend in devotion.
+
+Coffee continued its progress through Syria, and was received at
+Damascus and Aleppo without opposition; and in the year 1554, under the
+reign of Solyman, one hundred years after its introduction by the Mufti
+of Aden, became known to the inhabitants of Constantinople, when two
+private persons of the names of Schems and Hekin, the one coming from
+Damascus, and the other from Aleppo, opened coffee-houses.
+
+"It is not easy," says Ellis, "to determine at what time, or upon what
+occasion, the use of coffee passed from Constantinople to the western
+parts of Europe. It is, however, likely that the Venetians, upon account
+of the proximity of their dominions, and their great trade to the
+Levant, were the first acquainted with it; which appears from part of a
+letter wrote by Peter della Valle, a Venetian, in 1615, from
+Constantinople; in which he tells his friend, that, upon his return he
+should {26} bring with him some coffee, which he believed was a thing
+unknown in his country."
+
+Mr. Garland tells us he was informed by M. de la Croix, the King's
+interpreter, that M. Thevenot, who had travelled through the East, at
+his return in 1657, brought with him to Paris some coffee for his own
+use, and often treated his friends with it.
+
+It was known some years sooner at Marseilles; for, in 1644, some
+gentlemen who accompanied M. de la Haye to Constantinople, brought back
+with them on their return, not only some coffee, but the proper vessels
+and apparatus for making it. However, until 1660, coffee was drunk only
+by such as had been accustomed to it in the Levant, and their friends;
+but that year some bales were imported from Egypt, which gave a great
+number of persons an opportunity of trying it, and contributed very much
+to bringing it into general use; and in 1661, a coffee-house was opened
+at Marseilles in the neighbourhood of the Exchange.
+
+Before 1669, coffee had not been seen at Paris, except at M. Thevenot's,
+and some of his friends'; nor scarce heard of but from the account of
+travellers. In that year, Soliman Aga, ambassador from the Sultan
+Mahomet the Fourth, arrived, who, with his retinue, brought a
+considerable quantity of coffee with them, and made presents of it to
+persons both of the court and city, and it is supposed to have
+established the custom of drinking it.
+
+Two years afterwards, an Armenian of the name of Pascal, set up a
+coffee-house, but meeting with little encouragement, left Paris and came
+to London.
+
+From Anderson's _Chronological History of Commerce_, it appears that the
+use of coffee was introduced into London some years earlier than into
+Paris. For in 1652 one Mr. Edwards, a Turkey merchant, brought home with
+him a Greek servant, whose name was Pasqua, who understood the roasting
+and making of coffee, till then unknown in England. This servant was the
+first who sold coffee, and kept a house for that purpose in George Yard
+Lombard Street.
+
+The first mention of coffee in our statute books is anno 1660 (12 Car.
+II. c. 24), when a duty of 4d. was laid upon every gallon of coffee made
+and sold, to be paid by the maker.
+
+The statute 15 Car. II. c. 11. § 15. an. 1663, directs that all
+coffee-houses should be licensed at the general quarter sessions of the
+peace for the county within which they are to be kept.
+
+In 1675 King Charles II. issued a proclamation to shut up the
+coffee-houses, but in a few days suspended the proclamation by a second.
+They were charged with being seminaries of sedition.
+
+The first European author who has made any mention of coffee is
+Rauwolfus, who was in the Levant in 1573.
+
+ * * * * *
+
+DR. DRYASDUST.
+
+Sir,--Do you or any of your readers know anything of the family of that
+celebrated antiquary, and do you think it probable that he was descended
+from, or connected with, the author of a work which I met with some time
+ago, intituled "Wit Revived, or A new and excellent way of
+Divertisement, digested into most ingenious Questions and Answers. By
+ASDRYASDUST TOSSOFFACAN. London: Printed for T. E. and are to be sold by
+most Booksellers. MDCLXXIV." 12mo. I do not know anything of the
+author's character, but he appears to have been a right-minded man, in
+so far as he (like yourself) expected to find "wit revived" by its
+digestion into "most ingenious questions and answers;" though his notion
+that asking and answering questions was a _new_ way of divertisement,
+seems to indicate an imperfect knowledge of the nature and history of
+mankind; but my query is simply genealogical.
+
+H. F. W.
+
+ * * * * *
+
+MACAULAY'S "YOUNG LEVITE."
+
+Sir,--The following passage from the _Anatomy of Melancholy_, published
+1651, struck me as a curious corroboration of the passage in Mr.
+Macaulay's _History_ which describes the "young Levite's" position in
+society during the seventeenth century; and as chance lately threw in my
+way the work from which Burton took his illustration, I take the liberty
+of submitting Notes of both for your examination.
+
+ "If he be a trencher chaplain in a gentleman's house (as it befel
+ Euphormio), after some seven years' service he may perchance have
+ a living to {27} the halves, or some small rectory, with the
+ mother of the maids at length, a poor kinswoman, or a crackt
+ chambermaid, to have and to hold during the time of his
+ life."--Burton, _Anat. of Mel._ part i. sect. 2. mem. 3. subsect 15.
+
+Burton is here referrng to the _Euphormionis Lusinini Satyricon_,
+published anno 1617. It professes to be a satire, or rather A FURIOUS
+INVECTIVE, on the corrupt manners of the times, and is in four parts:
+the 1st is dedicated to King James I.; the 2nd to Robert Cecil; the 3rd
+to Charles Emmanuel of Savoy; the 4th to Louis XIII., King of France.
+
+The use that Burton makes of the name of Euphormio is any thing but
+happy. He was not a "_trencher chaplain_" but the slave of a rich
+debauchée, Callion, sent in company with another slave, Percas, to carry
+some all-potent nostrum to Fibullius, a friend of Callion, who was
+suffering from an attack of stone. Euphormio cures Fibullius, not by the
+drug with which he was armed, but by a herb, which he sought for and
+found on a mountain. Fibullius, to reward his benefactor, offers him as
+a wife a most beautiful girl, whom he introduces to him privately while
+in his sick room. Euphormio looks with no little suspicion on the offer;
+but, after a few excuses, which are overruled by Fibullius, accepts the
+lady as his betrothed, "seals the bargain with a holy kiss," and walks
+out of the room (to use his own words) "et sponsus, et quod
+nesciebam--Pater," page 100. The next mention of this lady [evidently
+the prototype of the "crackt chambermaid,"] is in page 138. Callion had
+paid his sick friend Fibullius a visit, and, on the eve of his
+departure, had ordered Euphormio to ride post before him, and prepare
+the inhabitants of the districts through which he was to pass for his
+arrival. While Euphormio is on the horseblock in the act of mounting his
+steed, a rustic brings him a letter from Fibullius, and in conversation
+gives him such an account of his bride as forces upon him the
+reflection, that even the grim Libitina would be preferable, as a bride,
+to so confirmed a Thais, so fruitful a partner, as the _protegée_ of
+Fibullius would be likely to prove. But, as these _notes_ have, in spite
+of all my attempts at condensation, already grown to a most formidable
+size, I will not indulge in any moral reflections; but conclude by
+_querying_ you, or any of your readers, to inform me whether the
+personages mentioned in the _Euphorm. Lus. Satyricon_, such as Callion,
+Pereas, Fibullius, &c., are real characters or not? as, in the former
+case, I am inclined to think that the work might throw some interesting
+lights on the private manners and characters of some of the courtiers of
+the day. "No scandal against any of the maids of honour"--of course. The
+phrase "_To the halves_" (in the quotation from Burton) means,
+inadequate, insufficient; we still talk of "half and half" measures.
+Montanus inveighs against such "perturbations, that purge _to the
+halves_, tire nature, and molest the body to no purpose."--Burton,
+_Anat. of Mel._, part. ii. sect. 2. mem. 4. subsect. 6.
+
+MELANION.
+
+[The work referred to by our correspondent was written by Barclay,
+better known as the author of the _Argenis_. The First Part of the
+_Satyricon_, dedicated to James the First, was published, London, 12mo.
+1603; and with the addition of the 2nd Part, Paris, 1605. The best
+edition of the work (which, really in two parts, is made, by the
+addition of the _Apologia Euphormionis_, &c. sometimes into five) is
+said to be the Elzevir 12mo., 1637. There are two editions of it _cum
+notis variorum_, Leyden, 1667 and 1669, 8vo., in two volumes. Of some of
+the editions (as that of 1623, 12mo.) it is said, "adjecta Clavi sive
+obscurorum et quasi ænigmaticorum nominum, in hoc Opere passim
+occurrentium, dilucida explicatione." The _Satyricon_ was twice
+translated into French; and its literary history, and that of the
+_Censura Euphormionis_, and other tracts, which it called forth, might
+furnish a curious and amusing paper.]
+
+ * * * * *
+
+SERMONES SANCTI CAROLI BORROMÆI.
+
+Sir,--I have been wanting to get a sight of the following work,
+"Sermones Sancti Caroli Borromæi, Archiepisc. Mediol. Edidit. J.A.
+Saxius. 5 Tom. Mediol. 1747." Can I learn through your columns whether
+the work is any where accessible in London? I sought for it in vain at
+the British Museum a twelvemonth ago; nor, though then placed in their
+list of _Libri desiderati_, has it yet been procured.
+
+C. F. SECRETAN.
+
+ * * * * *
+
+LUTHER AND ERASMUS.
+
+Mr. Editor,--The following lines, written in a hand of the early part of
+the seventeenth century, occur on the fly-leaf of a copy of the {28}
+_Translation of Luther on the Galatians_, edit. London, 4to. 1577. Can
+any of your readers oblige me by informing me who was their author?
+
+ "Parum Lutherus ac Erasmus differunt
+ Serpens uterque est, plenus atro toxico;
+ Sed ille mordet ut cerastes in via,
+ Hic fraudulentus mordet in silentio."
+
+Your obedient servant,
+
+ROTERODAMUS.
+
+ * * * * *
+
+TOWER ROYAL--CONSTITUTION HILL--COUNTESS OF PEMBROKE'S
+LETTER--TENNISON'S FUNERAL SERMON ON NELL GWYNNE.
+
+Sir,--I should be glad to obtain answers to any or all of the following
+Queries:--
+
+1. What is the origin of the name TOWER ROYAL, as applied to a London
+locality, and when did our kings (if they ever inhabited it) cease to
+inhabit it?
+
+2. When was CONSTITUTION HILL first so called, and why?
+
+3. Is there any contemporary copy of the celebrated letter said to have
+been written by Anne Pembroke, Dorset and Montgomery, to Sir Joseph
+Williamson? It first appeared in _The World_.
+
+4. Does a copy exist in MS., or in print, of the sermon which Archbishop
+Tennison preached at the funeral of Nell Gwynne?
+
+PETER CUNNINGHAM.
+
+ * * * * *
+
+GROG--BISHOP BARNABY.
+
+Mr. Editor,--I hope you intend to keep a corner for Etymologies.
+
+Query, the origin of the word "Grog?"--And why do the people in Suffolk
+call a ladybird "Bishop Barnaby?"
+
+If you can enlighten me upon either of these points, I shall feel
+encouraged to try again.
+
+Yours, &c.
+
+LEGOUR.
+
+ * * * * *
+
+NOTES FROM FLY-LEAVES, NO. II.
+
+DR. FARMER ON DRAYTON'S WORKS.
+
+The following bibliographical memoranda, in the well-known hand of Dr.
+Farmer, occur in a copy of the edition of Drayton's _Poems_ published in
+1619, in small folio, by John Smethwick, which contains "The Barons'
+Wars; England's Heroical Epistles; Idea; Odes; The Legends of Robert
+Duke of Normandie, Matilda, Pierce Gaveston, and Great Cromwell; The
+Owle; and Pastorals, containing Eglogues, with the Man in the Moone."
+
+They may be of use to some future editor of Drayton, an author now
+undeservedly neglected, whose _Nymphidia_ alone might tempt the tasteful
+publisher of the "Aldine Poets" to include a selection, at least, of his
+poems in that beautiful series:--
+
+ "The works of Michael Drayton, Esq., were reprinted in folio,
+ 1748. The title-page 'promises all the writings of that
+ _celebrated author_,' but his Pastorals (p.433. &c., first
+ published imperfectly in 4to. 1593) and many other of his most
+ considerable compositions (Odes, the Owle, &c., see the Appendix),
+ are not so much as spoken of. See his article in the _Biog.
+ Brit._ by Mr. Oldys, curiously and accurately written.
+
+ "Another edition (which is called the _best_) was printed in 4
+ vols. 8vo. 1753. Robson, 1765.
+
+ "A Poem Triumphant, composed for the Society of the Goldsmiths of
+ London, by _M. Drayton_. 4to. 1604. _Harl. Cat._ v.3. p. 357.
+
+ "Charles Coffey was the editor of the folio edit. 1748, he had a
+ large subscription for it, but died before the publication; and
+ it was afterward printed for the benefit of his widow. See
+ Mottley, p. 201.
+
+ "The print of Drayton at the back of the title-page, is marked in
+ Thane's Catalogue, 1774, 7s. 6d.
+
+ "N.B. The copy of the _Baron's Warres_ in this edition differs in
+ almost every line from that in the 8vo. edit. 1610.
+
+ "It was printed under the title of Mortimeriados, in 7 line
+ stanzaes.
+
+ "Matilda was first printed 1594, 4to., by Val. Simmes. Gaveston
+ appears by the Pref. to have been publish't before. Almost every
+ line in the old 4to. of Matilda differs from the copy in this
+ edit. A stanza celebrating Shakespeare's Lucrece is omitted in the
+ later edition.
+
+ "Idea. The Shepherd's Garland. Fashion'd in 9 Eglogs. Rowland's
+ sacrifice to the 9 Muses, 4to. 1593. But they are printed in this
+ Edition very different from the present Pastorals.
+
+ "A sonnet of Drayton's prefixed to the 2nd Part of _Munday's
+ Primaleon of Greece_, B.L. 4to. 1619."
+
+[The stanza in _Matilda_, celebrating Shakespeare's _Lucrece_, to which
+Dr. Farmer alludes, is thus quoted by Mr. Collier in his edition of
+Shakespeare (viii. p. 411.):--
+
+ "Lucrece, of whom proud Rome hath boasted long,
+ Lately revived to live another age,
+ And here arrived to tell of Tarquin's wrong,
+ Her chaste denial, and the tyrant's rage, {29}
+ Acting her passions on our stately stage:
+ She is remember'd, all forgetting me,
+ Yet I as fair and chaste as e'er was she;"--
+
+who remarks upon it as follows:--
+
+ "A difficulty here may arise out of the fifth line, as if
+ Drayton was referring to a play upon the story of Lucrece, and
+ it is very possible that one was then in existence. Thomas
+ Heywood's tragedy, _The Rape of Lucrece,_ did not appear in print
+ until 1608, and he could hardly have been old enough to have been
+ the author of such a drama in 1594; he may, nevertheless, have
+ availed himself of an elder play, and, according to the practice
+ of the time, he may have felt warranted in publishing it as his
+ own. It is likely, however, that Drayton's expressions are not to
+ be taken literally; and that his meaning merely was, that the
+ story of Lucrece had lately been revived, and brought upon the
+ stage of the world: if this opinion be correct, the stanza we have
+ quoted above contains a clear allusion to Shakespeare's _Lucrece_;
+ and a question then presents itself, why Drayton entirely omitted
+ it in the after-impression of his _Matilda_. He was a poet who, as
+ we have shown in the Introduction to _Julius Cæsar_ (vol. viii.
+ p. 4.), was in the habit of making extensive alterations in his
+ productions, as they were severally reprinted, and the suppression
+ of this stanza may have proceeded from many other causes than
+ repentance of the praise he had bestowed upon a rival."]
+
+ * * * * *
+
+BODENHAM, OR LING'S POLITEUPHUIA.
+
+Sir,--The following is an extract from a Catalogue of Books for sale,
+issued by Mr. Asher, of Berlin, in 1844:--
+
+ "Bodenham? (Ling?), Politeuphuia. Wits commonwealth, _original
+ wrapper, vellum_. VERY RARE.
+
+ "80 fr. 8vo. London, for Nicholas Ling, 1597.
+
+ "This book, 'being a methodical collection of the most choice
+ and select admonitions and sentences, compendiously drawn from
+ infinite varietie,' is quoted by Lowndes under Bodenham, as first
+ printed in 1598; the Epistle dedicatory however of the present
+ copy is signed: 'N. Ling', and addressed 'to his very good friend
+ Maister I.B.,' so that Ling appears to have been the author, and
+ this an edition unknown to Lowndes or any other bibliographer."
+
+This seems to settle one point, perhaps a not very important one, in our
+literary history; and as such may deserve a place among your "NOTES."
+
+BOOKWORM.
+
+ * * * * *
+
+COLLEY CIBBER'S APOLOGY.
+
+Mr. Editor,--No doubt most of your readers are well acquainted with
+Colley Cibber's _Apology for his Life_, &c., first printed, I believe,
+in 1740, 4to, with a portrait of himself, painted by Vanloo, and
+engraved by Vandergucht. Chapters IV. and V. contain the celebrated
+characters he drew of the principal performers, male and female, in, and
+just before, his time, viz. Betterton, Montfort, Kynaston, &c. Upon
+these characters I have two questions to put, which I hope some of your
+contributors may be able to answer. The first is, "Were these characters
+of actors reprinted in the same words, and without additions, in the
+subsequent impressions of Cibber's _Apology_ in 8vo?" Secondly, "Had
+they ever appeared in any shape before they were inserted in the copy of
+Cibber's _Apology_ now before me, in 1740, 4to?" To this may be added,
+if convenient, some account of the work in which these fine criticisms
+originally appeared, supposing they did not first come out in the
+_Apology_. I am especially interested in the history of the Stage about
+the period when the publication of these characters formed an epoch.
+
+I am, Mr. Editor, yours,
+
+DRAMATICUS.
+
+ * * * * *
+
+A MAIDEN ASSIZE--WHITE GLOVES.
+
+Mr. Editor.--I forward for insertion in your new publication the
+following "Note," taken from the _Times_ of the 20th of August, 1847:--
+
+"A Fortunate County.--In consequence of there being no prisoners, nor
+business of any kind to transact at the last assizes for the county of
+Radnor, the high sheriff, Mr. Henry Miles, had to present the judge, Mr.
+Justice Cresswell, with a pair of white kid gloves, embroidered in gold,
+and which have been forwarded to his lordship; a similar event has not
+taken place for a considerable number of years in that county. His
+lordship remarked that it was the first time it had occurred to him
+since he had been on the Bench."
+
+And I beg to append it as a "Query," which I shall gladly see answered
+by any of your correspondents, or my professional brethren,--"What is
+the origin of this singular custom, and what is the earliest instance of
+it on record?"
+
+A LIMB OF THE LAW. {30}
+
+ * * * * *
+
+BOOKS AND ODD VOLUMES WANTED TO PURCHASE
+
+JONES (EDMUND) GEOGRAPHICAL, HISTORICAL, AND RELIGIOUS ACCOUNT OF
+ABERYSTWITH. 8VO. Trevecka, 1779.
+
+CARTARI.--LA ROSA D'ORO PONTIFICIA, ETC. 4to. Rome. 1681.
+
+SHAKSPEARE'S DRAMATIC WORKS.--The _Fourth_ Volume of WHITTINGHAM'S
+Edition, in 7 vols, 24mo. Chiswick. 1814.
+
+M. C. H. BROEMEL, FEST-TANZEN DER ERSTEN CHRISTEN. Jena, 1705.
+
+*** Letters stating particulars and lowest price, _carriage free_, to be
+sent to MR. BELL, Publisher of "NOTES AND QUERIES," 186. Fleet Street.
+
+ * * * * *
+
+NOTICES TO CORRESPONDENTS.
+
+_The matter is so generally understood with regard to the management of
+periodical works, that it is hardly necessary for the Editor to say
+that_ HE CANNOT UNDERTAKE TO RETURN MANUSCRIPTS; _but on one point he
+wishes to offer a few words of explanation to his correspondents in
+general, and particularly to those who do not enable him to communicate
+with them except in print. They will see, on a very little reflection,
+that it is plainly his interest to take all he can get, and make the
+most, and the best, of everything; and therefore he begs them to take
+for granted that their communications are received, and appreciated,
+even if the succeeding Number bears no proof of it. He is convinced that
+the want of specific acknowledgment will only be felt by those who have
+no idea of the labour and difficulty attendant on the hurried management
+of such a work, and of the impossibility of sometimes giving an
+explanation, when there really is one which would quite satisfy the
+writer, for the delay or non-insertion of his communication.
+Correspondents in such cases have no reason, and if they understood an
+editor's position they would feel that they have no right, to consider
+themselves undervalued; but nothing short of personal experience in
+editorship would explain to them the perplexities and evil consequences
+arising from an opposite course._
+
+ * * * * *
+
+MYTHOS is thanked for his kind hints, which shall not be lost sight of.
+We have abundance of NOTES on the subject, not only of the SEVEN WISE
+MASTERS, but of that other treasury of ancient fictions, the GESTA
+ROMANORUM, which we shall bring forward as opportunity offers.
+
+S.Y. The edition of Chaucer, in five volumes 12mo, edited by Singer,
+in 1822, was the only modern library edition of the "_Works_" until the
+appearance of Sir H. Nicolas's edition in the Aldine Poets. Bell's
+edition, in 14 volumes, and Dolby's in 2, though they may have done much
+to extend a knowledge of the writings of the Father of English Poetry,
+can scarcely be called library editions.
+
+A.P. will see the matter he refers to illustrated in an early number.
+
+COMMUNICATIONS RECEIVED.--J.H.H.--M.--[Greek: ph]--T. Jones--[Greek:
+S]--Buriensis.--G.H.B.--W.B.B.
+
+BOOKS AND ODD VOLUMES WANTED. We believe that this will prove one of
+the most useful divisions of our weekly Sheet. Gentlemen who may be
+unable to meet with any book or volume, of which they are in want, may
+upon furnishing name, date, size, &c, have it inserted in this list,
+_free of cost_. Persons having such volumes to dispose of are requested
+to send reports of price, &c. to Mr. Bell, our Publisher.
+
+ * * * * *
+
+Shortly will be published,
+
+BIBLIOGRAPHIE BIOGRAPHIQUE ou Dictionnaire de 33,000 Ouvrages, tant
+Anciens que Modernes relatifs, à l'Histoire de la Vie des Hommes
+célèbres. 1 vol. imp. 8vo., double columns; about 900 pages. Price about
+2l. 12s. 6d.
+
+A Prospectus may be had, and orders are received by WILLIAMS AND
+NORGATE, 14 Henrietta Street, Covent Garden.
+
+ * * * * *
+
+THE CAMDEN SOCIETY FOR THE PUBLICATION OF EARLY HISTORICAL AND LITERARY
+REMAINS.
+
+The following works are now ready for delivery to Members who have paid
+their Annual Subscription of 1l., due on the first of May last.--
+
+I. INEDITED LETTERS OF QUEEN ELIZABETH, AND KING JAMES VI. From the
+Originals in the possession of the Rev. Edward Ryder, of Oaksey, Wilts.,
+and from a MS. formerly belonging to Sir P. Thompson. Edited by JOHN
+BRUCE, Esq., Treas. S.A.
+
+II. THE CHRONICLE OF THE ABBEY OF PETERBOROUGH; from a MS. in the
+Library of the Society of Antiquaries. Edited by THOMAS STAPLETON, Esq.,
+F.S.A.
+
+WILLIAM J. THOMS, Secretary.
+
+Applications from Members who have not received their copies may be made
+to Messrs. Nichols, 25. Parliament Street, Westminster, from whom
+prospectuses of the Society (the annual subscription to which is 1l.)
+may be obtained, and to whose care all communications for the Secretary
+should be addressed. {31}
+
+ * * * * *
+
+NOTES AND QUERIES; A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN,
+ARTISTS, ANTIQUARIES, GENEALOGISTS, ETC.
+
+Among the many periodicals which issue from the press, daily, weekly,
+monthly, or quarterly, there is not one especially intended to assist
+Men of Letters and of research in their pursuits. Literary Journals
+there are in abundance, many of them of the highest degree of merit,
+which in their Reviews and Announcements show the current sayings and
+doings of the literary world. There is not, however, one among them in
+which the reading many may note, for the use of himself and his
+fellow-labourers in the wide field of Literature, the minute facts which
+he meets with from time to time, and the value of which he so well
+knows, or insert his _Queries_, in the hope of receiving satisfactory
+answers from some of his literary brethren.
+
+NOTES AND QUERIES, A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, is,
+as its name implies, intended to supply this deficiency. Those who meet
+with facts worthy of preservation, may record them in its columns; while
+those, again, who are pursuing literary inquiries, may, through this
+MEDIUM, ask for information on points which have baffled their own
+individual researches. How often is even the best informed writer
+stopped by an inability to solve some doubt or understand some obscure
+allusion which suddenly starts up before him! How often does a reading
+man stumble upon some elucidation of a doubtful phrase, or disputed
+passage;--some illustration of an obsolete custom hitherto
+unnoticed;--some biographical anecdote or precise date hitherto
+unrecorded;--some book, or some edition, hitherto unknown or imperfectly
+described.
+
+This Publication, as everybody's common-place book, will be a depository
+for those who find such materials, and a resource for those who are in
+search of them; and if the Editor is enabled by the inter-communication
+of his literary friends, to realise his expectations, it will form a
+most useful supplement to works already in existence,--a treasury for
+enriching future editions of them,--and an important contribution
+towards a more perfect history than we yet possess of our Language, our
+Literature, and those to whom we owe them.
+
+NOTES AND QUERIES will be published every Saturday, price 3d., or
+stamped, 4d., and may be had, by order, of all Booksellers and Newsmen,
+and will also be issued in Parts at the end of each Month.
+
+Communications for the Editor may be addressed to the Publisher, Mr.
+GEORGE BELL, No. 186. Fleet Street, by whom also Advertisements will be
+received.
+
+ * * * * *
+
+Preparing for Publication, in One Vol. 8vo.
+
+ILLUSTRATIONS of the REMAINS of ROMAN ART in CIRENCESTER, the SITE of
+ANCIENT CORINIUM. By JAMES BUCKMAN, F.G.S. and C.H. NEWMARCH, Esq.
+
+The work will have reference principally to the illustration of the
+following subjects:
+
+1. The remains of the architecture of Corinium, including detailed
+drawings and descriptions of the fine Tesselated Pavements, especially
+the one recently discovered, as also the beautiful specimen on the
+estate of the Right Hon. Earl Bathurst.
+
+2. The specimens of Roman Pottery--Vases, Urns, &c.
+
+3. Works in Metals--Statuettes, Ornaments, &c. &c.
+
+4. Coins.
+
+In order that due justice may be done to the Illustration of these
+Remains, it is intended to have them executed in the first style of art,
+and only a limited number of impressions will be taken.
+
+To secure early copies, orders must be addressed at once to Messrs.
+BAILY and JONES, Cirencester, or Mr. GEORGE BELL, 186. Fleet Street.
+
+Price to Subscribers, 12s.
+
+*** After the close of the Subscription List, the price will be raised
+to 15s.
+
+N.B.--Any person possessing Roman Antiquities from Cirencester, will
+confer a great favour on the Authors by communicating intelligence of
+them to Messrs. Baily and Jones.
+
+London: GEORGE BELL, 186. Fleet Street.
+
+ * * * * *
+
+Nearly ready.
+
+THE PRIMEVAL ANTIQUITIES of DENMARK. By J. J. A. WORSAAE, Member of the
+Royal Society of Antiquaries of Copenhagen, and a Royal Commissioner for
+the preservation of the National Monuments of Denmark. Translated and
+applied to the Illustration of similar Remains in England. By WILLIAM J.
+THOMS, F.S.A., Secretary of the Camden Society. Illustrated with
+numerous Woodcuts.
+
+While so many publications illustrative of the Archaeology of Egypt,
+Greece, and Rome, have appeared in this country, few attempts have been
+made to give a systematic view of the early Antiquities of the British
+Islands.
+
+The work, of which the present volume is a translation, was originally
+written by Mr. Worsaae, for the Copenhagen Society for the Promotion of
+Useful Knowledge, and intended in the first place, to show how the early
+history of the country might be read through its monuments, and in the
+second, to awaken a greater interest for their preservation. It has been
+translated and applied to the History of similar Remains in England, in
+the hope that it will be found a useful Handbook for the use of those
+who desire to know something of the nature of the numerous Primeval
+Monuments scattered over these Islands, and the light which their
+investigation is calculated to throw over the earliest and most obscured
+periods of our national history.
+
+Oxford: JOHN HENRY PARKER, and 377. Strand. {32}
+
+ * * * * *
+
+ILLUSTRATED WORKS.
+
+AN INTRODUCTION to the STUDY of GOTHIC ARCHITECTURE, with numerous
+Illustrations. Nearly ready.
+
+THE PRIMÆVAL ANTIQUITIES OF DENMARK. By J. J. A. WORSAAE, Member of the
+Royal Society of Antiquaries of Copenhagen. Translated and applied to
+the Illustration of similar Remains in England, by WILLIAM J. THOMS,
+F.S.A., Secretary of the Camden Society. With numerous Illustrations.
+8vo. 10s. 6d.
+
+A MANUAL FOR THE STUDY OF SEPULCHRAL SLABS AND CROSSES OF THE MIDDLE
+AGES. By the Rev. EDWARD L. CUTTS, B.A. 8vo. Illustrated by upwards of
+300 Engravings. 12s.
+
+WORKING DRAWINGS of STRIXTON CHURCH, NORTHAMPTONSHIRE--Views,
+Elevations, Sections, and Details of. By EDWARD BARR, Esq., Architect.
+12 Plates. Folio. 10s6d. A small Church in the Early English Style;
+calculated for 200 persons; to cost about 800l.
+
+A BOOK OF ORNAMENTAL GLAZING QUARRIES, collected and arranged from
+Ancient Examples. By AUGUSTUS WOLLASTON FRANKS, B.A. With 112 Coloured
+Examples. 8vo. 16s.
+
+"Designed as a supplemental volume to Mr. Winston's Book on Painted
+Glass, is an admirable collection. The subjects are accurately traced,
+and the nicety of the tint and leading preserved. The examples are
+classed, and an ingenious Introduction displays the taste and research
+of the author."--_Christian Remembrancer_.
+
+AN INQUIRY INTO THE DIFFERENCE OF STYLE OBSERVABLE IN ANCIENT PAINTED
+GLASS, with Hints on Glass Painting, illustrated by numerous Coloured
+Plates from Ancient Examples. By an AMATEUR. 2 vols. 8vo. 1l. 10s.
+
+AN ATTEMPT TO DISCRIMINATE THE DIFFERENT STYLES OF ARCHITECTURE IN
+ENGLAND. By the late THOMAS RICKMAN, F.S.A. With 30 Engravings on Steel
+by Le Keux, &c., and 465 on Wood, of the best examples, from Original
+Drawings by F. Mackenzie, O. Jewitt, and P. H. De la Motte. Fifth
+Edition. 8vo. 21s.
+
+A GLOSSARY OF TERMS USED IN BRITISH HERALDRY, with a Chronological Table
+illustrative of its Rise and Progress. 8vo., with 700 engravings. 16s.
+
+MEMORIALS OF THE COLLEGES AND HALLS IN THE UNIVERSITY OF OXFORD, with
+numerous Illustrations on Steel and Wood. By the Rev. JAMES INGRAM,
+D.D., President of Trinity College. Second edition. 2 vols. 8vo. 1l.
+10s.
+
+ * * * * *
+
+THEOLOGICAL WORKS.
+
+A HISTORY OF THE CHURCH OF ENGLAND, from the Earliest Times to the
+Revolution of 1688. By the late Rev. J. B. CARWITHEN. A New Edition,
+revised and corrected. 2 vols. small 8vo. 12s.
+
+OF THE IMITATION OF CHRIST. Four Books by THOMAS A KEMPIS. A new edition
+revised, handsomely printed in fcp. 8vo. with vignettes, and red border
+lines, cloth, 5s., morocco, 9s. Also kept in antique calf binding,
+vermilion edges, 10s. 6d.
+
+LECTURES ON THE FESTIVALS. By the Rev. C. J. ABRAHAM, M.A., Assistant
+Master of the Upper School, Eton, 8vo. price 10s. 6d.
+
+TRACTS FOR THE CHRISTIAN SEASONS, following the Course of the Christian
+Year. The first series complete in 4 vols. fcp. 8vo. 18s.
+
+RULES FOR HOLY LIVING AND DYING, containing the whole duty of a
+Christian, and the part of Devotions fitted to all occasions and
+furnished for all necessities. By Bishop JEREMY TAYLOR. Complete in 1
+vol. 18mo. cloth, gilt edges, 4s.
+
+THE PRACTICAL CHRISTIAN, OR THE DEVOUT PENITENT. By RICHARD SHERLOCK,
+D.D. A New Edition, with a Memoir of the Author, by his pupil Bishop
+Wilson. 18mo., complete in 1 vol. cloth 4s.
+
+THE CHRISTIAN SCHOLAR. Thoughts on the Study of the Classics, in Prose
+and Verse. By the author of "The Cathedral." fcp, 8vo. cloth, 10s. 6d.;
+morocco, 14s.
+
+THE CATHEDRAL; or, The Catholic and Apostolic Church in England.
+Thoughts in Verse on Ecclesiastical Subjects, selected and arranged so
+as to correspond with the different parts of a Gothic Cathedral. Sixth
+edition, 32mo. with Engravings, price 4s. 6d. cloth; morocco, 6s. Also
+in fcp. 8vo. with Engravings, 7s. 6d. cloth; morocco, 10s. 6d.
+
+THE BAPTISTERY; or, The Way of Eternal Life. By the author of "The
+Cathedral." Third edition, 8vo. cloth, 15s.; morocco, 1l. 1s. Also 32mo.
+cloth, 3s. 6d.; morocco, 5s.
+
+THE CHILD'S CHRISTIAN YEAR; Hymns for every Sunday and Holyday in the
+Year. Fourth edition, 18mo. cloth, 2s; morocco, 4s 6d.
+
+THE DAILY CHURCH SERVICES. Complete in 1 vol. 18mo. Price 10s. 6d.; or
+bound in morocco, 16s.
+
+ * * * * *
+
+Printed by THOMAS CLARK SHAW, of No. 8. New Street Square, at No. 5. New
+Street Square, in the Parish of St. Bride, in the City of London; and
+published by GEORGE BELL, of No. 186 Fleet Street, in the Parish of St.
+Dunstan in the West, in the City of London, Publisher, at No. 186. Fleet
+Street aforesaid.--Saturday, November 10, 1849.
+
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Notes and Queries, No. 2, November 10
+1849, by Various
+
+*** END OF THE PROJECT GUTENBERG EBOOK 11265 ***
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+<div>*** START OF THE PROJECT GUTENBERG EBOOK 11265 ***</div>
+
+ <span class="pagenum"><a id="page17" name="page17"></a>{17}</span>
+
+ <h1>NOTES AND QUERIES:</h1>
+
+ <h2>A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS, ANTIQUARIES,
+ GENEALOGISTS, ETC.</h2>
+ <hr />
+
+ <h3><b>"When found, make a note of."</b>&mdash;CAPTAIN CUTTLE.</h3>
+ <hr class="full" />
+
+ <table width="100%">
+ <tr>
+ <td align="left" width="25%"><b>No. 2.</b></td>
+
+ <td align="center" width="50%"><b>SATURDAY, NOVEMBER 10, 1849.</b></td>
+
+ <td align="right" width="25%"><b>Price Threepence. Stamped Edition
+ 4d.</b></td>
+ </tr>
+ </table>
+ <hr class="full" />
+
+ <h2>A FEW WORDS TO OUR FRIENDS.</h2>
+
+ <p>In our opening Address we carefully avoided any thing at all approaching
+ to a boast of what we would, or even what we hoped to perform. We stated
+ that "we would rather give a specimen than a description." We are now in
+ like manner unwilling to point as exultingly, as we think we might, to the
+ position which we have already taken. But there is a vast difference between
+ vain boasting and the expression of an honest satisfaction; and it would be
+ worse than an affectation of humility&mdash;it would be a mean
+ hypocrisy&mdash;if we did not express heartily and unreservedly the
+ gratitude we owe and feel to those who have encouraged us by their friendly
+ advice and able pens. We have opened a Literary Exchange, and we have had
+ the gratification to see that men whose learning and talents the public
+ recognise&mdash;leaders in their several branches of inquiry&mdash;have at
+ once taken advantage of it. They have proved the necessity for some such
+ medium of communication, as well as their good-will to the one now offered
+ to them, by a gathering in its behalf which the public will respect, and of
+ which we may well feel proud.</p>
+
+ <p>Some whose good opinion we most value, and who have spoken most warmly in
+ favour of our plan, have proved the sincerity of their praise by suggestions
+ of improvement in its detail, and hints for its further extension. They may
+ feel assured that such hints and such suggestions shall not be lost sight
+ of. For instance, one respected correspondent hints that as we have very
+ properly adopted Dr. Maitland's suggestion with regard to Herbert's edition
+ of Ame's <i>Typographical Antiquities</i>, namely, that of "offering a
+ receptacle for illustrations, additions, and corrections," and invited "our
+ readers to take advantage of our columns to carry out Dr. Maitland's
+ suggestions," we should open our columns with equal readiness to the
+ correction and illustration of more modern and more popular works. We
+ entirely concur with him; but in reference to this subject there is a
+ distinction which must be borne in mind. Our own literature, like that of
+ every other country, consists of two classes of books. We have the books of
+ pretenders to knowledge, the hasty, crude, imperfect, but often for the time
+ attractive and popular volumes of the Ned Purdons of the day. These books
+ have a use&mdash;such as it is&mdash;and thus answer their purpose; but it
+ would be for the credit of our literature, and save a world of trouble, if
+ they were forgotten as soon as they had done so. To illustrate such books,
+ to add to their information or correct their blunders, would be useless and
+ almost ridiculous. They should be left to die of mere powerlessness and
+ exhaustion, or to wither under the wholesome influence of a just and manly
+ criticism.</p>
+
+ <p>But there are books of another kind&mdash;books <span class=
+ "pagenum"><a id="page18" name="page18"></a>{18}</span> which our worthy
+ bibliopoles designate as "standard works." These are the books of competent
+ workmen&mdash;books which are the result of honest labour and research, and
+ which from the moment of their publication assume a permanent station in our
+ national literature. Even in such books there are many things incomplete,
+ many things erroneous. But it is the interest of every man that such books
+ should be rendered as complete as possible; and whatever tends to illustrate
+ or correct works of that class will be sure of insertion in our columns.</p>
+
+ <p>We would point to Macaulay's <i>England</i>, and Hallam's <i>Introduction
+ to the Literary History of the 15th, 16th, and 17th Centuries</i>, his
+ <i>Middle Ages</i>, and his <i>Constitutional History</i>, and we may add,
+ as illustrations of a different kind, <i>The Annals of the Stage</i> of our
+ excellent friend Mr. Collier, and <i>The Handbook of London</i> of our
+ valued contributor Mr. Peter Cunningham, as examples of the sort of
+ publications to which we allude. Such were the books we had in our mind,
+ when we spoke in our Prospectus of the "NOTES AND QUERIES" becoming, through
+ the inter-communication of our literary friends, "a most useful supplement
+ to works already in existence&mdash;a treasury towards enriching future
+ editions of them."</p>
+
+ <p>Another correspondent&mdash;a bibliographical friend&mdash;suggests that,
+ for various reasons, which bibliographers will appreciate, our Prospectus
+ should have a place in the body of our work. We believe that many of our
+ readers concur in a wish for its preservation, and it will therefore be
+ found in the Number now before them.</p>
+
+ <p>One suggestion again urges us to look carefully to Foreign Literature,
+ and another points out the propriety of our making our paper as British as
+ possible, so that our topographical facts should, as far as practicable, be
+ restricted to the illustration of British counties, and our biographical
+ ones to such as should contribute towards a Biographia Brittanica.</p>
+
+ <p>All these, and many other expressions of sympathy and promises of
+ support, poured in upon us within a few hours after our birth. No one of
+ them shall be forgotten; and if for a time our pages seem to indicate that
+ we have made a QUERY as to the adoption of any suggestion, let our kind
+ contributors be assured that there is no hint which reaches us, whether
+ <i>at present</i> practicable or not, that we do not seriously and
+ thankfully "make a NOTE of."</p>
+ <hr />
+
+ <h2>BISHOP AYLMER'S LETTER, AND THE POEM ON THE ARMADA.</h2>
+
+ <p>As I am in a condition to answer the inquiry of your "Hearty
+ Well-wisher," on p. 12 of your last Number of "NOTES AND QUERIES," I proceed
+ to give him the information he asks. I shall be happy if what follows is of
+ any use to your correspondent, taking it for granted that he is as zealous
+ for your success as his signature indicates.</p>
+
+ <p>The "foolish rhyme," to which the attention of the Bishop of London had
+ been directed by Lord Burghley, has the subsequent doggrel title:&mdash;</p>
+
+ <div class="poem">
+ <p>"A Skeltonicall Salvtation,</p>
+
+ <p>Or condigne gratvlation,</p>
+
+ <p>And iust vexation</p>
+
+ <p>Of the Spanishe nation,</p>
+
+ <p>That in a bravado</p>
+
+ <p>Spent many a crvsado,</p>
+
+ <p>In setting forth an armado</p>
+
+ <p>England to invado."</p>
+ </div>
+
+ <p>This is as the title stands in the Oxford impression (of which I never
+ saw more than one copy, because, we may presume, it was suppressed by the
+ authorities of the University), and the following is the imprint at the
+ bottom of it:&mdash;"Printed at Oxford by Ioseph Barnes, and are to bee sold
+ in Paules Churchyard, at the signe of the Tygres head, 1589."</p>
+
+ <p>There exists several exemplars of the London edition&mdash;"Imprinted at
+ London for Toby Cooke, 1589,"&mdash;the title-page of which, as well as the
+ rest of the poem, differs only literally from that of Oxford, excepting that
+ to the latter is appended a Latin version, also in rhyme, and in close
+ imitation of the English. I subjoin a brief specimen of it:&mdash;
+ <span class="pagenum"><a id="page19" name="page19"></a>{19}</span></p>
+
+ <div class="poem">
+ <p>"Qui regis Hispanos,</p>
+
+ <p>Superbos et vanos,</p>
+
+ <p>Crudeles et insanos,</p>
+
+ <p>Multùm aberrasti,</p>
+
+ <p>Cùm tuos animasti,</p>
+
+ <p>Et bellum inchoasti</p>
+
+ <p>Contra Anglos animosos,</p>
+
+ <p>Fortes et bellicosos,</p>
+
+ <p>Nobiles et generosos.</p>
+
+ <p>Qui te excitavit</p>
+
+ <p>Proculdubio deliravit</p>
+
+ <p>Et te fascinavit," &amp;c.</p>
+ </div>
+
+ <p>The whole production consists only of ten leaves, 4to., and the Latin
+ portion, which has the subsequent separate title-page, occupies four of
+ them:&mdash;</p>
+
+ <div class="poem">
+ <p class="i6">"AD REGEM</p>
+
+ <p class="i6">HISPANVM.</p>
+
+ <p>Cum tua non fuerint heroica facta, Philippe,</p>
+
+ <p>Risu digna cano carmine ridiculo."</p>
+ </div>
+
+ <p>I shall not here introduce any part of the English version, because one
+ or two long quotations will be found in the introductory portion of the Rev.
+ A. Dyce's excellent edition of Skelton's Works (2 vols. 8vo. 1843).
+ Respecting the Latin portion I have been more particular, because the
+ learned editor was not aware that the production had come from the press of
+ Barnes of Oxford, nor that a Latin version was appended to it.</p>
+
+ <p>I may take the liberty of adding here a mention of Skelton which escaped
+ notice, and which is from one of the tracts against Thomas Nash, produced by
+ Gabriel Harvey, the friend of Spenser. He couples Skelton and Scoggin
+ together, in no very respectful manner, and completes the triumvirate by
+ Nash, whom he here calls Signor Capriccio:&mdash;"And what riott so
+ pestiferous as that which in sugred baites presenteth most poisonous hookes?
+ Sir Skelton and Master Scoggin were but innocents to Signior Capricio."</p>
+
+ <p>This quotation is the more noticeable, because it recognises the sacred
+ character of Skelton (however unworthy of the gown) in the prefix "Sir,"
+ which, as most people are aware, was then generally given to clergymen:
+ Scoggin, on the other hand, is only styled "Master Scoggin."</p>
+
+ <p class="author">J. PAYNE COLLIER.</p>
+
+ <p class="note">[The preceding communication was already in type when we
+ received the following from Mr. Bolton Corney, which we gladly print,
+ inasmuch as it illustrates some points not touched upon by Mr. Collier.]</p>
+ <hr />
+
+ <h2>QUERIES ANSWERED, NO. 1.</h2>
+
+ <p>It is not without some slight reluctance that I notice anonymous
+ communications, but shall endeavour to repress such feelings with regard to
+ the modest students who may choose to announce their desiderata through the
+ convenient channel of the "NOTES AND QUERIES." A <i>hearty well wisher</i>
+ to so commendable an enterprise, shall have my first responsive scrap.</p>
+
+ <p>The inquiry affords no scope for ingenuity of conjecture! The <i>foolish
+ rime</i> to which bishop Aylmer refers, is undoubtedly the pamphlet thus
+ entitled:&mdash;</p>
+
+ <div class="poem">
+ <p>"A Skeltonicall salutation,</p>
+
+ <p>Or condigne gratulation,</p>
+
+ <p>And iust vexation</p>
+
+ <p>Of the Spanish nation,</p>
+
+ <p>That in a bravado</p>
+
+ <p>Spent many a crusado,</p>
+
+ <p>In setting forth an armado</p>
+
+ <p>England to invado."</p>
+
+ <p class="i2">Oxford, Joseph Barnes, 1589. 4to.</p>
+
+ <p>"A Skeltonicall salutation," &amp;c.</p>
+
+ <p class="i2">Imprinted at London for Toby Cook, 1589. 4to.</p>
+ </div>
+
+ <p>The Oxford edition is recorded by Ames, and there is a copy of the London
+ edition in the British Museum. Strype, in his account of bishop Aylmer,
+ gives the substance of the letter as his <i>own</i> narrative, almost
+ <i>verbatim</i>&mdash;but fails to identify the pamphlet in question. Park
+ briefly describes it in <i>Censura Literaria</i>, 1815, ii. 18.; and there
+ is a specimen of it in <i>The Poetical Works of John Skelton</i>, as edited
+ by the Reverend Alexander Dyce, 1843.</p>
+
+ <p>While <i>queries</i> evince a sharp mental appetite, <i>answers</i> help
+ to satisfy it; and so, by their united influence, a brisk circulation of
+ ideas may be produced&mdash;which, as master Burton assures us, wards off
+ melancholy.</p>
+
+ <p class="author">BOLTON CORNEY.</p>
+ <hr />
+
+ <h2>NOTES UPON "NOTES, NO. 1."</h2>
+
+ <p>Sir,&mdash;I take the liberty to send you one or two Notes on your first
+ Number, just as they occur to me in looking it over. I will not trespass on
+ you by preface or apology.</p>
+
+ <p>The "<i>bibliographic project</i>" I shall rejoice <span class=
+ "pagenum"><a id="page20" name="page20"></a>{20}</span> to see carried out;
+ and though neither an unemployed aspirant nor a fortunate collector (of
+ which class I hope many will be stimulated by the proposition), yet, as I
+ once took some trouble in the matter, I should be happy to contribute some
+ Notes then made whenever the plan is matured and the proposed appeal is
+ made&mdash;provided (I must add, and to <i>you</i> I may add) I can find
+ them.</p>
+
+ <p>The <i>Liber Sententiarum</i> was printed by Limborch, at Amsterdam, in
+ 1692. It forms the greater part, as, indeed, it was the occasion, of his
+ folio volume, entitled "<i>Historia Inquisitionis cui subjungitur Liber
+ Sententiarum Inquisitionis Tholosanæ ab anno Christi Cl[*C]CCCVI ad annum
+ Cl[*C]CCCXXIII.</i>" Gibbon, in a note on his fifty-fourth chapter, observes
+ that the book "deserved a more learned and critical editor;" and, if your
+ correspondent will only place the <i>Book of Sentences</i> before the public
+ in a readable form, with a map, and (by all means) a few <i>notes</i>, he
+ will be doing a great service to all persons who take an interest in
+ ecclesiastical history, or, indeed, in history of any kind. In the year 1731
+ Chandler published a translation of the <i>History of the Inquisition</i>,
+ with a long Introduction of his own, but did not meddle with the <i>Book of
+ Sentences</i>, except so far as to introduce into the text of the
+ <i>History</i> some passages from it, which Limborch (as he appended the
+ whole book) did not think it necessary to quote. I remember seeing the MS.
+ in the British Museum within these ten or twelve years, and, according to my
+ recollection, it was accompanied by papers which would furnish an
+ interesting literary history of the volume. I hope your correspondent will
+ give us farther information.</p>
+
+ <p class="author">N.B.</p>
+
+ <p class="note">[Mr. Brooke, of Ufford, has also kindly replied to the Query
+ of INQUISITORIUS, by referring him to Limborch.]</p>
+ <hr />
+
+ <h2>QUERY AS TO REFERENCES.</h2>
+
+ <p>Sir,&mdash;May I be permitted to suggest one way in which you may be of
+ great service to many literary men, and indeed to the cause of literature in
+ general; and this, too, without much trouble to yourself? Would you be
+ willing to receive "Queries" respecting <i>references</i>? They frequently
+ puzzle those who are engaged in literary works, and indeed those who are
+ merely readers, and who have not access to public libraries or the
+ manuscript treasures of the metropolis and the universities. If, for
+ instance, a clergyman or squire, interested in the history of his parish,
+ should find in the county historian something which his own local or
+ genealogical knowledge leads him to think erroneous, vouched for by a
+ reference to the <i>Cotton</i> or <i>Harleian MSS.</i>, might he apply to
+ you? It may be supposed that you are not very far from some one of the great
+ fountains of information, and have easy access to all; and it is probable
+ that you might not only do a personal favour to the inquirer, but confer a
+ benefit on the public, by correcting an erroneous statement. Of course you
+ would subject yourself to unreasonable requests, but the remedy would always
+ be in your own hands.</p>
+
+ <p>Yours, &amp;c.</p>
+
+ <p class="author">A. G. C.</p>
+
+ <p class="note">[The Editor inserts this letter because he is sure that it
+ comes from a friendly quarter, and he knows that something like what it
+ suggests is very much wanted. He would feel great diffidence as to his
+ powers of fulfilling all that might be expected if he were simply to reply
+ in the affirmative: but he is quite willing to make the trial, and he thinks
+ that (though sometimes perhaps with a little delay) he could in general
+ obtain any information of this kind which could be reasonably sought.]</p>
+ <hr />
+
+ <h2>LINES IN THE STYLE OF SUCKLING.</h2>
+
+ <p>Mr. Editor,&mdash;The following lines are written in pencil on sheet 61.
+ of the <i>Notes of the Debates in the Long Parliament</i>, taken down in the
+ House of Commons by Sir Ralph Verney. The <i>Notes of Debates</i>, but not
+ these lines, were published by the Camden Society in 1845. For any thing
+ that appears to the contrary, these lines may have been written in the House
+ as well as the <i>Notes of Debates</i>. The sheet 61. refers to debates
+ which took place in March 1641-2. I am not aware that the lines have been
+ published, nor can I assign them to their author. If any of your readers can
+ tell me anything about them, I shall esteem it a favour.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>Wert thou yet fairer than thou art,</p>
+
+ <p class="i2">Which lies not in the power of art;</p>
+
+ <p>Or hadst thou, in thine eyes, more darts</p>
+
+ <p class="i2">Than Cupid ever shot at hearts;</p>
+
+ <p>Yet, if they were not thrown at me,</p>
+
+ <p class="i2">I could not cast one thought at thee.</p>
+ </div><span class="pagenum"><a id="page21" name="page21"></a>{21}</span>
+
+ <div class="stanza">
+ <p>I'd rather marry a disease</p>
+
+ <p class="i2">Than court the thing I cannot please;</p>
+
+ <p>She that will cherish my desires,</p>
+
+ <p class="i2">Must feed my flames with equal fires.</p>
+
+ <p>What pleasure is there in a kiss,</p>
+
+ <p class="i2">To him that doubts the heart's not his?</p>
+ </div>
+
+ <div class="stanza">
+ <p>I love thee, not 'cause thou art fair,</p>
+
+ <p class="i2">Smoother than down, softer than air,</p>
+
+ <p>Nor for those Cupids that do lie</p>
+
+ <p class="i2">In either corner of thine eye;</p>
+
+ <p>Will you then know what it may be?</p>
+
+ <p class="i2">'Tis&mdash;I love you 'cause you love me.</p>
+ </div>
+ </div>
+
+ <p class="author">J. BRUCE.</p>
+
+ <p>24th Oct. 1849</p>
+ <hr />
+
+ <h2>NOTES UPON ANCIENT LIBRARIES.</h2>
+
+ <p>A knowledge of the intellectual acquirements of the middle ages must be
+ mainly formed upon a consideration of the writings which directed them, or
+ emanated from them. Unfortunately such materials are very imperfect, our
+ knowledge of the existence of works often resting only upon their place in
+ some loosely-entered catalogue&mdash;and of the catalogues themselves, the
+ proportion still remaining must be small indeed. Under these circumstances
+ the following documents, which are now for the first time printed, or even
+ noticed, will be found to be of considerable interest. The first is, in
+ modern language, a Power of Attorney, executed by the Prior of Christ
+ Church, Canterbury, appointing two of the monks of his church to be his
+ procurators for the purpose of receiving from the convent of Anglesey, in
+ Cambridgeshire<a id="footnotetag1" name="footnotetag1"></a><a href=
+ "#footnote1"><sup>1</sup></a>, a book which had been lent to the late Rector
+ of Terrington. Its precise date is uncertain, but it must be of about the
+ middle of the thirteenth century (1244-1254), as Nicholas Sandwich, the
+ Prior of Christ Church, was the second of four priors who presided between
+ the years 1234 and 1274.</p>
+
+ <blockquote>
+ "N. Prior Ecclesiæ Christi Cantuariensis discretis viris et religiosis
+ Domino Priori de Anglesheya et ejusdem loci sacro conventui salutem in
+ Domino. Cum sincera semper caritate noverit faternitas vestra nos
+ constiuisse fratres Gauterum de Hatdfeld et Nicolaum de Grantebrigiense
+ Ecclesiæ nostræ monachos latores precencium procuratores nostros ad
+ exigendum et recipiendum librum qui intitulatur. Johannes Crisestomus de
+ laude Apostoli. In quo etiam volumine continentur Hystoria vetus Britonum
+ quæ Brutus appellatur et tractatus Roberti Episcopi Herfordiæ de compoto.
+ Quæ quondam accommodavimus Magistro Laurentio de Sancto Nicholao tunc
+ Rectori ecclesiæ de Tyrenton. Qui post decessum præfati Magistri L. penes
+ vos morabatur et actenus moratur. In cujus rei testimonium has litteras
+ patentes nostro sigillo signatas vobis transmittimus."
+ </blockquote>
+
+ <p>The contents of the book which is the subject of this special embassy are
+ of the character usually found to have formed the staple of monastic
+ libraries, though the particular treatises included in it are not
+ common.</p>
+
+ <p>In the Reverend Joseph Hunter's valuable treatise upon <i>English
+ Monastic Libraries</i><a id="footnotetag2" name="footnotetag2"></a><a href=
+ "#footnote2"><sup>2</sup></a> occurs a notice of an indenture executed in
+ A.D. 1343, whereby the priory of Henton lent no less than twenty books to
+ another monastic establishment. The deed is described, but not printed. It
+ will be seen that the instrument we have given above is nearly a century
+ earlier; and the minute description of the book given in this document
+ supplies some very curious facts illustrative of the mode of putting
+ together ancient books, which have not hitherto been remarked, for the
+ simple reasons that no opportunity for comparison like that presented by the
+ present case has yet been noticed. Among the Cottonian MSS. (Galba E. iv.)
+ is a perfect specimen of an ancient Library Catalogue, which, although not
+ altogether unnoticed, deserves a more careful examination than it has yet
+ received. It relates to the magnificent monastic foundation from which
+ emanated the deed we have printed above, and is headed "Tituli librorum de
+ libraria Ecclesiæ Christi Cantuariensis et contenta in eisdem libris tempore
+ H. Prioris." It is written in that bold hand which prevails so extensively
+ in ecclesiastical MSS., with but little variation, from the middle of the
+ fourteenth century, to the end of the fifteenth,&mdash;a hand which is not
+ always clearly written, and which therefore, in itself, does not materially
+ assist in the distinction of a date. Now having first assigned the credit of
+ this noble <span class="pagenum"><a id="page22" name=
+ "page22"></a>{22}</span> Catalogue&mdash;in which are entered about 600
+ volumes, in nearly every one of which, besides the substantive (or initial?)
+ work, are particularised numerous detached writings, varying from two or
+ three to five-and-forty distinct "tracts"&mdash;to Prior Henry Chichely
+ (1413&mdash;1443), the founder of All Souls' and St. John's Colleges,
+ Oxford, and who, "built the library of the church, and furnished it with
+ books," we will see whether the book "qui intitulatur Johannes Crisestomus,"
+ &amp;c. was returned to Canterbury, and had a place in the list;&mdash;and
+ this, we think, is satisfactorily shown by the following entry:&mdash;</p>
+
+ <div class="poem">
+ <p>"Johannes Crisostomus de laude Apostoli.</p>
+
+ <p class="i2">In hoc volumine continentur</p>
+
+ <p>Idem de laude Redemptoris.</p>
+
+ <p>Brutus latine.</p>
+
+ <p>Nomina Regum Britanniæ sicut in ordine successerunt.</p>
+
+ <p>Nomina Archiepiscoporum Cantuariensis sicut in ordine successerunt.</p>
+
+ <p>Tabula et questiones Bede de ratione temporum.</p>
+
+ <p>Tabula ejusdem et expositio super tabulam de lunationibus.</p>
+
+ <p>Descriptio Britanniæ Insulæ.</p>
+
+ <p>Expositio super Merlinum, imperfecta."</p>
+ </div>
+
+ <p>It may perhaps be supposed that this proves too much, as, besides the
+ direct title of the volume, <i>eight</i> "tracts" are here entered, while in
+ the Power of Attorney only <i>two</i> are noticed. But we would maintain,
+ nevertheless, that it is the identical book, and explain this variation in
+ the description by the circumstance that the library having, in the space of
+ nearly two centuries, been materially enriched, numerous works, consisting
+ in many cases only of a single "quaternion," were inserted in the volumes
+ already existing. An examination of the structure of books of this period
+ would confirm this view, and show that their apparent clumsiness is to be
+ explained by the facility it was then the custom to afford for the
+ interpolation or extraction of "sheets," by a contrivance somewhat
+ resembling that of the present day for temporarily fixing loose papers in a
+ cover, and known as the "patent leaf-holder."</p>
+
+ <p>The second document is a list of certain books, belonging to the
+ monastery of Anglesey, early in the fourteenth century, allotted out to the
+ canons of the house for the purpose of custody, or, perhaps, of study or
+ devotion.</p>
+
+ <div class="poem">
+ <p>"Isti libri liberati sunt canonicis die ... anno regni Regis Edwardi
+ septimo"<a id="footnotetag3" name="footnotetag3"></a><a href=
+ "#footnote3"><sup>3</sup></a> (7 Edw. II. A.D. 1314.)</p>
+
+ <p>Penes Dominum Priorem; Parabelæ Salomonis; Psalterium cum ...</p>
+
+ <p>Penes Dominum J. de Bodek.; Epistolæ Pauli...; Quædam notulæ super
+ psalter et liber miraculorum ... Mariæ cum miraculis sanctorum.</p>
+
+ <p>Penes Sub-priorem; Liber vitæ Sancti Thomæ Martiris.</p>
+
+ <p>Penes E. de Ely; Quartus liber sententiarum cum sermo...; Liber
+ Reymundi; Liber de vitiis et virtutibus et pastorale.</p>
+
+ <p>Penes R. Pichard; Liber Alquini; Liber Johannis de Tyrington cum Catone
+ et aliis.</p>
+
+ <p>Penes Henrici Muchet; Liber de vita Sanctæ Mariæ Magdalenæ et
+ remediarum (?)</p>
+
+ <p>Penes Walteri de Yilwilden; Liber S ... ligatus in panno ymnaro
+ glosatus cum constitutionibus; Belet ligatus et vita sanctorum.</p>
+
+ <p>Penes Ricardi de Queye; Omeliæ Gregorii (?) super Evangelistos ligatæ
+ in nigro corio.</p>
+
+ <p>In commune biblia; Decreta; Decretales; Prima pars moralium Job; Liber
+ de abusionibus.</p>
+
+ <p>Liber justitiæ; penes Magistrum Adam de Wilburham.</p>
+
+ <p>Penes Walteri de Wyth; Liber Innocentii super sacramenta cum Belet et
+ introductione in uno volumine.</p>
+
+ <p>Item penes Sup-priorem; Psalterium glosatum duod fuit in custodia
+ Magistri Henrice de Melreth.</p>
+
+ <p>Item aliud psalterium glosatum inpignoratum penes Isabellam
+ Siccadona.</p>
+ </div>
+
+ <p>Several of these descriptions are highly curious; particularly the last
+ item, which describes one of the "glossed" psalters as being "<i>in
+ pawn</i>," a fact which, in itself, tells a history of the then condition of
+ the house.</p>
+
+ <p>The first document, taken in connection with that referred to by Mr.
+ Hunter would seem to establish the existence of a system of interchanging
+ the literary wealth of monastic establishments, and thereby greatly
+ extending the advantages of their otherwise scanty stores. Both are executed
+ with all the legal forms used in the most important transactions, which
+ would support the opinion of their not <span class="pagenum"><a id="page23"
+ name="page23"></a>{23}</span> being special instances: but they are, in
+ either case, curious and satisfactory evidence of the care and caution
+ exercised by the monks in cases where their books were concerned; and one
+ cannot but regret that when the time came that the monasterias were destined
+ to be dissolved, and their books torn and scattered to the winds, no
+ attention was paid to Bale's advice for the formation of "one solemne
+ library in every shire of England."</p>
+
+ <p class="author">JOSEPH BURTT</p>
+
+ <blockquote class="footnote">
+ <a id="footnote1" name="footnote1"></a> <b>Footnote 1</b>: <a href=
+ "#footnotetag1">(return)</a>
+
+ <p>The information given of this house by Dugdale is very scanty. It could
+ surely be added to considerably.</p>
+ </blockquote>
+
+ <blockquote class="footnote">
+ <a id="footnote2" name="footnote2"></a> <b>Footnote 2</b>: <a href=
+ "#footnotetag2">(return)</a>
+
+ <p>London, 1831. quarto. See also a Paper by Mr. Halliwell in&gt;the
+ <i>Archæologia</i>, xxvii. p. 455., and Sir Francis Palgrave's
+ Introduction to <i>Documents and Records illustrating the History of
+ Scotland</i>, pp. xcvi.&mdash;cxvi., for extracts from the historical
+ chronicles preserved in the monasteries, &amp;c.</p>
+ </blockquote>
+
+ <blockquote class="footnote">
+ <a id="footnote3" name="footnote3"></a> <b>Footnote 3</b>: <a href=
+ "#footnotetag3">(return)</a>
+
+ <p>The formula of this date, "anno R.R.E. septimo," would at first sight
+ be considered to refer to the preceding reign; but the list is merely a
+ memorandum on the dorse of a completely executed instrument dated A.D.
+ 1300, which it is highly improbable that it preceded. The style of Edward
+ II. is often found as above, though not usually so.</p>
+ </blockquote>
+ <hr />
+
+ <h2>PEDLAR'S SONG ATTRIBUTED TO SHAKSPERE, AND TRADITION CONNECTED WITH
+ SHAKSPERE'S "HAMLET."</h2>
+
+ <p>The following verses, which would form a very appropriate song for
+ Autolycus, were arranged as a glee for three voices by Dr. Wilson about the
+ year 1667. They are published in Playford's <i>Musical Companion</i> in
+ 1673; in Warren's <i>Collection of Glees and Catches</i>; and in S. Webbe's
+ <i>Conveto Harmonico</i>. The words were, I believe, first ascribed to
+ Shakspere by Clark, in 1824, in his <i>Words of Glees, Madrigals,
+ &amp;c.</i>; but he has not given his authority for so doing. It has been
+ stated that they have since been discovered in a common-place book written
+ about Shakspere's time, with his name attached to them, and with this
+ indirect evidence in favour of their being written by him, that the other
+ pieces in the collection are attributed to their proper writers. The late
+ Mr. Douce, who was inclined to believe the song to have been written by
+ Shakspere, once saw a copy of it with a fourth verse which was shown to him
+ by the then organist of Chichester. The poem is not included in Mr.
+ Collier's edition of Shakspere, nor in the Aldine edition of Shakspere's
+ Poems, edited by the Rev. A. Dyce. Perhaps if you will be good enough to
+ insert the song and the present communication in the "NOTES AND QUERIES,"
+ some of your readers may be enabled to fix the authorship and to furnish the
+ additional stanza to which I have referred.</p>
+
+ <h3>PEDLAR'S SONG.</h3>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>From the far Lavinian shore,</p>
+
+ <p>I your markets come to store;</p>
+
+ <p>Muse not, though so far I dwell,</p>
+
+ <p>And my wares come here to sell;</p>
+
+ <p>Such is the sacred hunger for gold.</p>
+
+ <p class="i4">Then come to my pack,</p>
+
+ <p class="i6">While I cry</p>
+
+ <p class="i4">"What d'ye lack,</p>
+
+ <p class="i6">What d'ye buy?</p>
+
+ <p>For here it is to be sold."</p>
+ </div>
+
+ <div class="stanza">
+ <p>I have beauty, honour, grace,</p>
+
+ <p>Fortune, favour, time, and place,</p>
+
+ <p>And what else thou would'st request,</p>
+
+ <p>E'en the thing thou likest best;</p>
+
+ <p>First, let me have but a touch of your gold.</p>
+
+ <p class="i4">Then, come to me, lad,</p>
+
+ <p class="i6">Thou shalt have</p>
+
+ <p class="i4">What thy dad</p>
+
+ <p class="i6">Never gave;</p>
+
+ <p>For here it is to be sold.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Madam, come, see what you lack,</p>
+
+ <p>I've complexions in my pack;</p>
+
+ <p>White and red you may have in this place,</p>
+
+ <p>To hide your old and wrinkled face.</p>
+
+ <p>First, let me have but a touch of your gold,</p>
+
+ <p class="i4">Then you shall seem</p>
+
+ <p class="i4">Like a girl of fifteen,</p>
+
+ <p>Although you be threescore and ten years old.</p>
+ </div>
+ </div>
+
+ <p>While on this subject, perhaps I may be permitted to ask whether any
+ reader of the "NOTES AND QUERIES" can throw light on the following
+ questionable statement made by a correspondent of the <i>Morning Herald</i>,
+ of the 16th September, 1822.</p>
+
+ <blockquote>
+ "Looking over an old volume the other day, printed in 1771, I find it
+ remarked that it was known as a tradition, that Shakspeare shut himself up
+ all night in Westminster Abbey when he wrote the ghost scene in Hamlet."
+ </blockquote>
+
+ <p>I do not find in Wilson's <i>Shakspeariana</i> the title of a single
+ "old" book printed in 1771, on the subject of Shakspere.</p>
+
+ <p class="author">T.</p>
+ <hr />
+
+ <h2>SIR WILLIAM SKIPWYTH, KING'S JUSTICE IN IRELAND.</h2>
+
+ <p>Mr. Editor,&mdash;I am encouraged by the eminent names which illustrate
+ the first Number of your new experiment&mdash;a most happy thought&mdash;to
+ inquire whether they, or any other correspondent, can inform me who was the
+ William de Skypwith, the patent of whose appointment as Chief Justice of the
+ King's Bench in Ireland, dated February 15. 1370, 44 Edward III., is to be
+ found in the <i>New Fædera</i> vol. iii. p.877.? In the entry on the Issue
+ Roll of that year, p. 458., of the payment of "his expences and equipment"
+ in going there, he is called "Sir William Skipwyth, Knight, and the King's
+ Justice in Ireland." <span class="pagenum"><a id="page24" name=
+ "page24"></a>{24}</span></p>
+
+ <p>There was a Sir William Skipwyth, who was appointed a Judge of the Common
+ Pleas in 33 Edward III., and Chief Baron of the Exchequer in 36 Edward III.;
+ and, were it not that Collins, in his <i>Baronetage</i>, followed by Burke,
+ says that he remained Chief Baron till 40 Edward III., <i>in which year he
+ died</i>, I should have had no doubt that the Irish Chief Justice was the
+ same with the English Chief Baron.</p>
+
+ <p>The same authority adds that Sir William Skipwyth who was made a Justice
+ of the King's Bench [it should have been of the Common Pleas] in 50 Edward
+ III., and who resigned his office in 11 Richard II., was the eldest son of
+ the Chief Baron. But that authority does not make the slightest allusion to
+ the appointment of the Chief Justice of Ireland.</p>
+
+ <p>A suspicion that this last Justice of the Common Pleas is not only the
+ same person as the Chief Justice of Ireland, but also as the Chief Baron of
+ the Exchequer, has arisen in my mind for the following among other
+ reasons.</p>
+
+ <p>1. Collins and Burke are wrong in saying that he remained Chief Baron
+ till 40 Edward III. His successor in that office was appointed on October
+ 29. 1365, 39 Edward III.</p>
+
+ <p>2. They are further wrong, I imagine, in saying that he continued Chief
+ Baron till his death: for Joshua Barnes, in his <i>History of Edward
+ III.</i>, p. 667., says that Skipwyth and Sir Henry Green, the Chief Justice
+ of the King's Bench, were in 1365 arrested and imprisoned on account of many
+ enormities which the King understood they had committed against law and
+ justice; and this relation is corroborated by the fact that Green's
+ successor as Chief Justice was appointed on the same day as Skipwyth's
+ successor as Chief Baron.</p>
+
+ <p>3. No proof whatever is given of the Chief Baron's death in 40 Edward
+ III.</p>
+
+ <p>I will not trouble you with other grounds of identification which occur
+ to me: but as an answer to my question might "make these odds all even," I
+ sent the "Query" to the "Lost and Found Office" you have established, in the
+ hope that some stray "Note," as yet unappropriated, may assist in solving
+ the difficulty.</p>
+
+ <p class="author">EDWARD FOSS.</p>
+
+ <p>November 5. 1849.</p>
+ <hr />
+
+ <h2>THE THISTLE OF SCOTLAND.</h2>
+
+ <p>Mr. Editor,&mdash;May I ask if any of your contibutors could inform me in
+ an early number, when and on what occasion the Thistle was adopted as the
+ emblem of the Scottish nation? I have looked into many historians, but as
+ yet found nothing definite enough.</p>
+
+ <p class="author">R. L.</p>
+
+ <p>Paisley, Oct. 29. 1849.</p>
+ <hr />
+
+ <h2>CAPTURE OF THE DUKE OF MONMOUTH.</h2>
+
+ <p>Mr. Editor,&mdash;Having noticed the letter of Mr. John Bruce, in your
+ Miscellany, I beg leave to inform him that the ash tree under which Monmouth
+ was taken is still standing on the Woodland estate, now the property of the
+ Earl of Shaftesbury.</p>
+
+ <p>I shall be happy at some future day, if it suits your purpose, to collect
+ and send you such particulars as may be gained on the spot respecting it,
+ and the incidents of the capture.</p>
+
+ <p>We have still in the Town Hall here the chain in which it is said
+ Jefferies sat at the Bloody Assize.</p>
+
+ <p class="author">A. D. M.</p>
+
+ <p>Dorcester, 3d Nov. 1849.</p>
+
+ <p class="note">[We shall gladly receive the particulars which our
+ Correspondent proposed to collect and forward.]</p>
+ <hr />
+
+ <h2>SERPENTS' EGGS AND STRAW NECKLACES.</h2>
+
+ <p class="note">[Mr. Thoms' Query in this case should have been limited to
+ the <i>straw necklaces</i>, as Mr. Nichols has already explained the
+ <i>serpents' eggs</i>; but our Correspondent's letter is so satisfactory on
+ both points that we insert it entire.]</p>
+
+ <p>The passage from Erasmus, "brachium habet ova serpentum," is plainly to
+ be rendered "and with a string of serpents' eggs on your arm." The meaning
+ is equally apparent on recalling the manner in which snakes' eggs are found,
+ viz., hanging together in a row. Erasmus intends Menedemus to utter a joke
+ at the <i>rosary of beads</i> hanging over the pilgrim's arm, which he
+ professes to mistake for serpents' eggs.</p>
+
+ <p>I am not aware what particular propriety the "collar or chaplet" (for it
+ may mean either) of <i>straw</i> may have, as worn by a pilgrim from
+ Compostella; or whether there may not lurk under this description, as
+ beneath <span class="pagenum"><a id="page25" name="page25"></a>{25}</span>
+ the other, a jocular sense. The readiest way of determining this point would
+ be to consult some of the accounts of Compostella and of its relics, which
+ are to be found in a class of books formerly abundant in the north-western
+ towns of Spain.</p>
+
+ <p class="author">V.</p>
+ <hr />
+
+ <h2>MADOC&mdash;HIS EXPEDITION TO AMERICA.</h2>
+
+ <p>"A Student" may consult the <i>Proceedings of the Royal Society of
+ Northern Antiquaries, Copenhagen</i>, Mr. Geogehan's <i>Ireland</i>,
+ O'Flaherty's <i>Ogygia</i>, Magnusen and Rafn <i>On the Historical Monuments
+ of Greenland and America</i>, and some of the <i>Sagas</i>.</p>
+
+ <p class="author">SCOTUS.</p>
+
+ <p>Brechin, Nov. 5. 1849.</p>
+ <hr />
+
+ <h2>NOTES ON COFFEE.</h2>
+
+ <p>The earliest account we have of coffee is said to be taken from an
+ Arabian MS. in the Bibliothèque du Roi in Paris.</p>
+
+ <p>Schehabeddin Ben, an Arabian author of the ninth century of the Hegira,
+ or fifteenth of the Christians, attributes to Gemaleddin, Mufti of Aden, a
+ city of Arabia Felix, who was nearly his contemporary, the first
+ introduction into that country, of drinking coffee. He tells us, that
+ Gemaleddin, having occasion to travel into Persia, during his abode there
+ saw some of his countrymen drinking coffee, which at that time he did not
+ much attend to; but, on his return to Aden, finding himself indisposed, and
+ remembering that he had seen his countrymen drinking coffee in Persia, in
+ hopes of receiving some benefit from it, he determined to try it on himself;
+ and, after making the experiment, not only recovered his health, but
+ perceived other useful qualities in that liquor; such as relieving the
+ headach, enlivening the spirits, and, without prejudice to the constitution,
+ preventing drowsiness. This last quality he resolved to turn to the
+ advantage of his profession; he took it himself, and recommended it to the
+ Dervises, or religious Mahometans, to enable them to pass the night in
+ prayer, and other exercises of their religion, with greater zeal and
+ attention. The example and authority of the mufti gave reputation to coffee.
+ Soon men of letters, and persons belonging to the law, adopted the use of
+ it. These were followed by the tradesmen and artisans that were under the
+ necessity of working in the night, and such as were obliged to travel late
+ after sunset. At length the custom became general in Aden; and it was not
+ only drunk in the night by those who were desirous of being kept awake, but
+ in the day for the sake of its other agreeable qualities.</p>
+
+ <p>Before this time coffee was scarce known in Persia, and very little used
+ in Arabia, where the tree grew. But, according to Schehabeddin, it had been
+ drunk in Æthiopia from time immemorial.</p>
+
+ <p>Coffee being thus received at Aden, where it has continued in use ever
+ since without interruption, passed by degrees to many neighbouring towns;
+ and not long after reached Mecca, where it was introduced as at Aden, by the
+ Dervises, and for the same purposes of religion.</p>
+
+ <p>The inhabitants of Mecca were at last so fond of this liquor, that,
+ without regarding the intention of the religious, and other studious
+ persons, they at length drank it publicly in coffee-houses, where they
+ assembled in crowds to pass the time agreeably, making that the pretense.
+ From hence the custom extended itself to many other towns of Arabia,
+ particularly to Medina, and then to Grand Cairo in Egypt, where the Dervises
+ of Yemen, who lived in a district by themselves, drank coffee on the nights
+ they intended to spend in devotion.</p>
+
+ <p>Coffee continued its progress through Syria, and was received at Damascus
+ and Aleppo without opposition; and in the year 1554, under the reign of
+ Solyman, one hundred years after its introduction by the Mufti of Aden,
+ became known to the inhabitants of Constantinople, when two private persons
+ of the names of Schems and Hekin, the one coming from Damascus, and the
+ other from Aleppo, opened coffee-houses.</p>
+
+ <p>"It is not easy," says Ellis, "to determine at what time, or upon what
+ occasion, the use of coffee passed from Constantinople to the western parts
+ of Europe. It is, however, likely that the Venetians, upon account of the
+ proximity of their dominions, and their great trade to the Levant, were the
+ first acquainted with it; which appears from part of a letter wrote by Peter
+ della Valle, a Venetian, in 1615, from Constantinople; in which he tells his
+ friend, that, upon his return he should <span class="pagenum"><a id="page26"
+ name="page26"></a>{26}</span> bring with him some coffee, which he believed
+ was a thing unknown in his country."</p>
+
+ <p>Mr. Garland tells us he was informed by M. de la Croix, the King's
+ interpreter, that M. Thevenot, who had travelled through the East, at his
+ return in 1657, brought with him to Paris some coffee for his own use, and
+ often treated his friends with it.</p>
+
+ <p>It was known some years sooner at Marseilles; for, in 1644, some
+ gentlemen who accompanied M. de la Haye to Constantinople, brought back with
+ them on their return, not only some coffee, but the proper vessels and
+ apparatus for making it. However, until 1660, coffee was drunk only by such
+ as had been accustomed to it in the Levant, and their friends; but that year
+ some bales were imported from Egypt, which gave a great number of persons an
+ opportunity of trying it, and contributed very much to bringing it into
+ general use; and in 1661, a coffee-house was opened at Marseilles in the
+ neighbourhood of the Exchange.</p>
+
+ <p>Before 1669, coffee had not been seen at Paris, except at M. Thevenot's,
+ and some of his friends'; nor scarce heard of but from the account of
+ travellers. In that year, Soliman Aga, ambassador from the Sultan Mahomet
+ the Fourth, arrived, who, with his retinue, brought a considerable quantity
+ of coffee with them, and made presents of it to persons both of the court
+ and city, and it is supposed to have established the custom of drinking
+ it.</p>
+
+ <p>Two years afterwards, an Armenian of the name of Pascal, set up a
+ coffee-house, but meeting with little encouragement, left Paris and came to
+ London.</p>
+
+ <p>From Anderson's <i>Chronological History of Commerce</i>, it appears that
+ the use of coffee was introduced into London some years earlier than into
+ Paris. For in 1652 one Mr. Edwards, a Turkey merchant, brought home with him
+ a Greek servant, whose name was Pasqua, who understood the roasting and
+ making of coffee, till then unknown in England. This servant was the first
+ who sold coffee, and kept a house for that purpose in George Yard Lombard
+ Street.</p>
+
+ <p>The first mention of coffee in our statute books is anno 1660 (12 Car.
+ II. c. 24), when a duty of 4d. was laid upon every gallon of coffee made and
+ sold, to be paid by the maker.</p>
+
+ <p>The statute 15 Car. II. c. 11. § 15. an. 1663, directs that all
+ coffee-houses should be licensed at the general quarter sessions of the
+ peace for the county within which they are to be kept.</p>
+
+ <p>In 1675 King Charles II. issued a proclamation to shut up the
+ coffee-houses, but in a few days suspended the proclamation by a second.
+ They were charged with being seminaries of sedition.</p>
+
+ <p>The first European author who has made any mention of coffee is
+ Rauwolfus, who was in the Levant in 1573.</p>
+ <hr />
+
+ <h2>DR. DRYASDUST.</h2>
+
+ <p>Sir,&mdash;Do you or any of your readers know anything of the family of
+ that celebrated antiquary, and do you think it probable that he was
+ descended from, or connected with, the author of a work which I met with
+ some time ago, intituled "Wit Revived, or A new and excellent way of
+ Divertisement, digested into most ingenious Questions and Answers. By
+ ASDRYASDUST TOSSOFFACAN. London: Printed for T. E. and are to be sold by
+ most Booksellers. MDCLXXIV." 12mo. I do not know anything of the author's
+ character, but he appears to have been a right-minded man, in so far as he
+ (like yourself) expected to find "wit revived" by its digestion into "most
+ ingenious questions and answers;" though his notion that asking and
+ answering questions was a <i>new</i> way of divertisement, seems to indicate
+ an imperfect knowledge of the nature and history of mankind; but my query is
+ simply genealogical.</p>
+
+ <p class="author">H. F. W.</p>
+ <hr />
+
+ <h2>MACAULAY'S "YOUNG LEVITE."</h2>
+
+ <p>Sir,&mdash;The following passage from the <i>Anatomy of Melancholy</i>,
+ published 1651, struck me as a curious corroboration of the passage in Mr.
+ Macaulay's <i>History</i> which describes the "young Levite's" position in
+ society during the seventeenth century; and as chance lately threw in my way
+ the work from which Burton took his illustration, I take the liberty of
+ submitting Notes of both for your examination.</p>
+
+ <blockquote>
+ "If he be a trencher chaplain in a gentleman's house (as it befel
+ Euphormio), after some seven years' service he may perchance have a living
+ to <span class="pagenum"><a id="page27" name="page27"></a>{27}</span> the
+ halves, or some small rectory, with the mother of the maids at length, a
+ poor kinswoman, or a crackt chambermaid, to have and to hold during the
+ time of his life."&mdash;Burton, <i>Anat. of Mel.</i> part i. sect. 2.
+ mem. 3. subsect 15.
+ </blockquote>
+
+ <p>Burton is here referrng to the <i>Euphormionis Lusinini Satyricon</i>,
+ published anno 1617. It professes to be a satire, or rather A FURIOUS
+ INVECTIVE, on the corrupt manners of the times, and is in four parts: the
+ 1st is dedicated to King James I.; the 2nd to Robert Cecil; the 3rd to
+ Charles Emmanuel of Savoy; the 4th to Louis XIII., King of France.</p>
+
+ <p>The use that Burton makes of the name of Euphormio is any thing but
+ happy. He was not a "<i>trencher chaplain</i>" but the slave of a rich
+ debauchée, Callion, sent in company with another slave, Percas, to carry
+ some all-potent nostrum to Fibullius, a friend of Callion, who was suffering
+ from an attack of stone. Euphormio cures Fibullius, not by the drug with
+ which he was armed, but by a herb, which he sought for and found on a
+ mountain. Fibullius, to reward his benefactor, offers him as a wife a most
+ beautiful girl, whom he introduces to him privately while in his sick room.
+ Euphormio looks with no little suspicion on the offer; but, after a few
+ excuses, which are overruled by Fibullius, accepts the lady as his
+ betrothed, "seals the bargain with a holy kiss," and walks out of the room
+ (to use his own words) "et sponsus, et quod nesciebam&mdash;Pater," page
+ 100. The next mention of this lady [evidently the prototype of the "crackt
+ chambermaid,"] is in page 138. Callion had paid his sick friend Fibullius a
+ visit, and, on the eve of his departure, had ordered Euphormio to ride post
+ before him, and prepare the inhabitants of the districts through which he
+ was to pass for his arrival. While Euphormio is on the horseblock in the act
+ of mounting his steed, a rustic brings him a letter from Fibullius, and in
+ conversation gives him such an account of his bride as forces upon him the
+ reflection, that even the grim Libitina would be preferable, as a bride, to
+ so confirmed a Thais, so fruitful a partner, as the <i>protegée</i> of
+ Fibullius would be likely to prove. But, as these <i>notes</i> have, in
+ spite of all my attempts at condensation, already grown to a most formidable
+ size, I will not indulge in any moral reflections; but conclude by
+ <i>querying</i> you, or any of your readers, to inform me whether the
+ personages mentioned in the <i>Euphorm. Lus. Satyricon</i>, such as Callion,
+ Pereas, Fibullius, &amp;c., are real characters or not? as, in the former
+ case, I am inclined to think that the work might throw some interesting
+ lights on the private manners and characters of some of the courtiers of the
+ day. "No scandal against any of the maids of honour"&mdash;of course. The
+ phrase "<i>To the halves</i>" (in the quotation from Burton) means,
+ inadequate, insufficient; we still talk of "half and half" measures.
+ Montanus inveighs against such "perturbations, that purge <i>to the
+ halves</i>, tire nature, and molest the body to no purpose."&mdash;Burton,
+ <i>Anat. of Mel.</i>, part. ii. sect. 2. mem. 4. subsect. 6.</p>
+
+ <p class="author">MELANION.</p>
+
+ <p class="note">[The work referred to by our correspondent was written by
+ Barclay, better known as the author of the <i>Argenis</i>. The First Part of
+ the <i>Satyricon</i>, dedicated to James the First, was published, London,
+ 12mo. 1603; and with the addition of the 2nd Part, Paris, 1605. The best
+ edition of the work (which, really in two parts, is made, by the addition of
+ the <i>Apologia Euphormionis</i>, &amp;c. sometimes into five) is said to be
+ the Elzevir 12mo., 1637. There are two editions of it <i>cum notis
+ variorum</i>, Leyden, 1667 and 1669, 8vo., in two volumes. Of some of the
+ editions (as that of 1623, 12mo.) it is said, "adjecta Clavi sive obscurorum
+ et quasi ænigmaticorum nominum, in hoc Opere passim occurrentium, dilucida
+ explicatione." The <i>Satyricon</i> was twice translated into French; and
+ its literary history, and that of the <i>Censura Euphormionis</i>, and other
+ tracts, which it called forth, might furnish a curious and amusing
+ paper.]</p>
+ <hr />
+
+ <h2>SERMONES SANCTI CAROLI BORROMÆI.</h2>
+
+ <p>Sir,&mdash;I have been wanting to get a sight of the following work,
+ "Sermones Sancti Caroli Borromæi, Archiepisc. Mediol. Edidit. J.A. Saxius. 5
+ Tom. Mediol. 1747." Can I learn through your columns whether the work is any
+ where accessible in London? I sought for it in vain at the British Museum a
+ twelvemonth ago; nor, though then placed in their list of <i>Libri
+ desiderati</i>, has it yet been procured.</p>
+
+ <p class="author">C. F. SECRETAN.</p>
+ <hr />
+
+ <h2>LUTHER AND ERASMUS.</h2>
+
+ <p>Mr. Editor,&mdash;The following lines, written in a hand of the early
+ part of the seventeenth century, occur on the fly-leaf of a copy of the
+ <span class="pagenum"><a id="page28" name="page28"></a>{28}</span>
+ <i>Translation of Luther on the Galatians</i>, edit. London, 4to. 1577. Can
+ any of your readers oblige me by informing me who was their author?</p>
+
+ <div class="poem">
+ <p>"Parum Lutherus ac Erasmus differunt</p>
+
+ <p>Serpens uterque est, plenus atro toxico;</p>
+
+ <p>Sed ille mordet ut cerastes in via,</p>
+
+ <p>Hic fraudulentus mordet in silentio."</p>
+ </div>
+
+ <p>Your obedient servant,</p>
+
+ <p class="author">ROTERODAMUS.</p>
+ <hr />
+
+ <h2>TOWER ROYAL&mdash;CONSTITUTION HILL&mdash;COUNTESS OF PEMBROKE'S
+ LETTER&mdash;TENNISON'S FUNERAL SERMON ON NELL GWYNNE.</h2>
+
+ <p>Sir,&mdash;I should be glad to obtain answers to any or all of the
+ following Queries:&mdash;</p>
+
+ <p>1. What is the origin of the name TOWER ROYAL, as applied to a London
+ locality, and when did our kings (if they ever inhabited it) cease to
+ inhabit it?</p>
+
+ <p>2. When was CONSTITUTION HILL first so called, and why?</p>
+
+ <p>3. Is there any contemporary copy of the celebrated letter said to have
+ been written by Anne Pembroke, Dorset and Montgomery, to Sir Joseph
+ Williamson? It first appeared in <i>The World</i>.</p>
+
+ <p>4. Does a copy exist in MS., or in print, of the sermon which Archbishop
+ Tennison preached at the funeral of Nell Gwynne?</p>
+
+ <p class="author">PETER CUNNINGHAM.</p>
+ <hr />
+
+ <h2>GROG&mdash;BISHOP BARNABY.</h2>
+
+ <p>Mr. Editor,&mdash;I hope you intend to keep a corner for Etymologies.</p>
+
+ <p>Query, the origin of the word "Grog?"&mdash;And why do the people in
+ Suffolk call a ladybird "Bishop Barnaby?"</p>
+
+ <p>If you can enlighten me upon either of these points, I shall feel
+ encouraged to try again.</p>
+
+ <p>Yours, &amp;c.</p>
+
+ <p class="author">LEGOUR.</p>
+ <hr />
+
+ <h2>NOTES FROM FLY-LEAVES, NO. II.</h2>
+
+ <h3>DR. FARMER ON DRAYTON'S WORKS.</h3>
+
+ <p>The following bibliographical memoranda, in the well-known hand of Dr.
+ Farmer, occur in a copy of the edition of Drayton's <i>Poems</i> published
+ in 1619, in small folio, by John Smethwick, which contains "The Barons'
+ Wars; England's Heroical Epistles; Idea; Odes; The Legends of Robert Duke of
+ Normandie, Matilda, Pierce Gaveston, and Great Cromwell; The Owle; and
+ Pastorals, containing Eglogues, with the Man in the Moone."</p>
+
+ <p>They may be of use to some future editor of Drayton, an author now
+ undeservedly neglected, whose <i>Nymphidia</i> alone might tempt the
+ tasteful publisher of the "Aldine Poets" to include a selection, at least,
+ of his poems in that beautiful series:&mdash;</p>
+
+ <blockquote>
+ <p>"The works of Michael Drayton, Esq., were reprinted in folio, 1748. The
+ title-page 'promises all the writings of that <i>celebrated author</i>,'
+ but his Pastorals (p.433. &amp;c., first published imperfectly in 4to.
+ 1593) and many other of his most considerable compositions (Odes, the
+ Owle, &amp;c., see the Appendix), are not so much as spoken of. See his
+ article in the <i>Biog. Brit.</i> by Mr. Oldys, curiously and accurately
+ written.</p>
+
+ <p>"Another edition (which is called the <i>best</i>) was printed in 4
+ vols. 8vo. 1753. Robson, 1765.</p>
+
+ <p>"A Poem Triumphant, composed for the Society of the Goldsmiths of
+ London, by <i>M. Drayton</i>. 4to. 1604. <i>Harl. Cat.</i> v.3. p.
+ 357.</p>
+
+ <p>"Charles Coffey was the editor of the folio edit. 1748, he had a
+ large&lt;
+ subscription for it, but died before the publication; and it was afterward
+ printed for the benefit of his widow. See Mottley, p. 201.</p>
+
+ <p>"The print of Drayton at the back of the title-page, is marked in
+ Thane's Catalogue, 1774, 7s. 6d.</p>
+
+ <p>"N.B. The copy of the <i>Baron's Warres</i> in this edition differs in
+ almost every line from that in the 8vo. edit. 1610.</p>
+
+ <p>"It was printed under the title of Mortimeriados, in 7 line
+ stanzaes.</p>
+
+ <p>"Matilda was first printed 1594, 4to., by Val. Simmes. Gaveston appears
+ by the Pref. to have been publish't before. Almost every line in the old
+ 4to. of Matilda differs from the copy in this edit. A stanza celebrating
+ Shakespeare's Lucrece is omitted in the later edition.</p>
+
+ <p>"Idea. The Shepherd's Garland. Fashion'd in 9 Eglogs. Rowland's
+ sacrifice to the 9 Muses, 4to. 1593. But they are printed in this Edition
+ very different from the present Pastorals.</p>
+
+ <p>"A sonnet of Drayton's prefixed to the 2nd Part of <i>Munday's
+ Primaleon of Greece</i>, B.L. 4to. 1619."</p>
+ </blockquote>
+
+ <div class="note">
+ <p>[The stanza in <i>Matilda</i>, celebrating Shakespeare's
+ <i>Lucrece</i>, to which Dr. Farmer alludes, is thus quoted by Mr. Collier
+ in his edition of Shakespeare (viii. p. 411.):&mdash;</p>
+
+ <div class="poem">
+ <p>"Lucrece, of whom proud Rome hath boasted long,</p>
+
+ <p class="i2">Lately revived to live another age,</p>
+
+ <p>And here arrived to tell of Tarquin's wrong,</p>
+
+ <p class="i2">Her chaste denial, and the tyrant's rage,</p>
+ <span class="pagenum"><a id="page29" name="page29"></a>{29}</span>
+ <p>Acting her passions on our stately stage:</p>
+
+ <p class="i2">She is remember'd, all forgetting me,</p>
+
+ <p class="i2">Yet I as fair and chaste as e'er was she;"&mdash;</p>
+ </div>
+
+ <p>who remarks upon it as follows:&mdash;</p>
+
+ <blockquote>
+ "A difficulty here may arise out of the fifth line, as if Drayton was
+ referring to a play upon the story of Lucrece, and it is very possible
+ that one was then in existence. Thomas Heywood's tragedy, <i>The Rape of
+ Lucrece,</i> did not appear in print until 1608, and he could hardly
+ have been old enough to have been the author of such a drama in 1594; he
+ may, nevertheless, have availed himself of an elder play, and, according
+ to the practice of the time, he may have felt warranted in publishing it
+ as his own. It is likely, however, that Drayton's expressions are not to
+ be taken literally; and that his meaning merely was, that the story of
+ Lucrece had lately been revived, and brought upon the stage of the
+ world: if this opinion be correct, the stanza we have quoted above
+ contains a clear allusion to Shakespeare's <i>Lucrece</i>; and a
+ question then presents itself, why Drayton entirely omitted it in the
+ after-impression of his <i>Matilda</i>. He was a poet who, as we have
+ shown in the Introduction to <i>Julius Cæsar</i> (vol. viii. p. 4.), was
+ in the habit of making extensive alterations in his productions, as they
+ were severally reprinted, and the suppression of this stanza may have
+ proceeded from many other causes than repentance of the praise he had
+ bestowed upon a rival."]
+ </blockquote>
+ </div>
+ <hr />
+
+ <h2>BODENHAM, OR LING'S POLITEUPHUIA.</h2>
+
+ <p>Sir,&mdash;The following is an extract from a Catalogue of Books for
+ sale, issued by Mr. Asher, of Berlin, in 1844:&mdash;</p>
+
+ <blockquote>
+ <p>"Bodenham? (Ling?), Politeuphuia. Wits commonwealth, <i>original
+ wrapper, vellum</i>. VERY RARE.</p>
+
+ <p>"80 fr. 8vo. London, for Nicholas Ling, 1597.</p>
+
+ <p>"This book, 'being a methodical collection of the most choice and
+ select admonitions and sentences, compendiously drawn from infinite
+ varietie,' is quoted by Lowndes under Bodenham, as first printed in 1598;
+ the Epistle dedicatory however of the present copy is signed: 'N. Ling',
+ and addressed 'to his very good friend Maister I.B.,' so that Ling appears
+ to have been the author, and this an edition unknown to Lowndes or any
+ other bibliographer."</p>
+ </blockquote>
+
+ <p>This seems to settle one point, perhaps a not very important one, in our
+ literary history; and as such may deserve a place among your "NOTES."</p>
+
+ <p class="author">BOOKWORM.</p>
+ <hr />
+
+ <h2>COLLEY CIBBER'S APOLOGY.</h2>
+
+ <p>Mr. Editor,&mdash;No doubt most of your readers are well acquainted with
+ Colley Cibber's <i>Apology for his Life</i>, &amp;c., first printed, I
+ believe, in 1740, 4to, with a portrait of himself, painted by Vanloo, and
+ engraved by Vandergucht. Chapters IV. and V. contain the celebrated
+ characters he drew of the principal performers, male and female, in, and
+ just before, his time, viz. Betterton, Montfort, Kynaston, &amp;c. Upon
+ these characters I have two questions to put, which I hope some of your
+ contributors may be able to answer. The first is, "Were these characters of
+ actors reprinted in the same words, and without additions, in the subsequent
+ impressions of Cibber's <i>Apology</i> in 8vo?" Secondly, "Had they ever
+ appeared in any shape before they were inserted in the copy of Cibber's
+ <i>Apology</i> now before me, in 1740, 4to?" To this may be added, if
+ convenient, some account of the work in which these fine criticisms
+ originally appeared, supposing they did not first come out in the
+ <i>Apology</i>. I am especially interested in the history of the Stage about
+ the period when the publication of these characters formed an epoch.</p>
+
+ <p>I am, Mr. Editor, yours,</p>
+
+ <p class="author">DRAMATICUS.</p>
+ <hr />
+
+ <h2>A MAIDEN ASSIZE&mdash;WHITE GLOVES.</h2>
+
+ <p>Mr. Editor.&mdash;I forward for insertion in your new publication the
+ following "Note," taken from the <i>Times</i> of the 20th of August,
+ 1847:&mdash;</p>
+
+ <p>"A Fortunate County.&mdash;In consequence of there being no prisoners,
+ nor business of any kind to transact at the last assizes for the county of
+ Radnor, the high sheriff, Mr. Henry Miles, had to present the judge, Mr.
+ Justice Cresswell, with a pair of white kid gloves, embroidered in gold, and
+ which have been forwarded to his lordship; a similar event has not taken
+ place for a considerable number of years in that county. His lordship
+ remarked that it was the first time it had occurred to him since he had been
+ on the Bench."</p>
+
+ <p>And I beg to append it as a "Query," which I shall gladly see answered by
+ any of your correspondents, or my professional brethren,&mdash;"What is the
+ origin of this singular custom, and what is the earliest instance of it on
+ record?"</p>
+
+ <p class="author">A LIMB OF THE LAW. <span class="pagenum"><a id="page30"
+ name="page30"></a>{30}</span></p>
+ <hr class="full" />
+
+ <h2>BOOKS AND ODD VOLUMES WANTED TO PURCHASE</h2>
+
+ <p>JONES (EDMUND) GEOGRAPHICAL, HISTORICAL, AND RELIGIOUS ACCOUNT OF
+ ABERYSTWITH. 8VO. Trevecka, 1779.</p>
+
+ <p>CARTARI.&mdash;LA ROSA D'ORO PONTIFICIA, ETC. 4to. Rome. 1681.</p>
+
+ <p>SHAKSPEARE'S DRAMATIC WORKS.&mdash;The <i>Fourth</i> Volume of
+ WHITTINGHAM'S Edition, in 7 vols, 24mo. Chiswick. 1814.</p>
+
+ <p>M. C. H. BROEMEL, FEST-TANZEN DER ERSTEN CHRISTEN. Jena, 1705.</p>
+
+ <p>*** Letters stating particulars and lowest price, <i>carriage free</i>,
+ to be sent to MR. BELL, Publisher of "NOTES AND QUERIES," 186. Fleet
+ Street.</p>
+ <hr />
+
+ <h2>NOTICES TO CORRESPONDENTS.</h2>
+
+ <p>The matter is so generally understood with regard to the management of
+ periodical works, that it is hardly necessary for the Editor to say that
+ <i>HE CANNOT UNDERTAKE TO RETURN MANUSCRIPTS</i>; but on one point he wishes
+ to offer a few words of explanation to his correspondents in general, and
+ particularly to those who do not enable him to communicate with them except
+ in print. They will see, on a very little reflection, that it is plainly his
+ interest to take all he can get, and make the most, and the best, of
+ everything; and therefore he begs them to take for granted that their
+ communications are received, and appreciated, even if the succeeding Number
+ bears no proof of it. He is convinced that the want of specific
+ acknowledgment will only be felt by those who have no idea of the labour and
+ difficulty attendant on the hurried management of such a work, and of the
+ impossibility of sometimes giving an explanation, when there really is one
+ which would quite satisfy the writer, for the delay or non-insertion of his
+ communication. Correspondents in such cases have no reason, and if they
+ understood an editor's position they would feel that they have no right, to
+ consider themselves undervalued; but nothing short of personal experience in
+ editorship would explain to them the perplexities and evil consequences
+ arising from an opposite course.</p>
+ <hr />
+
+ <p>MYTHOS is thanked for his kind hints, which shall not be lost sight of.
+ We have abundance of NOTES on the subject, not only of the SEVEN WISE
+ MASTERS, but of that other treasury of ancient fictions, the GESTA
+ ROMANORUM, which we shall bring forward as opportunity offers.</p>
+
+ <p>S.Y. The edition of Chaucer, in five volumes 12mo, edited by Singer, in
+ 1822, was the only modern library edition of the "<i>Works</i>" until the
+ appearance of Sir H. Nicolas's edition in the Aldine Poets. Bell's edition,
+ in 14 volumes, and Dolby's in 2, though they may have done much to extend a
+ knowledge of the writings of the Father of English Poetry, can scarcely be
+ called library editions.</p>
+
+ <p>A.P. will see the matter he refers to illustrated in an early number.</p>
+
+ <p>COMMUNICATIONS RECEIVED.&mdash;J.H.H.&mdash;M.&mdash;&Phi;&mdash;T.
+ Jones&mdash;&Sigma;&mdash;Buriensis.&mdash;G.H.B.&mdash;W.B.B.</p>
+
+ <p>BOOKS AND ODD VOLUMES WANTED. We believe that this will prove one of the
+ most useful divisions of our weekly Sheet. Gentlemen who may be unable to
+ meet with any book or volume, of which they are in want, may upon
+ furnishing name, date, size, &amp;c, have it inserted in this list, <i>free
+ of cost</i>. Persons having such volumes to dispose of are requested to send
+ reports of price, &amp;c. to Mr. Bell, our Publisher.</p>
+ <hr class="adverts" />
+
+ <p>Shortly will be published,</p>
+
+ <p>BIBLIOGRAPHIE BIOGRAPHIQUE ou Dictionnaire de 33,000 Ouvrages, tant
+ Anciens que Modernes relatifs, à l'Histoire de la Vie des Hommes célèbres. 1
+ vol. imp. 8vo., double columns; about 900 pages. Price about 2l. 12s.
+ 6d.</p>
+
+ <p>A Prospectus may be had, and orders are received by WILLIAMS AND NORGATE,
+ 14 Henrietta Street, Covent Garden.</p>
+ <hr class="full" />
+
+ <p>THE CAMDEN SOCIETY FOR THE PUBLICATION OF EARLY HISTORICAL AND LITERARY
+ REMAINS.</p>
+
+ <p>The following works are now ready for delivery to Members who have paid
+ their Annual Subscription of 1l., due on the first of May last.&mdash;</p>
+
+ <p>I. INEDITED LETTERS OF QUEEN ELIZABETH, AND KING JAMES VI. From the
+ Originals in the possession of the Rev. Edward Ryder, of Oaksey, Wilts., and
+ from a MS. formerly belonging to Sir P. Thompson. Edited by JOHN BRUCE,
+ Esq., Treas. S.A.</p>
+
+ <p>II. THE CHRONICLE OF THE ABBEY OF PETERBOROUGH; from a MS. in the Library
+ of the Society of Antiquaries. Edited by THOMAS STAPLETON, Esq., F.S.A.</p>
+
+ <p>WILLIAM J. THOMS, Secretary.</p>
+
+ <p>Applications from Members who have not received their copies may be made
+ to Messrs. Nichols, 25. Parliament Street, Westminster, from whom
+ prospectuses of the Society (the annual subscription to which is 1l.) may be
+ obtained, and to whose care all communications for the Secretary should be
+ addressed.</p>
+ <hr class="full" />
+ <span class="pagenum"><a id="page31" name="page31"></a>{31}</span>
+
+ <p>NOTES AND QUERIES; A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN,
+ ARTISTS, ANTIQUARIES, GENEALOGISTS, ETC.</p>
+
+ <p>Among the many periodicals which issue from the press, daily, weekly,
+ monthly, or quarterly, there is not one especially intended to assist Men of
+ Letters and of research in their pursuits. Literary Journals there are in
+ abundance, many of them of the highest degree of merit, which in their
+ Reviews and Announcements show the current sayings and doings of the
+ literary world. There is not, however, one among them in which the reading
+ many may note, for the use of himself and his fellow-labourers in the wide
+ field of Literature, the minute facts which he meets with from time to time,
+ and the value of which he so well knows, or insert his <i>Queries</i>, in
+ the hope of receiving satisfactory answers from some of his literary
+ brethren.</p>
+
+ <p>NOTES AND QUERIES, A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, is,
+ as its name implies, intended to supply this deficiency. Those who meet with
+ facts worthy of preservation, may record them in its columns; while those,
+ again, who are pursuing literary inquiries, may, through this MEDIUM, ask
+ for information on points which have baffled their own individual
+ researches. How often is even the best informed writer stopped by an
+ inability to solve some doubt or understand some obscure allusion which
+ suddenly starts up before him! How often does a reading man stumble upon
+ some elucidation of a doubtful phrase, or disputed passage;&mdash;some
+ illustration of an obsolete custom hitherto unnoticed;&mdash;some
+ biographical anecdote or precise date hitherto unrecorded;&mdash;some book,
+ or some edition, hitherto unknown or imperfectly described.</p>
+
+ <p>This Publication, as everybody's common-place book, will be a depository
+ for those who find such materials, and a resource for those who are in
+ search of them; and if the Editor is enabled by the inter-communication of
+ his literary friends, to realise his expectations, it will form a most
+ useful supplement to works already in existence,&mdash;a treasury for
+ enriching future editions of them,&mdash;and an important contribution
+ towards a more perfect history than we yet possess of our Language, our
+ Literature, and those to whom we owe them.</p>
+
+ <p>NOTES AND QUERIES will be published every Saturday, price 3d., or
+ stamped, 4d., and may be had, by order, of all Booksellers and Newsmen, and
+ will also be issued in Parts at the end of each Month.</p>
+
+ <p>Communications for the Editor may be addressed to the Publisher, Mr.
+ GEORGE BELL, No. 186. Fleet Street, by whom also Advertisements will be
+ received.</p>
+ <hr class="full" />
+
+ <p>Preparing for Publication, in One Vol. 8vo.</p>
+
+ <p>ILLUSTRATIONS of the REMAINS of ROMAN ART in CIRENCESTER, the SITE of
+ ANCIENT CORINIUM. By JAMES BUCKMAN, F.G.S. and C.H. NEWMARCH, Esq.</p>
+
+ <p>The work will have reference principally to the illustration of the
+ following subjects:</p>
+
+ <p>1. The remains of the architecture of Corinium, including detailed
+ drawings and descriptions of the fine Tesselated Pavements, especially the
+ one recently discovered, as also the beautiful specimen on the estate of the
+ Right Hon. Earl Bathurst.</p>
+
+ <p>2. The specimens of Roman Pottery&mdash;Vases, Urns, &amp;c.</p>
+
+ <p>3. Works in Metals&mdash;Statuettes, Ornaments, &amp;c. &amp;c.</p>
+
+ <p>4. Coins.</p>
+
+ <p>In order that due justice may be done to the Illustration of these
+ Remains, it is intended to have them executed in the first style of art, and
+ only a limited number of impressions will be taken.</p>
+
+ <p>To secure early copies, orders must be addressed at once to Messrs. BAILY
+ and JONES, Cirencester, or Mr. GEORGE BELL, 186. Fleet Street.</p>
+
+ <p>Price to Subscribers, 12s.</p>
+
+ <p>*** After the close of the Subscription List, the price will be raised to
+ 15s.</p>
+
+ <p>N.B.&mdash;Any person possessing Roman Antiquities from Cirencester, will
+ confer a great favour on the Authors by communicating intelligence of them
+ to Messrs. Baily and Jones.</p>
+
+ <p>London: GEORGE BELL, 186. Fleet Street.</p>
+ <hr class="full" />
+
+ <p>Nearly ready.</p>
+
+ <p>THE PRIMEVAL ANTIQUITIES of DENMARK. By J. J. A. WORSAAE, Member of the
+ Royal Society of Antiquaries of Copenhagen, and a Royal Commissioner for the
+ preservation of the National Monuments of Denmark. Translated and applied to
+ the Illustration of similar Remains in England. By WILLIAM J. THOMS, F.S.A.,
+ Secretary of the Camden Society. Illustrated with numerous Woodcuts.</p>
+
+ <p>While so many publications illustrative of the Archaeology of Egypt,
+ Greece, and Rome, have appeared in this country, few attempts have been made
+ to give a systematic view of the early Antiquities of the British
+ Islands.</p>
+
+ <p>The work, of which the present volume is a translation, was originally
+ written by Mr. Worsaae, for the Copenhagen Society for the Promotion of
+ Useful Knowledge, and intended in the first place, to show how the early
+ history of the country might be read through its monuments, and in the
+ second, to awaken a greater interest for their preservation. It has been
+ translated and applied to the History of similar Remains in England, in the
+ hope that it will be found a useful Handbook for the use of those who desire
+ to know something of the nature of the numerous Primeval Monuments scattered
+ over these Islands, and the light which their investigation is calculated to
+ throw over the earliest and most obscured periods of our national
+ history.</p>
+
+ <p>Oxford: JOHN HENRY PARKER, and 377. Strand.</p>
+ <hr class="full" />
+ <span class="pagenum"><a id="page32" name="page32"></a>{32}</span>
+
+ <p>ILLUSTRATED WORKS.</p>
+
+ <p>AN INTRODUCTION to the STUDY of GOTHIC ARCHITECTURE, with numerous
+ Illustrations. Nearly ready.</p>
+
+ <p>THE PRIMÆVAL ANTIQUITIES OF DENMARK. By J. J. A. WORSAAE, Member of the
+ Royal Society of Antiquaries of Copenhagen. Translated and applied to the
+ Illustration of similar Remains in England, by WILLIAM J. THOMS, F.S.A.,
+ Secretary of the Camden Society. With numerous Illustrations. 8vo. 10s.
+ 6d.</p>
+
+ <p>A MANUAL FOR THE STUDY OF SEPULCHRAL SLABS AND CROSSES OF THE MIDDLE
+ AGES. By the Rev. EDWARD L. CUTTS, B.A. 8vo. Illustrated by upwards of 300
+ Engravings. 12s.</p>
+
+ <p>WORKING DRAWINGS of STRIXTON CHURCH, NORTHAMPTONSHIRE&mdash;Views,
+ Elevations, Sections, and Details of. By EDWARD BARR, Esq., Architect. 12
+ Plates. Folio. 10s6d. A small Church in the Early English Style; calculated
+ for 200 persons; to cost about 800l.</p>
+
+ <p>A BOOK OF ORNAMENTAL GLAZING QUARRIES, collected and arranged from
+ Ancient Examples. By AUGUSTUS WOLLASTON FRANKS, B.A. With 112 Coloured
+ Examples. 8vo. 16s.</p>
+
+ <p>"Designed as a supplemental volume to Mr. Winston's Book on Painted
+ Glass, is an admirable collection. The subjects are accurately traced, and
+ the nicety of the tint and leading preserved. The examples are classed, and
+ an ingenious Introduction displays the taste and research of the
+ author."&mdash;<i>Christian Remembrancer</i>.</p>
+
+ <p>AN INQUIRY INTO THE DIFFERENCE OF STYLE OBSERVABLE IN ANCIENT PAINTED
+ GLASS, with Hints on Glass Painting, illustrated by numerous Coloured Plates
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+
+ <p>AN ATTEMPT TO DISCRIMINATE THE DIFFERENT STYLES OF ARCHITECTURE IN
+ ENGLAND. By the late THOMAS RICKMAN, F.S.A. With 30 Engravings on Steel by
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+
+ <p>A GLOSSARY OF TERMS USED IN BRITISH HERALDRY, with a Chronological Table
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+
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+ President of Trinity College. Second edition. 2 vols. 8vo. 1l. 10s.</p>
+ <hr class="full" />
+
+ <p>THEOLOGICAL WORKS.</p>
+
+ <p>A HISTORY OF THE CHURCH OF ENGLAND, from the Earliest Times to the
+ Revolution of 1688. By the late Rev. J. B. CARWITHEN. A New Edition, revised
+ and corrected. 2 vols. small 8vo. 12s.</p>
+
+ <p>OF THE IMITATION OF CHRIST. Four Books by THOMAS A KEMPIS. A new edition
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+ lines, cloth, 5s., morocco, 9s. Also kept in antique calf binding, vermilion
+ edges, 10s. 6d.</p>
+
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+
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+
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+ cloth, gilt edges, 4s.</p>
+
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+ 18mo., complete in 1 vol. cloth 4s.</p>
+
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+
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+
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+ cloth, 3s. 6d.; morocco, 5s.</p>
+
+ <p>THE CHILD'S CHRISTIAN YEAR; Hymns for every Sunday and Holyday in the
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+
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+ <hr class="full" />
+
+ <p>Printed by THOMAS CLARK SHAW, of No. 8. New Street Square, at No. 5. New
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+ Dunstan in the West, in the City of London, Publisher, at No. 186. Fleet
+ Street aforesaid.&mdash;Saturday, November 10, 1849.</p>
+
+<div>*** END OF THE PROJECT GUTENBERG EBOOK 11265 ***</div>
+</body>
+</html>
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+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
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+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #11265 (https://www.gutenberg.org/ebooks/11265)
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+Project Gutenberg's Notes and Queries, No. 2, November 10 1849, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Notes and Queries, No. 2, November 10 1849
+
+Author: Various
+
+Release Date: February 24, 2004 [EBook #11265]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES, NO. 2 ***
+
+
+
+
+Produced by Jon Ingram, and the Online Distributed Proofreading Team.
+
+
+
+
+[Transcriber's Note:
+In the section 'NOTES UPON "NOTES, NO. 1."' there are several 'C's
+which have been flipped along a vertical axis. These have been denoted
+by [*C].]
+
+{17} NOTES AND QUERIES:
+
+A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS, ANTIQUARIES,
+GENEALOGISTS, ETC.
+
+ * * * * *
+
+"When found, make a note of."--CAPTAIN CUTTLE.
+
+ * * * * *
+
+No. 2.]
+SATURDAY, NOVEMBER 10. 1849.
+[Price Threepence. Stamped Edition 4d.
+
+ * * * * *
+
+A FEW WORDS TO OUR FRIENDS.
+
+In our opening Address we carefully avoided any thing at all approaching
+to a boast of what we would, or even what we hoped to perform. We stated
+that "we would rather give a specimen than a description." We are now in
+like manner unwilling to point as exultingly, as we think we might, to
+the position which we have already taken. But there is a vast difference
+between vain boasting and the expression of an honest satisfaction; and
+it would be worse than an affectation of humility--it would be a mean
+hypocrisy--if we did not express heartily and unreservedly the gratitude
+we owe and feel to those who have encouraged us by their friendly advice
+and able pens. We have opened a Literary Exchange, and we have had the
+gratification to see that men whose learning and talents the public
+recognise--leaders in their several branches of inquiry--have at once
+taken advantage of it. They have proved the necessity for some such
+medium of communication, as well as their good-will to the one now
+offered to them, by a gathering in its behalf which the public will
+respect, and of which we may well feel proud.
+
+Some whose good opinion we most value, and who have spoken most warmly
+in favour of our plan, have proved the sincerity of their praise by
+suggestions of improvement in its detail, and hints for its further
+extension. They may feel assured that such hints and such suggestions
+shall not be lost sight of. For instance, one respected correspondent
+hints that as we have very properly adopted Dr. Maitland's suggestion
+with regard to Herbert's edition of Ame's _Typographical Antiquities_,
+namely, that of "offering a receptacle for illustrations, additions, and
+corrections," and invited "our readers to take advantage of our columns
+to carry out Dr. Maitland's suggestions," we should open our columns
+with equal readiness to the correction and illustration of more modern
+and more popular works. We entirely concur with him; but in reference to
+this subject there is a distinction which must be borne in mind. Our own
+literature, like that of every other country, consists of two classes of
+books. We have the books of pretenders to knowledge, the hasty, crude,
+imperfect, but often for the time attractive and popular volumes of the
+Ned Purdons of the day. These books have a use--such as it is--and thus
+answer their purpose; but it would be for the credit of our literature,
+and save a world of trouble, if they were forgotten as soon as they had
+done so. To illustrate such books, to add to their information or
+correct their blunders, would be useless and almost ridiculous. They
+should be left to die of mere powerlessness and exhaustion, or to wither
+under the wholesome influence of a just and manly criticism.
+
+But there are books of another kind--books {18} which our worthy
+bibliopoles designate as "standard works." These are the books of
+competent workmen--books which are the result of honest labour and
+research, and which from the moment of their publication assume a
+permanent station in our national literature. Even in such books there
+are many things incomplete, many things erroneous. But it is the
+interest of every man that such books should be rendered as complete as
+possible; and whatever tends to illustrate or correct works of that
+class will be sure of insertion in our columns.
+
+We would point to Macaulay's _England_, and Hallam's _Introduction to
+the Literary History of the 15th, 16th, and 17th Centuries_, his _Middle
+Ages_, and his _Constitutional History_, and we may add, as
+illustrations of a different kind, _The Annals of the Stage_ of our
+excellent friend Mr. Collier, and _The Handbook of London_ of our valued
+contributor Mr. Peter Cunningham, as examples of the sort of
+publications to which we allude. Such were the books we had in our mind,
+when we spoke in our Prospectus of the "NOTES AND QUERIES" becoming,
+through the inter-communication of our literary friends, "a most useful
+supplement to works already in existence--a treasury towards enriching
+future editions of them."
+
+Another correspondent--a bibliographical friend--suggests that, for
+various reasons, which bibliographers will appreciate, our Prospectus
+should have a place in the body of our work. We believe that many of our
+readers concur in a wish for its preservation, and it will therefore be
+found in the Number now before them.
+
+One suggestion again urges us to look carefully to Foreign Literature,
+and another points out the propriety of our making our paper as British
+as possible, so that our topographical facts should, as far as
+practicable, be restricted to the illustration of British counties, and
+our biographical ones to such as should contribute towards a Biographia
+Brittanica.
+
+All these, and many other expressions of sympathy and promises of
+support, poured in upon us within a few hours after our birth. No one of
+them shall be forgotten; and if for a time our pages seem to indicate
+that we have made a QUERY as to the adoption of any suggestion, let our
+kind contributors be assured that there is no hint which reaches us,
+whether _at present_ practicable or not, that we do not seriously and
+thankfully "make a NOTE of."
+
+ * * * * *
+
+BISHOP AYLMER'S LETTER, AND THE POEM ON THE ARMADA.
+
+As I am in a condition to answer the inquiry of your "Hearty
+Well-wisher," on p. 12 of your last Number of "NOTES AND QUERIES," I
+proceed to give him the information he asks. I shall be happy if what
+follows is of any use to your correspondent, taking it for granted that
+he is as zealous for your success as his signature indicates.
+
+The "foolish rhyme," to which the attention of the Bishop of London had
+been directed by Lord Burghley, has the subsequent doggrel title:--
+
+ "A Skeltonicall Salvtation,
+ Or condigne gratvlation,
+ And iust vexation
+ Of the Spanishe nation,
+ That in a bravado
+ Spent many a crvsado,
+ In setting forth an armado
+ England to invado."
+
+This is as the title stands in the Oxford impression (of which I never
+saw more than one copy, because, we may presume, it was suppressed by
+the authorities of the University), and the following is the imprint at
+the bottom of it:--"Printed at Oxford by Ioseph Barnes, and are to bee
+sold in Paules Churchyard, at the signe of the Tygres head, 1589."
+
+There exists several exemplars of the London edition--"Imprinted at
+London for Toby Cooke, 1589,"--the title-page of which, as well as the
+rest of the poem, differs only literally from that of Oxford, excepting
+that to the latter is appended a Latin version, also in rhyme, and in
+close imitation of the English. I subjoin a brief specimen of it:-- {19}
+
+ "Qui regis Hispanos,
+ Superbos et vanos,
+ Crudeles et insanos,
+ Multùm aberrasti,
+ Cùm tuos animasti,
+ Et bellum inchoasti
+ Contra Anglos animosos,
+ Fortes et bellicosos,
+ Nobiles et generosos.
+ Qui te excitavit
+ Proculdubio deliravit
+ Et te fascinavit," &c.
+
+The whole production consists only of ten leaves, 4to., and the Latin
+portion, which has the subsequent separate title-page, occupies four of
+them:--
+
+ "AD REGEM
+ HISPANVM.
+ Cum tua non fuerint heroica facta, Philippe,
+ Risu digna cano carmine ridiculo."
+
+I shall not here introduce any part of the English version, because one
+or two long quotations will be found in the introductory portion of the
+Rev. A. Dyce's excellent edition of Skelton's Works (2 vols. 8vo. 1843).
+Respecting the Latin portion I have been more particular, because the
+learned editor was not aware that the production had come from the press
+of Barnes of Oxford, nor that a Latin version was appended to it.
+
+I may take the liberty of adding here a mention of Skelton which escaped
+notice, and which is from one of the tracts against Thomas Nash,
+produced by Gabriel Harvey, the friend of Spenser. He couples Skelton
+and Scoggin together, in no very respectful manner, and completes the
+triumvirate by Nash, whom he here calls Signor Capriccio:--"And what
+riott so pestiferous as that which in sugred baites presenteth most
+poisonous hookes? Sir Skelton and Master Scoggin were but innocents to
+Signior Capricio."
+
+This quotation is the more noticeable, because it recognises the sacred
+character of Skelton (however unworthy of the gown) in the prefix "Sir,"
+which, as most people are aware, was then generally given to clergymen:
+Scoggin, on the other hand, is only styled "Master Scoggin."
+
+J. PAYNE COLLIER.
+
+[The preceding communication was already in type when we received the
+following from Mr. Bolton Corney, which we gladly print, inasmuch as it
+illustrates some points not touched upon by Mr. Collier.]
+
+ * * * * *
+
+QUERIES ANSWERED, NO. 1.
+
+It is not without some slight reluctance that I notice anonymous
+communications, but shall endeavour to repress such feelings with regard
+to the modest students who may choose to announce their desiderata
+through the convenient channel of the "NOTES AND QUERIES." A _hearty
+well wisher_ to so commendable an enterprise, shall have my first
+responsive scrap.
+
+The inquiry affords no scope for ingenuity of conjecture! The _foolish
+rime_ to which bishop Aylmer refers, is undoubtedly the pamphlet thus
+entitled:--
+
+ "A Skeltonicall salutation,
+ Or condigne gratulation,
+ And iust vexation
+ Of the Spanish nation,
+ That in a bravado
+ Spent many a crusado,
+ In setting forth an armado
+ England to invado."
+ Oxford, Joseph Barnes, 1589. 4to.
+ "A Skeltonicall salutation," &c.
+ Imprinted at London for Toby Cook, 1589. 4to.
+
+The Oxford edition is recorded by Ames, and there is a copy of the
+London edition in the British Museum. Strype, in his account of bishop
+Aylmer, gives the substance of the letter as his _own_ narrative, almost
+_verbatim_--but fails to identify the pamphlet in question. Park briefly
+describes it in _Censura Literaria_, 1815, ii. 18.; and there is a
+specimen of it in _The Poetical Works of John Skelton_, as edited by the
+Reverend Alexander Dyce, 1843.
+
+While _queries_ evince a sharp mental appetite, _answers_ help to
+satisfy it; and so, by their united influence, a brisk circulation of
+ideas may be produced--which, as master Burton assures us, wards off
+melancholy.
+
+BOLTON CORNEY.
+
+ * * * * *
+
+NOTES UPON "NOTES, NO. 1."
+
+Sir,--I take the liberty to send you one or two Notes on your first
+Number, just as they occur to me in looking it over. I will not trespass
+on you by preface or apology.
+
+The "_bibliographic project_" I shall rejoice {20} to see carried out; and
+though neither an unemployed aspirant nor a fortunate collector (of
+which class I hope many will be stimulated by the proposition), yet, as
+I once took some trouble in the matter, I should be happy to contribute
+some Notes then made whenever the plan is matured and the proposed
+appeal is made--provided (I must add, and to _you_ I may add) I can find
+them.
+
+The _Liber Sententiarum_ was printed by Limborch, at Amsterdam, in 1692.
+It forms the greater part, as, indeed, it was the occasion, of his folio
+volume, entitled "_Historia Inquisitionis cui subjungitur Liber
+Sententiarum Inquisitionis Tholosanæ ab anno Christi Cl[*C]CCCVI ad annum
+Cl[*C]CCCXXIII._" Gibbon, in a note on his fifty-fourth chapter, observes
+that the book "deserved a more learned and critical editor;" and, if
+your correspondent will only place the _Book of Sentences_ before the
+public in a readable form, with a map, and (by all means) a few _notes_,
+he will be doing a great service to all persons who take an interest in
+ecclesiastical history, or, indeed, in history of any kind. In the year
+1731 Chandler published a translation of the _History of the
+Inquisition_, with a long Introduction of his own, but did not meddle
+with the _Book of Sentences_, except so far as to introduce into the
+text of the _History_ some passages from it, which Limborch (as he
+appended the whole book) did not think it necessary to quote. I remember
+seeing the MS. in the British Museum within these ten or twelve years,
+and, according to my recollection, it was accompanied by papers which
+would furnish an interesting literary history of the volume. I hope your
+correspondent will give us farther information.
+
+N.B.
+
+[Mr. Brooke, of Ufford, has also kindly replied to the Query of
+INQUISITORIUS, by referring him to Limborch.]
+
+ * * * * *
+
+QUERY AS TO REFERENCES.
+
+Sir,--May I be permitted to suggest one way in which you may be of great
+service to many literary men, and indeed to the cause of literature in
+general; and this, too, without much trouble to yourself? Would you be
+willing to receive "Queries" respecting _references_? They frequently
+puzzle those who are engaged in literary works, and indeed those who are
+merely readers, and who have not access to public libraries or the
+manuscript treasures of the metropolis and the universities. If, for
+instance, a clergyman or squire, interested in the history of his
+parish, should find in the county historian something which his own
+local or genealogical knowledge leads him to think erroneous, vouched
+for by a reference to the _Cotton_ or _Harleian MSS._, might he apply to
+you? It may be supposed that you are not very far from some one of the
+great fountains of information, and have easy access to all; and it is
+probable that you might not only do a personal favour to the inquirer,
+but confer a benefit on the public, by correcting an erroneous
+statement. Of course you would subject yourself to unreasonable
+requests, but the remedy would always be in your own hands.
+
+Yours, &c.
+
+A. G. C.
+
+[The Editor inserts this letter because he is sure that it comes from a
+friendly quarter, and he knows that something like what it suggests is
+very much wanted. He would feel great diffidence as to his powers of
+fulfilling all that might be expected if he were simply to reply in the
+affirmative: but he is quite willing to make the trial, and he thinks
+that (though sometimes perhaps with a little delay) he could in general
+obtain any information of this kind which could be reasonably sought.]
+
+ * * * * *
+
+LINES IN THE STYLE OF SUCKLING.
+
+Mr. Editor,--The following lines are written in pencil on sheet 61. of
+the _Notes of the Debates in the Long Parliament_, taken down in the
+House of Commons by Sir Ralph Verney. The _Notes of Debates_, but not
+these lines, were published by the Camden Society in 1845. For any thing
+that appears to the contrary, these lines may have been written in the
+House as well as the _Notes of Debates_. The sheet 61. refers to debates
+which took place in March 1641-2. I am not aware that the lines have
+been published, nor can I assign them to their author. If any of your
+readers can tell me anything about them, I shall esteem it a favour.
+
+ Wert thou yet fairer than thou art,
+ Which lies not in the power of art;
+ Or hadst thou, in thine eyes, more darts
+ Than Cupid ever shot at hearts;
+ Yet, if they were not thrown at me,
+ I could not cast one thought at thee. {21}
+
+ I'd rather marry a disease
+ Than court the thing I cannot please;
+ She that will cherish my desires,
+ Must feed my flames with equal fires.
+ What pleasure is there in a kiss,
+ To him that doubts the heart's not his?
+
+ I love thee, not 'cause thou art fair,
+ Smoother than down, softer than air,
+ Nor for those Cupids that do lie
+ In either corner of thine eye;
+ Will you then know what it may be?
+ 'Tis--I love you 'cause you love me.
+
+J. BRUCE.
+
+24th Oct. 1849
+
+ * * * * *
+
+NOTES UPON ANCIENT LIBRARIES.
+
+A knowledge of the intellectual acquirements of the middle ages must be
+mainly formed upon a consideration of the writings which directed them,
+or emanated from them. Unfortunately such materials are very imperfect,
+our knowledge of the existence of works often resting only upon their
+place in some loosely-entered catalogue--and of the catalogues
+themselves, the proportion still remaining must be small indeed. Under
+these circumstances the following documents, which are now for the first
+time printed, or even noticed, will be found to be of considerable
+interest. The first is, in modern language, a Power of Attorney,
+executed by the Prior of Christ Church, Canterbury, appointing two of
+the monks of his church to be his procurators for the purpose of
+receiving from the convent of Anglesey, in Cambridgeshire[1], a book
+which had been lent to the late Rector of Terrington. Its precise date
+is uncertain, but it must be of about the middle of the thirteenth
+century (1244-1254), as Nicholas Sandwich, the Prior of Christ Church,
+was the second of four priors who presided between the years 1234 and
+1274.
+
+ "N. Prior Ecclesiæ Christi Cantuariensis discretis viris et
+ religiosis Domino Priori de Anglesheya et ejusdem loci sacro
+ conventui salutem in Domino. Cum sincera semper caritate
+ noverit faternitas vestra nos constiuisse fratres Gauterum de
+ Hatdfeld et Nicolaum de Grantebrigiense Ecclesiæ nostræ monachos
+ latores precencium procuratores nostros ad exigendum et
+ recipiendum librum qui intitulatur. Johannes Crisestomus de
+ laude Apostoli. In quo etiam volumine continentur Hystoria vetus
+ Britonum quæ Brutus appellatur et tractatus Roberti Episcopi
+ Herfordiæ de compoto. Quæ quondam accommodavimus Magistro
+ Laurentio de Sancto Nicholao tunc Rectori ecclesiæ de Tyrenton.
+ Qui post decessum præfati Magistri L. penes vos morabatur et
+ actenus moratur. In cujus rei testimonium has litteras patentes
+ nostro sigillo signatas vobis transmittimus."
+
+The contents of the book which is the subject of this special embassy
+are of the character usually found to have formed the staple of monastic
+libraries, though the particular treatises included in it are not
+common.
+
+In the Reverend Joseph Hunter's valuable treatise upon _English Monastic
+Libraries_[2] occurs a notice of an indenture executed in A.D. 1343,
+whereby the priory of Henton lent no less than twenty books to another
+monastic establishment. The deed is described, but not printed. It will
+be seen that the instrument we have given above is nearly a century
+earlier; and the minute description of the book given in this document
+supplies some very curious facts illustrative of the mode of putting
+together ancient books, which have not hitherto been remarked, for the
+simple reasons that no opportunity for comparison like that presented by
+the present case has yet been noticed. Among the Cottonian MSS. (Galba
+E. iv.) is a perfect specimen of an ancient Library Catalogue, which,
+although not altogether unnoticed, deserves a more careful examination
+than it has yet received. It relates to the magnificent monastic
+foundation from which emanated the deed we have printed above, and is
+headed "Tituli librorum de libraria Ecclesiæ Christi Cantuariensis et
+contenta in eisdem libris tempore H. Prioris." It is written in that
+bold hand which prevails so extensively in ecclesiastical MSS., with but
+little variation, from the middle of the fourteenth century, to the end
+of the fifteenth,--a hand which is not always clearly written, and which
+therefore, in itself, does not materially assist in the distinction of a
+date. Now having first assigned the credit of this noble {22} Catalogue--in
+which are entered about 600 volumes, in nearly every one of which,
+besides the substantive (or initial?) work, are particularised numerous
+detached writings, varying from two or three to five-and-forty distinct
+"tracts"--to Prior Henry Chichely (1413--1443), the founder of All
+Souls' and St. John's Colleges, Oxford, and who, "built the library of
+the church, and furnished it with books," we will see whether the book
+"qui intitulatur Johannes Crisestomus," &c. was returned to Canterbury,
+and had a place in the list;--and this, we think, is satisfactorily
+shown by the following entry:--
+
+ "Johannes Crisostomus de laude Apostoli.
+ In hoc volumine continentur
+ Idem de laude Redemptoris.
+ Brutus latine.
+ Nomina Regum Britanniæ sicut in ordine successerunt.
+ Nomina Archiepiscoporum Cantuariensis sicut in ordine successerunt.
+ Tabula et questiones Bede de ratione temporum.
+ Tabula ejusdem et expositio super tabulam de lunationibus.
+ Descriptio Britanniæ Insulæ.
+ Expositio super Merlinum, imperfecta."
+
+It may perhaps be supposed that this proves too much, as, besides the
+direct title of the volume, _eight_ "tracts" are here entered, while in
+the Power of Attorney only _two_ are noticed. But we would maintain,
+nevertheless, that it is the identical book, and explain this variation
+in the description by the circumstance that the library having, in the
+space of nearly two centuries, been materially enriched, numerous works,
+consisting in many cases only of a single "quaternion," were inserted in
+the volumes already existing. An examination of the structure of books
+of this period would confirm this view, and show that their apparent
+clumsiness is to be explained by the facility it was then the custom to
+afford for the interpolation or extraction of "sheets," by a contrivance
+somewhat resembling that of the present day for temporarily fixing loose
+papers in a cover, and known as the "patent leaf-holder."
+
+The second document is a list of certain books, belonging to the
+monastery of Anglesey, early in the fourteenth century, allotted out to
+the canons of the house for the purpose of custody, or, perhaps, of study
+or devotion.
+
+ "Isti libri liberati sunt canonicis die ... anno regni Regis Edwardi
+ septimo"[3] (7 Edw. II. A.D. 1314.)
+ Penes Dominum Priorem; Parabelæ Salomonis; Psalterium cum ...
+ Penes Dominum J. de Bodek.; Epistolæ Pauli...; Quædam notulæ super
+ psalter et liber miraculorum ... Mariæ cum miraculis sanctorum.
+ Penes Sub-priorem; Liber vitæ Sancti Thomæ Martiris.
+ Penes E. de Ely; Quartus liber sententiarum cum sermo...; Liber
+ Reymundi; Liber de vitiis et virtutibus et pastorale.
+ Penes R. Pichard; Liber Alquini; Liber Johannis de Tyrington cum
+ Catone et aliis.
+ Penes Henrici Muchet; Liber de vita Sanctæ Mariæ Magdalenæ et
+ remediarum (?)
+ Penes Walteri de Yilwilden; Liber S ... ligatus in panno ymnaro
+ glosatus cum constitutionibus; Belet ligatus et vita sanctorum.
+ Penes Ricardi de Queye; Omeliæ Gregorii (?) super Evangelistos ligatæ
+ in nigro corio.
+ In commune biblia; Decreta; Decretales; Prima pars moralium Job; Liber
+ de abusionibus.
+ Liber justitiæ; penes Magistrum Adam de Wilburham.
+ Penes Walteri de Wyth; Liber Innocentii super sacramenta cum Belet et
+ introductione in uno volumine.
+ Item penes Sup-priorem; Psalterium glosatum duod fuit in custodia
+ Magistri Henrice de Melreth.
+ Item aliud psalterium glosatum inpignoratum penes Isabellam Siccadona.
+
+Several of these descriptions are highly curious; particularly the last
+item, which describes one of the "glossed" psalters as being "_in
+pawn_," a fact which, in itself, tells a history of the then condition
+of the house.
+
+The first document, taken in connection with that referred to by Mr.
+Hunter would seem to establish the existence of a system of
+interchanging the literary wealth of monastic establishments, and
+thereby greatly extending the advantages of their otherwise scanty
+stores. Both are executed with all the legal forms used in the most
+important transactions, which would support the opinion of their not {23}
+being special instances: but they are, in either case, curious and
+satisfactory evidence of the care and caution exercised by the monks in
+cases where their books were concerned; and one cannot but regret that
+when the time came that the monasterias were destined to be dissolved,
+and their books torn and scattered to the winds, no attention was paid
+to Bale's advice for the formation of "one solemne library in every
+shire of England."
+
+JOSEPH BURTT
+
+ [1] The information given of this house by Dugdale is very
+ scanty. It could surely be added to considerably.
+
+ [2] London, 1831. quarto. See also a Paper by Mr. Halliwell in
+ the _Archæologia_, xxvii. p. 455., and Sir Francis Palgrave's
+ Introduction to _Documents and Records illustrating the History
+ of Scotland_, pp. xcvi.--cxvi., for extracts from the
+ historical chronicles preserved in the monasteries, &c.
+
+ [3] The formula of this date, "anno R.R.E. septimo," would at
+ first sight be considered to refer to the preceding reign; but
+ the list is merely a memorandum on the dorse of a completely
+ executed instrument dated A.D. 1300, which it is highly
+ improbable that it preceded. The style of Edward II. is often
+ found as above, though not usually so.
+
+ * * * * *
+
+PEDLAR'S SONG ATTRIBUTED TO SHAKSPERE, AND TRADITION CONNECTED WITH
+SHAKSPERE'S "HAMLET."
+
+The following verses, which would form a very appropriate song for
+Autolycus, were arranged as a glee for three voices by Dr. Wilson about
+the year 1667. They are published in Playford's _Musical Companion_ in
+1673; in Warren's _Collection of Glees and Catches_; and in S. Webbe's
+_Conveto Harmonico_. The words were, I believe, first ascribed to
+Shakspere by Clark, in 1824, in his _Words of Glees, Madrigals, &c._;
+but he has not given his authority for so doing. It has been stated that
+they have since been discovered in a common-place book written about
+Shakspere's time, with his name attached to them, and with this indirect
+evidence in favour of their being written by him, that the other pieces
+in the collection are attributed to their proper writers. The late Mr.
+Douce, who was inclined to believe the song to have been written by
+Shakspere, once saw a copy of it with a fourth verse which was shown to
+him by the then organist of Chichester. The poem is not included in Mr.
+Collier's edition of Shakspere, nor in the Aldine edition of Shakspere's
+Poems, edited by the Rev. A. Dyce. Perhaps if you will be good enough to
+insert the song and the present communication in the "NOTES AND
+QUERIES," some of your readers may be enabled to fix the authorship and
+to furnish the additional stanza to which I have referred.
+
+
+PEDLAR'S SONG.
+
+ From the far Lavinian shore,
+ I your markets come to store;
+ Muse not, though so far I dwell,
+ And my wares come here to sell;
+ Such is the sacred hunger for gold.
+ Then come to my pack,
+ While I cry
+ "What d'ye lack,
+ What d'ye buy?
+ For here it is to be sold."
+
+ I have beauty, honour, grace,
+ Fortune, favour, time, and place,
+ And what else thou would'st request,
+ E'en the thing thou likest best;
+ First, let me have but a touch of your gold.
+ Then, come to me, lad,
+ Thou shalt have
+ What thy dad
+ Never gave;
+ For here it is to be sold.
+
+ Madam, come, see what you lack,
+ I've complexions in my pack;
+ White and red you may have in this place,
+ To hide your old and wrinkled face.
+ First, let me have but a touch of your gold,
+ Then you shall seem
+ Like a girl of fifteen,
+ Although you be threescore and ten years old.
+
+While on this subject, perhaps I may be permitted to ask whether any
+reader of the "NOTES AND QUERIES" can throw light on the following
+questionable statement made by a correspondent of the _Morning Herald_,
+of the 16th September, 1822.
+
+ "Looking over and old volume the other day, printed in 1771,
+ I find it remarked that it was known as a tradition, that
+ Shakspeare shut himself up all night in Westminster Abbey when
+ he wrote the ghost scene in Hamlet."
+
+I do not find in Wilson's _Shakspeariana_ the title of a single "old"
+book printed in 1771, on the subject of Shakspere.
+
+T.
+
+ * * * * *
+
+SIR WILLIAM SKIPWYTH, KING'S JUSTICE IN IRELAND.
+
+Mr. Editor,--I am encouraged by the eminent names which illustrate the
+first Number of your new experiment--a most happy thought--to inquire
+whether they, or any other correspondent, can inform me who was the
+William de Skypwith, the patent of whose appointment as Chief Justice of
+the King's Bench in Ireland, dated February 15. 1370, 44 Edward III., is
+to be found in the _New Fædera_ vol. iii. p.877.? In the entry on the
+Issue Roll of that year, p. 458., of the payment of "his expences and
+equipment" in going there, he is called "Sir William Skipwyth, Knight,
+and the King's Justice in Ireland." {24}
+
+There was a Sir William Skipwyth, who was appointed a Judge of the
+Common Pleas in 33 Edward III., and Chief Baron of the Exchequer in 36
+Edward III.; and, were it not that Collins, in his _Baronetage_,
+followed by Burke, says that he remained Chief Baron till 40 Edward
+III., _in which year he died_, I should have had no doubt that the Irish
+Chief Justice was the same with the English Chief Baron.
+
+The same authority adds that Sir William Skipwyth who was made a Justice
+of the King's Bench [it should have been of the Common Pleas] in 50
+Edward III., and who resigned his office in 11 Richard II., was the
+eldest son of the Chief Baron. But that authority does not make the
+slightest allusion to the appointment of the Chief Justice of Ireland.
+
+A suspicion that this last Justice of the Common Pleas is not only the
+same person as the Chief Justice of Ireland, but also as the Chief Baron
+of the Exchequer, has arisen in my mind for the following among other
+reasons.
+
+1. Collins and Burke are wrong in saying that he remained Chief Baron
+till 40 Edward III. His successor in that office was appointed on
+October 29. 1365, 39 Edward III.
+
+2. They are further wrong, I imagine, in saying that he continued Chief
+Baron till his death: for Joshua Barnes, in his _History of Edward
+III._, p. 667., says that Skipwyth and Sir Henry Green, the Chief
+Justice of the King's Bench, were in 1365 arrested and imprisoned on
+account of many enormities which the King understood they had committed
+against law and justice; and this relation is corroborated by the fact
+that Green's successor as Chief Justice was appointed on the same day as
+Skipwyth's successor as Chief Baron.
+
+3. No proof whatever is given of the Chief Baron's death in 40 Edward
+III.
+
+I will not trouble you with other grounds of identification which occur
+to me: but as an answer to my question might "make these odds all even,"
+I sent the "Query" to the "Lost and Found Office" you have established,
+in the hope that some stray "Note," as yet unappropriated, may assist in
+solving the difficulty.
+
+EDWARD FOSS.
+
+November 5. 1849.
+
+ * * * * *
+
+THE THISTLE OF SCOTLAND.
+
+Mr. Editor,--May I ask if any of your contibutors could inform me in an
+early number, when and on what occasion the Thistle was adopted as the
+emblem of the Scottish nation? I have looked into many historians, but
+as yet found nothing definite enough.
+
+R. L.
+
+Paisley, Oct. 29. 1849.
+
+ * * * * *
+
+CAPTURE OF THE DUKE OF MONMOUTH.
+
+Mr. Editor,--Having noticed the letter of Mr. John Bruce, in your
+Miscellany, I beg leave to inform him that the ash tree under which
+Monmouth was taken is still standing on the Woodland estate, now the
+property of the Earl of Shaftesbury.
+
+I shall be happy at some future day, if it suits your purpose, to
+collect and send you such particulars as may be gained on the spot
+respecting it, and the incidents of the capture.
+
+We have still in the Town Hall here the chain in which it is said
+Jefferies sat at the Bloody Assize.
+
+A. D. M.
+
+Dorcester, 3d Nov. 1849.
+
+[We shall gladly receive the particulars which our Correspondent
+proposed to collect and forward.]
+
+ * * * * *
+
+SERPENTS' EGGS AND STRAW NECKLACES.
+
+[Mr. Thoms' Query in this case should have been limited to the _straw
+necklaces_, as Mr. Nichols has already explained the _serpents' eggs_;
+but our Correspondent's letter is so satisfactory on both points that we
+insert it entire.]
+
+The passage from Erasmus, "brachium habet ova serpentum," is plainly to
+be rendered "and with a string of serpents' eggs on your arm." The
+meaning is equally apparent on recalling the manner in which snakes'
+eggs are found, viz., hanging together in a row. Erasmus intends
+Menedemus to utter a joke at the _rosary of beads_ hanging over the
+pilgrim's arm, which he professes to mistake for serpents' eggs.
+
+I am not aware what particular propriety the "collar or chaplet" (for it
+may mean either) of _straw_ may have, as worn by a pilgrim from
+Compostella; or whether there may not lurk under this description, as
+beneath {25} the other, a jocular sense. The readiest way of determining
+this point would be to consult some of the accounts of Compostella and
+of its relics, which are to be found in a class of books formerly
+abundant in the north-western towns of Spain.
+
+V.
+
+ * * * * *
+
+MADOC--HIS EXPEDITION TO AMERICA.
+
+"A Student" may consult the _Proceedings of the Royal Society of
+Northern Antiquaries, Copenhagen_, Mr. Geogehan's _Ireland_,
+O'Flaherty's _Ogygia_, Magnusen and Rafn _On the Historical Monuments of
+Greenland and America_, and some of the _Sagas_.
+
+SCOTUS.
+
+Brechin, Nov. 5. 1849.
+
+ * * * * *
+
+NOTES ON COFFEE.
+
+The earliest account we have of coffee is said to be taken from an
+Arabian MS. in the Bibliothèque du Roi in Paris.
+
+Schehabeddin Ben, an Arabian author of the ninth century of the Hegira,
+or fifteenth of the Christians, attributes to Gemaleddin, Mufti of Aden,
+a city of Arabia Felix, who was nearly his contemporary, the first
+introduction into that country, of drinking coffee. He tells us, that
+Gemaleddin, having occasion to travel into Persia, during his abode
+there saw some of his countrymen drinking coffee, which at that time he
+did not much attend to; but, on his return to Aden, finding himself
+indisposed, and remembering that he had seen his countrymen drinking
+coffee in Persia, in hopes of receiving some benefit from it, he
+determined to try it on himself; and, after making the experiment, not
+only recovered his health, but perceived other useful qualities in that
+liquor; such as relieving the headach, enlivening the spirits, and,
+without prejudice to the constitution, preventing drowsiness. This last
+quality he resolved to turn to the advantage of his profession; he took
+it himself, and recommended it to the Dervises, or religious Mahometans,
+to enable them to pass the night in prayer, and other exercises of their
+religion, with greater zeal and attention. The example and authority of
+the mufti gave reputation to coffee. Soon men of letters, and persons
+belonging to the law, adopted the use of it. These were followed by the
+tradesmen and artisans that were under the necessity of working in the
+night, and such as were obliged to travel late after sunset. At length
+the custom became general in Aden; and it was not only drunk in the
+night by those who were desirous of being kept awake, but in the day for
+the sake of its other agreeable qualities.
+
+Before this time coffee was scarce known in Persia, and very little used
+in Arabia, where the tree grew. But, according to Schehabeddin, it had
+been drunk in Æthiopia from time immemorial.
+
+Coffee being thus received at Aden, where it has continued in use ever
+since without interruption, passed by degrees to many neighbouring
+towns; and not long after reached Mecca, where it was introduced as at
+Aden, by the Dervises, and for the same purposes of religion.
+
+The inhabitants of Mecca were at last so fond of this liquor, that,
+without regarding the intention of the religious, and other studious
+persons, they at length drank it publicly in coffee-houses, where they
+assembled in crowds to pass the time agreeably, making that the
+pretense. From hence the custom extended itself to many other towns of
+Arabia, particularly to Medina, and then to Grand Cairo in Egypt, where
+the Dervises of Yemen, who lived in a district by themselves, drank
+coffee on the nights they intended to spend in devotion.
+
+Coffee continued its progress through Syria, and was received at
+Damascus and Aleppo without opposition; and in the year 1554, under the
+reign of Solyman, one hundred years after its introduction by the Mufti
+of Aden, became known to the inhabitants of Constantinople, when two
+private persons of the names of Schems and Hekin, the one coming from
+Damascus, and the other from Aleppo, opened coffee-houses.
+
+"It is not easy," says Ellis, "to determine at what time, or upon what
+occasion, the use of coffee passed from Constantinople to the western
+parts of Europe. It is, however, likely that the Venetians, upon account
+of the proximity of their dominions, and their great trade to the
+Levant, were the first acquainted with it; which appears from part of a
+letter wrote by Peter della Valle, a Venetian, in 1615, from
+Constantinople; in which he tells his friend, that, upon his return he
+should {26} bring with him some coffee, which he believed was a thing
+unknown in his country."
+
+Mr. Garland tells us he was informed by M. de la Croix, the King's
+interpreter, that M. Thevenot, who had travelled through the East, at
+his return in 1657, brought with him to Paris some coffee for his own
+use, and often treated his friends with it.
+
+It was known some years sooner at Marseilles; for, in 1644, some
+gentlemen who accompanied M. de la Haye to Constantinople, brought back
+with them on their return, not only some coffee, but the proper vessels
+and apparatus for making it. However, until 1660, coffee was drunk only
+by such as had been accustomed to it in the Levant, and their friends;
+but that year some bales were imported from Egypt, which gave a great
+number of persons an opportunity of trying it, and contributed very much
+to bringing it into general use; and in 1661, a coffee-house was opened
+at Marseilles in the neighbourhood of the Exchange.
+
+Before 1669, coffee had not been seen at Paris, except at M. Thevenot's,
+and some of his friends'; nor scarce heard of but from the account of
+travellers. In that year, Soliman Aga, ambassador from the Sultan
+Mahomet the Fourth, arrived, who, with his retinue, brought a
+considerable quantity of coffee with them, and made presents of it to
+persons both of the court and city, and it is supposed to have
+established the custom of drinking it.
+
+Two years afterwards, an Armenian of the name of Pascal, set up a
+coffee-house, but meeting with little encouragement, left Paris and came
+to London.
+
+From Anderson's _Chronological History of Commerce_, it appears that the
+use of coffee was introduced into London some years earlier than into
+Paris. For in 1652 one Mr. Edwards, a Turkey merchant, brought home with
+him a Greek servant, whose name was Pasqua, who understood the roasting
+and making of coffee, till then unknown in England. This servant was the
+first who sold coffee, and kept a house for that purpose in George Yard
+Lombard Street.
+
+The first mention of coffee in our statute books is anno 1660 (12 Car.
+II. c. 24), when a duty of 4d. was laid upon every gallon of coffee made
+and sold, to be paid by the maker.
+
+The statute 15 Car. II. c. 11. § 15. an. 1663, directs that all
+coffee-houses should be licensed at the general quarter sessions of the
+peace for the county within which they are to be kept.
+
+In 1675 King Charles II. issued a proclamation to shut up the
+coffee-houses, but in a few days suspended the proclamation by a second.
+They were charged with being seminaries of sedition.
+
+The first European author who has made any mention of coffee is
+Rauwolfus, who was in the Levant in 1573.
+
+ * * * * *
+
+DR. DRYASDUST.
+
+Sir,--Do you or any of your readers know anything of the family of that
+celebrated antiquary, and do you think it probable that he was descended
+from, or connected with, the author of a work which I met with some time
+ago, intituled "Wit Revived, or A new and excellent way of
+Divertisement, digested into most ingenious Questions and Answers. By
+ASDRYASDUST TOSSOFFACAN. London: Printed for T. E. and are to be sold by
+most Booksellers. MDCLXXIV." 12mo. I do not know anything of the
+author's character, but he appears to have been a right-minded man, in
+so far as he (like yourself) expected to find "wit revived" by its
+digestion into "most ingenious questions and answers;" though his notion
+that asking and answering questions was a _new_ way of divertisement,
+seems to indicate an imperfect knowledge of the nature and history of
+mankind; but my query is simply genealogical.
+
+H. F. W.
+
+ * * * * *
+
+MACAULAY'S "YOUNG LEVITE."
+
+Sir,--The following passage from the _Anatomy of Melancholy_, published
+1651, struck me as a curious corroboration of the passage in Mr.
+Macaulay's _History_ which describes the "young Levite's" position in
+society during the seventeenth century; and as chance lately threw in my
+way the work from which Burton took his illustration, I take the liberty
+of submitting Notes of both for your examination.
+
+ "If he be a trencher chaplain in a gentleman's house (as it befel
+ Euphormio), after some seven years' service he may perchance have
+ a living to {27} the halves, or some small rectory, with the
+ mother of the maids at length, a poor kinswoman, or a crackt
+ chambermaid, to have and to hold during the time of his
+ life."--Burton, _Anat. of Mel._ part i. sect. 2. mem. 3. subsect 15.
+
+Burton is here referrng to the _Euphormionis Lusinini Satyricon_,
+published anno 1617. It professes to be a satire, or rather A FURIOUS
+INVECTIVE, on the corrupt manners of the times, and is in four parts:
+the 1st is dedicated to King James I.; the 2nd to Robert Cecil; the 3rd
+to Charles Emmanuel of Savoy; the 4th to Louis XIII., King of France.
+
+The use that Burton makes of the name of Euphormio is any thing but
+happy. He was not a "_trencher chaplain_" but the slave of a rich
+debauchée, Callion, sent in company with another slave, Percas, to carry
+some all-potent nostrum to Fibullius, a friend of Callion, who was
+suffering from an attack of stone. Euphormio cures Fibullius, not by the
+drug with which he was armed, but by a herb, which he sought for and
+found on a mountain. Fibullius, to reward his benefactor, offers him as
+a wife a most beautiful girl, whom he introduces to him privately while
+in his sick room. Euphormio looks with no little suspicion on the offer;
+but, after a few excuses, which are overruled by Fibullius, accepts the
+lady as his betrothed, "seals the bargain with a holy kiss," and walks
+out of the room (to use his own words) "et sponsus, et quod
+nesciebam--Pater," page 100. The next mention of this lady [evidently
+the prototype of the "crackt chambermaid,"] is in page 138. Callion had
+paid his sick friend Fibullius a visit, and, on the eve of his
+departure, had ordered Euphormio to ride post before him, and prepare
+the inhabitants of the districts through which he was to pass for his
+arrival. While Euphormio is on the horseblock in the act of mounting his
+steed, a rustic brings him a letter from Fibullius, and in conversation
+gives him such an account of his bride as forces upon him the
+reflection, that even the grim Libitina would be preferable, as a bride,
+to so confirmed a Thais, so fruitful a partner, as the _protegée_ of
+Fibullius would be likely to prove. But, as these _notes_ have, in spite
+of all my attempts at condensation, already grown to a most formidable
+size, I will not indulge in any moral reflections; but conclude by
+_querying_ you, or any of your readers, to inform me whether the
+personages mentioned in the _Euphorm. Lus. Satyricon_, such as Callion,
+Pereas, Fibullius, &c., are real characters or not? as, in the former
+case, I am inclined to think that the work might throw some interesting
+lights on the private manners and characters of some of the courtiers of
+the day. "No scandal against any of the maids of honour"--of course. The
+phrase "_To the halves_" (in the quotation from Burton) means,
+inadequate, insufficient; we still talk of "half and half" measures.
+Montanus inveighs against such "perturbations, that purge _to the
+halves_, tire nature, and molest the body to no purpose."--Burton,
+_Anat. of Mel._, part. ii. sect. 2. mem. 4. subsect. 6.
+
+MELANION.
+
+[The work referred to by our correspondent was written by Barclay,
+better known as the author of the _Argenis_. The First Part of the
+_Satyricon_, dedicated to James the First, was published, London, 12mo.
+1603; and with the addition of the 2nd Part, Paris, 1605. The best
+edition of the work (which, really in two parts, is made, by the
+addition of the _Apologia Euphormionis_, &c. sometimes into five) is
+said to be the Elzevir 12mo., 1637. There are two editions of it _cum
+notis variorum_, Leyden, 1667 and 1669, 8vo., in two volumes. Of some of
+the editions (as that of 1623, 12mo.) it is said, "adjecta Clavi sive
+obscurorum et quasi ænigmaticorum nominum, in hoc Opere passim
+occurrentium, dilucida explicatione." The _Satyricon_ was twice
+translated into French; and its literary history, and that of the
+_Censura Euphormionis_, and other tracts, which it called forth, might
+furnish a curious and amusing paper.]
+
+ * * * * *
+
+SERMONES SANCTI CAROLI BORROMÆI.
+
+Sir,--I have been wanting to get a sight of the following work,
+"Sermones Sancti Caroli Borromæi, Archiepisc. Mediol. Edidit. J.A.
+Saxius. 5 Tom. Mediol. 1747." Can I learn through your columns whether
+the work is any where accessible in London? I sought for it in vain at
+the British Museum a twelvemonth ago; nor, though then placed in their
+list of _Libri desiderati_, has it yet been procured.
+
+C. F. SECRETAN.
+
+ * * * * *
+
+LUTHER AND ERASMUS.
+
+Mr. Editor,--The following lines, written in a hand of the early part of
+the seventeenth century, occur on the fly-leaf of a copy of the {28}
+_Translation of Luther on the Galatians_, edit. London, 4to. 1577. Can
+any of your readers oblige me by informing me who was their author?
+
+ "Parum Lutherus ac Erasmus differunt
+ Serpens uterque est, plenus atro toxico;
+ Sed ille mordet ut cerastes in via,
+ Hic fraudulentus mordet in silentio."
+
+Your obedient servant,
+
+ROTERODAMUS.
+
+ * * * * *
+
+TOWER ROYAL--CONSTITUTION HILL--COUNTESS OF PEMBROKE'S
+LETTER--TENNISON'S FUNERAL SERMON ON NELL GWYNNE.
+
+Sir,--I should be glad to obtain answers to any or all of the following
+Queries:--
+
+1. What is the origin of the name TOWER ROYAL, as applied to a London
+locality, and when did our kings (if they ever inhabited it) cease to
+inhabit it?
+
+2. When was CONSTITUTION HILL first so called, and why?
+
+3. Is there any contemporary copy of the celebrated letter said to have
+been written by Anne Pembroke, Dorset and Montgomery, to Sir Joseph
+Williamson? It first appeared in _The World_.
+
+4. Does a copy exist in MS., or in print, of the sermon which Archbishop
+Tennison preached at the funeral of Nell Gwynne?
+
+PETER CUNNINGHAM.
+
+ * * * * *
+
+GROG--BISHOP BARNABY.
+
+Mr. Editor,--I hope you intend to keep a corner for Etymologies.
+
+Query, the origin of the word "Grog?"--And why do the people in Suffolk
+call a ladybird "Bishop Barnaby?"
+
+If you can enlighten me upon either of these points, I shall feel
+encouraged to try again.
+
+Yours, &c.
+
+LEGOUR.
+
+ * * * * *
+
+NOTES FROM FLY-LEAVES, NO. II.
+
+DR. FARMER ON DRAYTON'S WORKS.
+
+The following bibliographical memoranda, in the well-known hand of Dr.
+Farmer, occur in a copy of the edition of Drayton's _Poems_ published in
+1619, in small folio, by John Smethwick, which contains "The Barons'
+Wars; England's Heroical Epistles; Idea; Odes; The Legends of Robert
+Duke of Normandie, Matilda, Pierce Gaveston, and Great Cromwell; The
+Owle; and Pastorals, containing Eglogues, with the Man in the Moone."
+
+They may be of use to some future editor of Drayton, an author now
+undeservedly neglected, whose _Nymphidia_ alone might tempt the tasteful
+publisher of the "Aldine Poets" to include a selection, at least, of his
+poems in that beautiful series:--
+
+ "The works of Michael Drayton, Esq., were reprinted in folio,
+ 1748. The title-page 'promises all the writings of that
+ _celebrated author_,' but his Pastorals (p.433. &c., first
+ published imperfectly in 4to. 1593) and many other of his most
+ considerable compositions (Odes, the Owle, &c., see the Appendix),
+ are not so much as spoken of. See his article in the _Biog.
+ Brit._ by Mr. Oldys, curiously and accurately written.
+
+ "Another edition (which is called the _best_) was printed in 4
+ vols. 8vo. 1753. Robson, 1765.
+
+ "A Poem Triumphant, composed for the Society of the Goldsmiths of
+ London, by _M. Drayton_. 4to. 1604. _Harl. Cat._ v.3. p. 357.
+
+ "Charles Coffey was the editor of the folio edit. 1748, he had a
+ large subscription for it, but died before the publication; and
+ it was afterward printed for the benefit of his widow. See
+ Mottley, p. 201.
+
+ "The print of Drayton at the back of the title-page, is marked in
+ Thane's Catalogue, 1774, 7s. 6d.
+
+ "N.B. The copy of the _Baron's Warres_ in this edition differs in
+ almost every line from that in the 8vo. edit. 1610.
+
+ "It was printed under the title of Mortimeriados, in 7 line
+ stanzaes.
+
+ "Matilda was first printed 1594, 4to., by Val. Simmes. Gaveston
+ appears by the Pref. to have been publish't before. Almost every
+ line in the old 4to. of Matilda differs from the copy in this
+ edit. A stanza celebrating Shakespeare's Lucrece is omitted in the
+ later edition.
+
+ "Idea. The Shepherd's Garland. Fashion'd in 9 Eglogs. Rowland's
+ sacrifice to the 9 Muses, 4to. 1593. But they are printed in this
+ Edition very different from the present Pastorals.
+
+ "A sonnet of Drayton's prefixed to the 2nd Part of _Munday's
+ Primaleon of Greece_, B.L. 4to. 1619."
+
+[The stanza in _Matilda_, celebrating Shakespeare's _Lucrece_, to which
+Dr. Farmer alludes, is thus quoted by Mr. Collier in his edition of
+Shakespeare (viii. p. 411.):--
+
+ "Lucrece, of whom proud Rome hath boasted long,
+ Lately revived to live another age,
+ And here arrived to tell of Tarquin's wrong,
+ Her chaste denial, and the tyrant's rage, {29}
+ Acting her passions on our stately stage:
+ She is remember'd, all forgetting me,
+ Yet I as fair and chaste as e'er was she;"--
+
+who remarks upon it as follows:--
+
+ "A difficulty here may arise out of the fifth line, as if
+ Drayton was referring to a play upon the story of Lucrece, and
+ it is very possible that one was then in existence. Thomas
+ Heywood's tragedy, _The Rape of Lucrece,_ did not appear in print
+ until 1608, and he could hardly have been old enough to have been
+ the author of such a drama in 1594; he may, nevertheless, have
+ availed himself of an elder play, and, according to the practice
+ of the time, he may have felt warranted in publishing it as his
+ own. It is likely, however, that Drayton's expressions are not to
+ be taken literally; and that his meaning merely was, that the
+ story of Lucrece had lately been revived, and brought upon the
+ stage of the world: if this opinion be correct, the stanza we have
+ quoted above contains a clear allusion to Shakespeare's _Lucrece_;
+ and a question then presents itself, why Drayton entirely omitted
+ it in the after-impression of his _Matilda_. He was a poet who, as
+ we have shown in the Introduction to _Julius Cæsar_ (vol. viii.
+ p. 4.), was in the habit of making extensive alterations in his
+ productions, as they were severally reprinted, and the suppression
+ of this stanza may have proceeded from many other causes than
+ repentance of the praise he had bestowed upon a rival."]
+
+ * * * * *
+
+BODENHAM, OR LING'S POLITEUPHUIA.
+
+Sir,--The following is an extract from a Catalogue of Books for sale,
+issued by Mr. Asher, of Berlin, in 1844:--
+
+ "Bodenham? (Ling?), Politeuphuia. Wits commonwealth, _original
+ wrapper, vellum_. VERY RARE.
+
+ "80 fr. 8vo. London, for Nicholas Ling, 1597.
+
+ "This book, 'being a methodical collection of the most choice
+ and select admonitions and sentences, compendiously drawn from
+ infinite varietie,' is quoted by Lowndes under Bodenham, as first
+ printed in 1598; the Epistle dedicatory however of the present
+ copy is signed: 'N. Ling', and addressed 'to his very good friend
+ Maister I.B.,' so that Ling appears to have been the author, and
+ this an edition unknown to Lowndes or any other bibliographer."
+
+This seems to settle one point, perhaps a not very important one, in our
+literary history; and as such may deserve a place among your "NOTES."
+
+BOOKWORM.
+
+ * * * * *
+
+COLLEY CIBBER'S APOLOGY.
+
+Mr. Editor,--No doubt most of your readers are well acquainted with
+Colley Cibber's _Apology for his Life_, &c., first printed, I believe,
+in 1740, 4to, with a portrait of himself, painted by Vanloo, and
+engraved by Vandergucht. Chapters IV. and V. contain the celebrated
+characters he drew of the principal performers, male and female, in, and
+just before, his time, viz. Betterton, Montfort, Kynaston, &c. Upon
+these characters I have two questions to put, which I hope some of your
+contributors may be able to answer. The first is, "Were these characters
+of actors reprinted in the same words, and without additions, in the
+subsequent impressions of Cibber's _Apology_ in 8vo?" Secondly, "Had
+they ever appeared in any shape before they were inserted in the copy of
+Cibber's _Apology_ now before me, in 1740, 4to?" To this may be added,
+if convenient, some account of the work in which these fine criticisms
+originally appeared, supposing they did not first come out in the
+_Apology_. I am especially interested in the history of the Stage about
+the period when the publication of these characters formed an epoch.
+
+I am, Mr. Editor, yours,
+
+DRAMATICUS.
+
+ * * * * *
+
+A MAIDEN ASSIZE--WHITE GLOVES.
+
+Mr. Editor.--I forward for insertion in your new publication the
+following "Note," taken from the _Times_ of the 20th of August, 1847:--
+
+"A Fortunate County.--In consequence of there being no prisoners, nor
+business of any kind to transact at the last assizes for the county of
+Radnor, the high sheriff, Mr. Henry Miles, had to present the judge, Mr.
+Justice Cresswell, with a pair of white kid gloves, embroidered in gold,
+and which have been forwarded to his lordship; a similar event has not
+taken place for a considerable number of years in that county. His
+lordship remarked that it was the first time it had occurred to him
+since he had been on the Bench."
+
+And I beg to append it as a "Query," which I shall gladly see answered
+by any of your correspondents, or my professional brethren,--"What is
+the origin of this singular custom, and what is the earliest instance of
+it on record?"
+
+A LIMB OF THE LAW. {30}
+
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+JONES (EDMUND) GEOGRAPHICAL, HISTORICAL, AND RELIGIOUS ACCOUNT OF
+ABERYSTWITH. 8VO. Trevecka, 1779.
+
+CARTARI.--LA ROSA D'ORO PONTIFICIA, ETC. 4to. Rome. 1681.
+
+SHAKSPEARE'S DRAMATIC WORKS.--The _Fourth_ Volume of WHITTINGHAM'S
+Edition, in 7 vols, 24mo. Chiswick. 1814.
+
+M. C. H. BROEMEL, FEST-TANZEN DER ERSTEN CHRISTEN. Jena, 1705.
+
+*** Letters stating particulars and lowest price, _carriage free_, to be
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+themselves undervalued; but nothing short of personal experience in
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+arising from an opposite course._
+
+ * * * * *
+
+MYTHOS is thanked for his kind hints, which shall not be lost sight of.
+We have abundance of NOTES on the subject, not only of the SEVEN WISE
+MASTERS, but of that other treasury of ancient fictions, the GESTA
+ROMANORUM, which we shall bring forward as opportunity offers.
+
+S.Y. The edition of Chaucer, in five volumes 12mo, edited by Singer,
+in 1822, was the only modern library edition of the "_Works_" until the
+appearance of Sir H. Nicolas's edition in the Aldine Poets. Bell's
+edition, in 14 volumes, and Dolby's in 2, though they may have done much
+to extend a knowledge of the writings of the Father of English Poetry,
+can scarcely be called library editions.
+
+A.P. will see the matter he refers to illustrated in an early number.
+
+COMMUNICATIONS RECEIVED.--J.H.H.--M.--[Greek: ph]--T. Jones--[Greek:
+S]--Buriensis.--G.H.B.--W.B.B.
+
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+
+ * * * * *
+
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+
+BIBLIOGRAPHIE BIOGRAPHIQUE ou Dictionnaire de 33,000 Ouvrages, tant
+Anciens que Modernes relatifs, à l'Histoire de la Vie des Hommes
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+and from a MS. formerly belonging to Sir P. Thompson. Edited by JOHN
+BRUCE, Esq., Treas. S.A.
+
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+Library of the Society of Antiquaries. Edited by THOMAS STAPLETON, Esq.,
+F.S.A.
+
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+
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+ARTISTS, ANTIQUARIES, GENEALOGISTS, ETC.
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+Among the many periodicals which issue from the press, daily, weekly,
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+Men of Letters and of research in their pursuits. Literary Journals
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+NOTES AND QUERIES, A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, is,
+as its name implies, intended to supply this deficiency. Those who meet
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+stopped by an inability to solve some doubt or understand some obscure
+allusion which suddenly starts up before him! How often does a reading
+man stumble upon some elucidation of a doubtful phrase, or disputed
+passage;--some illustration of an obsolete custom hitherto
+unnoticed;--some biographical anecdote or precise date hitherto
+unrecorded;--some book, or some edition, hitherto unknown or imperfectly
+described.
+
+This Publication, as everybody's common-place book, will be a depository
+for those who find such materials, and a resource for those who are in
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+most useful supplement to works already in existence,--a treasury for
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+
+NOTES AND QUERIES will be published every Saturday, price 3d., or
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+ * * * * *
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+Preparing for Publication, in One Vol. 8vo.
+
+ILLUSTRATIONS of the REMAINS of ROMAN ART in CIRENCESTER, the SITE of
+ANCIENT CORINIUM. By JAMES BUCKMAN, F.G.S. and C.H. NEWMARCH, Esq.
+
+The work will have reference principally to the illustration of the
+following subjects:
+
+1. The remains of the architecture of Corinium, including detailed
+drawings and descriptions of the fine Tesselated Pavements, especially
+the one recently discovered, as also the beautiful specimen on the
+estate of the Right Hon. Earl Bathurst.
+
+2. The specimens of Roman Pottery--Vases, Urns, &c.
+
+3. Works in Metals--Statuettes, Ornaments, &c. &c.
+
+4. Coins.
+
+In order that due justice may be done to the Illustration of these
+Remains, it is intended to have them executed in the first style of art,
+and only a limited number of impressions will be taken.
+
+To secure early copies, orders must be addressed at once to Messrs.
+BAILY and JONES, Cirencester, or Mr. GEORGE BELL, 186. Fleet Street.
+
+Price to Subscribers, 12s.
+
+*** After the close of the Subscription List, the price will be raised
+to 15s.
+
+N.B.--Any person possessing Roman Antiquities from Cirencester, will
+confer a great favour on the Authors by communicating intelligence of
+them to Messrs. Baily and Jones.
+
+London: GEORGE BELL, 186. Fleet Street.
+
+ * * * * *
+
+Nearly ready.
+
+THE PRIMEVAL ANTIQUITIES of DENMARK. By J. J. A. WORSAAE, Member of the
+Royal Society of Antiquaries of Copenhagen, and a Royal Commissioner for
+the preservation of the National Monuments of Denmark. Translated and
+applied to the Illustration of similar Remains in England. By WILLIAM J.
+THOMS, F.S.A., Secretary of the Camden Society. Illustrated with
+numerous Woodcuts.
+
+While so many publications illustrative of the Archaeology of Egypt,
+Greece, and Rome, have appeared in this country, few attempts have been
+made to give a systematic view of the early Antiquities of the British
+Islands.
+
+The work, of which the present volume is a translation, was originally
+written by Mr. Worsaae, for the Copenhagen Society for the Promotion of
+Useful Knowledge, and intended in the first place, to show how the early
+history of the country might be read through its monuments, and in the
+second, to awaken a greater interest for their preservation. It has been
+translated and applied to the History of similar Remains in England, in
+the hope that it will be found a useful Handbook for the use of those
+who desire to know something of the nature of the numerous Primeval
+Monuments scattered over these Islands, and the light which their
+investigation is calculated to throw over the earliest and most obscured
+periods of our national history.
+
+Oxford: JOHN HENRY PARKER, and 377. Strand. {32}
+
+ * * * * *
+
+ILLUSTRATED WORKS.
+
+AN INTRODUCTION to the STUDY of GOTHIC ARCHITECTURE, with numerous
+Illustrations. Nearly ready.
+
+THE PRIMÆVAL ANTIQUITIES OF DENMARK. By J. J. A. WORSAAE, Member of the
+Royal Society of Antiquaries of Copenhagen. Translated and applied to
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+and the nicety of the tint and leading preserved. The examples are
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+of the author."--_Christian Remembrancer_.
+
+AN INQUIRY INTO THE DIFFERENCE OF STYLE OBSERVABLE IN ANCIENT PAINTED
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+
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+End of the Project Gutenberg EBook of Notes and Queries, No. 2, November 10
+1849, by Various
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+
+<html xmlns="http://www.w3.org/1999/xhtml">
+<head>
+ <meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+
+ <title>Notes And Queries, Issue 2.</title>
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+
+<pre>
+
+Project Gutenberg's Notes and Queries, No. 2, November 10 1849, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Notes and Queries, No. 2, November 10 1849
+
+Author: Various
+
+Release Date: February 24, 2004 [EBook #11265]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES, NO. 2 ***
+
+
+
+
+Produced by Jon Ingram, and the Online Distributed Proofreading Team.
+
+
+
+
+
+</pre>
+
+ <span class="pagenum"><a id="page17" name="page17"></a>{17}</span>
+
+ <h1>NOTES AND QUERIES:</h1>
+
+ <h2>A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS, ANTIQUARIES,
+ GENEALOGISTS, ETC.</h2>
+ <hr />
+
+ <h3><b>"When found, make a note of."</b>&mdash;CAPTAIN CUTTLE.</h3>
+ <hr class="full" />
+
+ <table width="100%">
+ <tr>
+ <td align="left" width="25%"><b>No. 2.</b></td>
+
+ <td align="center" width="50%"><b>SATURDAY, NOVEMBER 10, 1849.</b></td>
+
+ <td align="right" width="25%"><b>Price Threepence. Stamped Edition
+ 4d.</b></td>
+ </tr>
+ </table>
+ <hr class="full" />
+
+ <h2>A FEW WORDS TO OUR FRIENDS.</h2>
+
+ <p>In our opening Address we carefully avoided any thing at all approaching
+ to a boast of what we would, or even what we hoped to perform. We stated
+ that "we would rather give a specimen than a description." We are now in
+ like manner unwilling to point as exultingly, as we think we might, to the
+ position which we have already taken. But there is a vast difference between
+ vain boasting and the expression of an honest satisfaction; and it would be
+ worse than an affectation of humility&mdash;it would be a mean
+ hypocrisy&mdash;if we did not express heartily and unreservedly the
+ gratitude we owe and feel to those who have encouraged us by their friendly
+ advice and able pens. We have opened a Literary Exchange, and we have had
+ the gratification to see that men whose learning and talents the public
+ recognise&mdash;leaders in their several branches of inquiry&mdash;have at
+ once taken advantage of it. They have proved the necessity for some such
+ medium of communication, as well as their good-will to the one now offered
+ to them, by a gathering in its behalf which the public will respect, and of
+ which we may well feel proud.</p>
+
+ <p>Some whose good opinion we most value, and who have spoken most warmly in
+ favour of our plan, have proved the sincerity of their praise by suggestions
+ of improvement in its detail, and hints for its further extension. They may
+ feel assured that such hints and such suggestions shall not be lost sight
+ of. For instance, one respected correspondent hints that as we have very
+ properly adopted Dr. Maitland's suggestion with regard to Herbert's edition
+ of Ame's <i>Typographical Antiquities</i>, namely, that of "offering a
+ receptacle for illustrations, additions, and corrections," and invited "our
+ readers to take advantage of our columns to carry out Dr. Maitland's
+ suggestions," we should open our columns with equal readiness to the
+ correction and illustration of more modern and more popular works. We
+ entirely concur with him; but in reference to this subject there is a
+ distinction which must be borne in mind. Our own literature, like that of
+ every other country, consists of two classes of books. We have the books of
+ pretenders to knowledge, the hasty, crude, imperfect, but often for the time
+ attractive and popular volumes of the Ned Purdons of the day. These books
+ have a use&mdash;such as it is&mdash;and thus answer their purpose; but it
+ would be for the credit of our literature, and save a world of trouble, if
+ they were forgotten as soon as they had done so. To illustrate such books,
+ to add to their information or correct their blunders, would be useless and
+ almost ridiculous. They should be left to die of mere powerlessness and
+ exhaustion, or to wither under the wholesome influence of a just and manly
+ criticism.</p>
+
+ <p>But there are books of another kind&mdash;books <span class=
+ "pagenum"><a id="page18" name="page18"></a>{18}</span> which our worthy
+ bibliopoles designate as "standard works." These are the books of competent
+ workmen&mdash;books which are the result of honest labour and research, and
+ which from the moment of their publication assume a permanent station in our
+ national literature. Even in such books there are many things incomplete,
+ many things erroneous. But it is the interest of every man that such books
+ should be rendered as complete as possible; and whatever tends to illustrate
+ or correct works of that class will be sure of insertion in our columns.</p>
+
+ <p>We would point to Macaulay's <i>England</i>, and Hallam's <i>Introduction
+ to the Literary History of the 15th, 16th, and 17th Centuries</i>, his
+ <i>Middle Ages</i>, and his <i>Constitutional History</i>, and we may add,
+ as illustrations of a different kind, <i>The Annals of the Stage</i> of our
+ excellent friend Mr. Collier, and <i>The Handbook of London</i> of our
+ valued contributor Mr. Peter Cunningham, as examples of the sort of
+ publications to which we allude. Such were the books we had in our mind,
+ when we spoke in our Prospectus of the "NOTES AND QUERIES" becoming, through
+ the inter-communication of our literary friends, "a most useful supplement
+ to works already in existence&mdash;a treasury towards enriching future
+ editions of them."</p>
+
+ <p>Another correspondent&mdash;a bibliographical friend&mdash;suggests that,
+ for various reasons, which bibliographers will appreciate, our Prospectus
+ should have a place in the body of our work. We believe that many of our
+ readers concur in a wish for its preservation, and it will therefore be
+ found in the Number now before them.</p>
+
+ <p>One suggestion again urges us to look carefully to Foreign Literature,
+ and another points out the propriety of our making our paper as British as
+ possible, so that our topographical facts should, as far as practicable, be
+ restricted to the illustration of British counties, and our biographical
+ ones to such as should contribute towards a Biographia Brittanica.</p>
+
+ <p>All these, and many other expressions of sympathy and promises of
+ support, poured in upon us within a few hours after our birth. No one of
+ them shall be forgotten; and if for a time our pages seem to indicate that
+ we have made a QUERY as to the adoption of any suggestion, let our kind
+ contributors be assured that there is no hint which reaches us, whether
+ <i>at present</i> practicable or not, that we do not seriously and
+ thankfully "make a NOTE of."</p>
+ <hr />
+
+ <h2>BISHOP AYLMER'S LETTER, AND THE POEM ON THE ARMADA.</h2>
+
+ <p>As I am in a condition to answer the inquiry of your "Hearty
+ Well-wisher," on p. 12 of your last Number of "NOTES AND QUERIES," I proceed
+ to give him the information he asks. I shall be happy if what follows is of
+ any use to your correspondent, taking it for granted that he is as zealous
+ for your success as his signature indicates.</p>
+
+ <p>The "foolish rhyme," to which the attention of the Bishop of London had
+ been directed by Lord Burghley, has the subsequent doggrel title:&mdash;</p>
+
+ <div class="poem">
+ <p>"A Skeltonicall Salvtation,</p>
+
+ <p>Or condigne gratvlation,</p>
+
+ <p>And iust vexation</p>
+
+ <p>Of the Spanishe nation,</p>
+
+ <p>That in a bravado</p>
+
+ <p>Spent many a crvsado,</p>
+
+ <p>In setting forth an armado</p>
+
+ <p>England to invado."</p>
+ </div>
+
+ <p>This is as the title stands in the Oxford impression (of which I never
+ saw more than one copy, because, we may presume, it was suppressed by the
+ authorities of the University), and the following is the imprint at the
+ bottom of it:&mdash;"Printed at Oxford by Ioseph Barnes, and are to bee sold
+ in Paules Churchyard, at the signe of the Tygres head, 1589."</p>
+
+ <p>There exists several exemplars of the London edition&mdash;"Imprinted at
+ London for Toby Cooke, 1589,"&mdash;the title-page of which, as well as the
+ rest of the poem, differs only literally from that of Oxford, excepting that
+ to the latter is appended a Latin version, also in rhyme, and in close
+ imitation of the English. I subjoin a brief specimen of it:&mdash;
+ <span class="pagenum"><a id="page19" name="page19"></a>{19}</span></p>
+
+ <div class="poem">
+ <p>"Qui regis Hispanos,</p>
+
+ <p>Superbos et vanos,</p>
+
+ <p>Crudeles et insanos,</p>
+
+ <p>Multùm aberrasti,</p>
+
+ <p>Cùm tuos animasti,</p>
+
+ <p>Et bellum inchoasti</p>
+
+ <p>Contra Anglos animosos,</p>
+
+ <p>Fortes et bellicosos,</p>
+
+ <p>Nobiles et generosos.</p>
+
+ <p>Qui te excitavit</p>
+
+ <p>Proculdubio deliravit</p>
+
+ <p>Et te fascinavit," &amp;c.</p>
+ </div>
+
+ <p>The whole production consists only of ten leaves, 4to., and the Latin
+ portion, which has the subsequent separate title-page, occupies four of
+ them:&mdash;</p>
+
+ <div class="poem">
+ <p class="i6">"AD REGEM</p>
+
+ <p class="i6">HISPANVM.</p>
+
+ <p>Cum tua non fuerint heroica facta, Philippe,</p>
+
+ <p>Risu digna cano carmine ridiculo."</p>
+ </div>
+
+ <p>I shall not here introduce any part of the English version, because one
+ or two long quotations will be found in the introductory portion of the Rev.
+ A. Dyce's excellent edition of Skelton's Works (2 vols. 8vo. 1843).
+ Respecting the Latin portion I have been more particular, because the
+ learned editor was not aware that the production had come from the press of
+ Barnes of Oxford, nor that a Latin version was appended to it.</p>
+
+ <p>I may take the liberty of adding here a mention of Skelton which escaped
+ notice, and which is from one of the tracts against Thomas Nash, produced by
+ Gabriel Harvey, the friend of Spenser. He couples Skelton and Scoggin
+ together, in no very respectful manner, and completes the triumvirate by
+ Nash, whom he here calls Signor Capriccio:&mdash;"And what riott so
+ pestiferous as that which in sugred baites presenteth most poisonous hookes?
+ Sir Skelton and Master Scoggin were but innocents to Signior Capricio."</p>
+
+ <p>This quotation is the more noticeable, because it recognises the sacred
+ character of Skelton (however unworthy of the gown) in the prefix "Sir,"
+ which, as most people are aware, was then generally given to clergymen:
+ Scoggin, on the other hand, is only styled "Master Scoggin."</p>
+
+ <p class="author">J. PAYNE COLLIER.</p>
+
+ <p class="note">[The preceding communication was already in type when we
+ received the following from Mr. Bolton Corney, which we gladly print,
+ inasmuch as it illustrates some points not touched upon by Mr. Collier.]</p>
+ <hr />
+
+ <h2>QUERIES ANSWERED, NO. 1.</h2>
+
+ <p>It is not without some slight reluctance that I notice anonymous
+ communications, but shall endeavour to repress such feelings with regard to
+ the modest students who may choose to announce their desiderata through the
+ convenient channel of the "NOTES AND QUERIES." A <i>hearty well wisher</i>
+ to so commendable an enterprise, shall have my first responsive scrap.</p>
+
+ <p>The inquiry affords no scope for ingenuity of conjecture! The <i>foolish
+ rime</i> to which bishop Aylmer refers, is undoubtedly the pamphlet thus
+ entitled:&mdash;</p>
+
+ <div class="poem">
+ <p>"A Skeltonicall salutation,</p>
+
+ <p>Or condigne gratulation,</p>
+
+ <p>And iust vexation</p>
+
+ <p>Of the Spanish nation,</p>
+
+ <p>That in a bravado</p>
+
+ <p>Spent many a crusado,</p>
+
+ <p>In setting forth an armado</p>
+
+ <p>England to invado."</p>
+
+ <p class="i2">Oxford, Joseph Barnes, 1589. 4to.</p>
+
+ <p>"A Skeltonicall salutation," &amp;c.</p>
+
+ <p class="i2">Imprinted at London for Toby Cook, 1589. 4to.</p>
+ </div>
+
+ <p>The Oxford edition is recorded by Ames, and there is a copy of the London
+ edition in the British Museum. Strype, in his account of bishop Aylmer,
+ gives the substance of the letter as his <i>own</i> narrative, almost
+ <i>verbatim</i>&mdash;but fails to identify the pamphlet in question. Park
+ briefly describes it in <i>Censura Literaria</i>, 1815, ii. 18.; and there
+ is a specimen of it in <i>The Poetical Works of John Skelton</i>, as edited
+ by the Reverend Alexander Dyce, 1843.</p>
+
+ <p>While <i>queries</i> evince a sharp mental appetite, <i>answers</i> help
+ to satisfy it; and so, by their united influence, a brisk circulation of
+ ideas may be produced&mdash;which, as master Burton assures us, wards off
+ melancholy.</p>
+
+ <p class="author">BOLTON CORNEY.</p>
+ <hr />
+
+ <h2>NOTES UPON "NOTES, NO. 1."</h2>
+
+ <p>Sir,&mdash;I take the liberty to send you one or two Notes on your first
+ Number, just as they occur to me in looking it over. I will not trespass on
+ you by preface or apology.</p>
+
+ <p>The "<i>bibliographic project</i>" I shall rejoice <span class=
+ "pagenum"><a id="page20" name="page20"></a>{20}</span> to see carried out;
+ and though neither an unemployed aspirant nor a fortunate collector (of
+ which class I hope many will be stimulated by the proposition), yet, as I
+ once took some trouble in the matter, I should be happy to contribute some
+ Notes then made whenever the plan is matured and the proposed appeal is
+ made&mdash;provided (I must add, and to <i>you</i> I may add) I can find
+ them.</p>
+
+ <p>The <i>Liber Sententiarum</i> was printed by Limborch, at Amsterdam, in
+ 1692. It forms the greater part, as, indeed, it was the occasion, of his
+ folio volume, entitled "<i>Historia Inquisitionis cui subjungitur Liber
+ Sententiarum Inquisitionis Tholosanæ ab anno Christi Cl[*C]CCCVI ad annum
+ Cl[*C]CCCXXIII.</i>" Gibbon, in a note on his fifty-fourth chapter, observes
+ that the book "deserved a more learned and critical editor;" and, if your
+ correspondent will only place the <i>Book of Sentences</i> before the public
+ in a readable form, with a map, and (by all means) a few <i>notes</i>, he
+ will be doing a great service to all persons who take an interest in
+ ecclesiastical history, or, indeed, in history of any kind. In the year 1731
+ Chandler published a translation of the <i>History of the Inquisition</i>,
+ with a long Introduction of his own, but did not meddle with the <i>Book of
+ Sentences</i>, except so far as to introduce into the text of the
+ <i>History</i> some passages from it, which Limborch (as he appended the
+ whole book) did not think it necessary to quote. I remember seeing the MS.
+ in the British Museum within these ten or twelve years, and, according to my
+ recollection, it was accompanied by papers which would furnish an
+ interesting literary history of the volume. I hope your correspondent will
+ give us farther information.</p>
+
+ <p class="author">N.B.</p>
+
+ <p class="note">[Mr. Brooke, of Ufford, has also kindly replied to the Query
+ of INQUISITORIUS, by referring him to Limborch.]</p>
+ <hr />
+
+ <h2>QUERY AS TO REFERENCES.</h2>
+
+ <p>Sir,&mdash;May I be permitted to suggest one way in which you may be of
+ great service to many literary men, and indeed to the cause of literature in
+ general; and this, too, without much trouble to yourself? Would you be
+ willing to receive "Queries" respecting <i>references</i>? They frequently
+ puzzle those who are engaged in literary works, and indeed those who are
+ merely readers, and who have not access to public libraries or the
+ manuscript treasures of the metropolis and the universities. If, for
+ instance, a clergyman or squire, interested in the history of his parish,
+ should find in the county historian something which his own local or
+ genealogical knowledge leads him to think erroneous, vouched for by a
+ reference to the <i>Cotton</i> or <i>Harleian MSS.</i>, might he apply to
+ you? It may be supposed that you are not very far from some one of the great
+ fountains of information, and have easy access to all; and it is probable
+ that you might not only do a personal favour to the inquirer, but confer a
+ benefit on the public, by correcting an erroneous statement. Of course you
+ would subject yourself to unreasonable requests, but the remedy would always
+ be in your own hands.</p>
+
+ <p>Yours, &amp;c.</p>
+
+ <p class="author">A. G. C.</p>
+
+ <p class="note">[The Editor inserts this letter because he is sure that it
+ comes from a friendly quarter, and he knows that something like what it
+ suggests is very much wanted. He would feel great diffidence as to his
+ powers of fulfilling all that might be expected if he were simply to reply
+ in the affirmative: but he is quite willing to make the trial, and he thinks
+ that (though sometimes perhaps with a little delay) he could in general
+ obtain any information of this kind which could be reasonably sought.]</p>
+ <hr />
+
+ <h2>LINES IN THE STYLE OF SUCKLING.</h2>
+
+ <p>Mr. Editor,&mdash;The following lines are written in pencil on sheet 61.
+ of the <i>Notes of the Debates in the Long Parliament</i>, taken down in the
+ House of Commons by Sir Ralph Verney. The <i>Notes of Debates</i>, but not
+ these lines, were published by the Camden Society in 1845. For any thing
+ that appears to the contrary, these lines may have been written in the House
+ as well as the <i>Notes of Debates</i>. The sheet 61. refers to debates
+ which took place in March 1641-2. I am not aware that the lines have been
+ published, nor can I assign them to their author. If any of your readers can
+ tell me anything about them, I shall esteem it a favour.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>Wert thou yet fairer than thou art,</p>
+
+ <p class="i2">Which lies not in the power of art;</p>
+
+ <p>Or hadst thou, in thine eyes, more darts</p>
+
+ <p class="i2">Than Cupid ever shot at hearts;</p>
+
+ <p>Yet, if they were not thrown at me,</p>
+
+ <p class="i2">I could not cast one thought at thee.</p>
+ </div><span class="pagenum"><a id="page21" name="page21"></a>{21}</span>
+
+ <div class="stanza">
+ <p>I'd rather marry a disease</p>
+
+ <p class="i2">Than court the thing I cannot please;</p>
+
+ <p>She that will cherish my desires,</p>
+
+ <p class="i2">Must feed my flames with equal fires.</p>
+
+ <p>What pleasure is there in a kiss,</p>
+
+ <p class="i2">To him that doubts the heart's not his?</p>
+ </div>
+
+ <div class="stanza">
+ <p>I love thee, not 'cause thou art fair,</p>
+
+ <p class="i2">Smoother than down, softer than air,</p>
+
+ <p>Nor for those Cupids that do lie</p>
+
+ <p class="i2">In either corner of thine eye;</p>
+
+ <p>Will you then know what it may be?</p>
+
+ <p class="i2">'Tis&mdash;I love you 'cause you love me.</p>
+ </div>
+ </div>
+
+ <p class="author">J. BRUCE.</p>
+
+ <p>24th Oct. 1849</p>
+ <hr />
+
+ <h2>NOTES UPON ANCIENT LIBRARIES.</h2>
+
+ <p>A knowledge of the intellectual acquirements of the middle ages must be
+ mainly formed upon a consideration of the writings which directed them, or
+ emanated from them. Unfortunately such materials are very imperfect, our
+ knowledge of the existence of works often resting only upon their place in
+ some loosely-entered catalogue&mdash;and of the catalogues themselves, the
+ proportion still remaining must be small indeed. Under these circumstances
+ the following documents, which are now for the first time printed, or even
+ noticed, will be found to be of considerable interest. The first is, in
+ modern language, a Power of Attorney, executed by the Prior of Christ
+ Church, Canterbury, appointing two of the monks of his church to be his
+ procurators for the purpose of receiving from the convent of Anglesey, in
+ Cambridgeshire<a id="footnotetag1" name="footnotetag1"></a><a href=
+ "#footnote1"><sup>1</sup></a>, a book which had been lent to the late Rector
+ of Terrington. Its precise date is uncertain, but it must be of about the
+ middle of the thirteenth century (1244-1254), as Nicholas Sandwich, the
+ Prior of Christ Church, was the second of four priors who presided between
+ the years 1234 and 1274.</p>
+
+ <blockquote>
+ "N. Prior Ecclesiæ Christi Cantuariensis discretis viris et religiosis
+ Domino Priori de Anglesheya et ejusdem loci sacro conventui salutem in
+ Domino. Cum sincera semper caritate noverit faternitas vestra nos
+ constiuisse fratres Gauterum de Hatdfeld et Nicolaum de Grantebrigiense
+ Ecclesiæ nostræ monachos latores precencium procuratores nostros ad
+ exigendum et recipiendum librum qui intitulatur. Johannes Crisestomus de
+ laude Apostoli. In quo etiam volumine continentur Hystoria vetus Britonum
+ quæ Brutus appellatur et tractatus Roberti Episcopi Herfordiæ de compoto.
+ Quæ quondam accommodavimus Magistro Laurentio de Sancto Nicholao tunc
+ Rectori ecclesiæ de Tyrenton. Qui post decessum præfati Magistri L. penes
+ vos morabatur et actenus moratur. In cujus rei testimonium has litteras
+ patentes nostro sigillo signatas vobis transmittimus."
+ </blockquote>
+
+ <p>The contents of the book which is the subject of this special embassy are
+ of the character usually found to have formed the staple of monastic
+ libraries, though the particular treatises included in it are not
+ common.</p>
+
+ <p>In the Reverend Joseph Hunter's valuable treatise upon <i>English
+ Monastic Libraries</i><a id="footnotetag2" name="footnotetag2"></a><a href=
+ "#footnote2"><sup>2</sup></a> occurs a notice of an indenture executed in
+ A.D. 1343, whereby the priory of Henton lent no less than twenty books to
+ another monastic establishment. The deed is described, but not printed. It
+ will be seen that the instrument we have given above is nearly a century
+ earlier; and the minute description of the book given in this document
+ supplies some very curious facts illustrative of the mode of putting
+ together ancient books, which have not hitherto been remarked, for the
+ simple reasons that no opportunity for comparison like that presented by the
+ present case has yet been noticed. Among the Cottonian MSS. (Galba E. iv.)
+ is a perfect specimen of an ancient Library Catalogue, which, although not
+ altogether unnoticed, deserves a more careful examination than it has yet
+ received. It relates to the magnificent monastic foundation from which
+ emanated the deed we have printed above, and is headed "Tituli librorum de
+ libraria Ecclesiæ Christi Cantuariensis et contenta in eisdem libris tempore
+ H. Prioris." It is written in that bold hand which prevails so extensively
+ in ecclesiastical MSS., with but little variation, from the middle of the
+ fourteenth century, to the end of the fifteenth,&mdash;a hand which is not
+ always clearly written, and which therefore, in itself, does not materially
+ assist in the distinction of a date. Now having first assigned the credit of
+ this noble <span class="pagenum"><a id="page22" name=
+ "page22"></a>{22}</span> Catalogue&mdash;in which are entered about 600
+ volumes, in nearly every one of which, besides the substantive (or initial?)
+ work, are particularised numerous detached writings, varying from two or
+ three to five-and-forty distinct "tracts"&mdash;to Prior Henry Chichely
+ (1413&mdash;1443), the founder of All Souls' and St. John's Colleges,
+ Oxford, and who, "built the library of the church, and furnished it with
+ books," we will see whether the book "qui intitulatur Johannes Crisestomus,"
+ &amp;c. was returned to Canterbury, and had a place in the list;&mdash;and
+ this, we think, is satisfactorily shown by the following entry:&mdash;</p>
+
+ <div class="poem">
+ <p>"Johannes Crisostomus de laude Apostoli.</p>
+
+ <p class="i2">In hoc volumine continentur</p>
+
+ <p>Idem de laude Redemptoris.</p>
+
+ <p>Brutus latine.</p>
+
+ <p>Nomina Regum Britanniæ sicut in ordine successerunt.</p>
+
+ <p>Nomina Archiepiscoporum Cantuariensis sicut in ordine successerunt.</p>
+
+ <p>Tabula et questiones Bede de ratione temporum.</p>
+
+ <p>Tabula ejusdem et expositio super tabulam de lunationibus.</p>
+
+ <p>Descriptio Britanniæ Insulæ.</p>
+
+ <p>Expositio super Merlinum, imperfecta."</p>
+ </div>
+
+ <p>It may perhaps be supposed that this proves too much, as, besides the
+ direct title of the volume, <i>eight</i> "tracts" are here entered, while in
+ the Power of Attorney only <i>two</i> are noticed. But we would maintain,
+ nevertheless, that it is the identical book, and explain this variation in
+ the description by the circumstance that the library having, in the space of
+ nearly two centuries, been materially enriched, numerous works, consisting
+ in many cases only of a single "quaternion," were inserted in the volumes
+ already existing. An examination of the structure of books of this period
+ would confirm this view, and show that their apparent clumsiness is to be
+ explained by the facility it was then the custom to afford for the
+ interpolation or extraction of "sheets," by a contrivance somewhat
+ resembling that of the present day for temporarily fixing loose papers in a
+ cover, and known as the "patent leaf-holder."</p>
+
+ <p>The second document is a list of certain books, belonging to the
+ monastery of Anglesey, early in the fourteenth century, allotted out to the
+ canons of the house for the purpose of custody, or, perhaps, of study or
+ devotion.</p>
+
+ <div class="poem">
+ <p>"Isti libri liberati sunt canonicis die ... anno regni Regis Edwardi
+ septimo"<a id="footnotetag3" name="footnotetag3"></a><a href=
+ "#footnote3"><sup>3</sup></a> (7 Edw. II. A.D. 1314.)</p>
+
+ <p>Penes Dominum Priorem; Parabelæ Salomonis; Psalterium cum ...</p>
+
+ <p>Penes Dominum J. de Bodek.; Epistolæ Pauli...; Quædam notulæ super
+ psalter et liber miraculorum ... Mariæ cum miraculis sanctorum.</p>
+
+ <p>Penes Sub-priorem; Liber vitæ Sancti Thomæ Martiris.</p>
+
+ <p>Penes E. de Ely; Quartus liber sententiarum cum sermo...; Liber
+ Reymundi; Liber de vitiis et virtutibus et pastorale.</p>
+
+ <p>Penes R. Pichard; Liber Alquini; Liber Johannis de Tyrington cum Catone
+ et aliis.</p>
+
+ <p>Penes Henrici Muchet; Liber de vita Sanctæ Mariæ Magdalenæ et
+ remediarum (?)</p>
+
+ <p>Penes Walteri de Yilwilden; Liber S ... ligatus in panno ymnaro
+ glosatus cum constitutionibus; Belet ligatus et vita sanctorum.</p>
+
+ <p>Penes Ricardi de Queye; Omeliæ Gregorii (?) super Evangelistos ligatæ
+ in nigro corio.</p>
+
+ <p>In commune biblia; Decreta; Decretales; Prima pars moralium Job; Liber
+ de abusionibus.</p>
+
+ <p>Liber justitiæ; penes Magistrum Adam de Wilburham.</p>
+
+ <p>Penes Walteri de Wyth; Liber Innocentii super sacramenta cum Belet et
+ introductione in uno volumine.</p>
+
+ <p>Item penes Sup-priorem; Psalterium glosatum duod fuit in custodia
+ Magistri Henrice de Melreth.</p>
+
+ <p>Item aliud psalterium glosatum inpignoratum penes Isabellam
+ Siccadona.</p>
+ </div>
+
+ <p>Several of these descriptions are highly curious; particularly the last
+ item, which describes one of the "glossed" psalters as being "<i>in
+ pawn</i>," a fact which, in itself, tells a history of the then condition of
+ the house.</p>
+
+ <p>The first document, taken in connection with that referred to by Mr.
+ Hunter would seem to establish the existence of a system of interchanging
+ the literary wealth of monastic establishments, and thereby greatly
+ extending the advantages of their otherwise scanty stores. Both are executed
+ with all the legal forms used in the most important transactions, which
+ would support the opinion of their not <span class="pagenum"><a id="page23"
+ name="page23"></a>{23}</span> being special instances: but they are, in
+ either case, curious and satisfactory evidence of the care and caution
+ exercised by the monks in cases where their books were concerned; and one
+ cannot but regret that when the time came that the monasterias were destined
+ to be dissolved, and their books torn and scattered to the winds, no
+ attention was paid to Bale's advice for the formation of "one solemne
+ library in every shire of England."</p>
+
+ <p class="author">JOSEPH BURTT</p>
+
+ <blockquote class="footnote">
+ <a id="footnote1" name="footnote1"></a> <b>Footnote 1</b>: <a href=
+ "#footnotetag1">(return)</a>
+
+ <p>The information given of this house by Dugdale is very scanty. It could
+ surely be added to considerably.</p>
+ </blockquote>
+
+ <blockquote class="footnote">
+ <a id="footnote2" name="footnote2"></a> <b>Footnote 2</b>: <a href=
+ "#footnotetag2">(return)</a>
+
+ <p>London, 1831. quarto. See also a Paper by Mr. Halliwell in&gt;the
+ <i>Archæologia</i>, xxvii. p. 455., and Sir Francis Palgrave's
+ Introduction to <i>Documents and Records illustrating the History of
+ Scotland</i>, pp. xcvi.&mdash;cxvi., for extracts from the historical
+ chronicles preserved in the monasteries, &amp;c.</p>
+ </blockquote>
+
+ <blockquote class="footnote">
+ <a id="footnote3" name="footnote3"></a> <b>Footnote 3</b>: <a href=
+ "#footnotetag3">(return)</a>
+
+ <p>The formula of this date, "anno R.R.E. septimo," would at first sight
+ be considered to refer to the preceding reign; but the list is merely a
+ memorandum on the dorse of a completely executed instrument dated A.D.
+ 1300, which it is highly improbable that it preceded. The style of Edward
+ II. is often found as above, though not usually so.</p>
+ </blockquote>
+ <hr />
+
+ <h2>PEDLAR'S SONG ATTRIBUTED TO SHAKSPERE, AND TRADITION CONNECTED WITH
+ SHAKSPERE'S "HAMLET."</h2>
+
+ <p>The following verses, which would form a very appropriate song for
+ Autolycus, were arranged as a glee for three voices by Dr. Wilson about the
+ year 1667. They are published in Playford's <i>Musical Companion</i> in
+ 1673; in Warren's <i>Collection of Glees and Catches</i>; and in S. Webbe's
+ <i>Conveto Harmonico</i>. The words were, I believe, first ascribed to
+ Shakspere by Clark, in 1824, in his <i>Words of Glees, Madrigals,
+ &amp;c.</i>; but he has not given his authority for so doing. It has been
+ stated that they have since been discovered in a common-place book written
+ about Shakspere's time, with his name attached to them, and with this
+ indirect evidence in favour of their being written by him, that the other
+ pieces in the collection are attributed to their proper writers. The late
+ Mr. Douce, who was inclined to believe the song to have been written by
+ Shakspere, once saw a copy of it with a fourth verse which was shown to him
+ by the then organist of Chichester. The poem is not included in Mr.
+ Collier's edition of Shakspere, nor in the Aldine edition of Shakspere's
+ Poems, edited by the Rev. A. Dyce. Perhaps if you will be good enough to
+ insert the song and the present communication in the "NOTES AND QUERIES,"
+ some of your readers may be enabled to fix the authorship and to furnish the
+ additional stanza to which I have referred.</p>
+
+ <h3>PEDLAR'S SONG.</h3>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>From the far Lavinian shore,</p>
+
+ <p>I your markets come to store;</p>
+
+ <p>Muse not, though so far I dwell,</p>
+
+ <p>And my wares come here to sell;</p>
+
+ <p>Such is the sacred hunger for gold.</p>
+
+ <p class="i4">Then come to my pack,</p>
+
+ <p class="i6">While I cry</p>
+
+ <p class="i4">"What d'ye lack,</p>
+
+ <p class="i6">What d'ye buy?</p>
+
+ <p>For here it is to be sold."</p>
+ </div>
+
+ <div class="stanza">
+ <p>I have beauty, honour, grace,</p>
+
+ <p>Fortune, favour, time, and place,</p>
+
+ <p>And what else thou would'st request,</p>
+
+ <p>E'en the thing thou likest best;</p>
+
+ <p>First, let me have but a touch of your gold.</p>
+
+ <p class="i4">Then, come to me, lad,</p>
+
+ <p class="i6">Thou shalt have</p>
+
+ <p class="i4">What thy dad</p>
+
+ <p class="i6">Never gave;</p>
+
+ <p>For here it is to be sold.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Madam, come, see what you lack,</p>
+
+ <p>I've complexions in my pack;</p>
+
+ <p>White and red you may have in this place,</p>
+
+ <p>To hide your old and wrinkled face.</p>
+
+ <p>First, let me have but a touch of your gold,</p>
+
+ <p class="i4">Then you shall seem</p>
+
+ <p class="i4">Like a girl of fifteen,</p>
+
+ <p>Although you be threescore and ten years old.</p>
+ </div>
+ </div>
+
+ <p>While on this subject, perhaps I may be permitted to ask whether any
+ reader of the "NOTES AND QUERIES" can throw light on the following
+ questionable statement made by a correspondent of the <i>Morning Herald</i>,
+ of the 16th September, 1822.</p>
+
+ <blockquote>
+ "Looking over an old volume the other day, printed in 1771, I find it
+ remarked that it was known as a tradition, that Shakspeare shut himself up
+ all night in Westminster Abbey when he wrote the ghost scene in Hamlet."
+ </blockquote>
+
+ <p>I do not find in Wilson's <i>Shakspeariana</i> the title of a single
+ "old" book printed in 1771, on the subject of Shakspere.</p>
+
+ <p class="author">T.</p>
+ <hr />
+
+ <h2>SIR WILLIAM SKIPWYTH, KING'S JUSTICE IN IRELAND.</h2>
+
+ <p>Mr. Editor,&mdash;I am encouraged by the eminent names which illustrate
+ the first Number of your new experiment&mdash;a most happy thought&mdash;to
+ inquire whether they, or any other correspondent, can inform me who was the
+ William de Skypwith, the patent of whose appointment as Chief Justice of the
+ King's Bench in Ireland, dated February 15. 1370, 44 Edward III., is to be
+ found in the <i>New Fædera</i> vol. iii. p.877.? In the entry on the Issue
+ Roll of that year, p. 458., of the payment of "his expences and equipment"
+ in going there, he is called "Sir William Skipwyth, Knight, and the King's
+ Justice in Ireland." <span class="pagenum"><a id="page24" name=
+ "page24"></a>{24}</span></p>
+
+ <p>There was a Sir William Skipwyth, who was appointed a Judge of the Common
+ Pleas in 33 Edward III., and Chief Baron of the Exchequer in 36 Edward III.;
+ and, were it not that Collins, in his <i>Baronetage</i>, followed by Burke,
+ says that he remained Chief Baron till 40 Edward III., <i>in which year he
+ died</i>, I should have had no doubt that the Irish Chief Justice was the
+ same with the English Chief Baron.</p>
+
+ <p>The same authority adds that Sir William Skipwyth who was made a Justice
+ of the King's Bench [it should have been of the Common Pleas] in 50 Edward
+ III., and who resigned his office in 11 Richard II., was the eldest son of
+ the Chief Baron. But that authority does not make the slightest allusion to
+ the appointment of the Chief Justice of Ireland.</p>
+
+ <p>A suspicion that this last Justice of the Common Pleas is not only the
+ same person as the Chief Justice of Ireland, but also as the Chief Baron of
+ the Exchequer, has arisen in my mind for the following among other
+ reasons.</p>
+
+ <p>1. Collins and Burke are wrong in saying that he remained Chief Baron
+ till 40 Edward III. His successor in that office was appointed on October
+ 29. 1365, 39 Edward III.</p>
+
+ <p>2. They are further wrong, I imagine, in saying that he continued Chief
+ Baron till his death: for Joshua Barnes, in his <i>History of Edward
+ III.</i>, p. 667., says that Skipwyth and Sir Henry Green, the Chief Justice
+ of the King's Bench, were in 1365 arrested and imprisoned on account of many
+ enormities which the King understood they had committed against law and
+ justice; and this relation is corroborated by the fact that Green's
+ successor as Chief Justice was appointed on the same day as Skipwyth's
+ successor as Chief Baron.</p>
+
+ <p>3. No proof whatever is given of the Chief Baron's death in 40 Edward
+ III.</p>
+
+ <p>I will not trouble you with other grounds of identification which occur
+ to me: but as an answer to my question might "make these odds all even," I
+ sent the "Query" to the "Lost and Found Office" you have established, in the
+ hope that some stray "Note," as yet unappropriated, may assist in solving
+ the difficulty.</p>
+
+ <p class="author">EDWARD FOSS.</p>
+
+ <p>November 5. 1849.</p>
+ <hr />
+
+ <h2>THE THISTLE OF SCOTLAND.</h2>
+
+ <p>Mr. Editor,&mdash;May I ask if any of your contibutors could inform me in
+ an early number, when and on what occasion the Thistle was adopted as the
+ emblem of the Scottish nation? I have looked into many historians, but as
+ yet found nothing definite enough.</p>
+
+ <p class="author">R. L.</p>
+
+ <p>Paisley, Oct. 29. 1849.</p>
+ <hr />
+
+ <h2>CAPTURE OF THE DUKE OF MONMOUTH.</h2>
+
+ <p>Mr. Editor,&mdash;Having noticed the letter of Mr. John Bruce, in your
+ Miscellany, I beg leave to inform him that the ash tree under which Monmouth
+ was taken is still standing on the Woodland estate, now the property of the
+ Earl of Shaftesbury.</p>
+
+ <p>I shall be happy at some future day, if it suits your purpose, to collect
+ and send you such particulars as may be gained on the spot respecting it,
+ and the incidents of the capture.</p>
+
+ <p>We have still in the Town Hall here the chain in which it is said
+ Jefferies sat at the Bloody Assize.</p>
+
+ <p class="author">A. D. M.</p>
+
+ <p>Dorcester, 3d Nov. 1849.</p>
+
+ <p class="note">[We shall gladly receive the particulars which our
+ Correspondent proposed to collect and forward.]</p>
+ <hr />
+
+ <h2>SERPENTS' EGGS AND STRAW NECKLACES.</h2>
+
+ <p class="note">[Mr. Thoms' Query in this case should have been limited to
+ the <i>straw necklaces</i>, as Mr. Nichols has already explained the
+ <i>serpents' eggs</i>; but our Correspondent's letter is so satisfactory on
+ both points that we insert it entire.]</p>
+
+ <p>The passage from Erasmus, "brachium habet ova serpentum," is plainly to
+ be rendered "and with a string of serpents' eggs on your arm." The meaning
+ is equally apparent on recalling the manner in which snakes' eggs are found,
+ viz., hanging together in a row. Erasmus intends Menedemus to utter a joke
+ at the <i>rosary of beads</i> hanging over the pilgrim's arm, which he
+ professes to mistake for serpents' eggs.</p>
+
+ <p>I am not aware what particular propriety the "collar or chaplet" (for it
+ may mean either) of <i>straw</i> may have, as worn by a pilgrim from
+ Compostella; or whether there may not lurk under this description, as
+ beneath <span class="pagenum"><a id="page25" name="page25"></a>{25}</span>
+ the other, a jocular sense. The readiest way of determining this point would
+ be to consult some of the accounts of Compostella and of its relics, which
+ are to be found in a class of books formerly abundant in the north-western
+ towns of Spain.</p>
+
+ <p class="author">V.</p>
+ <hr />
+
+ <h2>MADOC&mdash;HIS EXPEDITION TO AMERICA.</h2>
+
+ <p>"A Student" may consult the <i>Proceedings of the Royal Society of
+ Northern Antiquaries, Copenhagen</i>, Mr. Geogehan's <i>Ireland</i>,
+ O'Flaherty's <i>Ogygia</i>, Magnusen and Rafn <i>On the Historical Monuments
+ of Greenland and America</i>, and some of the <i>Sagas</i>.</p>
+
+ <p class="author">SCOTUS.</p>
+
+ <p>Brechin, Nov. 5. 1849.</p>
+ <hr />
+
+ <h2>NOTES ON COFFEE.</h2>
+
+ <p>The earliest account we have of coffee is said to be taken from an
+ Arabian MS. in the Bibliothèque du Roi in Paris.</p>
+
+ <p>Schehabeddin Ben, an Arabian author of the ninth century of the Hegira,
+ or fifteenth of the Christians, attributes to Gemaleddin, Mufti of Aden, a
+ city of Arabia Felix, who was nearly his contemporary, the first
+ introduction into that country, of drinking coffee. He tells us, that
+ Gemaleddin, having occasion to travel into Persia, during his abode there
+ saw some of his countrymen drinking coffee, which at that time he did not
+ much attend to; but, on his return to Aden, finding himself indisposed, and
+ remembering that he had seen his countrymen drinking coffee in Persia, in
+ hopes of receiving some benefit from it, he determined to try it on himself;
+ and, after making the experiment, not only recovered his health, but
+ perceived other useful qualities in that liquor; such as relieving the
+ headach, enlivening the spirits, and, without prejudice to the constitution,
+ preventing drowsiness. This last quality he resolved to turn to the
+ advantage of his profession; he took it himself, and recommended it to the
+ Dervises, or religious Mahometans, to enable them to pass the night in
+ prayer, and other exercises of their religion, with greater zeal and
+ attention. The example and authority of the mufti gave reputation to coffee.
+ Soon men of letters, and persons belonging to the law, adopted the use of
+ it. These were followed by the tradesmen and artisans that were under the
+ necessity of working in the night, and such as were obliged to travel late
+ after sunset. At length the custom became general in Aden; and it was not
+ only drunk in the night by those who were desirous of being kept awake, but
+ in the day for the sake of its other agreeable qualities.</p>
+
+ <p>Before this time coffee was scarce known in Persia, and very little used
+ in Arabia, where the tree grew. But, according to Schehabeddin, it had been
+ drunk in Æthiopia from time immemorial.</p>
+
+ <p>Coffee being thus received at Aden, where it has continued in use ever
+ since without interruption, passed by degrees to many neighbouring towns;
+ and not long after reached Mecca, where it was introduced as at Aden, by the
+ Dervises, and for the same purposes of religion.</p>
+
+ <p>The inhabitants of Mecca were at last so fond of this liquor, that,
+ without regarding the intention of the religious, and other studious
+ persons, they at length drank it publicly in coffee-houses, where they
+ assembled in crowds to pass the time agreeably, making that the pretense.
+ From hence the custom extended itself to many other towns of Arabia,
+ particularly to Medina, and then to Grand Cairo in Egypt, where the Dervises
+ of Yemen, who lived in a district by themselves, drank coffee on the nights
+ they intended to spend in devotion.</p>
+
+ <p>Coffee continued its progress through Syria, and was received at Damascus
+ and Aleppo without opposition; and in the year 1554, under the reign of
+ Solyman, one hundred years after its introduction by the Mufti of Aden,
+ became known to the inhabitants of Constantinople, when two private persons
+ of the names of Schems and Hekin, the one coming from Damascus, and the
+ other from Aleppo, opened coffee-houses.</p>
+
+ <p>"It is not easy," says Ellis, "to determine at what time, or upon what
+ occasion, the use of coffee passed from Constantinople to the western parts
+ of Europe. It is, however, likely that the Venetians, upon account of the
+ proximity of their dominions, and their great trade to the Levant, were the
+ first acquainted with it; which appears from part of a letter wrote by Peter
+ della Valle, a Venetian, in 1615, from Constantinople; in which he tells his
+ friend, that, upon his return he should <span class="pagenum"><a id="page26"
+ name="page26"></a>{26}</span> bring with him some coffee, which he believed
+ was a thing unknown in his country."</p>
+
+ <p>Mr. Garland tells us he was informed by M. de la Croix, the King's
+ interpreter, that M. Thevenot, who had travelled through the East, at his
+ return in 1657, brought with him to Paris some coffee for his own use, and
+ often treated his friends with it.</p>
+
+ <p>It was known some years sooner at Marseilles; for, in 1644, some
+ gentlemen who accompanied M. de la Haye to Constantinople, brought back with
+ them on their return, not only some coffee, but the proper vessels and
+ apparatus for making it. However, until 1660, coffee was drunk only by such
+ as had been accustomed to it in the Levant, and their friends; but that year
+ some bales were imported from Egypt, which gave a great number of persons an
+ opportunity of trying it, and contributed very much to bringing it into
+ general use; and in 1661, a coffee-house was opened at Marseilles in the
+ neighbourhood of the Exchange.</p>
+
+ <p>Before 1669, coffee had not been seen at Paris, except at M. Thevenot's,
+ and some of his friends'; nor scarce heard of but from the account of
+ travellers. In that year, Soliman Aga, ambassador from the Sultan Mahomet
+ the Fourth, arrived, who, with his retinue, brought a considerable quantity
+ of coffee with them, and made presents of it to persons both of the court
+ and city, and it is supposed to have established the custom of drinking
+ it.</p>
+
+ <p>Two years afterwards, an Armenian of the name of Pascal, set up a
+ coffee-house, but meeting with little encouragement, left Paris and came to
+ London.</p>
+
+ <p>From Anderson's <i>Chronological History of Commerce</i>, it appears that
+ the use of coffee was introduced into London some years earlier than into
+ Paris. For in 1652 one Mr. Edwards, a Turkey merchant, brought home with him
+ a Greek servant, whose name was Pasqua, who understood the roasting and
+ making of coffee, till then unknown in England. This servant was the first
+ who sold coffee, and kept a house for that purpose in George Yard Lombard
+ Street.</p>
+
+ <p>The first mention of coffee in our statute books is anno 1660 (12 Car.
+ II. c. 24), when a duty of 4d. was laid upon every gallon of coffee made and
+ sold, to be paid by the maker.</p>
+
+ <p>The statute 15 Car. II. c. 11. § 15. an. 1663, directs that all
+ coffee-houses should be licensed at the general quarter sessions of the
+ peace for the county within which they are to be kept.</p>
+
+ <p>In 1675 King Charles II. issued a proclamation to shut up the
+ coffee-houses, but in a few days suspended the proclamation by a second.
+ They were charged with being seminaries of sedition.</p>
+
+ <p>The first European author who has made any mention of coffee is
+ Rauwolfus, who was in the Levant in 1573.</p>
+ <hr />
+
+ <h2>DR. DRYASDUST.</h2>
+
+ <p>Sir,&mdash;Do you or any of your readers know anything of the family of
+ that celebrated antiquary, and do you think it probable that he was
+ descended from, or connected with, the author of a work which I met with
+ some time ago, intituled "Wit Revived, or A new and excellent way of
+ Divertisement, digested into most ingenious Questions and Answers. By
+ ASDRYASDUST TOSSOFFACAN. London: Printed for T. E. and are to be sold by
+ most Booksellers. MDCLXXIV." 12mo. I do not know anything of the author's
+ character, but he appears to have been a right-minded man, in so far as he
+ (like yourself) expected to find "wit revived" by its digestion into "most
+ ingenious questions and answers;" though his notion that asking and
+ answering questions was a <i>new</i> way of divertisement, seems to indicate
+ an imperfect knowledge of the nature and history of mankind; but my query is
+ simply genealogical.</p>
+
+ <p class="author">H. F. W.</p>
+ <hr />
+
+ <h2>MACAULAY'S "YOUNG LEVITE."</h2>
+
+ <p>Sir,&mdash;The following passage from the <i>Anatomy of Melancholy</i>,
+ published 1651, struck me as a curious corroboration of the passage in Mr.
+ Macaulay's <i>History</i> which describes the "young Levite's" position in
+ society during the seventeenth century; and as chance lately threw in my way
+ the work from which Burton took his illustration, I take the liberty of
+ submitting Notes of both for your examination.</p>
+
+ <blockquote>
+ "If he be a trencher chaplain in a gentleman's house (as it befel
+ Euphormio), after some seven years' service he may perchance have a living
+ to <span class="pagenum"><a id="page27" name="page27"></a>{27}</span> the
+ halves, or some small rectory, with the mother of the maids at length, a
+ poor kinswoman, or a crackt chambermaid, to have and to hold during the
+ time of his life."&mdash;Burton, <i>Anat. of Mel.</i> part i. sect. 2.
+ mem. 3. subsect 15.
+ </blockquote>
+
+ <p>Burton is here referrng to the <i>Euphormionis Lusinini Satyricon</i>,
+ published anno 1617. It professes to be a satire, or rather A FURIOUS
+ INVECTIVE, on the corrupt manners of the times, and is in four parts: the
+ 1st is dedicated to King James I.; the 2nd to Robert Cecil; the 3rd to
+ Charles Emmanuel of Savoy; the 4th to Louis XIII., King of France.</p>
+
+ <p>The use that Burton makes of the name of Euphormio is any thing but
+ happy. He was not a "<i>trencher chaplain</i>" but the slave of a rich
+ debauchée, Callion, sent in company with another slave, Percas, to carry
+ some all-potent nostrum to Fibullius, a friend of Callion, who was suffering
+ from an attack of stone. Euphormio cures Fibullius, not by the drug with
+ which he was armed, but by a herb, which he sought for and found on a
+ mountain. Fibullius, to reward his benefactor, offers him as a wife a most
+ beautiful girl, whom he introduces to him privately while in his sick room.
+ Euphormio looks with no little suspicion on the offer; but, after a few
+ excuses, which are overruled by Fibullius, accepts the lady as his
+ betrothed, "seals the bargain with a holy kiss," and walks out of the room
+ (to use his own words) "et sponsus, et quod nesciebam&mdash;Pater," page
+ 100. The next mention of this lady [evidently the prototype of the "crackt
+ chambermaid,"] is in page 138. Callion had paid his sick friend Fibullius a
+ visit, and, on the eve of his departure, had ordered Euphormio to ride post
+ before him, and prepare the inhabitants of the districts through which he
+ was to pass for his arrival. While Euphormio is on the horseblock in the act
+ of mounting his steed, a rustic brings him a letter from Fibullius, and in
+ conversation gives him such an account of his bride as forces upon him the
+ reflection, that even the grim Libitina would be preferable, as a bride, to
+ so confirmed a Thais, so fruitful a partner, as the <i>protegée</i> of
+ Fibullius would be likely to prove. But, as these <i>notes</i> have, in
+ spite of all my attempts at condensation, already grown to a most formidable
+ size, I will not indulge in any moral reflections; but conclude by
+ <i>querying</i> you, or any of your readers, to inform me whether the
+ personages mentioned in the <i>Euphorm. Lus. Satyricon</i>, such as Callion,
+ Pereas, Fibullius, &amp;c., are real characters or not? as, in the former
+ case, I am inclined to think that the work might throw some interesting
+ lights on the private manners and characters of some of the courtiers of the
+ day. "No scandal against any of the maids of honour"&mdash;of course. The
+ phrase "<i>To the halves</i>" (in the quotation from Burton) means,
+ inadequate, insufficient; we still talk of "half and half" measures.
+ Montanus inveighs against such "perturbations, that purge <i>to the
+ halves</i>, tire nature, and molest the body to no purpose."&mdash;Burton,
+ <i>Anat. of Mel.</i>, part. ii. sect. 2. mem. 4. subsect. 6.</p>
+
+ <p class="author">MELANION.</p>
+
+ <p class="note">[The work referred to by our correspondent was written by
+ Barclay, better known as the author of the <i>Argenis</i>. The First Part of
+ the <i>Satyricon</i>, dedicated to James the First, was published, London,
+ 12mo. 1603; and with the addition of the 2nd Part, Paris, 1605. The best
+ edition of the work (which, really in two parts, is made, by the addition of
+ the <i>Apologia Euphormionis</i>, &amp;c. sometimes into five) is said to be
+ the Elzevir 12mo., 1637. There are two editions of it <i>cum notis
+ variorum</i>, Leyden, 1667 and 1669, 8vo., in two volumes. Of some of the
+ editions (as that of 1623, 12mo.) it is said, "adjecta Clavi sive obscurorum
+ et quasi ænigmaticorum nominum, in hoc Opere passim occurrentium, dilucida
+ explicatione." The <i>Satyricon</i> was twice translated into French; and
+ its literary history, and that of the <i>Censura Euphormionis</i>, and other
+ tracts, which it called forth, might furnish a curious and amusing
+ paper.]</p>
+ <hr />
+
+ <h2>SERMONES SANCTI CAROLI BORROMÆI.</h2>
+
+ <p>Sir,&mdash;I have been wanting to get a sight of the following work,
+ "Sermones Sancti Caroli Borromæi, Archiepisc. Mediol. Edidit. J.A. Saxius. 5
+ Tom. Mediol. 1747." Can I learn through your columns whether the work is any
+ where accessible in London? I sought for it in vain at the British Museum a
+ twelvemonth ago; nor, though then placed in their list of <i>Libri
+ desiderati</i>, has it yet been procured.</p>
+
+ <p class="author">C. F. SECRETAN.</p>
+ <hr />
+
+ <h2>LUTHER AND ERASMUS.</h2>
+
+ <p>Mr. Editor,&mdash;The following lines, written in a hand of the early
+ part of the seventeenth century, occur on the fly-leaf of a copy of the
+ <span class="pagenum"><a id="page28" name="page28"></a>{28}</span>
+ <i>Translation of Luther on the Galatians</i>, edit. London, 4to. 1577. Can
+ any of your readers oblige me by informing me who was their author?</p>
+
+ <div class="poem">
+ <p>"Parum Lutherus ac Erasmus differunt</p>
+
+ <p>Serpens uterque est, plenus atro toxico;</p>
+
+ <p>Sed ille mordet ut cerastes in via,</p>
+
+ <p>Hic fraudulentus mordet in silentio."</p>
+ </div>
+
+ <p>Your obedient servant,</p>
+
+ <p class="author">ROTERODAMUS.</p>
+ <hr />
+
+ <h2>TOWER ROYAL&mdash;CONSTITUTION HILL&mdash;COUNTESS OF PEMBROKE'S
+ LETTER&mdash;TENNISON'S FUNERAL SERMON ON NELL GWYNNE.</h2>
+
+ <p>Sir,&mdash;I should be glad to obtain answers to any or all of the
+ following Queries:&mdash;</p>
+
+ <p>1. What is the origin of the name TOWER ROYAL, as applied to a London
+ locality, and when did our kings (if they ever inhabited it) cease to
+ inhabit it?</p>
+
+ <p>2. When was CONSTITUTION HILL first so called, and why?</p>
+
+ <p>3. Is there any contemporary copy of the celebrated letter said to have
+ been written by Anne Pembroke, Dorset and Montgomery, to Sir Joseph
+ Williamson? It first appeared in <i>The World</i>.</p>
+
+ <p>4. Does a copy exist in MS., or in print, of the sermon which Archbishop
+ Tennison preached at the funeral of Nell Gwynne?</p>
+
+ <p class="author">PETER CUNNINGHAM.</p>
+ <hr />
+
+ <h2>GROG&mdash;BISHOP BARNABY.</h2>
+
+ <p>Mr. Editor,&mdash;I hope you intend to keep a corner for Etymologies.</p>
+
+ <p>Query, the origin of the word "Grog?"&mdash;And why do the people in
+ Suffolk call a ladybird "Bishop Barnaby?"</p>
+
+ <p>If you can enlighten me upon either of these points, I shall feel
+ encouraged to try again.</p>
+
+ <p>Yours, &amp;c.</p>
+
+ <p class="author">LEGOUR.</p>
+ <hr />
+
+ <h2>NOTES FROM FLY-LEAVES, NO. II.</h2>
+
+ <h3>DR. FARMER ON DRAYTON'S WORKS.</h3>
+
+ <p>The following bibliographical memoranda, in the well-known hand of Dr.
+ Farmer, occur in a copy of the edition of Drayton's <i>Poems</i> published
+ in 1619, in small folio, by John Smethwick, which contains "The Barons'
+ Wars; England's Heroical Epistles; Idea; Odes; The Legends of Robert Duke of
+ Normandie, Matilda, Pierce Gaveston, and Great Cromwell; The Owle; and
+ Pastorals, containing Eglogues, with the Man in the Moone."</p>
+
+ <p>They may be of use to some future editor of Drayton, an author now
+ undeservedly neglected, whose <i>Nymphidia</i> alone might tempt the
+ tasteful publisher of the "Aldine Poets" to include a selection, at least,
+ of his poems in that beautiful series:&mdash;</p>
+
+ <blockquote>
+ <p>"The works of Michael Drayton, Esq., were reprinted in folio, 1748. The
+ title-page 'promises all the writings of that <i>celebrated author</i>,'
+ but his Pastorals (p.433. &amp;c., first published imperfectly in 4to.
+ 1593) and many other of his most considerable compositions (Odes, the
+ Owle, &amp;c., see the Appendix), are not so much as spoken of. See his
+ article in the <i>Biog. Brit.</i> by Mr. Oldys, curiously and accurately
+ written.</p>
+
+ <p>"Another edition (which is called the <i>best</i>) was printed in 4
+ vols. 8vo. 1753. Robson, 1765.</p>
+
+ <p>"A Poem Triumphant, composed for the Society of the Goldsmiths of
+ London, by <i>M. Drayton</i>. 4to. 1604. <i>Harl. Cat.</i> v.3. p.
+ 357.</p>
+
+ <p>"Charles Coffey was the editor of the folio edit. 1748, he had a
+ large&lt;
+ subscription for it, but died before the publication; and it was afterward
+ printed for the benefit of his widow. See Mottley, p. 201.</p>
+
+ <p>"The print of Drayton at the back of the title-page, is marked in
+ Thane's Catalogue, 1774, 7s. 6d.</p>
+
+ <p>"N.B. The copy of the <i>Baron's Warres</i> in this edition differs in
+ almost every line from that in the 8vo. edit. 1610.</p>
+
+ <p>"It was printed under the title of Mortimeriados, in 7 line
+ stanzaes.</p>
+
+ <p>"Matilda was first printed 1594, 4to., by Val. Simmes. Gaveston appears
+ by the Pref. to have been publish't before. Almost every line in the old
+ 4to. of Matilda differs from the copy in this edit. A stanza celebrating
+ Shakespeare's Lucrece is omitted in the later edition.</p>
+
+ <p>"Idea. The Shepherd's Garland. Fashion'd in 9 Eglogs. Rowland's
+ sacrifice to the 9 Muses, 4to. 1593. But they are printed in this Edition
+ very different from the present Pastorals.</p>
+
+ <p>"A sonnet of Drayton's prefixed to the 2nd Part of <i>Munday's
+ Primaleon of Greece</i>, B.L. 4to. 1619."</p>
+ </blockquote>
+
+ <div class="note">
+ <p>[The stanza in <i>Matilda</i>, celebrating Shakespeare's
+ <i>Lucrece</i>, to which Dr. Farmer alludes, is thus quoted by Mr. Collier
+ in his edition of Shakespeare (viii. p. 411.):&mdash;</p>
+
+ <div class="poem">
+ <p>"Lucrece, of whom proud Rome hath boasted long,</p>
+
+ <p class="i2">Lately revived to live another age,</p>
+
+ <p>And here arrived to tell of Tarquin's wrong,</p>
+
+ <p class="i2">Her chaste denial, and the tyrant's rage,</p>
+ <span class="pagenum"><a id="page29" name="page29"></a>{29}</span>
+ <p>Acting her passions on our stately stage:</p>
+
+ <p class="i2">She is remember'd, all forgetting me,</p>
+
+ <p class="i2">Yet I as fair and chaste as e'er was she;"&mdash;</p>
+ </div>
+
+ <p>who remarks upon it as follows:&mdash;</p>
+
+ <blockquote>
+ "A difficulty here may arise out of the fifth line, as if Drayton was
+ referring to a play upon the story of Lucrece, and it is very possible
+ that one was then in existence. Thomas Heywood's tragedy, <i>The Rape of
+ Lucrece,</i> did not appear in print until 1608, and he could hardly
+ have been old enough to have been the author of such a drama in 1594; he
+ may, nevertheless, have availed himself of an elder play, and, according
+ to the practice of the time, he may have felt warranted in publishing it
+ as his own. It is likely, however, that Drayton's expressions are not to
+ be taken literally; and that his meaning merely was, that the story of
+ Lucrece had lately been revived, and brought upon the stage of the
+ world: if this opinion be correct, the stanza we have quoted above
+ contains a clear allusion to Shakespeare's <i>Lucrece</i>; and a
+ question then presents itself, why Drayton entirely omitted it in the
+ after-impression of his <i>Matilda</i>. He was a poet who, as we have
+ shown in the Introduction to <i>Julius Cæsar</i> (vol. viii. p. 4.), was
+ in the habit of making extensive alterations in his productions, as they
+ were severally reprinted, and the suppression of this stanza may have
+ proceeded from many other causes than repentance of the praise he had
+ bestowed upon a rival."]
+ </blockquote>
+ </div>
+ <hr />
+
+ <h2>BODENHAM, OR LING'S POLITEUPHUIA.</h2>
+
+ <p>Sir,&mdash;The following is an extract from a Catalogue of Books for
+ sale, issued by Mr. Asher, of Berlin, in 1844:&mdash;</p>
+
+ <blockquote>
+ <p>"Bodenham? (Ling?), Politeuphuia. Wits commonwealth, <i>original
+ wrapper, vellum</i>. VERY RARE.</p>
+
+ <p>"80 fr. 8vo. London, for Nicholas Ling, 1597.</p>
+
+ <p>"This book, 'being a methodical collection of the most choice and
+ select admonitions and sentences, compendiously drawn from infinite
+ varietie,' is quoted by Lowndes under Bodenham, as first printed in 1598;
+ the Epistle dedicatory however of the present copy is signed: 'N. Ling',
+ and addressed 'to his very good friend Maister I.B.,' so that Ling appears
+ to have been the author, and this an edition unknown to Lowndes or any
+ other bibliographer."</p>
+ </blockquote>
+
+ <p>This seems to settle one point, perhaps a not very important one, in our
+ literary history; and as such may deserve a place among your "NOTES."</p>
+
+ <p class="author">BOOKWORM.</p>
+ <hr />
+
+ <h2>COLLEY CIBBER'S APOLOGY.</h2>
+
+ <p>Mr. Editor,&mdash;No doubt most of your readers are well acquainted with
+ Colley Cibber's <i>Apology for his Life</i>, &amp;c., first printed, I
+ believe, in 1740, 4to, with a portrait of himself, painted by Vanloo, and
+ engraved by Vandergucht. Chapters IV. and V. contain the celebrated
+ characters he drew of the principal performers, male and female, in, and
+ just before, his time, viz. Betterton, Montfort, Kynaston, &amp;c. Upon
+ these characters I have two questions to put, which I hope some of your
+ contributors may be able to answer. The first is, "Were these characters of
+ actors reprinted in the same words, and without additions, in the subsequent
+ impressions of Cibber's <i>Apology</i> in 8vo?" Secondly, "Had they ever
+ appeared in any shape before they were inserted in the copy of Cibber's
+ <i>Apology</i> now before me, in 1740, 4to?" To this may be added, if
+ convenient, some account of the work in which these fine criticisms
+ originally appeared, supposing they did not first come out in the
+ <i>Apology</i>. I am especially interested in the history of the Stage about
+ the period when the publication of these characters formed an epoch.</p>
+
+ <p>I am, Mr. Editor, yours,</p>
+
+ <p class="author">DRAMATICUS.</p>
+ <hr />
+
+ <h2>A MAIDEN ASSIZE&mdash;WHITE GLOVES.</h2>
+
+ <p>Mr. Editor.&mdash;I forward for insertion in your new publication the
+ following "Note," taken from the <i>Times</i> of the 20th of August,
+ 1847:&mdash;</p>
+
+ <p>"A Fortunate County.&mdash;In consequence of there being no prisoners,
+ nor business of any kind to transact at the last assizes for the county of
+ Radnor, the high sheriff, Mr. Henry Miles, had to present the judge, Mr.
+ Justice Cresswell, with a pair of white kid gloves, embroidered in gold, and
+ which have been forwarded to his lordship; a similar event has not taken
+ place for a considerable number of years in that county. His lordship
+ remarked that it was the first time it had occurred to him since he had been
+ on the Bench."</p>
+
+ <p>And I beg to append it as a "Query," which I shall gladly see answered by
+ any of your correspondents, or my professional brethren,&mdash;"What is the
+ origin of this singular custom, and what is the earliest instance of it on
+ record?"</p>
+
+ <p class="author">A LIMB OF THE LAW. <span class="pagenum"><a id="page30"
+ name="page30"></a>{30}</span></p>
+ <hr class="full" />
+
+ <h2>BOOKS AND ODD VOLUMES WANTED TO PURCHASE</h2>
+
+ <p>JONES (EDMUND) GEOGRAPHICAL, HISTORICAL, AND RELIGIOUS ACCOUNT OF
+ ABERYSTWITH. 8VO. Trevecka, 1779.</p>
+
+ <p>CARTARI.&mdash;LA ROSA D'ORO PONTIFICIA, ETC. 4to. Rome. 1681.</p>
+
+ <p>SHAKSPEARE'S DRAMATIC WORKS.&mdash;The <i>Fourth</i> Volume of
+ WHITTINGHAM'S Edition, in 7 vols, 24mo. Chiswick. 1814.</p>
+
+ <p>M. C. H. BROEMEL, FEST-TANZEN DER ERSTEN CHRISTEN. Jena, 1705.</p>
+
+ <p>*** Letters stating particulars and lowest price, <i>carriage free</i>,
+ to be sent to MR. BELL, Publisher of "NOTES AND QUERIES," 186. Fleet
+ Street.</p>
+ <hr />
+
+ <h2>NOTICES TO CORRESPONDENTS.</h2>
+
+ <p>The matter is so generally understood with regard to the management of
+ periodical works, that it is hardly necessary for the Editor to say that
+ <i>HE CANNOT UNDERTAKE TO RETURN MANUSCRIPTS</i>; but on one point he wishes
+ to offer a few words of explanation to his correspondents in general, and
+ particularly to those who do not enable him to communicate with them except
+ in print. They will see, on a very little reflection, that it is plainly his
+ interest to take all he can get, and make the most, and the best, of
+ everything; and therefore he begs them to take for granted that their
+ communications are received, and appreciated, even if the succeeding Number
+ bears no proof of it. He is convinced that the want of specific
+ acknowledgment will only be felt by those who have no idea of the labour and
+ difficulty attendant on the hurried management of such a work, and of the
+ impossibility of sometimes giving an explanation, when there really is one
+ which would quite satisfy the writer, for the delay or non-insertion of his
+ communication. Correspondents in such cases have no reason, and if they
+ understood an editor's position they would feel that they have no right, to
+ consider themselves undervalued; but nothing short of personal experience in
+ editorship would explain to them the perplexities and evil consequences
+ arising from an opposite course.</p>
+ <hr />
+
+ <p>MYTHOS is thanked for his kind hints, which shall not be lost sight of.
+ We have abundance of NOTES on the subject, not only of the SEVEN WISE
+ MASTERS, but of that other treasury of ancient fictions, the GESTA
+ ROMANORUM, which we shall bring forward as opportunity offers.</p>
+
+ <p>S.Y. The edition of Chaucer, in five volumes 12mo, edited by Singer, in
+ 1822, was the only modern library edition of the "<i>Works</i>" until the
+ appearance of Sir H. Nicolas's edition in the Aldine Poets. Bell's edition,
+ in 14 volumes, and Dolby's in 2, though they may have done much to extend a
+ knowledge of the writings of the Father of English Poetry, can scarcely be
+ called library editions.</p>
+
+ <p>A.P. will see the matter he refers to illustrated in an early number.</p>
+
+ <p>COMMUNICATIONS RECEIVED.&mdash;J.H.H.&mdash;M.&mdash;&Phi;&mdash;T.
+ Jones&mdash;&Sigma;&mdash;Buriensis.&mdash;G.H.B.&mdash;W.B.B.</p>
+
+ <p>BOOKS AND ODD VOLUMES WANTED. We believe that this will prove one of the
+ most useful divisions of our weekly Sheet. Gentlemen who may be unable to
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+ of cost</i>. Persons having such volumes to dispose of are requested to send
+ reports of price, &amp;c. to Mr. Bell, our Publisher.</p>
+ <hr class="adverts" />
+
+ <p>Shortly will be published,</p>
+
+ <p>BIBLIOGRAPHIE BIOGRAPHIQUE ou Dictionnaire de 33,000 Ouvrages, tant
+ Anciens que Modernes relatifs, à l'Histoire de la Vie des Hommes célèbres. 1
+ vol. imp. 8vo., double columns; about 900 pages. Price about 2l. 12s.
+ 6d.</p>
+
+ <p>A Prospectus may be had, and orders are received by WILLIAMS AND NORGATE,
+ 14 Henrietta Street, Covent Garden.</p>
+ <hr class="full" />
+
+ <p>THE CAMDEN SOCIETY FOR THE PUBLICATION OF EARLY HISTORICAL AND LITERARY
+ REMAINS.</p>
+
+ <p>The following works are now ready for delivery to Members who have paid
+ their Annual Subscription of 1l., due on the first of May last.&mdash;</p>
+
+ <p>I. INEDITED LETTERS OF QUEEN ELIZABETH, AND KING JAMES VI. From the
+ Originals in the possession of the Rev. Edward Ryder, of Oaksey, Wilts., and
+ from a MS. formerly belonging to Sir P. Thompson. Edited by JOHN BRUCE,
+ Esq., Treas. S.A.</p>
+
+ <p>II. THE CHRONICLE OF THE ABBEY OF PETERBOROUGH; from a MS. in the Library
+ of the Society of Antiquaries. Edited by THOMAS STAPLETON, Esq., F.S.A.</p>
+
+ <p>WILLIAM J. THOMS, Secretary.</p>
+
+ <p>Applications from Members who have not received their copies may be made
+ to Messrs. Nichols, 25. Parliament Street, Westminster, from whom
+ prospectuses of the Society (the annual subscription to which is 1l.) may be
+ obtained, and to whose care all communications for the Secretary should be
+ addressed.</p>
+ <hr class="full" />
+ <span class="pagenum"><a id="page31" name="page31"></a>{31}</span>
+
+ <p>NOTES AND QUERIES; A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN,
+ ARTISTS, ANTIQUARIES, GENEALOGISTS, ETC.</p>
+
+ <p>Among the many periodicals which issue from the press, daily, weekly,
+ monthly, or quarterly, there is not one especially intended to assist Men of
+ Letters and of research in their pursuits. Literary Journals there are in
+ abundance, many of them of the highest degree of merit, which in their
+ Reviews and Announcements show the current sayings and doings of the
+ literary world. There is not, however, one among them in which the reading
+ many may note, for the use of himself and his fellow-labourers in the wide
+ field of Literature, the minute facts which he meets with from time to time,
+ and the value of which he so well knows, or insert his <i>Queries</i>, in
+ the hope of receiving satisfactory answers from some of his literary
+ brethren.</p>
+
+ <p>NOTES AND QUERIES, A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, is,
+ as its name implies, intended to supply this deficiency. Those who meet with
+ facts worthy of preservation, may record them in its columns; while those,
+ again, who are pursuing literary inquiries, may, through this MEDIUM, ask
+ for information on points which have baffled their own individual
+ researches. How often is even the best informed writer stopped by an
+ inability to solve some doubt or understand some obscure allusion which
+ suddenly starts up before him! How often does a reading man stumble upon
+ some elucidation of a doubtful phrase, or disputed passage;&mdash;some
+ illustration of an obsolete custom hitherto unnoticed;&mdash;some
+ biographical anecdote or precise date hitherto unrecorded;&mdash;some book,
+ or some edition, hitherto unknown or imperfectly described.</p>
+
+ <p>This Publication, as everybody's common-place book, will be a depository
+ for those who find such materials, and a resource for those who are in
+ search of them; and if the Editor is enabled by the inter-communication of
+ his literary friends, to realise his expectations, it will form a most
+ useful supplement to works already in existence,&mdash;a treasury for
+ enriching future editions of them,&mdash;and an important contribution
+ towards a more perfect history than we yet possess of our Language, our
+ Literature, and those to whom we owe them.</p>
+
+ <p>NOTES AND QUERIES will be published every Saturday, price 3d., or
+ stamped, 4d., and may be had, by order, of all Booksellers and Newsmen, and
+ will also be issued in Parts at the end of each Month.</p>
+
+ <p>Communications for the Editor may be addressed to the Publisher, Mr.
+ GEORGE BELL, No. 186. Fleet Street, by whom also Advertisements will be
+ received.</p>
+ <hr class="full" />
+
+ <p>Preparing for Publication, in One Vol. 8vo.</p>
+
+ <p>ILLUSTRATIONS of the REMAINS of ROMAN ART in CIRENCESTER, the SITE of
+ ANCIENT CORINIUM. By JAMES BUCKMAN, F.G.S. and C.H. NEWMARCH, Esq.</p>
+
+ <p>The work will have reference principally to the illustration of the
+ following subjects:</p>
+
+ <p>1. The remains of the architecture of Corinium, including detailed
+ drawings and descriptions of the fine Tesselated Pavements, especially the
+ one recently discovered, as also the beautiful specimen on the estate of the
+ Right Hon. Earl Bathurst.</p>
+
+ <p>2. The specimens of Roman Pottery&mdash;Vases, Urns, &amp;c.</p>
+
+ <p>3. Works in Metals&mdash;Statuettes, Ornaments, &amp;c. &amp;c.</p>
+
+ <p>4. Coins.</p>
+
+ <p>In order that due justice may be done to the Illustration of these
+ Remains, it is intended to have them executed in the first style of art, and
+ only a limited number of impressions will be taken.</p>
+
+ <p>To secure early copies, orders must be addressed at once to Messrs. BAILY
+ and JONES, Cirencester, or Mr. GEORGE BELL, 186. Fleet Street.</p>
+
+ <p>Price to Subscribers, 12s.</p>
+
+ <p>*** After the close of the Subscription List, the price will be raised to
+ 15s.</p>
+
+ <p>N.B.&mdash;Any person possessing Roman Antiquities from Cirencester, will
+ confer a great favour on the Authors by communicating intelligence of them
+ to Messrs. Baily and Jones.</p>
+
+ <p>London: GEORGE BELL, 186. Fleet Street.</p>
+ <hr class="full" />
+
+ <p>Nearly ready.</p>
+
+ <p>THE PRIMEVAL ANTIQUITIES of DENMARK. By J. J. A. WORSAAE, Member of the
+ Royal Society of Antiquaries of Copenhagen, and a Royal Commissioner for the
+ preservation of the National Monuments of Denmark. Translated and applied to
+ the Illustration of similar Remains in England. By WILLIAM J. THOMS, F.S.A.,
+ Secretary of the Camden Society. Illustrated with numerous Woodcuts.</p>
+
+ <p>While so many publications illustrative of the Archaeology of Egypt,
+ Greece, and Rome, have appeared in this country, few attempts have been made
+ to give a systematic view of the early Antiquities of the British
+ Islands.</p>
+
+ <p>The work, of which the present volume is a translation, was originally
+ written by Mr. Worsaae, for the Copenhagen Society for the Promotion of
+ Useful Knowledge, and intended in the first place, to show how the early
+ history of the country might be read through its monuments, and in the
+ second, to awaken a greater interest for their preservation. It has been
+ translated and applied to the History of similar Remains in England, in the
+ hope that it will be found a useful Handbook for the use of those who desire
+ to know something of the nature of the numerous Primeval Monuments scattered
+ over these Islands, and the light which their investigation is calculated to
+ throw over the earliest and most obscured periods of our national
+ history.</p>
+
+ <p>Oxford: JOHN HENRY PARKER, and 377. Strand.</p>
+ <hr class="full" />
+ <span class="pagenum"><a id="page32" name="page32"></a>{32}</span>
+
+ <p>ILLUSTRATED WORKS.</p>
+
+ <p>AN INTRODUCTION to the STUDY of GOTHIC ARCHITECTURE, with numerous
+ Illustrations. Nearly ready.</p>
+
+ <p>THE PRIMÆVAL ANTIQUITIES OF DENMARK. By J. J. A. WORSAAE, Member of the
+ Royal Society of Antiquaries of Copenhagen. Translated and applied to the
+ Illustration of similar Remains in England, by WILLIAM J. THOMS, F.S.A.,
+ Secretary of the Camden Society. With numerous Illustrations. 8vo. 10s.
+ 6d.</p>
+
+ <p>A MANUAL FOR THE STUDY OF SEPULCHRAL SLABS AND CROSSES OF THE MIDDLE
+ AGES. By the Rev. EDWARD L. CUTTS, B.A. 8vo. Illustrated by upwards of 300
+ Engravings. 12s.</p>
+
+ <p>WORKING DRAWINGS of STRIXTON CHURCH, NORTHAMPTONSHIRE&mdash;Views,
+ Elevations, Sections, and Details of. By EDWARD BARR, Esq., Architect. 12
+ Plates. Folio. 10s6d. A small Church in the Early English Style; calculated
+ for 200 persons; to cost about 800l.</p>
+
+ <p>A BOOK OF ORNAMENTAL GLAZING QUARRIES, collected and arranged from
+ Ancient Examples. By AUGUSTUS WOLLASTON FRANKS, B.A. With 112 Coloured
+ Examples. 8vo. 16s.</p>
+
+ <p>"Designed as a supplemental volume to Mr. Winston's Book on Painted
+ Glass, is an admirable collection. The subjects are accurately traced, and
+ the nicety of the tint and leading preserved. The examples are classed, and
+ an ingenious Introduction displays the taste and research of the
+ author."&mdash;<i>Christian Remembrancer</i>.</p>
+
+ <p>AN INQUIRY INTO THE DIFFERENCE OF STYLE OBSERVABLE IN ANCIENT PAINTED
+ GLASS, with Hints on Glass Painting, illustrated by numerous Coloured Plates
+ from Ancient Examples. By an AMATEUR. 2 vols. 8vo. 1l. 10s.</p>
+
+ <p>AN ATTEMPT TO DISCRIMINATE THE DIFFERENT STYLES OF ARCHITECTURE IN
+ ENGLAND. By the late THOMAS RICKMAN, F.S.A. With 30 Engravings on Steel by
+ Le Keux, &amp;c., and 465 on Wood, of the best examples, from Original
+ Drawings by F. Mackenzie, O. Jewitt, and P. H. De la Motte. Fifth Edition.
+ 8vo. 21s.</p>
+
+ <p>A GLOSSARY OF TERMS USED IN BRITISH HERALDRY, with a Chronological Table
+ illustrative of its Rise and Progress. 8vo., with 700 engravings. 16s.</p>
+
+ <p>MEMORIALS OF THE COLLEGES AND HALLS IN THE UNIVERSITY OF OXFORD, with
+ numerous Illustrations on Steel and Wood. By the Rev. JAMES INGRAM, D.D.,
+ President of Trinity College. Second edition. 2 vols. 8vo. 1l. 10s.</p>
+ <hr class="full" />
+
+ <p>THEOLOGICAL WORKS.</p>
+
+ <p>A HISTORY OF THE CHURCH OF ENGLAND, from the Earliest Times to the
+ Revolution of 1688. By the late Rev. J. B. CARWITHEN. A New Edition, revised
+ and corrected. 2 vols. small 8vo. 12s.</p>
+
+ <p>OF THE IMITATION OF CHRIST. Four Books by THOMAS A KEMPIS. A new edition
+ revised, handsomely printed in fcp. 8vo. with vignettes, and red border
+ lines, cloth, 5s., morocco, 9s. Also kept in antique calf binding, vermilion
+ edges, 10s. 6d.</p>
+
+ <p>LECTURES ON THE FESTIVALS. By the Rev. C. J. ABRAHAM, M.A., Assistant
+ Master of the Upper School, Eton, 8vo. price 10s. 6d.</p>
+
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+ for all necessities. By Bishop JEREMY TAYLOR. Complete in 1 vol. 18mo.
+ cloth, gilt edges, 4s.</p>
+
+ <p>THE PRACTICAL CHRISTIAN, OR THE DEVOUT PENITENT. By RICHARD SHERLOCK,
+ D.D. A New Edition, with a Memoir of the Author, by his pupil Bishop Wilson.
+ 18mo., complete in 1 vol. cloth 4s.</p>
+
+ <p>THE CHRISTIAN SCHOLAR. Thoughts on the Study of the Classics, in Prose
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+ morocco, 14s.</p>
+
+ <p>THE CATHEDRAL; or, The Catholic and Apostolic Church in England. Thoughts
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+ 32mo. with Engravings, price 4s. 6d. cloth; morocco, 6s. Also in fcp. 8vo.
+ with Engravings, 7s. 6d. cloth; morocco, 10s. 6d.</p>
+
+ <p>THE BAPTISTERY; or, The Way of Eternal Life. By the author of "The
+ Cathedral." Third edition, 8vo. cloth, 15s.; morocco, 1l. 1s. Also 32mo.
+ cloth, 3s. 6d.; morocco, 5s.</p>
+
+ <p>THE CHILD'S CHRISTIAN YEAR; Hymns for every Sunday and Holyday in the
+ Year. Fourth edition, 18mo. cloth, 2s; morocco, 4s 6d.</p>
+
+ <p>THE DAILY CHURCH SERVICES. Complete in 1 vol. 18mo. Price 10s. 6d.; or
+ bound in morocco, 16s.</p>
+ <hr class="full" />
+
+ <p>Printed by THOMAS CLARK SHAW, of No. 8. New Street Square, at No. 5. New
+ Street Square, in the Parish of St. Bride, in the City of London; and
+ published by GEORGE BELL, of No. 186 Fleet Street, in the Parish of St.
+ Dunstan in the West, in the City of London, Publisher, at No. 186. Fleet
+ Street aforesaid.&mdash;Saturday, November 10, 1849.</p>
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Notes and Queries, No. 2, November 10
+1849, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES, NO. 2 ***
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diff --git a/old/11265.txt b/old/11265.txt
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--- /dev/null
+++ b/old/11265.txt
@@ -0,0 +1,1930 @@
+Project Gutenberg's Notes and Queries, No. 2, November 10 1849, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Notes and Queries, No. 2, November 10 1849
+
+Author: Various
+
+Release Date: February 24, 2004 [EBook #11265]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES, NO. 2 ***
+
+
+
+
+Produced by Jon Ingram, and the Online Distributed Proofreading Team.
+
+
+
+
+[Transcriber's Note:
+In the section 'NOTES UPON "NOTES, NO. 1."' there are several 'C's
+which have been flipped along a vertical axis. These have been denoted
+by [*C].]
+
+{17} NOTES AND QUERIES:
+
+A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS, ANTIQUARIES,
+GENEALOGISTS, ETC.
+
+ * * * * *
+
+"When found, make a note of."--CAPTAIN CUTTLE.
+
+ * * * * *
+
+No. 2.]
+SATURDAY, NOVEMBER 10. 1849.
+[Price Threepence. Stamped Edition 4d.
+
+ * * * * *
+
+A FEW WORDS TO OUR FRIENDS.
+
+In our opening Address we carefully avoided any thing at all approaching
+to a boast of what we would, or even what we hoped to perform. We stated
+that "we would rather give a specimen than a description." We are now in
+like manner unwilling to point as exultingly, as we think we might, to
+the position which we have already taken. But there is a vast difference
+between vain boasting and the expression of an honest satisfaction; and
+it would be worse than an affectation of humility--it would be a mean
+hypocrisy--if we did not express heartily and unreservedly the gratitude
+we owe and feel to those who have encouraged us by their friendly advice
+and able pens. We have opened a Literary Exchange, and we have had the
+gratification to see that men whose learning and talents the public
+recognise--leaders in their several branches of inquiry--have at once
+taken advantage of it. They have proved the necessity for some such
+medium of communication, as well as their good-will to the one now
+offered to them, by a gathering in its behalf which the public will
+respect, and of which we may well feel proud.
+
+Some whose good opinion we most value, and who have spoken most warmly
+in favour of our plan, have proved the sincerity of their praise by
+suggestions of improvement in its detail, and hints for its further
+extension. They may feel assured that such hints and such suggestions
+shall not be lost sight of. For instance, one respected correspondent
+hints that as we have very properly adopted Dr. Maitland's suggestion
+with regard to Herbert's edition of Ame's _Typographical Antiquities_,
+namely, that of "offering a receptacle for illustrations, additions, and
+corrections," and invited "our readers to take advantage of our columns
+to carry out Dr. Maitland's suggestions," we should open our columns
+with equal readiness to the correction and illustration of more modern
+and more popular works. We entirely concur with him; but in reference to
+this subject there is a distinction which must be borne in mind. Our own
+literature, like that of every other country, consists of two classes of
+books. We have the books of pretenders to knowledge, the hasty, crude,
+imperfect, but often for the time attractive and popular volumes of the
+Ned Purdons of the day. These books have a use--such as it is--and thus
+answer their purpose; but it would be for the credit of our literature,
+and save a world of trouble, if they were forgotten as soon as they had
+done so. To illustrate such books, to add to their information or
+correct their blunders, would be useless and almost ridiculous. They
+should be left to die of mere powerlessness and exhaustion, or to wither
+under the wholesome influence of a just and manly criticism.
+
+But there are books of another kind--books {18} which our worthy
+bibliopoles designate as "standard works." These are the books of
+competent workmen--books which are the result of honest labour and
+research, and which from the moment of their publication assume a
+permanent station in our national literature. Even in such books there
+are many things incomplete, many things erroneous. But it is the
+interest of every man that such books should be rendered as complete as
+possible; and whatever tends to illustrate or correct works of that
+class will be sure of insertion in our columns.
+
+We would point to Macaulay's _England_, and Hallam's _Introduction to
+the Literary History of the 15th, 16th, and 17th Centuries_, his _Middle
+Ages_, and his _Constitutional History_, and we may add, as
+illustrations of a different kind, _The Annals of the Stage_ of our
+excellent friend Mr. Collier, and _The Handbook of London_ of our valued
+contributor Mr. Peter Cunningham, as examples of the sort of
+publications to which we allude. Such were the books we had in our mind,
+when we spoke in our Prospectus of the "NOTES AND QUERIES" becoming,
+through the inter-communication of our literary friends, "a most useful
+supplement to works already in existence--a treasury towards enriching
+future editions of them."
+
+Another correspondent--a bibliographical friend--suggests that, for
+various reasons, which bibliographers will appreciate, our Prospectus
+should have a place in the body of our work. We believe that many of our
+readers concur in a wish for its preservation, and it will therefore be
+found in the Number now before them.
+
+One suggestion again urges us to look carefully to Foreign Literature,
+and another points out the propriety of our making our paper as British
+as possible, so that our topographical facts should, as far as
+practicable, be restricted to the illustration of British counties, and
+our biographical ones to such as should contribute towards a Biographia
+Brittanica.
+
+All these, and many other expressions of sympathy and promises of
+support, poured in upon us within a few hours after our birth. No one of
+them shall be forgotten; and if for a time our pages seem to indicate
+that we have made a QUERY as to the adoption of any suggestion, let our
+kind contributors be assured that there is no hint which reaches us,
+whether _at present_ practicable or not, that we do not seriously and
+thankfully "make a NOTE of."
+
+ * * * * *
+
+BISHOP AYLMER'S LETTER, AND THE POEM ON THE ARMADA.
+
+As I am in a condition to answer the inquiry of your "Hearty
+Well-wisher," on p. 12 of your last Number of "NOTES AND QUERIES," I
+proceed to give him the information he asks. I shall be happy if what
+follows is of any use to your correspondent, taking it for granted that
+he is as zealous for your success as his signature indicates.
+
+The "foolish rhyme," to which the attention of the Bishop of London had
+been directed by Lord Burghley, has the subsequent doggrel title:--
+
+ "A Skeltonicall Salvtation,
+ Or condigne gratvlation,
+ And iust vexation
+ Of the Spanishe nation,
+ That in a bravado
+ Spent many a crvsado,
+ In setting forth an armado
+ England to invado."
+
+This is as the title stands in the Oxford impression (of which I never
+saw more than one copy, because, we may presume, it was suppressed by
+the authorities of the University), and the following is the imprint at
+the bottom of it:--"Printed at Oxford by Ioseph Barnes, and are to bee
+sold in Paules Churchyard, at the signe of the Tygres head, 1589."
+
+There exists several exemplars of the London edition--"Imprinted at
+London for Toby Cooke, 1589,"--the title-page of which, as well as the
+rest of the poem, differs only literally from that of Oxford, excepting
+that to the latter is appended a Latin version, also in rhyme, and in
+close imitation of the English. I subjoin a brief specimen of it:-- {19}
+
+ "Qui regis Hispanos,
+ Superbos et vanos,
+ Crudeles et insanos,
+ Multum aberrasti,
+ Cum tuos animasti,
+ Et bellum inchoasti
+ Contra Anglos animosos,
+ Fortes et bellicosos,
+ Nobiles et generosos.
+ Qui te excitavit
+ Proculdubio deliravit
+ Et te fascinavit," &c.
+
+The whole production consists only of ten leaves, 4to., and the Latin
+portion, which has the subsequent separate title-page, occupies four of
+them:--
+
+ "AD REGEM
+ HISPANVM.
+ Cum tua non fuerint heroica facta, Philippe,
+ Risu digna cano carmine ridiculo."
+
+I shall not here introduce any part of the English version, because one
+or two long quotations will be found in the introductory portion of the
+Rev. A. Dyce's excellent edition of Skelton's Works (2 vols. 8vo. 1843).
+Respecting the Latin portion I have been more particular, because the
+learned editor was not aware that the production had come from the press
+of Barnes of Oxford, nor that a Latin version was appended to it.
+
+I may take the liberty of adding here a mention of Skelton which escaped
+notice, and which is from one of the tracts against Thomas Nash,
+produced by Gabriel Harvey, the friend of Spenser. He couples Skelton
+and Scoggin together, in no very respectful manner, and completes the
+triumvirate by Nash, whom he here calls Signor Capriccio:--"And what
+riott so pestiferous as that which in sugred baites presenteth most
+poisonous hookes? Sir Skelton and Master Scoggin were but innocents to
+Signior Capricio."
+
+This quotation is the more noticeable, because it recognises the sacred
+character of Skelton (however unworthy of the gown) in the prefix "Sir,"
+which, as most people are aware, was then generally given to clergymen:
+Scoggin, on the other hand, is only styled "Master Scoggin."
+
+J. PAYNE COLLIER.
+
+[The preceding communication was already in type when we received the
+following from Mr. Bolton Corney, which we gladly print, inasmuch as it
+illustrates some points not touched upon by Mr. Collier.]
+
+ * * * * *
+
+QUERIES ANSWERED, NO. 1.
+
+It is not without some slight reluctance that I notice anonymous
+communications, but shall endeavour to repress such feelings with regard
+to the modest students who may choose to announce their desiderata
+through the convenient channel of the "NOTES AND QUERIES." A _hearty
+well wisher_ to so commendable an enterprise, shall have my first
+responsive scrap.
+
+The inquiry affords no scope for ingenuity of conjecture! The _foolish
+rime_ to which bishop Aylmer refers, is undoubtedly the pamphlet thus
+entitled:--
+
+ "A Skeltonicall salutation,
+ Or condigne gratulation,
+ And iust vexation
+ Of the Spanish nation,
+ That in a bravado
+ Spent many a crusado,
+ In setting forth an armado
+ England to invado."
+ Oxford, Joseph Barnes, 1589. 4to.
+ "A Skeltonicall salutation," &c.
+ Imprinted at London for Toby Cook, 1589. 4to.
+
+The Oxford edition is recorded by Ames, and there is a copy of the
+London edition in the British Museum. Strype, in his account of bishop
+Aylmer, gives the substance of the letter as his _own_ narrative, almost
+_verbatim_--but fails to identify the pamphlet in question. Park briefly
+describes it in _Censura Literaria_, 1815, ii. 18.; and there is a
+specimen of it in _The Poetical Works of John Skelton_, as edited by the
+Reverend Alexander Dyce, 1843.
+
+While _queries_ evince a sharp mental appetite, _answers_ help to
+satisfy it; and so, by their united influence, a brisk circulation of
+ideas may be produced--which, as master Burton assures us, wards off
+melancholy.
+
+BOLTON CORNEY.
+
+ * * * * *
+
+NOTES UPON "NOTES, NO. 1."
+
+Sir,--I take the liberty to send you one or two Notes on your first
+Number, just as they occur to me in looking it over. I will not trespass
+on you by preface or apology.
+
+The "_bibliographic project_" I shall rejoice {20} to see carried out; and
+though neither an unemployed aspirant nor a fortunate collector (of
+which class I hope many will be stimulated by the proposition), yet, as
+I once took some trouble in the matter, I should be happy to contribute
+some Notes then made whenever the plan is matured and the proposed
+appeal is made--provided (I must add, and to _you_ I may add) I can find
+them.
+
+The _Liber Sententiarum_ was printed by Limborch, at Amsterdam, in 1692.
+It forms the greater part, as, indeed, it was the occasion, of his folio
+volume, entitled "_Historia Inquisitionis cui subjungitur Liber
+Sententiarum Inquisitionis Tholosanae ab anno Christi Cl[*C]CCCVI ad annum
+Cl[*C]CCCXXIII._" Gibbon, in a note on his fifty-fourth chapter, observes
+that the book "deserved a more learned and critical editor;" and, if
+your correspondent will only place the _Book of Sentences_ before the
+public in a readable form, with a map, and (by all means) a few _notes_,
+he will be doing a great service to all persons who take an interest in
+ecclesiastical history, or, indeed, in history of any kind. In the year
+1731 Chandler published a translation of the _History of the
+Inquisition_, with a long Introduction of his own, but did not meddle
+with the _Book of Sentences_, except so far as to introduce into the
+text of the _History_ some passages from it, which Limborch (as he
+appended the whole book) did not think it necessary to quote. I remember
+seeing the MS. in the British Museum within these ten or twelve years,
+and, according to my recollection, it was accompanied by papers which
+would furnish an interesting literary history of the volume. I hope your
+correspondent will give us farther information.
+
+N.B.
+
+[Mr. Brooke, of Ufford, has also kindly replied to the Query of
+INQUISITORIUS, by referring him to Limborch.]
+
+ * * * * *
+
+QUERY AS TO REFERENCES.
+
+Sir,--May I be permitted to suggest one way in which you may be of great
+service to many literary men, and indeed to the cause of literature in
+general; and this, too, without much trouble to yourself? Would you be
+willing to receive "Queries" respecting _references_? They frequently
+puzzle those who are engaged in literary works, and indeed those who are
+merely readers, and who have not access to public libraries or the
+manuscript treasures of the metropolis and the universities. If, for
+instance, a clergyman or squire, interested in the history of his
+parish, should find in the county historian something which his own
+local or genealogical knowledge leads him to think erroneous, vouched
+for by a reference to the _Cotton_ or _Harleian MSS._, might he apply to
+you? It may be supposed that you are not very far from some one of the
+great fountains of information, and have easy access to all; and it is
+probable that you might not only do a personal favour to the inquirer,
+but confer a benefit on the public, by correcting an erroneous
+statement. Of course you would subject yourself to unreasonable
+requests, but the remedy would always be in your own hands.
+
+Yours, &c.
+
+A. G. C.
+
+[The Editor inserts this letter because he is sure that it comes from a
+friendly quarter, and he knows that something like what it suggests is
+very much wanted. He would feel great diffidence as to his powers of
+fulfilling all that might be expected if he were simply to reply in the
+affirmative: but he is quite willing to make the trial, and he thinks
+that (though sometimes perhaps with a little delay) he could in general
+obtain any information of this kind which could be reasonably sought.]
+
+ * * * * *
+
+LINES IN THE STYLE OF SUCKLING.
+
+Mr. Editor,--The following lines are written in pencil on sheet 61. of
+the _Notes of the Debates in the Long Parliament_, taken down in the
+House of Commons by Sir Ralph Verney. The _Notes of Debates_, but not
+these lines, were published by the Camden Society in 1845. For any thing
+that appears to the contrary, these lines may have been written in the
+House as well as the _Notes of Debates_. The sheet 61. refers to debates
+which took place in March 1641-2. I am not aware that the lines have
+been published, nor can I assign them to their author. If any of your
+readers can tell me anything about them, I shall esteem it a favour.
+
+ Wert thou yet fairer than thou art,
+ Which lies not in the power of art;
+ Or hadst thou, in thine eyes, more darts
+ Than Cupid ever shot at hearts;
+ Yet, if they were not thrown at me,
+ I could not cast one thought at thee. {21}
+
+ I'd rather marry a disease
+ Than court the thing I cannot please;
+ She that will cherish my desires,
+ Must feed my flames with equal fires.
+ What pleasure is there in a kiss,
+ To him that doubts the heart's not his?
+
+ I love thee, not 'cause thou art fair,
+ Smoother than down, softer than air,
+ Nor for those Cupids that do lie
+ In either corner of thine eye;
+ Will you then know what it may be?
+ 'Tis--I love you 'cause you love me.
+
+J. BRUCE.
+
+24th Oct. 1849
+
+ * * * * *
+
+NOTES UPON ANCIENT LIBRARIES.
+
+A knowledge of the intellectual acquirements of the middle ages must be
+mainly formed upon a consideration of the writings which directed them,
+or emanated from them. Unfortunately such materials are very imperfect,
+our knowledge of the existence of works often resting only upon their
+place in some loosely-entered catalogue--and of the catalogues
+themselves, the proportion still remaining must be small indeed. Under
+these circumstances the following documents, which are now for the first
+time printed, or even noticed, will be found to be of considerable
+interest. The first is, in modern language, a Power of Attorney,
+executed by the Prior of Christ Church, Canterbury, appointing two of
+the monks of his church to be his procurators for the purpose of
+receiving from the convent of Anglesey, in Cambridgeshire[1], a book
+which had been lent to the late Rector of Terrington. Its precise date
+is uncertain, but it must be of about the middle of the thirteenth
+century (1244-1254), as Nicholas Sandwich, the Prior of Christ Church,
+was the second of four priors who presided between the years 1234 and
+1274.
+
+ "N. Prior Ecclesiae Christi Cantuariensis discretis viris et
+ religiosis Domino Priori de Anglesheya et ejusdem loci sacro
+ conventui salutem in Domino. Cum sincera semper caritate
+ noverit faternitas vestra nos constiuisse fratres Gauterum de
+ Hatdfeld et Nicolaum de Grantebrigiense Ecclesiae nostrae monachos
+ latores precencium procuratores nostros ad exigendum et
+ recipiendum librum qui intitulatur. Johannes Crisestomus de
+ laude Apostoli. In quo etiam volumine continentur Hystoria vetus
+ Britonum quae Brutus appellatur et tractatus Roberti Episcopi
+ Herfordiae de compoto. Quae quondam accommodavimus Magistro
+ Laurentio de Sancto Nicholao tunc Rectori ecclesiae de Tyrenton.
+ Qui post decessum praefati Magistri L. penes vos morabatur et
+ actenus moratur. In cujus rei testimonium has litteras patentes
+ nostro sigillo signatas vobis transmittimus."
+
+The contents of the book which is the subject of this special embassy
+are of the character usually found to have formed the staple of monastic
+libraries, though the particular treatises included in it are not
+common.
+
+In the Reverend Joseph Hunter's valuable treatise upon _English Monastic
+Libraries_[2] occurs a notice of an indenture executed in A.D. 1343,
+whereby the priory of Henton lent no less than twenty books to another
+monastic establishment. The deed is described, but not printed. It will
+be seen that the instrument we have given above is nearly a century
+earlier; and the minute description of the book given in this document
+supplies some very curious facts illustrative of the mode of putting
+together ancient books, which have not hitherto been remarked, for the
+simple reasons that no opportunity for comparison like that presented by
+the present case has yet been noticed. Among the Cottonian MSS. (Galba
+E. iv.) is a perfect specimen of an ancient Library Catalogue, which,
+although not altogether unnoticed, deserves a more careful examination
+than it has yet received. It relates to the magnificent monastic
+foundation from which emanated the deed we have printed above, and is
+headed "Tituli librorum de libraria Ecclesiae Christi Cantuariensis et
+contenta in eisdem libris tempore H. Prioris." It is written in that
+bold hand which prevails so extensively in ecclesiastical MSS., with but
+little variation, from the middle of the fourteenth century, to the end
+of the fifteenth,--a hand which is not always clearly written, and which
+therefore, in itself, does not materially assist in the distinction of a
+date. Now having first assigned the credit of this noble {22} Catalogue--in
+which are entered about 600 volumes, in nearly every one of which,
+besides the substantive (or initial?) work, are particularised numerous
+detached writings, varying from two or three to five-and-forty distinct
+"tracts"--to Prior Henry Chichely (1413--1443), the founder of All
+Souls' and St. John's Colleges, Oxford, and who, "built the library of
+the church, and furnished it with books," we will see whether the book
+"qui intitulatur Johannes Crisestomus," &c. was returned to Canterbury,
+and had a place in the list;--and this, we think, is satisfactorily
+shown by the following entry:--
+
+ "Johannes Crisostomus de laude Apostoli.
+ In hoc volumine continentur
+ Idem de laude Redemptoris.
+ Brutus latine.
+ Nomina Regum Britanniae sicut in ordine successerunt.
+ Nomina Archiepiscoporum Cantuariensis sicut in ordine successerunt.
+ Tabula et questiones Bede de ratione temporum.
+ Tabula ejusdem et expositio super tabulam de lunationibus.
+ Descriptio Britanniae Insulae.
+ Expositio super Merlinum, imperfecta."
+
+It may perhaps be supposed that this proves too much, as, besides the
+direct title of the volume, _eight_ "tracts" are here entered, while in
+the Power of Attorney only _two_ are noticed. But we would maintain,
+nevertheless, that it is the identical book, and explain this variation
+in the description by the circumstance that the library having, in the
+space of nearly two centuries, been materially enriched, numerous works,
+consisting in many cases only of a single "quaternion," were inserted in
+the volumes already existing. An examination of the structure of books
+of this period would confirm this view, and show that their apparent
+clumsiness is to be explained by the facility it was then the custom to
+afford for the interpolation or extraction of "sheets," by a contrivance
+somewhat resembling that of the present day for temporarily fixing loose
+papers in a cover, and known as the "patent leaf-holder."
+
+The second document is a list of certain books, belonging to the
+monastery of Anglesey, early in the fourteenth century, allotted out to
+the canons of the house for the purpose of custody, or, perhaps, of study
+or devotion.
+
+ "Isti libri liberati sunt canonicis die ... anno regni Regis Edwardi
+ septimo"[3] (7 Edw. II. A.D. 1314.)
+ Penes Dominum Priorem; Parabelae Salomonis; Psalterium cum ...
+ Penes Dominum J. de Bodek.; Epistolae Pauli...; Quaedam notulae super
+ psalter et liber miraculorum ... Mariae cum miraculis sanctorum.
+ Penes Sub-priorem; Liber vitae Sancti Thomae Martiris.
+ Penes E. de Ely; Quartus liber sententiarum cum sermo...; Liber
+ Reymundi; Liber de vitiis et virtutibus et pastorale.
+ Penes R. Pichard; Liber Alquini; Liber Johannis de Tyrington cum
+ Catone et aliis.
+ Penes Henrici Muchet; Liber de vita Sanctae Mariae Magdalenae et
+ remediarum (?)
+ Penes Walteri de Yilwilden; Liber S ... ligatus in panno ymnaro
+ glosatus cum constitutionibus; Belet ligatus et vita sanctorum.
+ Penes Ricardi de Queye; Omeliae Gregorii (?) super Evangelistos ligatae
+ in nigro corio.
+ In commune biblia; Decreta; Decretales; Prima pars moralium Job; Liber
+ de abusionibus.
+ Liber justitiae; penes Magistrum Adam de Wilburham.
+ Penes Walteri de Wyth; Liber Innocentii super sacramenta cum Belet et
+ introductione in uno volumine.
+ Item penes Sup-priorem; Psalterium glosatum duod fuit in custodia
+ Magistri Henrice de Melreth.
+ Item aliud psalterium glosatum inpignoratum penes Isabellam Siccadona.
+
+Several of these descriptions are highly curious; particularly the last
+item, which describes one of the "glossed" psalters as being "_in
+pawn_," a fact which, in itself, tells a history of the then condition
+of the house.
+
+The first document, taken in connection with that referred to by Mr.
+Hunter would seem to establish the existence of a system of
+interchanging the literary wealth of monastic establishments, and
+thereby greatly extending the advantages of their otherwise scanty
+stores. Both are executed with all the legal forms used in the most
+important transactions, which would support the opinion of their not {23}
+being special instances: but they are, in either case, curious and
+satisfactory evidence of the care and caution exercised by the monks in
+cases where their books were concerned; and one cannot but regret that
+when the time came that the monasterias were destined to be dissolved,
+and their books torn and scattered to the winds, no attention was paid
+to Bale's advice for the formation of "one solemne library in every
+shire of England."
+
+JOSEPH BURTT
+
+ [1] The information given of this house by Dugdale is very
+ scanty. It could surely be added to considerably.
+
+ [2] London, 1831. quarto. See also a Paper by Mr. Halliwell in
+ the _Archaeologia_, xxvii. p. 455., and Sir Francis Palgrave's
+ Introduction to _Documents and Records illustrating the History
+ of Scotland_, pp. xcvi.--cxvi., for extracts from the
+ historical chronicles preserved in the monasteries, &c.
+
+ [3] The formula of this date, "anno R.R.E. septimo," would at
+ first sight be considered to refer to the preceding reign; but
+ the list is merely a memorandum on the dorse of a completely
+ executed instrument dated A.D. 1300, which it is highly
+ improbable that it preceded. The style of Edward II. is often
+ found as above, though not usually so.
+
+ * * * * *
+
+PEDLAR'S SONG ATTRIBUTED TO SHAKSPERE, AND TRADITION CONNECTED WITH
+SHAKSPERE'S "HAMLET."
+
+The following verses, which would form a very appropriate song for
+Autolycus, were arranged as a glee for three voices by Dr. Wilson about
+the year 1667. They are published in Playford's _Musical Companion_ in
+1673; in Warren's _Collection of Glees and Catches_; and in S. Webbe's
+_Conveto Harmonico_. The words were, I believe, first ascribed to
+Shakspere by Clark, in 1824, in his _Words of Glees, Madrigals, &c._;
+but he has not given his authority for so doing. It has been stated that
+they have since been discovered in a common-place book written about
+Shakspere's time, with his name attached to them, and with this indirect
+evidence in favour of their being written by him, that the other pieces
+in the collection are attributed to their proper writers. The late Mr.
+Douce, who was inclined to believe the song to have been written by
+Shakspere, once saw a copy of it with a fourth verse which was shown to
+him by the then organist of Chichester. The poem is not included in Mr.
+Collier's edition of Shakspere, nor in the Aldine edition of Shakspere's
+Poems, edited by the Rev. A. Dyce. Perhaps if you will be good enough to
+insert the song and the present communication in the "NOTES AND
+QUERIES," some of your readers may be enabled to fix the authorship and
+to furnish the additional stanza to which I have referred.
+
+
+PEDLAR'S SONG.
+
+ From the far Lavinian shore,
+ I your markets come to store;
+ Muse not, though so far I dwell,
+ And my wares come here to sell;
+ Such is the sacred hunger for gold.
+ Then come to my pack,
+ While I cry
+ "What d'ye lack,
+ What d'ye buy?
+ For here it is to be sold."
+
+ I have beauty, honour, grace,
+ Fortune, favour, time, and place,
+ And what else thou would'st request,
+ E'en the thing thou likest best;
+ First, let me have but a touch of your gold.
+ Then, come to me, lad,
+ Thou shalt have
+ What thy dad
+ Never gave;
+ For here it is to be sold.
+
+ Madam, come, see what you lack,
+ I've complexions in my pack;
+ White and red you may have in this place,
+ To hide your old and wrinkled face.
+ First, let me have but a touch of your gold,
+ Then you shall seem
+ Like a girl of fifteen,
+ Although you be threescore and ten years old.
+
+While on this subject, perhaps I may be permitted to ask whether any
+reader of the "NOTES AND QUERIES" can throw light on the following
+questionable statement made by a correspondent of the _Morning Herald_,
+of the 16th September, 1822.
+
+ "Looking over and old volume the other day, printed in 1771,
+ I find it remarked that it was known as a tradition, that
+ Shakspeare shut himself up all night in Westminster Abbey when
+ he wrote the ghost scene in Hamlet."
+
+I do not find in Wilson's _Shakspeariana_ the title of a single "old"
+book printed in 1771, on the subject of Shakspere.
+
+T.
+
+ * * * * *
+
+SIR WILLIAM SKIPWYTH, KING'S JUSTICE IN IRELAND.
+
+Mr. Editor,--I am encouraged by the eminent names which illustrate the
+first Number of your new experiment--a most happy thought--to inquire
+whether they, or any other correspondent, can inform me who was the
+William de Skypwith, the patent of whose appointment as Chief Justice of
+the King's Bench in Ireland, dated February 15. 1370, 44 Edward III., is
+to be found in the _New Faedera_ vol. iii. p.877.? In the entry on the
+Issue Roll of that year, p. 458., of the payment of "his expences and
+equipment" in going there, he is called "Sir William Skipwyth, Knight,
+and the King's Justice in Ireland." {24}
+
+There was a Sir William Skipwyth, who was appointed a Judge of the
+Common Pleas in 33 Edward III., and Chief Baron of the Exchequer in 36
+Edward III.; and, were it not that Collins, in his _Baronetage_,
+followed by Burke, says that he remained Chief Baron till 40 Edward
+III., _in which year he died_, I should have had no doubt that the Irish
+Chief Justice was the same with the English Chief Baron.
+
+The same authority adds that Sir William Skipwyth who was made a Justice
+of the King's Bench [it should have been of the Common Pleas] in 50
+Edward III., and who resigned his office in 11 Richard II., was the
+eldest son of the Chief Baron. But that authority does not make the
+slightest allusion to the appointment of the Chief Justice of Ireland.
+
+A suspicion that this last Justice of the Common Pleas is not only the
+same person as the Chief Justice of Ireland, but also as the Chief Baron
+of the Exchequer, has arisen in my mind for the following among other
+reasons.
+
+1. Collins and Burke are wrong in saying that he remained Chief Baron
+till 40 Edward III. His successor in that office was appointed on
+October 29. 1365, 39 Edward III.
+
+2. They are further wrong, I imagine, in saying that he continued Chief
+Baron till his death: for Joshua Barnes, in his _History of Edward
+III._, p. 667., says that Skipwyth and Sir Henry Green, the Chief
+Justice of the King's Bench, were in 1365 arrested and imprisoned on
+account of many enormities which the King understood they had committed
+against law and justice; and this relation is corroborated by the fact
+that Green's successor as Chief Justice was appointed on the same day as
+Skipwyth's successor as Chief Baron.
+
+3. No proof whatever is given of the Chief Baron's death in 40 Edward
+III.
+
+I will not trouble you with other grounds of identification which occur
+to me: but as an answer to my question might "make these odds all even,"
+I sent the "Query" to the "Lost and Found Office" you have established,
+in the hope that some stray "Note," as yet unappropriated, may assist in
+solving the difficulty.
+
+EDWARD FOSS.
+
+November 5. 1849.
+
+ * * * * *
+
+THE THISTLE OF SCOTLAND.
+
+Mr. Editor,--May I ask if any of your contibutors could inform me in an
+early number, when and on what occasion the Thistle was adopted as the
+emblem of the Scottish nation? I have looked into many historians, but
+as yet found nothing definite enough.
+
+R. L.
+
+Paisley, Oct. 29. 1849.
+
+ * * * * *
+
+CAPTURE OF THE DUKE OF MONMOUTH.
+
+Mr. Editor,--Having noticed the letter of Mr. John Bruce, in your
+Miscellany, I beg leave to inform him that the ash tree under which
+Monmouth was taken is still standing on the Woodland estate, now the
+property of the Earl of Shaftesbury.
+
+I shall be happy at some future day, if it suits your purpose, to
+collect and send you such particulars as may be gained on the spot
+respecting it, and the incidents of the capture.
+
+We have still in the Town Hall here the chain in which it is said
+Jefferies sat at the Bloody Assize.
+
+A. D. M.
+
+Dorcester, 3d Nov. 1849.
+
+[We shall gladly receive the particulars which our Correspondent
+proposed to collect and forward.]
+
+ * * * * *
+
+SERPENTS' EGGS AND STRAW NECKLACES.
+
+[Mr. Thoms' Query in this case should have been limited to the _straw
+necklaces_, as Mr. Nichols has already explained the _serpents' eggs_;
+but our Correspondent's letter is so satisfactory on both points that we
+insert it entire.]
+
+The passage from Erasmus, "brachium habet ova serpentum," is plainly to
+be rendered "and with a string of serpents' eggs on your arm." The
+meaning is equally apparent on recalling the manner in which snakes'
+eggs are found, viz., hanging together in a row. Erasmus intends
+Menedemus to utter a joke at the _rosary of beads_ hanging over the
+pilgrim's arm, which he professes to mistake for serpents' eggs.
+
+I am not aware what particular propriety the "collar or chaplet" (for it
+may mean either) of _straw_ may have, as worn by a pilgrim from
+Compostella; or whether there may not lurk under this description, as
+beneath {25} the other, a jocular sense. The readiest way of determining
+this point would be to consult some of the accounts of Compostella and
+of its relics, which are to be found in a class of books formerly
+abundant in the north-western towns of Spain.
+
+V.
+
+ * * * * *
+
+MADOC--HIS EXPEDITION TO AMERICA.
+
+"A Student" may consult the _Proceedings of the Royal Society of
+Northern Antiquaries, Copenhagen_, Mr. Geogehan's _Ireland_,
+O'Flaherty's _Ogygia_, Magnusen and Rafn _On the Historical Monuments of
+Greenland and America_, and some of the _Sagas_.
+
+SCOTUS.
+
+Brechin, Nov. 5. 1849.
+
+ * * * * *
+
+NOTES ON COFFEE.
+
+The earliest account we have of coffee is said to be taken from an
+Arabian MS. in the Bibliotheque du Roi in Paris.
+
+Schehabeddin Ben, an Arabian author of the ninth century of the Hegira,
+or fifteenth of the Christians, attributes to Gemaleddin, Mufti of Aden,
+a city of Arabia Felix, who was nearly his contemporary, the first
+introduction into that country, of drinking coffee. He tells us, that
+Gemaleddin, having occasion to travel into Persia, during his abode
+there saw some of his countrymen drinking coffee, which at that time he
+did not much attend to; but, on his return to Aden, finding himself
+indisposed, and remembering that he had seen his countrymen drinking
+coffee in Persia, in hopes of receiving some benefit from it, he
+determined to try it on himself; and, after making the experiment, not
+only recovered his health, but perceived other useful qualities in that
+liquor; such as relieving the headach, enlivening the spirits, and,
+without prejudice to the constitution, preventing drowsiness. This last
+quality he resolved to turn to the advantage of his profession; he took
+it himself, and recommended it to the Dervises, or religious Mahometans,
+to enable them to pass the night in prayer, and other exercises of their
+religion, with greater zeal and attention. The example and authority of
+the mufti gave reputation to coffee. Soon men of letters, and persons
+belonging to the law, adopted the use of it. These were followed by the
+tradesmen and artisans that were under the necessity of working in the
+night, and such as were obliged to travel late after sunset. At length
+the custom became general in Aden; and it was not only drunk in the
+night by those who were desirous of being kept awake, but in the day for
+the sake of its other agreeable qualities.
+
+Before this time coffee was scarce known in Persia, and very little used
+in Arabia, where the tree grew. But, according to Schehabeddin, it had
+been drunk in AEthiopia from time immemorial.
+
+Coffee being thus received at Aden, where it has continued in use ever
+since without interruption, passed by degrees to many neighbouring
+towns; and not long after reached Mecca, where it was introduced as at
+Aden, by the Dervises, and for the same purposes of religion.
+
+The inhabitants of Mecca were at last so fond of this liquor, that,
+without regarding the intention of the religious, and other studious
+persons, they at length drank it publicly in coffee-houses, where they
+assembled in crowds to pass the time agreeably, making that the
+pretense. From hence the custom extended itself to many other towns of
+Arabia, particularly to Medina, and then to Grand Cairo in Egypt, where
+the Dervises of Yemen, who lived in a district by themselves, drank
+coffee on the nights they intended to spend in devotion.
+
+Coffee continued its progress through Syria, and was received at
+Damascus and Aleppo without opposition; and in the year 1554, under the
+reign of Solyman, one hundred years after its introduction by the Mufti
+of Aden, became known to the inhabitants of Constantinople, when two
+private persons of the names of Schems and Hekin, the one coming from
+Damascus, and the other from Aleppo, opened coffee-houses.
+
+"It is not easy," says Ellis, "to determine at what time, or upon what
+occasion, the use of coffee passed from Constantinople to the western
+parts of Europe. It is, however, likely that the Venetians, upon account
+of the proximity of their dominions, and their great trade to the
+Levant, were the first acquainted with it; which appears from part of a
+letter wrote by Peter della Valle, a Venetian, in 1615, from
+Constantinople; in which he tells his friend, that, upon his return he
+should {26} bring with him some coffee, which he believed was a thing
+unknown in his country."
+
+Mr. Garland tells us he was informed by M. de la Croix, the King's
+interpreter, that M. Thevenot, who had travelled through the East, at
+his return in 1657, brought with him to Paris some coffee for his own
+use, and often treated his friends with it.
+
+It was known some years sooner at Marseilles; for, in 1644, some
+gentlemen who accompanied M. de la Haye to Constantinople, brought back
+with them on their return, not only some coffee, but the proper vessels
+and apparatus for making it. However, until 1660, coffee was drunk only
+by such as had been accustomed to it in the Levant, and their friends;
+but that year some bales were imported from Egypt, which gave a great
+number of persons an opportunity of trying it, and contributed very much
+to bringing it into general use; and in 1661, a coffee-house was opened
+at Marseilles in the neighbourhood of the Exchange.
+
+Before 1669, coffee had not been seen at Paris, except at M. Thevenot's,
+and some of his friends'; nor scarce heard of but from the account of
+travellers. In that year, Soliman Aga, ambassador from the Sultan
+Mahomet the Fourth, arrived, who, with his retinue, brought a
+considerable quantity of coffee with them, and made presents of it to
+persons both of the court and city, and it is supposed to have
+established the custom of drinking it.
+
+Two years afterwards, an Armenian of the name of Pascal, set up a
+coffee-house, but meeting with little encouragement, left Paris and came
+to London.
+
+From Anderson's _Chronological History of Commerce_, it appears that the
+use of coffee was introduced into London some years earlier than into
+Paris. For in 1652 one Mr. Edwards, a Turkey merchant, brought home with
+him a Greek servant, whose name was Pasqua, who understood the roasting
+and making of coffee, till then unknown in England. This servant was the
+first who sold coffee, and kept a house for that purpose in George Yard
+Lombard Street.
+
+The first mention of coffee in our statute books is anno 1660 (12 Car.
+II. c. 24), when a duty of 4d. was laid upon every gallon of coffee made
+and sold, to be paid by the maker.
+
+The statute 15 Car. II. c. 11. Sec. 15. an. 1663, directs that all
+coffee-houses should be licensed at the general quarter sessions of the
+peace for the county within which they are to be kept.
+
+In 1675 King Charles II. issued a proclamation to shut up the
+coffee-houses, but in a few days suspended the proclamation by a second.
+They were charged with being seminaries of sedition.
+
+The first European author who has made any mention of coffee is
+Rauwolfus, who was in the Levant in 1573.
+
+ * * * * *
+
+DR. DRYASDUST.
+
+Sir,--Do you or any of your readers know anything of the family of that
+celebrated antiquary, and do you think it probable that he was descended
+from, or connected with, the author of a work which I met with some time
+ago, intituled "Wit Revived, or A new and excellent way of
+Divertisement, digested into most ingenious Questions and Answers. By
+ASDRYASDUST TOSSOFFACAN. London: Printed for T. E. and are to be sold by
+most Booksellers. MDCLXXIV." 12mo. I do not know anything of the
+author's character, but he appears to have been a right-minded man, in
+so far as he (like yourself) expected to find "wit revived" by its
+digestion into "most ingenious questions and answers;" though his notion
+that asking and answering questions was a _new_ way of divertisement,
+seems to indicate an imperfect knowledge of the nature and history of
+mankind; but my query is simply genealogical.
+
+H. F. W.
+
+ * * * * *
+
+MACAULAY'S "YOUNG LEVITE."
+
+Sir,--The following passage from the _Anatomy of Melancholy_, published
+1651, struck me as a curious corroboration of the passage in Mr.
+Macaulay's _History_ which describes the "young Levite's" position in
+society during the seventeenth century; and as chance lately threw in my
+way the work from which Burton took his illustration, I take the liberty
+of submitting Notes of both for your examination.
+
+ "If he be a trencher chaplain in a gentleman's house (as it befel
+ Euphormio), after some seven years' service he may perchance have
+ a living to {27} the halves, or some small rectory, with the
+ mother of the maids at length, a poor kinswoman, or a crackt
+ chambermaid, to have and to hold during the time of his
+ life."--Burton, _Anat. of Mel._ part i. sect. 2. mem. 3. subsect 15.
+
+Burton is here referrng to the _Euphormionis Lusinini Satyricon_,
+published anno 1617. It professes to be a satire, or rather A FURIOUS
+INVECTIVE, on the corrupt manners of the times, and is in four parts:
+the 1st is dedicated to King James I.; the 2nd to Robert Cecil; the 3rd
+to Charles Emmanuel of Savoy; the 4th to Louis XIII., King of France.
+
+The use that Burton makes of the name of Euphormio is any thing but
+happy. He was not a "_trencher chaplain_" but the slave of a rich
+debauchee, Callion, sent in company with another slave, Percas, to carry
+some all-potent nostrum to Fibullius, a friend of Callion, who was
+suffering from an attack of stone. Euphormio cures Fibullius, not by the
+drug with which he was armed, but by a herb, which he sought for and
+found on a mountain. Fibullius, to reward his benefactor, offers him as
+a wife a most beautiful girl, whom he introduces to him privately while
+in his sick room. Euphormio looks with no little suspicion on the offer;
+but, after a few excuses, which are overruled by Fibullius, accepts the
+lady as his betrothed, "seals the bargain with a holy kiss," and walks
+out of the room (to use his own words) "et sponsus, et quod
+nesciebam--Pater," page 100. The next mention of this lady [evidently
+the prototype of the "crackt chambermaid,"] is in page 138. Callion had
+paid his sick friend Fibullius a visit, and, on the eve of his
+departure, had ordered Euphormio to ride post before him, and prepare
+the inhabitants of the districts through which he was to pass for his
+arrival. While Euphormio is on the horseblock in the act of mounting his
+steed, a rustic brings him a letter from Fibullius, and in conversation
+gives him such an account of his bride as forces upon him the
+reflection, that even the grim Libitina would be preferable, as a bride,
+to so confirmed a Thais, so fruitful a partner, as the _protegee_ of
+Fibullius would be likely to prove. But, as these _notes_ have, in spite
+of all my attempts at condensation, already grown to a most formidable
+size, I will not indulge in any moral reflections; but conclude by
+_querying_ you, or any of your readers, to inform me whether the
+personages mentioned in the _Euphorm. Lus. Satyricon_, such as Callion,
+Pereas, Fibullius, &c., are real characters or not? as, in the former
+case, I am inclined to think that the work might throw some interesting
+lights on the private manners and characters of some of the courtiers of
+the day. "No scandal against any of the maids of honour"--of course. The
+phrase "_To the halves_" (in the quotation from Burton) means,
+inadequate, insufficient; we still talk of "half and half" measures.
+Montanus inveighs against such "perturbations, that purge _to the
+halves_, tire nature, and molest the body to no purpose."--Burton,
+_Anat. of Mel._, part. ii. sect. 2. mem. 4. subsect. 6.
+
+MELANION.
+
+[The work referred to by our correspondent was written by Barclay,
+better known as the author of the _Argenis_. The First Part of the
+_Satyricon_, dedicated to James the First, was published, London, 12mo.
+1603; and with the addition of the 2nd Part, Paris, 1605. The best
+edition of the work (which, really in two parts, is made, by the
+addition of the _Apologia Euphormionis_, &c. sometimes into five) is
+said to be the Elzevir 12mo., 1637. There are two editions of it _cum
+notis variorum_, Leyden, 1667 and 1669, 8vo., in two volumes. Of some of
+the editions (as that of 1623, 12mo.) it is said, "adjecta Clavi sive
+obscurorum et quasi aenigmaticorum nominum, in hoc Opere passim
+occurrentium, dilucida explicatione." The _Satyricon_ was twice
+translated into French; and its literary history, and that of the
+_Censura Euphormionis_, and other tracts, which it called forth, might
+furnish a curious and amusing paper.]
+
+ * * * * *
+
+SERMONES SANCTI CAROLI BORROMAEI.
+
+Sir,--I have been wanting to get a sight of the following work,
+"Sermones Sancti Caroli Borromaei, Archiepisc. Mediol. Edidit. J.A.
+Saxius. 5 Tom. Mediol. 1747." Can I learn through your columns whether
+the work is any where accessible in London? I sought for it in vain at
+the British Museum a twelvemonth ago; nor, though then placed in their
+list of _Libri desiderati_, has it yet been procured.
+
+C. F. SECRETAN.
+
+ * * * * *
+
+LUTHER AND ERASMUS.
+
+Mr. Editor,--The following lines, written in a hand of the early part of
+the seventeenth century, occur on the fly-leaf of a copy of the {28}
+_Translation of Luther on the Galatians_, edit. London, 4to. 1577. Can
+any of your readers oblige me by informing me who was their author?
+
+ "Parum Lutherus ac Erasmus differunt
+ Serpens uterque est, plenus atro toxico;
+ Sed ille mordet ut cerastes in via,
+ Hic fraudulentus mordet in silentio."
+
+Your obedient servant,
+
+ROTERODAMUS.
+
+ * * * * *
+
+TOWER ROYAL--CONSTITUTION HILL--COUNTESS OF PEMBROKE'S
+LETTER--TENNISON'S FUNERAL SERMON ON NELL GWYNNE.
+
+Sir,--I should be glad to obtain answers to any or all of the following
+Queries:--
+
+1. What is the origin of the name TOWER ROYAL, as applied to a London
+locality, and when did our kings (if they ever inhabited it) cease to
+inhabit it?
+
+2. When was CONSTITUTION HILL first so called, and why?
+
+3. Is there any contemporary copy of the celebrated letter said to have
+been written by Anne Pembroke, Dorset and Montgomery, to Sir Joseph
+Williamson? It first appeared in _The World_.
+
+4. Does a copy exist in MS., or in print, of the sermon which Archbishop
+Tennison preached at the funeral of Nell Gwynne?
+
+PETER CUNNINGHAM.
+
+ * * * * *
+
+GROG--BISHOP BARNABY.
+
+Mr. Editor,--I hope you intend to keep a corner for Etymologies.
+
+Query, the origin of the word "Grog?"--And why do the people in Suffolk
+call a ladybird "Bishop Barnaby?"
+
+If you can enlighten me upon either of these points, I shall feel
+encouraged to try again.
+
+Yours, &c.
+
+LEGOUR.
+
+ * * * * *
+
+NOTES FROM FLY-LEAVES, NO. II.
+
+DR. FARMER ON DRAYTON'S WORKS.
+
+The following bibliographical memoranda, in the well-known hand of Dr.
+Farmer, occur in a copy of the edition of Drayton's _Poems_ published in
+1619, in small folio, by John Smethwick, which contains "The Barons'
+Wars; England's Heroical Epistles; Idea; Odes; The Legends of Robert
+Duke of Normandie, Matilda, Pierce Gaveston, and Great Cromwell; The
+Owle; and Pastorals, containing Eglogues, with the Man in the Moone."
+
+They may be of use to some future editor of Drayton, an author now
+undeservedly neglected, whose _Nymphidia_ alone might tempt the tasteful
+publisher of the "Aldine Poets" to include a selection, at least, of his
+poems in that beautiful series:--
+
+ "The works of Michael Drayton, Esq., were reprinted in folio,
+ 1748. The title-page 'promises all the writings of that
+ _celebrated author_,' but his Pastorals (p.433. &c., first
+ published imperfectly in 4to. 1593) and many other of his most
+ considerable compositions (Odes, the Owle, &c., see the Appendix),
+ are not so much as spoken of. See his article in the _Biog.
+ Brit._ by Mr. Oldys, curiously and accurately written.
+
+ "Another edition (which is called the _best_) was printed in 4
+ vols. 8vo. 1753. Robson, 1765.
+
+ "A Poem Triumphant, composed for the Society of the Goldsmiths of
+ London, by _M. Drayton_. 4to. 1604. _Harl. Cat._ v.3. p. 357.
+
+ "Charles Coffey was the editor of the folio edit. 1748, he had a
+ large subscription for it, but died before the publication; and
+ it was afterward printed for the benefit of his widow. See
+ Mottley, p. 201.
+
+ "The print of Drayton at the back of the title-page, is marked in
+ Thane's Catalogue, 1774, 7s. 6d.
+
+ "N.B. The copy of the _Baron's Warres_ in this edition differs in
+ almost every line from that in the 8vo. edit. 1610.
+
+ "It was printed under the title of Mortimeriados, in 7 line
+ stanzaes.
+
+ "Matilda was first printed 1594, 4to., by Val. Simmes. Gaveston
+ appears by the Pref. to have been publish't before. Almost every
+ line in the old 4to. of Matilda differs from the copy in this
+ edit. A stanza celebrating Shakespeare's Lucrece is omitted in the
+ later edition.
+
+ "Idea. The Shepherd's Garland. Fashion'd in 9 Eglogs. Rowland's
+ sacrifice to the 9 Muses, 4to. 1593. But they are printed in this
+ Edition very different from the present Pastorals.
+
+ "A sonnet of Drayton's prefixed to the 2nd Part of _Munday's
+ Primaleon of Greece_, B.L. 4to. 1619."
+
+[The stanza in _Matilda_, celebrating Shakespeare's _Lucrece_, to which
+Dr. Farmer alludes, is thus quoted by Mr. Collier in his edition of
+Shakespeare (viii. p. 411.):--
+
+ "Lucrece, of whom proud Rome hath boasted long,
+ Lately revived to live another age,
+ And here arrived to tell of Tarquin's wrong,
+ Her chaste denial, and the tyrant's rage, {29}
+ Acting her passions on our stately stage:
+ She is remember'd, all forgetting me,
+ Yet I as fair and chaste as e'er was she;"--
+
+who remarks upon it as follows:--
+
+ "A difficulty here may arise out of the fifth line, as if
+ Drayton was referring to a play upon the story of Lucrece, and
+ it is very possible that one was then in existence. Thomas
+ Heywood's tragedy, _The Rape of Lucrece,_ did not appear in print
+ until 1608, and he could hardly have been old enough to have been
+ the author of such a drama in 1594; he may, nevertheless, have
+ availed himself of an elder play, and, according to the practice
+ of the time, he may have felt warranted in publishing it as his
+ own. It is likely, however, that Drayton's expressions are not to
+ be taken literally; and that his meaning merely was, that the
+ story of Lucrece had lately been revived, and brought upon the
+ stage of the world: if this opinion be correct, the stanza we have
+ quoted above contains a clear allusion to Shakespeare's _Lucrece_;
+ and a question then presents itself, why Drayton entirely omitted
+ it in the after-impression of his _Matilda_. He was a poet who, as
+ we have shown in the Introduction to _Julius Caesar_ (vol. viii.
+ p. 4.), was in the habit of making extensive alterations in his
+ productions, as they were severally reprinted, and the suppression
+ of this stanza may have proceeded from many other causes than
+ repentance of the praise he had bestowed upon a rival."]
+
+ * * * * *
+
+BODENHAM, OR LING'S POLITEUPHUIA.
+
+Sir,--The following is an extract from a Catalogue of Books for sale,
+issued by Mr. Asher, of Berlin, in 1844:--
+
+ "Bodenham? (Ling?), Politeuphuia. Wits commonwealth, _original
+ wrapper, vellum_. VERY RARE.
+
+ "80 fr. 8vo. London, for Nicholas Ling, 1597.
+
+ "This book, 'being a methodical collection of the most choice
+ and select admonitions and sentences, compendiously drawn from
+ infinite varietie,' is quoted by Lowndes under Bodenham, as first
+ printed in 1598; the Epistle dedicatory however of the present
+ copy is signed: 'N. Ling', and addressed 'to his very good friend
+ Maister I.B.,' so that Ling appears to have been the author, and
+ this an edition unknown to Lowndes or any other bibliographer."
+
+This seems to settle one point, perhaps a not very important one, in our
+literary history; and as such may deserve a place among your "NOTES."
+
+BOOKWORM.
+
+ * * * * *
+
+COLLEY CIBBER'S APOLOGY.
+
+Mr. Editor,--No doubt most of your readers are well acquainted with
+Colley Cibber's _Apology for his Life_, &c., first printed, I believe,
+in 1740, 4to, with a portrait of himself, painted by Vanloo, and
+engraved by Vandergucht. Chapters IV. and V. contain the celebrated
+characters he drew of the principal performers, male and female, in, and
+just before, his time, viz. Betterton, Montfort, Kynaston, &c. Upon
+these characters I have two questions to put, which I hope some of your
+contributors may be able to answer. The first is, "Were these characters
+of actors reprinted in the same words, and without additions, in the
+subsequent impressions of Cibber's _Apology_ in 8vo?" Secondly, "Had
+they ever appeared in any shape before they were inserted in the copy of
+Cibber's _Apology_ now before me, in 1740, 4to?" To this may be added,
+if convenient, some account of the work in which these fine criticisms
+originally appeared, supposing they did not first come out in the
+_Apology_. I am especially interested in the history of the Stage about
+the period when the publication of these characters formed an epoch.
+
+I am, Mr. Editor, yours,
+
+DRAMATICUS.
+
+ * * * * *
+
+A MAIDEN ASSIZE--WHITE GLOVES.
+
+Mr. Editor.--I forward for insertion in your new publication the
+following "Note," taken from the _Times_ of the 20th of August, 1847:--
+
+"A Fortunate County.--In consequence of there being no prisoners, nor
+business of any kind to transact at the last assizes for the county of
+Radnor, the high sheriff, Mr. Henry Miles, had to present the judge, Mr.
+Justice Cresswell, with a pair of white kid gloves, embroidered in gold,
+and which have been forwarded to his lordship; a similar event has not
+taken place for a considerable number of years in that county. His
+lordship remarked that it was the first time it had occurred to him
+since he had been on the Bench."
+
+And I beg to append it as a "Query," which I shall gladly see answered
+by any of your correspondents, or my professional brethren,--"What is
+the origin of this singular custom, and what is the earliest instance of
+it on record?"
+
+A LIMB OF THE LAW. {30}
+
+ * * * * *
+
+BOOKS AND ODD VOLUMES WANTED TO PURCHASE
+
+JONES (EDMUND) GEOGRAPHICAL, HISTORICAL, AND RELIGIOUS ACCOUNT OF
+ABERYSTWITH. 8VO. Trevecka, 1779.
+
+CARTARI.--LA ROSA D'ORO PONTIFICIA, ETC. 4to. Rome. 1681.
+
+SHAKSPEARE'S DRAMATIC WORKS.--The _Fourth_ Volume of WHITTINGHAM'S
+Edition, in 7 vols, 24mo. Chiswick. 1814.
+
+M. C. H. BROEMEL, FEST-TANZEN DER ERSTEN CHRISTEN. Jena, 1705.
+
+*** Letters stating particulars and lowest price, _carriage free_, to be
+sent to MR. BELL, Publisher of "NOTES AND QUERIES," 186. Fleet Street.
+
+ * * * * *
+
+NOTICES TO CORRESPONDENTS.
+
+_The matter is so generally understood with regard to the management of
+periodical works, that it is hardly necessary for the Editor to say
+that_ HE CANNOT UNDERTAKE TO RETURN MANUSCRIPTS; _but on one point he
+wishes to offer a few words of explanation to his correspondents in
+general, and particularly to those who do not enable him to communicate
+with them except in print. They will see, on a very little reflection,
+that it is plainly his interest to take all he can get, and make the
+most, and the best, of everything; and therefore he begs them to take
+for granted that their communications are received, and appreciated,
+even if the succeeding Number bears no proof of it. He is convinced that
+the want of specific acknowledgment will only be felt by those who have
+no idea of the labour and difficulty attendant on the hurried management
+of such a work, and of the impossibility of sometimes giving an
+explanation, when there really is one which would quite satisfy the
+writer, for the delay or non-insertion of his communication.
+Correspondents in such cases have no reason, and if they understood an
+editor's position they would feel that they have no right, to consider
+themselves undervalued; but nothing short of personal experience in
+editorship would explain to them the perplexities and evil consequences
+arising from an opposite course._
+
+ * * * * *
+
+MYTHOS is thanked for his kind hints, which shall not be lost sight of.
+We have abundance of NOTES on the subject, not only of the SEVEN WISE
+MASTERS, but of that other treasury of ancient fictions, the GESTA
+ROMANORUM, which we shall bring forward as opportunity offers.
+
+S.Y. The edition of Chaucer, in five volumes 12mo, edited by Singer,
+in 1822, was the only modern library edition of the "_Works_" until the
+appearance of Sir H. Nicolas's edition in the Aldine Poets. Bell's
+edition, in 14 volumes, and Dolby's in 2, though they may have done much
+to extend a knowledge of the writings of the Father of English Poetry,
+can scarcely be called library editions.
+
+A.P. will see the matter he refers to illustrated in an early number.
+
+COMMUNICATIONS RECEIVED.--J.H.H.--M.--[Greek: ph]--T. Jones--[Greek:
+S]--Buriensis.--G.H.B.--W.B.B.
+
+BOOKS AND ODD VOLUMES WANTED. We believe that this will prove one of
+the most useful divisions of our weekly Sheet. Gentlemen who may be
+unable to meet with any book or volume, of which they are in want, may
+upon furnishing name, date, size, &c, have it inserted in this list,
+_free of cost_. Persons having such volumes to dispose of are requested
+to send reports of price, &c. to Mr. Bell, our Publisher.
+
+ * * * * *
+
+Shortly will be published,
+
+BIBLIOGRAPHIE BIOGRAPHIQUE ou Dictionnaire de 33,000 Ouvrages, tant
+Anciens que Modernes relatifs, a l'Histoire de la Vie des Hommes
+celebres. 1 vol. imp. 8vo., double columns; about 900 pages. Price about
+2l. 12s. 6d.
+
+A Prospectus may be had, and orders are received by WILLIAMS AND
+NORGATE, 14 Henrietta Street, Covent Garden.
+
+ * * * * *
+
+THE CAMDEN SOCIETY FOR THE PUBLICATION OF EARLY HISTORICAL AND LITERARY
+REMAINS.
+
+The following works are now ready for delivery to Members who have paid
+their Annual Subscription of 1l., due on the first of May last.--
+
+I. INEDITED LETTERS OF QUEEN ELIZABETH, AND KING JAMES VI. From the
+Originals in the possession of the Rev. Edward Ryder, of Oaksey, Wilts.,
+and from a MS. formerly belonging to Sir P. Thompson. Edited by JOHN
+BRUCE, Esq., Treas. S.A.
+
+II. THE CHRONICLE OF THE ABBEY OF PETERBOROUGH; from a MS. in the
+Library of the Society of Antiquaries. Edited by THOMAS STAPLETON, Esq.,
+F.S.A.
+
+WILLIAM J. THOMS, Secretary.
+
+Applications from Members who have not received their copies may be made
+to Messrs. Nichols, 25. Parliament Street, Westminster, from whom
+prospectuses of the Society (the annual subscription to which is 1l.)
+may be obtained, and to whose care all communications for the Secretary
+should be addressed. {31}
+
+ * * * * *
+
+NOTES AND QUERIES; A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN,
+ARTISTS, ANTIQUARIES, GENEALOGISTS, ETC.
+
+Among the many periodicals which issue from the press, daily, weekly,
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+Men of Letters and of research in their pursuits. Literary Journals
+there are in abundance, many of them of the highest degree of merit,
+which in their Reviews and Announcements show the current sayings and
+doings of the literary world. There is not, however, one among them in
+which the reading many may note, for the use of himself and his
+fellow-labourers in the wide field of Literature, the minute facts which
+he meets with from time to time, and the value of which he so well
+knows, or insert his _Queries_, in the hope of receiving satisfactory
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+
+NOTES AND QUERIES, A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, is,
+as its name implies, intended to supply this deficiency. Those who meet
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+MEDIUM, ask for information on points which have baffled their own
+individual researches. How often is even the best informed writer
+stopped by an inability to solve some doubt or understand some obscure
+allusion which suddenly starts up before him! How often does a reading
+man stumble upon some elucidation of a doubtful phrase, or disputed
+passage;--some illustration of an obsolete custom hitherto
+unnoticed;--some biographical anecdote or precise date hitherto
+unrecorded;--some book, or some edition, hitherto unknown or imperfectly
+described.
+
+This Publication, as everybody's common-place book, will be a depository
+for those who find such materials, and a resource for those who are in
+search of them; and if the Editor is enabled by the inter-communication
+of his literary friends, to realise his expectations, it will form a
+most useful supplement to works already in existence,--a treasury for
+enriching future editions of them,--and an important contribution
+towards a more perfect history than we yet possess of our Language, our
+Literature, and those to whom we owe them.
+
+NOTES AND QUERIES will be published every Saturday, price 3d., or
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+
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+GEORGE BELL, No. 186. Fleet Street, by whom also Advertisements will be
+received.
+
+ * * * * *
+
+Preparing for Publication, in One Vol. 8vo.
+
+ILLUSTRATIONS of the REMAINS of ROMAN ART in CIRENCESTER, the SITE of
+ANCIENT CORINIUM. By JAMES BUCKMAN, F.G.S. and C.H. NEWMARCH, Esq.
+
+The work will have reference principally to the illustration of the
+following subjects:
+
+1. The remains of the architecture of Corinium, including detailed
+drawings and descriptions of the fine Tesselated Pavements, especially
+the one recently discovered, as also the beautiful specimen on the
+estate of the Right Hon. Earl Bathurst.
+
+2. The specimens of Roman Pottery--Vases, Urns, &c.
+
+3. Works in Metals--Statuettes, Ornaments, &c. &c.
+
+4. Coins.
+
+In order that due justice may be done to the Illustration of these
+Remains, it is intended to have them executed in the first style of art,
+and only a limited number of impressions will be taken.
+
+To secure early copies, orders must be addressed at once to Messrs.
+BAILY and JONES, Cirencester, or Mr. GEORGE BELL, 186. Fleet Street.
+
+Price to Subscribers, 12s.
+
+*** After the close of the Subscription List, the price will be raised
+to 15s.
+
+N.B.--Any person possessing Roman Antiquities from Cirencester, will
+confer a great favour on the Authors by communicating intelligence of
+them to Messrs. Baily and Jones.
+
+London: GEORGE BELL, 186. Fleet Street.
+
+ * * * * *
+
+Nearly ready.
+
+THE PRIMEVAL ANTIQUITIES of DENMARK. By J. J. A. WORSAAE, Member of the
+Royal Society of Antiquaries of Copenhagen, and a Royal Commissioner for
+the preservation of the National Monuments of Denmark. Translated and
+applied to the Illustration of similar Remains in England. By WILLIAM J.
+THOMS, F.S.A., Secretary of the Camden Society. Illustrated with
+numerous Woodcuts.
+
+While so many publications illustrative of the Archaeology of Egypt,
+Greece, and Rome, have appeared in this country, few attempts have been
+made to give a systematic view of the early Antiquities of the British
+Islands.
+
+The work, of which the present volume is a translation, was originally
+written by Mr. Worsaae, for the Copenhagen Society for the Promotion of
+Useful Knowledge, and intended in the first place, to show how the early
+history of the country might be read through its monuments, and in the
+second, to awaken a greater interest for their preservation. It has been
+translated and applied to the History of similar Remains in England, in
+the hope that it will be found a useful Handbook for the use of those
+who desire to know something of the nature of the numerous Primeval
+Monuments scattered over these Islands, and the light which their
+investigation is calculated to throw over the earliest and most obscured
+periods of our national history.
+
+Oxford: JOHN HENRY PARKER, and 377. Strand. {32}
+
+ * * * * *
+
+ILLUSTRATED WORKS.
+
+AN INTRODUCTION to the STUDY of GOTHIC ARCHITECTURE, with numerous
+Illustrations. Nearly ready.
+
+THE PRIMAEVAL ANTIQUITIES OF DENMARK. By J. J. A. WORSAAE, Member of the
+Royal Society of Antiquaries of Copenhagen. Translated and applied to
+the Illustration of similar Remains in England, by WILLIAM J. THOMS,
+F.S.A., Secretary of the Camden Society. With numerous Illustrations.
+8vo. 10s. 6d.
+
+A MANUAL FOR THE STUDY OF SEPULCHRAL SLABS AND CROSSES OF THE MIDDLE
+AGES. By the Rev. EDWARD L. CUTTS, B.A. 8vo. Illustrated by upwards of
+300 Engravings. 12s.
+
+WORKING DRAWINGS of STRIXTON CHURCH, NORTHAMPTONSHIRE--Views,
+Elevations, Sections, and Details of. By EDWARD BARR, Esq., Architect.
+12 Plates. Folio. 10s6d. A small Church in the Early English Style;
+calculated for 200 persons; to cost about 800l.
+
+A BOOK OF ORNAMENTAL GLAZING QUARRIES, collected and arranged from
+Ancient Examples. By AUGUSTUS WOLLASTON FRANKS, B.A. With 112 Coloured
+Examples. 8vo. 16s.
+
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+of the author."--_Christian Remembrancer_.
+
+AN INQUIRY INTO THE DIFFERENCE OF STYLE OBSERVABLE IN ANCIENT PAINTED
+GLASS, with Hints on Glass Painting, illustrated by numerous Coloured
+Plates from Ancient Examples. By an AMATEUR. 2 vols. 8vo. 1l. 10s.
+
+AN ATTEMPT TO DISCRIMINATE THE DIFFERENT STYLES OF ARCHITECTURE IN
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+by Le Keux, &c., and 465 on Wood, of the best examples, from Original
+Drawings by F. Mackenzie, O. Jewitt, and P. H. De la Motte. Fifth
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+A GLOSSARY OF TERMS USED IN BRITISH HERALDRY, with a Chronological Table
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+ * * * * *
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+THEOLOGICAL WORKS.
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+LECTURES ON THE FESTIVALS. By the Rev. C. J. ABRAHAM, M.A., Assistant
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+THE BAPTISTERY; or, The Way of Eternal Life. By the author of "The
+Cathedral." Third edition, 8vo. cloth, 15s.; morocco, 1l. 1s. Also 32mo.
+cloth, 3s. 6d.; morocco, 5s.
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+THE CHILD'S CHRISTIAN YEAR; Hymns for every Sunday and Holyday in the
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+THE DAILY CHURCH SERVICES. Complete in 1 vol. 18mo. Price 10s. 6d.; or
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+ * * * * *
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+Printed by THOMAS CLARK SHAW, of No. 8. New Street Square, at No. 5. New
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+published by GEORGE BELL, of No. 186 Fleet Street, in the Parish of St.
+Dunstan in the West, in the City of London, Publisher, at No. 186. Fleet
+Street aforesaid.--Saturday, November 10, 1849.
+
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+End of the Project Gutenberg EBook of Notes and Queries, No. 2, November 10
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