summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--10023-0.txt3165
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/10023.txt3583
-rw-r--r--old/10023.zipbin0 -> 87612 bytes
6 files changed, 6764 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/10023-0.txt b/10023-0.txt
new file mode 100644
index 0000000..0e1cdaa
--- /dev/null
+++ b/10023-0.txt
@@ -0,0 +1,3165 @@
+*** START OF THE PROJECT GUTENBERG EBOOK 10023 ***
+
+Other Books by the Same Author:
+
+ "Journeys to Bagdad"
+ _Sixth printing_.
+
+ "Chimney-Pot Papers"
+ _Third printing_.
+
+ "Hints to Pilgrims"
+
+
+
+
+THERE'S PIPPINS
+
+AND
+
+CHEESE TO COME
+
+BY
+
+CHARLES S. BROOKS
+
+1917
+
+
+Illustrated by Theodore Diedricksen, Jr.
+
+
+
+
+TO MY FATHER AND MOTHER
+
+
+
+
+CONTENTS
+
+I. There's Pippins and Cheese to Come
+
+II. On Buying Old Books
+
+III. Any Stick Will Do to Beat a Dog
+
+IV. Roads of Morning
+
+V. The Man of Grub Street Comes from His Garret
+
+VI. Now that Spring is Here
+
+VII. The Friendly Genii
+
+VIII. Mr. Pepys Sits in the Pit
+
+IX. To an Unknown Reader
+
+X. A Plague of All Cowards
+
+XI. The Asperities of the Early British Reviewers
+
+XII. The Pursuit of Fire
+
+
+
+
+THERE'S PIPPINS AND CHEESE TO COME
+
+
+
+
+There's Pippins and Cheese To Come
+
+
+In my noonday quest for food, if the day is fine, it is my habit to shun
+the nearer places of refreshment. I take the air and stretch myself. Like
+Eve's serpent I go upright for a bit. Yet if time presses, there may be had
+next door a not unsavory stowage. A drinking bar is nearest to the street
+where its polished brasses catch the eye. It holds a gilded mirror to such
+red-faced nature as consorts within. Yet you pass the bar and come upon a
+range of tables at the rear.
+
+Now, if you yield to the habits of the place you order a rump of meat.
+Gravy lies about it like a moat around a castle, and if there is in you the
+zest for encounter, you attack it above these murky waters. "This castle
+hath a pleasant seat," you cry, and charge upon it with pike advanced. But
+if your appetite is one to peck and mince, the whiffs that breathe upon the
+place come unwelcome to your nostrils. In no wise are they like the sweet
+South upon your senses. There is even a suspicion in you--such is your
+distemper--that it is too much a witch's cauldron in the kitchen, "eye of
+newt, and toe of frog," and you spy and poke upon your food. Bus boys bear
+off the crockery as though they were apprenticed to a juggler and were only
+at the beginning of their art. Waiters bawl strange messages to the cook.
+It's a tongue unguessed by learning, yet sharp and potent. Also, there
+comes a riot from the kitchen, and steam issues from the door as though the
+devil himself were a partner and conducted here an upper branch. Like the
+man in the old comedy, your belly may still ring dinner, but the tinkle is
+faint. Such being your state, you choose a daintier place to eat.
+
+Having now set upon a longer journey--the day being fine and the sidewalks
+thronged--you pass by a restaurant that is but a few doors up the street.
+A fellow in a white coat flops pancakes in the window. But even though the
+pancake does a double somersault and there are twenty curious noses pressed
+against the glass, still you keep your course uptown.
+
+Nor are you led off because a near-by stairway beckons you to a Chinese
+restaurant up above. A golden dragon swings over the door. Its race has
+fallen since its fire-breathing grandsire guarded the fruits of the
+Hesperides. Are not "soys" and "chou meins" and other such treasures of the
+East laid out above? And yet the dragon dozes at its post like a sleepy
+dog. No flame leaps up its gullet. The swish of its tail is stilled. If it
+wag at all, it's but in friendship or because a gust of wind has stirred it
+from its dreams.
+
+I have wondered why Chinese restaurants are generally on the second story.
+A casual inquiry attests it. I know of one, it is true, on the ground
+level, yet here I suspect a special economy. The place had formerly been a
+German restaurant, with Teuton scrolls, "Ich Dien," and heraldries on its
+walls. A frugal brush changed the decoration. From the heart of a Prussian
+blazonry, there flares on you in Chinese yellow a recommendation to try
+"Our Chicken Chop Soy." The quartering of the House of Hohenzollern wears a
+baldric in praise of "Subgum Noodle Warmein," which it seems they cook to
+an unusual delicacy. Even a wall painting of Rip Van Winkle bowling at
+tenpins in the mountains is now set off with a pigtail. But the chairs were
+Dutch and remain as such. Generally, however, Chinese restaurants are on
+the second story. Probably there is a ritual from the ancient days of Ming
+Ti that Chinamen when they eat shall sit as near as possible to the sacred
+moon.
+
+But hold a bit! In your haste up town to find a place to eat, you are
+missing some of the finer sights upon the way. In these windows that
+you pass, the merchants have set their choicest wares. If there is any
+commodity of softer gloss than common, or one shinier to the eye--so
+that your poverty frets you--it is displayed here. In the window of the
+haberdasher, shirts--mere torsos with not a leg below or head above--yet
+disport themselves in gay neckwear. Despite their dismemberment they are
+tricked to the latest turn of fashion. Can vanity survive such general
+amputation? Then there is hope for immortality.
+
+But by what sad chance have these blithe fellows been disjointed? If
+a gloomy mood prevails in you--as might come from a bad turn of the
+market--you fancy that the evil daughter of Herodias still lives around the
+corner, and that she has set out her victims to the general view. If there
+comes a hurdy-gurdy on the street and you cock your ear to the tune of
+it, you may still hear the dancing measure of her wicked feet. Or it is
+possible that these are the kindred of Holofernes and that they have supped
+guiltily in their tents with a sisterhood of Judiths.
+
+Or we may conceive--our thoughts running now to food--that these gamesome
+creatures of the haberdasher had dressed themselves for a more recent
+banquet. Their black-tailed coats and glossy shirts attest a rare occasion.
+It was in holiday mood, when they were fresh-combed and perked in their
+best, that they were cut off from life. It would appear that Jack Ketch the
+headsman got them when they were rubbed and shining for the feast. We'll
+not squint upon his writ. It is enough that they were apprehended for some
+rascality. When he came thumping on his dreadful summons, here they were
+already set, fopped from shoes to head in the newest whim. Spoon in hand
+and bib across their knees--lest they fleck their careful fronts--they
+waited for the anchovy to come. And on a sudden they were cut off from
+life, unfit, unseasoned for the passage. Like the elder Hamlet's brother,
+they were engaged upon an act that had no relish of salvation in it. You
+may remember the lamentable child somewhere in Dickens, who because of an
+abrupt and distressing accident, had a sandwich in its hand but no mouth
+to put it in. Or perhaps you recall the cook of the Nancy Bell and his
+grievous end. The poor fellow was stewed in his own stew-pot. It was the
+Elderly Naval Man, you recall--the two of them being the ship's sole
+survivors on the deserted island, and both of them lean with hunger--it was
+the Elderly Naval Man (the villain of the piece) who "ups with his heels,
+and smothers his squeals in the scum of the boiling broth."
+
+And yet by looking on these torsos of the haberdasher, one is not brought
+to thoughts of sad mortality. Their joy is so exultant. And all the things
+that they hold dear--canes, gloves, silk hats, and the newer garments on
+which fashion makes its twaddle--are within reach of their armless sleeves.
+Had they fingers they would be smoothing themselves before the glass. Their
+unbodied heads, wherever they may be, are still smiling on the world,
+despite their divorcement. Their tongues are still ready with a jest, their
+lips still parted for the anchovy to come.
+
+A few days since, as I was thinking--for so I am pleased to call my muddy
+stirrings--what manner of essay I might write and how best to sort and lay
+out the rummage, it happened pat to my needs that I received from a friend
+a book entitled "The Closet of Sir Kenelm Digby Knight Opened." Now, before
+it came I had got so far as to select a title. Indeed, I had written the
+title on seven different sheets of paper, each time in the hope that by
+the run of the words I might leap upon some further thought. Seven times I
+failed and in the end the sheets went into the waste basket, possibly
+to the confusion of Annie our cook, who may have mistaken them for a
+reiterated admonishment towards the governance of her kitchen--at the
+least, a hint of my desires and appetite for cheese and pippins.
+
+"The Closet of Sir Kenelm Digby Opened" is a cook book. It is due you
+to know this at once, otherwise your thoughts--if your nature be
+vagrant--would drift towards family skeletons. Or maybe the domestic traits
+prevail and you would think of dress-clothes hanging in camphorated bags
+and a row of winter boots upon a shelf.
+
+I am disqualified to pass upon the merits of a cook book, for the reason
+that I have little discrimination in food. It is not that I am totally
+indifferent to what lies on the platter. Indeed, I have more than a tribal
+aversion to pork in general, while, on the other hand, I quicken joyfully
+when noodles are interspersed with bacon. I have a tooth for sweets, too,
+although I hold it unmanly and deny it as I can. I am told also--although
+I resent it--that my eye lights up on the appearance of a tray of French
+pastry. I admit gladly, however, my love of onions, whether they come
+hissing from the skillet, or lie in their first tender whiteness. They
+are at their best when they are placed on bread and are eaten largely at
+midnight after society has done its worst.
+
+A fine dinner is lost within me. A quail is but an inferior chicken--a poor
+relation outside the exclusive hennery. Terrapin sits low in my regard,
+even though it has wallowed in the most aristocratic marsh. Through such
+dinners I hack and saw my way without even gaining a memory of my progress.
+If asked the courses, I balk after the recital of the soup. Indeed, I am so
+forgetful of food, even when I dine at home, that I can well believe that
+Adam when he was questioned about the apple was in real confusion. He had
+or he had not. It was mixed with the pomegranate or the quince that Eve had
+sliced and cooked on the day before.
+
+A dinner at its best is brought to a single focus. There is one dish
+to dominate the cloth, a single bulk to which all other dishes are
+subordinate. If there be turkey, it should mount from a central platter.
+Its protruding legs out-top the candles. All other foods are, as it were,
+privates in Caesar's army. They do no more than flank the pageant. Nor may
+the pantry hold too many secrets. Within reason, everything should be
+set out at once, or at least a gossip of its coming should run before.
+Otherwise, if the stew is savory, how shall one reserve a corner for the
+custard? One must partition himself justly--else, by an over-stowage at the
+end, he list and sink.
+
+I am partial to picnics--the spreading of the cloth in the woods or beside
+a stream--although I am not avid for sandwiches unless hunger press me.
+Rather, let there be a skillet in the company and let a fire be started!
+Nor need a picnic consume the day. In summer it requires but the late
+afternoon, with such borrowing of the night as is necessary for the
+journey home. You leave the street car, clanking with your bundles like an
+itinerant tinman. You follow a stream, which on these lower stretches, it
+is sad to say, is already infected with the vices of the city. Like many a
+countryman who has come to town, it has fallen to dissipation. It shows the
+marks of the bottle. Further up, its course is cleaner. You cross it in the
+mud. Was it not Christian who fell into the bog because of the burden on
+his back? Then you climb a villainously long hill and pop out upon an open
+platform above the city.
+
+The height commands a prospect to the west. Below is the smoke of a
+thousand suppers. Up from the city there comes the hum of life, now
+somewhat fallen with the traffic of the day--as though Nature already
+practiced the tune for sending her creatures off to sleep. You light a
+fire. The baskets disgorge their secrets. Ants and other leviathans think
+evidently that a circus has come or that bears are in the town. The chops
+and bacon achieve their appointed destiny. You throw the last bone across
+your shoulder. It slips and rattles to the river. The sun sets. Night like
+an ancient dame puts on her jewels:
+
+ And now that I have climbed and won this height,
+ I must tread downward through the sloping shade
+ And travel the bewildered tracks till night.
+ Yet for this hour I still may here be stayed
+ And see the gold air and the silver fade
+ And the last bird fly into the last light.
+
+By these confessions you will see how unfit I am to comment on the old cook
+book of Sir Kenelm Digby. Yet it lies before me. It may have escaped your
+memory in the din of other things, that in the time when Oliver Cromwell
+still walked the earth, there lived in England a man by the name of Kenelm
+Digby, who was renowned in astrology and alchemy, piracy, wit, philosophy
+and fashion. It appears that wherever learning wagged its bulbous head, Sir
+Kenelm was of the company. It appears, also, that wherever the mahogany did
+most groan, wherever the possets were spiced most delicately to the nose,
+there too did Sir Kenelm bib and tuck himself. With profundity, as
+though he sucked wisdom from its lowest depth, he spouted forth on the
+transmutation of the baser metals or tossed you a phrase from Paracelsus.
+Or with long instructive finger he dissertated on the celestial universe.
+One would have thought that he had stood by on the making of it and that
+his judgment had prevailed in the larger problems. Yet he did not neglect
+his trencher.
+
+And now as time went on, the richness of the food did somewhat dominate his
+person. The girth of his wisdom grew no less, but his body fattened. In
+a word, the good gentleman's palate came to vie with his intellect. Less
+often was he engaged upon some dark saying of Isidore of Seville. Rather,
+even if his favorite topic astrology were uppermost about the table, his
+eye travelled to the pantry on every change of dishes. His fingers, too,
+came to curl most delicately on his fork. He used it like an epicure,
+poking his viands apart for sharpest scrutiny. His nod upon a compote was
+much esteemed.
+
+Now mark his further decline! On an occasion--surely the old rascal's head
+is turned!--he would be found in private talk with his hostess, the Lady of
+Middlesex, or with the Countess of Monmouth, not as you might expect, on
+the properties of fire or on the mortal diseases of man, but--on subjects
+quite removed. Society, we may be sure, began to whisper of these snug
+parleys in the arbor after dinner, these shadowed mumblings on the balcony
+when the moon was up--and Lady Digby stiffened into watchfulness. It was
+when they took leave that she saw the Countess slip a note into her lord's
+fingers. Her jealousy broke out. "Viper!" She spat the words and seized her
+husband's wrist. Of course the note was read. It proved, however, that Sir
+Kenelm was innocent of all mischief. To the disappointment of the gossips,
+who were tuned to a spicier anticipation, the note was no more than a
+recipe of the manner that the Countess was used to mix her syllabub, with
+instruction that it was the "rosemary a little bruised and the limon-peal
+that did quicken the taste." Advice, also, followed in the postscript on
+the making of tea, with counsel that "the boiling water should remain upon
+it just so long as one might say a _miserere_." A mutual innocence being
+now established, the Lady Digby did by way of apology peck the Countess on
+the cheek.
+
+Sir Kenelm died in 1665, full of years. In that day his fame rested chiefly
+on his books in physic and chirurgery. His most enduring work was still to
+be published--"The Closet Opened."
+
+It was two years after his death that his son came upon a bundle of his
+father's papers that had hitherto been overlooked. I fancy that he went
+spying in the attic on a rainy day. In the darkest corner, behind the
+rocking horse--if such devices were known in those distant days--he came
+upon a trunk of his father's papers. "Od's fish," said Sir Kenelm's son,
+"here's a box of manuscripts. It is like that they pertain to alchemy or
+chirurgery." He pulled out a bundle and held it to the light--such light as
+came through the cobwebs of the ancient windows. "Here be strange matters,"
+he exclaimed. Then he read aloud: "My Lord of Bristol's Scotch collops are
+thus made: Take a leg of fine sweet mutton, that to make it tender, is
+kept as long as possible may be without stinking. In winter seven or eight
+days"--"Ho! Ho!" cried Sir Kenelm's son. "This is not alchemy!" He drew out
+another parchment and read again: "My Lord of Carlile's sack posset, how
+it's made: Take a pottle of cream and boil in it a little whole cinnamon
+and three or four flakes of mace. Boil it until it simpreth and bubbleth."
+
+By this time, as you may well imagine, Sir Kenelm's son was wrought to an
+excitement. It is likely that he inherited his father's palate and that the
+juices of his appetite were stirred. Seizing an armful of the papers, he
+leaped down the attic steps, three at a time. His lady mother thrust a
+curled and papered head from her door and asked whether the chimney were
+afire, but he did not heed her. The cook was waddling in her pattens. He
+cried to her to throw wood upon the fire.
+
+That night the Digby household was served a delicacy, red herrings broiled
+in the fashion of my Lord d'Aubigny, "short and crisp and laid upon a
+sallet." Also, there was a wheaten flommery as it was made in the West
+Country--for the cook chose quite at random--and a slip-coat cheese as
+Master Phillips proportioned it. Also, against the colic, which was
+ravishing the country, the cook prepared a metheglin as Lady Stuart mixed
+it--"nettles, fennel and grumel seeds, of each two ounces being small-cut
+and mixed with honey and boiled together." It is on record that the Lady
+Digby smiled for the first time since her lord had died, and when the
+grinning cook bore in the platter, she beat upon the table with her spoon.
+
+The following morning, Sir Kenelm's son posted to London bearing the
+recipes, with a pistol in the pocket of his great coat against the crossing
+of Hounslow Heath. He went to a printer at the Star in Little Britain whose
+name was H. Brome.
+
+Shortly the book appeared. It was the son who wrote the preface: "There
+needs no Rhetoricating Floscules to set it off. The Authour, as is well
+known, having been a Person of Eminency for his Learning, and of Exquisite
+Curiosity in his Researches. Even that Incomparable Sir Kenelme Digbie
+Knight, Fellow of the Royal Society and Chancellour to the Queen Mother,
+(Et omen in Nomine) His name does sufficiently Auspicate the Work." The
+sale of the book is not recorded. It is supposed that the Lady Middlesex,
+so many of whose recipes had been used, directed that her chair be carried
+to the shop where the book was for sale and that she bought largely of it.
+The Countess of Dorset bought a copy and spelled it out word for word to
+her cook. As for the Lady Monmouth, she bought not a single copy, which
+neglect on coming to the Digbys aroused a coolness.
+
+To this day it is likely that a last auspicated volume still sits on its
+shelf with the spice jars in some English country kitchen and that a worn
+and toothless cook still thumbs its leaves. If the guests about the table
+be of an antique mind, still will they pledge one another with its honeyed
+drinks, still will they pipe and whistle of its virtues, still will they--
+
+"EAT"--A flaring sign hangs above the sidewalk. By this time, in our
+noonday search for food, we have come into the thick of the restaurants. In
+the jungle of the city, here is the feeding place. Here come the growling
+bipeds for such bones and messes as are thrown them.
+
+The waiter thrusts a card beneath my nose. "Nice leg of lamb, sir?" I waved
+him off. "Hold a bit!" I cried. "You'll fetch me a capon in white broth as
+my Lady Monmouth broileth hers. Put plentiful sack in it and boil it until
+it simpreth!" The waiter scratched his head. "The chicken pie is good," he
+said. "It's our Wednesday dish." "Varlet!" I cried--then softened. "Let it
+be the chicken pie! But if the cook knoweth the manner that Lord Carlile
+does mix and pepper it, let that manner be followed to the smallest
+fraction of a pinch!"
+
+
+
+
+
+On Buying Old Books
+
+
+By some slim chance, reader, you may be the kind of person who, on a visit
+to a strange city, makes for a bookshop. Of course your slight temporal
+business may detain you in the earlier hours of the day. You sit with
+committees and stroke your profound chin, or you spend your talent in the
+market, or run to and fro and wag your tongue in persuasion. Or, if you be
+on a holiday, you strain yourself on the sights of the city, against being
+caught in an omission. The bolder features of a cathedral must be grasped
+to satisfy a quizzing neighbor lest he shame you later on your hearth, a
+building must be stuffed inside your memory, or your pilgrim feet must wear
+the pavement of an ancient shrine. However, these duties being done and the
+afternoon having not yet declined, do you not seek a bookshop to regale
+yourself?
+
+Doubtless, we have met. As you have scrunched against the shelf not to
+block the passage, but with your head thrown back to see the titles up
+above, you have noticed at the corner of your eye--unless it was one of
+your blinder moments when you were fixed wholly on the shelf--a man in
+a slightly faded overcoat of mixed black and white, a man just past the
+nimbleness of youth, whose head is plucked of its full commodity of hair.
+It was myself. I admit the portrait, though modesty has curbed me short of
+justice.
+
+Doubtless, we have met. It was your umbrella--which you held villainously
+beneath your arm--that took me in the ribs when you lighted on a set of
+Fuller's Worthies. You recall my sour looks, but it was because I had
+myself lingered on the volumes but cooled at the price. How you smoothed
+and fingered them! With what triumph you bore them off! I bid you--for I
+see you in a slippered state, eased and unbuttoned after dinner--I bid you
+turn the pages with a slow thumb, not to miss the slightest tang of their
+humor. You will of course go first, because of its broad fame, to the page
+on Shakespeare and Ben Jonson and their wet-combats at the Mermaid. But
+before the night is too far gone and while yet you can hold yourself from
+nodding, you will please read about Captain John Smith of Virginia and his
+"strange performances, the scene whereof is laid at such a distance, they
+are cheaper credited than confuted."
+
+In no proper sense am I a buyer of old books. I admit a bookish quirk
+maybe, a love of the shelf, a weakness for morocco, especially if it is
+stained with age. I will, indeed, shirk a wedding for a bookshop. I'll
+go in "just to look about a bit, to see what the fellow has," and on an
+occasion I pick up a volume. But I am innocent of first editions. It is
+a stiff courtesy, as becomes a democrat, that I bestow on this form
+of primogeniture. Of course, I have nosed my way with pleasure along
+aristocratic shelves and flipped out volumes here and there to ask their
+price, but for the greater part, it is the plainer shops that engage me. If
+a rack of books is offered cheap before the door, with a fixed price upon a
+card, I come at a trot. And if a brown dust lies on them, I bow and sniff
+upon the rack, as though the past like an ancient fop in peruke and buckle
+were giving me the courtesy of its snuff box. If I take the dust in my
+nostrils and chance to sneeze, it is the fit and intended observance toward
+the manners of a former century.
+
+I have in mind such a bookshop in Bath, England. It presents to the street
+no more than a decent front, but opens up behind like a swollen bottle.
+There are twenty rooms at least, piled together with such confusion of
+black passages and winding steps, that one might think that the owner
+himself must hold a thread when he visits the remoter rooms. Indeed, such
+are the obscurities and dim turnings of the place, that, were the legend of
+the Minotaur but English, you might fancy that the creature still lived in
+this labyrinth, to nip you between his toothless gums--for the beast grows
+old--at some darker corner. There is a story of the place, that once a raw
+clerk having been sent to rummage in the basement, his candle tipped off
+the shelf. He was left in so complete darkness that his fears overcame his
+judgment and for two hours he roamed and babbled among the barrels. Nor was
+his absence discovered until the end of the day when, as was the custom,
+the clerks counted noses at the door. When they found him, he bolted up the
+steps, nor did he cease his whimper until he had reached the comforting
+twilight of the outer world. He served thereafter in the shop a full two
+years and had a beard coming--so the story runs--before he would again
+venture beyond the third turning of the passage; to the stunting of his
+scholarship, for the deeper books lay in the farther windings.
+
+Or it may appear credible that in ages past a jealous builder contrived the
+place. Having no learning himself and being at odds with those of better
+opportunity, he twisted the pattern of the house. Such was his evil temper,
+that he set the steps at a dangerous hazard in the dark, in order that
+scholars--whose eyes are bleared at best--might risk their legs to the end
+of time. Those of strict orthodoxy have even suspected the builder to have
+been an atheist, for they have observed what double joints and steps and
+turnings confuse the passage to the devouter books--the Early Fathers in
+particular being up a winding stair where even the soberest reader might
+break his neck. Be these things as they may, leather bindings in sets of
+"grenadier uniformity" ornament the upper and lighter rooms. Biography
+straggles down a hallway, with a candle needed at the farther end. A room
+of dingy plays--Wycherley, Congreve and their crew--looks out through an
+area grating. It was through even so foul an eye, that when alive, they
+looked upon the world. As for theology, except for the before-mentioned
+Fathers, it sits in general and dusty convention on the landing to the
+basement, its snuffy sermons, by a sad misplacement--or is there an
+ironical intention?--pointing the way to the eternal abyss below.
+
+It was in this shop that I inquired whether there was published a book on
+piracy in Cornwall. Now, I had lately come from Tintagel on the Cornish
+coast, and as I had climbed upon the rocks and looked down upon the sea, I
+had wondered to myself whether, if the knowledge were put out before me, I
+could compose a story of Spanish treasure and pirates. For I am a prey to
+such giddy ambition. A foul street--if the buildings slant and topple--will
+set me thinking delightfully of murders. A wharf-end with water lapping
+underneath and bits of rope about will set me itching for a deep-sea plot.
+Or if I go on broader range and see in my fancy a broken castle on a hill,
+I'll clear its moat and sound trumpets on its walls. If there is pepper
+in my mood, I'll storm its dungeon. Or in a softer moment I'll trim its
+unsubstantial towers with pageantry and rest upon my elbow until I fall
+asleep. So being cast upon the rugged Cornish coast whose cliffs are so
+swept with winter winds that the villages sit for comfort in the hollows,
+it was to be expected that my thoughts would run toward pirates.
+
+There is one rock especially which I had climbed in the rain and fog of
+early morning. A reckless path goes across its face with a sharp pitch to
+the ocean. It was so slippery and the wind so tugged and pulled to throw me
+off, that although I endangered my dignity, I played the quadruped on the
+narrower parts. But once on top in the open blast of the storm and safe
+upon the level, I thumped with desire for a plot. In each inlet from the
+ocean I saw a pirate lugger--such is the pleasing word--with a keg of rum
+set up. Each cranny led to a cavern with doubloons piled inside. The
+very tempest in my ears was compounded out of ships at sea and wreck and
+pillage. I needed but a plot, a thread of action to string my villains on.
+If this were once contrived, I would spice my text with sailors' oaths and
+such boasting talk as might lie in my invention. Could I but come upon a
+plot, I might yet proclaim myself an author.
+
+With this guilty secret in me I blushed as I asked the question. It seemed
+sure that the shopkeeper must guess my purpose. I felt myself suspected as
+though I were a rascal buying pistols to commit a murder. Indeed, I seem
+to remember having read that even hardened criminals have become confused
+before a shopkeeper and betrayed themselves. Of course, Dick Turpin and
+Jerry Abershaw could call for pistols in the same easy tone they ordered
+ale, but it would take a practiced villainy. But I in my innocence wanted
+nothing but the meager outline of a pirate's life, which I might fatten to
+my uses.
+
+But on a less occasion, when there is no plot thumping in me, I still feel
+a kind of embarrassment when I ask for a book out of the general demand. I
+feel so like an odd stick. This embarrassment applies not to the request
+for other commodities. I will order a collar that is quite outside the
+fashion, in a high-pitched voice so that the whole shop can hear. I could
+bargain for a purple waistcoat--did my taste run so--and though the
+sidewalk listened, it would not draw a blush. I have traded even for
+women's garments--though this did strain me--without an outward twitch.
+Finally, to top my valor, I have bought sheet music of the lighter kind and
+have pronounced the softest titles so that all could hear. But if I desire
+the poems of Lovelace or the plays of Marlowe, I sidle close up to the
+shopkeeper to get his very ear. If the book is visible, I point my thumb at
+it without a word.
+
+It was but the other day--in order to fill a gap in a paper I was
+writing--I desired to know the name of an author who is obscure although
+his work has been translated into nearly all languages. I wanted to know a
+little about the life of the man who wrote _Mary Had a Little Lamb_, which,
+I am told, is known by children over pretty much all the western world. It
+needed only a trip to the Public Library. Any attendant would direct me to
+the proper shelf. Yet once in the building, my courage oozed. My question,
+though serious, seemed too ridiculous to be asked. I would sizzle as I
+met the attendant's eye. Of a consequence, I fumbled on my own devices,
+possibly to the increase of my general knowledge, but without gaining what
+I sought.
+
+They had no book in the Bath shop on piracy in Cornwall. I was offered
+instead a work in two volumes on the notorious highwaymen of history, and
+for a moment my plot swerved in that direction. But I put it by. To pay the
+fellow for his pains--for he had dug in barrels to his shoulders and had a
+smudge across his nose--I bought a copy of Thomson's "Castle of Indolence,"
+and in my more energetic moods I read it. And so I came away.
+
+On leaving the shop, lest I should be nipped in a neglect, I visited the
+Roman baths. Then I took the waters in the Assembly Room. It was Sam
+Weller, you may recall, who remarked, when he was entertained by the select
+footmen, that the waters tasted like warm flat-irons. Finally, I viewed
+the Crescent around which the shirted Winkle ran with the valorous Dowler
+breathing on his neck. With such distractions, as you may well imagine,
+Cornish pirates became as naught. Such mental vibration as I had was now
+gone toward a tale of fashion in the days when Queen Anne was still alive.
+Of a consequence, I again sought the bookshop and stifling my timidity, I
+demanded such volumes as might set me most agreeably to my task.
+
+I have in mind also a bookshop of small pretension in a town in Wales. For
+purely secular delight, maybe, it was too largely composed of Methodist
+sermons. Hell fire burned upon its shelves with a warmth to singe so poor a
+worm as I. Yet its signboard popped its welcome when I had walked ten miles
+of sunny road. Possibly it was the chair rather than the divinity that
+keeps the place in memory. The owner was absent on an errand, and his
+daughter, who had been clumping about the kitchen on my arrival, was
+uninstructed in the price marks. So I read and fanned myself until his
+return.
+
+Perhaps my sluggishness toward first editions--to which I have hinted
+above--comes in part from the acquaintance with a man who in a linguistic
+outburst as I met him, pronounced himself to be a numismatist and
+philatelist. One only of these names would have satisfied a man of less
+conceit. It is as though the pteranodon should claim also to be the
+spoon-bill dinosaur. It is against modesty that one man should summon all
+the letters. No, the numismatist's head is not crammed with the mysteries
+of life and death, nor is a philatelist one who is possessed with the
+dimmer secrets of eternity. Rather, this man who was so swelled with
+titles, eked a living by selling coins and stamps, and he was on his way
+to Europe to replenish his wares. Inside his waistcoat, just above his
+liver--if he owned so human an appendage--he carried a magnifying glass.
+With this, when the business fit was on him, he counted the lines and dots
+upon a stamp, the perforations on its edge. He catalogued its volutes, its
+stipples, the frisks and curlings of its pattern. He had numbered the very
+hairs on the head of George Washington, for in such minutiae did the value
+of the stamp reside. Did a single hair spring up above the count, it would
+invalidate the issue. Such values, got by circumstance or accident--resting
+on a flaw--founded on a speck--cause no ferment of my desires.
+
+For the buying of books, it is the cheaper shops where I most often prowl.
+There is in London a district around Charing Cross Road where almost every
+shop has books for sale. There is a continuous rack along the sidewalk,
+each title beckoning for your attention. You recall the class of
+street-readers of whom Charles Lamb wrote--"poor gentry, who, not having
+wherewithal to buy or hire a book, filch a little learning at the open
+stalls." It was on some such street that these folk practiced their
+innocent larceny. If one shopkeeper frowned at the diligence with which
+they read "Clarissa," they would continue her distressing adventures across
+the way. By a lingering progress up the street, "Sir Charles Grandison"
+might be nibbled down--by such as had the stomach--without the outlay of
+a single penny. As for Gibbon and the bulbous historians, though a whole
+perusal would outlast the summer and stretch to the colder months, yet with
+patience they could be got through. However, before the end was come even a
+hasty reader whose eye was nimble on the page would be blowing on his nails
+and pulling his tails between him and the November wind.
+
+But the habit of reading at the open stalls was not only with the poor. You
+will remember that Mr. Brownlow was addicted. Really, had not the Artful
+Dodger stolen his pocket handkerchief as he was thus engaged upon his book,
+the whole history of Oliver Twist must have been quite different. And Pepys
+himself, Samuel Pepys, F.R.S., was guilty. "To Paul's Church Yard," he
+writes, "and there looked upon the second part of Hudibras, which I buy
+not, but borrow to read." Such parsimony is the curse of authors. To thumb
+a volume cheaply around a neighborhood is what keeps them in their garrets.
+It is a less offence to steal peanuts from a stand. Also, it is recorded in
+the life of Beau Nash that the persons of fashion of his time, to pass a
+tedious morning "did divert themselves with reading in the booksellers'
+shops." We may conceive Mr. Fanciful Fopling in the sleepy blink of those
+early hours before the pleasures of the day have made a start, inquiring
+between his yawns what latest novels have come down from London, or whether
+a new part of "Pamela" is offered yet. If the post be in, he will prop
+himself against the shelf and--unless he glaze and nod--he will read
+cheaply for an hour. Or my Lady Betty, having taken the waters in the
+pump-room and lent her ear to such gossip as is abroad so early, is now
+handed to her chair and goes round by Gregory's to read a bit. She is
+flounced to the width of the passage. Indeed, until the fashion shall
+abate, those more solid authors that are set up in the rear of the shop,
+must remain during her visits in general neglect. Though she hold herself
+against the shelf and tilt her hoops, it would not be possible to pass. She
+is absorbed in a book of the softer sort, and she flips its pages against
+her lap-dog's nose.
+
+But now behold the student coming up the street! He is clad in shining
+black. He is thin of shank as becomes a scholar. He sags with knowledge. He
+hungers after wisdom. He comes opposite the bookshop. It is but coquetry
+that his eyes seek the window of the tobacconist. His heart, you may be
+sure, looks through the buttons at his back. At last he turns. He pauses on
+the curb. Now desire has clutched him. He jiggles his trousered shillings.
+He treads the gutter. He squints upon the rack. He lights upon a treasure.
+He plucks it forth. He is unresolved whether to buy it or to spend the
+extra shilling on his dinner. Now all you cooks together, to save your
+business, rattle your pans to rouse him! If within these ancient buildings
+there are onions ready peeled--quick!--throw them in the skillet that the
+whiff may come beneath his nose! Chance trembles and casts its vote--eenie
+meenie--down goes the shilling--he has bought the book. Tonight he will
+spread it beneath his candle. Feet may beat a snare of pleasure on the
+pavement, glad cries may pipe across the darkness, a fiddle may scratch its
+invitation--all the rumbling notes of midnight traffic will tap in vain
+their summons upon his window.
+
+
+
+
+Any Stick Will Do To Beat A Dog
+
+
+Reader, possibly on one of your country walks you have come upon a man with
+his back against a hedge, tormented by a fiend in the likeness of a dog.
+You yourself, of course, are not a coward. You possess that cornerstone of
+virtue, a love for animals. If at your heels a dog sniffs and growls, you
+humor his mistake, you flick him off and proceed with unbroken serenity. It
+is scarcely an interlude to your speculation on the market. Or if you work
+upon a sonnet and are in the vein, your thoughts, despite the beast, run
+unbroken to a rhyme. But pity this other whose heart is less stoutly
+wrapped! He has gone forth on a holiday to take the country air, to thrust
+himself into the freer wind, to poke with his stick for such signs of
+Spring as may be hiding in the winter's leaves. Having been grinding in an
+office he flings himself on the great round world. He has come out to smell
+the earth. Or maybe he seeks a hilltop for a view of the fields that lie
+below patched in many colors, as though nature had been sewing at her
+garments and had mended the cloth from her bag of scraps.
+
+On such a journey this fellow is travelling when, at a turn of the road, he
+hears the sound of barking. As yet there is no dog in sight. He pauses. He
+listens. How shall one know whether the sound comes up a wrathful gullet or
+whether the dog bays at him impersonally, as at the distant moon? Or maybe
+he vents himself upon a stubborn cow. Surely it is not an idle tune he
+practices. He holds a victim in his mind. There is sour venom on his
+churlish tooth. Is it best to go roundabout, or forward with such a nice
+compound of innocence, boldness and modesty as shall satisfy the beast? If
+one engross oneself on something that lies to the lee of danger, it allays
+suspicion. Or if one absorb oneself upon the flora--a primrose on the
+river's brim--it shows him clear and stainless. The stupidest dog should
+see that so close a student can have no evil in him. Perhaps it would be
+better to throw away one's stick lest it make a show of violence. Or it may
+be concealed along the outer leg. Ministers of Grace defend us, what an
+excitement in the barnyard! Has virtue no reward? Shall innocence perish
+off the earth? Not one dog, but many, come running out. There has gone
+a rumor about the barn that there is a stranger to be eaten, and it's
+likely--if they keep their clamor--there will be a bone for each. Note how
+the valor oozes from the man of peace! Observe his sidling gait, his skirts
+pulled close, his hollowed back, his head bent across his shoulder, his
+startled eye! Watch him mince his steps, lest a lingering heel be nipped!
+Listen to him try the foremost dog with names, to gull him to a belief that
+they have met before in happier circumstances! He appeals mutely to the
+farmhouse that a recall be sounded. The windows are tightly curtained. The
+heavens are comfortless.
+
+You remember the fellow in the play who would have loved war had they not
+digged villainous saltpetre from the harmless earth. The countryside, too,
+in my opinion, would be more peaceful of a summer afternoon were it not
+overrun with dogs. Let me be plain! I myself like dogs--sleepy dogs
+blinking in the firelight, friendly dogs with wagging tails, young dogs in
+their first puppyhood with their teeth scarce sprouted, whose jaws have not
+yet burgeoned into danger, and old dogs, too, who sun themselves and give
+forth hollow, toothless, reassuring sounds. When a dog assumes the cozy
+habits of the cat without laying off his nobler nature, he is my friend. A
+dog of vegetarian aspect pleases me. Let him bear a mild eye as though he
+were nourished on the softer foods! I would wish every dog to have a full
+complement of tail. It's the sure barometer of his warm regard. There's no
+art to find his mind's construction in the face. And I would have him with
+not too much curiosity. It's a quality that brings him too often to the
+gate. It makes him prone to sniff when one sits upon a visit. Nor do I like
+dogs addicted to sudden excitement. Lethargy becomes them better. Let them
+be without the Gallic graces! In general, I like a dog to whom I have been
+properly introduced, with an exchange of credentials. While the dog is by,
+let his master take my hand and address me in softest tones, to cement the
+understanding! At bench-shows I love the beasts, although I keep to the
+middle of the aisle. The streets are all the safer when so many of the
+creatures are kept within.
+
+Frankly, I would enjoy the country more, if I knew that all the dogs were
+away on visits. Of course, the highroad is quite safe. Its frequent traffic
+is its insurance. Then, too, the barns are at such a distance, it is only a
+monstrous anger can bring the dog. But if you are in need of direction you
+select a friendly white house with green shutters. You swing open the gate
+and crunch across the pebbles to the door. To the nearer eye there is a
+look of "dog" about the place. Or maybe you are hot and thirsty, and there
+is a well at the side of the house. Is it better to gird yourself to danger
+or to put off your thirst until the crossroads where pop is sold?
+
+Or a lane leads down to the river. Even at this distance you hear the
+shallow brawl of water on the stones. A path goes off across a hill, with
+trees beckoning at the top. There is a wind above and a wider sweep of
+clouds. Surely, from the crest of the hill the whole county will lie before
+you. Such tunes as come up from the world below--a school-bell, a rooster
+crowing, children laughing on the road, a threshing machine on the lower
+meadows--such tunes are pitched to a marvellous softness. Shall we follow
+the hot pavement, or shall we dare those lonely stretches?
+
+There is a kind of person who is steeped too much in valor. He will cross a
+field although there is a dog inside the fence. Goodness knows that I would
+rather keep to the highroad with such humility as shall not rouse the
+creature. Or he will shout and whistle tunes that stir the dogs for miles.
+He slashes his stick against the weeds as though in challenge. One might
+think that he went about on unfeeling stalks instead of legs as children
+walk on stilts, or that a former accident had clipped him off above the
+knees and that he was now jointed out of wood to a point beyond the biting
+limit. Or perhaps the clothes he wears beneath--the inner mesh and very
+balbriggan of his attire--is of so hard a texture that it turns a tooth. Be
+these defenses as they may, note with what bravado he mounts the wall! One
+leg dangles as though it were baited and were angling for a bite.
+
+There is a French village near Quebec whose population is chiefly dogs.
+It lies along the river in a single street, not many miles from the point
+where Wolfe climbed to the Plains of Abraham. There are a hundred houses
+flat against the roadway and on the steps of each there sits a dog. As I
+went through on foot, each of these dogs picked me up, examined me nasally
+and passed me on, not generously as though I had stood the test, but rather
+in deep suspicion that I was a queer fellow, not to be penetrated at first,
+but one who would surely be found out and gobbled before coming to the
+end of the street. As long as I would eventually furnish forth the common
+banquet, it mattered not which dog took the first nip. Inasmuch as I would
+at last be garnished for the general tooth, it would be better to wait
+until all were gathered around the platter. "Good neighbor dog," each
+seemed to say, "you too sniff upon the rogue! If he be honest, my old nose
+is much at fault." Meantime I padded lightly through the village, at first
+calling on the dogs by English names, but later using such wisps as I had
+of French. "Aucassin, mon pauvre chien. Voici, Tintagiles, alors donc mon
+cherie. Je suis votre ami," but with little effect.
+
+But the dogs that one meets in the Canadian woods are of the fiercest
+breed. They border on the wolf. They are called huskies and they are so
+strong and so fleet of foot that they pull sleds for hours across the
+frozen lakes at almost the speed of a running horse. It must be confessed
+that they are handsome and if it happens to be your potato peelings and
+discarded fish that they eat, they warm into friendliness. Indeed, on these
+occasions, one can make quite a show of bravery by stroking and dealing
+lightly with them. But once upon a time in an ignorant moment two other
+campers and myself followed a lonely railroad track and struck off on a
+path through the pines in search of a certain trapper on a fur farm. The
+path went on a broken zigzag avoiding fallen trees and soft hollows,
+conducting itself on the whole with more patience than firmness. We walked
+a quarter of a mile, but still we saw no cabin. The line of the railroad
+had long since disappeared. An eagle wheeled above us and quarrelled at our
+intrusion. Presently to test our course and learn whether we were coming
+near the cabin, we gave a shout. Immediately out of the deeper woods there
+came a clamor that froze us. Such sounds, it seemed, could issue only from
+bloody and dripping jaws. In a panic, as by a common impulse we turned and
+ran. Yet we did not run frankly as when the circus lion is loose, but in a
+shamefaced manner--an attempt at a retreat in good order--something between
+a walk and a run. At the end of a hundred yards we stopped. No dogs had
+fallen on us. Danger had not burst its kennel. We hallooed again, to rouse
+the trapper. At last, after a minute of suspense, came his answering voice,
+the sweetest sound to be imagined. Whereupon I came down from my high stump
+which I had climbed for a longer view.
+
+I am convinced that I am not alone in my--shall I say diffidence?--toward
+dogs. Indeed, there is evidence from the oldest times that mankind, in its
+more honest moments, has confessed to a fear of dogs. In recognition of
+this general fear, the unmuzzled Cerberus was put at the gate of Hades.
+It was rightly felt that when the unhappy pilgrims got within, his fifty
+snapping heads were better than a bolt upon the door. It was better for
+them to endure the ills they had, than be nipped in the upper passage. He,
+also, who first spoke the ancient proverb, _Let sleeping dogs lie_, did no
+more than voice the caution of the street. And he, also, who invented the
+saying that the world is going to the bow-wows, lodged his deplorable
+pessimism in fitting words.
+
+It was Daniel who sat with the lions. But there are degrees of bravery. On
+Long Street, within sight of my window--just where the street gets into its
+most tangled traffic--there has hung for many years the painted signboard
+of a veterinary surgeon. Its artist was in the first flourish of youth. Old
+age had not yet chilled him when he mixed his gaudy colors. The surgeon's
+name is set up in modest letters, but the horse below flames with color.
+What a flaring nostril! What an eager eye! How arched the neck! Here is a
+wrath and speed unknown to the quadrupeds of this present Long Street. Such
+mild-eyed, accumbent, sharp-ribbed horses as now infest the curb--mere
+whittlings from a larger age--hang their heads at their degeneracy. Indeed,
+these horses seem to their owners not to be worth the price of a nostrum.
+If disease settles in them, let them lean against a post until the fit is
+past! And of a consequence, the doctor's work has fallen off. It has
+become a rare occasion when it is permitted him to stroke his chin in
+contemplation of some inner palsy. Therefore to give his wisdom scope,
+the doctor some time since announced the cellar of the building to be a
+hospital for dogs. Must I press the analogy? I have seen the doctor with
+bowl and spoon in hand take leave of the cheerful world. He opens the
+cellar door. A curdling yelp comes up the stairs. In the abyss below there
+are twenty dogs at least, all of them sick, all dangerous. Not since Orion
+led his hunting pack across the heavens has there been so fierce a sound.
+The door closes. There is a final yelp, such as greets a bone. Doubtless,
+by this time, they are munching on the doctor. Good sir, had you lived in
+pre-apostolic days, your name would have been lined with Daniel's in the
+hymn. I might have spent my earliest treble in your praise.
+
+But there are other kinds of dogs. Gentlest of readers, have you ever
+passed a few days at Tunbridge Wells? It lies on one of the roads that run
+from London to the Channel and for several hundred years persons have gone
+there to take the waters against the more fashionable ailments. Its chief
+fame was in the days when rich folk, to ward off for the season a touch of
+ancestral gout, travelled down from London in their coaches. We may fancy
+Lord Thingumdo crossing his sleek legs inside or putting his head to the
+window on the change of horses. He has outriders and a horn to sound his
+coming. His Lordship has a liver that must be mended, but also he has
+a weakness for the gaming table. Or Lady Euphemia, wrapped in silks,
+languishes mornings in her lodgings with a latest novel, but goes forth at
+noon upon the Pantilles to shop in the stalls. A box of patches must be
+bought. A lace flounce has caught her eye. Bless her dear eyes, as she
+bends upon her purchase she is fair to look upon. The Grand Rout is set for
+tonight. Who knows but that the Duke will put the tender question and will
+ask her to name the happy day?
+
+But these golden days are past. Tunbridge Wells has sunk from fashion. The
+gaming tables are gone. A band still plays mornings in the Pantilles--or
+did so before the war--but cheaper gauds are offered in the shops. Emerald
+brooches are fallen to paste. In all the season there is scarcely a single
+demand for a diamond garter. If there were now a Rout, the only dancers
+would be stiff shadows from the past. The healing waters still trickle from
+the ground and an old woman serves you for a penny, but the miracle has
+gone. The old world is cured and dead.
+
+Tunbridge Wells is visited now chiefly by old ladies whose husbands--to
+judge by the black lace caps--have left Lombard Street for heaven. At the
+hotel where I stopped, which was at the top of the Commons outside the
+thicker town, I was the only man in the breakfast room. Two widows, each
+with a tiny dog on a chair beside her, sat at the next table. This was
+their conversation:
+
+"Did you hear her last night?"
+
+"Was it Flossie that I heard?"
+
+"Yes. The poor dear was awake all night. She got her feet wet yesterday
+when I let her run upon the grass."
+
+But after breakfast--if the day is sunny and the wind sits in a favoring
+quarter--one by one the widows go forth in their chairs. These are wicker
+contrivances that hang between three wheels. Burros pull them, and men walk
+alongside to hold their bridles. Down comes the widow. Down comes a maid
+with her wraps. Down comes a maid with Flossie. The wraps are adjusted. The
+widow is handed in. Her feet are wound around with comforters against a
+draft. Her salts rest in her lap. Her ample bag of knitting is safe aboard.
+Flossie is placed beside her. Proot! The donkey starts.
+
+All morning the widow sits in the Pantilles and listens to the band and
+knits. Flossie sits on the flagging at her feet with an intent eye upon the
+ball of worsted. Twice in a morning--three times if the gods are kind--the
+ball rolls to the pavement. Flossie has been waiting so long for this
+to happen. It is the bright moment of her life--the point and peak of
+happiness. She darts upon it. She paws it exultantly for a moment. Brief is
+the rainbow and brief the Borealis. The finger of Time is swift.
+
+The poppy blooms and fades. The maid captures the ball of worsted and
+restores it.
+
+It lies in the widow's lap. The band plays. The needles click to a long
+tune. The healing waters trickle from the ground. The old woman whines
+their merits. Flossie sits motionless, her head cocked and her eye upon the
+ball. Perhaps the god of puppies will again be good to her.
+
+
+
+
+ROADS OF MORNING
+
+
+My grandfather's farm lay somewhere this side of the sunset, so near that
+its pastures barely missed the splash of color. But from the city it was a
+two hours' journey by horse and phaeton. My grandfather drove. I sat next,
+my feet swinging clear of the lunchbox. My brother had the outside, a place
+denied to me for fear that I might fall across the wheel. When we were
+all set, my mother made a last dab at my nose--an unheeded smudge having
+escaped my vigilance. Then my grandfather said, "Get up,"--twice, for the
+lazy horse chose to regard the first summons as a jest. We start. The great
+wheels turn. My brother leans across the guard to view the miracle. We
+crunch the gravel. We are alive for excitement. My brother plays we are
+a steamboat and toots. I toot in imitation, but higher up as if I were a
+younger sort of steamboat. We hold our hands on an imaginary wheel and
+steer. We scorn grocery carts and all such harbor craft. We are on a long
+cruise. Street lights will guide us sailing home.
+
+Of course there were farms to the south of the city and apples may have
+ripened there to as fine a flavor, and to the east, also, doubtless there
+were farms. It would be asking too much that the west should have all the
+haystacks, cherry trees and cheese houses. If your judgment skimmed upon
+the surface, you would even have found the advantage with the south. It was
+prettier because more rolling. It was shaggier. The country to the south
+tipped up to the hills, so sharply in places that it might have made its
+living by collecting nickels for the slide. Indeed, one might think that a
+part of the city had come bouncing down the slope, for now it lay resting
+at the bottom, sprawled somewhat for its ease. Or it might appear--if your
+belief runs on discarded lines--that the whole flat-bottomed earth had been
+fouled in its celestial course and now lay aslant upon its beam with its
+cargo shifted and spilled about.
+
+The city streets that led to the south, which in those days ended in lanes,
+popped out of sight abruptly at the top of the first ridge. And when the
+earth caught up again with their level, already it was dim and purple and
+tall trees were no more than a roughened hedge. But what lay beyond that
+range of hills--what towns and cities--what oceans and forests--how beset
+with adventure--how fearful after dark--these things you could not see,
+even if you climbed to some high place and strained yourself on tiptoe. And
+if you walked from breakfast to lunch--until you gnawed within and were but
+a hollow drum--there would still be a higher range against the sky. There
+are misty kingdoms on this whirling earth, but the ways are long and steep.
+
+The lake lay to the north with no land beyond, the city to the east. But to
+the west--
+
+Several miles outside the city as it then was, and still beyond its
+clutches, the country was cut by a winding river bottom with sharp edges of
+shale. Down this valley Rocky River came brawling in the spring, over-fed
+and quarrelsome. Later in the year--its youthful appetite having caught an
+indigestion--it shrunk and wasted to a shadow. By August you could cross it
+on the stones. The uproar of its former flood was marked upon the shale and
+trunks of trees here and there were wedged, but now the river plays drowsy
+tunes upon the stones. There is scarcely enough movement of water to flick
+the sunlight. A leaf on its idle current is a lazy craft whose skipper
+nods. There were hickory trees on the point above. May-apples grew in the
+deep woods, and blackberries along the fences. And in the season sober
+horses plowed up and down the fields with nodding heads, affirming their
+belief in the goodness of the soil and their willingness to help in its
+fruition.
+
+Yet the very core of this valley in days past was a certain depth of water
+at a turn of the stream. There was a clay bank above it and on it small
+naked boys stood and daubed themselves. One of them put a band of clay
+about himself by way of decoration. Another, by a more general smudge, made
+himself a Hottentot and thereby gave his manners a wider scope and license.
+But by daubing yourself entire you became an Indian and might vent yourself
+in hideous yells, for it was amazing how the lungs grew stouter when the
+clay was laid on thick. Then you tapped your flattened palm rapidly against
+your mouth and released an intermittent uproar in order that the valley
+might he warned of the deviltry to come. You circled round and round and
+beat upon the ground in the likeness of a war dance. But at last, sated
+with scalps, off you dived into the pool and came up a white man. Finally,
+you stood on one leg and jounced the water from your ear, or pulled a
+bloodsucker from your toes before he sapped your life--for this tiny
+creature of the rocks was credited with the gift of prodigious inflation,
+and might inhale you, blood, sinews, suspenders and all, if left to his
+ugly purpose.
+
+Farms should not be too precisely located; at least this is true of farms
+which, like my grandfather's, hang in a mist of memory. I read once of a
+wonderful spot--quite inferior, doubtless, to my grandfather's farm--which
+was located by evil directions intentionally to throw a seeker off.
+Munchausen, you will recall, in the placing of his magic countries, was not
+above this agreeable villainy. Robinson Crusoe was loose and vague in the
+placing of his island. It is said that Izaak Walton waved a hand obscurely
+toward the stream where he had made a catch, but could not be cornered to a
+nice direction, lest his pool be overrun. In early youth, I myself went, on
+a mischievous hint, to explore a remote region which I was told lay in the
+dark behind the kindling pile. But because I moved in a fearful darkness,
+quite beyond the pale light from the furnace room, I lost the path. It did
+not lead me to the peaks and the roaring waters.
+
+But the farm was reached by more open methods. Dolly and the phaeton were
+the chief instruments. First--if you were so sunk in ignorance as not to
+know the road--you inquired of everybody for the chewing gum factory, to be
+known by its smell of peppermint. Then you sought the high bridge over the
+railroad tracks. Beyond was Kamm's Corners. Here, at a turn of the road,
+was a general store whose shelves sampled the produce of this whole fair
+world and the factories thereof. One might have thought that the proprietor
+emulated Noah at the flood by bidding two of each created things to find a
+place inside.
+
+Beyond Kamm's Corners you came to the great valley. When almost down the
+hill you passed a house with broken windows and unkept grass. This house,
+by report, was haunted, but you could laugh at such tales while the morning
+sun was up. At the bottom of the hill a bridge crossed the river, with
+loose planking that rattled as though the man who made nails was dead.
+
+Beyond the bridge, at the first rise of ground, the horse stopped--for I
+assume that you drove a sagacious animal--by way of hint that every one
+of sound limb get out and walk to the top of the hill. A suspicious horse
+turned his head now and again and cast his eye upon the buggy to be sure
+that no one climbed in again.
+
+Presently you came to the toll-gate at the top and paid its keeper five
+cents, or whatever large sum he demanded. Then your grandfather--if by
+fortunate chance you happened to have one--asked after his wife and
+children, and had they missed the croup; then told him his corn was looking
+well.
+
+My grandfather--for it is time you knew him--lived with us. Because of a
+railway accident fifteen years before in which one of his legs was cut off
+just below the knee, he had retired from public office. Several years of
+broken health had been followed by years that were for the most part free
+from suffering. My own first recollection reverts to these better years.
+I recall a tall man--to my eyes a giant, for he was taller even than my
+father--who came into the nursery as I was being undressed. There was a
+wind in the chimney, and the windows rattled. He put his crutches against
+the wall. Then taking me in his arms, he swung me aloft to his shoulder
+by a series of somersaults. I cried this first time, but later I came to
+demand the performance.
+
+Once, when I was a little older, I came upon one of his discarded wooden
+legs as I was playing in the garret of the house. It was my first
+acquaintance with such a contrivance. It lay behind a pile of trunks and I
+was, at the time, on my way to the center of the earth, for the cheerful
+path dove into darkness behind the chimney. You may imagine my surprise. I
+approached it cautiously. I viewed it from all sides by such dusty light as
+fell between the trunks. Not without fear I touched it. It was unmistakably
+a leg--but whose? Was it possible that there was a kind of Bluebeard in the
+family, who, for his pleasure, lopped off legs? There had been no breath of
+such a scandal. Yet, if my reading and studies were correct, such things
+had happened in other families not very different from ours; not in our own
+town maybe, but in such near-by places as Kandahar and Serendib--places
+which in my warm regard were but as suburbs to our street, to be gained if
+you persevered for a hundred lamp-posts. Or could the leg belong to Annie
+the cook? Her nimbleness with griddle-cakes belied the thought: And once,
+when the wind had swished her skirts, manifestly she was whole and sound.
+Then all at once I knew it to be my grandfather's. Grown familiar, I pulled
+it to the window. I tried it on, but made bad work of walking.
+
+To the eye my grandfather had two legs all the way down and, except for
+his crutches and an occasional squeak, you would not have detected his
+infirmity. Evidently the maker did no more than imitate nature, although,
+for myself, I used to wonder at the poverty of his invention. There would
+be distinction in a leg, which in addition to its usual functions, would
+also bend forward at the knee, or had a surprising sidewise joint--and
+there would be profit, too, if one cared to make a show of it. The greatest
+niggard on the street would pay two pins for such a sight.
+
+As my grandfather was the only old gentleman of my acquaintance, a wooden
+leg seemed the natural and suitable accompaniment of old age. Persons, it
+appeared, in their riper years, cast off a leg, as trees dropped their
+leaves. But my grandmother puzzled me. Undeniably she retained both of
+hers, yet her hair was just as white, and she was almost as old. Evidently
+this law of nature worked only with men. Ladies, it seemed, were not
+deciduous. But how the amputation was effected in men--whether by day or
+night--how the choice fell between the right and left--whether the wooden
+leg came down the chimney (a proper entrance)--how soon my father would go
+the way of all masculine flesh and cast his off--these matters I could not
+solve. The Arabian Nights were silent on the subject. Aladdin's uncle,
+apparently, had both his legs. He was too brisk in villainy to admit a
+wooden leg. But then, he was only an uncle. If his history ran out to the
+end, doubtless he would go with a limp in his riper days. The story of the
+Bible--although it trafficked in such veterans as Methuselah--gave not a
+hint. Abraham died full of years. Here would have been a proper test--but
+the book was silent.
+
+My grandfather in those days had much leisure time. He still kept an office
+at the rear of the house, although he had given up the regular practice
+of the law. But a few old clients lingered on, chiefly women who carried
+children in their arms and old men without neckties who came to him for
+free advice. These he guided patiently in their troubles, and he would sit
+an hour to listen to a piteous story. In an extremity he gave them money,
+or took a well-meant but worthless note. Often his callers overran the
+dinner hour and my mother would have to jingle the dinner bell at the door
+to rouse them. Occasionally he would be called on for a public speech, and
+for several days he would be busy at his desk. Frequently he presided at
+dinners and would tell a story and sing a song, for he had a fine bass
+voice and was famous for his singing.
+
+He read much in those last years in science. When he was not reading
+Trowbridge to his grandchildren, it was Huxley to himself. But when his
+eyes grew tired, he would on an occasion--if there was canning in the
+house--go into the kitchen where my mother and grandmother worked, and help
+pare the fruit. Seriously, as though he were engaged upon a game, he would
+cut the skin into thinnest strips, unbroken to the end, and would hold up
+the coil for us to see. Or if he broke it in the cutting it was a point
+against him in the contest.
+
+His diversion rather than his profit was the care and rental of about
+twenty small houses, some of which he built to fit his pensioners. My
+brother and myself often made the rounds with him in the phaeton. At most
+of the houses he was affectionately greeted as "Jedge" and was held in long
+conversations across the fence. And to see an Irishman was to see a friend.
+They all knew him and said, "Good mornin'," as we passed. He and they were
+good Democrats together.
+
+I can see in memory a certain old Irishman in a red flannel shirt, with his
+foot upon the hub, bending across the wheel and gesticulating in an endless
+discussion of politics or crops, while my brother and I were impatient to
+be off. Dolly was of course patient, for she had long since passed her
+fretful youth. If by any biological chance it had happened that she had
+been an old lady instead of a horse, she would have been the kind that
+spent her day in a rocker with her knitting. Any one who gave Dolly an
+excuse for standing was her friend. There she stood as though she wished
+the colloquy to last forever.
+
+It was seldom that Dolly lost her restraint. She would, indeed, when she
+came near the stable, somewhat hasten her stride; and when we came on our
+drives to the turning point and at last headed about for home, Dolly would
+know it and show her knowledge by a quickening of the ears and the quiver
+of a faint excitement. Yet Dolly lost her patience when there were flies.
+Then she threw off all repression and so waved her tail that she regularly
+got it across the reins. This stirred my grandfather to something not
+far short of anger. How vigorously would he try to dislodge the reins
+by pulling and jerking! Dolly only clamped down her tail the harder.
+Experience showed that the only way was to go slowly and craftily and
+without heat or temper--a slackening of the reins--a distraction of Dolly's
+attention--a leaning across the dashboard--a firm grasping of the tail out
+near the end--a sudden raising thereof. Ah! It was done. We all settled
+back against the cushions. Or perhaps a friendly fly would come to our
+assistance and Dolly would have to use her tail in another direction.
+
+The whip was seldom used. Generally it stood in its socket. It was
+ornamental like a flagstaff. It forgot its sterner functions. But Dolly
+must have known the whip in some former life, for even a gesture toward the
+socket roused her. If it was rattled she mended her pace for a block. But
+if on a rare occasion my grandfather took it in his hand, Dolly lay one ear
+back in our direction, for she knew then he meant business. And what an
+excitement would arise in the phaeton! We held on tight for fear that she
+might take it into her mild old head to run away.
+
+But Dolly had her moments. One sunny summer afternoon while she grazed
+peacefully in the orchard, with her reins wound around the whip handle--the
+appropriate place on these occasions--she was evidently stung by a bee. My
+brother was at the time regaling himself in a near-by blackberry thicket.
+He looked up at an unusual sound. Without warning, Dolly had leaped to
+action and was tearing around the orchard dragging the phaeton behind
+her. She wrecked the top on a low hanging branch, then hit another tree,
+severing thereby all connection between herself and the phaeton, and at
+last galloped down the lane to the farm house, with the broken shafts and
+harness dangling behind her. Kipling's dun "with the mouth of a bell and
+the heart of Hell and the head of the gallows-tree," could hardly have
+shown more spirit. It was as though one brief minute of a glorious youth
+had come back to her. It was a last spurting of an old flame before it sunk
+to ash.
+
+My grandfather gave his leisure to his grandchildren. He carved for us with
+his knife, with an especial knack for willow whistles. He showed us the
+colors that lay upon the world when we looked at it through one of the
+glass pendants of the parlor chandelier. He sat by us when we played
+duck-on-the-rock. He helped us with our kites and gave a superintendence to
+our toys. It is true that he was superficial with tin-tags and did not know
+the difference in value between a Steam Engine tag--the rarest of them
+all--and a common Climax, but we forgave him as one forgives a friend who
+is ignorant of Persian pottery. He employed us as gardeners and put a
+bounty on weeds. We watered the lawn together, turn by turn. When I was
+no more than four years old, he taught us to play casino with him--and
+afterwards bezique. How he cried out if he got a royal sequence! With what
+excitement he announced a double bezique! Or if one of us seemed about to
+score and lacked but a single card, how intently he contended for the last
+few tricks to thwart our declaration! And if we got it despite his lead
+of aces, how gravely he squinted on the cards against deception, with his
+glasses forward on his nose!
+
+When he took his afternoon nap and lay upon his back on the sofa in the
+sitting-room, we made paper pin-wheels to see whether his breath would
+stir them. This trick having come to his notice by a sudden awakening, he
+sometimes thereafter played to be asleep and snored in such a mighty gust
+that the wheels spun. He was like a Dutch tempest against a windmill.
+
+If a Dime Museum came to town we made an afternoon of it. He took us to all
+the circuses and gave us our choice of side-shows. We walked up and
+down before the stretches of painted canvas, balancing in our desire a
+sword-swallower against an Indian Princess. Most of the fat women and all
+the dwarfs that I have known came to my acquaintance when in company with
+my grandfather. As a young man, it was said, he once ran away from home to
+join a circus as an acrobat, having acquired the trick of leaping upon a
+running horse. I fancy that his knack of throwing us to his shoulder by a
+double somersault was a recollection of his early days. You may imagine
+with what awe we looked on him even though he now went on crutches. He was
+the epitome of adventure, the very salt of excitement. It was better having
+him than a pirate in the house. When the circus had gone and life was drab,
+he was our tutor in the art of turning cart-wheels and making hand-stands
+against the door.
+
+And once, when we were away from him, he walked all morning about the
+garden and in his loneliness he gathered into piles the pebbles that we had
+dropped.
+
+I was too young to know my grandfather in his active days when he was
+prominent in public matters. His broader abilities are known to others. But
+though more than twenty years have passed since his death, I remember his
+tone of voice, his walk, his way of handling a crutch, all his tricks of
+speech and conduct as though he had just left the room. And I can think of
+nothing more beautiful than that a useful man who has faced the world for
+seventy years and has done his part, should come back in his old age to the
+nursery and be the playfellow of his grandchildren.
+
+But the best holiday was a trip to the farm.
+
+This farm--to which in our slow trot we have been so long a time in
+coming--lay for a mile on the upper land, and its grain fields and pastures
+looked down into the valley. The buildings, however, were set close to the
+road and fixed their interest on such occasional wagons as creaked by. A
+Switzer occupied the farm, who owned, in addition to the more immediate
+members of his family, a cuckoo clock whose weights hung on long cords
+which by Saturday night reached almost to the floor. When I have sat at his
+table, I have neglected cheese and the lesser foods, when the hour came
+near, in order not to miss the cuckoo's popping out. And in the duller
+spaces, when the door was shut, I have fancied it sitting in the dark and
+counting the minutes to itself.
+
+The Switzer's specialty was the making of a kind of rubber cheese which one
+could learn to like in time. Of the processes of its composition, I can
+remember nothing except that when it was in the great press the whey ran
+from its sides, but this may be common to all cheeses. I was once given a
+cup of this whey to drink and I brightened, for until it was in my mouth,
+I thought it was buttermilk. Beyond was the spring-house with cans of milk
+set in the cool water and with a trickling sound beneath the boards. From
+the spring-house there started those mysterious cow-paths that led down
+into the great gorge that cut the farm. Here were places so deep that only
+a bit of the sky showed and here the stones were damp. It was a place that
+seemed to lie nearer to the confusion when the world was made, and rocks
+lay piled as though a first purpose had been broken off. And to follow a
+cow-path, regardless of where it led, was, in those days, the essence of
+hazard; though all the while from the pastures up above there came the flat
+safe tinkling of the bells.
+
+The apple orchard--where Dolly was stung by the bee--was set on a fine
+breezy place at the brow of the hill with the valley in full sight. The
+trees themselves were old and decayed, but they were gnarled and crotched
+for easy climbing. And the apples--in particular a russet--mounted to a
+delicacy. On the other side of the valley, a half mile off as a bird would
+fly, were the buildings of a convent, and if you waited you might hear
+the twilight bell. To this day all distant bells come to my ears with a
+pleasing softness, as though they had been cast in a quieter world. Stone
+arrow-heads were found in a near-by field as often as the farmer turned up
+the soil in plowing. And because of this, a long finger of land that put
+off to the valley, was called Indian Point. Here, with an arm for pillow,
+one might lie for a long hour on a sunny morning and watch the shadows of
+clouds move across the lowland. A rooster crows somewhere far off--surely
+of all sounds the drowsiest. A horse in a field below lifts up its head and
+neighs. The leaves practice a sleepy tune. If one has the fortune to keep
+awake, here he may lie and think the thoughts that are born of sun and
+wind.
+
+And now, although it is not yet noon, hunger rages in us. The pancakes, the
+syrup, the toast and the other incidents of breakfast have disappeared
+the way the rabbit vanishes when the magician waves his hand. The horrid
+Polyphemus did not so crave his food. And as yet there is no comforting
+sniff from the kitchen. Scrubbing and other secular matters engage the
+farmer's wife. There is as yet not a faintest gurgle in the kettle.
+
+To divert ourselves, we climb three trees and fall out of one. Is twelve
+o'clock never to come? Have Time and the Hour grown stagnant? We eat apples
+and throw the cores at the pig to hear him grunt. Is the great round sun
+stuck? Have the days of Joshua come again? We walk a rail fence. Is it not
+yet noon? Shrewsbury clock itself--reputed by scholars the slowest of all
+possible clocks--could not so hold off. I snag myself--but it is nothing
+that shows when I sit.
+
+Ah! At last! My grandfather is calling from the house. We run back and
+find that the lunch is ready and is laid upon a table with a red oil-cloth
+cover. We apply ourselves. Silence....
+
+The journey home started about five o'clock. There was one game we always
+played. Each of us, having wisely squinted at the sky, made a reckoning and
+guessed where we would be when the sun set. My grandfather might say the
+high bridge. I named the Sherman House. But my brother, being precise,
+judged it to a fraction of a telegraph pole. Beyond a certain turn--did we
+remember?--well, it would be exactly sixteen telegraph poles further on.
+What an excitement there was when the sun's lower rim was already below the
+horizon! We stood on our knees and looked through the little window at
+the back of the phaeton. With what suspicion we regarded my grandfather's
+driving! Or if Dolly lagged, did it not raise a thought that she, too, was
+in the plot against us? The sun sets. We cry out the victor.
+
+The sky flames with color. Then deadens in the east. The dusk is falling.
+The roads grow dark. Where run the roads of night? While there is light,
+you can see the course they keep across the country--the dust of horses'
+feet--a bridge--a vagrant winding on a hill beyond. All day long they are
+busy with the feet of men and women and children shouting. Then twilight
+comes, and the roads lead home to supper and the curling smoke above the
+roof. But at night where run the roads? It's dark beyond the candle's
+flare--where run the roads of night.
+
+My brother and I have become sleepy. We lop over against my grandfather--
+
+We awake with a start. There is a gayly lighted horse-car jingling beside
+us. The street lights show us into harbor. We are home at last.
+
+
+
+
+The Man Of Grub Street Comes From His Garret
+
+
+I have come to live this winter in New York City and by good fortune I
+have found rooms on a pleasant park. This park, which is but one block in
+extent, is so set off from the thoroughfares that it bears chiefly the
+traffic that is proper to the place itself. Grocery carts jog around and
+throw out their wares. Laundry wagons are astir. A little fat tailor on an
+occasion carries in an armful of newly pressed clothing with suspenders
+hanging. Dogs are taken out to walk but are held in leash, lest a taste of
+liberty spoil them for an indoor life. The center of the park is laid out
+with grass and trees and pebbled paths, and about it is a high iron fence.
+Each house has a key to the enclosure. Such social infection, therefore, as
+gets inside the gates is of our own breeding. In the sunny hours nurses and
+children air themselves in this grass plot. Here a gayly painted wooden
+velocipede is in fashion. At this minute there are several pairs of fat
+legs a-straddle this contrivance. It is a velocipede as it was first made,
+without pedals. Beau Brummel--for the velocipede dates back to him--may
+have walked forth to take the waters at Tunbridge Wells on a vehicle not
+far different, but built to his greater stature. There is also a trickle
+of drays and wagons across the park--a mere leakage from the streets, as
+though the near-by traffic in the pressure had burst its pipes. But only at
+morning and night when the city collects or discharges its people, are the
+sidewalks filled. Then for a half hour the nozzle of the city plays a full
+stream on us.
+
+The park seems to be freer and more natural than the streets outside. A man
+goes by gesticulating as though he practiced for a speech. A woman adjusts
+her stocking on the coping below the fence with the freedom of a country
+road. A street sweeper, patched to his office, tunes his slow work to fit
+the quiet surroundings. Boys skate by or cut swirls upon the pavement in
+the privilege of a playground.
+
+My work--if anything so pleasant and unforced can carry the name--is
+done at a window that overlooks this park. Were it not for several high
+buildings in my sight I might fancy that I lived in one of the older
+squares of London. There is a look of Thackeray about the place as though
+the Osbornes might be my neighbors. A fat man who waddles off his steps
+opposite, if he would submit to a change of coat, might be Jos Sedley
+starting for his club to eat his chutney. If only there were a crest above
+my bell-pull I might even expect Becky Sharp in for tea. Or occasionally I
+divert myself with the fancy that I am of a still older day and that I have
+walked in from Lichfield--I choose the name at hazard--with a tragedy in my
+pocket, to try my fortune. Were it not for the fashion of dress in the park
+below and some remnant of reason in myself, I could, in a winking moment,
+persuade myself that my room is a garret and my pen a quill. On such
+delusion, before I issued on the street to seek my coffee-house, I would
+adjust my wig and dust myself of snuff.
+
+But for my exercise and recreation--which for a man of Grub Street is
+necessary in the early hours of afternoon when the morning fires have
+fallen--I go outside the park. I have a wide choice for my wanderings. I
+may go into the district to the east and watch the children play against
+the curb. If they pitch pennies on the walk I am careful to go about, for
+fear that I distract the throw. Or if the stones are marked for hop-scotch,
+I squeeze along the wall. It is my intention--from which as yet my
+diffidence withholds me--to present to the winner of one of these contests
+a red apple which I shall select at a corner stand. Or an ice wagon pauses
+in its round, and while the man is gone there is a pleasant thieving of
+bits of ice. Each dirty cheek is stuffed as though a plague of mumps had
+fallen on the street. Or there may be a game of baseball--a scampering
+on the bases, a home-run down the gutter--to engage me for an inning.
+Or shinny grips the street. But if a street organ comes--not a mournful
+one-legged box eked out with a monkey, but a big machine with an extra man
+to pull--the children leave their games. It was but the other day that I
+saw six of them together dancing on the pavement to the music, with skirts
+and pigtails flying. There was such gladness in their faces that the
+musician, although he already had his nickel, gave them an extra tune. It
+was of such persuasive gayety that the number of dancers at once went up to
+ten and others wiggled to the rhythm. And for myself, although I am past my
+sportive days, the sound of a street organ, if any, would inflame me to a
+fox-trot. Even a surly tune--if the handle be quickened--comes from the box
+with a brisk seduction. If a dirge once got inside, it would fret until it
+came out a dancing measure.
+
+In this part of town, on the better streets, I sometimes study the fashions
+as I see them in the shops and I compare them with those of uptown stores.
+Nor is there the difference one might suppose. The small round muff that
+sprang up this winter in the smarter shops won by only a week over the
+cheaper stores. Tan gaiters ran a pretty race. And I am now witness to
+a dead heat in a certain kind of fluffy rosebud dress. The fabrics are
+probably different, but no matter how you deny it, they are cut to a common
+pattern.
+
+In a poorer part of the city still nearer to the East River, where
+smells of garlic and worse issue from cellarways, I came recently on
+a considerable park. It was supplied with swings and teeters and drew
+children on its four fronts. Of a consequence the children of many races
+played together. I caught a Yiddish answer to an Italian question. I fancy
+that a child here could go forth at breakfast wholly a Hungarian and come
+home with a smack of Russian or Armenian added. The general games that
+merged the smaller groups, aided in the fusion. If this park is not already
+named--a small chance, for it shows the marks of age--it might properly be
+called _The Park of the Thirty Nations_.
+
+Or my inclination may take me to the lower city. Like a poor starveling
+I wander in the haunts of wealth where the buildings are piled to forty
+stories, and I spin out the ciphers in my brain in an endeavor to compute
+the amount that is laid up inside. Also, lest I become discontented with my
+poverty, I note the strain and worry of the faces that I meet. There is a
+story of Tolstoi in which a man is whispered by his god that he may possess
+such land as he can circle in a day. Until that time he had been living on
+a fertile slope of sun and shadow, with fields ample for his needs. But
+when the whisper came, at a flash, he pelted off across the hills. He ran
+all morning, but as the day advanced his sordid ambition broadened and he
+turned his course into a wider and still wider circle. Here a pleasant
+valley tempted him and he bent his path to bring it inside his mark. Here
+a fruitful upland led him off. As the day wore on he ran with a greater
+fierceness, because he knew he would lose everything if he did not reach
+his starting place before the sun went down. The sun was coming near the
+rim of earth when he toiled up the last hill. His feet were cut by stones,
+his face pinched with agony. He staggered toward the goal and fell across
+it while as yet there was a glint of light. But his effort burst his heart.
+Does the analogy hold on these narrow streets? To a few who sit in an inner
+office, Mammon has made a promise of wealth and domination. These few run
+breathless to gain a mountain. But what have the gods whispered to the ten
+thousand who sit in the outer office, that they bend and blink upon their
+ledgers? Have the gods whispered to them the promise of great wealth? Alas,
+before them there lies only the dust and heat of a level road, yet they too
+are broken at the sunset.
+
+Less oppressive are the streets where commerce is more apparent. Here,
+unless you would be smirched, it is necessary to walk fast and hold your
+coat-tails in. Packing cases are going down slides. Bales are coming up in
+hoists. Barrels are rolling out of wagons. Crates are being lifted in. Is
+the exchange never to stop? Is no warehouse satisfied with what it has?
+English, which until now you judged a soft concordant language, shows here
+its range and mastery of epithet. And all about, moving and jostling the
+boxes, are men with hooks. One might think that in a former day Captain
+Cuttle had settled here to live and that his numerous progeny had kept the
+place.
+
+Often I ride on a bus top like a maharajah on an elephant, up near the
+tusks, as it were, where the view is unbroken. I plan this trip so that I
+move counter to the procession that goes uptown in the late afternoon. Is
+there a scene like it in the world? The boulevards of Paris in times of
+peace are hardly so gay. Fifth Avenue is blocked with motor cars. Fashion
+has gone forth to select a feather. A ringlet has gone awry and must be
+mended. The Pomeranian's health is served by sunlight. The Spitz must have
+an airing. Fashion has wagged its head upon a Chinese vase--has indeed
+squinted at it through a lorgnette against a fleck--and now lolls home to
+dinner. Or style has veered an inch, and it has been a day of fitting. At
+restaurant windows one may see the feeding of the over-fed. Men sit in club
+windows and still wear their silk hats as though there was no glass between
+them and the windy world. Footmen in boots and breeches sit as stiffly as
+though they were toys grown large and had metal spikes below to hold them
+to their boxes. They look like the iron firemen that ride on nursery
+fire-engines. For all these sights the bus top is the best place.
+
+And although we sit on a modest roof, the shopkeepers cater to us. For in
+many of the stores, is there not an upper tier of windows for our use? The
+commodities of this second story are quite as fine as those below. And the
+waxen beauties who display the frocks greet us in true democracy with as
+sweet a simper.
+
+My friend G---- while riding recently on a bus top met with an experience
+for which he still blushes.
+
+There was a young woman sitting directly in front of him, and when he came
+to leave, a sudden lurch threw him against her. When he recovered his
+footing, which was a business of some difficulty, for the bus pitched upon
+a broken pavement, what was his chagrin to find that a front button of
+his coat had hooked in her back hair! Luckily G---- was not seized with a
+panic. Rather, he labored cautiously--but without result. Nor could
+she help in the disentanglement. Their embarrassment might have been
+indefinitely prolonged--indeed, G---- was several blocks already down the
+street--when he bethought him of his knife and so cut off the button. As he
+pleasantly expressed it to the young woman, he would give her the choice of
+the button or the coat entire.
+
+Reader, are you inclined toward ferry boats? I cannot include those persons
+who journey on them night and morning perfunctorily. These persons keep
+their noses in their papers or sit snugly in the cabin. If the market is
+up, they can hardly be conscious even that they are crossing a river.
+Nor do I entirely blame them. If one kept shop on a breezy tip of the
+Delectable Mountains with all the regions of the world laid out below,
+he could not be expected to climb up for the hundredth time with a first
+exhilaration, or to swing his alpenstock as though he were on a rare
+holiday. If one had business across the Styx too often--although the
+scenery on its banks is reputed to be unusual--he might in time sit below
+and take to yawning. Father Charon might have to jog his shoulder to rouse
+him when the boat came between the further piers.
+
+But are you one of those persons who, not being under a daily compulsion,
+rides upon a ferry boat for the love of the trip? Being in this class
+myself, I laid my case the other night before the gateman, and asked
+his advice regarding routes. He at once entered sympathetically into my
+distemper and gave me a plan whereby with but a single change of piers
+I might at an expense of fourteen cents cross the river four times at
+different angles.
+
+It was at the end of day and a light fog rested on the water. Nothing was
+entirely lost, yet a gray mystery wrapped the ships and buildings. If New
+Jersey still existed it was dim and shadowy as though its real life had
+gone and but a ghost remained. Ferry boats were lighted in defiance of the
+murk, and darted here and there at reckless angles. An ocean liner was
+putting out, and several tugs had rammed their noses against her sides.
+There is something engaging about a tug. It snorts with eagerness. It kicks
+and splashes. It bursts itself to lend a hand. And how it butts with its
+nose! Surely its forward cartilages are of triple strength, else in its
+zest it would jam its nasal passages.
+
+Presently we came opposite lower New York. Although the fog concealed the
+outlines of the buildings, their lights showed through. This first hour of
+dark is best, before the day's work is done and while as yet all of the
+windows are lighted. The Woolworth Tower was suffused in a soft and shadowy
+light. The other buildings showed like mountains of magic pin-pricks. It
+was as though all the constellations of heaven on a general bidding had met
+for conference.
+
+The man of Grub Street, having by this time somewhat dispelled the fumes of
+dullness from his head, descends from his ferry boat and walks to his quiet
+park. There is a dull roar from the elevated railway on Third Avenue where
+the last of the day's crowd goes home. The sidewalks are becoming empty.
+There is a sheen of water on the pavement. In the winter murk there is a
+look of Thackeray about the place as though the Sedleys or the Osbornes
+might be his neighbors. If there were a crest above his bell-pull he might
+even expect Becky Sharp in for tea.
+
+
+
+
+Now that Spring is here
+
+
+When the sun set last night it was still winter. The persons who passed
+northward in the dusk from the city's tumult thrust their hands deep into
+their pockets and walked to a sharp measure. But a change came in the
+night. The north wind fell off and a breeze blew up from the south. Such
+stars as were abroad at dawn left off their shrill winter piping--if it be
+true that stars really sing in their courses--and pitched their voices to
+April tunes. One star in particular that hung low in the west until the day
+was up, knew surely that the Spring had come and sang in concert with the
+earliest birds. There is a dull belief that these early birds shake off
+their sleep to get the worm. Rather, they come forth at this hour to cock
+their ears upon the general heavens for such new tunes as the unfaded
+stars still sing. If an ear is turned down to the rummage of worms in the
+earth--for to the superficial, so does the attitude attest--it is only that
+the other ear may be turned upward to catch the celestial harmonies; for
+birds know that if there is an untried melody in heaven it will sound first
+across the clear pastures of the dawn. All the chirping and whistling
+from the fields and trees are then but the practice of the hour. When the
+meadowlark sings on a fence-rail she but cons her lesson from the stars.
+
+It is on such a bright Spring morning that the housewife, duster in hand,
+throws open her parlor window and looks upon the street. A pleasant park is
+below, of the size of a city square, and already it stirs with the day's
+activity. The housewife beats her cloth upon the sill and as the dust flies
+off, she hears the cries and noises of the place. In a clear tenor she
+is admonished that there is an expert hereabouts to grind her knives. A
+swarthy baritone on a wagon lifts up his voice in praise of radishes and
+carrots. His eye roves along the windows. The crook of a hungry finger will
+bring him to a stand. Or a junkman is below upon his business. Yesterday
+the bells upon his cart would have sounded sour, but this morning they
+rattle agreeably, as though a brisker cow than common, springtime in her
+hoofs, were jangling to her pasture. At the sound--if you are of country
+training--you see yourself, somewhat misty through the years, barefoot in a
+grassy lane, with stick in hand, urging the gentle beast. There is a subtle
+persuasion in the junkman's call. In these tones did the magician, bawling
+for old lamps, beguile Aladdin. If there were this morning in my lodging an
+unrubbed lamp, I would toss it from the window for such magic as he might
+extract from it. And if a fair Princess should be missing at the noon and
+her palace be skipped from sight, it will follow on the rubbing of it.
+
+The call of red cherries in the park--as you might guess from its Italian
+source--is set to an amorous tune. What lady, smocked in morning cambric,
+would not be wooed by such a voice? The gay fellow tempts her to a
+purchase. It is but a decent caution--now that Spring is here--that the
+rascal does not call his wares by moonlight. As for early peas this
+morning, it is Pan himself who peddles them--disguised and smirched lest
+he be caught in the deception--Pan who stamps his foot and shakes the
+thicket--whose habit is to sing with reedy voice of the green willows that
+dip in sunny waters. Although he now clatters his tins and baskets and
+cries out like a merchant, his thoughts run to the black earth and the
+shady hollows and the sound of little streams.
+
+I have wondered as I have observed the housewives lingering at their
+windows--for my window also looks upon the park--I have wondered that these
+melodious street cries are not used generally for calling the wares of
+wider sale. If a radish can be so proclaimed, there might be a lilt devised
+in praise of other pleasing merceries--a tripping pizzicato for laces and
+frippery--a brave trumpeting for some newest cereal. And should not the
+latest book--if it be a tale of love, for these I am told are best offered
+to the public in the Spring (sad tales are best for winter)--should not a
+tale of love be heralded through the city by the singing of a ballad, with
+a melting tenor in the part? In old days a gaudy rogue cried out upon the
+broader streets that jugglers had stretched their rope in the market-place,
+but when the bears came to town, the news was piped even to the narrowest
+lanes that house-folk might bring their pennies.
+
+With my thoughts set on the Spring I chanced to walk recently where the
+theatres are thickest. It was on a Saturday afternoon and the walk was
+crowded with amusement seekers. Presently in the press I observed a queer
+old fellow carrying on his back a monstrous pack of umbrellas. He rang
+a bell monotonously and professed himself a mender of umbrellas. He can
+hardly have expected to find a customer in the crowd. Even a blinking
+eye--and these street merchants are shrewd in these matters--must have told
+him that in all this hurrying mass of people, the thoughts of no one ran
+toward umbrellas. Rather, I think that he was taking an hour from the
+routine of the day. He had trod the profitable side streets until truantry
+had taken him. But he still made a pretext of working at his job and called
+his wares to ease his conscience from idleness. Once when an unusually
+bright beam of sunlight fell from between the clouds, he tilted up his hat
+to get the warmth and I thought him guilty of a skip and syncopation in the
+ringing of his bell, as if he too twitched pleasantly with the Spring and
+his old sap was stirred.
+
+I like these persons who ply their trades upon the sidewalk. My hatter--the
+fellow who cleans my straw hat each Spring--is a partner of a bootblack.
+Over his head as he putters with his soap and brushes, there hangs a rusty
+sign proclaiming that he is famous for his cleaning all round the world. He
+is so modest in his looks that I have wondered whether he really can read
+the sign. Or perhaps like a true merchant, he is not squeamish at the
+praise. As I have not previously been aware that any of his profession ever
+came to general fame except the Mad Hatter of Wonderland, I have squinted
+sharply at him to see if by chance it might be he, but there are no marks
+even of a distant kinship. He does, however, bring my hat to a marvellous
+whiteness and it may be true that he has really tended heads that are now
+gone beyond Constantinople.
+
+Bootblacks have a sense of rhythm unparalleled. Of this the long rag is
+their instrument. They draw it once or twice across the shoe to set the key
+and then they go into a swift and pattering melody. If there is an unusual
+genius in the bootblack--some remnant of ancient Greece--he plays such a
+lively tune that one's shoulders jig to it. If there were a dryad or other
+such nimble creature on the street, she would come leaping as though
+Orpheus strummed a tune, but the dance is too fast for our languid northern
+feet.
+
+Nowhere are apples redder than on a cart. Our hearts go out to Adam in the
+hour of his temptation. I know one lady of otherwise careful appetite who
+even leans toward dates if she may buy them from a cart. "Those dear dirty
+dates," she calls them, but I cannot share her liking for them. Although
+the cart is a beguiling market, dates so bought are too dusty to be eaten.
+They rank with the apple-john. The apple-john is that mysterious leathery
+fruit, sold more often from a stand than from a cart, which leans at the
+rear of the shelf against the peppermint jars. For myself, although I do
+not eat apple-johns, I like to look at them. They are so shrivelled and so
+flat, as though a banana had caught a consumption. Or rather, in the older
+world was there not a custom at a death of sending fruits to support the
+lonesome journey? If so, the apple-john came untasted to the end. Indeed,
+there is a look of old Egypt about the fruit. Whether my fondness for
+gazing at apple-johns springs from a distant occasion when as a child I
+once bought and ate one, or whether it arises from the fact that Falstaff
+called Prince Hal a dried apple-john, is an unsolved question, but I like
+to linger before a particularly shrivelled one and wonder what its youth
+was like. Perhaps like many of its betters, it remained unheralded and
+unknown all through its fresher years and not until the coming of its
+wrinkled age was it at last put up to the common view. The apple-john sets
+up kinship with an author.
+
+The day of all fools is wisely put in April. The jest of the day resides in
+the success with which credulity is imposed upon, and April is the month of
+easiest credulity. Let bragging travellers come in April and hold us with
+tales of the Anthropopagi! If their heads are said to grow beneath their
+shoulders, still we will turn a credent ear. Indeed, it is all but sure
+that Baron Munchausen came back from his travels in the Spring. When
+else could he have got an ear? What man can look upon the wonders of the
+returning year--the first blue skies, the soft rains, the tender sproutings
+of green stalks without feeling that there is nothing beyond belief? If
+such miracles can happen before his eyes, shall not the extreme range even
+of travel or metaphysics be allowed? What man who has smelled the first
+fragrance of the earth, has heard the birds on their northern flight and
+has seen an April brook upon its course, will withhold his credence even
+though the jest be plain?
+
+I beg, therefore, that when you walk upon the street on the next day of
+April fool, that you yield to the occasion. If an urchin points his finger
+at your hat, humor him by removing it! Look sharply at it for a supposed
+defect! His glad shout will be your reward. Or if you are begged piteously
+to lift a stand-pipe wrapped to the likeness of a bundle, even though you
+sniff the imposture, seize upon it with a will! It is thus, beneath these
+April skies, that you play your part in the pageantry that marks the day.
+
+
+
+
+The Friendly Genii
+
+
+Do you not confess yourself to be several years past that time of greenest
+youth when burnt cork holds its greatest charm? Although not fallen to a
+crippled state, are you not now too advanced to smudge your upper lip and
+stalk agreeably as a villain? Surely you can no longer frisk lightly in
+a comedy. If you should wheeze and limp in an old man's part, with back
+humped in mimicry, would you not fear that it bordered on the truth? But
+doubtless there was a time when you ranged upon these heights--when Kazrac
+the magician was not too heavy for your art. In those soaring days, let us
+hope that you played the villain with a swagger, or being cast in a softer
+role, that you won a pink and fluffy princess before the play was done.
+Your earliest practice, it may be, was in rigging the parlor hangings as a
+curtain with brown string from the pantry and safety pins. Although you had
+no show to offer, you said "ding" three times--as is the ancient custom of
+the stage when the actors are ready--and drew them wide apart. The cat
+was the audience, who dozed with an ear twitching toward your activity. A
+complaint that springs up in youth and is known as "snuffles" had kept you
+out of school. It had gripped you hard at breakfast, when you were sunk in
+fear of your lessons, but had abated at nine o'clock. Whether the cure came
+with a proper healing of the nasal glands or followed merely on the ringing
+of the school bell, must be left to a cool judgment.
+
+Your theatre filled the morning. When Annie came on her quest for dust, you
+tooted once upon your nose, just to show that a remnant of your infirmity
+persisted, then put your golden convalescence on the making of your
+curtain.
+
+But in the early hours of afternoon when the children are once more upon
+the street, you regret your illness. Here they come trooping by threes and
+fours, carrying their books tied up in straps. One would think that they
+were in fear lest some impish fact might get outside the covers to spoil
+the afternoon. Until the morrow let two and two think themselves five at
+least! And let Ohio be bounded as it will! Some few children skip ropes, or
+step carefully across the cracks of the sidewalk for fear they spoil their
+suppers. Ah!--a bat goes by--a glove--a ball! And now from a vacant lot
+there comes the clamor of choosing sides. Is no mention to be made of
+you--you, "molasses fingers"--the star left fielder--the timely batter?
+What would you not give now for a clean bill of health? You rub your
+offending nose upon the glass. What matters it with what deep rascality in
+black mustachios you once strutted upon your boards? What is Hecuba to you?
+
+My own first theatre was in the attic, a place of squeaks and shadows
+to all except the valiant. In it were low, dark corners where the night
+crawled in and slept. But in the open part where the roof was highest,
+there was the theatre. Its walls were made of a red cambric of a flowered
+pattern that still lingers with me, and was bought with a clatter of
+pennies on the counter, together with nickels that had escaped my
+extravagance at the soda fountain.
+
+A cousin and I were joint proprietors. In the making of it, the hammer and
+nails were mine by right of sex, while she stitched in womanish fashion on
+the fabrics. She was leading woman and I was either the hero or the villain
+as fitted to my mood. My younger cousin--although we scorned her for her
+youth--was admitted to the slighter parts. She might daub herself with
+cork, but it must be only when we were done. Nor did we allow her to carry
+the paper knife--shaped like a dagger--which figured hugely in our plots.
+If we gave her any word to speak, it was as taffy to keep her silent about
+some iniquity that we had worked against her. In general, we judged her to
+be too green and giddy for the heavy parts. At the most, she might take
+pins at the door--for at such a trifle we displayed our talents--or play
+upon the comb as orchestra before the rising of the curtain.
+
+The usual approach to this theatre was the kitchen door, and those who came
+to enjoy the drama sniffed at their very entrance the new-baked bread. A
+pan of cookies was set upon a shelf and a row of apples was ranged along
+the window sill. Of the ice-box around the corner, not a word, lest hunger
+lead you off! As for the cook, although her tongue was tart upon a just
+occasion and although she shooed the children with her apron, secretly she
+liked to have them crowding through her kitchen.
+
+Now if you, reader--for I assume you to be one of the gathering
+audience--were of the kind careful on scrubbing days to scrape your feet
+upon the iron outside and to cross the kitchen on the unwashed parts, then
+it is likely that you stood in the good graces of the cook. Mark your
+reward! As you journeyed upward, you munched upon a cookie and bit scallops
+in its edge. Or if a ravenous haste was in you--as commonly comes up in the
+middle afternoon--you waived this slower method and crammed yourself with
+a recklessness that bestrewed the purlieus of your mouth. If your ears lay
+beyond the muss, the stowage was deemed decent and in order.
+
+Is there not a story in which children are tracked by an ogre through the
+perilous wood by the crumbs they dropped? Then let us hope there is no ogre
+lurking on these back stairs, for the trail is plain. It would be near the
+top, farthest from the friendly kitchen, that the attack might come, for
+there the stairs yielded to the darkness of the attic. There it was best
+to look sharp and to turn the corners wide. A brave whistling kept out the
+other noises.
+
+It was after Aladdin had been in town that the fires burned hottest in us.
+My grandfather and I went together to the matinee, his great thumb within
+my fist. We were frequent companions. Together we had sat on benches in the
+park and poked the gravel into patterns. We went to Dime Museums. Although
+his eyes had looked longer on the world than mine, we seemed of an equal
+age.
+
+The theatre was empty as we entered. We carried a bag of candy against a
+sudden appetite--colt's foot, a penny to the stick. Here and there ushers
+were clapping down the seats, sounds to my fancy not unlike the first corn
+within a popper. Somewhere aloft there must have been a roof, else the day
+would have spied in on us, yet it was lost in the gloom. It was as though
+a thrifty owner had borrowed the dusky fabrics of the night to make his
+cover. The curtain was indistinct, but we knew it to be the Stratford
+Church and we dimly saw its spire.
+
+Now, on the opening of a door to the upper gallery, there was a scampering
+to get seats in front, speed being whetted by a long half hour of waiting
+on the stairs. Ghostly, unbodied heads, like the luminous souls of lost
+mountaineers--for this was the kind of fiction, got out of the Public
+Library, that had come last beneath my thumb--ghostly heads looked down
+upon us across the gallery rail.
+
+And now, if you will tip back your head like a paper-hanger--whose Adam's
+apple would seem to attest a life of sidereal contemplation--you will see
+in the center of the murk above you a single point of light. It is the
+spark that will ignite the great gas chandelier. I strain my neck to the
+point of breaking. My grandfather strains his too, for it is a game between
+us which shall announce the first spurting of the light. At last! We cry
+out together. The spark catches the vent next to it. It runs around the
+circle of glass pendants. The whole blazes up. The mountaineers come to
+life. They lean forward on their elbows.
+
+From the wings comes the tuning of the violins. A flute ripples up and down
+in a care-free manner as though the villain Kazrac were already dead and
+virtue had come into its own. The orchestra emerges from below. Their
+calmness is but a pretense. Having looked on such sights as lie behind the
+curtain, having trod such ways, they should be bubbling with excitement.
+Yet observe the bass viol! How sodden is his eye! How sunken is his gaze!
+With what dull routine he draws his bow, as though he knew naught but
+sleepy tunes! If there be any genie in the place, as the program says, let
+him first stir this sad fellow from his melancholy!
+
+We consult our programs. The first scene is the magician's cave where he
+plans his evil schemes. The second is the Chinese city where he pretends to
+be Aladdin's uncle. And for myself, did a friendly old gentleman offer me
+lollypops and all-day-suckers--for so did the glittering baubles present
+themselves across the footlights--like Aladdin I, too, would not have
+squinted too closely on his claim. Gladly I would have gone off with him on
+an all-day picnic toward the Chinese mountains.
+
+We see a lonely pass in the hills, the cave of jewels (splendid to the eye
+of childhood) where the slave of the lamp first appears, and finally the
+throne-room with Aladdin seated safely beside his princess.
+
+Who knows how to dip a pen within the twilight? Who shall trace the figures
+of the mist? The play is done. We come out in silence. Our candy is but a
+remnant. Darkness has fallen. The pavements are wet and shining, so that
+the night might see his face, if by chance the old fellow looked our way.
+
+All about there are persons hurrying home with dinner-pails, who, by their
+dull eyes, seem never to have heard what wonders follow on the rubbing of a
+lamp.
+
+But how the fires leaped up--how ambition beat within us--how our attic
+theatre was wrought to perfection--how the play came off and wracked the
+neighborhood of its pins--with what grace I myself acted Aladdin--these
+things must be written by a vain and braggart pen.
+
+
+
+
+Mr. Pepys Sits in the Pit
+
+
+When it happens that a man has risen to be a member of Parliament, the
+Secretary of the British Navy and the President of the Royal Society, when
+he has become the adviser of the King and is moreover the one really bright
+spot in that King's reign, it is amazing that considerably more than one
+hundred years after his death, when the navy that he nurtured dominates the
+seven seas, that he himself on a sudden should be known, not for his larger
+accomplishments, but as a kind of tavern crony and pot-companion. When he
+should be standing with fame secure in a solemn though dusty niche in the
+Temple of Time, it is amazing that he should be remembered chiefly for
+certain quarrels with his wife and as a frequenter of plays and summer
+gardens.
+
+Yet this is the fate of Samuel Pepys. Before the return of the Stuarts he
+held a poor clerkship in the Navy Office and cut his quill obscurely at
+the common desk. At the Restoration, partly by the boost of influence, but
+chiefly by his substantial merit, he mounted to several successively higher
+posts. The Prince of Wales became his friend and patron and when he became
+Lord High Admiral he took Pepys with him in his advancement. Thus in 1684,
+Pepys became Secretary of the Navy. When later the Prince of Wales became
+King James II, Pepys, although his office remained the same, came to quite
+a pinnacle of administrative power. He was shrewd and capable in the
+conduct of his position and brought method to the Navy Office. He was a
+prime factor in the first development of the British Navy. Later victories
+that were to sweep the seas may be traced in part to him. Nelson rides upon
+his shoulders. These achievements should have made his fame secure. But
+on a sudden he gained for posterity a less dignified although a more
+interesting and enduring renown.
+
+In life, Samuel Pepys walked gravely in majestical robe with full-bottomed
+wig and with ceremonial lace flapping at his wrists. Every step, if his
+portrait is to be believed, was a bit of pageantry. Such was his fame, that
+if his sword but clacked a warning on the pavement, it must have brought
+the apprentices to the windows. Tradesmen laid down their wares to get a
+look at him. Fat men puffed and strained to gain the advantage of a sill.
+Fashionable ladies peeped from brocaded curtains and ogled for his regard.
+Or if he went by chair, the carriers held their noses up as though offended
+by the common air. When he spoke before the Commons, the galleries were
+hushed. He gave his days to the signing of stiff parchments--Admiralty
+Orders or what not. He checked the King himself at the council table. In
+short, he was not only a great personage, but also he was quite well aware
+of the fact and held himself accordingly.
+
+But now many years have passed, and Time, that has so long been at bowls
+with reputations, has acquired a moderate skill in knocking them down. Let
+us see how it fares with Pepys! Some men who have been roguish in their
+lives have been remembered by their higher accomplishments. A string
+of sonnets or a novel or two, if it catches the fancy, has wiped out a
+tap-room record. The winning of a battle has obliterated a meanly spent
+youth. It is true that for a while an old housewife who once lived on the
+hero's street will shake a dubious finger on his early pranks. Stolen
+apples or cigarettes behind the barn cram her recollection. But even a
+village reputation fades. In time the sonnets and glorious battle have the
+upper place. But things went the other way with Pepys. Rather, his fate
+is like that of Zeus, who--if legend is to be trusted--was in his life a
+person of some importance whose nod stirred society on Olympus, but who is
+now remembered largely for his flirtations and his braggart conduct. A not
+unlike evil has fallen on the magnificent Mr. Pepys.
+
+This fate came to him because--as the world knows--it happened that for
+a period of ten years in comparative youth, he wrote an interesting and
+honest diary. He began this diary in 1659, while he was still a poor clerk
+living with his wife in a garret, and ended it in 1669, when, although he
+had emerged from obscurity, his greater honors had not yet been set on him.
+All the facts of his life during this period are put down, whether good or
+bad, small or large, generous or mean. He writes of his mornings spent in
+work at his office, of his consultations with higher officials. There
+is much running to and fro of business. The Dutch war bulks to a proper
+length. Parliament sits through a page at a stretch. Pepys goes upon the
+streets in the days of the plague and writes the horror of it--the houses
+marked with red crosses and with prayers scratched beneath--the stench and
+the carrying of dead bodies. He sees the great fire of London from his
+window on the night it starts; afterwards St. Paul's with its roofs fallen.
+He is on the fleet that brings Charles home from his long travels, and
+afterwards when Charles is crowned, he records the processions and the
+crowds. But also Pepys quarrels with his wife and writes it out on paper.
+He debauches a servant and makes a note of it. He describes a supper at an
+ale-house, and how he plays on the flute. He sings "Beauty Retire," a song
+of his own making, and tells how his listeners "cried it up."
+
+In consequence of this, Samuel Pepys is now known chiefly for his
+attentions to the pretty actresses of Drury Lane, for kissing Nell Gwynne
+in her tiring-room, for his suppers with "the jade" Mrs. Knipp, for his
+love of a tune upon the fiddle, for coming home from Vauxhall by wherry
+late at night, "singing merrily" down the river. Or perhaps we recall him
+best for burying his wine and Parmazan cheese in his garden at the time
+of the Fire, or for standing to the measure of Mr. Pin the tailor for a
+"camlett cloak with gold buttons," or for sitting for his portrait in an
+Indian gown which he "hired to be drawn in." Who shall say that this is not
+the very portrait by which we have fancied him stalking off to Commons?
+Could the apprentices have known in what a borrowed majesty he walked,
+would they not have tossed their caps in mirth and pointed their dusky
+fingers at him?
+
+Or we remember that he once lived in a garret, and that his wife, "poor
+wretch," was used to make the fire while Samuel lay abed, and that she
+washed his "foul clothes"--that by degrees he came to be wealthy and
+rode in his own yellow coach--that his wife went abroad in society "in
+a flowered tabby gown"--that Pepys forsook his habits of poverty and
+exchanged his twelve-penny seat in the theatre gallery for a place in the
+pit--and that on a rare occasion (doubtless when he was alone and there was
+but one seat to buy) he arose to the extravagance of a four-shilling box.
+
+Consequently, despite the weightier parts of the diary, we know Pepys
+chiefly in his hours of ease. Sittings and consultations are so dry. If
+only the world would run itself decently and in silence! Even a meeting of
+the Committee for Tangier--when the Prince of Wales was present and such
+smaller fry as Chancellors--is dull and is matter for a skipping eye.
+
+If a session of Parliament bulks to a fat paragraph and it happens that
+there is a bit of deviltry just below at the bottom of the page--maybe no
+more than a clinking of glasses (or perhaps Nell Gwynne's name pops in
+sight)--bless us how the eye will hurry to turn the leaf on the chance
+of roguery to come! Who would read through a long discourse on Admiralty
+business, if it be known before that Pepys is engaged with the pretty Mrs.
+Knipp for a trip to Bartholomew Fair to view the dancing horse, and that
+the start is to be made on the turning of the page? Or a piece of scandal
+about Lady Castlemaine, how her nose fell out of joint when Mrs. Stuart
+came to court--such things tease one from the sterner business.
+
+And for these reasons, we have been inclined to underestimate the
+importance of Pepys' diary. Francis Jeffrey, who wrote long ago about
+Pepys, evidently thought that he was an idle and unprofitable fellow and
+that the diary was too much given to mean and petty things. But in reality
+the diary is an historical mine. Even when Pepys plays upon the surface,
+he throws out facts that can be had nowhere else. No one would venture to
+write of Restoration life without digging through his pages. Pepys wrote in
+a confused shorthand, maybe against the eye of his wife, from whom he had
+reason to conceal his offenses. The papers lay undeciphered until 1825,
+when a partial publication was made. There were additions by subsequent
+editors until now it appears that the Wheatley text of 1893-1899 is final.
+But ever since 1825, the diary has been judged to be of high importance in
+the understanding of the first decade of the Restoration.
+
+If some of the weightier parts are somewhat dry, there are places in which
+a lighter show of personality is coincident with real historical data.
+Foremost are the pages where Pepys goes to the theatre.
+
+More than Charles II was restored in 1660. Among many things of more
+importance than this worthless King, the theatre was restored. Since the
+close of Elizabethan times it had been out of business. More than thirty
+years before, Puritanism had snuffed out its candles and driven its
+fiddlers to the streets. But Puritanism, in its turn, fell with the return
+of the Stuarts. Pepys is a chief witness as to what kind of theatre it was
+that was set up in London about the year 1660. It was far different from
+the Elizabethan theatre. It came in from the Bankside and the fields to the
+north of the city and lodged itself on the better streets and squares. It
+no longer patterned itself on the inn-yard, but was roofed against the
+rain. The time had been when the theatre was cousin to the bear-pit. They
+were ranged together on the Bankside and they sweat and smelled like
+congenial neighbors. But these days are past. Let Bartholomew Fair be as
+rowdy as it pleases, let acrobats and such loose fellows keep to Southwark,
+the theatre has risen in the world! It has put on a wig, as it were, it has
+tied a ribbon to itself and has become fashionable. And although it has
+taken on a few extra dissolute habits, they are of the genteelest kind and
+will make it feel at home in the upper circles.
+
+But also the theatre introduced movable scenery. There is an attempt toward
+elaboration of stage effect. "To the King's playhouse--" says Pepys, "a
+good scene of a town on fire." Women take parts. An avalanche of new plays
+descends on it. Even the old plays that have survived are garbled to suit a
+change of taste.
+
+But if you would really know what kind of theatre it was that sprang up
+with the Stuarts and what the audiences looked like and how they behaved,
+you must read Pepys. With but a moderate use of fancy, you can set out with
+him in his yellow coach for the King's house in Drury Lane. Perhaps hunger
+nips you at the start. If so, you stop, as Pepys pleasantly puts it, for a
+"barrel of oysters." Then, having dusted yourself of crumbs, you take the
+road again. Presently you come to Drury Lane. Other yellow coaches are
+before you. There is a show of foppery on the curb and an odor of smoking
+links. A powdered beauty minces to the door. Once past the doorkeeper, you
+hear the cries of the orange women going up and down the aisles. There is a
+shuffling of apprentices in the gallery. A dandy who lolls in a box with a
+silken leg across the rail, scrawls a message to an actress and sends it
+off by Orange Moll. Presently Castlemaine enters the royal box with the
+King. There is a craning of necks, for with her the King openly "do
+discover a great deal of familiarity." In other boxes are other fine ladies
+wearing vizards to hold their modesty if the comedy is free. A board breaks
+in the ceiling of the gallery and dust falls in the men's hair and the
+ladies' necks, which, writes Pepys, "made good sport." Or again, "A
+gentleman of good habit, sitting just before us, eating of some fruit in
+the midst of the play, did drop down as dead; being choked, but with much
+ado Orange Moll did thrust her finger down his throat and brought him to
+life again." Or perhaps, "I sitting behind in a dark place, a lady spit
+backward upon me by a mistake, not seeing me, but after seeing her to be a
+very pretty lady, I was not troubled at it at all."
+
+At a change of scenes, Mrs. Knipp spies Pepys and comes to the pit door. He
+goes with her to the tiring-room. "To the women's shift," he writes,
+"where Nell was dressing herself, and was all unready, and is very pretty,
+prettier than I thought.... But to see how Nell cursed for having so few
+people in the pit, was pretty."--"But Lord! their confidence! and how
+many men do hover about them as soon as they come off the stage, and how
+confident they are in their talk!" Or he is whispered a bit of gossip, how
+Castlemaine is much in love with Hart, an actor of the house. Then Pepys
+goes back into the pit and lays out a sixpence for an orange. As the play
+nears its end, footmen crowd forward at the doors. The epilogue is spoken.
+The fiddles squeak their last. There is a bawling outside for coaches.
+
+"Would it fit your humor," asks Mr. Pepys, when we have been handed to our
+seats, "would it fit your humor, if we go around to the Rose Tavern for
+some burnt wine and a breast of mutton off the spit? It's sure that some
+brave company will fall in, and we can have a tune. We'll not heed the
+bellman. We'll sit late, for it will be a fine light moonshine morning."
+
+
+
+
+To an Unknown Reader
+
+
+Once in a while I dream that I come upon a person who is reading a book
+that I have written. In my pleasant dreams these persons do not nod
+sleepily upon my pages, and sometimes I fall in talk with them. Although
+they do not know who I am, they praise the book and name me warmly among
+my betters. In such circumstance my happy nightmare mounts until I ride
+foremost with the giants. If I could think that this disturbance of my
+sleep came from my diet and that these agreeable persons arose from a
+lobster or a pie, nightly at supper I would ply my fork recklessly among
+the platters.
+
+But in a waking state these meetings never come. If an article of mine is
+ever read at all, it is read in secret like the Bible. Once, indeed, in a
+friend's house I saw my book upon the table, but I suspect that it had been
+dusted and laid out for my coming. I request my hostess that next time, for
+my vanity, she lay the book face down upon a chair, as though the grocer's
+knock intruded. Or perhaps a huckster's cart broke upon her enjoyment.
+Let it be thought that a rare bargain--tender asparagus or the first
+strawberries of the summer--tempted her off my pages! Or maybe there was
+red rhubarb in the cart and the jolly farmer, as he journeyed up the
+street, pitched it to a pleasing melody. Dear lady, I forgive you. But let
+us hope no laundryman led you off! Such discord would have marred my book.
+
+I saw once in a public library, as I went along the shelves, a volume of
+mine which gave evidence to have been really read. The record in front
+showed that it had been withdrawn one time only. The card was blank
+below--but once certainly it had been read. I hope that the book went out
+on a Saturday noon when the spirits rise for the holiday to come, and that
+a rainy Sunday followed, so that my single reader was kept before his fire.
+A dull patter on the window--if one sits unbuttoned on the hearth--gives
+a zest to a languid chapter. The rattle of a storm--if only the room be
+snug--fixes the attention fast. Therefore, let the rain descend as though
+the heavens rehearsed for a flood! Let a tempest come out of the west! Let
+the chimney roar as it were a lion! And if there must be a clearing, let
+it hold off until the late afternoon, lest it sow too early a distaste for
+indoors and reading! There is scarcely a bookworm who will not slip his
+glasses off his nose, if the clouds break at the hour of sunset when the
+earth and sky are filled with a green and golden light. I took the book off
+the library shelf and timidly glancing across my shoulder for fear that
+some one might catch me, I looked along the pages. There was a thumb mark
+in a margin, and presently appeared a kindly stickiness on the paper as
+though an orange had squirted on it. Surely there had been a human being
+hereabouts. It was as certain as when Crusoe found the footprints in the
+sand. Ah, I thought, this fellow who sits in the firelight has caught an
+appetite. Perhaps he bit a hole and sucked the fruit, and the skin has
+burst behind. Or I wave the theory and now conceive that the volume was
+read at breakfast. If so, it is my comfort that in those dim hours it stood
+propped against his coffee cup.
+
+But the trail ended with the turning of the page. There were, indeed,
+further on, pencil checks against one of the paragraphs as if here the book
+had raised a faint excitement, but I could not tell whether they sprang
+up in derision or in approval. Toward the end there were uncut leaves, as
+though even my single reader had failed in his persistence.
+
+Being swept once beyond a usual caution, I lamented to my friend F---- of
+the neglect in which readers held me, to which the above experience in
+a library was a rare exception. F---- offered me such consolation as he
+could, deplored the general taste and the decadence of the times, and said
+that as praise was sweet to everyone, he, as far as he himself was able,
+offered it anonymously to those who merited it. He was standing recently
+in a picture gallery, when a long-haired man who stood before one of the
+pictures was pointed out to him as the artist who had painted it. At once
+F---- saw his opportunity to confer a pleasure, but as there is a touch of
+humor in him, he first played off a jest. Lounging forward, he dropped his
+head to one side as artistic folk do when they look at color. He made a
+knot-hole of his fingers and squinted through. Next he retreated across the
+room and stood with his legs apart in the very attitude of wisdom. He cast
+a stern eye upon the picture and gravely tapped his chin. At last when the
+artist was fretted to an extremity, F---- came forward and so cordially
+praised the picture that the artist, being now warmed and comforted,
+presently excused himself in a high excitement and rushed away to start
+another picture while the pleasant spell was on him.
+
+Had I been the artist, I would have run from either F----'s praise or
+disapproval. As an instance, I saw a friend on a late occasion coming from
+a bookstore with a volume of suspicious color beneath his arm. I had been
+avoiding that particular bookstore for a week because my book lay for sale
+on a forward table. And now when my friend appeared, a sudden panic seized
+me and I plunged into the first doorway to escape. I found myself facing a
+soda fountain. For a moment, in my blur, I could not account for the
+soda fountain, or know quite how it had come into my life. Presently an
+interne--for he was jacketted as if he walked a hospital--asked me what I'd
+have.
+
+Still somewhat dazed, in my discomposure, having no answer ready, my
+startled fancy ran among the signs and labels of the counter until I
+recalled that a bearded man once, unblushing in my presence, had ordered
+a banana flip. I got the fellow's ear and named it softly. Whereupon he
+placed a dead-looking banana across a mound of ice-cream, poured on colored
+juices as though to mark the fatal wound and offered it to me. I ate a few
+bites of the sickish mixture until the streets were safe.
+
+I do not know to what I can attribute my timidity. Possibly it arises from
+the fact that until recently my writing met with uniform rejection and
+failure. For years I wrote secretly in order that few persons might know
+how miserably I failed. I answered upon a question that I had given up the
+practice, that I now had no time for it, that I scribbled now and then
+but always burned it. All that while I gave my rare leisure and my stolen
+afternoons--the hours that other men give to golf and sleep and sitting
+together--these hours I gave to writing. On a holiday I was at it early. On
+Saturday when other folks were abroad, I sat at my desk. It was my grief
+that I was so poor a borrower of the night that I blinked stupidly on my
+papers if I sat beyond the usual hour. Writing was my obsession. I need no
+pity for my failures, for although I tossed my cap upon a rare acceptance,
+my deeper joy was in the writing. That joy repeated failures could not
+blunt.
+
+There are paragraphs that now lie yellow in my desk with their former
+meaning faded, that still recall as I think of them the first exaltation
+when I wrote them--feverishly in a hot emotion. In those days I thought
+that I had caught the sunlight on my pen, and the wind and the moon and the
+spinning earth. I thought that the valleys and the mountains arose from the
+mist obedient to me. If I splashed my pen, in my warm regard it was the
+roar and fury of the sea. It was really no more than my youth crying out.
+And, alas, my thoughts and my feelings escaped me when I tried to put them
+down on paper, although I did not know it then. Perhaps they were too
+vagrant to be held. And yet these paragraphs that might be mournful records
+of failure, fill me with no more than a tender recollection for the boy
+who wrote them. The worn phrases now beg their way with broken steps. Like
+shrill and piping minstrels they whine and crack a melody that I still
+remember in its freshness.
+
+But perhaps, reader, we are brothers in these regards. Perhaps you, too,
+have faded papers. Or possibly, even on a recent date, you sighed your soul
+into an essay or a sonnet, and you now have manuscript which you would like
+to sell. Do not mistake me! I am not an editor, nor am I an agent for these
+wares. Rather I speak as a friend who, having many such hidden sorrows,
+offers you a word of comfort. To a desponding Hamlet I exclaim, "'Tis
+common, my Lord." I have so many friends that have had an unproductive
+fling toward letters, that I think the malady is general. So many books are
+published and flourish a little while in their bright wrappers, but yours
+and theirs and mine waste away in a single precious copy.
+
+I am convinced that a close inspection of all desks--a federal matter as
+though Capital were under fire--would betray thousands of abandoned novels.
+There may be a few stern desks that are so cluttered with price-sheets and
+stock-lists that they cannot offer harborage to a love tale. Standing desks
+in particular, such as bookkeepers affect, are not always chinked
+with these softer plots. And rarely there is a desk so smothered in
+learning--reeking so of scholarship--as not to admit a lighter nook for
+the tucking of a sea yarn. Even so, it was whispered to me lately that
+Professor B----, whose word shakes the continent, holds in a lower drawer
+no fewer than three unpublished historical novels, each set up with a full
+quota of smugglers and red bandits. One of these stories deals scandalously
+with the abduction of an heiress, but this must be held in confidence. The
+professor is a stoic before his class, but there's blood in the fellow.
+
+There is, therefore, little use in your own denial. You will recall that
+once, when taken to a ruined castle, you brooded on the dungeons until a
+plot popped into your head. You crammed it with quaint phrasing from the
+chroniclers. You stuffed it with soldiers' oaths. "What ho! landlord,"
+you wrote gayly at midnight, "a foaming cup, good sir. God pity the poor
+sailors that take the sea this night!" And on you pelted with your plot to
+such conflicts and hair-breadth escapes as lay in your contrivance.
+
+These things you have committed. Good sir, we are of a common piece. Let us
+salute as brothers! And therefore, as to a comrade, I bid you continue in
+your ways. And that you may not lack matter for your pen, I warmly urge
+you, when by shrewdest computation you have exhausted the plots of
+adventure and have worn your villains thin, that you proceed in quieter
+vein. I urge you to an April mood, for the winds of Spring are up and
+daffodils nod across the garden. There is black earth in the Spring and
+green hilltops, and there is also the breath of flowers along the fences
+and the sound of water for your pen to prattle of.
+
+
+
+
+A Plague of All Cowards
+
+
+Having written lately against the dog, several acquaintances have asked me
+to turn upon the cat, and they have been good enough to furnish me with
+instances of her faithlessness. Also, a lady with whom I recently sat at
+dinner, inquired of me on the passing of the fish, whether I had ever
+properly considered the cow, which she esteemed a most mischievous animal.
+One of them had mooed at her as she crossed a pasture and she had hastily
+climbed a fence. I get a good many suggestions first and last. I was once
+taken to a Turkish bath for no other reason--as I was afterwards told--than
+that it might supply me with a topic. Odd books have been put in my way.
+A basket of school readers was once lodged with me, with a request that I
+direct my attention to the absurd selection of the poems. I have been urged
+to go against car conductors and customs men. On one occasion I received a
+paper of tombstone inscriptions, with a note of direction how others might
+be found in a neighboring churchyard if I were curious. A lady in whose
+company I camped last summer has asked me to give a chapter to it. We were
+abroad upon a lake in the full moon--we were lost upon a mountain--twice a
+canoe upset--there were the usual jests about cooking. These things might
+have filled a few pages agreeably, yet so far they have given me only a
+paragraph.
+
+But I am not disposed toward any of these subjects, least of all the cat,
+upon which I look--despite the coldness of her nature--as a harmless and
+comforting appendage of the hearth-rug. I would no more prey upon her
+morals than I would the morals of the andirons. I choose, rather, to slip
+to another angle of the question and say a few words about cowards, among
+whom I have already confessed that I number myself.
+
+In this year of battles, when physical courage sits so high, the reader--if
+he is swept off in the general opinion--will expect under such a title
+something caustic. He will think that I am about to loose against all
+cowards a plague of frogs and locusts as if old Egypt had come again. But
+cowardice is its own punishment. It needs no frog to nip it. Even the
+sharp-toothed locust--for in the days that bordered so close upon the
+mastodon, the locust could hardly have fallen to the tender greenling we
+know today--even the locust that once spoiled the Egyptians could not now
+add to the grief of a coward.
+
+And yet--really I hesitate. I blush. My attack will be too intimate; for I
+have confessed that I am not the very button on the cap of bravery. I have
+indeed stiffened myself to ride a horse, a mightier feat than driving him
+because of the tallness of the monster and his uneasy movement, as though
+his legs were not well socketed and might fall out on a change of gaits. I
+have ridden on a camel in a side-show, but have found my only comfort in
+his hump. I have stroked the elephant. In a solemn hour of night I have
+gone downstairs to face a burglar. But I do not run singing to these
+dangers. While your really brave fellow is climbing a dizzy staircase to
+the moon--I write in figure--I would shake with fear upon a lower platform.
+
+Perhaps you recall Mr. Tipp of the Elia essays. "Tipp," says his pleasant
+biographer, "never mounted the box of a stage-coach in his life; or leaned
+against the rails of a balcony; or walked upon the ridge of a parapet; or
+looked down a precipice; or let off a gun." I cannot follow Tipp, it may
+be, to his extreme tremors--my hair will not rise to so close a likeness of
+the fretful porcupine--yet in a measure we are in agreement. We are, as it
+were, cousins, with the mark of our common family strong on both of us.
+
+There are persons who, when in your company on a country walk, will steal
+apples, not with a decent caution from a tree along the fence, but far
+afield. If there are grapes, they will not wait for a turn of the road,
+but will pluck them in the open. Or maybe in your wandering you come on a
+half-built house. You climb in through a window to look about. Here the
+stairs will go. The ice-box will be set against this wall. But if your
+companion is one of valor's minions, he will not be satisfied with this
+safe and agreeable research--this mild speculation on bath-rooms--this
+innocent placing of a stove. He must go aloft. He has seen a ladder and
+yearns to climb it. The footing on the second story is bad enough. If you
+fall between the joists, you will clatter to the basement. It is hard to
+realize that such an open breezy place will ever be cosy and warm with
+fires, and that sleepy folk will here lie snugly a-bed on frosty mornings.
+But still the brazen fellow is not content. A ladder leads horribly to the
+roof. For myself I will climb until the tip of my nose juts out upon the
+world--until it sprouts forth to the air from the topmost timbers: But I
+will go no farther. But if your companion sees a scaffold around a chimney,
+he must perch on it. For him, a dizzy plank is a pleasant belvedere from
+which to view the world.
+
+The bravery of this kind of person is not confined to these few matters.
+If you happen to go driving with him, he will--if the horse is of the kind
+that distends his nostrils--on a sudden toss you the reins and leave you to
+guard him while he dispatches an errand. If it were a motor car there would
+be a brake to hold it. If it were a boat, you might throw out an anchor. A
+butcher's cart would have a metal drag. But here you sit defenseless--tied
+to the whim of a horse--greased for a runaway. The beast Dobbin turns his
+head and holds you with his hard eye. There is a convulsive movement along
+his back, a preface, it may be, to a sudden seizure. A real friend would
+have loosed the straps that run along the horse's flanks. Then, if any
+deviltry take him, he might go off alone and have it out.
+
+I have in mind a livery stable in Kalamazoo. Myself and another man of
+equal equestrianism were sent once to bring out a thing called a surrey and
+a pair of horses. Do you happen to be acquainted with Blat's Horse Food? If
+your way lies among the smaller towns, you must know its merits. They are
+proclaimed along the fences and up the telegraph poles. Drinking-troughs
+speak its virtues. Horses thrive on Blat's Food. They neigh for it. A
+flashing lithograph is set by way of testament wherever traffic turns or
+lingers. Do you not recall the picture? A great red horse rears himself
+on his hind legs. His forward hoofs are extended. He is about to trample
+someone under foot. His nostrils are wide. He is unduly excited. It cannot
+be food, it must be drink that stirs him. He is a fearful spectacle.
+
+There was such a picture on the wall of the stable.
+
+"Have you any horses," I asked nervously, jerking my thumb toward the wall,
+"any horses that have been fed on just ordinary food? Some that are a
+little tired?"
+
+For I remembered how Mr. Winkle once engaged horses to take the
+Pickwickians out to Manor Farm and what mishaps befell them on the way.
+
+"'He don't shy, does he?' inquired Mr. Pickwick.
+
+"'Shy, sir?--He wouldn't shy if he was to meet a vagginload of monkeys with
+their tails burnt off.'"
+
+But how Mr. Pickwick dropped his whip, how Mr. Winkle got off his tall
+horse to pick it up, how he tried in vain to remount while his horse went
+round and round, how they were all spilt out upon the bridge and how
+finally they walked to Manor Farm--these things are known to everybody with
+an inch of reading.
+
+"'How far is it to Dingley Dell?' they asked.
+
+"'Better er seven mile.'
+
+"'Is it a good road?'
+
+"'No, t'ant.'...
+
+"The depressed Pickwickians turned moodily away, with the tall quadruped,
+for which they all felt the most unmitigated disgust, following slowly at
+their heels."
+
+"Have you any horses," I repeated, "that have not been fed on Blat's
+Food--horses that are, so to speak, on a diet?"
+
+In the farthest stalls, hidden from the sunlight and the invigorating
+infection of the day, two beasts were found with sunken chests and hollow
+eyes, who took us safely to our destination on their hands and knees.
+
+As you may suspect, I do not enjoy riding. There is, it is true, one saddle
+horse in North Carolina that fears me. If time still spares him, that horse
+I could ride with content. But I would rather trust myself on the top of a
+wobbly step-ladder than up the sides of most horses. I am not quite of a
+mind, however, with Samuel Richardson who owned a hobby-horse and rode on
+his hearth-rug in the intervals of writing "Pamela." It is likely that when
+he had rescued her from an adventure of more than usual danger--perhaps her
+villainous master has been concealed in her closet--perhaps he has been
+hiding beneath her bed--it is likely, having brought her safely off, the
+author locked her in the buttery against a fresh attack. Then he felt, good
+man, in need of exercise. So while he waits for tea and muffins, he leaps
+upon his rocking-horse and prances off. As for the hobby-horse itself, I
+have not heard whether it was of the usual nursery type, or whether it was
+built in the likeness of the leather camels of a German steamship.
+
+I need hardly say that these confessions of my cowardice are for your ear
+alone. They must not get abroad to smirch me. If on a country walk I have
+taken to my heels, you must not twit me with poltroonery. If you charge me
+with such faint-heartedness while other persons are present, I'll deny it
+flat. When I sit in the company of ladies at dinner, I dissemble my true
+nature, as doublet and hose ought to show itself courageous to petticoat.
+If then, you taunt me, for want of a better escape, I shall turn it to a
+jest. I shall engage the table flippantly: Hear how preposterously the
+fellow talks!--he jests to satisfy a grudge. In appearance I am whole as
+the marble, founded as a rock.
+
+But really some of us cowards are diverting persons. The lady who directed
+me against the cow is a most delightful woman with whom I hope I shall
+again sit at dinner. A witty lady of my acquaintance shivers when a
+cat walks in the room. A man with whom I pass the time pleasantly and
+profitably, although he will not admit a fear of ghosts, still will not
+sleep in an empty house because of possible noises. I would rather spend a
+Saturday evening in the company of the cowardly Falstaff than of the bold
+Hotspur. If it were not for sack, villainous sack, and a few spots upon his
+front, you would go far to find a better companion than the fat old Knight.
+Bob Acres was not much for valor and he made an ass of himself when he went
+to fight a duel, yet one could have sat agreeably at mutton with him.
+
+But these things are slight. It matters little whether or not one can mount
+a ladder comfortably. Now that motors have come in, horses stand remotely
+in our lives. Nor is it of great moment whether or not we fear to be out of
+fashion--whether we halt in the wearing of a wrong-shaped hat, or glance
+fearfully around when we choose from a line of forks. Superstitions rest
+mostly on the surface and are not deadly in themselves. A man can be true
+of heart even if he will not sit thirteen at table. But there is a kind
+of fear that is disastrous to them that have it. It is the fear of the
+material universe in all its manifestations. There are persons, stout both
+of chest and limb, who fear drafts and wet feet. A man who is an elephant
+of valor and who has been feeling this long while a gentle contempt for
+such as myself, will cry out if a soft breeze strikes against his neck. If
+a foot slips to the gutter and becomes wet, he will dose himself. Achilles
+did not more carefully nurse his heel. For him the lofty dome of air is
+packed with malignant germs. The round world is bottled with contagion. A
+strong man who, in his time, might have slain the Sofi, is as fearful of
+his health as though the plague were up the street. Calamities beset him.
+The slightest sniffling in his nose is the trumpet for a deep disorder.
+Existence is but a moving hazard. Life for him, poor fellow, is but a room
+with a window on the night and a storm beating on the casement. God knows,
+it is better to grow giddy on a ladder than to think that this majestic
+earth is such an universal pestilence.
+
+
+
+
+The Asperities of the Early British Reviewers
+
+
+Book reviewers nowadays direct their attention, for the most part, to the
+worthy books and they habitually neglect those that seem beneath their
+regard. On a rare occasion they assail an unprofitable book, but even this
+is often but a bit of practice. They swish a bludgeon to try their hand.
+They only take their anger, as it were, upon an outing, lest with too
+close housing it grow pallid and shrink in girth. Or maybe they indulge
+themselves in humor. Perhaps they think that their pages grow dull and that
+ridicule will restore the balance. They throw it in like a drunken porter
+to relieve a solemn scene. I fancy that editors of this baser sort keep on
+their shelves one or two volumes for their readers' sport and mirth. I read
+recently a review of an historical romance--a last faltering descendant of
+the race--whose author in an endeavor to restore the past, had made too
+free a use of obsolete words. With what playfulness was he held up to
+scorn! Mary come up, sweet chuck! How his quaint phrasing was turned
+against him! What a merry fellow it is who writes, how sharp and caustic!
+There's pepper on his mood.
+
+But generally, it is said, book reviews are too flattering. Professor
+Bliss Perry, being of this opinion, offered some time ago a statement
+that "Magazine writing about current books is for the most part bland,
+complaisant, pulpy.... The Pedagogue no longer gets a chance at the gifted
+young rascal who needs, first and foremost, a premonitory whipping; the
+youthful genius simply stays away from school and carries his unwhipped
+talents into the market place." At a somewhat different angle of the same
+opinion, Dr. Crothers suggests in an essay that instead of being directed
+to the best books, we need to be warned from the worst. He proposes to set
+up a list of the Hundred Worst Books. For is it not better, he asks, to put
+a lighthouse on a reef than in the channel? The open sea does not need a
+bell-buoy to sound its depth.
+
+On these hints I have read some of the book criticisms of days past to
+learn whether they too were pulpy--whether our present silken criticism
+always wore its gloves and perfumed itself, or whether it has fallen to
+this smiling senility from a sterner youth. Although I am usually a rusty
+student, yet by diligence I have sought to mend my knowledge that I might
+lay it out before you. Lately, therefore, if you had come within our Public
+Library, you would have found me in one of these attempts. Here I went,
+scrimping the other business of the day in order that I might be at my
+studies before the rush set in up town. Mine was the alcove farthest from
+the door, where are the mustier volumes that fit a bookish student. So if
+your quest was the lighter books--such verse and novels as present fame
+attests--you did not find me. I was hooped and bowed around the corner. I
+am no real scholar, but I study on a spurt. For a whole week together I may
+read old plays until their jigging style infects my own. I have set myself
+against the lofty histories, although I tire upon their lower slopes and
+have not yet persisted to their upper and windier ridges. I have, also, a
+pretty knowledge of the Queen Anne wits and feel that I must have dogged
+and spied upon them while they were yet alive. But in general, although
+I am curious in the earlier chapters of learning, I lag in the inner
+windings. However, for a fortnight I have sat piled about with old reviews,
+whose leather rots and smells, in order that I might study the fading
+criticisms of the past.
+
+Until rather near the end of the eighteenth century, those who made their
+living in England by writing were chiefly publishers' hacks, fellows of
+the Dunciad sucking their quills in garrets and selling their labor for a
+crust, for the reading public was too small to support them. Or they
+found a patron and gave him a sugared sonnet for a pittance, or strained
+themselves to the length of an Ode for a berth in his household. Or
+frequently they supported a political party and received a place in the
+Red Tape Office. But even in politics, on account of the smallness of the
+reading public and the politicians' indifference to its approval, their
+services were of slight account. Too often a political office was granted
+from a pocket borough in which a restricted electorate could be bought at a
+trifling expense. To gain support inside the House of Commons was enough.
+The greater public outside could be ignored. This attitude changed with
+the coming of the French Revolution. Here was a new force unrealized
+before--that of a crowd which, being unrepresented and with a real
+grievance, could, when it liked, take a club and go after what it wanted.
+For the first time in many years in England--such were the whiffs of
+liberty across the Channel--the power of an unrepresented public came to be
+known. It was not that the English crowd had as yet taken the club in its
+hands, but there were new thoughts abroad in the world, and there was the
+possibility to be regarded. To influence this larger public, therefore, men
+who could write came little by little into a larger demand. And as
+writers were comparatively scarce, all kinds--whether they wrote poems or
+prose--were pressed into service. It is significant, too, that it was in
+the decades subjected to the first influence of the French Revolution that
+the English daily paper took its start as an agent to influence public
+opinion.
+
+It was therefore rather more than one hundred years ago that writers came
+to a better prosperity. They came out of their garrets, took rooms on the
+second floor, polished their brasses and became Persons. I can fancy that a
+writer after spending a morning in the composition of a political article
+on the whisper of a Cabinet Minister, wrote a sonnet after lunch, and
+a book review before dinner. Let us see in what mood they took their
+advancement! Let us examine their temper--but in book reviewing only, for
+that alone concerns us! In doing this, we have the advantage of knowing the
+final estimate of the books they judged. Like the witch, we have looked
+into the seeds of time and we know "which grain will grow and which will
+not."
+
+In 1802, when the Edinburgh Review (which was the first of its line to
+acquire distinction) came into being, the passion of the times found voice
+in politics. Both Whigs and Tories had been alarmed by the excesses of the
+French Revolution; both feared that England was drifting the way of France;
+each had a remedy, but opposed and violently maintained. The Tories put the
+blame of the Revolution on the compromises of Louis XVI, and accordingly
+they were hostile to any political change. The Whigs, on the other
+hand, saw the rottenness of England as a cause that would incite her to
+revolution also, and they advocated reform while yet there was time. The
+general fear of a revolution gave the government of England to the Tories,
+and kept them in power for several decades. And England was ripe for
+trouble. The government was but nominally representative. No Catholic,
+Jew, Dissenter or poor man had a vote or could hold a seat in Parliament.
+Industrially and economically the country was in the condition of France
+in the year of Arthur Young's journey. The poverty was abject, the relief
+futile and the hatred of the poor for the rich was inflammatory.
+George III, slipping into feebleness and insanity, yet jealous of his
+unconstitutional power, was a vacillating despot, quarrelling with his
+Commons and his Ministers. Lord Eldon as Chancellor, but with as nearly the
+control of a Premier as the King would allow, was the staunch upholder of
+all things that have since been disproved and discarded. Bagehot said of
+him that "he believed in everything which it is impossible to believe in."
+France and Napoleon threatened across the narrow channel. England still
+growled at the loss of her American colonies. It was as yet the England
+of the old regime. The great reforms were to come thirty years later--the
+Catholic Emancipation, the abolishment of slavery in the colonies, the
+suppression of the pocket boroughs, the gross bribery of elections, the
+cleaning of the poor laws and the courts of justice.
+
+It was in this dark hour of English history that the writers polished their
+brasses and set up as Persons. And if the leading articles that they wrote
+of mornings stung and snapped with venom, it is natural that the book
+reviews on which they spent their afternoons had also some vinegar in them,
+especially if they concerned books written by those of the opposition. And
+other writers, even if they had no political connection, borrowed their
+manners from those who had. It was the animosities of party politics that
+set the general tone. Billingsgate that had grown along the wharves of the
+lower river, was found to be of service in Parliament and gave a spice and
+sparkle even to a book review. Presently a large part of literary England
+wore the tags of political preference. Writers were often as clearly
+distinguished as were the ladies in the earlier day, when Addison wrote his
+paper on party patches. There were seats of Moral Philosophy to be handed
+out, under-secretaryships, consular appointments. It is not enough to say
+that Francis Jeffrey was a reviewer, he was as well a Whig and was running
+a Review that was Whig from the front cover to the back. Leigh Hunt was not
+merely a poet, for he was also a radical, and therefore in the opinions of
+Tories, a believer in immorality and indecency. No matter how innocent
+a title might appear, it was held in suspicion, on the chance that it
+assailed the Ministry or endangered the purity of England. William Gifford
+was more than merely the editor of the Quarterly Review, for he was as well
+a Tory editor whose duty it was to pry into Whiggish roguery. Lockhart and
+Wilson, who wrote in Blackwood's, were Tories tooth and nail, biting and
+scratching for party. Nowadays, literature, having found the public to be
+its most profitable patron, works hard and even abjectly for its favor.
+Although there are defects in the arrangement, it must be confessed that
+the divorce of literature from politics contributes to the general peace of
+the household.
+
+The Edinburgh Review was founded in 1802, the Quarterly Review in 1809,
+Blackwood's Magazine in 1817. These three won distinction among others of
+less importance, and from them only I quote. In 1802, when Tory rule was
+strongest and Lord Eldon flourished, there was living in Edinburgh a group
+of young men who were for the most part briefless barristers. Their case
+was worse because they were Whigs. Few cases came their way and no offices.
+These young men were Francis Jeffrey, Francis Horner, Henry Brougham, and
+there was also Sydney Smith who had just come to Edinburgh from an English
+country parish. The eldest was thirty-one, the youngest twenty-three.
+Although all of them had brilliant lives before them, not one of them had
+made as yet more than a step toward his accomplishment. Sydney Smith had
+been but lately an obscure curate, buried in the middle of Salisbury Plain,
+away from all contact with the world. Francis Jeffrey had been a hack
+writer in London, had studied medicine, had sought unsuccessfully a
+government position in India, had written poor sonnets, and was now
+lounging with but a scanty occupation in the halls of the law courts.
+Francis Horner had just come to the Scottish bar straight from his studies.
+Henry Brougham, who in days to come was to be Lord Chancellor of England
+and to whose skill in debate the passing of the Great Reform bill of 1832
+is partly due, is also just admitted to the practice of the law.
+
+The founding of the Review was casual. These men were accustomed to meet of
+an evening for general discussion and speculation. It happened one night as
+they sat together--the place was a garret if legend is to be believed--that
+Sydney Smith lamented that their discussions came to nothing, for they were
+all Whigs, all converted to the cause; whereas if they could only bring
+their opinions to the outside public they could stir opinion. From so
+slight a root the Review sprouted. Sydney Smith was made editor and kept
+the position until after the appearance of the first number, when Jeffrey
+succeeded him. The Review became immediately a power, appearing quarterly
+and striking its blows anonymously against a sluggish government, lashing
+the Tory writers, and taking its part, which is of greater consequence, in
+the promulgation of the Whig reforms which were to ripen in thirty years
+and convert the old into modern England. In the destruction of outworn
+things, it was, as it were, a magazine of Whig explosives.
+
+The Quarterly Review was the next to come and it was Tory. John Murray, the
+London publisher, had been the English distributor of the Edinburgh Review.
+In 1809, two considerations moved him to found in London a review to rival
+the Scotch periodical. First the Tory party was being hard hit by the
+Edinburgh Review and there was need of defense and retaliation. In the
+second place, John Murray saw that if his publishing house was to flourish,
+it must provide this new form of literature that had become so popular.
+For the very shortness of the essays and articles, in which extensive
+conditions were summarized for quick digestion, had met with English
+approval as well as Scotch. People had become accustomed, says Bagehot, of
+taking "their literature in morsels, as they take sandwiches on a journey."
+Murray appealed to George Canning, then in office, for assistance and was
+introduced to William Gifford as a man capable of the undertaking, who
+would also meet the favor of the government party. The rise of the
+Quarterly Review was not brilliant. It did not fill the craving for
+novelty, inasmuch as the Edinburgh was already in the field. Furthermore,
+there is not the opportunity in defense for as conspicuous gallantry as in
+offensive warfare.
+
+It was eight years before another enduring review was started. William
+Blackwood of Edinburgh had grown like Murray from a bookseller to a
+publisher, and he, too, looked for a means of increasing his prestige. He
+had launched a review the year previously, in 1816, but it had foundered
+when it was scarcely off the ways. His second attempt he was determined
+must be successful. His new editors were John G. Lockhart and John Wilson,
+and the new policy, although nominally Tory, was first and last the
+magazine's notoriety. It hawked its wares into public notice by sensational
+articles and personal vilification. Wilson was thirty-two and Lockhart
+twenty-three, yet they were as mischievous as boys. In their pages is found
+the most abominable raving that has ever passed for literary criticism.
+They did not need any party hatred to fire them. William Blackwood
+welcomed any abuse that took his magazine out of "the calm of respectable
+mediocrity." Anything that stung or startled was welcome to a place in its
+pages.
+
+So Blackwood's was published and Edinburgh city, we may be sure, set up a
+roar of delight and anger. Never before had one's friends been so assailed.
+Never before had one's enemies been so grilled. How pleasing for a Tory
+fireside was the mud bath with which it defiled Coleridge, who was--and you
+had always known it--"little better than a rogue." One's Tory dinner was
+the more toothsome for the hot abuse of the Chaldee Manuscript. What stout
+Tory, indeed, would doze of an evening on such a sheet! There followed
+of course cases of libel. The editors even found it safer, after the
+publication of the first number, to retire for a time to the country until
+the city cooled.
+
+I choose now to turn to the pages of these three reviews and set out before
+you samples of their criticisms, in order that you may contrast them
+with our own literary judgments. I warn you in fairness that I have been
+disposed to choose the worst, yet there are hundreds of other criticisms
+but little better. Of the three reviews, Blackwood's was the least
+seriously political in its policy, yet its critical vilifications are the
+worst. The Edinburgh Review, the most able of the three and the most in
+earnest in politics, is the least vituperative. With this introduction, let
+us shake the pepperpot and lay out the strong vinegar of our feast!
+
+In the judgment of the Edinburgh Review, Tom Moore, who had just published
+his "Odes and Epistles" but had not yet begun his Irish melodies, is a man
+who "with some brilliancy of fancy, and some show of classical erudition
+... may boast, if the boast can please him, of being the most licentious of
+modern versifiers, and the most poetical of those who, in our times, have
+devoted their talents to the propagation of immorality. We regard his book,
+indeed, as a public nuisance.... He sits down to ransact the impure places
+of his memory for inflammatory images and expressions, and commits them
+laboriously in writing, for the purpose of insinuating pollution into the
+minds of unknown and unsuspecting readers."
+
+Francis Jeffrey wrote this, and Moore challenged him to fight. The police
+interfered, and as Jeffrey put it, "the affair ended amicably. We have
+since breakfasted together very lovingly. He has expressed penitence for
+what he has written and declared that he will never again apply any little
+talents he may possess to such purpose: and I have said that I shall be
+happy to praise him whenever I find that he has abjured these objectionable
+topics." It was Sydney Smith who said of Jeffrey he would "damn the solar
+system--bad light--planets too distant--pestered with comets. Feeble
+contrivance--could make a better with great ease."
+
+Jeffrey reviewed Wordsworth and found in the "Lyrical Ballads"
+"vulgarity, affectation and silliness." He is alarmed, moreover, lest
+his "childishness, conceit and affectation" spread to other authors. He
+proposes a poem to be called "Elegiac Stanzas to a Sucking Pig," and of
+"Alice Fell" he writes that "if the publishing of such trash as this be
+not felt as an insult on the public taste, we are afraid it cannot be
+insulted." When the "White Doe of Rylstone" was published--no prime
+favorite, I confess, of my own--Jeffrey wrote that it had the merit of
+being the very worst poem he ever saw imprinted in a quarto volume. "It
+seems to us," he wrote, "to consist of a happy union of all the faults,
+without any of the beauties, which belong to his school of poetry. It is
+just such a work, in short, as some wicked enemy of that, school might be
+supposed to have devised, on purpose to make it ridiculous."
+
+Lord Byron, on the publication of an early volume, is counselled "that he
+do forthwith abandon poetry ... the mere rhyming of the final syllable,
+even when accompanied by the presence of a certain number of feet ... is
+not the whole art of poetry. We would entreat him to believe," continued
+the reviewer, "that a certain portion of liveliness, somewhat of fancy, is
+necessary to constitute a poem; and that a poem in the present day, to
+be read, must contain at least one thought...." It was this attack that
+brought forth Byron's "English Bards and Scotch Reviewers."
+
+As long as Jeffrey hoped to enlist Southey to write for the Edinburgh
+Review, he treated him with some favor. But Southey took up with the
+Quarterly. "The Laureate," says the Edinburgh presently, "has now been
+out of song for a long time: But we had comforted ourselves with the
+supposition that he was only growing fat and lazy.... The strain, however,
+of this publication, and indeed of some that went before it, makes us
+apprehensive that a worse thing has befallen him ... that the worthy
+inditer of epics is falling gently into dotage."
+
+Now for the Quarterly Review, if by chance it can show an equal spleen!
+
+There lived in the early days of the nineteenth century a woman by the name
+of Lady Morgan, who was the author of several novels and books of travel.
+Although her record in intelligence and morals is good, John Croker,
+who regularly reviewed her books, accuses her works of licentiousness,
+profligacy, irreverence, blasphemy, libertinism, disloyalty and atheism.
+There are twenty-six pages of this in one review only, and any paragraph
+would be worth the quoting for its ferocity. After this attack it was
+Macaulay who said he hated Croker like "cold boiled veal."
+
+The Quarterly reviewed Keats' "Endymion," although the writer naively
+states at the outset that he has not read the poem. "Not that we have been
+wanting in our duty," he writes, "far from it--indeed, we have made efforts
+almost as superhuman as the story itself appears to be, to get through it;
+but with the fullest stretch of our perseverance we are forced to confess
+that we have not been able to struggle beyond the first of the four
+books...." Finally he questions whether Keats is the author's name, for
+he doubts "that any man in his senses would put his real name to such a
+rhapsody."
+
+Leigh Hunt's "Rimini" the Quarterly finds to be an "ungrammatical,
+unauthorized, chaotic jargon, such as we believe was never before spoken,
+much less written.... We never," concludes the reviewer, "in so few lines
+saw so many clear marks of the vulgar impatience of a low man, conscious
+and ashamed of his wretched vanity, and labouring, with coarse flippancy,
+to scramble over the bounds of birth and education, and fidget himself into
+the stout-heartedness of being familiar with a Lord." In a later review,
+Hunt is a propounder of atheism. "Henceforth," says the reviewer, "... he
+may slander a few more eminent characters, he may go on to deride venerable
+and holy institutions, he may stir up more discontent and sedition, but he
+will have no peace of mind within ... he will live and die unhonoured
+in his own generation, and, for his own sake it is to be hoped, moulder
+unknown in those which are to follow."
+
+Hazlitt belongs to a "class of men by whom literature is more than at any
+period disgraced." His style is suited for washerwomen, a "class of
+females with whom ... he and his friend Mr. Hunt particularly delight to
+associate."
+
+Shelley, writes the Quarterly, "is one of that industrious knot of authors,
+the tendency of whose works we have in our late Numbers exposed to the
+caution of our readers ... for with perfect deliberation and the steadiest
+perseverance he perverts all the gifts of his nature, and does all the
+injury, both public and private, which his faculties enable him to
+perpetrate." His "poetry is in general a mere jumble of words and
+heterogeneous ideas." "The Cloud" is "simple nonsense." "Prometheus
+Unbound" is a "great storehouse of the obscure and unintelligible." In the
+"Sensitive Plant" there is "no meaning." And for Shelley himself, he is
+guilty of a great many terrible things, including verbiage, impiety,
+immorality and absurdity.
+
+Of Blackwood's Magazine the special victims were Keats and Hunt and
+Coleridge. "Mr. Coleridge," says the reviewer, "... seems to believe that
+every tongue is wagging in his praise--that every ear is open to imbibe the
+oracular breathings of his inspiration ... no sound is so sweet to him as
+that of his own voice ... he seems to consider the mighty universe itself
+as nothing better than a mirror in which, with a grinning and idiot
+self-complacency, he may contemplate the physiognomy of Samuel Taylor
+Coleridge.... Yet insignificant as he assuredly is, he cannot put pen to
+paper without a feeling that millions of eyes are fixed upon him...."
+
+Leigh Hunt, says Blackwood, "is a man of extravagant pretensions ...
+exquisitely bad taste and extremely vulgar modes of thinking." His
+"Rimini" "is so wretchedly written that one feels disgust at its pretense,
+affectation and gaudiness, ignorance, vulgarity, irreverence, quackery,
+glittering and rancid obscenities."
+
+Blackwood's wrote of the "calm, settled, imperturbable, drivelling idiocy
+of Endymion," and elsewhere of Keats' "prurient and vulgar lines, evidently
+meant for some young lady east of Temple Bar.... It is a better and a wiser
+thing," it commented, "to be a starved apothecary than a starved poet; so
+back to the shop, Mr. John, back to 'plasters, pills and ointment
+boxes.'" And even when Shelley wrote his "Adonais" on the death of Keats,
+Blackwood's met it with a contemptible parody:
+
+"Weep for my Tom cat! all ye Tabbies weep!"
+
+Perhaps I have quoted enough. This is the parentage of our silken and
+flattering criticism.
+
+The pages of these old reviews rest yellow on the shelves. From them there
+comes a smell of rotting leather, as though the infection spreads. The hour
+grows late. Like the ghost of the elder Hamlet, I detect the morning to be
+near.
+
+
+
+
+The Pursuit of Fire
+
+
+Reader, if by chance you have the habit of writing--whether they be sermons
+to hurl across your pews, or sonnets in the Spring--doubtless you have
+moments when you sit at your desk bare of thoughts. Mother Hubbard's
+cupboard when she went to seek the bone was not more empty. In such plight
+you chew your pencil as though it were stuff to feed your brain. Or if you
+are of delicate taste, you fall upon your fingers. Or in the hope that
+exercise will stir your wits, you pace up and down the room and press your
+nose upon the window if perhaps the grocer's boy shall rouse you. Some
+persons draw pictures on their pads or put pot-hooks on their letters--for
+talent varies--or they roughen up their hair. I knew one gifted fellow
+whose shoes presently would cramp him until he kicked them off, when at
+once the juices of his intellect would flow. Genius, I am told, sometimes
+locks its door and, if unrestrained, peels its outer wrappings. Or, in your
+poverty, you run through the pages of a favorite volume, with a notebook
+for a sly theft to start you off. In what dejection you have fallen! It is
+best that you put on your hat and take your stupid self abroad.
+
+Or maybe you think that your creative fire will blaze, if instead of
+throwing in your wet raw thoughts, you feed it a few seasoned bits. You
+open, therefore, the drawer of your desk where you keep your rejected and
+broken fragments--for your past has not been prosperous--hopeful against
+experience that you can recast one of these to your present mood. This
+is mournful business. Certain paragraphs that came from you hot are now
+patched and shivery. Their finer meaning has run out between the lines as
+though these spaces were sluices for the proper drainage of the page. You
+had best put on your hat. You will get no comfort from these stale papers.
+
+One evening lately, being in this plight, I spread out before me certain
+odds and ends. I had dug deeper than usual in the drawer and had brought up
+a yellow stratum of a considerable age. I was poring upon these papers and
+was wondering whether I could fit them to a newer measure, when I heard a
+slight noise behind me. I glanced around and saw that a man had entered the
+room and was now seated in a chair before the fire. In the common nature
+of things this should have been startling, for the hour was late--twelve
+o'clock had struck across the way--and I had thought that I was quite
+alone. But there was something so friendly and easy in his attitude--he
+was a young man, little more than a lanky boy--that instead of being
+frightened, I swung calmly around for a better look. He sat with his legs
+stretched before him and with his chin resting in his hand, as though in
+thought. By the light that fell on him from the fire, I saw that he wore a
+brown checked suit and that he was clean and respectable in appearance. His
+face was in shadow.
+
+"Good evening," I said, "you startled me."
+
+"I am sorry," he replied. "I beg your pardon. I was going by and I saw your
+light. I wished to make your acquaintance. But I saw at once that I was
+intruding, so I sat here. You were quite absorbed. Would you mind if I
+mended the fire?"
+
+Without waiting for an answer, he took the poker and dealt the logs several
+blows. It didn't greatly help the flame, but he poked with such enjoyment
+that I smiled. I have myself rather a liking for stirring a fire. He set
+another log in place. Then he drew from his pocket a handful of dried
+orange peel. "I love to see it burn," he said. "It crackles and spits." He
+ranged the peel upon the log where the flame would get it, and then settled
+himself in the big chair.
+
+"Perhaps you smoke?" I asked, pushing toward him a box of cigarettes.
+
+He smiled. "I thought that you would know my habits. I don't smoke."
+
+"So you were going by and came up to see me?" I asked.
+
+"Yes. I was not sure that I would know you. You are a little older than I
+thought, a little--stouter, but dear me, how you have lost your hair! But
+you have quite forgotten me."
+
+"My dear boy," I said, "you have the advantage of me. Where have I seen
+you? There is something familiar about you and I am sure that I have seen
+that brown suit before."
+
+"We have never really known each other," the boy replied. "We met once, but
+only for an instant. But I have thought of you since that meeting a great
+many times. I lay this afternoon on a hilltop and wondered what you would
+be like. But I hoped that sometimes you would think of me. Perhaps you have
+forgotten that I used to collect railway maps and time-tables."
+
+"Did you?" I replied. "So did I when I was a little younger than you are.
+Perhaps if I might see your face, I would know you."
+
+"It's nothing for show," he replied, and he kept it still in shadow. "Would
+you mind," he said at length, "if I ate an apple?" He took one from his
+pocket and broke it in his hands. "You eat half," he said.
+
+I accepted the part he offered me. "Perhaps you would like a knife and
+plate," I said. "I can find them in the pantry."
+
+"Not for me," he replied. "I prefer to eat mine this way." He took an
+enveloping bite.
+
+"I myself care nothing for plates," I said. We ate in silence. Presently:
+"You have my habit," I said, "of eating everything, skin, seeds and all."
+
+"Everything but the stem," he replied.
+
+By this time the orange peel was hissing and exploding.
+
+"You are an odd boy," I said. "I used to put orange peel away to dry in
+order to burn it. We seem to be as like as two peas."
+
+"I wonder," he said, "if that is so." He turned in his chair and faced me,
+although his face was still in shadow. "Doubtless, we are far different in
+many things. Do you swallow grape seeds?"
+
+"Hardly!" I cried. "I spit them out."
+
+"I am glad of that." He paused. "It was a breezy hilltop where I lay. I
+thought of you all afternoon. You are famous, of course?"
+
+"Dear me, no!"
+
+"Oh, I'm so sorry. I had hoped you might be. I had counted on it. It is
+very disappointing. I was thinking about that as I lay on the hill. But
+aren't you just on the point of doing something that will make you famous?"
+
+"By no means."
+
+"Dear me, I am so sorry. Do you happen to be married?"
+
+"Yes."
+
+"And would you mind telling me her name?"
+
+I obliged him.
+
+"I don't remember to have heard of her. I didn't think of that name once
+as I lay upon the hill. Things don't turn out as one might expect. Now, I
+would have thought--but it's no matter."
+
+For a moment or so he was lost in thought, and then he spoke again: "You
+were writing when I came into the room?"
+
+"Nothing important."
+
+The boy ran his fingers in his hair and threw out his arms impatiently.
+"That's what I would like to do. I am in college, and I try for one of the
+papers. But my stuff comes back. But this summer in the vacation, I am
+working in an office. I run errands and when there is nothing else to do, I
+study a big invoice book, so as to get the names of things that are bought.
+There is a racket of drays and wagons outside the windows, and along in
+the middle of the afternoon I get tired and thick in my head. But I write
+Saturday afternoons and Sunday mornings."
+
+The boy stopped and fixed his eyes on me. "I don't suppose that you happen
+to be a poet?"
+
+"Not at all," I replied. "But perhaps you are one. Tell me about it!"
+
+The boy took a turn at the fire with the poker, but it was chiefly in
+embarrassment. Presently he returned to his chair. He stretched his long
+arms upward above his head.
+
+"No, I'm not," he said. "And yet sometimes I think that I have a kind of
+poetry in me. Only I can't get it into words. I lay thinking about that,
+too, on the hillside. There was a wind above my head, and I thought that I
+could almost put words to the tune. But I have never written a single poem.
+Yet, goodness me, what thoughts I have! But they aren't real thoughts--what
+you would regularly call thoughts. Things go racing and tingling in my
+head, but I can never get them down. They are just feelings."
+
+As he spoke, the boy gazed intently through the chimney bricks out into
+another world. The fireplace was its portal and he seemed to wait for the
+fires to cool before entering into its possession. It was several moments
+before he spoke again.
+
+"I don't want you to think me ridiculous, but so few understand. If only I
+could master the tools! Perhaps my thoughts are old, but they come to me
+with such freshness and they are so unexpected. Could I only solve the
+frets and spaces inside me here, I could play what tune I chose. But my
+feelings are cold and stale before I can get them into thoughts. I have no
+doubt, however, that they are just as real as those other feelings that in
+time, after much scratching, get into final form and become poetry. I
+know of course that a man's reach should exceed his grasp--it's hackneyed
+enough--but just for once I would like to pull down something when I have
+been up on tiptoe for a while.
+
+"Sometimes I get an impression of pity--a glance up a dark hallway--an old
+woman with a shawl upon her head--a white face at a window--a blind fiddler
+in the street--but the impression is gone in a moment. Or a touch of beauty
+gets me. It may be nothing but a street organ in the spring. Perhaps you
+like street organs, too?"
+
+"I do, indeed!" I cried. "There was one today outside my window and my feet
+kept wiggling to it."
+
+The boy clapped his hands. "I knew that you would be like that. I hoped for
+it on the hill. As for me, when I hear one, I'm so glad that I could cry
+out. In its lilt there is the rhythm of life. It moves me more than a
+hillside with its earliest flowers. Am I absurd? It is equal to the pipe of
+birds, to shallow waters and the sound of wind to stir me to thoughts of
+April. Today as I came downtown, I saw several merry fellows dancing on
+the curb. There are tunes, too, upon the piano that send me off. I play a
+little myself. I see you have a piano. Do you still play?"
+
+"A little, rather sadly," I replied.
+
+"That's too bad, but perhaps you sing?"
+
+"Even worse."
+
+"Dear me, that's too bad. I have rather a voice myself. Well, as I was
+saying, when I hear those tunes, I curl up with the smoke and blow forth
+from the chimney. If I walk upon the street when the wind is up, and see a
+light fleece of smoke coming from a chimney top, I think that down below
+someone is listening to music that he likes, and that his thoughts ride
+upon the night, like those white streamers of smoke. And then I think of
+castles and mountains and high places and the sounds of storm. Or in fancy
+I see a tower that tapers to the moon with a silver gleam upon it."
+
+The strange boy lay back and laughed. "Musicians think that they are the
+only ones that can hear the finer sounds. If one of us common fellows cocks
+his ear, they think that only the coarser thumps get inside. And artists
+think that they alone know the glory of color. I was thinking of that, this
+afternoon. And yet I have walked under the blue sky. I have seen twilights
+that these men of paint would botch on canvas. But both musicians and
+artists have a vision that is greater than their product. The soul of a man
+can hardly be recorded in black and white keys. Nor can a little pigment
+which you rub upon your thumb be the measure of an artist. So I suppose
+that is the way also with poets. It is not to be expected that they can
+express themselves fully in words that they have borrowed from the kitchen.
+When their genius flames up, it is only the lesser sparks that fall upon
+their writing pads. It consoles me that a man should be greater than his
+achievement. I who have done so little would otherwise be so forlorn."
+
+"It's odd," I said, when he had fallen into silence, "that I used to feel
+exactly as you do. It stirs an old recollection. If I am not mistaken, I
+once wrote a paper on the subject."
+
+The boy smiled dreamily. "But if small persons like myself," he began, "can
+have such frenzies, how must it be with those greater persons who have
+amazed the world? I have wondered in what kind of exaltation Shakespeare
+wrote his storm in 'Lear.' There must have been a first conception greater
+even than his accomplishment. Did he look from his windows at a winter
+tempest and see miserable old men and women running hard for shelter? Did
+a flash of lightning bare his soul to the misery, the betrayal and the
+madness of the world? His supreme moment was not when he flung the
+completed manuscript aside, or when he heard the actors mouth his lines,
+but in the flash and throb of creation--in the moment when he knew that he
+had the power in him to write 'Lear.' What we read is the cold forging,
+wonderful and enduring, but not to be compared to the producing furnace."
+
+The boy had spoken so fast that he was out of breath.
+
+"Hold a bit!" I cried. "What you have said sounds familiar. Where could I
+have heard it before?"
+
+There was something almost like a sneer on the boy's face. "What a memory
+you have! And perhaps you recall this brown suit, too. It's ugly enough to
+be remembered. Now please let me finish what came to me this afternoon on
+the hill! Prometheus," he continued, "scaled the heavens and brought back
+fire to mortals. And he, as the story goes, clutched at a lightning bolt
+and caught but a spark. And even that, glorious. Mankind properly accredits
+him with a marvellous achievement. It is for this reason that I comfort
+myself although I have not yet written a single line of verse."
+
+"My dear fellow," I said, "please tell me where I have read something like
+what you have spoken?"
+
+The boy's answer was irrelevant. "You first tell me what you did with a
+brown checked suit you once owned."
+
+"I never owned but one brown suit," I replied, "and that was when I was
+still in college. I think that I gave it away before it was worn out."
+
+The boy once more clapped his hands. "Oh, I knew it, I knew it. I'll give
+mine tomorrow to the man who takes our ashes. Now, won't you please play
+the piano for me?"
+
+"Assuredly. Choose your tune!"
+
+He fumbled a bit in the rack and passing some rather good music, he held up
+a torn and yellow sheet. "This is what I want," he said.
+
+I had not played it for many years. After a false start or so--for it was
+villainously set in four sharps for which I have an aversion--I got through
+it. On a second trial I did better.
+
+The boy made no comment. He had sunk down in his chair until he was quite
+out of sight. "Well," I said, "what next?"
+
+There was no answer.
+
+I arose from the bench and glanced in his direction. "Hello," I cried,
+"what has become of you?"
+
+The chair was empty. I turned on all the lights. He was nowhere in sight. I
+shook the hangings. I looked under my desk, for perhaps the lad was hiding
+from me in jest. It was unlikely that he could have passed me to gain the
+door, but I listened at the sill for any sound upon the stairs. The hall
+was silent. I called without response. Somewhat bewildered I came back to
+the hearth. Only a few minutes before, as it seemed, there had been a brisk
+fire with a row of orange peel upon the upper log. Now all trace of the
+peel was gone and the logs had fallen to a white ash.
+
+I was standing perplexed, when I observed that a little pile of papers lay
+on the rug just off the end of my desk as by a careless elbow. At least,
+I thought, this impolite fellow has forgotten some of his possessions. It
+will serve him right if it is poetry that he wrote upon the hilltop.
+
+I picked up the papers. They were yellow and soiled, and writing was
+scrawled upon them. At the top was a date--but it was twenty years old.
+I turned to the last sheet. At least I could learn the boy's name. To my
+amazement, I saw at the bottom in an old but familiar writing, not the
+boy's name, but my own.
+
+I gazed at the chimney bricks and their substance seemed to part before my
+eyes. I looked into a world beyond--a fabric of moonlight and hilltop and
+the hot fret of youth. Perhaps the boy had only been waiting for the fire
+upon the hearth to cool to enter this other world of his restless ambition
+and desire.
+
+Reader, if by chance you have the habit of writing--let us confine
+ourselves now to sonnets and such airy matter as rides upon the
+night--doubtless, you sit sometimes at your desk bare of thoughts. The
+juices of your intellect are parched and dry. In such plight, I beg you
+not to fall upon your fingers or to draw pictures on your sheet. But most
+vehemently, and with such emphasis as I possess, I beg you not to rummage
+among your rejected and broken fragments in the hope of recasting a
+withered thought to a present mood. Rather, before you sour and curdle,
+it is good to put on your hat and take your stupid self abroad.
+
+
+
+
+End of the Project Gutenberg EBook of There's Pippins And Cheese To Come
+by Charles S. Brooks
+
+*** END OF THE PROJECT GUTENBERG EBOOK 10023 ***
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..2db143f
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #10023 (https://www.gutenberg.org/ebooks/10023)
diff --git a/old/10023.txt b/old/10023.txt
new file mode 100644
index 0000000..69cd022
--- /dev/null
+++ b/old/10023.txt
@@ -0,0 +1,3583 @@
+Project Gutenberg's There's Pippins And Cheese To Come, by Charles S. Brooks
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: There's Pippins And Cheese To Come
+
+Author: Charles S. Brooks
+
+Release Date: November 8, 2003 [EBook #10023]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THERE'S PIPPINS AND CHEESE TO COME ***
+
+
+
+
+Produced by Ted Garvin, Josephine Paolucci and PG Distributed Proofreaders
+
+
+
+
+Other Books by the Same Author:
+
+ "Journeys to Bagdad"
+ _Sixth printing_.
+
+ "Chimney-Pot Papers"
+ _Third printing_.
+
+ "Hints to Pilgrims"
+
+
+
+
+THERE'S PIPPINS
+
+AND
+
+CHEESE TO COME
+
+BY
+
+CHARLES S. BROOKS
+
+1917
+
+
+Illustrated by Theodore Diedricksen, Jr.
+
+
+
+
+TO MY FATHER AND MOTHER
+
+
+
+
+CONTENTS
+
+I. There's Pippins and Cheese to Come
+
+II. On Buying Old Books
+
+III. Any Stick Will Do to Beat a Dog
+
+IV. Roads of Morning
+
+V. The Man of Grub Street Comes from His Garret
+
+VI. Now that Spring is Here
+
+VII. The Friendly Genii
+
+VIII. Mr. Pepys Sits in the Pit
+
+IX. To an Unknown Reader
+
+X. A Plague of All Cowards
+
+XI. The Asperities of the Early British Reviewers
+
+XII. The Pursuit of Fire
+
+
+
+
+THERE'S PIPPINS AND CHEESE TO COME
+
+
+
+
+There's Pippins and Cheese To Come
+
+
+In my noonday quest for food, if the day is fine, it is my habit to shun
+the nearer places of refreshment. I take the air and stretch myself. Like
+Eve's serpent I go upright for a bit. Yet if time presses, there may be had
+next door a not unsavory stowage. A drinking bar is nearest to the street
+where its polished brasses catch the eye. It holds a gilded mirror to such
+red-faced nature as consorts within. Yet you pass the bar and come upon a
+range of tables at the rear.
+
+Now, if you yield to the habits of the place you order a rump of meat.
+Gravy lies about it like a moat around a castle, and if there is in you the
+zest for encounter, you attack it above these murky waters. "This castle
+hath a pleasant seat," you cry, and charge upon it with pike advanced. But
+if your appetite is one to peck and mince, the whiffs that breathe upon the
+place come unwelcome to your nostrils. In no wise are they like the sweet
+South upon your senses. There is even a suspicion in you--such is your
+distemper--that it is too much a witch's cauldron in the kitchen, "eye of
+newt, and toe of frog," and you spy and poke upon your food. Bus boys bear
+off the crockery as though they were apprenticed to a juggler and were only
+at the beginning of their art. Waiters bawl strange messages to the cook.
+It's a tongue unguessed by learning, yet sharp and potent. Also, there
+comes a riot from the kitchen, and steam issues from the door as though the
+devil himself were a partner and conducted here an upper branch. Like the
+man in the old comedy, your belly may still ring dinner, but the tinkle is
+faint. Such being your state, you choose a daintier place to eat.
+
+Having now set upon a longer journey--the day being fine and the sidewalks
+thronged--you pass by a restaurant that is but a few doors up the street.
+A fellow in a white coat flops pancakes in the window. But even though the
+pancake does a double somersault and there are twenty curious noses pressed
+against the glass, still you keep your course uptown.
+
+Nor are you led off because a near-by stairway beckons you to a Chinese
+restaurant up above. A golden dragon swings over the door. Its race has
+fallen since its fire-breathing grandsire guarded the fruits of the
+Hesperides. Are not "soys" and "chou meins" and other such treasures of the
+East laid out above? And yet the dragon dozes at its post like a sleepy
+dog. No flame leaps up its gullet. The swish of its tail is stilled. If it
+wag at all, it's but in friendship or because a gust of wind has stirred it
+from its dreams.
+
+I have wondered why Chinese restaurants are generally on the second story.
+A casual inquiry attests it. I know of one, it is true, on the ground
+level, yet here I suspect a special economy. The place had formerly been a
+German restaurant, with Teuton scrolls, "Ich Dien," and heraldries on its
+walls. A frugal brush changed the decoration. From the heart of a Prussian
+blazonry, there flares on you in Chinese yellow a recommendation to try
+"Our Chicken Chop Soy." The quartering of the House of Hohenzollern wears a
+baldric in praise of "Subgum Noodle Warmein," which it seems they cook to
+an unusual delicacy. Even a wall painting of Rip Van Winkle bowling at
+tenpins in the mountains is now set off with a pigtail. But the chairs were
+Dutch and remain as such. Generally, however, Chinese restaurants are on
+the second story. Probably there is a ritual from the ancient days of Ming
+Ti that Chinamen when they eat shall sit as near as possible to the sacred
+moon.
+
+But hold a bit! In your haste up town to find a place to eat, you are
+missing some of the finer sights upon the way. In these windows that
+you pass, the merchants have set their choicest wares. If there is any
+commodity of softer gloss than common, or one shinier to the eye--so
+that your poverty frets you--it is displayed here. In the window of the
+haberdasher, shirts--mere torsos with not a leg below or head above--yet
+disport themselves in gay neckwear. Despite their dismemberment they are
+tricked to the latest turn of fashion. Can vanity survive such general
+amputation? Then there is hope for immortality.
+
+But by what sad chance have these blithe fellows been disjointed? If
+a gloomy mood prevails in you--as might come from a bad turn of the
+market--you fancy that the evil daughter of Herodias still lives around the
+corner, and that she has set out her victims to the general view. If there
+comes a hurdy-gurdy on the street and you cock your ear to the tune of
+it, you may still hear the dancing measure of her wicked feet. Or it is
+possible that these are the kindred of Holofernes and that they have supped
+guiltily in their tents with a sisterhood of Judiths.
+
+Or we may conceive--our thoughts running now to food--that these gamesome
+creatures of the haberdasher had dressed themselves for a more recent
+banquet. Their black-tailed coats and glossy shirts attest a rare occasion.
+It was in holiday mood, when they were fresh-combed and perked in their
+best, that they were cut off from life. It would appear that Jack Ketch the
+headsman got them when they were rubbed and shining for the feast. We'll
+not squint upon his writ. It is enough that they were apprehended for some
+rascality. When he came thumping on his dreadful summons, here they were
+already set, fopped from shoes to head in the newest whim. Spoon in hand
+and bib across their knees--lest they fleck their careful fronts--they
+waited for the anchovy to come. And on a sudden they were cut off from
+life, unfit, unseasoned for the passage. Like the elder Hamlet's brother,
+they were engaged upon an act that had no relish of salvation in it. You
+may remember the lamentable child somewhere in Dickens, who because of an
+abrupt and distressing accident, had a sandwich in its hand but no mouth
+to put it in. Or perhaps you recall the cook of the Nancy Bell and his
+grievous end. The poor fellow was stewed in his own stew-pot. It was the
+Elderly Naval Man, you recall--the two of them being the ship's sole
+survivors on the deserted island, and both of them lean with hunger--it was
+the Elderly Naval Man (the villain of the piece) who "ups with his heels,
+and smothers his squeals in the scum of the boiling broth."
+
+And yet by looking on these torsos of the haberdasher, one is not brought
+to thoughts of sad mortality. Their joy is so exultant. And all the things
+that they hold dear--canes, gloves, silk hats, and the newer garments on
+which fashion makes its twaddle--are within reach of their armless sleeves.
+Had they fingers they would be smoothing themselves before the glass. Their
+unbodied heads, wherever they may be, are still smiling on the world,
+despite their divorcement. Their tongues are still ready with a jest, their
+lips still parted for the anchovy to come.
+
+A few days since, as I was thinking--for so I am pleased to call my muddy
+stirrings--what manner of essay I might write and how best to sort and lay
+out the rummage, it happened pat to my needs that I received from a friend
+a book entitled "The Closet of Sir Kenelm Digby Knight Opened." Now, before
+it came I had got so far as to select a title. Indeed, I had written the
+title on seven different sheets of paper, each time in the hope that by
+the run of the words I might leap upon some further thought. Seven times I
+failed and in the end the sheets went into the waste basket, possibly
+to the confusion of Annie our cook, who may have mistaken them for a
+reiterated admonishment towards the governance of her kitchen--at the
+least, a hint of my desires and appetite for cheese and pippins.
+
+"The Closet of Sir Kenelm Digby Opened" is a cook book. It is due you
+to know this at once, otherwise your thoughts--if your nature be
+vagrant--would drift towards family skeletons. Or maybe the domestic traits
+prevail and you would think of dress-clothes hanging in camphorated bags
+and a row of winter boots upon a shelf.
+
+I am disqualified to pass upon the merits of a cook book, for the reason
+that I have little discrimination in food. It is not that I am totally
+indifferent to what lies on the platter. Indeed, I have more than a tribal
+aversion to pork in general, while, on the other hand, I quicken joyfully
+when noodles are interspersed with bacon. I have a tooth for sweets, too,
+although I hold it unmanly and deny it as I can. I am told also--although
+I resent it--that my eye lights up on the appearance of a tray of French
+pastry. I admit gladly, however, my love of onions, whether they come
+hissing from the skillet, or lie in their first tender whiteness. They
+are at their best when they are placed on bread and are eaten largely at
+midnight after society has done its worst.
+
+A fine dinner is lost within me. A quail is but an inferior chicken--a poor
+relation outside the exclusive hennery. Terrapin sits low in my regard,
+even though it has wallowed in the most aristocratic marsh. Through such
+dinners I hack and saw my way without even gaining a memory of my progress.
+If asked the courses, I balk after the recital of the soup. Indeed, I am so
+forgetful of food, even when I dine at home, that I can well believe that
+Adam when he was questioned about the apple was in real confusion. He had
+or he had not. It was mixed with the pomegranate or the quince that Eve had
+sliced and cooked on the day before.
+
+A dinner at its best is brought to a single focus. There is one dish
+to dominate the cloth, a single bulk to which all other dishes are
+subordinate. If there be turkey, it should mount from a central platter.
+Its protruding legs out-top the candles. All other foods are, as it were,
+privates in Caesar's army. They do no more than flank the pageant. Nor may
+the pantry hold too many secrets. Within reason, everything should be
+set out at once, or at least a gossip of its coming should run before.
+Otherwise, if the stew is savory, how shall one reserve a corner for the
+custard? One must partition himself justly--else, by an over-stowage at the
+end, he list and sink.
+
+I am partial to picnics--the spreading of the cloth in the woods or beside
+a stream--although I am not avid for sandwiches unless hunger press me.
+Rather, let there be a skillet in the company and let a fire be started!
+Nor need a picnic consume the day. In summer it requires but the late
+afternoon, with such borrowing of the night as is necessary for the
+journey home. You leave the street car, clanking with your bundles like an
+itinerant tinman. You follow a stream, which on these lower stretches, it
+is sad to say, is already infected with the vices of the city. Like many a
+countryman who has come to town, it has fallen to dissipation. It shows the
+marks of the bottle. Further up, its course is cleaner. You cross it in the
+mud. Was it not Christian who fell into the bog because of the burden on
+his back? Then you climb a villainously long hill and pop out upon an open
+platform above the city.
+
+The height commands a prospect to the west. Below is the smoke of a
+thousand suppers. Up from the city there comes the hum of life, now
+somewhat fallen with the traffic of the day--as though Nature already
+practiced the tune for sending her creatures off to sleep. You light a
+fire. The baskets disgorge their secrets. Ants and other leviathans think
+evidently that a circus has come or that bears are in the town. The chops
+and bacon achieve their appointed destiny. You throw the last bone across
+your shoulder. It slips and rattles to the river. The sun sets. Night like
+an ancient dame puts on her jewels:
+
+ And now that I have climbed and won this height,
+ I must tread downward through the sloping shade
+ And travel the bewildered tracks till night.
+ Yet for this hour I still may here be stayed
+ And see the gold air and the silver fade
+ And the last bird fly into the last light.
+
+By these confessions you will see how unfit I am to comment on the old cook
+book of Sir Kenelm Digby. Yet it lies before me. It may have escaped your
+memory in the din of other things, that in the time when Oliver Cromwell
+still walked the earth, there lived in England a man by the name of Kenelm
+Digby, who was renowned in astrology and alchemy, piracy, wit, philosophy
+and fashion. It appears that wherever learning wagged its bulbous head, Sir
+Kenelm was of the company. It appears, also, that wherever the mahogany did
+most groan, wherever the possets were spiced most delicately to the nose,
+there too did Sir Kenelm bib and tuck himself. With profundity, as
+though he sucked wisdom from its lowest depth, he spouted forth on the
+transmutation of the baser metals or tossed you a phrase from Paracelsus.
+Or with long instructive finger he dissertated on the celestial universe.
+One would have thought that he had stood by on the making of it and that
+his judgment had prevailed in the larger problems. Yet he did not neglect
+his trencher.
+
+And now as time went on, the richness of the food did somewhat dominate his
+person. The girth of his wisdom grew no less, but his body fattened. In
+a word, the good gentleman's palate came to vie with his intellect. Less
+often was he engaged upon some dark saying of Isidore of Seville. Rather,
+even if his favorite topic astrology were uppermost about the table, his
+eye travelled to the pantry on every change of dishes. His fingers, too,
+came to curl most delicately on his fork. He used it like an epicure,
+poking his viands apart for sharpest scrutiny. His nod upon a compote was
+much esteemed.
+
+Now mark his further decline! On an occasion--surely the old rascal's head
+is turned!--he would be found in private talk with his hostess, the Lady of
+Middlesex, or with the Countess of Monmouth, not as you might expect, on
+the properties of fire or on the mortal diseases of man, but--on subjects
+quite removed. Society, we may be sure, began to whisper of these snug
+parleys in the arbor after dinner, these shadowed mumblings on the balcony
+when the moon was up--and Lady Digby stiffened into watchfulness. It was
+when they took leave that she saw the Countess slip a note into her lord's
+fingers. Her jealousy broke out. "Viper!" She spat the words and seized her
+husband's wrist. Of course the note was read. It proved, however, that Sir
+Kenelm was innocent of all mischief. To the disappointment of the gossips,
+who were tuned to a spicier anticipation, the note was no more than a
+recipe of the manner that the Countess was used to mix her syllabub, with
+instruction that it was the "rosemary a little bruised and the limon-peal
+that did quicken the taste." Advice, also, followed in the postscript on
+the making of tea, with counsel that "the boiling water should remain upon
+it just so long as one might say a _miserere_." A mutual innocence being
+now established, the Lady Digby did by way of apology peck the Countess on
+the cheek.
+
+Sir Kenelm died in 1665, full of years. In that day his fame rested chiefly
+on his books in physic and chirurgery. His most enduring work was still to
+be published--"The Closet Opened."
+
+It was two years after his death that his son came upon a bundle of his
+father's papers that had hitherto been overlooked. I fancy that he went
+spying in the attic on a rainy day. In the darkest corner, behind the
+rocking horse--if such devices were known in those distant days--he came
+upon a trunk of his father's papers. "Od's fish," said Sir Kenelm's son,
+"here's a box of manuscripts. It is like that they pertain to alchemy or
+chirurgery." He pulled out a bundle and held it to the light--such light as
+came through the cobwebs of the ancient windows. "Here be strange matters,"
+he exclaimed. Then he read aloud: "My Lord of Bristol's Scotch collops are
+thus made: Take a leg of fine sweet mutton, that to make it tender, is
+kept as long as possible may be without stinking. In winter seven or eight
+days"--"Ho! Ho!" cried Sir Kenelm's son. "This is not alchemy!" He drew out
+another parchment and read again: "My Lord of Carlile's sack posset, how
+it's made: Take a pottle of cream and boil in it a little whole cinnamon
+and three or four flakes of mace. Boil it until it simpreth and bubbleth."
+
+By this time, as you may well imagine, Sir Kenelm's son was wrought to an
+excitement. It is likely that he inherited his father's palate and that the
+juices of his appetite were stirred. Seizing an armful of the papers, he
+leaped down the attic steps, three at a time. His lady mother thrust a
+curled and papered head from her door and asked whether the chimney were
+afire, but he did not heed her. The cook was waddling in her pattens. He
+cried to her to throw wood upon the fire.
+
+That night the Digby household was served a delicacy, red herrings broiled
+in the fashion of my Lord d'Aubigny, "short and crisp and laid upon a
+sallet." Also, there was a wheaten flommery as it was made in the West
+Country--for the cook chose quite at random--and a slip-coat cheese as
+Master Phillips proportioned it. Also, against the colic, which was
+ravishing the country, the cook prepared a metheglin as Lady Stuart mixed
+it--"nettles, fennel and grumel seeds, of each two ounces being small-cut
+and mixed with honey and boiled together." It is on record that the Lady
+Digby smiled for the first time since her lord had died, and when the
+grinning cook bore in the platter, she beat upon the table with her spoon.
+
+The following morning, Sir Kenelm's son posted to London bearing the
+recipes, with a pistol in the pocket of his great coat against the crossing
+of Hounslow Heath. He went to a printer at the Star in Little Britain whose
+name was H. Brome.
+
+Shortly the book appeared. It was the son who wrote the preface: "There
+needs no Rhetoricating Floscules to set it off. The Authour, as is well
+known, having been a Person of Eminency for his Learning, and of Exquisite
+Curiosity in his Researches. Even that Incomparable Sir Kenelme Digbie
+Knight, Fellow of the Royal Society and Chancellour to the Queen Mother,
+(Et omen in Nomine) His name does sufficiently Auspicate the Work." The
+sale of the book is not recorded. It is supposed that the Lady Middlesex,
+so many of whose recipes had been used, directed that her chair be carried
+to the shop where the book was for sale and that she bought largely of it.
+The Countess of Dorset bought a copy and spelled it out word for word to
+her cook. As for the Lady Monmouth, she bought not a single copy, which
+neglect on coming to the Digbys aroused a coolness.
+
+To this day it is likely that a last auspicated volume still sits on its
+shelf with the spice jars in some English country kitchen and that a worn
+and toothless cook still thumbs its leaves. If the guests about the table
+be of an antique mind, still will they pledge one another with its honeyed
+drinks, still will they pipe and whistle of its virtues, still will they--
+
+"EAT"--A flaring sign hangs above the sidewalk. By this time, in our
+noonday search for food, we have come into the thick of the restaurants. In
+the jungle of the city, here is the feeding place. Here come the growling
+bipeds for such bones and messes as are thrown them.
+
+The waiter thrusts a card beneath my nose. "Nice leg of lamb, sir?" I waved
+him off. "Hold a bit!" I cried. "You'll fetch me a capon in white broth as
+my Lady Monmouth broileth hers. Put plentiful sack in it and boil it until
+it simpreth!" The waiter scratched his head. "The chicken pie is good," he
+said. "It's our Wednesday dish." "Varlet!" I cried--then softened. "Let it
+be the chicken pie! But if the cook knoweth the manner that Lord Carlile
+does mix and pepper it, let that manner be followed to the smallest
+fraction of a pinch!"
+
+
+
+
+
+On Buying Old Books
+
+
+By some slim chance, reader, you may be the kind of person who, on a visit
+to a strange city, makes for a bookshop. Of course your slight temporal
+business may detain you in the earlier hours of the day. You sit with
+committees and stroke your profound chin, or you spend your talent in the
+market, or run to and fro and wag your tongue in persuasion. Or, if you be
+on a holiday, you strain yourself on the sights of the city, against being
+caught in an omission. The bolder features of a cathedral must be grasped
+to satisfy a quizzing neighbor lest he shame you later on your hearth, a
+building must be stuffed inside your memory, or your pilgrim feet must wear
+the pavement of an ancient shrine. However, these duties being done and the
+afternoon having not yet declined, do you not seek a bookshop to regale
+yourself?
+
+Doubtless, we have met. As you have scrunched against the shelf not to
+block the passage, but with your head thrown back to see the titles up
+above, you have noticed at the corner of your eye--unless it was one of
+your blinder moments when you were fixed wholly on the shelf--a man in
+a slightly faded overcoat of mixed black and white, a man just past the
+nimbleness of youth, whose head is plucked of its full commodity of hair.
+It was myself. I admit the portrait, though modesty has curbed me short of
+justice.
+
+Doubtless, we have met. It was your umbrella--which you held villainously
+beneath your arm--that took me in the ribs when you lighted on a set of
+Fuller's Worthies. You recall my sour looks, but it was because I had
+myself lingered on the volumes but cooled at the price. How you smoothed
+and fingered them! With what triumph you bore them off! I bid you--for I
+see you in a slippered state, eased and unbuttoned after dinner--I bid you
+turn the pages with a slow thumb, not to miss the slightest tang of their
+humor. You will of course go first, because of its broad fame, to the page
+on Shakespeare and Ben Jonson and their wet-combats at the Mermaid. But
+before the night is too far gone and while yet you can hold yourself from
+nodding, you will please read about Captain John Smith of Virginia and his
+"strange performances, the scene whereof is laid at such a distance, they
+are cheaper credited than confuted."
+
+In no proper sense am I a buyer of old books. I admit a bookish quirk
+maybe, a love of the shelf, a weakness for morocco, especially if it is
+stained with age. I will, indeed, shirk a wedding for a bookshop. I'll
+go in "just to look about a bit, to see what the fellow has," and on an
+occasion I pick up a volume. But I am innocent of first editions. It is
+a stiff courtesy, as becomes a democrat, that I bestow on this form
+of primogeniture. Of course, I have nosed my way with pleasure along
+aristocratic shelves and flipped out volumes here and there to ask their
+price, but for the greater part, it is the plainer shops that engage me. If
+a rack of books is offered cheap before the door, with a fixed price upon a
+card, I come at a trot. And if a brown dust lies on them, I bow and sniff
+upon the rack, as though the past like an ancient fop in peruke and buckle
+were giving me the courtesy of its snuff box. If I take the dust in my
+nostrils and chance to sneeze, it is the fit and intended observance toward
+the manners of a former century.
+
+I have in mind such a bookshop in Bath, England. It presents to the street
+no more than a decent front, but opens up behind like a swollen bottle.
+There are twenty rooms at least, piled together with such confusion of
+black passages and winding steps, that one might think that the owner
+himself must hold a thread when he visits the remoter rooms. Indeed, such
+are the obscurities and dim turnings of the place, that, were the legend of
+the Minotaur but English, you might fancy that the creature still lived in
+this labyrinth, to nip you between his toothless gums--for the beast grows
+old--at some darker corner. There is a story of the place, that once a raw
+clerk having been sent to rummage in the basement, his candle tipped off
+the shelf. He was left in so complete darkness that his fears overcame his
+judgment and for two hours he roamed and babbled among the barrels. Nor was
+his absence discovered until the end of the day when, as was the custom,
+the clerks counted noses at the door. When they found him, he bolted up the
+steps, nor did he cease his whimper until he had reached the comforting
+twilight of the outer world. He served thereafter in the shop a full two
+years and had a beard coming--so the story runs--before he would again
+venture beyond the third turning of the passage; to the stunting of his
+scholarship, for the deeper books lay in the farther windings.
+
+Or it may appear credible that in ages past a jealous builder contrived the
+place. Having no learning himself and being at odds with those of better
+opportunity, he twisted the pattern of the house. Such was his evil temper,
+that he set the steps at a dangerous hazard in the dark, in order that
+scholars--whose eyes are bleared at best--might risk their legs to the end
+of time. Those of strict orthodoxy have even suspected the builder to have
+been an atheist, for they have observed what double joints and steps and
+turnings confuse the passage to the devouter books--the Early Fathers in
+particular being up a winding stair where even the soberest reader might
+break his neck. Be these things as they may, leather bindings in sets of
+"grenadier uniformity" ornament the upper and lighter rooms. Biography
+straggles down a hallway, with a candle needed at the farther end. A room
+of dingy plays--Wycherley, Congreve and their crew--looks out through an
+area grating. It was through even so foul an eye, that when alive, they
+looked upon the world. As for theology, except for the before-mentioned
+Fathers, it sits in general and dusty convention on the landing to the
+basement, its snuffy sermons, by a sad misplacement--or is there an
+ironical intention?--pointing the way to the eternal abyss below.
+
+It was in this shop that I inquired whether there was published a book on
+piracy in Cornwall. Now, I had lately come from Tintagel on the Cornish
+coast, and as I had climbed upon the rocks and looked down upon the sea, I
+had wondered to myself whether, if the knowledge were put out before me, I
+could compose a story of Spanish treasure and pirates. For I am a prey to
+such giddy ambition. A foul street--if the buildings slant and topple--will
+set me thinking delightfully of murders. A wharf-end with water lapping
+underneath and bits of rope about will set me itching for a deep-sea plot.
+Or if I go on broader range and see in my fancy a broken castle on a hill,
+I'll clear its moat and sound trumpets on its walls. If there is pepper
+in my mood, I'll storm its dungeon. Or in a softer moment I'll trim its
+unsubstantial towers with pageantry and rest upon my elbow until I fall
+asleep. So being cast upon the rugged Cornish coast whose cliffs are so
+swept with winter winds that the villages sit for comfort in the hollows,
+it was to be expected that my thoughts would run toward pirates.
+
+There is one rock especially which I had climbed in the rain and fog of
+early morning. A reckless path goes across its face with a sharp pitch to
+the ocean. It was so slippery and the wind so tugged and pulled to throw me
+off, that although I endangered my dignity, I played the quadruped on the
+narrower parts. But once on top in the open blast of the storm and safe
+upon the level, I thumped with desire for a plot. In each inlet from the
+ocean I saw a pirate lugger--such is the pleasing word--with a keg of rum
+set up. Each cranny led to a cavern with doubloons piled inside. The
+very tempest in my ears was compounded out of ships at sea and wreck and
+pillage. I needed but a plot, a thread of action to string my villains on.
+If this were once contrived, I would spice my text with sailors' oaths and
+such boasting talk as might lie in my invention. Could I but come upon a
+plot, I might yet proclaim myself an author.
+
+With this guilty secret in me I blushed as I asked the question. It seemed
+sure that the shopkeeper must guess my purpose. I felt myself suspected as
+though I were a rascal buying pistols to commit a murder. Indeed, I seem
+to remember having read that even hardened criminals have become confused
+before a shopkeeper and betrayed themselves. Of course, Dick Turpin and
+Jerry Abershaw could call for pistols in the same easy tone they ordered
+ale, but it would take a practiced villainy. But I in my innocence wanted
+nothing but the meager outline of a pirate's life, which I might fatten to
+my uses.
+
+But on a less occasion, when there is no plot thumping in me, I still feel
+a kind of embarrassment when I ask for a book out of the general demand. I
+feel so like an odd stick. This embarrassment applies not to the request
+for other commodities. I will order a collar that is quite outside the
+fashion, in a high-pitched voice so that the whole shop can hear. I could
+bargain for a purple waistcoat--did my taste run so--and though the
+sidewalk listened, it would not draw a blush. I have traded even for
+women's garments--though this did strain me--without an outward twitch.
+Finally, to top my valor, I have bought sheet music of the lighter kind and
+have pronounced the softest titles so that all could hear. But if I desire
+the poems of Lovelace or the plays of Marlowe, I sidle close up to the
+shopkeeper to get his very ear. If the book is visible, I point my thumb at
+it without a word.
+
+It was but the other day--in order to fill a gap in a paper I was
+writing--I desired to know the name of an author who is obscure although
+his work has been translated into nearly all languages. I wanted to know a
+little about the life of the man who wrote _Mary Had a Little Lamb_, which,
+I am told, is known by children over pretty much all the western world. It
+needed only a trip to the Public Library. Any attendant would direct me to
+the proper shelf. Yet once in the building, my courage oozed. My question,
+though serious, seemed too ridiculous to be asked. I would sizzle as I
+met the attendant's eye. Of a consequence, I fumbled on my own devices,
+possibly to the increase of my general knowledge, but without gaining what
+I sought.
+
+They had no book in the Bath shop on piracy in Cornwall. I was offered
+instead a work in two volumes on the notorious highwaymen of history, and
+for a moment my plot swerved in that direction. But I put it by. To pay the
+fellow for his pains--for he had dug in barrels to his shoulders and had a
+smudge across his nose--I bought a copy of Thomson's "Castle of Indolence,"
+and in my more energetic moods I read it. And so I came away.
+
+On leaving the shop, lest I should be nipped in a neglect, I visited the
+Roman baths. Then I took the waters in the Assembly Room. It was Sam
+Weller, you may recall, who remarked, when he was entertained by the select
+footmen, that the waters tasted like warm flat-irons. Finally, I viewed
+the Crescent around which the shirted Winkle ran with the valorous Dowler
+breathing on his neck. With such distractions, as you may well imagine,
+Cornish pirates became as naught. Such mental vibration as I had was now
+gone toward a tale of fashion in the days when Queen Anne was still alive.
+Of a consequence, I again sought the bookshop and stifling my timidity, I
+demanded such volumes as might set me most agreeably to my task.
+
+I have in mind also a bookshop of small pretension in a town in Wales. For
+purely secular delight, maybe, it was too largely composed of Methodist
+sermons. Hell fire burned upon its shelves with a warmth to singe so poor a
+worm as I. Yet its signboard popped its welcome when I had walked ten miles
+of sunny road. Possibly it was the chair rather than the divinity that
+keeps the place in memory. The owner was absent on an errand, and his
+daughter, who had been clumping about the kitchen on my arrival, was
+uninstructed in the price marks. So I read and fanned myself until his
+return.
+
+Perhaps my sluggishness toward first editions--to which I have hinted
+above--comes in part from the acquaintance with a man who in a linguistic
+outburst as I met him, pronounced himself to be a numismatist and
+philatelist. One only of these names would have satisfied a man of less
+conceit. It is as though the pteranodon should claim also to be the
+spoon-bill dinosaur. It is against modesty that one man should summon all
+the letters. No, the numismatist's head is not crammed with the mysteries
+of life and death, nor is a philatelist one who is possessed with the
+dimmer secrets of eternity. Rather, this man who was so swelled with
+titles, eked a living by selling coins and stamps, and he was on his way
+to Europe to replenish his wares. Inside his waistcoat, just above his
+liver--if he owned so human an appendage--he carried a magnifying glass.
+With this, when the business fit was on him, he counted the lines and dots
+upon a stamp, the perforations on its edge. He catalogued its volutes, its
+stipples, the frisks and curlings of its pattern. He had numbered the very
+hairs on the head of George Washington, for in such minutiae did the value
+of the stamp reside. Did a single hair spring up above the count, it would
+invalidate the issue. Such values, got by circumstance or accident--resting
+on a flaw--founded on a speck--cause no ferment of my desires.
+
+For the buying of books, it is the cheaper shops where I most often prowl.
+There is in London a district around Charing Cross Road where almost every
+shop has books for sale. There is a continuous rack along the sidewalk,
+each title beckoning for your attention. You recall the class of
+street-readers of whom Charles Lamb wrote--"poor gentry, who, not having
+wherewithal to buy or hire a book, filch a little learning at the open
+stalls." It was on some such street that these folk practiced their
+innocent larceny. If one shopkeeper frowned at the diligence with which
+they read "Clarissa," they would continue her distressing adventures across
+the way. By a lingering progress up the street, "Sir Charles Grandison"
+might be nibbled down--by such as had the stomach--without the outlay of
+a single penny. As for Gibbon and the bulbous historians, though a whole
+perusal would outlast the summer and stretch to the colder months, yet with
+patience they could be got through. However, before the end was come even a
+hasty reader whose eye was nimble on the page would be blowing on his nails
+and pulling his tails between him and the November wind.
+
+But the habit of reading at the open stalls was not only with the poor. You
+will remember that Mr. Brownlow was addicted. Really, had not the Artful
+Dodger stolen his pocket handkerchief as he was thus engaged upon his book,
+the whole history of Oliver Twist must have been quite different. And Pepys
+himself, Samuel Pepys, F.R.S., was guilty. "To Paul's Church Yard," he
+writes, "and there looked upon the second part of Hudibras, which I buy
+not, but borrow to read." Such parsimony is the curse of authors. To thumb
+a volume cheaply around a neighborhood is what keeps them in their garrets.
+It is a less offence to steal peanuts from a stand. Also, it is recorded in
+the life of Beau Nash that the persons of fashion of his time, to pass a
+tedious morning "did divert themselves with reading in the booksellers'
+shops." We may conceive Mr. Fanciful Fopling in the sleepy blink of those
+early hours before the pleasures of the day have made a start, inquiring
+between his yawns what latest novels have come down from London, or whether
+a new part of "Pamela" is offered yet. If the post be in, he will prop
+himself against the shelf and--unless he glaze and nod--he will read
+cheaply for an hour. Or my Lady Betty, having taken the waters in the
+pump-room and lent her ear to such gossip as is abroad so early, is now
+handed to her chair and goes round by Gregory's to read a bit. She is
+flounced to the width of the passage. Indeed, until the fashion shall
+abate, those more solid authors that are set up in the rear of the shop,
+must remain during her visits in general neglect. Though she hold herself
+against the shelf and tilt her hoops, it would not be possible to pass. She
+is absorbed in a book of the softer sort, and she flips its pages against
+her lap-dog's nose.
+
+But now behold the student coming up the street! He is clad in shining
+black. He is thin of shank as becomes a scholar. He sags with knowledge. He
+hungers after wisdom. He comes opposite the bookshop. It is but coquetry
+that his eyes seek the window of the tobacconist. His heart, you may be
+sure, looks through the buttons at his back. At last he turns. He pauses on
+the curb. Now desire has clutched him. He jiggles his trousered shillings.
+He treads the gutter. He squints upon the rack. He lights upon a treasure.
+He plucks it forth. He is unresolved whether to buy it or to spend the
+extra shilling on his dinner. Now all you cooks together, to save your
+business, rattle your pans to rouse him! If within these ancient buildings
+there are onions ready peeled--quick!--throw them in the skillet that the
+whiff may come beneath his nose! Chance trembles and casts its vote--eenie
+meenie--down goes the shilling--he has bought the book. Tonight he will
+spread it beneath his candle. Feet may beat a snare of pleasure on the
+pavement, glad cries may pipe across the darkness, a fiddle may scratch its
+invitation--all the rumbling notes of midnight traffic will tap in vain
+their summons upon his window.
+
+
+
+
+Any Stick Will Do To Beat A Dog
+
+
+Reader, possibly on one of your country walks you have come upon a man with
+his back against a hedge, tormented by a fiend in the likeness of a dog.
+You yourself, of course, are not a coward. You possess that cornerstone of
+virtue, a love for animals. If at your heels a dog sniffs and growls, you
+humor his mistake, you flick him off and proceed with unbroken serenity. It
+is scarcely an interlude to your speculation on the market. Or if you work
+upon a sonnet and are in the vein, your thoughts, despite the beast, run
+unbroken to a rhyme. But pity this other whose heart is less stoutly
+wrapped! He has gone forth on a holiday to take the country air, to thrust
+himself into the freer wind, to poke with his stick for such signs of
+Spring as may be hiding in the winter's leaves. Having been grinding in an
+office he flings himself on the great round world. He has come out to smell
+the earth. Or maybe he seeks a hilltop for a view of the fields that lie
+below patched in many colors, as though nature had been sewing at her
+garments and had mended the cloth from her bag of scraps.
+
+On such a journey this fellow is travelling when, at a turn of the road, he
+hears the sound of barking. As yet there is no dog in sight. He pauses. He
+listens. How shall one know whether the sound comes up a wrathful gullet or
+whether the dog bays at him impersonally, as at the distant moon? Or maybe
+he vents himself upon a stubborn cow. Surely it is not an idle tune he
+practices. He holds a victim in his mind. There is sour venom on his
+churlish tooth. Is it best to go roundabout, or forward with such a nice
+compound of innocence, boldness and modesty as shall satisfy the beast? If
+one engross oneself on something that lies to the lee of danger, it allays
+suspicion. Or if one absorb oneself upon the flora--a primrose on the
+river's brim--it shows him clear and stainless. The stupidest dog should
+see that so close a student can have no evil in him. Perhaps it would be
+better to throw away one's stick lest it make a show of violence. Or it may
+be concealed along the outer leg. Ministers of Grace defend us, what an
+excitement in the barnyard! Has virtue no reward? Shall innocence perish
+off the earth? Not one dog, but many, come running out. There has gone
+a rumor about the barn that there is a stranger to be eaten, and it's
+likely--if they keep their clamor--there will be a bone for each. Note how
+the valor oozes from the man of peace! Observe his sidling gait, his skirts
+pulled close, his hollowed back, his head bent across his shoulder, his
+startled eye! Watch him mince his steps, lest a lingering heel be nipped!
+Listen to him try the foremost dog with names, to gull him to a belief that
+they have met before in happier circumstances! He appeals mutely to the
+farmhouse that a recall be sounded. The windows are tightly curtained. The
+heavens are comfortless.
+
+You remember the fellow in the play who would have loved war had they not
+digged villainous saltpetre from the harmless earth. The countryside, too,
+in my opinion, would be more peaceful of a summer afternoon were it not
+overrun with dogs. Let me be plain! I myself like dogs--sleepy dogs
+blinking in the firelight, friendly dogs with wagging tails, young dogs in
+their first puppyhood with their teeth scarce sprouted, whose jaws have not
+yet burgeoned into danger, and old dogs, too, who sun themselves and give
+forth hollow, toothless, reassuring sounds. When a dog assumes the cozy
+habits of the cat without laying off his nobler nature, he is my friend. A
+dog of vegetarian aspect pleases me. Let him bear a mild eye as though he
+were nourished on the softer foods! I would wish every dog to have a full
+complement of tail. It's the sure barometer of his warm regard. There's no
+art to find his mind's construction in the face. And I would have him with
+not too much curiosity. It's a quality that brings him too often to the
+gate. It makes him prone to sniff when one sits upon a visit. Nor do I like
+dogs addicted to sudden excitement. Lethargy becomes them better. Let them
+be without the Gallic graces! In general, I like a dog to whom I have been
+properly introduced, with an exchange of credentials. While the dog is by,
+let his master take my hand and address me in softest tones, to cement the
+understanding! At bench-shows I love the beasts, although I keep to the
+middle of the aisle. The streets are all the safer when so many of the
+creatures are kept within.
+
+Frankly, I would enjoy the country more, if I knew that all the dogs were
+away on visits. Of course, the highroad is quite safe. Its frequent traffic
+is its insurance. Then, too, the barns are at such a distance, it is only a
+monstrous anger can bring the dog. But if you are in need of direction you
+select a friendly white house with green shutters. You swing open the gate
+and crunch across the pebbles to the door. To the nearer eye there is a
+look of "dog" about the place. Or maybe you are hot and thirsty, and there
+is a well at the side of the house. Is it better to gird yourself to danger
+or to put off your thirst until the crossroads where pop is sold?
+
+Or a lane leads down to the river. Even at this distance you hear the
+shallow brawl of water on the stones. A path goes off across a hill, with
+trees beckoning at the top. There is a wind above and a wider sweep of
+clouds. Surely, from the crest of the hill the whole county will lie before
+you. Such tunes as come up from the world below--a school-bell, a rooster
+crowing, children laughing on the road, a threshing machine on the lower
+meadows--such tunes are pitched to a marvellous softness. Shall we follow
+the hot pavement, or shall we dare those lonely stretches?
+
+There is a kind of person who is steeped too much in valor. He will cross a
+field although there is a dog inside the fence. Goodness knows that I would
+rather keep to the highroad with such humility as shall not rouse the
+creature. Or he will shout and whistle tunes that stir the dogs for miles.
+He slashes his stick against the weeds as though in challenge. One might
+think that he went about on unfeeling stalks instead of legs as children
+walk on stilts, or that a former accident had clipped him off above the
+knees and that he was now jointed out of wood to a point beyond the biting
+limit. Or perhaps the clothes he wears beneath--the inner mesh and very
+balbriggan of his attire--is of so hard a texture that it turns a tooth. Be
+these defenses as they may, note with what bravado he mounts the wall! One
+leg dangles as though it were baited and were angling for a bite.
+
+There is a French village near Quebec whose population is chiefly dogs.
+It lies along the river in a single street, not many miles from the point
+where Wolfe climbed to the Plains of Abraham. There are a hundred houses
+flat against the roadway and on the steps of each there sits a dog. As I
+went through on foot, each of these dogs picked me up, examined me nasally
+and passed me on, not generously as though I had stood the test, but rather
+in deep suspicion that I was a queer fellow, not to be penetrated at first,
+but one who would surely be found out and gobbled before coming to the
+end of the street. As long as I would eventually furnish forth the common
+banquet, it mattered not which dog took the first nip. Inasmuch as I would
+at last be garnished for the general tooth, it would be better to wait
+until all were gathered around the platter. "Good neighbor dog," each
+seemed to say, "you too sniff upon the rogue! If he be honest, my old nose
+is much at fault." Meantime I padded lightly through the village, at first
+calling on the dogs by English names, but later using such wisps as I had
+of French. "Aucassin, mon pauvre chien. Voici, Tintagiles, alors donc mon
+cherie. Je suis votre ami," but with little effect.
+
+But the dogs that one meets in the Canadian woods are of the fiercest
+breed. They border on the wolf. They are called huskies and they are so
+strong and so fleet of foot that they pull sleds for hours across the
+frozen lakes at almost the speed of a running horse. It must be confessed
+that they are handsome and if it happens to be your potato peelings and
+discarded fish that they eat, they warm into friendliness. Indeed, on these
+occasions, one can make quite a show of bravery by stroking and dealing
+lightly with them. But once upon a time in an ignorant moment two other
+campers and myself followed a lonely railroad track and struck off on a
+path through the pines in search of a certain trapper on a fur farm. The
+path went on a broken zigzag avoiding fallen trees and soft hollows,
+conducting itself on the whole with more patience than firmness. We walked
+a quarter of a mile, but still we saw no cabin. The line of the railroad
+had long since disappeared. An eagle wheeled above us and quarrelled at our
+intrusion. Presently to test our course and learn whether we were coming
+near the cabin, we gave a shout. Immediately out of the deeper woods there
+came a clamor that froze us. Such sounds, it seemed, could issue only from
+bloody and dripping jaws. In a panic, as by a common impulse we turned and
+ran. Yet we did not run frankly as when the circus lion is loose, but in a
+shamefaced manner--an attempt at a retreat in good order--something between
+a walk and a run. At the end of a hundred yards we stopped. No dogs had
+fallen on us. Danger had not burst its kennel. We hallooed again, to rouse
+the trapper. At last, after a minute of suspense, came his answering voice,
+the sweetest sound to be imagined. Whereupon I came down from my high stump
+which I had climbed for a longer view.
+
+I am convinced that I am not alone in my--shall I say diffidence?--toward
+dogs. Indeed, there is evidence from the oldest times that mankind, in its
+more honest moments, has confessed to a fear of dogs. In recognition of
+this general fear, the unmuzzled Cerberus was put at the gate of Hades.
+It was rightly felt that when the unhappy pilgrims got within, his fifty
+snapping heads were better than a bolt upon the door. It was better for
+them to endure the ills they had, than be nipped in the upper passage. He,
+also, who first spoke the ancient proverb, _Let sleeping dogs lie_, did no
+more than voice the caution of the street. And he, also, who invented the
+saying that the world is going to the bow-wows, lodged his deplorable
+pessimism in fitting words.
+
+It was Daniel who sat with the lions. But there are degrees of bravery. On
+Long Street, within sight of my window--just where the street gets into its
+most tangled traffic--there has hung for many years the painted signboard
+of a veterinary surgeon. Its artist was in the first flourish of youth. Old
+age had not yet chilled him when he mixed his gaudy colors. The surgeon's
+name is set up in modest letters, but the horse below flames with color.
+What a flaring nostril! What an eager eye! How arched the neck! Here is a
+wrath and speed unknown to the quadrupeds of this present Long Street. Such
+mild-eyed, accumbent, sharp-ribbed horses as now infest the curb--mere
+whittlings from a larger age--hang their heads at their degeneracy. Indeed,
+these horses seem to their owners not to be worth the price of a nostrum.
+If disease settles in them, let them lean against a post until the fit is
+past! And of a consequence, the doctor's work has fallen off. It has
+become a rare occasion when it is permitted him to stroke his chin in
+contemplation of some inner palsy. Therefore to give his wisdom scope,
+the doctor some time since announced the cellar of the building to be a
+hospital for dogs. Must I press the analogy? I have seen the doctor with
+bowl and spoon in hand take leave of the cheerful world. He opens the
+cellar door. A curdling yelp comes up the stairs. In the abyss below there
+are twenty dogs at least, all of them sick, all dangerous. Not since Orion
+led his hunting pack across the heavens has there been so fierce a sound.
+The door closes. There is a final yelp, such as greets a bone. Doubtless,
+by this time, they are munching on the doctor. Good sir, had you lived in
+pre-apostolic days, your name would have been lined with Daniel's in the
+hymn. I might have spent my earliest treble in your praise.
+
+But there are other kinds of dogs. Gentlest of readers, have you ever
+passed a few days at Tunbridge Wells? It lies on one of the roads that run
+from London to the Channel and for several hundred years persons have gone
+there to take the waters against the more fashionable ailments. Its chief
+fame was in the days when rich folk, to ward off for the season a touch of
+ancestral gout, travelled down from London in their coaches. We may fancy
+Lord Thingumdo crossing his sleek legs inside or putting his head to the
+window on the change of horses. He has outriders and a horn to sound his
+coming. His Lordship has a liver that must be mended, but also he has
+a weakness for the gaming table. Or Lady Euphemia, wrapped in silks,
+languishes mornings in her lodgings with a latest novel, but goes forth at
+noon upon the Pantilles to shop in the stalls. A box of patches must be
+bought. A lace flounce has caught her eye. Bless her dear eyes, as she
+bends upon her purchase she is fair to look upon. The Grand Rout is set for
+tonight. Who knows but that the Duke will put the tender question and will
+ask her to name the happy day?
+
+But these golden days are past. Tunbridge Wells has sunk from fashion. The
+gaming tables are gone. A band still plays mornings in the Pantilles--or
+did so before the war--but cheaper gauds are offered in the shops. Emerald
+brooches are fallen to paste. In all the season there is scarcely a single
+demand for a diamond garter. If there were now a Rout, the only dancers
+would be stiff shadows from the past. The healing waters still trickle from
+the ground and an old woman serves you for a penny, but the miracle has
+gone. The old world is cured and dead.
+
+Tunbridge Wells is visited now chiefly by old ladies whose husbands--to
+judge by the black lace caps--have left Lombard Street for heaven. At the
+hotel where I stopped, which was at the top of the Commons outside the
+thicker town, I was the only man in the breakfast room. Two widows, each
+with a tiny dog on a chair beside her, sat at the next table. This was
+their conversation:
+
+"Did you hear her last night?"
+
+"Was it Flossie that I heard?"
+
+"Yes. The poor dear was awake all night. She got her feet wet yesterday
+when I let her run upon the grass."
+
+But after breakfast--if the day is sunny and the wind sits in a favoring
+quarter--one by one the widows go forth in their chairs. These are wicker
+contrivances that hang between three wheels. Burros pull them, and men walk
+alongside to hold their bridles. Down comes the widow. Down comes a maid
+with her wraps. Down comes a maid with Flossie. The wraps are adjusted. The
+widow is handed in. Her feet are wound around with comforters against a
+draft. Her salts rest in her lap. Her ample bag of knitting is safe aboard.
+Flossie is placed beside her. Proot! The donkey starts.
+
+All morning the widow sits in the Pantilles and listens to the band and
+knits. Flossie sits on the flagging at her feet with an intent eye upon the
+ball of worsted. Twice in a morning--three times if the gods are kind--the
+ball rolls to the pavement. Flossie has been waiting so long for this
+to happen. It is the bright moment of her life--the point and peak of
+happiness. She darts upon it. She paws it exultantly for a moment. Brief is
+the rainbow and brief the Borealis. The finger of Time is swift.
+
+The poppy blooms and fades. The maid captures the ball of worsted and
+restores it.
+
+It lies in the widow's lap. The band plays. The needles click to a long
+tune. The healing waters trickle from the ground. The old woman whines
+their merits. Flossie sits motionless, her head cocked and her eye upon the
+ball. Perhaps the god of puppies will again be good to her.
+
+
+
+
+ROADS OF MORNING
+
+
+My grandfather's farm lay somewhere this side of the sunset, so near that
+its pastures barely missed the splash of color. But from the city it was a
+two hours' journey by horse and phaeton. My grandfather drove. I sat next,
+my feet swinging clear of the lunchbox. My brother had the outside, a place
+denied to me for fear that I might fall across the wheel. When we were
+all set, my mother made a last dab at my nose--an unheeded smudge having
+escaped my vigilance. Then my grandfather said, "Get up,"--twice, for the
+lazy horse chose to regard the first summons as a jest. We start. The great
+wheels turn. My brother leans across the guard to view the miracle. We
+crunch the gravel. We are alive for excitement. My brother plays we are
+a steamboat and toots. I toot in imitation, but higher up as if I were a
+younger sort of steamboat. We hold our hands on an imaginary wheel and
+steer. We scorn grocery carts and all such harbor craft. We are on a long
+cruise. Street lights will guide us sailing home.
+
+Of course there were farms to the south of the city and apples may have
+ripened there to as fine a flavor, and to the east, also, doubtless there
+were farms. It would be asking too much that the west should have all the
+haystacks, cherry trees and cheese houses. If your judgment skimmed upon
+the surface, you would even have found the advantage with the south. It was
+prettier because more rolling. It was shaggier. The country to the south
+tipped up to the hills, so sharply in places that it might have made its
+living by collecting nickels for the slide. Indeed, one might think that a
+part of the city had come bouncing down the slope, for now it lay resting
+at the bottom, sprawled somewhat for its ease. Or it might appear--if your
+belief runs on discarded lines--that the whole flat-bottomed earth had been
+fouled in its celestial course and now lay aslant upon its beam with its
+cargo shifted and spilled about.
+
+The city streets that led to the south, which in those days ended in lanes,
+popped out of sight abruptly at the top of the first ridge. And when the
+earth caught up again with their level, already it was dim and purple and
+tall trees were no more than a roughened hedge. But what lay beyond that
+range of hills--what towns and cities--what oceans and forests--how beset
+with adventure--how fearful after dark--these things you could not see,
+even if you climbed to some high place and strained yourself on tiptoe. And
+if you walked from breakfast to lunch--until you gnawed within and were but
+a hollow drum--there would still be a higher range against the sky. There
+are misty kingdoms on this whirling earth, but the ways are long and steep.
+
+The lake lay to the north with no land beyond, the city to the east. But to
+the west--
+
+Several miles outside the city as it then was, and still beyond its
+clutches, the country was cut by a winding river bottom with sharp edges of
+shale. Down this valley Rocky River came brawling in the spring, over-fed
+and quarrelsome. Later in the year--its youthful appetite having caught an
+indigestion--it shrunk and wasted to a shadow. By August you could cross it
+on the stones. The uproar of its former flood was marked upon the shale and
+trunks of trees here and there were wedged, but now the river plays drowsy
+tunes upon the stones. There is scarcely enough movement of water to flick
+the sunlight. A leaf on its idle current is a lazy craft whose skipper
+nods. There were hickory trees on the point above. May-apples grew in the
+deep woods, and blackberries along the fences. And in the season sober
+horses plowed up and down the fields with nodding heads, affirming their
+belief in the goodness of the soil and their willingness to help in its
+fruition.
+
+Yet the very core of this valley in days past was a certain depth of water
+at a turn of the stream. There was a clay bank above it and on it small
+naked boys stood and daubed themselves. One of them put a band of clay
+about himself by way of decoration. Another, by a more general smudge, made
+himself a Hottentot and thereby gave his manners a wider scope and license.
+But by daubing yourself entire you became an Indian and might vent yourself
+in hideous yells, for it was amazing how the lungs grew stouter when the
+clay was laid on thick. Then you tapped your flattened palm rapidly against
+your mouth and released an intermittent uproar in order that the valley
+might he warned of the deviltry to come. You circled round and round and
+beat upon the ground in the likeness of a war dance. But at last, sated
+with scalps, off you dived into the pool and came up a white man. Finally,
+you stood on one leg and jounced the water from your ear, or pulled a
+bloodsucker from your toes before he sapped your life--for this tiny
+creature of the rocks was credited with the gift of prodigious inflation,
+and might inhale you, blood, sinews, suspenders and all, if left to his
+ugly purpose.
+
+Farms should not be too precisely located; at least this is true of farms
+which, like my grandfather's, hang in a mist of memory. I read once of a
+wonderful spot--quite inferior, doubtless, to my grandfather's farm--which
+was located by evil directions intentionally to throw a seeker off.
+Munchausen, you will recall, in the placing of his magic countries, was not
+above this agreeable villainy. Robinson Crusoe was loose and vague in the
+placing of his island. It is said that Izaak Walton waved a hand obscurely
+toward the stream where he had made a catch, but could not be cornered to a
+nice direction, lest his pool be overrun. In early youth, I myself went, on
+a mischievous hint, to explore a remote region which I was told lay in the
+dark behind the kindling pile. But because I moved in a fearful darkness,
+quite beyond the pale light from the furnace room, I lost the path. It did
+not lead me to the peaks and the roaring waters.
+
+But the farm was reached by more open methods. Dolly and the phaeton were
+the chief instruments. First--if you were so sunk in ignorance as not to
+know the road--you inquired of everybody for the chewing gum factory, to be
+known by its smell of peppermint. Then you sought the high bridge over the
+railroad tracks. Beyond was Kamm's Corners. Here, at a turn of the road,
+was a general store whose shelves sampled the produce of this whole fair
+world and the factories thereof. One might have thought that the proprietor
+emulated Noah at the flood by bidding two of each created things to find a
+place inside.
+
+Beyond Kamm's Corners you came to the great valley. When almost down the
+hill you passed a house with broken windows and unkept grass. This house,
+by report, was haunted, but you could laugh at such tales while the morning
+sun was up. At the bottom of the hill a bridge crossed the river, with
+loose planking that rattled as though the man who made nails was dead.
+
+Beyond the bridge, at the first rise of ground, the horse stopped--for I
+assume that you drove a sagacious animal--by way of hint that every one
+of sound limb get out and walk to the top of the hill. A suspicious horse
+turned his head now and again and cast his eye upon the buggy to be sure
+that no one climbed in again.
+
+Presently you came to the toll-gate at the top and paid its keeper five
+cents, or whatever large sum he demanded. Then your grandfather--if by
+fortunate chance you happened to have one--asked after his wife and
+children, and had they missed the croup; then told him his corn was looking
+well.
+
+My grandfather--for it is time you knew him--lived with us. Because of a
+railway accident fifteen years before in which one of his legs was cut off
+just below the knee, he had retired from public office. Several years of
+broken health had been followed by years that were for the most part free
+from suffering. My own first recollection reverts to these better years.
+I recall a tall man--to my eyes a giant, for he was taller even than my
+father--who came into the nursery as I was being undressed. There was a
+wind in the chimney, and the windows rattled. He put his crutches against
+the wall. Then taking me in his arms, he swung me aloft to his shoulder
+by a series of somersaults. I cried this first time, but later I came to
+demand the performance.
+
+Once, when I was a little older, I came upon one of his discarded wooden
+legs as I was playing in the garret of the house. It was my first
+acquaintance with such a contrivance. It lay behind a pile of trunks and I
+was, at the time, on my way to the center of the earth, for the cheerful
+path dove into darkness behind the chimney. You may imagine my surprise. I
+approached it cautiously. I viewed it from all sides by such dusty light as
+fell between the trunks. Not without fear I touched it. It was unmistakably
+a leg--but whose? Was it possible that there was a kind of Bluebeard in the
+family, who, for his pleasure, lopped off legs? There had been no breath of
+such a scandal. Yet, if my reading and studies were correct, such things
+had happened in other families not very different from ours; not in our own
+town maybe, but in such near-by places as Kandahar and Serendib--places
+which in my warm regard were but as suburbs to our street, to be gained if
+you persevered for a hundred lamp-posts. Or could the leg belong to Annie
+the cook? Her nimbleness with griddle-cakes belied the thought: And once,
+when the wind had swished her skirts, manifestly she was whole and sound.
+Then all at once I knew it to be my grandfather's. Grown familiar, I pulled
+it to the window. I tried it on, but made bad work of walking.
+
+To the eye my grandfather had two legs all the way down and, except for
+his crutches and an occasional squeak, you would not have detected his
+infirmity. Evidently the maker did no more than imitate nature, although,
+for myself, I used to wonder at the poverty of his invention. There would
+be distinction in a leg, which in addition to its usual functions, would
+also bend forward at the knee, or had a surprising sidewise joint--and
+there would be profit, too, if one cared to make a show of it. The greatest
+niggard on the street would pay two pins for such a sight.
+
+As my grandfather was the only old gentleman of my acquaintance, a wooden
+leg seemed the natural and suitable accompaniment of old age. Persons, it
+appeared, in their riper years, cast off a leg, as trees dropped their
+leaves. But my grandmother puzzled me. Undeniably she retained both of
+hers, yet her hair was just as white, and she was almost as old. Evidently
+this law of nature worked only with men. Ladies, it seemed, were not
+deciduous. But how the amputation was effected in men--whether by day or
+night--how the choice fell between the right and left--whether the wooden
+leg came down the chimney (a proper entrance)--how soon my father would go
+the way of all masculine flesh and cast his off--these matters I could not
+solve. The Arabian Nights were silent on the subject. Aladdin's uncle,
+apparently, had both his legs. He was too brisk in villainy to admit a
+wooden leg. But then, he was only an uncle. If his history ran out to the
+end, doubtless he would go with a limp in his riper days. The story of the
+Bible--although it trafficked in such veterans as Methuselah--gave not a
+hint. Abraham died full of years. Here would have been a proper test--but
+the book was silent.
+
+My grandfather in those days had much leisure time. He still kept an office
+at the rear of the house, although he had given up the regular practice
+of the law. But a few old clients lingered on, chiefly women who carried
+children in their arms and old men without neckties who came to him for
+free advice. These he guided patiently in their troubles, and he would sit
+an hour to listen to a piteous story. In an extremity he gave them money,
+or took a well-meant but worthless note. Often his callers overran the
+dinner hour and my mother would have to jingle the dinner bell at the door
+to rouse them. Occasionally he would be called on for a public speech, and
+for several days he would be busy at his desk. Frequently he presided at
+dinners and would tell a story and sing a song, for he had a fine bass
+voice and was famous for his singing.
+
+He read much in those last years in science. When he was not reading
+Trowbridge to his grandchildren, it was Huxley to himself. But when his
+eyes grew tired, he would on an occasion--if there was canning in the
+house--go into the kitchen where my mother and grandmother worked, and help
+pare the fruit. Seriously, as though he were engaged upon a game, he would
+cut the skin into thinnest strips, unbroken to the end, and would hold up
+the coil for us to see. Or if he broke it in the cutting it was a point
+against him in the contest.
+
+His diversion rather than his profit was the care and rental of about
+twenty small houses, some of which he built to fit his pensioners. My
+brother and myself often made the rounds with him in the phaeton. At most
+of the houses he was affectionately greeted as "Jedge" and was held in long
+conversations across the fence. And to see an Irishman was to see a friend.
+They all knew him and said, "Good mornin'," as we passed. He and they were
+good Democrats together.
+
+I can see in memory a certain old Irishman in a red flannel shirt, with his
+foot upon the hub, bending across the wheel and gesticulating in an endless
+discussion of politics or crops, while my brother and I were impatient to
+be off. Dolly was of course patient, for she had long since passed her
+fretful youth. If by any biological chance it had happened that she had
+been an old lady instead of a horse, she would have been the kind that
+spent her day in a rocker with her knitting. Any one who gave Dolly an
+excuse for standing was her friend. There she stood as though she wished
+the colloquy to last forever.
+
+It was seldom that Dolly lost her restraint. She would, indeed, when she
+came near the stable, somewhat hasten her stride; and when we came on our
+drives to the turning point and at last headed about for home, Dolly would
+know it and show her knowledge by a quickening of the ears and the quiver
+of a faint excitement. Yet Dolly lost her patience when there were flies.
+Then she threw off all repression and so waved her tail that she regularly
+got it across the reins. This stirred my grandfather to something not
+far short of anger. How vigorously would he try to dislodge the reins
+by pulling and jerking! Dolly only clamped down her tail the harder.
+Experience showed that the only way was to go slowly and craftily and
+without heat or temper--a slackening of the reins--a distraction of Dolly's
+attention--a leaning across the dashboard--a firm grasping of the tail out
+near the end--a sudden raising thereof. Ah! It was done. We all settled
+back against the cushions. Or perhaps a friendly fly would come to our
+assistance and Dolly would have to use her tail in another direction.
+
+The whip was seldom used. Generally it stood in its socket. It was
+ornamental like a flagstaff. It forgot its sterner functions. But Dolly
+must have known the whip in some former life, for even a gesture toward the
+socket roused her. If it was rattled she mended her pace for a block. But
+if on a rare occasion my grandfather took it in his hand, Dolly lay one ear
+back in our direction, for she knew then he meant business. And what an
+excitement would arise in the phaeton! We held on tight for fear that she
+might take it into her mild old head to run away.
+
+But Dolly had her moments. One sunny summer afternoon while she grazed
+peacefully in the orchard, with her reins wound around the whip handle--the
+appropriate place on these occasions--she was evidently stung by a bee. My
+brother was at the time regaling himself in a near-by blackberry thicket.
+He looked up at an unusual sound. Without warning, Dolly had leaped to
+action and was tearing around the orchard dragging the phaeton behind
+her. She wrecked the top on a low hanging branch, then hit another tree,
+severing thereby all connection between herself and the phaeton, and at
+last galloped down the lane to the farm house, with the broken shafts and
+harness dangling behind her. Kipling's dun "with the mouth of a bell and
+the heart of Hell and the head of the gallows-tree," could hardly have
+shown more spirit. It was as though one brief minute of a glorious youth
+had come back to her. It was a last spurting of an old flame before it sunk
+to ash.
+
+My grandfather gave his leisure to his grandchildren. He carved for us with
+his knife, with an especial knack for willow whistles. He showed us the
+colors that lay upon the world when we looked at it through one of the
+glass pendants of the parlor chandelier. He sat by us when we played
+duck-on-the-rock. He helped us with our kites and gave a superintendence to
+our toys. It is true that he was superficial with tin-tags and did not know
+the difference in value between a Steam Engine tag--the rarest of them
+all--and a common Climax, but we forgave him as one forgives a friend who
+is ignorant of Persian pottery. He employed us as gardeners and put a
+bounty on weeds. We watered the lawn together, turn by turn. When I was
+no more than four years old, he taught us to play casino with him--and
+afterwards bezique. How he cried out if he got a royal sequence! With what
+excitement he announced a double bezique! Or if one of us seemed about to
+score and lacked but a single card, how intently he contended for the last
+few tricks to thwart our declaration! And if we got it despite his lead
+of aces, how gravely he squinted on the cards against deception, with his
+glasses forward on his nose!
+
+When he took his afternoon nap and lay upon his back on the sofa in the
+sitting-room, we made paper pin-wheels to see whether his breath would
+stir them. This trick having come to his notice by a sudden awakening, he
+sometimes thereafter played to be asleep and snored in such a mighty gust
+that the wheels spun. He was like a Dutch tempest against a windmill.
+
+If a Dime Museum came to town we made an afternoon of it. He took us to all
+the circuses and gave us our choice of side-shows. We walked up and
+down before the stretches of painted canvas, balancing in our desire a
+sword-swallower against an Indian Princess. Most of the fat women and all
+the dwarfs that I have known came to my acquaintance when in company with
+my grandfather. As a young man, it was said, he once ran away from home to
+join a circus as an acrobat, having acquired the trick of leaping upon a
+running horse. I fancy that his knack of throwing us to his shoulder by a
+double somersault was a recollection of his early days. You may imagine
+with what awe we looked on him even though he now went on crutches. He was
+the epitome of adventure, the very salt of excitement. It was better having
+him than a pirate in the house. When the circus had gone and life was drab,
+he was our tutor in the art of turning cart-wheels and making hand-stands
+against the door.
+
+And once, when we were away from him, he walked all morning about the
+garden and in his loneliness he gathered into piles the pebbles that we had
+dropped.
+
+I was too young to know my grandfather in his active days when he was
+prominent in public matters. His broader abilities are known to others. But
+though more than twenty years have passed since his death, I remember his
+tone of voice, his walk, his way of handling a crutch, all his tricks of
+speech and conduct as though he had just left the room. And I can think of
+nothing more beautiful than that a useful man who has faced the world for
+seventy years and has done his part, should come back in his old age to the
+nursery and be the playfellow of his grandchildren.
+
+But the best holiday was a trip to the farm.
+
+This farm--to which in our slow trot we have been so long a time in
+coming--lay for a mile on the upper land, and its grain fields and pastures
+looked down into the valley. The buildings, however, were set close to the
+road and fixed their interest on such occasional wagons as creaked by. A
+Switzer occupied the farm, who owned, in addition to the more immediate
+members of his family, a cuckoo clock whose weights hung on long cords
+which by Saturday night reached almost to the floor. When I have sat at his
+table, I have neglected cheese and the lesser foods, when the hour came
+near, in order not to miss the cuckoo's popping out. And in the duller
+spaces, when the door was shut, I have fancied it sitting in the dark and
+counting the minutes to itself.
+
+The Switzer's specialty was the making of a kind of rubber cheese which one
+could learn to like in time. Of the processes of its composition, I can
+remember nothing except that when it was in the great press the whey ran
+from its sides, but this may be common to all cheeses. I was once given a
+cup of this whey to drink and I brightened, for until it was in my mouth,
+I thought it was buttermilk. Beyond was the spring-house with cans of milk
+set in the cool water and with a trickling sound beneath the boards. From
+the spring-house there started those mysterious cow-paths that led down
+into the great gorge that cut the farm. Here were places so deep that only
+a bit of the sky showed and here the stones were damp. It was a place that
+seemed to lie nearer to the confusion when the world was made, and rocks
+lay piled as though a first purpose had been broken off. And to follow a
+cow-path, regardless of where it led, was, in those days, the essence of
+hazard; though all the while from the pastures up above there came the flat
+safe tinkling of the bells.
+
+The apple orchard--where Dolly was stung by the bee--was set on a fine
+breezy place at the brow of the hill with the valley in full sight. The
+trees themselves were old and decayed, but they were gnarled and crotched
+for easy climbing. And the apples--in particular a russet--mounted to a
+delicacy. On the other side of the valley, a half mile off as a bird would
+fly, were the buildings of a convent, and if you waited you might hear
+the twilight bell. To this day all distant bells come to my ears with a
+pleasing softness, as though they had been cast in a quieter world. Stone
+arrow-heads were found in a near-by field as often as the farmer turned up
+the soil in plowing. And because of this, a long finger of land that put
+off to the valley, was called Indian Point. Here, with an arm for pillow,
+one might lie for a long hour on a sunny morning and watch the shadows of
+clouds move across the lowland. A rooster crows somewhere far off--surely
+of all sounds the drowsiest. A horse in a field below lifts up its head and
+neighs. The leaves practice a sleepy tune. If one has the fortune to keep
+awake, here he may lie and think the thoughts that are born of sun and
+wind.
+
+And now, although it is not yet noon, hunger rages in us. The pancakes, the
+syrup, the toast and the other incidents of breakfast have disappeared
+the way the rabbit vanishes when the magician waves his hand. The horrid
+Polyphemus did not so crave his food. And as yet there is no comforting
+sniff from the kitchen. Scrubbing and other secular matters engage the
+farmer's wife. There is as yet not a faintest gurgle in the kettle.
+
+To divert ourselves, we climb three trees and fall out of one. Is twelve
+o'clock never to come? Have Time and the Hour grown stagnant? We eat apples
+and throw the cores at the pig to hear him grunt. Is the great round sun
+stuck? Have the days of Joshua come again? We walk a rail fence. Is it not
+yet noon? Shrewsbury clock itself--reputed by scholars the slowest of all
+possible clocks--could not so hold off. I snag myself--but it is nothing
+that shows when I sit.
+
+Ah! At last! My grandfather is calling from the house. We run back and
+find that the lunch is ready and is laid upon a table with a red oil-cloth
+cover. We apply ourselves. Silence....
+
+The journey home started about five o'clock. There was one game we always
+played. Each of us, having wisely squinted at the sky, made a reckoning and
+guessed where we would be when the sun set. My grandfather might say the
+high bridge. I named the Sherman House. But my brother, being precise,
+judged it to a fraction of a telegraph pole. Beyond a certain turn--did we
+remember?--well, it would be exactly sixteen telegraph poles further on.
+What an excitement there was when the sun's lower rim was already below the
+horizon! We stood on our knees and looked through the little window at
+the back of the phaeton. With what suspicion we regarded my grandfather's
+driving! Or if Dolly lagged, did it not raise a thought that she, too, was
+in the plot against us? The sun sets. We cry out the victor.
+
+The sky flames with color. Then deadens in the east. The dusk is falling.
+The roads grow dark. Where run the roads of night? While there is light,
+you can see the course they keep across the country--the dust of horses'
+feet--a bridge--a vagrant winding on a hill beyond. All day long they are
+busy with the feet of men and women and children shouting. Then twilight
+comes, and the roads lead home to supper and the curling smoke above the
+roof. But at night where run the roads? It's dark beyond the candle's
+flare--where run the roads of night.
+
+My brother and I have become sleepy. We lop over against my grandfather--
+
+We awake with a start. There is a gayly lighted horse-car jingling beside
+us. The street lights show us into harbor. We are home at last.
+
+
+
+
+The Man Of Grub Street Comes From His Garret
+
+
+I have come to live this winter in New York City and by good fortune I
+have found rooms on a pleasant park. This park, which is but one block in
+extent, is so set off from the thoroughfares that it bears chiefly the
+traffic that is proper to the place itself. Grocery carts jog around and
+throw out their wares. Laundry wagons are astir. A little fat tailor on an
+occasion carries in an armful of newly pressed clothing with suspenders
+hanging. Dogs are taken out to walk but are held in leash, lest a taste of
+liberty spoil them for an indoor life. The center of the park is laid out
+with grass and trees and pebbled paths, and about it is a high iron fence.
+Each house has a key to the enclosure. Such social infection, therefore, as
+gets inside the gates is of our own breeding. In the sunny hours nurses and
+children air themselves in this grass plot. Here a gayly painted wooden
+velocipede is in fashion. At this minute there are several pairs of fat
+legs a-straddle this contrivance. It is a velocipede as it was first made,
+without pedals. Beau Brummel--for the velocipede dates back to him--may
+have walked forth to take the waters at Tunbridge Wells on a vehicle not
+far different, but built to his greater stature. There is also a trickle
+of drays and wagons across the park--a mere leakage from the streets, as
+though the near-by traffic in the pressure had burst its pipes. But only at
+morning and night when the city collects or discharges its people, are the
+sidewalks filled. Then for a half hour the nozzle of the city plays a full
+stream on us.
+
+The park seems to be freer and more natural than the streets outside. A man
+goes by gesticulating as though he practiced for a speech. A woman adjusts
+her stocking on the coping below the fence with the freedom of a country
+road. A street sweeper, patched to his office, tunes his slow work to fit
+the quiet surroundings. Boys skate by or cut swirls upon the pavement in
+the privilege of a playground.
+
+My work--if anything so pleasant and unforced can carry the name--is
+done at a window that overlooks this park. Were it not for several high
+buildings in my sight I might fancy that I lived in one of the older
+squares of London. There is a look of Thackeray about the place as though
+the Osbornes might be my neighbors. A fat man who waddles off his steps
+opposite, if he would submit to a change of coat, might be Jos Sedley
+starting for his club to eat his chutney. If only there were a crest above
+my bell-pull I might even expect Becky Sharp in for tea. Or occasionally I
+divert myself with the fancy that I am of a still older day and that I have
+walked in from Lichfield--I choose the name at hazard--with a tragedy in my
+pocket, to try my fortune. Were it not for the fashion of dress in the park
+below and some remnant of reason in myself, I could, in a winking moment,
+persuade myself that my room is a garret and my pen a quill. On such
+delusion, before I issued on the street to seek my coffee-house, I would
+adjust my wig and dust myself of snuff.
+
+But for my exercise and recreation--which for a man of Grub Street is
+necessary in the early hours of afternoon when the morning fires have
+fallen--I go outside the park. I have a wide choice for my wanderings. I
+may go into the district to the east and watch the children play against
+the curb. If they pitch pennies on the walk I am careful to go about, for
+fear that I distract the throw. Or if the stones are marked for hop-scotch,
+I squeeze along the wall. It is my intention--from which as yet my
+diffidence withholds me--to present to the winner of one of these contests
+a red apple which I shall select at a corner stand. Or an ice wagon pauses
+in its round, and while the man is gone there is a pleasant thieving of
+bits of ice. Each dirty cheek is stuffed as though a plague of mumps had
+fallen on the street. Or there may be a game of baseball--a scampering
+on the bases, a home-run down the gutter--to engage me for an inning.
+Or shinny grips the street. But if a street organ comes--not a mournful
+one-legged box eked out with a monkey, but a big machine with an extra man
+to pull--the children leave their games. It was but the other day that I
+saw six of them together dancing on the pavement to the music, with skirts
+and pigtails flying. There was such gladness in their faces that the
+musician, although he already had his nickel, gave them an extra tune. It
+was of such persuasive gayety that the number of dancers at once went up to
+ten and others wiggled to the rhythm. And for myself, although I am past my
+sportive days, the sound of a street organ, if any, would inflame me to a
+fox-trot. Even a surly tune--if the handle be quickened--comes from the box
+with a brisk seduction. If a dirge once got inside, it would fret until it
+came out a dancing measure.
+
+In this part of town, on the better streets, I sometimes study the fashions
+as I see them in the shops and I compare them with those of uptown stores.
+Nor is there the difference one might suppose. The small round muff that
+sprang up this winter in the smarter shops won by only a week over the
+cheaper stores. Tan gaiters ran a pretty race. And I am now witness to
+a dead heat in a certain kind of fluffy rosebud dress. The fabrics are
+probably different, but no matter how you deny it, they are cut to a common
+pattern.
+
+In a poorer part of the city still nearer to the East River, where
+smells of garlic and worse issue from cellarways, I came recently on
+a considerable park. It was supplied with swings and teeters and drew
+children on its four fronts. Of a consequence the children of many races
+played together. I caught a Yiddish answer to an Italian question. I fancy
+that a child here could go forth at breakfast wholly a Hungarian and come
+home with a smack of Russian or Armenian added. The general games that
+merged the smaller groups, aided in the fusion. If this park is not already
+named--a small chance, for it shows the marks of age--it might properly be
+called _The Park of the Thirty Nations_.
+
+Or my inclination may take me to the lower city. Like a poor starveling
+I wander in the haunts of wealth where the buildings are piled to forty
+stories, and I spin out the ciphers in my brain in an endeavor to compute
+the amount that is laid up inside. Also, lest I become discontented with my
+poverty, I note the strain and worry of the faces that I meet. There is a
+story of Tolstoi in which a man is whispered by his god that he may possess
+such land as he can circle in a day. Until that time he had been living on
+a fertile slope of sun and shadow, with fields ample for his needs. But
+when the whisper came, at a flash, he pelted off across the hills. He ran
+all morning, but as the day advanced his sordid ambition broadened and he
+turned his course into a wider and still wider circle. Here a pleasant
+valley tempted him and he bent his path to bring it inside his mark. Here
+a fruitful upland led him off. As the day wore on he ran with a greater
+fierceness, because he knew he would lose everything if he did not reach
+his starting place before the sun went down. The sun was coming near the
+rim of earth when he toiled up the last hill. His feet were cut by stones,
+his face pinched with agony. He staggered toward the goal and fell across
+it while as yet there was a glint of light. But his effort burst his heart.
+Does the analogy hold on these narrow streets? To a few who sit in an inner
+office, Mammon has made a promise of wealth and domination. These few run
+breathless to gain a mountain. But what have the gods whispered to the ten
+thousand who sit in the outer office, that they bend and blink upon their
+ledgers? Have the gods whispered to them the promise of great wealth? Alas,
+before them there lies only the dust and heat of a level road, yet they too
+are broken at the sunset.
+
+Less oppressive are the streets where commerce is more apparent. Here,
+unless you would be smirched, it is necessary to walk fast and hold your
+coat-tails in. Packing cases are going down slides. Bales are coming up in
+hoists. Barrels are rolling out of wagons. Crates are being lifted in. Is
+the exchange never to stop? Is no warehouse satisfied with what it has?
+English, which until now you judged a soft concordant language, shows here
+its range and mastery of epithet. And all about, moving and jostling the
+boxes, are men with hooks. One might think that in a former day Captain
+Cuttle had settled here to live and that his numerous progeny had kept the
+place.
+
+Often I ride on a bus top like a maharajah on an elephant, up near the
+tusks, as it were, where the view is unbroken. I plan this trip so that I
+move counter to the procession that goes uptown in the late afternoon. Is
+there a scene like it in the world? The boulevards of Paris in times of
+peace are hardly so gay. Fifth Avenue is blocked with motor cars. Fashion
+has gone forth to select a feather. A ringlet has gone awry and must be
+mended. The Pomeranian's health is served by sunlight. The Spitz must have
+an airing. Fashion has wagged its head upon a Chinese vase--has indeed
+squinted at it through a lorgnette against a fleck--and now lolls home to
+dinner. Or style has veered an inch, and it has been a day of fitting. At
+restaurant windows one may see the feeding of the over-fed. Men sit in club
+windows and still wear their silk hats as though there was no glass between
+them and the windy world. Footmen in boots and breeches sit as stiffly as
+though they were toys grown large and had metal spikes below to hold them
+to their boxes. They look like the iron firemen that ride on nursery
+fire-engines. For all these sights the bus top is the best place.
+
+And although we sit on a modest roof, the shopkeepers cater to us. For in
+many of the stores, is there not an upper tier of windows for our use? The
+commodities of this second story are quite as fine as those below. And the
+waxen beauties who display the frocks greet us in true democracy with as
+sweet a simper.
+
+My friend G---- while riding recently on a bus top met with an experience
+for which he still blushes.
+
+There was a young woman sitting directly in front of him, and when he came
+to leave, a sudden lurch threw him against her. When he recovered his
+footing, which was a business of some difficulty, for the bus pitched upon
+a broken pavement, what was his chagrin to find that a front button of
+his coat had hooked in her back hair! Luckily G---- was not seized with a
+panic. Rather, he labored cautiously--but without result. Nor could
+she help in the disentanglement. Their embarrassment might have been
+indefinitely prolonged--indeed, G---- was several blocks already down the
+street--when he bethought him of his knife and so cut off the button. As he
+pleasantly expressed it to the young woman, he would give her the choice of
+the button or the coat entire.
+
+Reader, are you inclined toward ferry boats? I cannot include those persons
+who journey on them night and morning perfunctorily. These persons keep
+their noses in their papers or sit snugly in the cabin. If the market is
+up, they can hardly be conscious even that they are crossing a river.
+Nor do I entirely blame them. If one kept shop on a breezy tip of the
+Delectable Mountains with all the regions of the world laid out below,
+he could not be expected to climb up for the hundredth time with a first
+exhilaration, or to swing his alpenstock as though he were on a rare
+holiday. If one had business across the Styx too often--although the
+scenery on its banks is reputed to be unusual--he might in time sit below
+and take to yawning. Father Charon might have to jog his shoulder to rouse
+him when the boat came between the further piers.
+
+But are you one of those persons who, not being under a daily compulsion,
+rides upon a ferry boat for the love of the trip? Being in this class
+myself, I laid my case the other night before the gateman, and asked
+his advice regarding routes. He at once entered sympathetically into my
+distemper and gave me a plan whereby with but a single change of piers
+I might at an expense of fourteen cents cross the river four times at
+different angles.
+
+It was at the end of day and a light fog rested on the water. Nothing was
+entirely lost, yet a gray mystery wrapped the ships and buildings. If New
+Jersey still existed it was dim and shadowy as though its real life had
+gone and but a ghost remained. Ferry boats were lighted in defiance of the
+murk, and darted here and there at reckless angles. An ocean liner was
+putting out, and several tugs had rammed their noses against her sides.
+There is something engaging about a tug. It snorts with eagerness. It kicks
+and splashes. It bursts itself to lend a hand. And how it butts with its
+nose! Surely its forward cartilages are of triple strength, else in its
+zest it would jam its nasal passages.
+
+Presently we came opposite lower New York. Although the fog concealed the
+outlines of the buildings, their lights showed through. This first hour of
+dark is best, before the day's work is done and while as yet all of the
+windows are lighted. The Woolworth Tower was suffused in a soft and shadowy
+light. The other buildings showed like mountains of magic pin-pricks. It
+was as though all the constellations of heaven on a general bidding had met
+for conference.
+
+The man of Grub Street, having by this time somewhat dispelled the fumes of
+dullness from his head, descends from his ferry boat and walks to his quiet
+park. There is a dull roar from the elevated railway on Third Avenue where
+the last of the day's crowd goes home. The sidewalks are becoming empty.
+There is a sheen of water on the pavement. In the winter murk there is a
+look of Thackeray about the place as though the Sedleys or the Osbornes
+might be his neighbors. If there were a crest above his bell-pull he might
+even expect Becky Sharp in for tea.
+
+
+
+
+Now that Spring is here
+
+
+When the sun set last night it was still winter. The persons who passed
+northward in the dusk from the city's tumult thrust their hands deep into
+their pockets and walked to a sharp measure. But a change came in the
+night. The north wind fell off and a breeze blew up from the south. Such
+stars as were abroad at dawn left off their shrill winter piping--if it be
+true that stars really sing in their courses--and pitched their voices to
+April tunes. One star in particular that hung low in the west until the day
+was up, knew surely that the Spring had come and sang in concert with the
+earliest birds. There is a dull belief that these early birds shake off
+their sleep to get the worm. Rather, they come forth at this hour to cock
+their ears upon the general heavens for such new tunes as the unfaded
+stars still sing. If an ear is turned down to the rummage of worms in the
+earth--for to the superficial, so does the attitude attest--it is only that
+the other ear may be turned upward to catch the celestial harmonies; for
+birds know that if there is an untried melody in heaven it will sound first
+across the clear pastures of the dawn. All the chirping and whistling
+from the fields and trees are then but the practice of the hour. When the
+meadowlark sings on a fence-rail she but cons her lesson from the stars.
+
+It is on such a bright Spring morning that the housewife, duster in hand,
+throws open her parlor window and looks upon the street. A pleasant park is
+below, of the size of a city square, and already it stirs with the day's
+activity. The housewife beats her cloth upon the sill and as the dust flies
+off, she hears the cries and noises of the place. In a clear tenor she
+is admonished that there is an expert hereabouts to grind her knives. A
+swarthy baritone on a wagon lifts up his voice in praise of radishes and
+carrots. His eye roves along the windows. The crook of a hungry finger will
+bring him to a stand. Or a junkman is below upon his business. Yesterday
+the bells upon his cart would have sounded sour, but this morning they
+rattle agreeably, as though a brisker cow than common, springtime in her
+hoofs, were jangling to her pasture. At the sound--if you are of country
+training--you see yourself, somewhat misty through the years, barefoot in a
+grassy lane, with stick in hand, urging the gentle beast. There is a subtle
+persuasion in the junkman's call. In these tones did the magician, bawling
+for old lamps, beguile Aladdin. If there were this morning in my lodging an
+unrubbed lamp, I would toss it from the window for such magic as he might
+extract from it. And if a fair Princess should be missing at the noon and
+her palace be skipped from sight, it will follow on the rubbing of it.
+
+The call of red cherries in the park--as you might guess from its Italian
+source--is set to an amorous tune. What lady, smocked in morning cambric,
+would not be wooed by such a voice? The gay fellow tempts her to a
+purchase. It is but a decent caution--now that Spring is here--that the
+rascal does not call his wares by moonlight. As for early peas this
+morning, it is Pan himself who peddles them--disguised and smirched lest
+he be caught in the deception--Pan who stamps his foot and shakes the
+thicket--whose habit is to sing with reedy voice of the green willows that
+dip in sunny waters. Although he now clatters his tins and baskets and
+cries out like a merchant, his thoughts run to the black earth and the
+shady hollows and the sound of little streams.
+
+I have wondered as I have observed the housewives lingering at their
+windows--for my window also looks upon the park--I have wondered that these
+melodious street cries are not used generally for calling the wares of
+wider sale. If a radish can be so proclaimed, there might be a lilt devised
+in praise of other pleasing merceries--a tripping pizzicato for laces and
+frippery--a brave trumpeting for some newest cereal. And should not the
+latest book--if it be a tale of love, for these I am told are best offered
+to the public in the Spring (sad tales are best for winter)--should not a
+tale of love be heralded through the city by the singing of a ballad, with
+a melting tenor in the part? In old days a gaudy rogue cried out upon the
+broader streets that jugglers had stretched their rope in the market-place,
+but when the bears came to town, the news was piped even to the narrowest
+lanes that house-folk might bring their pennies.
+
+With my thoughts set on the Spring I chanced to walk recently where the
+theatres are thickest. It was on a Saturday afternoon and the walk was
+crowded with amusement seekers. Presently in the press I observed a queer
+old fellow carrying on his back a monstrous pack of umbrellas. He rang
+a bell monotonously and professed himself a mender of umbrellas. He can
+hardly have expected to find a customer in the crowd. Even a blinking
+eye--and these street merchants are shrewd in these matters--must have told
+him that in all this hurrying mass of people, the thoughts of no one ran
+toward umbrellas. Rather, I think that he was taking an hour from the
+routine of the day. He had trod the profitable side streets until truantry
+had taken him. But he still made a pretext of working at his job and called
+his wares to ease his conscience from idleness. Once when an unusually
+bright beam of sunlight fell from between the clouds, he tilted up his hat
+to get the warmth and I thought him guilty of a skip and syncopation in the
+ringing of his bell, as if he too twitched pleasantly with the Spring and
+his old sap was stirred.
+
+I like these persons who ply their trades upon the sidewalk. My hatter--the
+fellow who cleans my straw hat each Spring--is a partner of a bootblack.
+Over his head as he putters with his soap and brushes, there hangs a rusty
+sign proclaiming that he is famous for his cleaning all round the world. He
+is so modest in his looks that I have wondered whether he really can read
+the sign. Or perhaps like a true merchant, he is not squeamish at the
+praise. As I have not previously been aware that any of his profession ever
+came to general fame except the Mad Hatter of Wonderland, I have squinted
+sharply at him to see if by chance it might be he, but there are no marks
+even of a distant kinship. He does, however, bring my hat to a marvellous
+whiteness and it may be true that he has really tended heads that are now
+gone beyond Constantinople.
+
+Bootblacks have a sense of rhythm unparalleled. Of this the long rag is
+their instrument. They draw it once or twice across the shoe to set the key
+and then they go into a swift and pattering melody. If there is an unusual
+genius in the bootblack--some remnant of ancient Greece--he plays such a
+lively tune that one's shoulders jig to it. If there were a dryad or other
+such nimble creature on the street, she would come leaping as though
+Orpheus strummed a tune, but the dance is too fast for our languid northern
+feet.
+
+Nowhere are apples redder than on a cart. Our hearts go out to Adam in the
+hour of his temptation. I know one lady of otherwise careful appetite who
+even leans toward dates if she may buy them from a cart. "Those dear dirty
+dates," she calls them, but I cannot share her liking for them. Although
+the cart is a beguiling market, dates so bought are too dusty to be eaten.
+They rank with the apple-john. The apple-john is that mysterious leathery
+fruit, sold more often from a stand than from a cart, which leans at the
+rear of the shelf against the peppermint jars. For myself, although I do
+not eat apple-johns, I like to look at them. They are so shrivelled and so
+flat, as though a banana had caught a consumption. Or rather, in the older
+world was there not a custom at a death of sending fruits to support the
+lonesome journey? If so, the apple-john came untasted to the end. Indeed,
+there is a look of old Egypt about the fruit. Whether my fondness for
+gazing at apple-johns springs from a distant occasion when as a child I
+once bought and ate one, or whether it arises from the fact that Falstaff
+called Prince Hal a dried apple-john, is an unsolved question, but I like
+to linger before a particularly shrivelled one and wonder what its youth
+was like. Perhaps like many of its betters, it remained unheralded and
+unknown all through its fresher years and not until the coming of its
+wrinkled age was it at last put up to the common view. The apple-john sets
+up kinship with an author.
+
+The day of all fools is wisely put in April. The jest of the day resides in
+the success with which credulity is imposed upon, and April is the month of
+easiest credulity. Let bragging travellers come in April and hold us with
+tales of the Anthropopagi! If their heads are said to grow beneath their
+shoulders, still we will turn a credent ear. Indeed, it is all but sure
+that Baron Munchausen came back from his travels in the Spring. When
+else could he have got an ear? What man can look upon the wonders of the
+returning year--the first blue skies, the soft rains, the tender sproutings
+of green stalks without feeling that there is nothing beyond belief? If
+such miracles can happen before his eyes, shall not the extreme range even
+of travel or metaphysics be allowed? What man who has smelled the first
+fragrance of the earth, has heard the birds on their northern flight and
+has seen an April brook upon its course, will withhold his credence even
+though the jest be plain?
+
+I beg, therefore, that when you walk upon the street on the next day of
+April fool, that you yield to the occasion. If an urchin points his finger
+at your hat, humor him by removing it! Look sharply at it for a supposed
+defect! His glad shout will be your reward. Or if you are begged piteously
+to lift a stand-pipe wrapped to the likeness of a bundle, even though you
+sniff the imposture, seize upon it with a will! It is thus, beneath these
+April skies, that you play your part in the pageantry that marks the day.
+
+
+
+
+The Friendly Genii
+
+
+Do you not confess yourself to be several years past that time of greenest
+youth when burnt cork holds its greatest charm? Although not fallen to a
+crippled state, are you not now too advanced to smudge your upper lip and
+stalk agreeably as a villain? Surely you can no longer frisk lightly in
+a comedy. If you should wheeze and limp in an old man's part, with back
+humped in mimicry, would you not fear that it bordered on the truth? But
+doubtless there was a time when you ranged upon these heights--when Kazrac
+the magician was not too heavy for your art. In those soaring days, let us
+hope that you played the villain with a swagger, or being cast in a softer
+role, that you won a pink and fluffy princess before the play was done.
+Your earliest practice, it may be, was in rigging the parlor hangings as a
+curtain with brown string from the pantry and safety pins. Although you had
+no show to offer, you said "ding" three times--as is the ancient custom of
+the stage when the actors are ready--and drew them wide apart. The cat
+was the audience, who dozed with an ear twitching toward your activity. A
+complaint that springs up in youth and is known as "snuffles" had kept you
+out of school. It had gripped you hard at breakfast, when you were sunk in
+fear of your lessons, but had abated at nine o'clock. Whether the cure came
+with a proper healing of the nasal glands or followed merely on the ringing
+of the school bell, must be left to a cool judgment.
+
+Your theatre filled the morning. When Annie came on her quest for dust, you
+tooted once upon your nose, just to show that a remnant of your infirmity
+persisted, then put your golden convalescence on the making of your
+curtain.
+
+But in the early hours of afternoon when the children are once more upon
+the street, you regret your illness. Here they come trooping by threes and
+fours, carrying their books tied up in straps. One would think that they
+were in fear lest some impish fact might get outside the covers to spoil
+the afternoon. Until the morrow let two and two think themselves five at
+least! And let Ohio be bounded as it will! Some few children skip ropes, or
+step carefully across the cracks of the sidewalk for fear they spoil their
+suppers. Ah!--a bat goes by--a glove--a ball! And now from a vacant lot
+there comes the clamor of choosing sides. Is no mention to be made of
+you--you, "molasses fingers"--the star left fielder--the timely batter?
+What would you not give now for a clean bill of health? You rub your
+offending nose upon the glass. What matters it with what deep rascality in
+black mustachios you once strutted upon your boards? What is Hecuba to you?
+
+My own first theatre was in the attic, a place of squeaks and shadows
+to all except the valiant. In it were low, dark corners where the night
+crawled in and slept. But in the open part where the roof was highest,
+there was the theatre. Its walls were made of a red cambric of a flowered
+pattern that still lingers with me, and was bought with a clatter of
+pennies on the counter, together with nickels that had escaped my
+extravagance at the soda fountain.
+
+A cousin and I were joint proprietors. In the making of it, the hammer and
+nails were mine by right of sex, while she stitched in womanish fashion on
+the fabrics. She was leading woman and I was either the hero or the villain
+as fitted to my mood. My younger cousin--although we scorned her for her
+youth--was admitted to the slighter parts. She might daub herself with
+cork, but it must be only when we were done. Nor did we allow her to carry
+the paper knife--shaped like a dagger--which figured hugely in our plots.
+If we gave her any word to speak, it was as taffy to keep her silent about
+some iniquity that we had worked against her. In general, we judged her to
+be too green and giddy for the heavy parts. At the most, she might take
+pins at the door--for at such a trifle we displayed our talents--or play
+upon the comb as orchestra before the rising of the curtain.
+
+The usual approach to this theatre was the kitchen door, and those who came
+to enjoy the drama sniffed at their very entrance the new-baked bread. A
+pan of cookies was set upon a shelf and a row of apples was ranged along
+the window sill. Of the ice-box around the corner, not a word, lest hunger
+lead you off! As for the cook, although her tongue was tart upon a just
+occasion and although she shooed the children with her apron, secretly she
+liked to have them crowding through her kitchen.
+
+Now if you, reader--for I assume you to be one of the gathering
+audience--were of the kind careful on scrubbing days to scrape your feet
+upon the iron outside and to cross the kitchen on the unwashed parts, then
+it is likely that you stood in the good graces of the cook. Mark your
+reward! As you journeyed upward, you munched upon a cookie and bit scallops
+in its edge. Or if a ravenous haste was in you--as commonly comes up in the
+middle afternoon--you waived this slower method and crammed yourself with
+a recklessness that bestrewed the purlieus of your mouth. If your ears lay
+beyond the muss, the stowage was deemed decent and in order.
+
+Is there not a story in which children are tracked by an ogre through the
+perilous wood by the crumbs they dropped? Then let us hope there is no ogre
+lurking on these back stairs, for the trail is plain. It would be near the
+top, farthest from the friendly kitchen, that the attack might come, for
+there the stairs yielded to the darkness of the attic. There it was best
+to look sharp and to turn the corners wide. A brave whistling kept out the
+other noises.
+
+It was after Aladdin had been in town that the fires burned hottest in us.
+My grandfather and I went together to the matinee, his great thumb within
+my fist. We were frequent companions. Together we had sat on benches in the
+park and poked the gravel into patterns. We went to Dime Museums. Although
+his eyes had looked longer on the world than mine, we seemed of an equal
+age.
+
+The theatre was empty as we entered. We carried a bag of candy against a
+sudden appetite--colt's foot, a penny to the stick. Here and there ushers
+were clapping down the seats, sounds to my fancy not unlike the first corn
+within a popper. Somewhere aloft there must have been a roof, else the day
+would have spied in on us, yet it was lost in the gloom. It was as though
+a thrifty owner had borrowed the dusky fabrics of the night to make his
+cover. The curtain was indistinct, but we knew it to be the Stratford
+Church and we dimly saw its spire.
+
+Now, on the opening of a door to the upper gallery, there was a scampering
+to get seats in front, speed being whetted by a long half hour of waiting
+on the stairs. Ghostly, unbodied heads, like the luminous souls of lost
+mountaineers--for this was the kind of fiction, got out of the Public
+Library, that had come last beneath my thumb--ghostly heads looked down
+upon us across the gallery rail.
+
+And now, if you will tip back your head like a paper-hanger--whose Adam's
+apple would seem to attest a life of sidereal contemplation--you will see
+in the center of the murk above you a single point of light. It is the
+spark that will ignite the great gas chandelier. I strain my neck to the
+point of breaking. My grandfather strains his too, for it is a game between
+us which shall announce the first spurting of the light. At last! We cry
+out together. The spark catches the vent next to it. It runs around the
+circle of glass pendants. The whole blazes up. The mountaineers come to
+life. They lean forward on their elbows.
+
+From the wings comes the tuning of the violins. A flute ripples up and down
+in a care-free manner as though the villain Kazrac were already dead and
+virtue had come into its own. The orchestra emerges from below. Their
+calmness is but a pretense. Having looked on such sights as lie behind the
+curtain, having trod such ways, they should be bubbling with excitement.
+Yet observe the bass viol! How sodden is his eye! How sunken is his gaze!
+With what dull routine he draws his bow, as though he knew naught but
+sleepy tunes! If there be any genie in the place, as the program says, let
+him first stir this sad fellow from his melancholy!
+
+We consult our programs. The first scene is the magician's cave where he
+plans his evil schemes. The second is the Chinese city where he pretends to
+be Aladdin's uncle. And for myself, did a friendly old gentleman offer me
+lollypops and all-day-suckers--for so did the glittering baubles present
+themselves across the footlights--like Aladdin I, too, would not have
+squinted too closely on his claim. Gladly I would have gone off with him on
+an all-day picnic toward the Chinese mountains.
+
+We see a lonely pass in the hills, the cave of jewels (splendid to the eye
+of childhood) where the slave of the lamp first appears, and finally the
+throne-room with Aladdin seated safely beside his princess.
+
+Who knows how to dip a pen within the twilight? Who shall trace the figures
+of the mist? The play is done. We come out in silence. Our candy is but a
+remnant. Darkness has fallen. The pavements are wet and shining, so that
+the night might see his face, if by chance the old fellow looked our way.
+
+All about there are persons hurrying home with dinner-pails, who, by their
+dull eyes, seem never to have heard what wonders follow on the rubbing of a
+lamp.
+
+But how the fires leaped up--how ambition beat within us--how our attic
+theatre was wrought to perfection--how the play came off and wracked the
+neighborhood of its pins--with what grace I myself acted Aladdin--these
+things must be written by a vain and braggart pen.
+
+
+
+
+Mr. Pepys Sits in the Pit
+
+
+When it happens that a man has risen to be a member of Parliament, the
+Secretary of the British Navy and the President of the Royal Society, when
+he has become the adviser of the King and is moreover the one really bright
+spot in that King's reign, it is amazing that considerably more than one
+hundred years after his death, when the navy that he nurtured dominates the
+seven seas, that he himself on a sudden should be known, not for his larger
+accomplishments, but as a kind of tavern crony and pot-companion. When he
+should be standing with fame secure in a solemn though dusty niche in the
+Temple of Time, it is amazing that he should be remembered chiefly for
+certain quarrels with his wife and as a frequenter of plays and summer
+gardens.
+
+Yet this is the fate of Samuel Pepys. Before the return of the Stuarts he
+held a poor clerkship in the Navy Office and cut his quill obscurely at
+the common desk. At the Restoration, partly by the boost of influence, but
+chiefly by his substantial merit, he mounted to several successively higher
+posts. The Prince of Wales became his friend and patron and when he became
+Lord High Admiral he took Pepys with him in his advancement. Thus in 1684,
+Pepys became Secretary of the Navy. When later the Prince of Wales became
+King James II, Pepys, although his office remained the same, came to quite
+a pinnacle of administrative power. He was shrewd and capable in the
+conduct of his position and brought method to the Navy Office. He was a
+prime factor in the first development of the British Navy. Later victories
+that were to sweep the seas may be traced in part to him. Nelson rides upon
+his shoulders. These achievements should have made his fame secure. But
+on a sudden he gained for posterity a less dignified although a more
+interesting and enduring renown.
+
+In life, Samuel Pepys walked gravely in majestical robe with full-bottomed
+wig and with ceremonial lace flapping at his wrists. Every step, if his
+portrait is to be believed, was a bit of pageantry. Such was his fame, that
+if his sword but clacked a warning on the pavement, it must have brought
+the apprentices to the windows. Tradesmen laid down their wares to get a
+look at him. Fat men puffed and strained to gain the advantage of a sill.
+Fashionable ladies peeped from brocaded curtains and ogled for his regard.
+Or if he went by chair, the carriers held their noses up as though offended
+by the common air. When he spoke before the Commons, the galleries were
+hushed. He gave his days to the signing of stiff parchments--Admiralty
+Orders or what not. He checked the King himself at the council table. In
+short, he was not only a great personage, but also he was quite well aware
+of the fact and held himself accordingly.
+
+But now many years have passed, and Time, that has so long been at bowls
+with reputations, has acquired a moderate skill in knocking them down. Let
+us see how it fares with Pepys! Some men who have been roguish in their
+lives have been remembered by their higher accomplishments. A string
+of sonnets or a novel or two, if it catches the fancy, has wiped out a
+tap-room record. The winning of a battle has obliterated a meanly spent
+youth. It is true that for a while an old housewife who once lived on the
+hero's street will shake a dubious finger on his early pranks. Stolen
+apples or cigarettes behind the barn cram her recollection. But even a
+village reputation fades. In time the sonnets and glorious battle have the
+upper place. But things went the other way with Pepys. Rather, his fate
+is like that of Zeus, who--if legend is to be trusted--was in his life a
+person of some importance whose nod stirred society on Olympus, but who is
+now remembered largely for his flirtations and his braggart conduct. A not
+unlike evil has fallen on the magnificent Mr. Pepys.
+
+This fate came to him because--as the world knows--it happened that for
+a period of ten years in comparative youth, he wrote an interesting and
+honest diary. He began this diary in 1659, while he was still a poor clerk
+living with his wife in a garret, and ended it in 1669, when, although he
+had emerged from obscurity, his greater honors had not yet been set on him.
+All the facts of his life during this period are put down, whether good or
+bad, small or large, generous or mean. He writes of his mornings spent in
+work at his office, of his consultations with higher officials. There
+is much running to and fro of business. The Dutch war bulks to a proper
+length. Parliament sits through a page at a stretch. Pepys goes upon the
+streets in the days of the plague and writes the horror of it--the houses
+marked with red crosses and with prayers scratched beneath--the stench and
+the carrying of dead bodies. He sees the great fire of London from his
+window on the night it starts; afterwards St. Paul's with its roofs fallen.
+He is on the fleet that brings Charles home from his long travels, and
+afterwards when Charles is crowned, he records the processions and the
+crowds. But also Pepys quarrels with his wife and writes it out on paper.
+He debauches a servant and makes a note of it. He describes a supper at an
+ale-house, and how he plays on the flute. He sings "Beauty Retire," a song
+of his own making, and tells how his listeners "cried it up."
+
+In consequence of this, Samuel Pepys is now known chiefly for his
+attentions to the pretty actresses of Drury Lane, for kissing Nell Gwynne
+in her tiring-room, for his suppers with "the jade" Mrs. Knipp, for his
+love of a tune upon the fiddle, for coming home from Vauxhall by wherry
+late at night, "singing merrily" down the river. Or perhaps we recall him
+best for burying his wine and Parmazan cheese in his garden at the time
+of the Fire, or for standing to the measure of Mr. Pin the tailor for a
+"camlett cloak with gold buttons," or for sitting for his portrait in an
+Indian gown which he "hired to be drawn in." Who shall say that this is not
+the very portrait by which we have fancied him stalking off to Commons?
+Could the apprentices have known in what a borrowed majesty he walked,
+would they not have tossed their caps in mirth and pointed their dusky
+fingers at him?
+
+Or we remember that he once lived in a garret, and that his wife, "poor
+wretch," was used to make the fire while Samuel lay abed, and that she
+washed his "foul clothes"--that by degrees he came to be wealthy and
+rode in his own yellow coach--that his wife went abroad in society "in
+a flowered tabby gown"--that Pepys forsook his habits of poverty and
+exchanged his twelve-penny seat in the theatre gallery for a place in the
+pit--and that on a rare occasion (doubtless when he was alone and there was
+but one seat to buy) he arose to the extravagance of a four-shilling box.
+
+Consequently, despite the weightier parts of the diary, we know Pepys
+chiefly in his hours of ease. Sittings and consultations are so dry. If
+only the world would run itself decently and in silence! Even a meeting of
+the Committee for Tangier--when the Prince of Wales was present and such
+smaller fry as Chancellors--is dull and is matter for a skipping eye.
+
+If a session of Parliament bulks to a fat paragraph and it happens that
+there is a bit of deviltry just below at the bottom of the page--maybe no
+more than a clinking of glasses (or perhaps Nell Gwynne's name pops in
+sight)--bless us how the eye will hurry to turn the leaf on the chance
+of roguery to come! Who would read through a long discourse on Admiralty
+business, if it be known before that Pepys is engaged with the pretty Mrs.
+Knipp for a trip to Bartholomew Fair to view the dancing horse, and that
+the start is to be made on the turning of the page? Or a piece of scandal
+about Lady Castlemaine, how her nose fell out of joint when Mrs. Stuart
+came to court--such things tease one from the sterner business.
+
+And for these reasons, we have been inclined to underestimate the
+importance of Pepys' diary. Francis Jeffrey, who wrote long ago about
+Pepys, evidently thought that he was an idle and unprofitable fellow and
+that the diary was too much given to mean and petty things. But in reality
+the diary is an historical mine. Even when Pepys plays upon the surface,
+he throws out facts that can be had nowhere else. No one would venture to
+write of Restoration life without digging through his pages. Pepys wrote in
+a confused shorthand, maybe against the eye of his wife, from whom he had
+reason to conceal his offenses. The papers lay undeciphered until 1825,
+when a partial publication was made. There were additions by subsequent
+editors until now it appears that the Wheatley text of 1893-1899 is final.
+But ever since 1825, the diary has been judged to be of high importance in
+the understanding of the first decade of the Restoration.
+
+If some of the weightier parts are somewhat dry, there are places in which
+a lighter show of personality is coincident with real historical data.
+Foremost are the pages where Pepys goes to the theatre.
+
+More than Charles II was restored in 1660. Among many things of more
+importance than this worthless King, the theatre was restored. Since the
+close of Elizabethan times it had been out of business. More than thirty
+years before, Puritanism had snuffed out its candles and driven its
+fiddlers to the streets. But Puritanism, in its turn, fell with the return
+of the Stuarts. Pepys is a chief witness as to what kind of theatre it was
+that was set up in London about the year 1660. It was far different from
+the Elizabethan theatre. It came in from the Bankside and the fields to the
+north of the city and lodged itself on the better streets and squares. It
+no longer patterned itself on the inn-yard, but was roofed against the
+rain. The time had been when the theatre was cousin to the bear-pit. They
+were ranged together on the Bankside and they sweat and smelled like
+congenial neighbors. But these days are past. Let Bartholomew Fair be as
+rowdy as it pleases, let acrobats and such loose fellows keep to Southwark,
+the theatre has risen in the world! It has put on a wig, as it were, it has
+tied a ribbon to itself and has become fashionable. And although it has
+taken on a few extra dissolute habits, they are of the genteelest kind and
+will make it feel at home in the upper circles.
+
+But also the theatre introduced movable scenery. There is an attempt toward
+elaboration of stage effect. "To the King's playhouse--" says Pepys, "a
+good scene of a town on fire." Women take parts. An avalanche of new plays
+descends on it. Even the old plays that have survived are garbled to suit a
+change of taste.
+
+But if you would really know what kind of theatre it was that sprang up
+with the Stuarts and what the audiences looked like and how they behaved,
+you must read Pepys. With but a moderate use of fancy, you can set out with
+him in his yellow coach for the King's house in Drury Lane. Perhaps hunger
+nips you at the start. If so, you stop, as Pepys pleasantly puts it, for a
+"barrel of oysters." Then, having dusted yourself of crumbs, you take the
+road again. Presently you come to Drury Lane. Other yellow coaches are
+before you. There is a show of foppery on the curb and an odor of smoking
+links. A powdered beauty minces to the door. Once past the doorkeeper, you
+hear the cries of the orange women going up and down the aisles. There is a
+shuffling of apprentices in the gallery. A dandy who lolls in a box with a
+silken leg across the rail, scrawls a message to an actress and sends it
+off by Orange Moll. Presently Castlemaine enters the royal box with the
+King. There is a craning of necks, for with her the King openly "do
+discover a great deal of familiarity." In other boxes are other fine ladies
+wearing vizards to hold their modesty if the comedy is free. A board breaks
+in the ceiling of the gallery and dust falls in the men's hair and the
+ladies' necks, which, writes Pepys, "made good sport." Or again, "A
+gentleman of good habit, sitting just before us, eating of some fruit in
+the midst of the play, did drop down as dead; being choked, but with much
+ado Orange Moll did thrust her finger down his throat and brought him to
+life again." Or perhaps, "I sitting behind in a dark place, a lady spit
+backward upon me by a mistake, not seeing me, but after seeing her to be a
+very pretty lady, I was not troubled at it at all."
+
+At a change of scenes, Mrs. Knipp spies Pepys and comes to the pit door. He
+goes with her to the tiring-room. "To the women's shift," he writes,
+"where Nell was dressing herself, and was all unready, and is very pretty,
+prettier than I thought.... But to see how Nell cursed for having so few
+people in the pit, was pretty."--"But Lord! their confidence! and how
+many men do hover about them as soon as they come off the stage, and how
+confident they are in their talk!" Or he is whispered a bit of gossip, how
+Castlemaine is much in love with Hart, an actor of the house. Then Pepys
+goes back into the pit and lays out a sixpence for an orange. As the play
+nears its end, footmen crowd forward at the doors. The epilogue is spoken.
+The fiddles squeak their last. There is a bawling outside for coaches.
+
+"Would it fit your humor," asks Mr. Pepys, when we have been handed to our
+seats, "would it fit your humor, if we go around to the Rose Tavern for
+some burnt wine and a breast of mutton off the spit? It's sure that some
+brave company will fall in, and we can have a tune. We'll not heed the
+bellman. We'll sit late, for it will be a fine light moonshine morning."
+
+
+
+
+To an Unknown Reader
+
+
+Once in a while I dream that I come upon a person who is reading a book
+that I have written. In my pleasant dreams these persons do not nod
+sleepily upon my pages, and sometimes I fall in talk with them. Although
+they do not know who I am, they praise the book and name me warmly among
+my betters. In such circumstance my happy nightmare mounts until I ride
+foremost with the giants. If I could think that this disturbance of my
+sleep came from my diet and that these agreeable persons arose from a
+lobster or a pie, nightly at supper I would ply my fork recklessly among
+the platters.
+
+But in a waking state these meetings never come. If an article of mine is
+ever read at all, it is read in secret like the Bible. Once, indeed, in a
+friend's house I saw my book upon the table, but I suspect that it had been
+dusted and laid out for my coming. I request my hostess that next time, for
+my vanity, she lay the book face down upon a chair, as though the grocer's
+knock intruded. Or perhaps a huckster's cart broke upon her enjoyment.
+Let it be thought that a rare bargain--tender asparagus or the first
+strawberries of the summer--tempted her off my pages! Or maybe there was
+red rhubarb in the cart and the jolly farmer, as he journeyed up the
+street, pitched it to a pleasing melody. Dear lady, I forgive you. But let
+us hope no laundryman led you off! Such discord would have marred my book.
+
+I saw once in a public library, as I went along the shelves, a volume of
+mine which gave evidence to have been really read. The record in front
+showed that it had been withdrawn one time only. The card was blank
+below--but once certainly it had been read. I hope that the book went out
+on a Saturday noon when the spirits rise for the holiday to come, and that
+a rainy Sunday followed, so that my single reader was kept before his fire.
+A dull patter on the window--if one sits unbuttoned on the hearth--gives
+a zest to a languid chapter. The rattle of a storm--if only the room be
+snug--fixes the attention fast. Therefore, let the rain descend as though
+the heavens rehearsed for a flood! Let a tempest come out of the west! Let
+the chimney roar as it were a lion! And if there must be a clearing, let
+it hold off until the late afternoon, lest it sow too early a distaste for
+indoors and reading! There is scarcely a bookworm who will not slip his
+glasses off his nose, if the clouds break at the hour of sunset when the
+earth and sky are filled with a green and golden light. I took the book off
+the library shelf and timidly glancing across my shoulder for fear that
+some one might catch me, I looked along the pages. There was a thumb mark
+in a margin, and presently appeared a kindly stickiness on the paper as
+though an orange had squirted on it. Surely there had been a human being
+hereabouts. It was as certain as when Crusoe found the footprints in the
+sand. Ah, I thought, this fellow who sits in the firelight has caught an
+appetite. Perhaps he bit a hole and sucked the fruit, and the skin has
+burst behind. Or I wave the theory and now conceive that the volume was
+read at breakfast. If so, it is my comfort that in those dim hours it stood
+propped against his coffee cup.
+
+But the trail ended with the turning of the page. There were, indeed,
+further on, pencil checks against one of the paragraphs as if here the book
+had raised a faint excitement, but I could not tell whether they sprang
+up in derision or in approval. Toward the end there were uncut leaves, as
+though even my single reader had failed in his persistence.
+
+Being swept once beyond a usual caution, I lamented to my friend F---- of
+the neglect in which readers held me, to which the above experience in
+a library was a rare exception. F---- offered me such consolation as he
+could, deplored the general taste and the decadence of the times, and said
+that as praise was sweet to everyone, he, as far as he himself was able,
+offered it anonymously to those who merited it. He was standing recently
+in a picture gallery, when a long-haired man who stood before one of the
+pictures was pointed out to him as the artist who had painted it. At once
+F---- saw his opportunity to confer a pleasure, but as there is a touch of
+humor in him, he first played off a jest. Lounging forward, he dropped his
+head to one side as artistic folk do when they look at color. He made a
+knot-hole of his fingers and squinted through. Next he retreated across the
+room and stood with his legs apart in the very attitude of wisdom. He cast
+a stern eye upon the picture and gravely tapped his chin. At last when the
+artist was fretted to an extremity, F---- came forward and so cordially
+praised the picture that the artist, being now warmed and comforted,
+presently excused himself in a high excitement and rushed away to start
+another picture while the pleasant spell was on him.
+
+Had I been the artist, I would have run from either F----'s praise or
+disapproval. As an instance, I saw a friend on a late occasion coming from
+a bookstore with a volume of suspicious color beneath his arm. I had been
+avoiding that particular bookstore for a week because my book lay for sale
+on a forward table. And now when my friend appeared, a sudden panic seized
+me and I plunged into the first doorway to escape. I found myself facing a
+soda fountain. For a moment, in my blur, I could not account for the
+soda fountain, or know quite how it had come into my life. Presently an
+interne--for he was jacketted as if he walked a hospital--asked me what I'd
+have.
+
+Still somewhat dazed, in my discomposure, having no answer ready, my
+startled fancy ran among the signs and labels of the counter until I
+recalled that a bearded man once, unblushing in my presence, had ordered
+a banana flip. I got the fellow's ear and named it softly. Whereupon he
+placed a dead-looking banana across a mound of ice-cream, poured on colored
+juices as though to mark the fatal wound and offered it to me. I ate a few
+bites of the sickish mixture until the streets were safe.
+
+I do not know to what I can attribute my timidity. Possibly it arises from
+the fact that until recently my writing met with uniform rejection and
+failure. For years I wrote secretly in order that few persons might know
+how miserably I failed. I answered upon a question that I had given up the
+practice, that I now had no time for it, that I scribbled now and then
+but always burned it. All that while I gave my rare leisure and my stolen
+afternoons--the hours that other men give to golf and sleep and sitting
+together--these hours I gave to writing. On a holiday I was at it early. On
+Saturday when other folks were abroad, I sat at my desk. It was my grief
+that I was so poor a borrower of the night that I blinked stupidly on my
+papers if I sat beyond the usual hour. Writing was my obsession. I need no
+pity for my failures, for although I tossed my cap upon a rare acceptance,
+my deeper joy was in the writing. That joy repeated failures could not
+blunt.
+
+There are paragraphs that now lie yellow in my desk with their former
+meaning faded, that still recall as I think of them the first exaltation
+when I wrote them--feverishly in a hot emotion. In those days I thought
+that I had caught the sunlight on my pen, and the wind and the moon and the
+spinning earth. I thought that the valleys and the mountains arose from the
+mist obedient to me. If I splashed my pen, in my warm regard it was the
+roar and fury of the sea. It was really no more than my youth crying out.
+And, alas, my thoughts and my feelings escaped me when I tried to put them
+down on paper, although I did not know it then. Perhaps they were too
+vagrant to be held. And yet these paragraphs that might be mournful records
+of failure, fill me with no more than a tender recollection for the boy
+who wrote them. The worn phrases now beg their way with broken steps. Like
+shrill and piping minstrels they whine and crack a melody that I still
+remember in its freshness.
+
+But perhaps, reader, we are brothers in these regards. Perhaps you, too,
+have faded papers. Or possibly, even on a recent date, you sighed your soul
+into an essay or a sonnet, and you now have manuscript which you would like
+to sell. Do not mistake me! I am not an editor, nor am I an agent for these
+wares. Rather I speak as a friend who, having many such hidden sorrows,
+offers you a word of comfort. To a desponding Hamlet I exclaim, "'Tis
+common, my Lord." I have so many friends that have had an unproductive
+fling toward letters, that I think the malady is general. So many books are
+published and flourish a little while in their bright wrappers, but yours
+and theirs and mine waste away in a single precious copy.
+
+I am convinced that a close inspection of all desks--a federal matter as
+though Capital were under fire--would betray thousands of abandoned novels.
+There may be a few stern desks that are so cluttered with price-sheets and
+stock-lists that they cannot offer harborage to a love tale. Standing desks
+in particular, such as bookkeepers affect, are not always chinked
+with these softer plots. And rarely there is a desk so smothered in
+learning--reeking so of scholarship--as not to admit a lighter nook for
+the tucking of a sea yarn. Even so, it was whispered to me lately that
+Professor B----, whose word shakes the continent, holds in a lower drawer
+no fewer than three unpublished historical novels, each set up with a full
+quota of smugglers and red bandits. One of these stories deals scandalously
+with the abduction of an heiress, but this must be held in confidence. The
+professor is a stoic before his class, but there's blood in the fellow.
+
+There is, therefore, little use in your own denial. You will recall that
+once, when taken to a ruined castle, you brooded on the dungeons until a
+plot popped into your head. You crammed it with quaint phrasing from the
+chroniclers. You stuffed it with soldiers' oaths. "What ho! landlord,"
+you wrote gayly at midnight, "a foaming cup, good sir. God pity the poor
+sailors that take the sea this night!" And on you pelted with your plot to
+such conflicts and hair-breadth escapes as lay in your contrivance.
+
+These things you have committed. Good sir, we are of a common piece. Let us
+salute as brothers! And therefore, as to a comrade, I bid you continue in
+your ways. And that you may not lack matter for your pen, I warmly urge
+you, when by shrewdest computation you have exhausted the plots of
+adventure and have worn your villains thin, that you proceed in quieter
+vein. I urge you to an April mood, for the winds of Spring are up and
+daffodils nod across the garden. There is black earth in the Spring and
+green hilltops, and there is also the breath of flowers along the fences
+and the sound of water for your pen to prattle of.
+
+
+
+
+A Plague of All Cowards
+
+
+Having written lately against the dog, several acquaintances have asked me
+to turn upon the cat, and they have been good enough to furnish me with
+instances of her faithlessness. Also, a lady with whom I recently sat at
+dinner, inquired of me on the passing of the fish, whether I had ever
+properly considered the cow, which she esteemed a most mischievous animal.
+One of them had mooed at her as she crossed a pasture and she had hastily
+climbed a fence. I get a good many suggestions first and last. I was once
+taken to a Turkish bath for no other reason--as I was afterwards told--than
+that it might supply me with a topic. Odd books have been put in my way.
+A basket of school readers was once lodged with me, with a request that I
+direct my attention to the absurd selection of the poems. I have been urged
+to go against car conductors and customs men. On one occasion I received a
+paper of tombstone inscriptions, with a note of direction how others might
+be found in a neighboring churchyard if I were curious. A lady in whose
+company I camped last summer has asked me to give a chapter to it. We were
+abroad upon a lake in the full moon--we were lost upon a mountain--twice a
+canoe upset--there were the usual jests about cooking. These things might
+have filled a few pages agreeably, yet so far they have given me only a
+paragraph.
+
+But I am not disposed toward any of these subjects, least of all the cat,
+upon which I look--despite the coldness of her nature--as a harmless and
+comforting appendage of the hearth-rug. I would no more prey upon her
+morals than I would the morals of the andirons. I choose, rather, to slip
+to another angle of the question and say a few words about cowards, among
+whom I have already confessed that I number myself.
+
+In this year of battles, when physical courage sits so high, the reader--if
+he is swept off in the general opinion--will expect under such a title
+something caustic. He will think that I am about to loose against all
+cowards a plague of frogs and locusts as if old Egypt had come again. But
+cowardice is its own punishment. It needs no frog to nip it. Even the
+sharp-toothed locust--for in the days that bordered so close upon the
+mastodon, the locust could hardly have fallen to the tender greenling we
+know today--even the locust that once spoiled the Egyptians could not now
+add to the grief of a coward.
+
+And yet--really I hesitate. I blush. My attack will be too intimate; for I
+have confessed that I am not the very button on the cap of bravery. I have
+indeed stiffened myself to ride a horse, a mightier feat than driving him
+because of the tallness of the monster and his uneasy movement, as though
+his legs were not well socketed and might fall out on a change of gaits. I
+have ridden on a camel in a side-show, but have found my only comfort in
+his hump. I have stroked the elephant. In a solemn hour of night I have
+gone downstairs to face a burglar. But I do not run singing to these
+dangers. While your really brave fellow is climbing a dizzy staircase to
+the moon--I write in figure--I would shake with fear upon a lower platform.
+
+Perhaps you recall Mr. Tipp of the Elia essays. "Tipp," says his pleasant
+biographer, "never mounted the box of a stage-coach in his life; or leaned
+against the rails of a balcony; or walked upon the ridge of a parapet; or
+looked down a precipice; or let off a gun." I cannot follow Tipp, it may
+be, to his extreme tremors--my hair will not rise to so close a likeness of
+the fretful porcupine--yet in a measure we are in agreement. We are, as it
+were, cousins, with the mark of our common family strong on both of us.
+
+There are persons who, when in your company on a country walk, will steal
+apples, not with a decent caution from a tree along the fence, but far
+afield. If there are grapes, they will not wait for a turn of the road,
+but will pluck them in the open. Or maybe in your wandering you come on a
+half-built house. You climb in through a window to look about. Here the
+stairs will go. The ice-box will be set against this wall. But if your
+companion is one of valor's minions, he will not be satisfied with this
+safe and agreeable research--this mild speculation on bath-rooms--this
+innocent placing of a stove. He must go aloft. He has seen a ladder and
+yearns to climb it. The footing on the second story is bad enough. If you
+fall between the joists, you will clatter to the basement. It is hard to
+realize that such an open breezy place will ever be cosy and warm with
+fires, and that sleepy folk will here lie snugly a-bed on frosty mornings.
+But still the brazen fellow is not content. A ladder leads horribly to the
+roof. For myself I will climb until the tip of my nose juts out upon the
+world--until it sprouts forth to the air from the topmost timbers: But I
+will go no farther. But if your companion sees a scaffold around a chimney,
+he must perch on it. For him, a dizzy plank is a pleasant belvedere from
+which to view the world.
+
+The bravery of this kind of person is not confined to these few matters.
+If you happen to go driving with him, he will--if the horse is of the kind
+that distends his nostrils--on a sudden toss you the reins and leave you to
+guard him while he dispatches an errand. If it were a motor car there would
+be a brake to hold it. If it were a boat, you might throw out an anchor. A
+butcher's cart would have a metal drag. But here you sit defenseless--tied
+to the whim of a horse--greased for a runaway. The beast Dobbin turns his
+head and holds you with his hard eye. There is a convulsive movement along
+his back, a preface, it may be, to a sudden seizure. A real friend would
+have loosed the straps that run along the horse's flanks. Then, if any
+deviltry take him, he might go off alone and have it out.
+
+I have in mind a livery stable in Kalamazoo. Myself and another man of
+equal equestrianism were sent once to bring out a thing called a surrey and
+a pair of horses. Do you happen to be acquainted with Blat's Horse Food? If
+your way lies among the smaller towns, you must know its merits. They are
+proclaimed along the fences and up the telegraph poles. Drinking-troughs
+speak its virtues. Horses thrive on Blat's Food. They neigh for it. A
+flashing lithograph is set by way of testament wherever traffic turns or
+lingers. Do you not recall the picture? A great red horse rears himself
+on his hind legs. His forward hoofs are extended. He is about to trample
+someone under foot. His nostrils are wide. He is unduly excited. It cannot
+be food, it must be drink that stirs him. He is a fearful spectacle.
+
+There was such a picture on the wall of the stable.
+
+"Have you any horses," I asked nervously, jerking my thumb toward the wall,
+"any horses that have been fed on just ordinary food? Some that are a
+little tired?"
+
+For I remembered how Mr. Winkle once engaged horses to take the
+Pickwickians out to Manor Farm and what mishaps befell them on the way.
+
+"'He don't shy, does he?' inquired Mr. Pickwick.
+
+"'Shy, sir?--He wouldn't shy if he was to meet a vagginload of monkeys with
+their tails burnt off.'"
+
+But how Mr. Pickwick dropped his whip, how Mr. Winkle got off his tall
+horse to pick it up, how he tried in vain to remount while his horse went
+round and round, how they were all spilt out upon the bridge and how
+finally they walked to Manor Farm--these things are known to everybody with
+an inch of reading.
+
+"'How far is it to Dingley Dell?' they asked.
+
+"'Better er seven mile.'
+
+"'Is it a good road?'
+
+"'No, t'ant.'...
+
+"The depressed Pickwickians turned moodily away, with the tall quadruped,
+for which they all felt the most unmitigated disgust, following slowly at
+their heels."
+
+"Have you any horses," I repeated, "that have not been fed on Blat's
+Food--horses that are, so to speak, on a diet?"
+
+In the farthest stalls, hidden from the sunlight and the invigorating
+infection of the day, two beasts were found with sunken chests and hollow
+eyes, who took us safely to our destination on their hands and knees.
+
+As you may suspect, I do not enjoy riding. There is, it is true, one saddle
+horse in North Carolina that fears me. If time still spares him, that horse
+I could ride with content. But I would rather trust myself on the top of a
+wobbly step-ladder than up the sides of most horses. I am not quite of a
+mind, however, with Samuel Richardson who owned a hobby-horse and rode on
+his hearth-rug in the intervals of writing "Pamela." It is likely that when
+he had rescued her from an adventure of more than usual danger--perhaps her
+villainous master has been concealed in her closet--perhaps he has been
+hiding beneath her bed--it is likely, having brought her safely off, the
+author locked her in the buttery against a fresh attack. Then he felt, good
+man, in need of exercise. So while he waits for tea and muffins, he leaps
+upon his rocking-horse and prances off. As for the hobby-horse itself, I
+have not heard whether it was of the usual nursery type, or whether it was
+built in the likeness of the leather camels of a German steamship.
+
+I need hardly say that these confessions of my cowardice are for your ear
+alone. They must not get abroad to smirch me. If on a country walk I have
+taken to my heels, you must not twit me with poltroonery. If you charge me
+with such faint-heartedness while other persons are present, I'll deny it
+flat. When I sit in the company of ladies at dinner, I dissemble my true
+nature, as doublet and hose ought to show itself courageous to petticoat.
+If then, you taunt me, for want of a better escape, I shall turn it to a
+jest. I shall engage the table flippantly: Hear how preposterously the
+fellow talks!--he jests to satisfy a grudge. In appearance I am whole as
+the marble, founded as a rock.
+
+But really some of us cowards are diverting persons. The lady who directed
+me against the cow is a most delightful woman with whom I hope I shall
+again sit at dinner. A witty lady of my acquaintance shivers when a
+cat walks in the room. A man with whom I pass the time pleasantly and
+profitably, although he will not admit a fear of ghosts, still will not
+sleep in an empty house because of possible noises. I would rather spend a
+Saturday evening in the company of the cowardly Falstaff than of the bold
+Hotspur. If it were not for sack, villainous sack, and a few spots upon his
+front, you would go far to find a better companion than the fat old Knight.
+Bob Acres was not much for valor and he made an ass of himself when he went
+to fight a duel, yet one could have sat agreeably at mutton with him.
+
+But these things are slight. It matters little whether or not one can mount
+a ladder comfortably. Now that motors have come in, horses stand remotely
+in our lives. Nor is it of great moment whether or not we fear to be out of
+fashion--whether we halt in the wearing of a wrong-shaped hat, or glance
+fearfully around when we choose from a line of forks. Superstitions rest
+mostly on the surface and are not deadly in themselves. A man can be true
+of heart even if he will not sit thirteen at table. But there is a kind
+of fear that is disastrous to them that have it. It is the fear of the
+material universe in all its manifestations. There are persons, stout both
+of chest and limb, who fear drafts and wet feet. A man who is an elephant
+of valor and who has been feeling this long while a gentle contempt for
+such as myself, will cry out if a soft breeze strikes against his neck. If
+a foot slips to the gutter and becomes wet, he will dose himself. Achilles
+did not more carefully nurse his heel. For him the lofty dome of air is
+packed with malignant germs. The round world is bottled with contagion. A
+strong man who, in his time, might have slain the Sofi, is as fearful of
+his health as though the plague were up the street. Calamities beset him.
+The slightest sniffling in his nose is the trumpet for a deep disorder.
+Existence is but a moving hazard. Life for him, poor fellow, is but a room
+with a window on the night and a storm beating on the casement. God knows,
+it is better to grow giddy on a ladder than to think that this majestic
+earth is such an universal pestilence.
+
+
+
+
+The Asperities of the Early British Reviewers
+
+
+Book reviewers nowadays direct their attention, for the most part, to the
+worthy books and they habitually neglect those that seem beneath their
+regard. On a rare occasion they assail an unprofitable book, but even this
+is often but a bit of practice. They swish a bludgeon to try their hand.
+They only take their anger, as it were, upon an outing, lest with too
+close housing it grow pallid and shrink in girth. Or maybe they indulge
+themselves in humor. Perhaps they think that their pages grow dull and that
+ridicule will restore the balance. They throw it in like a drunken porter
+to relieve a solemn scene. I fancy that editors of this baser sort keep on
+their shelves one or two volumes for their readers' sport and mirth. I read
+recently a review of an historical romance--a last faltering descendant of
+the race--whose author in an endeavor to restore the past, had made too
+free a use of obsolete words. With what playfulness was he held up to
+scorn! Mary come up, sweet chuck! How his quaint phrasing was turned
+against him! What a merry fellow it is who writes, how sharp and caustic!
+There's pepper on his mood.
+
+But generally, it is said, book reviews are too flattering. Professor
+Bliss Perry, being of this opinion, offered some time ago a statement
+that "Magazine writing about current books is for the most part bland,
+complaisant, pulpy.... The Pedagogue no longer gets a chance at the gifted
+young rascal who needs, first and foremost, a premonitory whipping; the
+youthful genius simply stays away from school and carries his unwhipped
+talents into the market place." At a somewhat different angle of the same
+opinion, Dr. Crothers suggests in an essay that instead of being directed
+to the best books, we need to be warned from the worst. He proposes to set
+up a list of the Hundred Worst Books. For is it not better, he asks, to put
+a lighthouse on a reef than in the channel? The open sea does not need a
+bell-buoy to sound its depth.
+
+On these hints I have read some of the book criticisms of days past to
+learn whether they too were pulpy--whether our present silken criticism
+always wore its gloves and perfumed itself, or whether it has fallen to
+this smiling senility from a sterner youth. Although I am usually a rusty
+student, yet by diligence I have sought to mend my knowledge that I might
+lay it out before you. Lately, therefore, if you had come within our Public
+Library, you would have found me in one of these attempts. Here I went,
+scrimping the other business of the day in order that I might be at my
+studies before the rush set in up town. Mine was the alcove farthest from
+the door, where are the mustier volumes that fit a bookish student. So if
+your quest was the lighter books--such verse and novels as present fame
+attests--you did not find me. I was hooped and bowed around the corner. I
+am no real scholar, but I study on a spurt. For a whole week together I may
+read old plays until their jigging style infects my own. I have set myself
+against the lofty histories, although I tire upon their lower slopes and
+have not yet persisted to their upper and windier ridges. I have, also, a
+pretty knowledge of the Queen Anne wits and feel that I must have dogged
+and spied upon them while they were yet alive. But in general, although
+I am curious in the earlier chapters of learning, I lag in the inner
+windings. However, for a fortnight I have sat piled about with old reviews,
+whose leather rots and smells, in order that I might study the fading
+criticisms of the past.
+
+Until rather near the end of the eighteenth century, those who made their
+living in England by writing were chiefly publishers' hacks, fellows of
+the Dunciad sucking their quills in garrets and selling their labor for a
+crust, for the reading public was too small to support them. Or they
+found a patron and gave him a sugared sonnet for a pittance, or strained
+themselves to the length of an Ode for a berth in his household. Or
+frequently they supported a political party and received a place in the
+Red Tape Office. But even in politics, on account of the smallness of the
+reading public and the politicians' indifference to its approval, their
+services were of slight account. Too often a political office was granted
+from a pocket borough in which a restricted electorate could be bought at a
+trifling expense. To gain support inside the House of Commons was enough.
+The greater public outside could be ignored. This attitude changed with
+the coming of the French Revolution. Here was a new force unrealized
+before--that of a crowd which, being unrepresented and with a real
+grievance, could, when it liked, take a club and go after what it wanted.
+For the first time in many years in England--such were the whiffs of
+liberty across the Channel--the power of an unrepresented public came to be
+known. It was not that the English crowd had as yet taken the club in its
+hands, but there were new thoughts abroad in the world, and there was the
+possibility to be regarded. To influence this larger public, therefore, men
+who could write came little by little into a larger demand. And as
+writers were comparatively scarce, all kinds--whether they wrote poems or
+prose--were pressed into service. It is significant, too, that it was in
+the decades subjected to the first influence of the French Revolution that
+the English daily paper took its start as an agent to influence public
+opinion.
+
+It was therefore rather more than one hundred years ago that writers came
+to a better prosperity. They came out of their garrets, took rooms on the
+second floor, polished their brasses and became Persons. I can fancy that a
+writer after spending a morning in the composition of a political article
+on the whisper of a Cabinet Minister, wrote a sonnet after lunch, and
+a book review before dinner. Let us see in what mood they took their
+advancement! Let us examine their temper--but in book reviewing only, for
+that alone concerns us! In doing this, we have the advantage of knowing the
+final estimate of the books they judged. Like the witch, we have looked
+into the seeds of time and we know "which grain will grow and which will
+not."
+
+In 1802, when the Edinburgh Review (which was the first of its line to
+acquire distinction) came into being, the passion of the times found voice
+in politics. Both Whigs and Tories had been alarmed by the excesses of the
+French Revolution; both feared that England was drifting the way of France;
+each had a remedy, but opposed and violently maintained. The Tories put the
+blame of the Revolution on the compromises of Louis XVI, and accordingly
+they were hostile to any political change. The Whigs, on the other
+hand, saw the rottenness of England as a cause that would incite her to
+revolution also, and they advocated reform while yet there was time. The
+general fear of a revolution gave the government of England to the Tories,
+and kept them in power for several decades. And England was ripe for
+trouble. The government was but nominally representative. No Catholic,
+Jew, Dissenter or poor man had a vote or could hold a seat in Parliament.
+Industrially and economically the country was in the condition of France
+in the year of Arthur Young's journey. The poverty was abject, the relief
+futile and the hatred of the poor for the rich was inflammatory.
+George III, slipping into feebleness and insanity, yet jealous of his
+unconstitutional power, was a vacillating despot, quarrelling with his
+Commons and his Ministers. Lord Eldon as Chancellor, but with as nearly the
+control of a Premier as the King would allow, was the staunch upholder of
+all things that have since been disproved and discarded. Bagehot said of
+him that "he believed in everything which it is impossible to believe in."
+France and Napoleon threatened across the narrow channel. England still
+growled at the loss of her American colonies. It was as yet the England
+of the old regime. The great reforms were to come thirty years later--the
+Catholic Emancipation, the abolishment of slavery in the colonies, the
+suppression of the pocket boroughs, the gross bribery of elections, the
+cleaning of the poor laws and the courts of justice.
+
+It was in this dark hour of English history that the writers polished their
+brasses and set up as Persons. And if the leading articles that they wrote
+of mornings stung and snapped with venom, it is natural that the book
+reviews on which they spent their afternoons had also some vinegar in them,
+especially if they concerned books written by those of the opposition. And
+other writers, even if they had no political connection, borrowed their
+manners from those who had. It was the animosities of party politics that
+set the general tone. Billingsgate that had grown along the wharves of the
+lower river, was found to be of service in Parliament and gave a spice and
+sparkle even to a book review. Presently a large part of literary England
+wore the tags of political preference. Writers were often as clearly
+distinguished as were the ladies in the earlier day, when Addison wrote his
+paper on party patches. There were seats of Moral Philosophy to be handed
+out, under-secretaryships, consular appointments. It is not enough to say
+that Francis Jeffrey was a reviewer, he was as well a Whig and was running
+a Review that was Whig from the front cover to the back. Leigh Hunt was not
+merely a poet, for he was also a radical, and therefore in the opinions of
+Tories, a believer in immorality and indecency. No matter how innocent
+a title might appear, it was held in suspicion, on the chance that it
+assailed the Ministry or endangered the purity of England. William Gifford
+was more than merely the editor of the Quarterly Review, for he was as well
+a Tory editor whose duty it was to pry into Whiggish roguery. Lockhart and
+Wilson, who wrote in Blackwood's, were Tories tooth and nail, biting and
+scratching for party. Nowadays, literature, having found the public to be
+its most profitable patron, works hard and even abjectly for its favor.
+Although there are defects in the arrangement, it must be confessed that
+the divorce of literature from politics contributes to the general peace of
+the household.
+
+The Edinburgh Review was founded in 1802, the Quarterly Review in 1809,
+Blackwood's Magazine in 1817. These three won distinction among others of
+less importance, and from them only I quote. In 1802, when Tory rule was
+strongest and Lord Eldon flourished, there was living in Edinburgh a group
+of young men who were for the most part briefless barristers. Their case
+was worse because they were Whigs. Few cases came their way and no offices.
+These young men were Francis Jeffrey, Francis Horner, Henry Brougham, and
+there was also Sydney Smith who had just come to Edinburgh from an English
+country parish. The eldest was thirty-one, the youngest twenty-three.
+Although all of them had brilliant lives before them, not one of them had
+made as yet more than a step toward his accomplishment. Sydney Smith had
+been but lately an obscure curate, buried in the middle of Salisbury Plain,
+away from all contact with the world. Francis Jeffrey had been a hack
+writer in London, had studied medicine, had sought unsuccessfully a
+government position in India, had written poor sonnets, and was now
+lounging with but a scanty occupation in the halls of the law courts.
+Francis Horner had just come to the Scottish bar straight from his studies.
+Henry Brougham, who in days to come was to be Lord Chancellor of England
+and to whose skill in debate the passing of the Great Reform bill of 1832
+is partly due, is also just admitted to the practice of the law.
+
+The founding of the Review was casual. These men were accustomed to meet of
+an evening for general discussion and speculation. It happened one night as
+they sat together--the place was a garret if legend is to be believed--that
+Sydney Smith lamented that their discussions came to nothing, for they were
+all Whigs, all converted to the cause; whereas if they could only bring
+their opinions to the outside public they could stir opinion. From so
+slight a root the Review sprouted. Sydney Smith was made editor and kept
+the position until after the appearance of the first number, when Jeffrey
+succeeded him. The Review became immediately a power, appearing quarterly
+and striking its blows anonymously against a sluggish government, lashing
+the Tory writers, and taking its part, which is of greater consequence, in
+the promulgation of the Whig reforms which were to ripen in thirty years
+and convert the old into modern England. In the destruction of outworn
+things, it was, as it were, a magazine of Whig explosives.
+
+The Quarterly Review was the next to come and it was Tory. John Murray, the
+London publisher, had been the English distributor of the Edinburgh Review.
+In 1809, two considerations moved him to found in London a review to rival
+the Scotch periodical. First the Tory party was being hard hit by the
+Edinburgh Review and there was need of defense and retaliation. In the
+second place, John Murray saw that if his publishing house was to flourish,
+it must provide this new form of literature that had become so popular.
+For the very shortness of the essays and articles, in which extensive
+conditions were summarized for quick digestion, had met with English
+approval as well as Scotch. People had become accustomed, says Bagehot, of
+taking "their literature in morsels, as they take sandwiches on a journey."
+Murray appealed to George Canning, then in office, for assistance and was
+introduced to William Gifford as a man capable of the undertaking, who
+would also meet the favor of the government party. The rise of the
+Quarterly Review was not brilliant. It did not fill the craving for
+novelty, inasmuch as the Edinburgh was already in the field. Furthermore,
+there is not the opportunity in defense for as conspicuous gallantry as in
+offensive warfare.
+
+It was eight years before another enduring review was started. William
+Blackwood of Edinburgh had grown like Murray from a bookseller to a
+publisher, and he, too, looked for a means of increasing his prestige. He
+had launched a review the year previously, in 1816, but it had foundered
+when it was scarcely off the ways. His second attempt he was determined
+must be successful. His new editors were John G. Lockhart and John Wilson,
+and the new policy, although nominally Tory, was first and last the
+magazine's notoriety. It hawked its wares into public notice by sensational
+articles and personal vilification. Wilson was thirty-two and Lockhart
+twenty-three, yet they were as mischievous as boys. In their pages is found
+the most abominable raving that has ever passed for literary criticism.
+They did not need any party hatred to fire them. William Blackwood
+welcomed any abuse that took his magazine out of "the calm of respectable
+mediocrity." Anything that stung or startled was welcome to a place in its
+pages.
+
+So Blackwood's was published and Edinburgh city, we may be sure, set up a
+roar of delight and anger. Never before had one's friends been so assailed.
+Never before had one's enemies been so grilled. How pleasing for a Tory
+fireside was the mud bath with which it defiled Coleridge, who was--and you
+had always known it--"little better than a rogue." One's Tory dinner was
+the more toothsome for the hot abuse of the Chaldee Manuscript. What stout
+Tory, indeed, would doze of an evening on such a sheet! There followed
+of course cases of libel. The editors even found it safer, after the
+publication of the first number, to retire for a time to the country until
+the city cooled.
+
+I choose now to turn to the pages of these three reviews and set out before
+you samples of their criticisms, in order that you may contrast them
+with our own literary judgments. I warn you in fairness that I have been
+disposed to choose the worst, yet there are hundreds of other criticisms
+but little better. Of the three reviews, Blackwood's was the least
+seriously political in its policy, yet its critical vilifications are the
+worst. The Edinburgh Review, the most able of the three and the most in
+earnest in politics, is the least vituperative. With this introduction, let
+us shake the pepperpot and lay out the strong vinegar of our feast!
+
+In the judgment of the Edinburgh Review, Tom Moore, who had just published
+his "Odes and Epistles" but had not yet begun his Irish melodies, is a man
+who "with some brilliancy of fancy, and some show of classical erudition
+... may boast, if the boast can please him, of being the most licentious of
+modern versifiers, and the most poetical of those who, in our times, have
+devoted their talents to the propagation of immorality. We regard his book,
+indeed, as a public nuisance.... He sits down to ransact the impure places
+of his memory for inflammatory images and expressions, and commits them
+laboriously in writing, for the purpose of insinuating pollution into the
+minds of unknown and unsuspecting readers."
+
+Francis Jeffrey wrote this, and Moore challenged him to fight. The police
+interfered, and as Jeffrey put it, "the affair ended amicably. We have
+since breakfasted together very lovingly. He has expressed penitence for
+what he has written and declared that he will never again apply any little
+talents he may possess to such purpose: and I have said that I shall be
+happy to praise him whenever I find that he has abjured these objectionable
+topics." It was Sydney Smith who said of Jeffrey he would "damn the solar
+system--bad light--planets too distant--pestered with comets. Feeble
+contrivance--could make a better with great ease."
+
+Jeffrey reviewed Wordsworth and found in the "Lyrical Ballads"
+"vulgarity, affectation and silliness." He is alarmed, moreover, lest
+his "childishness, conceit and affectation" spread to other authors. He
+proposes a poem to be called "Elegiac Stanzas to a Sucking Pig," and of
+"Alice Fell" he writes that "if the publishing of such trash as this be
+not felt as an insult on the public taste, we are afraid it cannot be
+insulted." When the "White Doe of Rylstone" was published--no prime
+favorite, I confess, of my own--Jeffrey wrote that it had the merit of
+being the very worst poem he ever saw imprinted in a quarto volume. "It
+seems to us," he wrote, "to consist of a happy union of all the faults,
+without any of the beauties, which belong to his school of poetry. It is
+just such a work, in short, as some wicked enemy of that, school might be
+supposed to have devised, on purpose to make it ridiculous."
+
+Lord Byron, on the publication of an early volume, is counselled "that he
+do forthwith abandon poetry ... the mere rhyming of the final syllable,
+even when accompanied by the presence of a certain number of feet ... is
+not the whole art of poetry. We would entreat him to believe," continued
+the reviewer, "that a certain portion of liveliness, somewhat of fancy, is
+necessary to constitute a poem; and that a poem in the present day, to
+be read, must contain at least one thought...." It was this attack that
+brought forth Byron's "English Bards and Scotch Reviewers."
+
+As long as Jeffrey hoped to enlist Southey to write for the Edinburgh
+Review, he treated him with some favor. But Southey took up with the
+Quarterly. "The Laureate," says the Edinburgh presently, "has now been
+out of song for a long time: But we had comforted ourselves with the
+supposition that he was only growing fat and lazy.... The strain, however,
+of this publication, and indeed of some that went before it, makes us
+apprehensive that a worse thing has befallen him ... that the worthy
+inditer of epics is falling gently into dotage."
+
+Now for the Quarterly Review, if by chance it can show an equal spleen!
+
+There lived in the early days of the nineteenth century a woman by the name
+of Lady Morgan, who was the author of several novels and books of travel.
+Although her record in intelligence and morals is good, John Croker,
+who regularly reviewed her books, accuses her works of licentiousness,
+profligacy, irreverence, blasphemy, libertinism, disloyalty and atheism.
+There are twenty-six pages of this in one review only, and any paragraph
+would be worth the quoting for its ferocity. After this attack it was
+Macaulay who said he hated Croker like "cold boiled veal."
+
+The Quarterly reviewed Keats' "Endymion," although the writer naively
+states at the outset that he has not read the poem. "Not that we have been
+wanting in our duty," he writes, "far from it--indeed, we have made efforts
+almost as superhuman as the story itself appears to be, to get through it;
+but with the fullest stretch of our perseverance we are forced to confess
+that we have not been able to struggle beyond the first of the four
+books...." Finally he questions whether Keats is the author's name, for
+he doubts "that any man in his senses would put his real name to such a
+rhapsody."
+
+Leigh Hunt's "Rimini" the Quarterly finds to be an "ungrammatical,
+unauthorized, chaotic jargon, such as we believe was never before spoken,
+much less written.... We never," concludes the reviewer, "in so few lines
+saw so many clear marks of the vulgar impatience of a low man, conscious
+and ashamed of his wretched vanity, and labouring, with coarse flippancy,
+to scramble over the bounds of birth and education, and fidget himself into
+the stout-heartedness of being familiar with a Lord." In a later review,
+Hunt is a propounder of atheism. "Henceforth," says the reviewer, "... he
+may slander a few more eminent characters, he may go on to deride venerable
+and holy institutions, he may stir up more discontent and sedition, but he
+will have no peace of mind within ... he will live and die unhonoured
+in his own generation, and, for his own sake it is to be hoped, moulder
+unknown in those which are to follow."
+
+Hazlitt belongs to a "class of men by whom literature is more than at any
+period disgraced." His style is suited for washerwomen, a "class of
+females with whom ... he and his friend Mr. Hunt particularly delight to
+associate."
+
+Shelley, writes the Quarterly, "is one of that industrious knot of authors,
+the tendency of whose works we have in our late Numbers exposed to the
+caution of our readers ... for with perfect deliberation and the steadiest
+perseverance he perverts all the gifts of his nature, and does all the
+injury, both public and private, which his faculties enable him to
+perpetrate." His "poetry is in general a mere jumble of words and
+heterogeneous ideas." "The Cloud" is "simple nonsense." "Prometheus
+Unbound" is a "great storehouse of the obscure and unintelligible." In the
+"Sensitive Plant" there is "no meaning." And for Shelley himself, he is
+guilty of a great many terrible things, including verbiage, impiety,
+immorality and absurdity.
+
+Of Blackwood's Magazine the special victims were Keats and Hunt and
+Coleridge. "Mr. Coleridge," says the reviewer, "... seems to believe that
+every tongue is wagging in his praise--that every ear is open to imbibe the
+oracular breathings of his inspiration ... no sound is so sweet to him as
+that of his own voice ... he seems to consider the mighty universe itself
+as nothing better than a mirror in which, with a grinning and idiot
+self-complacency, he may contemplate the physiognomy of Samuel Taylor
+Coleridge.... Yet insignificant as he assuredly is, he cannot put pen to
+paper without a feeling that millions of eyes are fixed upon him...."
+
+Leigh Hunt, says Blackwood, "is a man of extravagant pretensions ...
+exquisitely bad taste and extremely vulgar modes of thinking." His
+"Rimini" "is so wretchedly written that one feels disgust at its pretense,
+affectation and gaudiness, ignorance, vulgarity, irreverence, quackery,
+glittering and rancid obscenities."
+
+Blackwood's wrote of the "calm, settled, imperturbable, drivelling idiocy
+of Endymion," and elsewhere of Keats' "prurient and vulgar lines, evidently
+meant for some young lady east of Temple Bar.... It is a better and a wiser
+thing," it commented, "to be a starved apothecary than a starved poet; so
+back to the shop, Mr. John, back to 'plasters, pills and ointment
+boxes.'" And even when Shelley wrote his "Adonais" on the death of Keats,
+Blackwood's met it with a contemptible parody:
+
+"Weep for my Tom cat! all ye Tabbies weep!"
+
+Perhaps I have quoted enough. This is the parentage of our silken and
+flattering criticism.
+
+The pages of these old reviews rest yellow on the shelves. From them there
+comes a smell of rotting leather, as though the infection spreads. The hour
+grows late. Like the ghost of the elder Hamlet, I detect the morning to be
+near.
+
+
+
+
+The Pursuit of Fire
+
+
+Reader, if by chance you have the habit of writing--whether they be sermons
+to hurl across your pews, or sonnets in the Spring--doubtless you have
+moments when you sit at your desk bare of thoughts. Mother Hubbard's
+cupboard when she went to seek the bone was not more empty. In such plight
+you chew your pencil as though it were stuff to feed your brain. Or if you
+are of delicate taste, you fall upon your fingers. Or in the hope that
+exercise will stir your wits, you pace up and down the room and press your
+nose upon the window if perhaps the grocer's boy shall rouse you. Some
+persons draw pictures on their pads or put pot-hooks on their letters--for
+talent varies--or they roughen up their hair. I knew one gifted fellow
+whose shoes presently would cramp him until he kicked them off, when at
+once the juices of his intellect would flow. Genius, I am told, sometimes
+locks its door and, if unrestrained, peels its outer wrappings. Or, in your
+poverty, you run through the pages of a favorite volume, with a notebook
+for a sly theft to start you off. In what dejection you have fallen! It is
+best that you put on your hat and take your stupid self abroad.
+
+Or maybe you think that your creative fire will blaze, if instead of
+throwing in your wet raw thoughts, you feed it a few seasoned bits. You
+open, therefore, the drawer of your desk where you keep your rejected and
+broken fragments--for your past has not been prosperous--hopeful against
+experience that you can recast one of these to your present mood. This
+is mournful business. Certain paragraphs that came from you hot are now
+patched and shivery. Their finer meaning has run out between the lines as
+though these spaces were sluices for the proper drainage of the page. You
+had best put on your hat. You will get no comfort from these stale papers.
+
+One evening lately, being in this plight, I spread out before me certain
+odds and ends. I had dug deeper than usual in the drawer and had brought up
+a yellow stratum of a considerable age. I was poring upon these papers and
+was wondering whether I could fit them to a newer measure, when I heard a
+slight noise behind me. I glanced around and saw that a man had entered the
+room and was now seated in a chair before the fire. In the common nature
+of things this should have been startling, for the hour was late--twelve
+o'clock had struck across the way--and I had thought that I was quite
+alone. But there was something so friendly and easy in his attitude--he
+was a young man, little more than a lanky boy--that instead of being
+frightened, I swung calmly around for a better look. He sat with his legs
+stretched before him and with his chin resting in his hand, as though in
+thought. By the light that fell on him from the fire, I saw that he wore a
+brown checked suit and that he was clean and respectable in appearance. His
+face was in shadow.
+
+"Good evening," I said, "you startled me."
+
+"I am sorry," he replied. "I beg your pardon. I was going by and I saw your
+light. I wished to make your acquaintance. But I saw at once that I was
+intruding, so I sat here. You were quite absorbed. Would you mind if I
+mended the fire?"
+
+Without waiting for an answer, he took the poker and dealt the logs several
+blows. It didn't greatly help the flame, but he poked with such enjoyment
+that I smiled. I have myself rather a liking for stirring a fire. He set
+another log in place. Then he drew from his pocket a handful of dried
+orange peel. "I love to see it burn," he said. "It crackles and spits." He
+ranged the peel upon the log where the flame would get it, and then settled
+himself in the big chair.
+
+"Perhaps you smoke?" I asked, pushing toward him a box of cigarettes.
+
+He smiled. "I thought that you would know my habits. I don't smoke."
+
+"So you were going by and came up to see me?" I asked.
+
+"Yes. I was not sure that I would know you. You are a little older than I
+thought, a little--stouter, but dear me, how you have lost your hair! But
+you have quite forgotten me."
+
+"My dear boy," I said, "you have the advantage of me. Where have I seen
+you? There is something familiar about you and I am sure that I have seen
+that brown suit before."
+
+"We have never really known each other," the boy replied. "We met once, but
+only for an instant. But I have thought of you since that meeting a great
+many times. I lay this afternoon on a hilltop and wondered what you would
+be like. But I hoped that sometimes you would think of me. Perhaps you have
+forgotten that I used to collect railway maps and time-tables."
+
+"Did you?" I replied. "So did I when I was a little younger than you are.
+Perhaps if I might see your face, I would know you."
+
+"It's nothing for show," he replied, and he kept it still in shadow. "Would
+you mind," he said at length, "if I ate an apple?" He took one from his
+pocket and broke it in his hands. "You eat half," he said.
+
+I accepted the part he offered me. "Perhaps you would like a knife and
+plate," I said. "I can find them in the pantry."
+
+"Not for me," he replied. "I prefer to eat mine this way." He took an
+enveloping bite.
+
+"I myself care nothing for plates," I said. We ate in silence. Presently:
+"You have my habit," I said, "of eating everything, skin, seeds and all."
+
+"Everything but the stem," he replied.
+
+By this time the orange peel was hissing and exploding.
+
+"You are an odd boy," I said. "I used to put orange peel away to dry in
+order to burn it. We seem to be as like as two peas."
+
+"I wonder," he said, "if that is so." He turned in his chair and faced me,
+although his face was still in shadow. "Doubtless, we are far different in
+many things. Do you swallow grape seeds?"
+
+"Hardly!" I cried. "I spit them out."
+
+"I am glad of that." He paused. "It was a breezy hilltop where I lay. I
+thought of you all afternoon. You are famous, of course?"
+
+"Dear me, no!"
+
+"Oh, I'm so sorry. I had hoped you might be. I had counted on it. It is
+very disappointing. I was thinking about that as I lay on the hill. But
+aren't you just on the point of doing something that will make you famous?"
+
+"By no means."
+
+"Dear me, I am so sorry. Do you happen to be married?"
+
+"Yes."
+
+"And would you mind telling me her name?"
+
+I obliged him.
+
+"I don't remember to have heard of her. I didn't think of that name once
+as I lay upon the hill. Things don't turn out as one might expect. Now, I
+would have thought--but it's no matter."
+
+For a moment or so he was lost in thought, and then he spoke again: "You
+were writing when I came into the room?"
+
+"Nothing important."
+
+The boy ran his fingers in his hair and threw out his arms impatiently.
+"That's what I would like to do. I am in college, and I try for one of the
+papers. But my stuff comes back. But this summer in the vacation, I am
+working in an office. I run errands and when there is nothing else to do, I
+study a big invoice book, so as to get the names of things that are bought.
+There is a racket of drays and wagons outside the windows, and along in
+the middle of the afternoon I get tired and thick in my head. But I write
+Saturday afternoons and Sunday mornings."
+
+The boy stopped and fixed his eyes on me. "I don't suppose that you happen
+to be a poet?"
+
+"Not at all," I replied. "But perhaps you are one. Tell me about it!"
+
+The boy took a turn at the fire with the poker, but it was chiefly in
+embarrassment. Presently he returned to his chair. He stretched his long
+arms upward above his head.
+
+"No, I'm not," he said. "And yet sometimes I think that I have a kind of
+poetry in me. Only I can't get it into words. I lay thinking about that,
+too, on the hillside. There was a wind above my head, and I thought that I
+could almost put words to the tune. But I have never written a single poem.
+Yet, goodness me, what thoughts I have! But they aren't real thoughts--what
+you would regularly call thoughts. Things go racing and tingling in my
+head, but I can never get them down. They are just feelings."
+
+As he spoke, the boy gazed intently through the chimney bricks out into
+another world. The fireplace was its portal and he seemed to wait for the
+fires to cool before entering into its possession. It was several moments
+before he spoke again.
+
+"I don't want you to think me ridiculous, but so few understand. If only I
+could master the tools! Perhaps my thoughts are old, but they come to me
+with such freshness and they are so unexpected. Could I only solve the
+frets and spaces inside me here, I could play what tune I chose. But my
+feelings are cold and stale before I can get them into thoughts. I have no
+doubt, however, that they are just as real as those other feelings that in
+time, after much scratching, get into final form and become poetry. I
+know of course that a man's reach should exceed his grasp--it's hackneyed
+enough--but just for once I would like to pull down something when I have
+been up on tiptoe for a while.
+
+"Sometimes I get an impression of pity--a glance up a dark hallway--an old
+woman with a shawl upon her head--a white face at a window--a blind fiddler
+in the street--but the impression is gone in a moment. Or a touch of beauty
+gets me. It may be nothing but a street organ in the spring. Perhaps you
+like street organs, too?"
+
+"I do, indeed!" I cried. "There was one today outside my window and my feet
+kept wiggling to it."
+
+The boy clapped his hands. "I knew that you would be like that. I hoped for
+it on the hill. As for me, when I hear one, I'm so glad that I could cry
+out. In its lilt there is the rhythm of life. It moves me more than a
+hillside with its earliest flowers. Am I absurd? It is equal to the pipe of
+birds, to shallow waters and the sound of wind to stir me to thoughts of
+April. Today as I came downtown, I saw several merry fellows dancing on
+the curb. There are tunes, too, upon the piano that send me off. I play a
+little myself. I see you have a piano. Do you still play?"
+
+"A little, rather sadly," I replied.
+
+"That's too bad, but perhaps you sing?"
+
+"Even worse."
+
+"Dear me, that's too bad. I have rather a voice myself. Well, as I was
+saying, when I hear those tunes, I curl up with the smoke and blow forth
+from the chimney. If I walk upon the street when the wind is up, and see a
+light fleece of smoke coming from a chimney top, I think that down below
+someone is listening to music that he likes, and that his thoughts ride
+upon the night, like those white streamers of smoke. And then I think of
+castles and mountains and high places and the sounds of storm. Or in fancy
+I see a tower that tapers to the moon with a silver gleam upon it."
+
+The strange boy lay back and laughed. "Musicians think that they are the
+only ones that can hear the finer sounds. If one of us common fellows cocks
+his ear, they think that only the coarser thumps get inside. And artists
+think that they alone know the glory of color. I was thinking of that, this
+afternoon. And yet I have walked under the blue sky. I have seen twilights
+that these men of paint would botch on canvas. But both musicians and
+artists have a vision that is greater than their product. The soul of a man
+can hardly be recorded in black and white keys. Nor can a little pigment
+which you rub upon your thumb be the measure of an artist. So I suppose
+that is the way also with poets. It is not to be expected that they can
+express themselves fully in words that they have borrowed from the kitchen.
+When their genius flames up, it is only the lesser sparks that fall upon
+their writing pads. It consoles me that a man should be greater than his
+achievement. I who have done so little would otherwise be so forlorn."
+
+"It's odd," I said, when he had fallen into silence, "that I used to feel
+exactly as you do. It stirs an old recollection. If I am not mistaken, I
+once wrote a paper on the subject."
+
+The boy smiled dreamily. "But if small persons like myself," he began, "can
+have such frenzies, how must it be with those greater persons who have
+amazed the world? I have wondered in what kind of exaltation Shakespeare
+wrote his storm in 'Lear.' There must have been a first conception greater
+even than his accomplishment. Did he look from his windows at a winter
+tempest and see miserable old men and women running hard for shelter? Did
+a flash of lightning bare his soul to the misery, the betrayal and the
+madness of the world? His supreme moment was not when he flung the
+completed manuscript aside, or when he heard the actors mouth his lines,
+but in the flash and throb of creation--in the moment when he knew that he
+had the power in him to write 'Lear.' What we read is the cold forging,
+wonderful and enduring, but not to be compared to the producing furnace."
+
+The boy had spoken so fast that he was out of breath.
+
+"Hold a bit!" I cried. "What you have said sounds familiar. Where could I
+have heard it before?"
+
+There was something almost like a sneer on the boy's face. "What a memory
+you have! And perhaps you recall this brown suit, too. It's ugly enough to
+be remembered. Now please let me finish what came to me this afternoon on
+the hill! Prometheus," he continued, "scaled the heavens and brought back
+fire to mortals. And he, as the story goes, clutched at a lightning bolt
+and caught but a spark. And even that, glorious. Mankind properly accredits
+him with a marvellous achievement. It is for this reason that I comfort
+myself although I have not yet written a single line of verse."
+
+"My dear fellow," I said, "please tell me where I have read something like
+what you have spoken?"
+
+The boy's answer was irrelevant. "You first tell me what you did with a
+brown checked suit you once owned."
+
+"I never owned but one brown suit," I replied, "and that was when I was
+still in college. I think that I gave it away before it was worn out."
+
+The boy once more clapped his hands. "Oh, I knew it, I knew it. I'll give
+mine tomorrow to the man who takes our ashes. Now, won't you please play
+the piano for me?"
+
+"Assuredly. Choose your tune!"
+
+He fumbled a bit in the rack and passing some rather good music, he held up
+a torn and yellow sheet. "This is what I want," he said.
+
+I had not played it for many years. After a false start or so--for it was
+villainously set in four sharps for which I have an aversion--I got through
+it. On a second trial I did better.
+
+The boy made no comment. He had sunk down in his chair until he was quite
+out of sight. "Well," I said, "what next?"
+
+There was no answer.
+
+I arose from the bench and glanced in his direction. "Hello," I cried,
+"what has become of you?"
+
+The chair was empty. I turned on all the lights. He was nowhere in sight. I
+shook the hangings. I looked under my desk, for perhaps the lad was hiding
+from me in jest. It was unlikely that he could have passed me to gain the
+door, but I listened at the sill for any sound upon the stairs. The hall
+was silent. I called without response. Somewhat bewildered I came back to
+the hearth. Only a few minutes before, as it seemed, there had been a brisk
+fire with a row of orange peel upon the upper log. Now all trace of the
+peel was gone and the logs had fallen to a white ash.
+
+I was standing perplexed, when I observed that a little pile of papers lay
+on the rug just off the end of my desk as by a careless elbow. At least,
+I thought, this impolite fellow has forgotten some of his possessions. It
+will serve him right if it is poetry that he wrote upon the hilltop.
+
+I picked up the papers. They were yellow and soiled, and writing was
+scrawled upon them. At the top was a date--but it was twenty years old.
+I turned to the last sheet. At least I could learn the boy's name. To my
+amazement, I saw at the bottom in an old but familiar writing, not the
+boy's name, but my own.
+
+I gazed at the chimney bricks and their substance seemed to part before my
+eyes. I looked into a world beyond--a fabric of moonlight and hilltop and
+the hot fret of youth. Perhaps the boy had only been waiting for the fire
+upon the hearth to cool to enter this other world of his restless ambition
+and desire.
+
+Reader, if by chance you have the habit of writing--let us confine
+ourselves now to sonnets and such airy matter as rides upon the
+night--doubtless, you sit sometimes at your desk bare of thoughts. The
+juices of your intellect are parched and dry. In such plight, I beg you
+not to fall upon your fingers or to draw pictures on your sheet. But most
+vehemently, and with such emphasis as I possess, I beg you not to rummage
+among your rejected and broken fragments in the hope of recasting a
+withered thought to a present mood. Rather, before you sour and curdle,
+it is good to put on your hat and take your stupid self abroad.
+
+
+
+
+End of the Project Gutenberg EBook of There's Pippins And Cheese To Come
+by Charles S. Brooks
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THERE'S PIPPINS AND CHEESE TO COME ***
+
+***** This file should be named 10023.txt or 10023.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/0/0/2/10023/
+
+Produced by Ted Garvin, Josephine Paolucci and PG Distributed Proofreaders
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS," WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year.
+
+ http://www.ibiblio.org/gutenberg/etext06
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+ https://www.gutenberg.org/1/0/2/3/10234
+
+or filename 24689 would be found at:
+ https://www.gutenberg.org/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+ https://www.gutenberg.org/GUTINDEX.ALL
+
+
diff --git a/old/10023.zip b/old/10023.zip
new file mode 100644
index 0000000..a0827d3
--- /dev/null
+++ b/old/10023.zip
Binary files differ